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The Great Pyramid with Library of the Untold · The Occult Rejects

• 0:03
  Speaker 1: Some things are going to happen.
• 0:06
  Speaker 2: What's going to happen?
• 0:15
  Speaker 3: What a.
• 0:24
  Speaker 4: Welcome to the occult rejects. This episode, we got a
• 0:28
  Speaker 4: packed house today. We got we got eight of us here,
• 0:30
  Speaker 4: magical number.
• 0:32
  Speaker 1: Uh.
• 0:32
  Speaker 4: First off, we'll start off with Lisa, your cult rejected
• 0:35
  Speaker 4: mad scientists. What is going on? Lisa? How are you?
• 0:38
  Speaker 4: Thank you for joining us?
• 0:39
  Speaker 5: Thank you, thank you for inviting me. And I'm very
• 0:41
  Speaker 5: excited to hear all the discussions. AGA I'm doing already
• 0:46
  Speaker 5: and so anyway, I wanted to plug at the beginning
• 0:49
  Speaker 5: the Cult Research Institute dot org check us out.
• 0:52
  Speaker 4: Awesome, Thank you very much, appreciate you joining us. And
• 0:55
  Speaker 4: frader Jin the Ninja. What is going on? Sir?
• 0:58
  Speaker 6: Hello Cardinal, good evening. Okay, So I'm jan Ninja. You
• 1:03
  Speaker 6: can find me on ex, Twitter, at ucom. We're born
• 1:05
  Speaker 6: to the UK one g be born. The show account
• 1:08
  Speaker 6: is at Threshold Saints on both ig and Twitter. My
• 1:12
  Speaker 6: show is Serial Experiments in Speculative Ontology. We just launched
• 1:16
  Speaker 6: a news series on the Gray Lodge entitled Welcome to
• 1:19
  Speaker 6: Hapaboia So Speculative American Narcissism, So interested.
• 1:24
  Speaker 4: To awesome, awesome, Thank you very much, sir, and Riccardo.
• 1:28
  Speaker 4: What is going on? Ricardo? Please let everybody know what
• 1:30
  Speaker 4: your deal is where they can find all your amazing research.
• 1:33
  Speaker 7: Oh, thank you, thank you. So my name is Ricardo
• 1:36
  Speaker 7: Varu and you can find me at Ricardo Calvary one
• 1:41
  Speaker 7: at x or History, miss and Legends on YouTube. But
• 1:47
  Speaker 7: you I would recommend not myself, but for instance, Institute
• 1:51
  Speaker 7: for Natal Philosophy that I'm part on. You can go
• 1:54
  Speaker 7: to Institute for Naturphilosophy dot org and find out magazine
• 1:57
  Speaker 7: Pharaohs that it's free to download or to watch directly
• 2:02
  Speaker 7: and if anyone wants to participate, they have the context
• 2:05
  Speaker 7: there to reach us.
• 2:07
  Speaker 4: Thank you awesome, Thank you very much for Kardo and
• 2:11
  Speaker 4: Heidi Love.
• 2:11
  Speaker 8: What is o?
• 2:12
  Speaker 4: Heidi?
• 2:13
  Speaker 2: Please let everybody know, thank you, Thank you, Cardinal.
• 2:17
  Speaker 1: I'm so happy to be here because you know, the
• 2:20
  Speaker 1: Pope was like elected today and the cardinals here with
• 2:23
  Speaker 1: us and freighters and we have all these people now.
• 2:27
  Speaker 1: I'm Heidi Love of the Unfiltered Rise. I'm everywhere podcasts
• 2:29
  Speaker 1: are served. You can find me mostly on Spotify. If
• 2:33
  Speaker 1: you do YouTube, it's just one show a week because
• 2:36
  Speaker 1: they hate me, so check it out there.
• 2:40
  Speaker 4: Thank you very much, Id you. Always appreciate you coming
• 2:42
  Speaker 4: on the show. And Ethan Indigo, my man, how's it going?
• 2:47
  Speaker 9: Peace, got to be here, honored to hear you guys
• 2:50
  Speaker 9: speak joy, love your ideas. I have a couple of
• 2:54
  Speaker 9: articles on the Cult Research Institute and I am easy
• 2:57
  Speaker 9: to find on social media, So honor to be here.
• 2:59
  Speaker 8: You guys.
• 3:00
  Speaker 4: Definitely go check out his stuff. I got his links
• 3:02
  Speaker 4: in the bottom as well, and less but not least
• 3:04
  Speaker 4: so well, no, not last, but at least Headless made it.
• 3:08
  Speaker 4: JJ Vance real quick, let everybody know what your deal
• 3:11
  Speaker 4: is as well, so everybody can find your amazing work
• 3:13
  Speaker 4: in your podcast.
• 3:15
  Speaker 8: Nicks.
• 3:15
  Speaker 10: Always, I appreciate the invite, sir, fellow occult rejects folks.
• 3:19
  Speaker 10: I always be looking forward to the conversation. We just
• 3:21
  Speaker 10: got one more here with Headless, Uh Joey. Great to
• 3:25
  Speaker 10: meet you, U. JJ Vance, host of Operation gc D.
• 3:29
  Speaker 10: More notably not the vice president. It's important to note
• 3:32
  Speaker 10: that Grock a I even thinks I'm the vice president,
• 3:36
  Speaker 10: like that's the JD Vance host the Operation GCD podcast.
• 3:39
  Speaker 10: I'm you know, I have to tell Grock that's mistaken.
• 3:42
  Speaker 10: But I also have an alibi for the death of
• 3:44
  Speaker 10: the Pope because.
• 3:45
  Speaker 4: He's off for that. So well, yeah, this conversation what's
• 3:51
  Speaker 4: that be and you are podcasting would have happened right exactly.
• 3:55
  Speaker 10: I've got an alibi now looking for the combo. Definitely
• 4:00
  Speaker 10: agreed to meet.
• 4:01
  Speaker 4: You there, Joey, thank you awesome. And now finally, last
• 4:04
  Speaker 4: but not least, Headless Giant. Please let everybody know what
• 4:07
  Speaker 4: you do?
• 4:08
  Speaker 3: Is you doing? Yeah, I'm the Headless Giant. You can
• 4:11
  Speaker 3: find my show on YouTube. I'm also on x Just
• 4:14
  Speaker 3: look at the Headless Giant and if you have it
• 4:15
  Speaker 3: to occult slash, scary, slash creepy stories you want to
• 4:21
  Speaker 3: tell me, just send it to the Headless Giant podcast
• 4:23
  Speaker 3: at gmail dot com and we will get those up
• 4:25
  Speaker 3: there for you.
• 4:26
  Speaker 4: Awesome. Definitely go hit them up with some emails. And
• 4:29
  Speaker 4: now finally to the guest, Joey Pas back on again
• 4:32
  Speaker 4: from the Library of Untold. Please, man, let everybody know
• 4:36
  Speaker 4: where they can find all your amazing work.
• 4:38
  Speaker 11: Well, I host Library of the Untold and write it
• 4:43
  Speaker 11: and whatever else.
• 4:43
  Speaker 8: But something that's new that was not last time.
• 4:48
  Speaker 11: And actually this is the first time I've said this,
• 4:50
  Speaker 11: So a little announcement for your show. Here fucking finally
• 4:54
  Speaker 11: we have library off theuntold dot com where just everything
• 4:59
  Speaker 11: is now in one place. So I've been needing that
• 5:03
  Speaker 11: for some time because in the comments people always like, hey, man,
• 5:06
  Speaker 11: where can I find your old videos all in one place?
• 5:10
  Speaker 8: Or your music?
• 5:11
  Speaker 11: It's all now, it's right there. But the bookstore doesn't
• 5:15
  Speaker 11: work yet. Don't buy a book, it won't work. So
• 5:18
  Speaker 11: we're getting there. Other stuff is available, honesty.
• 5:23
  Speaker 4: Yeah no, but good for you, man, that is great.
• 5:25
  Speaker 4: That is great. Listen, we had a great time the
• 5:28
  Speaker 4: last time you were on. Man. I am so stoked
• 5:30
  Speaker 4: that you decided to come on the show too, to
• 5:31
  Speaker 4: even cover a topic that I don't think you've really
• 5:33
  Speaker 4: covered on your show. So no, to me, this is
• 5:36
  Speaker 4: you know, it was an honor. I was like, damn,
• 5:37
  Speaker 4: he's asking me to come on. My should go something.
• 5:39
  Speaker 4: That's what's up? Thank you? So please, Joey, let us
• 5:42
  Speaker 4: know what's been going on through your head for a while.
• 5:44
  Speaker 11: So for like years now, obviously, I've been just curious
• 5:49
  Speaker 11: about the Pyramids, just like anybody else. But along with
• 5:53
  Speaker 11: ancient sites and everything else. And uh, I was aware
• 5:57
  Speaker 11: of the power plant theory and I wasn't quite fascinated
• 6:03
  Speaker 11: by it because it seemed like one of those fringe
• 6:06
  Speaker 11: subjects that you would, you know, get to eventually, but
• 6:12
  Speaker 11: whenever they kind of did that maybe bonk, maybe not
• 6:16
  Speaker 11: study with Cofre the sar thing or whatever. That piqued
• 6:20
  Speaker 11: my interests a little bit and it.
• 6:23
  Speaker 8: Kind of went nowhere.
• 6:24
  Speaker 11: But while it was piquing my interests, I started getting
• 6:29
  Speaker 11: into Chris Dunn and many other just the no nonsense
• 6:33
  Speaker 11: engineers who are miles from anything esoteric, who look at
• 6:39
  Speaker 11: the Pyramids and cross sections of it and they're like,
• 6:43
  Speaker 11: that's a machine. And knowing that I'm not qualified as
• 6:48
  Speaker 11: a machinist to argue with any of these guys, I
• 6:51
  Speaker 11: started reading. And usually I used these books for reference, dude,
• 6:58
  Speaker 11: but these two books in particular caught me and I
• 7:02
  Speaker 11: just was cover to cover with them. In like two weeks,
• 7:06
  Speaker 11: I couldn't put them down. And that became what's going
• 7:11
  Speaker 11: to be I guess about the next three episodes on
• 7:14
  Speaker 11: the show starting tomorrow.
• 7:18
  Speaker 8: So the way that these.
• 7:21
  Speaker 11: Three episodes will, the way they start is the first
• 7:25
  Speaker 11: one's just going to be no nonsense, just cold hard
• 7:28
  Speaker 11: facts about the Pyramids before anything speculative comes out. I
• 7:33
  Speaker 11: want to lay down a foundation of what is absolutely determinable.
• 7:39
  Speaker 11: And what that part is I think is obvious that
• 7:43
  Speaker 11: they weren't tombs.
• 7:44
  Speaker 8: First of all, I think that's out the window.
• 7:48
  Speaker 11: And now that that's out the window, it's still taboo
• 7:52
  Speaker 11: to speculate anything else, which is really weird because we
• 7:56
  Speaker 11: have a gap to fill, and with that gap, this
• 8:00
  Speaker 11: power plant hypothesis just knocks it out of the park.
• 8:04
  Speaker 11: All of the parts fit, and what's strangest about it
• 8:08
  Speaker 11: is there's no parts of the pyramid that seem like
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  Speaker 11: they don't add here to a power plant type of hypothesis.
• 8:17
  Speaker 11: That's not to say that they used a power plant the.
• 8:20
  Speaker 8: Way that we do today.
• 8:21
  Speaker 11: That might have been the case, but their usage of
• 8:25
  Speaker 11: electromagnetic energy might be so alien to us that we
• 8:30
  Speaker 11: don't know what they use it for.
• 8:32
  Speaker 8: All we know is that.
• 8:34
  Speaker 11: The pyramid, these three pyramids in a row themselves, are
• 8:37
  Speaker 11: set up to be able to harness electro magnetic power,
• 8:44
  Speaker 11: and what they did with it we don't know, but
• 8:48
  Speaker 11: it's absolutely fascinating. So after reading these books, I wanted
• 8:53
  Speaker 11: to make a video that was just a straight rundown
• 8:57
  Speaker 11: of what the pyramid did from A to Z in
• 9:01
  Speaker 11: order of energy from the Earth to exupporting energy just
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  Speaker 11: like a power plant does today, but without.
• 9:08
  Speaker 8: Any of the fluff.
• 9:08
  Speaker 11: Because these these books, they I love these guys. They
• 9:12
  Speaker 11: tell their story and they enter around you know, it'll
• 9:16
  Speaker 11: always be like, you know, I was on site here
• 9:18
  Speaker 11: and there and the sunset whatever, and I got this
• 9:21
  Speaker 11: feeling or whatever, and that's great. I love those, but
• 9:24
  Speaker 11: I don't want it on the show. So I just
• 9:25
  Speaker 11: wanted to make a show that it was just straight
• 9:28
  Speaker 11: a to Z what the pyramid did and how, and.
• 9:32
  Speaker 8: That's what I'd like to present.
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  Speaker 7: To you today.
• 9:35
  Speaker 8: So do you happen to have a cross section of
• 9:39
  Speaker 8: the pyramid?
• 9:41
  Speaker 4: I have to go through the pictures here real quick.
• 9:45
  Speaker 11: Yeah, all of these pictures a month ago would not
• 9:48
  Speaker 11: have haunted me. But now it's like it's a whole
• 9:53
  Speaker 11: it's a whole crazy thing. There's a good there's a
• 9:56
  Speaker 11: good one right there, all right. So everyone kind of
• 10:00
  Speaker 11: knows that the pyramid is a is a map of
• 10:06
  Speaker 11: the earth, so to speak. The dimensions of the pyramid,
• 10:09
  Speaker 11: when multiplied by four and thirty two, is the dimensions
• 10:15
  Speaker 11: of the Earth itself. So people used to think that
• 10:20
  Speaker 11: this was to be a message to future generations that
• 10:24
  Speaker 11: they knew the circumference of the Earth. Christn had a
• 10:27
  Speaker 11: different idea in his profession as an aerospace engineer.
• 10:32
  Speaker 8: He uses what are called coupled oscillators.
• 10:35
  Speaker 11: Something that is the same dimensions of something else but
• 10:40
  Speaker 11: are a different octave will vibrate when the other thing vibrates.
• 10:46
  Speaker 8: For example, a two tuning forks. You know how one
• 10:50
  Speaker 8: will ring and then the other one will ring without touching.
• 10:53
  Speaker 11: It, right, that's a loose form of a coupled oscillator
• 10:57
  Speaker 11: that works with octaves as well. Like on a piano,
• 11:00
  Speaker 11: if you hit one key, the other octaves would start
• 11:04
  Speaker 11: vibrating as well if there weren't dampeners and the piano, however,
• 11:08
  Speaker 11: the other strings won't. So the pyramid itself, the whole shape,
• 11:13
  Speaker 11: is a coupled oscillator with the Earth. According to Chris Dunn,
• 11:17
  Speaker 11: down in the very bottom shaft down here would have
• 11:20
  Speaker 11: been some kind of device that inspired Nicola Tesla to
• 11:24
  Speaker 11: create what he called it earthquake machine.
• 11:28
  Speaker 8: It would basically start the engine.
• 11:31
  Speaker 11: It would vibrate or pulse in such a way that
• 11:35
  Speaker 11: would get the pyramid rumbling with the earth. So it's
• 11:39
  Speaker 11: important to in sanctify that the Earth is always vibrating.
• 11:44
  Speaker 8: That's a perpetual As long as the moon.
• 11:48
  Speaker 11: Is doing its thing, the Earth is going to be
• 11:52
  Speaker 11: fully perpetual energy.
• 11:56
  Speaker 8: So this whole chamber right here on the right.
• 12:00
  Speaker 11: This entire like uh, that large guy right there is
• 12:05
  Speaker 11: the Grand Gallery and that was filled. Now there's a
• 12:08
  Speaker 11: if we have a picture of the Grand Gallery gallery,
• 12:11
  Speaker 11: it's black and white. It's one of those little diagram
• 12:14
  Speaker 11: picture looking things, and uh might might have been backwards. Yeah, no,
• 12:29
  Speaker 11: that's the King's chamber, but we're getting there. That's where
• 12:32
  Speaker 11: that's like, that's where the big ship happens right there,
• 12:34
  Speaker 11: right there.
• 12:35
  Speaker 8: So that's that's the Grand Gallery right there.
• 12:38
  Speaker 11: That there's uh, several of these slots, these notches now
• 12:43
  Speaker 11: going down the gallery that held some kind of components
• 12:47
  Speaker 11: that were a mystery even to well, I.
• 12:49
  Speaker 8: Say, even its egyptologist. They didn't know.
• 12:52
  Speaker 11: But uh, it was predicted by these engineers, including including
• 12:58
  Speaker 11: Chris Dunn, that that would have been filled with Helmholds
• 13:02
  Speaker 11: resonators that are obviously gone now, either stolen by grave
• 13:05
  Speaker 11: robbers or you know, tucked behind closed doors by egyptologists themselves.
• 13:10
  Speaker 11: But a Helmholtz resonator is similar to how you blow
• 13:16
  Speaker 11: wind into a bottle, and it makes a pitch same
• 13:19
  Speaker 11: thing as a wineglass if you were to lick your
• 13:22
  Speaker 11: finger and go around the outside, which I think headless
• 13:26
  Speaker 11: will be able to do here any moment. Now I'm
• 13:28
  Speaker 11: almost positive of it, but maybe.
• 13:33
  Speaker 3: It's only Terry RC. I can't I.
• 13:35
  Speaker 7: Can't use the one.
• 13:36
  Speaker 1: Yeah.
• 13:38
  Speaker 11: Well, so the Grand Gallery functions as an acoustic amplifier,
• 13:44
  Speaker 11: basically where any pitch going in is going to be
• 13:47
  Speaker 11: amplified going into the King's chamber.
• 13:50
  Speaker 8: So we didn't really know.
• 13:53
  Speaker 11: What the Helmholtz resonators look like until we realized they
• 13:57
  Speaker 11: were under our noses the entire times. There's things like
• 14:00
  Speaker 11: the shists, disc and these units of pottery that are
• 14:03
  Speaker 11: absolutely built perfectly and laser scanned that would have worked
• 14:07
  Speaker 11: as mechanisms inside of these individual slats and shafts, slats
• 14:12
  Speaker 11: and shafts that, by the way, would not function for
• 14:15
  Speaker 11: a tomb in any way, shape or form any more
• 14:18
  Speaker 11: than any of.
