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One Piece, 774-776 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled Network podcast. This is spoil Me,
• 0:08
  Speaker 1: covering one piece episodes seven hundred and seventy four through
• 0:14
  Speaker 1: seven hundred and seventy six. A battle to defend zo
• 0:19
  Speaker 1: Movie and Zunisha, save Zunesha, the straw Hats rescue operation,
• 0:25
  Speaker 1: and saying goodbye, and descending from the elephant setting out
• 0:29
  Speaker 1: to take back Sanji. In these episodes, everything with Zunasha
• 0:37
  Speaker 1: gets settled so satisfactorily that I don't even know where
• 0:42
  Speaker 1: to begin. I really didn't expect it all to be
• 0:46
  Speaker 1: so decisive and so sudden, and I, for one, am
• 0:50
  Speaker 1: here for it. Welcome to spoil Me, Welcome to the
• 1:13
  Speaker 1: show everyone. I am Natasha. Thank you very much to
• 1:16
  Speaker 1: Florian for commissioning this episode. I you, guys, I really
• 1:22
  Speaker 1: really really enjoyed these three episodes. I found myself like
• 1:28
  Speaker 1: cracking up a few different times. And there is a
• 1:33
  Speaker 1: point later on that I will get to where I
• 1:36
  Speaker 1: had another like out loud reaction. So let us begin
• 1:41
  Speaker 1: a battle to defend so Lufi and Zunisha. Now, I
• 1:47
  Speaker 1: really want to mention like, I'm still not entirely sure
• 1:53
  Speaker 1: why it is that only Lufy and Momo can hear Zunisha.
• 1:57
  Speaker 1: It's evidently just the two of them, and it's I
• 2:04
  Speaker 1: don't like what it is is the uh. Later on,
• 2:08
  Speaker 1: Momo has to like scream in order to respond to Zunisia,
• 2:15
  Speaker 1: which I was really thinking last episode with the voice
• 2:20
  Speaker 1: coming into their heads, I thought one hundred percent that
• 2:25
  Speaker 1: it was going to turn out they could speak back
• 2:28
  Speaker 1: to Zonisia with no problem, and the fact that it's
• 2:32
  Speaker 1: a one way conversation really sucks ass Like genuinely, I
• 2:39
  Speaker 1: was just like, oh, that's super inconvenient, But Momo feels
• 2:46
  Speaker 1: passionately enough that later it doesn't matter. He is able
• 2:50
  Speaker 1: to get his point across. It takes a little while, though,
• 2:54
  Speaker 1: because of course Lufy is just screaming out loud, and
• 2:57
  Speaker 1: everybody is like, why what is he even saying? What
• 3:00
  Speaker 1: is he hearing? Nobody can understand because they can't hear it,
• 3:05
  Speaker 1: so he's having this out loud reaction, and meanwhile, Momo
• 3:09
  Speaker 1: himself is not reacting out loud at all. He's just
• 3:15
  Speaker 1: kind of curling up and I won't say screaming, but
• 3:19
  Speaker 1: like there's a sense of I could scream if I
• 3:22
  Speaker 1: were able to get it out like that, he would
• 3:24
  Speaker 1: be you know, and the two samurai are very concerned
• 3:31
  Speaker 1: about him and trying to be like, dude, what can
• 3:33
  Speaker 1: we do to help you? And he just can't answer them.
• 3:36
  Speaker 1: So eventually we get to see that he is connecting
• 3:43
  Speaker 1: somehow to Znatia and seeing through Zonasha's eyes, and y'all,
• 3:49
  Speaker 1: this was truly some wild shit. So he can see
• 3:54
  Speaker 1: the ship with Jack on it, and of course when
• 3:58
  Speaker 1: he says Jack has come back, everybody is like, wait,
• 4:01
  Speaker 1: he's supposed to be dead. What do you mean? And
• 4:03
  Speaker 1: he's like, I saw it as clear as day. I
• 4:06
  Speaker 1: don't know what to tell you, and the voice of
• 4:12
  Speaker 1: Zunatia has been like, you guys are in grave danger
• 4:16
  Speaker 1: telling him, and then all of a sudden, you guys,
• 4:19
  Speaker 1: the dark, bottomless pit turns into you can see Zacia's
• 4:29
  Speaker 1: eye for a moment, and I literally said out loud,
• 4:35
  Speaker 1: oh shit, Like I just thought he didn't have any eyes.
• 4:40
  Speaker 1: But I guess it's just supposed to be that he
• 4:43
  Speaker 1: has gotten so old and saggy that his eye is
• 4:48
  Speaker 1: just that far back in his like skin folds or something.
• 4:55
  Speaker 1: Maybe I don't know. I'll be honest, kids, don't totally know,
• 5:00
  Speaker 1: but I did. Just you all maybe remember and I'm
• 5:07
  Speaker 1: sure Florian does that. I was talking to him about
• 5:11
  Speaker 1: how much the lack of eyes disturbed me in particular,
• 5:15
  Speaker 1: that was something that like I felt very strongly, why'd
• 5:19
  Speaker 1: you do that? What was well? I would you do that, though,
• 5:23
  Speaker 1: because otherwise this isn't look you don't have to make
• 5:29
  Speaker 1: it so scary, and I understand that, like, maybe it's
• 5:34
  Speaker 1: this unthinkably old creature that a whole civilization is built on.
• 5:40
  Speaker 1: Maybe he can be a little creepy. Maybe that is
• 5:42
  Speaker 1: just inherently creepy, and him being creepy isn't unfair, to
• 5:49
  Speaker 1: which I say, yeah, but I don't like it. I
• 5:55
  Speaker 1: really am like not sure if it's better that it
• 6:00
  Speaker 1: has eyes that we can't see normally or if it
• 6:05
  Speaker 1: doesn't matter. I don't know, but yeah, So Momo finally
• 6:10
  Speaker 1: realizes that it's a nation that's speaking to him, and like,
• 6:14
  Speaker 1: just wanting to I said that I really enjoyed these
• 6:18
  Speaker 1: three episodes, and I totally did, But I do want
• 6:22
  Speaker 1: to address the fact that we are fully halfway through
• 6:26
  Speaker 1: this episode before we finally get to the moment where
• 6:29
  Speaker 1: Momo realizes that this all takes a long time. Now,
• 6:34
  Speaker 1: even though it does take a long time, I will
• 6:38
  Speaker 1: say that I wasn't particularly like mad about it because
• 6:44
  Speaker 1: everything is so high stakes right now that it actually
• 6:49
  Speaker 1: felt okay to me, you know, yeah, okay, take your time,
• 6:54
  Speaker 1: that kind of attitude of just like it's it's a
• 6:57
  Speaker 1: pretty big idea that we're figuring out here, and I
• 7:01
  Speaker 1: think that's fair. But I definitely as I'm looking at
• 7:05
  Speaker 1: it right now and laughing to myself because I scroll
• 7:08
  Speaker 1: through as I'm talking about it to find the spot,
• 7:11
  Speaker 1: and you know, it's almost exactly halfway through where we
• 7:14
  Speaker 1: finally get moment being like, oh my god, it's a Natia.
• 7:18
  Speaker 1: That's who I'm talking to. Hi, I'm just like God.
• 7:20
  Speaker 1: I will say, like, there are times where something feels
• 7:23
  Speaker 1: dragged out, and it really feels dragged out, and then
• 7:29
  Speaker 1: there are times like this where I actually didn't feel
• 7:33
  Speaker 1: it so much. I will say that it wasn't like
• 7:38
  Speaker 1: I wasn't sitting there like, uh, get on with it,
• 7:41
  Speaker 1: which I'll admit happens. This was such a huge idea
• 7:47
  Speaker 1: to get across and so bizarre, and so I'm trying
• 7:56
  Speaker 1: to think of the word that I was able to
• 8:00
  Speaker 1: sit back and let it wash over me and not
• 8:02
  Speaker 1: get impatient about it. So I also want to mention
• 8:08
  Speaker 1: guys that there is this sort of series of towers
• 8:15
  Speaker 1: on Zoonasha's back. A lot of times when the camera
• 8:18
  Speaker 1: pulls out and we see the land from further back,
• 8:24
  Speaker 1: the focus is really on that whale shaped tree, which
• 8:29
  Speaker 1: I don't I feel like they've mentioned that by name
• 8:32
  Speaker 1: as being called something, and I'll admit I don't remember
• 8:36
  Speaker 1: what they called it, but suffice to say, I was
• 8:42
  Speaker 1: not remembering that there were these huge, very square, almost
• 8:48
  Speaker 1: pillar like towers. And I don't know if it's been
• 8:52
  Speaker 1: mentioned what those are for, or where they are from
• 8:56
  Speaker 1: or what, but uh, I just was startled by them
• 9:01
  Speaker 1: because I was not thinking about the place. I just
• 9:06
  Speaker 1: I think I have this happened a lot where I
• 9:08
  Speaker 1: have a sort of inaccurate picture of the landscape. You know,
• 9:11
  Speaker 1: they just literally call it the whale trees. To Seraphim,
• 9:13
  Speaker 1: Oh wow, that's it. Okay, three different, massively different numbers
• 9:20
  Speaker 1: given over the years. As Oda keeps changing his mind.
