Latest / Movie Meltdown / 139: Culture is Not for Everybody

Transcript

139: Culture is Not for Everybody · Movie Meltdown

• 0:00
  Speaker 1: Do you like to suck poles or not? I said that.
• 0:03
  Speaker 1: Were you recording that for the show? Do you want
• 0:05
  Speaker 1: me to work that in somewhere? I'm not sure how
• 0:07
  Speaker 1: to tie that in. Oh, God.
• 0:11
  Speaker 2: I hope you keep our outtakes.
• 0:13
  Speaker 1: I'm not sure how to tie that in, but I'll
• 0:15
  Speaker 1: see what I can do. No, you can feel free
• 0:19
  Speaker 1: to keep that out. If it works, leave it in,
• 0:22
  Speaker 1: but feel free to take it out. Falling Program is
• 0:26
  Speaker 1: a proud member of the Pallava family of podcasts. Check
• 0:29
  Speaker 1: out all the shows over at palaver.com. That's P-A-L-A-V-E-R dot com.
• 0:34
  Speaker 3: The following feature has been rated R by the Motion
• 0:37
  Speaker 3: Picture Association of America. It is intended for mature audiences
• 0:40
  Speaker 3: and parental discretion is advised.
• 0:44
  Speaker 1: It's showtime, folks.
• 0:45
  Speaker 4: Enjoy the show.
• 0:58
  Speaker 5: Our nuclear reactor, pumping out one million kilowatts of power.
• 1:29
  Speaker 1: What's up and welcome to Movie Meltdown. I'm Brian. I'm Marlena. Oh,
• 1:59
  Speaker 1: I'm Fred. I'm Greg. And we're back with another episode
• 2:03
  Speaker 1: of the Caffeinated Movie Geek. Cappuccino, my butt. I still
• 2:06
  Speaker 1: drink coffee. The last fucking thing you need is another
• 2:10
  Speaker 1: cup of coffee. It's time for the Caffeinated Movie Geek. Yes,
• 2:16
  Speaker 1: we're quite fond of the coffee. This is several weeks
• 2:18
  Speaker 1: in a row, including our road trip episode, which I
• 2:21
  Speaker 1: thought was kind of fun. Occasionally, I thought that was
• 2:24
  Speaker 1: a good idea. So if we can find some other
• 2:27
  Speaker 1: willing and or.
• 2:29
  Speaker 6: Unknowing coffee shop out there.
• 2:32
  Speaker 1: Preferably the Knicks cakes and pies. Hey, cake balls is awesome.
• 2:37
  Speaker 1: To reference... Never mind. Do you like them or not?
• 2:43
  Speaker 1: Cake balls are awesome. I'm just saying that now.
• 2:46
  Speaker 2: How about donut balls?
• 2:49
  Speaker 1: I don't know. I didn't go down that road. I'm
• 2:50
  Speaker 1: still undecided. That pisses me off. Oh, shit. We're being
• 3:01
  Speaker 1: rude to our guests. Right, guess what? You're right in
• 3:04
  Speaker 1: the middle of an inside joke. This makes no sense
• 3:07
  Speaker 1: to anybody, including us. Do you like it or not?
• 3:11
  Speaker 1: I love those cake balls. So anyway, yeah, that was
• 3:18
  Speaker 1: a fun little trip out into the world.
• 3:20
  Speaker 6: So yeah, if we can find some other unsuspecting coffee shop,
• 3:24
  Speaker 6: we'll bring it on them somewhere.
• 3:25
  Speaker 1: But now we're back at home base.
• 3:27
  Speaker 6: We're back coming to you live via digital recording from
• 3:29
  Speaker 6: Nancy's Bake-O-Ground. So, we're doing our usual coffee shop thing.
• 3:33
  Speaker 6: And with that, I ask you, Marlena, what blend of
• 3:37
  Speaker 6: coffee are we.
• 3:37
  Speaker 1: Drinking this week?
• 3:38
  Speaker 2: Thundermark!
• 3:41
  Speaker 1: Is that like your Braveheart delivery?
• 3:43
  Speaker 2: I was really imagining, you know, like in video games,
• 3:46
  Speaker 2: like Mortal Kombat or something like that.
• 3:48
  Speaker 1: Wait, I have to get to going... Now you have
• 3:52
  Speaker 1: to scream it.
• 3:53
  Speaker 2: It sounds like lightning and thunder in the background.
• 3:55
  Speaker 5: And she just ripped out someone's spine and laughed about it.
• 4:01
  Speaker 2: I need sound effects to that.
• 4:03
  Speaker 1: FYI. Okay, well, which ones do you want to put
• 4:06
  Speaker 1: in now? Lightning? Thunder?
• 4:08
  Speaker 2: Lightning.
• 4:09
  Speaker 1: All of it. The sound of lightning? All of it.
• 4:13
  Speaker 1: The sound of lightning.
• 4:14
  Speaker 2: Thunder, lightning, a herd of cattle, and the sound of
• 4:19
  Speaker 2: me ripping out someone's spine.
• 4:20
  Speaker 1: All right. All those. Go for it right now.
• 4:23
  Speaker 2: No, you have to find them and put them in.
• 4:24
  Speaker 1: No, I'm saying. You get the audio delivery then.
• 4:26
  Speaker 2: I already did.
• 4:28
  Speaker 4: Thunder!
• 4:31
  Speaker 1: Like that. All right. There we go.
• 4:33
  Speaker 6: I hope you at home are just overjoyed with that. Alright,
• 4:38
  Speaker 6: so we're obviously quite hopped up on coffee already, so
• 4:42
  Speaker 6: this should be an interesting episode. Alright, so we can
• 4:44
  Speaker 6: head on into this week's geek activities. As we stated
• 4:48
  Speaker 6: last week, we're sort of breaking them up this time out,
• 4:51
  Speaker 6: so Greg and Fred already did theirs last week, so
• 4:55
  Speaker 6: we're going to move into mine and Marlena's this time around.
• 4:59
  Speaker 1: Mine, it's been a while.
• 5:01
  Speaker 6: Again, I didn't even have anything on the road trip episode,
• 5:04
  Speaker 6: so it's good that I've at least watched some things
• 5:06
  Speaker 6: since then, thankfully.
• 5:08
  Speaker 1: One of which is actually new.
• 5:10
  Speaker 6: We went out into the world and saw Final Destination 5,
• 5:14
  Speaker 6: or as I like to call it, Five Null Destination.
• 5:17
  Speaker 1: Five Null. Or possibly Five Null Goes West. But, yeah,
• 5:23
  Speaker 1: did you guys see Final Destination 4?
• 5:26
  Speaker 2: No, I stopped after the first one.
• 5:28
  Speaker 1: I stopped after 2. You're probably fine then.
• 5:32
  Speaker 6: But I was going to say, I mean, we went
• 5:33
  Speaker 6: out and saw, we did the whole episode around Final Destination,
• 5:36
  Speaker 6: or THE Final Destination, which they then decided wasn't the
• 5:40
  Speaker 6: last in the series, which is pretty funny. So, yeah,
• 5:46
  Speaker 6: we built the whole thing around that one, so we
• 5:48
  Speaker 6: had our take on that. Basically, Final Destination 5, kind
• 5:53
  Speaker 6: of like that.
• 5:55
  Speaker 1: I mean, really... Can you expect anything else?
• 5:58
  Speaker 2: It's really just new ways for people to accidentally die.
• 6:01
  Speaker 6: That's what, I mean, that's what it is. And I've
• 6:03
  Speaker 6: said that, like, with the fourth one. I was like,
• 6:06
  Speaker 6: is it ridiculous?
• 6:07
  Speaker 1: Yes. Is it a lot of fun? Yeah, it is actually.
• 6:11
  Speaker 6: I'm like, especially now that they've totally, like, embraced the
• 6:14
  Speaker 6: 3D nonsense. I mean, it's just like, although this one,
• 6:17
  Speaker 6: 3D wasn't as impressive, I have to say. Like, the
• 6:19
  Speaker 6: opening scene where they do the big.
• 6:21
  Speaker 1: Crazy thing, the 3D on that was pretty good. The
• 6:23
  Speaker 1: rest of the movie, eh. I could have not noticed
• 6:26
  Speaker 1: half the time.
• 6:27
  Speaker 6: At least in my take on it, I didn't see
• 6:32
  Speaker 6: it being that big a deal. Where the fourth one,
• 6:34
  Speaker 6: it was really kind of noticeable. I don't know if
• 6:37
  Speaker 6: I go completely as to say impressive, but it was
• 6:40
  Speaker 6: definitely worth it, the fourth one being in 3D. Whereas
• 6:43
  Speaker 6: this one, it really could have been 2D, and I
• 6:46
  Speaker 6: don't think you would have lost anything, really.
• 6:47
  Speaker 1: 2 was the log truck, right? Two was, the opening
• 6:52
  Speaker 1: scene of two is awesome.
• 6:54
  Speaker 5: I remember that being just, I was kind of, and
• 6:57
  Speaker 5: you know, when thinking back on that, that scene, because
• 7:00
  Speaker 5: that scene really.
• 7:01
  Speaker 1: Kind of burned into me. Yeah.
• 7:04
  Speaker 5: I was impressed by it. That probably would have really
• 7:06
  Speaker 5: worked in 3D, that part of it.
• 7:09
  Speaker 6: Again, that's possibly the best sequence out of the entire
• 7:13
  Speaker 6: run of five movies. I mean, there's some fun stuff
• 7:16
  Speaker 6: in the first one, and they get really ridiculous in
• 7:18
  Speaker 6: the last few, but yeah, I mean, that first, again,
• 7:22
  Speaker 6: to be the silly movie that it is. That first
• 7:24
  Speaker 6: opening segment in the second Final Destination is really well
• 7:28
  Speaker 6: put together. Like, it is tense and gut-wrenching and gory
• 7:33
  Speaker 6: and just, yeah, it's really well put together.
• 7:35
  Speaker 1: That's probably my favorite scene out of all of them.
• 7:39
  Speaker 1: I did like the barbed wire. The barbed wire is fun.
• 7:44
  Speaker 1: That might have been the first one. I can't remember.
• 7:46
  Speaker 1: I thought it.
• 7:47
  Speaker 5: Was that crazy sequence where they have to rescue somebody
• 7:50
  Speaker 5: from the water and.
• 7:53
  Speaker 7: I don't remember.
• 7:53
  Speaker 1: There's too many. I remember the glass. Jason comes along.
• 7:56
  Speaker 1: The glass was in the second one, I think. I
• 7:58
  Speaker 1: don't know. The glass pane was pretty awesome. That was
• 8:02
  Speaker 1: pretty good.
• 8:03
  Speaker 6: So, yeah, five, it was fun. I mean, it was
• 8:07
  Speaker 6: almost worth what I paid. You know, 3D prices is
• 8:10
  Speaker 6: kind of ridiculous anyways. But it was a fun time.
• 8:13
  Speaker 6: I enjoyed it.
• 8:14
  Speaker 1: I'm not saying it was... They do... pull.
• 8:18
  Speaker 6: Something somewhere along the way that makes it interesting and
• 8:21
  Speaker 6: I will say that so it is if you're a
• 8:23
  Speaker 6: fan of the series it's worth seeing almost to see
• 8:27
  Speaker 6: how they make this one work because it does something
• 8:30
  Speaker 6: kind of interesting and I wouldn't say I don't know
• 8:33
  Speaker 6: I'll leave it at that because I don't want to
• 8:34
  Speaker 6: ruin it because I think it's really interesting the way
• 8:37
  Speaker 6: that they kind of work it in but it's yeah
• 8:40
  Speaker 6: it's worth seeing if you like that series if you
• 8:43
  Speaker 6: don't care about it I don't think this one's going
• 8:45
  Speaker 6: to win you over. It's not any more impressive than
• 8:49
  Speaker 6: 4 or any of the.
• 8:50
  Speaker 1: Rest of them. Again, I think the first one was
• 8:52
  Speaker 1: more interesting. It was new then. It was a new concept.
• 8:55
  Speaker 1: It was kind of.
• 8:56
  Speaker 6: Taking this cool, like, making death a character almost and
• 9:00
  Speaker 6: working it into something kind of cool, but by the
• 9:03
  Speaker 6: second one, you already sort of worn out the conventions
• 9:06
  Speaker 6: of it, so it just seems ridiculous now, which, that's okay,
• 9:10
  Speaker 6: as long as you know what you're going into. Other
• 9:12
  Speaker 6: than that, let's see. Last week, I ended up re-watching
• 9:17
  Speaker 6: some stuff, basically, and stuff that I knew very well,
• 9:20
  Speaker 6: but probably hadn't sat down and watched in quite a while.
• 9:24
  Speaker 1: And I'm glad I did.
• 9:26
  Speaker 6: I guess the big ones, the ones I realized by
• 9:28
  Speaker 6: the end of the night that I'm really glad I watched,
• 9:30
  Speaker 6: ended up watching Kill Bill Part 1 and Scream, the original.
• 9:36
  Speaker 1: And I was just... By the end of the night,
• 9:38
  Speaker 1: I was like, this is why I love movies. Like,
• 9:41
  Speaker 1: I'm watching.
• 9:42
  Speaker 6: both of these and i'm just like these are just
• 9:45
  Speaker 6: some of the best examples of why i'm a movie
• 9:47
  Speaker 6: geek midway into kill bill i was just.
• 9:49
  Speaker 1: Like holy shit like i forgot how awesome so.
• 9:53
  Speaker 6: Much of that is like there's just as for as
• 9:56
  Speaker 6: lengthy a movie as it is i'm like there's still
• 9:58
  Speaker 6: not a moment i don't want to be watching.
• 10:00
  Speaker 1: You know? I mean, it's still just, it's, oh man,
• 10:03
  Speaker 1: it's so good. Even the downtime when she goes to
• 10:08
  Speaker 1: get the sword forged. Yeah. That's one of maybe the
• 10:10
  Speaker 1: best parts of the movie.
• 10:12
  Speaker 6: I mean, there's several points where it slows down.
• 10:15
  Speaker 3: Right.
• 10:15
  Speaker 1: But it's never not interesting. And Tarantino doesn't always have that.
• 10:20
  Speaker 6: There's been a few times when I will fault him
• 10:22
  Speaker 6: for things getting slow and not being.
• 10:24
  Speaker 1: But that's not one of them. Like, that movie is
• 10:27
  Speaker 1: just so damned hypnotic. Like, you just... Oh, man. And
• 10:33
  Speaker 1: that last fight, that.
• 10:34
  Speaker 6: Huge, that last half of the movie fight, it's just amazing.
• 10:39
  Speaker 1: Yeah, that's fun. God, it is so much fun. So, yeah,
• 10:42
  Speaker 1: I'm just sitting there watching that going, this is why
• 10:44
  Speaker 1: I'm a movie geek.
• 10:45
  Speaker 6: This movie is exactly why. It's just so much fun
• 10:49
  Speaker 6: and so entertaining and so well put together. And then
• 10:53
  Speaker 6: I put in Scream.
• 10:54
  Speaker 1: And I'm just like, as much as we talked about
• 10:56
  Speaker 1: the whole series when we watched four, Greg.
• 10:58
  Speaker 5: Yep.
• 10:59
  Speaker 6: We ended up talking about how impressive we thought it was.
• 11:01
  Speaker 6: But again, I hadn't gone back and watched the first
• 11:03
  Speaker 6: one when I went. I watched, I think, three, or
• 11:06
  Speaker 6: I watched a couple of the ones before that, right
• 11:08
  Speaker 6: before I watched four. But I hadn't watched the first
• 11:10
  Speaker 6: one in years. And everything we said, like, holds true. Like,
• 11:14
  Speaker 6: it is so well-structured as a movie, as a horror film.
• 11:19
  Speaker 6: And I forgot just how, again, to use the term
• 11:22
  Speaker 6: they used a lot in the.
• 11:23
  Speaker 1: Fourth one, how meta it was. Because.
• 11:27
  Speaker 6: On the one hand, it's making fun of him, which
• 11:29
  Speaker 6: I knew that. I remembered it's like, it is a
• 11:31
  Speaker 6: horror movie, but it's making fun of.
• 11:32
  Speaker 1: A horror movie.
• 11:32
  Speaker 6: But at the same time, I forgot how many inside
• 11:36
  Speaker 6: jokes there are. I mean, like, really cheesy inside jokes. Like,
• 11:41
  Speaker 6: the janitor's wearing a Freddy sweater and hat, and.
• 11:44
  Speaker 1: He calls him Fred.
• 11:45
  Speaker 6: I mean, it's like, or like when she references, like,
• 11:51
  Speaker 6: the Nightmare on Elm Street movies in the Drew call.
• 11:55
  Speaker 6: I was just like, there's so many self-referential horror movie jokes.
• 12:00
  Speaker 6: You know, I'm just like, I forgot just how cheesy
• 12:02
  Speaker 6: some of that was.
• 12:04
  Speaker 1: But it is, like I mentioned. And yet it works.
• 12:06
  Speaker 1: It's not just, to me, one of the best horror movies.
• 12:11
  Speaker 5: Not because it's It doesn't even need to pay homage
• 12:14
  Speaker 5: to other horror movies.
• 12:16
  Speaker 1: It's just that good of a movie. Yeah, it really is.
• 12:18
  Speaker 1: If you took all of that out, all the references,
• 12:21
  Speaker 1: it's still that good of a movie.
• 12:22
  Speaker 7: Yeah, it's not, it doesn't seem like it's depending on
• 12:27
  Speaker 7: inside jokes or anything in any way. It's just tossing
• 12:31
  Speaker 7: them off as it goes.
• 12:32
  Speaker 1: Right. And it is like, again, that first scene is
• 12:36
  Speaker 1: so amazing. Like, I forgot. I mean, I knew that
• 12:38
  Speaker 1: part was good.
• 12:39
  Speaker 6: We even talked about how good that part, but watching
• 12:41
  Speaker 6: it again, I'm like, it's like its own mini movie.
• 12:44
  Speaker 1: You can just watch that scene and it's so well done.
• 12:47
  Speaker 5: And they, you know, when they marketed that, because I
• 12:51
  Speaker 5: remember seeing that in the theater and they marketed that
• 12:54
  Speaker 5: Drew Barrymore.
• 12:54
  Speaker 1: Was in all of the.
• 12:56
  Speaker 5: The build-up to it, and the press, you know, the
• 13:00
  Speaker 5: press junket was going around, and she was doing the interviews,
• 13:03
  Speaker 5: and then.
• 13:06
  Speaker 1: She's killed in the first scene. And you're like, they
• 13:08
  Speaker 1: can't do that. She's the star of this movie. Well,
• 13:10
  Speaker 1: you don't know that she gets killed in that first scene.
• 13:13
  Speaker 1: You shouldn't be listening to this show. Yeah. And it
• 13:17
  Speaker 1: doesn't ruin the movie. No. Not really. But she comes
• 13:19
  Speaker 1: back later. Right. But it just... As a zombie.
• 13:23
  Speaker 6: Right.
• 13:24
  Speaker 1: As a zombie. She's the killer. In Stab, in part two. Right.
• 13:28
  Speaker 5: But it just, I mean, you know, I just remember
• 13:31
  Speaker 5: sitting there in the theater thinking, what did they just do?
• 13:34
  Speaker 1: They can't do that.
• 13:35
  Speaker 6: Yeah. Yeah.
• 13:36
  Speaker 1: That's clever. That takes balls.
• 13:38
  Speaker 6: Yeah.
• 13:38
  Speaker 2: The worst part after watching that movie is being afraid
• 13:40
  Speaker 2: to use the restroom in the movie theater.
• 13:44
  Speaker 3: Right.
• 13:45
  Speaker 1: That's two. That's two.
• 13:46
  Speaker 2: Oh, is it two?
• 13:47
  Speaker 1: And be like through the door or through the wall. Yeah,
• 13:49
  Speaker 1: that's two. That's a beginning issue.
• 13:51
  Speaker 7: I think I made this before, but I went to
• 13:52
  Speaker 7: college with Earl.
• 13:54
  Speaker 8: Yeah yeah i think you're saying oh yeah oh that
• 13:57
  Speaker 8: for him like in that phase of his career he
• 13:59
  Speaker 8: was like in there's something about mary and scream and he's.
• 14:04
  Speaker 7: Like and i thought you know because to me hearing
• 14:06
  Speaker 7: about it it's wow he's doing great everything's going great
• 14:10
  Speaker 7: for him but then i hear him tell his side
• 14:12
  Speaker 7: of it and it's like you can't get any traction Because,
• 14:16
  Speaker 7: you know, his name doesn't stick to him. He was
• 14:21
  Speaker 7: in these great things, and he was happy to be
• 14:23
  Speaker 7: in them, but it didn't raise his profile, because he's
• 14:27
  Speaker 7: sort of invisible in everything.
• 14:29
  Speaker 1: He's just the character.
• 14:31
  Speaker 7: So, yeah, what sounded to me like everything's just rolling
• 14:34
  Speaker 7: along great for real, it's like for him it's.
• 14:37
  Speaker 1: Just a constant high-wire act trying to... I think that's
• 14:41
  Speaker 1: any character actor at this point.
• 14:43
  Speaker 6: If you don't have a project to attach to you,
• 14:46
  Speaker 6: if people don't put you with something, yeah, you just
• 14:49
  Speaker 6: fall into that. You probably get work, but yeah, you're
• 14:52
  Speaker 6: not going to be a star.
• 14:54
  Speaker 1: So that's probably it. So yeah, that was probably the
• 14:59
  Speaker 1: movie run there. Those three were the big ones I watched.
• 15:02
  Speaker 6: But I waited to finish out with this segment because
• 15:06
  Speaker 6: it will tie into yours, Marlena. Because this past weekend,
• 15:10
  Speaker 6: I went to the state fair in this fair state
• 15:14
  Speaker 6: of ours.
• 15:15
  Speaker 1: Commonwealth.
• 15:17
  Speaker 9: It's still a state.
• 15:20
  Speaker 1: There's 50 states. If it wasn't a state, there's only people.
• 15:22
  Speaker 2: But they get mad.
• 15:23
  Speaker 1: It's not a state.
• 15:24
  Speaker 5: It's a commonwealth.
• 15:25
  Speaker 1: That's stupid. Anyway. But they call it the state fair. Yeah,
• 15:29
  Speaker 1: it's a state fair. So, screw those guys. So, yeah.
• 15:33
  Speaker 1: Let's see. What, what. What did you eat that was fried?
• 15:37
  Speaker 6: Oh, that is one of the main reasons I had
• 15:40
  Speaker 6: to go. This year, definitely tying into the location, this
• 15:45
  Speaker 6: year they have decided to take it upon themselves to
• 15:48
  Speaker 6: deep fry derby pie.
• 15:50
  Speaker 2: I don't know why they haven't always done this.
• 15:52
  Speaker 1: I don't either. Because, yeah, it's a very specific tie-in and.
• 15:57
  Speaker 6: It probably seems like it's going to kill you, so
• 16:00
  Speaker 6: it seems like the perfect thing for the fair.
• 16:02
  Speaker 2: I just thought of something that's going to make me
• 16:03
  Speaker 2: a million dollars.
• 16:05
  Speaker 1: All right, go ahead.
• 16:05
  Speaker 2: Deep-fried bourbon balls.
• 16:07
  Speaker 1: They would sign up for that. Do you like the
• 16:09
  Speaker 1: deep-fried bourbon balls?
• 16:11
  Speaker 2: I'm undecided.
• 16:13
  Speaker 1: Damn it. I question that, too. Just say that you
• 16:16
  Speaker 1: like them and move on. Right.
• 16:19
  Speaker 6: Yeah, I think a lot of people would line up
• 16:21
  Speaker 6: for that. I was also, and somebody will steal this now,
• 16:23
  Speaker 6: but I don't care as long as I get one.
• 16:24
  Speaker 6: I was like, they started working, like even there, even
• 16:27
  Speaker 6: at the damn fair, they had a bacon sundae.
• 16:30
  Speaker 1: I was like, really? Come on. Bacon's everywhere.
• 16:32
  Speaker 2: It's like the thing.
• 16:33
  Speaker 6: But it made me think, like, in a not novelty way,
• 16:36
  Speaker 6: but I was like, why have they not wrapped a
• 16:38
  Speaker 6: hot dog in bacon, dipped it in batter, and made
• 16:40
  Speaker 6: a corn dog?
• 16:41
  Speaker 2: I think they have, actually.
• 16:42
  Speaker 1: Why am I not eating it? That's my question. Why
• 16:45
  Speaker 1: is it not in my mouth?
• 16:45
  Speaker 7: How are you?
• 16:47
  Speaker 1: Are you undecided on that, Brian? No, I am all
• 16:50
  Speaker 1: about that corn dog, let me tell you.
• 16:52
  Speaker 7: Kid I know ate one of the, like the... Donut burgers.
• 16:56
  Speaker 1: Yeah, they had those this year too.
• 16:57
  Speaker 6: If you guys at home aren't familiar, yeah, they've taken a,
• 17:00
  Speaker 6: I think we talked about it last year, they've taken
• 17:01
  Speaker 6: a hamburger and put it between two, not just donuts,
• 17:05
  Speaker 6: Krispy Kreme donuts as buns.
• 17:09
  Speaker 1: I did see at.
• 17:10
  Speaker 5: One point they had, and they've had it at other fairs,
• 17:12
  Speaker 5: but they've had deep fried butter.
• 17:14
  Speaker 2: They had that there.
• 17:16
  Speaker 1: That's just, that makes me want to gag.
• 17:18
  Speaker 6: Well, they also, at the same one where I got
• 17:21
  Speaker 6: the derby pie, they had deep fried Kool-Aid.
• 17:24
  Speaker 2: Yeah, that confuses me.
• 17:26
  Speaker 5: I don't, yeah, I was just, I don't know if
• 17:27
  Speaker 5: they deep fry the powder.
• 17:29
  Speaker 6: They use that, you know, funnel cake batter, I think,
• 17:33
  Speaker 6: don't they? See, my idea, and I really hope they
• 17:36
  Speaker 6: did this, it didn't look like they were, but I
• 17:38
  Speaker 6: was really hoping they just took the packet... The envelope
• 17:41
  Speaker 6: and dipped it in batter and then fried it.
• 17:45
  Speaker 1: And just handed it to you.
• 17:46
  Speaker 2: I mean, I'm sorry. I feel like deep fried Kool-Aid
• 17:50
  Speaker 2: is very racist. Is it just me? Is that racist?
• 17:54
  Speaker 1: I think that's just you. You think it's like deep
• 17:56
  Speaker 1: fried watermelon or something?
• 17:57
  Speaker 2: Exactly. I mean, that's extremely racist.
• 18:01
  Speaker 1: Hey, everybody can be unhealthy. Not just one race.
• 18:03
  Speaker 2: That's true.
• 18:04
  Speaker 1: We can all die early. Great Kool-Aid if it was racist. Yeah,
• 18:07
  Speaker 1: that's true. Great drink. Let's get that shit straight.
• 18:10
  Speaker 2: It probably was.
• 18:11
  Speaker 9: I don't know.
• 18:12
  Speaker 1: Yeah, it seemed like a weird idea. I stayed away
• 18:15
  Speaker 1: from the Kool-Aid. Yeah, the derby pie was just confusing.
• 18:19
  Speaker 6: It wasn't good? Well, it was confusing. That was my
• 18:22
  Speaker 6: take on it. I took a bite, and the whole
• 18:24
  Speaker 6: time I was just like, I'm.
• 18:27
  Speaker 2: Eating it.
• 18:29
  Speaker 6: I mean, because they also drizzle some sort of raspberry
• 18:32
  Speaker 6: topping on it. Well, that's the thing. The batter and
• 18:36
  Speaker 6: the raspberry kind of work together. So you get that
• 18:38
  Speaker 6: first layer of it that kind of works. And then
• 18:41
  Speaker 6: you get to the derby pie, and it just kind
• 18:43
  Speaker 6: of tastes like derby pie. So it's like you're almost
• 18:45
  Speaker 6: breaking it down each time trying to process these way
• 18:48
  Speaker 6: too many flavors crammed into one thing.
• 18:50
  Speaker 2: Yeah. I feel like they don't have very adequate shifts.
• 18:54
  Speaker 2: I mean, like, if... If you're making something, like, for instance,
• 18:58
  Speaker 2: yesterday I was making jambalaya, and it's like, well, we
• 19:01
  Speaker 2: need a side dish to go with this. So my
• 19:03
  Speaker 2: boyfriend made, like, collard greens or greens of some sort.
• 19:07
  Speaker 2: You know, that kind of makes sense. You know, like,
• 19:10
  Speaker 2: southern food with southern food, that makes sense. If we served, like,
• 19:14
  Speaker 2: mashed potatoes, that would have been weird.
• 19:16
  Speaker 1: No, I would totally eat some mashed potatoes. I can
• 19:19
  Speaker 1: eat mashed potatoes anytime.
• 19:21
  Speaker 7: What do mashed potatoes not go with?
• 19:24
  Speaker 2: Maybe that's a bad example.
• 19:25
  Speaker 1: Can we deep fry mashed potatoes?
• 19:27
  Speaker 6: Holy shit, where is that?
• 19:30
  Speaker 1: That's a tater tot. Damn it.
• 19:34
  Speaker 6: It's a different kind of batter, though.
• 19:36
  Speaker 2: You know what I'm saying? Actually, a french fry is
• 19:40
  Speaker 2: more like a mashed potato. It's mushy on the inside.
• 19:43
  Speaker 7: It's like when I make New Orleans-style dirty rice, and
• 19:47
  Speaker 7: my wife eats it with corn chips.
• 19:49
  Speaker 1: It's like you're not respecting the culture. Exactly. You're mixing
• 19:54
  Speaker 1: up cultures here. Wait a minute.
• 19:55
  Speaker 2: You don't serve curry with a burrito?
• 19:57
  Speaker 1: Yeah. You can. A curry burrito would be awesome. It's groundbreaking.
• 20:03
  Speaker 1: I'd do fried curry burrito and sense the genre.
• 20:07
  Speaker 2: The point is, certain flavors do not mix together. You
• 20:11
  Speaker 2: don't want to eat chocolate pudding and corn in one bite.
• 20:15
  Speaker 1: Can you deep fry them?
• 20:16
  Speaker 2: Yes, yes you can.
• 20:18
  Speaker 1: Deep fried pudding! Holy shit, we're onto something.
• 20:21
  Speaker 7: Deep fried toothpaste and deep fried orange juice.
• 20:25
  Speaker 1: Oh, that's trouble. That's the two flavors that don't go together. Yeah,
• 20:29
  Speaker 1: you don't mess with that.
• 20:31
  Speaker 7: But then some flavors have that reciprocity agreement, like they
• 20:34
  Speaker 7: make each flavor more Well, like orange and chocolate. You know,
• 20:41
  Speaker 7: they bounce off each other. But another one that does
• 20:44
  Speaker 7: that really nice is like almonds and bananas have some
• 20:51
  Speaker 7: sort of weird... No, wait, it's pistachios and bananas.
• 20:56
  Speaker 2: Yeah.
• 20:56
  Speaker 1: Yeah. Like, you take a bite of banana, it.
• 20:59
  Speaker 7: Tastes like a banana. The next bite, it forgets it's
• 21:02
  Speaker 7: a banana. You don't even notice. By the time you're
• 21:04
  Speaker 7: at the end of the banana, you don't know what
• 21:06
  Speaker 7: you're doing. You've forgotten what you're... But, you eat a
• 21:11
  Speaker 7: couple of pistachios, it tastes like a banana again.
• 21:14
  Speaker 1: It cleans your palate. It does something, yeah. You need
• 21:19
  Speaker 1: to test this theory out at home and see how
• 21:21
  Speaker 1: that goes. Let us know.
• 21:23
  Speaker 7: Yeah, that one, I discovered that in my lab. The
• 21:29
  Speaker 7: chocolate orange thing, everybody knows about that. That's in the literature.
• 21:33
  Speaker 7: But the banana passaccio.
• 21:35
  Speaker 1: That's a newfound discovery. Yeah. We're on the forefront of
• 21:38
  Speaker 1: food technology.
• 21:39
  Speaker 2: Amazing.
• 21:40
  Speaker 6: So let's see other than that yeah just wandered around
• 21:44
  Speaker 6: looked at the twinkling lights which was pretty entertaining.
• 21:46
  Speaker 2: By the way i went during the day that was
• 21:48
  Speaker 2: one thing that i did regret that we didn't stay
• 21:51
  Speaker 2: there till night time we went there around noon.