• 14:19
  Speaker 8: The rest of this would. The bottom here is the.
• 14:23
  Speaker 11: Reason this is connected to the Grand Galleries, because this
• 14:26
  Speaker 11: is the Queen's chamber down here, and the queen's chamber
• 14:30
  Speaker 11: was filled with liquid hydrogen.
• 14:33
  Speaker 8: And that's not speculation.
• 14:35
  Speaker 11: That is taking salt, scraping it off the wall and
• 14:39
  Speaker 11: testing it in a lab and.
• 14:40
  Speaker 8: Saying that is absolutely hydrogen.
• 14:43
  Speaker 11: It was filled with hydrogen fuel, just like we used
• 14:46
  Speaker 11: today in batteries, backup generators.
• 14:49
  Speaker 8: I mean, you name it.
• 14:51
  Speaker 11: So another thing that, by the way, does not function
• 14:54
  Speaker 11: in any way.
• 14:55
  Speaker 8: Shape or form for a tomb.
• 14:57
  Speaker 11: If you ask an Egyptologist why the chamber is filled
• 15:01
  Speaker 11: with hydrogen, they'll say it's because that's.
• 15:03
  Speaker 8: Where people urinated over the years when they visit that.
• 15:09
  Speaker 11: Some of these things that I'll say, they don't make
• 15:11
  Speaker 11: any sense and they're almost an insult to the listener.
• 15:15
  Speaker 11: How crazy it is that some of these explanations from
• 15:21
  Speaker 11: the Egyptologists.
• 15:22
  Speaker 8: In fact, if we could.
• 15:24
  Speaker 11: Get a picture of the Queen's chamber and sorrow, we
• 15:27
  Speaker 11: have to kind of go into random mode to get
• 15:30
  Speaker 11: to it. But inside the Queen's chamber there's there's two shafts.
• 15:36
  Speaker 11: There's well, actually you can see it on this picture
• 15:38
  Speaker 11: right here, and one was a kind of acid solution
• 15:42
  Speaker 11: and the other one was I'm gonna forget the chemical name,
• 15:46
  Speaker 11: but there was two chemicals that came into the queen's chamber,
• 15:50
  Speaker 11: which is very interesting because I love saying that the
• 15:54
  Speaker 11: Queen's chamber took on two shafts, because that you could
• 15:58
  Speaker 11: really have a good B movie with that little fact.
• 16:03
  Speaker 11: But there is double penetration into the Queen's chamber, and this,
• 16:10
  Speaker 11: this salt in the Queen's chamber wouldn't make any sense
• 16:13
  Speaker 11: unless it was a kitchen.
• 16:14
  Speaker 8: Okay, I'll move on. I'm sorry.
• 16:18
  Speaker 11: So this, this fucking this hydrogen fuel would ignite the
• 16:26
  Speaker 11: energy of this sound frequency going through the Grand Gallery
• 16:30
  Speaker 11: and it would go into the King's chamber. Could we
• 16:33
  Speaker 11: if we could pull up the King's chamber, which is
• 16:37
  Speaker 11: the one that you were just at a moment ago.
• 16:41
  Speaker 8: Right there.
• 16:42
  Speaker 11: So right off the bat we see that this is
• 16:45
  Speaker 11: this is weird, This is a strange thing.
• 16:48
  Speaker 8: It's a device.
• 16:49
  Speaker 11: Like they try to talk about this as a they
• 16:53
  Speaker 11: say it's a relieving chamber for the weight of the
• 16:56
  Speaker 11: rest of the pyramid, to relieve the weight. However, it
• 17:00
  Speaker 11: doesn't perform that function and it never has and we
• 17:04
  Speaker 11: know specific and so Egyptologists would say that, well, maybe
• 17:09
  Speaker 11: it doesn't, but it was meant to. That went out
• 17:12
  Speaker 11: the window really quick whenever we realized and this is
• 17:15
  Speaker 11: also not speculation. The entire King's chamber is isolated and
• 17:20
  Speaker 11: floating inside of the pyramid. It's on top of corrugated
• 17:27
  Speaker 11: like a Carton type stone, so that it's not there's
• 17:30
  Speaker 11: no dampener involved, so the entire chamber is able to
• 17:36
  Speaker 11: vibrate on its own accord, much less these individual stones,
• 17:40
  Speaker 11: which goes exactly with what our friend was saying here,
• 17:44
  Speaker 11: with what Ricardo was saying here about people going into
• 17:48
  Speaker 11: the fucking King's chamber.
• 17:49
  Speaker 8: Would make a quick exit because it freaked them out.
• 17:52
  Speaker 8: There's a weird ambient energy in there that supposedly not supposedly,
• 17:57
  Speaker 8: but was measured at six herts. And the supposedly part is.
• 18:03
  Speaker 11: Simply, why does six hearts make people have this dizzy
• 18:07
  Speaker 11: spell bound effect?
• 18:09
  Speaker 8: You know? But each one of.
• 18:11
  Speaker 11: These stones you can see five here, but if we
• 18:14
  Speaker 11: go to the next slide, you'll notice that they're stacked
• 18:18
  Speaker 11: in the back as well, and each stone.
• 18:23
  Speaker 8: Was able to ring like a bell. Let's see here
• 18:28
  Speaker 8: a little bit more. I didn't number them. I shouldn't number.
• 18:31
  Speaker 4: One, but.
• 18:36
  Speaker 8: Right there, so there's like forty six of.
• 18:38
  Speaker 11: These things and none of them are touching each other either.
• 18:41
  Speaker 11: That's very important because that's very odd for a structure
• 18:45
  Speaker 11: there's like a like a guitar has a nut and
• 18:50
  Speaker 11: a bridge that bind the stones together, but there's nothing
• 18:54
  Speaker 11: in the middle.
• 18:55
  Speaker 8: For them to dampen on each other. They just they
• 18:57
  Speaker 8: can vibrate freely.
• 18:59
  Speaker 11: And that was what's that's what causes the F sharp
• 19:03
  Speaker 11: specific F sharp chord that comes from the King's Chamber,
• 19:08
  Speaker 11: which is very strange because Native Americans and Hindu people
• 19:12
  Speaker 11: both tune their flutes to F sharp, claiming that it's
• 19:16
  Speaker 11: the resonance of the earth, giving even more credence to
• 19:20
  Speaker 11: the speculation that the pyramid vibrated to the same to
• 19:24
  Speaker 11: a higher octave of the earth itself.
• 19:28
  Speaker 8: So, so what.
• 19:29
  Speaker 3: You're saying is that the stones stocked up there are lithophones.
• 19:34
  Speaker 3: They're actually like instruments that can be played right, so they.
• 19:37
  Speaker 11: Have acoustical properties if you were if you tap on one.
• 19:42
  Speaker 11: So on my episode tomorrow, I play samples from people
• 19:46
  Speaker 11: tapping and knocking on this on these stones and they do.
• 19:50
  Speaker 11: They sound super eerie too. It's it's a very magical type.
• 19:55
  Speaker 8: Sound to it. So Chris Dunn wanted to confirm that
• 19:59
  Speaker 8: it was an F sharp chords.
• 20:01
  Speaker 11: He brought his like tuning equipment and stuff in there
• 20:04
  Speaker 11: so that he could.
• 20:04
  Speaker 8: Actually record the information.
• 20:07
  Speaker 11: Because everything up until that point, they knew that it
• 20:10
  Speaker 11: did acoustical things, they knew it was f sharp, all
• 20:13
  Speaker 11: this stuff, but no one had ever recorded it and
• 20:17
  Speaker 11: had it like on record where it can be proven,
• 20:19
  Speaker 11: shown and then.
• 20:21
  Speaker 8: Open to the public. And that's exactly what he did.
• 20:24
  Speaker 11: And God bless him for doing the leg work, because
• 20:26
  Speaker 11: that's the only reason that I'm able to hear be
• 20:29
  Speaker 11: talking about.
• 20:30
  Speaker 8: It, you know.
• 20:31
  Speaker 11: But there is the weirdest thing here is what goes
• 20:37
  Speaker 11: into the King's chamber, and so between the grand gallery
• 20:42
  Speaker 11: you can see it here in the middle, but this
• 20:45
  Speaker 11: isn't quite clear.
• 20:46
  Speaker 8: There's if we go either.
• 20:47
  Speaker 11: To the last slide, I think, or one of these
• 20:51
  Speaker 11: corresponding Oh, by the way, this top is white limestone,
• 20:55
  Speaker 11: by the way, just like the out take you stop
• 20:57
  Speaker 11: right here.
• 20:57
  Speaker 8: Though, the outside of the higher pyramid was in.
• 21:01
  Speaker 11: Smooth, glossy, shiny white limestone, which is hard to imagine now,
• 21:06
  Speaker 11: but if you look at my scalp you can see
• 21:09
  Speaker 11: that's what that would have looked like, Caucasian limestone. And
• 21:14
  Speaker 11: so the top of that King's chamber right there was
• 21:18
  Speaker 11: also limestone. What's strange about This is that they didn't
• 21:22
  Speaker 11: use the limestone.
• 21:23
  Speaker 8: That was native to Egypt.
• 21:26
  Speaker 11: They traveled five hundred miles to get this specific limestone
• 21:31
  Speaker 11: that is free of magnesium therefore not conductive.
• 21:35
  Speaker 8: Now it can be open.
• 21:37
  Speaker 11: To speculation whether or not they got it because it
• 21:40
  Speaker 11: was non conductive. But this limestone looks and wastes the
• 21:44
  Speaker 11: same as the typical limestone found in Egypt, and it
• 21:47
  Speaker 11: could be polished to a mirror smooth finish which would
• 21:51
  Speaker 11: have reflected sunlight right off of that puppy, which would
• 21:54
  Speaker 11: have been important for.
• 21:55
  Speaker 8: Any kind of engineering perspective.
• 21:58
  Speaker 11: Whether or not the gold the tip was gold is speculative,
• 22:02
  Speaker 11: but that's what a lot of people have said over
• 22:05
  Speaker 11: the years, and that also lines up with Kristn's theory
• 22:08
  Speaker 11: along with Nicola Tesla, who based his Wardencliffe tower on
• 22:14
  Speaker 11: the Peermi on the Great Pyramid design. That's where he
• 22:17
  Speaker 11: got h He had the idea on his own in
• 22:20
  Speaker 11: a flash, like a vision.
• 22:21
  Speaker 8: Like he did all the time.
• 22:23
  Speaker 7: But he actually, if I may, yeah, the material that
• 22:28
  Speaker 7: was supper, if there has it was there was a
• 22:31
  Speaker 7: tip material. In translation from Egyptian translates to Korea's name.
• 22:36
  Speaker 7: There is Electroun and all we know is that it
• 22:40
  Speaker 7: is a mixture between gold, silver and something else. Wow,
• 22:44
  Speaker 7: there are still samples of the material.
• 22:46
  Speaker 8: Nevertheless, it must have been something conductive.
• 22:49
  Speaker 7: Though well, electrom is a quite a telling name.
• 22:53
  Speaker 11: So yeah, I'm fascinated by the usage of the word
• 22:57
  Speaker 11: l and ancient cultures because I don't think there's a
• 23:01
  Speaker 11: coincidence there.
• 23:02
  Speaker 7: You know, coincidence explaining, right.
• 23:06
  Speaker 11: And so if we get that King's chamber one more time,
• 23:09
  Speaker 11: I want to show you these baffles right here. Yes,
• 23:14
  Speaker 11: so where you see that number nine right there, that
• 23:17
  Speaker 11: is the top and end of the Grand gallery, and
• 23:23
  Speaker 11: that acoustical signal would have went through this horizontal shaft
• 23:29
  Speaker 11: here and into the King's chamber to vibrate these stones
• 23:32
  Speaker 11: above it. But where it says number two right there
• 23:36
  Speaker 11: is where we get really really weird. So those three
• 23:42
  Speaker 11: stones are hooked up by ropes and they're hooked up
• 23:46
  Speaker 11: to Polley's which, by the way, they said that the
• 23:49
  Speaker 11: Egyptians didn't have the wheel. However, this is a police
• 23:53
  Speaker 11: system that still exists to this day. There's three stones
• 23:57
  Speaker 11: that are hooked up to Polly's and it could have
• 24:00
  Speaker 11: and raised and lowered none of them going all the
• 24:02
  Speaker 11: way up, but none of them going all the way down,
• 24:06
  Speaker 11: which is really weird because again, the the the the
• 24:11
  Speaker 11: explanation by Egyptologists was once the king was entered into
• 24:15
  Speaker 11: the into this king's chamber, that's.
• 24:17
  Speaker 8: How they would shut the door.
• 24:19
  Speaker 11: However, it doesn't do that function, and there's three of them.
• 24:23
  Speaker 3: So if I could, that would actually change the helmhole
• 24:27
  Speaker 3: residents based off the changing shape of the of that chamber.
• 24:31
  Speaker 7: Right, That's that's the purpose of the portocolis yes, Right, So.
• 24:35
  Speaker 11: They would tune that's that that cored frequency coming from
• 24:39
  Speaker 11: the grand gallery and get it down to a sharpened
• 24:44
  Speaker 11: single pitch before going into the king's chamber, hitting this
• 24:48
  Speaker 11: box right here that they called a sarcophagus, and then
• 24:52
  Speaker 11: would echo straight up into these stones to vibrate the
• 24:56
  Speaker 11: corresponding stones that we just got done talking about, mean
• 25:00
  Speaker 11: while not disturbing any of the rest of the pyramid
• 25:03
  Speaker 11: with its vibrations being that it was isolated, just like
• 25:05
  Speaker 11: an engine and a car. So that's the basics of
• 25:11
  Speaker 11: the pyramid from A to Z, skipping quite a few
• 25:15
  Speaker 11: different details like that the inside stone is quartz granted
• 25:20
  Speaker 11: rather than regular grantite, and a million other little bitty
• 25:24
  Speaker 11: things that I'm for to take about an hour and
• 25:27
  Speaker 11: a half to cover, as you'll see tomorrow hopefully, but
• 25:32
  Speaker 11: we can open it up to like discussion at this
• 25:34
  Speaker 11: point because that's that's pretty much what the pyramid did,
• 25:39
  Speaker 11: or that's the capabilities that the pyramid has.
• 25:42
  Speaker 8: What they use this energy for, though, is for anybody's guests.
• 25:48
  Speaker 7: You know, well, I would like to ask you, for instance,
• 25:52
  Speaker 7: to me the salt that you'd say you find inside
• 25:56
  Speaker 7: is also found up to the third exterior layer of stones,
• 26:04
  Speaker 7: and if you can connect that to the four thousand
• 26:08
  Speaker 7: BC event the Burkele Crater, you'll find out that Egypt
• 26:11
  Speaker 7: was actually flooded by the impact in the Indian Ocean
• 26:15
  Speaker 7: around four thousand BC, and that the wave kept Egypt
• 26:19
  Speaker 7: submerge for quite a time, enough to create even fossils
• 26:24
  Speaker 7: new fossils in the liestone. How you call the exterior
• 26:28
  Speaker 7: of the pyramid the casing stones. So up to the
• 26:32
  Speaker 7: third level you find where the water was, so even
• 26:36
  Speaker 7: the spinch was underwater. Probably it was that wave that
• 26:39
  Speaker 7: knocked the head of the sphinch down or damage it.
• 26:43
  Speaker 7: That's why they had to be shaped it again and
• 26:45
  Speaker 7: so on.
• 26:47
  Speaker 11: Sometimes I wonder if that surge of water was due
• 26:51
  Speaker 11: to the Younger Dryest.
• 26:52
  Speaker 7: No, no, no, no, no, that's completely different times. Now, the
• 26:57
  Speaker 7: Younger Dryest is eleven six thousand years ago and the
• 27:00
  Speaker 7: Burkele Crater is from thirty two hundred to four thousand BC,
• 27:04
  Speaker 7: so it's a completely different taste. So the Burkele created
• 27:07
  Speaker 7: impact is what caused the Great Flood, the Biblical flood,
• 27:13
  Speaker 7: the story of no of Atarasis, of all of those
• 27:16
  Speaker 7: people that escape on a boat. So it's all this
• 27:20
  Speaker 7: is not very divisible because sorry, not very debatable, because
• 27:26
  Speaker 7: it's been shown that it justifies exactly all we see
• 27:29
  Speaker 7: in myths, in legend and even in a Bible. So
• 27:33
  Speaker 7: you find marks of these waves three hundred kilometers inside Australia,
• 27:41
  Speaker 7: and Australia is much further away than Egypt from the
• 27:46
  Speaker 7: zone of impact, so all of that area was completely destroyed.
• 27:50
  Speaker 7: So and if you will add that to the multiple impacts,
• 27:53
  Speaker 7: because now we know that it wasn't just one impact
• 27:56
  Speaker 7: the Burkele Crater, it was followed by multiple impacts. You
• 27:59
  Speaker 7: have two under Pacific, one in the Atlantic, so you
• 28:02
  Speaker 7: have another searching wave coming from the Atlantic into the Mediterranean,
• 28:07
  Speaker 7: and that cause havoc in all of that area. That's
• 28:09
  Speaker 7: why you find many civilizations ending at it at that time,
• 28:13
  Speaker 7: and change in cultures and so on. So my question
• 28:18
  Speaker 7: is regarding that the salt could very well be from
• 28:23
  Speaker 7: this flooding, So the seawater evaporated, you get the salt
• 28:27
  Speaker 7: and cross it in the walls.
• 28:29
  Speaker 11: That is addressed in the book. He talks about there
• 28:34
  Speaker 11: not being the.
• 28:35
  Speaker 8: Same salt in the well shaft of the pyramid, which
• 28:39
  Speaker 8: is kind of interesting because the well shaft where that
• 28:41
  Speaker 8: little vibration machine speculatively would have taken place is the
• 28:46
  Speaker 8: lowest point in the pyramid and none of it is
• 28:49
  Speaker 8: particularly water proof. There is a residue from salt.
• 28:53
  Speaker 11: Water throughout the pyramid that I didn't realize was from
• 28:57
  Speaker 11: that particular event. I just thought that there was flooding
• 29:00
  Speaker 11: that took place, and that's awesome to know. However, this
• 29:03
  Speaker 11: particular salt that is you kind of say, specific to the.