• 9:23
  Speaker 1: Oh about okay, eh Oda. So Zisha is yelling to Momo,
• 9:31
  Speaker 1: give me the order to fight back, and as he
• 9:35
  Speaker 1: is doing that, he's like he's trumpeting with his trunk
• 9:43
  Speaker 1: and he's also like tipping this way, and that his
• 9:49
  Speaker 1: skin is sort of rippling and causing the entire landscape
• 9:52
  Speaker 1: to like it almost is like a wave travels through it.
• 9:57
  Speaker 1: It's really weird looking. And Momo says, the elephant is
• 10:01
  Speaker 1: requesting permission to fight back. He needs someone to order
• 10:06
  Speaker 1: him to battle, which I would very much like to
• 10:09
  Speaker 1: know who set that up, Like you can't just defend yourself.
• 10:14
  Speaker 1: That's a fucked up system. I don't like this that
• 10:17
  Speaker 1: he has to ask for permission, But Momo is looking
• 10:22
  Speaker 1: up and he's like, what should I do? And Lufy says,
• 10:25
  Speaker 1: you've got to say it. Your voice will be able
• 10:28
  Speaker 1: to reach him, and he's like, I don't think it'll work,
• 10:32
  Speaker 1: and Lufy's like, well just try it, because otherwise we
• 10:35
  Speaker 1: all fucking drown. So what the fuck? And this kid
• 10:39
  Speaker 1: keeps arguing he won't be able to hear me, and
• 10:41
  Speaker 1: I just wanted to slap him, I really did. I
• 10:44
  Speaker 1: just was like, can you just fucking yell and see
• 10:47
  Speaker 1: what happens? You know, like just stop arguing. In this
• 10:52
  Speaker 1: amount of time, you could have yelled out to him
• 10:54
  Speaker 1: three times, shut the fuck up, stop arguing, and do
• 10:57
  Speaker 1: the fucking thing enough already, but you know, I don't
• 11:01
  Speaker 1: have a lot of patience with children. So it's so
• 11:06
  Speaker 1: funny too, because guys, in these three episodes, Robin's ability
• 11:11
  Speaker 1: comes up many times. I feel like she's put to
• 11:14
  Speaker 1: work more in these three episodes than she has been
• 11:17
  Speaker 1: in like the whole series, and it's like constantly turning
• 11:22
  Speaker 1: out to be let's have Robin. Let people do things
• 11:27
  Speaker 1: that were really hard to do earlier, but now it's
• 11:30
  Speaker 1: not so hard for reasons I was saying about, like
• 11:34
  Speaker 1: climbing up and down the side of the elephant earlier?
• 11:38
  Speaker 1: Doesn't she have her arms? Couldn't she just do this?
• 11:40
  Speaker 1: Why are we doing it this way? And then that
• 11:43
  Speaker 1: is what we do here, and I felt a little
• 11:45
  Speaker 1: indignant that, like, you just wanted to make things harder
• 11:49
  Speaker 1: for no fucking reason. So I had to sit through
• 11:51
  Speaker 1: this poor drawing that is being tortured essentially forcing to
• 11:57
  Speaker 1: force to carry them up the side. And we could
• 11:59
  Speaker 1: have just done this from the beginning. But okay, sure,
• 12:04
  Speaker 1: so Lufy says, the elephant can't take much more, just
• 12:08
  Speaker 1: do it. Momo has his hand over his head and
• 12:12
  Speaker 1: is not listening, and I swear to God, I was
• 12:15
  Speaker 1: ready to just chuck this kid over the side, fuck
• 12:19
  Speaker 1: do the thing, and it takes far too long for
• 12:24
  Speaker 1: him to finally get it together. You just see this
• 12:27
  Speaker 1: poor elephant's eyes starting to close. I swear there's like
• 12:30
  Speaker 1: almost a single tear coming out. I was so annoyed, y'all.
• 12:36
  Speaker 1: I was so there is no reason to drag this
• 12:39
  Speaker 1: out this way. And finally he yells elephant, which, first
• 12:45
  Speaker 1: of all, you can't call it by its name. Come on,
• 12:49
  Speaker 1: and then you cannot give up. You now stand your
• 12:54
  Speaker 1: ground and fight, and hear my plea. I wish for
• 13:00
  Speaker 1: you to finally make Jack go away. Now this may
• 13:07
  Speaker 1: be a translation issue, but I just felt like saying
• 13:16
  Speaker 1: you cannot give up. The animal isn't going to give up.
• 13:21
  Speaker 1: It needs orders, Like that's not the same thing. And
• 13:28
  Speaker 1: I want you to make Jack go away. It is
• 13:31
  Speaker 1: so like that they do it, Zunasha does it. But
• 13:37
  Speaker 1: it's such a weird. I thought it was going to
• 13:39
  Speaker 1: be yes, defend us, defend yourself against anybody who would
• 13:44
  Speaker 1: harm you or us, that it would be a general
• 13:47
  Speaker 1: sort of you know, but just saying like I want
• 13:49
  Speaker 1: you to make him go away. I can't help but
• 13:54
  Speaker 1: actually think this is better wording because it's more to
• 13:59
  Speaker 1: the point of like, don't just defend yourself. I don't
• 14:02
  Speaker 1: want to be dealing with this guy at all, so
• 14:05
  Speaker 1: just send him somewhere, which is what Genetia does and
• 14:08
  Speaker 1: it shows out to be great. But in the moment,
• 14:11
  Speaker 1: I was sort of like, that is a weird way
• 14:13
  Speaker 1: to give him this command. I felt like, oh, that's
• 14:17
  Speaker 1: not the way I would do it, but sure, Florian
• 14:21
  Speaker 1: says as a reminder. On Fishman Island, hiro Hoshi, the
• 14:25
  Speaker 1: Mermaid Princess was known as the ancient weapon Poseidon could
• 14:28
  Speaker 1: talk to and control Seekings. During that arc, the seekings
• 14:33
  Speaker 1: talk to her, Oh, sea Kings, I'm you spell the
• 14:38
  Speaker 1: see Florian, and I was that means seeking, like I'm
• 14:42
  Speaker 1: looking for something, but you're talking about sea kings, the
• 14:46
  Speaker 1: giant animal. I'm getting it now. During that arc, the
• 14:50
  Speaker 1: sea Kings talked to her, and Lufy was able to
• 14:52
  Speaker 1: understand them as well, which surprised the sea Kings. Right, okay,
• 14:56
  Speaker 1: thank you for that, Florian. And Sara f m says,
• 14:59
  Speaker 1: who that gayess on Zenasha is? How you say that, Geish?
• 15:03
  Speaker 1: I can't remember, good question. It's still a really huge
• 15:06
  Speaker 1: elephant getting that many people up that far would be
• 15:09
  Speaker 1: extremely rough. Plus she was bonding with run whatever the
• 15:13
  Speaker 1: name of that. Bonding with an animal that you're torturing
• 15:17
  Speaker 1: couldn't be me. So here's the thing on the elephant
• 15:20
  Speaker 1: that could just be translation issues since so is just
• 15:23
  Speaker 1: Japanese for elephant, but doesn't isn't Danesha the name of
• 15:28
  Speaker 1: the elephant, Like doesn't it have its own name? Why
• 15:33
  Speaker 1: wouldn't you? It doesn't matter ultimately what we get. Another moment,
• 15:39
  Speaker 1: when he yells you know, we don't want to see
• 15:42
  Speaker 1: him again, all of a sudden, you hear Zaniesha say understood,
• 15:46
  Speaker 1: and you see its eye appear again, and its eye
• 15:50
  Speaker 1: looks a little different this time. It's like not animated,
• 15:53
  Speaker 1: but the same way I have to mention. And again
• 15:56
  Speaker 1: I was just like, oh damn. And then I thought
• 16:01
  Speaker 1: what we were going to get was Zuniesha just stomping
• 16:04
  Speaker 1: on all of them. It does sort of look like
• 16:07
  Speaker 1: that's where we're going for a moment, because Zunisha comes forward.
