Latest / Frightmares / Ep. 4 - Foreign Frights

Transcript

Ep. 4 - Foreign Frights · Frightmares

• 0:46
  Speaker 1: All right, welcome back to Frighten Mayores. This is episode
• 0:49
  Speaker 1: technically number four. I'm your host, Austin Proctor, and joining
• 0:53
  Speaker 1: me across the table, mister Corey Johnson. Hey heyo, So yeah,
• 0:57
  Speaker 1: I said technically episode four. Beacon huzz I did a
• 1:01
  Speaker 1: show with Gabby and Will on Saturday, and for some reason,
• 1:05
  Speaker 1: my audio decided to start clipping and the whole recording
• 1:09
  Speaker 1: is a mess. So we're gonna kind of redo this,
• 1:13
  Speaker 1: but it's not gonna be Gabby and Will. It'll be
• 1:14
  Speaker 1: Corey and we have like so many things to talk about.
• 1:19
  Speaker 2: It's gonna be a gonna be a fun week of topics.
• 1:22
  Speaker 1: For the week. So this whole episode is based around
• 1:26
  Speaker 1: foeurign Horror. That's all we have watched, I don't know,
• 1:28
  Speaker 1: probably for about a week or two straight, and we've
• 1:33
  Speaker 1: seen some pretty good stuff, and I've seen some pretty
• 1:36
  Speaker 1: fucking weird stuff.
• 1:37
  Speaker 2: I've seen some pretty bad stuff.
• 1:38
  Speaker 1: I see. Everything I watched really wasn't. Nothing I watched
• 1:42
  Speaker 1: was actually bad. There was some weird stuff that we'll
• 1:44
  Speaker 1: talk about, but everything I watched I was like pretty
• 1:47
  Speaker 1: solid films.
• 1:48
  Speaker 2: I decided I would watch a couple of anthology type
• 1:52
  Speaker 2: series so you watched another one. Besides, I did watch
• 1:54
  Speaker 2: all one, and which one was that? It's called phobia two.
• 1:59
  Speaker 1: Oh, this isn't even on the list. You're going off
• 2:01
  Speaker 1: list off list, okay, but it also was not very
• 2:07
  Speaker 1: horrific air quotes to me, mostly because it was a
• 2:11
  Speaker 1: cultural thing.
• 2:12
  Speaker 2: And I didn't understand what they found scary to be scary.
• 2:17
  Speaker 1: Okay, I got it.
• 2:18
  Speaker 2: So I mean, well we'll get into that.
• 2:20
  Speaker 1: All right. Well, it's funny because you had a little
• 2:23
  Speaker 1: topic that you wanted to kick off with, so I
• 2:26
  Speaker 1: kind of took it and ran with it. And we're
• 2:28
  Speaker 1: gonna talk about some you know, funny horror tropes that
• 2:32
  Speaker 1: we think are ridiculous and that should just be stopped forever.
• 2:35
  Speaker 1: You want to kick us off with, uh with totally.
• 2:40
  Speaker 2: So the I'm actually gonna start on the second bulley
• 2:45
  Speaker 2: a bit.
• 2:46
  Speaker 1: You're gonna give me the first one.
• 2:47
  Speaker 2: I am gonna give you the first one, mostly because
• 2:49
  Speaker 2: it's not a trope anymore. No, not if you've watched
• 2:53
  Speaker 2: any of the recent horror movies, I mean they're yeah,
• 2:56
  Speaker 2: I mean get Out was basically you know, yeah, you lasted.
• 2:59
  Speaker 1: The whole movie exactly.
• 3:01
  Speaker 2: So the uh, the teens having sex and meeting their demise,
• 3:06
  Speaker 2: or basically any type of promiscuity that's happening. So I
• 3:12
  Speaker 2: consider hell Raiser, oh yeah, stuff like that, anybody being
• 3:16
  Speaker 2: promiscuous outside of their own marriage or outside of marriage
• 3:20
  Speaker 2: in general, and just bad shit happening to them.
• 3:23
  Speaker 1: Halloween was another one. Well, the rema, well, I mean
• 3:26
  Speaker 1: all of them, I guess I was gonna say probably
• 3:27
  Speaker 1: all of them at this point.
• 3:28
  Speaker 2: Pretty much every Friday the thirteenth, every night we're on
• 3:31
  Speaker 2: Elm Street, every Halloween, pretty much anything from the seventies
• 3:36
  Speaker 2: and eighties that dealed with teen life. They they were
• 3:40
  Speaker 2: all having sex and every single one of them got killed.
• 3:42
  Speaker 1: You're just like, just stop having sex, you're gonna die.
• 3:44
  Speaker 1: You're in a movie, come on. Yeah, But they don't know,
• 3:47
  Speaker 1: they're I know, I'm just fucking around. Okay, So I
• 3:49
  Speaker 1: guess we'll just skip the first one since it's not
• 3:50
  Speaker 1: a trope anymore. But it was, you know, black people
• 3:53
  Speaker 1: always dying first. I don't know why that was a thing.
• 3:55
  Speaker 1: I don't know who started that or why it was
• 3:57
  Speaker 1: like the black guy has to die first. But I
• 3:59
  Speaker 1: was never fan of that. I was like, let's just
• 4:00
  Speaker 1: stop that. Because racist. I mean, you're not wrong. The
• 4:04
  Speaker 1: third one we have is the clumsy final girl, always
• 4:07
  Speaker 1: falling down and you know, she's been fine the whole
• 4:09
  Speaker 1: movie and all of a sudden she's getting chased by
• 4:11
  Speaker 1: the killer and oh my god, she falls down. I mean,
• 4:13
  Speaker 1: how many movies has that fucking happened?
• 4:15
  Speaker 2: Then twists her ankle, falls does something, screws up and
• 4:19
  Speaker 2: knee everything.
• 4:20
  Speaker 1: I'm just like, you've been running fine this whole time,
• 4:23
  Speaker 1: and it's the last final scene and now you're falling.
• 4:24
  Speaker 1: What the fuck is wrong with you? Get up on your.
• 4:26
  Speaker 2: Feet having no cell signal or no phone service, just
• 4:31
  Speaker 2: like in general. Yeah, because you go through the entire
• 4:34
  Speaker 2: movie cell phones work and fine, your home phone's working. Fine,
• 4:38
  Speaker 2: the killer calls you on your home phone, and then
• 4:41
  Speaker 2: the killer gets in the house and all of a
• 4:43
  Speaker 2: sudden your phones don't.
• 4:44
  Speaker 1: And you're like, wait, how did this happen? Yeah, it's
• 4:46
  Speaker 1: it's absolutely ridiculous. I love it too when they're always
• 4:50
  Speaker 1: like reaching up, like the two feet that they reach
• 4:53
  Speaker 1: out is gonna magically give them full bars.
• 4:55
  Speaker 2: And you know what's funny is in real life, when
• 4:57
  Speaker 2: I've been out in just the middle of nowhere, I've
• 5:00
  Speaker 2: actually tried to hold my phone up to get reception.
• 5:03
  Speaker 1: It never it never works.
• 5:04
  Speaker 2: No, but movies have programmed you just say, oh, yeah,
• 5:06
  Speaker 2: I just hold your phone up, it'll work like that
• 5:08
  Speaker 2: extra seventeen inches. He's gonna help me reach the cell
• 5:12
  Speaker 2: tower any better?
• 5:13
  Speaker 1: I mean, I guess it's just like the hope that
• 5:15
  Speaker 1: maybe it will, but it never does. Let's be honest.
• 5:17
  Speaker 2: Technology doesn't run hope.
• 5:20
  Speaker 1: This is this is one of my favorites when someone's like, hey,
• 5:22
  Speaker 1: let's split up. We're a group of four, we'll be
• 5:24
  Speaker 1: much better on our own. No, that has never worked
• 5:27
  Speaker 1: for anyone ever in the history of horror movies.
• 5:30
  Speaker 2: I mean, but in reality, I mean, it makes it
• 5:35
  Speaker 2: makes sense.
• 5:37
  Speaker 1: Because you know he has four people or you know,
• 5:39
  Speaker 1: four or five or six people to chase. But at
• 5:41
  Speaker 1: the same time, if you're caught alone and you don't
• 5:43
  Speaker 1: have a weapon, you're fucked.
• 5:44
  Speaker 2: I mean, how often do you have a weapon in
• 5:46
  Speaker 2: a horror movie. It's just listen, let's just look past that.
• 5:52
  Speaker 2: The mirror scare or mirror scare gag and or windows
• 5:56
  Speaker 2: scare gag where it's a it's a it's close up
• 6:00
  Speaker 2: of the face in the mirror, cuts to the person's face,
• 6:04
  Speaker 2: even closer up, cuts to the mirror, cuts to the face,
• 6:07
  Speaker 2: cuts to the mirror, and then all of a sudden,
• 6:11
  Speaker 2: there's something behind the person, like over their shoulder or
• 6:13
  Speaker 2: off in the corner or whatever.
• 6:14
  Speaker 1: Yeah, yeah, it's it's always.
• 6:16
  Speaker 2: It's It's one of the cheapest jump scares. It is
• 6:19
  Speaker 2: almost as cheap as the cat jumping out from nowhere gag.
• 6:23
  Speaker 1: Oh. I was gonna put that on the list, but
• 6:25
  Speaker 1: I was like, I don't. I gotta oh now that
• 6:27
  Speaker 1: you say that, Okay.
• 6:29
  Speaker 2: It happens in way more movies than you think.
• 6:31
  Speaker 1: Well, it's all I saw was a picture on a
• 6:33
  Speaker 1: website and it was like the cat gag and I
• 6:35
  Speaker 1: didn't read it because I was like, I don't know
• 6:36
  Speaker 1: what that means. But yeah, like the black cat jumping
• 6:38
  Speaker 1: and scream black.
• 6:39
  Speaker 2: Cat, or or the the family member, the younger brother,
• 6:44
  Speaker 2: the younger sister being the scare, and it's it's just
• 6:47
  Speaker 2: a big mcguffin, is.
• 6:48
  Speaker 1: What it is. It really is. The creepy kids are
• 6:50
  Speaker 1: they kind of play it out at this point. Uh
• 6:53
  Speaker 1: oh yeah. The car that suddenly won't start even though
• 6:55
  Speaker 1: it's been working the whole movie you're like, Okay, that's
• 6:59
  Speaker 1: like a brand new car or why is this not working?
• 7:04
  Speaker 2: I mean, I mean it makes it makes a little
• 7:07
  Speaker 2: bit more sense if you think about it logically, because
• 7:09
  Speaker 2: ghosts and demons supposedly work through electromagnetic fields like an
• 7:14
  Speaker 2: EMP detective it's slash.
• 7:17
  Speaker 1: Yeah, but they're.
• 7:18
  Speaker 2: They're almost all demons anyway, go find yourself.
• 7:21
  Speaker 1: You're not wrong.
• 7:24
  Speaker 2: Uh this one, this one the running upstairs instead of
• 7:27
  Speaker 2: going to the front door or running anywhere. Yeah, running
• 7:30
  Speaker 2: anywhere that isn't away from the general location.
• 7:34
  Speaker 1: Like I think it was. There was. I think it
• 7:36
  Speaker 1: was a scream where like he could have rammed straight
• 7:38
  Speaker 1: up the door and he's like, you know what, I'm
• 7:39
  Speaker 1: gonna turn around and go up the stairs, Like what
• 7:42
  Speaker 1: is what is that gonna do for you? Walking upstairs? Nothing?
• 7:46
  Speaker 2: Nothing, it's it's gonna it's actually gonna get you killed
• 7:48
  Speaker 2: faster than just going straight outside. I mean, I get it.
• 7:52
  Speaker 2: It's it's a suspense trick. Well, of course it makes
• 7:56
  Speaker 2: sense for filmmaking.
• 7:59
  Speaker 1: Yeah, like a lot of these makes sense for filmmaking.
• 8:02
  Speaker 2: But immersion wise, it's like run, bitch, no, don't go
• 8:06
  Speaker 2: on the stairs, fucking go outside.
• 8:08
  Speaker 1: Run that way, And another one that's great is the
• 8:11
  Speaker 1: saying hello when like you hear a noise, like someone
• 8:14
  Speaker 1: hears a noise, and it's like yes, because the killer
• 8:15
  Speaker 1: is gonna come out and say Hi, how you doing,
• 8:17
  Speaker 1: I'm here to kill you?
• 8:18
  Speaker 2: Or just walking into anywhere that is supposedly abandoned, Yeah,
• 8:24
  Speaker 2: and so hello.
• 8:25
  Speaker 1: Is there anybody here? Is anybody?
• 8:27
  Speaker 2: First off, if if I'm walking through an abandoned factory,
• 8:31
  Speaker 2: I don't want to know if there's anybody there in
• 8:33
  Speaker 2: the first place, because I want to avoid all human
• 8:36
  Speaker 2: contact in spooky location exactly.
• 8:39
  Speaker 1: So enough of the saying hello, like please.
• 8:42
  Speaker 2: Uh so, where are the parents and or guardians? Yes,
• 8:46
  Speaker 2: in any type of uh teen scream YEP movie, normally
• 8:52
  Speaker 2: they show up at the very like last ten to
• 8:55
  Speaker 2: fifteen minutes. But okay, what were you doing for like
• 8:58
  Speaker 2: six days?
• 8:59
  Speaker 1: Yeah? Where have you been? I'm sorry? Do you just
• 9:01
  Speaker 1: not exist until the second that you're necessary? I don't
• 9:03
  Speaker 1: get it? And even then you probably could have helped
• 9:05
  Speaker 1: a long time ago if you showed up, I mean maybe.
• 9:08
  Speaker 2: Except all the parents seem pretty useless in general because like, ah, nothing,
• 9:12
  Speaker 2: nothing actually happened, And then the team gets killed and
• 9:15
  Speaker 2: the parents will like go word and I go wrong.
• 9:17
  Speaker 1: That was like another horror trope, like the parents just
• 9:19
  Speaker 1: being completely useless. I'm like, you know what, Yeah, they
• 9:21
  Speaker 1: never they're never in the movies, and then they show
• 9:23
  Speaker 1: up and they're like completely useless.
• 9:25
  Speaker 2: I mean pretty much everybody in the movie is pretty useless,
• 9:30
  Speaker 2: except for it's always the one weirdo kid yeap, or
• 9:33
  Speaker 2: the one weirdo guy that saves everybody. That's another that's
• 9:37
  Speaker 2: another trope that's not on your list.
• 9:38
  Speaker 1: Now. It is all the one weirdo I mean, well,
• 9:41
  Speaker 1: I'll skip one. You can go back to the one before.
• 9:43
  Speaker 1: But it's the overplayed character dynamic of like the jock,
• 9:46
  Speaker 1: the slut, the nerd, the stoner, and then the final girl.
• 9:49
  Speaker 1: Like that combination of like that group is like Okay,
• 9:51
  Speaker 1: we get it. Like Cabin in the Woods and even
• 9:54
  Speaker 1: the Friday the Thirteenth remake, you're just like, yeah, we
• 9:56
  Speaker 1: get this whole thing you're trying to do here. I know,
• 9:58
  Speaker 1: you know, I think.
• 9:59
  Speaker 2: Evil Dead was one of the first ones to like
• 10:01
  Speaker 2: start that.
• 10:02
  Speaker 1: It was yeah, and they even did that in the remake,
• 10:05
  Speaker 1: like they even like there was like this group of
• 10:07
  Speaker 1: five people and you just have the nerd, the jock,
• 10:09
  Speaker 1: the stoner, and you're just like, Okay, I get what
• 10:11
  Speaker 1: you're doing. But like straight away from that little formula, you.
• 10:13
  Speaker 2: Know, yeah, hiding under a bed now, out of every
• 10:20
  Speaker 2: single movie that I watched, aside from probably one of them,
• 10:25
  Speaker 2: which was a rewatch for me, hiding under the bed
• 10:29
  Speaker 2: or hiding under something in an enclosed room happened every
• 10:34
  Speaker 2: single time.
• 10:35
  Speaker 1: Oh, then the horror movies you watch for this episode, yes,
• 10:37
  Speaker 1: oh Jesus Christ, so that this is perfect and relevant.
• 10:40
  Speaker 1: I love it.
• 10:40
  Speaker 2: Almost every single movie they were hiding under or behind
• 10:45
  Speaker 2: something that was not suitable for hiding.
• 10:50
  Speaker 1: Like if you can get under there and fit your
• 10:52
  Speaker 1: body under there, and they can easily just take a
• 10:54
  Speaker 1: pace under there, you are.
• 10:56
  Speaker 2: You are a full grown human being. I'm sorry, even
• 11:00
  Speaker 2: when I'm walking into a room, I can see at
• 11:03
  Speaker 2: least six inches under oh yeah, or in the case
• 11:07
  Speaker 2: of like them, hiding behind a full oak tree, like okay,
• 11:11
  Speaker 2: that is that is literally yeah, one dimension of hiding.
• 11:14
  Speaker 1: We'll get to that, because I remember watching that movie
• 11:17
  Speaker 1: and just being like, you are hiding behind a tree.
• 11:19
  Speaker 1: What the fuck are you doing? Okay, let's see what
• 11:22
  Speaker 1: else we got here. You got a couple more. Oh yeah,
• 11:25
  Speaker 1: when uh, when someone's trying to like figure out all
• 11:28
  Speaker 1: the questions they have about like a paranormal entity or something,
• 11:31
  Speaker 1: they just go to Google and they're like ten seconds,
• 11:33
  Speaker 1: they're like, oh my god, I found out all the
• 11:35
  Speaker 1: information I need. That's not a thing. No one can
• 11:38
  Speaker 1: do that that quick.
• 11:39
  Speaker 2: I can't find relevant search information on certain restaurants exactly.
• 11:44
  Speaker 1: I can't even get a menu to the Chinese restaurant
• 11:47
  Speaker 1: down the street from my house.
• 11:47
  Speaker 2: I have to call them. It's like, come on, well,
• 11:50
  Speaker 2: that's your own fault. Every Chinese restaurant is exactly the same.
• 11:52
  Speaker 1: Do you know what. I don't need your sass right now.
• 11:59
  Speaker 2: The the dream Scape scares.
• 12:02
  Speaker 1: Those are honestly my least favorite. The fuck that shit,
• 12:06
  Speaker 1: the or.
• 12:07
  Speaker 2: I'll add to that, the imaginary scene that's not real
• 12:13
  Speaker 2: the main character does something and then instantly regrets it
• 12:18
  Speaker 2: and then cut back to the scene that happened right
• 12:21
  Speaker 2: before and it never happened. Because that that's a that's
• 12:25
  Speaker 2: a big mcguffin that I'm like, oh, yeah, this movie
• 12:27
  Speaker 2: just took an awesome Yeah, yeah, you faked with me.
• 12:31
  Speaker 1: And there's even movies that you'll go the whole movie
• 12:34
  Speaker 1: and then they'll wake up and it'll be all a
• 12:36
  Speaker 1: dream and you're just like, that was a waste of
• 12:38
  Speaker 1: my time, Like why did I do that? I fucking
• 12:41
  Speaker 1: hate that shit.
• 12:42
  Speaker 2: Uh.
• 12:43
  Speaker 1: Dark, creepy, dark, creepy basements. That's actually in one of
• 12:46
  Speaker 1: the movies that that I watched, We Are Not Alone.
• 12:49
  Speaker 1: They find a basement and it's all dark and creepy. Like,
• 12:51
  Speaker 1: I'm so tired of basements being dark and creepy. My
• 12:53
  Speaker 1: aunt has a basement. It's awesome, Like I go down
• 12:56
  Speaker 1: there to play video games and drink beer like it's cool.
• 12:59
  Speaker 2: So in my experience, most basements are fucking creepy.
• 13:04
  Speaker 1: Okay, most, but I mean if you have like a
• 13:06
  Speaker 1: sofa down there and you actually have it painted and
• 13:08
  Speaker 1: you know, lit up nicely, it's great. But if, yeah,
• 13:10
  Speaker 1: if you just have a basement that has concrete floors
• 13:12
  Speaker 1: and no lights, fuck yeah, that's gonna be creepy. Like
• 13:16
  Speaker 1: come on, I.
• 13:17
  Speaker 2: Mean I see, and I would say it takes a
• 13:19
  Speaker 2: special kind of person to be like, all right, we're
• 13:21
  Speaker 2: gonna turn this basement into some place that you're supposed
• 13:24
  Speaker 2: to like function in. Really, basements are not. Basements are
• 13:28
  Speaker 2: like addicts. You don't want to live in an attic.
• 13:31
  Speaker 2: It's for storage and like utility.
• 13:33
  Speaker 1: I mean, I guess, like I said, I have an
• 13:35
  Speaker 1: aunt who lives in Michigan who has this nice basement,
• 13:37
  Speaker 1: and I guess for me as a kid growing up,
• 13:40
  Speaker 1: like you know, i'd go there all the time. It's
• 13:41
  Speaker 1: just not a scary thing to me. I've never had
• 13:43
  Speaker 1: like that creepy basement experience, so I guess it's just
• 13:46
  Speaker 1: different for me. Fair enough.
• 13:49
  Speaker 2: So I actually have one or two more that there
• 13:52
  Speaker 2: are less tropes, more uh dous and don'ts well, wait,
• 13:56
  Speaker 2: what's the last one? Oh, dropping the keys, dropping the keys.
• 13:59
  Speaker 1: Yes, that goes back to like the car won't start, Like,
• 14:01
  Speaker 1: oh I dropped the keys. Oh my god.
• 14:02
  Speaker 2: So that would be dropping the keys, dropping the phone,
• 14:05
  Speaker 2: dropping the gun, dropping the knife, the clumsy protagonist, you know, like,
• 14:11
  Speaker 2: which doesn't make any sense because I've been horribly scared
• 14:15
  Speaker 2: in certain situations, and when my adrenaline spikes, I am
• 14:18
  Speaker 2: like fucking dugey Howser. I am. I am Doogey Howser
• 14:26
  Speaker 2: mixed with Jason Bourne. I have the reflexes of cat
• 14:30
  Speaker 2: and the mental acuity of a genius.
• 14:32
  Speaker 1: I was gonna say the precision of a surgeon, just
• 14:34
  Speaker 1: like decision. Yeah, I don't get all clumsy and shit,
• 14:37
  Speaker 1: I'm ready to go, like instincts kick in. I'm good
• 14:39
  Speaker 1: to go.
• 14:39
  Speaker 2: It's fun or flight, and my flight response is way
• 14:42
  Speaker 2: better than my fight.
• 14:43
  Speaker 1: Maybe you should be in some of these movies. Then,
• 14:45
  Speaker 1: come on, man, get on the phone.
• 14:46
  Speaker 2: No, I'll die.
• 14:49
  Speaker 1: All right. What are a couple that you have?
• 14:53
  Speaker 2: So if you are a new couple that is deeply,
• 14:57
  Speaker 2: deeply in.
• 14:58
  Speaker 1: Love, Okay, never b a house. Never buy a house
• 15:02
  Speaker 1: in like a like I said, no, never buy, never
• 15:04
  Speaker 1: buy a house. Don't say that.
• 15:05
  Speaker 2: No, no, no, no, it's always rent.
• 15:08
  Speaker 1: Always rent a while. Why rent because you're not the homeowner, so.
• 15:14
  Speaker 2: If you have to walk away from it, it doesn't
• 15:17
  Speaker 2: completely destroy your life.
• 15:18
  Speaker 1: God. Uh.
• 15:20
  Speaker 2: Number two, don't buy a house that is more than
• 15:23
  Speaker 2: fifteen minutes away from civilization.
• 15:25
  Speaker 1: Yeah.
• 15:26
  Speaker 2: If you live out in the boonies, you're gonna die
• 15:29
  Speaker 2: pretty much.
• 15:29
  Speaker 1: Yeah. If you live near the woods, someone's gonna come
• 15:31
  Speaker 1: out of those woods and kill you at some point. Honestly.
• 15:34
  Speaker 2: Don't don't have a singular child. If you're gonna have
• 15:37
  Speaker 2: a child, have more than one.
• 15:39
  Speaker 1: Yeah, it's always You're right, it's always the one kid
• 15:42
  Speaker 1: in the family that's like I see demons and ghosts
• 15:44
  Speaker 1: and you're like, I'm gonna kick you out the front door.
• 15:49
  Speaker 1: If you have oh my god, you have so many.
• 15:51
  Speaker 1: This is great, This is fucking magical. This is gonna
• 15:54
  Speaker 1: sound really heartless too.
• 15:55
  Speaker 2: If you have a elderly sick relative, don't let them
• 16:01
  Speaker 2: stay in your house.
• 16:02
  Speaker 1: Because they'll die and come back and haunted.
• 16:04
  Speaker 2: Yeah, or they're haunted in general, which is why they
• 16:07
  Speaker 2: are sick in the first place.
• 16:09
  Speaker 1: Do you just take it to another level? Number?
• 16:14
  Speaker 2: Or or if your wife slash husband has been struck
• 16:18
  Speaker 2: by a debilitating illness that a doctor cannot figure out,
• 16:22
  Speaker 2: fucking divorce them.
• 16:23
  Speaker 1: What the fuck is your what? Okay? And that one?
