Latest / The Bootleg Kev Podcast / #637 - Lil Yachty & Concrete Boys on Studio Sessions, the SoundCloud Era, Psychedelics & ‘It’s Us Vol. 2’

Transcript

#637 - Lil Yachty & Concrete Boys on Studio Sessions, the SoundCloud Era, Psychedelics & ‘It’s Us Vol. 2’ · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Yo, Before we get into the interview, man, I want
• 0:01
  Speaker 1: to give a shouts to all my radio stations all
• 0:03
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• 0:06
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• 0:09
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• 0:12
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• 0:14
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• 0:16
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• 0:19
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• 0:23
  Speaker 1: We are one O two nine. Importantly, we're all over
• 0:25
  Speaker 1: the country, so you could tap in with that radio show.
• 0:28
  Speaker 1: If you want to know for on in your city,
• 0:31
  Speaker 1: just go to Bootleg cab dot com. The fullest of
• 0:33
  Speaker 1: cities is there. You might hear us. Let's get into
• 0:35
  Speaker 1: the interview, Yo, Bootleg Cavs Show. We got a special
• 0:42
  Speaker 1: guest guests here, yachty Concrete Boys. Welcome, Welcome, Welcome. How
• 0:48
  Speaker 1: y'all doing good? Was going on? How was All Star
• 0:52
  Speaker 1: weekend for y'all? Busy? Man running around here every day.
• 0:58
  Speaker 1: I gotta ask you. I saw you had these It
• 1:01
  Speaker 1: looked like the All Star Game Air Forces. Are these
• 1:04
  Speaker 1: the official sequel to your your shoe. No, No, it's
• 1:08
  Speaker 1: like a pe if yours.
• 1:10
  Speaker 2: Essentially, I should have said it's just a sample, a
• 1:12
  Speaker 2: sample test, you know, a little old Okay.
• 1:22
  Speaker 1: I wonder like if you bust out samples because you
• 1:25
  Speaker 1: have that with Nike now, like if the fans and
• 1:28
  Speaker 1: their you know, feedback is strong enough, do you kind
• 1:32
  Speaker 1: of run it up the line and.
• 1:33
  Speaker 2: Be like what I think That's how the Green, Yellow,
• 1:35
  Speaker 2: Red Show came about. Yeah, that shit wasn't supposed to
• 1:37
  Speaker 2: come out. That was my Coachella shoe from my outfit,
• 1:40
  Speaker 2: and then it was just the response was heavy. Yeah, Nike,
• 1:45
  Speaker 2: you wanted They were like, man, we would, let's think
• 1:48
  Speaker 2: we should drop this one.
• 1:50
  Speaker 1: Talk about obviously volume two, you guys working on this
• 1:53
  Speaker 1: album together. What made it the right time to finally
• 1:55
  Speaker 1: get out the sequel to the first album?
• 1:58
  Speaker 2: Man was supposed to drop her last year. I think
• 2:03
  Speaker 2: that timing sometimes with Tom and he just like Man,
• 2:06
  Speaker 2: I don't know. As I got older, right, like became
• 2:08
  Speaker 2: an adult, it's so crazy how just like how fast
• 2:12
  Speaker 2: time be going, Like you just blink in the year
• 2:15
  Speaker 2: were over with, Like we're down there in March already,
• 2:18
  Speaker 2: you know, so I think that when you just got
• 2:20
  Speaker 2: a lot going on. Again, it's five to six of us,
• 2:23
  Speaker 2: so just getting everybody together and putting it together not difficult,
• 2:29
  Speaker 2: just time consuming. So I think we had the skeleton
• 2:32
  Speaker 2: since last year and just really making it makes sense
• 2:38
  Speaker 2: without feeling rushed. What's the goal, what's the key?
• 2:41
  Speaker 1: Out of everybody in the group, who's the most competitive?
• 2:44
  Speaker 1: In these studio.
• 2:44
  Speaker 2: Sessions were pretty competitive. I was I was gonna say, I.
• 2:52
  Speaker 3: I don't really see no copy like like Cam you
• 2:54
  Speaker 3: be saying that, bro, I don't really like I'm not
• 2:56
  Speaker 3: competitive with y'all.
• 2:57
  Speaker 2: Boy, I really don't feel like I don't know, I
• 3:00
  Speaker 2: don't like but that's like, don't.
• 3:09
  Speaker 1: Friendly competition, but it's friendly competition.
• 3:12
  Speaker 2: Nobody ever has anyone ever changed their verse because like.
• 3:16
  Speaker 3: I didn't, I didn't have to about like anonymous decision
• 3:19
  Speaker 3: that like we all knew that I sucked up changing versus.
• 3:25
  Speaker 2: You know what I'm saying, I don't think. I don't
• 3:28
  Speaker 2: think nobody ever tried to out do nobody. I ain't
• 3:31
  Speaker 2: never trying to.
• 3:33
  Speaker 4: But I think it's more like when you have something,
• 3:35
  Speaker 4: you be like, I know I'm about to go crazy
• 3:37
  Speaker 4: on this, not really like I know I got a
• 3:39
  Speaker 4: better versus you type thing right, still starting ship.
• 3:41
  Speaker 2: Still, it ain't nothing wrong with ain't nothing wrong with that.
• 3:44
  Speaker 2: I don't think we've ever. I don't think we've ever.
• 3:46
  Speaker 2: Like I'm about that, about to kill y'all.
• 3:51
  Speaker 5: Ain.
• 3:53
  Speaker 2: DC.
• 3:53
  Speaker 1: I hear that you have the most lit studio sessions. Yeah,
• 3:56
  Speaker 1: I hear that they're so lit that there's certain studios
• 3:58
  Speaker 1: that won't even allow you.
• 4:01
  Speaker 6: He knows, he knows the real inside, he knows, he
• 4:04
  Speaker 6: knows what going up.
• 4:04
  Speaker 1: Okay, can you kind of break down what is your
• 4:08
  Speaker 1: studio aesthetic and uh and you know, just kind of
• 4:11
  Speaker 1: what what comes with a DC studio session.
• 4:14
  Speaker 3: Man, I'm not gonna lie like it depends. It depends
• 4:17
  Speaker 3: on how I'm feeling. But as far as just moving forward,
• 4:20
  Speaker 3: like you know, I've been talking a boat, I've been
• 4:22
  Speaker 3: talking to people like Wallow and coach Man. A lot
• 4:26
  Speaker 3: of a lot of ship I had in my sessions,
• 4:28
  Speaker 3: you really won't see just moving forward. But I'm always
• 4:30
  Speaker 3: gonna keep that fun like you know what I'm saying.
• 4:33
  Speaker 3: I'm always gonna have that vibe in my studio session
• 4:35
  Speaker 3: because that's what I need to have a good studio session,
• 4:37
  Speaker 3: especially if I got my brothers with me, my family
• 4:40
  Speaker 3: or you know what I'm saying.
• 4:41
  Speaker 2: But just moving forward, it's gonna be a little bit mold.
• 4:45
  Speaker 1: Would you see the guy with like the unnecessary homies.
• 4:47
  Speaker 3: Around Yeah, Like like I'd be like else in DC
• 4:53
  Speaker 3: over there a.
• 4:54
  Speaker 2: Bunch of women hella smoke, hella smoke, snacks and chips
• 5:00
  Speaker 2: everywhere back all over the place, leaves paper, Asian flavor ashes.
• 5:10
  Speaker 1: You bring a boiled peanuts to the studio. So much
• 5:13
  Speaker 1: what he might bring. That's the worst ship about living
• 5:17
  Speaker 1: in l A. Like I used to live in Florida
• 5:19
  Speaker 1: and I used to be at the gas station in
• 5:20
  Speaker 1: l A.
• 5:21
  Speaker 3: In l A, l A, y'all bring some boll peanuts here. Man,
• 5:26
  Speaker 3: I might invest into like a boy peanut company and work.
• 5:30
  Speaker 2: It could work.
• 5:31
  Speaker 3: Southern California studio sessions been like the club. Yeah that
• 5:35
  Speaker 3: nigga nigga told me said.
• 5:37
  Speaker 2: Man, one time I went to a session and it
• 5:40
  Speaker 2: was people in the like waiting like in a lounge.
• 5:43
  Speaker 2: They were blasting music loud in the studio. Was I
• 5:46
  Speaker 2: don't know how that's possible.
• 5:47
  Speaker 1: It was crazy. Runners must love to see you.
• 5:49
  Speaker 2: Man, what what?
• 5:51
  Speaker 3: But I got so much trouble Nigga said, you see
• 5:54
  Speaker 3: you turn the studio to magic City.
• 5:56
  Speaker 2: I try not to laugh out a couple of my
• 5:58
  Speaker 2: face and look, damn, I.
• 6:00
  Speaker 1: Mean that's that's not necessarily a bad thing. At all times.
• 6:03
  Speaker 2: It was crazy. The last one was crazy.
• 6:05
  Speaker 1: That's crazy, but a.
• 6:06
  Speaker 3: Good song came out of it, to be fair, A
• 6:09
  Speaker 3: good song, A great song came out of it.
• 6:11
  Speaker 1: A couple have you guys tweaked out on like any
• 6:14
  Speaker 1: of the new ship going on? Like these Epstein files
• 6:16
  Speaker 1: are kind of wild. I don't know if you'll like
• 6:18
  Speaker 1: paying attention to what's going on.
• 6:20
  Speaker 2: Yeah, I've been paying no attention to it.
• 6:22
  Speaker 1: It's crazy, bro, It's cy Yeah, it's like I have
• 6:27
  Speaker 1: I was boiled last night. It's crazy. Hey you I
• 6:33
  Speaker 1: want to ask you Yetty, because you had like my
• 6:35
  Speaker 1: favorite album yours is the Joint you dropped a couple
• 6:37
  Speaker 1: of years ago that was like the trippy Yeah yeah,
• 6:42
  Speaker 1: what like, uh inspired you? Because that was I'm a
• 6:44
  Speaker 1: big tam In Polo fan and I feel like that
• 6:46
  Speaker 1: was kind of a really great album. To Eat Mushrooms
• 6:49
  Speaker 1: Too and Trip Balls to was there? Was that like
• 6:53
  Speaker 1: the objective because it was very psychedelic.
• 6:55
  Speaker 2: Yeah, I mean, I think the objective was an experienced
• 7:04
  Speaker 2: in the concept and it was it was like to
• 7:07
  Speaker 2: see I think it started off to see how what
• 7:16
  Speaker 2: would it my iteration of dark Side and Moon sound like, Yeah,
• 7:23
  Speaker 2: that's what it started, like right, like that was the gold,
• 7:27
  Speaker 2: like the goal. The idea came from me being ascid
• 7:32
  Speaker 2: one night or day or morning or night till morning
• 7:35
  Speaker 2: and listening.
