Pat Scola, ASC: Grit, Restraint, and Firelight in The Death of Robin Hood
The Death of Robin Hood is Pat Scola's third film with Michael Sarnoski, made an hour outside Belfast on a production budget of around eleven million, somewhere between the scrappiness of Pig and the scale of A Quiet Place: Day One. Sarnoski wanted grit, and Scola is precise about the word. He does not mean film grain. "Grit comes from restraint and control," he says, and a large part of the job now is "the choices you decide not to make." The fight in the mud, Robin and a peasant trying to drown each other, was conceived as a oner so the viewer would be stuck inside the brutality with…
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