• 29:08
  Speaker 8: Queen's chamber is inches thick of.
• 29:12
  Speaker 11: This salt, and the salt whenever it's tested, doesn't line
• 29:16
  Speaker 11: up with sea salt.
• 29:17
  Speaker 8: It's it's specifically.
• 29:19
  Speaker 11: A combination of these two chemicals that create the hydrogen.
• 29:24
  Speaker 11: And he talks about there being this residue in the
• 29:32
  Speaker 11: in the shafts that come into the Queen's chamber, as
• 29:36
  Speaker 11: each shaft can be tested for each each individual chemical,
• 29:39
  Speaker 11: one of which that had the acid solution corroded the
• 29:43
  Speaker 11: stone away almost the hell. That's that was one of
• 29:45
  Speaker 11: the debunks was people were saying, if if this hydrochloric
• 29:50
  Speaker 11: acid came in this shaft, it would erode the stone,
• 29:53
  Speaker 11: and they were absolutely right.
• 29:55
  Speaker 8: The stone is heavily eroded on the.
• 29:58
  Speaker 11: Walls and the floor of that shaft, but not the ceiling,
• 30:03
  Speaker 11: whereas the other shaft has a different chemical that came
• 30:05
  Speaker 11: into it.
• 30:07
  Speaker 7: But if, for instance, in the anciente text you have
• 30:09
  Speaker 7: one paper called the Singing Pyramids, and it speaks of
• 30:13
  Speaker 7: a traveler that is going towards Giza, and way before
• 30:21
  Speaker 7: you can see the pyramids, it starts hearing this tump tump, tump, tump, tump,
• 30:27
  Speaker 7: And this is one of the things that inspired Christopher
• 30:30
  Speaker 7: dun for instance. And so this stump is produced by
• 30:35
  Speaker 7: how much air you allow to enter through the Portcali
• 30:38
  Speaker 7: is there is a system that you are defining that
• 30:40
  Speaker 7: creates a suction that creates a constant pumping of the
• 30:44
  Speaker 7: water in the bowels of the pyramid that creates this frequency,
• 30:48
  Speaker 7: this pump pump, that is a modulated frequency. So how
• 30:52
  Speaker 7: much you modulate the frequency, it turns out you need
• 30:55
  Speaker 7: to calculate how much water you let in and how
• 30:58
  Speaker 7: much air you allowed to go in too. So it's
• 31:00
  Speaker 7: like an engine exactly as you were describing. So you
• 31:03
  Speaker 7: have the butterfly to put air, the air puts the fuel,
• 31:07
  Speaker 7: so it's it's the same thing. So if you have
• 31:10
  Speaker 7: this constant pumping of water inside the Queen's chamber and
• 31:15
  Speaker 7: the grotto and all of that, and you have even
• 31:17
  Speaker 7: that small channel they called the well that was kind
• 31:22
  Speaker 7: of escape security valve or whatever you want to call it.
• 31:26
  Speaker 7: So if you have this constant pumping, it's the water
• 31:28
  Speaker 7: is constantly being bounced into the ceiling of the structure
• 31:32
  Speaker 7: and going down and completely it will erode right right,
• 31:36
  Speaker 7: there's no It's like thousands of years of erosion are
• 31:40
  Speaker 7: done in a period of views of one hundred or
• 31:42
  Speaker 7: two hundred or five hundred years, so it's exponentiated. But
• 31:47
  Speaker 7: my question to you is this, how do you see
• 31:50
  Speaker 7: because I don't know if you are aware of the
• 31:53
  Speaker 7: of this fellow called the abyss that Nick already had
• 31:57
  Speaker 7: him in the show, and it has a very we
• 31:59
  Speaker 7: have discussed this theory and I think he even developed
• 32:02
  Speaker 7: further than Christopher Dunn in his studies and and he
• 32:09
  Speaker 7: tries to explain the hydrogen, and to me, the hydrogen
• 32:13
  Speaker 7: is just a byproduct of what is going on inside
• 32:16
  Speaker 7: the chamber and not a fuel that it's dumped into
• 32:19
  Speaker 7: the chamber. Because like electricity, the Egyptians had no use
• 32:23
  Speaker 7: whatsoever for that amount of electricity. So the production has
• 32:28
  Speaker 7: that byproduct, but it's not something that they're using so
• 32:32
  Speaker 7: that their their civilization of the base. It's not based
• 32:35
  Speaker 7: on electricity. They could use those small bases to do
• 32:38
  Speaker 7: plating or to have that energy for some purpose that
• 32:42
  Speaker 7: we don't know. But it's it's lile low voltage, and
• 32:45
  Speaker 7: it's it can be done with some ease. It's not
• 32:48
  Speaker 7: a very complicated thing. It's the funny thing is that
• 32:51
  Speaker 7: they knew how to do it. That's that's the curious thing,
• 32:53
  Speaker 7: not that they used it. So my question is do
• 32:57
  Speaker 7: you see that as they are putting eye gen inside
• 33:00
  Speaker 7: or do you see it as a byproduct? Do you
• 33:02
  Speaker 7: see what's the functionality that you see for it? That's
• 33:06
  Speaker 7: that's my question shot.
• 33:08
  Speaker 8: I guess in two parts.
• 33:10
  Speaker 11: I would say that I see it as functionality because
• 33:15
  Speaker 11: of the rest of the pyramid, because of the association
• 33:19
  Speaker 11: with the other components. It lines up with the with
• 33:23
  Speaker 11: everything else that the pyramid does as kind of a
• 33:26
  Speaker 11: amalgamation of different things.
• 33:29
  Speaker 8: It might be a byproduct.
• 33:30
  Speaker 11: It's important at this point to make clear that I've
• 33:34
  Speaker 11: never been there and I've never conducted the studies. All
• 33:38
  Speaker 11: the leg work was done by other people, you know,
• 33:40
  Speaker 11: I'm just here to kind of translate all of the stuff.
• 33:43
  Speaker 8: But that is personally how I seen it. Now. That's
• 33:46
  Speaker 8: because I read Chris Dumb's work.
• 33:48
  Speaker 11: Though had I read it read this gentleman's work, it
• 33:51
  Speaker 11: might augment my my.
• 33:53
  Speaker 8: Hypothesis quite a bit.
• 33:55
  Speaker 11: But the other way I might answer the question is
• 33:59
  Speaker 11: the non use of electricity in Egypt, I'm not so
• 34:03
  Speaker 11: sure about because of the saw, the wheel blade, the
• 34:08
  Speaker 11: wheel sawing that's found in Egypt, where they had what
• 34:12
  Speaker 11: seemed like gigantic saws cutting through limestone, and drills power
• 34:18
  Speaker 11: drills that were being used that were I mean gigantic
• 34:24
  Speaker 11: hollow two drilling that were used in Egypt that they
• 34:28
  Speaker 11: can microscopically look at these ruts in the stone and
• 34:34
  Speaker 11: see that a high rpm drill was going through this
• 34:38
  Speaker 11: stone at one point. And there's these discarded stones in
• 34:46
  Speaker 11: Egypt that have the cut mark in the stone going
• 34:50
  Speaker 11: off kilter for several feet in a row, sometimes up
• 34:54
  Speaker 11: to six feet in a row before they stopped realized
• 34:58
  Speaker 11: that this or might have really that this is their
• 35:00
  Speaker 11: own direction, and then discarded that stone stone back to
• 35:03
  Speaker 11: the quarry for us to find later and be like, what.
• 35:07
  Speaker 8: Made that cut like that?
• 35:09
  Speaker 11: Because the Egyptologists, who are not engineers, say that they
• 35:13
  Speaker 11: did it with string.
• 35:14
  Speaker 8: They would rub the.
• 35:15
  Speaker 11: String back and forth, or have copper chisels, and it's
• 35:20
  Speaker 11: very strange to see those hYP a copper chisel going
• 35:23
  Speaker 11: and creating a tube through granite stone.
• 35:28
  Speaker 8: It's never made any sense.
• 35:31
  Speaker 11: And then it gets even more senseless whenever we see
• 35:35
  Speaker 11: that to cut quartz granite, they today they use hydrosonic technology,
• 35:44
  Speaker 11: so it's like almost like a needle sized cutting wheel
• 35:48
  Speaker 11: that's a gem with not a diamond, and they speed
• 35:52
  Speaker 11: up this diamond tip cutter which is small, to the
• 35:56
  Speaker 11: speed of this sound frequency that comes through it, and
• 36:01
  Speaker 11: then they can cut through small gems like quartz However,
• 36:05
  Speaker 11: when they cut through limestone, that's the only way to
• 36:08
  Speaker 11: get the limestone completely flat, because if you take a
• 36:11
  Speaker 11: saw and you cut through a limestone block, no matter
• 36:15
  Speaker 11: how smooth you get it, even if you polish it down, microscopically,
• 36:19
  Speaker 11: those little quartz particles are bulbous compared to the rest
• 36:23
  Speaker 11: of the particles.
• 36:25
  Speaker 8: Because they're harder.
• 36:27
  Speaker 11: So the saw hits the other particles first and are
• 36:30
  Speaker 11: more effective on them than the actual quartz, leaving these
• 36:35
  Speaker 11: little microscopic nubs right what they found and Chris Dunn
• 36:40
  Speaker 11: sent the sample into a laboratory to say, hey, you
• 36:43
  Speaker 11: know what does this because it's perfectly flat.
• 36:47
  Speaker 8: The quartz is as flat as the rest of the
• 36:51
  Speaker 8: granite stone is.
• 36:52
  Speaker 11: And they said that, well, they introduced to him their
• 36:55
  Speaker 11: hydro cutting technology, and then their reply was, now we're
• 37:00
  Speaker 11: curious who's got tech who can do that kind of
• 37:04
  Speaker 11: cutting in the world. We want to know who's got
• 37:07
  Speaker 11: this new technology. And when he told him it was
• 37:09
  Speaker 11: from ancient Egypt, they just about passed out. In fact,
• 37:12
  Speaker 11: the email responding to them acid was a prank, a
• 37:19
  Speaker 11: wild story.
• 37:21
  Speaker 3: I had something to add on the hydrogen angle. So
• 37:25
  Speaker 3: hydrogen is a common off gas from electrolysis of water,
• 37:30
  Speaker 3: and you've got the salt to act as the conductor
• 37:33
  Speaker 3: or the electrolyte, and then you've got the electricity that
• 37:36
  Speaker 3: we're talking about here, and the two of them together
• 37:40
  Speaker 3: might create this sort of hydrogen and oxygen. Browns gas
• 37:44
  Speaker 3: that you get from the water, and Brown's gas has
• 37:47
  Speaker 3: an interesting property. It's used to cut through different metals,
• 37:52
  Speaker 3: but it's not hot enough to do that. So there
• 37:55
  Speaker 3: are certain properties of just electronically separated water as it's
• 37:59
  Speaker 3: burning that don't make any physical sense, and so there
• 38:03
  Speaker 3: is kind of an alchemical angle to just electronically separated water.
• 38:07
  Speaker 3: They could have been using that in this process.
• 38:09
  Speaker 11: Right, And that is interesting about the water too, because
• 38:13
  Speaker 11: with your saying and what Ricardo was saying is Egypt
• 38:17
  Speaker 11: was synonymous with water once upon a time. The pyramid
• 38:20
  Speaker 11: is built on an actual aquifer, which I think a
• 38:23
  Speaker 11: lot of ancient sites are, and the Nile came up
• 38:27
  Speaker 11: to the pyramids. We don't I mean, I don't know
• 38:29
  Speaker 11: how long ago that was. And it should note by
• 38:35
  Speaker 11: the way that I'm almost under the hypothesis that the
• 38:39
  Speaker 11: pyramids are older than people are saying, and I know
• 38:44
  Speaker 11: that's redundant to say, but I'm thinking that they were
• 38:49
  Speaker 11: in operation before the younger dryas and were put into
• 38:55
  Speaker 11: disuse due to the younger dryas. And a lot of
• 38:57
  Speaker 11: that does have to do with water as well.
• 39:00
  Speaker 1: But if they're using the Browns gas, if it's creating
• 39:03
  Speaker 1: Brown's gas and vibration, it makes sense that this would
• 39:06
  Speaker 1: be like possibly for healing. Yes, like I've heard that.
• 39:11
  Speaker 11: That's the big speculation is if they weren't, if they
• 39:14
  Speaker 11: weren't creating literal electricity for a civilization like we would
• 39:18
  Speaker 11: would today, then what was it for?
• 39:22
  Speaker 7: Like have you heard of the Assaris shift?
• 39:26
  Speaker 8: Oh? Yeah, no I have not.
• 39:28
  Speaker 7: It's not the Ossyrion, no, no, So the Assaris shift
• 39:31
  Speaker 7: is in the causeway. It's a it's a three one
• 39:36
  Speaker 7: third when you go from the sphinx to the pyramid
• 39:41
  Speaker 7: on the left side, if you're going up to the pyramid,
• 39:43
  Speaker 7: there is an entry. There's lots of entries, but this
• 39:46
  Speaker 7: one was studied and this is called the Ossari's shift.
• 39:50
  Speaker 7: So Yossari's shift. If if you look at you can
• 39:54
  Speaker 7: look at my paper about it, you sis shift have
• 39:57
  Speaker 7: three levels, probably more, but they found three levels and
• 40:02
  Speaker 7: those three levels have three vertical shafts from the second
• 40:07
  Speaker 7: level to the top without coming out of the ground,
• 40:10
  Speaker 7: so they are inside the market information that whereas ZA
• 40:13
  Speaker 7: is placed, and so this work as tunnels of resonance.
• 40:19
  Speaker 7: Let's call it that way. So of all of the
• 40:22
  Speaker 7: archacoustic sites that I study, this is the only one
• 40:26
  Speaker 7: that is autonomous. It doesn't need any introduction of sound.
• 40:30
  Speaker 7: It works on its own. It is still working, and
• 40:33
  Speaker 7: we know that it's still working because the water in
• 40:36
  Speaker 7: the lowest level is structured water or easy water, and
• 40:41
  Speaker 7: it doesn't take impurities. So it is full of garbage
• 40:45
  Speaker 7: rotten wood, but it can't contaminate the water. It just
• 40:48
  Speaker 7: doesn't happen because it formed exagons. The water formed molecules
• 40:52
  Speaker 7: that are exagons, and there's no space in the connection
• 40:55
  Speaker 7: of the molecules to be any impurities into it.
• 40:58
  Speaker 8: So we need to do yeah.
• 41:01
  Speaker 7: Yeah, So what happens is if you apply bandages with
• 41:06
  Speaker 7: ungwents to treat wounds with easy water or structured water,
• 41:11
  Speaker 7: it makes the ungwent permeate the skin because the easy
• 41:15
  Speaker 7: water enters the skin like nothing else, so the treatment
• 41:19
  Speaker 7: is much faster. But if you add these granite boxes
• 41:22
  Speaker 7: that are in specific sized chambers cut into the limestone.
• 41:29
  Speaker 7: Each of them will produce a different resonance of the
• 41:31
  Speaker 7: main frequency of the Osiris shift, so you can produce
• 41:35
  Speaker 7: different treatments if you put this water inside the stone
• 41:40
  Speaker 7: boxes and put a person inside it, exactly as we
• 41:43
  Speaker 7: are seeing now in high advanced medicine testing. They are
• 41:47
  Speaker 7: putting people inside of these containers as we see in
• 41:50
  Speaker 7: dragon Ball or Star Wars or whatever. They're putting these
• 41:54
  Speaker 7: liquid So if you go to the bottom level, you'll
• 41:58
  Speaker 7: find a specific granite box that is not above the ground.
• 42:03
  Speaker 7: It is completely inside the water. Only the lid is
• 42:07
  Speaker 7: the top of the water. Besides, they have four highly
• 42:11
  Speaker 7: quartz pillars that they broken, probably on purpose, these four
• 42:16
  Speaker 7: pillars that surround the coffin itself. And so that's why
• 42:20
  Speaker 7: it's called the Osiris shift, because, as legend would imply,
• 42:24
  Speaker 7: that's where they're resuscitated and cured Osiris. That's the revival
• 42:30
  Speaker 7: chamber down there, because it's the most powerful effect because
• 42:33
  Speaker 7: the box itself is within the water.
• 42:36
  Speaker 11: So I've never thought of that story as being literal,
• 42:41
  Speaker 11: but with that the healing and stuff being that might
• 42:45
  Speaker 11: there might be more literal to that story than allegory.
• 42:49
  Speaker 7: Thinking about sure, sure compared to testing and using the
• 42:54
  Speaker 7: mechanisms described by the ancient Egypts associating with this Osiris shift,
• 42:59
  Speaker 7: the healing of a broken leg, for instance, would be
• 43:02
  Speaker 7: forty five to sixty percent faster for.
• 43:04
  Speaker 11: Instance, So an ancient hospital where they didn't poison exactly,
• 43:10
  Speaker 11: an ancient hospital without a Dorito's vending machine.
• 43:14
  Speaker 7: Amazing wells time. But yes, that's the idea.
• 43:20
  Speaker 8: Look into that. I didn't know about the Osiris temple
• 43:23
  Speaker 8: at all.
• 43:25
  Speaker 9: It makes me think of a whole new understanding or
• 43:28
  Speaker 9: comprehension of hermetically sealed and cults right going under there
• 43:32
  Speaker 9: and getting getting healed. You know. Another an esoteric idea
• 43:37
  Speaker 9: that I more think now is hearing your presentation and
• 43:41
  Speaker 9: contemplating those book ideas might have some even mechanical instruction
• 43:47
  Speaker 9: to it. The King's chamber is in a corresponding design
• 43:53
  Speaker 9: with the jed pillar, and the jed pillar being the
• 43:59
  Speaker 9: symbol for Osirius's spine and stability, and and it's often
• 44:06
  Speaker 9: depicted with the anc.
• 44:08
  Speaker 3: And a.
• 44:11
  Speaker 9: The waws of staff, and all of those seem very
• 44:16
  Speaker 9: you know, occulted mechanical constructs in a way too, But
• 44:21
  Speaker 9: just I mean it's not an exact to Jed, but
• 44:23
  Speaker 9: it's so similar the King's chamber, the level of it,
• 44:27
  Speaker 9: that it's worth just contemplation.