• 7:36
  Speaker 1: To dark Side Moon Oh Fire got to Pink Floyd.
• 7:40
  Speaker 2: Yeah, and just uh, I think for a long time,
• 7:45
  Speaker 2: I mean even still now, it's so baffled. While like
• 7:48
  Speaker 2: just the production of the album is so Pink Floyd
• 7:52
  Speaker 2: was like so funky. I mean, they were so ahead
• 7:55
  Speaker 2: of them. So yeah, you know it's the seventies for sure,
• 7:57
  Speaker 2: you know, like and it's the album just sounded like
• 8:01
  Speaker 2: that we made today or tomorrow, you know. So I
• 8:04
  Speaker 2: think it just started as a goal to say, like, man,
• 8:06
  Speaker 2: what was my idea of this album? Because that's my
• 8:08
  Speaker 2: favorite album, one of my favorite albums. And then you know,
• 8:12
  Speaker 2: just how crazy could we get? You know? And I
• 8:16
  Speaker 2: learned a lot because that was my first time making
• 8:18
  Speaker 2: an album like such. So you know, nowadays when I'm
• 8:21
  Speaker 2: working on my next project, I've learned so much and
• 8:23
  Speaker 2: I got I'm like pushing it so much further and
• 8:27
  Speaker 2: doing you know, just just trying to tap into some
• 8:31
  Speaker 2: other stuff.
• 8:32
  Speaker 1: Would you say that that album you're psychedelic and pretty
• 8:35
  Speaker 1: hard the whole time. Absolutely, such a good album and
• 8:40
  Speaker 1: good Joshua Tree album.
• 8:41
  Speaker 2: Yeah. Yeah, when the goal again was to build us
• 8:45
  Speaker 2: a world right to kind of like start to finish.
• 8:48
  Speaker 2: We don't feel like you have to start stop or
• 8:51
  Speaker 2: or skip. I feel like that's how Dark saturn Own
• 8:53
  Speaker 2: is for sure, no skips. And I think the goal
• 8:55
  Speaker 2: was just to make this album that you know, if
• 8:58
  Speaker 2: you got a bunch of friends over or whatever ever's
• 9:00
  Speaker 2: going on, you could just put it on and then
• 9:01
  Speaker 2: it's an atmosphere. You know, it's atmospheric. You know. I
• 9:05
  Speaker 2: had a lot going on in my life at the time.
• 9:07
  Speaker 2: I had just had my child, and my career was
• 9:12
  Speaker 2: in a weird place, and I was just coming to
• 9:14
  Speaker 2: a to a part of my life of really trying
• 9:17
  Speaker 2: to understand what was next for me. And I mean
• 9:23
  Speaker 2: I think it shows in that I'm not so different
• 9:25
  Speaker 2: from anything that I've done for sure.
• 9:27
  Speaker 1: Yeah, what's your are you? You prefer acid over shrooms?
• 9:31
  Speaker 2: Absolutely?
• 9:31
  Speaker 1: Really? Yeah? Acid strictly, like like I don't think people
• 9:34
  Speaker 1: understand like if you don't eat mushrooms, you gotta eat
• 9:37
  Speaker 1: a ship of shroomsn't really see it isn't there.
• 9:40
  Speaker 2: It's kind of a body high, you know. Acid how
• 9:43
  Speaker 2: many once small.
• 9:44
  Speaker 1: You do have an acid, you're gonna be on and
• 9:46
  Speaker 1: everything roller coaster, But how.
• 9:49
  Speaker 2: Many shrooms of the person? I feel like.
• 9:52
  Speaker 7: That's different for everybody. Like heroes dose is like five grands.
• 9:58
  Speaker 7: That's that's like boss final, you can do it. You're
• 10:04
  Speaker 7: going to cry.
• 10:04
  Speaker 2: Lest Have you ever been a d M T A
• 10:09
  Speaker 2: thousand times?
• 10:10
  Speaker 1: Really? But like did you do it?
• 10:12
  Speaker 2: Like?
• 10:12
  Speaker 1: Because there's there's there's the bullshit like little bape.
• 10:15
  Speaker 2: So I've done both. I've done. I actually prefer the vape,
• 10:18
  Speaker 2: you know. I got a productive yeah, And I mean
• 10:21
  Speaker 2: I gotta make some in Brooklyn and I mean they're
• 10:24
  Speaker 2: and they're they're pretty strong. But you've done like the Toad.
• 10:29
  Speaker 2: I haven't smoked the toad, but I've done the powder.
• 10:31
  Speaker 1: The free base, the crackheadish version, yeah yeah, I mean
• 10:35
  Speaker 1: did you go away for a little bit?
• 10:37
  Speaker 2: Yeah? Yeah. I mean I hate to say if it's
• 10:39
  Speaker 2: definitely a crackhead version, you got a free base and
• 10:41
  Speaker 2: you feel like a cracked head too when you're doing it,
• 10:44
  Speaker 2: like like it's crazy. Yeah, they say that, and you
• 10:48
  Speaker 2: just like burning the crack pipe and you like in
• 10:51
  Speaker 2: a dark room.
• 10:52
  Speaker 1: What it's like you you they say that when you're
• 10:54
  Speaker 1: under under d M T like so much, like there's
• 10:58
  Speaker 1: so much being put into your brain that you can't
• 11:00
  Speaker 1: even handle this. You can't even remember everything.
• 11:03
  Speaker 2: Man, I always forget when I come out of a troup.
• 11:05
  Speaker 1: My homie said he lived like a nine month period
• 11:08
  Speaker 1: of his life where he found a girl, got a
• 11:10
  Speaker 1: new job, got married, and it woke up and only
• 11:12
  Speaker 1: twenty minutes went by.
• 11:13
  Speaker 2: That's tough.
• 11:14
  Speaker 1: That's a whole life.
• 11:16
  Speaker 2: I loved himt No, not like that. But I've heard
• 11:21
  Speaker 2: hellos stories like that.
• 11:22
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• 12:52
  Speaker 1: com Man. Much love to my brothers over there with
• 12:54
  Speaker 1: this album. Obviously, since you guys were working on over
• 12:57
  Speaker 1: such a long span of time, how much of like
• 13:00
  Speaker 1: the older stuff made it or how much like, like
• 13:02
  Speaker 1: I guess, how much of this is new, like ten percent?
• 13:05
  Speaker 2: I think I think I think more than ten percent.
• 13:08
  Speaker 2: I think it's a fair amount. I mean, I don't
• 13:09
  Speaker 2: think none of us made this year. Well, this year
• 13:11
  Speaker 2: is February, but yeah, I said, but a lot of
• 13:13
  Speaker 2: it was made before last year. I think, yeah, because
• 13:16
  Speaker 2: I was on tour.
• 13:18
  Speaker 1: Tyler tour.
• 13:20
  Speaker 2: In the New York. The word I wouldn't say was
• 13:26
  Speaker 2: that this year last.
• 13:27
  Speaker 4: Year, summertime July. That's what we're really locked for me.
• 13:31
  Speaker 4: That's pretty recently l A. It was back to back
• 13:37
  Speaker 4: crazy in l A.
• 13:39
  Speaker 2: But I said, we just made great, like we just
• 13:40
  Speaker 2: made just made great songs and we made.
• 13:42
  Speaker 1: Great and then maybe like hey, let's let's let's get
• 13:45
  Speaker 1: on and started.
• 13:48
  Speaker 2: It was just locked in.
• 13:49
  Speaker 1: Is Vis like the unofficial member of the group because
• 13:52
  Speaker 1: he's on the album twice right there? Real yeah, and
• 13:57
  Speaker 1: Rio too, shots to real real Yodo.
• 13:59
  Speaker 2: Boy Risky, Yeah, I would, says he you ask him,
• 14:07
  Speaker 2: he will.
• 14:09
  Speaker 1: I felt with you are like so tapped in with
• 14:11
  Speaker 1: the obviously the Detroit Flint Ship you put out on
• 14:14
  Speaker 1: that's actually my favorite hip hop album of yours.
• 14:17
  Speaker 2: I appreciate that. Yeah, that was a good time. I enjoyed,
• 14:21
  Speaker 2: you know, and I did the whole blog on that project.
• 14:24
  Speaker 2: It's I don't know, people, A lot of people don't
• 14:27
  Speaker 2: get the chance to really experience Detroit. But it's a
• 14:30
  Speaker 2: great city. It's so much fun.
• 14:31
  Speaker 1: Yeah, and like obviously Atlanta, you guys get a lot
• 14:34
  Speaker 1: of credit for having like the most beautiful black women
• 14:36
  Speaker 1: in the world.
• 14:37
  Speaker 2: I always say it's Detroit, Detroit, Detroit some some about
• 14:43
  Speaker 2: their truth. Yeah, great place truth and they got the
• 14:48
  Speaker 2: Coney Islands everywhere I was, I don't love but a
• 14:53
  Speaker 2: little overrated.
• 14:54
  Speaker 1: Like when you talk to people, I always tell people
• 14:55
  Speaker 1: from Detroit, like, y'all's food is it's like.
• 15:00
  Speaker 2: Con whatever, got some sweet waters, dumb and at one
• 15:05
  Speaker 2: spot man, I forgot restaurant car Man. I forgot when
• 15:08
  Speaker 2: was in the last time we was just doing them slushies.
• 15:11
  Speaker 2: Oh yeah, baby race Yeah, big shop.
• 15:16
  Speaker 3: Like the hood spots got the best food. But I
• 15:19
  Speaker 3: look at Coney all the kind of like cookout.
• 15:21
  Speaker 2: You know what I'm saying, you can get anything.
• 15:25
  Speaker 1: Two A M you feel me?
• 15:26
  Speaker 2: Three am cool wings as far look out here, it
• 15:32
  Speaker 2: was better cook they a't got Atlanta, what's cookout?
• 15:39
  Speaker 1: In and out burgers like they cook They got like everything.
• 15:43
  Speaker 2: Yeah, And I was like, cooking came from.
• 15:46
  Speaker 1: We got in and out. That's what we got. And
• 15:49
  Speaker 1: you don't like.
• 15:51
  Speaker 2: To overded we get it out. You don't know what
• 15:54
  Speaker 2: cook is.
• 15:55
  Speaker 8: It's not because it's definitely we you know it's gonna
• 15:58
  Speaker 8: be better to get it like their own guys line,
• 16:02
  Speaker 8: it was not worth taste, Like I would have left.
• 16:05
  Speaker 1: It's not a better burn came.