• 16:12
  Speaker 1: It's weird the way that it's animated, because at first
• 16:16
  Speaker 1: I thought, oh, okay, this is Dunisha's leg, because there's
• 16:19
  Speaker 1: something that passes by all of the ships at the
• 16:23
  Speaker 1: same time, and then you see it like it moves past.
• 16:30
  Speaker 1: It takes a little while to like clear the camera,
• 16:34
  Speaker 1: so to speak, and then you realize that was its
• 16:39
  Speaker 1: trunk that it was like swiping across and lifting. So
• 16:44
  Speaker 1: considering how long it took for that trunk to swing by,
• 16:49
  Speaker 1: it's just giving a nice sense of proportion to how
• 16:51
  Speaker 1: big this thing is. Zunesha takes the longest like wind
• 17:02
  Speaker 1: up like she is about to pitch for the Yankees,
• 17:08
  Speaker 1: and bitch slaps this entire fleet of ships into another dimension.
• 17:14
  Speaker 1: It was so satisfying, y'all the way that she just went,
• 17:19
  Speaker 1: get the fuck out of my face. I love this
• 17:23
  Speaker 1: for us. It was wonderful. It made me so happy.
• 17:26
  Speaker 1: I never thought it was gonna be this easy. I
• 17:29
  Speaker 1: really didn't. I kind of felt like because of the
• 17:31
  Speaker 1: way Zo Nation wasn't really reacting when the attack first began,
• 17:35
  Speaker 1: I was sort of wondering if it even had sentience
• 17:38
  Speaker 1: in any real way. I was like, you know, I
• 17:41
  Speaker 1: thought this was gonna be a whole thing, and like, granted,
• 17:44
  Speaker 1: it is a whole thing, but it's resolved way quicker
• 17:48
  Speaker 1: than I was expecting. And it's very fun to watch
• 17:51
  Speaker 1: the pirates observe the trunk going up into the air
• 17:56
  Speaker 1: and be unable to do jackshit to stop it pun intended, lol, Jack,
• 18:02
  Speaker 1: But there's just you know, where, what are they gonna do?
• 18:05
  Speaker 1: They can't travel faster than this trunk can travel, and
• 18:09
  Speaker 1: they're on ships. It's not like they can jump off
• 18:11
  Speaker 1: and swim away in time like there's nothing to be done.
• 18:14
  Speaker 1: They're just sitting ducks. And I do like as the
• 18:18
  Speaker 1: trunk heads toward them that you see the wave that
• 18:21
  Speaker 1: it creates in front of it, that begins to lift
• 18:23
  Speaker 1: them up in the first place. And somebody, one of
• 18:29
  Speaker 1: the pirates yells, we're not supposed to be in the air.
• 18:32
  Speaker 1: What do we do now? And I was just like, guys,
• 18:37
  Speaker 1: what do you think he's gonna tell you? Are you
• 18:40
  Speaker 1: fucking serious? Are you for real? Right now? This thing?
• 18:44
  Speaker 1: It's so like when I said about to pitch for
• 18:48
  Speaker 1: the Yankees. What's so funny is that I thought the
• 18:52
  Speaker 1: smack was gonna be it. They're hovering and Janasha comes
• 18:57
  Speaker 1: back and hits them like they are the base and
• 19:00
  Speaker 1: her trunk is the bat and just totals them. These
• 19:05
  Speaker 1: ships are broken into like a trillion pieces. Jack's whole
• 19:10
  Speaker 1: helmet is fucked up. Now. People don't really die in
• 19:14
  Speaker 1: this show really, unless it's a flashback usually, so it
• 19:19
  Speaker 1: may be that, like Jack's not dead still, but I'm
• 19:25
  Speaker 1: perfectly okay with never seeing Jack again. I feel like
• 19:29
  Speaker 1: this was enough of a WWB SmackDown that we can
• 19:32
  Speaker 1: just say goodbye to him and it's fine. So personally,
• 19:36
  Speaker 1: I hope that's a wrap. And the little monkey guy
• 19:42
  Speaker 1: is the one who observes all of this because like
• 19:45
  Speaker 1: I keep forgetting about the proportion of everything. So I'm
• 19:48
  Speaker 1: thinking that our friends are up on the top of
• 19:50
  Speaker 1: the elephant looking down watching all of this happen, but
• 19:54
  Speaker 1: they don't know what's happening. It's they're feeling things move
• 19:58
  Speaker 1: and they're seeing Momo tak, but they don't have an
• 20:01
  Speaker 1: idea of the real like, you know, the order of
• 20:04
  Speaker 1: events here, So they're having to get reports from this
• 20:08
  Speaker 1: monkey who's watching through a little telescope. And when we
• 20:14
  Speaker 1: go back to Momo, he says the presence has left me,
• 20:19
  Speaker 1: and Lufy says the same thing, like yeah, I can't
• 20:22
  Speaker 1: hear the voice either, and Momo almost passes out. It's
• 20:27
  Speaker 1: kind of funny because like, I'm not this is not criticizing,
• 20:32
  Speaker 1: but like Lufy's fine, Like Lufy could not be more fine.
• 20:38
  Speaker 1: He's just oh yeah, wow, big voice. I was something,
• 20:43
  Speaker 1: Well it's gone now anyway, and Momo is collapsing, and
• 20:48
  Speaker 1: granted he's a literal child, but I like to think
• 20:52
  Speaker 1: Lufy is just that infuriatingly like flexible, and I mean
• 20:58
  Speaker 1: he literally is, but it was just kind of funny
• 21:02
  Speaker 1: to me. So this is when the monkey calls and
• 21:08
  Speaker 1: tells everybody, and eventually they're all like, oh, yay, Jack's gone,
• 21:13
  Speaker 1: this is great, but they they get news later that
• 21:18
  Speaker 1: the elephant is really really badly injured and that if
• 21:22
  Speaker 1: they don't do something about it, it is going to
• 21:24
  Speaker 1: fall over and things are going to get quite bad.
• 21:27
  Speaker 1: And then at the very end of this we get
• 21:30
  Speaker 1: the transponder snail that's ringing. We're in this very snowy
• 21:36
  Speaker 1: landscape with these extremely cool looking trees that look straight
• 21:41
  Speaker 1: out of like Japanese artwork, and we hear a pooh
• 21:48
  Speaker 1: and Kaido and a poo says, seems our communication with
• 21:52
  Speaker 1: Jack was cut off rather abruptly. What now, Kaido? And
• 22:00
  Speaker 1: it looks like a poo is in prison. I'm not
• 22:06
  Speaker 1: sure it, like there's bars here, and it couldn't tell
• 22:09
  Speaker 1: who it was that was behind the bars, but it
• 22:13
  Speaker 1: just ends with Kido's face and him looking pissed. There's
• 22:17
  Speaker 1: no further dialogue, and I just wasn't entirely sure if
• 22:20
  Speaker 1: I was supposed to know what was going on there
• 22:22
  Speaker 1: or not, but just I guess a heads up that
• 22:26
  Speaker 1: like Kido knows now that Jack has been taken out,
• 22:31
  Speaker 1: So then we have the whole issue with trying to
• 22:34
  Speaker 1: deal with the injury, and there's also I'm trying to
• 22:41
  Speaker 1: find the the yeah here it is. All that's left
• 22:46
  Speaker 1: now is to figure out how we're gonna slap the
• 22:48
  Speaker 1: thing on there. This is Frankie. Remind me, man, back
• 22:51
  Speaker 1: when you heard the news that Jack was alive, you
• 22:54
  Speaker 1: talked about preparing some vessels. Would you mind explaining how
• 22:58
  Speaker 1: you guys launched them? And if you're about to tell
• 23:01
  Speaker 1: me you just throw them straight down, then you're going
• 23:02
  Speaker 1: to break this old Shipwright's hard because we are so
• 23:05
  Speaker 1: high up. They would never survive the fall. And that
• 23:10
  Speaker 1: musketeer guy that comes over and is like this, these
• 23:15
  Speaker 1: are all of the ships and they're really cool looking.
• 23:17
  Speaker 1: They kind of look like Viking vessels. They're smaller, and
• 23:22
  Speaker 1: they were supposed to be hoop hooked up to these
• 23:25
  Speaker 1: rigs that have a lowering and raising mechanic that the
• 23:32
  Speaker 1: ropes roll through. And Frankie says, if you go cut
• 23:37
  Speaker 1: down some trees, I can repair a lot of these.
