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RESIDENT EVIL REQUIEM | Full Game (Part 1) Walkthrough · No Commentary Gaming

• 0:54
  Grace, Grace. Grace Ashcroft.
• 1:01
  Yes. My office.
• 1:04
  Oh, coming. If this is about the report you
• 1:24
  asked for yesterday, it'll be ready in three, no no two days
• 1:28
  tops. Put a hold on that for now.
• 1:31
  We found another body, one that exhibits the same pathology as
• 1:34
  the others we've been investigating.
• 1:37
  Now I need a good technical analyst on this.
• 1:40
  OK. I need your eyes on the crime
• 1:48
  scene. The Runwood Hotel.
• 1:57
  Look, I know that's where your mother was murdered, and I know
• 2:06
  it'll be upsetting for you. Alyssa died 8 years ago.
• 2:17
  Perhaps it's time for you to face the past.
• 2:23
  Confront that fear head on. Grace, I won't force you to go,
• 2:34
  but do you think you can do this for me?
• 2:44
  Investigate that crime scene and report back to me with your
• 2:47
  findings. That's all for now.
• 2:54
  Oh. Sorry,
• 3:56
  yeah, it should be around here. Oh man, she was.
• 4:29
  Pissed. She forgave me.
• 4:30
  In the. End.
• 4:37
  No way. No, I swear I'm never doing.
• 5:01
  Hey, miss. Hey, that's a restricted area.
• 5:06
  You can't go in there. Why?
• 5:10
  It's an active crime scene. Oh, wait, sorry, just a second.
• 5:20
  Oh. Your FBI I.
• 5:26
  AM. Investigating all these strange
• 5:29
  deaths, huh? It's the fifth one now, right?
• 5:35
  I heard they all have the same weird bruises.
• 5:37
  So you think it's something infectious or terrorism or why
• 5:42
  else would the FBI be investigating, right?
• 5:46
  Are you with me? Oh, there might be answers
• 5:51
  inside. Yeah, sure.
• 5:55
  Right. Be careful in there.
• 6:08
  Whole building's condemned where it is.
• 6:09
  They're finally going to bring the whole place down.
• 6:12
  Yeah, thanks. I'm leaving here.
• 9:52
  No. Who's there?
• 11:26
  What do I do? None.
• 13:24
  Shit. What?
• 16:42
  Hey, Anne. Hang on.
• 16:46
  You have been on that thing all day.
• 16:48
  Well, if you're going to work so late.
• 16:52
  Get some sleep, eh? I'm almost done, just a SEC.
• 16:56
  What am I going to do with you? What you always do?
• 17:00
  Nag at me until I go to bed. It's really coming down hard.
• 17:10
  Mom. Phone Mom.
• 17:14
  It's right beside you. Hello Miss.
• 17:22
  Ashcroft. Yes.
• 17:31
  Who was it I? Don't know.
• 17:33
  They asked for Miss Ashcroft and then they hung up on me.
• 17:36
  Rude. What the They're coming?
• 17:44
  Grace, we need to go. Go where, Mom?
• 17:48
  What's going on? Hurry.
• 17:53
  Wait, who's coming? What's wrong?
• 17:56
  We. Need to keep our voices down?
• 17:59
  This is ridiculous. Come on.
• 18:07
  Tell me what's going on. Now is not the time.
• 18:28
  Stay close. Mom Gleat.
• 18:32
  Grace, come on, keep moving. I'm coming.
• 18:39
  Grace, hurry. Keep moving.
• 18:50
  Oh. Who's that?
• 18:54
  Oh, I'm so sorry about the power outage.
• 18:58
  What happened? Oh, it's probably the electrical
• 19:01
  panel. It's 40 years old so it doesn't
• 19:05
  take much to trip in. It's really no excuse and I
• 19:10
  apologize for the inconvenience. Oh no, it's.
• 19:13
  Fine, Yeah, don't worry. I should have it fixed soon.
• 19:15
  I just need to find what the. Hell, man.
• 19:37
  Grace, stay close to me. What are you going to tell me
• 19:45
  what's going on? Mom, What are you doing?
• 19:51
  Something important. What did you hide behind that
• 20:04
  painted? I'll explain later.
• 20:09
  We need to find another way out. Grace, come on.
• 20:26
  Come on in here, Grace. You're calling the police.
• 20:30
  No, no. Callers.
• 20:33
  Hello. Yes.
• 20:35
  I want to report a murder. No murders.
• 20:39
  Grace. Yes.
• 20:41
  It's at the Brentwood Hotel. Yes.
• 20:43
  Hurry, please. The police are on their way.
• 20:49
  Oh my God. Oh, I feel like I'm going to
• 20:53
  throw up. Grace, Grace, look at me, grab
• 20:58
  my hands. OK, look at me.
• 21:00
  Look at me in and out. Breathe in and out.
• 21:10
  Oh Grace, I promise you I will explain this all to you one of
• 21:15
  these days. Chris, please know that you are
• 21:26
  my hope. Never forget that.
• 21:30
  What are you? Talking about just I love you,
• 21:35
  I. Love you too.
• 21:39
  OK. No.
• 21:43
  No, no, we need to find a way out of here now we.
• 21:45
  Don't have any of our stuff. We can come back for it later,
• 21:48
  Grace. I.
• 22:01
  Don't thank. You.
• 22:25
  Never. So.
• 23:50
  Who is this I need to get out of here?
• 24:10
  Something important I'll explain later.
• 24:17
  I said to you, I find that. Sorry, Officer.
• 26:47
  What's wrong? Everything stung me.