• 16:26
  Speaker 1: I mean, come on, you can't just do that, I mean, okay.
• 16:29
  Speaker 2: If medical science can't figure it out, it's fucking demons.
• 16:35
  Speaker 1: You know, it's fucking demons. Man. That's the best thing
• 16:38
  Speaker 1: I've ever heard of. Medical science can't figure out it's demons.
• 16:42
  Speaker 1: Tell me I'm wrong. I'm laughing.
• 16:44
  Speaker 2: It's just funny. I never thought about it like that. Uh,
• 16:47
  Speaker 2: anything else you got there? Yeah, don't uh, don't have
• 16:51
  Speaker 2: a basement, just in general, don't have a basement.
• 16:53
  Speaker 1: Okay, so you're gonna take the creepy basement that I
• 16:56
  Speaker 1: had and just fucking nix it completely. That's just no basement.
• 16:59
  Speaker 2: So that is why Florida is a great place to live.
• 17:01
  Speaker 2: We don't have the ability to have a basement. And
• 17:03
  Speaker 2: if you do, go fuck yourself and get out of here.
• 17:06
  Speaker 2: How many hauntings have you heard of in Florida? How many?
• 17:09
  Speaker 2: How many horror movies take place in Florida? Okay, that
• 17:13
  Speaker 2: was shot in Florida. That's different than taking place where
• 17:16
  Speaker 2: is it.
• 17:17
  Speaker 1: Supposed to take Is it supposed to take place somewhere else?
• 17:19
  Speaker 1: Like in the Midwest? Really? Yeah, like out in your Texas?
• 17:22
  Speaker 1: Why the funck wouldn't you just shoot it in Texas.
• 17:24
  Speaker 2: Because Flora's pretty?
• 17:26
  Speaker 1: Yeah?
• 17:26
  Speaker 2: Texas is super flat and glory and oh also the
• 17:30
  Speaker 2: other reason why Florida is better and we don't have basements.
• 17:33
  Speaker 2: Where do all serial killers have their killed seller in
• 17:38
  Speaker 2: a basement? Yeah, Florida only has like one serial killer
• 17:42
  Speaker 2: and that's Alien Moornos and she wasn't even.
• 17:45
  Speaker 1: That great of a serial killer.
• 17:49
  Speaker 2: You you can't, you can't have a demon rate basement.
• 17:52
  Speaker 2: Without a basement. So okay, that's that's part of it.
• 17:56
  Speaker 1: All right. So we're pretty safe here in Florida from
• 17:59
  Speaker 1: the whole basement demon and serial killer thing. Yeah.
• 18:01
  Speaker 2: I mean, now we have addicts, but guess what, nobody
• 18:04
  Speaker 2: goes into the addicts because it's fucking a million degrees
• 18:06
  Speaker 2: up here.
• 18:07
  Speaker 1: Yeah, it's way too hot in there.
• 18:08
  Speaker 2: Yeah, so I'll give ghosts the benefit of the doubt.
• 18:12
  Speaker 2: They don't even want to deal with the heat. That's
• 18:13
  Speaker 2: why they're not in hell.
• 18:18
  Speaker 1: Wow. Yeah, fantastic. I love it. So those are some
• 18:22
  Speaker 1: of my horror.
• 18:23
  Speaker 2: Movie dos and don'ts. I didn't have any dues.
• 18:26
  Speaker 1: It's all just don't. Yeah, it's all basically there's there's
• 18:29
  Speaker 1: no dues in horror movies. It's all don't do this.
• 18:31
  Speaker 1: So yeah, I approve of all of this pretty much
• 18:33
  Speaker 1: pretty much. All right, So those are all the tropes
• 18:36
  Speaker 1: we have. I thought I thought that was a fun topic.
• 18:38
  Speaker 1: I really really like that. So we're gonna get into
• 18:42
  Speaker 1: God all the movies we've seen, I think there's eight
• 18:44
  Speaker 1: in total. Why don't you kick us off with Satan's
• 18:48
  Speaker 1: or satan slaves?
• 18:49
  Speaker 2: So that what Satan's slaves?
• 18:50
  Speaker 1: All right? Hit me. So, first off, I would like
• 18:53
  Speaker 1: to say that it.
• 18:54
  Speaker 2: Is a prequel of a movie that came out with
• 19:00
  Speaker 2: the same title in the eighties, made by the same director.
• 19:05
  Speaker 1: What yes, that's what I said. What wait? When did
• 19:11
  Speaker 1: it come out? It came out in the eighties, So.
• 19:12
  Speaker 2: The original came out in the eighties. Okay, this one
• 19:16
  Speaker 2: is a prequel to the one that came out in
• 19:19
  Speaker 2: the eighties. And when did this one come out in
• 19:21
  Speaker 2: twenty seventeen? Okay, so like twenty seven years later, made
• 19:25
  Speaker 2: by the same director.
• 19:26
  Speaker 1: That is so weird.
• 19:28
  Speaker 2: It's very strange, right it. It centers around a family
• 19:32
  Speaker 2: that has a very sick mother who was a famous
• 19:36
  Speaker 2: Indonesian singer. It's it's an Indonesian film.
• 19:39
  Speaker 1: Oh shit, Okay, yes she was.
• 19:41
  Speaker 2: She was some type of famous singer. The music sounds
• 19:46
  Speaker 2: kind of like slow tempo classic rock, like almost ballad style.
• 19:52
  Speaker 1: It's like the whole score kind of sounds like that.
• 19:55
  Speaker 2: So the ah another horror trope. Creepy songs? Can we
• 19:59
  Speaker 2: get rid of creepy songs?
• 20:02
  Speaker 1: Like old songs that are now made creepy like an
• 20:04
  Speaker 1: insidious and stuff? Yeah, yeah, exactly, gotcha.
• 20:06
  Speaker 2: Except the song that is made creepy in this movie
• 20:10
  Speaker 2: is the one recorded by the mother when she was healthy.
• 20:15
  Speaker 1: That's a little bit more interesting. So it has a
• 20:17
  Speaker 1: direct correlation. Yeah.
• 20:19
  Speaker 2: It centers around a family that they are basically pushing
• 20:24
  Speaker 2: themselves into poverty taking care of their sick mother who
• 20:28
  Speaker 2: has some type of debilitating illness. She is bedridden, she
• 20:32
  Speaker 2: can't talk. The only thing she can do is ring
• 20:35
  Speaker 2: a bell when she needs something.
• 20:37
  Speaker 1: And oh wait, I think I've heard of this movie.
• 20:39
  Speaker 2: And make sort of sort of guttural noises.
• 20:43
  Speaker 1: Do they say, like what she's what her illness is?
• 20:46
  Speaker 1: Or no?
• 20:47
  Speaker 2: They never mentioned it through the entire movie. Interesting, And
• 20:52
  Speaker 2: after the mother dies, which that's not a spoiler because
• 20:55
  Speaker 2: it's like twenty minutes into the movie, fine just starts
• 21:01
  Speaker 2: going batshit bad. And you think they they do a
• 21:07
  Speaker 2: very good red Herring in the movie with explaining why
• 21:11
  Speaker 2: shit is going bad, and then they flip it and
• 21:15
  Speaker 2: reverse it Missy Elliott style, and o god, they flip
• 21:20
  Speaker 2: it and reverse it on you within the last like,
• 21:24
  Speaker 2: I don't know, twenty five thirty minutes of the movie.
• 21:28
  Speaker 1: So is it kind of like a like a twist,
• 21:29
  Speaker 1: Then it's like a Shyamalan twist.
• 21:32
  Speaker 2: Shyamalan ain't got shit on this twitch Oh, it's much
• 21:34
  Speaker 2: about Okay, and it is a it is a respectable
• 21:37
  Speaker 2: twist because they fucking explain what they're talking about.
• 21:41
  Speaker 1: Fair enough, fair enough, fair enough.
• 21:43
  Speaker 2: And it's it's very well done. There aren't a ton
• 21:47
  Speaker 2: of jump scares. It's more it is more psychological and
• 21:53
  Speaker 2: now there is There are a couple of boo moments,
• 21:57
  Speaker 2: but a lot of it is like, oh shit, there's
• 21:59
  Speaker 2: something in the background. Oh shit, like something's gonna happen. Okay,
• 22:03
  Speaker 2: nothing happened, and it's it's it's very well put together.
• 22:09
  Speaker 2: And now, because I can't it's not a language that
• 22:14
  Speaker 2: I speak regularly at all, I I can't necessarily tell
• 22:20
  Speaker 2: how good the acting is. I can oh, when you're
• 22:23
  Speaker 2: reading subtitles, it's a little bit difficult. So you're going
• 22:26
  Speaker 2: more on mannerisms, less on tonality for sure.
• 22:29
  Speaker 1: Yeah, but it was. It was very very good.
• 22:33
  Speaker 2: I would give it a solid eight out of ten
• 22:36
  Speaker 2: for a horror movie, just based on premise alone.
• 22:40
  Speaker 1: Okay, and I was. I was very very happy with
• 22:44
  Speaker 1: the movie.
• 22:45
  Speaker 2: The literal last scene of the movie, the last I
• 22:48
  Speaker 2: don't know two minutes, made me go.
• 22:50
  Speaker 1: What the fuck just happened?
• 22:53
  Speaker 2: Okay, because they they throw something at you and then
• 22:57
  Speaker 2: they show you the specific picture and you're like, wait, what,
• 23:01
  Speaker 2: what's going on? Huh?
• 23:03
  Speaker 1: What's happening? Like is there a sequel?
• 23:05
  Speaker 2: What's going on?
• 23:07
  Speaker 1: There is a sequel?
• 23:09
  Speaker 2: It's it's like, who is this person? Why is that
• 23:11
  Speaker 2: map there? Why is there a map with the United States?
• 23:14
  Speaker 2: They're in Indonesia. The The other cool thing that I
• 23:18
  Speaker 2: like about it is for a demonic ghost movie, it
• 23:24
  Speaker 2: is probably the only one that I've ever seen that
• 23:28
  Speaker 2: doesn't follow Christian or Jewish beliefs. It's based around the
• 23:34
  Speaker 2: religion of Islam.
• 23:35
  Speaker 1: Ooh, I can't think of the movie I've ever seen that.
• 23:38
  Speaker 2: So so they which I found out that like eighty
• 23:42
  Speaker 2: percent of the population in Indonesia is Islamic.
• 23:47
  Speaker 1: We're Muslim, yeah, which I mean cool, cool fact. Something
• 23:51
  Speaker 1: I didn't know about it.
• 23:53
  Speaker 2: So they're they're doing all like the rights and rituals
• 23:58
  Speaker 2: of the Islamic faith for funerals, and they have Islamic
• 24:02
  Speaker 2: lore of like one of the lines is the last
• 24:06
  Speaker 2: forty steps you take away from the grave of your
• 24:09
  Speaker 2: loved one they wake up, and then the forty steps
• 24:13
  Speaker 2: after that once they realize you're they're dead, they die again,
• 24:18
  Speaker 2: which is but it's super cool because you're like, wow,
• 24:21
  Speaker 2: I've never heard that fucking lrable. Oh yeah, it's it's
• 24:24
  Speaker 2: it's really really good.
• 24:26
  Speaker 1: And where was this one? Where was this one streaming?
• 24:28
  Speaker 1: Was it on shutter or no?
• 24:32
  Speaker 2: It was actually on Amazon Prime? Oh shit, so now
• 24:36
  Speaker 2: here they have the English dub and the English.
• 24:39
  Speaker 1: Sub watched the Yeah, watch so sub.
• 24:42
  Speaker 2: I watched both of them. You watch both. I watched
• 24:45
  Speaker 2: both of them. How bad is the dubbed? So it's
• 24:49
  Speaker 2: not terrible? It is not terrible. It is passable if
• 24:54
  Speaker 2: you absolutely hate reading subtitles.
• 24:57
  Speaker 1: Okay, and that's my biggest thing is I love four Horror,
• 25:00
  Speaker 1: but like it takes away from the movie when I'm
• 25:03
  Speaker 1: constantly having to look down and not be able to
• 25:05
  Speaker 1: focus on what's in the background and what's happening. So
• 25:07
  Speaker 1: I'd probably give this or the dubble try.
• 25:10
  Speaker 2: But the cool thing about this movie is the dialogue.
• 25:16
  Speaker 2: Aside from key scenes, dialogue not entirely one hundred percent necessary. Okay,
• 25:23
  Speaker 2: you can watch what's going on and not necessarily pay
• 25:26
  Speaker 2: attention to what they're saying and still get the full
• 25:30
  Speaker 2: effect of the movie.
• 25:32
  Speaker 1: In my opinion, now I want to watch this. If
• 25:34
  Speaker 1: you're saying it's that good, I mean, I'm down for this.
• 25:37
  Speaker 2: I thoroughly, thoroughly enjoyed this nice okay, and I went
• 25:41
  Speaker 2: it well. I also went into it with like nothing expectations.
• 25:45
  Speaker 1: That's all. Usually that yields the best results for horror
• 25:48
  Speaker 1: movies if you go into something and you have no
• 25:50
  Speaker 1: idea about it or haven't seen a trailer. That's why
• 25:52
  Speaker 1: I've stopped watching trailers, because I want to go in
• 25:54
  Speaker 1: even though, like you, pet cemetery, like one just dropped
• 25:56
  Speaker 1: today for the new movie, and I'm like, I don't
• 25:59
  Speaker 1: want to watch that even I know what's gonna happen.
• 26:01
  Speaker 1: I don't want to have anything spoiled for me. So
• 26:03
  Speaker 1: I like to go into movies totally cold because it
• 26:06
  Speaker 1: use it makes remtter.
• 26:07
  Speaker 2: So the problem with doing that, though, I've found, is
• 26:10
  Speaker 2: that I will miss out on a ton of different
• 26:12
  Speaker 2: horror movies because I'm not gonna know that they're coming
• 26:15
  Speaker 2: out because I don't watch TV. My media is mostly
• 26:19
  Speaker 2: consumed through radio or through YouTube. Facebook for me, yeah,
• 26:24
  Speaker 2: so if I'm not following on Facebook, those specific places
• 26:28
  Speaker 2: that they're gonna announce something. A ton of movies are
• 26:31
  Speaker 2: gonna go under my radar.
• 26:33
  Speaker 1: True. Yeah, I follow a lot of stuff on Facebook
• 26:35
  Speaker 1: and put their notifications first.
• 26:37
  Speaker 2: And see it that way I can and see. I've
• 26:39
  Speaker 2: tried to do that, but it seems that a lot
• 26:42
  Speaker 2: of the stuff I'm following is all reporting on the
• 26:44
  Speaker 2: same stuff.
• 26:45
  Speaker 1: Really, yeah, so give you my list, man, I definitely
• 26:48
  Speaker 1: do that. I'm informed by everything.
• 26:50
  Speaker 2: So but yeah, so like all like the uh what's
• 26:55
  Speaker 2: something's wrong with Dylan or something's wrong with uh oh?
• 26:59
  Speaker 1: Yeah? Oh god.
• 26:59
  Speaker 2: Yeah, So I would have never known about that movie
• 27:03
  Speaker 2: unless unless I saw the trailer.
• 27:05
  Speaker 1: Huh yeah. Fuck. I want to know the name? Now?
• 27:07
  Speaker 2: Can you look it up while while I talk about
• 27:08
  Speaker 2: my movie? Yes, because I know exactly what you're talking about.
• 27:11
  Speaker 1: But if there's something wrong with someone, right, Okay, So
• 27:15
  Speaker 1: Satan Slaves, I'm actually gonna give you some kind of
• 27:17
  Speaker 1: fun trivia on that. Like you said, the movie is
• 27:21
  Speaker 1: set in nineteen eighty one, a year before the original
• 27:24
  Speaker 1: movie was set, so it's only set a year. There's
• 27:26
  Speaker 1: only a year difference in the setting. This was also
• 27:29
  Speaker 1: the first Indonesian film to ever be released in forty
• 27:33
  Speaker 1: X Do you know what forty X is.
• 27:35
  Speaker 2: It's some type of film format.
• 27:37
  Speaker 1: Well forty X is like, at least to my knowledge,
• 27:40
  Speaker 1: what they have in the States is the seats move
• 27:43
  Speaker 1: and there's like water that'll shoot on you and it's like,
• 27:45
  Speaker 1: you know, you've seen Shrek forty eight universal, right, oh
• 27:48
  Speaker 1: good lord, yeah, so there that would be fucking horrified.
• 27:51
  Speaker 1: So this is the first film in Indonesia to be
• 27:54
  Speaker 1: set in forty X and honestly, I'm kind of sad
• 27:57
  Speaker 1: I missed out on that because you're saying it's so good.
• 28:01
  Speaker 1: Another fun fact, this movie was shot in only eighteen
• 28:03
  Speaker 1: days and it was mostly in chronological order. That's so
• 28:08
  Speaker 1: that's impressive.
• 28:09
  Speaker 2: Well, and especially if you sit down and watch the movie,
• 28:14
  Speaker 2: that makes it way more fucking impressive.
• 28:17
  Speaker 1: Eighteen days because it's even crazier because the longest part
• 28:20
  Speaker 1: of production was finding the right house to to and
• 28:23
  Speaker 1: then you know, with the perfect atmosphere to shoot this,
• 28:25
  Speaker 1: and that took three months to find. So they shot
• 28:27
  Speaker 1: a movie and under a month, and it took them
• 28:30
  Speaker 1: three months to find the house.
• 28:31
  Speaker 2: To shoot it, which which, by the way, house is
• 28:35
  Speaker 2: creepy as fuck because it gets so I don't know,
• 28:39
  Speaker 2: if you know anything about j Malmes.
• 28:42
  Speaker 1: I'm gonna say no.
• 28:43
  Speaker 2: So, so he has a he's famous for his murder hotel.
• 28:48
  Speaker 2: That was super fucking Oh wait you mean oh yeah
• 28:54
  Speaker 2: haven Hurst.
• 28:54
  Speaker 1: Oh shit, so the house. I didn't know that that
• 28:58
  Speaker 1: was like a real thing. I thought they all made
• 28:59
  Speaker 1: that up.
• 28:59
  Speaker 2: Oh no, that that's a thing that happened in.
• 29:01
  Speaker 1: Oh my god. That makes a move even better.
• 29:04
  Speaker 2: So it also the movie is we need to talk
• 29:05
  Speaker 2: about Kevin.
• 29:06
  Speaker 1: We need to talk about Kevin. Yes, okay.
• 29:09
  Speaker 2: Also that came out in twenty eleven. It's not a
• 29:11
  Speaker 2: new movie.
• 29:12
  Speaker 1: I thought that. I thought that was like a new
• 29:15
  Speaker 1: that was not wait no, eight years ago. Oh my god. Yeah.
• 29:18
  Speaker 1: So okay, I don't know who the fuck I've been same.
• 29:22
  Speaker 1: But no.
• 29:22
  Speaker 2: So that's the thing about this house is because they
• 29:25
  Speaker 2: never give you, like technically a clear layout of the
• 29:29
  Speaker 2: way that the rooms in this house are situated. So
• 29:32
  Speaker 2: you're like, okay, there's like the kids room is like
• 29:36
  Speaker 2: off this hallway.
• 29:37
  Speaker 1: Okay, I got that.
• 29:38
  Speaker 2: But then like they have a well inside of their house,
• 29:42
  Speaker 2: but that it's outside of their house, but that's also
• 29:45
  Speaker 2: their bathroom. That's yeah, no, it's it's it's a very
• 29:49
  Speaker 2: confusing layout for the viewer.
• 29:52
  Speaker 1: Well, speaking of bedrooms, that there's a trivia thing here
• 29:55
  Speaker 1: that says there's a deleted scene that explains why the
• 29:57
  Speaker 1: two youngest brothers changed their position in the bedroom. I
• 30:00
  Speaker 1: don't know if that has anything. I've never seen the movie,
• 30:02
  Speaker 1: but apparently they change something in the bedrooms or no.
• 30:06
  Speaker 2: Oh yeah, so there's a few scenes. I think that
• 30:10
  Speaker 2: brother number one and brother number two are like ones
• 30:13
  Speaker 2: on the left, ones on the right, so maybe that
• 30:15
  Speaker 2: kind of like and then like halfway through the movie
• 30:17
  Speaker 2: they switch sides of the room.
• 30:19
  Speaker 1: I guess, yeah, there's a deleted scene that explains that.
• 30:22
  Speaker 2: I mean, okay, all right, it's really not that big
• 30:26
  Speaker 2: of an issue.
• 30:27
  Speaker 1: It's more the well thing you're talking about, Like.
• 30:29
  Speaker 2: So, okay, like there's a scene where okay, so one
• 30:33
  Speaker 2: of the brothers, the youngest brother, whose name is Ian,
• 30:37
  Speaker 2: he is either mute or deaf. I don't think he's mute,
• 30:42
  Speaker 2: because there are scenes where he like speaks, so I
• 30:46
  Speaker 2: don't know if he's deaf from birth or deaf from something.
• 30:50
  Speaker 1: From something like some events. But there's a.
• 30:52
  Speaker 2: Certain scene in the movie where he wakes up his
• 30:55
  Speaker 2: older brother and says, hey, I need to go pee.
• 30:57
  Speaker 1: So they walk through the house.
• 30:58
  Speaker 2: And they walk into the area where the scene before
• 31:01
  Speaker 2: the oldest child was drawing water from a well that
• 31:05
  Speaker 2: looks to be like a shed attached to the house.
• 31:09
  Speaker 2: And they're just peeing on.
• 31:10
  Speaker 1: The floor next to the well. Okay, And I'm like,
• 31:12
  Speaker 1: that can't be fucking sand that. It can't be at all,
• 31:15
  Speaker 1: Like you get your drinking water for you get your
• 31:18
  Speaker 1: cleaning water from there, You get your drinking water from there.
• 31:21
  Speaker 1: Pee in the forest or outside or something. I mean
• 31:24
  Speaker 1: maybe in the bathroom. I think that is their bathroom.
• 31:27
  Speaker 1: Oh Jesus Christ.
• 31:29
  Speaker 2: And what's weird is there is not a fucking shower
• 31:33
  Speaker 2: anywhere that I can see, all right, like that, and
• 31:38
  Speaker 2: this is another like horror trope that wasn't in this movie.
• 31:41
  Speaker 2: There's no bathtub scene. There's no shower scene.
• 31:43
  Speaker 1: Okay.
• 31:44
  Speaker 2: So I was very confused that the layout of this
• 31:47
  Speaker 2: house it made no sense. It's like, okay, the living
• 31:50
  Speaker 2: room doesn't seem to attach to the kitchen, but there's
• 31:54
  Speaker 2: a hallway where there's like a ton of rooms, but
• 31:57
  Speaker 2: you only ever see one gun in and out.
• 31:59
  Speaker 1: Of And that's funny because they pigged a house because
• 32:02
  Speaker 1: like the trivia thing I read. It was like they
• 32:04
  Speaker 1: found a house. So it's weird that you're saying none
• 32:06
  Speaker 1: of it connects because it's an actual house.
• 32:08
  Speaker 2: That they shot this on, and no it is.
• 32:10
  Speaker 1: It is an actual house.
• 32:12
  Speaker 2: But they they don't ever because you know, in horror
• 32:15
  Speaker 2: movies like The Killer, the ghost is chasing the person
• 32:18
  Speaker 2: through the house and you almost get a full blueprint.
• 32:20
  Speaker 1: Of the house from where they're running, right, this.
• 32:22
  Speaker 2: One, like they never show how anything is connected to anything. Really,
• 32:27
  Speaker 2: it's all just kind of like a random or it's
• 32:30
  Speaker 2: all shots of like a wall, just like the wall tracing,
• 32:34
  Speaker 2: tracing tracing. Okay, there's a door, somebody comes out of
• 32:37
  Speaker 2: the door. Okay, cool, but that then later that scene
• 32:40
  Speaker 2: that the person came through the door is the same
• 32:43
  Speaker 2: door where the well is. All right, yeah, it's if
• 32:48
  Speaker 2: not for the just confusing element of it being exciting
• 32:52
  Speaker 2: because you're like, okay, where are they going?
• 32:54
  Speaker 1: Fuck, I'm confused. It's like, oh my god, I'm trying
• 32:56
  Speaker 1: to keep up here. Okay. So Satan Slave from two thousand.
• 33:01
  Speaker 2: Amazon Prime, I would give it a solid eight out
• 33:04
  Speaker 2: of ten.
• 33:04
  Speaker 1: Wow, all right coming from you that honestly, that's that's
• 33:07
  Speaker 1: a good rating. Okay, so my first movie that I
• 33:11
  Speaker 1: saw was called Tag, and that's not to be confused
• 33:15
  Speaker 1: with the Tag that came out. I think it was
• 33:18
  Speaker 1: last year with Jeremy Renner, and.
• 33:20
  Speaker 2: Not a comedy.