• 16:07
  Speaker 2: I would have left one to make these. He said.
• 16:10
  Speaker 1: It's not a better fast burger than the in and out.
• 16:12
  Speaker 1: And I'm gonna say, Burger, that's the best burger place
• 16:15
  Speaker 1: in the light.
• 16:19
  Speaker 2: That's the best fast food.
• 16:20
  Speaker 1: It's the best fast food occasions. They got to drive
• 16:24
  Speaker 1: through with them.
• 16:24
  Speaker 2: That's out here.
• 16:25
  Speaker 4: But also like are you last the one man burgers?
• 16:32
  Speaker 1: Your oat changing foodselves like a nice sit down hipster
• 16:38
  Speaker 1: joy y'all.
• 16:39
  Speaker 2: Y'all still eating? Rby was that like it was like
• 16:41
  Speaker 2: like a night they got a drawbary surprise driving actually
• 16:54
  Speaker 2: taking off yet to fa.
• 16:58
  Speaker 1: Yo, So we are you like the It is like
• 17:00
  Speaker 1: official inductee in the crew.
• 17:02
  Speaker 2: I mean I'm the DJ, You're the DJ.
• 17:05
  Speaker 1: I guess I guess how long you've been DJing.
• 17:08
  Speaker 5: I've been professionally DJing since I was fourteen, but I've
• 17:11
  Speaker 5: been with that about the year now, about a year.
• 17:14
  Speaker 1: So you started off as a kid. Yeah you still
• 17:17
  Speaker 1: look like you're still a kid. You're still I saw
• 17:22
  Speaker 1: you have you got fun Ice in your bio, which yourself.
• 17:25
  Speaker 2: Yeah asd Ice spie man, spies hate you guys. Ice cool, Okay, cool?
• 17:34
  Speaker 1: I'm graation enforcement has that hit Atlanta pretty crazy? Because
• 17:38
  Speaker 1: it's obviously l A is different. Minneapolis is going crazy.
• 17:43
  Speaker 2: Like Minneapolis for sure, but I think they're trying to
• 17:47
  Speaker 2: make a presence everywhere, you know.
• 17:50
  Speaker 1: Yeah, it's pretty crazy.
• 17:51
  Speaker 2: Yeah.
• 17:52
  Speaker 1: I think it's important to speak out though, So shout
• 17:53
  Speaker 1: out to I saw your bios, like, see you. You
• 17:56
  Speaker 1: got to take a stand sometimes, you know. Yo, whatever
• 17:59
  Speaker 1: happened to your fucking podc cast? Bro, you ain't done
• 18:01
  Speaker 1: an episode in like a year.
• 18:02
  Speaker 2: It was so good. What happened, man. I think that.
• 18:06
  Speaker 2: I think it's I think it's broadcasting is tricky when
• 18:09
  Speaker 2: you are a active, prominent figure in the business that
• 18:20
  Speaker 2: you talk about. I think it's sticky. It's a little
• 18:23
  Speaker 2: sticky to have a public opinion, right because you're still
• 18:29
  Speaker 2: in the game, right. And I think that it's you
• 18:34
  Speaker 2: don't want to start challenging your like like you're like
• 18:38
  Speaker 2: truth right, you know, you're like, damn, don't want to
• 18:40
  Speaker 2: be honest here, but or don't want to save the
• 18:45
  Speaker 2: you know, hurting someone's feelings or pissing someone off, or
• 18:48
  Speaker 2: you know, just start being like damn, man. I don't know.
• 18:51
  Speaker 2: It's not a lot. I feel like I started getting
• 18:53
  Speaker 2: a lot more in trouble for things I would say,
• 18:55
  Speaker 2: versus like it was fun and it was really.
• 18:59
  Speaker 1: Successful, super I mean you got legendary interviews.
• 19:02
  Speaker 2: Man. Yeah, I think we stopped it.
• 19:03
  Speaker 1: I thought the format was cool, like when you were
• 19:05
  Speaker 1: just kind of I don't know what, like y'all had
• 19:07
  Speaker 1: a little like chill vibe. It was different.
• 19:10
  Speaker 2: It was great. I thought it was great, man. I
• 19:12
  Speaker 2: appreciate that. I always I think it's cool on like
• 19:14
  Speaker 2: actual real journalists, you know, say that my podcast was good,
• 19:19
  Speaker 2: So I appreciate that.
• 19:19
  Speaker 1: Would you resurrect it if you ever kind of kicked
• 19:22
  Speaker 1: back a little bit more?
• 19:23
  Speaker 2: Yeah, I mean maybe, I don't see why not. It
• 19:26
  Speaker 2: was fun. I think the heart that the most annoying
• 19:28
  Speaker 2: part was trying to get the guests. Yeah, you know,
• 19:30
  Speaker 2: I think we did get great guests, but like I mean,
• 19:31
  Speaker 2: you had Drake, Yeah people Drake interviews. We never even
• 19:35
  Speaker 2: put the second one out.
• 19:35
  Speaker 1: We had a second you didn't put out a second
• 19:37
  Speaker 1: drinking right before the.
• 19:39
  Speaker 2: Cont thing, right before the Civil War. Yeah, so we
• 19:41
  Speaker 2: never put out it was good to it was really funny.
• 19:43
  Speaker 1: Did you guys talk about the Civil War? And that
• 19:45
  Speaker 1: was right before so it was like that almost wouldn't
• 19:47
  Speaker 1: make sense to put it out.
• 19:48
  Speaker 2: Yeah, yeah, because it was right. It was such a
• 19:52
  Speaker 2: funny interview. We never put it out. Oh yeah, sitting
• 19:54
  Speaker 2: in the middle of the arena.
• 19:56
  Speaker 1: Was there any other interviews that just never made the upload?
• 19:59
  Speaker 4: No?
• 20:00
  Speaker 2: I think, well, I think we had one more, but
• 20:02
  Speaker 2: I think the Drake one was that was our next one.
• 20:05
  Speaker 2: And uh and we you know, that thing happened and
• 20:10
  Speaker 2: then things happened and then boom. Yeah.
• 20:15
  Speaker 1: Do you feel like that whole situation kind of puts
• 20:18
  Speaker 1: you in a weird place because you're friends with everybody.
• 20:21
  Speaker 1: I feel like you're you're such a lovable guy and
• 20:22
  Speaker 1: like you obviously get mentioned in euphoria and like just
• 20:25
  Speaker 1: imagine being in that position.
• 20:28
  Speaker 2: I don't think he'll put me in a weird place.
• 20:30
  Speaker 2: I was. I was with Drake for sure, so like
• 20:34
  Speaker 2: it wasn't like a limbo.
• 20:36
  Speaker 1: Well just the totality of it. Just take out the
• 20:38
  Speaker 1: Kendrick Drake Park. It was so many people involved in.
• 20:41
  Speaker 2: I think I think it was it's a it's a
• 20:44
  Speaker 2: sticky situation, you know that I realized just beyond me,
• 20:50
  Speaker 2: you know, trying to stay out of it for real.
• 20:55
  Speaker 1: I think you did a good job though kind of mhmm, yeah,
• 20:59
  Speaker 1: I mean yeah. I always wonder if people I saw
• 21:02
  Speaker 1: you kind of replied to somebody saying something but this
• 21:05
  Speaker 1: song with you Drake and Uzzi, Yeah, and that you're
• 21:09
  Speaker 1: you're blamed.
• 21:10
  Speaker 2: For having gaze. Yeah. But the truth for MA was
• 21:15
  Speaker 2: just I think it was it was a crazy example
• 21:17
  Speaker 2: who sample who Whitney Houston sample? I believe Jenna Jackson
• 21:22
  Speaker 2: or something something what as and and but people I
• 21:25
  Speaker 2: don't remember. I said something about the record because I
• 21:27
  Speaker 2: have a verse a version where I have a verse
• 21:29
  Speaker 2: on it. And I said that, and I think people
• 21:31
  Speaker 2: started saying I'm the reason son ever came out. But
• 21:33
  Speaker 2: like people gotta understand and the boys are grown.
• 21:36
  Speaker 3: Man.
• 21:37
  Speaker 2: Yeah, man, didn't he asked me for even coming to
• 21:40
  Speaker 2: me for the advice. I mean, like like stuff like
• 21:44
  Speaker 2: I don't know why people just think like I was
• 21:46
  Speaker 2: the person putting influence him to do all these things,
• 21:51
  Speaker 2: you know. Yeah, and necessarily place.
• 21:55
  Speaker 1: We gotta get a shout out to our new sponsor,
• 21:57
  Speaker 1: Raffie Law Group. Listen. I don't partner with just anybody.
• 22:00
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• 22:07
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• 23:02
  Speaker 2: Uh.
• 23:03
  Speaker 1: You're a big wrestling fan. I've been I'd love to
• 23:06
  Speaker 1: see because I feel like you were you. You weren't
• 23:08
  Speaker 1: always a wrestling I've been.
• 23:09
  Speaker 2: I've been in resting fan since I was a pre
• 23:11
  Speaker 2: k oh.
• 23:11
  Speaker 3: I didn't know that.
• 23:12
  Speaker 1: Yeah, I just feel like I've been seeing you every
• 23:14
  Speaker 1: I think, I just.
• 23:15
  Speaker 2: You know what it is. I just I just reignited
• 23:18
  Speaker 2: that flame. But at my pre k birth I got
• 23:20
  Speaker 2: pre k birthday priority is it's a rest a SmackDown
• 23:23
  Speaker 2: birthord party.
• 23:23
  Speaker 1: What was your like moment that got you back in
• 23:26
  Speaker 1: when w W came.
• 23:28
  Speaker 2: To Atlanta for Bad Blood, which was two years ago,
• 23:31
  Speaker 2: Bad Blood was good. Yeah, it was. It was when
• 23:33
  Speaker 2: it came to them for Bad Blood and that was
• 23:35
  Speaker 2: my first real WWE promotion. I had been to independent promotions,
• 23:40
  Speaker 2: but that was my first WWE promotion, which is the
• 23:42
  Speaker 2: big you know, the bigs, And it was awesome. I
• 23:46
  Speaker 2: hadn't I hadn't washed it in years and it was
• 23:50
  Speaker 2: Uh Peter was there, Rosenberg and and that after that day,
• 23:56
  Speaker 2: I hadn't missed it a show. So since Black Bad
• 24:00
  Speaker 2: Blood Atlanta, I'm seeing if you go to all the
• 24:02
  Speaker 2: p e I try to if it makes sense, I
• 24:05
  Speaker 2: don't go to all of them, but I go to
• 24:07
  Speaker 2: a good Yeah, like that's a that's a that one
• 24:10
  Speaker 2: I didn't I didn't know. I didn't do that. But
• 24:12
  Speaker 2: I will be at the Elements Chamber in Chicago.