• 21:53
  Speaker 6: Well we went and it was the last day of
• 21:56
  Speaker 6: well it was the last weekend it was going on
• 21:58
  Speaker 6: and i guess everyone in the world decided they needed
• 22:01
  Speaker 6: to go that night i don't know but it was
• 22:03
  Speaker 6: like an hour of sitting in traffic not moving to
• 22:07
  Speaker 6: get in and then still didn't get in because it
• 22:10
  Speaker 6: wasn't moving gave up and went and like parked a
• 22:12
  Speaker 6: half a mile away and walked trying to get in
• 22:15
  Speaker 6: and still stood.
• 22:15
  Speaker 1: In line in the walk-in line I've never seen it
• 22:18
  Speaker 1: like that.
• 22:19
  Speaker 9: That was ridiculous.
• 22:20
  Speaker 1: I would have gone home. Yeah, but I wanted deep
• 22:22
  Speaker 1: fried derby pie. I was already there. I'm like, screw it, whatever.
• 22:26
  Speaker 5: I would have bought a fry daddy and a derby
• 22:28
  Speaker 5: pie and said we're going to do this show.
• 22:30
  Speaker 6: But then I would have missed out because I had
• 22:31
  Speaker 6: also heard tale that somewhere along the midway there was
• 22:35
  Speaker 6: a sideshow.
• 22:36
  Speaker 1: Oh, So this will be our... We can hand off
• 22:39
  Speaker 1: here in the middle here.
• 22:40
  Speaker 6: But we did get to go to the sideshow, and
• 22:42
  Speaker 6: I decided to wait and work that into this episode
• 22:45
  Speaker 6: because we saw a lot of two-headed things, which we'll
• 22:49
  Speaker 6: come back around later. So, yeah, what was your take
• 22:53
  Speaker 6: on the sideshow, Marlena?
• 22:55
  Speaker 2: Well, you know... Previous, they didn't have it last year
• 22:57
  Speaker 2: or the year before, but a few years ago, you know,
• 22:59
  Speaker 2: they had the supermodel with her head cut off, but
• 23:02
  Speaker 2: still living. And it was like a guy in scrubs.
• 23:04
  Speaker 1: That was awesome.
• 23:07
  Speaker 2: Not doing anything.
• 23:07
  Speaker 1: That was the best scam.
• 23:09
  Speaker 6: That was like an old school sideshow because you got
• 23:12
  Speaker 6: scammed and it was awesome.
• 23:14
  Speaker 2: And it was $ 2.
• 23:17
  Speaker 1: It was worth getting scammed.
• 23:18
  Speaker 2: Yeah.
• 23:19
  Speaker 1: So it wasn't anything?
• 23:21
  Speaker 6: It was a guy. Yeah, it was. First of all,
• 23:24
  Speaker 6: it was supposed to be a girl.
• 23:26
  Speaker 1: It was a guy. He had hairy arms. It was
• 23:28
  Speaker 1: a guy. Do you want a new sign?
• 23:30
  Speaker 6: And then it was some sort of mirrored thing where
• 23:33
  Speaker 6: you couldn't see his head. And it was very obvious
• 23:36
  Speaker 6: what it was. But I was just like, this is
• 23:38
  Speaker 6: an old school version of, you know, scamming you out
• 23:41
  Speaker 6: of two bucks. Which is, to me, equally as impressive.
• 23:44
  Speaker 6: If you can find a good way to scam people,
• 23:46
  Speaker 6: that's what the sideshow is built around.
• 23:48
  Speaker 1: And I love that stuff.
• 23:49
  Speaker 2: I expected that for this one.
• 23:51
  Speaker 1: Yeah, the PT Bonham. Yeah, I mean, that is what
• 23:54
  Speaker 1: he did. That is the way that he operated.
• 23:56
  Speaker 2: I appreciate a clever circus dupe. As much as I do.
• 24:00
  Speaker 1: Oh, yeah.
• 24:01
  Speaker 2: Like a real sideshow.
• 24:02
  Speaker 1: It's like a magic show.
• 24:03
  Speaker 7: Yeah.
• 24:04
  Speaker 6: Like the gorilla. You saw the gorilla one that year,
• 24:06
  Speaker 6: didn't you? The one where the gorilla escapes and goes crazy.
• 24:09
  Speaker 6: And it's like a robot. And it plays the same
• 24:13
  Speaker 6: recorded message over and over. And the gorilla is loose.
• 24:16
  Speaker 1: Oh, my God. Get out.
• 24:18
  Speaker 6: It's just like a mechanical thing in a gorilla suit.
• 24:21
  Speaker 6: coming at you it looks terrible it looks like it
• 24:24
  Speaker 6: was made in the 50s at best and is barely
• 24:27
  Speaker 6: functioning now and that kind of makes it even more awesome.
• 24:30
  Speaker 2: That's funny you expect that I was really surprised with
• 24:34
  Speaker 2: this one it was Legit, for the most part. There
• 24:37
  Speaker 2: was some taxidermy, which is to be expected, but.
• 24:39
  Speaker 6: But again, most of that was still... A lot of
• 24:42
  Speaker 6: the stuff... Well, there was also a lot of formaldehyde items.
• 24:45
  Speaker 2: Formaldehyde. Pickled things in jars.
• 24:47
  Speaker 1: But those were all real, too. Yeah.
• 24:48
  Speaker 6: Like, just about all those looked... Every once in a while,
• 24:50
  Speaker 6: there would be, like, a normal thing. Yeah.
• 24:52
  Speaker 1: Like, a cobra. Okay, that's just a snake. There's nothing
• 24:56
  Speaker 1: wrong with that one.
• 24:57
  Speaker 2: Those exist in the world.
• 24:58
  Speaker 1: Yeah, I'm pretty sure. It's not a big deal.
• 24:59
  Speaker 6: But there were ones that were, like, they were malformed
• 25:03
  Speaker 6: along the way. There was an elephant with one eye and, like,
• 25:06
  Speaker 6: a pig with two heads.
• 25:07
  Speaker 2: Well, actually, it wasn't an elephant with one eye. It
• 25:09
  Speaker 2: was a pig with an elongated snout.
• 25:12
  Speaker 6: But there was one that also had the, like, the
• 25:14
  Speaker 6: eye had, like, separated. And then there were several two-headed pigs.
• 25:18
  Speaker 2: My favorite was the.
• 25:21
  Speaker 2: The miniature horse. It was just a horse fetus. Of
• 25:24
  Speaker 2: course it's a miniature horse. It hasn't been born yet.
• 25:26
  Speaker 1: Right. Yeah, I do like the way they build these
• 25:29
  Speaker 1: things sometimes.
• 25:30
  Speaker 2: Yeah.
• 25:30
  Speaker 1: Or, like, how about the... What was the dwarf? The
• 25:34
  Speaker 1: remains of the dwarf? It was just like a... It
• 25:36
  Speaker 1: was a skeleton.
• 25:37
  Speaker 6: Yeah.
• 25:37
  Speaker 1: It was a normal-sized skeleton.
• 25:39
  Speaker 2: No, it was like skull, wasn't it?
• 25:40
  Speaker 1: It didn't even... That skull looked normal-sized. I was just like...
• 25:43
  Speaker 1: And the rest wasn't even put together. It was just
• 25:45
  Speaker 1: bones and, like, a normal-sized human skull. I was just like,
• 25:48
  Speaker 1: where is the... dwarf. This looks like a regular skull
• 25:52
  Speaker 1: you bought at the medical supply store.
• 25:55
  Speaker 6: So, again, some of the bad angle almost makes it
• 25:58
  Speaker 6: more awesome for me, but then they had real stuff,
• 26:01
  Speaker 6: like the living animals.
• 26:02
  Speaker 1: Yeah.
• 26:03
  Speaker 2: They had a living cow that had like a malformed, like,
• 26:07
  Speaker 2: undeveloped fetus, like, legs and stuff coming.
• 26:11
  Speaker 1: Out of its side. The back half of it was
• 26:13
  Speaker 1: coming out of its back, basically.
• 26:15
  Speaker 6: And it was alive and walking around and was behaving
• 26:18
  Speaker 6: like a normal cow.
• 26:19
  Speaker 1: It was kind of cool.
• 26:20
  Speaker 2: And then there was the four or five six-legged sheep.
• 26:23
  Speaker 2: I mean, was it four?
• 26:24
  Speaker 1: He was laying down. I couldn't see his extra leg.
• 26:26
  Speaker 1: He didn't want to get up.
• 26:27
  Speaker 2: He had like five or six legs.
• 26:29
  Speaker 1: He wouldn't get up. He's just tired. He has an
• 26:31
  Speaker 1: extra leg.
• 26:32
  Speaker 7: Hilarious.
• 26:32
  Speaker 6: But the guy taking care of them was actually really cool.
• 26:35
  Speaker 6: He went over and was petting them, and he was
• 26:36
  Speaker 6: talking about how long they'd been in the show. They
• 26:39
  Speaker 6: actually seemed like they took good care of them, which
• 26:41
  Speaker 6: was also really cool. They talked about the fact that
• 26:43
  Speaker 6: they don't normally go on this run. They actually have
• 26:46
  Speaker 6: a farm somewhere. Maybe this is all bullshit story, but...
• 26:50
  Speaker 6: It also seems like the guys sort of cared about
• 26:52
  Speaker 6: the animals.
• 26:53
  Speaker 2: Which was nice. Fine, we're taking your puppy to the farm!
• 26:55
  Speaker 10: The farm!
• 26:56
  Speaker 1: To run and play and romp and be free! So, yeah,
• 26:59
  Speaker 1: maybe it's that same farm, but... Yeah, I don't know.
• 27:03
  Speaker 1: I was thoroughly entertained with it.
• 27:05
  Speaker 2: I was very impressed. The chupacabra, it was just a
• 27:09
  Speaker 2: deer butt with googly eyes.
• 27:11
  Speaker 10: Nice.
• 27:12
  Speaker 1: I pointed that out as we were up there. I
• 27:13
  Speaker 1: was like, do you notice anything about the chupacabra over there?
• 27:17
  Speaker 6: Yeah.
• 27:18
  Speaker 1: They were like, yeah, I saw it. Shut up.
• 27:22
  Speaker 7: I saw a story somewhere where they found some sort
• 27:25
  Speaker 7: of chupacabra-like animal and it turned out to be like
• 27:29
  Speaker 7: A regular furry animal that had a disease.
• 27:31
  Speaker 1: Where all the fur was gone. So it looked... And
• 27:34
  Speaker 1: nobody could recognize it. It was just this freaky looking... Yeah,
• 27:36
  Speaker 1: it was like a fox or something like that that
• 27:38
  Speaker 1: had lost all its hair. With some sort of disease
• 27:41
  Speaker 1: or mange or something. Yeah, so that... I don't know.
• 27:46
  Speaker 1: Was there any other crazy stuff?
• 27:47
  Speaker 2: There was a two-headed turtle. There was a two-headed turtle.
• 27:49
  Speaker 1: That was cool. And it was alive.
• 27:52
  Speaker 2: It was swimming.
• 27:53
  Speaker 6: And that was the one I actually said this last night.
• 27:55
  Speaker 6: I was sitting there, and I was watching it swim,
• 27:57
  Speaker 6: and I was just like, yeah, there's your sibling for you.
• 28:00
  Speaker 6: How much would it suck to be joined at the
• 28:02
  Speaker 6: hip with your sibling? Everywhere this one tried to swim,
• 28:05
  Speaker 6: the other one would swim in the opposite fucking direction.
• 28:07
  Speaker 1: Yeah, yeah. And they were just fighting back and forth
• 28:10
  Speaker 1: every moment of the day.
• 28:11
  Speaker 2: When I saw the turtle, one of the turtle's heads
• 28:13
  Speaker 2: was underwater, and it was, like, fighting.
• 28:15
  Speaker 1: It was holding him down. The one underwater, it.
• 28:17
  Speaker 2: Wanted the other one to be underwater.
• 28:18
  Speaker 1: And then he started going, stop hitting yourself, stop hitting yourself.
• 28:21
  Speaker 2: Yeah, and then there was the turtle, it was, like,
• 28:24
  Speaker 2: conjoined shells. It was, like, a Siamese turtle.
• 28:26
  Speaker 6: Yeah, I think that was the one that was swimming
• 28:28
  Speaker 6: that was, like, trying to go opposite directions at the
• 28:30
  Speaker 6: same time.
• 28:31
  Speaker 1: Yeah. It was funny.
• 28:32
  Speaker 6: It just made me, yeah, I was like, yep, there's
• 28:34
  Speaker 6: your sibling. Always causing you trouble.
• 28:36
  Speaker 7: My mom claims that we're related to the Siamese twins
• 28:42
  Speaker 7: for whom Siamese twins are named, that they were actually Siamese.
• 28:47
  Speaker 7: The name comes from this one set of twins. And
• 28:50
  Speaker 7: this is why I had to investigate the John Carpenter story.
• 28:54
  Speaker 1: Another one of these stories. My mom tells these stories.
• 28:57
  Speaker 7: And that's one of them. Or related to the original
• 29:00
  Speaker 7: Siamese twins and Daniel Boone.
• 29:03
  Speaker 1: I am related to Pocahontas. Yeah? If you want to
• 29:07
  Speaker 1: believe what your family tells you growing up. Yeah. I'm
• 29:11
  Speaker 1: related to shit.
• 29:13
  Speaker 7: Oh, this is a movie one. I'm related to the
• 29:16
  Speaker 7: Miller brothers that rode with Jesse James. And I know
• 29:20
  Speaker 7: that one's true because I looked up pictures of them.
• 29:22
  Speaker 7: And Cleo Miller looks exactly like my uncle. Just exactly
• 29:27
  Speaker 7: like him.
• 29:28
  Speaker 1: That's weird.
• 29:29
  Speaker 7: Yeah, but in movies, they're portrayed as like the biggest douchebags.
• 29:35
  Speaker 1: They're like cowardly idiots. Like, one of them.
• 29:40
  Speaker 7: Was shot by Jesse James and the other was shot
• 29:42
  Speaker 7: by the Pinkertons. Nobody liked these guys.
• 29:45
  Speaker 1: Something to be proud of.
• 29:46
  Speaker 6: Yeah.
• 29:48
  Speaker 1: Oh, Lord. So, I don't know. I think that was
• 29:51
  Speaker 1: most of mine. Yeah, watching The Freaks.
• 29:54
  Speaker 6: Actually, the sad part is I just looked at the
• 29:57
  Speaker 6: fixtures around there, and I was so thrilled. They had
• 30:00
  Speaker 6: that whole cart where all the formaldehyde jars were on
• 30:03
  Speaker 6: that was painted up and said, like, Sideshow and Circus Freaks.
• 30:06
  Speaker 1: I was just like, I need the.
• 30:09
  Speaker 6: Decor of this place.
• 30:12
  Speaker 1: Did it look like your dining room? That's what I
• 30:14
  Speaker 1: was going to say.
• 30:14
  Speaker 6: I mean, the interior of my house is now decorated
• 30:17
  Speaker 6: in a light version of that, mostly because I can't
• 30:20
  Speaker 6: afford the super high-end stuff. But, yeah, I'm sitting there
• 30:22
  Speaker 6: looking around like I'm shopping for furniture, basically. I'm like, ooh,
• 30:27
  Speaker 6: I need that table to put my two-headed turtle on.
• 30:30
  Speaker 2: You know, you should actually, as part of the decor,
• 30:33
  Speaker 2: get jars and fill it with, like, You know those
• 30:35
  Speaker 2: grow animals?
• 30:37
  Speaker 1: No, I want to be legit. Sea monkeys.
• 30:42
  Speaker 6: I've got a Fiji mermaid dam and I want the
• 30:44
  Speaker 6: real stuff. I'm looking to invest in new sideshow attractions.
• 30:51
  Speaker 6: I just don't have the money at this point, but
• 30:53
  Speaker 6: I'm working on it.
• 30:53
  Speaker 1: You need to get an egress. I've got the sign.
• 30:57
  Speaker 1: I've got a sign.
• 30:58
  Speaker 6: And if you give me $ 10, I'll show you the egress.
• 31:01
  Speaker 6: I'll tell you all about the egress. You can make
• 31:03
  Speaker 6: use of the egress. But I have a sign pointing
• 31:07
  Speaker 6: you to my egress.
• 31:08
  Speaker 2: Funny story. I think this is why I initially... liked
• 31:13
  Speaker 2: him in the first place but my boyfriend the first
• 31:14
  Speaker 2: night we met he was like i'm really into doing
• 31:17
  Speaker 2: like old-time circus strongman stuff like bending nails and just
• 31:20
  Speaker 2: bending shit in general he's really obsessed with bending.
• 31:23
  Speaker 6: Stuff and i mean he must be so proud you
• 31:31
  Speaker 6: told that like you know he likes to butt things
• 31:33
  Speaker 6: with his head he must be so proud.
• 31:36
  Speaker 2: I mean i really am proud like He's going to
• 31:39
  Speaker 2: be on America's Got Talent.
• 31:41
  Speaker 3: Yeah.
• 31:41
  Speaker 1: I like to bend things.
• 31:43
  Speaker 2: He likes to bend things. And, I mean, I just
• 31:46
  Speaker 2: love that so much. I know that's just, like, a
• 31:48
  Speaker 2: silly thing, but.
• 31:49
  Speaker 1: The most endearing part. Yeah.
• 31:51
  Speaker 2: And he, like, he has these Indian clubs. You know, like,
• 31:54
  Speaker 2: he orders his equipment from this website. It's actually called oldtimestrongman.com.
• 31:59
  Speaker 1: Nice. They should sponsor us now.
• 32:03
  Speaker 2: And he has, like, Indian clubs and all this weird
• 32:06
  Speaker 2: stuff that no one has worked out with since, like, 1949.
• 32:09
  Speaker 1: Does he have a medicine ball?
• 32:10
  Speaker 2: Yeah.
• 32:12
  Speaker 1: That's so wrong.
• 32:17
  Speaker 2: I talked to Jay about this, and he said it
• 32:18
  Speaker 2: would need to be cast, but for Christmas, I want
• 32:20
  Speaker 2: to get him one of those globe weights. I think
• 32:22
  Speaker 2: that would be so cool.
• 32:23
  Speaker 1: Wow. That would be awesome.
• 32:25
  Speaker 5: Do we need to get him one of the old
• 32:27
  Speaker 5: Strongman one-piece leotards?
• 32:31
  Speaker 1: One strap.
• 32:32
  Speaker 2: We are actually talking about that today, and that's going
• 32:34
  Speaker 2: to be our Halloween costume. I'm going to be like
• 32:36
  Speaker 2: the elephant costume. Rider lady, you know, like with the
• 32:39
  Speaker 2: little feathers.
• 32:40
  Speaker 1: Like Reese Witherspoon? Like Reese Witherspoon.
• 32:43
  Speaker 2: It had my name in that movie, which is why
• 32:44
  Speaker 2: I was so passionate.
• 32:45
  Speaker 1: Well, there you go.
• 32:46
  Speaker 2: That was actually the movie we went and saw on
• 32:49
  Speaker 2: our first date. It may not have been that wonderful,
• 32:52
  Speaker 2: but it's very important and special to me.
• 32:57
  Speaker 1: I can get on board with that.
• 32:58
  Speaker 6: Yeah. So I guess we can parlay that into the
• 33:02
  Speaker 6: rest of your geek week. So what else have you
• 33:04
  Speaker 6: got going aside from the fair? Or if you have
• 33:06
  Speaker 6: other non-freak show related fair stories.
• 33:10
  Speaker 2: Probably, but I've watched a ton of movies. I'm not
• 33:13
  Speaker 2: going to talk about all of them, but I will
• 33:15
  Speaker 2: touch base on most of them at least. The first
• 33:19
  Speaker 2: movie I probably watched was Johnny Suede. I'd never seen it.
• 33:23
  Speaker 1: You just like his hair.
• 33:25
  Speaker 2: His hair was amazing. Um, But my friend Jessica and I,
• 33:29
  Speaker 2: we watched it, and it was just like the two
• 33:32
  Speaker 2: of us watching girl movies. I don't know. It could
• 33:35
  Speaker 2: have been like He's Just Not That Into You or something,
• 33:37
  Speaker 2: but we chose Johnny Suede and said, actually, we wanted
• 33:40
  Speaker 2: to watch He's Just Not That Into You, but it
• 33:41
  Speaker 2: wasn't on Netflix Instant Watch.
• 33:43
  Speaker 6: No lie.
• 33:44
  Speaker 1: Okay, it's not that good. That's all you. No, it's not.
• 33:47
  Speaker 2: But I feel ashamed for admitting that on air, but whatever.
• 33:52
  Speaker 1: Actually, I have a little respect now for the guy
• 33:55
  Speaker 1: who wrote the book.
• 33:56
  Speaker 6: Yeah. He's actually, he's like a comic and he wrote
• 34:00
  Speaker 6: that with like his friends. And again, it was just
• 34:02
  Speaker 6: sort of like a thing that they did. They were
• 34:03
  Speaker 6: just like, oh, okay, this might, you know, make some money.
• 34:05
  Speaker 6: I mean, he did it for very practical reasons. And
• 34:08
  Speaker 6: then they sold the script and he was just like,
• 34:11
  Speaker 6: I really don't care what you do. He's the first
• 34:13
  Speaker 6: one to go, God, this looks terrible.
• 34:15
  Speaker 1: Yeah.
• 34:16
  Speaker 6: I just, once I heard his take on how much
• 34:17
  Speaker 6: the movie looks like a normal watered down, cheesy, romantic comedy.
• 34:21
  Speaker 1: And he was like, I don't really care. They paid me.
• 34:24
  Speaker 1: I was like, that's kind of awesome.
• 34:26
  Speaker 2: I mean, it was a, it was a romantic comedy,
• 34:28
  Speaker 2: but it's, it's funny. I love the girl in it
• 34:30
  Speaker 2: that plays Gigi. I can't remember her name, but she
• 34:33
  Speaker 2: was in like Mona Lisa smile. And she was Johnny
• 34:36
  Speaker 2: Cash's wife.
• 34:37
  Speaker 5: And yeah, I kind of know who's a button, but
• 34:41
  Speaker 5: I can't remember her name.
• 34:42
  Speaker 2: And she's just, her character is hilarious. She's like a
• 34:45
  Speaker 2: psycho in that movie and it's adorable. But, um, anyway,
• 34:48
  Speaker 2: back to Johnny's weight. Um, It's strange, honestly. It reminds me,
• 34:53
  Speaker 2: there was like a Generation X type movies. I think
• 34:58
  Speaker 2: they were just trying to get a feel for like
• 35:01
  Speaker 2: independent movies.
• 35:02
  Speaker 1: Yeah.
• 35:02
  Speaker 2: They never made any fucking sense.
• 35:04
  Speaker 1: Not really, no.
• 35:05
  Speaker 2: Like the Doom Generation.
• 35:06
  Speaker 1: They're just trying to be cool. It's just like, they're just.
• 35:08
  Speaker 2: Trying to be weird and out there and you're just like,
• 35:10
  Speaker 2: this may not be cool.
• 35:11
  Speaker 6: Fucking sense we're different because we're indie yeah we don't
• 35:15
  Speaker 6: have to make sense.
• 35:16
  Speaker 2: That's that's what i felt it wasn't it had its
• 35:18
  Speaker 2: hilarious moments that we could relate to but i mean
• 35:21
  Speaker 2: overall the movie it just made no sense but brad
• 35:23
  Speaker 2: pitt was in his underwear most of the time yeah so.
• 35:25
  Speaker 1: I think that's kind of what sold it at the
• 35:27
  Speaker 1: time his crazy hair and underwear.
• 35:29
  Speaker 2: Yeah and nick cave was in.
• 35:31
  Speaker 6: It i barely yeah i i kind of remember being
• 35:34
  Speaker 6: on cable like in the 90s and sort of seeing
• 35:37
  Speaker 6: it but not even enough to make sense of it
• 35:39
  Speaker 6: either so i.
• 35:40
  Speaker 1: Don't even remember what plot they were trying to go for.
• 35:44
  Speaker 2: It was just one of those weird Generation X movies
• 35:46
  Speaker 2: that really have no plot.
• 35:47
  Speaker 6: Yeah.
• 35:48
  Speaker 2: Like, it just doesn't make a whole lot of sense.
• 35:51
  Speaker 2: It's almost like, I never bothered to look it up,
• 35:54
  Speaker 2: but I wonder if the person who directed Doom Generation
• 35:56
  Speaker 2: is the same person that directed Johnny Suede, because they
• 35:59
  Speaker 2: feel very similar in their fucking nonsensical bullshit way.
• 36:03
  Speaker 6: While you continue on, I'll double check. Okay.
• 36:07
  Speaker 2: I also watched Bunny and the Bull. It was directed
• 36:12
  Speaker 2: by the same people that directed Mighty Boosh. And it was,
• 36:17
  Speaker 2: I thought it was hilarious and awesome. It was interesting.
• 36:22
  Speaker 2: It's like this guy who had gone crazy. He's kind
• 36:25
  Speaker 2: of reliving a road trip that he and his best
• 36:28
  Speaker 2: friend had taken like a year before. And it's like surreal.
• 36:32
  Speaker 2: And I mean, he's like imagining it. So the scenery
• 36:35
  Speaker 2: isn't real scenery. It's like paper cut you know like
• 36:38
  Speaker 2: made out of paper and.
• 36:39
  Speaker 6: Like it can be cool if you can find the
• 36:41
  Speaker 6: right way to work with that it.
• 36:43
  Speaker 2: Worked really well and i thought it was a great
• 36:44
  Speaker 2: movie i mean it ended very sadly i mean it
• 36:47
  Speaker 2: had a happy ending but i mean the point of
• 36:49
  Speaker 2: the movie was very sad once you get to the
• 36:51
  Speaker 2: end of it but it was funny and like engaging
• 36:53
  Speaker 2: and i really enjoyed it um i also watched i
• 36:56
  Speaker 2: have a list because i watched so many damn things
• 36:59
  Speaker 2: i watched young frankenstein last weekend awesome i've never seen
• 37:02
  Speaker 2: it before somehow i mean i started watching it and
• 37:06
  Speaker 2: falling asleep Not that it was bad, I was just
• 37:08
  Speaker 2: really tired. But it was hilarious. Like you were saying
• 37:13
  Speaker 2: once before in a previous episode... Mel Brooks really was
• 37:19
  Speaker 2: a comical genius.
• 37:21
  Speaker 1: In that era, he's phenomenal.
• 37:24
  Speaker 2: It's so subtle, too. You almost have to watch the
• 37:26
  Speaker 2: movie over and over to really get everything.
• 37:29
  Speaker 1: If you're not paying attention, it almost plays like an
• 37:32
  Speaker 1: old horror movie. He really knew.
• 37:34
  Speaker 6: Again, you look at all of his stuff at that era.
• 37:37
  Speaker 6: He knew his old horror movies when he did that.
• 37:39
  Speaker 6: You look at High Anxiety. He knew those Hitchcock movies.
• 37:42
  Speaker 6: He wasn't just half-assed throwing together some skits. He knew
• 37:47
  Speaker 6: those movies and he was so subtle about the humor,
• 37:50
  Speaker 6: especially like Blazing Saddles.
• 37:51
  Speaker 1: It's like you watch that and the jokes aren't jokes.
• 37:55
  Speaker 6: They're just sort of references to the genre and like
• 37:59
  Speaker 6: playing on the conventions of Westerns.
• 38:01
  Speaker 1: And he's just so well versed in film, especially at
• 38:04
  Speaker 1: that point. He got kind of off his, you know.
• 38:07
  Speaker 1: Half later on, but at that point, he was, yeah, genius.
• 38:11
  Speaker 2: I think the difference between those movies and the difference between, like,
• 38:14
  Speaker 2: what we have, I mean, it's not even equivalent because
• 38:17
  Speaker 2: it doesn't compare, but, you know, like, what they try
• 38:19
  Speaker 2: to do with scary movies, the humor of that is
• 38:22
  Speaker 2: only based on your knowledge of pop culture. You know,
• 38:26
  Speaker 2: it's like scenes where they're ripping off other movies. If
• 38:28
  Speaker 2: you've never seen that movie, it's not funny to you,
• 38:30
  Speaker 2: and it doesn't make any sense. This was, like, if
• 38:33
  Speaker 2: you've never seen... Bride of Frankenstein, if you've never seen
• 38:36
  Speaker 2: an old horror movie, it's funny independently of anything else.
• 38:40
  Speaker 1: It's original in the way that it's funny.
• 38:42
  Speaker 6: It's still playing on the genre, but it's not ripping
• 38:47
  Speaker 6: off individual scenes.
• 38:49
  Speaker 1: Even if you've never seen Frankenstein, it still plays.
• 38:52
  Speaker 5: Plus the characters in it, the actors that they use
• 38:56
  Speaker 5: in it, are all great actors.
• 38:59
  Speaker 2: Gene Wilder is amazing. Gilda Radner is amazing.
• 39:03
  Speaker 1: Marty... Feldman.
• 39:04
  Speaker 6: Feldman.
• 39:05
  Speaker 1: Peter Boyle. Peter Boyle.
• 39:07
  Speaker 2: Yeah, I mean, they're all just like.
• 39:08
  Speaker 1: What a cat. Terry Garr. Terry Garr. She's not really...
• 39:11
  Speaker 1: I mean, it's funny. She got more boring as her
• 39:13
  Speaker 1: career went on, but you go back and watch her
• 39:15
  Speaker 1: in that, she's really good.
• 39:16
  Speaker 2: She was so funny.
• 39:17
  Speaker 1: She's really good. She really had something to her. Yeah.
• 39:21
  Speaker 2: It was awesome. I enjoyed it. I feel very guilty
• 39:25
  Speaker 2: for falling asleep the first time I watched it.
• 39:27
  Speaker 1: A couple.
• 39:30
  Speaker 2: I probably should admit this. A couple of days ago,
• 39:33
  Speaker 2: my best friend Jessica and I, we watched Rest Stop.
• 39:38
  Speaker 2: First few minutes of it, we realized this was bad.
• 39:40
  Speaker 2: So we conjured, we, okay, you know, it's Sunday. There's
• 39:45
  Speaker 2: like a discount movie theater there's like a group of
• 39:48
  Speaker 2: teenagers you know that get hauled in on a bus
• 39:52
  Speaker 2: they're very loud and boisterous about the event taking place
• 39:55
  Speaker 2: in the movie we decided to act like those teenagers
• 39:59
  Speaker 2: so every five seconds we're like oh hell bitch hell
• 40:02
  Speaker 2: but you're gonna die you best get out of there
• 40:04
  Speaker 2: you're being stupid when you're in a theater no we're
• 40:08
  Speaker 2: in her um.
• 40:10
  Speaker 6: I'm not sure which is worse, actually, but at least
• 40:12
  Speaker 6: in her living room, you're not annoying anyone else.
• 40:14
  Speaker 2: It made the movie so fucking funny.
• 40:18
  Speaker 1: It's like obnoxious mysteries. Yeah, you made a Misty 3K-ed
• 40:22
  Speaker 1: your own movie.
• 40:23
  Speaker 2: Yeah, we did. And Joey Lawrence was in the movie,
• 40:26
  Speaker 2: and we're like, oh, hey, that's Joey Lawrence.
• 40:29
  Speaker 1: Whoa. All bets are off now.
• 40:33
  Speaker 6: Joey Lawrence is in this movie.
• 40:37
  Speaker 2: It was a horrible movie. But, I mean, we made
• 40:40
  Speaker 2: it fun. I also watched the movie Peacock.
• 40:45
  Speaker 1: I'm not sure if I'm familiar with this.
• 40:46
  Speaker 3: You are.
• 40:47
  Speaker 2: It has Cillian Murphy in it.
• 40:49
  Speaker 1: Oh, is that the one where he.
• 40:52
  Speaker 6: That trailer looked awesome.
• 40:54
  Speaker 1: Was it good? It was a good movie. Spoiler alert.
• 40:56
  Speaker 2: Here's my problem with the movie. And actually, it's not
• 40:59
  Speaker 2: like you have to figure it out. It's the premise
• 41:01
  Speaker 2: of the movie.
• 41:01
  Speaker 1: If you watch the trailer, it shows you what's going on.
• 41:04
  Speaker 2: He has split personality disorder and he is his own wife.
• 41:09
  Speaker 1: And is in drag.
• 41:10
  Speaker 2: Yeah.
• 41:10
  Speaker 1: In a small town in, what, the 50s? 60s.
• 41:13
  Speaker 6: 60s, when, you know, even now it wouldn't be taken
• 41:18
  Speaker 6: well by most people, but.