• 33:20
  Speaker 1: Not in a comedy. This was the most bonkers, fucking
• 33:24
  Speaker 1: j horror movie that I've probably ever seen. I'm gonna
• 33:28
  Speaker 1: read you like what the description is because I can't
• 33:33
  Speaker 1: really give you a brief summary because it's it is
• 33:36
  Speaker 1: so weird. I'll give you the beginning though. Picture. Okay,
• 33:39
  Speaker 1: you've seen ghost Ship, right, yes, you've seen that. Okay,
• 33:43
  Speaker 1: this had an intro similar to ghost Ship, but in
• 33:47
  Speaker 1: a much more bonker's way. You know, there's girls on
• 33:49
  Speaker 1: a bus and they're driving out to this lake or whatever,
• 33:53
  Speaker 1: and then something happens. I'm not gonna say what, but
• 33:56
  Speaker 1: people die, Like two buses worth of people just die
• 33:59
  Speaker 1: in the most insane way, and one girl survives, right,
• 34:03
  Speaker 1: one girl gets off the bus and starts running the
• 34:05
  Speaker 1: other way, trying to tell all the other people that
• 34:07
  Speaker 1: are coming down the road to not go that way.
• 34:09
  Speaker 1: Well they all die too, everyone because yeah, and there's
• 34:13
  Speaker 1: just no rhyme or reason, but yeah, everyone just starts
• 34:16
  Speaker 1: fucking dying, and then she's like, Okay, I'll head back
• 34:20
  Speaker 1: to the school because there are all these chin all
• 34:23
  Speaker 1: these girls in a school that are going on vacation.
• 34:25
  Speaker 1: She's like, I'll go back to school. Well, everyone that
• 34:27
  Speaker 1: was on the bus that died is at the school
• 34:30
  Speaker 1: and you're like wait what You're like, okay, So apparently
• 34:34
  Speaker 1: the event that took place on the bus flipped her
• 34:36
  Speaker 1: into this alternate reality of whatever that doesn't like, the
• 34:41
  Speaker 1: whole movie doesn't make sense until the wrap around at
• 34:43
  Speaker 1: the end. But she goes back to school, crazy shit
• 34:46
  Speaker 1: starts happening. I'm talking like teachers are mowing kids down
• 34:49
  Speaker 1: with assault rifles and she's having to Yeah.
• 34:51
  Speaker 2: I wish the viewers could see my face.
• 34:55
  Speaker 1: It is like, what, let me read you the description
• 34:59
  Speaker 1: from IMDb, because it's hard to give you like an
• 35:01
  Speaker 1: idea of lie.
• 35:02
  Speaker 2: So and what's funny is I'm looking at IMDb and
• 35:04
  Speaker 2: the first thing under the section of images is just
• 35:07
  Speaker 2: this teacher with the fucking mindigun.
• 35:09
  Speaker 1: Yeah, like so here is the is a short brief description.
• 35:13
  Speaker 1: A girl's life cascades into chaos as everyone around her
• 35:16
  Speaker 1: suffers a gruesome fate, while she becomes less certain of
• 35:19
  Speaker 1: who she is and her once normal life. So yeah,
• 35:24
  Speaker 1: once she gets back to the school, this crazy shit
• 35:27
  Speaker 1: starts happening. She's trying to figure out what the fuck's
• 35:29
  Speaker 1: going on. Her and a couple of friends escape from
• 35:31
  Speaker 1: the school, you know, mind all the machine guns happening,
• 35:34
  Speaker 1: and then it gets to the end and it kind
• 35:36
  Speaker 1: of wraps it around in this way that I was like,
• 35:40
  Speaker 1: I mean, I guess that makes sense, but at the
• 35:43
  Speaker 1: same time, it was almost kind of like a stretch
• 35:45
  Speaker 1: on how they made it kind of wrap around. I mean,
• 35:48
  Speaker 1: the movie I think is like an hour and seventeen minutes,
• 35:50
  Speaker 1: so it's a nice, short, tight horror movie, and it
• 35:53
  Speaker 1: is glorious.
• 35:54
  Speaker 2: Fuck this sounds like a New Ground's flashy shit.
• 35:58
  Speaker 1: It really no, it really does. Like it was very entertaining.
• 36:03
  Speaker 1: You know, it's it's action, fantasy, horror, mystery. It's like
• 36:06
  Speaker 1: this whole thing that's going on, and the whole movie
• 36:07
  Speaker 1: you're sitting there like I'm not sure what's happening, but
• 36:10
  Speaker 1: you're in for the ride. I was in and I
• 36:12
  Speaker 1: was like sucked to the screen. We not hit my microphone.
• 36:16
  Speaker 1: It was good, but you know, like I said, then
• 36:18
  Speaker 1: you get to the end and you're like, I mean,
• 36:19
  Speaker 1: that's a that's a way to wrap it up, but
• 36:22
  Speaker 1: I don't really.
• 36:22
  Speaker 2: Like so that that reminds me sort of like Battle Royale,
• 36:26
  Speaker 2: Like I rewatched Battle Royale.
• 36:27
  Speaker 1: For I don't think I've seen that one. What Okay,
• 36:30
  Speaker 1: I don't think i've seen it.
• 36:31
  Speaker 2: So Battle Royale is a movie that the creator of
• 36:34
  Speaker 2: the Hunger Games literally said, Hey, I took my inspiration
• 36:37
  Speaker 2: from the Hunger Games from this movie. Okay, it is
• 36:40
  Speaker 2: Hunger Games but with Asian school children and way more violence.
• 36:44
  Speaker 1: Oh yeah, that's what this is basically.
• 36:46
  Speaker 2: No, like, somebody gets murdered by a frying pan, just
• 36:49
  Speaker 2: like beaten in the head to the frying band.
• 36:50
  Speaker 1: Yeah, that doesn't happen in this one.
• 36:52
  Speaker 2: So so, speaking of tag I've got, I've got a
• 36:55
  Speaker 2: fun piece of trivia.
• 36:56
  Speaker 1: I think it's the only bit of trivia because I
• 36:58
  Speaker 1: pulled it up and there was one thing.
• 37:00
  Speaker 2: So the music of the background music, yes, is from
• 37:04
  Speaker 2: the opening of The Walking Dead.
• 37:06
  Speaker 1: Yep, I'm not even kidding. When she got off the
• 37:08
  Speaker 1: bus and was wandering around, I was like that music
• 37:10
  Speaker 1: sounds really familiar, and I was like, let me look
• 37:13
  Speaker 1: this up. Yes, it's The Walking Dead. So I don't
• 37:16
  Speaker 1: know how why? Who? What I mean?
• 37:20
  Speaker 2: And I thought that was like original music made for
• 37:23
  Speaker 2: the Walking Dead.
• 37:24
  Speaker 1: Same but like in this movie came out, was it
• 37:26
  Speaker 1: two thousand and seventeen? I think yeah, fifteen, So Walking
• 37:32
  Speaker 1: Dead had been out years before that, Like.
• 37:35
  Speaker 2: I think, you know, I don't know because it had
• 37:37
  Speaker 2: only been out for like a year and a half.
• 37:39
  Speaker 1: Well, because no, they're on right now. They're going into
• 37:42
  Speaker 1: season ten this year. Jesus chrasty. Yeah, like I stopped,
• 37:45
  Speaker 1: That's what I'm saying. So Walking Dead has been out
• 37:47
  Speaker 1: since like two thousand and ten, and they're like, hey,
• 37:51
  Speaker 1: you know what will be great for this Jay horror movie.
• 37:53
  Speaker 1: Some Walking Dead music? You're right?
• 37:55
  Speaker 2: Ten?
• 37:56
  Speaker 1: Oh really? Yes? I fucking pulled that out of my ass.
• 37:58
  Speaker 1: I was just like, there you go. So yeah, I
• 38:00
  Speaker 1: was very confused because I was like, they don't have
• 38:02
  Speaker 1: their own original score. They kind of just play over
• 38:05
  Speaker 1: the Walking Dead music over and over. But I mean,
• 38:08
  Speaker 1: if you want a fun time, oh yeah, go watch
• 38:10
  Speaker 1: this cause it is. It will fuck you up, it
• 38:12
  Speaker 1: won't make sense, and then you get to the end
• 38:14
  Speaker 1: and you're like, well it.
• 38:16
  Speaker 2: Was that tag was actually at the bottom of my
• 38:19
  Speaker 2: list for things that I was gonna watch. Oh really,
• 38:22
  Speaker 2: there were just other things that I wanted to watch
• 38:24
  Speaker 2: before it. I just never got around too.
• 38:26
  Speaker 1: I saw the hour and twenty five minute and I
• 38:28
  Speaker 1: was like, that is my perfect like zone for like
• 38:32
  Speaker 1: time for a movie, and I was like, I'm gonna
• 38:33
  Speaker 1: watch that. Yeah. I wasn't disappointed.
• 38:35
  Speaker 2: Unfortunately, all the movies that I watched ended up clocking
• 38:38
  Speaker 2: in it like an hour fifty three, two hours and
• 38:42
  Speaker 2: five minutes.
• 38:43
  Speaker 1: Yeah, Like some of it was like, uh, there was
• 38:46
  Speaker 1: two movies I didn't get to watch that I wanted to.
• 38:48
  Speaker 1: One was Audition and it was one fifty five and
• 38:51
  Speaker 1: it's from two thousand and one. You know, that was
• 38:54
  Speaker 1: also on my list. I couldn't get into it. I
• 38:57
  Speaker 1: started it and the quality was just so bad. I
• 39:00
  Speaker 1: was like, I can't do this. And then I wanted
• 39:02
  Speaker 1: to watch I saw The Devil two hours and twenty
• 39:05
  Speaker 1: two minutes. I'm like, ho, like, what is with jay
• 39:08
  Speaker 1: horror and being so long?
• 39:10
  Speaker 2: So that's actually who that's actually Korean?
• 39:13
  Speaker 1: And this? Oh I'm sorry, yeah, I'm sorry.
• 39:15
  Speaker 2: Yeah. And every thing about Korean horse Lost Korean thriller
• 39:18
  Speaker 2: is it tends to get really ramped up and then
• 39:23
  Speaker 2: it's just imagine John Wick on steroids.
• 39:26
  Speaker 1: Yeah, they just tend to be like, oh.
• 39:28
  Speaker 2: Let's just fucking throw as much bullshit at the camera
• 39:31
  Speaker 2: as we possibly can.
• 39:33
  Speaker 1: And it's scary because it's gory, right. So yeah, and
• 39:37
  Speaker 1: there was even another one. It's called it's called The Whaling.
• 39:40
  Speaker 1: It's on Netflix. It's like two hours and forty three
• 39:44
  Speaker 1: minutes or something, and I'm like, I really want to
• 39:46
  Speaker 1: watch that, but that's like, ah, that's like my whole
• 39:48
  Speaker 1: fucking night when I get home from work, and that's like,
• 39:51
  Speaker 1: I don't it sounds like a chore. So that's why
• 39:52
  Speaker 1: I went for the shorter watches because I was like,
• 39:55
  Speaker 1: I can get more of these in.
• 39:57
  Speaker 2: And especially like because I like to have one or
• 40:00
  Speaker 2: two cool beers during a movie, it just enhances the experience.
• 40:05
  Speaker 2: But if I'm sitting and watching a two hour, two
• 40:09
  Speaker 2: and a half hour a long horror.
• 40:11
  Speaker 1: Movie, You're like four beers, five beers in.
• 40:14
  Speaker 2: And I'm drinking craft beer too, so I'm drinking like
• 40:17
  Speaker 2: eight and a half nine beers.
• 40:19
  Speaker 1: They're just like I can't fall see.
• 40:21
  Speaker 2: Yeah, I'm like I don't know what it's gone on.
• 40:25
  Speaker 1: What's gone Okay? So tag again if you want a
• 40:28
  Speaker 1: fun time tag is great. I really enjoyed it. I
• 40:31
  Speaker 1: wasn't really happy with how it wrapped up, but still
• 40:34
  Speaker 1: it was an ending. Nonetheless, that one is on Netflix
• 40:37
  Speaker 1: and it's a cool one hour twenty five minutes. So
• 40:40
  Speaker 1: why don't you hit us with I'm gonna call it
• 40:42
  Speaker 1: La La Land. It's actually a lot of land, A
• 40:46
  Speaker 1: lot of land, like I've got a lot of land,
• 40:50
  Speaker 1: not even I.
• 40:52
  Speaker 2: I you know, honestly, I think it was supposed to
• 40:55
  Speaker 2: be a trope on La La Land. Oh really, I
• 41:00
  Speaker 2: sort of, but not really. So it's it's a tie film.
• 41:04
  Speaker 1: So you okay, So so far you've done Indonesian and tie. Yes,
• 41:08
  Speaker 1: branch out more than I. Where'd you find this one at? Uh?
• 41:12
  Speaker 2: Netflix?
• 41:12
  Speaker 1: Actually? Really, yes, it was on Netflix. I feel like
• 41:15
  Speaker 1: I have exhausted Netflix with all the horror movies and
• 41:19
  Speaker 1: this is one that I haven't even heard of.
• 41:20
  Speaker 2: And see I I picked it specifically for the title card.
• 41:24
  Speaker 2: And the title card image is like literally thirteen seconds
• 41:29
  Speaker 2: of the movie. It has nothing to do with the
• 41:31
  Speaker 2: rest of the movie. Yeah, but that's not the title card.
• 41:34
  Speaker 1: This is the title I'm pulling up from. Oh you're
• 41:35
  Speaker 1: talking a title from Netflix. Yeah, the title card. Okay,
• 41:38
  Speaker 1: I'm gonna pop over there.
• 41:39
  Speaker 2: Yeah, he just showed me a title card, and it's
• 41:41
  Speaker 2: nothing to do with it. I mean, it's not the
• 41:43
  Speaker 2: one that I saw, Okay, anyway, it's it. It opens
• 41:46
  Speaker 2: with a scene of this dude's like decorating a house,
• 41:51
  Speaker 2: setting up picture frames and bedspreads, and setting up all
• 41:58
  Speaker 2: these coffee cups with what seems to be family members
• 42:02
  Speaker 2: on him, like those annoying fucking window stick figures that
• 42:05
  Speaker 2: people have all over the place. Yeah, except on coffee mugs.
• 42:08
  Speaker 2: Fun and setting things up. It looks all nice. It's
• 42:11
  Speaker 2: a very nice looking house. And then the camera situates
• 42:16
  Speaker 2: he sits down at the table, like I'm guessing the
• 42:19
  Speaker 2: dining room table. He sits down at the table, looks
• 42:21
  Speaker 2: directly at the camera and says, I'm very happy to
• 42:24
  Speaker 2: have you all with me, finally.
• 42:26
  Speaker 1: Breaking the fourth wall immediately. So you think it is okay,
• 42:31
  Speaker 1: But what.
• 42:31
  Speaker 2: He's doing is he's practicing what he's going to say
• 42:35
  Speaker 2: to his family. Uh So, let me just start off
• 42:40
  Speaker 2: by saying, this is the saddest fucking horror movie I
• 42:44
  Speaker 2: have ever seen.
• 42:46
  Speaker 1: Like this, this is a movie of the.
• 42:48
  Speaker 2: World taking a shit on one man because he is
• 42:51
  Speaker 2: just unlucky, is what it is. It's it's this guy
• 42:56
  Speaker 2: that gets a job with a sales company, and within
• 43:01
  Speaker 2: the first three months of working at this company, he's
• 43:04
  Speaker 2: able to put a down payment on a house in
• 43:06
  Speaker 2: an upscale neighborhood that's a housing development, and moves his
• 43:11
  Speaker 2: family from downtown Bangkok into this nice urban subdivision type
• 43:19
  Speaker 2: of place. Looks like you would think of when you
• 43:22
  Speaker 2: think of like the Stepford Wives, like those type of
• 43:25
  Speaker 2: just cookie cutter houses down the block, just nice suburbia.
• 43:31
  Speaker 2: And then something happens, and little by little, and the
• 43:38
  Speaker 2: thing that I thought was very cool about this movie
• 43:41
  Speaker 2: is you see the decline of the neighborhood a long
• 43:46
  Speaker 2: match and mirror the decline of the character's mental state.
• 43:51
  Speaker 1: So as shit starts.
• 43:52
  Speaker 2: Going wrong in the character's life, the neighborhood actually reflects
• 43:57
  Speaker 2: what's going on.
• 43:58
  Speaker 1: So it's all upscale.
• 43:59
  Speaker 2: There, people run in, there are people running in the morning,
• 44:03
  Speaker 2: there's like because it's tie, there's monks outside just hanging
• 44:07
  Speaker 2: out talking with people. Just everything's nice. It looks like
• 44:12
  Speaker 2: a scene out of some suburban commercial. And as shit
• 44:17
  Speaker 2: starts going wrong, people start moving out of the neighborhood,
• 44:21
  Speaker 2: like the grass neighbor of the neighborhood park stops being cut.
• 44:27
  Speaker 2: It's a gated neighborhood. Eventually through the movie, the fucking
• 44:30
  Speaker 2: security guard just up and leaves, and nobody's there to
• 44:32
  Speaker 2: tend to get And if you decide that you're gonna
• 44:36
  Speaker 2: stay there, you have to pull up and like move
• 44:38
  Speaker 2: the gate arm yourself because there's no there's no security
• 44:42
  Speaker 2: guard there anymore. And it's it's very interesting to see
• 44:48
  Speaker 2: the environment match what's going on in the characters' lives, right,
• 44:53
  Speaker 2: And it's so I found out that a lot of
• 44:57
  Speaker 2: Asian specific horror, especially the Asian Islands, tie Indonesia, Singapore,
• 45:05
  Speaker 2: those type of things are very family centric, whereas here
• 45:09
  Speaker 2: in America you get a lot of just like wanton
• 45:12
  Speaker 2: violence for no reason. It's just like, oh, you moved
• 45:15
  Speaker 2: into a house. Guess what, You're fucked. You're unlucky.
• 45:18
  Speaker 1: It's a slasher coming after your.
• 45:20
  Speaker 2: Where whereas a lot of Asian style horror is based
• 45:24
  Speaker 2: off of like, Okay, this is happening because it's your
• 45:27
  Speaker 2: fucking fault because you've been a dick to your family,
• 45:31
  Speaker 2: or you didn't you weren't respectful enough or that type
• 45:36
  Speaker 2: of thing. And what's what I like about it is
• 45:41
  Speaker 2: the characters that are the biggest dicks in the beginning
• 45:46
  Speaker 2: get the acts first. They perfect, they get the shit
• 45:50
  Speaker 2: bad happen to them first, because they're assholes in the beginning.
• 45:55
  Speaker 2: But you follow the main character whose name is is
• 46:00
  Speaker 2: th or t it's spelled tchee, and you can you
• 46:07
  Speaker 2: feel really bad for this character because all he's wanting
• 46:10
  Speaker 2: to do is give his family a nice, quiet, semi
• 46:14
  Speaker 2: successful life, Like that's all he's trying to do. And
• 46:19
  Speaker 2: I would say about every fifteen minutes of this movie,
• 46:24
  Speaker 2: it's just, oh, so you're trying to do good? Guess
• 46:27
  Speaker 2: what fuck you? Oh you tried to do this nice?
• 46:30
  Speaker 2: I guess what? Fuck you?
• 46:31
  Speaker 1: You more?
• 46:32
  Speaker 2: And they have a really nice trope with some of
• 46:35
  Speaker 2: the scares. There's a neighborhood cat.
• 46:38
  Speaker 1: That happening of the cats No, but this is so.
• 46:42
  Speaker 2: Yes, you get that scare in the beginning, but the
• 46:45
  Speaker 2: cat has a camera on its collar, so a lot
• 46:50
  Speaker 2: of the scares are may or may not be revealed
• 46:54
  Speaker 2: through the eyes of the cat's camera. Okay, there's a
• 46:59
  Speaker 2: lot of like decent storytelling that goes on with no
• 47:03
  Speaker 2: dialogue through the eyes of a cat.
• 47:06
  Speaker 1: Close to the ground.
• 47:07
  Speaker 2: Yeah, and you're like, okay, that's very original, that's interesting. Okay,
• 47:12
  Speaker 2: like I can get behind the whole shit.
• 47:15
  Speaker 1: Like a lot of jump scares on that movie, or.
• 47:18
  Speaker 2: But self induced jump scares.
• 47:21
  Speaker 1: Okay, not just like the general just like boo no.
• 47:24
  Speaker 2: So, like the guy's like, oh, this picture is interesting,
• 47:26
  Speaker 2: and he's scrolling through the pictures real quick, and then
• 47:29
  Speaker 2: all of a sudden there's like fucking shit in front
• 47:32
  Speaker 2: of it, in front of on on camera, and then
• 47:35
  Speaker 2: he goes back and then goes to the picture again
• 47:37
  Speaker 2: and there's nothing there.
• 47:38
  Speaker 1: Huh.
• 47:39
  Speaker 2: So it's like, okay, you're you're inducing this jump scare yourself.
• 47:43
  Speaker 1: Right, it's not just something that's in the background.
• 47:45
  Speaker 2: Yeah, it's not in the background, and then it's right
• 47:47
  Speaker 2: in front of you. It's like he's scrolling through pictures
• 47:49
  Speaker 2: and then there's a fucking demon and then it's not there. Again.
• 47:53
  Speaker 1: I'm down with this. It sounds good now.
• 47:55
  Speaker 2: The thing is, it's like a two hour long movie.
• 47:59
  Speaker 1: Yeah, I know. I'm My sweet Spot is like hour
• 48:01
  Speaker 1: fifteen to hour thirty.
• 48:02
  Speaker 2: And I've I've started to adapt that. Uh that philosophy
• 48:07
  Speaker 2: because it's it usually gives you the best result. But
• 48:11
  Speaker 2: if you can pull off a two hour movie and
• 48:13
  Speaker 2: do it well, I mean, I'm in. But it's just
• 48:15
  Speaker 2: seeing that initial two hours, I'm like, uh, I've never
• 48:18
  Speaker 2: heard of this. I feel like this movie pulls it
• 48:20
  Speaker 2: off simply because of the world building they're kind of
• 48:26
  Speaker 2: trying to do. Like they're not throwing more at you specifically, right,
• 48:32
  Speaker 2: but they're they're trying they're trying to build up this world.
• 48:37
  Speaker 2: But again, there's there's a cultural barrier there that I
• 48:40
  Speaker 2: don't necessarily understand. So some of the things they're doing,
• 48:44
  Speaker 2: I'm like, all right, why are you fucking doing this?
• 48:45
  Speaker 1: Yeah?
• 48:46
  Speaker 2: Like this this goes beyond like the dumb American team
• 48:50
  Speaker 2: just thrown into shit, Like, Okay, you know, bad shit
• 48:55
  Speaker 2: happened in this house. Why are you going into this house?
• 48:59
  Speaker 1: What are you doing?
• 49:00
  Speaker 2: Like like, the gate is locked, Okay, now you have
• 49:02
  Speaker 2: to climb the fence.
• 49:03
  Speaker 1: Yeah, okay, the door is locked.
• 49:05
  Speaker 2: Now you have to fucking break the window of the
• 49:07
  Speaker 2: door to get in. And then they're gonna play a
• 49:10
  Speaker 2: trick on this on this girl and locker in a
• 49:13
  Speaker 2: fucking bathroom to play a prank on her and then
• 49:16
  Speaker 2: when bad shit happens, like, oh no, bad shit didn't happen.
• 49:19
  Speaker 2: We were just playing a trick on the people that
• 49:21
  Speaker 2: were playing a trick on you.
• 49:22
  Speaker 1: It's a lot of tricks going on here. Oh yeah.
• 49:25
  Speaker 2: But then you know, you start to dive in a
• 49:27
  Speaker 2: little bit to Asian culture and you're like, oh, okay,
• 49:30
  Speaker 2: that makes some sense, Like I get it, but you
• 49:33
  Speaker 2: kind of have to do your research a little bit too,
• 49:36
  Speaker 2: to like get the cultural references. It's I would I
• 49:41
  Speaker 2: would put it at a five point seven five out
• 49:46
  Speaker 2: of ten.
• 49:46
  Speaker 1: Five point seven five, Okay, like it.
• 49:49
  Speaker 2: Right, It's a little above average, but it's not great.
• 49:52
  Speaker 2: It's definitely worth the watch if you've got the time
• 49:54
  Speaker 2: to kill.
• 49:56
  Speaker 1: Yeah, this one was an hour and fifty three from
• 49:59
  Speaker 1: two thousand eleven. It's called a Lot of Land. And
• 50:02
  Speaker 1: you said it was on Netflix. Yes it is.
• 50:05
  Speaker 2: Okay, and do not let the title card fool you,
• 50:09
  Speaker 2: because take the leap. Yeah, the title card, Like I
• 50:12
  Speaker 2: watched it specifically for that title card, and the thing
• 50:14
  Speaker 2: in the title card.
• 50:15
  Speaker 1: Literally is there for probably.
• 50:19
  Speaker 2: Twelve to fifteen seconds in the first thirty minutes of
• 50:23
  Speaker 2: the film. Okay, fair enough, and then it never shows
• 50:26
  Speaker 2: up again.
• 50:26
  Speaker 1: You're like, fuck, just like, what the hell? Misleading?
• 50:29
  Speaker 2: I thought that monster was going to be in the movie.
• 50:32
  Speaker 1: It's not really. Yeah, oh that's kind of a shame.
• 50:35
  Speaker 2: But the other monster is way worse. Okay, yeah, I'll
• 50:39
  Speaker 2: take your word for it, all right.