• 44:30
  Speaker 8: Yeah, both the.
• 44:31
  Speaker 11: Jet pillar and the anc to me, uh, supersede anything
• 44:37
  Speaker 11: that would be just a symbol.
• 44:39
  Speaker 8: They talk about the ank.
• 44:40
  Speaker 11: It's a symbol for life, and then they say the
• 44:42
  Speaker 11: jet pillar, Oh, it's a symbol for transformation. And I'm
• 44:46
  Speaker 11: over here like where, who's got that answer?
• 44:50
  Speaker 9: And why?
• 44:50
  Speaker 11: Because if I compare those answers to the other answers
• 44:53
  Speaker 11: Egyptologists give, it's so bizarre that I have to almost
• 44:57
  Speaker 11: throw them out the windows.
• 44:58
  Speaker 8: A symbol for life?
• 44:59
  Speaker 1: What is?
• 45:00
  Speaker 11: You know? Meanwhile, the ancient Egyptians described these things as
• 45:04
  Speaker 11: devices that you can hold up to your nose and
• 45:06
  Speaker 11: they did something, you know. So if they look they
• 45:10
  Speaker 11: look like technology. Especially the jet pillar looks like technology,
• 45:14
  Speaker 11: you know, just to face value alone, there is one
• 45:21
  Speaker 11: I wanted to talk about the shafts that I wanted
• 45:26
  Speaker 11: to talk about, the Gatten Brink's door.
• 45:29
  Speaker 8: Have you guys heard of the Gaten Brinks door at all?
• 45:34
  Speaker 9: So?
• 45:35
  Speaker 8: All right, so I might go back to the slides
• 45:37
  Speaker 8: one more time if that's okay for this part. But
• 45:39
  Speaker 8: this part is a lot of fun.
• 45:41
  Speaker 11: And this is where there's a little bit of drama
• 45:44
  Speaker 11: going on between science and Egyptologists, because basically there's when
• 45:53
  Speaker 11: you go off this shaft, it dead ends and it
• 45:56
  Speaker 11: doesn't go out, which the Egyptologists always say that at
• 46:01
  Speaker 11: the shafts were magical means for the pharaoh's soul to leave.
• 46:06
  Speaker 11: And then they would say, and this is this is
• 46:08
  Speaker 11: on the documentary where they say, well, if they if
• 46:12
  Speaker 11: they could, if the soul left through the shafts, why
• 46:15
  Speaker 11: is there a why is it closed off? The Egyptology
• 46:19
  Speaker 11: dead ass says oh, because he's a magical pharaoh. His
• 46:23
  Speaker 11: spirit is so magical he can get past the door.
• 46:27
  Speaker 11: And then they say, then, well why is there a door?
• 46:30
  Speaker 11: And dude, they they came up with a different answer,
• 46:33
  Speaker 11: and each answer they gave was on the fly, and
• 46:36
  Speaker 11: each answer they gave were different than the other Egyptologists.
• 46:41
  Speaker 8: It was so bizarre to watch.
• 46:45
  Speaker 11: But I had to find these clips in different places
• 46:47
  Speaker 11: and put them all into one and put them back
• 46:49
  Speaker 11: to back just to make it so as comical as
• 46:53
  Speaker 11: it did. Nevertheless, knowing that the cheft dead ended into
• 46:58
  Speaker 11: this Gattenbrink store with the two copper handles. Chris Dunn
• 47:02
  Speaker 11: made a prediction in his book about what that room
• 47:06
  Speaker 11: would contain. A gyptologist said, if you go in that room,
• 47:09
  Speaker 11: you're going to find a mommy, some kind of like tapestry,
• 47:13
  Speaker 11: ancient papyrus. You're going to find treasures of cufu, all
• 47:17
  Speaker 11: this stuff. They said, that's what you're going to find
• 47:18
  Speaker 11: back there. And Chris Dunn, under the power plant hypothesis
• 47:25
  Speaker 11: in nineteen ninety eight, said, I bet you that room
• 47:28
  Speaker 11: is about nine inches by nine inches, maybe a foot
• 47:32
  Speaker 11: by a foot. And he said those copper handles that
• 47:37
  Speaker 11: the pharaoh would grab onto so his spirit could go
• 47:39
  Speaker 11: out were probably electrodes that hook up to copper into
• 47:44
  Speaker 11: that room in the back. That signaled like a fuel
• 47:47
  Speaker 11: level center in a in a fuel tank, that it
• 47:53
  Speaker 11: would get low, that the hydrogen would get low. And
• 47:55
  Speaker 11: this kind of takes us back to the hydrogen too,
• 47:58
  Speaker 11: And that was his prediction. He drew the whole thing
• 48:01
  Speaker 11: up in the book in uh in nineteen ninety eight,
• 48:04
  Speaker 11: and then in two thousand and two a new rover
• 48:08
  Speaker 11: came to town and they said they got permission, and
• 48:11
  Speaker 11: they said, can we drill through Gattenbrink's door and see
• 48:15
  Speaker 11: what's in there, and after years of getting hard up
• 48:19
  Speaker 11: on it, they finally got permission to do so under
• 48:22
  Speaker 11: under a controlled setting. But when they did it, they
• 48:27
  Speaker 11: went live on Fox.
• 48:29
  Speaker 8: To look in that door for the first time, and
• 48:33
  Speaker 8: it is it is an absolute spectacle to watch doctor
• 48:38
  Speaker 8: Zahi Halas damn near lose his fucking mind live on
• 48:44
  Speaker 8: TV when they had to shut down the cameras real quick.
• 48:48
  Speaker 8: And no he wasn't. But it was one of those, right,
• 48:56
  Speaker 8: That's what it was like. And no one expected this.
• 48:59
  Speaker 8: Everyone thought it was a flop. They're like, oh, this
• 49:01
  Speaker 8: is a flop discovery.
• 49:03
  Speaker 11: Meanwhile, hawasses in the back, he's sweating, he's red in
• 49:06
  Speaker 11: the face, which it is.
• 49:07
  Speaker 8: It's hot and Egypt whatever.
• 49:09
  Speaker 11: But he starts, he pounds the table and he's like,
• 49:14
  Speaker 11: he's not making an angry face, he's forcing this weird smile.
• 49:17
  Speaker 8: And he's like, all right, well, you know that's all
• 49:20
  Speaker 8: we have today, and he's like interrupting the presenter and shit.
• 49:24
  Speaker 11: So basically what happened was, so if can we pulled
• 49:27
  Speaker 11: up a picture of Gatten.
• 49:28
  Speaker 8: Bringstore real quick? So keep on going. I'll tell you when,
• 49:36
  Speaker 8: I'll tell you when.
• 49:40
  Speaker 6: I have a quick note, sorry, sorry, Joy, No, you're good,
• 49:43
  Speaker 6: You're good.
• 49:43
  Speaker 11: Oh so let me stop right here real quick. The
• 49:46
  Speaker 11: top here is a piece of cedar. It's a piece
• 49:48
  Speaker 11: of wood, right He's autologists through it in the museum
• 49:52
  Speaker 11: because they had no idea it would completely undermine their
• 49:56
  Speaker 11: entire theory.
• 49:57
  Speaker 8: Now I don't even I don't even call it a theory.
• 50:00
  Speaker 11: Basically the guesswork that Egyptologists did early in the nineteenth
• 50:04
  Speaker 11: century before we had machines.
• 50:06
  Speaker 8: By the way, this is important to remember.
• 50:08
  Speaker 11: Egyptology became a career before machines were invented. We have
• 50:14
  Speaker 11: nothing to compare it to in our in our hive
• 50:17
  Speaker 11: mind yet, so not only would this have been unspeakable,
• 50:21
  Speaker 11: it would have been unthinkable, weirder than we can imagine.
• 50:25
  Speaker 11: But nevertheless, this piece of theater was hooked up to
• 50:28
  Speaker 11: this copper hook right here, and it was in it
• 50:32
  Speaker 11: was in the queen, the Queen's chamber where with the hydrogen.
• 50:36
  Speaker 8: So if we go back to that one slide where
• 50:39
  Speaker 8: a gat and bring store was that which is actually
• 50:42
  Speaker 8: a clip that I took.
• 50:43
  Speaker 11: This is a freeze frame from the live footage that
• 50:46
  Speaker 11: I showed tomorrow, which you don't have to wait for
• 50:48
  Speaker 11: my episode tomorrow. This is it's called Opening of the
• 50:53
  Speaker 11: Secret Shaft Live on Fox. You can watch it. It's
• 50:56
  Speaker 11: two hours long, but just skip to the end. So
• 51:01
  Speaker 11: these circles here, these red circles, are copper recessed copper prongs. Basically,
• 51:11
  Speaker 11: the Egyptologists would say that those copper prongs would put
• 51:14
  Speaker 11: there so that the block could not be lifted up.
• 51:17
  Speaker 8: Out of place by grave robbers.
• 51:20
  Speaker 11: After finding out that they would not serve that purpose
• 51:23
  Speaker 11: because that entire part of the pyramid is completely closed off,
• 51:26
  Speaker 11: they switched their theory to, well, that's where they hooked
• 51:29
  Speaker 11: the ropes up so that they could enter this stone
• 51:33
  Speaker 11: into the shaft. Then they found out that these copper
• 51:36
  Speaker 11: prongs are actually recessed in the back, so they're flush
• 51:39
  Speaker 11: with the stone. After that was thrown out, they switched
• 51:43
  Speaker 11: it to the newest one, which is that's where the
• 51:46
  Speaker 11: pharaohs magical spirit grabbed on so that his soul could
• 51:49
  Speaker 11: exit the shaft. Each explanation getting weirder and weirder as
• 51:53
  Speaker 11: it goes. But nevertheless, that copper hook we just looked
• 51:58
  Speaker 11: at is the same dements as those copper prongs right there.
• 52:03
  Speaker 11: They would have hooked up to that according to the
• 52:05
  Speaker 11: power plant theory, and when the cedar would float on
• 52:08
  Speaker 11: the hydrogen fluid, it would go down with the fluid.
• 52:13
  Speaker 11: The copper prongs would disconnect from these from these anti noodes.
• 52:20
  Speaker 8: I'm messing that word up.
• 52:21
  Speaker 11: What did Chris call them? I forgot that. You get
• 52:26
  Speaker 11: the idea, though, there's a there's a charge between the
• 52:29
  Speaker 11: two of them. And just like a fuel level level
• 52:31
  Speaker 11: center in our gas tank, it would let the guys
• 52:35
  Speaker 11: know outside the pyramids that re up on that good
• 52:37
  Speaker 11: good whenever it got low, so whenever that that hole
• 52:42
  Speaker 11: is drilled into that door right there, that's that's the
• 52:45
  Speaker 11: hole right there that they.
• 52:46
  Speaker 8: Drilled in for Fox News to do their live presentation.
• 52:50
  Speaker 11: The camera and this is spoiler by the way, the
• 52:53
  Speaker 11: camera goes into that hole and immediately finds a debt
• 53:00
  Speaker 11: into a room that is nine inches by nine inches
• 53:04
  Speaker 11: the dimensions that Chris Dunn came up with as to
• 53:08
  Speaker 11: fit the rest of the power plant.
• 53:12
  Speaker 7: So but now you're saying that this was also flooded.
• 53:16
  Speaker 8: Uh, this was this part was not flooded as far
• 53:19
  Speaker 8: as I know.
• 53:20
  Speaker 7: Oh, you're saying that the seedar was floating right.
• 53:23
  Speaker 11: So on the back of gatten Brink's door, there would
• 53:27
  Speaker 11: have been a room in there that would have been
• 53:31
  Speaker 11: the floater.
• 53:33
  Speaker 8: So to speak.
• 53:36
  Speaker 7: Hm.
• 53:36
  Speaker 11: So it's it's a it's a it's it's an insane
• 53:40
  Speaker 11: it's so it's one of those things where no one
• 53:43
  Speaker 11: can really be positive as to what this did. But
• 53:48
  Speaker 11: what I think can be said for sure is that
• 53:51
  Speaker 11: it did something. And it wasn't for a magical spirit
• 53:54
  Speaker 11: to go floating out into the stars unless unless it was.
• 54:00
  Speaker 8: See I'm glad you mentioned that, Joey. I was about
• 54:02
  Speaker 8: to get back to that.
• 54:02
  Speaker 10: There you mentioned Pharaoh's spirits launching all from of the stars,
• 54:06
  Speaker 10: right were they catching Haley's comment, See where the roads
• 54:12
  Speaker 10: and some nikes?
• 54:13
  Speaker 8: What are we talking about here? That's that? So this
• 54:16
  Speaker 8: is where we kind of come unhanted a little bit.
• 54:19
  Speaker 4: And so.
• 54:23
  Speaker 11: Where where it goes from things we can hold measure
• 54:27
  Speaker 11: and weigh. And THENTO speculation is when we mixed, we
• 54:32
  Speaker 11: mixed mythology with the rest of this, these these utilities here.
• 54:38
  Speaker 8: So let's see we drop.
• 54:40
  Speaker 11: The power plant's idea for a moment and say, okay,
• 54:44
  Speaker 11: maybe it didn't create free energy like we would all
• 54:48
  Speaker 11: hope and dream, and it wasn't a Nicole Tesla thing
• 54:51
  Speaker 11: like everyone's perfect reality would be.
• 54:54
  Speaker 8: What could what's up?
• 54:56
  Speaker 4: You could do both? Right?
• 54:58
  Speaker 8: Well, so this is where it gets. Yeah, it gets
• 55:00
  Speaker 8: kind of weird.
• 55:01
  Speaker 11: Is mythology states that the Pharaohs would exit their soul
• 55:07
  Speaker 11: through and this was exacerbated by Egyptologists, of course, who
• 55:12
  Speaker 11: didn't understand science.
• 55:14
  Speaker 8: So what if it's both.
• 55:16
  Speaker 11: If it's both, this gets really weird because the world
• 55:20
  Speaker 11: over in mythology, pyramids were built by giants. If you
• 55:25
  Speaker 11: go to Mexico, if you go, I mean, you name
• 55:28
  Speaker 11: the continent and you ask the indigenous people who built that,
• 55:32
  Speaker 11: they will tell you giants built it, and then we
• 55:35
  Speaker 11: dismiss it because well that's it's fantasy.
• 55:39
  Speaker 10: Right, Well, that's the evidence here in America, right, they're
• 55:42
  Speaker 10: the giants that built the some of the older mound structures.
• 55:48
  Speaker 11: Right, right to always attributed to giants, right. So if
• 55:52
  Speaker 11: we go to the Bible, where the pyramid is never mentioned,
• 55:55
  Speaker 11: by the way, the reason giants exist was because of
• 56:00
  Speaker 11: interbreeding with fallen angels, and then they became called nephelin.
• 56:06
  Speaker 11: So in America there's roughly half a dozen different words
• 56:11
  Speaker 11: for nephilim, But in Native American cultures, all of which did.
• 56:15
  Speaker 8: The same thing.
• 56:16
  Speaker 11: They brought technology to human beings from the stars and
• 56:20
  Speaker 11: then mate it with human women. Not a fair trade,
• 56:23
  Speaker 11: by the way, if you ask me, but then got
• 56:26
  Speaker 11: them pregnant and then gave they gave birth to giant,
• 56:30
  Speaker 11: hyper capable, hyper intelligent men who could who could bend.
• 56:36
  Speaker 8: Reality with magic.
• 56:39
  Speaker 11: Now, let's assume that magic isn't real and say that
• 56:43
  Speaker 11: a good way to explain magic with quotes is technology
• 56:47
  Speaker 11: we don't understand. So given that these Nephilim understood the
• 56:55
  Speaker 11: mechanics of the universe enough to create incredible technology power,
• 57:00
  Speaker 11: Hence is why the Bible says, and all these other
• 57:03
  Speaker 11: myths say that they got technology from these fallen angels
• 57:07
  Speaker 11: and then pass it down to their sons, the Nephelim.
• 57:10
  Speaker 11: These hyper capable beings trapped here on Earth would probably
• 57:15
  Speaker 11: want to phone home.
• 57:16
  Speaker 8: They want to get out of.
• 57:17
  Speaker 11: Here, which all of a sudden brings me to the
• 57:20
  Speaker 11: wackiest and silliest conspiracy about the Pyramids, that they were
• 57:25
  Speaker 11: built by aliens, something I don't adhere to. Nevertheless, if
• 57:29
  Speaker 11: you combine all three of these theories, electromagnetic power involving
• 57:35
  Speaker 11: plasma a form of plasma. I know plasma is an
• 57:39
  Speaker 11: umbrella term, but let's plasma for now. You mix that
• 57:43
  Speaker 11: with mythology they were built by giants who had technology
• 57:47
  Speaker 11: and were frankly angry to be here, and then you
• 57:51
  Speaker 11: mix that with the modern conspiracy theory that they were
• 57:54
  Speaker 11: built by aliens. If you combine all three together, it
• 57:57
  Speaker 11: seems to me that the Pyramids, along with a lot
• 58:01
  Speaker 11: of other ancient sites that were used to make your
• 58:04
  Speaker 11: brain outside your body, might have been built by Nephelin
• 58:08
  Speaker 11: people who couldn't stand being here next to all of
• 58:13
  Speaker 11: us animals.
• 58:14
  Speaker 2: Well, there's a lot of case for that. With John Dye.
• 58:17
  Speaker 1: He he constantly talks about how the angels do not
• 58:20
  Speaker 1: like us, period dot and they don't want how we smell,
• 58:24
  Speaker 1: they don't like how we are, they don't like anything.
• 58:28
  Speaker 2: They don't like us.
• 58:29
  Speaker 10: And so.
• 58:31
  Speaker 2: Yeah, I could see that.
• 58:32
  Speaker 1: And when we're talking about you know, nephilim, I mean
• 58:36
  Speaker 1: probably talking about interdimensional type situation anyways, I mean, you
• 58:42
  Speaker 1: know they're going to try to get out of here,
• 58:44
  Speaker 1: but obviously.
• 58:47
  Speaker 2: They didn't know.