• 24:15
  Speaker 1: That's gonna be fire.
• 24:16
  Speaker 2: Yeah.
• 24:16
  Speaker 1: A J is making a return. If you had to
• 24:20
  Speaker 1: compare the Concrete Boys to a w w E stable
• 24:27
  Speaker 1: could be old school, could be new school.
• 24:28
  Speaker 2: Who would be Jesus Man? That's interesting. I think I
• 24:36
  Speaker 2: would say I would compare d C to to Got
• 24:42
  Speaker 2: the Godfather. You know you got a whole train. Yeah,
• 24:47
  Speaker 2: that's what got Big Pimp.
• 24:49
  Speaker 1: He came out with.
• 24:54
  Speaker 2: I compared camera to shutting Benjamin amazing, amazing vision too.
• 25:02
  Speaker 1: Was also one of the most n shape human beings
• 25:04
  Speaker 1: on the planet to this moment, to this moment, never
• 25:06
  Speaker 1: gut her business man, her business.
• 25:13
  Speaker 2: I would compare uh Rial to roxand Perez.
• 25:19
  Speaker 1: I see it.
• 25:20
  Speaker 2: Yeah, yeah, ros.
• 25:22
  Speaker 1: I don't know if you know who that is, but
• 25:23
  Speaker 1: it checks out.
• 25:26
  Speaker 2: This is so nerdy right now and I'm enjoying it.
• 25:30
  Speaker 2: Uh let's see. I will compare a draft too. If
• 25:35
  Speaker 2: I had to, like Pig, I think I would say, like,
• 25:40
  Speaker 2: are we only doing w W?
• 25:42
  Speaker 1: You could do a w m j oh J.
• 25:46
  Speaker 2: That's great, Yeah, that's that's fastious.
• 25:49
  Speaker 1: Did you see m JF just kind of promo in
• 25:50
  Speaker 1: the Bloodline today, which is crazy.
• 25:53
  Speaker 2: Because he's fighting zoos and and he was saying names.
• 25:55
  Speaker 1: He said, jay Uso, Yeah, I know.
• 25:58
  Speaker 2: I was like, he's talk about bring on the podcast.
• 26:02
  Speaker 2: I thought that was pretty slick. I was like, oh,
• 26:04
  Speaker 2: that's kind of yeah.
• 26:06
  Speaker 1: Well you saw Seth Rowlins was hanging out with him
• 26:08
  Speaker 1: super Bowl.
• 26:09
  Speaker 2: Is Seth Rans is my favorite wrestler. And Macon Lynch.
• 26:13
  Speaker 2: You like Becky, I love, I don't like, I love.
• 26:15
  Speaker 2: I think she's the best female wrestler to ever cut promos. Really,
• 26:20
  Speaker 2: I think so.
• 26:21
  Speaker 1: I love Seth. I think Seth doesn't get enough flowers.
• 26:23
  Speaker 1: He's been the most consistent superstar in the last like
• 26:26
  Speaker 1: twelve years.
• 26:27
  Speaker 2: So I recently figured out. I got a cousin. Ain't
• 26:32
  Speaker 2: Rich Caster.
• 26:32
  Speaker 3: He was in the NFL and played for the Jets,
• 26:35
  Speaker 3: but he got a son named Max and I looked
• 26:38
  Speaker 3: up his Instagram and he actually wrestled, and he called
• 26:41
  Speaker 3: itself like the best wrestlerlive, and.
• 26:43
  Speaker 2: I call myself the best rapperlive. I'm like, for the
• 26:46
  Speaker 2: fuck nigga, We cousins and didn't even know that's fire.
• 26:49
  Speaker 2: We related same last name. Crazy?
• 26:52
  Speaker 1: Is he still wrestling?
• 26:53
  Speaker 2: Yeah? Max casters out?
• 26:56
  Speaker 1: Max, you're the indie wrestling shows. Have you been to
• 26:58
  Speaker 1: a fourth Rope show?
• 27:00
  Speaker 2: I haven't, but I watch him.
• 27:02
  Speaker 1: I went to the one in Vegas last year. It
• 27:05
  Speaker 1: was from like one am to four am. Everybody came out,
• 27:08
  Speaker 1: Joe Hendry, the Hardy Boys, the Godfather because you know,
• 27:12
  Speaker 1: shout out to Godfather. He actually manages Deja Blue Strip
• 27:15
  Speaker 1: Club in Vegas.
• 27:15
  Speaker 2: Now, wow, that's crazy. So if you ever want to
• 27:18
  Speaker 2: go pull up on the Godfather, he'll be at the
• 27:20
  Speaker 2: day fire. Yeah, that's fine. I love wrestling. Man, I'm
• 27:24
  Speaker 2: too tapped in. I'm ten toes deep?
• 27:29
  Speaker 1: Does everybody in the because I feel like nowadays everyone's
• 27:31
  Speaker 1: punching in? Then is there anybody is this y'all's process?
• 27:35
  Speaker 1: Is anybody writing? Or what's the writing process for everybody?
• 27:38
  Speaker 2: We do both? Yeah?
• 27:39
  Speaker 1: Both?
• 27:39
  Speaker 2: Now d C, DC do all right?
• 27:41
  Speaker 1: DC. You're a big puncher.
• 27:43
  Speaker 3: Yeah, yeah, I get eighty HD. When I try to write,
• 27:45
  Speaker 3: I feel like I can't write it down click enough.
• 27:47
  Speaker 3: I'd just rather wrap it.
• 27:48
  Speaker 2: You know what I'm saying. I don't listen to beats
• 27:50
  Speaker 2: if I'm not in the studio.
• 27:51
  Speaker 1: Oh that makes sense, And like like even when I write,
• 27:55
  Speaker 1: I write to no beat. So you have like a
• 27:58
  Speaker 1: well you have like a melody voice said, you gotta
• 28:00
  Speaker 1: like you understand what you're talking about.
• 28:02
  Speaker 8: That we all like like, hey, should I do this beat?
• 28:05
  Speaker 8: Player and say to us like right to this, I
• 28:07
  Speaker 8: know out here to BEVM and I just know it
• 28:09
  Speaker 8: and I just.
• 28:09
  Speaker 2: Listen to the beating.
• 28:10
  Speaker 8: I'm just right because it makes I feel like there's
• 28:12
  Speaker 8: no be is easier for me to come up with
• 28:14
  Speaker 8: a new flow, like I can just flow out want
• 28:16
  Speaker 8: to then I just try to put it on the
• 28:17
  Speaker 8: beat after I don't know, it's it's kind of weird.
• 28:19
  Speaker 2: That's how I do it, though, and then like and
• 28:23
  Speaker 2: then that.
• 28:25
  Speaker 1: Yeah, I feel like a lot of a lot of
• 28:26
  Speaker 1: a lot of hommies will be like driving around they
• 28:28
  Speaker 1: catch a melody in their head, they gotta like just
• 28:30
  Speaker 1: do all the time, because I feel like melody is
• 28:33
  Speaker 1: the most important ship for sure.
• 28:36
  Speaker 2: Cadence. Once you got the Cadence down, you pretty much
• 28:38
  Speaker 2: can you know, structure the words.
• 28:40
  Speaker 3: You know, but I have definitely don't put it Cadence
• 28:42
  Speaker 3: over a beat, you know, m then go back and
• 28:45
  Speaker 3: put words over that like that's a good time.
• 28:48
  Speaker 1: I want each one of y'all to go through your all.
• 28:50
  Speaker 1: If you guys had to pick a single mc uh
• 28:54
  Speaker 1: that would be your biggest influencer, your goat, who would
• 28:56
  Speaker 1: it be? Will start with you DC.
• 28:58
  Speaker 2: Big Mode for sure, I say the Big Mold.
• 29:01
  Speaker 3: And if not big Mo, I say, I say fat Pat,
• 29:03
  Speaker 3: which is already.
• 29:07
  Speaker 1: It's kind of crazy that the running with the whole
• 29:09
  Speaker 1: big thing, by.
• 29:10
  Speaker 2: The way, it's crazy, but you know, you know it's crazy.
• 29:12
  Speaker 3: I can't even I can't even blame Dave because Dave
• 29:15
  Speaker 3: actually didn't know who the hell.
• 29:17
  Speaker 2: Big Mo was.
• 29:17
  Speaker 1: He's also the sweetest dude ever.
• 29:18
  Speaker 3: David Now, he actually called me one night he was like, DC,
• 29:22
  Speaker 3: tell me about Big Mo. I said, first of all, Nigga,
• 29:25
  Speaker 3: don't ever tell a person that you don't know who
• 29:27
  Speaker 3: Big Mo is because of your whole aesthetic.
• 29:30
  Speaker 2: Have a song called Purple Stuff.
• 29:31
  Speaker 3: His biggest song is called Purple Stuff, and your whole
• 29:34
  Speaker 3: aesthetic if the Lord track suits everything, redo that record,
• 29:39
  Speaker 3: by the way, Like, yeah, I'm on it, I'm on it,
• 29:43
  Speaker 3: but uh but yeah, I told him, like I was like, Dave,
• 29:46
  Speaker 3: just just just act like you knew who Big Mo was. Like,
• 29:48
  Speaker 3: I sent him a few songs played his album and
• 29:51
  Speaker 3: he he still said he didn't know who I was. Like,
• 29:54
  Speaker 3: why the hell you say that?
• 29:55
  Speaker 2: Man?
• 29:55
  Speaker 1: Like rest peace?
• 29:57
  Speaker 2: I sad.
• 29:57
  Speaker 1: Michael watched this passed away too?
• 29:58
  Speaker 2: Yeah, r Michael five thousand watchs man. He just passed away. Man,
• 30:02
  Speaker 2: that's terrible. Rial.
• 30:04
  Speaker 1: What about you on the DJ side, is there somebody
• 30:05
  Speaker 1: who influenced you or you kind of look up to you.
• 30:08
  Speaker 5: I mean, honestly, I'm very lucky because as I was
• 30:11
  Speaker 5: like becoming in DJ when I was like fifteen, I
• 30:14
  Speaker 5: surrounded myself with a lot of friends that DJ. So
• 30:17
  Speaker 5: I want to give a shout out to Sophie Gray.
• 30:19
  Speaker 5: She taught me like everything I know and this other guy,
• 30:21
  Speaker 5: Isaac Rose. Both of them taught me everything I know
• 30:24
  Speaker 5: and I still look up to them to this day.