• 23:41
  Speaker 1: So we have a fun little like problem solving session
• 23:44
  Speaker 1: where we're figuring out exactly how we can like fix
• 23:48
  Speaker 1: Tu Nasha and how we can get the equipment together
• 23:54
  Speaker 1: to do the fixing itself. So there's the bandage that
• 24:00
  Speaker 1: we have to construct, and uh, that is something that's
• 24:06
  Speaker 1: I feel like it's kind of fun. It's Robin who
• 24:10
  Speaker 1: takes this over, and she has so she can make
• 24:13
  Speaker 1: so many arms that she can sew really really quickly,
• 24:16
  Speaker 1: and she can fold and move things really easily and
• 24:19
  Speaker 1: quickly as well. So the bandage is actually like no problem.
• 24:23
  Speaker 1: It's just honestly, what should be the problem here is
• 24:27
  Speaker 1: actually physically having this much fabric, But what it's treated
• 24:33
  Speaker 1: as is the fabrics a foregone conclusion. Of course we
• 24:36
  Speaker 1: have that it's just making something big enough out of it.
• 24:38
  Speaker 1: That's the problem. I accept that. That's fine, but sorry,
• 24:43
  Speaker 1: Florian says, also really once said something like all Roger
• 24:46
  Speaker 1: did was hear the voice of the universe, you got
• 24:50
  Speaker 1: really mad because no one questioned that. Further me included
• 24:53
  Speaker 1: it was a wanna be I don't remember that, but
• 24:58
  Speaker 1: that does sound like me. I get really m that stuff.
• 25:01
  Speaker 1: I'm a passionate woman, I really am so. As Robin
• 25:09
  Speaker 1: is working on this and as Frankie is waiting for
• 25:13
  Speaker 1: his wood to get chopped, that sounds like an innuendo.
• 25:17
  Speaker 1: It really does. Nami asks Wanda for a sea chart
• 25:23
  Speaker 1: because you know it will help with navigation. A little
• 25:25
  Speaker 1: bit later, so everybody is starting to get on their shit.
• 25:30
  Speaker 1: And speaking of which, Chopper, with his hilarious little headdress
• 25:35
  Speaker 1: made of pearls, is finding these different herbs that help
• 25:39
  Speaker 1: with stopping bleeding and I think pain something like that.
• 25:46
  Speaker 1: And there are a couple of herbs that are so
• 25:50
  Speaker 1: rare that actually people don't Oh, serilization is the other one,
• 25:54
  Speaker 1: but most encyclopedias don't even mention it because it's so rare.
• 25:59
  Speaker 1: And he gets complimented by the doctor and the nurse.
• 26:06
  Speaker 1: I hesitate to call her a nurse because it just
• 26:08
  Speaker 1: feels like, oh, it's the lady and she must be
• 26:11
  Speaker 1: a nurse. But like she's clearly dressed as a nurse,
• 26:14
  Speaker 1: you know. But she compliments Chopper and later on does
• 26:20
  Speaker 1: her little face rub up against him, and it's very
• 26:23
  Speaker 1: clear that he is just so pleased that she is
• 26:28
  Speaker 1: impressed with him. It's extremely adorable. And I look, guys, Florian.
• 26:40
  Speaker 1: I want to mention really quick, because it was the
• 26:44
  Speaker 1: sort of thing where I watched them and then something
• 26:46
  Speaker 1: happened immediately as I was finishing one, and so I
• 26:49
  Speaker 1: didn't have time to text you back, but you messaged
• 26:53
  Speaker 1: me with a couple of little funny bits from I
• 26:58
  Speaker 1: don't know if it was Instagram or TikTok from the
• 27:02
  Speaker 1: live action cast, and I watched them and they were
• 27:08
  Speaker 1: really cute. One of them dudes, who's playing Loofy, has
• 27:12
  Speaker 1: a dinosaur costume that he's wearing around. It's very goofy.
• 27:16
  Speaker 1: But at one point, like I went to the comments
• 27:22
  Speaker 1: really quickly, and I realize, now I should just stay
• 27:24
  Speaker 1: out of the comments, Like it hasn't been a problem
• 27:27
  Speaker 1: in the live action ones, but I should just avoid
• 27:30
  Speaker 1: it anyway. But somebody of the comments said something like
• 27:35
  Speaker 1: they're introducing choppers soon, the most useless of the straw hats,
• 27:41
  Speaker 1: And I just want to say, I hope that person
• 27:47
  Speaker 1: drops dead. And that's all I'm gonna say about that.
• 27:54
  Speaker 1: Don't you ever come for my boy again, Okay, because
• 27:59
  Speaker 1: I'm not having it. I will curse you. I don't
• 28:04
  Speaker 1: know what it'll look like, but I know you won't
• 28:07
  Speaker 1: like it. And Chopper doesn't want this for either of us,
• 28:12
  Speaker 1: So don't come into my house. It's funny because they
• 28:16
  Speaker 1: weren't in my house at all. We were both in
• 28:18
  Speaker 1: somebody else's house. But I still take that very personally. Anyway,
• 28:24
  Speaker 1: they're all gathering all of this stuff so that they
• 28:27
  Speaker 1: can make a poultice for Zanasha's leg. There is a
• 28:32
  Speaker 1: sort of a weird moment here, guys. First, Brook chops
• 28:36
  Speaker 1: down a bunch of trees really quickly, and it's, uh,
• 28:42
  Speaker 1: you know, one of those bits where he chops them
• 28:44
  Speaker 1: down and it doesn't look like anything's happened, and there's
• 28:47
  Speaker 1: a bit of a pause, and then he's sort of
• 28:49
  Speaker 1: sort of like that should do it, and then all
• 28:51
  Speaker 1: of a sudden, the trees fall down and everybody's like
• 28:54
  Speaker 1: holy shit. And then Kenanman showed and he does something
• 29:02
  Speaker 1: that starts a fire, and as he starts the fire,
• 29:07
  Speaker 1: his friend Riiso jumps in with a little watering can
• 29:14
  Speaker 1: and puts out the fire. What was this? Is this
• 29:20
  Speaker 1: supposed to like season the wood or something? Is this
• 29:22
  Speaker 1: on purpose? I couldn't tell if that was like, if
• 29:27
  Speaker 1: this was supposed to be the two of them just
• 29:29
  Speaker 1: sort of being useless, or if it was like a
• 29:32
  Speaker 1: joke that is very specific, or if it's like, no,
• 29:36
  Speaker 1: this is what you do to the wood. You know
• 29:38
  Speaker 1: what I'm saying. I don't know what this, but anyway,
• 29:41
  Speaker 1: somebody asks if him using the watering can is ninpoh,
• 29:46
  Speaker 1: and he says, no, it's not, and gets very embarrassed
• 29:49
  Speaker 1: for some reason. Then we have Zoro, who in mid
• 29:53
  Speaker 1: air chops not only all of the branches off of
• 29:56
  Speaker 1: these tree trunks, but also slices the trunks into perfect
• 30:01
  Speaker 1: like four by four posts, and then they all land
• 30:05
  Speaker 1: in piles, and it's extremely what's the word. It's it's
• 30:12
  Speaker 1: extremely impressive and just so organized, and he has a
• 30:17
  Speaker 1: moment of really looking like everybody, you're welcome, And honestly,
• 30:22
  Speaker 1: Zora doesn't get like this very often. But he looks
• 30:26
  Speaker 1: around and nobody's there, and he's like, you're in the
• 30:30
  Speaker 1: wrong place. And Law comes up to him and says,
• 30:36
  Speaker 1: I knew you had trouble with directions, but this is
• 30:40
  Speaker 1: just plain stupidity. And all of a sudden, Loofy comes
• 30:46
  Speaker 1: across Zorro and is and it's Karat, who's like, you know,
• 30:51
  Speaker 1: they're riding on the back of that alligator. And I like,
• 30:57
  Speaker 1: just this moment, I really thought Zora was in the
• 30:59
  Speaker 1: right place, that he was with everybody, and he's out
• 31:02
  Speaker 1: here performing to an audience that I thought it was like,
• 31:06
  Speaker 1: oh yeah, you they just like went and did something.