• 58:48
  Speaker 10: Yeah, I say, Joey, is the astro theological aspects how
• 58:53
  Speaker 10: you explained these launching the pharris to the stars. That
• 58:56
  Speaker 10: is the mound builders. You know theology as well, right,
• 59:00
  Speaker 10: the these Adeena mound cultures. We were just talking about
• 59:03
  Speaker 10: to Greg, doctor Greg Little, about the same subject their
• 59:06
  Speaker 10: day here on the occult rejects. Not sure that that
• 59:09
  Speaker 10: shows publish yet though, but good conversation none the less.
• 59:13
  Speaker 10: And that is their their culture, and they are you know,
• 59:16
  Speaker 10: they're those giants at the base of those Adana mounds
• 59:18
  Speaker 10: came from somewhere, I mean, and.
• 59:21
  Speaker 11: And if mythology, according to mythology, they came from the stars.
• 59:24
  Speaker 11: In fact, in native cultures, the words that I can't
• 59:27
  Speaker 11: pronounce for them translate to rebel stars, uh star people.
• 59:34
  Speaker 8: Sure.
• 59:36
  Speaker 11: And the pyramid shafts, by the way, and again this
• 59:39
  Speaker 11: is one of those things that undermines Chris Dunn's power
• 59:43
  Speaker 11: plant theory, but it can't be ignored. Those shafts are
• 59:46
  Speaker 11: aimed to particular stars, one of which is Draco and
• 59:51
  Speaker 11: one of which is uh serious.
• 59:54
  Speaker 8: Yeah, sure, so, I.
• 59:56
  Speaker 11: Mean that opens up to a lot of conspiracy about
• 1:00:00
  Speaker 11: their their species being reptile in nature. But on that
• 1:00:05
  Speaker 11: point we kind of start tiptoeing on some other you know,
• 1:00:10
  Speaker 11: some other facets. But then again this theory and throws
• 1:00:15
  Speaker 11: from ancient times that were pre nephylin where there a
• 1:00:19
  Speaker 11: lot of times were depicted as feathered serpents. Uh Dagon
• 1:00:23
  Speaker 11: was a fish, they all had scales basically.
• 1:00:26
  Speaker 1: Well, it says that the giants needed with not only
• 1:00:30
  Speaker 1: humans but animals, and that there were things that were created.
• 1:00:35
  Speaker 6: Yes, right, But to go back to something that even
• 1:00:39
  Speaker 6: said about the Jed, that was really interesting to me
• 1:00:41
  Speaker 6: because the Things chamber has the five tiers, so an
• 1:00:45
  Speaker 6: original di Jed also has five tiers, just like in
• 1:00:49
  Speaker 6: original safary Etcera. There actually are five worlds, even though
• 1:00:53
  Speaker 6: most people only know there are four. But the fifth
• 1:00:56
  Speaker 6: is is like ineffable, its formless. There's no husk gets
• 1:01:00
  Speaker 6: the Adam Cadvan whatever alternate quicksilver Man dimension. But so
• 1:01:07
  Speaker 6: I like the speculative idea, Joey, that you're talking about
• 1:01:10
  Speaker 6: like that that's my personal orientation where I think that
• 1:01:13
  Speaker 6: the they're more of a thurgic vehicle. If you could
• 1:01:16
  Speaker 6: say that there's part of the pyramids that are heck
• 1:01:19
  Speaker 6: a lot, and then there's also part that's a Marcaba,
• 1:01:22
  Speaker 6: because that's the architectural physical.
• 1:01:24
  Speaker 7: Form the husk.
• 1:01:25
  Speaker 6: Maybe you could say, of the pyramid, but like the
• 1:01:28
  Speaker 6: energy flows inside, that's the vehicle, that's the heck lot. Yeah,
• 1:01:33
  Speaker 6: and then they want to project outwards or upwards. And
• 1:01:36
  Speaker 6: you showed that image of the three dots. Well in Tantra,
• 1:01:40
  Speaker 6: this makes a lot of sense because you would have
• 1:01:42
  Speaker 6: a key, so like the onc there would be a
• 1:01:45
  Speaker 6: key to turn wheels right. And like even the pyramids,
• 1:01:49
  Speaker 6: it does seem to I personally think of them as
• 1:01:52
  Speaker 6: more locks maybe or representations of maybe chathonic events, so
• 1:02:01
  Speaker 6: like how the nile turns, the nile flows backwards compared
• 1:02:05
  Speaker 6: to their rivers. I have a crazy theory that maybe
• 1:02:09
  Speaker 6: they turn the lock, and the locks actually aren't universal,
• 1:02:13
  Speaker 6: like they don't work throughout the world. Maybe there are ripples,
• 1:02:17
  Speaker 6: but it's localized, so then they turn the nile back
• 1:02:21
  Speaker 6: in that specific area. But I actually don't really think
• 1:02:24
  Speaker 6: that they know how to fix it, because I think
• 1:02:27
  Speaker 6: if they did know how to fix it or rectify it,
• 1:02:30
  Speaker 6: then maybe they would. I don't know, this is an idea,
• 1:02:33
  Speaker 6: but I like the speculative idea that they are urgic tools,
• 1:02:36
  Speaker 6: like it could be like you said, like maybe there
• 1:02:39
  Speaker 6: are like rebel magicians who just want to get out
• 1:02:42
  Speaker 6: of this like hellish, you know, like material. They're very gnostic, right,
• 1:02:46
  Speaker 6: like they're like, we want to leave the body. But
• 1:02:49
  Speaker 6: the interesting thing about to jet is it refers to
• 1:02:52
  Speaker 6: a cyrus's spine. So in Hebrew, this is the lose,
• 1:02:56
  Speaker 6: So this is the almond. So you are always reserraud.
• 1:02:59
  Speaker 6: This is the part of you if you want to believe,
• 1:03:02
  Speaker 6: not cosmology that gets reincarnated. It's the part that's eternal.
• 1:03:07
  Speaker 8: Right.
• 1:03:08
  Speaker 1: Maybe maybe with the enophilue, because they're they're here illegally. See,
• 1:03:12
  Speaker 1: they're here without a spirit, and they're not really a
• 1:03:16
  Speaker 1: creation of God, they're created by other means, right, So
• 1:03:22
  Speaker 1: possibly with them, maybe they need that obscene energy you know,
• 1:03:27
  Speaker 1: to exist or and or recreate and come back like
• 1:03:31
  Speaker 1: or they're trying to get out, but at least.
• 1:03:33
  Speaker 2: Continue to exist, is what I'm saying.
• 1:03:35
  Speaker 11: Right, If we are to accept the Hindu cosmology that
• 1:03:40
  Speaker 11: kind is similar to gnostic ideas, that that there is
• 1:03:44
  Speaker 11: a closed system around the orbit of Saturn that has
• 1:03:48
  Speaker 11: been called loosely the black cube. You would need a
• 1:03:50
  Speaker 11: lot of power to break through that dare I say
• 1:03:55
  Speaker 11: firmament without too many viewers losing their minds, But ah uh,
• 1:04:00
  Speaker 11: like if some sorrow is a closed system where even
• 1:04:05
  Speaker 11: if these nephel men who can't stand it on earth,
• 1:04:07
  Speaker 11: if they were to kill themselves to get out of it,
• 1:04:10
  Speaker 11: they they would just be reincarnated right back down and
• 1:04:13
  Speaker 11: this time maybe not even into a giant's body, but
• 1:04:15
  Speaker 11: into one of us, you know, rascally bastards down here.
• 1:04:19
  Speaker 8: They are orphaned, orphaned on earth, and no fault of
• 1:04:23
  Speaker 8: their own.
• 1:04:24
  Speaker 1: No, And you did mention that they're reptilian, but possibly
• 1:04:28
  Speaker 1: that lack of a spirit, you're going to act a
• 1:04:31
  Speaker 1: lot different than a regular person as well.
• 1:04:34
  Speaker 8: Well.
• 1:04:34
  Speaker 11: I think how the fallen angels were described as reptilian
• 1:04:39
  Speaker 11: like Dagon or uh, you know these uh, these these
• 1:04:43
  Speaker 11: fish quats, aquatal serpent people, the Nephilim.
• 1:04:47
  Speaker 8: However, as far as I know.
• 1:04:48
  Speaker 1: They weren't they weren't fallen worthy, weren't they weren't they
• 1:04:52
  Speaker 1: the mixed breeding creation with animals as what I thought.
• 1:04:58
  Speaker 11: Those like like Dagon squaddle they said came directly from
• 1:05:02
  Speaker 11: the stars.
• 1:05:02
  Speaker 8: They were like they here now Dagon came up out
• 1:05:05
  Speaker 8: of the water. Now, I mean, so just a.
• 1:05:07
  Speaker 11: Distinction there, so's it's really fuzzy, but it wasn't so
• 1:05:11
  Speaker 11: that they were descendants of the Fallen Angel so so much,
• 1:05:14
  Speaker 11: which by the way, they don't attribute Dagon as the
• 1:05:18
  Speaker 11: Fallen Angel per se. But these are two different I mean,
• 1:05:21
  Speaker 11: it's to me whenever something's got scales and it's described
• 1:05:26
  Speaker 11: this way and it came from the stars that came
• 1:05:29
  Speaker 11: to teach mankind or whatever, I start to say, maybe
• 1:05:32
  Speaker 11: we have different names for the same story, like the
• 1:05:35
  Speaker 11: old axiom goes, the names.
• 1:05:37
  Speaker 8: Have changed, but the story stays the same, you know.
• 1:05:40
  Speaker 11: And but these giants are described as human without scales,
• 1:05:44
  Speaker 11: without feathers, and they were just hyper capable, hyper smart,
• 1:05:50
  Speaker 11: you know, hyper big or whatever.
• 1:05:53
  Speaker 8: And they would have.
• 1:05:53
  Speaker 11: Not and like you're saying, though, they would have had
• 1:05:55
  Speaker 11: that divine spark in them that was it was popping,
• 1:05:58
  Speaker 11: you know, like they they were not all humans, so
• 1:06:01
  Speaker 11: to speak, which is very strange because.
• 1:06:07
  Speaker 8: They were. They were big mammals.
• 1:06:10
  Speaker 11: If you ever you've ever seen a liger before, it's
• 1:06:14
  Speaker 11: a cross between a lion and a tiger, and they're huge,
• 1:06:18
  Speaker 11: far bigger than both parents. The only way a liger
• 1:06:23
  Speaker 11: can happen is if a male lion mates with a
• 1:06:27
  Speaker 11: female tiger.
• 1:06:28
  Speaker 8: You can't have it the other way around. That's all.
• 1:06:32
  Speaker 11: All these fallen angels were male. They were attracted to women.
• 1:06:35
  Speaker 11: They they none of them were female.
• 1:06:37
  Speaker 8: That's this is where it starts to get really kind
• 1:06:40
  Speaker 8: of eerie.
• 1:06:41
  Speaker 11: Because a lion, a male lion, has dominant growth hormone genes,
• 1:06:47
  Speaker 11: and when he it's.
• 1:06:49
  Speaker 8: Called unregulated growth hormone.
• 1:06:53
  Speaker 11: And when the tiger who was the mother obviously wants
• 1:06:57
  Speaker 11: that regulated growth hormone to be press so that it
• 1:07:00
  Speaker 11: can carry this baby because it's gonna be a huge
• 1:07:03
  Speaker 11: pandas so.
• 1:07:05
  Speaker 1: Well, the birth of the mixed children didn't go well
• 1:07:10
  Speaker 1: for Yeah.
• 1:07:11
  Speaker 8: That's the first seat. And that I was shocked when I.
• 1:07:17
  Speaker 11: Read about c sections in the Bible that it blew
• 1:07:21
  Speaker 11: my mind because if this is allegory, why are they
• 1:07:24
  Speaker 11: talking about surgery, you know? But the fact that a
• 1:07:29
  Speaker 11: liger across between a male line and a female tiger,
• 1:07:32
  Speaker 11: they grow to well over one thousand pounds, much not bigger.
• 1:07:35
  Speaker 8: Than both parents, much larger than both parents.
• 1:07:40
  Speaker 11: I start to say, this is the same story, but
• 1:07:43
  Speaker 11: that would make fallen angels mammal, so that throws a
• 1:07:47
  Speaker 11: wrench in the whole damn thing.
• 1:07:50
  Speaker 6: Well, speaking of mammals, Joey I just wanted to jump
• 1:07:52
  Speaker 6: in and add something you mentioned the like a serpentine
• 1:07:55
  Speaker 6: star when you were showing the chamber. We're speculatively saying
• 1:08:00
  Speaker 6: that the soul projects outwards towards these three stars, right,
• 1:08:04
  Speaker 6: No Draco, excuse me. So there's an idea in TNTRA that,
• 1:08:08
  Speaker 6: like we even spoke about this on the Steiner episode
• 1:08:11
  Speaker 6: we just did. Is there's an idea of like Lucifer
• 1:08:13
  Speaker 6: and Araman. But like I always say, it's very much
• 1:08:16
  Speaker 6: like the TNTRAC cosmology is like Rahu and Katu, and
• 1:08:19
  Speaker 6: even in the Egyptian things, Like I'm not versed in that,
• 1:08:22
  Speaker 6: like everyone else knows a lot more about that than me,
• 1:08:25
  Speaker 6: but I do know like my Himalayan cosmology quite well.
• 1:08:29
  Speaker 6: So when I look at the Egyptian stuff, I do
• 1:08:31
  Speaker 6: see a lot of similarities, but I can't necessarily map
• 1:08:36
  Speaker 6: it one to one. But I do think that there's
• 1:08:38
  Speaker 6: an element of what you're talking about, like a dragon
• 1:08:42
  Speaker 6: who is numinous, meaning he's of space. In Buddhism, Rahu
• 1:08:48
  Speaker 6: is the king of Zaw, so he is the king
• 1:08:51
  Speaker 6: of space, the black matter, and he's also the lord
• 1:08:54
  Speaker 6: of the demonic hosts of the planets. And the stars.
• 1:08:59
  Speaker 6: So something kind of interesting about that.
• 1:09:03
  Speaker 11: If we were to speculate that, uh the word you
• 1:09:07
  Speaker 11: used wasn't ether, but it remind refreshed me.
• 1:09:11
  Speaker 6: Uh you could say it's like a catsha.
• 1:09:15
  Speaker 8: Yeah, well like like ether.
• 1:09:17
  Speaker 11: To me, it sounds like plasma, you know, like the
• 1:09:20
  Speaker 11: fifth state of matter, like you said about I.
• 1:09:22
  Speaker 8: Think the Kabbala, how there's those four I mean, those
• 1:09:25
  Speaker 8: those five stages.
• 1:09:27
  Speaker 11: You know.
• 1:09:28
  Speaker 8: I don't know if there's a correlation there.
• 1:09:30
  Speaker 6: But yeah, there is, because there's only five chakras in
• 1:09:33
  Speaker 6: the original contric system. Okay, seven chakras are actually uh
• 1:09:38
  Speaker 6: for only for how the yoga.
• 1:09:40
  Speaker 8: I did not know that.
• 1:09:42
  Speaker 11: See that that's that is very strange because that it
• 1:09:45
  Speaker 11: sounds a lot like the five basic elements that Aristotle proposed.
• 1:09:49
  Speaker 11: And if ether is plasma, therefore, you know, the lack
• 1:09:53
  Speaker 11: of space stars, we we start we might get a
• 1:09:57
  Speaker 11: little keyhole into this mammal problem. How did fallen angels
• 1:10:04
  Speaker 11: mate with human women to make giants in the first
• 1:10:06
  Speaker 11: place if they weren't mammal? And so stars are made
• 1:10:10
  Speaker 11: out of plasma, which is they're called fallen stars, they're
• 1:10:13
  Speaker 11: called rebel stars. And plasma is the only thing that
• 1:10:18
  Speaker 11: we would be able to use to artificially inseeminate a
• 1:10:23
  Speaker 11: virgin a woman. You can't an angel fallen angels don't
• 1:10:28
  Speaker 11: have dicks, like my grandma used to say, how were
• 1:10:31
  Speaker 11: they knocking anyone up? So if this was a form
• 1:10:35
  Speaker 11: of technology instead of literally, because in the Bible says
• 1:10:40
  Speaker 11: they came onto the darts of man, that sounds like sex,
• 1:10:44
  Speaker 11: and it also says they sinned against when they got
• 1:10:47
  Speaker 11: done coming onto the women, they send against other creatures
• 1:10:52
  Speaker 11: like beasts of the earth and birds.
• 1:10:54
  Speaker 8: Of the sky send against.
• 1:10:56
  Speaker 11: So if we are to say maybe they didn't have
• 1:11:00
  Speaker 11: a word for in vitro back then, which they didn't.
• 1:11:04
  Speaker 11: The people doing this who wrote this years later, by
• 1:11:08
  Speaker 11: the way, certainly didn't have a word for artificial inseminating
• 1:11:13
  Speaker 11: in vitro. Well, the way to do this would be
• 1:11:17
  Speaker 11: through plasma, of which stars are made out of.
• 1:11:20
  Speaker 8: This might be a translation mix up. What if people.
• 1:11:25
  Speaker 11: Took this technology that was associated with the stars, which
• 1:11:29
  Speaker 11: is plasma, and used it to experiment on us, on
• 1:11:33
  Speaker 11: people and created Nesselin by mistake out of curiosity, like
• 1:11:39
  Speaker 11: fucking Jurassic part and then it became a whole biblical
• 1:11:43
  Speaker 11: mythology later, what's up head.
• 1:11:45
  Speaker 3: Loss, I had something to throw in. They did call
• 1:11:49
  Speaker 3: Egypt the land of Kem, right, and this land of
• 1:11:52
  Speaker 3: cam is where we get our term chemistry from, and
• 1:11:56
  Speaker 3: the agent form of alchemy heavily relied on the the
• 1:12:00
  Speaker 3: astrological positions of planets and stars for them to get
• 1:12:04
  Speaker 3: the right proper mix. And you're you're saying that these
• 1:12:06
  Speaker 3: shafts are aiming towards these different stars on different dates.
• 1:12:10
  Speaker 3: So not only that, but they also used a lot
• 1:12:14
  Speaker 3: of astrology when it came to animal husbandry as well,
• 1:12:17
  Speaker 3: So there is that angle as well. So if you're
• 1:12:19
  Speaker 3: if you're talking about artificial insemination during these uh, these
• 1:12:23
  Speaker 3: times during the year when these stars are lining.