• 50:40
  Speaker 1: So my next one is called We Are Not Alone,
• 50:44
  Speaker 1: and yes, that movie was awesome. It's another one. I
• 50:48
  Speaker 1: think this one was even shorter than TAG. This one
• 50:51
  Speaker 1: was an hour and fifteen minutes and this one was
• 50:54
  Speaker 1: barely even a movie. But like, I see that's the thing.
• 50:57
  Speaker 1: I see that, like I see that time, and I'm
• 50:59
  Speaker 1: just like, I want to watch this. And basically what
• 51:02
  Speaker 1: this movie is about is the trope that we were
• 51:05
  Speaker 1: talking about earlier. They move into a house, married couple
• 51:09
  Speaker 1: into the woods, and shit goes down always always, and
• 51:13
  Speaker 1: there's a creepy kid factor too, and the creepy basement.
• 51:17
  Speaker 1: So this has literally all of the tropes. But I
• 51:20
  Speaker 1: found it fascinating and opens with the family they're watching,
• 51:24
  Speaker 1: or at least when it started, there's an exorcism on TV.
• 51:28
  Speaker 1: And I was like, oh shit, this is just kicking
• 51:30
  Speaker 1: right off. I was like, we're getting right into an exorcism.
• 51:32
  Speaker 2: Who watches exorcisms on TV?
• 51:36
  Speaker 1: No, well, I'm saying they were watching a movie where
• 51:38
  Speaker 1: an exorcism was taking.
• 51:39
  Speaker 2: Okay, I thought like this was just like some fucking
• 51:42
  Speaker 2: culture that puts exorcisms on the news.
• 51:45
  Speaker 1: No, what the fuck. No, They're sitting there watching this
• 51:50
  Speaker 1: you know, demon exorcist movie or whatever, and I'm like, oh, cool,
• 51:54
  Speaker 1: this is just happening. And then it pans over to
• 51:56
  Speaker 1: the family and then the credits rolling. The kids like,
• 51:59
  Speaker 1: I want to watch another I want to watch another one,
• 52:01
  Speaker 1: and the parents are like, no, go to bed, So
• 52:03
  Speaker 1: they send her to bed. And they just moved into
• 52:05
  Speaker 1: this house and she sees like this wardrobe in her room,
• 52:08
  Speaker 1: like this beautiful wardrobe, and I'm like, something's coming out
• 52:11
  Speaker 1: of that at some point.
• 52:12
  Speaker 2: That's, yeah, another horror trope.
• 52:14
  Speaker 1: Fucking class the wardrobe. Wardrobes are closet, so I called it.
• 52:17
  Speaker 1: I was like, okay, that wardrobe, right, there's something's popping
• 52:20
  Speaker 1: out of that. Later and of course that night, something
• 52:23
  Speaker 1: that you don't see opens the doors. You see it
• 52:26
  Speaker 1: walk downstairs, you hear all the creaking down the stairs.
• 52:28
  Speaker 1: Then it turns the corner. There's kind of like this
• 52:30
  Speaker 1: little alcove where there's like the stairs and then the
• 52:33
  Speaker 1: walls right here, and then it takes four fingers scrapes
• 52:36
  Speaker 1: the wall, and then it cuts to the next day
• 52:39
  Speaker 1: and I'm like, well, that was weird. The parents the
• 52:41
  Speaker 1: next day go down just.
• 52:42
  Speaker 2: An asshole demon, fucking rooining property.
• 52:45
  Speaker 1: Well it's foreshadowing because the parents go down there the
• 52:48
  Speaker 1: next day and see that there's like this little hole
• 52:50
  Speaker 1: in the wall, and the wife which is actually the
• 52:52
  Speaker 1: step mom now because the girl's not getting along with her,
• 52:56
  Speaker 1: And I was like, why aren't they getting along? Oh,
• 52:57
  Speaker 1: it's a step mom, Okay, so there's like an internal
• 52:59
  Speaker 1: con like between both of them. She like peels at
• 53:02
  Speaker 1: the wall and the dad's like, what the fuck are
• 53:04
  Speaker 1: you doing. Well, then the whole wall comes down and
• 53:07
  Speaker 1: there's a door. The door leads to this creepy basement,
• 53:10
  Speaker 1: again the horror troper talking about, and once they go downstairs,
• 53:13
  Speaker 1: shit just pops off.
• 53:15
  Speaker 2: So another horror trope, fucking hidden passageways, hidden.
• 53:18
  Speaker 1: Rooms, hidden Yeah. Literally, they pull down this plaster or
• 53:21
  Speaker 1: wallpaper or whatever it is and there's a door and
• 53:24
  Speaker 1: they both go downstairs and I'm like, well, that's creepiest
• 53:26
  Speaker 1: fun So don't do that.
• 53:27
  Speaker 2: Where where in the world does the movie take place,
• 53:31
  Speaker 2: because we're doing foreign.
• 53:33
  Speaker 1: So this is this is a it's called No estamos Solo.
• 53:37
  Speaker 1: So I'm assuming somewhere in Mexico, somewhere where they speak Spanish.
• 53:41
  Speaker 1: I don't know exactly where.
• 53:42
  Speaker 2: It could be Spain, that could be Portugal, that could
• 53:44
  Speaker 2: be Brazil, that could be a lot of places.
• 53:46
  Speaker 1: Okay, a Spanish speaking country.
• 53:49
  Speaker 2: We'll go with that, thank you, that's what I was
• 53:51
  Speaker 2: looking for. Sorry, because all of mine I've explained. Ty,
• 53:55
  Speaker 2: it's blah, it's bla. You're just like, Okay, it's this, Like,
• 53:58
  Speaker 2: where the fuck does it come from?
• 54:00
  Speaker 1: I'm sorry, everybody. It is a Spanish movie. No estamo Solo.
• 54:03
  Speaker 1: That's the original title, and in the in literally in
• 54:07
  Speaker 1: the description of the movie, it talks about them calling
• 54:10
  Speaker 1: a priest to get an exorcist. So I'm like, okay,
• 54:12
  Speaker 1: this is an exorcism movie. And the whole movie I'm
• 54:14
  Speaker 1: trying to figure out who the fuck gets possessed, and
• 54:16
  Speaker 1: I'm like, it's little girl. Wait no, no no, no, it's
• 54:19
  Speaker 1: the dad. Wait no no no, it's the step mom.
• 54:21
  Speaker 1: And yeah, you don't find out. Literally the exorcism takes
• 54:23
  Speaker 1: place within like the last twenty minutes, and you want
• 54:26
  Speaker 1: to talk about a fucking exorcism. One of the best
• 54:29
  Speaker 1: exorcism scenes I've ever seen. That's it. That's a tall order.
• 54:34
  Speaker 1: It is a tall I was sitting there like this
• 54:36
  Speaker 1: watching and I was like, oh no, it was awesome.
• 54:40
  Speaker 1: The voice they used for the demon is so because
• 54:44
  Speaker 1: you know, most of the times when like a demon talks,
• 54:45
  Speaker 1: it's like your mother sucks cotson the hell And I'm like, okay, like, yeah,
• 54:49
  Speaker 1: that's funny, but like the voice itself isn't scary. The
• 54:53
  Speaker 1: voice they use, it's like her voice and the demon's
• 54:56
  Speaker 1: voice playing at the same time, so it's like, you
• 54:58
  Speaker 1: know they're using.
• 54:59
  Speaker 2: So it's running parallel.
• 55:00
  Speaker 1: It's runny though, yeah, and I'm just like ooh, Like
• 55:02
  Speaker 1: I literally got goosebumps. I was like, ooh, no, no,
• 55:05
  Speaker 1: I don't like that voice. And then the priest comes
• 55:07
  Speaker 1: in and he's trying to exercise it and the demon
• 55:09
  Speaker 1: just fucks with it. It's like, fuck you, you're all
• 55:12
  Speaker 1: I have to deal with, Okay, And then the resolution
• 55:15
  Speaker 1: is fucking great too. How it all wraps up and
• 55:18
  Speaker 1: then it kind of leaves you after that it shows
• 55:20
  Speaker 1: the family and then it gives you this little cliffhanger
• 55:23
  Speaker 1: on the end of it to be like, oh, that's
• 55:24
  Speaker 1: something that happened earlier that the demon did Ooh did
• 55:27
  Speaker 1: they actually exercise it or did they just kind of
• 55:30
  Speaker 1: postpone it? So honestly, fucking great movie. Gabby came in
• 55:34
  Speaker 1: about halfway. I kind of caught her up to speed
• 55:36
  Speaker 1: with what happened, and she was like, no, that movie
• 55:39
  Speaker 1: was great, so we are not alone.
• 55:41
  Speaker 2: So to come in halfway through an hour and fifteen minute.
• 55:44
  Speaker 1: Long movie, so she was in like a thirty minutes in,
• 55:46
  Speaker 1: you know what I'm saying, and she was into it, Okay, Yeah,
• 55:49
  Speaker 1: Like honestly I was, seriously because you know, within an
• 55:52
  Speaker 1: hour and fifteen minutes, I'm like, cool, it's short, but
• 55:55
  Speaker 1: you know it's short, it's not gonna be that great,
• 55:57
  Speaker 1: and it is kind of a slow build. But I'm
• 56:00
  Speaker 1: the slow build is like thirty fucking which the first.
• 56:04
  Speaker 2: Thirty to forty five minutes of any horror movie.
• 56:06
  Speaker 1: Exactly low build. But then it, you know, once they
• 56:09
  Speaker 1: go down to the basement and they see all this
• 56:11
  Speaker 1: crazy like you know, pentagrams and all this crazy shit,
• 56:14
  Speaker 1: you're like, I don't like that at all, even though
• 56:16
  Speaker 1: it's a you know, typical horror trope, and then it
• 56:18
  Speaker 1: just kind of takes a great turn, and then all
• 56:21
  Speaker 1: events that happen after that are just so well crafted
• 56:24
  Speaker 1: that I was into it, even though I've seen exorcisms
• 56:27
  Speaker 1: one hundred times in movies. Maybe it's because it was Spanish.
• 56:30
  Speaker 1: I don't know, Like, I don't know what it was,
• 56:32
  Speaker 1: but I was fucking hooked with that movie.
• 56:34
  Speaker 2: You know, I never get sick of an exorcism movie.
• 56:37
  Speaker 1: Do not ever like I would suggest this. I recommend
• 56:40
  Speaker 1: this even.
• 56:41
  Speaker 2: Something like, okay, going back to an American film, The
• 56:43
  Speaker 2: Last Exorcism where the dude's trying to debunk exorcisms, it's
• 56:48
  Speaker 2: still good.
• 56:49
  Speaker 1: It's still good because it's that found footage. That girl
• 56:52
  Speaker 1: now I think her name is, Yeah, she's creepy as fuck.
• 56:56
  Speaker 1: And then that whole ending scene, Yeah, yeah, that is creepy.
• 57:00
  Speaker 1: That's also found footage.
• 57:02
  Speaker 2: So exorcism movies are also why I don't trust contortionists.
• 57:07
  Speaker 2: Fair enough, Okay, yeah that but that is so out
• 57:11
  Speaker 2: of ten, what.
• 57:12
  Speaker 1: Would you rate that? I give it like a seven
• 57:14
  Speaker 1: and a half out of seven and a half. Is good,
• 57:16
  Speaker 1: especially for a short movie, because that's the thing, Like
• 57:19
  Speaker 1: normally I like him, like an hour and a half
• 57:21
  Speaker 1: is my sweet spot, but like anything under that I'll watch.
• 57:24
  Speaker 1: And I was excited for an hour and fifteen minutes
• 57:26
  Speaker 1: because I was like, cool, I can knock this out
• 57:27
  Speaker 1: really quick. And then I was like, man, this is
• 57:30
  Speaker 1: got and it does explain why the exorcism happens, because
• 57:33
  Speaker 1: halfway through I'm like, Okay, are they gonna explain why
• 57:37
  Speaker 1: the exorcismvie?
• 57:38
  Speaker 2: Yeah, that's that's the other thing about exorism movies is
• 57:40
  Speaker 2: if they don't necessarily explain what's going on, if it's
• 57:43
  Speaker 2: just like, oh, I picked.
• 57:44
  Speaker 1: You because yeah because of whatever plot armor No, there's
• 57:48
  Speaker 1: a there's like a cop or there's someone, there's there's
• 57:51
  Speaker 1: I think the priest knew what happened before they moved
• 57:54
  Speaker 1: into the house. And you know, again, it's it's very tropy,
• 57:58
  Speaker 1: but I guess the fact that it was just Spanish
• 58:00
  Speaker 1: and it was you know, totally kind of different in
• 58:03
  Speaker 1: the sense I was just really I was really into it.
• 58:05
  Speaker 1: But yeah, give it a shot. I think that no,
• 58:08
  Speaker 1: that was on it was on shutter.
• 58:12
  Speaker 2: Fantastic, Yeah, fantastic.
• 58:13
  Speaker 1: And I was gonna give you some trivia, but there's
• 58:15
  Speaker 1: there's no trivia. It's like be the first to put
• 58:18
  Speaker 1: some trivia. And I'm like, it was good? Is that trivia?
• 58:21
  Speaker 1: Did you know it's a movie? Did you know that
• 58:24
  Speaker 1: it's a movie that's really short? So yeah, once again
• 58:27
  Speaker 1: that was weird. Not alone, No estamos solos on shutter.
• 58:31
  Speaker 1: Huh no, go ahead, yeah, do your do Sabrina. And
• 58:35
  Speaker 1: then we're gonna take a break.
• 58:36
  Speaker 2: Yeah, all right, so yeah, Sabrina. Another Indonesian film. Oh
• 58:41
  Speaker 2: my god, where are you finding Netflix? What the Netflix? Oh?
• 58:46
  Speaker 1: Oh oh sorry, yes, sorry, yes it's a Netflix original.
• 58:50
  Speaker 1: I thought it was. I thought it was Spanish.
• 58:52
  Speaker 2: No, it's Indonesian.
• 58:54
  Speaker 1: Oh.
• 58:54
  Speaker 2: So the thing that threw me in the beginning is
• 58:59
  Speaker 2: apparently there.
• 59:00
  Speaker 1: Are certain words.
• 59:01
  Speaker 2: In the Indonesian language that don't translate, like English words
• 59:07
  Speaker 2: that don't translate. So there were certain words that they
• 59:10
  Speaker 2: were saying that were like phrases in English. So I
• 59:13
  Speaker 2: was like, wait, what is this an English movie set
• 59:16
  Speaker 2: in Indonesia? And then like they're like, oh, yeah, I
• 59:19
  Speaker 2: love you, I love you more, and then they go
• 59:22
  Speaker 2: into speaking whatever language they're speaking. I was like, wait,
• 59:25
  Speaker 2: what like that, very specific phrases. They just don't speak
• 59:31
  Speaker 2: in their native language, and it was very confused.
• 59:33
  Speaker 1: Well, it's kind of like, uh, you know Spanish. They'll
• 59:35
  Speaker 1: say something and then they'll say like a like a
• 59:37
  Speaker 1: name or something in.
• 59:38
  Speaker 2: English, like like colmost does McDonald's.
• 59:41
  Speaker 1: And you're like, no, what what did they not have
• 59:42
  Speaker 1: a Spanish word for McDonald's what? Yeah, okay, so I
• 59:45
  Speaker 1: get you.
• 59:46
  Speaker 2: So this movie was extra terrifying for me personally because
• 59:50
  Speaker 2: I fucking hate dolls.
• 59:53
  Speaker 1: You sent me like a snapchat of the doll like
• 59:55
  Speaker 1: turning its eyes, and I'm like I'm out, yeah, no, no, no,
• 59:58
  Speaker 1: fuck this this is.
• 1:00:00
  Speaker 2: This is like a special kind of doll movie because
• 1:00:03
  Speaker 2: it's not like an unassuming doll that is creepy like
• 1:00:06
  Speaker 2: this doll is made to look fucking creepy.
• 1:00:09
  Speaker 1: And yeah, even from the title card on Netflix, like
• 1:00:12
  Speaker 1: it's got a big face, it's got giant fucking eyes on.
• 1:00:15
  Speaker 2: The eyes are like a little bit like tennis ball.
• 1:00:18
  Speaker 1: I'm like, no, no, no, no, no, I don't like this.
• 1:00:20
  Speaker 2: And here's the creepy part about the eyes moving is
• 1:00:23
  Speaker 2: the eyes are actually painted on. They're not sucketed, so
• 1:00:26
  Speaker 2: they're not supposed to move in the first place.
• 1:00:28
  Speaker 1: No, go fuck yourself.
• 1:00:31
  Speaker 2: No, it's it is a fucking terrifying movie, if not
• 1:00:36
  Speaker 2: only for the doll. Okay, So it's this this man
• 1:00:41
  Speaker 2: who is a who owns a toy company which red
• 1:00:45
  Speaker 2: flag number fucking one number one.
• 1:00:49
  Speaker 1: Also he's like.
• 1:00:50
  Speaker 2: He can't be older than like twenty eight or else.
• 1:00:53
  Speaker 2: He's really in fucking shape and really fucking good looking. Uh.
• 1:00:58
  Speaker 2: He is the Indonesian Joe of Gordon Levit.
• 1:01:00
  Speaker 1: Wow you saw him? Oh you yeah, you sent me this. Yeah.
• 1:01:03
  Speaker 1: They were like, I think this is Joseph Joseph Gordon
• 1:01:05
  Speaker 1: Levin and I'm like.
• 1:01:06
  Speaker 2: He looks like he looks like really tan Joseph Gordon Levi.
• 1:01:11
  Speaker 1: Uh.
• 1:01:11
  Speaker 2: It opens with a like what appears to be a possession.
• 1:01:20
  Speaker 2: These two people go into this house and then it
• 1:01:23
  Speaker 2: cuts to a fucking wedding. So you're like, okay, they
• 1:01:28
  Speaker 2: fucking demon on the house and then wedding on the house,
• 1:01:32
  Speaker 2: on the house, on.
• 1:01:34
  Speaker 1: The the doll.
• 1:01:35
  Speaker 2: No okay, I was like, the doll is no, no
• 1:01:39
  Speaker 2: demon on the house.
• 1:01:40
  Speaker 1: Ye still passing, still pass on that.
• 1:01:43
  Speaker 2: So the the doors, the door is to this room
• 1:01:47
  Speaker 2: open and then it fades to a wedding and you're like, wait, what,
• 1:01:51
  Speaker 2: but what happened with fucking so you see you see
• 1:01:55
  Speaker 2: this wedding go on, and it's like, oh, this is
• 1:01:57
  Speaker 2: a nice wedding whatever. And you find out that the
• 1:02:02
  Speaker 2: the guy and the woman that got married are an
• 1:02:06
  Speaker 2: uncle to this girl whose parents have died, and they.
• 1:02:11
  Speaker 1: Are they taking care of They're taking care of for them.
• 1:02:13
  Speaker 2: Yes, okay, they have adopted this girl.
• 1:02:16
  Speaker 1: And the.
• 1:02:18
  Speaker 2: Aunt slash mother is a fashion designer for children's clothing.
• 1:02:26
  Speaker 1: Okay, cool.
• 1:02:27
  Speaker 2: The uncle slash father is a toy designer.
• 1:02:33
  Speaker 1: He owns a toy car that is a combination. I
• 1:02:35
  Speaker 1: don't need no, but.
• 1:02:37
  Speaker 2: They're they're fucking loaded. They are rich as shit. That's cool,
• 1:02:42
  Speaker 2: But you have a designer and a doll maker. I
• 1:02:44
  Speaker 2: feel like they are going to cross over and I
• 1:02:46
  Speaker 2: don't like it. So they and the movie starts on
• 1:02:51
  Speaker 2: this little orphan girl's birthday and they're like, oh, here's
• 1:02:55
  Speaker 2: a dress that your aunt made you specialty from her
• 1:02:58
  Speaker 2: line of clothes.
• 1:02:59
  Speaker 1: You're the ownly one in the world to.
• 1:03:01
  Speaker 2: Have this specific dress with this tag pass and she's
• 1:03:04
  Speaker 2: like all right, cool, whatever. And then they're like, oh,
• 1:03:07
  Speaker 2: here's an iPad for you. It's the iPad you always wanted.
• 1:03:11
  Speaker 2: And the girl's like, because like her parents died like
• 1:03:15
  Speaker 2: six months ago.
• 1:03:17
  Speaker 1: Yeah, she's still trying to get over that shit. Yeah.
• 1:03:18
  Speaker 2: And this girl, this girl's like six or seven.
• 1:03:22
  Speaker 1: Yeah, she looked I saw I think I saw her
• 1:03:24
  Speaker 1: on the title card or something. She looks pretty young.
• 1:03:26
  Speaker 2: Yeah, she's very very young. So they're and credit to
• 1:03:31
  Speaker 2: the aunt and uncle that are literally trying all they
• 1:03:33
  Speaker 2: can within their power to fucking make this girl happy
• 1:03:38
  Speaker 2: and feel it.
• 1:03:39
  Speaker 1: Yeah, it doesn't feel forced.
• 1:03:41
  Speaker 2: You genuinely empathize with the aunt and uncle because you're like, man,
• 1:03:46
  Speaker 2: and then you're thinking, maybe this little kid is just
• 1:03:48
  Speaker 2: a fucking bitch.
• 1:03:50
  Speaker 1: Ah, don't be a bitch, little kid, don't be a bitch, because.
• 1:03:53
  Speaker 2: You're like, why can't you appreciate And then you're like, ah, yeah,
• 1:03:55
  Speaker 2: you know. It's again a family oriented type thing, right, And.
• 1:04:02
  Speaker 1: The little girl gets a.
• 1:04:09
  Speaker 2: Gets a doll from her uncle, who you come to
• 1:04:13
  Speaker 2: find out, was his wife's daughter's favorite doll. So the
• 1:04:20
  Speaker 2: wife's daughter died in some fucking way they'd never completely explained,
• 1:04:26
  Speaker 2: and the first edition of this doll, named Sabrina was
• 1:04:30
  Speaker 2: her favorite doll ever, So what the uncle did was
• 1:04:35
  Speaker 2: he decided, I am going to make a second edition
• 1:04:39
  Speaker 2: and re release it in memory of the little girl
• 1:04:43
  Speaker 2: who died.
• 1:04:44
  Speaker 1: That's nice and all. But now, and here's the thing.
• 1:04:48
  Speaker 2: The doll that he gives the little girl is the
• 1:04:52
  Speaker 2: largest and only one of the collection. Jesus, so it
• 1:04:56
  Speaker 2: is almost the size of the little girl.
• 1:04:59
  Speaker 1: Sam look huge. It looked like it was fucking mad.
• 1:05:02
  Speaker 2: It's it's it's about three and a half feet big.
• 1:05:04
  Speaker 1: Yeah, fuck that. Yeah.
• 1:05:07
  Speaker 2: So the little girl gets it and like, oh, this
• 1:05:10
  Speaker 2: is nice, this is cool.
• 1:05:11
  Speaker 1: She goes to.
• 1:05:12
  Speaker 2: School one day and there is a game that they
• 1:05:16
  Speaker 2: play called Charlie Charlie, which which is the I guess
• 1:05:22
  Speaker 2: the agent Asian equivalency to the Ouija board.
• 1:05:27
  Speaker 1: Yeah, you go, Charlie, Charlie.
• 1:05:28
  Speaker 2: Can we play? Charlie Charlie? Can we play? And you
• 1:05:31
  Speaker 2: set up two pencils.
• 1:05:33
  Speaker 1: No, no, no, no.
• 1:05:35
  Speaker 2: You set up two pencils and across and there's a
• 1:05:39
  Speaker 2: yes no, yes, no no on the left, yes on
• 1:05:42
  Speaker 2: the right, and what you're supposed to do is you're
• 1:05:46
  Speaker 2: supposed to ask it a question. So Charlie, Charlie, can
• 1:05:50
  Speaker 2: mom come out to play? And the spirit known as Charlie,
• 1:05:55
  Speaker 2: I suppose will answer yes or no, So they say, Charlie, Charlie,
• 1:06:02
  Speaker 2: can grandma come out to play in the schoolyard? And
• 1:06:06
  Speaker 2: the little kid that's playing it is asking all these
• 1:06:09
  Speaker 2: questions like, oh does whatever his name does he do this?
• 1:06:15
  Speaker 2: Is he a big scaredy cat? And the pencils move
• 1:06:19
  Speaker 2: to yes or no based on the questions. So yes
• 1:06:23
  Speaker 2: and yes are adjacent to each other, and no and
• 1:06:26
  Speaker 2: no are adjacent to each other. So no matter if
• 1:06:29
  Speaker 2: it selects no, it's gonna be diagonal across. If it
• 1:06:32
  Speaker 2: selects yes, it's gonna be diagonal across. So the little girl,
• 1:06:37
  Speaker 2: after playing this game decides that they that she wants
• 1:06:42
  Speaker 2: to talk to her mother who because she she misses
• 1:06:47
  Speaker 2: her mother dearly. So she goes to the kid showing
• 1:06:53
  Speaker 2: the schootyard kids how to play this game, and she
• 1:06:57
  Speaker 2: asks like, hey, how does this game work? Can I
• 1:07:00
  Speaker 2: borrow it? And the little kid says, yeah, you can
• 1:07:03
  Speaker 2: borrow it, So here's how you play. Also, if you
• 1:07:07
  Speaker 2: want to see the actual spirit, you download this app
• 1:07:11
  Speaker 2: on your iPad and it will show you where the
• 1:07:14
  Speaker 2: spirit is.