• 31:11
  Speaker 1: They were never there. Who did you think you were
• 31:13
  Speaker 1: talking to? He's that disconnected from his surroundings. That's genuinely
• 31:18
  Speaker 1: alarming for somebody with the abilities that he has. At
• 31:22
  Speaker 1: this point, Law does shambles and he sends Zoro and
• 31:30
  Speaker 1: all of the wood right over to where everybody is
• 31:33
  Speaker 1: doing the work, and it almost crushes them, like there's
• 31:37
  Speaker 1: just you just see the shadow as he falls into place,
• 31:40
  Speaker 1: and Karat is looking at all of this and is
• 31:43
  Speaker 1: just extremely starry eyed. And what we get towards the end,
• 31:48
  Speaker 1: I can't remember if it's this episode. I think it's
• 31:50
  Speaker 1: this one. Yeah, the very end of this episode is
• 31:53
  Speaker 1: eventually she asks Loofy to join the straw Hats, but
• 32:00
  Speaker 1: he doesn't hear her because he winds up remembering I
• 32:03
  Speaker 1: said that I was going to take Peckhams with me,
• 32:05
  Speaker 1: and I almost forgot him. I've got to go find
• 32:07
  Speaker 1: that guy. I just want to say that I don't
• 32:13
  Speaker 1: want any new members of the crew, and it's not
• 32:19
  Speaker 1: it's not like I just feel like we don't actually
• 32:23
  Speaker 1: get enough time with everybody as it is. You know,
• 32:27
  Speaker 1: I want to see more of the people that we've got,
• 32:30
  Speaker 1: and we don't have time to like touch base with
• 32:33
  Speaker 1: them a lot. And I just think enough already. We
• 32:36
  Speaker 1: don't need to be adding any further, you know what
• 32:39
  Speaker 1: I'm saying. It just seems like if we stretch the
• 32:44
  Speaker 1: attention of the audience any thinner, it's going to start
• 32:48
  Speaker 1: to just feel like pure chaos. So personally, as much
• 32:52
  Speaker 1: as I don't even want to say as much as
• 32:55
  Speaker 1: I like Carrot, because I don't feel one way or
• 32:57
  Speaker 1: the other about Carrot, like she's cute, she's like fine,
• 33:02
  Speaker 1: but I don't like her particularly, I'll say that I
• 33:07
  Speaker 1: don't have anything against Carrot, but like, no, girl, I
• 33:10
  Speaker 1: don't want you as part of this. I don't want
• 33:11
  Speaker 1: to do this. And it feels that by the end,
• 33:17
  Speaker 1: she's making a decision that she's gonna like stow away,
• 33:21
  Speaker 1: and I might be misreading that. I don't know, but
• 33:24
  Speaker 1: it just seemed to me and like she's sort of
• 33:27
  Speaker 1: talking herself into something, and like they have other members
• 33:31
  Speaker 1: of the Minks that are going to be accompanying them,
• 33:35
  Speaker 1: so it's possible that it won't feel as annoying because
• 33:41
  Speaker 1: there are going to be other Minks there, and so
• 33:44
  Speaker 1: it'll just have this sort of sense of like, Okay,
• 33:46
  Speaker 1: we've just got some representatives with us, and they're not
• 33:49
  Speaker 1: members of the crew, so maybe it'll be fine. But
• 33:51
  Speaker 1: just from where I'm sitting right now, I'm sort of whatever.
• 33:56
  Speaker 1: Seraphim says, that wasn't the nurse. The nurse is the
• 33:59
  Speaker 1: squirrel girl means milky the one chopper is blushing about. Wait, no, okay,
• 34:05
  Speaker 1: the squirrel nurse is Tristan. The reindeer chopper is blushing
• 34:09
  Speaker 1: about is milky, and it's showing he's got himself a crush. Yeah, oh,
• 34:13
  Speaker 1: he definitely does. That started when he first saw her,
• 34:18
  Speaker 1: which I mean she is a buxom lass, so yeah.
• 34:22
  Speaker 1: Florian says like he has defeated Caesar's poisons at many points,
• 34:25
  Speaker 1: and help the kids with the drugs. He is not useless, amen, Florian. Look,
• 34:30
  Speaker 1: I will say this I and this ties in with
• 34:35
  Speaker 1: me earlier saying we haven't gotten to see enough of
• 34:37
  Speaker 1: the crew As it is, Chopper is criminally underused. In
• 34:44
  Speaker 1: my opinion, I want a lot more of him in
• 34:49
  Speaker 1: different contexts. It's not as bad anymore as it had
• 34:54
  Speaker 1: been where it was just one like adventure after another
• 35:00
  Speaker 1: with him getting left on the ship, because it just
• 35:02
  Speaker 1: seemed like that was all we were doing for a minute,
• 35:05
  Speaker 1: and I was starting to be like, can we fucking
• 35:07
  Speaker 1: think of something new for him, please? And now that's
• 35:12
  Speaker 1: been sort of left by the wayside, and I hope
• 35:15
  Speaker 1: it stays that way. But I just I wouldn't mind
• 35:20
  Speaker 1: seeing him getting involved in actual physical fights a little
• 35:24
  Speaker 1: bit more, because he can be pretty impressive sometimes and
• 35:30
  Speaker 1: it's just something different. Maybe I can understand people feeling
• 35:34
  Speaker 1: like they don't really enjoy Chopper as much because his
• 35:37
  Speaker 1: abilities are much more low key, cerebral instead of combat
• 35:43
  Speaker 1: based and flashy, which I get. I think that's kind
• 35:47
  Speaker 1: of immature, but I get it. But Chopper is capable
• 35:52
  Speaker 1: of the flashy stuff too, and we just don't get
• 35:55
  Speaker 1: it very often, and there is a built in threshold
• 36:00
  Speaker 1: where if he takes too many rumble balls, then he
• 36:03
  Speaker 1: freaks out, gets really sick, you know, point of no return.
• 36:07
  Speaker 1: So yeah, there's a ceiling on how much we can do.
• 36:10
  Speaker 1: But I still wish we did it more. I really
• 36:13
  Speaker 1: wouldn't mind it. You know, if Saraphim says, look to
• 36:17
  Speaker 1: some people, anyone who doesn't punch people in the face
• 36:20
  Speaker 1: is useless. That's I think that's really it, you know. Uh,
• 36:24
  Speaker 1: Sarahim says, Zora, He's literally gotten lost walking down a
• 36:27
  Speaker 1: straight hallway. This man is the worst sense of direction ever.
• 36:31
  Speaker 1: It's Zora. How how So this is the moment where
• 36:36
  Speaker 1: no Me is sort of like just talking generally, speaking about, Ay,
• 36:41
  Speaker 1: we have to do, you know, we have to start
• 36:43
  Speaker 1: figuring out our course. And she looks out the window
• 36:46
  Speaker 1: and there is what looks like a fucking mushroom cloud
• 36:50
  Speaker 1: on the horizon. It is humongous, and she says, that's
• 36:56
  Speaker 1: a silent super cell. It's a giant thundercloud that appears suddenly,
• 37:01
  Speaker 1: without any warning. It causes a terrible storm like you've
• 37:04
  Speaker 1: never seen, and the damage will be severe. We can't
• 37:09
  Speaker 1: treat the elephant, right now you got to tell them
• 37:12
  Speaker 1: all to stand by, and they are like in it.
• 37:17
  Speaker 1: Things are, things are happening. They're already lowering the ships
• 37:20
  Speaker 1: down the sides of the elephant so that they can
• 37:22
  Speaker 1: start putting the bandage on, and choppers down there using
• 37:27
  Speaker 1: a huge paintbrush to put the salve on it. And
• 37:31
  Speaker 1: you just see the wind begin to pick up, and
• 37:39
  Speaker 1: one of the minks is like yelling like we've got
• 37:41
  Speaker 1: to hold on and not get shaken off because they're
• 37:44
  Speaker 1: again but basically the dangling in the end of strings
• 37:48
  Speaker 1: off of the side, and Frankie is just like, all right,
• 37:53
  Speaker 1: we got to pull these guys up because if they
• 37:55
  Speaker 1: get got the rope is going to fly right off
• 37:58
  Speaker 1: of the I don't know what you call the things
• 38:01
  Speaker 1: that the rope gets fed through, but suffice to say
• 38:07
  Speaker 1: they could completely unravel. And then you see one of
• 38:10
  Speaker 1: them that happens and the ship falls completely sideways, and guys,
• 38:17
  Speaker 1: it was so funny. You're seeing all of them starting
• 38:19
  Speaker 1: to fall backwards and like bounce off the back of
• 38:23
  Speaker 1: the ship and they fly and just are like mid
• 38:27
  Speaker 1: air and then Loofy grabs onto one of the ships,
• 38:33
  Speaker 1: strings his arm out in front of them and sort
• 38:35
  Speaker 1: of catches them like clotheslined across their chests, and they
• 38:39
  Speaker 1: slide down his arm towards one of the other ships,
• 38:43
  Speaker 1: and then you see one of the other like rope
• 38:47
  Speaker 1: lines ripple, and honestly, guys, this is genuinely, really tense.