• 41:19
  Speaker 1: In the 60s, yeah.
• 41:21
  Speaker 2: Cillian Murphy has played a woman in a lot of roles,
• 41:23
  Speaker 2: or a cross-dresser, or what have you. He's a very
• 41:28
  Speaker 2: beautiful man, and he makes an equally beautiful woman. But
• 41:31
  Speaker 2: Cillian Murphy as a man, Cillian Murphy as a woman,
• 41:34
  Speaker 2: are not that different looking. Why can't these fucking people
• 41:39
  Speaker 2: figure it out?
• 41:39
  Speaker 1: The neighbors are stupid, is what you're saying?
• 41:41
  Speaker 2: Yes, yes. I guess, honestly, people just, maybe it was
• 41:45
  Speaker 2: the time. And, I mean, he does look a little
• 41:48
  Speaker 2: bit different. I mean, he made a beautiful woman in
• 41:50
  Speaker 2: that movie. And he was kind of, like, rough and
• 41:52
  Speaker 2: greasy and, like, nervous all the time. So, but I
• 41:56
  Speaker 2: guess people just, it was never even... Maybe people noticed
• 41:59
  Speaker 2: that they favored each other, but they never put those
• 42:02
  Speaker 2: two things together.
• 42:03
  Speaker 6: I mean, if they were supposed to be family, you know,
• 42:05
  Speaker 6: if it was his sister he lived with.
• 42:07
  Speaker 1: Well, that's what I'm saying.
• 42:08
  Speaker 6: If it was his sister, it would make sense. But
• 42:10
  Speaker 6: the fact that, why would you marry a girl who
• 42:12
  Speaker 6: looks just like you? That's creepy.
• 42:14
  Speaker 1: They say people start to look like parents. They do,
• 42:16
  Speaker 1: but he's still pretty young.
• 42:18
  Speaker 2: And here's the thing, especially for the time period. People
• 42:21
  Speaker 2: tend to ignore details about things that they can't process
• 42:25
  Speaker 2: or understand. So that's the only thing I can think of.
• 42:27
  Speaker 2: But I'm watching this movie thinking, like, why can't these
• 42:30
  Speaker 2: people figure out that they look exactly the same?
• 42:32
  Speaker 1: Well, I don't know.
• 42:33
  Speaker 7: I had a neighbor who was, like, transgendered, and I
• 42:36
  Speaker 7: thought it was two.
• 42:37
  Speaker 1: People living there.
• 42:38
  Speaker 7: Well, actually, there were three people living there, but I
• 42:40
  Speaker 7: thought Robbie was, like, a young woman and maybe her mom. Because, like,
• 42:48
  Speaker 7: on days when he, she was, like, done up and, like,
• 42:53
  Speaker 7: shaved and.
• 42:54
  Speaker 1: Stuff, Robbie looked good. He was, like, really kind of cute.
• 43:01
  Speaker 7: And then other days, I would see, like, this platinum
• 43:06
  Speaker 7: blonde haggard looking woman sitting out there, and I thought
• 43:09
  Speaker 7: it was the mom. They look alike, but something's different.
• 43:15
  Speaker 7: And then, you know, I come to find out that, well,
• 43:17
  Speaker 7: and then there were two guys living there. One looked
• 43:20
  Speaker 7: a lot like the kid in hair. What was his name?
• 43:23
  Speaker 1: Savage.
• 43:24
  Speaker 7: John Savage.
• 43:25
  Speaker 1: It's been so long, yeah. Yeah.
• 43:27
  Speaker 7: He was like the kid in hair. He looked almost
• 43:30
  Speaker 7: exactly like him except for the nipple rings he had.
• 43:34
  Speaker 7: He was always out gardening, and he had the nipple rings.
• 43:36
  Speaker 7: And the other one was like a cop.
• 43:38
  Speaker 10: Hmm.
• 43:40
  Speaker 7: And had sort of an old-fashioned mustache. So he's the
• 43:44
  Speaker 7: cop from The Village People?
• 43:45
  Speaker 1: Sort of.
• 43:47
  Speaker 2: Sort of.
• 43:48
  Speaker 1: It was all the same person.
• 43:49
  Speaker 7: And then somebody told me he was in home incarceration.
• 43:52
  Speaker 7: He was the head of home incarceration. But then I
• 43:54
  Speaker 7: swear I saw him sometimes working in a Kroger deli, too.
• 43:58
  Speaker 7: But they were really sweet people. When my daughter was born,
• 44:03
  Speaker 7: and I always felt bad because they took such pride
• 44:06
  Speaker 7: in their yard, their little garden out front. Because, you know,
• 44:10
  Speaker 7: the kid from Hair was always out there with his
• 44:13
  Speaker 7: nipple rings doing the gardening. But then my daughter was born,
• 44:18
  Speaker 7: and I didn't even mow or weed or anything.
• 44:22
  Speaker 1: Because we were just trying to take care of a baby.
• 44:25
  Speaker 1: It's like, holy crap, we have a baby. And sleep
• 44:29
  Speaker 1: when we could.
• 44:30
  Speaker 7: And we'd try to trade off, but both of.
• 44:32
  Speaker 1: Us would get up. And they came over and did
• 44:36
  Speaker 1: our yard for us.
• 44:37
  Speaker 2: Oh, shit.
• 44:38
  Speaker 7: And Robbie left, like, this little stuffed gorilla and a
• 44:42
  Speaker 7: note on her doorstep.
• 44:43
  Speaker 1: And Robbie was so sweet. And I heard this back story.
• 44:46
  Speaker 7: Robbie was, like, this local kid, a runaway, when he
• 44:50
  Speaker 7: was 14, that this family adopted. And he was being
• 44:53
  Speaker 7: transgendered and had just, like, awesome tits.
• 44:58
  Speaker 10: Really.
• 44:59
  Speaker 2: Nice.
• 44:59
  Speaker 1: Because, you know, she would.
• 45:01
  Speaker 7: Wear, like, this, like, thin halter.
• 45:04
  Speaker 1: We'd all show it off at that point.
• 45:06
  Speaker 6: Yeah.
• 45:07
  Speaker 7: And they still let Robbie perform in, like, the drag shows,
• 45:10
  Speaker 7: which usually, by the time you're transgender, no, you can't compete.
• 45:14
  Speaker 6: There's rules to this show.
• 45:16
  Speaker 1: You're cheating.
• 45:17
  Speaker 7: You're a woman at that point. You can't imitate a woman.
• 45:20
  Speaker 7: But everybody loved Robbie, and so Robbie, and.
• 45:23
  Speaker 1: This was like a local person. That's the name of
• 45:25
  Speaker 1: the movie. Everybody loved Robbie. Everybody loved Robbie. On Lifetime
• 45:28
  Speaker 1: this weekend.
• 45:30
  Speaker 7: But so in a way, that experience, I can kind
• 45:32
  Speaker 7: of understand, like, You know, it's ridiculous how Superman, you know,
• 45:36
  Speaker 7: he has the hair flocked and the glasses and people
• 45:40
  Speaker 7: don't know. But in a way, there's kind of a
• 45:42
  Speaker 7: lot of truth in that. I'm not sure exactly what
• 45:45
  Speaker 7: it is.
• 45:46
  Speaker 5: It's that people are so self-absorbed that they don't pay attention.
• 45:49
  Speaker 7: Yeah, people don't see things in a way.
• 45:54
  Speaker 1: And I wish I knew how to.
• 45:55
  Speaker 7: Exploit that for material gain, but it's true. I guess
• 45:59
  Speaker 7: the sideshow, you know.
• 46:00
  Speaker 1: There you go. There's the tie. There's somebody without a head.
• 46:04
  Speaker 7: Wait, I think I see a head now.
• 46:06
  Speaker 1: No, there's no head there. Just give me $ 2. Yeah,
• 46:09
  Speaker 1: they paid anyway. He's got hair on his arms. Maybe
• 46:12
  Speaker 1: that was Robbie sitting there. Could be. I didn't say
• 46:16
  Speaker 1: she looked bad.
• 46:16
  Speaker 7: Yeah, yesterday it was a headless woman, and today... I'm
• 46:20
  Speaker 7: not sure about that. It looked like Robin Williams' arms.
• 46:25
  Speaker 2: It did.
• 46:26
  Speaker 1: It did. Maybe it was Robin Williams.
• 46:29
  Speaker 2: It was. What else is it?
• 46:30
  Speaker 1: Maybe that's right. Special guest appearance by Robin Williams. You know,
• 46:34
  Speaker 1: Robin was really sweet. Those people were like awesome neighbors.
• 46:38
  Speaker 1: Very cool.
• 46:40
  Speaker 7: But you know how bad you feel when your neighbors
• 46:42
  Speaker 7: come over and do your yard?
• 46:44
  Speaker 11: Yeah.
• 46:45
  Speaker 1: Just make them feel like a slack ass.
• 46:47
  Speaker 6: Oh.
• 46:48
  Speaker 1: It's awful.
• 46:49
  Speaker 3: Yeah.
• 46:49
  Speaker 6: Oh, my.
• 46:51
  Speaker 2: I also watched Tangled, which I don't know why.
• 46:54
  Speaker 6: I almost wanted to. I saw it and just went
• 46:57
  Speaker 6: to the interview. I kind of want to just because
• 46:59
  Speaker 6: I've heard.
• 46:59
  Speaker 1: It's all right. It is.
• 47:01
  Speaker 2: It is very good. The reason I wanted to watch
• 47:03
  Speaker 2: it is because a few months ago, I saw a
• 47:05
  Speaker 2: few minutes of it at the gym, and it was, like,
• 47:09
  Speaker 2: it seemed really good. And I watched the whole thing,
• 47:11
  Speaker 2: and it was. You know, it's like when I was little, like,
• 47:14
  Speaker 2: I was... Kids tend to, like, attach themselves to one
• 47:17
  Speaker 2: movie that they have to watch over and over and over.
• 47:20
  Speaker 2: My movie was Beauty and the Beast. You know, like,
• 47:23
  Speaker 2: I still love that movie, but I was obsessed. I
• 47:26
  Speaker 2: had to watch it before I went to school and
• 47:28
  Speaker 2: when I came home and before I.
• 47:29
  Speaker 1: Went to bed.
• 47:31
  Speaker 2: For, like, three or four months I was like this. But,
• 47:35
  Speaker 2: you know, Disney movies since, like, Aladdin have kind of,
• 47:39
  Speaker 2: you know, they got out of the whole fairytale cartoon thing.
• 47:43
  Speaker 2: They've started, like, different branches. Pocahontas isn't really a fairy tale.
• 47:48
  Speaker 1: It's just kind of like a historical.
• 47:51
  Speaker 2: And inaccurate historical story.
• 47:54
  Speaker 1: Yeah, wait until you see Pocahontas 2. Not Disney. Flit
• 47:59
  Speaker 1: was a real character. Shut up.
• 48:02
  Speaker 2: You know, this, this is back to the fairytale thing,
• 48:04
  Speaker 2: which I was really happy about. You know, I missed
• 48:06
  Speaker 2: that about Disney. That was what Disney was about for me.
• 48:09
  Speaker 2: You know, Snow White, Beauty and the Beast, even The
• 48:12
  Speaker 2: Little Mermaid, you know, all these things are fairytales.
• 48:14
  Speaker 12: Yeah.
• 48:14
  Speaker 2: And I was like, I really enjoyed it and I'm
• 48:17
  Speaker 2: glad that they did another fairytale movie.
• 48:19
  Speaker 5: I'm pretty sure, is that John Lasseter that did Tangled
• 48:22
  Speaker 5: as well? From Pixar? I, I, I thought they brought
• 48:27
  Speaker 5: somebody from Pixar in to help. I think that's the
• 48:30
  Speaker 5: X factor. I mean, everything that they do is solid.
• 48:35
  Speaker 5: I'd have to look that up.
• 48:36
  Speaker 1: No, I want to see that.
• 48:39
  Speaker 5: Yeah, it's on Instant View, or actually we have it. Yeah,
• 48:43
  Speaker 5: my kids, the music's good in it. It's not Steal
• 48:47
  Speaker 5: Your Thunder, but the bar scene... with all.
• 48:49
  Speaker 1: Of the crooks.
• 48:50
  Speaker 2: It reminded me of the scene in Beauty and the Beast,
• 48:52
  Speaker 2: you know, where they're all singing in the bar. Not
• 48:54
  Speaker 2: that it copied off of it by any means, but like.
• 48:57
  Speaker 1: Just reminiscent at that point.
• 48:59
  Speaker 5: And these are all despicable characters, but they turn out,
• 49:03
  Speaker 5: you see all of their soft side of who they
• 49:05
  Speaker 5: really are.
• 49:06
  Speaker 1: It was a.
• 49:07
  Speaker 2: Really cute movie. It was definitely above and beyond what
• 49:10
  Speaker 2: most children's movies are nowadays.
• 49:12
  Speaker 1: I love a good children's movie.
• 49:14
  Speaker 7: I do like some When my kids, you know, I
• 49:17
  Speaker 7: used to see them a lot because my kids would watch.
• 49:20
  Speaker 1: And then I'd talk to other people and say, oh, yeah,
• 49:23
  Speaker 1: it's like that. They're just like, I don't really watch
• 49:25
  Speaker 1: kid movies. I'm like, why not? I don't have kids.
• 49:28
  Speaker 1: So what? That's all I watch. What are you talking about?
• 49:31
  Speaker 7: Like, for, you know, some years, like, the kids' movies
• 49:33
  Speaker 7: were the best movies out.
• 49:35
  Speaker 1: Well, once Pixar came around, it's true. Yeah. It's... They
• 49:39
  Speaker 1: are better than most movies out there.
• 49:42
  Speaker 2: Last Thursday, I went to see Cowboys and Aliens. That
• 49:47
  Speaker 2: got really bad reviews. I heard really bad, yeah. But, like,
• 49:51
  Speaker 2: I thought it was enjoyable. It wasn't amazing. It didn't
• 49:53
  Speaker 2: change my life.
• 49:54
  Speaker 1: Or my views on it. I mean, it is called
• 49:56
  Speaker 1: Cowboys and Aliens. I know.
• 49:58
  Speaker 2: But, you know, it's like it wasn't even as cheesy
• 50:00
  Speaker 2: as the title lended it to me.
• 50:02
  Speaker 1: And it's based on a comic series. So, I mean,
• 50:04
  Speaker 1: you should. I kind of know what you're getting yourself into.
• 50:06
  Speaker 2: I love Daniel Craig in it.
• 50:08
  Speaker 1: Yeah, me too.
• 50:09
  Speaker 7: Well, I just, I like him in almost everything he does.
• 50:12
  Speaker 2: He's awesome.
• 50:13
  Speaker 7: Best Bond ever.
• 50:15
  Speaker 3: Yeah.
• 50:16
  Speaker 1: He's the only Bond I can rely on. I totally
• 50:18
  Speaker 1: believe him as that guy. Right, right.
• 50:21
  Speaker 5: It's beyond just shtick. It's extremely cool, and yeah, he
• 50:26
  Speaker 5: could be this, you know.
• 50:27
  Speaker 2: I mean, this could really be what he does.
• 50:29
  Speaker 6: They've taken a different approach, though, to his benefit, I think,
• 50:34
  Speaker 6: because it his Bond came along post-Bourne. You know, the
• 50:38
  Speaker 6: Bourne series totally, like, killed the old cheesy James Bond.
• 50:43
  Speaker 6: You can't have that anymore.
• 50:44
  Speaker 1: There are better Bonds than Bond ever was.
• 50:46
  Speaker 6: Once you've seen, yeah, once Jason Bourne came around, you're
• 50:48
  Speaker 6: just like, what the fuck are we watching this old
• 50:50
  Speaker 6: weirdo in a tuxedo, you know? There's... throwing out one
• 50:54
  Speaker 6: liners you know and and do using goofy gadgets and
• 50:57
  Speaker 6: i mean it it seemed as stupid as it probably
• 51:00
  Speaker 6: really is and i just went back and watched one
• 51:02
  Speaker 6: recently and it really is cheesy i mean the old
• 51:05
  Speaker 6: ones are oh yeah and i loved them but i
• 51:08
  Speaker 6: loved them for that as a kid and they worked
• 51:10
  Speaker 6: as a kid but when i watch them now i'm
• 51:12
  Speaker 6: just like this is like a joke yeah So, yeah,
• 51:15
  Speaker 6: when the new one came around, they took that serious approach,
• 51:19
  Speaker 6: and it's trying to do it more like a real
• 51:21
  Speaker 6: action movie, yeah.
• 51:22
  Speaker 2: It's like Dragnet and James Bond. It's like, what's the difference?
• 51:25
  Speaker 2: So both equally, it's, like, ridiculous.
• 51:26
  Speaker 1: Pretty much, yeah.
• 51:28
  Speaker 2: But, I mean, I thought Cowboys and Aliens, it wasn't,
• 51:31
  Speaker 2: like I said, it didn't, like, move me spiritually or anything. But,
• 51:36
  Speaker 2: I mean, it was enjoyable. It was an enjoyable hour
• 51:38
  Speaker 2: and a half or whatever, however long it was.
• 51:39
  Speaker 1: Yeah.
• 51:42
  Speaker 5: I think the problem with it, and I've not seen it,
• 51:44
  Speaker 5: but I've heard a lot of people pen it, is
• 51:46
  Speaker 5: that everybody who you think should be a major player
• 51:51
  Speaker 5: in Hollywood produced it or wrote on it or directed
• 51:54
  Speaker 5: on it or did something was connected to it.
• 51:56
  Speaker 1: And it wasn't like, you know, Ron Howard.
• 51:59
  Speaker 5: Was involved and Spielberg was involved and when you've got
• 52:04
  Speaker 5: maybe it's too many cooks.
• 52:05
  Speaker 1: Involved or something like that but you think well if.
• 52:08
  Speaker 5: Everybody's putting their name on this it's got to be
• 52:10
  Speaker 5: good and it's got cowboys and it's got aliens.
• 52:12
  Speaker 6: Jon Favreau it should have well I mean Iron Man's
• 52:17
  Speaker 6: a great movie so it's like don't look at Iron
• 52:19
  Speaker 6: Man 2 but when you look at Iron Man he
• 52:21
  Speaker 6: knew how to structure an action movie and a fun
• 52:24
  Speaker 6: movie and yeah maybe everybody was expecting too much out
• 52:28
  Speaker 6: of it yeah.
• 52:29
  Speaker 1: Right I'm expecting too much out of it.
• 52:32
  Speaker 6: Right.
• 52:33
  Speaker 5: Well, then you will have a good, we'll just tell
• 52:35
  Speaker 5: you it sucks, and then it'll be great.
• 52:38
  Speaker 1: It'll balance it out, and then you'll like it for
• 52:39
  Speaker 1: what it is.
• 52:41
  Speaker 2: Sam Rockwell was in it, too, and he wasn't like,
• 52:43
  Speaker 2: he wasn't like the typical Sam Rockwell. He was like
• 52:45
  Speaker 2: this passive bartender, you know, it was kind of interesting.
• 52:50
  Speaker 2: He played it really well, I thought.
• 52:51
  Speaker 1: Interesting.
• 52:52
  Speaker 2: Um, I also watched Hobo with a Shotgun. Oh, Lord.
• 52:55
  Speaker 1: Yeah, I saw that, too. We've heard not so good
• 52:57
  Speaker 1: reviews on this show. What was your take?
• 53:00
  Speaker 2: Um, I'm with Misty in the loving Rutger Hauer thing.
• 53:05
  Speaker 1: She did not love him in that movie because she
• 53:07
  Speaker 1: was not thrilled with that movie. He was the bright
• 53:09
  Speaker 1: spot in it. Yeah, he was. That was damn sure.
• 53:11
  Speaker 6: He's the bright spot in just about anything.
• 53:13
  Speaker 2: I enjoyed it because it was so absurd and so campy.
• 53:17
  Speaker 2: It was depressing. I don't like violence towards children even
• 53:23
  Speaker 2: in movies. There was a lot of that. It was
• 53:25
  Speaker 2: just like.
• 53:27
  Speaker 2: Ostentatious displays of, like, gore and stuff like that, which
• 53:31
  Speaker 2: is what they were going for. So I think it
• 53:33
  Speaker 2: was exactly what they wanted it to be. It was, like,
• 53:36
  Speaker 2: entertaining and it was good. It's definitely a cult movie.
• 53:39
  Speaker 6: Yeah.
• 53:39
  Speaker 1: I thought it tried so hard. But they were trying more. Yeah.
• 53:43
  Speaker 1: You know, it, you know, it's like, hey, let's make
• 53:45
  Speaker 1: this bad and I'm going to compare it to Black Dynamite.
• 53:50
  Speaker 9: Okay.
• 53:51
  Speaker 1: Black Dynamite was perfectly well created.
• 53:55
  Speaker 5: You could, you know, it, funny, it was smart, it
• 53:58
  Speaker 5: knew what it was doing, it knew what it was
• 53:59
  Speaker 5: talking about, it had violence in the right place, it
• 54:01
  Speaker 5: had absurdities that, when they said it, it was funny
• 54:05
  Speaker 5: as hell.
• 54:05
  Speaker 1: Black Dynamite's amazing.
• 54:07
  Speaker 5: And I think that's, I mean, that's what they were
• 54:09
  Speaker 5: going for.
• 54:10
  Speaker 1: They were going like, ha ha, look.
• 54:12
  Speaker 5: How good we are, but it just fell short over
• 54:16
  Speaker 5: and over and over, and it tried to really push
• 54:18
  Speaker 5: that grotesque violence thing, and.
• 54:21
  Speaker 1: It just seems, to me, it seems stupid.
• 54:24
  Speaker 5: And I was, I was, I was, I was probably
• 54:27
  Speaker 5: expecting way too much out of it. And I was like,
• 54:30
  Speaker 5: all right, I'm going to sit down and watch it tonight.
• 54:32
  Speaker 5: And almost from the first scene, I was mad.
• 54:35
  Speaker 1: Yeah.
• 54:36
  Speaker 2: I mean, I liked it. I didn't love it. It
• 54:39
  Speaker 2: was definitely gratuitous. But, you know, honestly, like, the bad guy,
• 54:44
  Speaker 2: I think I would have loved this movie, and it's
• 54:47
  Speaker 2: past Dennis Hopper's time, but I feel like the bad
• 54:50
  Speaker 2: guy was a role that was written for Dennis Hopper.
• 54:52
  Speaker 1: It might have been. Hopper was the Drake that.
• 54:55
  Speaker 2: It would have made it a good movie. I just
• 54:59
  Speaker 2: didn't buy that guy.
• 55:00
  Speaker 7: I remember somebody saying years ago there was a period
• 55:02
  Speaker 7: of time when all the bad guys were Europeans or
• 55:05
  Speaker 7: Dennis Hopper.
• 55:07
  Speaker 1: That was a really good observation. That's the 90s action
• 55:12
  Speaker 1: movie through line.
• 55:15
  Speaker 7: Europeans or Dennis Hopper.
• 55:17
  Speaker 6: Speed.
• 55:17
  Speaker 5: Speed.
• 55:22
  Speaker 10: I don't know.
• 55:23
  Speaker 2: It was gratuitous, and, like, it made me feel a
• 55:25
  Speaker 2: little sick to my stomach and not so, like, it, yeah,
• 55:30
  Speaker 2: made me feel, like, sad about the world. But, I mean,
• 55:34
  Speaker 2: I thought it was, I thought it was, like, a cheesy,
• 55:36
  Speaker 2: campy movie. It was fun, you know?
• 55:38
  Speaker 1: Yeah, it might have just been my, I don't know.
• 55:41
  Speaker 1: And I've never, I've never.
• 55:42
  Speaker 2: Seen Black Dynamite, so I can't, like.
• 55:45
  Speaker 7: It depends on which one you see. There are a
• 55:47
  Speaker 7: lot of cats going around with that name.
• 55:50
  Speaker 1: Oh, black down, mate.
• 55:57
  Speaker 5: He goes, I told you suckers not to call me
• 56:01
  Speaker 5: when I'm doing my kung fu.
• 56:02
  Speaker 1: God damn, that movie's awesome. I mean, I've never seen it,
• 56:06
  Speaker 1: so I can't compare it to the... Again, you would
• 56:08
  Speaker 1: probably really like it, because it's... I mean, I'm sure
• 56:11
  Speaker 1: seeing that... If you like Hobo with a Shotgun, it
• 56:14
  Speaker 1: will be your favorite movie. Again, it goes right back
• 56:15
  Speaker 1: to the Mel Brooks thing I said earlier.
• 56:17
  Speaker 6: The reason that movie works, the reason Black Dynamite works
• 56:20
  Speaker 6: so well.
• 56:20
  Speaker 1: They know their material. They're not.
• 56:23
  Speaker 6: ripping off specific scenes from other blaxploitation they know blaxploitation
• 56:28
  Speaker 6: genre and they're so good at making fun of it
• 56:32
  Speaker 6: but doing it like knowingly like tastefully almost they're not
• 56:36
  Speaker 6: making fun of it like look how stupid this stuff
• 56:39
  Speaker 6: is they're looking you know they're doing it they're still
• 56:41
  Speaker 6: making a movie they're like lovingly you know it's like
• 56:44
  Speaker 6: we kind of like this whole genre so we're not
• 56:47
  Speaker 6: going to go that far we're not going to talk
• 56:49
  Speaker 6: about how terrible it is because we grew up loving
• 56:51
  Speaker 6: these movies so There's still, like, a love that they
• 56:54
  Speaker 6: had for those type of movies that comes through in
• 56:56
  Speaker 6: Black Dynamite, and yet they still are hilarious about making
• 56:59
  Speaker 6: fun of it. Right.
• 57:01
  Speaker 2: I think if I had seen Black Dynamite, it might
• 57:03
  Speaker 2: have altered my view on that a little bit.
• 57:06
  Speaker 1: It sets a bar.
• 57:07
  Speaker 7: Yeah.
• 57:08
  Speaker 1: It sets a standard that... Because it's bad, but it's
• 57:11
  Speaker 1: genius bad. Yeah, it is. Yeah.
• 57:14
  Speaker 2: And I saved the best for last. I've never watched
• 57:17
  Speaker 2: this before, and no one has directed me to watch it, because...
• 57:21
  Speaker 2: I mean, I guess no one just went on about
• 57:22
  Speaker 2: the awesomeness of this movie. I watched Harold and Maude
• 57:24
  Speaker 2: for the first time.
• 57:25
  Speaker 7: Oh, yeah.
• 57:26
  Speaker 2: The title doesn't sound like something you must watch. Like,
• 57:30
  Speaker 2: fucking watch Harold and Maude if you haven't watched it. But, like,
• 57:33
  Speaker 2: I mean, the title Harold and Maude, like, I just...
• 57:36
  Speaker 2: When I think Maude, I think, like, Bea Arthur. So
• 57:39
  Speaker 2: I'm like, I'm not that excited.
• 57:40
  Speaker 1: When I think Harold, I think Bea Arthur. It's like
• 57:42
  Speaker 1: all roads lead to Bea Arthur.
• 57:44
  Speaker 2: I just think of Bea Arthur.
• 57:46
  Speaker 1: It's an awkward old name. It's like, what is Bea
• 57:49
  Speaker 1: Arthur versus Bea Arthur? What is this movie? Battle of
• 57:53
  Speaker 1: the Bea Arthur. If Bea Arthur were still around, we
• 57:55
  Speaker 1: could remake Harold and Maude with two Bea Arthurs. It's
• 57:58
  Speaker 1: the thing with two heads of Bea Arthur. I don't
• 58:01
  Speaker 1: know what to expect here. Old lady death match. Yay!
• 58:06
  Speaker 2: Bea Arthur versus Betty White.
• 58:07
  Speaker 1: Ooh, Betty White would kick her ass.
• 58:09
  Speaker 4: I don't know.
• 58:09
  Speaker 2: Bea Arthur's just fucking stout.
• 58:10
  Speaker 6: She did seem like, yeah, she was old school.
• 58:12
  Speaker 5: I think Bea Arthur would be good at bending things.
• 58:17
  Speaker 6: She used to work out with that giant dumbbell. She
• 58:20
  Speaker 6: has one of those leopard leotards. She juggles medicine balls.
• 58:24
  Speaker 1: She is. And she likes it. She likes it. She
• 58:29
  Speaker 1: is hardcore. In the movie Meltdown, we make fun of
• 58:32
  Speaker 1: dead people. Sorry, Bea Arthur. Jay thought you were hot,
• 58:36
  Speaker 1: if that helps. Ew.
• 58:37
  Speaker 2: Are you joking?
• 58:39
  Speaker 1: Do you remember that?
• 58:40
  Speaker 6: No.
• 58:41
  Speaker 1: Anyway.
• 58:41
  Speaker 2: Are you ever confused with, like, Rue McClanahan?
• 58:43
  Speaker 1: We won't know.
• 58:44
  Speaker 5: McClanahan had it going on back in the 80s.
• 58:48
  Speaker 1: That's all you.
• 58:49
  Speaker 2: I mean, honestly.
• 58:50
  Speaker 1: Well, it's about that willingness. I guess. Oh, she was willing.
• 58:55
  Speaker 1: I guess.
• 58:56
  Speaker 2: I don't remember what we were watching the other day,
• 58:58
  Speaker 2: but Bobby argued with me that this person, this old
• 59:01
  Speaker 2: lady in a show, was on Golden Girls. And I
• 59:03
  Speaker 2: was like, no, she fucking was it. Estelle Getty, Rue McClanahan,
• 59:08
  Speaker 2: Bea Arthur, and Betty White.
• 59:09
  Speaker 6: Yeah.
• 59:10
  Speaker 2: And I was like, oh my God, I just named
• 59:12
  Speaker 2: the Golden Girls by their actual names.
• 59:15
  Speaker 1: Go hang your head in shame. I don't think any
• 59:17
  Speaker 1: of us could have. Yeah, I could have.
• 59:19
  Speaker 5: Can I trump you all? In high school, there was
• 59:23
  Speaker 5: a two-part episode. Of the Golden Girls when I was
• 59:26
  Speaker 5: in high school. I think it was my sophomore year.
• 59:28
  Speaker 5: It might have been towards the end of Golden Girls.
• 59:31
  Speaker 9: Oh, God.
• 59:32
  Speaker 5: A buddy of mine said, hey, you want to go
• 59:34
  Speaker 5: out and see a movie? I forget what movie was
• 59:35
  Speaker 5: coming out. And he goes, I was like, you know,
• 59:37
  Speaker 5: I think I'm going to stay home with my parents
• 59:39
  Speaker 5: and watch Golden Girls.
• 59:41
  Speaker 7: You know, Golden Girls is a good show, though.
• 59:43
  Speaker 1: It was a good show, but, you.
• 59:45
  Speaker 5: Know, a high school, 16-year-old high school kid should not.
• 59:49
  Speaker 1: Stay home with his parents. 16-year-old high school boy.
• 59:52
  Speaker 5: Yeah, eat into the casserole and watch the fucking Golden Girls.
• 59:56
  Speaker 1: Did you knit an afghan? Hey, it worked out for you.
• 59:59
  Speaker 2: You got married and had kids and stuff.
• 1:00:00
  Speaker 1: You're not all right.
• 1:00:05
  Speaker 5: If my wife knew about that, she probably would not
• 1:00:08
  Speaker 5: have married me.
• 1:00:09
  Speaker 1: I can't blame her.
• 1:00:14
  Speaker 7: I remember one night back when Louisville Mocho was a thing.
• 1:00:18
  Speaker 7: The biggest internet badass on there was this girl named
• 1:00:21
  Speaker 7: Akasha who lived out of town. But one night she
• 1:00:25
  Speaker 7: admitted she watched the Golden Girls every day.
• 1:00:28
  Speaker 1: Oh, my God. Every day.
• 1:00:29
  Speaker 2: I think my friend Ben dated her.
• 1:00:31
  Speaker 1: Oh, really? Yeah.
• 1:00:33
  Speaker 2: What was her name on there? Akasha. I wonder if
• 1:00:35
  Speaker 2: her real name was Natasha.
• 1:00:35
  Speaker 7: She did these, like, wicked photo shops, and she could
• 1:00:39
  Speaker 7: do them in minutes. In minutes, she could get into
• 1:00:43
  Speaker 7: somebody's profile on there, get their photos, and put them
• 1:00:47
  Speaker 7: somewhere doing something credibly.
• 1:00:49
  Speaker 1: Wow. I guess one of her own was kind of nice.
• 1:00:53
  Speaker 1: It was Bob Ross painting her.