• 1:07:15
  Speaker 1: Why would you ever do that?
• 1:07:18
  Speaker 2: Now? My issue with that was who the fuck thinks
• 1:07:23
  Speaker 2: that an iPad is going to pick up a spirit.
• 1:07:26
  Speaker 1: I mean, in this day and age, anything is possible.
• 1:07:28
  Speaker 2: Lower right, Okay, Okay. The app is literally called spirit.
• 1:07:31
  Speaker 1: Finder, uh okay.
• 1:07:34
  Speaker 2: And it looks like they put some really bad fucking
• 1:07:37
  Speaker 2: Instagram filter just over it and then colored it Matrix green.
• 1:07:43
  Speaker 2: It's got this little sonar spinner in the bottom that
• 1:07:47
  Speaker 2: never really does anything except that.
• 1:07:49
  Speaker 1: Is a real app. I know it is. Oh Okay,
• 1:07:51
  Speaker 1: I didn't. Okay, No, they.
• 1:07:53
  Speaker 2: Use a real app, which because I looked up the
• 1:07:56
  Speaker 2: top and I was like, wait, what it's an actual app.
• 1:08:00
  Speaker 2: And even if you're not like hunting Spirits, yeah, still
• 1:08:04
  Speaker 2: find spirits. It's just a cheap spook app, is what
• 1:08:07
  Speaker 2: it is.
• 1:08:08
  Speaker 1: It really is. Yeah. I didn't realize that they were
• 1:08:10
  Speaker 1: basing this in a real app because yeah, I've used
• 1:08:12
  Speaker 1: that and it's it's kind of fun and hokey, but
• 1:08:14
  Speaker 1: it's yeah, so it's not real.
• 1:08:17
  Speaker 2: So this girl decides that she is going to play
• 1:08:22
  Speaker 2: this Charlie Charlie game at night, trying to contact her mother,
• 1:08:27
  Speaker 2: and she's like, she goes, Charlie, Charlie, can we play Charlie?
• 1:08:32
  Speaker 2: And she eventually she gets to a point where she's
• 1:08:34
  Speaker 2: like screaming at this Charlie character if we can play,
• 1:08:37
  Speaker 2: And finally the pencils click yes, and she's like can
• 1:08:41
  Speaker 2: I talk? And she's like, can I talk to my mom?
• 1:08:43
  Speaker 2: And he's like yes, So she's trying to talk to
• 1:08:46
  Speaker 2: her mom. And then the girl's like, oh, I'm gonna
• 1:08:48
  Speaker 2: get the spirit find her app and see if I
• 1:08:49
  Speaker 2: can't go see my mom, and then wanders throughout the house.
• 1:08:53
  Speaker 2: And here's where shit hits the fan is when the
• 1:08:59
  Speaker 2: little kid that was plaining how you play ends the game.
• 1:09:03
  Speaker 2: He starts praying and says you have to pray to
• 1:09:07
  Speaker 2: get the spirit to cross back over to the other
• 1:09:09
  Speaker 2: side peacefully. During her whole first ghost hunt, her aunt
• 1:09:15
  Speaker 2: finds her and just sends her straight to bed and
• 1:09:18
  Speaker 2: she never closes down the game.
• 1:09:21
  Speaker 1: That is rule number like two of like we just
• 1:09:24
  Speaker 1: stuff and no always say goodbye?
• 1:09:27
  Speaker 2: Yeah, and she never does, And that's when shit just
• 1:09:30
  Speaker 2: hits the fan.
• 1:09:32
  Speaker 1: Okay, how far how far? Like about how far into
• 1:09:35
  Speaker 1: the movie would you say that this happens?
• 1:09:36
  Speaker 2: Eh, twenty five thirty minutes? Okay, it's it's it's a
• 1:09:41
  Speaker 2: fairly slow build. This is also a longer.
• 1:09:44
  Speaker 1: Yeah, hour, and I was just I was looking that up.
• 1:09:46
  Speaker 1: That's why I wanted to know how long in because
• 1:09:49
  Speaker 1: it's an hour fifty three. So yeah, thirty thirty minutes in. Yeah,
• 1:09:52
  Speaker 1: that's about a you know, a good time.
• 1:09:54
  Speaker 2: And then once the spooky shit starts happening, it up
• 1:10:00
  Speaker 2: to eleven and rips the fucking knob off real goddamn.
• 1:10:04
  Speaker 1: Quick, Jesus, like to the point where.
• 1:10:07
  Speaker 2: I was like, wait, did I miss a sea?
• 1:10:10
  Speaker 1: Did you have like go back?
• 1:10:11
  Speaker 2: And yeah, no, I went back like two minutes. Hold on, yeah,
• 1:10:17
  Speaker 2: because like lights flicker, lights go off, the maid says something,
• 1:10:24
  Speaker 2: and then it's fucking just demons. It's demons, it's safety scissors,
• 1:10:33
  Speaker 2: and it's poltergeist Jesus Christ. And that's all I can
• 1:10:36
  Speaker 2: say without technically ruining it. Yeah, uh but yeah, no
• 1:10:41
  Speaker 2: it it was fucking bananas. Also, like I'm gonna say
• 1:10:47
  Speaker 2: a phrase that's not gonna ruin it, but make it
• 1:10:50
  Speaker 2: really confusing. Mortal Kombat. Okay, so Mortal Kombat and Demons.
• 1:10:57
  Speaker 2: You know, I wish they would have flashed that out.
• 1:11:01
  Speaker 2: So if if you found that secret scene in Bandersnatch, yeah,
• 1:11:07
  Speaker 2: it like it's that scene that like why did they
• 1:11:10
  Speaker 2: include that? Okay, yeah, it was fun. Yeah, but that
• 1:11:14
  Speaker 2: that was definitely a thing that happened.
• 1:11:16
  Speaker 1: Okay, And this was also also.
• 1:11:20
  Speaker 2: The Demon like in its peer form, looks like we'd
• 1:11:22
  Speaker 2: now Yankovic.
• 1:11:24
  Speaker 1: That is kind of weird. Is that a spoiler? Like?
• 1:11:27
  Speaker 2: No, honestly, it makes the Demon just a little bit better.
• 1:11:32
  Speaker 2: Like imagine imagine reard Al Yankovic with like a Halloween
• 1:11:35
  Speaker 2: witch nose, and that's.
• 1:11:37
  Speaker 1: What the Demon's true, like hocus Pocus style, just like hello, yes,
• 1:11:41
  Speaker 1: all right, yes, okay, well, uh that was Sabrina that
• 1:11:46
  Speaker 1: came out. I keep saying this year because I'm still
• 1:11:49
  Speaker 1: not used to it being in twenty nineteen, but that
• 1:11:51
  Speaker 1: came out in twenty eighteen. The only thing I have
• 1:11:54
  Speaker 1: for a trivia is uh, well, I mean there's two things,
• 1:11:58
  Speaker 1: but one is just pointless. It's this is a spin
• 1:12:01
  Speaker 1: off actually a direct sequel to The Doll two.
• 1:12:05
  Speaker 2: Yeah, apparently there are three movies in that quote unquote series.
• 1:12:10
  Speaker 1: It's Doll, Doll.
• 1:12:11
  Speaker 2: Two and then Sabrina.
• 1:12:12
  Speaker 1: Okay, so there you go. So that's the only bit
• 1:12:13
  Speaker 1: of trivia that I have is uh yeah. The director
• 1:12:16
  Speaker 1: decided this movie as a spinoff instead of his sequel is.
• 1:12:20
  Speaker 2: Yeah, if you can find the first two with English
• 1:12:24
  Speaker 2: translations that are accessible easily, send us some direct messages
• 1:12:31
  Speaker 2: because I would like to find out.
• 1:12:32
  Speaker 1: What the fuck it's about.
• 1:12:34
  Speaker 2: Also, the twist at the end, I was like, no,
• 1:12:39
  Speaker 2: no fucking.
• 1:12:40
  Speaker 1: Way, like so good twist. Oh great twist.
• 1:12:43
  Speaker 2: Okay, great twist as to why and it explains exactly
• 1:12:47
  Speaker 2: why everything is happening.
• 1:12:48
  Speaker 1: Perfect. Yeah, See I need I need a why with
• 1:12:52
  Speaker 1: any with any movie I watch, I've gotta have a why.
• 1:12:55
  Speaker 2: And it gives you a why and you're like, no
• 1:12:58
  Speaker 2: fucking way, okay, no fucking way.
• 1:13:01
  Speaker 1: Fair enough. So that was Sabrina Netflix Original, Netflix Original. Yes,
• 1:13:06
  Speaker 1: check that ship out. We are going to take a
• 1:13:09
  Speaker 1: quick break and then we'll be back to review some
• 1:13:12
  Speaker 1: movies that we've both seen, and then we'll do some
• 1:13:14
  Speaker 1: horror trivia and that'll be that. All right. So we
• 1:14:02
  Speaker 1: are back and we have three movies unless you want
• 1:14:06
  Speaker 1: to talk about Terrified? Did you watch that one?
• 1:14:08
  Speaker 2: I did watch Terrified?
• 1:14:09
  Speaker 1: All right, so let's do these four. Let's let's do
• 1:14:11
  Speaker 1: these for uh kind of quickly. Here, we've got raw up.
• 1:14:14
  Speaker 2: First, God fucking damn, do you not?
• 1:14:19
  Speaker 1: Did you not? Like?
• 1:14:19
  Speaker 2: No?
• 1:14:20
  Speaker 1: It was fucking amaze.
• 1:14:21
  Speaker 2: That's why I said goddamn, because it was it was
• 1:14:24
  Speaker 2: bat ship turn after bat ship turn and the ending.
• 1:14:28
  Speaker 2: I was like, wait, fucking what.
• 1:14:31
  Speaker 1: Yeah, so Raw is a French film, if I'm not mistaken, Yeah,
• 1:14:38
  Speaker 1: and uh it's it's it's very weird. It. I don't
• 1:14:42
  Speaker 1: remember how it started. You remember how it started, because
• 1:14:44
  Speaker 1: I don't remember what it kicked it off. I think
• 1:14:46
  Speaker 1: they were all eating no, okay, punch or something. So
• 1:14:49
  Speaker 1: what kicked it.
• 1:14:50
  Speaker 2: Off is I'm not gonna describe the scene actually, because
• 1:14:56
  Speaker 2: it's a scene that takes place three quarters of the
• 1:14:59
  Speaker 2: way through the again, but I'll see. If you didn't
• 1:15:03
  Speaker 2: say that, you could have explained it. Yeah, God damn you.
• 1:15:06
  Speaker 2: But it makes you want to watch it more than
• 1:15:10
  Speaker 2: you're like.
• 1:15:10
  Speaker 1: Oh what oka, Yeah that's true. Yeah, because there's a
• 1:15:12
  Speaker 1: c Yeah, you're right, there's a scene about halfway through
• 1:15:14
  Speaker 1: that happened and you realize that it's the scene that
• 1:15:17
  Speaker 1: happened in the beginning. So yeah, okay, no, it's not
• 1:15:19
  Speaker 1: the same exactly, No, no, no, I'm saying it. It's a
• 1:15:21
  Speaker 1: it's a similar scene that happens in the beginning.
• 1:15:23
  Speaker 2: So but it opens with this girl being driven to
• 1:15:29
  Speaker 2: university for some type of schooling. It's not necessarily explained
• 1:15:35
  Speaker 2: what it is until she gets there. Uh, but you
• 1:15:39
  Speaker 2: find out that she's a veterinary student.
• 1:15:42
  Speaker 1: And can we can we.
• 1:15:44
  Speaker 2: Just talk about real quick how fucking batshit insane, like
• 1:15:50
  Speaker 2: European college is as opposed to American college.
• 1:15:53
  Speaker 1: Oh yeah, you're talking about the party scene or just or.
• 1:15:56
  Speaker 2: Just any of the ship they do with that college
• 1:15:58
  Speaker 2: in general.
• 1:16:00
  Speaker 1: No, you're right, but pouring blood on people.
• 1:16:03
  Speaker 2: Fucking there's a dog in a dorm room, just fucking chilling.
• 1:16:07
  Speaker 1: Yeah, Like she pulls up and they're like that's the
• 1:16:10
  Speaker 1: hospital ward or something. And then she goes to like
• 1:16:13
  Speaker 1: her dorm and then they're immediately filed out of the
• 1:16:16
  Speaker 1: dorms by all these while classmen.
• 1:16:18
  Speaker 2: While all the upperclassmen are legit.
• 1:16:21
  Speaker 1: Just trashing, right.
• 1:16:22
  Speaker 2: Yeah, they're taking throwing their beds out windows, like stealing.
• 1:16:26
  Speaker 1: Shit, and they've got like masts on like.
• 1:16:29
  Speaker 2: Pulling women's clothes off.
• 1:16:31
  Speaker 1: It's brutal. I'm like, okay, is she like at a
• 1:16:35
  Speaker 1: like a summer camp like where it's because it's not
• 1:16:37
  Speaker 1: explained until much later that she's out of you know,
• 1:16:40
  Speaker 1: veterinarian school or whatever it is, and I'm like, what
• 1:16:44
  Speaker 1: is happening? They pull them all out like very abruptly
• 1:16:47
  Speaker 1: and very rudely and then most borderline violence. Yeah, and
• 1:16:52
  Speaker 1: then they just shove them into this fucking batshit crazy
• 1:16:55
  Speaker 1: party and it's just like, I don't even what would
• 1:16:58
  Speaker 1: you explain that place that they were in. It's like
• 1:17:00
  Speaker 1: some abandoned like it's part of the school, I know,
• 1:17:03
  Speaker 1: but like it's an abandoned part where it's just like
• 1:17:05
  Speaker 1: concrete walls and.
• 1:17:07
  Speaker 2: I have no idea what it is.
• 1:17:08
  Speaker 1: But and there's loud music, girls making out titties everywhere. Yeah,
• 1:17:12
  Speaker 1: holy boobs, bat just like like what is going on?
• 1:17:16
  Speaker 2: Like it seems like half the half the class is
• 1:17:19
  Speaker 2: on some type of drug.
• 1:17:21
  Speaker 1: Oh there's a scene where a guy is taking something
• 1:17:24
  Speaker 1: and puts it on the girl's tongue.
• 1:17:25
  Speaker 2: So and they immediately start making out.
• 1:17:29
  Speaker 1: Yes, So like great start, very friends. I was into
• 1:17:33
  Speaker 1: this very French. The stuff they did in this movie
• 1:17:37
  Speaker 1: we'll talk about in a minute, but yeah, you could
• 1:17:39
  Speaker 1: not pull that off in America.
• 1:17:41
  Speaker 2: No, And like, even if you're relating it to like
• 1:17:44
  Speaker 2: a realistic level, if you did even one of these
• 1:17:49
  Speaker 2: things that they do.
• 1:17:52
  Speaker 1: All over not even FCC.
• 1:17:53
  Speaker 2: But in real life you would be put in fucking jam.
• 1:17:58
  Speaker 2: I guarantee you if you went up to the University
• 1:18:01
  Speaker 2: of Central Florida and broke into a student's room and
• 1:18:04
  Speaker 2: threw their bed out of the dorm window, you would
• 1:18:07
  Speaker 2: get fucking arrested.
• 1:18:08
  Speaker 1: Yeah, there was like literally a whole pile of just beds,
• 1:18:12
  Speaker 1: and like the main chick eventually goes to like fish
• 1:18:16
  Speaker 1: her bed out from all the pile, like more than once,
• 1:18:19
  Speaker 1: like more than once. And this is a veterinarian school.
• 1:18:24
  Speaker 1: This isn't even like a part I guess maybe that's
• 1:18:26
  Speaker 1: their party colleges. I don't fucking know, But this movie
• 1:18:30
  Speaker 1: was just how to left field for me.
• 1:18:32
  Speaker 2: Like I don't know, I've hung out at some Florida
• 1:18:34
  Speaker 2: party colleges.
• 1:18:35
  Speaker 1: Nothing like that. No nothing, No, you go, you go.
• 1:18:38
  Speaker 2: To fucking Gainesville University of Florida. They don't party that fuck. Yeah,
• 1:18:42
  Speaker 2: we party, but they don't party that crazy. So, like
• 1:18:47
  Speaker 2: you find out she's a vegan because.
• 1:18:50
  Speaker 1: Well it's it says vegetarian. Well okay, she's still eats cheese. Okay,
• 1:18:54
  Speaker 1: So yeah, so she's a vegetarian. And then there's one
• 1:18:57
  Speaker 1: part in the movie where they're making everyone eat.
• 1:19:00
  Speaker 2: Like raw rabbit kidneys.
• 1:19:02
  Speaker 1: Oh perfect, you remembered. Yeah, So they're they're making everyone
• 1:19:05
  Speaker 1: eat this, and she goes up there and like, no,
• 1:19:07
  Speaker 1: I can't, and they basically ridicule her into eating it,
• 1:19:11
  Speaker 1: and she's like, no, I'm the vegetarian.
• 1:19:13
  Speaker 2: Ask my sister, who's right fucking over there.
• 1:19:16
  Speaker 1: And then she fucking eats the kidneys. And I'm like,
• 1:19:18
  Speaker 1: why would you tell them to ask your sister if
• 1:19:21
  Speaker 1: she just went ahead and ate it? And then of
• 1:19:23
  Speaker 1: course you obviously figure out why. But she eats that,
• 1:19:27
  Speaker 1: and then that's kind of where the movie takes this
• 1:19:29
  Speaker 1: tonal shift of Oh, that's what this movie is about, gotcha.
• 1:19:35
  Speaker 2: Except you don't really get the oh gotcha moment until
• 1:19:40
  Speaker 2: like almost three quarters of the way.
• 1:19:44
  Speaker 1: But go. But once they once that moment hit, I
• 1:19:46
  Speaker 1: was like, Okay, something's gonna happen because of this, you know,
• 1:19:50
  Speaker 1: like she eats this, not ever having any sort of
• 1:19:52
  Speaker 1: meat in her life. Something's gonna happen. And then there's
• 1:19:56
  Speaker 1: another scene that would never happen in America. There's like
• 1:19:59
  Speaker 1: this scene where they're waxing each other, like she's waxing
• 1:20:04
  Speaker 1: her part her lady bits, and I'm like, you can't
• 1:20:06
  Speaker 1: do that in America.
• 1:20:08
  Speaker 2: No, no, no, it's no. Full Monty is never specifically shown. No,
• 1:20:14
  Speaker 2: but it's fucking quote it's suggested more than once because
• 1:20:18
  Speaker 2: you have that scene and then you have this scene
• 1:20:20
  Speaker 2: where I think it's the sisters right rooftop, Yeah, when.
• 1:20:23
  Speaker 1: They're peeing, and I'm like, okay, it's it's two.
• 1:20:26
  Speaker 2: It's two women peeing standing up. Yeah, Which that's not
• 1:20:30
  Speaker 2: a scene that would ever fly in America.
• 1:20:33
  Speaker 1: Yeah, they would never let that.
• 1:20:34
  Speaker 2: Help.
• 1:20:35
  Speaker 1: I'll tell you what there is.
• 1:20:37
  Speaker 2: There is almost as much ass in this movie as
• 1:20:41
  Speaker 2: Girls Gone Wild.
• 1:20:42
  Speaker 1: There's so much, and it's like it's funny because it's
• 1:20:45
  Speaker 1: not even really.
• 1:20:46
  Speaker 2: It's not even sexualized. It was just like, hey, this
• 1:20:48
  Speaker 2: is what happens.
• 1:20:48
  Speaker 1: That's what. It's not even really warranted. But it's just like, oh,
• 1:20:51
  Speaker 1: hey there's an ass, Hey there's a parrotets, Hey there's this,
• 1:20:54
  Speaker 1: and I'm just like, oh, you're and that's what That's
• 1:20:58
  Speaker 1: how French people are. They're very comfortable europe is that's
• 1:21:02
  Speaker 1: what I'm saying. They're various sexualized. There was a lot
• 1:21:04
  Speaker 1: of like sex and just body part of this movie
• 1:21:08
  Speaker 1: that I'm just like, what is going on?
• 1:21:10
  Speaker 2: Like, like the first the first line that you hear
• 1:21:13
  Speaker 2: from the main characters sister is hey, is my thong out?
• 1:21:17
  Speaker 1: Oh that's right? Yeah, and she's like, no, you're you're fine.
• 1:21:21
  Speaker 2: And then you see her sister proceed to pull her
• 1:21:23
  Speaker 2: up to be seen, Like, what the what the fuck
• 1:21:26
  Speaker 2: is going on? And this this rave party scene in
• 1:21:30
  Speaker 2: the beginning last like a solid eight.
• 1:21:33
  Speaker 1: Minutes because the sister that shows up to the school
• 1:21:37
  Speaker 1: is like, oh, I think I'm gonna go, and she's like,
• 1:21:39
  Speaker 1: you're gonna go before we do, it's not you're not.
• 1:21:41
  Speaker 2: You're not allowed.
• 1:21:42
  Speaker 1: You're not allowed to do that. And then it shows
• 1:21:43
  Speaker 1: the sister that just got there getting to her dorm
• 1:21:46
  Speaker 1: and it's like daylight outside and then her her alarm
• 1:21:49
  Speaker 1: goes off and it's like time for Yeah. The other
• 1:21:54
  Speaker 1: the other interesting trope about this movie is she is
• 1:21:58
  Speaker 1: female and she request for a female roommate, so yeah,
• 1:22:02
  Speaker 1: a gay man as a roommate, which plays a big
• 1:22:06
  Speaker 1: fucking partner. It really does. He was like, well, you
• 1:22:10
  Speaker 1: got a gay man, so what's the difference. And I'm like,
• 1:22:11
  Speaker 1: I feel like that's gonna come up later I don't
• 1:22:14
  Speaker 1: know what.
• 1:22:15
  Speaker 2: I thought it was going to too and ding ding.
• 1:22:18
  Speaker 1: Ding, Yeah, fucking it does. But all in all, I
• 1:22:22
  Speaker 1: was really kind of entranced by this movie. And again,
• 1:22:25
  Speaker 1: I don't know if it's just because it's foreign and
• 1:22:28
  Speaker 1: something that really America would never show, or if it's
• 1:22:32
  Speaker 1: the fact that it was just that good, Like I mean,
• 1:22:35
  Speaker 1: I like, maybe it's a little bit of both, but
• 1:22:37
  Speaker 1: I would say I love this movie.
• 1:22:39
  Speaker 2: I would say by and large it is both, because
• 1:22:42
  Speaker 2: if they did it in an American style, it would
• 1:22:45
  Speaker 2: be fucking trash. Yeah, But because there is that cultural barrier,
• 1:22:54
  Speaker 2: I think that's what made it so much cool, because
• 1:22:56
  Speaker 2: you're like, it's it's fucking for ideas to us. You're like,
• 1:23:01
  Speaker 2: you would never see women like acting like that aside
• 1:23:04
  Speaker 2: from like very specific people.
• 1:23:08
  Speaker 1: Yeah, or like girls gone wild like you said earlier.
• 1:23:11
  Speaker 2: You would only ever see this in very very microcosmic sex.
• 1:23:16
  Speaker 2: And so you see all this foreign culture and I'm like,
• 1:23:20
  Speaker 2: this is bizarre, and then the story You're like, this
• 1:23:22
  Speaker 2: is even more bizarre, and then the wrap up at
• 1:23:25
  Speaker 2: the very.
• 1:23:25
  Speaker 1: End, you're like, this is fucking bizarre, Like what is
• 1:23:28
  Speaker 1: this Like That's that's what I found myself saying when
• 1:23:30
  Speaker 1: the movie ended, I was like, what even was that
• 1:23:33
  Speaker 1: fucking movie? Like it was all sorts. I have no words, Like.
• 1:23:38
  Speaker 2: Now I want to see a sequel that is a
• 1:23:41
  Speaker 2: prequel involving the lead up to what happened through that. Yeah,
• 1:23:47
  Speaker 2: because the the ending scene with the shirtless scene, You're like, what.
• 1:23:53
  Speaker 1: I would love to see. I would love to see
• 1:23:56
  Speaker 1: a prequel that focused on the older sister that already
• 1:23:59
  Speaker 1: was at the school. I say, campus, whatever you want
• 1:24:03
  Speaker 1: to call it.
• 1:24:03
  Speaker 2: No, I want to I want to see it with
• 1:24:05
  Speaker 2: the with the other people.
• 1:24:07
  Speaker 1: Oh I see, oh see. I'd like to see the
• 1:24:09
  Speaker 1: older sister going and experiencing everything for her first time
• 1:24:13
  Speaker 1: and seeing you know, how she got to where she was,
• 1:24:16
  Speaker 1: and then kind of wrap it around to oh and
• 1:24:18
  Speaker 1: then you know her sister comes Like I would love
• 1:24:20
  Speaker 1: to see that kind of wrap around story. Yeah, it
• 1:24:22
  Speaker 1: focused on the it would be fantastic.