• 38:53
  Speaker 1: Like there are many times where I know I'm supposed
• 38:58
  Speaker 1: to be worried about people, but I'm kind of not,
• 39:02
  Speaker 1: and this was a time where I was sort of
• 39:04
  Speaker 1: like I might be worried there might be something that's
• 39:06
  Speaker 1: going to happen to everybody, like I don't know. I
• 39:09
  Speaker 1: also I really dislike heights too, and I think that
• 39:12
  Speaker 1: factors in where I'm watching everybody just dangling over open
• 39:16
  Speaker 1: ocean and maybe about to simply tumble to their deaths,
• 39:20
  Speaker 1: and that just is a very visceral thing for somebody
• 39:22
  Speaker 1: who is afraid of heights. So that also combined with
• 39:26
  Speaker 1: like the pelting rain and the way it's animated, it
• 39:32
  Speaker 1: just adds a sense of chaos. And then you see,
• 39:37
  Speaker 1: all of a sudden, the whole rope breaks and it
• 39:41
  Speaker 1: begins to slide downward, and then it stops and Chopper,
• 39:49
  Speaker 1: who's freaking out, looks up and it's just like Loofy,
• 39:53
  Speaker 1: because Loofy is holding on a one side and has
• 39:56
  Speaker 1: reached out and has grabbed the other side of the
• 40:00
  Speaker 1: rope and he's holding it. And I Am not kidding you,
• 40:03
  Speaker 1: you guys. I literally went this guy, I just like
• 40:10
  Speaker 1: I was just genuinely like, oh no, And then he
• 40:13
  Speaker 1: grabs it and saves him on and I was like, oh,
• 40:16
  Speaker 1: look at him being out here doing shit. I think
• 40:20
  Speaker 1: it's like Lufy is just so he's so inconsistent with
• 40:28
  Speaker 1: like when he decides to be super useful and when
• 40:32
  Speaker 1: he is flying out with his ADHD doing like pointless
• 40:39
  Speaker 1: shit or distracted by stuff, that every time he's actually
• 40:45
  Speaker 1: focused enough to help in a moment of crisis like this,
• 40:48
  Speaker 1: it's not about fighting anybody, it's just about helping. I
• 40:52
  Speaker 1: think that I just underestimate him sometimes because I'm so
• 40:56
  Speaker 1: used to him being kind of unreliable, you know. So anyway,
• 41:01
  Speaker 1: this is when we get the grid work of arms
• 41:05
  Speaker 1: that Robin uses, and she says, you guys in the
• 41:10
  Speaker 1: most sedate voice, sorry to have kept you all waiting.
• 41:15
  Speaker 1: Use my arms. They'll save you. It's so it's so
• 41:26
  Speaker 1: like it's like she's just telling people to get in
• 41:30
  Speaker 1: the car we're going to the mall getting losers. We're
• 41:35
  Speaker 1: going climbing. It's just so deadpan, it's so weird. She's
• 41:41
  Speaker 1: such a weirdo. Anyway, Okay, so yes, they begin to
• 41:46
  Speaker 1: climb up the sides. Things are going well, and then
• 41:50
  Speaker 1: Mooviy departs again because he is trying to fill this
• 41:53
  Speaker 1: backpack with food and he is just ubsessed with the
• 41:58
  Speaker 1: concept of getting enough food for this trip. The size
• 42:01
  Speaker 1: of the bag that he grabs, and they'd give him
• 42:04
  Speaker 1: permission to gather up as much as he can carry.
• 42:07
  Speaker 1: And I don't know if they really realized how much
• 42:10
  Speaker 1: that is, but it's plenty. So yeah, jumping ahead a
• 42:17
  Speaker 1: little bit, they finished patching up the poor elephant after
• 42:21
  Speaker 1: the storm passes. Now, I'll be honest, guys, I really
• 42:24
  Speaker 1: thought this storm was going to be more of a thing.
• 42:27
  Speaker 1: It's like, as soon as they finish getting those those
• 42:30
  Speaker 1: boats back up and everybody is safe, the storm's over.
• 42:35
  Speaker 1: It sort of went the same way as like the
• 42:39
  Speaker 1: whole thing with the elephant itself. I really just thought
• 42:41
  Speaker 1: this was gonna last a lot longer, and it turns out, Nah,
• 42:45
  Speaker 1: we're done within one episode. It's fine. I'm not really
• 42:49
  Speaker 1: mad about it. It's just funny to me because you know,
• 42:51
  Speaker 1: the show can be like drag some things out so
• 42:54
  Speaker 1: much that when it doesn't, I'm always sort of like whiplashed,
• 42:58
  Speaker 1: you know. So okay, jumping into the next episode, I'm
• 43:02
  Speaker 1: trying to see where I should go here, let's see.
• 43:08
  Speaker 1: Oh yeah, Momonoske wants to stay in zo. I wish
• 43:15
  Speaker 1: to know why this creature could hear my voice asking
• 43:19
  Speaker 1: the right questions? And he says, I need to see
• 43:21
  Speaker 1: if Zunasha knows anything about the Kozuki clan, and then
• 43:26
  Speaker 1: he I think it's him, or maybe it's somebody else.
• 43:29
  Speaker 1: I'm trying to remember, but somebody says, I also really
• 43:35
  Speaker 1: want to ask Zunesha. Maybe it's dog Storm. He says,
• 43:44
  Speaker 1: I want to ask Nisha. You've been walking a long time.
• 43:48
  Speaker 1: Where are you going? And I cackled because honestly, that's
• 43:55
  Speaker 1: a fucking great question and that never even entered my mind.
• 43:58
  Speaker 1: Where you're headed? What are you trying to get to?
• 44:01
  Speaker 1: What is this? You know? Like what I'm going to
• 44:05
  Speaker 1: hazard a guess, because Oda loves tragedy, is that Zanesha
• 44:11
  Speaker 1: is one of like a pack of huge elephants and
• 44:14
  Speaker 1: he had a whole family and he's been separated from them,
• 44:19
  Speaker 1: and so he's just spent a thousand years trying to
• 44:21
  Speaker 1: find his family again or something something awful and heartbreaking
• 44:26
  Speaker 1: and devastating, you know, something like that. That's my guess,
• 44:30
  Speaker 1: But I don't know, but I did. I just really
• 44:34
  Speaker 1: did enjoy the fact that, like, where you're going is
• 44:38
  Speaker 1: the question because they just never even thought of it.
• 44:44
  Speaker 1: And let's see, I'm trying to find the spot too,
• 44:46
  Speaker 1: because there's a mention of somebody getting a viver card made.
• 44:51
  Speaker 1: I think it's Kenamun. But guys, remind me, how do
• 44:58
  Speaker 1: you make a viver card? I know this is been mentioned,
• 45:00
  Speaker 1: and I don't recall how this works. Let's see earlier
• 45:06
  Speaker 1: Cat Viper created a viaver card for me, please distribute this,
• 45:11
  Speaker 1: and so he breaks it up. This is Kinane handing
• 45:14
  Speaker 1: them out to everybody. I propose that we separate into
• 45:16
  Speaker 1: four teams. First, someone must seek out Marco the Phoenix,
• 45:22
  Speaker 1: the former first division commander of the White Beard Pirates,
• 45:26
  Speaker 1: you know, the guy who looks like a pineapple, and uh,
• 45:30
  Speaker 1: that is going to be cat Viper that does that.
• 45:34
  Speaker 1: And then we've some of you should stand so and
• 45:38
  Speaker 1: join us. At a later time, and that's dog Storm, Momo,
• 45:45
  Speaker 1: the dragon, and oh no, these guys. It's the rat,
• 45:51
  Speaker 1: the dragon, the lion, and the zebra, the ones that
• 45:54
  Speaker 1: are the three musketeers, right right right. We get a
• 45:58
  Speaker 1: little chart for this too. Third, we need to send
• 46:00
  Speaker 1: a party to Whole Cake Island to rescue Sir Sangi
• 46:03
  Speaker 1: from Big Mom. I just want to register that I
• 46:06
  Speaker 1: didn't remember it was called Whole Cake Island, and I
• 46:10
  Speaker 1: don't know why, but it could have been any kind
• 46:12
  Speaker 1: of cake, and he just chose the word whole. And
• 46:15
  Speaker 1: there is something about that that I find very funny
• 46:17
  Speaker 1: and I don't I can't put my finger on it.