• 1:12:25
  Speaker 5: Up, talking about there's also a lot of documentation of
• 1:12:33
  Speaker 5: artificial exemination being used in horses around the twelfth century,
• 1:12:37
  Speaker 5: eleventh century. It's highly documented some of these texts. So
• 1:12:40
  Speaker 5: they already had.
• 1:12:42
  Speaker 1: And and Diana of Ephesus. They talk of this clearback,
• 1:12:46
  Speaker 1: like way back in India. They talk about this, So yeah.
• 1:12:49
  Speaker 7: They knew how to do it a long long time ago.
• 1:12:54
  Speaker 7: But if I may, I would to say one thing,
• 1:12:57
  Speaker 7: if if the pyramid was built by giant and I
• 1:13:01
  Speaker 7: like to state the difference because people tend to confuse
• 1:13:05
  Speaker 7: this gigantism is a disease. Being a giant isn't. So
• 1:13:11
  Speaker 7: we still have giants today, and there are very fair
• 1:13:15
  Speaker 7: amount of giants documented. You can go into my paper
• 1:13:20
  Speaker 7: there were Giants upon the Earth, you'll find lots of
• 1:13:22
  Speaker 7: reference to actual giant people. We don't need mojo jumbo
• 1:13:27
  Speaker 7: to try to justifica something that is actually real and undeniable.
• 1:13:31
  Speaker 7: We have documentation from at least two thousand and three
• 1:13:34
  Speaker 7: thousand years of giants well documented. But if the pyramids
• 1:13:38
  Speaker 7: were built by giants and you go to the king's
• 1:13:42
  Speaker 7: chamber and you find the granite box that is in there,
• 1:13:46
  Speaker 7: you cannot fit a giant in there, right. And if
• 1:13:51
  Speaker 7: you have a granite box in a highly acoustic chamber
• 1:13:58
  Speaker 7: within a electromagnetic prepare structure, you are actually telling that
• 1:14:04
  Speaker 7: you are going to put someone into the box and
• 1:14:06
  Speaker 7: that person is going to the stars. That's literally what
• 1:14:10
  Speaker 7: you're doing. So it's an isolation chamber. It's an initiation
• 1:14:15
  Speaker 7: chamber because if you see these Awkwult people are obsessed
• 1:14:19
  Speaker 7: with rituals of death and rebirth. And if you go
• 1:14:23
  Speaker 7: even to the assiren every place in the world, be
• 1:14:26
  Speaker 7: the Maya, the Inca, it doesn't matter. The pros even today,
• 1:14:29
  Speaker 7: to the Rosaccrusians, to the Masons, to the Mero Ofvingians,
• 1:14:33
  Speaker 7: all of them follow the same protocol. You descend into
• 1:14:37
  Speaker 7: the underworld. That means you go through a tunnel into
• 1:14:40
  Speaker 7: the depth of the earth. You go into a box
• 1:14:43
  Speaker 7: and you die. Then you are revitalized at dawn you
• 1:14:48
  Speaker 7: go through the waters into the light. So there's always
• 1:14:52
  Speaker 7: the element of darkness, simulation of death. Some or granite
• 1:15:00
  Speaker 7: box or wooden box, it doesn't matter, it depends on
• 1:15:03
  Speaker 7: how they do this. Then you are awakened, probably take
• 1:15:06
  Speaker 7: a drug. You are awakened at dawn, and you are
• 1:15:09
  Speaker 7: driven through the water. That's exactly what you see on
• 1:15:12
  Speaker 7: the Asyrum. You see the tunnel, you see the city,
• 1:15:15
  Speaker 7: the place where they put to sleep or they meditat,
• 1:15:19
  Speaker 7: or whatever you want to call it. And then they
• 1:15:20
  Speaker 7: were brought through that vein of water into that east
• 1:15:24
  Speaker 7: because that balcony that was filled water is completely driven
• 1:15:27
  Speaker 7: to the east. So they emerge from the water into
• 1:15:30
  Speaker 7: the light exactly as a buff you come from the
• 1:15:32
  Speaker 7: water of the mother. It's exactly the same process so exactly.
• 1:15:39
  Speaker 11: So a question comes to my mind though, So the coffer,
• 1:15:45
  Speaker 11: so to speak, in the in the king's chamber is
• 1:15:47
  Speaker 11: too small just about for anybody. How big are those
• 1:15:51
  Speaker 11: boxes that you said were in.
• 1:15:53
  Speaker 7: The water more than enough for a normal human?
• 1:15:58
  Speaker 8: That's interesting, more enough, And they are must.
• 1:16:01
  Speaker 7: Much more robust than the one that is on the
• 1:16:04
  Speaker 7: on the arm chamber. They are movable. The queen's chamber
• 1:16:08
  Speaker 7: is not movable.
• 1:16:09
  Speaker 11: Right right, Yeah, that I wonder if there's a connection there.
• 1:16:13
  Speaker 11: I mean at this point where almost in the in
• 1:16:16
  Speaker 11: the realm of speculation. But I wonder why those boxes
• 1:16:20
  Speaker 11: were so big and what those were used for, I
• 1:16:22
  Speaker 11: mean the healing thing, of course.
• 1:16:24
  Speaker 7: No, they are not as big as the ones in
• 1:16:27
  Speaker 7: the what what is it called? Don't there's ones in underground?
• 1:16:32
  Speaker 7: They are actually bigger than than than the gigantic bull
• 1:16:37
  Speaker 7: of mythology. I don't remember how it's called. If anyone
• 1:16:42
  Speaker 7: there knows how the name of that structure where you
• 1:16:45
  Speaker 7: have that those massive sarcophagus.
• 1:16:47
  Speaker 8: Yeah, yeah, I got it. So, uh, this is a sakara,
• 1:16:50
  Speaker 8: right if I can angle this? Right?
• 1:16:52
  Speaker 11: So, in Don's second book, which I don't really cover
• 1:16:57
  Speaker 11: much yet, but it's on the way. Also, you the
• 1:17:00
  Speaker 11: picture here, So there's these gigantic tubs exactly, there's twenty
• 1:17:06
  Speaker 11: two of them, and the dimensions of these tubs are
• 1:17:10
  Speaker 11: thirteen feet by seven and a half feet and eight
• 1:17:14
  Speaker 11: feet high, so they're about the size of a bus,
• 1:17:18
  Speaker 11: a small bus. And I don't know if each totologists
• 1:17:22
  Speaker 11: have ever listed what their explanation for.
• 1:17:27
  Speaker 7: Yes, cubs are to the cremation of the what's the
• 1:17:33
  Speaker 7: name of the the bull god?
• 1:17:35
  Speaker 8: Did you know who? Headless? Are you talking about?
• 1:17:38
  Speaker 3: Molech?
• 1:17:39
  Speaker 8: No?
• 1:17:39
  Speaker 7: No, that is could it be appy? I'm not sure.
• 1:17:44
  Speaker 7: So they made I'm not saying that's the initial purpose, right,
• 1:17:49
  Speaker 7: but at least we know that they is well documented
• 1:17:52
  Speaker 7: that sometime they were burning bulls and putting the bones
• 1:17:56
  Speaker 7: inside of this of this boxes. But if that was
• 1:18:00
  Speaker 7: the problem of those boxes is how did they got there?
• 1:18:03
  Speaker 7: Because they don't fit the tunnels.
• 1:18:06
  Speaker 8: They must have been built first. That's wild, dude. It was.
• 1:18:11
  Speaker 5: It only bulls, It was not hers.
• 1:18:14
  Speaker 7: Oh did I think they found different bones of animals?
• 1:18:17
  Speaker 7: Not just one specific animal, but different ones. I can't
• 1:18:21
  Speaker 7: remember exactly which ones.
• 1:18:22
  Speaker 5: Yes, it's reminiscent of the episode we did the Ashes
• 1:18:26
  Speaker 5: of a boss taurus, right, the breed or the species
• 1:18:32
  Speaker 5: is used for purification in rituals.
• 1:18:36
  Speaker 7: So sure you find in Portugal you have a place
• 1:18:40
  Speaker 7: in the north that although they say that was used
• 1:18:43
  Speaker 7: by the Romans, it's much older than that. But the
• 1:18:45
  Speaker 7: Romans used it as an Egyptian temple, So you have
• 1:18:49
  Speaker 7: Egyptian characters in a structure up north in Portugal. So
• 1:18:55
  Speaker 7: it was dedicated to Isis and god of death that
• 1:19:01
  Speaker 7: I can't remember the name right now, you are muted.
• 1:19:06
  Speaker 3: Isis and Osiris. This book right here, the Golden Ass
• 1:19:10
  Speaker 3: talks about how Osiris and Isis worship was still being
• 1:19:15
  Speaker 3: practiced well into the one hundred AD period, so they
• 1:19:19
  Speaker 3: still had those tults pretty active during the Roman period,
• 1:19:23
  Speaker 3: So there is a lot of continuity going on between
• 1:19:25
  Speaker 3: the Egyptian and the Roman time periods.
• 1:19:28
  Speaker 7: Sure, and they carved this little boxes into some big,
• 1:19:33
  Speaker 7: some very big, some small boxes indirect into the murder rock.
• 1:19:39
  Speaker 7: Some had marks where you find that they used to
• 1:19:41
  Speaker 7: have the lid, and they say that according to the
• 1:19:44
  Speaker 7: markings that are carved there by the Romans, they were
• 1:19:48
  Speaker 7: burning people's pets. So when someone Roman lost a cat
• 1:19:55
  Speaker 7: or dog, they would take it there it would be
• 1:19:57
  Speaker 7: burned inside of this boxes to help to take it
• 1:20:01
  Speaker 7: to another realm or something like that. But that was
• 1:20:04
  Speaker 7: not the initial use because if you look at the
• 1:20:07
  Speaker 7: floor of the whole site, the floor is covered with
• 1:20:11
  Speaker 7: at least what you called this thick I don't know
• 1:20:14
  Speaker 7: if this is half an inch or whatever of quartz dust.
• 1:20:19
  Speaker 7: The whole floor after all this time, still has a
• 1:20:23
  Speaker 7: huge layer of quartz dust on the box. Whatever they're doing,
• 1:20:27
  Speaker 7: they were grinding something, and something had to do with crystal.
• 1:20:31
  Speaker 7: So I theorized that they were creating massive amounts of
• 1:20:35
  Speaker 7: crystal inside these boxes that were then used for several
• 1:20:39
  Speaker 7: purposes as lighthouses, as mirrors, as magical objects or whatever.
• 1:20:46
  Speaker 7: So they were made in there. They grind the quartz,
• 1:20:50
  Speaker 7: they put it into these boxes, and I looked in
• 1:20:52
  Speaker 7: if science did the same thing today, and they do
• 1:20:55
  Speaker 7: so they can grind the quartz and then create this
• 1:20:59
  Speaker 7: Industrials from that use an additive to the mixture and
• 1:21:04
  Speaker 7: it solidifies into whatever structure is put it on. So
• 1:21:08
  Speaker 7: this this granite box would be perfect for that. But
• 1:21:11
  Speaker 7: this doesn't apply to Egyptian I was just saying that
• 1:21:13
  Speaker 7: these ceremonies of using these boxes has been passed from
• 1:21:18
  Speaker 7: many meanings and many uses through the ages. We have
• 1:21:22
  Speaker 7: no idea why they were made in the first place,
• 1:21:25
  Speaker 7: or how they were made for that matter.
• 1:21:28
  Speaker 11: I think that is an important distinction for everybody to
• 1:21:32
  Speaker 11: hear that that's not it's not so strange to think
• 1:21:35
  Speaker 11: that these sites were inherited, found and reused for ceremonial
• 1:21:40
  Speaker 11: purposes without ever knowing what the original intent was.
• 1:21:44
  Speaker 8: Hell, I live in Saint Louis, and if you go down.
• 1:21:47
  Speaker 11: If you go to an old there's a bar, you
• 1:21:50
  Speaker 11: have some drinks, right, and it's like stone pillars and
• 1:21:53
  Speaker 11: like gargoyles.
• 1:21:55
  Speaker 8: Well it never it wasn't a bar before.
• 1:21:57
  Speaker 11: It used to be a post office, you know, and
• 1:22:00
  Speaker 11: now it's been refurbished or whatever. So you kind of
• 1:22:03
  Speaker 11: you go to the bar and you look around and
• 1:22:05
  Speaker 11: you're like, this used to be something else, Which is
• 1:22:07
  Speaker 11: the eerie feeling people get when they go to these
• 1:22:09
  Speaker 11: ancient sites and they're like this, you're calling this a tomb.
• 1:22:12
  Speaker 8: Why is there crystals all over the place? Why are
• 1:22:14
  Speaker 8: you know?
• 1:22:15
  Speaker 11: And I'm really glad you said that about the crystals, dude,
• 1:22:19
  Speaker 11: because in this book he also says that he's got
• 1:22:22
  Speaker 11: a list of possible purposes for these giant granite boxes,
• 1:22:27
  Speaker 11: and one of them is kind of tucked away in
• 1:22:29
  Speaker 11: the book, but he talks about how it's recessed. The
• 1:22:32
  Speaker 11: boxes are recessed into the ground below floor level, below
• 1:22:36
  Speaker 11: ground level, and the tunnel, the tube that comes in
• 1:22:40
  Speaker 11: to this room, it doesn't.
• 1:22:42
  Speaker 8: Go to the floor.
• 1:22:43
  Speaker 11: It's like four feet above the floor to where there's
• 1:22:46
  Speaker 11: a temperature drop when you go in. And then you
• 1:22:49
  Speaker 11: mix that with the flat, the fact that the inside
• 1:22:51
  Speaker 11: of those tubs are, like we were talking about earlier.
• 1:22:54
  Speaker 8: Completely flat.
• 1:22:55
  Speaker 11: They're microscopically mirror flat to a points where we have
• 1:23:01
  Speaker 11: difficulty doing it today and.
• 1:23:02
  Speaker 7: Don't do it today on large scale sounds and of
• 1:23:05
  Speaker 7: an inch, yes, it tells about it.
• 1:23:06
  Speaker 11: Yeah, And he talks about this need for perfection would
• 1:23:11
  Speaker 11: only be necessary, and that's where he gets to the list.
• 1:23:14
  Speaker 11: He's like airplane components, blah blah blah, and then it
• 1:23:17
  Speaker 11: says crystals right there. Grow He says, growing crystals, which.
• 1:23:23
  Speaker 12: Man, if you're growing crystals, then I mean you're doing
• 1:23:27
  Speaker 12: you're doing something that we don't understand today, you know,
• 1:23:29
  Speaker 12: because I don't think we understand crystals today.
• 1:23:32
  Speaker 8: We use them on our phones, but you.
• 1:23:34
  Speaker 7: Use it in everything, right, it's their vibration that tells
• 1:23:37
  Speaker 7: the time. It's not your watch, right, it's the vibration
• 1:23:41
  Speaker 7: of the crystal.
• 1:23:43
  Speaker 3: Well, particularly when it comes to growing crystals, you want
• 1:23:46
  Speaker 3: completely flat surfaces so you can predict where the seed
• 1:23:49
  Speaker 3: crystals are going to take root and then start growing
• 1:23:51
  Speaker 3: from there. So yeah, that would kind of makes sense.
• 1:23:55
  Speaker 8: That's wild right.
• 1:23:57
  Speaker 7: Well, I would add that Dan showing in many archaeological sites,
• 1:24:03
  Speaker 7: and they are adding this layer of information that you
• 1:24:06
  Speaker 7: don't find in previous studies. So you start requesting, so
• 1:24:09
  Speaker 7: were that the team of archaeologists as was before in
• 1:24:13
  Speaker 7: the same site was blind or what was going on?
• 1:24:16
  Speaker 7: Because now they are staying that sites that we know
• 1:24:19
  Speaker 7: have papers before these new ones. They are now describing
• 1:24:23
  Speaker 7: lots of crystals around these sites and the mounds in
• 1:24:27
  Speaker 7: the United States, in megalithic sites around Europe, they are
• 1:24:30
  Speaker 7: now describing that what are all of these crystals doing
• 1:24:35
  Speaker 7: in here? Why are they they not documented? And I
• 1:24:39
  Speaker 7: speculated this first in terms of the mounds we in
• 1:24:43
  Speaker 7: Europe because of movies and cartoons. They told us that
• 1:24:46
  Speaker 7: the Indians would make a fire and with a blanket
• 1:24:50
  Speaker 7: they will shape the smoke to communicate to long distances. Well,
• 1:24:54
  Speaker 7: there are a lot of problems with this system of communication.
• 1:24:57
  Speaker 7: It's dependent of wind, of rain, of lots of things,
• 1:25:01
  Speaker 7: and so it makes it practically impractical. But there is
• 1:25:05
  Speaker 7: one thing that works all the time, no matter how
• 1:25:09
  Speaker 7: the weather is, and that is UH turbal luminiscence. So
• 1:25:15
  Speaker 7: what happens is if you grab two pieces of quartz
• 1:25:19
  Speaker 7: or crystal and you rub them together, you create this
• 1:25:23
  Speaker 7: this turbal luminiscence that are flashes of light and you
• 1:25:27
  Speaker 7: can control them, so you can use it as a
• 1:25:29
  Speaker 7: Morse code. And we know that this ancient UH. In
• 1:25:33
  Speaker 7: business peoples, most of them have a system of communication
• 1:25:37
  Speaker 7: that is almost like dots or and and so you
• 1:25:41
  Speaker 7: start thinking of dots as signals of lights. And so
• 1:25:44
  Speaker 7: even during the night, you could communicate from mound to
• 1:25:47
  Speaker 7: mount using this this reminiscence of quartz. And that would
• 1:25:51
  Speaker 7: justify because each time you produce a flare of light
• 1:25:54
  Speaker 7: that comes from inside the crystal, not outside. This this
• 1:25:58
  Speaker 7: this this effect happens in side the quartz. It's not external.
• 1:26:02
  Speaker 7: But the quartz is extremely fragile material. So each time
• 1:26:05
  Speaker 7: you do that, you'll flake the quartz and you constantly
• 1:26:08
  Speaker 7: need new bits because you're constantly scraping and I have
• 1:26:13
  Speaker 7: quarts to do that, and you just grabbing them too
• 1:26:16
  Speaker 7: strong and you flake them. So yeah, it's the material
• 1:26:20
  Speaker 7: is very gone.