• 1:24:25
  Speaker 2: I would I would put that movie at a solid
• 1:24:28
  Speaker 2: nine point three.
• 1:24:29
  Speaker 1: At holy shit nine point three. Wow, Okay not yet,
• 1:24:35
  Speaker 1: just because of the sheer.
• 1:24:38
  Speaker 2: Like I I thought I had the movie figured out,
• 1:24:42
  Speaker 2: like the last fifteen minutes, yeah, and then the last
• 1:24:45
  Speaker 2: scene it it verified my thoughts.
• 1:24:49
  Speaker 1: But then it was like, but wait, why why this? Yeah?
• 1:24:55
  Speaker 2: Like how but how like I want to know the
• 1:24:57
  Speaker 2: story of I want to know the story of that there. Ok, yeah,
• 1:25:00
  Speaker 2: like that that's the prequel. I want. I want the
• 1:25:03
  Speaker 2: prequel of the last fifteen minutes.
• 1:25:05
  Speaker 1: And it did. It did really well. It came out
• 1:25:08
  Speaker 1: in twenty sixteen, but I don't think it came to
• 1:25:11
  Speaker 1: the States until last year or twenty seventeen.
• 1:25:15
  Speaker 2: It was two thousand and seven. Well I saw it
• 1:25:17
  Speaker 2: originally on red Box twenty seventeen, so.
• 1:25:22
  Speaker 1: Yeah, it came to the States a year later. And honestly,
• 1:25:25
  Speaker 1: it really got great reviews and it got a great
• 1:25:29
  Speaker 1: audience feedback. I wouldn't be surprised if they tried to
• 1:25:31
  Speaker 1: do a sequel with it. And here's some fun trivia
• 1:25:36
  Speaker 1: for you. It was originally rated NC seventeen for its
• 1:25:40
  Speaker 1: graphic violence, but then I wonder what. Yeah, then it
• 1:25:43
  Speaker 1: was changed to an R rating, and due to the
• 1:25:46
  Speaker 1: graphic nature of the film, ushers at the NewART Theater
• 1:25:49
  Speaker 1: in Los Angeles were handing moviegoers custom made vomit bags
• 1:25:55
  Speaker 1: because it was just that like fucked up. I guess,
• 1:25:58
  Speaker 1: I mean, I never I never got to a part
• 1:26:00
  Speaker 1: where I wanted to throw up, but I have a
• 1:26:02
  Speaker 1: pretty good stime.
• 1:26:03
  Speaker 2: We're also fairly jaded when it comes to that.
• 1:26:06
  Speaker 1: Yeah, that's true because I've seen a lot of shit.
• 1:26:08
  Speaker 1: And on the note of people being handed vomit bags,
• 1:26:11
  Speaker 1: apparently over thirty people left the cinema when this movie
• 1:26:15
  Speaker 1: was shown in Sweden. Two people fainted and some ran
• 1:26:18
  Speaker 1: for the toilet to puke, which is probably why they
• 1:26:20
  Speaker 1: handed out puke bags.
• 1:26:21
  Speaker 2: In America, I mean, I do not doubt it because
• 1:26:26
  Speaker 2: if I was from a culture where that level of
• 1:26:31
  Speaker 2: gratuity was not normal.
• 1:26:33
  Speaker 1: Yeah, it's because it's a weird type.
• 1:26:36
  Speaker 2: Of wol I would equate that to the level of
• 1:26:40
  Speaker 2: disturbing that the original Exorcist had on people here in
• 1:26:44
  Speaker 2: America in the seventies.
• 1:26:45
  Speaker 1: Yeah, I would agree with that. We talked about that
• 1:26:47
  Speaker 1: on the last episode of Around with just how crazy
• 1:26:49
  Speaker 1: the Exorcist was, and it wasn't. Obviously, I don't think
• 1:26:52
  Speaker 1: it was as crazy as the Exorcist, but you know,
• 1:26:56
  Speaker 1: well people are going to view it.
• 1:26:57
  Speaker 2: You got to realize France is very well known for
• 1:27:00
  Speaker 2: their very art house t Exactly, you're gonna get a
• 1:27:03
  Speaker 2: lot of like artsy for being artsy, like it doesn't
• 1:27:08
  Speaker 2: have to make sense. As long as the camera angles
• 1:27:11
  Speaker 2: are cool and the colors represent.
• 1:27:13
  Speaker 1: Shit, it's bought.
• 1:27:15
  Speaker 2: This one is just balls to the wall, like, yeah,
• 1:27:19
  Speaker 2: get through the first ten minutes, which are kind of slow,
• 1:27:22
  Speaker 2: don't really have me do with anything, and then you're
• 1:27:26
  Speaker 2: just like you're almost rooting for shit to get even
• 1:27:30
  Speaker 2: more cranked up. Oh yeah, Like you're like, okay, so
• 1:27:34
  Speaker 2: this is what happens. I wanted to go farther and
• 1:27:37
  Speaker 2: then it does and you're like I want it to
• 1:27:38
  Speaker 2: go farther and you're like it does, and you're like,
• 1:27:40
  Speaker 2: when is this gonna stop?
• 1:27:42
  Speaker 1: When is the ramping just gonna stop? And it's only
• 1:27:44
  Speaker 1: an hour and forty minutes, so it's really not that
• 1:27:47
  Speaker 1: and it must have never slow. Yeah, really, like you said,
• 1:27:52
  Speaker 1: maybe the first couple of minutes, just because you're trying
• 1:27:54
  Speaker 1: to get into what's happening. Once she gets to school,
• 1:27:58
  Speaker 1: it's that's where it just starts ramping up and you're like,
• 1:28:01
  Speaker 1: holy fuck. So I gave you some trivia on that.
• 1:28:04
  Speaker 1: That one was from twenty sixteen, but that's when it
• 1:28:07
  Speaker 1: was released in France. That one is on Netflix right now.
• 1:28:12
  Speaker 1: Please go watch it, tell us what you think, and
• 1:28:15
  Speaker 1: let's get into the next one that we saw, which
• 1:28:18
  Speaker 1: was them. I think we're gonna have kind of different
• 1:28:21
  Speaker 1: opinions on this next one because I enjoyed it until
• 1:28:26
  Speaker 1: they had the reveal of the quote unquote monsters, whatever
• 1:28:33
  Speaker 1: you want to call them, because I was really digging
• 1:28:36
  Speaker 1: the whole concept of this movie. And then the guys
• 1:28:38
  Speaker 1: in the hoods took their hoods off and I was like, oh.
• 1:28:43
  Speaker 2: But see, That's why I liked it the most, because
• 1:28:47
  Speaker 2: there are specific sound effects through the entire movie that
• 1:28:51
  Speaker 2: you're like, what the fuck is deck? What's going on? No?
• 1:28:54
  Speaker 2: And I love those And then the last scene they
• 1:28:57
  Speaker 2: explained what all those sounds are. But you gotta read
• 1:29:01
  Speaker 2: the subtitles at the very beginning. It's something that actually fucking.
• 1:29:04
  Speaker 1: Happen, Okay, And I'm gonna that's what I was gonna
• 1:29:06
  Speaker 1: get into. The only reason why I really liked it
• 1:29:10
  Speaker 1: was because it was based on true events, like these
• 1:29:13
  Speaker 1: events actually happened, or at least they say they did.
• 1:29:16
  Speaker 1: I did not research, but yeah, they go in at
• 1:29:19
  Speaker 1: the beginning they said, this is based on true events,
• 1:29:22
  Speaker 1: and then at the ending they explain those events and
• 1:29:25
  Speaker 1: what happened, and when you really look at it, knowing
• 1:29:28
  Speaker 1: what the them character is, Oh yeah, that's terrifying. But
• 1:29:33
  Speaker 1: in the same sense, I am not scared of what
• 1:29:36
  Speaker 1: they were because like, no, no, but you're excuse me,
• 1:29:40
  Speaker 1: I'm six and a half fetall, I'm not scared of
• 1:29:42
  Speaker 1: what they were. I'm sorry, but you're scared of see it.
• 1:29:46
  Speaker 2: To me, it was much more of a psychological thing.
• 1:29:50
  Speaker 2: It's it's the fear of the potential. Now, it really
• 1:29:54
  Speaker 2: is that at any time, that could happen to anyone.
• 1:30:00
  Speaker 1: Yeah, and so go to relay that.
• 1:30:05
  Speaker 2: One of the news stories that's been going around right
• 1:30:07
  Speaker 2: now out of Wisconsin, the guy that broke into that
• 1:30:12
  Speaker 2: family's house execution style, murdered the mother and father and
• 1:30:17
  Speaker 2: fucking kidnapped this girl and kept her for eighty one
• 1:30:20
  Speaker 2: days under his bed. Oh yeah, like that that's the
• 1:30:24
  Speaker 2: thing that's that happened like recently, within the past like
• 1:30:28
  Speaker 2: six months.
• 1:30:29
  Speaker 1: Oh jesus. Yeah.
• 1:30:30
  Speaker 2: So that type of level of insanity where anything can
• 1:30:36
  Speaker 2: happen in any moment. Yeah, that is why to me
• 1:30:40
  Speaker 2: it was like, Okay, this is really fucking freaky. Plus
• 1:30:44
  Speaker 2: it doesn't have that okay, little by little, it's ramping up.
• 1:30:49
  Speaker 2: It's just like, Okay, one thing happened. It's go fucking time.
• 1:30:53
  Speaker 1: No, you're right, because it really I'm trying to remember
• 1:30:57
  Speaker 1: how it started. It kind of Oh, that's right. Okay.
• 1:31:02
  Speaker 1: The intro I loved because it was a mother daughter
• 1:31:05
  Speaker 1: in the car and they're arguing and they're like bitching
• 1:31:08
  Speaker 1: at each other, and then all of a sudden, the
• 1:31:10
  Speaker 1: mom like looks back to the front of the car
• 1:31:13
  Speaker 1: after arguing with her daughter, and she sees something in
• 1:31:15
  Speaker 1: the road and they swerve and then they miss the
• 1:31:18
  Speaker 1: thing in the road, and then they hit a telephone pole.
• 1:31:20
  Speaker 2: Which on a country road is the strongest goddamn telephone pole. Once.
• 1:31:24
  Speaker 1: Yeah, and it's also super scary because this takes place
• 1:31:27
  Speaker 1: at France or Romania.
• 1:31:30
  Speaker 2: I got so the language spoken by the two main
• 1:31:34
  Speaker 2: characters is French. The two characters in the beginning of
• 1:31:37
  Speaker 2: the movie Romanian German. No what I thought it was German.
• 1:31:42
  Speaker 1: I looked it up because I was like, what are
• 1:31:44
  Speaker 1: they speaking? And I got French slash Romanian. So I'm
• 1:31:48
  Speaker 1: not sure. So okay, let's leave that up to discussion.
• 1:31:51
  Speaker 2: You're watch enough horror movies all the languages that aren't
• 1:31:54
  Speaker 2: English start to blend together.
• 1:31:55
  Speaker 1: Fair enough, so they hit the telephone pole and the
• 1:31:58
  Speaker 1: mom goes outside to check the in and whatnot, and
• 1:32:00
  Speaker 1: the daughter's sitting there trying to start it well. Eventually,
• 1:32:04
  Speaker 1: the mom like stops talking, nothing's happening outside, so the
• 1:32:07
  Speaker 1: daughter pops out. Mom's fucking gone. She's literally fucking gone.
• 1:32:11
  Speaker 1: So the daughter's like mom, Mom again with the whole hello, Hello,
• 1:32:17
  Speaker 1: And then she gets back in the car because she
• 1:32:19
  Speaker 1: hears that sound, that really weird sound of I thought
• 1:32:22
  Speaker 1: it was honestly, I thought it was like a predator.
• 1:32:24
  Speaker 2: I was like, yeah, I legit thought this was gonna
• 1:32:27
  Speaker 2: be an alien.
• 1:32:27
  Speaker 1: Yeah, and that's what I thought too. So she gets
• 1:32:29
  Speaker 1: back in the car and the lights go off in
• 1:32:32
  Speaker 1: the car and something grabs her and I'm like, okay, cool,
• 1:32:35
  Speaker 1: that's a great cold intro. If you know what a
• 1:32:38
  Speaker 1: groat is, it's a groat. Okay, I don't know what
• 1:32:41
  Speaker 1: that I mean, I'm assuming it's what the thing is. Yeah,
• 1:32:44
  Speaker 1: So after all that happens, I'm like, cool, that's a
• 1:32:46
  Speaker 1: great cold intro. And then it cuts to the main
• 1:32:49
  Speaker 1: character coming home from the school, and then she goes
• 1:32:52
  Speaker 1: home and then is a teacher she's a teacher. She's
• 1:32:55
  Speaker 1: coming home from school, going home to her wife or
• 1:32:58
  Speaker 1: going home to her husband. I'm sorry. And then they're
• 1:33:00
  Speaker 1: at dinner that night and then you know, she wakes
• 1:33:03
  Speaker 1: up to music, so real, loud fucking music, real quick. Okay.
• 1:33:07
  Speaker 2: Can we also talk about the trope of somebody in
• 1:33:12
  Speaker 2: a horror movie being a main character being a writer
• 1:33:15
  Speaker 2: or not having a real fucking profession. Oh, the husband, yes, yeah,
• 1:33:19
  Speaker 2: he's sitting there. He's sitting there like in the their
• 1:33:22
  Speaker 2: courtyard or whatever, like playing the pinball game. Yeah, just
• 1:33:24
  Speaker 2: a fucking two thousand goddamn movie playing windows pinball.
• 1:33:29
  Speaker 1: But no, that's that's fair because this movie is from
• 1:33:31
  Speaker 1: two thousand and six, and in two thousand and six,
• 1:33:33
  Speaker 1: I was probably playing that same pinball game. It was
• 1:33:35
  Speaker 1: the Cadet Space game. Yeah, Space pinball. Yeah, my the
• 1:33:39
  Speaker 1: sounds that were coming out of the computer were not
• 1:33:41
  Speaker 1: from the game. But you know, I digress and yeah,
• 1:33:43
  Speaker 1: he's like acting like he's doing work. And then she
• 1:33:46
  Speaker 1: comes back there and she's like can hear all the sounds?
• 1:33:49
  Speaker 1: And he's like, oh yeah, I'm just finishing up, Like,
• 1:33:51
  Speaker 1: oh are you okay? So yeah, the whole writer trope
• 1:33:56
  Speaker 1: of like I have a job. No you don't, You're
• 1:33:58
  Speaker 1: you're just you're just trying to make it happen while
• 1:34:00
  Speaker 1: your wife's making all the money. So after all that,
• 1:34:03
  Speaker 1: they go inside and make dinner, and then yeah, that's
• 1:34:05
  Speaker 1: when shit starts popping off because she wakes up to
• 1:34:07
  Speaker 1: this music and then goes outside and someone's in her car.
• 1:34:11
  Speaker 1: Someone is like flashing the lights at them, and there's
• 1:34:14
  Speaker 1: something exactly. Yeah, so something somehow got into the house,
• 1:34:19
  Speaker 1: got the keys, got the car kind of like jolts
• 1:34:22
  Speaker 1: forward at them a little bit and then just takes off,
• 1:34:24
  Speaker 1: and I'm like, this is pretty interesting. They go back
• 1:34:27
  Speaker 1: inside and then all these quote unquote them's start popping
• 1:34:32
  Speaker 1: up around the house, shutting doors, shutting all the what
• 1:34:36
  Speaker 1: do you call those outside the windows? They're shutting all
• 1:34:38
  Speaker 1: like the shutters. I don't have shutters. I'm sorry, sorry,
• 1:34:41
  Speaker 1: like what you call the thing that shuts? Listen at
• 1:34:44
  Speaker 1: an error to it. So yeah, they're going around all
• 1:34:47
  Speaker 1: the windows and they all all the shutters start closing,
• 1:34:50
  Speaker 1: and then you know, I'm just like what, Like, I'm like,
• 1:34:52
  Speaker 1: what is this? Is this aliens? Is this like a creature? Ghosts?
• 1:34:56
  Speaker 1: Is it ghosts what's happening. It turns out that there
• 1:34:58
  Speaker 1: are actual beings in the house that are coming after them.
• 1:35:02
  Speaker 1: And there's one scene that terrified me the most is
• 1:35:05
  Speaker 1: the uh when the wife is in all those plastic sheets.
• 1:35:10
  Speaker 1: Oh yes, I fucking hate scenes like that. I hate that.
• 1:35:13
  Speaker 1: That is another horror movie.
• 1:35:15
  Speaker 2: Dues and don'ts if you have anywhere in a house
• 1:35:19
  Speaker 2: clear line of sight. Fucking always don't hang shit from
• 1:35:22
  Speaker 2: your ceilings.
• 1:35:23
  Speaker 1: And I don't know they didn't explain what though, Like
• 1:35:25
  Speaker 1: I guess they were working, but there was like so
• 1:35:28
  Speaker 1: many sheets hanging down and I'm like, stop that, yeah,
• 1:35:32
  Speaker 1: don't go in.
• 1:35:32
  Speaker 2: It looked like it was a staging area for hostile
• 1:35:35
  Speaker 2: part thing.
• 1:35:38
  Speaker 1: It's like, I don't know what you're doing. I don't
• 1:35:40
  Speaker 1: know why this is part of your house, but just
• 1:35:42
  Speaker 1: get out of that room. Please.
• 1:35:43
  Speaker 2: This is where Patrick Bateman lives.
• 1:35:45
  Speaker 1: Seriously, because they did that in Saw like four, where
• 1:35:48
  Speaker 1: there was those sheets and then the pig man came
• 1:35:50
  Speaker 1: out from behind. And there's so many movies paranormal activity,
• 1:35:55
  Speaker 1: the Marked Ones where again there's all these sheets hanging
• 1:35:57
  Speaker 1: down and someone comes out and grabs you. And for me,
• 1:36:01
  Speaker 1: I don't like I saw her go in there and
• 1:36:03
  Speaker 1: I was like, no, I'm not looking at this. Something's
• 1:36:05
  Speaker 1: gonna pop out, And of course it does. But she
• 1:36:08
  Speaker 1: escapes somehow. And there's so many parts of this house
• 1:36:12
  Speaker 1: that are any sense. Yeah, there's like a lot of
• 1:36:16
  Speaker 1: i want to say, trapped doors that they're like escaping through.
• 1:36:19
  Speaker 1: Like one is like a little door in this wall
• 1:36:21
  Speaker 1: that they cut through, and then there's another like door
• 1:36:23
  Speaker 1: that is below them that they like go down, and
• 1:36:25
  Speaker 1: I'm like, and then there's just a fun house.
• 1:36:28
  Speaker 2: And then there's like a door to the attic in
• 1:36:31
  Speaker 2: the bathroom above the.
• 1:36:33
  Speaker 1: Yeah, that's what I'm saying. When they when they come
• 1:36:35
  Speaker 1: down of the attic, Yeah, they just I'm like, So
• 1:36:38
  Speaker 1: that part of the movie kind of lost me because
• 1:36:40
  Speaker 1: I was like, I'm not sure what this is. You
• 1:36:43
  Speaker 1: have all these fun house mirrors and doors.
• 1:36:45
  Speaker 2: Also, can we talk about how fucking huge that attic was.
• 1:36:49
  Speaker 1: It was ginormal, a staircase of its own. Yeah, like
• 1:36:53
  Speaker 1: this whole house, I'm not sure because they didn't move there,
• 1:36:57
  Speaker 1: they were already they were there from the beginning.
• 1:36:59
  Speaker 2: No, No, so they when the car gets stolen, yeah,
• 1:37:03
  Speaker 2: and she calls the cops, it is implied that the
• 1:37:07
  Speaker 2: cops ask her, do you own the house because she
• 1:37:11
  Speaker 2: left all the paperwork in the car, that they are
• 1:37:14
  Speaker 2: brand new home owns house. Really that that is what
• 1:37:17
  Speaker 2: I think is implied, because because she goes, shit, I
• 1:37:21
  Speaker 2: left it all in the car.
• 1:37:22
  Speaker 1: How stupid of it. I must have missed that clip because.
• 1:37:25
  Speaker 2: It's it's literally a throwaway line. Okay, I think they
• 1:37:28
  Speaker 2: are brand new homeowners.
• 1:37:30
  Speaker 1: Okay, I thought they were established there and that they
• 1:37:32
  Speaker 1: live there. And I was like, oh, so this isn't
• 1:37:34
  Speaker 1: the horror movie trope of we move here and now
• 1:37:37
  Speaker 1: shit starts happening. No, that's the case apparently.
• 1:37:40
  Speaker 2: Which which is why none of the yard work is done.
• 1:37:43
  Speaker 2: There are fucking missing windows in the greenhouse. Everything's I
• 1:37:47
  Speaker 2: think it was a sight unseen by Okay, based on
• 1:37:52
  Speaker 2: one specific throwaway line. Now I could be wrong. Watch
• 1:37:56
  Speaker 2: it for yourself. Tell me if I'm wrong, Yeah, for sure.
• 1:37:59
  Speaker 2: But yeah, I think that they are brand new homeowners
• 1:38:04
  Speaker 2: because of her saying, shit, I left all the paperwork
• 1:38:08
  Speaker 2: in the car.
• 1:38:09
  Speaker 1: Okay, fair enough. I yeah, I must have missed that line.
• 1:38:13
  Speaker 1: But overall, I, like I said, I liked it until
• 1:38:18
  Speaker 1: they were revealed because I thought it was just gonna
• 1:38:20
  Speaker 1: be an entity or an alien or something, and then
• 1:38:22
  Speaker 1: they like took the hoods off and I was like,
• 1:38:25
  Speaker 1: well and zee, yeah.
• 1:38:27
  Speaker 2: And see that's where you and I differ because I
• 1:38:29
  Speaker 2: liked it more see because of the reveal, because I
• 1:38:33
  Speaker 2: was like, man, that's fucked up.
• 1:38:36
  Speaker 1: That's fucked up.
• 1:38:37
  Speaker 2: Because you can read all these you know, urban legend
• 1:38:41
  Speaker 2: type of stories about stuff that is similar that you
• 1:38:45
  Speaker 2: can find evidence for it, and you're like, all right,
• 1:38:47
  Speaker 2: that's really fucking creepy, Like how does that happen in
• 1:38:53
  Speaker 2: real life?
• 1:38:54
  Speaker 1: Right?
• 1:38:54
  Speaker 2: And to have it be the movie that shocked Europe,
• 1:39:00
  Speaker 2: Like I'm like, okay, now I understand why it shocked Europe.
• 1:39:03
  Speaker 1: Yeah, I get it, and I don't know. I guess
• 1:39:07
  Speaker 1: that for some reason, the turn kind of just lost
• 1:39:09
  Speaker 1: it for me. But then when it got to the
• 1:39:11
  Speaker 1: end and it was like this is how it happened,
• 1:39:14
  Speaker 1: this is what was going on. These were the charges,
• 1:39:16
  Speaker 1: I was like, oh god. So like the realism of
• 1:39:19
  Speaker 1: it definitely hit home because I was like, that's fucked up.
• 1:39:23
  Speaker 1: But the reveal for me because I like a good reveal,
• 1:39:26
  Speaker 1: and the reveal, I was like, I was like, okay,
• 1:39:31
  Speaker 1: and see, to me, the reveal.
• 1:39:33
  Speaker 2: Wasn't the reveal wasn't the biggest.
• 1:39:37
  Speaker 1: Part of the movie. No, it wasn't the biggest part.
• 1:39:40
  Speaker 1: It was just the part where it lost me the
• 1:39:42
  Speaker 1: most because I was like, Also, the title whatever you
• 1:39:48
  Speaker 1: want to call it from Amazon is literally a spoiler.
• 1:39:52
  Speaker 1: That right there, that's what was on the title card
• 1:39:54
  Speaker 1: for Amazon, and that's kind of a spoiler. I was like,
• 1:39:58
  Speaker 1: why would you put that on?
• 1:40:00
  Speaker 2: Like why because trailers and title cards suck.
• 1:40:03
  Speaker 1: Ass, they really fuck Pick something that's from the middle,
• 1:40:06
  Speaker 1: or not even just have the name.
• 1:40:09
  Speaker 2: Just just have a synopsis of the first fifteen minutes.
• 1:40:13
  Speaker 1: Give me that. That's all I want. Because I saw
• 1:40:16
  Speaker 1: like a I looked up movie posters for it, and
• 1:40:18
  Speaker 1: there was one where they kind of just made up
• 1:40:20
  Speaker 1: it was like her screaming and it was like the
• 1:40:23
  Speaker 1: letters them, and I was like, oh, that's good. And
• 1:40:25
  Speaker 1: then I actually clicked on it and I saw that
• 1:40:26
  Speaker 1: picture and then I got throughout the movie and I
• 1:40:28
  Speaker 1: was like, that was a spoiler. Why would you do that? Like,
• 1:40:31
  Speaker 1: come on, so out of ten, I would give it
• 1:40:36
  Speaker 1: like a sex out of ten.
• 1:40:37
  Speaker 2: Okay, so that is better than what I thought you
• 1:40:40
  Speaker 2: were going to.
• 1:40:40
  Speaker 1: I'd give it a six out of ten.
• 1:40:42
  Speaker 2: And see I would put it at a six point.