• 46:20
  Speaker 1: But of course that's gonna be Lufy's group, Brooke Lufy,
• 46:25
  Speaker 1: Nammy Peckham's and of course our boy Chopper. I did notice,
• 46:32
  Speaker 1: like Frankie isn't in that group. It's he's not pictured,
• 46:35
  Speaker 1: and I was sort of like, is this some kind
• 46:38
  Speaker 1: of uh, what's the word I want? Is he being
• 46:43
  Speaker 1: left out because he's not considered as important? But no,
• 46:47
  Speaker 1: he is part of the other group along with Zorro.
• 46:51
  Speaker 1: And let's say I'm trying to jump back, but guys,
• 46:56
  Speaker 1: I gotta say credishy Roll is very unco operative when
• 47:00
  Speaker 1: it comes to me, like scrubbing through episodes to see things.
• 47:03
  Speaker 1: The rest of us will return to Wuano, gather allies
• 47:06
  Speaker 1: and plot a strategy until the other three teams arrive,
• 47:10
  Speaker 1: and that is Oosup, Zoro, Kinniwan, Condrero, Riizo, Law, Frankie
• 47:19
  Speaker 1: and Robin. I have got to be honest, I'm worried
• 47:26
  Speaker 1: about there being so many fighters going to Wana and
• 47:29
  Speaker 1: not enough to big moms. But I guess we'll just
• 47:33
  Speaker 1: have to see how it goes. It just seems like
• 47:35
  Speaker 1: we're leaving a lot of hey heavy hitters, and ah,
• 47:40
  Speaker 1: I'm worried about it. So this is when Lufy goes
• 47:45
  Speaker 1: to pick up Peckham's and the house collapsed apparently, I guess,
• 47:51
  Speaker 1: in all of the attack, and Peckhams has eaten the
• 47:57
  Speaker 1: turtle turtle fruit, so he's he's got a turtle shell
• 48:02
  Speaker 1: that protects him. I don't know if we knew this already.
• 48:07
  Speaker 1: I don't remember this, but it's such a weird moment.
• 48:11
  Speaker 1: And Lufy says, oh my god, now you're turtle viper,
• 48:15
  Speaker 1: and Peckhams is like, you get my name wrong all
• 48:17
  Speaker 1: the time. But the fact that you didn't even keep
• 48:20
  Speaker 1: the word lying in it. That's bothering me, Like, don't
• 48:24
  Speaker 1: it's not fair. Can't a fellow recover in peace? And
• 48:32
  Speaker 1: Peckham's when he gets up here, Let's see what is
• 48:34
  Speaker 1: it that he says, because he's he makes this like
• 48:38
  Speaker 1: big statement that he thinks Lufy's gonna have a strong
• 48:40
  Speaker 1: reaction to, and then he doesn't. Yeah, because I'm the
• 48:43
  Speaker 1: man with the power of the turtle turtle fruit. You
• 48:45
  Speaker 1: saw my shell. It's hard and durable like diamond. Are
• 48:49
  Speaker 1: you listening? And Lufy just says Chopper said he would
• 48:52
  Speaker 1: be in charge of making sure you get better so
• 48:54
  Speaker 1: you don't have to worry. And he says, you little brat,
• 48:57
  Speaker 1: I was kind of expecting a big reaction to that
• 48:59
  Speaker 1: part about the diamond. And you, anybody who ever expects
• 49:05
  Speaker 1: a certain reaction from Lufy about anything other than meat,
• 49:09
  Speaker 1: you are doomed to be disappointed. I am so sorry
• 49:12
  Speaker 1: to tell you. Let's see, so not counting Lufy, it's
• 49:17
  Speaker 1: all the straw hats who were gone from das Rosa.
• 49:20
  Speaker 1: What the mission is to sneak in. There's not going
• 49:22
  Speaker 1: to be any fighting. Yeah, uh huh. We saw back
• 49:25
  Speaker 1: in Fishman Island, I think, and it's how he survived
• 49:28
  Speaker 1: Beij shooting him. Okay, right, right, right, So then we
• 49:34
  Speaker 1: have the scene where everybody wants to go with the
• 49:38
  Speaker 1: straw Hats and they're all talking to cat Viper about
• 49:41
  Speaker 1: why they should be able to go. They want to
• 49:45
  Speaker 1: help Lufy because Sonji protected Zoh and they failed to
• 49:51
  Speaker 1: protect Sanji from being taken on their very own soil.
• 49:56
  Speaker 1: So they're like, we can't just send Peckham's the only
• 50:00
  Speaker 1: mink like. They don't say it, but it feels very
• 50:03
  Speaker 1: much like he isn't very good as a rep for us.
• 50:08
  Speaker 1: He's shady, He's done shady stuff. We know it, you
• 50:13
  Speaker 1: know it. I don't want to have him out there
• 50:18
  Speaker 1: as the one, you know. And honestly I see that
• 50:22
  Speaker 1: a little bit. I think that he's right, so, you know,
• 50:27
  Speaker 1: he's putting himself forward as like, yeah, I definitely want
• 50:31
  Speaker 1: to be the one to go. And this is when
• 50:35
  Speaker 1: Shashilian shows up who I cannot say that name without
• 50:39
  Speaker 1: laughing hysterically inside, and they want to go, but uh,
• 50:46
  Speaker 1: what's his face? What's the name of the leopard guy
• 50:48
  Speaker 1: with the cigarette? He tells Shashilian, this is a stealth
• 50:53
  Speaker 1: mission and you are an insufferable loud mouth, which honestly,
• 50:58
  Speaker 1: every time Shashilian has shown up, he is doing all
• 51:03
  Speaker 1: kinds of cartwheels and spins and yelling. And this man
• 51:09
  Speaker 1: is extremely much He's very very much le he is.
• 51:16
  Speaker 1: You just don't You're not gonna be good for this dude,
• 51:21
  Speaker 1: not at all. Then we get Milky send me as
• 51:26
  Speaker 1: Doctor Chopper's assistant. And then uh, one of the other two, wait,
• 51:32
  Speaker 1: we became good friends with loofy let us go. I
• 51:37
  Speaker 1: love when they say we became good friends and Patrio
• 51:40
  Speaker 1: says yeah after attacking him. And then my favorite was
• 51:45
  Speaker 1: the big sheep dude, Yomo, and he's like, send me
• 51:50
  Speaker 1: she likes sleeping on my stomach nom does, which I
• 51:55
  Speaker 1: actually laughed out loud over that one. That cracked me
• 51:58
  Speaker 1: up a little bit. I like I want to just
• 52:03
  Speaker 1: somebody asked, because like the response Pedro, thank you Sarah,
• 52:08
  Speaker 1: And the response Pedro has is what does that have
• 52:12
  Speaker 1: to do with anything? The response should be you are
• 52:15
  Speaker 1: literally bigger than their ship. What do you think we're
• 52:18
  Speaker 1: gonna do with this? Like you know what I'm saying,
• 52:21
  Speaker 1: but uh, but yeah, I this whole bit of everybody
• 52:26
  Speaker 1: desperately wanting to go. It was kind of heartwarming. So
• 52:31
  Speaker 1: let's see. Uh, cat Viper says, Pedro is the only
• 52:39
  Speaker 1: one that's going to get to go, and cat Viper
• 52:43
  Speaker 1: his word apparently is law. Shashilian accepts it. He's very sad,
• 52:48
  Speaker 1: but he accepts it. And then we get probably like
• 52:54
  Speaker 1: one of the most important developments of this trio of episodes,
• 52:59
  Speaker 1: which is the new climatech rod that USAP has made
• 53:05
  Speaker 1: for Nami. Now, it's one of those things where I
• 53:14
  Speaker 1: don't like, none of none of this works in a
• 53:16
  Speaker 1: way that I understand or can explain. It's totally fine.