• 1:26:22
  Speaker 1: Could it be the resonation between the crystal and the
• 1:26:26
  Speaker 1: energy if they're illegal spirits and they don't have the
• 1:26:29
  Speaker 1: silver cord, like a possibility of a false silver cord.
• 1:26:38
  Speaker 2: Well, this is just a thought.
• 1:26:40
  Speaker 11: Well that reminds me of the pizo electricity that takes
• 1:26:44
  Speaker 11: place when you put friction on quartz crystal, especially with
• 1:26:48
  Speaker 11: another quartz crystal that we have in the middle of.
• 1:26:51
  Speaker 8: Our head in the pineal land.
• 1:26:54
  Speaker 11: And if that is as many ancients have everythink all
• 1:26:58
  Speaker 11: of them have introduced the idea that we are a
• 1:27:01
  Speaker 11: transducer that picks up divine uh saynos messages whatever culture
• 1:27:08
  Speaker 11: calls them through like a receiver like an antenna through
• 1:27:12
  Speaker 11: a pine eeld man, And that's quartz crystal that specifically
• 1:27:16
  Speaker 11: does that. They would want to mass produce those puppies on.
• 1:27:21
  Speaker 8: An epic level, like we see in the Sakara tom
• 1:27:24
  Speaker 8: and in the Osire shaft.
• 1:27:26
  Speaker 7: And that's that's the funny thing, because we are told
• 1:27:29
  Speaker 7: that the pie zero electric effect needs pressure, right, which means,
• 1:27:34
  Speaker 7: for instance, if you are in a very dark room
• 1:27:36
  Speaker 7: and you have a very high quartz stone and you
• 1:27:39
  Speaker 7: put it in an hygdralic press, if you have complete darkness,
• 1:27:43
  Speaker 7: you can see the veins of quartz in the matrix.
• 1:27:46
  Speaker 7: The crystalline matrix of that piece will lighten up. Yeah,
• 1:27:50
  Speaker 7: depending on the pressure. But what they didn't want to
• 1:27:54
  Speaker 7: recognize but are not forced to, is that you don't
• 1:27:57
  Speaker 7: need the weight. You can also do it sound. The
• 1:28:01
  Speaker 7: sound can create these standing waves inside these structures because
• 1:28:06
  Speaker 7: the sound has nowhere to go, so it goes back
• 1:28:09
  Speaker 7: and forward until it creates a standing wave with these notes.
• 1:28:13
  Speaker 7: So have you seen the acoustic levitation stationary position? I
• 1:28:18
  Speaker 7: have not, Okay. So they produce these two metal plates
• 1:28:21
  Speaker 7: and they produce a frequency, okay, and as soon as
• 1:28:25
  Speaker 7: it reaches the point of a standing wave, you can
• 1:28:29
  Speaker 7: grab these balls of what do you call spherophyte. How
• 1:28:35
  Speaker 7: do you call this material that is very light, the
• 1:28:37
  Speaker 7: white stuff that comes to protect the TVs and all
• 1:28:40
  Speaker 7: of that stuff.
• 1:28:40
  Speaker 8: I don't know.
• 1:28:40
  Speaker 4: It's called sterophone.
• 1:28:43
  Speaker 7: Okay. They put these balls of stereophone and they throw
• 1:28:47
  Speaker 7: it into the middle of the plates and they get
• 1:28:50
  Speaker 7: stuck in the same place because the waves are not moving.
• 1:28:54
  Speaker 7: They are completely static. Yeah, and that suspends that ball
• 1:28:59
  Speaker 7: wherever they place it. They have these nodes and it
• 1:29:02
  Speaker 7: stays there. It doesn't move, right, So this is a
• 1:29:06
  Speaker 7: standing wave. And so when you reach this point, you
• 1:29:09
  Speaker 7: start creating pressure into the quarts of the materials. So
• 1:29:13
  Speaker 7: that's why you when you go to the medicallythic world,
• 1:29:15
  Speaker 7: you go to New Range, you go to West Kennet,
• 1:29:17
  Speaker 7: Long Barrow, you go to I don't know, all of
• 1:29:22
  Speaker 7: these kirns and types of spaces. You see that there
• 1:29:27
  Speaker 7: is something called vibration in printing, and vibration in printing
• 1:29:32
  Speaker 7: is something that we are starting to use today. There
• 1:29:34
  Speaker 7: is to excite crystal to absorb information and that information
• 1:29:38
  Speaker 7: is stable across a vast distance of time. It's far
• 1:29:41
  Speaker 7: better than any system that we have right now. And
• 1:29:44
  Speaker 7: they didn't manage to reach the limits that the crystal
• 1:29:47
  Speaker 7: can contain information. So it just can put it in
• 1:29:51
  Speaker 7: and in and in and in, and it doesn't it
• 1:29:53
  Speaker 7: doesn't overload. So you have this culture of the ancestors, right,
• 1:29:58
  Speaker 7: So it's the religion of the ancestors, honoring the ancestors.
• 1:30:02
  Speaker 7: But what if that is a misunderstanding of what it
• 1:30:06
  Speaker 7: was actually there is you go to these megaallythic sites,
• 1:30:10
  Speaker 7: you create a ceremony, and according to specific frequencies or
• 1:30:13
  Speaker 7: specific songs that create spacific frequencies that create specific standing waves,
• 1:30:17
  Speaker 7: you activate these crystals in a sense that you can retrieve,
• 1:30:21
  Speaker 7: even if metaphysically, even if just by brain entrainment, you
• 1:30:25
  Speaker 7: can receive the information of previous cults that were there,
• 1:30:28
  Speaker 7: or of ceremonies that are being done on the other
• 1:30:31
  Speaker 7: side of the world. But because the frequency signature is
• 1:30:33
  Speaker 7: the same, they are completely connected. So these long distance
• 1:30:37
  Speaker 7: communications systems existed in the past. For instance, you can
• 1:30:42
  Speaker 7: communicate from the mainland Greece, sorry mainland Malta to an
• 1:30:49
  Speaker 7: island that is called Lampaducer. There is sixty kilometers away
• 1:30:54
  Speaker 7: right across the ocean, and you can speak within this
• 1:30:59
  Speaker 7: temple and it's the Hargan Hagar does haggardak or something
• 1:31:04
  Speaker 7: like that. It's not the ice cream, but it's close
• 1:31:06
  Speaker 7: to that. You speak on that temple and you hear
• 1:31:10
  Speaker 7: the sound sixty kilometers away on this smaller Smith Circle
• 1:31:13
  Speaker 7: that is on the island of lapaduza, so you can
• 1:31:16
  Speaker 7: pass on the communication from one side to the other.
• 1:31:18
  Speaker 7: Because the coolness of the water, so when you emit
• 1:31:22
  Speaker 7: a sound, it starts to stretch and lose volume. But
• 1:31:26
  Speaker 7: the coolness of the water in a calm day which
• 1:31:30
  Speaker 7: constantly recompress the wave, so it reaches sixty kilometers away
• 1:31:34
  Speaker 7: exactly the same volume that it was emitted where it
• 1:31:37
  Speaker 7: was placed. Another example is in the main chamber of
• 1:31:44
  Speaker 7: the West Cannet long barrel. If you speak, your sound
• 1:31:48
  Speaker 7: will appear at the same volume six hundred and sixty
• 1:31:50
  Speaker 7: seed fixed away in the West cannet short barrel that
• 1:31:55
  Speaker 7: is not connected only fields around it, and the sound
• 1:31:58
  Speaker 7: will appear on that chamber exactly as it was spoken
• 1:32:02
  Speaker 7: on the Western long barrel, for.
• 1:32:05
  Speaker 8: Instance, six hundred and sixty seven feet away.
• 1:32:08
  Speaker 7: No, no, the chamber is exactly six hundred it's two
• 1:32:13
  Speaker 7: hundred meters, so I'm just translating it to feet. So
• 1:32:18
  Speaker 7: they knew how to do these things. They knew how
• 1:32:21
  Speaker 7: to communicate long distance you found in America. In France,
• 1:32:26
  Speaker 7: the recessed areas in clifts, some are natural, some are
• 1:32:31
  Speaker 7: further enhanced by human hand, and there are imagine, there
• 1:32:35
  Speaker 7: are one hundred and forty of them on this clift
• 1:32:39
  Speaker 7: through the miles that it goes. But when they tested them,
• 1:32:43
  Speaker 7: only those that have pictographs, only those that have drawings
• 1:32:47
  Speaker 7: on the walls worked. And what they did is they
• 1:32:50
  Speaker 7: seated a person in front of this recess, and then
• 1:32:55
  Speaker 7: someone beyond the horizon would speak directly to the cliff,
• 1:33:00
  Speaker 7: and the person that is sitated here, we'll hear that
• 1:33:02
  Speaker 7: person as if he was next to him. And if
• 1:33:04
  Speaker 7: you want to communicate to that person, you just turn
• 1:33:06
  Speaker 7: around and speak to the recess on the wall and
• 1:33:08
  Speaker 7: the person on the other side will receive your sound.
• 1:33:11
  Speaker 7: So yeah, So that's why I believe that Megaltic world,
• 1:33:17
  Speaker 7: the original one, was a type one civilization. They obtain
• 1:33:20
  Speaker 7: all the energy, all the things that they needed from
• 1:33:23
  Speaker 7: the ears itself or from the sun indirectly. And now
• 1:33:27
  Speaker 7: we are very far away from that. So when we
• 1:33:29
  Speaker 7: speak that we are most advanced right now, I just
• 1:33:33
  Speaker 7: my feeling is too left because we are far from
• 1:33:35
  Speaker 7: being advanced in anything.
• 1:33:37
  Speaker 6: Well, I will just jump in and say that I
• 1:33:39
  Speaker 6: have a friend who is very innovative in the field
• 1:33:42
  Speaker 6: of crystal quantum computing, and it's very real technology, and
• 1:33:47
  Speaker 6: he is also very skilled cabalist. So I think that
• 1:33:50
  Speaker 6: there is like what Joey was saying, that there is
• 1:33:52
  Speaker 6: a place where technology and magic are exactly the same thing.
• 1:33:56
  Speaker 6: There's really no distinction, it's barely any difference really is
• 1:34:00
  Speaker 6: up to us and our discernment.
• 1:34:01
  Speaker 8: I agree with that.
• 1:34:02
  Speaker 6: But about the crystals, I think, like in Buddhism, how
• 1:34:05
  Speaker 6: we describe it as you have these large quarts, you
• 1:34:08
  Speaker 6: produce the specific seeds using maybe instruments, but there's an
• 1:34:12
  Speaker 6: idea that you can also produce it from yourself, and
• 1:34:15
  Speaker 6: so maybe it's also linked to consciousness. So when you're
• 1:34:18
  Speaker 6: speaking the seed and you're also applying like those forces
• 1:34:22
  Speaker 6: of consciousness are mind, you can create the five primordial colors,
• 1:34:28
  Speaker 6: which is yellow, green, red, white, and of course clear.
• 1:34:33
  Speaker 6: So I don't know about long distance, but this is
• 1:34:36
  Speaker 6: this is considered very possible to like perform like even now. Yeah,
• 1:34:43
  Speaker 6: well we'll talk about those kinds of experiences.
• 1:34:45
  Speaker 7: Look, I'm not trying. I'm not trying to promote myself,
• 1:34:48
  Speaker 7: and I will send the book freely to anyone that asks.
• 1:34:50
  Speaker 7: But if you read the Resonancers, I explore all these
• 1:34:55
  Speaker 7: facts from the scientific point of view, and I substantiate
• 1:34:58
  Speaker 7: every claim that I make for wild I said, it
• 1:35:00
  Speaker 7: is with science that we are doing right now. People
• 1:35:03
  Speaker 7: just don't associate things right. We are doing exactly the
• 1:35:07
  Speaker 7: same thing that they were doing back then, in fact,
• 1:35:09
  Speaker 7: about trying to learn how to do it with all
• 1:35:11
  Speaker 7: some success, and they were actually doing it back then.
• 1:35:16
  Speaker 11: I'll read this out of your book, dude, don't be.
• 1:35:21
  Speaker 8: I'll talk about it on an episode or something like that.
• 1:35:23
  Speaker 8: I can't wait.
• 1:35:24
  Speaker 4: You know something I want to mention real quick too.
• 1:35:26
  Speaker 4: You're talking about uh, I guess uh, you know crystals
• 1:35:30
  Speaker 4: and tran transferring things. Anton Asius Kurture, which I think
• 1:35:35
  Speaker 4: was like in the sixteen hundreds maybe seventeen hundreds, he
• 1:35:37
  Speaker 4: was stating that he believed that in the future, with
• 1:35:39
  Speaker 4: light and crystals, you'll be able to transmit spirits and demons.
• 1:35:43
  Speaker 4: And basically when you look at you know, crystals in
• 1:35:45
  Speaker 4: your TV and how the internet works, the optical cable,
• 1:35:48
  Speaker 4: I mean, that's exactly what's going on right now.
• 1:35:51
  Speaker 7: Yeah, no one knows how it works.
• 1:35:56
  Speaker 4: Just with Priest was telling you it was gonna happen.
• 1:35:59
  Speaker 8: Had something a hot minute ago. If I'm not mistaken, huh.
• 1:36:05
  Speaker 8: Mad science has had something to say, but she didn't.
• 1:36:08
  Speaker 11: Get quite Oh yeah, Lisa about the crystals thing.
• 1:36:13
  Speaker 5: Oh about the crystals in your ear?
• 1:36:15
  Speaker 2: That's how you hear?
• 1:36:16
  Speaker 4: Yeah, yeah, you had mentioned that, but yeah, what was
• 1:36:18
  Speaker 4: that about again? You had said that real quick, and
• 1:36:21
  Speaker 4: can you talk a little bit more about that actually.
• 1:36:23
  Speaker 5: Because we were talking about how the pineal it is
• 1:36:26
  Speaker 5: crystallized or it's a crystal. Yeah, what are you saying
• 1:36:29
  Speaker 5: about the paper?
• 1:36:30
  Speaker 8: Well, they didn't.
• 1:36:32
  Speaker 1: If they become destabilized, they you lose all sense of balance.
• 1:36:36
  Speaker 1: This happens when people fly or go on cruises or whatever.
• 1:36:40
  Speaker 1: The crystals in your ear literally are hugely important to Lisa.
• 1:36:45
  Speaker 8: Dude, Okay, hold up pression.
• 1:36:49
  Speaker 11: So I'm deaf in my left ear and I have
• 1:36:53
  Speaker 11: been since I was very young, and I can't be
• 1:36:56
  Speaker 11: in the car for any amount of time.
• 1:36:59
  Speaker 8: I get very car I get very nauseous.
• 1:37:01
  Speaker 11: I have done all of the whatever I uh, ginger
• 1:37:08
  Speaker 11: you dude.
• 1:37:10
  Speaker 7: I cannot.
• 1:37:11
  Speaker 2: There's some maneuvers that you can look up.
• 1:37:14
  Speaker 1: Look up ear crystal maneuverry.
• 1:37:18
  Speaker 2: What I got real messed up after a cruise. This
• 1:37:22
  Speaker 2: is why I got landsick. I was seasick.
• 1:37:26
  Speaker 7: I just right walked.
• 1:37:28
  Speaker 2: Straight for a week after my cruise. So this is
• 1:37:30
  Speaker 2: why I ended up knowing this.
• 1:37:33
  Speaker 8: You get easily? Huh was a whoops.
• 1:37:38
  Speaker 9: I'm sorry, my internet broke out right when I said
• 1:37:40
  Speaker 9: something to does that affect your dizziness?
• 1:37:43
  Speaker 7: Do you get dizzy easily?
• 1:37:45
  Speaker 11: It's it's verty, it's kind of. It's just it's a claustrophobic,
• 1:37:49
  Speaker 11: nauseous vertigo when I'm in a car, and it doesn't
• 1:37:53
  Speaker 11: matter with the windows open, windows down, dude.
• 1:37:55
  Speaker 8: I'll go on a boat, I'll go on a roller coaster.
• 1:37:58
  Speaker 8: None of that ship bothers me. A car. I can't
• 1:38:01
  Speaker 8: do it.
• 1:38:02
  Speaker 11: It's just subtle enough or whatever. It just I've always
• 1:38:06
  Speaker 11: associated because I get sick right here.
• 1:38:08
  Speaker 8: But I've nevern driving, not if I'm driving as a passenger.
• 1:38:15
  Speaker 2: So for everybody, this is called the Eppley maneuver.
• 1:38:18
  Speaker 1: Just so you know, this is a real medical thing
• 1:38:21
  Speaker 1: and it can help realign the crystals in your ear.
• 1:38:24
  Speaker 11: Dude, I've been alive for thirty eight years and no
• 1:38:30
  Speaker 11: one has brought this to my attention.
• 1:38:32
  Speaker 8: I had no.
• 1:38:32
  Speaker 5: Oneir's Maneir's disease is also another thing where you have
• 1:38:37
  Speaker 5: to go and not like you you're you're physiologically incapacitated
• 1:38:45
  Speaker 5: and and it's all due to the disalignment like hew
• 1:38:48
  Speaker 5: do you was saying of crystals, but also there it's
• 1:38:51
  Speaker 5: also the point is causing inflammation as well, and it's
• 1:38:56
  Speaker 5: mimicking kind of like you know, like to go and everything,
• 1:39:01
  Speaker 5: but it's also mimicking car sickness and you're just standing stiff.
• 1:39:05
  Speaker 8: Right.
• 1:39:07
  Speaker 5: There's there's If you've an anti I'm sure they'll tell
• 1:39:10
  Speaker 5: you all kinds of like you know, putting steroids in
• 1:39:14
  Speaker 5: your ear or severing the nerve to your ear. They'll
• 1:39:17
  Speaker 5: go through all of that and usually it does not
• 1:39:20
  Speaker 5: do anything but mitigate symptoms. But definitely I've I've that
• 1:39:29
  Speaker 5: from several people that acupuncture has almost corrected and eliminated
• 1:39:34
  Speaker 5: the situation as well as doing the maneuvers to where
• 1:39:37
  Speaker 5: you need to realign and out of place and they
• 1:39:42
  Speaker 5: have fallen in disalignment, so you need to you know,
• 1:39:46
  Speaker 5: head maneuvers or whatever.