• 1:00:56
  Speaker 7: That was really cute. The world of the internet. Yeah,
• 1:01:01
  Speaker 7: that was a good show. And, you know, little kids
• 1:01:04
  Speaker 7: like it, everybody.
• 1:01:05
  Speaker 6: I could never get into it. I hate to ruin
• 1:01:08
  Speaker 6: your high school fun days, but I don't know. Then
• 1:01:11
  Speaker 6: and now, I just, I like Betty White, but I just, yeah,
• 1:01:14
  Speaker 6: everybody loves it. It was just old ladies. I think
• 1:01:17
  Speaker 6: that was just what turned it off for me. As
• 1:01:19
  Speaker 6: much as I'm into hot old ladies, I just, something
• 1:01:22
  Speaker 6: about that just.
• 1:01:23
  Speaker 1: Did not click.
• 1:01:23
  Speaker 7: It wasn't even on when I was in high school.
• 1:01:25
  Speaker 7: That song was around then.
• 1:01:27
  Speaker 6: Yeah.
• 1:01:28
  Speaker 1: That song was always been around. I remember that.
• 1:01:31
  Speaker 2: I remember when I was little singing a song, but
• 1:01:34
  Speaker 2: I had no idea what a confet on was.
• 1:01:37
  Speaker 1: And most people still don't know. A confet.
• 1:01:40
  Speaker 2: Where they say confedon. And I'm like, grandma, what's a confedon?
• 1:01:44
  Speaker 2: She was like, I don't know.
• 1:01:46
  Speaker 1: Leave me alone, kid. Trying to make my tuna casserole.
• 1:01:50
  Speaker 1: That was my mom. No one in my family were confedon.
• 1:01:54
  Speaker 2: Are you joking?
• 1:01:55
  Speaker 5: I'm trying to order my pizza.
• 1:01:57
  Speaker 1: Get out of my face.
• 1:01:57
  Speaker 5: You went to Saturday evening last, had tuna casserole, and
• 1:02:01
  Speaker 5: watched the Golden Girls.
• 1:02:02
  Speaker 1: You know how to party. I went to bed by 10.30. Voluntarily.
• 1:02:09
  Speaker 1: I've got to get up early tomorrow.
• 1:02:12
  Speaker 7: You know, but the truth of like no matter how
• 1:02:14
  Speaker 7: wild you were in high school, and I was, still
• 1:02:19
  Speaker 7: 90% of your time.
• 1:02:21
  Speaker 1: Was like stupid little crap like that or waiting.
• 1:02:24
  Speaker 10: Right.
• 1:02:24
  Speaker 7: Just, you know, because you're horrible at making plans with friends,
• 1:02:28
  Speaker 7: so you spend like half your life just standing around waiting.
• 1:02:33
  Speaker 1: And then, you know... Those are the teenage years.
• 1:02:36
  Speaker 7: And then 12 minutes of something wild that you'll talk
• 1:02:39
  Speaker 7: about for the.
• 1:02:40
  Speaker 1: Rest of your life. That's true.
• 1:02:41
  Speaker 7: But then, the rest of it, then you're back to
• 1:02:43
  Speaker 7: watching the Golden Girls.
• 1:02:45
  Speaker 1: Party all the time.
• 1:02:49
  Speaker 7: And you've got to do a report on the agriculture
• 1:02:53
  Speaker 7: of Botswana or something, and you're up all night.
• 1:03:00
  Speaker 6: To follow up on your first entry... The director of
• 1:03:03
  Speaker 6: Johnny Suede is Tom DiCilio. That was his first movie.
• 1:03:08
  Speaker 6: He is super indie of the 90s. Actually, his second
• 1:03:12
  Speaker 6: one I really like and sort of have it tentatively
• 1:03:15
  Speaker 6: thrown out there for one of us to watch because
• 1:03:17
  Speaker 6: I bought it not that long ago. I don't know
• 1:03:19
  Speaker 6: if you've ever seen Living in Oblivion. I remember we
• 1:03:22
  Speaker 6: saw it back in the day at the theater. It's
• 1:03:25
  Speaker 6: very indie. It's freaking trying to be artsy indie. But
• 1:03:28
  Speaker 6: there's parts of it I really liked. He followed that
• 1:03:31
  Speaker 6: up with Box of Moonlight, which I remember the trailer.
• 1:03:34
  Speaker 6: It's a super, John Turturro, super indie movie. So yeah,
• 1:03:37
  Speaker 6: this guy was going for indie. And then some, a
• 1:03:40
  Speaker 6: few years later, does an episode of Law and Order
• 1:03:44
  Speaker 6: Special Victims.
• 1:03:45
  Speaker 1: Everybody does that. He changed, yeah. Then he's doing Monk series.
• 1:03:49
  Speaker 1: So yeah, he's, yeah. I'm going to tell you how
• 1:03:51
  Speaker 1: much I hate Monk. I hate Monk. All right.
• 1:03:55
  Speaker 5: Because I watch, I'm addicted to How I Met Your Mother.
• 1:03:58
  Speaker 5: The only time I can watch it is the 11.30
• 1:04:02
  Speaker 5: showing on the WB channel here or the UPN channel,
• 1:04:08
  Speaker 5: whatever it is around here.
• 1:04:10
  Speaker 1: Syndicated channel.
• 1:04:12
  Speaker 5: And damn it, if something happens with the schedule or
• 1:04:15
  Speaker 5: if there's been a game on or something, they'll not
• 1:04:18
  Speaker 5: show How I Met Your Mother and they'll put Monk on.
• 1:04:20
  Speaker 1: And I won't find out. I'm like, you know, I've
• 1:04:23
  Speaker 1: got to get up at 6. But I'm like, you know,
• 1:04:25
  Speaker 1: I really want to watch How I Met Your Mother tonight.
• 1:04:28
  Speaker 5: And so I stay up, and I'm all the way there,
• 1:04:31
  Speaker 5: which I don't mind because I'm staying up watching My
• 1:04:33
  Speaker 5: Name is Earl. And then, bam, 11.30 or whatever, Funkin'
• 1:04:36
  Speaker 5: Monk comes on, and I get shalooed by that asshole.
• 1:04:41
  Speaker 1: You get shalooed. I get shalooed. So, anyway. All right.
• 1:04:46
  Speaker 1: I hate Monk. Go watch some Monk. It's awesome. Anyway,
• 1:04:51
  Speaker 1: sorry to derail it. That was derailed anyway. I was talking.
• 1:04:55
  Speaker 2: About Harold and Maude, and then we talked about the
• 1:04:57
  Speaker 2: Golden Globes.
• 1:04:58
  Speaker 1: Now we need to make Harold and Monk. God help us.
• 1:05:03
  Speaker 2: Anyway, back to Harold and Maude, though.
• 1:05:04
  Speaker 1: Right.
• 1:05:05
  Speaker 2: It was, what, 1971? It was early. He was like.
• 1:05:11
  Speaker 2: The most goth kid I've ever known.
• 1:05:12
  Speaker 1: He was so pre-goth. And I brought some pretty goth kids.
• 1:05:14
  Speaker 10: Yeah.
• 1:05:15
  Speaker 1: It was amazing.
• 1:05:16
  Speaker 2: And I'm pretty sure.
• 1:05:17
  Speaker 7: Oh, that series of suicide attempts. I haven't seen that movie, like,
• 1:05:21
  Speaker 7: in a hundred years.
• 1:05:24
  Speaker 2: I'm pretty sure, and I hope this never happens to me,
• 1:05:26
  Speaker 2: that I never fall in love with, like, a 19-year-old
• 1:05:28
  Speaker 2: boy when I'm 80. I'm pretty sure I'm maud when
• 1:05:30
  Speaker 2: I'm older.
• 1:05:31
  Speaker 1: Yeah. You've seen your future, and you will be maud.
• 1:05:35
  Speaker 2: She's living in, like, a boxcar or some type of, like,
• 1:05:40
  Speaker 2: train of some sort. She doesn't have, she's just weird
• 1:05:43
  Speaker 2: and eccentric and like, I'm pretty sure that's me when
• 1:05:47
  Speaker 2: I'm older.
• 1:05:47
  Speaker 1: You just gotta get your ride. You gotta get that
• 1:05:49
  Speaker 1: bike going.
• 1:05:50
  Speaker 2: Well, she would just steal cars.
• 1:05:52
  Speaker 1: That'd be me.
• 1:05:53
  Speaker 5: I feel like, I feel like that was even shown
• 1:05:56
  Speaker 5: to me like, by, In school or something.
• 1:05:59
  Speaker 1: I watched it when I was young.
• 1:06:01
  Speaker 6: Again, we had cable and I watched whatever the hell
• 1:06:03
  Speaker 6: I wanted.
• 1:06:03
  Speaker 1: So I watched it when I was a kid and
• 1:06:05
  Speaker 1: I thought Harold was kind of cool. He had that
• 1:06:07
  Speaker 1: souped up hearse. That was fucking awesome. I thought Harold
• 1:06:12
  Speaker 1: was awesome.
• 1:06:14
  Speaker 5: That just seems like something like in grade school we
• 1:06:17
  Speaker 5: watched The Electric Grandma and then the next year we
• 1:06:22
  Speaker 5: watched Harold and Maude.
• 1:06:24
  Speaker 1: It all fit together. Did you ever see The Electric Grandma?
• 1:06:27
  Speaker 1: It's on Twilight Zone, isn't it?
• 1:06:29
  Speaker 2: Isn't it based on asking the body electric?
• 1:06:31
  Speaker 1: Yeah, I'm thinking of the episode as Twilight Zone. No,
• 1:06:34
  Speaker 1: this is about an hour. I don't know. I don't
• 1:06:36
  Speaker 1: know if it is. All I remember was we saw
• 1:06:38
  Speaker 1: it on Reel to Reel in school about.
• 1:06:40
  Speaker 5: A kid who their mother dies and they need someone.
• 1:06:45
  Speaker 1: To care for them.
• 1:06:46
  Speaker 2: I'm pretty sure it's based on asking the body electric.
• 1:06:48
  Speaker 5: Go to a store to buy an electric grandma. Well,
• 1:06:52
  Speaker 5: it was never presented to us as a Twilight Zone episode.
• 1:06:54
  Speaker 1: That's for sure. I know we saw it in grade
• 1:06:57
  Speaker 1: school on Reel to Reel, and I remember we saw it.
• 1:06:59
  Speaker 1: We couldn't wait for it to show again.
• 1:07:01
  Speaker 2: Yeah, that was based on Ray Bradbury.
• 1:07:04
  Speaker 1: Yeah, okay.
• 1:07:05
  Speaker 2: Which makes sense why they would show it to you.
• 1:07:07
  Speaker 1: Anyway, I keep getting you off the subject of Harold
• 1:07:09
  Speaker 1: and Maude.
• 1:07:10
  Speaker 5: But it just seems like something like a rite of
• 1:07:12
  Speaker 5: passage as a kid, you have to see this movie.
• 1:07:14
  Speaker 6: Yeah.
• 1:07:15
  Speaker 1: To me.
• 1:07:15
  Speaker 2: I feel like it should be. The thing I found
• 1:07:17
  Speaker 2: interesting about this, it's like a reverse Lolita movie.
• 1:07:20
  Speaker 1: It's a lot healthier, probably. Yeah, probably.
• 1:07:27
  Speaker 2: It's more voluntary, I think. But it's like, once I
• 1:07:32
  Speaker 2: got over the initial creeped out factor of them being
• 1:07:35
  Speaker 2: in love, it was one of the deepest, most touching
• 1:07:38
  Speaker 2: love stories.
• 1:07:39
  Speaker 1: It's a great love story. It is. It's very sweet.
• 1:07:42
  Speaker 2: Like, imagine. I mean, ever been captured on cinema, basically.
• 1:07:46
  Speaker 2: I don't know. It's just one of those movies that
• 1:07:48
  Speaker 2: you watch, and it's a comedy, and it I mean, it's... It's.
• 1:07:53
  Speaker 1: A dark comedy. I mean, he's very dark.
• 1:07:55
  Speaker 2: But, I mean, it is. It's a dark comedy. But
• 1:07:57
  Speaker 2: it's one of those movies that's very touching that, like,
• 1:08:00
  Speaker 2: changes you. You know, like, you watch a movie and it, like,
• 1:08:02
  Speaker 2: affected you very deeply and changes you somehow. And that
• 1:08:05
  Speaker 2: was definitely one of those movies. And it's just weird
• 1:08:08
  Speaker 2: to me that I'd never watched it before. Like I said,
• 1:08:10
  Speaker 2: the title didn't really sound that interesting to me, so
• 1:08:13
  Speaker 2: no one had ever explained to me what goes on
• 1:08:15
  Speaker 2: in the movie, so... I never felt compelled to watch it.
• 1:08:18
  Speaker 6: It's definitely built up a cult around it over the years,
• 1:08:20
  Speaker 6: and people really do.
• 1:08:21
  Speaker 1: Love that movie.
• 1:08:22
  Speaker 2: It was amazing.
• 1:08:24
  Speaker 1: It's a really good movie.
• 1:08:25
  Speaker 7: I think, though, in Lolita, the thing is, she just
• 1:08:28
  Speaker 7: doesn't really care about him at all.
• 1:08:31
  Speaker 1: She's very detached. Yeah.
• 1:08:34
  Speaker 2: She got to be Jennifer Aniston.
• 1:08:37
  Speaker 1: Oh, I want to tell the story about that.
• 1:08:39
  Speaker 7: There's a local guy who teaches literature here in town,
• 1:08:42
  Speaker 7: and some time ago in the Courier-Journal, he wrote this
• 1:08:45
  Speaker 7: little this little piece about how it was 50 years
• 1:08:48
  Speaker 7: since the publication of Lolita, and where.
• 1:08:51
  Speaker 1: Is Lolita now? He wonders, is she.
• 1:08:54
  Speaker 7: Out in the Midwest somewhere? Blah, blah, blah, 50 years later,
• 1:08:58
  Speaker 7: where is Lolita?
• 1:08:59
  Speaker 1: And I'm like, dude. she's fucking no i was like
• 1:09:01
  Speaker 1: did you watch did you read the did you read
• 1:09:03
  Speaker 1: the book did you watch the movie man she died
• 1:09:07
  Speaker 1: she died yeah it's.
• 1:09:10
  Speaker 7: In the movie this whole thing in the end of
• 1:09:12
  Speaker 7: the book i mean if you read the book it's
• 1:09:13
  Speaker 7: like It was a condition that the book could not
• 1:09:16
  Speaker 7: be published until, you know, can you imagine publishing something
• 1:09:21
  Speaker 7: like that when she was still alive? But I was
• 1:09:26
  Speaker 7: just so glad I wasn't that guy. That I hadn't written.
• 1:09:29
  Speaker 1: This, like, long, meandering.
• 1:09:32
  Speaker 7: Was he being, like, arty about it?
• 1:09:34
  Speaker 1: Like, the idea of Lolita? No, he was saying... The
• 1:09:38
  Speaker 1: character in the world of Lolita? He was wondering what
• 1:09:40
  Speaker 1: happened to her, like... Oh, Jesus. What an idiot. Yeah,
• 1:09:45
  Speaker 1: I know. But, yeah.
• 1:09:46
  Speaker 2: Did the baby die?
• 1:09:48
  Speaker 1: Or was it me? I assumed it did. I don't know.
• 1:09:53
  Speaker 2: Does that be interesting? I don't remember. It's been a
• 1:09:55
  Speaker 2: few years since I've read the book.
• 1:09:57
  Speaker 1: Sequel. Lolita 2. Even hotter. Even hotter.
• 1:10:03
  Speaker 5: The electric grandmother was adapted from Ray Bradbury and was
• 1:10:08
  Speaker 5: another version adapted from the Twilight Zone episode.
• 1:10:13
  Speaker 1: So they've done a different version?
• 1:10:15
  Speaker 5: This is Maureen Stapleton is the grandmother.
• 1:10:18
  Speaker 6: Because the one on Twilight Zone it's Veronica Cartwright was
• 1:10:21
  Speaker 6: the little kid.
• 1:10:22
  Speaker 1: The girl from Alien. Yeah. When she was little like No,
• 1:10:26
  Speaker 1: this was 82.
• 1:10:26
  Speaker 5: This certainly wasn't Veronica Carver.
• 1:10:28
  Speaker 1: No, definitely not. But no, she was, yeah, she was
• 1:10:31
  Speaker 1: the little girl that doesn't want anything to do with Grandma. Yeah, yeah, yeah,
• 1:10:34
  Speaker 1: that's okay. Yeah. So, yeah, this one, yeah, that was
• 1:10:38
  Speaker 1: just one of those memories that I can't get out.
• 1:10:41
  Speaker 1: It was just, it's there. It's part of, you know. Again,
• 1:10:44
  Speaker 1: a lot of those episodes did that for me.
• 1:10:46
  Speaker 6: When I think back, yeah, I was just, they burned
• 1:10:49
  Speaker 6: themselves into my memory what the twist of it all was.
• 1:10:52
  Speaker 2: What were they trying to get you to do? think
• 1:10:56
  Speaker 2: and was this some weird reverse Freudian psychology.
• 1:10:59
  Speaker 11: Like well it was a Catholic school okay first problem
• 1:11:03
  Speaker 11: uh I think more than anything is they probably usually
• 1:11:07
  Speaker 11: they acquired those films for cheap or free free is.
• 1:11:10
  Speaker 1: What they were looking for and they wanted to um
• 1:11:15
  Speaker 1: Keep us entertained for a while. I think that's pretty
• 1:11:18
  Speaker 1: much it. No, I don't think they showed us Harold
• 1:11:21
  Speaker 1: and Maud.
• 1:11:21
  Speaker 7: It just feels like they did.
• 1:11:23
  Speaker 1: They showed me some stuff that was inappropriate.
• 1:11:25
  Speaker 6: But again, especially as the years went on, they just
• 1:11:27
  Speaker 6: wanted an hour to be quiet. And for them to
• 1:11:30
  Speaker 6: do their stuff or to take a nap.
• 1:11:33
  Speaker 1: And that's what it was.
• 1:11:34
  Speaker 6: As we got older, as they did that in high school,
• 1:11:38
  Speaker 6: everybody just went to sleep. Teacher didn't care. They just
• 1:11:40
  Speaker 6: wanted an hour of peace. And that's all it was.
• 1:11:43
  Speaker 1: Yeah. So do whatever you want, kids. We don't really care.
• 1:11:46
  Speaker 1: So that's the teaching motto there.
• 1:11:50
  Speaker 2: Oh, and I went to a tractor pull last night.
• 1:11:53
  Speaker 1: Oh, Jesus.
• 1:11:54
  Speaker 2: And did you know that, like, I just thought a
• 1:11:58
  Speaker 2: tractor pull is something and that's all. There's like... A
• 1:12:01
  Speaker 2: method and a way to score it? It's like a sport.
• 1:12:04
  Speaker 1: Oh, yeah. Wait, does this qualify as a geek activity?
• 1:12:07
  Speaker 3: Um, no.
• 1:12:08
  Speaker 1: Redneck. Redneck activity. Chewing tobacco in their mouth?
• 1:12:12
  Speaker 5: No.
• 1:12:12
  Speaker 2: Yeah.
• 1:12:12
  Speaker 1: Yeah, there's got to.
• 1:12:13
  Speaker 7: Be some standard of geekiness there.
• 1:12:15
  Speaker 1: From her angle, it's geeky because she doesn't really fit.
• 1:12:18
  Speaker 6: So it's like a geek commenting on a redneck activity.
• 1:12:22
  Speaker 1: A geek about town. Yeah. We're doing a tie-in segment.
• 1:12:26
  Speaker 2: Actually, it is kind of geeky, but, um. Because I
• 1:12:28
  Speaker 2: was sitting next to Bobby and I was like, you're
• 1:12:30
  Speaker 2: going to have to explain to me the point of
• 1:12:33
  Speaker 2: this and how it's scored in scientific terms.
• 1:12:37
  Speaker 5: You know, it gets to a point because I've been,
• 1:12:39
  Speaker 5: my dad used to work with a guy that did
• 1:12:43
  Speaker 5: the grading at the National Farm Machinery Show. So he'd
• 1:12:46
  Speaker 5: go out and he'd regrade it in between rounds. And
• 1:12:51
  Speaker 5: so we got really good seats right up front.
• 1:12:54
  Speaker 1: And I was like, I'll go.
• 1:12:56
  Speaker 13: And it's good up to the point, and then they
• 1:12:59
  Speaker 13: have the unlimited where they can do whatever they want
• 1:13:02
  Speaker 13: to the machine, and it's got, like, literally got jet
• 1:13:05
  Speaker 13: engines on the back of it, and they have to
• 1:13:08
  Speaker 13: weigh them down so much that it.
• 1:13:09
  Speaker 1: Just becomes just stupid.
• 1:13:12
  Speaker 5: But when you see, like, the old traditional tractors and
• 1:13:14
  Speaker 5: they're pulling stuff, it can be a lot of fun.
• 1:13:18
  Speaker 1: If you say so. I thought it was fun.
• 1:13:20
  Speaker 2: It's like the tractors are, like, being really loud and stuff,
• 1:13:23
  Speaker 2: and it's just, like.
• 1:13:24
  Speaker 1: Yee-haw, I believe is my comment to that.
• 1:13:27
  Speaker 7: In my hometown, they had to combine the taffy pole
• 1:13:30
  Speaker 7: and the tractor pole, and they'd just tie a couple
• 1:13:32
  Speaker 7: of tractors together with taffy.
• 1:13:35
  Speaker 1: How did that work out?
• 1:13:36
  Speaker 2: In my town, they had to combine the tractor pole
• 1:13:38
  Speaker 2: with public execution.
• 1:13:39
  Speaker 1: They get four tractors. I'd rather see that. That'd be
• 1:13:45
  Speaker 1: way more awesome.
• 1:13:46
  Speaker 2: Oh, if only. If only.
• 1:13:49
  Speaker 1: All right. On that, I think we should wrap up
• 1:13:51
  Speaker 1: the Geek Weeks. Is that a full show? It might
• 1:13:54
  Speaker 1: as well be.
• 1:13:55
  Speaker 2: I'm sorry. I haven't been here in like two months.
• 1:13:58
  Speaker 2: I had a lot of stuff to go through.
• 1:14:00
  Speaker 1: All right. So with that, we will take a break
• 1:14:01
  Speaker 1: and be back with this week's movie. We'll get a
• 1:14:03
  Speaker 1: little bit more coffee.
• 1:14:04
  Speaker 7: Yeah, me too.
• 1:14:05
  Speaker 1: Might as well. Well, if you want to sing out,
• 1:14:08
  Speaker 1: sing out.
• 1:14:10
  Speaker 2: And if you want to be free, be free.
• 1:14:13
  Speaker 1: Cause there's a million things to be, you know that
• 1:14:17
  Speaker 1: there are. And if you want to live high, live high.
• 1:14:24
  Speaker 1: And if you want to live low, live low.
• 1:14:27
  Speaker 14: Cause there's a million ways to go.
• 1:14:31
  Speaker 10: You know that there are.
• 1:14:36
  Speaker 1: Golden, pure, creamery butter. Rich, flavorful, satisfying. That's what it
• 1:14:40
  Speaker 1: takes for the finest buttered popcorn, and that's what we use.
• 1:14:44
  Speaker 14: See for yourself why there's no showtime.
• 1:14:46
  Speaker 1: Treat to equal the crisp, delicious.
• 1:14:48
  Speaker 3: Flavor of hot popcorn that's bathed in real melted butter.
• 1:14:52
  Speaker 1: It's at the concession stand now.
• 1:14:54
  Speaker 10: Ladies and gentlemen, there are two movies being shown in
• 1:14:57
  Speaker 10: this area that we sincerely would like to warn you about.
• 1:15:01
  Speaker 10: The titles, The Gruesome Twosome and Something Weird. These are
• 1:15:07
  Speaker 10: without exception the bloodiest, goriest motion pictures ever produced. If
• 1:15:12
  Speaker 10: you are the least bit squeamish, do not attempt to
• 1:15:16
  Speaker 10: see them. We have told you about many horror movies
• 1:15:19
  Speaker 10: that you probably got a big kick out of, but
• 1:15:21
  Speaker 10: these are different. If you are at all impressionable, don't
• 1:15:26
  Speaker 10: see them. If you have an impressionable teenager, under no
• 1:15:30
  Speaker 10: circumstances let him or her see it. Absolutely no children
• 1:15:34
  Speaker 10: will be admitted. Both of these films are in color,
• 1:15:38
  Speaker 10: which even makes the horror more horrible. We are sincere
• 1:15:41
  Speaker 10: in warning you about these movies. The titles, again, are gruesome, twosome,
• 1:15:45
  Speaker 10: and something weird, and they are honestly the goriest films
• 1:15:49
  Speaker 10: ever produced. See them if you must. But we wanted
• 1:15:52
  Speaker 10: you to know what to expect.
• 1:15:56
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• 1:16:01
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• 1:16:28
  Speaker 1: We've all got quirks. I've got them. You've got them, Dave.
• 1:16:30
  Speaker 2: That's what makes this character so, so compelling.
• 1:16:33
  Speaker 1: Thumbs up from me. Same here.
• 1:16:39
  Speaker 2: This is Dean Cameron, also known as Chainsaw, and you're
• 1:16:42
  Speaker 2: listening to Moving Up Down. I'm Chainsaw.
• 1:16:51
  Speaker 1: I'm Dave.
• 1:16:51
  Speaker 7: We'll see you at the movies.
• 1:16:58
  Speaker 1: It's time for Sofa Theater.
• 1:17:02
  Speaker 3: The condition is terminal chest cancer. Prognosis, I have two
• 1:17:09
  Speaker 3: or three weeks to live at the most.
• 1:17:17
  Speaker 9: Why didn't you tell me this?
• 1:17:18
  Speaker 1: There's no point.
• 1:17:19
  Speaker 15: In telling you.
• 1:17:22
  Speaker 1: You couldn't do anything about it anyway. Well, in your
• 1:17:25
  Speaker 1: own case, I doubt if you're the best judge. Anything
• 1:17:29
  Speaker 1: I can do to make it easier? Yes, there is. Donald,
• 1:17:36
  Speaker 1: show him.
• 1:17:39
  Speaker 3: That is not the gorilla's original head. He's heavily sedated now,
• 1:17:44
  Speaker 3: but we have achieved 100% total spinal alignment on the
• 1:17:48
  Speaker 3: newly transplanted head.
• 1:17:52
  Speaker 1: It's impossible.
• 1:17:53
  Speaker 2: Is it?
• 1:17:54
  Speaker 3: Heart, lungs, kidneys, arms, legs, everything.
• 1:17:57
  Speaker 1: Is functioning properly.
• 1:18:00
  Speaker 3: I kept the original body and the transplanted head alive
• 1:18:03
  Speaker 3: on two separate heart-lung machines. Well, what do you think?
• 1:18:08
  Speaker 1: Absolutely amazing. Exactly.
• 1:18:11
  Speaker 3: Total spinal alignment achieved by using matching electric currents attached
• 1:18:16
  Speaker 3: to the nerve end. I left the two heads together
• 1:18:21
  Speaker 3: for 28 days until the new one was strong enough
• 1:18:25
  Speaker 3: to take over.
• 1:18:26
  Speaker 8: This could revolutionize the whole profession.
• 1:18:29
  Speaker 1: I'll get a paper on it. No, no, no, no.
• 1:18:31
  Speaker 1: We've got to go much further. That's why I need
• 1:18:35
  Speaker 1: your help.
• 1:18:35
  Speaker 3: What are you talking about? I'm talking about science, about genius.
• 1:18:41
  Speaker 3: Genius must be prolonged. Philip, I want to transplant my
• 1:18:47
  Speaker 3: head on a healthy body.
• 1:18:50
  Speaker 1: Two heads are better than one.
• 1:18:53
  Speaker 16: That's a saying that is oh so true. Two heads
• 1:18:57
  Speaker 16: are better than one.
• 1:18:58
  Speaker 1: They're me. They're you. That's true.
• 1:19:03
  Speaker 16: And between the two of you, you can solve any
• 1:19:07
  Speaker 16: problem that comes up.
• 1:19:08
  Speaker 1: No, no, no, no, no. It's much better to beat. Yeah,
• 1:19:12
  Speaker 1: you're gonna be the one!
• 1:19:13
  Speaker 16: Cause what you don't know or can't figure out, you
• 1:19:16
  Speaker 16: can try to.
• 1:19:17
  Speaker 1: Try! Two heads are better than one. The more, the merrier,
• 1:19:25
  Speaker 1: you bet. You bet!
• 1:19:27
  Speaker 16: Two heads are better than one. You could use all
• 1:19:31
  Speaker 16: the help you can get. And when all's said and done,
• 1:19:35
  Speaker 16: this is where it's at. What I'm simply saying is that.
• 1:19:40
  Speaker 16: Two heads are better than one. So just put your
• 1:19:44
  Speaker 16: heads together. Yes, put your heads together. Quick, put your
• 1:19:51
  Speaker 16: heads together and have fun.
• 1:19:55
  Speaker 1: Have fun. All right, we're back with this week's Sofa
• 1:20:03
  Speaker 1: Theater feature. This week's Sofa Theater.
• 1:20:05
  Speaker 6: Feature is The Thing with Two Heads. That's right, the
• 1:20:09
  Speaker 6: infamous thing with two heads. The year is 1972.
• 1:20:14
  Speaker 1: The director is Lee Frost.
• 1:20:16
  Speaker 6: The plot, if you want to call it that, a
• 1:20:19
  Speaker 6: rich but racist man is dying and hatches an elaborate
• 1:20:23
  Speaker 6: scheme for transplanting his head onto another man's body. And
• 1:20:27
  Speaker 6: without a spoiler alert, I guess, I think that's the
• 1:20:31
  Speaker 6: whole plot right there.
• 1:20:32
  Speaker 1: The title is a spoiler alert.
• 1:20:33
  Speaker 6: Yeah, you can't spoil it much more than that, but
• 1:20:35
  Speaker 6: I guess we're going to go into it a little more, so.
• 1:20:38
  Speaker 1: go run out and watch yourself some of the thing
• 1:20:40
  Speaker 1: with two heads.
• 1:20:41
  Speaker 2: Or don't.
• 1:20:42
  Speaker 1: Or don't. Top 50 worst movies of all time. I
• 1:20:45
  Speaker 1: think they're off. Oh, they're way off. Anyway, that whole
• 1:20:49
  Speaker 1: list was jacked up.
• 1:20:50
  Speaker 2: We've watched way worse movies.
• 1:20:52
  Speaker 1: Yeah, definitely. Way worse. So, alright, where would you like
• 1:20:55
  Speaker 1: to begin with the thing with two heads?
• 1:20:58
  Speaker 7: Well, in general, I felt it was kind of a
• 1:21:04
  Speaker 7: Faulknerian exercise because it you know, because of the themes
• 1:21:10
  Speaker 7: of racial division and the gothic quality, it reminded me
• 1:21:15
  Speaker 7: a little bit of Light in August, because the character
• 1:21:18
  Speaker 7: Joe Christmas, who was also kind of half black, and.
• 1:21:22
  Speaker 1: They say.
• 1:21:26
  Speaker 7: In that kind of literature, the mulatto character is the loneliest.
• 1:21:31
  Speaker 7: But it It seemed like they kind of got along
• 1:21:34
  Speaker 7: during the motocross section. Like they were really starting to bond.
• 1:21:38
  Speaker 1: They really, yeah. They took a turn, didn't they? Didn't they?
• 1:21:43
  Speaker 1: Holy shit. I don't know. It seemed like it was...
• 1:21:50
  Speaker 1: It was probably written in an afternoon. Oh, yeah.
• 1:21:52
  Speaker 7: You know, you get the idea.
• 1:21:53
  Speaker 1: And you just sort of push through it. It was
• 1:21:57
  Speaker 1: 75% motocross scene.
• 1:21:58
  Speaker 2: Yeah.
• 1:21:59
  Speaker 1: Yes, it was.
• 1:22:01
  Speaker 2: It was like the worst thing to happen since the
• 1:22:03
  Speaker 2: Harry Potter Quidditch.
• 1:22:04
  Speaker 1: Yeah, kind of.
• 1:22:06
  Speaker 2: Or that scene in Star Wars where they just go.
• 1:22:08
  Speaker 1: Yeah, the pod racing.
• 1:22:09
  Speaker 7: I remember at that time like motocross was like a
• 1:22:11
  Speaker 7: big thing.
• 1:22:12
  Speaker 1: I was thinking that when they got up to that hill.
• 1:22:13
  Speaker 1: Everybody was like really excited about it.