• 30:26
  Speaker 1: Shout out, shot out Saim, What about you, bro? I
• 30:28
  Speaker 1: would say, like early Lil Wayne, and then like Future,
• 30:32
  Speaker 1: what's your favorite future mixtape on the spot Besmo two?
• 30:37
  Speaker 1: All right, what about you better?
• 30:41
  Speaker 2: I would say Future too?
• 30:42
  Speaker 1: And jay Z as well, because I like to say
• 30:44
  Speaker 1: a lot of punchlines that make you think it's your
• 30:46
  Speaker 1: favorite jay Z album. I'll say reasonable doubt.
• 30:49
  Speaker 2: I respect it well deathly.
• 30:50
  Speaker 1: Yeah, what about you man?
• 30:52
  Speaker 8: A lot of early like early on my biggest offls
• 30:55
  Speaker 8: jay Z, Like I used to always like like I
• 30:57
  Speaker 8: wore like all black back in the day, black tails,
• 30:59
  Speaker 8: black everything like in the Pirates, Like I used to
• 31:02
  Speaker 8: always want to wear that.
• 31:04
  Speaker 1: That was older jay Z, I know, all black hole.
• 31:07
  Speaker 1: He had the arres, he had the throwback jerseys. Yeah,
• 31:10
  Speaker 1: he had the button up. Yeah, he kept reinventing it quick.
• 31:13
  Speaker 1: He went ups, you know with the business and all
• 31:17
  Speaker 1: blacks and the aps. Yeah, it's kind of crazy. That's
• 31:20
  Speaker 1: like who.
• 31:21
  Speaker 8: That's like who actually got me in the reading lyrics
• 31:23
  Speaker 8: like as a kid and like trying to understand bars
• 31:25
  Speaker 8: and double and stuff.
• 31:26
  Speaker 1: He's like the first dude who really. I feel like
• 31:28
  Speaker 1: him and Biggie made like the whole not writing thing.
• 31:30
  Speaker 1: I thing definitely.
• 31:31
  Speaker 2: Yeah, bigg used to freestyle, so that's crazy. Hm, that's fine. Yeah,
• 31:36
  Speaker 2: like no writing, which is it was so far for
• 31:39
  Speaker 2: you was cold.
• 31:42
  Speaker 1: And one take it. Yeah, I always say that's crazy.
• 31:44
  Speaker 1: J was sitting in the studio for like fifteen twenty
• 31:46
  Speaker 1: minutes and then he'll do.
• 31:47
  Speaker 2: The whole thing without they had to do one take,
• 31:50
  Speaker 2: you know what.
• 31:51
  Speaker 1: Yeah, there wasn't the digital side nowadays, I feel like
• 31:55
  Speaker 1: punching is there's like a gift in the curse is right, absolutely,
• 31:58
  Speaker 1: because I feel like punching it like you'll catch a vibe.
• 32:01
  Speaker 1: But I feel like you're just more intentional when you
• 32:02
  Speaker 1: put pen to papers, and that makes the lyrics just
• 32:08
  Speaker 1: makes it.
• 32:09
  Speaker 2: Yeah, it makes it make sense. Yeah, do you write
• 32:11
  Speaker 2: a lot? I think I tend to do a lot
• 32:13
  Speaker 2: of both. Yeah, I do a lot of both. I
• 32:16
  Speaker 2: do a lot of recordings. I think again, like you said,
• 32:18
  Speaker 2: when I'm trying to be intentional. I do, right, and
• 32:21
  Speaker 2: I say it just like that, like if it beat
• 32:24
  Speaker 2: strikes a certain emotion, then it's I'm trying to be
• 32:27
  Speaker 2: intentional on that, and I'll write it out. Yeah. Well,
• 32:30
  Speaker 2: if I want to check with someone else trying to
• 32:32
  Speaker 2: bring my a game, I try to write it out.
• 32:34
  Speaker 2: For certain beats, you could just feel it and you're
• 32:35
  Speaker 2: just like, nah, I can get on this.
• 32:37
  Speaker 1: I not to say, hey, man, what's up? Booglet cap
• 32:40
  Speaker 1: here for my bookie. Don't forget wherever you're at, man,
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  Speaker 1: get in on the action Listen, NBA seasons here, NBA
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• 32:48
  Speaker 1: battle the three point contest, which is so much fun
• 32:50
  Speaker 1: to dunk contest. Uh, who's gonna win? Who cares?
• 32:54
  Speaker 2: Right? Players don't care? But you make some money, so
• 32:56
  Speaker 2: you should care.
• 32:57
  Speaker 1: Go to my bookie right now, use that promo code
• 33:00
  Speaker 1: Bootleg and get your first bet covered up to five
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• 33:09
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• 33:11
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• 33:15
  Speaker 1: with a live dealer, roulette, all of it. It's happening.
• 33:18
  Speaker 1: Go to my bookie, use the promo code bootleg right now,
• 33:21
  Speaker 1: get in on some of that sports book action, get
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• 33:26
  Speaker 1: some fun shots of my bookie.
• 33:27
  Speaker 2: Yo.
• 33:28
  Speaker 1: I was able to go to see the Cha Chromocopia
• 33:31
  Speaker 1: tour two stops, one of my favorite tours in recent history.
• 33:36
  Speaker 1: You're on that tour, Tyler just showed out on that
• 33:39
  Speaker 1: mother for what was that experience? Like, man, because that's
• 33:42
  Speaker 1: one of the ones I feel like when we look back,
• 33:44
  Speaker 1: I think that's one of the more special tours we've
• 33:46
  Speaker 1: had in recent memory.
• 33:47
  Speaker 2: Man, it was a blessing to be chosen for that
• 33:51
  Speaker 2: Tyler's like you know mentor so to have that influence
• 33:58
  Speaker 2: in my life, Dailey, you know, it's it's very grateful
• 34:04
  Speaker 2: for because that's some money can't buy. You can't you
• 34:06
  Speaker 2: can't pay for that wisdom, for that knowledge, for that connection, right,
• 34:12
  Speaker 2: I mean to be put on that I hadn't dropped
• 34:14
  Speaker 2: the album two years, you know, so like realistically, I mean,
• 34:19
  Speaker 2: I have an amazing fan base and you got a
• 34:21
  Speaker 2: great catalog, a great catalog, but like I hadn't dropped,
• 34:23
  Speaker 2: so to pick me, you know, that was that was
• 34:26
  Speaker 2: real dope, you know, and take me all around the
• 34:28
  Speaker 2: world for nine months, and I learned so much. I
• 34:31
  Speaker 2: watched him make I'm not watching, but I watched him
• 34:34
  Speaker 2: make uh the newest One, Don't Stuff Gas because he
• 34:38
  Speaker 2: made it on the road. So I sat with him
• 34:40
  Speaker 2: and I watched him, and I learned. I just learned
• 34:42
  Speaker 2: a lot from him from me, from performing to producing
• 34:47
  Speaker 2: to just rapping and and and the history of hip
• 34:50
  Speaker 2: hop and and even fashion, you know, like in designing
• 34:54
  Speaker 2: and and and I just learned a lot from him.
• 34:57
  Speaker 2: You know, he had a group with a lot of
• 34:59
  Speaker 2: friends early on. Yeah, so it's like I can come
• 35:03
  Speaker 2: to him about everything because he's seen everything, damn everything,
• 35:07
  Speaker 2: and he's just he's a good source for inspiration because
• 35:14
  Speaker 2: he never stops.
• 35:15
  Speaker 1: He's also like one of the more intentional, like everything has.
• 35:19
  Speaker 2: He's the most, if not arguably the most intentional artist.
• 35:23
  Speaker 1: Everything has an aesthetic, everything has a purpose.
• 35:26
  Speaker 2: It's crazy or reasoning, and it's and it all had
• 35:29
  Speaker 2: like you see, all his purpose and it's been thought
• 35:31
  Speaker 2: out for him, all of every every angle of it
• 35:34
  Speaker 2: has already been thrown out.
• 35:36
  Speaker 1: Yeah, and it's almost like even the most like sporadic album,
• 35:39
  Speaker 1: which was Don't Tap the Glass, had its own and
• 35:43
  Speaker 1: it's funny.
• 35:43
  Speaker 2: Don't Tap the Glasses his version of not overdoing it. Yes,
• 35:46
  Speaker 2: that's his version of not thinking it too hard, and
• 35:50
  Speaker 2: it's still very much precise.
• 35:54
  Speaker 6: You know.
• 35:55
  Speaker 2: He's I mean, I think he is the greatest artists.
• 36:01
  Speaker 2: We had the opportunity to go both to that to
• 36:08
  Speaker 2: to he had like a private at least party.
• 36:10
  Speaker 3: Yeah, crazy man, I think I actually I think I
• 36:14
  Speaker 3: stayed to listen again not no, I ended up leaving
• 36:17
  Speaker 3: with both, but he played it twice and I'm listening.
• 36:21
  Speaker 3: I'm like, I'm like, damn, this is a good ass album.
• 36:23
  Speaker 3: And it was just a lot of inspiration. You already know,
• 36:25
  Speaker 3: bro to see an artist at that magnitude still, you
• 36:28
  Speaker 3: know what I'm saying, do something, So you know what
• 36:31
  Speaker 3: I'm saying personal for sure. There's only like one hundred
• 36:34
  Speaker 3: people there and he he showed up.
• 36:37
  Speaker 2: It was fun.
• 36:37
  Speaker 1: I feel like the other thing too about Tyler that's
• 36:39
  Speaker 1: important is like he'll always cater to like that core. Yeah,
• 36:44
  Speaker 1: because he's got that like core, like nerdy Tyler fan
• 36:47
  Speaker 1: base that have been rocking with him and like, no
• 36:48
  Speaker 1: matter what, he always has callbacks to that audience while
• 36:50
  Speaker 1: still show, you know, making the whole entire thing a
• 36:53
  Speaker 1: lot bigger.
• 36:54
  Speaker 2: But his thing is, like you know something that I
• 36:57
  Speaker 2: learned is his thing is he like while he sure
• 37:00
  Speaker 2: o catered to them, but he made music for himself,
• 37:03
  Speaker 2: and he make what he's feeling, what he's inspired by,
• 37:06
  Speaker 2: regardless of it was popular, regardless of what people say
• 37:08
  Speaker 2: they want for him, regardless of what he know he
• 37:10
  Speaker 2: can't do and cut the line. They look be's calling
• 37:16
  Speaker 2: right now? What's a gang?
• 37:19
  Speaker 6: Yo?
• 37:19
  Speaker 1: Speaking of creep member, I thought you were in the
• 37:22
  Speaker 1: Concrete Boys.
• 37:22
  Speaker 2: It was just talking about you.