• 26:53
  Are you OK? What do I do?
• 28:07
  Hey. Get away.
• 28:15
  Get away. stay away.
• 28:49
  Yeah. Go
• 29:19
  home. It is.
• 30:05
  Is anyone there? hasn't been easy, but after much
• 31:18
  effort, here we finally are. Who are you?
• 31:26
  I'm the one who planted that body.
• 31:31
  I'm the one that brought you here.
• 31:35
  I know now that you're the one that I've been searching for.
• 31:39
  The special one, the chosen 1, Miss Ashcroft.
• 32:05
  Rest now Grace, we have so much to do.
• 32:53
  Talk to me, is this one like the others?
• 32:56
  Well, the same black watches. And it's not post mortem
• 33:00
  lividity. No, no, this is different.
• 33:06
  It's 6 now. 6 survives the Raccoon City, all dead from the
• 33:11
  same thing. Yeah, that's.
• 33:14
  Not good. No, no it's not.
• 33:22
  But I have something for you. The team has settled on a person
• 33:27
  of interest, someone with ties to Umbrella Victor Gideon.
• 33:36
  Who is? He a former T virus researcher.
• 33:41
  Hey I I just got a report of a missing police officer.
• 33:45
  It it might be unrelated but he disappeared near where the 5th
• 33:48
  body was found. You there, Leon?
• 33:54
  Yeah, I'm here. You OK?
• 34:10
  check it out. You almost.
• 34:45
  There. Just about stuck in traffic.
• 34:54
  You've got to be shooting me. What's going on?
• 35:16
  Is she OK? Oh.
• 35:18
  She's fine, I'm just taking her home.
• 35:22
  What are you? Doing.
• 35:41
  Leon, what's your set? Rep I'm going after Victor.
• 35:43
  Don't do anything stupid. Me never.
• 35:54
  What the? Hell, Eddie, help me you.
• 35:57
  OK, what are you doing? Gabriel would lock down.
• 36:29
  Is it? Something to do with Victor?
• 36:33
  Yeah, he's the one to thank for all the excitement.
• 37:23
  Let's make this quick. Can't let them get away.
• 37:59
  Leon, have you located Victor? No, I lost them, got that square
• 38:04
  wound. Not necessarily.
• 38:08
  Victor purchased a building after Umbrella went under the
• 38:11
  Rhodes Hill Chronic Care Center. I'll send you the address, Leon.
• 38:19
  We're running out of time. Hey.
• 39:45
  Oh yes. What did he do?
• 41:46
  Where the hell am I? None.
• 44:11
  Club 6. Club 6.
• 44:13
  All sets mission emergency protocol.
• 46:08
  None. He's dead, I infected.
• 50:15
  What the What the hell was that thing?
• 52:00
  Oh my God, this looks important. Maybe.
• 53:56
  None. None.
• 55:07
  None. None.
• 56:43
  Yes, I can't hurt to pick some I
• 56:57
  guess. None.
• 58:33
  None. None.
• 1:00:02
  None. None, Yeah.
• 1:02:20
  All right. Come on.
• 1:02:44
  Come on. Mr. Kennedy, welcome.
• 1:04:40
  Doctor Gideon has been expecting you.
• 1:04:43
  Funny, I don't remember getting an invitation.
• 1:04:47
  While he's waiting for you. Can't have that, can we?
• 1:04:52
  Follow me please. Lead the way.
• 1:05:03
  So how long have you worked for Doctor Gideon?
• 1:05:07
  Not long, I just recently joined the team.
• 1:05:15
  We care for quite a few long term patients here, all
• 1:05:18
  undergoing experimental therapies developed by Doctor
• 1:05:21
  Gideon. Experimental Therapies.
• 1:05:29
  Yes, it's all very cutting edge. The facility keeps a low profile
• 1:05:34
  due to the sensitive nature of the research.
• 1:05:37
  Oh, I bet it does. Please wait here.
• 1:06:37
  Code 6. Code 6.
• 1:06:38
  All staff initiate emergency protocols.
• 1:06:47
  Mr. Kennedy, we need to leave immediately.
• 1:06:49
  What's going on? I think I want a second.
• 1:08:21
  None. Nice.
• 1:09:39
  Well, that went well. That bastard did it again.
• 1:10:51
  How are things in your rent I. Just hacked into the center's
• 1:10:54
  network. Good, good.
• 1:10:58
  Can you find me the floor plan I'll.
• 1:11:00
  See what I can do. Well, in the meantime, I'll try
• 1:11:04
  to track him down. Keep.
• 1:11:05
  Me posted. Will do.
• 1:12:07
  You OK? Thanks.
• 1:12:11
  Leon Kennedy, DSO. DSO I'm Grace Ashcroft, FBIFB.
• 1:12:22
  I What are you doing here? Someone kidnap me?
• 1:12:26
  Victor, get in. I don't know.
• 1:12:30
  Well, we should leave. What does Victor want with you?
• 1:12:48
  What I. Grace.
• 1:12:52
  What do you mean he? Grabbed you for a reason.
• 1:12:58
  Wait, you're DSO, that's the the the counter bioterrorism agency,
• 1:13:03
  right? Take.
• 1:13:05
  This are. You sure?
• 1:13:08
  You might need it now go get out of here.
• 1:13:26
  She won't get away, you know. So nice to finally meet you,
• 1:13:46
  Leanne. Why don't we have a little talk?
• 1:14:03
  Too slow. Come on.
• 1:14:12
  I see you're exhibiting symptoms too.
• 1:14:16
  Umbrellas curse. This looks like it leads
• 1:15:38
  outside.