• 1:22:15
  Speaker 7: And then the other thing that was going on back
• 1:22:17
  Speaker 7: then was CB radios.
• 1:22:18
  Speaker 6: Yep.
• 1:22:19
  Speaker 7: And so I noticed that the cops were using CB... Like,
• 1:22:22
  Speaker 7: I heard one cop say 10-4. I don't think that's
• 1:22:26
  Speaker 7: cop speak. That's not cop lingo.
• 1:22:29
  Speaker 1: I don't know. I.
• 1:22:31
  Speaker 7: I really kind of had a hard time watching it, like,
• 1:22:34
  Speaker 7: actually watching it.
• 1:22:36
  Speaker 1: See, in the beginning, I didn't.
• 1:22:37
  Speaker 6: Like, that first couple of, like, the first 20 minutes
• 1:22:40
  Speaker 6: or so, I was kind of enjoying it, like, more
• 1:22:43
  Speaker 6: than I expected to.
• 1:22:44
  Speaker 1: Like, I went in kind of like, oh, God, this
• 1:22:46
  Speaker 1: is going to be, like, really terrible. Like, you know,
• 1:22:49
  Speaker 1: being on the list of 50 worst movies, I was like, oh,
• 1:22:51
  Speaker 1: this is going to be bad. And I got in.
• 1:22:53
  Speaker 1: And a few minutes in, I see a two-headed gorilla, and.
• 1:22:56
  Speaker 6: I'm like, all right, I'm kind of liking this movie.
• 1:22:59
  Speaker 6: And then he goes into the crazy plan, and you
• 1:23:01
  Speaker 6: see him working it out, and I'm like... Kind of
• 1:23:03
  Speaker 6: on board with this.
• 1:23:04
  Speaker 1: This is kind of fun. And you get a few
• 1:23:04
  Speaker 1: hot nurses thrown in there. And you get some hot.
• 1:23:06
  Speaker 6: Nurses, and you get a crazy gorilla escape, and a
• 1:23:09
  Speaker 6: crazy attack on a.
• 1:23:11
  Speaker 1: Grocery store scene.
• 1:23:12
  Speaker 6: And he pushes banana all over his face. And he
• 1:23:14
  Speaker 6: doesn't know how to eat a banana. And I was like,
• 1:23:17
  Speaker 6: I'm kind of having fun with this.
• 1:23:18
  Speaker 1: This is all right. And they don't have a cage
• 1:23:20
  Speaker 1: on top of it.
• 1:23:21
  Speaker 6: I was like, why wouldn't that be, like, number one,
• 1:23:23
  Speaker 6: why wouldn't it just be one big metal cage? And
• 1:23:25
  Speaker 6: number two, why wouldn't you bolt it down? Why didn't
• 1:23:28
  Speaker 6: they give him a shot before he gets in?
• 1:23:31
  Speaker 7: I've seen more high-tech looking labs. It's just like my
• 1:23:37
  Speaker 7: brother-in-law's garage van looks like it would be a better
• 1:23:41
  Speaker 7: place to perform an operation.
• 1:23:43
  Speaker 1: They have a Jacob's ladder, do they?
• 1:23:45
  Speaker 2: Here's my problem with it. It's this amazing high-tech revolutionary transport,
• 1:23:52
  Speaker 2: or not transplant.
• 1:23:53
  Speaker 1: Audio-vibratory transport device.
• 1:23:55
  Speaker 2: Transplant hospital yeah it looks like a house and a
• 1:23:59
  Speaker 2: basement doing all the operations in the dirty basement they
• 1:24:03
  Speaker 2: wash it down at.
• 1:24:03
  Speaker 5: That one point with mops he's supposed to be super
• 1:24:06
  Speaker 5: rich he's doing it at his facility at home why
• 1:24:10
  Speaker 5: not spend the money to finish the basement first.
• 1:24:12
  Speaker 6: Yeah i mean he's got so many rooms he's keeping
• 1:24:15
  Speaker 6: everyone in town in his house as like.
• 1:24:17
  Speaker 1: A hotel right but you wouldn't finish out the basement.
• 1:24:21
  Speaker 7: It looks like Spider caught a fly.
• 1:24:23
  Speaker 1: Yeah, it does. Yeah.
• 1:24:25
  Speaker 5: And the other thing is, he has a ramp in
• 1:24:29
  Speaker 5: the operating room just so he can see everything. The
• 1:24:33
  Speaker 5: dude doesn't build a ramp down into the basement. They
• 1:24:36
  Speaker 5: have to carry him down. Why have stairs? He's in
• 1:24:39
  Speaker 5: a wheelchair. That just kicked in in the last year,
• 1:24:42
  Speaker 5: I think. But still, you've got money. You could put
• 1:24:46
  Speaker 5: a ramp in in a year. I'm pretty sure.
• 1:24:48
  Speaker 1: If you're putting heads on a gorilla, you can afford
• 1:24:51
  Speaker 1: a ramp. You can afford a ramp. What did I
• 1:24:55
  Speaker 1: recognize the music from? Was it every tone? No, not
• 1:25:01
  Speaker 1: the beginning. That's what I was going to say.
• 1:25:03
  Speaker 6: That first, again, that part that I liked had kind
• 1:25:07
  Speaker 6: of cool music. Like it was very dramatic, almost overly
• 1:25:11
  Speaker 6: dramatic music. And I was just like, again, I kind
• 1:25:13
  Speaker 6: of liked it. It was that tone of like the
• 1:25:15
  Speaker 6: fifties and sixties, like cool TV show of the week
• 1:25:19
  Speaker 6: kind of music that they stole and used in this.
• 1:25:21
  Speaker 1: So it, It might have been lifted from something else.
• 1:25:24
  Speaker 7: And then they had that early 70s guitar riff background.
• 1:25:28
  Speaker 6: Once they got later into the fun stuff, you've got
• 1:25:30
  Speaker 6: to work a little.
• 1:25:31
  Speaker 1: Once they had the crossover.
• 1:25:33
  Speaker 6: Yeah, then it became, let's work a little.
• 1:25:35
  Speaker 1: Funk into this now.
• 1:25:36
  Speaker 7: A lot of it was making me think Columbo. Was
• 1:25:39
  Speaker 7: that music on Columbo?
• 1:25:40
  Speaker 1: Yeah, it felt like Columbo, too. It did.
• 1:25:42
  Speaker 6: Well, the beginning felt even older. It felt like almost
• 1:25:45
  Speaker 6: 50s mystery TV show kind of... Like it was very heavy-handed,
• 1:25:50
  Speaker 6: the music. And they were almost working it. It was
• 1:25:54
  Speaker 6: that kind of explaining the science experiment going on. It
• 1:25:58
  Speaker 6: was almost like a 50s sci-fi movie gone wrong kind
• 1:26:02
  Speaker 6: of thing. Only a 70s exploitation version of it.
• 1:26:08
  Speaker 5: It almost had an overall feeling of it didn't know
• 1:26:13
  Speaker 5: what kind of movie it was. It's almost, well, it
• 1:26:17
  Speaker 5: is sci-fi, but it should have gone down that 50s
• 1:26:21
  Speaker 5: drive-in kind of sci-fi.
• 1:26:23
  Speaker 1: Maybe a little bit dirtier, a little bit, you know.
• 1:26:27
  Speaker 5: But it also had that 70s feel, you know, almost detective,
• 1:26:33
  Speaker 5: like you said.
• 1:26:34
  Speaker 7: I was thinking Columbo, it could be Mannix, I don't know.
• 1:26:38
  Speaker 6: But then it points it also wants to be a blaxploitation.
• 1:26:41
  Speaker 6: It wants to be an action movie. And almost a
• 1:26:44
  Speaker 6: horror movie at times.
• 1:26:45
  Speaker 1: At times. And an episode of the Brady Bunch.
• 1:26:48
  Speaker 6: Somewhere.
• 1:26:48
  Speaker 1: I didn't catch that. So that was.
• 1:26:50
  Speaker 6: My problem was it's not even that it didn't even
• 1:26:52
  Speaker 6: know what it wanted to be. It just didn't commit
• 1:26:54
  Speaker 6: to anything.
• 1:26:55
  Speaker 1: Right.
• 1:26:56
  Speaker 6: Anything that it hinted at. Anything that it suggested it
• 1:26:59
  Speaker 6: didn't follow through with.
• 1:27:01
  Speaker 2: Well, here's my problem with this movie. I don't like
• 1:27:04
  Speaker 2: movies of Where there's like sort of a plot, but
• 1:27:07
  Speaker 2: not really. But either way, you ended up exactly where
• 1:27:11
  Speaker 2: you were. when the movie started. The guy still needs
• 1:27:15
  Speaker 2: a body. He still hates black people. Like, the guy's... Okay,
• 1:27:19
  Speaker 2: maybe he's innocent for that crime, but now he's, like,
• 1:27:22
  Speaker 2: evaded the cops and, like, shot at them, so now
• 1:27:25
  Speaker 2: you're going to be arrested anyway.
• 1:27:26
  Speaker 1: He beat up a bunch of cops, escaping, so, yeah,
• 1:27:29
  Speaker 1: he's still going to be on the run.
• 1:27:30
  Speaker 2: So you, like, tried to kill and beat the shit
• 1:27:32
  Speaker 2: out of cops to prove that you didn't kill a cop?
• 1:27:35
  Speaker 2: What the fuck is your problem? You deserve to be
• 1:27:37
  Speaker 2: put to death because you're a fucking moron.
• 1:27:39
  Speaker 6: Oh, God.
• 1:27:40
  Speaker 2: And also, in addition... Now the black doctor is just
• 1:27:44
  Speaker 2: going to go for his woman. Did anyone see that coming?
• 1:27:48
  Speaker 1: It was all about her. The black doctor was smooth,
• 1:27:50
  Speaker 1: by the way. He was smooth. I need to figure
• 1:27:52
  Speaker 1: out who he was. Is he the same actor that
• 1:27:54
  Speaker 1: was in the.
• 1:27:57
  Speaker 7: I'm pretty sure he was, whatever you're going to say.
• 1:27:59
  Speaker 1: Yeah, whatever you're going to say. Oh, please.
• 1:28:02
  Speaker 7: That seems very familiar. But then everybody did. Even the gorilla,
• 1:28:07
  Speaker 7: I think, has been in some other shows.
• 1:28:10
  Speaker 1: That gorilla looked pretty good, though. It did look pretty good.
• 1:28:13
  Speaker 7: I remember Rosie Greer was going around everywhere back then
• 1:28:16
  Speaker 7: because he was the football player who did needlepoint or
• 1:28:20
  Speaker 7: something and wasn't embarrassed.
• 1:28:21
  Speaker 2: To say it.
• 1:28:21
  Speaker 1: Okay, that's what I was going to go into. I
• 1:28:25
  Speaker 1: don't think I knew the extent.
• 1:28:27
  Speaker 6: I think we're going to have to go off on
• 1:28:28
  Speaker 6: a tangent of just Rosie Greer.
• 1:28:30
  Speaker 7: Rosie Greer, yeah. I remember Rosie Greer. He was on
• 1:28:34
  Speaker 7: the Brady Bunch once.
• 1:28:35
  Speaker 1: I'm sure he was.
• 1:28:36
  Speaker 2: Wow.
• 1:28:37
  Speaker 1: But do you know some of the other stuff? Yeah,
• 1:28:39
  Speaker 1: let me.
• 1:28:39
  Speaker 6: let me bring up the rosie greer one because i
• 1:28:42
  Speaker 6: read and it was like okay.
• 1:28:44
  Speaker 1: Screw this movie we need a movie of rosie greer's.
• 1:28:47
  Speaker 14: Life because yeah he was all over the place for
• 1:28:51
  Speaker 14: a while back then i guess i don't know i
• 1:28:53
  Speaker 14: was a kid But I definitely remember Rosie Greer trying
• 1:28:58
  Speaker 14: to be like some sort of general celebrity.
• 1:29:00
  Speaker 1: And he was. He was like O.J. Simpson, you know,
• 1:29:03
  Speaker 1: kind of. Only gone right. Before he, right. He had
• 1:29:07
  Speaker 1: so much charisma in that movie, though, didn't he?
• 1:29:11
  Speaker 3: Yeah.
• 1:29:11
  Speaker 2: Which is just the.
• 1:29:12
  Speaker 7: He's a charming guy.
• 1:29:13
  Speaker 2: The guy with the two heads?
• 1:29:14
  Speaker 6: Yeah.
• 1:29:15
  Speaker 15: Oh, yeah.
• 1:29:15
  Speaker 4: Yeah.
• 1:29:16
  Speaker 7: Which one was he?
• 1:29:17
  Speaker 1: Was he the guy with the two heads? Not every
• 1:29:21
  Speaker 1: movie can you ask that about. Which one? Was he
• 1:29:24
  Speaker 1: the one.
• 1:29:25
  Speaker 6: With the two heads?
• 1:29:28
  Speaker 1: Can you imagine the police description? Be on the lookout
• 1:29:32
  Speaker 1: for a.
• 1:29:32
  Speaker 7: Guy he's described as black and white.
• 1:29:37
  Speaker 1: He has two heads. He's pretty big.
• 1:29:39
  Speaker 7: He kind of looks like a football player. The police
• 1:29:42
  Speaker 7: artist could just do a silhouette. For the sketch.
• 1:29:46
  Speaker 6: Oh, so yeah, he's, I mean, he's played, he's like
• 1:29:50
  Speaker 6: a big college football player, played for the New York Giants,
• 1:29:52
  Speaker 6: played for the LA Rams. That I kind of knew.
• 1:29:54
  Speaker 6: I assumed, again, not knowing that much about sports. I
• 1:29:57
  Speaker 6: was like, yeah, I'm pretty sure that guy used to
• 1:29:58
  Speaker 6: play football. So, okay, aside from that, he gets out
• 1:30:01
  Speaker 6: of football. He was bodyguard for Robert Kennedy during the
• 1:30:04
  Speaker 6: 68 presidential campaign. was guarding the senator's wife, Ethel, during
• 1:30:09
  Speaker 6: the assassination, was unable to prevent the killing, but Greer
• 1:30:13
  Speaker 6: is the one who took control of the gun and
• 1:30:14
  Speaker 6: subdued Sirhan Sirhan.
• 1:30:16
  Speaker 1: Wow. Yeah. I mean, that's way more interesting than this
• 1:30:19
  Speaker 1: entire movie put together.
• 1:30:21
  Speaker 2: Right.
• 1:30:22
  Speaker 6: And then, okay, other ones, he hosts his own talk
• 1:30:24
  Speaker 6: show in L.A., had about 70 different guests during the
• 1:30:27
  Speaker 6: 60s and 70s.
• 1:30:28
  Speaker 1: He's a singer... Yeah.
• 1:30:31
  Speaker 6: And released several singles during the 60s on all these
• 1:30:35
  Speaker 6: different labels.
• 1:30:37
  Speaker 1: Let's see.
• 1:30:38
  Speaker 6: Then, as you mentioned, in 1973, he published Rosie Greer's
• 1:30:42
  Speaker 6: Needlepoint for Men. Yes.
• 1:30:45
  Speaker 1: What? I remember that.
• 1:30:46
  Speaker 6: Every one of these is way more interesting than anything
• 1:30:48
  Speaker 6: going on in this movie.
• 1:30:50
  Speaker 1: Yeah.
• 1:30:50
  Speaker 2: I just want a movie about Rosie Greer's life.
• 1:30:52
  Speaker 10: Yeah.
• 1:30:53
  Speaker 1: I'm just like, me?
• 1:30:53
  Speaker 2: I think Rosie, I thought, when I saw Rosie Greer,
• 1:30:56
  Speaker 2: I'm not familiar with Rosie Greer. I just assumed it
• 1:30:58
  Speaker 2: was the chick that played his girlfriend. I mean, I
• 1:31:01
  Speaker 2: don't think of this gigantic football player dude named Rosie.
• 1:31:05
  Speaker 1: It's Rosie? Yeah. I don't even use Roosevelt, but, you know.
• 1:31:09
  Speaker 1: When you're that cool, you get your own nickname.
• 1:31:10
  Speaker 7: I think it's like a boy named Sue kind of thing.
• 1:31:13
  Speaker 1: He didn't need a point.
• 1:31:15
  Speaker 2: When you're fucking eight feet tall and you're a football player,
• 1:31:19
  Speaker 2: you can be called Bitch Tits.
• 1:31:21
  Speaker 1: That's what I was like, how.
• 1:31:23
  Speaker 6: As ridiculous as this setup of jamming some guy's head
• 1:31:27
  Speaker 6: next to your head for a whole movie scenario is,
• 1:31:30
  Speaker 6: then I looked at him when he walked in and
• 1:31:31
  Speaker 6: was like, Jesus, look how tall he is. I'm like,
• 1:31:34
  Speaker 6: what a pain in the ass that must have been, like,
• 1:31:36
  Speaker 6: putting him on a ladder every time they had to
• 1:31:38
  Speaker 6: shoot just.
• 1:31:39
  Speaker 1: To get this guy's head up near his head. Right.
• 1:31:42
  Speaker 6: Oh man maybe that's why there was a lot of
• 1:31:44
  Speaker 6: scenes sitting down and.
• 1:31:45
  Speaker 2: Like I think he just piggybacked I guess.
• 1:31:47
  Speaker 6: So he could he was in like a Yoda backpack
• 1:31:51
  Speaker 6: at one point he does a flip in a swamp
• 1:31:55
  Speaker 6: I don't know it was pretty awesome but oh god.
• 1:32:04
  Speaker 1: So yoda's a racist i see.
• 1:32:05
  Speaker 6: You are a racist of course he is he's fine
• 1:32:08
  Speaker 6: with green people but he don't like black people i.
• 1:32:10
  Speaker 2: Like i like how somehow the running joke throughout the
• 1:32:14
  Speaker 2: movie became you black bastard.
• 1:32:16
  Speaker 6: Right see okay once again they never fully commit to
• 1:32:19
  Speaker 6: anything like they don't even throw around real racial stuff
• 1:32:23
  Speaker 6: here it's like it's the most lightweight like The PG
• 1:32:27
  Speaker 6: version of, what's the, we can't really throw in the
• 1:32:29
  Speaker 6: big word. We can't really use most of the others,
• 1:32:32
  Speaker 6: and I don't know why.
• 1:32:34
  Speaker 1: It's exploitation.
• 1:32:35
  Speaker 6: You'd think they really would have committed and just made
• 1:32:37
  Speaker 6: this guy a horrible person and made him throw out
• 1:32:40
  Speaker 6: everything in the book, but you.
• 1:32:42
  Speaker 1: Black bastard is about the worst thing.
• 1:32:45
  Speaker 6: I mean, there's a lot of you people, but I mean, again,
• 1:32:49
  Speaker 6: people now use that kind of shit.
• 1:32:50
  Speaker 1: What's the dessert, watermelon? yeah i was like.
• 1:32:53
  Speaker 12: But again they start they start making fun of it
• 1:32:56
  Speaker 12: like more than anybody you know it's like they start
• 1:32:58
  Speaker 12: like sticking it to him with that yeah okay next
• 1:33:02
  Speaker 12: we're gonna have some fucking collard greens chitlin.
• 1:33:05
  Speaker 5: Yeah we're gonna fry up some fry up some yeah
• 1:33:09
  Speaker 5: yeah chitlin so i was just like so.
• 1:33:11
  Speaker 6: I mean they were having fun with it really they
• 1:33:13
  Speaker 6: were making more fun of him as the stupid old
• 1:33:16
  Speaker 6: white guy So, I mean, once again, it wasn't really
• 1:33:18
  Speaker 6: done in a way that was insulting because they did
• 1:33:21
  Speaker 6: way more.
• 1:33:21
  Speaker 1: I mean, he just looks like an idiot because he's
• 1:33:23
  Speaker 1: the old stupid white guy.
• 1:33:24
  Speaker 5: So how about the girlfriend when she comes in and
• 1:33:28
  Speaker 5: he's got she he's been in prison.
• 1:33:30
  Speaker 1: He's supposed to be dead. He's got this man's head
• 1:33:32
  Speaker 1: on him. And what's her comment? She doesn't say anything.
• 1:33:36
  Speaker 1: She didn't go, oh, my God, or anything.
• 1:33:38
  Speaker 6: She goes.
• 1:33:39
  Speaker 1: Something like, you get in the craziest things. You get
• 1:33:42
  Speaker 1: into some shit. Because you get in crazy things. I
• 1:33:45
  Speaker 1: thought it was, you get into some shit. Really? That's
• 1:33:49
  Speaker 1: your response, not, what the fuck?
• 1:33:52
  Speaker 7: I don't know.
• 1:33:52
  Speaker 1: That seems like a pretty good response. Yeah. And is
• 1:33:57
  Speaker 1: that the only thing you have to? Well, we knew
• 1:33:59
  Speaker 1: that question was coming.
• 1:34:01
  Speaker 2: I mean, and honestly, this is what I'm thinking for
• 1:34:04
  Speaker 2: the white doctor guy. I'm like, you know... you're going
• 1:34:09
  Speaker 2: to be really good at jumping and you're going to
• 1:34:11
  Speaker 2: have a huge dick. What's the problem here?
• 1:34:13
  Speaker 6: Yeah, I was like, as he got upset, I'm like, okay,
• 1:34:15
  Speaker 6: by the time you take off that other head, you're
• 1:34:17
  Speaker 6: getting a win-win on this deal. Let's be honest here.
• 1:34:20
  Speaker 6: You're a crinkly old white dude. You better be glad
• 1:34:23
  Speaker 6: you got this dude's body.
• 1:34:24
  Speaker 2: I don't see the problem.
• 1:34:25
  Speaker 6: No.
• 1:34:27
  Speaker 7: I'm pretty sure I saw parts of this when I
• 1:34:30
  Speaker 7: was a kid, but not enough to have a focused idea.
• 1:34:33
  Speaker 1: Not enough to know to avoid it.
• 1:34:35
  Speaker 7: Yeah, I mean, I did have an idea of it, because,
• 1:34:37
  Speaker 7: you know, once you hear the title, you have the idea,
• 1:34:41
  Speaker 7: you know. Well, the title doesn't really reveal the expectation.
• 1:34:47
  Speaker 1: That and a 45-minute car chase on a dirt bike is.
• 1:34:52
  Speaker 6: That's what I realized as I got into this. Number one,
• 1:34:55
  Speaker 6: the title is misleading anyway. It makes it build like
• 1:34:58
  Speaker 6: it's a monster movie. So, I mean, if you don't
• 1:35:00
  Speaker 6: see the poster, you don't get the joke of it.
• 1:35:03
  Speaker 6: Or I guess the trailer obviously makes the joke known.
• 1:35:05
  Speaker 7: Yeah, once you see the image, then you've got the
• 1:35:08
  Speaker 7: whole movie because it's a black guy and a white guy.
• 1:35:10
  Speaker 1: And you're like, wah, wah. But that's what I was
• 1:35:14
  Speaker 1: thinking as it went on.
• 1:35:15
  Speaker 6: I was like, this is one of those that was
• 1:35:17
  Speaker 6: all pitch.
• 1:35:19
  Speaker 1: It's all premise and no story.
• 1:35:21
  Speaker 6: It's like they don't even, they get in there, and
• 1:35:23
  Speaker 6: like you said, they have a script.
• 1:35:25
  Speaker 1: I don't know that they did.
• 1:35:26
  Speaker 6: They have a premise, and they got a couple of sets,
• 1:35:29
  Speaker 6: not good sets, and they went in there and went.
• 1:35:32
  Speaker 1: What do we do now? It's like, hey, I know
• 1:35:33
  Speaker 1: a guy that's got a dirt bike track.
• 1:35:35
  Speaker 2: Let's go over there.
• 1:35:36
  Speaker 3: All right.
• 1:35:37
  Speaker 1: And that's what they did. What are we going to
• 1:35:38
  Speaker 1: do with the doctor? Put him on the back. So
• 1:35:40
  Speaker 1: it's two heads and a doctor. And a doctor.
• 1:35:44
  Speaker 6: So they don't, yeah, it's like they don't have a
• 1:35:45
  Speaker 6: story going into it. They have a premise. And that's
• 1:35:48
  Speaker 6: all they do at the beginning and at the end.
• 1:35:50
  Speaker 6: You've got the premise.
• 1:35:51
  Speaker 1: You've got the setup.
• 1:35:52
  Speaker 6: You follow through with that. But it's an hour and
• 1:35:53
  Speaker 6: a half of, what do we do now? Drive around
• 1:35:57
  Speaker 6: a little bit.
• 1:36:00
  Speaker 2: That's what I hated about the movie. It's like at
• 1:36:02
  Speaker 2: the end of the movie, the guy's still wanted by
• 1:36:04
  Speaker 2: the police for the same reason. He's probably still going
• 1:36:07
  Speaker 2: to be condemned to death. The white guy's still racist,
• 1:36:09
  Speaker 2: and he's still bodiless. I feel like a movie should
• 1:36:14
  Speaker 2: at least solve or something the problems that are.
• 1:36:19
  Speaker 7: That's the source of my ambivalent hatred about this movie
• 1:36:23
  Speaker 7: and any movie.
• 1:36:24
  Speaker 1: I'm ambivalent because.
• 1:36:25
  Speaker 7: Part of the reason I hate it is I envy it.
• 1:36:29
  Speaker 7: Because as somebody who set out to be an artist,
• 1:36:33
  Speaker 7: you know, for a long time you think what's going
• 1:36:36
  Speaker 7: on is like intellectual. It's your philosophy. That's what's guiding you.
• 1:36:41
  Speaker 7: Then you start to realize maybe it's just depression. Maybe
• 1:36:44
  Speaker 7: it's just depression. Maybe that's why I can't make crap.
• 1:36:48
  Speaker 1: Like, I don't.
• 1:36:50
  Speaker 6: Somebody actually made this. You're overthinking your shit. This guy went,
• 1:36:54
  Speaker 6: two-headed gorilla, fuck it, make it.
• 1:36:56
  Speaker 3: Yeah.
• 1:36:57
  Speaker 7: It's like, where do you get that kind of exuberance
• 1:37:00
  Speaker 7: that you're willing to just make something like that and
• 1:37:04
  Speaker 7: not look back and not, you know, I don't know.
• 1:37:08
  Speaker 1: And how did these people come together to make this
• 1:37:12
  Speaker 1: fucking thing? And how do you get Rosie Grover involved?
• 1:37:15
  Speaker 2: I mean, this is a little bit off subject, but
• 1:37:17
  Speaker 2: I want to say it was Jason Schwartzman. But I
• 1:37:20
  Speaker 2: remember there was, like, this, like, faux commercial preview before
• 1:37:24
  Speaker 2: a movie. And he was, like, a director, and, like,
• 1:37:27
  Speaker 2: ridiculous shit was going on in the background.
• 1:37:29
  Speaker 7: Isn't that his new little show?
• 1:37:31
  Speaker 2: It was, like, it was several years ago.
• 1:37:34
  Speaker 1: Oh.
• 1:37:34
  Speaker 2: Several years ago. And it's like, explosions are happening, nothing
• 1:37:38
  Speaker 2: makes sense. He's like, all right, print it. You know, like,
• 1:37:41
  Speaker 2: I want to say it was.
• 1:37:42
  Speaker 6: I thought that was the, no, who's the Royal Tenenbaum guy,
• 1:37:45
  Speaker 6: the director?
• 1:37:47
  Speaker 2: Anderson.
• 1:37:48
  Speaker 1: Yeah.
• 1:37:48
  Speaker 6: Yeah, I thought the American Express Wes Anderson commercial is
• 1:37:52
  Speaker 6: almost exactly like that.
• 1:37:54
  Speaker 1: That's it.
• 1:37:54
  Speaker 6: It's crazy shit going on, and he's just talking, doing
• 1:37:57
  Speaker 6: his stuff, not even reacting.
• 1:37:58
  Speaker 1: To all of it.
• 1:37:59
  Speaker 2: Yeah.
• 1:37:59
  Speaker 7: Yeah.
• 1:38:00
  Speaker 2: Makes me think of that.
• 1:38:01
  Speaker 1: Kind of. This is that movie he's shooting.
• 1:38:04
  Speaker 2: This happened, print it.
• 1:38:06
  Speaker 1: Print it, yeah. We'll work it in.
• 1:38:08
  Speaker 6: And here's what, I mean, here's, I guess, one of
• 1:38:10
  Speaker 6: the biggest issues I had going in, because, again, I'm
• 1:38:13
  Speaker 6: having fun those first few minutes with the two-headed gorilla,
• 1:38:16
  Speaker 6: and then we get to the rest of it.
• 1:38:17
  Speaker 1: We get to that next stage, and it's.
• 1:38:19
  Speaker 6: Them, like, setting up the illness and setting up the
• 1:38:22
  Speaker 6: surgery idea and setting up all this other stuff. And
• 1:38:25
  Speaker 6: I i realize i'm like we're pretty far in now
• 1:38:29
  Speaker 6: this thing is really taking itself seriously right and i
• 1:38:32
  Speaker 6: and i realize.
• 1:38:33
  Speaker 1: Not and it's but it but it is like that's the.
• 1:38:36
  Speaker 6: Thing they are taking this really serious tone like in
• 1:38:38
  Speaker 6: the beginning again the music's overly dramatic so i thought
• 1:38:41
  Speaker 6: they were going to be kind of fun about it
• 1:38:42
  Speaker 6: and they were going to like play up the goofiness
• 1:38:44
  Speaker 6: of this whole thing and by the time the gorilla
• 1:38:46
  Speaker 6: sort of is taken back and they start doing the
• 1:38:48
  Speaker 6: explanation of the the the surgery, it just takes on
• 1:38:52
  Speaker 6: this dead serious tone, and it's almost like they're doing
• 1:38:54
  Speaker 6: an episode of General Hospital from back in the day.
• 1:38:57
  Speaker 6: They're explaining the procedure with dead seriousness.
• 1:39:01
  Speaker 2: One thing I love, sir, I have to interrupt you.
• 1:39:04
  Speaker 2: The part where they're doing the surgery, and all they're
• 1:39:06
  Speaker 2: doing is naming every medical instrument that has ever been used. Sponge.
• 1:39:12
  Speaker 3: Wipe.
• 1:39:14
  Speaker 1: Paralysis. Bulldog clamp. Scalpel and forceps.
• 1:39:29
  Speaker 10: Scalpel.
• 1:39:34
  Speaker 1: Suction.
• 1:39:36
  Speaker 2: Pads.
• 1:39:39
  Speaker 1: Ringer solution.
• 1:39:43
  Speaker 7: Ochsner clamp.
• 1:39:46
  Speaker 1: 500cc spec sales.
• 1:39:49
  Speaker 2: Sponge.
• 1:39:51
  Speaker 6: Sponge.
• 1:39:52
  Speaker 1: I wrote that down.
• 1:39:53
  Speaker 10: They had a list.
• 1:39:53
  Speaker 1: You know, like, forceps. And they just kept reading them off.
• 1:39:57
  Speaker 6: And after a while, I was like, okay, do you
• 1:40:00
  Speaker 6: use a bulldog clip in surgery?
• 1:40:02
  Speaker 3: Right.
• 1:40:02
  Speaker 1: I don't think so.
• 1:40:03
  Speaker 6: They got like an odor sheet from a medical supply
• 1:40:05
  Speaker 6: store and they started reading it. And I was like,
• 1:40:07
  Speaker 6: is there such a thing as a mosquito clamp?
• 1:40:10
  Speaker 1: You're making shit up now. I thought, well, there's butterfly bandages.
• 1:40:14
  Speaker 1: I guess it's a real mosquito clamp. It's a really
• 1:40:17
  Speaker 1: small clamp. I was like, you're just making up shit now.
• 1:40:20
  Speaker 1: I was also the explanation that, oh, well, there's no blood.
• 1:40:25
  Speaker 1: Because we shut off the heart for this. So there's
• 1:40:28
  Speaker 1: no blood. And there's no blood. It's like everything's perfectly... Basically,
• 1:40:31
  Speaker 1: we couldn't afford blood.
• 1:40:33
  Speaker 15: Right.
• 1:40:33
  Speaker 1: So let's make up a line of dialogue. There's no scars.
• 1:40:37
  Speaker 1: There's nothing. And again, we're talking about the surgery.
• 1:40:40
  Speaker 5: Oh, it's just a basic amputation when you take it off.
• 1:40:44
  Speaker 1: No big deal. Like when you take a head off,
• 1:40:46
  Speaker 1: like you do. Because that's not connected to nerves or anything.
• 1:40:49
  Speaker 1: It's normal.
• 1:40:49
  Speaker 2: It's fine.