• 37:29
  Speaker 1: Shout out to these.
• 37:34
  Speaker 2: I told him you with us.
• 37:44
  Speaker 1: No com camera crazy. I just saw him performing the
• 37:49
  Speaker 1: other day, Cunningham.
• 37:52
  Speaker 2: I love, He's incredible, My brother.
• 37:56
  Speaker 1: Yo, He's incredible man, the whole everything. I just think
• 37:58
  Speaker 1: it's been dope because I feel like you kind of
• 38:01
  Speaker 1: were the first dude to embrace a lot of these
• 38:03
  Speaker 1: Detroit guys outside of the crazy and that's I feel
• 38:06
  Speaker 1: like everyone's doing their own version of what Detroit's doing
• 38:09
  Speaker 1: and what they've been doing for so long. Yo, you
• 38:12
  Speaker 1: came out of the SoundCloud era. That is so it's
• 38:17
  Speaker 1: historically important because we got so many incredible artists, but
• 38:21
  Speaker 1: also there was so much crazy bullshit that kind of
• 38:24
  Speaker 1: came out of that era as well.
• 38:26
  Speaker 2: But every era, you know, it's so funny. I remember,
• 38:29
  Speaker 2: I remember when I went to do my research on
• 38:32
  Speaker 2: just like the music that came before me, it was
• 38:34
  Speaker 2: a bullshit that came out of the nineties. It's fair
• 38:37
  Speaker 2: bullshit that came out in the fucking eighties and early
• 38:39
  Speaker 2: two thousand, but they are like only the twenty sixteen
• 38:43
  Speaker 2: and up.
• 38:43
  Speaker 1: I just think it was a little boy. I think
• 38:44
  Speaker 1: it was a little more. It was a little more elevated.
• 38:47
  Speaker 1: Sure the amountable, but not all of it.
• 38:50
  Speaker 2: No, you're right, there's some stuff out there, but it's
• 38:52
  Speaker 2: so crazy. I remember in twenty sixteen, before I did
• 38:54
  Speaker 2: my research, I didn't know this. If it was twenty sixteen,
• 38:57
  Speaker 2: I knew it was so much bullshit in the nineties.
• 38:59
  Speaker 2: I'd be like, yo, y'all tripping, you know what I'm saying.
• 39:01
  Speaker 2: It was a lot of weak ass ship going on
• 39:03
  Speaker 2: out there. And just to be a matter of fact,
• 39:05
  Speaker 2: I see, you know, so crazy to me, I think
• 39:07
  Speaker 2: about all the time. I always think about the first
• 39:10
  Speaker 2: song hip hop just don't fight me probably will uh
• 39:14
  Speaker 2: And I always think about hip hop hip rappers, you
• 39:21
  Speaker 2: know what I'm saying, And I'll be thinking like, damn, bro,
• 39:23
  Speaker 2: y'all be really acting like we just got damn like
• 39:26
  Speaker 2: we god, damn just couldn't like we were the only
• 39:28
  Speaker 2: niggas saying so didn't make no sense. Niggas was hipping
• 39:33
  Speaker 2: and hopping in like come on that ship, well, bro,
• 39:39
  Speaker 2: Like niggas be acting like come on, yeah, I doe
• 39:42
  Speaker 2: my brother took the store and I went in that
• 39:44
  Speaker 2: green grocery store. Yeah, I like that ship wasn't weak,
• 39:48
  Speaker 2: that she was dumb week bro. But the niggas be
• 39:51
  Speaker 2: acting like we were the only ones that made some
• 39:53
  Speaker 2: crazy shit. I think I agree with you. I do
• 39:55
  Speaker 2: think that there was more intention probably right, you had more.
• 39:57
  Speaker 2: You had a d MX and you had a bus drums,
• 39:59
  Speaker 2: and you had a tupe park. Yeah all of course,
• 40:04
  Speaker 2: you know, yes, all you had all these prodigy and
• 40:06
  Speaker 2: I see that my deep, So you did have there
• 40:09
  Speaker 2: was a lot more. You know what I will say,
• 40:11
  Speaker 2: I think that.
• 40:11
  Speaker 1: Hip hop lost.
• 40:13
  Speaker 2: It's like it's uh, what's the word for, Like just
• 40:17
  Speaker 2: like the way there was division like if you was
• 40:19
  Speaker 2: from the West, you sounded like it. If you was
• 40:21
  Speaker 2: from the northeast, sound.
• 40:22
  Speaker 1: Like, yeah, I think the region I feel like the Internet,
• 40:25
  Speaker 1: I guess distinctiveness. Yeah, And there was also I feel
• 40:27
  Speaker 1: like a lot more sub genres back in the day
• 40:30
  Speaker 1: because it would be like because back in the day,
• 40:32
  Speaker 1: you would look at like Volume two from jay Z
• 40:34
  Speaker 1: and that would be commercial wrap. But then there'd be
• 40:37
  Speaker 1: like black Stars album, which would be like most stuff
• 40:40
  Speaker 1: until the quality that was like backpack ship. But it's
• 40:43
  Speaker 1: like nowadays, I feel like everything just kind of like nowadays,
• 40:46
  Speaker 1: like weirdly enough, like even though Playboard Card is one
• 40:49
  Speaker 1: of the biggest rivers in the world, like he's like
• 40:51
  Speaker 1: he's an underground rapper low key.
• 40:53
  Speaker 2: You think so. I mean I think that.
• 40:55
  Speaker 1: I think to a lot of people, like if you think,
• 40:57
  Speaker 1: like how big, just like a guy like Destroy Lonely
• 40:59
  Speaker 1: is right, he's still.
• 41:00
  Speaker 2: Kind of underground, Yeah, I guess, well just because he
• 41:04
  Speaker 2: don't have any radio rather as a big record.
• 41:08
  Speaker 1: But I just mean, like, I mean, like the underground
• 41:11
  Speaker 1: is big. There's like the word the Internet. The Internet
• 41:16
  Speaker 1: has removed kind of all the barriers.
• 41:18
  Speaker 2: I just feel I just and I think it's only
• 41:20
  Speaker 2: hip hop though I feel like we're the only genre
• 41:21
  Speaker 2: that doesn't. We don't really sub we don't categorize and
• 41:25
  Speaker 2: sub genre our genre enough. I think that we just
• 41:29
  Speaker 2: kind of like put it on the playing field of
• 41:31
  Speaker 2: just like hip hop or rap instead of like really
• 41:34
  Speaker 2: cutting into the depth of the genre because I don't
• 41:39
  Speaker 2: think I think that there's a place for all of
• 41:41
  Speaker 2: it for sure. I feel that when you smack it
• 41:44
  Speaker 2: all under one lane is when it gets a little
• 41:47
  Speaker 2: tricky as to what is what. But I feel like
• 41:51
  Speaker 2: it all, there's all of it counts for sure. I
• 41:55
  Speaker 2: think that I think that was what we got lost
• 41:58
  Speaker 2: in the beginning in twenty sixteen. When when you know
• 42:01
  Speaker 2: twenty sixteen, that era, that draft class of artists came in.
• 42:06
  Speaker 2: I think that the conversation, the first off, the genre
• 42:09
  Speaker 2: is so brand new, is so young that I think
• 42:12
  Speaker 2: even younger ten years ago, that the conversation was so
• 42:15
  Speaker 2: fresh and it was evolving in front of everyone's eyes
• 42:18
  Speaker 2: to be able to have that conversation, Oh no, this
• 42:21
  Speaker 2: is rapped just like anything else is wrapped. This is
• 42:23
  Speaker 2: just a different This is a new era, This is
• 42:26
  Speaker 2: a new genre, This is a new demographic. I mean,
• 42:30
  Speaker 2: I don't know, like we were just we were on
• 42:33
  Speaker 2: the verge of not on the verge. We broke an
• 42:38
  Speaker 2: entire new wave wrap, right. And I think that since
• 42:43
  Speaker 2: our genre again is so new and our genre is
• 42:45
  Speaker 2: so egotistical and odd, genre is so macho and odd. Genre,
• 42:50
  Speaker 2: so this and this and straight like straight down the
• 42:55
  Speaker 2: narrow path in the narrow is this the street is
• 42:57
  Speaker 2: trapped all these codes and ethics that come with it.
• 43:01
  Speaker 2: That when you got this something that's okay, completely different
• 43:04
  Speaker 2: than what we are used to, it's like, whoa, we
• 43:06
  Speaker 2: don't understand? Is that ain't hip hop? They ain't? Right?
• 43:08
  Speaker 2: Then didn it becomes you know, that's when it becomes
• 43:12
  Speaker 2: a hit.
• 43:13
  Speaker 1: But because well, I think that was what made you special.
• 43:16
  Speaker 1: Was like I remember the first record I heard of
• 43:18
  Speaker 1: yours was the Minnesota record, and it was just like
• 43:21
  Speaker 1: it just sounded like nothing else in music, Like whatever
• 43:25
  Speaker 1: people thought about your tone, it was so unique and
• 43:27
  Speaker 1: like distinct. It was like whatever, like there's nothing that
• 43:30
  Speaker 1: sounds like this. Shit.
• 43:30
  Speaker 2: Yeah, I think Minnesota's what got me my deal. I QC.
• 43:33
  Speaker 2: I remember that's the first song that Coach told me
• 43:35
  Speaker 2: he played p He did not fucking get it.
• 43:38
  Speaker 1: I was about to say, I can't imagine he got it,
• 43:40
  Speaker 1: didn't I mean.
• 43:41
  Speaker 2: But PTE didn't get Let's start here. When I played
• 43:43
  Speaker 2: it from he was looking like where the fuck is this?
• 43:46
  Speaker 5: You know?
• 43:47
  Speaker 2: When I first first sat him down, like I want
• 43:49
  Speaker 2: to play something, it's different, I don't play it for you.
• 43:52
  Speaker 2: And I played him and I start here from start
• 43:53
  Speaker 2: to finish, and he was on his phones, owned out
• 43:55
  Speaker 2: like not there. And I remember the end of it
• 43:57
  Speaker 2: playing it and he was just like, I mean, I guess,
• 44:01
  Speaker 2: and which I didn't expect him to be crying to
• 44:03
  Speaker 2: here right right right right right.
• 44:05
  Speaker 4: But but.
• 44:07
  Speaker 2: Yeah, no, So I think something's you know, gott to
• 44:10
  Speaker 2: wrong on people.
• 44:11
  Speaker 1: Who do you put on the you know, I guess
• 44:14
  Speaker 1: out of that era if you're if you're there, I'm
• 44:16
  Speaker 1: sure Uzzi's there. Who else do you think is on
• 44:18
  Speaker 1: the Mitt rushmore than SoundCloud wave?