• 1:40:44
  Speaker 1: Five and it was only an hour and seventeen. It
• 1:40:47
  Speaker 1: was another good That's why I picked it for us
• 1:40:49
  Speaker 1: because I was like, this is short, let's do that.
• 1:40:51
  Speaker 2: And it was one of those ones that I got,
• 1:40:55
  Speaker 2: you know, forty five minutes in and I was like, man,
• 1:40:58
  Speaker 2: I'm getting kind of tired. I need to see how
• 1:40:59
  Speaker 2: much longer this movie's going. And it had like twenty minutes.
• 1:41:02
  Speaker 1: Yeah, and you're like wait what You're like, oh, I'm
• 1:41:03
  Speaker 1: like almost done here.
• 1:41:06
  Speaker 2: And it hasn't even technically ramped up to eleven yet.
• 1:41:10
  Speaker 1: Yeah, you're right, Yeah, it doesn't really ramp up until yeah,
• 1:41:13
  Speaker 1: like the really the end of.
• 1:41:15
  Speaker 2: The Yeah, the final like fifteen minutes, I'm like, wait,
• 1:41:19
  Speaker 2: where the fuck are they? Like, why is this attached
• 1:41:22
  Speaker 2: to this house?
• 1:41:22
  Speaker 1: What is going on? There's a lot of what the
• 1:41:25
  Speaker 1: fuck moments? I will give it, and uh, more of
• 1:41:28
  Speaker 1: where the fuck is fair enough? So I really did
• 1:41:33
  Speaker 1: enjoy it. The fact that it was so so short
• 1:41:36
  Speaker 1: and made me like it even more, and the fact
• 1:41:38
  Speaker 1: that it was based in like a real story. Yeah,
• 1:41:42
  Speaker 1: that's a fucked up movie. So that one was amazon
• 1:41:45
  Speaker 1: a shudder.
• 1:41:48
  Speaker 2: I saw it on Amazon. Okay, so yeah, it's probably
• 1:41:52
  Speaker 2: on both. It's probably on both. First off, if you
• 1:41:54
  Speaker 2: have Amazon Prime, you should have Shutter.
• 1:41:56
  Speaker 1: Otherwise you're you're laying I'm gonna harp on this every episode.
• 1:42:00
  Speaker 1: Do fucking shutter is the shit? Please get Shutter if
• 1:42:03
  Speaker 1: you have Amazon it's four ninety nine. Uh so let's
• 1:42:06
  Speaker 1: go into the last movie that we've both seen, because
• 1:42:09
  Speaker 1: god damn we are. We are killing this episode, dude.
• 1:42:12
  Speaker 1: Uh And that is I think I'm gonna pronounce it wrong.
• 1:42:16
  Speaker 1: But it's Mexico Barbara or Barbaro Barbaro. So Mexican Barbaros is.
• 1:42:25
  Speaker 2: An anthology series, which generally speaking, in my opinion, bodes
• 1:42:32
  Speaker 2: well down.
• 1:42:33
  Speaker 1: I love anthologies. But where it kind of lost me
• 1:42:36
  Speaker 1: was that it was eight fucking many. I'm like, holy, okay,
• 1:42:41
  Speaker 1: I've seen vhs. I've seen VHS. I've seen a lot
• 1:42:44
  Speaker 1: of anthologies that are like, you know, three to five.
• 1:42:48
  Speaker 1: When this said eight, I was like, ooh, that's great,
• 1:42:50
  Speaker 1: but ooh, I don't know, Like I was so mixed
• 1:42:53
  Speaker 1: on it. I was so mixed. It is so bite size. Well, yeah,
• 1:42:58
  Speaker 1: that's the thing, because it's an hour and fifty two
• 1:43:01
  Speaker 1: I think, and there's eight so they average like, you know,
• 1:43:05
  Speaker 1: fifteen minutes twenty minutes at the max. And the first
• 1:43:09
  Speaker 1: one is I'm gonna butcher this again and I'm sorry.
• 1:43:12
  Speaker 1: I think it's called zompon tlay. It's tz O M
• 1:43:18
  Speaker 1: P A N t l I and.
• 1:43:21
  Speaker 2: Lost a tunnel tunnel listeners.
• 1:43:26
  Speaker 1: I would give you the English translation, but it kind
• 1:43:29
  Speaker 1: of gives away the ending to the first, uh, the
• 1:43:33
  Speaker 1: first segment, so I'm not going to say what it is,
• 1:43:36
  Speaker 1: but you know, it starts up with this guy meeting
• 1:43:39
  Speaker 1: another guy at a hotel to talk about like a
• 1:43:41
  Speaker 1: string of murders or something, right like, So.
• 1:43:43
  Speaker 2: It's it's this, it's this guy that is what doing
• 1:43:48
  Speaker 2: what I assume is like internet journalism. Yeah, like investigative
• 1:43:53
  Speaker 2: investigative journalism, but on his own accord. He's not necessarily
• 1:43:57
  Speaker 2: working for it.
• 1:43:58
  Speaker 1: No, he's doing this for like a blog or any something.
• 1:44:02
  Speaker 2: He's going to interview a cartel member. That's what it is,
• 1:44:07
  Speaker 2: which I mean, that's a bad start. That's that's that's
• 1:44:11
  Speaker 2: that's bad, bad idea.
• 1:44:13
  Speaker 1: So it's it's involving this string of murders that the
• 1:44:15
  Speaker 1: cartel carried out and he's trying to get information on
• 1:44:19
  Speaker 1: what happened.
• 1:44:20
  Speaker 2: And it sort of explains why these specific murders take place.
• 1:44:25
  Speaker 1: Well, yeah, because it flashes back to the club scene
• 1:44:28
  Speaker 1: and what happened, right.
• 1:44:29
  Speaker 2: But they explain that because they want certain things to
• 1:44:35
  Speaker 2: go well, they have to do specific.
• 1:44:38
  Speaker 1: Rituals exactly, and they never really.
• 1:44:42
  Speaker 2: Get into the nitty gritty of what the rituals are.
• 1:44:45
  Speaker 2: They just get into the gruesome part of the rituals
• 1:44:49
  Speaker 2: and they don't explain what the rituals are for. It's
• 1:44:54
  Speaker 2: it's mostly just about the ritual itself.
• 1:44:58
  Speaker 1: Yeah, and they do explain it very well. I thought
• 1:45:03
  Speaker 1: the first segment to like, I thought the first segment
• 1:45:06
  Speaker 1: was gonna be something that kicked it off and then
• 1:45:08
  Speaker 1: they would go through all the other ones and then
• 1:45:10
  Speaker 1: it would come back around to the first. Unfortunately, with
• 1:45:13
  Speaker 1: this one, there is no wrap around. And that's kind
• 1:45:17
  Speaker 1: of what I look for in anthologies like VHS. You know,
• 1:45:20
  Speaker 1: it all kind of ties in. But that being said,
• 1:45:24
  Speaker 1: for what it was in all the segments, oh my god,
• 1:45:27
  Speaker 1: this movie was fucked up.
• 1:45:29
  Speaker 2: And every segment more or less wrapped up very nicely,
• 1:45:34
  Speaker 2: and it didn't necessarily bother me that by the end
• 1:45:37
  Speaker 2: of it, it didn't circle back around, because if it
• 1:45:40
  Speaker 2: would have circled back around, I would have been.
• 1:45:42
  Speaker 1: Like, it would have been a stretch.
• 1:45:43
  Speaker 2: But why did like these two things in the middle
• 1:45:46
  Speaker 2: happen That makes no sense, that has nothing to.
• 1:45:47
  Speaker 1: Do with it. I feel like they did eight as
• 1:45:50
  Speaker 1: to not have a rap because if you do, like
• 1:45:52
  Speaker 1: three seconds, like, let's just go to VHS because that's
• 1:45:54
  Speaker 1: like the most one of the most popular anthology movies.
• 1:45:56
  Speaker 2: Good.
• 1:45:57
  Speaker 1: Yeah, it's so good. They have the underline story of
• 1:46:00
  Speaker 1: those guys watching the VHS's and then you know, the
• 1:46:03
  Speaker 1: story wraps around because of the whole thing with them
• 1:46:06
  Speaker 1: breaking into that house. I feel like this was just
• 1:46:09
  Speaker 1: more of like, we're gonna get eight directors in a room.
• 1:46:12
  Speaker 1: You guys are gonna bang out eight scripts, and we're
• 1:46:14
  Speaker 1: just gonna have fun with it. That's what I feel
• 1:46:17
  Speaker 1: like it was.
• 1:46:17
  Speaker 2: It was basically giving eight amateur directors. Yeah, you want
• 1:46:21
  Speaker 2: to make a movie, here's your fucking money.
• 1:46:23
  Speaker 1: Make a movie. Because that was the first segment, and
• 1:46:26
  Speaker 1: the ending was great. There's this great reveal and the
• 1:46:29
  Speaker 1: main character is so disgusted by what he sees that
• 1:46:33
  Speaker 1: he like vomits like right in front of the camera
• 1:46:35
  Speaker 1: and you're just like ooh, and then it cuts to
• 1:46:38
  Speaker 1: this animation of like.
• 1:46:40
  Speaker 2: Which can we explain that the animations they are awesome,
• 1:46:47
  Speaker 2: almost perfect. They I almost like the animations for the
• 1:46:51
  Speaker 2: title cards well.
• 1:46:52
  Speaker 1: And it's funny because you'll see a segment and then
• 1:46:56
  Speaker 1: the animation that follows the segment is the title for
• 1:47:00
  Speaker 1: that one, as opposed to seeing the title first and
• 1:47:03
  Speaker 1: then going into the way, which is fine, which.
• 1:47:04
  Speaker 2: Is really confused me for like the first three because
• 1:47:08
  Speaker 2: because I'm like what, because you see like it's basically
• 1:47:11
  Speaker 2: like a corpse or something, and you'll see a saw
• 1:47:14
  Speaker 2: ripped through a like skin or a bone, and then
• 1:47:16
  Speaker 2: you'll see a knife or like a screwed thrilling in
• 1:47:19
  Speaker 2: and out of a skull.
• 1:47:20
  Speaker 1: So that in itself kind of wraps around because you
• 1:47:23
  Speaker 1: see this body at the end and you're like, oh,
• 1:47:25
  Speaker 1: that's what all the animation was for. So you see
• 1:47:29
  Speaker 1: the animation at the end of the first one and
• 1:47:31
  Speaker 1: you're like, I guess that's the I'm not because you know,
• 1:47:35
  Speaker 1: it's all in Spanish. I had to look up all
• 1:47:37
  Speaker 1: the English titles. So then it gets to the second one,
• 1:47:40
  Speaker 1: and the second one is called again I'm sorry, Jarell
• 1:47:45
  Speaker 1: de Barrios, and that is a town or city or
• 1:47:48
  Speaker 1: something in Mexico. Like I looked up the English you know, translations,
• 1:47:52
  Speaker 1: and it's a city.
• 1:47:53
  Speaker 2: Supposedly it is a ghost town.
• 1:47:56
  Speaker 1: Yeah, exactly, it's a ghost town in Mexico. And it's
• 1:48:00
  Speaker 1: these two guys on horseback Bandito's and one of the
• 1:48:03
  Speaker 1: dudes is messed up, like he's got blood coming out
• 1:48:07
  Speaker 1: of his side, and the other guy's talking to him
• 1:48:09
  Speaker 1: and kind of joking around with him. He sets him
• 1:48:11
  Speaker 1: down off the horse.
• 1:48:12
  Speaker 2: So what what it seems like to me is that
• 1:48:16
  Speaker 2: they are train robbers. They have robbed a train and
• 1:48:20
  Speaker 2: one of them has been injured in the process of
• 1:48:23
  Speaker 2: robbing said track. Absolutely shot roughly in the kidney area.
• 1:48:29
  Speaker 1: Yeah, he's it's like on it. I think it's on
• 1:48:31
  Speaker 1: his right side, right or left side. And yeah, he's
• 1:48:33
  Speaker 1: he's bleeding a lot.
• 1:48:35
  Speaker 2: Yeah, like like enough to where wherever they are coming from.
• 1:48:39
  Speaker 2: He should not have survived in the first place.
• 1:48:41
  Speaker 1: Yeah, and they and they like pull up outside this
• 1:48:43
  Speaker 1: uh abandoned something or other. I'm not sure what it is.
• 1:48:47
  Speaker 2: It looks to be like a cathedral.
• 1:48:50
  Speaker 1: Yeah, I'd say that.
• 1:48:51
  Speaker 2: Or some some type of holy compound. Okay, based on
• 1:48:55
  Speaker 2: the artwork on the ceilings.
• 1:48:57
  Speaker 1: Yeah, And they pull up and he's like, I'm going
• 1:48:59
  Speaker 1: to find a spot you to sleep. So he leaves
• 1:49:01
  Speaker 1: his buddy there.
• 1:49:02
  Speaker 2: And his buddy, by the way, is like, we don't
• 1:49:05
  Speaker 2: go in that place. That place fucking cursed. Don't go
• 1:49:07
  Speaker 2: in there.
• 1:49:07
  Speaker 1: He's like, yeah, not, fam, I'm gonna put you in there. Yeah,
• 1:49:10
  Speaker 1: we're we're gonna go in there.
• 1:49:12
  Speaker 2: And when you get better tomorrow, think of how many
• 1:49:14
  Speaker 2: horses you're gonna be able to buy. Think of all
• 1:49:16
  Speaker 2: the land you're gonna be able to buy. Think of
• 1:49:18
  Speaker 2: that woman that you're gonna be able to marry so
• 1:49:21
  Speaker 2: you don't have to fucking steal her away. Think of
• 1:49:24
  Speaker 2: all this shit you're gonna be able to do. And
• 1:49:25
  Speaker 2: the guy's like, but that place is cursed, and he's like, nahna, fam,
• 1:49:29
  Speaker 2: it's good.
• 1:49:31
  Speaker 1: So they go in there, and I'll leave it there
• 1:49:33
  Speaker 1: because spoiler alert, it's not good. Yeah. Once they get
• 1:49:36
  Speaker 1: once they get in there, shit goes down and you
• 1:49:39
  Speaker 1: do see him try to the one guy who's not dying.
• 1:49:42
  Speaker 1: He goes to leave and he drops a bag and
• 1:49:45
  Speaker 1: you can see all the gold he's got. So yeah,
• 1:49:47
  Speaker 1: I feel like they're train rabbers, like you said, because
• 1:49:49
  Speaker 1: they've got a bunch of gold with them. And once
• 1:49:53
  Speaker 1: he tries to leave again no spoilers, shit goes down
• 1:49:57
  Speaker 1: and it just gets really bad for both of them.
• 1:50:00
  Speaker 1: So and I really like that one. There was a
• 1:50:03
  Speaker 1: lot of cheesy sound effects. I'm not gonna lie. There
• 1:50:06
  Speaker 1: was a couple of sound effects where I was like, Eh,
• 1:50:08
  Speaker 1: it was kind of cheesy, and some of the imagery
• 1:50:11
  Speaker 1: was a little shoddy, if you want to say. So.
• 1:50:15
  Speaker 2: The thing that I recommend with I would say about
• 1:50:19
  Speaker 2: fifty percent of these anthology movies that well, fifty percent
• 1:50:25
  Speaker 2: of the minis that are in this anthology.
• 1:50:27
  Speaker 1: To let me correct myself.
• 1:50:29
  Speaker 2: Once they mentioned something of significance after that specific short
• 1:50:37
  Speaker 2: pause the movie, go look up what they're talking about.
• 1:50:41
  Speaker 1: Yeah, because there are painting on the wall.
• 1:50:44
  Speaker 2: There are paintings on the wall that when you look
• 1:50:47
  Speaker 2: up what the painting is about and then do your research,
• 1:50:50
  Speaker 2: you're like, oh, this movie makes so much fucking sense. Now.
• 1:50:54
  Speaker 1: See I didn't do that, but uh, I'll definitely have
• 1:50:58
  Speaker 1: to honestly, because I really want to rewatch this because
• 1:51:00
  Speaker 1: the first two were great and then it not gonna lie.
• 1:51:04
  Speaker 1: Kind of lost me on the third one because it
• 1:51:07
  Speaker 1: starts with some chick wandering around like under this bridge,
• 1:51:11
  Speaker 1: and then she finds a body and then she like smokes, well,
• 1:51:14
  Speaker 1: hold on, yeah, she she sees a body and goes
• 1:51:18
  Speaker 1: down to look at the body, picks up a cigarette
• 1:51:21
  Speaker 1: from his hand, joint or whatever, picks up something from
• 1:51:24
  Speaker 1: its hand, goes home, like talks to her sister, and
• 1:51:27
  Speaker 1: then she smokes it and then smokes.
• 1:51:30
  Speaker 2: A dead man's joint.
• 1:51:31
  Speaker 1: The weirdest fucking scene happens, Like, I don't even want
• 1:51:36
  Speaker 1: to tell you, the weirdest fucking scene happens with her
• 1:51:39
  Speaker 1: after smoking that joint and then another trope, she wakes up,
• 1:51:43
  Speaker 1: so I'm like, oh, it was just a dream whatever.
• 1:51:45
  Speaker 1: And then what the person in the dream told her
• 1:51:48
  Speaker 1: to do, which, by the way, fucked up she does
• 1:51:52
  Speaker 1: to her sister, does this ritual whatever you want to
• 1:51:56
  Speaker 1: call it, and then which which.
• 1:52:00
  Speaker 2: I gotta like, I gotta I gotta finger wag at
• 1:52:05
  Speaker 2: the thing that told her to do this, because like why, yeah,
• 1:52:10
  Speaker 2: like why what what significance does this have to do
• 1:52:14
  Speaker 2: with it?
• 1:52:15
  Speaker 1: What I'm saying, there's no like a practical reason for this.
• 1:52:20
  Speaker 1: It's just like, hey, do this, and I'm just like,
• 1:52:23
  Speaker 1: plus why.
• 1:52:24
  Speaker 2: Plus that's a lot of what she had to get? Yeah,
• 1:52:28
  Speaker 2: like and then like a like a full soup bols
• 1:52:32
  Speaker 2: worth Yeah, full yeah, she gets this stuff and she's
• 1:52:35
  Speaker 2: going down the hall, then trips and it goes everywhere,
• 1:52:38
  Speaker 2: another horror, another there you go, so and then she
• 1:52:42
  Speaker 2: goes into this room and bananas, batshit, crazy things happening,
• 1:52:46
  Speaker 2: and then it just ends and I was like.
• 1:52:48
  Speaker 1: What what was that? What? What was the why? Who? What? When?
• 1:52:54
  Speaker 1: There was so many questions I had with that segment
• 1:52:56
  Speaker 1: that it just totally turned me off and I was like,
• 1:52:58
  Speaker 1: I'm done with this already.
• 1:53:00
  Speaker 2: That was one of the one of the few segments
• 1:53:02
  Speaker 2: that I could not find any like historical research on.
• 1:53:05
  Speaker 1: Yeah. It was just like, hey, we're getting we're doing this.
• 1:53:08
  Speaker 2: We're gonna yeah, let's do some whippets and fucking bang
• 1:53:10
  Speaker 2: out or movie.
• 1:53:11
  Speaker 1: So okay, I'm not gonna lie. Like the first two
• 1:53:14
  Speaker 1: were great and I love them, and then the third
• 1:53:15
  Speaker 1: one lost me, and then the fourth one lost me
• 1:53:18
  Speaker 1: even fucking more, And we're gonna spoil this one because
• 1:53:21
  Speaker 1: I'm sorry, I don't give it not it's not. It's honestly,
• 1:53:25
  Speaker 1: it's not a spoiler.
• 1:53:26
  Speaker 2: So two words, two very simple, very confusing words.
• 1:53:31
  Speaker 1: Yeah, you ready for this?
• 1:53:32
  Speaker 2: Three two one goblin.
• 1:53:36
  Speaker 1: Dick, goblin or troll dick. I looked it up on
• 1:53:42
  Speaker 1: a website like it was saying that these were trolls.
• 1:53:45
  Speaker 1: He's sang goblin whatever. There is some sort of ginormous
• 1:53:49
  Speaker 1: fucking goblin penis dick that you see, and it's very upsetting.
• 1:53:54
  Speaker 1: And the premise of this one is that there's these
• 1:53:57
  Speaker 1: lovers that go to this cabin and who are teenagers.
• 1:54:01
  Speaker 1: But yeah, they're teenagers because they have like cherry condoms
• 1:54:05
  Speaker 1: or something like that. Straw. Yeah, So these two teams
• 1:54:08
  Speaker 1: go to this cabin to basically bang, and when they
• 1:54:12
  Speaker 1: get there, there's this crazy outside of their house asking
• 1:54:15
  Speaker 1: them all these questions and he.
• 1:54:16
  Speaker 2: And then he's like, you guys shouldn't be here on
• 1:54:18
  Speaker 2: the weekdays. We're only open on the weekend. It's like,
• 1:54:20
  Speaker 2: y'all need to get the fuck out of here.
• 1:54:22
  Speaker 1: And then later on he bangs on the door again
• 1:54:24
  Speaker 1: and says, you shouldn't leave anything outside, take these inside,
• 1:54:26
  Speaker 1: and he shuts the door on him goes to have
• 1:54:29
  Speaker 1: sex with this virgin girlfriend or whatever. And then something
• 1:54:33
  Speaker 1: I guess we can just say troll or goblin breaks
• 1:54:35
  Speaker 1: in and uh vomits all over this girl, just everything,
• 1:54:42
  Speaker 1: and then steals her from.
• 1:54:43
  Speaker 2: And apparently it's chloroform vomit because the vomit knocks her out.
• 1:54:48
  Speaker 1: Oh yeah. And then he just drags her out of
• 1:54:50
  Speaker 1: a window, which by the way, that the goblin or
• 1:54:53
  Speaker 1: troll is like four foot tall, grabs this girl, drags
• 1:54:56
  Speaker 1: her out into this cave forest.
• 1:54:59
  Speaker 2: It's a yeah, it's a forest with a bunch of
• 1:55:02
  Speaker 2: stolen shit.
• 1:55:03
  Speaker 1: Yeah. And it's funny because he warned me. You warned
• 1:55:06
  Speaker 1: me about the goblin dick, and I'm sitting there, I'm like,
• 1:55:08
  Speaker 1: where's this goblin dick? I see the goblin. Where's the dick?
• 1:55:12
  Speaker 2: Oh?
• 1:55:12
  Speaker 1: It comes out and he hoists it up.
• 1:55:16
  Speaker 2: And you you literally watch a goblin dick become erect.
• 1:55:19
  Speaker 1: Yeah, it becomes a wreckt He funks her with it,
• 1:55:21
  Speaker 1: and it's like a long scene of just him's eh
• 1:55:25
  Speaker 1: and I'm just like, I'm just like, what the fuck
• 1:55:27
  Speaker 1: is happening.
• 1:55:28
  Speaker 2: It's like four minutes of godlin.
• 1:55:30
  Speaker 1: Yeah, and then he takes it out and just like
• 1:55:33
  Speaker 1: pokes it at her. Mouth and just keeps poking it
• 1:55:35
  Speaker 1: at her. I'm like, this is way too long of
• 1:55:38
  Speaker 1: a scene.
• 1:55:38
  Speaker 2: Wow, what looks like oopa lupa's dancing in and there
• 1:55:43
  Speaker 2: are two others watching just like ha ha, like skipping
• 1:55:46
  Speaker 2: to their loo and I'm like, what the fuck is
• 1:55:49
  Speaker 2: going on?
• 1:55:51
  Speaker 1: And then that happens and then he does that.
• 1:55:56
  Speaker 2: So so you know what's hilarious about that entire short.
• 1:56:00
  Speaker 2: But in the beginning when the two guys a cat
• 1:56:03
  Speaker 2: calling her, yeah, and she's like, get us out of here.
• 1:56:05
  Speaker 2: I almost got.
• 1:56:05
  Speaker 1: Raped, yeah, and then she gets raped by a fucking.
• 1:56:09
  Speaker 2: So let me state that rape is not hilarious.
• 1:56:11
  Speaker 1: No, no, but I'm sorry. This kind of is like
• 1:56:14
  Speaker 1: the way I'm sorry, like rape in like a general
• 1:56:17
  Speaker 1: sense of like in a movie where a guy is
• 1:56:19
  Speaker 1: raping a girl, it's not funny, not all, but they
• 1:56:23
  Speaker 1: made it funny. And this, I'm sorry to say this
• 1:56:25
  Speaker 1: is this is not rape. This is just this.
• 1:56:28
  Speaker 2: This is a garbage, pale kid Mitch.
• 1:56:33
  Speaker 1: That is that has like an obnoxious size dong, Like
• 1:56:37
  Speaker 1: it is the most ridiculous thing you've ever seen.
• 1:56:41
  Speaker 2: It's the size of like a thermis.
• 1:56:43
  Speaker 1: It's like a thermist. It's like totally perfectly cylindrical, and
• 1:56:46
  Speaker 1: it's just there, and I'm like, why is this happening
• 1:56:49
  Speaker 1: in this movie? It was.
• 1:56:50
  Speaker 2: It was very uncomfortable, very uncap And the thing that
• 1:56:53
  Speaker 2: made it worse for me is I was watching this
• 1:56:56
  Speaker 2: movie at work.