• 1:40:50
  Speaker 1: It's fine. I love that he just, oh, yeah, it's
• 1:40:53
  Speaker 1: no big deal. Just take it off. What he says,
• 1:40:56
  Speaker 1: I did it by myself in 35 minutes.
• 1:40:58
  Speaker 6: Yeah. So, I mean, that whole section is, like, dead serious. Like,
• 1:41:02
  Speaker 6: there's no joking around at all. Yeah, but then you
• 1:41:05
  Speaker 6: get to the point where there's, like, the big car chase.
• 1:41:08
  Speaker 6: And cops are probably dying.
• 1:41:11
  Speaker 1: Yeah. You know, and the guy's doing like a Keystone Cops.
• 1:41:14
  Speaker 6: They're jumping up and down on the car and changing
• 1:41:16
  Speaker 6: the tire.
• 1:41:18
  Speaker 1: Yeah. I don't know. It's like a hazard episode.
• 1:41:21
  Speaker 7: Everything is weightless because nothing really matters.
• 1:41:24
  Speaker 6: Right.
• 1:41:25
  Speaker 1: Nobody cares about anything. It all goes on for too long.
• 1:41:28
  Speaker 6: So then I started taking notice and I'm like, okay,
• 1:41:30
  Speaker 6: it's going to get kind of wacky, I guess, when
• 1:41:32
  Speaker 6: the guy wakes up.
• 1:41:33
  Speaker 1: When you got two heads stuck on you.
• 1:41:34
  Speaker 6: Oh, and it's a black guy and I hate black guys. Hey,
• 1:41:37
  Speaker 6: what you got on my head? Yeah, that's going to
• 1:41:38
  Speaker 6: get crazy. So then I started, it's 36 minutes before
• 1:41:43
  Speaker 6: he even wakes up. It's 46 before the escape begins.
• 1:41:46
  Speaker 6: 46 minutes into this before any wackiness ensues in a
• 1:41:51
  Speaker 6: premise that's supposed to be nothing but here's the joke
• 1:41:54
  Speaker 6: here's the so we don't get to the joke of
• 1:41:57
  Speaker 6: this joke movie for 46 minutes in an hour and
• 1:41:59
  Speaker 6: a half movie i remember.
• 1:42:01
  Speaker 5: Because i was watching it streaming it and we'll jump
• 1:42:04
  Speaker 5: to the chase and i'm like this chase is 20
• 1:42:08
  Speaker 5: minutes it is like there is 10 minutes left in
• 1:42:11
  Speaker 5: this movie and they've got to find their girlfriend, get
• 1:42:14
  Speaker 5: the head off, resolve it somehow.
• 1:42:16
  Speaker 1: I mean, there's so much that needs to happen and
• 1:42:18
  Speaker 1: they're just driving around the fucking. I did that.
• 1:42:21
  Speaker 6: Like when we got to the end, like he's already
• 1:42:23
  Speaker 6: at the girlfriends and I'm like, aren't we about done
• 1:42:26
  Speaker 6: with this? Like I'm, I'm looking at it going, we're
• 1:42:27
  Speaker 6: going to record soon. Am I done with this movie?
• 1:42:30
  Speaker 6: And at the end of it, yeah, it's got like
• 1:42:31
  Speaker 6: this little tiny section of, I was like, how are
• 1:42:33
  Speaker 6: you going.
• 1:42:34
  Speaker 2: To wrap up?
• 1:42:34
  Speaker 1: Oh, wait, they don't. No wonder they just stopped. Yeah.
• 1:42:40
  Speaker 1: It almost has like a Twilight Zone feel at the end, too.
• 1:42:43
  Speaker 1: I guess. Oh, I can't believe they just left it.
• 1:42:46
  Speaker 1: I can't believe it. Sorry, I might have spoiled it. Yeah,
• 1:42:49
  Speaker 1: we're jumping ahead. Sorry.
• 1:42:51
  Speaker 2: Wow.
• 1:42:52
  Speaker 1: So, yeah, I don't know.
• 1:42:53
  Speaker 2: They hooked it up to that machine.
• 1:42:54
  Speaker 1: It's all good.
• 1:42:55
  Speaker 2: They didn't kill him.
• 1:42:56
  Speaker 1: Walt Disney, that shit.
• 1:42:58
  Speaker 6: With the over-serious tone, it's like they, that middle section, like,
• 1:43:02
  Speaker 6: they take it so seriously, like, they're talking about the,
• 1:43:06
  Speaker 6: I mean, they go into how much detail about the
• 1:43:09
  Speaker 6: secrecy of keeping this operation under wraps, and I'm like,
• 1:43:13
  Speaker 6: this isn't a place that just had a two-headed gorilla
• 1:43:14
  Speaker 6: running around. But now they, I mean, they spend, like,
• 1:43:17
  Speaker 6: that 20 minutes of making sure we know that there's
• 1:43:20
  Speaker 6: cops on the door, but even the cops don't know
• 1:43:22
  Speaker 6: what's going on downstairs, and They bring in the other doctor,
• 1:43:24
  Speaker 6: and they don't tell him what's.
• 1:43:25
  Speaker 1: Going on downstairs.
• 1:43:26
  Speaker 6: They had writers for the first time. Do we care
• 1:43:28
  Speaker 6: about this? Why are we devoting so much time to
• 1:43:31
  Speaker 6: the secrecy of this opera? And then they're going into, well,
• 1:43:34
  Speaker 6: we fought off the pneumonia, but we're worried about.
• 1:43:37
  Speaker 1: Really?
• 1:43:38
  Speaker 6: Do we care about the medical jargon you're going to
• 1:43:41
  Speaker 6: throw in for another 15 minutes of this movie? Yeah,
• 1:43:44
  Speaker 6: it's just everything takes so long to get to, and
• 1:43:48
  Speaker 6: yet we don't even get to the punchline, really.
• 1:43:50
  Speaker 1: It's like we don't even get to the joke.
• 1:43:52
  Speaker 5: What I loved about that whole setup of the medical
• 1:43:55
  Speaker 5: thing in the house... They had the little desk as
• 1:43:58
  Speaker 5: you walked in the front door with the nurse sitting
• 1:44:01
  Speaker 5: behind it, which is like admissions or.
• 1:44:03
  Speaker 1: Something like that. You have one person to admit, and
• 1:44:05
  Speaker 1: she's got an in-and-out box that has papers in it.
• 1:44:09
  Speaker 1: What is going in and what is coming out in
• 1:44:12
  Speaker 1: this secret procedure? Food orders. Rosie likes to eat, damn it.
• 1:44:17
  Speaker 1: You want to get him some Arby's. And she's just
• 1:44:19
  Speaker 1: sitting there, why isn't that shit taken care of?
• 1:44:24
  Speaker 5: I mean, I know they want to make it look
• 1:44:26
  Speaker 5: like it's official and something's going on.
• 1:44:29
  Speaker 1: I think she was busy making breakfast for the cops. Right.
• 1:44:32
  Speaker 1: The breakfast will be right down. I'm like, is she, like,
• 1:44:34
  Speaker 1: a maid now?
• 1:44:35
  Speaker 10: Right.
• 1:44:35
  Speaker 1: And all of the nurses were done up except for
• 1:44:38
  Speaker 1: the one redhead. Yeah, she was kind of grumpy.
• 1:44:41
  Speaker 2: No, there was one with glasses, too, that was kind
• 1:44:43
  Speaker 2: of like.
• 1:44:44
  Speaker 1: Well, yeah, I know she wasn't the, you know, the
• 1:44:46
  Speaker 1: hot one. They all wore different stockings. Yeah. They all...
• 1:44:49
  Speaker 1: They had their hair different. Yeah. But the one in
• 1:44:52
  Speaker 1: red just, like, just pulled her off the street and
• 1:44:54
  Speaker 1: gave her some lines. Here, just put those nurses' costumes on.
• 1:44:57
  Speaker 1: And I swear you could, like.
• 1:44:59
  Speaker 5: see the cigarette smoke on her and she was just
• 1:45:01
  Speaker 5: a little skanky and you know sorry if that was
• 1:45:04
  Speaker 5: your mother anybody.
• 1:45:05
  Speaker 1: Who's listening but that was my mother.
• 1:45:07
  Speaker 5: Well it's funny that the rest of them she was
• 1:45:10
  Speaker 5: that your babysitter the.
• 1:45:12
  Speaker 6: Rest of them look like nurses from a 70s porn
• 1:45:15
  Speaker 6: i mean at any minute it looks like that's gonna
• 1:45:17
  Speaker 6: break out with the rest of these girls i'll show
• 1:45:19
  Speaker 6: you a thing with two heads i've seen that one
• 1:45:23
  Speaker 6: But anyway.
• 1:45:25
  Speaker 16: John Claude Van Dong.
• 1:45:28
  Speaker 1: Seriously, go look it up, people. So... Is that double team? No,
• 1:45:34
  Speaker 1: he doesn't need anybody to double team. He's freak show gifted. So.
• 1:45:42
  Speaker 6: I guess go ahead.
• 1:45:42
  Speaker 1: And officially move into the chase scene. Because it's half
• 1:45:46
  Speaker 1: of the movie. Oh my god.
• 1:45:49
  Speaker 2: Greg nailed it. Earlier, it felt like you were watching
• 1:45:53
  Speaker 2: a really boring, long episode of Dukes of Hazzard.
• 1:45:56
  Speaker 6: Well, okay, we get to the first one when they
• 1:45:58
  Speaker 6: make the escape, which is quite possibly the least impressive
• 1:46:01
  Speaker 6: car chase I have ever seen.
• 1:46:03
  Speaker 1: How do we evade him? I don't know. Turn around. Here, wait.
• 1:46:08
  Speaker 1: I'll make him swerve into this driveway. Wow, that was crazy.
• 1:46:12
  Speaker 1: He turned around. What kind of assistance do you need? Well...
• 1:46:18
  Speaker 1: A tow truck would be nice. And that, you know,
• 1:46:20
  Speaker 1: if that was the comedy that they were going with,
• 1:46:22
  Speaker 1: that would have been great. But it was, again, it
• 1:46:25
  Speaker 1: wasn't even played for comedy, really. It was a comedy
• 1:46:27
  Speaker 1: or a sci-fi. Yeah.
• 1:46:29
  Speaker 4: Yeah.
• 1:46:31
  Speaker 1: To me, it had so much potential.
• 1:46:34
  Speaker 6: Again, if you would have gotten to the joke pretty
• 1:46:37
  Speaker 6: early on, I mean, again, the gorilla's fun, but then
• 1:46:39
  Speaker 6: in the next 15 minutes, you needed to be knee-deep
• 1:46:42
  Speaker 6: in the middle of this crazy plot, and you needed
• 1:46:45
  Speaker 6: to play up the camp. I mean, this is the
• 1:46:47
  Speaker 6: campiest fucking idea for a movie ever. You're sewing another
• 1:46:51
  Speaker 6: guy's head on another guy's body. Oh, let's one-up it.
• 1:46:53
  Speaker 6: Let's make it a white guy and a black guy,
• 1:46:55
  Speaker 6: and the white guy's a complete racist.
• 1:46:58
  Speaker 1: That's the joke. I mean, that's the gimmick you're working with.
• 1:47:01
  Speaker 1: It should have been Laurel and Hardy out the ass.
• 1:47:03
  Speaker 6: Yeah.
• 1:47:03
  Speaker 1: It should have been.
• 1:47:04
  Speaker 6: It should have been wacky situations, and then we don't... Like,
• 1:47:09
  Speaker 6: why don't we tap into the girlfriend scenario?
• 1:47:12
  Speaker 1: I mean, really.
• 1:47:13
  Speaker 6: Right.
• 1:47:13
  Speaker 1: You all think that they were going to have sex.
• 1:47:16
  Speaker 1: I mean, that's the joke scene. That's where you're going
• 1:47:19
  Speaker 1: with this premise.
• 1:47:21
  Speaker 16: Right.
• 1:47:21
  Speaker 1: And they don't. She's like, I'm not going to put
• 1:47:23
  Speaker 1: a pillowcase on his head. And I'm just like, really?
• 1:47:26
  Speaker 1: I feel like. That's as far as this is going
• 1:47:28
  Speaker 1: to go? You people are all the same. Is that
• 1:47:30
  Speaker 1: all you people think about? No, white people are pretty bad, too. Right.
• 1:47:34
  Speaker 6: Yeah.
• 1:47:35
  Speaker 2: Most movies don't need to be remade, but I feel
• 1:47:37
  Speaker 2: like this one does.
• 1:47:38
  Speaker 1: That's kind of what I was... And that's the thing.
• 1:47:40
  Speaker 6: As bad as the stick-in-his-head thing on there is, like,
• 1:47:42
  Speaker 6: I hate CGI, but think how much better it would
• 1:47:44
  Speaker 6: be with CGI.
• 1:47:46
  Speaker 1: It would still look stupid, but it'd be better. I mean,
• 1:47:49
  Speaker 1: it'd be funny.
• 1:47:51
  Speaker 6: Maybe that's what we should have done with this last, like,
• 1:47:53
  Speaker 6: body-swapping movie.
• 1:47:54
  Speaker 1: Couldn't we have, like, who was it? Jason Bateman in
• 1:47:58
  Speaker 1: 17 again. No, the... Bateman and Ryan Reynolds. Ryan Reynolds, yeah.
• 1:48:04
  Speaker 6: What if you took Jason Bateman and Ryan Reynolds and
• 1:48:06
  Speaker 6: put their heads on the same body?
• 1:48:08
  Speaker 2: What movie was that?
• 1:48:10
  Speaker 1: It just came out. Yeah, it was like last week.
• 1:48:12
  Speaker 6: And it did terrible because people don't want to see
• 1:48:14
  Speaker 6: a fucking body switching movie.
• 1:48:15
  Speaker 1: Well, here's the other thing. So Ryan Reynolds is going
• 1:48:18
  Speaker 1: to switch to Jason Bateman. How disappointing.
• 1:48:20
  Speaker 17: The difference that's the criticism i heard is like notice
• 1:48:23
  Speaker 17: they kind of have the same life only one's got
• 1:48:26
  Speaker 17: kids other than that i'm like what's the wackiness going
• 1:48:28
  Speaker 17: on oh look i'm a white.
• 1:48:30
  Speaker 1: Guy I'm a white guy. I know. Right. There's no switching. Hey,
• 1:48:37
  Speaker 1: I'm going to fuck your wife. Hey, I'm going to
• 1:48:39
  Speaker 1: fuck your wife. Hey. They're both kind of white chicks.
• 1:48:42
  Speaker 1: What do you want? They're all boring. Our lives are boring.
• 1:48:44
  Speaker 1: Who cares if we switch? Right.
• 1:48:45
  Speaker 12: So.
• 1:48:46
  Speaker 2: You don't even notice. Hey, because you know what? Your wife,
• 1:48:49
  Speaker 2: she stopped paying attention to you.
• 1:48:50
  Speaker 3: Yeah.
• 1:48:50
  Speaker 2: Like three months after you left.
• 1:48:52
  Speaker 1: This will be the most exciting thing that's ever happened
• 1:48:54
  Speaker 1: to your marriage. So this is a plus.
• 1:48:56
  Speaker 6: Yeah.
• 1:48:57
  Speaker 1: So, yeah, at least this has an interesting premise.
• 1:49:00
  Speaker 6: Like, it's ten times more interesting than that damn movie,
• 1:49:02
  Speaker 6: and that got what kind of budget?
• 1:49:04
  Speaker 1: I mean, to pay for Ryan Reynolds' period at this point,
• 1:49:07
  Speaker 1: completely take out the chase scene. I think Jason Bateman.
• 1:49:09
  Speaker 1: Jason Bateman, I mean, yeah.
• 1:49:11
  Speaker 5: They were trying to catch him for, you know, science purposes. Why,
• 1:49:15
  Speaker 5: when they finally caught up to him with the helicopter,
• 1:49:17
  Speaker 5: and they could have.
• 1:49:18
  Speaker 1: You know... Why aren't they shooting at him? They just
• 1:49:20
  Speaker 1: started shooting at him. That's what I didn't understand.
• 1:49:23
  Speaker 6: And then I was like, okay, even if you're trying
• 1:49:24
  Speaker 6: to get this escaped criminal, he's with an innocent doctor hostage. Right.
• 1:49:29
  Speaker 1: And the white guy's head's innocent as far as we know.
• 1:49:31
  Speaker 1: They don't know this horrible thing that he did. But
• 1:49:33
  Speaker 1: I was like, at least the doctor. Right. Like, that
• 1:49:35
  Speaker 1: guy didn't do anything. You're firing a fucking rifle at him.
• 1:49:38
  Speaker 1: Unless it was... Pure social commentary. I guess. He's a
• 1:49:42
  Speaker 1: black guy. Obviously the black guy's in on it. The
• 1:49:43
  Speaker 1: black doctor's in on it. I guess. And this is now,
• 1:49:46
  Speaker 1: even though this is a rich white guy, it's a
• 1:49:49
  Speaker 1: monster and we must kill it. We must kill it.
• 1:49:51
  Speaker 1: So that's the only... And that black bastard that's with
• 1:49:53
  Speaker 1: him must die. I don't know. They could have gone
• 1:49:56
  Speaker 1: that way. They looked like... But they didn't.
• 1:49:58
  Speaker 6: Again, they never, with the exception of the cop, again
• 1:50:01
  Speaker 6: saying that black bastard, I'll get him. But they don't... Again,
• 1:50:04
  Speaker 6: that's one of the main problems I have with this
• 1:50:06
  Speaker 6: is them just not committing to They don't even commit
• 1:50:09
  Speaker 6: to the racism angle. They don't resolve anything. Like, at
• 1:50:14
  Speaker 6: least that's what I expected. Okay, in the beginning, I
• 1:50:17
  Speaker 6: saw the trailer.
• 1:50:18
  Speaker 1: I was just like.
• 1:50:18
  Speaker 6: The white guy's going to be a racist bastard. The
• 1:50:21
  Speaker 6: black guy's probably going to be kind of cool. And
• 1:50:23
  Speaker 6: then maybe by the end, again, I'm expecting like buddy
• 1:50:25
  Speaker 6: cop logic. I'm like, by the end, he's going to
• 1:50:27
  Speaker 6: come around and be like, you know, you black guys
• 1:50:29
  Speaker 6: are okay.
• 1:50:30
  Speaker 1: And I expect him to come around. No, by the end,
• 1:50:32
  Speaker 1: he's still a fucking racist.
• 1:50:34
  Speaker 6: And yeah, it's like we, but not even the movie
• 1:50:37
  Speaker 6: goes anywhere, but it's like, we don't even, we're not
• 1:50:39
  Speaker 6: even saying anything.
• 1:50:40
  Speaker 1: Like at least I expect it to have some sort
• 1:50:43
  Speaker 1: of social commentary.
• 1:50:44
  Speaker 6: Like as stupid as a lot of the premises, premise
• 1:50:47
  Speaker 6: side in the, the exploitation movies were in the 70s
• 1:50:51
  Speaker 6: a lot of them were trying to say something a
• 1:50:52
  Speaker 6: lot of the black exploitation stuff was trying to make
• 1:50:54
  Speaker 6: a point a lot of the the exploitation horror was
• 1:50:58
  Speaker 6: trying to make a point you know and sci-fi was
• 1:51:01
  Speaker 6: definitely trying to make so with this i expected it
• 1:51:03
  Speaker 6: to be like an exploitation version of the defiant ones
• 1:51:06
  Speaker 6: you know you got a black guy and a white
• 1:51:08
  Speaker 6: guy together they're on the run like the defiant ones
• 1:51:11
  Speaker 6: tried to make a point It was making a social.
• 1:51:13
  Speaker 1: Commentary for its day.
• 1:51:15
  Speaker 6: This could have done a stupid, you know, campy version
• 1:51:18
  Speaker 6: of that, but it could have said something.
• 1:51:20
  Speaker 1: It could have made a point at the end, and
• 1:51:22
  Speaker 1: it doesn't even attempt to do that.
• 1:51:23
  Speaker 2: Here's another problem I have with the movie. At the
• 1:51:25
  Speaker 2: beginning of the movie, when the white doctor is interviewing
• 1:51:30
  Speaker 2: the black doctor, and he flat out tells him, like,
• 1:51:33
  Speaker 2: I'm not going to hire you because you're black. you're
• 1:51:35
  Speaker 2: angered and you're upset and you feel a lot of
• 1:51:37
  Speaker 2: sympathy for that guy. By the end of the movie,
• 1:51:39
  Speaker 2: he was just like going with the other guy out
• 1:51:41
  Speaker 2: of spite, you know, which makes.
• 1:51:44
  Speaker 1: You like, I'm not sure what I'm going to do.
• 1:51:47
  Speaker 10: Yeah.
• 1:51:47
  Speaker 2: I mean, you know, and then, and then he would.
• 1:51:49
  Speaker 1: Have killed him in the first scene. Yeah.
• 1:51:52
  Speaker 6: And at the same time, it's like in the beginning,
• 1:51:54
  Speaker 6: he almost does feel like he's siding with him because
• 1:51:56
  Speaker 6: he's the black guy. And I was like, that's not
• 1:51:58
  Speaker 6: even making a point here. That's, that's going to get,
• 1:52:00
  Speaker 6: and that's going with the damn stereotype.
• 1:52:02
  Speaker 1: That's hurting yourself.
• 1:52:03
  Speaker 6: Yeah.
• 1:52:04
  Speaker 2: Yeah, I feel like it was like a negative stereotype.
• 1:52:07
  Speaker 2: It wasn't, you know, it's like he should have done
• 1:52:09
  Speaker 2: what he thought and believed to be right as a doctor.
• 1:52:13
  Speaker 1: Yeah, he would say, you know, I'm going.
• 1:52:15
  Speaker 2: To side with you, brother, you know.
• 1:52:16
  Speaker 6: I don't believe in what you're doing. That should be
• 1:52:19
  Speaker 6: the real thing. It's like, I don't like this white guy,
• 1:52:21
  Speaker 6: but it's right.
• 1:52:22
  Speaker 1: To save him.
• 1:52:23
  Speaker 6: You know, that would have been like the tough call,
• 1:52:26
  Speaker 6: but he felt like he should have made it.
• 1:52:28
  Speaker 1: And instead they're just like, well, you're black. I'm just like, really?
• 1:52:31
  Speaker 2: Yeah.
• 1:52:32
  Speaker 1: It's like, what is your point you're making here? Because, yeah,
• 1:52:34
  Speaker 1: it's stupid.
• 1:52:35
  Speaker 5: During the first chase scene, when he says, get out,
• 1:52:39
  Speaker 5: move over, I'm going to.
• 1:52:40
  Speaker 1: Passenger man. Why did he get in the car? Just
• 1:52:43
  Speaker 1: take off. Just take off. Forget it. I'm going back
• 1:52:48
  Speaker 1: to Minneapolis or wherever I'm from.
• 1:52:50
  Speaker 6: Again, like he seemed like he was, like he even said,
• 1:52:53
  Speaker 6: put the gun away, I'll stick with you.
• 1:52:54
  Speaker 1: And I'm just like, he just liked being on the run. Like,
• 1:52:57
  Speaker 1: what are you doing now?
• 1:52:58
  Speaker 3: Right.
• 1:52:58
  Speaker 1: It's like you were a doctor yesterday. You don't have
• 1:53:01
  Speaker 1: to be on the run.
• 1:53:01
  Speaker 7: That's just one of those things in a really crappy
• 1:53:03
  Speaker 7: movie where the minor characters seem to know that they're
• 1:53:07
  Speaker 7: minor characters so they don't get in the way of
• 1:53:11
  Speaker 7: the people who are.
• 1:53:12
  Speaker 1: If we had a plot. What was that? Moulin Rouge?
• 1:53:17
  Speaker 1: It's like all the minor characters know they're minor characters.
• 1:53:21
  Speaker 7: So we'll just stand back and watch y'all. At some
• 1:53:25
  Speaker 7: point you just it's not even worth trying to parse
• 1:53:29
  Speaker 7: the logic of something that never never had a vision or.
• 1:53:35
  Speaker 5: That's my problem with every musical why do they get
• 1:53:39
  Speaker 5: out of the way and.
• 1:53:40
  Speaker 1: Assume the chorus area why does the chorus move out
• 1:53:45
  Speaker 1: of the way Let's let you have your dance scene. No,
• 1:53:47
  Speaker 1: fuck you. This is my life. Yeah. You know? I
• 1:53:51
  Speaker 1: don't have to clear out of the way. I'm like, okay,
• 1:53:53
  Speaker 1: let's clear out of the way so they can do
• 1:53:55
  Speaker 1: their little hand jive. No, this is my dance. I'm dancing. Yeah.
• 1:53:58
  Speaker 1: You know, I never understood that.
• 1:54:00
  Speaker 3: Yeah.
• 1:54:00
  Speaker 7: Well, it's just one of those conventions in a movie
• 1:54:03
  Speaker 7: that's unlike the thing with two heads because nobody projects
• 1:54:08
  Speaker 7: themselves into it.
• 1:54:09
  Speaker 1: As a fantasy. Right.
• 1:54:11
  Speaker 7: But like in musicals and stuff, The lead people are
• 1:54:14
  Speaker 7: the people that the audience projects themselves into so they
• 1:54:18
  Speaker 7: don't object to everybody getting out of the way of
• 1:54:21
  Speaker 7: their fantasy because in your fantasy, that's what people would do.
• 1:54:25
  Speaker 7: They would get the fuck out of your way. You'd
• 1:54:29
  Speaker 7: drive to work every day and the road would just
• 1:54:31
  Speaker 7: clear in front of you.
• 1:54:33
  Speaker 1: That would be heaven.
• 1:54:35
  Speaker 7: But nobody is going to be projecting into the thing with.
• 1:54:41
  Speaker 7: Because there's nobody in it you want to be, except
• 1:54:43
  Speaker 7: maybe the gorilla.
• 1:54:45
  Speaker 1: I like that gorilla, let me tell you.
• 1:54:47
  Speaker 2: And here's another thing that, I mean, this was in
• 1:54:50
  Speaker 2: the 70s, and this is still a time when, like,
• 1:54:52
  Speaker 2: I mean, racism still exists, obviously, and it's always going to, but, like,
• 1:54:56
  Speaker 2: it wasn't a taboo so much then. I think the
• 1:55:01
  Speaker 2: people that made this movie didn't see racism as this
• 1:55:04
  Speaker 2: horrible thing. You know, like, nowadays, like, Racism is funny
• 1:55:08
  Speaker 2: because collectively we disagree with it so much. But at
• 1:55:13
  Speaker 2: the time, it was funny because you agreed with it.
• 1:55:16
  Speaker 2: And that's what I felt like this movie was.
• 1:55:18
  Speaker 6: This was like the turning point. The 60s sort of
• 1:55:21
  Speaker 6: was that, and you started to see that. And again,
• 1:55:23
  Speaker 6: that's why a lot of the blaxploitation stuff works now.
• 1:55:26
  Speaker 1: Because some of it... Again, it depends on who was
• 1:55:30
  Speaker 1: in charge.
• 1:55:30
  Speaker 6: In the beginning, it was like white guys making money
• 1:55:32
  Speaker 6: off of, you know, haha, we're going to market this
• 1:55:34
  Speaker 6: to this, you know, crowd of, you know, we know
• 1:55:36
  Speaker 6: we can take their money and, you know, we're.
• 1:55:38
  Speaker 1: We're going to make this stupid movie. And then they
• 1:55:40
  Speaker 1: started being like, okay, here. Here's money.
• 1:55:43
  Speaker 6: You go make the... You people know what these guys want.
• 1:55:46
  Speaker 6: So they're giving young black directors money and going, okay.
• 1:55:50
  Speaker 6: Or like producers or just people who are at least
• 1:55:52
  Speaker 6: tapped in enough to know, oh, well, we've got money now.
• 1:55:54
  Speaker 6: I actually kind of want to make a good movie.
• 1:55:56
  Speaker 6: So you go back and you find good stuff.
• 1:55:58
  Speaker 1: In there actually because... They just gave them money and went, okay,
• 1:56:02
  Speaker 1: go make money with it.
• 1:56:03
  Speaker 6: But you start to see, like, there are ones that
• 1:56:05
  Speaker 6: are really racist, and you start to see other ones
• 1:56:07
  Speaker 6: where they start working in, they are playing the social commentary.
• 1:56:10
  Speaker 1: And they're like, no, the world's changing, and you should
• 1:56:13
  Speaker 1: be appalled by this.
• 1:56:14
  Speaker 6: And we kind of are, and we're going to work
• 1:56:16
  Speaker 6: it into the plot so that, you know, our hero
• 1:56:20
  Speaker 6: really is a hero. You're not just being duped to
• 1:56:22
  Speaker 6: go see this movie that's, you know, playing on taking
• 1:56:25
  Speaker 6: your money.
• 1:56:26
  Speaker 1: Because you're black.
• 1:56:27
  Speaker 2: Well, and you have to think, like, there's... At the time,
• 1:56:29
  Speaker 2: there's two schools of thought. Think about, like, all in
• 1:56:32
  Speaker 2: the family. There are people who watch Archie Bunker and
• 1:56:35
  Speaker 2: love Archie Bunker because.
• 1:56:36
  Speaker 1: They agree with what he's saying. Because they like him.
• 1:56:39
  Speaker 2: And then there's people that just find it so absurd
• 1:56:42
  Speaker 2: that he thinks like that. That is why it's funny.
• 1:56:45
  Speaker 2: It's just, like... Again, it's.
• 1:56:47
  Speaker 7: That was kind of the genius of that show, is,
• 1:56:50
  Speaker 7: you know, there are people who cannot express, but they...
• 1:56:57
  Speaker 7: They feel what they feel. They can't express it, so
• 1:56:59
  Speaker 7: they don't care that Archie Bunker is generating laughs for
• 1:57:05
  Speaker 7: people who disagree. That was a good thing.
• 1:57:09
  Speaker 1: About that show. On the other hand, the more liberal
• 1:57:14
  Speaker 1: point of view was also this knee-jerk, ridiculous... I don't
• 1:57:22
  Speaker 1: know where I'm going. It's like people not getting the joke.
• 1:57:25
  Speaker 6: You know, it's like, I mean, the people writing his
• 1:57:28
  Speaker 6: character were making a commentary, and were making him an
• 1:57:31
  Speaker 6: unlikable character, but yet he's our hero.
• 1:57:34
  Speaker 1: Like, giving him these flaws, knowingly making him a racist.
• 1:57:37
  Speaker 7: Yeah.
• 1:57:38
  Speaker 6: But at the same time, there's people watching it going,
• 1:57:40
  Speaker 6: that guy's great. They don't get it.
• 1:57:43
  Speaker 1: It's a joke. They don't realize those are flaws. They
• 1:57:45
  Speaker 1: think he's a good guy.
• 1:57:46
  Speaker 2: It's like the reason my mom loves Joy from My
• 1:57:48
  Speaker 2: Name is Earl.
• 1:57:50
  Speaker 6: It's not a joke to her. She's awesome. There's no
• 1:57:55
  Speaker 6: sense of humor involved. She's just a great girl. I
• 1:57:58
  Speaker 6: don't know what it is about her. I am so
• 1:58:02
  Speaker 6: proud of her. When I watched My Name is Earl,
• 1:58:05
  Speaker 6: I'm like... I know there's probably a lot of that
• 1:58:08
  Speaker 6: in her, Yeah. But at the same time, she just
• 1:58:10
  Speaker 6: taps into something so good.
• 1:58:12
  Speaker 1: She's so good. Right. I have no connection to her.
• 1:58:16
  Speaker 1: I don't have any.
• 1:58:17
  Speaker 5: Because she could have gone down the skanky actress role.
• 1:58:22
  Speaker 1: Yeah, yeah. I mean, she sort of started out that way.
• 1:58:25
  Speaker 1: She did start out that way.
• 1:58:26
  Speaker 6: She's doing Poison Ivy straight-to-DVD movies.
• 1:58:29
  Speaker 5: I don't know, it's kind of like, I'm proud of her.
• 1:58:32
  Speaker 5: I don't have any attachment to her, but I'm proud
• 1:58:35
  Speaker 5: of her for how good she is. She's gotten so
• 1:58:39
  Speaker 5: much better than that stuff that they used to put
• 1:58:41
  Speaker 5: her in.
• 1:58:43
  Speaker 1: I want to throw something out there.
• 1:58:44
  Speaker 2: Okay.
• 1:58:46
  Speaker 5: Because you were talking about blaxploitation and stuff like that,
• 1:58:49
  Speaker 5: and I was thinking about this. I don't think any
• 1:58:51
  Speaker 5: of us have really seen a lot of the Tyler
• 1:58:54
  Speaker 5: Perry films.