• 44:22
  Speaker 2: I was? In my opinion, I always said it was
• 44:26
  Speaker 2: I think me Uzzi X, like we're talking actual SoundCloud
• 44:37
  Speaker 2: in my opinion. You know, I say, I like the
• 44:46
  Speaker 2: saying a lot. I think there's a I probably would
• 44:48
  Speaker 2: get some flock for this, but I like to say
• 44:50
  Speaker 2: little Tracy I feel like little Tracy. You know, he
• 44:53
  Speaker 2: was a big He was such a huge figure when
• 44:56
  Speaker 2: I think solely to oh and Cardi and Cardi Cardi
• 45:00
  Speaker 2: was man me. I think me Uzzi, Cardi X and
• 45:05
  Speaker 2: Little Tracy in my opinion or like I don't know
• 45:11
  Speaker 2: if the suicide boys want suicide boys.
• 45:14
  Speaker 1: There was like fat naked.
• 45:17
  Speaker 2: He was from for every before. I used to listen
• 45:20
  Speaker 2: to Key on my mixtapes, a lot of mix tapes.
• 45:22
  Speaker 2: But you know, so Key is the old school severy
• 45:26
  Speaker 2: Wolf is underground, but he wasn't like on a mount
• 45:29
  Speaker 2: Rush one. You know, I think my rashman I will
• 45:31
  Speaker 2: say in my opinions, me, Uzzi, Cardi X, and I
• 45:35
  Speaker 2: say little Tracy recting piece to wait, uh you know Pete. Sorry,
• 45:41
  Speaker 2: I'm going to say pepe peep pee pee peep, not
• 45:45
  Speaker 2: Tracy rest in peace, a little peep yeah pepway Yeah yeah.
• 45:51
  Speaker 1: Yeah. I feel like he was one of the first,
• 45:53
  Speaker 1: like real like that's where everybody was like, oh, ship,
• 45:56
  Speaker 1: we gotta watch what drugs were doing.
• 45:58
  Speaker 2: Yeah yeah, I mean man man and Man was saying
• 46:02
  Speaker 2: Mac yeah you know, yeah, I know people won't hear him,
• 46:07
  Speaker 2: like damn you like Juice White but Juice really wasn't
• 46:09
  Speaker 2: a part of our era. He was later he came
• 46:11
  Speaker 2: after it. Yeah, you know, I remember that era X
• 46:16
  Speaker 2: was going crazy. I remember and fucking what's the name
• 46:18
  Speaker 2: who got locked up? Take Care? He was going crazy, man.
• 46:22
  Speaker 2: I think would have been huge had his situation.
• 46:25
  Speaker 1: I always wonder that though, because I feel like there
• 46:27
  Speaker 1: was like that record was dope. But I also feel
• 46:30
  Speaker 1: like the lore of like the story behind the records
• 46:32
  Speaker 1: just kind of what made it the thing, you know,
• 46:34
  Speaker 1: Like I mean record Kids on the Run, you know,
• 46:37
  Speaker 1: had a couple of records, yes, Dallas.
• 46:41
  Speaker 2: Yeah, the demo EP he dropped during that time, all
• 46:45
  Speaker 2: was fine. Yeah, I think almost every song he recorded
• 46:48
  Speaker 2: was fine because they don't have many. But I really
• 46:51
  Speaker 2: think that take Care was and it did. It did
• 46:53
  Speaker 2: something for the people. The people that were on the song.
• 46:56
  Speaker 3: But Diego Money was on that song, band Man, fari Ut,
• 47:00
  Speaker 3: the man man, them niggas, the people who didn't get
• 47:03
  Speaker 3: locked up who was on that song, they all had
• 47:04
  Speaker 3: careers at least they they had a chance to do
• 47:08
  Speaker 3: something past that point and then just go on and
• 47:10
  Speaker 3: do whatever the hell they want to do in life.
• 47:11
  Speaker 1: But is everybody individually obviously the album's coming out?
• 47:15
  Speaker 2: Is it?
• 47:15
  Speaker 1: February twenty seventh? Albums dropping? Album dropping February twenty seventh.
• 47:19
  Speaker 1: Is everybody individually working on solo ship?
• 47:21
  Speaker 2: I know, I know you are.
• 47:22
  Speaker 1: Has everybody got their solo shit in there? So what's
• 47:25
  Speaker 1: y'all got the rest of your planned out? Who's dropping?
• 47:27
  Speaker 1: Who's the first solo album dropping after this album?
• 47:30
  Speaker 3: Me?
• 47:31
  Speaker 2: May you? Yeah? It's done almost just a brown almost
• 47:36
  Speaker 2: yes too? Yeah?
• 47:38
  Speaker 1: What like is it going to be a mixtape? EP? No,
• 47:43
  Speaker 1: it'll be a project full project?
• 47:45
  Speaker 2: What is that like?
• 47:46
  Speaker 1: I don't even know the defense, I guess the only
• 47:47
  Speaker 1: thing is is that the labels will the labels will
• 47:50
  Speaker 1: say if you're mixed, if you don't count of get
• 47:51
  Speaker 1: your contract.
• 47:53
  Speaker 2: You know, on the contract though, but like it don't
• 47:55
  Speaker 2: count as like an album album. It's like Nigga on
• 47:57
  Speaker 2: your belt LP. You know.
• 47:59
  Speaker 1: I feel like these many deals are going to start,
• 48:01
  Speaker 1: including people's streaming rights. I feel like that's the next wave.
• 48:05
  Speaker 1: Is like you're gonna sign a record deal and then
• 48:06
  Speaker 1: it's gonna be like, you know, in case you want
• 48:08
  Speaker 1: to get on Twitch, we're gonna need a piece of that.
• 48:11
  Speaker 1: It's crazy sound like it sound like for sure.
• 48:14
  Speaker 2: We agree like that.
• 48:15
  Speaker 1: Yeah, no, for sure. Yeah I saw you. Were you
• 48:17
  Speaker 1: guys pulled up on Max?
• 48:19
  Speaker 2: Yeah?
• 48:19
  Speaker 1: Yes, yes, three money yeah money yeah yeah. How do
• 48:24
  Speaker 1: you feel? I feel like the stream is just kind
• 48:26
  Speaker 1: of like an evolution of like I mean, it's doing
• 48:29
  Speaker 1: this thing.
• 48:29
  Speaker 2: I mean it's crazy. I was all those guys, they
• 48:31
  Speaker 2: ain't nothing to play with. Those guys making real money.
• 48:34
  Speaker 1: Yeah, you know they're making money.
• 48:37
  Speaker 2: Is it money? Money?
• 48:38
  Speaker 1: No, big money for sure?
• 48:39
  Speaker 3: Yeah, money money, money, yeah, whatever, a little the thing
• 48:44
  Speaker 3: they had runned out for Max that she looked crazy.
• 48:46
  Speaker 1: Yeah, it was like a basketball.
• 48:48
  Speaker 2: That was a shoe surgeons. That was shoe surgeons. Well
• 48:50
  Speaker 2: that was the headquarters. That spot was fine. Yeah, that
• 48:55
  Speaker 2: was fine.
• 48:56
  Speaker 1: Yeah, no, for sure. Albums dropping the twenty seventh and
• 49:00
  Speaker 1: everyone's favorite song on the album.
• 49:02
  Speaker 2: What the fuck for Me?
• 49:04
  Speaker 1: Called Millionaire?
• 49:06
  Speaker 2: Okay, I think push it for me?
• 49:10
  Speaker 1: I would say millionaire as well.
• 49:12
  Speaker 2: Ten toes?
• 49:13
  Speaker 1: Ten toes that's a good one too.
• 49:16
  Speaker 2: What is it called? If I wasn't wrapping?
• 49:20
  Speaker 1: Are you dropping? Like mixes on online? Anybody can like
• 49:23
  Speaker 1: listen to like sometimes here and there, here and there?
• 49:26
  Speaker 1: Where can people find your your vibes?
• 49:29
  Speaker 5: I post some on SoundCloud, but also, you know, you
• 49:32
  Speaker 5: can always just look out.
• 49:33
  Speaker 2: On my Instagram, and that's where you can get most
• 49:35
  Speaker 2: of the information of what I'm doing there.
• 49:37
  Speaker 1: I feel like the DJs be lit on Twitch probably,
• 49:40
  Speaker 1: I don't know, maybe that was that was like a
• 49:42
  Speaker 1: COVID thing, though.
• 49:43
  Speaker 5: I feel like general j DJs are kind of lit
• 49:47
  Speaker 5: on Twitch.
• 49:48
  Speaker 1: During covid and on TikTok and.
• 49:56
  Speaker 2: On TikTok. I told your post mixes on TikTok.
• 49:59
  Speaker 1: But yeah, they said, with the whole set.
• 50:03
  Speaker 2: Yeah, but that's how you can come to it show
• 50:05
  Speaker 2: you're getting to come to pause regardless. Are we still pausive, Yes,
• 50:13
  Speaker 2: for sure twenty twenty six, we're still hitting with infinity,
• 50:16
  Speaker 2: not even to infinity. He said, that's how you get
• 50:20
  Speaker 2: him to.
• 50:20
  Speaker 1: Come attention, But I was speaking to it a young woman.
• 50:24
  Speaker 2: Yeah, but she said, that's how you get them to come.
• 50:26
  Speaker 1: That's how you get them to that's how you get
• 50:28
  Speaker 1: I didn't say that's how you get him to come.
• 50:33
  Speaker 1: What if it's to day then to come pause and.
• 50:35
  Speaker 2: Pause a bases at the end of the day, super yeah,
• 50:41
  Speaker 2: super duper b.
• 50:42
  Speaker 1: Ao uh no excuses. Hey, we got to wrap up
• 50:46
  Speaker 1: this interview another one presented by Hard. Dang baby, you
• 50:48
  Speaker 1: already know what it is. Shout out to Harden for
• 50:51
  Speaker 1: presenting another episode of the bootle Like podcast. Don't forget
• 50:54
  Speaker 1: when you're in Vegas, you're getting that tax, You're getting
• 50:56
  Speaker 1: that uber say take me to Harden the number one
• 50:59
  Speaker 1: cannabis dispensed in the world, premium selection of the craziest
• 51:03
  Speaker 1: gas you could ever ask for, and then they break
• 51:05
  Speaker 1: down all what all the turps mean. It's incredible. Go
• 51:08
  Speaker 1: to hardin Underscore Las Vegas. Shoot him a follow and
• 51:11
  Speaker 1: when you're in Las Vegas and make sure you shoot
• 51:12
  Speaker 1: them a visit.