• 1:56:58
  Speaker 1: Oh yeah, that would be weird.
• 1:57:00
  Speaker 2: So I'm sitting behind a counter and there are people
• 1:57:03
  Speaker 2: walking in and I'm having deposit like at So I'm like,
• 1:57:06
  Speaker 2: I need to like either go forward like fifteen seconds
• 1:57:09
  Speaker 2: or backward two minutes to hopefully get rid of this
• 1:57:13
  Speaker 2: still image on my screen, because anybody that walks up
• 1:57:15
  Speaker 2: to the counter can see at an angle what is
• 1:57:17
  Speaker 2: on my screen.
• 1:57:19
  Speaker 1: Yeah, and you just I don't want to have to
• 1:57:20
  Speaker 1: fucking explain that, tha, No, I don't think anybody does
• 1:57:23
  Speaker 1: at that point. So yeah, that was the third or
• 1:57:27
  Speaker 1: the fourth one. And again, that.
• 1:57:30
  Speaker 2: One specific one is totally worth the entire movie.
• 1:57:35
  Speaker 1: It's just because of the surprise factor and we've obviously
• 1:57:37
  Speaker 1: ruined that for you, but it's still worth it. So
• 1:57:41
  Speaker 1: then we get to the next one, and it's called Munekas,
• 1:57:44
  Speaker 1: which is dolls in English, and it starts with some
• 1:57:47
  Speaker 1: girl on the river. This one's in black and white,
• 1:57:49
  Speaker 1: by the way, The.
• 1:57:50
  Speaker 2: Other cool thing about this one is it is based
• 1:57:53
  Speaker 2: off of an actual place in Mexico Island that you
• 1:57:56
  Speaker 2: can go and visit.
• 1:57:57
  Speaker 1: Yeah, so this one's based in actual lore, whatever you
• 1:58:01
  Speaker 1: want to call it. It starts three. History starts off
• 1:58:05
  Speaker 1: with some chick. She's on a river, like on a
• 1:58:07
  Speaker 1: river bank, and she's hiding from something, and I'm like, okay,
• 1:58:09
  Speaker 1: something's gonna come grab her. Of course it does. This
• 1:58:13
  Speaker 1: big guy grabs her from the river, knocks her out,
• 1:58:16
  Speaker 1: and then surprise.
• 1:58:18
  Speaker 2: It's a tennis match.
• 1:58:19
  Speaker 1: Yeah, it's literally a tennis match because she comes back
• 1:58:21
  Speaker 1: to life and then they fight. She knocks him out. Okay,
• 1:58:25
  Speaker 1: that's it. She goes to walk away. Guess what, motherfucker
• 1:58:28
  Speaker 1: comes back and knocks her the fuck out, and I'm like, okay,
• 1:58:31
  Speaker 1: let's just get to the part of the story that
• 1:58:33
  Speaker 1: isn't people knocking each other out. He brings her back
• 1:58:36
  Speaker 1: to the shack and there's other people there, and he's
• 1:58:39
  Speaker 1: making a stew of some sort of like baby doll
• 1:58:42
  Speaker 1: heads which are actually at the island and real human parts,
• 1:58:46
  Speaker 1: and I'm like, okay, that's cool. And then something happens
• 1:58:51
  Speaker 1: at the end where it makes you think like oh,
• 1:58:53
  Speaker 1: that's pretty twisted and fucked up and it's a little mysterious.
• 1:58:57
  Speaker 1: But that one was pretty short and the reveal factor
• 1:59:01
  Speaker 1: that I was like, Eh, that one's next, and I
• 1:59:05
  Speaker 1: was like, it was okay, but it really didn't draw
• 1:59:10
  Speaker 1: me in at all, but it was very mysterious, So
• 1:59:14
  Speaker 1: I was like, I like it for that factor, and
• 1:59:15
  Speaker 1: I like the fact that it is you know, base
• 1:59:17
  Speaker 1: and truth, but vaguely vaguely but yeah, like like yeah,
• 1:59:21
  Speaker 1: it's like I said, it's a pretty vague story. Nothing
• 1:59:24
  Speaker 1: really exciting happens. And then and then at the end
• 1:59:26
  Speaker 1: when they give you the reveal, they pull back for
• 1:59:29
  Speaker 1: like I want to say, two minutes playing the same
• 1:59:31
  Speaker 1: like brah bruh, and they just keep pulling back and
• 1:59:35
  Speaker 1: I'm just like.
• 1:59:37
  Speaker 2: So what we have dubbed the inception brass.
• 1:59:39
  Speaker 1: Yeah, and I'm just like, can we just stop this?
• 1:59:41
  Speaker 1: And in the movie they finally in the movie and
• 1:59:44
  Speaker 1: then I was like the segment, I'm sorry, and I
• 1:59:46
  Speaker 1: was like, okay, and I'm sorry. You're right. I did
• 1:59:48
  Speaker 1: skip one, which is our favorite, the one I skipped
• 1:59:51
  Speaker 1: before Dolls. Uh. Yeah, this one's called Low Loke and
• 1:59:57
  Speaker 1: Port lo Ke Import The s Low d and den
• 2:00:03
  Speaker 1: throw like, oh god, I'm so bad. So basically the
• 2:00:05
  Speaker 1: English version is what's important is inside, And it starts
• 2:00:09
  Speaker 1: with this girl in a window and like a high
• 2:00:12
  Speaker 1: rise building, just saying uh. She's saying boogie boogie boo witch.
• 2:00:16
  Speaker 2: And her her words in Spanish are google Google Yeah,
• 2:00:22
  Speaker 2: And I'm like, oh my god, shut this fucking child,
• 2:00:25
  Speaker 2: fucking same, Oh my god, Like I hope she dies.
• 2:00:28
  Speaker 2: I hope she's the one that dies.
• 2:00:29
  Speaker 1: And it's funny because her mom flips the fuck out
• 2:00:32
  Speaker 1: on her and she's like, shut the fuck up and
• 2:00:34
  Speaker 1: your mouth.
• 2:00:35
  Speaker 2: And then I felt really bad for the g yeah,
• 2:00:36
  Speaker 2: because I was like, Wow, this mom's a fucking fucking bitch.
• 2:00:40
  Speaker 1: Because yeah, she's screaming at her to shut the fuck up,
• 2:00:42
  Speaker 1: and honestly, I would do the same fucking thing, because
• 2:00:44
  Speaker 1: shut your mouth. But they go outside and see this
• 2:00:47
  Speaker 1: guy named Pepe and he's a homeless man, and you know,
• 2:00:51
  Speaker 1: the homeless man's very nice to the mother and the
• 2:00:54
  Speaker 1: sun like offering him candy.
• 2:00:55
  Speaker 2: And apparently everybody in this like neighborhood high rise knows
• 2:01:00
  Speaker 2: this guy.
• 2:01:00
  Speaker 1: They know him.
• 2:01:01
  Speaker 2: He takes out trash for this odd jobs, like he's
• 2:01:05
  Speaker 2: your friendly neighbor, friendly neighborhood, homeless man that you pay
• 2:01:10
  Speaker 2: to do jobs that you don't want to fucking do.
• 2:01:13
  Speaker 2: And you're like, okay, and you're and this girl is
• 2:01:15
  Speaker 2: absolutely terrified.
• 2:01:17
  Speaker 1: Fucking terrified. She's like, while the sun is getting a
• 2:01:19
  Speaker 1: lollipopper or whatever, and the mom's talking, she's like, h
• 2:01:22
  Speaker 1: boogie boogie, no, no no. And then you're like.
• 2:01:24
  Speaker 2: Man, what the fuck is wrong with this kid? And
• 2:01:26
  Speaker 2: then you see them walking away and you see this
• 2:01:28
  Speaker 2: girl has massive leg braces, and you're like, oh, I
• 2:01:30
  Speaker 2: feel kind of bad now, you do, I feel bad
• 2:01:33
  Speaker 2: for raging like an asshole at this little child.
• 2:01:36
  Speaker 1: Yeah, but she's still annoying as fuck. And then this
• 2:01:41
  Speaker 1: fucking segment takes the darkest turn I've honestly ever seen it.
• 2:01:47
  Speaker 2: If they could have made this into a full hour,
• 2:01:50
  Speaker 2: I want them to.
• 2:01:51
  Speaker 1: I would.
• 2:01:52
  Speaker 2: I would pay because you can over movie price ticket.
• 2:01:55
  Speaker 1: You could absolutely make this segment into a feature length
• 2:01:58
  Speaker 1: film because it shows him going down into this place
• 2:02:01
  Speaker 1: where unspeakable things are happening, and he's doing these crazy
• 2:02:07
  Speaker 1: it's hard to explain without giving it away. He's doing
• 2:02:09
  Speaker 1: these unspeakable acts on something and I Honestly, I can't.
• 2:02:14
  Speaker 1: I can't explain it without spoiling it. It's so hard.
• 2:02:17
  Speaker 2: And the best part about it is before this bat
• 2:02:20
  Speaker 2: shit stuff starts happening, the girl as there, the little girl,
• 2:02:23
  Speaker 2: as they're walking away from Pepe, he he does that
• 2:02:27
  Speaker 2: I'm watching you with his fingers and then he does
• 2:02:30
  Speaker 2: this really weird fucking tongue wigg life yep, and you're like, okay,
• 2:02:34
  Speaker 2: that would like you're not nice.
• 2:02:36
  Speaker 1: Pepe, Yeah you're not. And you find out that he
• 2:02:39
  Speaker 1: is a lot more twisted than the mother and the
• 2:02:42
  Speaker 1: son want to believe that. The daughter believes that he
• 2:02:45
  Speaker 1: is because she believes he's the fucking Boogeyman. And yeah,
• 2:02:51
  Speaker 1: once it goes to that dark place, it goes a
• 2:02:53
  Speaker 1: step further. I think you know what I'm talking about.
• 2:02:57
  Speaker 1: Way yeah, when yeah, and I'm like, yeah, so it
• 2:03:01
  Speaker 1: takes two steps to the left, and I'm just like,
• 2:03:04
  Speaker 1: what the fuck.
• 2:03:05
  Speaker 2: Everything the homeless man is doing he is doing for
• 2:03:08
  Speaker 2: a very specific reason.
• 2:03:10
  Speaker 1: And you're like, okay, wait, so what Yeah, there's what
• 2:03:14
  Speaker 1: There's a lot like and this was like fifteen or
• 2:03:16
  Speaker 1: twenty minutes. There is so many tonal shifts that just
• 2:03:20
  Speaker 1: take you to another place and you're like, Okay, I'm
• 2:03:22
  Speaker 1: with it, and then it takes another turn and you're like,
• 2:03:25
  Speaker 1: I'm with it, but I don't like that I'm with it. Yeah,
• 2:03:29
  Speaker 1: I didn't like it. I was like, no, I'm out
• 2:03:31
  Speaker 1: of this one. I was like, I do not like it.
• 2:03:33
  Speaker 2: And then it shifts to him one more time and
• 2:03:35
  Speaker 2: you're like what. I was like, what, Okay, So it's
• 2:03:39
  Speaker 2: a means to an end, but I want to know
• 2:03:41
  Speaker 2: more about the end, not me.
• 2:03:44
  Speaker 1: So that one was honestly one of the darkest, most
• 2:03:50
  Speaker 1: fucked up, gory, bloody messes that I've ever seen, and
• 2:03:55
  Speaker 1: I was like, I want to see that as a
• 2:03:57
  Speaker 1: feature length film in Spanish. If they would do that
• 2:04:00
  Speaker 1: in America. No, no, See, this is another thing that
• 2:04:03
  Speaker 1: wouldn't fly in America.
• 2:04:05
  Speaker 2: That's the other thing that I've loved so much about
• 2:04:08
  Speaker 2: these horror films is they do not give a fuck
• 2:04:13
  Speaker 2: nope about who they are killing or how they are
• 2:04:16
  Speaker 2: killing them.
• 2:04:17
  Speaker 1: No, they just go for it, And I really wish
• 2:04:19
  Speaker 1: they would do that in America. I wish they would. So, yeah,
• 2:04:23
  Speaker 1: what's important is inside the best one. So then we're
• 2:04:27
  Speaker 1: gonna go past dolls because we already did that one,
• 2:04:29
  Speaker 1: and there's two more in this one. We got to
• 2:04:31
  Speaker 1: wrap this up here soon. It's called siete vesas Coete.
• 2:04:36
  Speaker 1: And I'm not even really gonna talk about this one
• 2:04:39
  Speaker 1: because it was I didn't get it. I didn't like it.
• 2:04:42
  Speaker 1: They kind of pulled a Quentin Tarantino and like didn't
• 2:04:45
  Speaker 1: explain anything and then until the end. But it's like,
• 2:04:49
  Speaker 1: this is like a twenty minute thing, like just don't
• 2:04:52
  Speaker 1: do that. If you're gonna Tarantino, me give me a
• 2:04:55
  Speaker 1: feature length film the where you can build up to that.
• 2:04:57
  Speaker 1: But when you have to explain everything in like thirteen
• 2:04:59
  Speaker 1: seconds kind of loses its value. And I was like,
• 2:05:02
  Speaker 1: I'm done with this, So that one not my favorite.
• 2:05:05
  Speaker 1: Not even gonna go into that one because I did
• 2:05:07
  Speaker 1: not like it. You don't even remember it because yeah.
• 2:05:09
  Speaker 2: So it was it was so unmemorable. Yeah, it really,
• 2:05:14
  Speaker 2: especially when you put it so close to Goblin Dick
• 2:05:16
  Speaker 2: and Boogeyman.
• 2:05:17
  Speaker 1: Yeah, honestly, this was just something that I could have
• 2:05:19
  Speaker 1: been like, you know what, because when I saw Goblin Dick,
• 2:05:22
  Speaker 1: that's what I'm gonna dub it. I was like, they
• 2:05:24
  Speaker 1: could do without this. And then I saw this one,
• 2:05:26
  Speaker 1: which is seven times seven in English, and I was like, nah,
• 2:05:28
  Speaker 1: they could do without this one, so don't even Honestly,
• 2:05:32
  Speaker 1: I'm not even gonna talk about that one because the
• 2:05:34
  Speaker 1: last one kicked so much fucking ass. It was I
• 2:05:38
  Speaker 1: didn't see this coming. It's you get like this narration
• 2:05:41
  Speaker 1: over shots of like Mexico or something, and then it
• 2:05:44
  Speaker 1: cuts to the lady who's actually narrating these parts, and
• 2:05:48
  Speaker 1: she's talking to all these people and I'm like, you
• 2:05:50
  Speaker 1: know what, those ladies are probably strippers? Spoiler they are,
• 2:05:54
  Speaker 1: And it cuts back to this scene of one of
• 2:05:57
  Speaker 1: the strippers getting brutally raped by some dude. And the
• 2:06:02
  Speaker 1: last stripper to come on stage to do this crazy
• 2:06:05
  Speaker 1: fancy show is the girl who got raped. And guess
• 2:06:08
  Speaker 1: who's in the audience the dude who raped her. Don
• 2:06:11
  Speaker 1: Dawn door bum bum bump. And then it just turns
• 2:06:14
  Speaker 1: into this fucking blood bath of strippers versus all the
• 2:06:17
  Speaker 1: guys in the club, and they just start getting brutally
• 2:06:21
  Speaker 1: murdered and the most heinous ways imaginable.
• 2:06:24
  Speaker 2: It reminded me very much of like a grindhouse movie.
• 2:06:28
  Speaker 1: It did, because I was like, where's this gonna go?
• 2:06:31
  Speaker 1: Like you showed me a flashback and I'm like, nowhere
• 2:06:34
  Speaker 1: specific Yeah, well yeah, but I mean like, but I'm like,
• 2:06:36
  Speaker 1: where's the story going? Because you showed me this and
• 2:06:39
  Speaker 1: then I saw the guy and I was like, oh,
• 2:06:41
  Speaker 1: she's about to fuck him up. And then she said,
• 2:06:43
  Speaker 1: you know, she had like that witty one line of
• 2:06:44
  Speaker 1: saying something and then just like bit his fucking nose up,
• 2:06:47
  Speaker 1: and I was like, holy shit, it shit.
• 2:06:49
  Speaker 2: It's sort of like every great piece of every fight
• 2:06:52
  Speaker 2: scene in kill Bill with yeah, none of the.
• 2:06:54
  Speaker 1: Background, yeah, and just like all happening in like, you know,
• 2:06:57
  Speaker 1: a five minute window because after all the killings happen
• 2:07:00
  Speaker 1: and it ends, and I'm like, wait, there's still sixteen
• 2:07:03
  Speaker 1: minutes left in this movie. It's all credits. Yeah, there's
• 2:07:06
  Speaker 1: sixteen minutes of credits in this movie. And I looked
• 2:07:10
  Speaker 1: back at it and I was like, as a whole
• 2:07:13
  Speaker 1: fantastic anthology, I loved it. It was a little weird
• 2:07:17
  Speaker 1: at moments, and it was a little bizarre, but it
• 2:07:20
  Speaker 1: also kept me in with the whole what the fuck
• 2:07:23
  Speaker 1: factor and honestly, for sure, it was fucking awesome.
• 2:07:26
  Speaker 2: And it's one of those ones that again I went
• 2:07:29
  Speaker 2: in with almost zero expectations.
• 2:07:32
  Speaker 1: Yeah, you told me about it, and I was like
• 2:07:35
  Speaker 1: a goblin dick, okay, because because.
• 2:07:37
  Speaker 2: We do this thing where we kind of democratically say, hey,
• 2:07:41
  Speaker 2: these are the three movies that we're gonna watch to
• 2:07:44
  Speaker 2: talk about.
• 2:07:45
  Speaker 1: Together, right, Yeah.
• 2:07:46
  Speaker 2: He and Austin was like, you know what, we don't
• 2:07:49
  Speaker 2: really have a third fucking picks them. And I was scrolling, scrolling, scrolling, scroll,
• 2:07:54
  Speaker 2: add fucking dark board Mexican Babaro, Sure, why not?
• 2:07:59
  Speaker 1: And I was like, I'm in and I put it
• 2:08:00
  Speaker 1: on my list and that.
• 2:08:02
  Speaker 2: Was and it was genuinely one of the best random
• 2:08:07
  Speaker 2: picks that I that I could have thought of.
• 2:08:09
  Speaker 1: And I'm loving all these picks that we've been finding
• 2:08:11
  Speaker 1: from Netflix, Netflix, because you you KNOWLX Netflix. Oh, I'm
• 2:08:16
  Speaker 1: so fucking tired. You told me about a Lot of
• 2:08:18
  Speaker 1: Land and what was the other one you watched on Netflix? Yeah,
• 2:08:22
  Speaker 1: So I'm like, I mean, I've heard of Sabrina, but
• 2:08:24
  Speaker 1: a Lot of Land I'd never even come across. And I, like,
• 2:08:27
  Speaker 1: I said, I feel like I have exhausted Netflix. And
• 2:08:29
  Speaker 1: you give me a title and I'm like, yeah, I'm
• 2:08:31
  Speaker 1: gonna go watch that, just like Mexico Barbaros or whatever. Yeah,
• 2:08:34
  Speaker 1: never heard of that, and I was like, this is
• 2:08:35
  Speaker 1: on Netflix. I was like, Okay, so we're finding all
• 2:08:38
  Speaker 1: these great films and I just want to put them
• 2:08:41
  Speaker 1: out there for everyone to go check out, because if
• 2:08:43
  Speaker 1: we like them, I'm sure someone else has to like them.
• 2:08:45
  Speaker 2: Corey's movie Horror one oh one. Always picked by the
• 2:08:49
  Speaker 2: title car Never pick by the synopsis.
• 2:08:51
  Speaker 1: No, never, because honestly, a lot of them on Netflix.
• 2:08:54
  Speaker 1: Two are awful descriptions. It's like someone goes into the
• 2:08:57
  Speaker 1: woods and dies and you're like, okay, but yeah, pick.
• 2:09:01
  Speaker 1: That's what I usually go by is the title card
• 2:09:03
  Speaker 1: that I see in the image, and it's usually been
• 2:09:05
  Speaker 1: working out for me, and usually I go by an
• 2:09:08
  Speaker 1: hour and a half or less. In this case, this
• 2:09:10
  Speaker 1: was an hour and fifty two, but it was eight
• 2:09:11
  Speaker 1: fucking segments like come.
• 2:09:12
  Speaker 2: On and see You go by like like a forty
• 2:09:17
  Speaker 2: five minute time window to judge it. Yeah, I have
• 2:09:20
  Speaker 2: a very strict fifteen minute rule. If it doesn't grab
• 2:09:25
  Speaker 2: me by fifteen minutes, I'm fucking done.
• 2:09:27
  Speaker 1: But it also has to depend on how long that
• 2:09:29
  Speaker 1: movie is, because if it's an hour and fifteen and
• 2:09:31
  Speaker 1: doesn't grab you in fifteen, yeah, go to the next one.
• 2:09:34
  Speaker 1: But if it's two hours and it doesn't grab you
• 2:09:36
  Speaker 1: in fifteen, give it to that thirty minute mark. Come on.
• 2:09:40
  Speaker 2: So the Awakening, which we talked about last episode, it's
• 2:09:45
  Speaker 2: it's I think it's over two hours long, but it
• 2:09:49
  Speaker 2: grabbed me in the first three minutes.
• 2:09:51
  Speaker 1: Yeah, well, okay, So there's movies like that, But then
• 2:09:54
  Speaker 1: there's also slow burns, like have you ever seen The Invitation? Yes,
• 2:09:59
  Speaker 1: that is the slowest fucking burn. But that's the problem is,
• 2:10:04
  Speaker 1: like you don't know when you're watching a movie. It's
• 2:10:06
  Speaker 1: if it's gonna be a slow burn or if it's
• 2:10:08
  Speaker 1: an awful movie. So I will give you the fifteen
• 2:10:11
  Speaker 1: minute thing because that's how I am. But then it's like,
• 2:10:14
  Speaker 1: how many movies are we missing out on because we're
• 2:10:16
  Speaker 1: not giving it the chance because Invitation was a slow
• 2:10:19
  Speaker 1: burn until like.
• 2:10:19
  Speaker 2: The last well, and then that's how I ended up
• 2:10:22
  Speaker 2: with Terrified because I saw the first quote unquote scare
• 2:10:26
  Speaker 2: with Terrified.
• 2:10:27
  Speaker 1: Yeah, this is this is fucking dumb.
• 2:10:30
  Speaker 2: Yeah, Like it's the entire movie gonna be like this,
• 2:10:32
  Speaker 2: this is fucking horrible.
• 2:10:33
  Speaker 1: Yeah.
• 2:10:33
  Speaker 2: And then you were like, no, I give it a chance,
• 2:10:35
  Speaker 2: And I gave it a chance in Oh my god, Yeah,
• 2:10:37
  Speaker 2: it was fucking amazing.
• 2:10:40
  Speaker 1: Yeah, that movie was awesome. It had one of the
• 2:10:41
  Speaker 1: best jump scares I have ever seen in a movie
• 2:10:45
  Speaker 1: in my life, you know what with the yeah yeah yeah, yeah,
• 2:10:49
  Speaker 1: yeah yeah yeah. So it's like, it's hard to judge
• 2:10:52
  Speaker 1: movies based in the first fifteen minutes, but you can
• 2:10:54
  Speaker 1: also get you can also get a taste of what
• 2:10:57
  Speaker 1: they're gonna be. It's really just a gamble every time.
• 2:11:00
  Speaker 1: It's hard to start a movie and be like, oh,
• 2:11:02
  Speaker 1: this is gonna be great, because there's movies like the
• 2:11:05
  Speaker 1: Invitation like that just it kind of just slowly, slowly, slully,
• 2:11:08
  Speaker 1: and then it's like, holy fuck. Then you get to
• 2:11:10
  Speaker 1: the end and you're like, what the fuck am I watching?
• 2:11:12
  Speaker 2: For any Shyamalan movie?
• 2:11:14
  Speaker 1: Was the Invitation of Shyamalan?
• 2:11:16
  Speaker 2: No, No, it wasn't, not at all.
• 2:11:17
  Speaker 1: See I didn't know that. I thought you were trying
• 2:11:19
  Speaker 1: to lead me on to something. No.
• 2:11:20
  Speaker 2: I was just saying Shyamalan in general.
• 2:11:22
  Speaker 1: Okay, fair enough, Well with that, we're gonna have to
• 2:11:26
  Speaker 1: end it because this is a super long episode. Yeah, honestly, no, uh,
• 2:11:31
  Speaker 1: no news, no trivia. So I will just go ahead
• 2:11:35
  Speaker 1: and cut it to the outro music, whatever you want
• 2:11:38
  Speaker 1: to call it. I'll be back next week with my
• 2:11:41
  Speaker 1: buddy Spencer. We're gonna talk about a bunch of movies
• 2:11:43
  Speaker 1: get into his background of horror, and I think we've
• 2:11:47
  Speaker 1: got two more planned for this month. So you're gonna
• 2:11:49
  Speaker 1: get a lot of freightmares here to come. So stay
• 2:11:52
  Speaker 1: tuned and stay spooky.
• 2:11:53
  Speaker 2: Yeah, and always sleep with the lights on Beyond