• 1:58:56
  Speaker 1: No, I've kind of avoided them. Right, but I've seen
• 1:58:59
  Speaker 1: parts and segments.
• 1:59:00
  Speaker 5: Of them, and there's that African-American theater that over-dramatized traveling
• 1:59:08
  Speaker 5: theater troops that they.
• 1:59:09
  Speaker 1: Had, which a lot of his movies are like. Which
• 1:59:11
  Speaker 1: is ridiculously... Popular. I mean, it's a lot of money.
• 1:59:14
  Speaker 1: It's why he is who he is today. Exactly. He's
• 1:59:17
  Speaker 1: the most successful playwright that's ever lived.
• 1:59:19
  Speaker 6: Right.
• 1:59:19
  Speaker 1: That's crazy, but that's true.
• 1:59:21
  Speaker 5: And he does the Madea stuff, and it almost seems
• 1:59:25
  Speaker 5: like a new, sophisticated blaxploitation.
• 1:59:29
  Speaker 1: Kind of. I mean, you're putting this out there, it's.
• 1:59:31
  Speaker 5: Formulaic, we know what it does, and we know they'll
• 1:59:34
  Speaker 5: come out and buy it.
• 1:59:36
  Speaker 6: It's playing on an audience, a built-in audience, that he
• 1:59:40
  Speaker 6: knows he has his fan base, and That's what I
• 1:59:43
  Speaker 6: don't get with the Medea stuff. I don't know why
• 1:59:46
  Speaker 6: he dumbs it down like that. Because the other stuff,
• 1:59:49
  Speaker 6: it's like he's a smart guy. He writes real characters,
• 1:59:54
  Speaker 6: and these are successful people, and they have jobs and
• 1:59:56
  Speaker 6: lives and families, and all of that's good. Why don't
• 1:59:58
  Speaker 6: you just stick with that? Why does he then dumb
• 2:00:01
  Speaker 6: it down? That just seems downplaying to your audience. I
• 2:00:06
  Speaker 6: guess it sells, but I'm just like, why not? sell
• 2:00:09
  Speaker 6: something better to your audience.
• 2:00:11
  Speaker 1: I don't get that.
• 2:00:11
  Speaker 5: I almost feel like if I were African American, that
• 2:00:15
  Speaker 5: I would be insulted like.
• 2:00:16
  Speaker 1: I'm kind of insulted by it. He knows what he's doing.
• 2:00:19
  Speaker 1: He knows what he's doing. Yeah.
• 2:00:21
  Speaker 6: He knows that we'll all go out and buy it.
• 2:00:23
  Speaker 6: And he's making money off of them. And I'm just like,
• 2:00:25
  Speaker 6: that seems so wrong.
• 2:00:26
  Speaker 1: And I know he does great things for the public.
• 2:00:29
  Speaker 6: He does.
• 2:00:29
  Speaker 1: And does great things for... I've seen him and I
• 2:00:31
  Speaker 1: really like When I've seen him in interviews, he's a smart,
• 2:00:35
  Speaker 1: smart man. He really is. I just feel like there's
• 2:00:38
  Speaker 1: a certain amount of manipulation. There is. I agree. It
• 2:00:42
  Speaker 1: really rubs me the wrong way. And I've been manipulated
• 2:00:45
  Speaker 1: by other things for me as well. Again, there's times
• 2:00:49
  Speaker 1: when I'm fine with that.
• 2:00:49
  Speaker 6: Like I said, with the whole sideshow aspect. If he
• 2:00:53
  Speaker 6: felt like he knew it was a joke and he's
• 2:00:55
  Speaker 6: playing along with it, but he doesn't. He presents it
• 2:00:57
  Speaker 6: as though it's serious. And it's sort of duping you
• 2:01:00
  Speaker 6: in with this Madea slapstick bullshit and taking your money.
• 2:01:04
  Speaker 6: And I think that is sort of like he's hiding
• 2:01:07
  Speaker 6: it a little more than he needs.
• 2:01:09
  Speaker 1: To, I think. I don't know. I think he's.
• 2:01:11
  Speaker 6: Playing too much on that and bringing people in too
• 2:01:14
  Speaker 6: much with that when I think he could just as
• 2:01:16
  Speaker 6: easily write a good screenplay without the slapstick and without
• 2:01:20
  Speaker 6: the over-the-top bullshit. But, I don't know, I guess that
• 2:01:23
  Speaker 6: doesn't sell the same, so... Madea goes to jail, makes
• 2:01:27
  Speaker 6: a million dollars, you know, it's... But he could.
• 2:01:30
  Speaker 5: Say the same thing of, It's an earnest movie.
• 2:01:33
  Speaker 1: But those were stupid too. He could say the same thing.
• 2:01:38
  Speaker 1: Jim Varney, why are you doing this? And I agree.
• 2:01:42
  Speaker 1: Blue collar comedy. I agree. Nexploitation. Those are dumb. You
• 2:01:48
  Speaker 1: are a genius. Nexploitation.
• 2:01:51
  Speaker 6: And I will certainly go on the record and say
• 2:01:53
  Speaker 6: it's exploiting another audience. And they're dumbing it down and
• 2:01:57
  Speaker 6: they know those people are going to show up and
• 2:01:58
  Speaker 6: pay for tickets every damn time.
• 2:02:01
  Speaker 1: And that's equally as wrong.
• 2:02:03
  Speaker 6: I think white or black, quit dumbing it down for
• 2:02:06
  Speaker 6: whatever audience you're going for.
• 2:02:07
  Speaker 2: It's a lot like the movie Idiocracy.
• 2:02:10
  Speaker 1: It is. And we're coming to that as a society.
• 2:02:14
  Speaker 7: You know, you forget when you're around, when you hang
• 2:02:17
  Speaker 7: out with people who have a sense of humor and
• 2:02:23
  Speaker 7: some discernment. just how, like, many people there really are
• 2:02:27
  Speaker 7: who just don't have that.
• 2:02:29
  Speaker 1: No. And.
• 2:02:30
  Speaker 6: You have to go with the lowest common denominator for
• 2:02:33
  Speaker 6: them to get it.
• 2:02:34
  Speaker 1: Yeah.
• 2:02:35
  Speaker 7: I mean, it surprises me sometimes, like, how many people
• 2:02:38
  Speaker 7: just don't get jokes. Yeah.
• 2:02:41
  Speaker 1: Like, really pretty rudimentary jokes.
• 2:02:44
  Speaker 7: Because, you know, I live in a pretty sheltered world, like,
• 2:02:48
  Speaker 7: My kids will get jokes. And then, you know, I
• 2:02:53
  Speaker 7: get out and I'm among people I don't know, and
• 2:02:55
  Speaker 7: it just surprises me.
• 2:02:57
  Speaker 1: You know, it's, I guess, culture is not for everybody. Sadly,
• 2:03:04
  Speaker 1: that's true.
• 2:03:04
  Speaker 7: There are people in there like really good people, but
• 2:03:08
  Speaker 7: you can't have anything but the most rudimentary kind of
• 2:03:12
  Speaker 7: conversation with them. And if you try to say something
• 2:03:15
  Speaker 7: that's a little bit.
• 2:03:18
  Speaker 7: Like tongue-in-cheek or facetious, they just get lost.
• 2:03:22
  Speaker 1: Don't get it or are insulted by it because they
• 2:03:24
  Speaker 1: got it wrong. Right.
• 2:03:26
  Speaker 7: I don't know. But, yeah, I mean, a big portion
• 2:03:30
  Speaker 7: of the population, I guess that's what stuff is dumbed
• 2:03:34
  Speaker 7: down for is just to keep people on board.
• 2:03:36
  Speaker 6: And that's why we want a 20-minute motocross race chasing people.
• 2:03:42
  Speaker 1: Where they work in jumps.
• 2:03:43
  Speaker 6: And people go, oh, dude, did you see that car jump?
• 2:03:46
  Speaker 1: That's old, I'm sure.
• 2:03:47
  Speaker 6: Somewhere in 1972, they thought that was fucking awesome because
• 2:03:51
  Speaker 6: a police car just wrecked. This was the era when
• 2:03:54
  Speaker 6: that became the coolest fucking thing in the world.
• 2:03:56
  Speaker 1: And that's why... The car wrecks in Blue Brothers is funny.
• 2:04:00
  Speaker 6: Yeah, because, again, it's satire. It's not being serious about it.
• 2:04:05
  Speaker 6: It knows how stupid it is. That's why it's doing it.
• 2:04:07
  Speaker 2: That's why, I mean, the term in itself, mainstream, it
• 2:04:11
  Speaker 2: has such a negative connotation.
• 2:04:12
  Speaker 1: It should. Those people deserve it.
• 2:04:15
  Speaker 2: And it's hard to say, but half... And I, as
• 2:04:19
  Speaker 2: a person who over the weekend, under unfortunate circumstances, had
• 2:04:23
  Speaker 2: to go to both Walmart and McDonald's.
• 2:04:25
  Speaker 1: And the tractor pool. And the tractor pool. You kicked
• 2:04:28
  Speaker 1: off the show. Yeah, this is not making us look good.
• 2:04:31
  Speaker 2: The majority of the population is... They're fucking morons.
• 2:04:35
  Speaker 1: Oh, they are. Especially fucking Walmart. Oh, my God.
• 2:04:38
  Speaker 2: I got approached by this meth addict lady who was like, okay,
• 2:04:42
  Speaker 2: this is my fault for, A, being in Walmart, being
• 2:04:46
  Speaker 2: in Walmart after 11 o'clock, and trying to reason with
• 2:04:49
  Speaker 2: someone who's clearly on drugs. She has a car full
• 2:04:53
  Speaker 2: of baby stuff, you know? And I'm buying $ 10 worth
• 2:04:58
  Speaker 2: of stuff. I have a $ 20 bill. She's like, I've
• 2:05:02
  Speaker 2: got this gift card. My LG and E's about to
• 2:05:04
  Speaker 2: be cut off. I try to return something. All they
• 2:05:06
  Speaker 2: gave me is this gift card, and I need the cash.
• 2:05:08
  Speaker 2: And I was like, I would love to help you out.
• 2:05:11
  Speaker 2: I have $ 10 worth of things. If you scan your
• 2:05:15
  Speaker 2: gift card... I only have this $ 20. I cannot give
• 2:05:18
  Speaker 2: you $ 20 for my $ 10 worth of purchase. That's giving
• 2:05:20
  Speaker 2: you $ 10. I couldn't explain that to her. She could
• 2:05:24
  Speaker 2: not understand. I'm like, it's simple fucking mathematics, lady.
• 2:05:29
  Speaker 1: Okay, that right there is why she doesn't get it.
• 2:05:32
  Speaker 1: I'm so frustrated. Yeah, but in her defense, earlier tonight,
• 2:05:36
  Speaker 1: we couldn't buy bagels.
• 2:05:38
  Speaker 5: Because I didn't have enough change, Brian didn't have the
• 2:05:41
  Speaker 5: right change, and neither.
• 2:05:42
  Speaker 1: Did Fred, so we're just like, okay, we'll just owe you.
• 2:05:45
  Speaker 1: This involves a man. I was going to call my son. Yeah,
• 2:05:49
  Speaker 1: he was going to call for help. Okay, subtract the
• 2:05:53
  Speaker 1: bagel holes.
• 2:05:55
  Speaker 6: Okay, you owe him 13 cents.
• 2:05:59
  Speaker 1: You're getting pumpernickel.
• 2:06:00
  Speaker 7: That reminds me of one time I was at a Lowe's,
• 2:06:04
  Speaker 7: and I was trying to get two pieces of, eight-foot
• 2:06:07
  Speaker 7: pieces of wood, four-foot pieces of wood, and the four-foot
• 2:06:12
  Speaker 7: wood didn't have, like, a barcode on it. So the
• 2:06:15
  Speaker 7: guy there, he'd already been, like, he'd taken a half
• 2:06:18
  Speaker 7: hour trying to work through the people in front of me.
• 2:06:22
  Speaker 7: So I was already at the point where I was
• 2:06:23
  Speaker 7: making a scene and my kids were embarrassed to be
• 2:06:26
  Speaker 7: seen with me.
• 2:06:27
  Speaker 1: I was saying stuff like, kids, remember.
• 2:06:32
  Speaker 7: It was a happier, simpler time before we ever came
• 2:06:35
  Speaker 7: into this Lowe's.
• 2:06:37
  Speaker 1: Those were the days.
• 2:06:39
  Speaker 7: And I get up, and the guy, and he's like, oh,
• 2:06:41
  Speaker 7: there's not a price on this.
• 2:06:43
  Speaker 1: We'll have to go.
• 2:06:45
  Speaker 7: I said, they're four-foot pieces of the same lumber. It's
• 2:06:48
  Speaker 7: like they add up to the same price as the
• 2:06:51
  Speaker 7: eight-foot piece. And he looks at me like I'm crazy.
• 2:06:55
  Speaker 7: I'm like, no, really, I saw the price. It's the
• 2:06:59
  Speaker 7: same wood.
• 2:07:00
  Speaker 1: These are four foot. Two of them are the same
• 2:07:02
  Speaker 1: as an eight foot piece. And he looks at me. Jesus.
• 2:07:06
  Speaker 1: I ain't got time for this new math. You and
• 2:07:09
  Speaker 1: your crazy math logic. So he has to like get
• 2:07:12
  Speaker 1: somebody to go and find. Doesn't matter. You have to
• 2:07:17
  Speaker 1: have a code. This is the future. You have to
• 2:07:19
  Speaker 1: have a barcode. Can't do it without a barcode.
• 2:07:23
  Speaker 6: The system shuts down without the numbers.
• 2:07:25
  Speaker 2: I looked at Jessica and I was like, I will
• 2:07:27
  Speaker 2: never let you drag me into Walmart again. I hate
• 2:07:29
  Speaker 2: you for this.
• 2:07:30
  Speaker 1: I hate you.
• 2:07:32
  Speaker 5: Well, that's the other thing you look at and you go,
• 2:07:35
  Speaker 5: why are you buying baby shit if your power is
• 2:07:36
  Speaker 5: getting shut off or whatever?
• 2:07:38
  Speaker 1: Just go home. Save your money.
• 2:07:40
  Speaker 12: Whatever.
• 2:07:41
  Speaker 6: Put your money towards keeping the lights on. They don't
• 2:07:44
  Speaker 6: need new footie pajamas.
• 2:07:46
  Speaker 2: Well, no, it was like infamil on diapers.
• 2:07:48
  Speaker 1: All right, I guess you need those.
• 2:07:50
  Speaker 5: Well, I have no, I'm going to probably get flack
• 2:07:53
  Speaker 5: for this, but, you know, anybody that is poor that
• 2:07:57
  Speaker 5: spends money on baby food.
• 2:08:01
  Speaker 1: I'm sorry. Unless you have a problem, you know.
• 2:08:07
  Speaker 2: I kind of thought that, too, but then I was
• 2:08:09
  Speaker 2: just like, this woman is clearly on drugs.
• 2:08:10
  Speaker 1: Yeah, you don't want that in the baby. That would
• 2:08:13
  Speaker 1: make sense.
• 2:08:13
  Speaker 7: My daughter and I were wandering around in Cincinnati. She
• 2:08:16
  Speaker 7: was there for a portfolio review. And this lady came
• 2:08:19
  Speaker 7: up to us and said she needed money for a
• 2:08:22
  Speaker 7: grandbaby for formula. It's called Infamil. Okay, I believed you
• 2:08:28
  Speaker 7: up until you told me the brand name. Because now
• 2:08:31
  Speaker 7: you're trying to convince me. Yeah, you're working too hard
• 2:08:34
  Speaker 7: on the story. That's the thing.
• 2:08:37
  Speaker 1: That's why it's a story.
• 2:08:38
  Speaker 7: To me, it's like when I'm watching a movie, they're
• 2:08:40
  Speaker 7: trying to tell you this idea. If they skim wrong,
• 2:08:43
  Speaker 7: if they tell you the wrong thing, it's like, why
• 2:08:46
  Speaker 7: are they doing the long list of surgical devices? They're
• 2:08:50
  Speaker 7: saying it's called infamil... It's like, okay.
• 2:08:53
  Speaker 1: You're telling me too much. It's a mosquito plant. I
• 2:08:55
  Speaker 1: don't believe you anymore.
• 2:08:56
  Speaker 2: Too much information equals a lot.
• 2:08:58
  Speaker 7: So when she said that, it's like, okay, it's crack,
• 2:09:02
  Speaker 7: but all I've got is a 20, and I'm not
• 2:09:04
  Speaker 7: giving you a 20. So then we found some place
• 2:09:07
  Speaker 7: to get coffee later. You know, I've got wands and stuff.
• 2:09:11
  Speaker 7: And I see her again. I'm like, here, you can
• 2:09:13
  Speaker 7: have a couple of wands. Go get your crack.
• 2:09:17
  Speaker 2: Yeah, I was driving home from somewhere on the weekend once,
• 2:09:21
  Speaker 2: and it was like 2 in the morning. And this
• 2:09:23
  Speaker 2: lady tries to stop me at the stop sign and
• 2:09:25
  Speaker 2: tell me she needs money for her kids. I'm like, lady,
• 2:09:27
  Speaker 2: it's like 2 in the morning. Your kids need to
• 2:09:30
  Speaker 2: eat right now?
• 2:09:31
  Speaker 1: And number two, like.
• 2:09:34
  Speaker 18: welfare system i mean fuck you you've got it better
• 2:09:38
  Speaker 18: than me i have to spend twenty thousand dollars a
• 2:09:41
  Speaker 18: year on college you have to sit in your apartment
• 2:09:44
  Speaker 18: and let the government feed your kids like all you
• 2:09:47
  Speaker 18: have to do is like breathe the guy.
• 2:09:50
  Speaker 7: For money because he's broke he's like you're not broke
• 2:09:57
  Speaker 7: i've got like $ 17, 000 I owe to Visa.
• 2:10:01
  Speaker 1: I'm broke. You're even. You're even. You need to take
• 2:10:04
  Speaker 1: on some responsibility. Work your way up to being broke. Yeah, really.
• 2:10:08
  Speaker 5: We'll fire you for a credit card and you can
• 2:10:10
  Speaker 5: give me some money. No, the best, though, was when
• 2:10:12
  Speaker 5: Brian and I were coming from the Flyover Film Fest.
• 2:10:17
  Speaker 5: This African-American guy sells out his race. to get a
• 2:10:22
  Speaker 5: few dollars from me. He gave me this whole story
• 2:10:24
  Speaker 5: about how he doesn't trust black people in Louisville because
• 2:10:29
  Speaker 5: they don't care about their own kind and that they
• 2:10:32
  Speaker 5: won't help him out and that he came to me
• 2:10:34
  Speaker 5: because he knew he would help.
• 2:10:37
  Speaker 1: This is an interesting way to look at fiction.
• 2:10:40
  Speaker 7: It's just what people will make up to tell you
• 2:10:43
  Speaker 7: to get a few bucks.
• 2:10:44
  Speaker 1: That is like the purest form of... Of fiction. Right there. Man,
• 2:10:49
  Speaker 1: I don't... I'm from... Because he found out that I
• 2:10:52
  Speaker 1: was from Indiana, and he's like, oh, man, I'm from.
• 2:10:56
  Speaker 5: And he shook my hand, and he's like, I'm glad
• 2:10:58
  Speaker 5: you're not from Louisville, because I don't trust these black
• 2:11:00
  Speaker 5: people from Louisville.
• 2:11:00
  Speaker 1: I'm like, you are selling out your race. First of all,
• 2:11:03
  Speaker 1: you're selling out your race. Second of all, you know
• 2:11:05
  Speaker 1: I'm white, right? I'm like, what are you... What?
• 2:11:09
  Speaker 5: Then he's making up parts of town that he has
• 2:11:11
  Speaker 5: to get to to catch the bus, and the bus
• 2:11:14
  Speaker 5: station's like.
• 2:11:15
  Speaker 1: A block away.
• 2:11:16
  Speaker 6: And he's trying to get to, yeah, the Greyhound. And
• 2:11:18
  Speaker 6: he named this little town he's from. I'm like, dude,
• 2:11:20
  Speaker 6: Greyhound does not go to that town. I can tell
• 2:11:23
  Speaker 6: you now.
• 2:11:23
  Speaker 7: One of my favorite local hobos just comes up and
• 2:11:27
  Speaker 7: says like, Yeah, man, I ain't going to kid you.
• 2:11:30
  Speaker 7: I just want to get a beer or something to drink.
• 2:11:32
  Speaker 1: I'm like, all right. I would give that person money
• 2:11:34
  Speaker 1: for anyone. It's a worthy cause.
• 2:11:37
  Speaker 6: I understand that one. I'm not on board with it,
• 2:11:40
  Speaker 6: but at least you're telling the truth.
• 2:11:42
  Speaker 1: Well, it depends.
• 2:11:43
  Speaker 7: I mean, it's his tone, too, because I remember once
• 2:11:46
  Speaker 7: in Milwaukee, like I was stopped there, and I've got
• 2:11:48
  Speaker 7: about an hour to find something to eat, and I
• 2:11:50
  Speaker 7: had like a thing that I liked to get back then.
• 2:11:53
  Speaker 1: So I'm walking around, and this guy says, man, I
• 2:11:56
  Speaker 1: need a pack of cigarettes.
• 2:11:57
  Speaker 15: Oh, my God.
• 2:11:58
  Speaker 1: Yeah, I need a spinach salad. I'm trying to... Can
• 2:12:01
  Speaker 1: you tell me if I can get a spinach salad?
• 2:12:04
  Speaker 1: And then we'll talk about your package. That will probably
• 2:12:09
  Speaker 1: shut every one of them down. No matter what. I've
• 2:12:12
  Speaker 1: got needs. What about my needs? No matter what they're
• 2:12:16
  Speaker 1: asking for, that will probably stop it. Fuck, I don't know.
• 2:12:20
  Speaker 16: Leave me alone.
• 2:12:21
  Speaker 2: I'm going to do that next time anyone asks me
• 2:12:23
  Speaker 2: for money. If they're like....
• 2:12:26
  Speaker 1: Man, I need this.
• 2:12:27
  Speaker 2: I'm probably like, I have $ 12, 000 worth of medical debt.
• 2:12:30
  Speaker 2: I have $ 40, 000 worth of student loan debt. And I
• 2:12:34
  Speaker 2: work 40 hours a week to pay for your children
• 2:12:38
  Speaker 2: to eat. How about you give me a fucking dollar, asshole?
• 2:12:44
  Speaker 1: And a spinach salad.
• 2:12:47
  Speaker 7: Go give me one now it doesn't bother me so
• 2:12:49
  Speaker 7: much as like if you pull through a mcdonald's and
• 2:12:52
  Speaker 7: ronald mcdonald is asking me if i want to donate
• 2:12:55
  Speaker 7: some money what the fuck ronald i think you got
• 2:12:59
  Speaker 7: a few bags of money.
• 2:13:00
  Speaker 1: Down there somewhere what are.
• 2:13:02
  Speaker 6: You asking me for and i like when they ask
• 2:13:05
  Speaker 6: you now it's not even like one of the other
• 2:13:07
  Speaker 6: one of the yum brands just kind of went that
• 2:13:09
  Speaker 6: like it wasn't even like the ronald just has that
• 2:13:11
  Speaker 6: cup up there on the mountain on the wall but
• 2:13:13
  Speaker 6: like Yeah, the one while I was still at the
• 2:13:15
  Speaker 6: drive-thru went, would you like to donate a dollar to it?
• 2:13:18
  Speaker 1: I was like, no, I'd like to donate a dollar
• 2:13:20
  Speaker 1: to another taco, bitch. It's like, hook me up with one.
• 2:13:25
  Speaker 6: I'm scraping together pennies to buy a dollar menu item.
• 2:13:29
  Speaker 1: Why am I donating money to anybody? I might not
• 2:13:32
  Speaker 1: eat tomorrow.
• 2:13:33
  Speaker 4: Yeah.
• 2:13:33
  Speaker 6: I'm like, if I had real money, I wouldn't be
• 2:13:35
  Speaker 6: at the dollar menu, now would I? Yeah.
• 2:13:38
  Speaker 1: I had to dig for change. Jesus.
• 2:13:40
  Speaker 2: I don't think I ever fully appreciated the irony of some, like,
• 2:13:45
  Speaker 2: megalo corporation, like, asking you for money to support a charity.
• 2:13:49
  Speaker 2: Fuck that shit. I'm going to protest that. I'm protesting.
• 2:13:53
  Speaker 2: Sorry to protest.
• 2:13:54
  Speaker 1: Oh, Lord.
• 2:13:55
  Speaker 6: Right.
• 2:13:56
  Speaker 1: No, I'll give you the money. That's just the thing.
• 2:13:58
  Speaker 5: We give them the money, and they use that money,
• 2:14:01
  Speaker 5: and they write off that money because they donated it
• 2:14:04
  Speaker 5: for them.
• 2:14:05
  Speaker 1: I'm going to donate it, and I'm going to write
• 2:14:07
  Speaker 1: it off.
• 2:14:07
  Speaker 2: I mean, you know those boxes they have attached to
• 2:14:09
  Speaker 2: the drive-thru at McDonald's? They probably spent like $ 8, 000 for
• 2:14:11
  Speaker 2: that box.
• 2:14:13
  Speaker 1: Right, right. For the research and development to find out
• 2:14:17
  Speaker 1: if that would work.
• 2:14:18
  Speaker 2: What cars would appeal to you and your sympathy to
• 2:14:20
  Speaker 2: make you want.
• 2:14:21
  Speaker 1: To drive it? Yeah, that's, yeah. Give me that number.
• 2:14:24
  Speaker 1: All they need to do is send a guy around
• 2:14:26
  Speaker 1: once a day to pick up the change that gets
• 2:14:28
  Speaker 1: dropped out that window. Yeah, really. People go, I ain't
• 2:14:32
  Speaker 1: getting that. That's like 42 cents. Fuck it. I don't know.
• 2:14:36
  Speaker 2: What's wrong with America?
• 2:14:37
  Speaker 1: Is it a quarter? Nah, I ain't getting it. Whatever.
• 2:14:40
  Speaker 1: I didn't drop a dollar. I mean, fuck it.
• 2:14:43
  Speaker 5: You know, I'm going to start working at a drive-thru
• 2:14:46
  Speaker 5: and I'm going to intentionally drop everybody's change.
• 2:14:49
  Speaker 1: I'll make more money than anybody. I was like, no,
• 2:14:51
  Speaker 1: I don't need to get paid. At the end of
• 2:14:53
  Speaker 1: my shift, I'm going to go get a broom and
• 2:14:54
  Speaker 1: sweep up. His car is driving over a pile of change.
• 2:14:58
  Speaker 1: Because nobody's going to get out of it.
• 2:15:04
  Speaker 5: If you're too lazy to go inside to get your burger,
• 2:15:06
  Speaker 5: you're too lazy to get out of your car to
• 2:15:08
  Speaker 5: get a change.
• 2:15:09
  Speaker 2: That's a brilliant point. That's way more effective than short-changing people.
• 2:15:13
  Speaker 1: It's like, sorry about your shit.
• 2:15:20
  Speaker 5: Don't just drop it, just throw it down.
• 2:15:23
  Speaker 7: For those of y'all listening, that's a lot funnier with
• 2:15:26
  Speaker 7: the gesture.
• 2:15:26
  Speaker 1: Yeah, I forget that we're a podcast. The gesture really
• 2:15:31
  Speaker 1: sort of tops that off.
• 2:15:33
  Speaker 2: We need to be a television show.
• 2:15:35
  Speaker 1: No, we don't.
• 2:15:36
  Speaker 2: Or a fucking public access channel.
• 2:15:38
  Speaker 6: As long as you can fund it, because that takes
• 2:15:40
  Speaker 6: a hell of a lot more money.
• 2:15:42
  Speaker 7: Well, what we need is just like somebody who will
• 2:15:44
  Speaker 7: translate for the visually impaired.
• 2:15:49
  Speaker 1: Is Garrett Morris out there? Here's a podcast for the
• 2:15:53
  Speaker 1: hard of hearing.
• 2:15:54
  Speaker 7: Greg is making a large hand gesture of throwing money
• 2:16:01
  Speaker 7: very demonstrative.
• 2:16:04
  Speaker 2: That would actually be quite bad because in addition to
• 2:16:09
  Speaker 2: Misty and I worrying about how we sound on air,
• 2:16:11
  Speaker 2: we'd be worried about how we look.
• 2:16:13
  Speaker 1: Oh, yeah. Nobody wants to look at me. Again, there's
• 2:16:15
  Speaker 1: a reason we're a podcast.
• 2:16:16
  Speaker 7: And I was worried about how I sound. Like, right
• 2:16:19
  Speaker 7: before I came over here, I said, I'm going to
• 2:16:21
  Speaker 7: try to make my voice sound a little more pleasant
• 2:16:23
  Speaker 7: because there's this, like, lazy drag in my voice. And
• 2:16:28
  Speaker 7: my wife is like, mm-hmm. I'm like, oh, thanks.
• 2:16:31
  Speaker 1: Thanks. There's your spouse for you.
• 2:16:36
  Speaker 2: I mean, this is true for everybody, but I sound
• 2:16:38
  Speaker 2: completely different on air than I do in my head.
• 2:16:40
  Speaker 2: So I hear my voice, I'm like, God, that's what
• 2:16:43
  Speaker 2: I sound like.
• 2:16:44
  Speaker 1: Well, unfortunately, I think I'm about the same.
• 2:16:46
  Speaker 2: Everyone thinks that. Well, everyone thinks that they sound different
• 2:16:50
  Speaker 2: other than you.
• 2:16:50
  Speaker 1: Right, other than me.
• 2:16:52
  Speaker 7: I can sound like I sound in my head, but
• 2:16:55
  Speaker 7: I have to make an effort to do it.
• 2:16:57
  Speaker 6: I think I've just listened to myself so much now
• 2:16:59
  Speaker 6: that I've started to replace that.
• 2:17:01
  Speaker 1: With how I actually sound.
• 2:17:02
  Speaker 5: All I know is I think I'm a lot more
• 2:17:04
  Speaker 5: intelligent in my head than I am in the real world.
• 2:17:06
  Speaker 1: You go back and listen to the show and go,
• 2:17:07
  Speaker 1: who is this dumbass? Oh, wait, that's me.
• 2:17:10
  Speaker 7: I think I'm a lot funnier in my head than
• 2:17:12
  Speaker 7: I really am. Although, I think I'm funnier as soon
• 2:17:16
  Speaker 7: as we stop a segment, and then I get funny
• 2:17:19
  Speaker 7: for a while, and then we start again.
• 2:17:21
  Speaker 1: It's a shame you guys are missing out at home.
• 2:17:24
  Speaker 1: That what I should have said moment is like, oh,
• 2:17:27
  Speaker 1: I would have been so funny.
• 2:17:29
  Speaker 6: We'll give that to Garrett, too. So while you were gone,
• 2:17:32
  Speaker 6: Fred said some really funny shit. Can we get Garrett
• 2:17:37
  Speaker 6: Morris on the show? I wish we could, because that
• 2:17:39
  Speaker 6: guy's awesome.
• 2:17:41
  Speaker 1: Garrett Morris is hilarious. I think when I was.
• 2:17:44
  Speaker 7: In a hotel somewhere, I saw him on some made-for-kids movie.
• 2:17:48
  Speaker 1: He still does?
• 2:17:49
  Speaker 6: Yeah.
• 2:17:50
  Speaker 1: Up in stuff, yeah.
• 2:17:51
  Speaker 6: He's still a character actor out there, and I wish
• 2:17:54
  Speaker 6: he would turn up in more stuff, because he is hilarious.
• 2:17:56
  Speaker 2: Ain't it? I mean, I have those, like, being dumber
• 2:17:59
  Speaker 2: speaking than I am in my head. Like, I was in, like,
• 2:18:02
  Speaker 2: my sociology class the other day, and I'm already self-conscious
• 2:18:05
  Speaker 2: because I'm the oldest fucking person in the class. Everyone's, like, 18.
• 2:18:09
  Speaker 2: I'm like, look at you guys going to college right
• 2:18:14
  Speaker 2: after high school.
• 2:18:15
  Speaker 1: Stupid. Going right to college. Idiots.
• 2:18:19
  Speaker 6: Yeah.
• 2:18:20
  Speaker 1: You don't know nothing about life.