• 1:39:48
  Speaker 1: Also makes some special ear plugs for this as well.
• 1:39:53
  Speaker 4: Just fyi, it's that.
• 1:39:54
  Speaker 2: You wear during the day that minimize certain sounds. You
• 1:39:58
  Speaker 2: can look into this, it will help you. I'm I'm
• 1:40:00
  Speaker 2: a nurse.
• 1:40:01
  Speaker 4: This is real.
• 1:40:03
  Speaker 8: That's fantastic. I just I've always assumed it was something. No,
• 1:40:08
  Speaker 8: it's it's good.
• 1:40:08
  Speaker 7: You won't walk for a year, but when you talk.
• 1:40:11
  Speaker 8: It's perfect.
• 1:40:17
  Speaker 7: The game had a couple of things.
• 1:40:19
  Speaker 3: So, uh, my great grandmother had this home remedy that
• 1:40:24
  Speaker 3: always worked when I was car sick. You take a
• 1:40:27
  Speaker 3: brown paper bag and you put it in your pants.
• 1:40:31
  Speaker 3: I don't.
• 1:40:33
  Speaker 8: You already do that? It's done? Is that not normal?
• 1:40:36
  Speaker 3: I don't know, but I don't know, but she said
• 1:40:39
  Speaker 3: that that gets rid of carsick. She was going across
• 1:40:43
  Speaker 3: the prairie and a covered wagon.
• 1:40:45
  Speaker 4: So focusing on the uncomfortable, that's awesome.
• 1:40:53
  Speaker 9: There there's a yoga system called the Five Tibetan Rights
• 1:40:59
  Speaker 9: of Rejuvenation. I recommend it to literally everyone, and the
• 1:41:04
  Speaker 9: first move of five it takes like ten minutes. It's
• 1:41:08
  Speaker 9: pretty exertive, so even like people that are not really
• 1:41:11
  Speaker 9: yogi's can get into it. And the first movement is
• 1:41:17
  Speaker 9: walking is spinning in a circle essentially, and most people
• 1:41:21
  Speaker 9: find it useless, but it really is supposed to work
• 1:41:26
  Speaker 9: out the inner ear. So look into the five Tibetans
• 1:41:30
  Speaker 9: because it's really helpful for the inner ear problems. Not
• 1:41:34
  Speaker 9: that years might be distinct, but right, Yeah, anything.
• 1:41:41
  Speaker 10: I I have a question real quick here the serious
• 1:41:44
  Speaker 10: back Joey, back to egypt stuff, away from your nose
• 1:41:47
  Speaker 10: and throat stuff. Although this all sounds like great, great advice,
• 1:41:51
  Speaker 10: I obviously have a lot of signus issues myself. I'm
• 1:41:53
  Speaker 10: dealing with some of that right now. But you know,
• 1:41:56
  Speaker 10: when you're mentioning all this Egyptology stuff in the Western
• 1:41:59
  Speaker 10: I you know, the West cultural understanding of ancient Egypt
• 1:42:02
  Speaker 10: and stuff, and you know how that's you know, that
• 1:42:05
  Speaker 10: narrative is being controlled by a small group of folks
• 1:42:07
  Speaker 10: and you folks like Zahi Woss who kind of think
• 1:42:10
  Speaker 10: floats back between the you know, the locals and the
• 1:42:13
  Speaker 10: British kind of westnize you know, sides of that argument.
• 1:42:17
  Speaker 10: You know, like he's a fense center of sorts, it seems.
• 1:42:20
  Speaker 10: But it seems like a lot of that's the Gyptology
• 1:42:21
  Speaker 10: stuff came back to Napoleon right around cir K ten hundred,
• 1:42:24
  Speaker 10: and they've kind of just been controlling that, at least
• 1:42:27
  Speaker 10: the Western side of that story ever since then.
• 1:42:30
  Speaker 8: Yeah.
• 1:42:31
  Speaker 11: The reason I love Napoleon in particular was because he
• 1:42:37
  Speaker 11: was the first person to tell his boys to be
• 1:42:40
  Speaker 11: like guys, stop speculating about what the pyramids were.
• 1:42:44
  Speaker 8: None of us in our time are going to.
• 1:42:47
  Speaker 11: Understand it, and it's going to depend on future generations
• 1:42:52
  Speaker 11: to be able to decode it, because we will. He
• 1:42:55
  Speaker 11: just he got it, he knew. He was like, there's
• 1:42:57
  Speaker 11: something we are missing or don't out yet, or didn't
• 1:43:01
  Speaker 11: have or or they had that we don't. He's like,
• 1:43:04
  Speaker 11: but knock it off, because we're wasting our time. We're
• 1:43:06
  Speaker 11: spinning our wheels. Sure, if this thing had a utility,
• 1:43:11
  Speaker 11: whether electoral, magnetic, or or otherwise or literally I lectured whatever,
• 1:43:17
  Speaker 11: any of anything that would involve some kind of machine,
• 1:43:20
  Speaker 11: he nailed it because none of his guys would have
• 1:43:22
  Speaker 11: ever been able to cross that barrier into that speculation whatever,
• 1:43:27
  Speaker 11: So it would have been thought of as magic for
• 1:43:31
  Speaker 11: I mean centuries, centuries, you know. And so there there's
• 1:43:36
  Speaker 11: just whenever Egyptology got a hold of this speculation in
• 1:43:42
  Speaker 11: the first place, we have to remember it became a career.
• 1:43:47
  Speaker 11: And once it's a career, there is a grip that
• 1:43:51
  Speaker 11: is that's into this thing that no one involved is.
• 1:43:55
  Speaker 13: Going to let go of, especially especially if letting go
• 1:44:00
  Speaker 13: of that grip not only hurts your own wallet, but
• 1:44:04
  Speaker 13: hurts the wallet of people who say create energy.
• 1:44:08
  Speaker 8: Also, that might be a con with that. For sure.
• 1:44:12
  Speaker 10: There's obviously some very monetarily back to utilitarian, you know,
• 1:44:15
  Speaker 10: purposes for doing these silly censorship things.
• 1:44:18
  Speaker 8: But you know, the point.
• 1:44:19
  Speaker 10: One thing that interests me about Napoleon, I you know
• 1:44:21
  Speaker 10: that is some great points you make there. It's interesting character.
• 1:44:24
  Speaker 10: He's often described as you know, just losing it Waterloo
• 1:44:27
  Speaker 10: and whatnot, but he's a he's got a lot of
• 1:44:29
  Speaker 10: interesting character. And he's part of the secret society that
• 1:44:31
  Speaker 10: actually started America, the Society of the Cincinnati. They had
• 1:44:34
  Speaker 10: a French chapter and he was part of it, and
• 1:44:38
  Speaker 10: he uh, you know, I think it's interesting that maybe
• 1:44:40
  Speaker 10: you know that within that secret society that they hold
• 1:44:44
  Speaker 10: some secrets within these things relative to ancient Egypt still today,
• 1:44:47
  Speaker 10: you know, I often wonder that.
• 1:44:49
  Speaker 7: That's why the descriptions of Egypt that Napoleon commissioned to
• 1:44:53
  Speaker 7: artists and when he invaded Egypt don't represent anything that
• 1:44:58
  Speaker 7: is i'll chemical or esoteric, because that was kept all
• 1:45:03
  Speaker 7: for themselves. But I strongly recommend I have posted all
• 1:45:09
  Speaker 7: of it, but I can send the book anyone that wants.
• 1:45:12
  Speaker 7: The volumes there are five volumes. So they did a
• 1:45:15
  Speaker 7: complete drawings, perfect drawings, magnificent drawings of everything that existed,
• 1:45:21
  Speaker 7: from the fauna to the flora, to the temples to
• 1:45:25
  Speaker 7: the pyramids. They documented everything in magnificent drawings that are
• 1:45:29
  Speaker 7: as good as photographs. And these were done in nineteen eighties.
• 1:45:33
  Speaker 7: So it's an amazing work that he commissioned, and no
• 1:45:36
  Speaker 7: one else, all those people that invaded Egypt before, no
• 1:45:39
  Speaker 7: one else remembered to document everything that could be seen,
• 1:45:43
  Speaker 7: and he did it so many things that we now
• 1:45:46
  Speaker 7: know how Egypt was in the nineteen the beginning, the
• 1:45:50
  Speaker 7: ending of the beginning of the nineteenth century comes from
• 1:45:54
  Speaker 7: this disc the legit that Napoleon commanded. But I would
• 1:46:01
  Speaker 7: want to say so just one small thing, that is
• 1:46:04
  Speaker 7: why do egyptollers say that pyramids were tombs? And this
• 1:46:10
  Speaker 7: is not discussed openly, but the fact is there are
• 1:46:13
  Speaker 7: documents stating that that even something that broke the slab
• 1:46:20
  Speaker 7: that he entered in the pyramid and did that toll
• 1:46:23
  Speaker 7: that still used today, I think to enter there. He
• 1:46:27
  Speaker 7: actually broken the lid. He documented it that he broken
• 1:46:30
  Speaker 7: the lid, took a mummy from there and burned it
• 1:46:34
  Speaker 7: outside next to the pyramid. So but that doesn't discredit
• 1:46:39
  Speaker 7: anything else, because the fact that he was used once
• 1:46:42
  Speaker 7: as a tomb doesn't mean it was built to be
• 1:46:45
  Speaker 7: a tomb. Surpos But that's why they say because not
• 1:46:50
  Speaker 7: as one single mummy was ever found inside any pyramid
• 1:46:54
  Speaker 7: in it never sure.
• 1:46:56
  Speaker 10: Right if I'm a close my point there on the side,
• 1:47:00
  Speaker 10: ADDI Cincinnati Napoleon's group there, like I was saying, the
• 1:47:02
  Speaker 10: start of America. You know, I get creeped out when
• 1:47:05
  Speaker 10: I see Donald Trump, who's a member of that same
• 1:47:07
  Speaker 10: secret society by virtue of being President of the United States.
• 1:47:10
  Speaker 10: His wife danced around the Giza plateau looking like an
• 1:47:14
  Speaker 10: Indiana Jones character.
• 1:47:15
  Speaker 4: You know what I mean?
• 1:47:16
  Speaker 11: Yeah, oh shit, Hey, I want to let you guys
• 1:47:20
  Speaker 11: know real quick.
• 1:47:20
  Speaker 8: I'm at ten percent on my pad.
• 1:47:24
  Speaker 4: We're gonna have to wrap it up anyway.
• 1:47:26
  Speaker 8: Here headless.
• 1:47:28
  Speaker 3: I had something to read real quick.
• 1:47:30
  Speaker 8: So.
• 1:47:30
  Speaker 3: An Arab historian from the tenth century A. D Abdul
• 1:47:33
  Speaker 3: Hassan al Ali al Mussidi, wrote about ancient Egypt and
• 1:47:39
  Speaker 3: the methods he alleged were used to move massive stones,
• 1:47:42
  Speaker 3: including those used to build the pyramids. He claimed that
• 1:47:46
  Speaker 3: a magic papyrus imprinted with symbols was placed under each stone,
• 1:47:51
  Speaker 3: after which a metal rod was struck against the stone
• 1:47:54
  Speaker 3: to initiate the levitation process. According to al Musadi, the
• 1:48:00
  Speaker 3: stone would be guided along a fenced path that could
• 1:48:04
  Speaker 3: be like electrogravitics, which would be guided along the fence
• 1:48:08
  Speaker 3: path with metal poles placed on each side. Some believe
• 1:48:12
  Speaker 3: these poles could have been used to create high frequency
• 1:48:14
  Speaker 3: sound vibrations, which would have been responsible for creating the
• 1:48:18
  Speaker 3: levitation effects. However, outside this written testimony, there is nothing
• 1:48:21
  Speaker 3: to corroborate that.
• 1:48:23
  Speaker 8: What about frames, those extrames that float.
• 1:48:28
  Speaker 7: Mag latter.
• 1:48:30
  Speaker 3: Mag labs.
• 1:48:31
  Speaker 7: Yeah, but in this case, it's more like you described
• 1:48:33
  Speaker 7: with a fork tune. So the explanation scientifically is quite simple.
• 1:48:38
  Speaker 7: If you have a material and you find out how
• 1:48:41
  Speaker 7: to vibrate it to a specific frequency where it's no
• 1:48:44
  Speaker 7: longer connected to the laws of physics. It's like that
• 1:48:49
  Speaker 7: cryogenic quantum lock that they did first with very cold liquid.
• 1:48:57
  Speaker 7: Did you see any time that. So they have a
• 1:49:01
  Speaker 7: a magnetic.
• 1:49:04
  Speaker 8: Road.
• 1:49:04
  Speaker 7: Let's put it. You have a magnetic road in me too,
• 1:49:07
  Speaker 7: and you have this this disc is placed into a
• 1:49:09
  Speaker 7: cryogenic liquid, and they take this disk and they put
• 1:49:13
  Speaker 7: it on top of that magnetic track and he doesn't move.
• 1:49:18
  Speaker 7: You can put it in any position that you want,
• 1:49:21
  Speaker 7: and he's floating. But now they are already doing that
• 1:49:24
  Speaker 7: without needing the cryogenic so they are doing it at
• 1:49:28
  Speaker 7: room temperature already.
• 1:49:30
  Speaker 2: Which vibration.
• 1:49:31
  Speaker 1: Yeah, we know that it actually happened, and we do
• 1:49:35
  Speaker 1: have proof because emergency services were called in eighteen ninety
• 1:49:38
  Speaker 1: eight New York City when Tesla made an earthquakes. Yeah,
• 1:49:42
  Speaker 1: I mean they figured this out so sure.
• 1:49:48
  Speaker 11: That's one of my favorite stories of all time. When
• 1:49:52
  Speaker 11: Tesla is smiling. You never see this dude smiling, and
• 1:49:55
  Speaker 11: he's talking to the reporter and he's like, we told
• 1:49:58
  Speaker 11: him it must have been an earthquake, that's all we
• 1:50:00
  Speaker 11: ever told him. And he's just he's granted, he's not
• 1:50:02
  Speaker 11: even damn near knockdown a building.
• 1:50:05
  Speaker 8: Talk about fucker on to find out.
• 1:50:06
  Speaker 4: Man, he was the king, all right. Unfortunately, Joey, I
• 1:50:14
  Speaker 4: do have another guess before your thing dies, and the
• 1:50:16
  Speaker 4: next guest tells me to go fuck myself because I'm late.
• 1:50:18
  Speaker 4: I have to wrap this up.
• 1:50:19
  Speaker 8: You you are a man, right, dude.
• 1:50:22
  Speaker 4: I don't know how you do it, yes, but I
• 1:50:25
  Speaker 4: really appreciate. I appreciate everybody jumping on. That was really
• 1:50:28
  Speaker 4: awesome talk. I didn't want to have to cut it,
• 1:50:30
  Speaker 4: cut it to an end, right like the way I am.
• 1:50:32
  Speaker 4: But unfortunately there is somebody else waiting. So uh yeah, Joey,
• 1:50:37
  Speaker 4: please real quick, let everybody else know where they can
• 1:50:40
  Speaker 4: find your amazing works.
• 1:50:42
  Speaker 11: I am on Library of the Untold on YouTube. That's
• 1:50:46
  Speaker 11: primarily it. I mean, I've got stuff on all the
• 1:50:49
  Speaker 11: other platforms too, but that's.
• 1:50:51
  Speaker 8: Because I have to to keep up.
• 1:50:54
  Speaker 11: But everything, including music, full length episodes, scripts, just some
• 1:51:00
  Speaker 11: people like the the episodes with no music and no
• 1:51:04
  Speaker 11: visuals just like they can listen to it. Those are
• 1:51:07
  Speaker 11: available all on the website Library of the Intold dot com.
• 1:51:11
  Speaker 11: Basically all my ship is under Library of the in Told,
• 1:51:15
  Speaker 11: just keeping it consolidated.
• 1:51:17
  Speaker 7: What's yours?
• 1:51:19
  Speaker 8: What's up?
• 1:51:20
  Speaker 7: What's your attics?
• 1:51:23
  Speaker 8: I'm not sure?
• 1:51:24
  Speaker 4: What are you on Twitter? You're not? Are you?
• 1:51:27
  Speaker 8: Library Told?
• 1:51:28
  Speaker 11: Oh?
• 1:51:29
  Speaker 8: I just followed you about an hour ago.
• 1:51:31
  Speaker 4: I think he was on that.
• 1:51:33
  Speaker 8: Okay, so I have a parking space on all of
• 1:51:36
  Speaker 8: these plays the Ricardo, But okay.
• 1:51:40
  Speaker 7: Thank you.
• 1:51:42
  Speaker 8: Maybe I should start using that. I don't know, I'll try.
• 1:51:44
  Speaker 11: I'm gonna start hitting it up. I need I need
• 1:51:46
  Speaker 11: to hit all these platforms. I can't keep by the
• 1:51:48
  Speaker 11: time I hit them all, there's a new one that
• 1:51:50
  Speaker 11: comes out.
• 1:51:50
  Speaker 4: Oh yeah, yeah yeah, but uh yeah, I'll leave uh
• 1:51:54
  Speaker 4: I'll leave your links in the bottom. Thank you very
• 1:51:56
  Speaker 4: much man. And again, people, if this is the first
• 1:51:58
  Speaker 4: time you've seen him, he's been on the Ocult Rejects before.
• 1:52:00
  Speaker 4: Just recently something dropped with Coral Castle. Go check that out,
• 1:52:03
  Speaker 4: and definitely go check out all his other amazing work.
• 1:52:06
  Speaker 4: I really appreciate it. Man, Thank you so much for
• 1:52:08
  Speaker 4: asking us to, you know, to have you come on
• 1:52:10
  Speaker 4: and host.
• 1:52:10
  Speaker 8: Thank you for having me.
• 1:52:11
  Speaker 4: Hell yeah, it's always a blast. And thank you all.
• 1:52:14
  Speaker 4: In the chat that's what's up. There was a hell
• 1:52:16
  Speaker 4: of appeal, a lot of people in there, all from
• 1:52:18
  Speaker 4: all channels. That's what's up. Thank you. I tried to
• 1:52:20
  Speaker 4: throw as many up on the screen that I could.
• 1:52:23
  Speaker 4: I appreciate you all and until the next one, everybody
• 1:52:25
  Speaker 4: be well later.