• 53:19
  Speaker 1: I don't care about that part. It's so much power
• 53:25
  Speaker 1: that she is able to wield in theory that I
• 53:28
  Speaker 1: am just like, this is almost too much, and I
• 53:32
  Speaker 1: am really pleased, just because I had been feeling Liken
• 53:39
  Speaker 1: Me is kind of the only one that I didn't
• 53:43
  Speaker 1: feel came away from the two years with a like
• 53:48
  Speaker 1: perceptible difference that I am that I could see from
• 53:52
  Speaker 1: her time learning, you know. Yeah, So I'm not saying
• 54:01
  Speaker 1: that there wasn't some growth, It's just that it was
• 54:04
  Speaker 1: much less noticeable, and I'm feeling like it sucks a
• 54:08
  Speaker 1: little bit that the growth that she's getting is really
• 54:10
  Speaker 1: just a toy that was made for her by Usop,
• 54:13
  Speaker 1: Like that's kind of not her, that's Usop doing it really,
• 54:17
  Speaker 1: which I've sort of had an issue with from the beginning. However,
• 54:23
  Speaker 1: I do really like to see Usop winning. You know,
• 54:27
  Speaker 1: he can be such a buffoon sometimes with the way
• 54:31
  Speaker 1: that he is portrayed, but then he's like actually capable
• 54:34
  Speaker 1: a lot, so I'll get frustrated with the fact that
• 54:37
  Speaker 1: he's being like played as this goon when we've seen
• 54:41
  Speaker 1: him do genuinely impressive shit. So yeah, she starts playing
• 54:47
  Speaker 1: with it, and she is so excited. It's really cute
• 54:51
  Speaker 1: because once she puts it away, she says to us Up,
• 54:57
  Speaker 1: this is awesome. It's like you took all the sun
• 55:00
  Speaker 1: cience of Waria to the absolute limit. This is the
• 55:03
  Speaker 1: sorcery Climatettack I've always dreamed about. Thanks us Up, You're
• 55:09
  Speaker 1: the best. And I was genuinely like, oh shit, I
• 55:12
  Speaker 1: don't feel like she ever pays this kind of compliment,
• 55:15
  Speaker 1: like she really likes this, and oos Up says, do
• 55:20
  Speaker 1: you really mean it? No trouble at all, Glad you
• 55:24
  Speaker 1: like it. I thought you'd want a weapon upgrade to
• 55:27
  Speaker 1: make you feel safe, and I'm just the guy to
• 55:29
  Speaker 1: do that for you. Now the materials weren't free, so
• 55:34
  Speaker 1: and now he gives him a wink and says, let's
• 55:39
  Speaker 1: try a mirage tempo and disappears, and I was like, ah,
• 55:45
  Speaker 1: that's where we were going with that. She's complimentary and
• 55:48
  Speaker 1: very grateful up until he's asking for money, and then
• 55:52
  Speaker 1: she is out out, which is very, very fun. I
• 55:57
  Speaker 1: like this a lot. Sarah says, it's a combo of
• 56:01
  Speaker 1: the skill and knowledge no Me got from with area
• 56:03
  Speaker 1: about controlling weather and usab's technical skill to give her
• 56:06
  Speaker 1: a practical way to use it. Okay, I wish that
• 56:11
  Speaker 1: we're more obvious because I don't feel that like I
• 56:14
  Speaker 1: accept it, but I think this is it's just so odd,
• 56:18
  Speaker 1: you guys. It's so weird how much the show like
• 56:22
  Speaker 1: drags certain things out, and then there are things that
• 56:25
  Speaker 1: I wish we'd spend time on and it doesn't spend
• 56:27
  Speaker 1: any time at all. And I'd like a little bit
• 56:30
  Speaker 1: more explanation of certain things and a little more exploration
• 56:34
  Speaker 1: of moments for other characters, you know, just saying so,
• 56:41
  Speaker 1: then we have everybody gathered up to say goodbye at
• 56:44
  Speaker 1: Zoe at the gate and I'm looking at it like,
• 56:48
  Speaker 1: all right, so, how exactly is this going to work?
• 56:51
  Speaker 1: Because I'm thinking, like, we're gonna drop off the crew
• 56:56
  Speaker 1: that's leaving with one of those boats that gets lowered.
• 57:00
  Speaker 1: You know that it'd be a little thing. And instead
• 57:04
  Speaker 1: Lufi just says, no thanks, we're good and wraps his
• 57:09
  Speaker 1: arms around them and then literally jumps off the side
• 57:13
  Speaker 1: and you get a very prolonged screaming sequence of everybody
• 57:20
  Speaker 1: who was not prepared for this moment as they plummet
• 57:24
  Speaker 1: down to the ocean. And then meanwhile in the grand
• 57:32
  Speaker 1: Line in the Kingdom of Sand called Alabasta, and it's
• 57:38
  Speaker 1: Viv saying hurry up, father, and he says, why are
• 57:43
  Speaker 1: you in such a good mood? And she is smiling
• 57:49
  Speaker 1: and her duck guy is chasing after her and you
• 57:53
  Speaker 1: just see her like turn to the camera and wink
• 57:57
  Speaker 1: and say, why not. It's been a long while time
• 58:00
  Speaker 1: since I went out to see And she is literally
• 58:04
  Speaker 1: going like yay as she is running toward a ship,
• 58:08
  Speaker 1: and that is the end of that scene. Sarah says,
• 58:16
  Speaker 1: your favorite character, Caru says a Florian, Yeah, that's the
• 58:20
  Speaker 1: duck I always forget his name. Yeah, you guys, it's
• 58:24
  Speaker 1: so funny because we were talking. There's a preview out
• 58:27
  Speaker 1: for the live action and Viv is in it, and
• 58:32
  Speaker 1: it caused some conversation surrounding Viv in the chat on discord,
• 58:39
  Speaker 1: and it was just one of those things where I
• 58:44
  Speaker 1: really regret that I don't like Viv, but it's all
• 58:48
  Speaker 1: the elements are there for something I should like, and
• 58:52
  Speaker 1: it was just executed very badly. To me, all I
• 58:56
  Speaker 1: think of when I think of Viv is how much
• 58:59
  Speaker 1: she was constantly crying and also not telling the straw
• 59:04
  Speaker 1: hats about threats that were like something that they needed
• 59:08
  Speaker 1: to face, and it was played as a joke, but
• 59:11
  Speaker 1: it just makes her looking competent, so it didn't work.
• 59:15
  Speaker 1: And then once we get to the actual, like, you know,
• 59:19
  Speaker 1: it's supposed to be this heartbreaking, please stop fighting, everybody,
• 59:24
  Speaker 1: stop fighting, but it just did not hit for me
• 59:26
  Speaker 1: at all. And I hope that her being brought back that, like,
• 59:33
  Speaker 1: let's just pray she doesn't cry so much, because I
• 59:35
  Speaker 1: can't take it. It's like a combo of just that
• 59:38
  Speaker 1: she's supposed to be like kind of tough and smart,
• 59:43
  Speaker 1: but she's never actually being tough and smart. It doesn't
• 59:47
  Speaker 1: happen in front of us. We're just sort of led
• 59:50
  Speaker 1: to believe she must have been in order to get
• 59:52
  Speaker 1: through the whole thing with the oh my god, what
• 59:57
  Speaker 1: do you call them? You know, boroke club? And I just, yeah,
• 1:00:03
  Speaker 1: Florie is saying the same thing. I wonder if you'll
• 1:00:05
  Speaker 1: feel different in the live action. I am hoping to
• 1:00:08
  Speaker 1: God that she isn't like that. In the live action.
• 1:00:11
  Speaker 1: You can get emotional about wanting to protect your people,
• 1:00:15
  Speaker 1: but like, that can't be all you fucking do all
• 1:00:17
  Speaker 1: the time. I can't take it. And also it's the
• 1:00:25
  Speaker 1: way that the actress played her. Her voice and her
• 1:00:29
  Speaker 1: crying is just annoying, really irritating. So I think that
• 1:00:33
  Speaker 1: was also a factor that just counts against the character
• 1:00:36
  Speaker 1: in a way that maybe if I was reading it
• 1:00:38
  Speaker 1: as manga, it wouldn't happen that way, But watching it,
• 1:00:41
  Speaker 1: I just couldn't take the sound of her voice. It
• 1:00:44
  Speaker 1: was awful. So you know that's that. But yeah, I'm
• 1:00:51
  Speaker 1: hoping that in the live action they toughen her up
• 1:00:54
  Speaker 1: a little bit. Fingers crossed. All right, guys, I have
• 1:00:58
  Speaker 1: got to wrap up, but thank you all again for
• 1:01:00
  Speaker 1: joining me. Appreciate you all, Thank you Florien for commissioning
• 1:01:03
  Speaker 1: this one, and looking forward to seeing where we go next.
• 1:01:07
  Speaker 1: Until then, to the lou motherfuckers. That was an unspoiled
• 1:01:40
  Speaker 1: network podcast.