• 2:18:22
  Speaker 2: I said something, like, that was, like, a intelligent, like,
• 2:18:26
  Speaker 2: valid thought, and it just, like, fizzled off, like, halfway
• 2:18:30
  Speaker 2: through my sentence, and I just, like, stopped talking.
• 2:18:33
  Speaker 1: I'm like, I don't remember what I was going to say.
• 2:18:36
  Speaker 1: The less you can say, the smarter you sound.
• 2:18:39
  Speaker 6: Yeah.
• 2:18:39
  Speaker 1: As we ramble on four hours later.
• 2:18:42
  Speaker 2: Yeah.
• 2:18:43
  Speaker 1: We don't put on airs. We know who we saw.
• 2:18:46
  Speaker 6: As our movie discussion has devolved into making fun of
• 2:18:50
  Speaker 6: Ronald McDonald and The welfare system.
• 2:18:53
  Speaker 1: Making hand gestures on a podcast, you know.
• 2:18:58
  Speaker 2: Watch this.
• 2:18:59
  Speaker 1: It's different than the one we usually make.
• 2:19:01
  Speaker 2: Who was it that said you're watching Movie Meltdown?
• 2:19:04
  Speaker 1: Several people.
• 2:19:05
  Speaker 6: I've got a collection of people saying you're watching Movie Meltdown.
• 2:19:09
  Speaker 1: Oh, man. So, the thing with two heads. How would
• 2:19:12
  Speaker 1: you like to wrap that up?
• 2:19:14
  Speaker 2: Yeah, don't do it.
• 2:19:17
  Speaker 1: Again, I think there's a great premise there.
• 2:19:19
  Speaker 6: I think it could have been a great 70s exploitation
• 2:19:23
  Speaker 6: campy comedy, and they don't play on the comedy. It
• 2:19:27
  Speaker 6: never becomes the comedy it should have been. It tries
• 2:19:30
  Speaker 6: to be an action movie. It tries to be a
• 2:19:33
  Speaker 6: I don't know. It doesn't even try to play up
• 2:19:35
  Speaker 6: the exploitation, really. It doesn't even address any of the
• 2:19:38
  Speaker 6: black-white issues that it's banking on in this.
• 2:19:41
  Speaker 1: So, yeah, I think that's the problem, is it never
• 2:19:43
  Speaker 1: delivers on any of.
• 2:19:44
  Speaker 6: These things it throws out there and touches on and
• 2:19:49
  Speaker 6: never follows through with.
• 2:19:50
  Speaker 7: It's amazing just how lazy it is.
• 2:19:53
  Speaker 1: It was lazy.
• 2:19:53
  Speaker 7: It's just ridiculously lazy. The conception of the story is
• 2:19:57
  Speaker 7: so lazy. But then, like any movie, it had to
• 2:20:00
  Speaker 7: be so much time and work and effort to go out.
• 2:20:04
  Speaker 1: Setting up this fucking chase scene. I mean, doing... Although, did.
• 2:20:07
  Speaker 5: You notice with the one car wreck that went down
• 2:20:10
  Speaker 5: the hill and rolled, they showed it from four.
• 2:20:13
  Speaker 1: Different angles and made it look like it was four
• 2:20:15
  Speaker 1: different wrecks? I was like, hey, he's hiding in the trees. Oh,
• 2:20:18
  Speaker 1: because they had to shoot it from that angle.
• 2:20:20
  Speaker 2: That was kind of a creative use of.
• 2:20:23
  Speaker 1: I mean, they had a few.
• 2:20:25
  Speaker 6: At the very beginning, when you get the gorilla run
• 2:20:28
  Speaker 6: past that crazy swooping around camera angle, again, that was
• 2:20:32
  Speaker 6: in the beginning where I was like, okay, are we
• 2:20:34
  Speaker 6: in for something kind.
• 2:20:35
  Speaker 1: Of visually interesting? Because that one shot was cool, and
• 2:20:39
  Speaker 1: then it stops.
• 2:20:40
  Speaker 5: When all the people were running out of the store,
• 2:20:43
  Speaker 5: it's almost like they're down in a manhole.
• 2:20:45
  Speaker 1: Shooting that angle, and it just looks so... I mean,
• 2:20:47
  Speaker 1: it's a really neat shot. And I was like, this is...
• 2:20:50
  Speaker 1: Well made.
• 2:20:51
  Speaker 6: Yeah, there was a minute where it had potential and
• 2:20:53
  Speaker 6: then it all went to hell.
• 2:20:54
  Speaker 2: The part I think there, it's like when they first
• 2:20:56
  Speaker 2: get on that motorbike and it's like you're, the camera
• 2:21:00
  Speaker 2: is like on the bike and, you know, it, what
• 2:21:03
  Speaker 2: was it? You remember that ride at the River Falls Mall?
• 2:21:05
  Speaker 2: The simulator?
• 2:21:06
  Speaker 6: Oh, yeah.
• 2:21:07
  Speaker 2: That's what it felt like. I'm like, oh, man, it's
• 2:21:09
  Speaker 2: going to be a fucking simulator movie. But it wasn't,
• 2:21:12
  Speaker 2: thank God.
• 2:21:13
  Speaker 1: Another one of those.
• 2:21:14
  Speaker 6: Instead it was a mannequin strapped to a dirt bike
• 2:21:17
  Speaker 6: for a half hour.
• 2:21:18
  Speaker 1: With another person. With another mannequin head strapped onto the side.
• 2:21:23
  Speaker 5: You would think that that would be the, oh my god,
• 2:21:26
  Speaker 5: look how bad this.
• 2:21:28
  Speaker 1: you know, this fake head is on this person. And
• 2:21:30
  Speaker 1: I liked those scenes. Those parts.
• 2:21:33
  Speaker 2: It was a very good fake head.
• 2:21:35
  Speaker 6: And actually, yeah, when they were doing the surgery, that
• 2:21:37
  Speaker 6: was a good fake head. You could tell it was fake,
• 2:21:40
  Speaker 6: but I was like, that's where their budget went.
• 2:21:42
  Speaker 1: Right. Because it was, like, moving at points. Yeah.
• 2:21:44
  Speaker 6: And then, like, it really did look just like that actor.
• 2:21:47
  Speaker 6: And then when they put it on, there was a
• 2:21:49
  Speaker 6: pretty good switch over. Like, that part was well done. Again,
• 2:21:53
  Speaker 6: it's a shame it's in the rest of this horrible put-together... project,
• 2:21:57
  Speaker 6: but yeah, that fake head they had in those scenes,
• 2:22:01
  Speaker 6: they weren't badly done for the budget.
• 2:22:04
  Speaker 1: They were on.
• 2:22:05
  Speaker 5: Even when it was the two of them and they
• 2:22:06
  Speaker 5: were showing it, I mean, you could tell, yes, he
• 2:22:09
  Speaker 5: was piggybacking on it, but it still looked.
• 2:22:13
  Speaker 1: I don't know. It still looked alright.
• 2:22:14
  Speaker 6: Again, that could have been not the problem. If what
• 2:22:18
  Speaker 6: they were saying was intelligent, if they had decent back
• 2:22:21
  Speaker 6: and forth, that could have been the least of their problems.
• 2:22:25
  Speaker 1: Oh, at least the screenplay is good.
• 2:22:27
  Speaker 6: This head looks stupid, but it's 1972.
• 2:22:30
  Speaker 1: They can't afford to CGI. And it hasn't been invented yet.
• 2:22:33
  Speaker 1: I just wish they would have picked a style and
• 2:22:35
  Speaker 1: just stuck with it. That's the thing. They never commit.
• 2:22:38
  Speaker 7: The wind-up for me is that It's frustrating because it
• 2:22:43
  Speaker 7: should be inspiring, but it's depressing.
• 2:22:45
  Speaker 1: Yeah, it is.
• 2:22:46
  Speaker 7: It should inspire me because people actually bothered.
• 2:22:49
  Speaker 1: To make this movie. I should be making the movies
• 2:22:52
  Speaker 1: I want to make. I should be doing something with
• 2:22:54
  Speaker 1: the movies I want to make. But instead, it just
• 2:22:56
  Speaker 1: depresses me. Because this got made. It's like, yeah. You're
• 2:22:59
  Speaker 1: not doing anything. This got made, and.
• 2:23:04
  Speaker 1: And I'm still, you know, planning to get this one
• 2:23:11
  Speaker 1: thing done.
• 2:23:14
  Speaker 2: Here's another thing that pissed me off about this movie.
• 2:23:18
  Speaker 2: Why is there a fucking, like, full-length mirror in this
• 2:23:21
  Speaker 2: science lab?
• 2:23:22
  Speaker 1: Why? In a basement? In a basement.
• 2:23:24
  Speaker 2: Science lab?
• 2:23:26
  Speaker 1: Why? So they can have that shot where he looks
• 2:23:29
  Speaker 1: in the mirror.
• 2:23:29
  Speaker 6: As I saw it in the beginning, I was like,
• 2:23:32
  Speaker 6: I guess that mirror's there so he can look at
• 2:23:34
  Speaker 6: himself when he's got two heads.
• 2:23:35
  Speaker 1: I saw it coming in the.
• 2:23:36
  Speaker 6: Setup as they're covering up the mirror.
• 2:23:39
  Speaker 1: I was like, well, I guess I know when we're
• 2:23:40
  Speaker 1: going to use that.
• 2:23:41
  Speaker 5: Why does everybody always buy those cheap shelving that you
• 2:23:44
  Speaker 5: push over one and they all fall?
• 2:23:46
  Speaker 1: That's the other thing. Why wouldn't you place them just
• 2:23:47
  Speaker 1: out of reach of each other?
• 2:23:49
  Speaker 2: I was going to say it's IKEA.
• 2:23:50
  Speaker 1: Has nobody played with dominoes? Put them just out of reach.
• 2:23:54
  Speaker 6: Place them a little further so one falls down and totally, aw,
• 2:23:57
  Speaker 6: you totally fucked that up.
• 2:23:58
  Speaker 1: Mount it to the floor, come on.
• 2:24:02
  Speaker 2: God, even Ikea comes with brackets to attach shit to
• 2:24:05
  Speaker 2: the wall.
• 2:24:06
  Speaker 1: We didn't have Ikea back then. Those things you throw
• 2:24:08
  Speaker 1: on the floor? Yeah, just extra parts.
• 2:24:11
  Speaker 2: Well, see, I only learned what it is because I
• 2:24:13
  Speaker 2: actually saved mine, and one day I came home and
• 2:24:15
  Speaker 2: my bookshelf was tilted at a 45-degree angle, and the
• 2:24:19
  Speaker 2: bottom was still flat. It was just for some reason tilting,
• 2:24:21
  Speaker 2: like it was going to fall on me. It would
• 2:24:23
  Speaker 2: fall right on my bed right where my head is.
• 2:24:26
  Speaker 2: So I was like, I think this is a bracket
• 2:24:29
  Speaker 2: to secure it to the wall, and I'm going to
• 2:24:30
  Speaker 2: make use of that.
• 2:24:31
  Speaker 1: You would own it. You may have seen your own one.
• 2:24:34
  Speaker 1: You're your own hero.
• 2:24:36
  Speaker 7: You owe yourself your life. You're going to have to
• 2:24:39
  Speaker 7: be your own slave from now on.
• 2:24:41
  Speaker 2: I know this is running on forever, but I have
• 2:24:43
  Speaker 2: to include this for Randy. I know you read about
• 2:24:45
  Speaker 2: it on my Facebook page, but last Wednesday, I'm walking
• 2:24:50
  Speaker 2: my dog.
• 2:24:50
  Speaker 1: I hear this sound. I did read about this.
• 2:24:52
  Speaker 2: I hear this sound.
• 2:24:53
  Speaker 1: Do we need to officially make this a Marlena? All right.
• 2:24:56
  Speaker 1: Play the music.
• 2:24:58
  Speaker 2: I'm walking my dog, and I hear this sound. And
• 2:25:03
  Speaker 2: it doesn't even... It doesn't sound human. I don't know
• 2:25:05
  Speaker 2: what the hell it was.
• 2:25:06
  Speaker 1: It was like.
• 2:25:07
  Speaker 2: I thought it was like a dying cat. And I
• 2:25:10
  Speaker 2: was like, no, I already got my cat out of
• 2:25:12
  Speaker 2: that garage today. So I know it's not the cat.
• 2:25:16
  Speaker 2: And then I'm like walking my dog. And I see
• 2:25:19
  Speaker 2: my neighbor, my 80-year-old neighbor, who normally sits outside with
• 2:25:23
  Speaker 2: a shotgun. He had been... I guess he'd been tending
• 2:25:25
  Speaker 2: to his garden. And he's got like... The whole yard
• 2:25:27
  Speaker 2: is full of sheds. There's like 10 sheds. I don't
• 2:25:30
  Speaker 2: know why, but... He's, like, a shed hoarder. And there's, like,
• 2:25:34
  Speaker 2: this old camper trailer right next to where he grows his, like,
• 2:25:37
  Speaker 2: vegetable garden. And his feet are, like, trapped under it.
• 2:25:43
  Speaker 2: And I'm like.
• 2:25:44
  Speaker 1: Did you steal his ruby slippers?
• 2:25:47
  Speaker 2: I'm like, are you okay? He goes, no, honey, I'm
• 2:25:50
  Speaker 2: not okay. I'm trapped. And I was like, oh, my God.
• 2:25:55
  Speaker 2: And then I'm, like, standing there. I'm like, what the
• 2:25:58
  Speaker 2: fuck am I going to do? I don't know. You know,
• 2:26:00
  Speaker 2: in one of those moments, you're just like, oh, hello.
• 2:26:03
  Speaker 2: And he's like, knock on the door and get my wife.
• 2:26:06
  Speaker 2: So I knocked on the door and got his wife.
• 2:26:07
  Speaker 1: She's not panicked at all. She's not even concerned.
• 2:26:11
  Speaker 2: She's just like, what did you do this time?
• 2:26:14
  Speaker 1: You get yourself in some shit. Yeah, exactly. It was
• 2:26:18
  Speaker 1: rosy green. Yeah. Honey, I'm trapped under the shed again.
• 2:26:24
  Speaker 2: She's like, she gets her cell phone out and then
• 2:26:27
  Speaker 2: she's like calling someone who apparently lives like half an
• 2:26:30
  Speaker 2: hour away to come like get this thing that's like
• 2:26:34
  Speaker 2: literally crushing his feet. I mean, it crushed his feet. Wow.
• 2:26:40
  Speaker 2: And she's like, they'll be here in about 20 minutes.
• 2:26:42
  Speaker 2: And he's like, get the jack, get the jack. And
• 2:26:44
  Speaker 2: I look everywhere. There's seven fucking sheds. I have to
• 2:26:47
  Speaker 2: look through these sheds. He's like, I think it's under
• 2:26:49
  Speaker 2: this table. And this table is like a rickety wooden
• 2:26:54
  Speaker 2: table covered with like a tarp and like 10,000 tractor tires.
• 2:26:58
  Speaker 7: And it falls on your feet.
• 2:27:00
  Speaker 1: Ironically.
• 2:27:02
  Speaker 2: No, but I have to dig through. I'm wearing a dress.
• 2:27:05
  Speaker 2: I have to go to class in a couple of minutes.
• 2:27:08
  Speaker 2: I don't have my dog leashes in my hand, but
• 2:27:10
  Speaker 2: I'm digging through this table full of, like, tractor tires.
• 2:27:14
  Speaker 7: Like a dog paddle ingestion.
• 2:27:17
  Speaker 1: Marlena is making dog paddle ingestions.
• 2:27:19
  Speaker 2: This is how I dig their tires. And I finally find, after, like,
• 2:27:25
  Speaker 2: ten minutes, I find the jack, and it's, like, invented
• 2:27:28
  Speaker 2: before cars were invented.
• 2:27:30
  Speaker 1: Which is really weird. That's right. He was a jack
• 2:27:35
  Speaker 1: for carriages.
• 2:27:36
  Speaker 2: I was going to say, it's a horse and buggy jack.
• 2:27:38
  Speaker 1: It's an Amish jack.
• 2:27:39
  Speaker 2: An Amish jack. It weighed like 8,000 pounds. And I
• 2:27:42
  Speaker 2: had to drag it over to where the trailer is.
• 2:27:45
  Speaker 2: And then it's like.
• 2:27:46
  Speaker 7: She's making dragging motions.
• 2:27:47
  Speaker 2: I'm a very visual person. And then I realized there's
• 2:27:53
  Speaker 2: no handle for it, so I have to go dig
• 2:27:54
  Speaker 2: through the tires again and find the handle for the jack.
• 2:27:56
  Speaker 7: Okay, it's the dog paddling gesture.
• 2:28:01
  Speaker 2: And then I come back to the neighbor. And I, like,
• 2:28:06
  Speaker 2: position the jack under, like, the hitch of the trailer.
• 2:28:10
  Speaker 2: And he's old. He's really hard to understand. So he's
• 2:28:14
  Speaker 2: trying to explain to me how to use this jack.
• 2:28:16
  Speaker 2: I've never fucking used a jack. I always make Jessica
• 2:28:18
  Speaker 2: change my tires.
• 2:28:20
  Speaker 1: That's what she's there for. It is. Bitch, do my work.
• 2:28:22
  Speaker 2: Yeah. And so... I have to learn how to use
• 2:28:26
  Speaker 2: this jack on my own. And it wasn't easy. It was, like,
• 2:28:29
  Speaker 2: very complicated. And I, like, lift the jack up and
• 2:28:33
  Speaker 2: finally free him. And his feet are crushed. It was
• 2:28:37
  Speaker 2: really sad. He's been in the hospital ever since.
• 2:28:40
  Speaker 1: Oh, my God.
• 2:28:41
  Speaker 2: And his wife said he has to get pins in
• 2:28:43
  Speaker 2: both of his feet and his ankles. It, like, shattered
• 2:28:48
  Speaker 2: his ankles somehow.
• 2:28:51
  Speaker 7: My brother was supposed to get a pin in his
• 2:28:53
  Speaker 7: ankle and he didn't do it. He left the hospital
• 2:28:55
  Speaker 7: on crutches and I thought he was crazy and an
• 2:28:58
  Speaker 7: idiot because he is both of those things. But a
• 2:29:01
  Speaker 7: year later his foot is fine and he asked the
• 2:29:03
  Speaker 7: doctor should he have got a metal rod put in
• 2:29:06
  Speaker 7: his ankle.
• 2:29:06
  Speaker 1: The doctor said only if you want a metal rod
• 2:29:09
  Speaker 1: in your ankle. Wow.
• 2:29:11
  Speaker 2: Wow.
• 2:29:12
  Speaker 1: So you are a hero. Yes, I was a.
• 2:29:15
  Speaker 2: Hero that day. And like I said, I didn't even
• 2:29:17
  Speaker 2: get my dress dirty somehow, and it's like I'm using this, like,
• 2:29:22
  Speaker 2: turn of the century car jack and it's covered in
• 2:29:25
  Speaker 2: grease and my dogs are like what.
• 2:29:27
  Speaker 18: The fuck i was going to poop what are we.
• 2:29:31
  Speaker 2: Doing you know like i was afraid my puppy was
• 2:29:34
  Speaker 2: gonna pee on him the whole time like please it'd
• 2:29:38
  Speaker 2: be such a bad time this little man is trapped
• 2:29:41
  Speaker 2: here don't pee on his leg yeah.
• 2:29:42
  Speaker 1: But You know, after what you did.
• 2:29:46
  Speaker 7: If your dog wants to pee on him.
• 2:29:49
  Speaker 1: Yeah, you've got to let that slide. Yeah, let that slide.
• 2:29:53
  Speaker 1: Can you come out?
• 2:29:53
  Speaker 5: My dog needs to pee.
• 2:29:59
  Speaker 2: Yeah, so that was the craziest thing that probably happened
• 2:30:02
  Speaker 2: to me.
• 2:30:02
  Speaker 1: What would have been awesome is if you could somehow
• 2:30:04
  Speaker 1: have had.
• 2:30:05
  Speaker 13: $ 6 million man sound effects.
• 2:30:09
  Speaker 1: Like, as you're doing the jack, as you're doing the rubble.
• 2:30:13
  Speaker 1: That would have been awesome. Let me clarify this.
• 2:30:18
  Speaker 7: It's kind of like a little dinosaur hand dog paddling gesture.
• 2:30:22
  Speaker 1: A Tyrannosaurus trying to swim up trees for birds, too.
• 2:30:27
  Speaker 1: I'm looking for an Amish Jack in a shed. Imagine
• 2:30:30
  Speaker 1: how many of these guys are.
• 2:30:32
  Speaker 2: He's like, oh, fuck, this is the person who's going
• 2:30:35
  Speaker 2: to help me.
• 2:30:36
  Speaker 1: God, I'm going to die. I'm giving you the thrashing
• 2:30:40
  Speaker 1: of your life. Oh, shit.
• 2:30:46
  Speaker 2: The worst part is, I lifted that jack up there,
• 2:30:49
  Speaker 2: just like, well, okay, and I just walked away.
• 2:30:52
  Speaker 1: See you later. See you later. Go to class. Peace.
• 2:30:56
  Speaker 1: I'm out. Have fun with your broken feet.
• 2:31:01
  Speaker 2: His wife had brought him a wheelchair. But I mean,
• 2:31:03
  Speaker 2: I decided my assistance was no longer needed and I
• 2:31:07
  Speaker 2: walked away.
• 2:31:07
  Speaker 7: That's awkward, but you've got to do what you've got
• 2:31:10
  Speaker 7: to do. It's awkward to have to exactly, precisely define
• 2:31:14
  Speaker 7: the boundaries of how much you can afford to care
• 2:31:17
  Speaker 7: about a situation.
• 2:31:19
  Speaker 1: But sometimes you have to do that. I mean, or
• 2:31:22
  Speaker 1: you just can't do anything. It's like, I don't want
• 2:31:25
  Speaker 1: to get.
• 2:31:25
  Speaker 7: In here and start helping because then I'm going to
• 2:31:28
  Speaker 7: have to admit the point where I can't, I just
• 2:31:31
  Speaker 7: can't do it anymore. That reminds me of a story
• 2:31:33
  Speaker 7: I heard on a different podcast that I won't name,
• 2:31:37
  Speaker 7: but it was a amusement park story. It was about
• 2:31:41
  Speaker 7: a woman who went into, she just called in and
• 2:31:44
  Speaker 7: told this story of how she went into like one
• 2:31:47
  Speaker 7: of the haunted house things at an amusement park and
• 2:31:50
  Speaker 7: she went in and there was a midget standing there
• 2:31:52
  Speaker 7: and she started screaming and then the midget looked at
• 2:31:55
  Speaker 7: her and started screaming because she was screaming at him
• 2:31:58
  Speaker 7: and after a minute or two they realized that Neither
• 2:32:02
  Speaker 7: of them were part of the show. They were both
• 2:32:05
  Speaker 7: just waiting to go in. And so they pretended like
• 2:32:10
  Speaker 7: it hadn't happened.
• 2:32:12
  Speaker 2: I've had that happen to me.
• 2:32:14
  Speaker 1: That's your best strategy at that point.
• 2:32:15
  Speaker 2: It was with children. Children are less likely to disguise
• 2:32:19
  Speaker 2: their feelings. I had braces, and it was like... Halloween
• 2:32:25
  Speaker 2: corn maze thing. The moon was shining very brightly and
• 2:32:28
  Speaker 2: probably reflecting.
• 2:32:29
  Speaker 1: Off the fabric. A Halloween porn-based thing? A corn maze.
• 2:32:32
  Speaker 1: A corn maze. She's a kid. She had braces.
• 2:32:36
  Speaker 6: It's a Halloween kiddie porn. This is a scary scenario already.
• 2:32:42
  Speaker 7: I didn't hear the words. I misread the gestures.
• 2:32:46
  Speaker 1: Marlena is making a porn gesture.
• 2:32:50
  Speaker 2: Every hand gesture I make, I could be doing anything.
• 2:32:54
  Speaker 2: It's always this.
• 2:32:57
  Speaker 1: Now she's really making a hand gesture. That's what it is.
• 2:33:01
  Speaker 2: Anything I'm doing, I could be baking a cake. I
• 2:33:04
  Speaker 2: could be, like, basketball.
• 2:33:06
  Speaker 1: I don't know. You could be, like, working an Amish jack.
• 2:33:09
  Speaker 1: Working an Amish jack.
• 2:33:11
  Speaker 6: It's that muscle memory thing. That's the new code I'm
• 2:33:14
  Speaker 6: going to start using. I need somebody to work my Amish.
• 2:33:17
  Speaker 1: I'm just rescuing an old man. I don't know.
• 2:33:23
  Speaker 2: I'm not even going to try to... You know what's
• 2:33:28
  Speaker 2: very ironic about the Amish thing and the broken foot thing?
• 2:33:32
  Speaker 2: Like the... And Sunday before that, I went to Amishtown
• 2:33:36
  Speaker 2: and was talking to this Amish girl named Barbara.
• 2:33:38
  Speaker 1: Amishtown? Is that over by Chinatown? Head down to Amishtown.
• 2:33:43
  Speaker 1: It's a neighborhood in Louisville. Amishtown? They don't have any
• 2:33:47
  Speaker 1: street lights. They don't have any street lights.
• 2:33:49
  Speaker 2: Power lines.
• 2:33:50
  Speaker 7: No.
• 2:33:51
  Speaker 1: Cable company can't get in there.
• 2:33:53
  Speaker 2: It's like an Amishtown past Madison, Indiana. And I was
• 2:33:57
  Speaker 2: talking to this Amish girl, Barbara, that was selling tomatoes,
• 2:34:01
  Speaker 2: and her foot had been crushed by a horse. So,
• 2:34:04
  Speaker 2: I mean, that's kind of like a weird.
• 2:34:06
  Speaker 5: Maybe they had a jack to raise that foot up.
• 2:34:10
  Speaker 2: That's just weird synchronicity, I guess.
• 2:34:12
  Speaker 1: Right.
• 2:34:12
  Speaker 2: I don't know.
• 2:34:13
  Speaker 7: Her foot had been crushed by a horse.
• 2:34:16
  Speaker 5: Fred is making the Rescue the Old Man gesture.
• 2:34:19
  Speaker 1: The Amish butter churn jack action. Jack-tion.
• 2:34:24
  Speaker 2: Yeah. Yeah, anyway. Yeah, so.
• 2:34:30
  Speaker 1: We don't do this for anyone's benefit.
• 2:34:31
  Speaker 6: Obviously not.
• 2:34:34
  Speaker 2: That's what happened to me.
• 2:34:35
  Speaker 7: You know what would be really great is like this
• 2:34:38
  Speaker 7: being watched through the window here.
• 2:34:40
  Speaker 6: Right.
• 2:34:41
  Speaker 1: There's a nice restaurant across the street.
• 2:34:43
  Speaker 7: The guy sitting in the big big chair is watching this.
• 2:34:46
  Speaker 1: As they watch us. Is that wasn't there? There's a guy.
• 2:34:50
  Speaker 7: Sitting out there in a long chair right in front
• 2:34:53
  Speaker 7: of the shop.
• 2:34:54
  Speaker 6: All of us watching this make the butter turn action
• 2:34:58
  Speaker 6: hand gesture.
• 2:34:59
  Speaker 1: No, he'd probably just be watching it later. Well, you
• 2:35:02
  Speaker 1: never know. Yeah, fascinating. So I think we've gotten away
• 2:35:08
  Speaker 1: from the movie, right? We've rounded out the Marlena moment.
• 2:35:11
  Speaker 1: I think that needs to bring the episode to a close.
• 2:35:13
  Speaker 2: I think so, because I have to be at school
• 2:35:15
  Speaker 2: for like four hours.
• 2:35:16
  Speaker 1: That's what I'm saying. Once again, we are out of control.
• 2:35:20
  Speaker 6: So, I don't even know what the hell we're doing
• 2:35:22
  Speaker 6: in the future, so I'm not even going to throw
• 2:35:24
  Speaker 6: out there. Secret Circle can hang on until next episode.
• 2:35:27
  Speaker 6: So with that, I'd say that about does it.
• 2:35:29
  Speaker 1: We will return next week. Same geek time, same geek feed.
• 2:35:32
  Speaker 1: Thanks for listening. Thanks for putting up with me. Thanks
• 2:35:35
  Speaker 1: for hanging in there.
• 2:35:36
  Speaker 2: Yeah, thanks.
• 2:35:38
  Speaker 1: Yeah, this was fun. That was one of the most
• 2:35:40
  Speaker 1: off-the-rails movies we've ever done. That was a blast.
• 2:35:53
  Speaker 4: I remember the sparks that flew in the summer of 79.
• 2:35:58
  Speaker 4: My brother went wild for a pretty girl's smile, but
• 2:36:04
  Speaker 4: he didn't care that she was mine. We fought each
• 2:36:10
  Speaker 4: other like never before, and beat till we were black
• 2:36:14
  Speaker 4: and blue. And when we told her it was time,
• 2:36:18
  Speaker 4: she made.
• 2:36:19
  Speaker 1: Up her mind.
• 2:36:20
  Speaker 4: She said, I've had it with the boy and you.
• 2:36:26
  Speaker 4: That was when.
• 2:36:28
  Speaker 2: The pact was made.
• 2:36:29
  Speaker 1: No woman could sever her.
• 2:36:32
  Speaker 4: We swore it forever for the rest of our lives
• 2:36:40
  Speaker 4: We would stick together forever Cause two heads are better
• 2:36:45
  Speaker 4: than one It's double the pleasure, baby, it's triple the
• 2:36:48
  Speaker 4: fun I said two heads are better than one It'll
• 2:36:52
  Speaker 4: make you come undone Two heads.
• 2:36:54
  Speaker 1: Are better than one.
• 2:37:02
  Speaker 4: When we found ourselves in Vegas, the city of sin
• 2:37:06
  Speaker 4: We were restless and looking to play When this little
• 2:37:11
  Speaker 4: black dolly in the hotel lobby Grew.
• 2:37:14
  Speaker 1: A kiss as she walked out of.
• 2:37:16
  Speaker 4: The way She said, I'm feeling kind of lonely And
• 2:37:20
  Speaker 4: gave us a wink, feeling bold We expressed our intentions
• 2:37:24
  Speaker 4: We said, you're gonna have both She said.
• 2:37:28
  Speaker 1: That's a joke It takes two just to.
• 2:37:31
  Speaker 4: Get my attention Hope to share and share alike.
• 2:37:38
  Speaker 2: That's a part of our lifestyle.
• 2:37:40
  Speaker 4: So I'm gonna tell you, baby, just where we stand.
• 2:37:45
  Speaker 4: If you won't let us fall, then we won't fall.
• 2:37:50
  Speaker 4: Because two heads are better than one. It's double the pleasure,
• 2:37:56
  Speaker 4: triple the fun. I said two heads. I'm better than
• 2:38:00
  Speaker 4: one It'll make you come undone Two heads are better
• 2:38:02
  Speaker 4: than one We've come this far together It's too late
• 2:38:05
  Speaker 4: for turning back But it's only better when you're But
• 2:38:14
  Speaker 4: when you rock with the boys You never go back
• 2:38:18
  Speaker 4: I'm better.
• 2:38:19
  Speaker 2: Than one.
• 2:38:26
  Speaker 4: Thank you.
• 2:39:00
  Speaker 1: Two heads are better than one. It's double the pleasure,
• 2:39:03
  Speaker 1: triple the fun.
• 2:39:04
  Speaker 4: I tell you, two heads are better than one. They'll
• 2:39:09
  Speaker 4: make you come undone. Nothing's better than two heads are.
• 2:39:17
  Speaker 1: Better than one.
• 2:39:18
  Speaker 4: It's double the pleasure, triple the fun. Two heads are
• 2:39:23
  Speaker 4: better than one.
• 2:39:31
  Speaker 1: Two heads are better than one.
• 2:39:33
  Speaker 4: Two heads are better than one Whoa, whoa, whoa, baby
• 2:39:44
  Speaker 4: Two heads are better than one Two heads are better
• 2:39:48
  Speaker 4: than one.
• 2:39:58
  Speaker 1: Why don't you shut up? Hey, that's telling him, man.
• 2:40:00
  Speaker 3: I should have known you all kinds stick together.
• 2:40:02
  Speaker 9: This episode is a production of Movie Meltdown, produced and
• 2:40:05
  Speaker 9: edited by the Oddity Studios, with opening music performed by
• 2:40:08
  Speaker 9: the Empires. For more on how to sponsor or support
• 2:40:11
  Speaker 9: the show, email producer at moviemeltdown.com.
• 2:40:14
  Speaker 3: Talk hard!