• 51:13
  Speaker 2: Is that is that from? Where is that?
• 51:15
  Speaker 1: Fun?
• 51:15
  Speaker 2: Tails from the hood? What is that from?
• 51:17
  Speaker 1: What are we talking about? Little kit Cutty's head? That's
• 51:20
  Speaker 1: said tails from the grab the head. I'm gonna get
• 51:25
  Speaker 1: with me. You're about to give d C some head pause.
• 51:31
  Speaker 4: That was that's the biggest.
• 51:35
  Speaker 2: That was absolute. I'm thinking abuse yo.
• 51:43
  Speaker 5: Head.
• 51:44
  Speaker 1: That's a double pause. Story on Popcorn Bucket. For Fox's sake,
• 51:48
  Speaker 1: Not everything is game.
• 51:50
  Speaker 6: You looked up in his eyes and said that little
• 51:53
  Speaker 6: goodness you give him no you know you said, will
• 52:00
  Speaker 6: you hand me the poet? Were you has hand me
• 52:03
  Speaker 6: the popcorn.
• 52:03
  Speaker 1: Bucket behind you. It's just a popcorn bucket. There you go, Yes,
• 52:07
  Speaker 1: the popcorn bucket.
• 52:09
  Speaker 2: I keep telling you about to say a h.
• 52:11
  Speaker 1: What do you hurry up and do it?
• 52:13
  Speaker 4: Your fingers in his mouth?
• 52:15
  Speaker 2: Wyo?
• 52:16
  Speaker 1: What you just rather cut?
• 52:18
  Speaker 5: Hey?
• 52:19
  Speaker 2: You here?
• 52:20
  Speaker 1: DC, I gave.
• 52:24
  Speaker 5: Bro.
• 52:25
  Speaker 1: Why are you guys so fucking weird? It's twenty twenty six,
• 52:29
  Speaker 1: for fuck's sake.
• 52:30
  Speaker 2: What am I supposed to do with it? Though you're
• 52:32
  Speaker 2: supposed to just you know what to do with it?
• 52:34
  Speaker 1: I know the hell I don't. I don't do that.
• 52:36
  Speaker 2: Don't do that.
• 52:37
  Speaker 1: It's a popcorn bucket from what movie? I don't listen.
• 52:42
  Speaker 1: I don't know the reason why kid cut he made
• 52:44
  Speaker 1: this thing. I just know it was fifty five bucks?
• 52:47
  Speaker 2: Random? Why did he do a popcorn bucket? That's crazy?
• 52:50
  Speaker 1: At the bottom it says like Wonderland.
• 52:52
  Speaker 2: Or some shit. Oh that one?
• 52:55
  Speaker 1: Yeah?
• 52:56
  Speaker 2: Interesting?
• 52:58
  Speaker 1: There you go, man? What's it like?
• 53:01
  Speaker 2: Yeo? Wow?
• 53:03
  Speaker 1: You guys know us white folks, we love the suss humor.
• 53:06
  Speaker 1: So I'll lean into that ship saying what the hell
• 53:08
  Speaker 1: you be doing with this? It sits on the shelf,
• 53:11
  Speaker 1: so guys like Little Yachty can come in and google it.
• 53:14
  Speaker 2: I thought it was cool.
• 53:15
  Speaker 1: I think it's awesome.
• 53:15
  Speaker 2: Bought one.
• 53:16
  Speaker 1: It's see he bought sitting here.
• 53:18
  Speaker 2: I paid one sixty, but I got it while you
• 53:19
  Speaker 2: about while you right now? He was one of my
• 53:23
  Speaker 2: favorites about my favorite artists I grew up on.
• 53:26
  Speaker 1: You gotta really put some ump into opening it.
• 53:28
  Speaker 2: That's what I was going to say when you said,
• 53:30
  Speaker 2: when you was talking about who inspired to Cut? My
• 53:33
  Speaker 2: all time favorite, your favorite project I love, I think,
• 53:39
  Speaker 2: uh it's hard.
• 53:44
  Speaker 1: Give it to to.
• 53:46
  Speaker 2: But I love in Cut. I'm sorry in the Cut
• 53:49
  Speaker 2: and is my favorite album I loved, but I love
• 53:56
  Speaker 2: It's crazy. I love the rock album he did Doing
• 53:59
  Speaker 2: so Quick? But why is it see how you walk?
• 54:03
  Speaker 2: We did? We all wanted.
• 54:07
  Speaker 1: Like see that was hell apart.
• 54:10
  Speaker 2: You just said we loosened it up. Definitely, that's kind
• 54:16
  Speaker 2: of crazy.
• 54:16
  Speaker 1: February twenty seventh.
• 54:17
  Speaker 2: That it is tough album, yes, sir, And then the
• 54:21
  Speaker 2: rest of the year. I mean it's a stretcher.
• 54:25
  Speaker 1: Got a lot of coming this year.
• 54:26
  Speaker 2: I doubt it.
• 54:27
  Speaker 1: You doubt it.
• 54:28
  Speaker 2: Yeah, I'm working on it. But about it?
• 54:30
  Speaker 1: You got any other I just feel like you have things.
• 54:33
  Speaker 2: I'm working I want to choose I got a lot.
• 54:35
  Speaker 2: I guess that a lot of nice stuff coming out
• 54:36
  Speaker 2: this year. Working on the album, I just wanted to
• 54:39
  Speaker 2: be amazing. I want to do you know, top less
• 54:41
  Speaker 2: start here. Yeah, so I'm working.
• 54:44
  Speaker 1: Everybody's working. Your your first step, when's your ship coming
• 54:47
  Speaker 1: sometime in May?
• 54:48
  Speaker 2: May?
• 54:49
  Speaker 1: Okay?
• 54:49
  Speaker 2: And then but everyone is dropping this year, everybody here
• 54:53
  Speaker 2: besides you. Well, I'm working, right, but everyone's dropping. Yeah yeah, no, no, no,
• 54:58
  Speaker 2: I'm working though. Even Rio Rea is dropping the project
• 55:01
  Speaker 2: hopefully this year too.
• 55:02
  Speaker 1: Are you gonna drop a compilation? Nice already?
• 55:07
  Speaker 2: That's a great thing to talk about that I didn't know.
• 55:08
  Speaker 2: We wouldn't say that. That's been We'll block that out.
• 55:12
  Speaker 2: We'll block that out a cool never mind, she's not She's.
• 55:14
  Speaker 1: Not dropping anything this year. I appreciate you guys pulling
• 55:17
  Speaker 1: up go support the album on the twenty seven.
• 55:19
  Speaker 3: Yeah, everybody, I mean, I mean, I'm hoping for a
• 55:23
  Speaker 3: boat album this year, you know what I'm saying. But
• 55:25
  Speaker 3: like everybody else, I'm honest, Chemo, Uh, Draft Day DC.
• 55:29
  Speaker 3: We all got solo albums coming this year. So Concrete
• 55:32
  Speaker 3: twenty twenty six is real, and you know, re are
• 55:35
  Speaker 3: gonna be doing a thing the whole year regardless whatever
• 55:37
  Speaker 3: she got going on.
• 55:39
  Speaker 2: You know what I'm saying, And yeah, that's it. It's
• 55:41
  Speaker 2: us showing a boat album.
• 55:43
  Speaker 1: Come on, man, I'm working the fact that you you
• 55:46
  Speaker 1: made a good point. You really toured last year with
• 55:48
  Speaker 1: no album out?
• 55:48
  Speaker 2: Yeah I did. I did and for nine months, so
• 55:51
  Speaker 2: I didn't get to make an album last year. So
• 55:53
  Speaker 2: I'm on it now.
• 55:55
  Speaker 1: Last question, do you hate any song at this point?
• 55:58
  Speaker 1: That is just because you have a couple of songs
• 56:00
  Speaker 1: are annoyingly popular?
• 56:01
  Speaker 2: Yeah, I mean is a strong Okay?
• 56:03
  Speaker 1: Do you are you tired of a song?
• 56:05
  Speaker 2: I dislike a lot of songs my older career, earlier career.
• 56:13
  Speaker 1: Like are you over performing?
• 56:15
  Speaker 2: I spy? I mean, I mean nose you got much
• 56:25
  Speaker 2: on tour? Yes, on tour, yes, but but I mean, hey,
• 56:31
  Speaker 2: they want to hear it.
• 56:32
  Speaker 1: That's a joint.
• 56:32
  Speaker 2: They gotta respect it.
• 56:33
  Speaker 1: What about broccoli?
• 56:35
  Speaker 2: Gotta respect it. They want to hear it. They give
• 56:38
  Speaker 2: me so much energy, so I have to respect that reception.
• 56:42
  Speaker 2: You know, I think it's it takes a lot of
• 56:45
  Speaker 2: I don't know, just like realizing how much, how part,
• 56:49
  Speaker 2: how part of so many kids' lives those songs? Are
• 56:53
  Speaker 2: you know understanding that brings you to a mond set. Okay,
• 57:00
  Speaker 2: I get it. I get it, you know, I get it.
• 57:03
  Speaker 5: You know.
• 57:03
  Speaker 1: So listen looking forward to your album in May and
• 57:07
  Speaker 1: everyone else's and the album's dropping on the twenty seventh
• 57:12
  Speaker 1: volume two and Rio's cuddling with Kikuti, and uh oh,
• 57:17
  Speaker 1: fake gay, fake gay gay?
• 57:20
  Speaker 2: Fake gay? What is that?
• 57:21
  Speaker 1: Are you not really gay? What's fake gay? Mean?
• 57:23
  Speaker 2: Are you? Are you?
• 57:24
  Speaker 1: Are you lesbian? Yeah?
• 57:26
  Speaker 2: Sp are you were saying no.
• 57:29
  Speaker 1: That's tight? Whisper you guys said fake gay? That's a
• 57:33
  Speaker 1: wild thing.
• 57:33
  Speaker 2: A lot you gotta gay?
• 57:36
  Speaker 1: Who's homophobica here?
• 57:37
  Speaker 5: Not me?
• 57:39
  Speaker 1: I'm not the one pausing. Every fucking thing. Must be
• 57:41
  Speaker 1: somebody here that you're trying to hide her from. You
• 57:43
  Speaker 1: gotta lean into the end of the pauses. The gay ice.
• 57:45
  Speaker 1: You're trying to hide her, the gay ice? What be
• 57:50
  Speaker 1: crazy if there was a gay ice.
• 57:54
  Speaker 2: On the way?
• 57:55
  Speaker 1: Man Vallium two is on the way February twenty seven.
• 57:58
  Speaker 1: That's how we leave you, ladies and gentlemen, Thank you
• 58:00
  Speaker 1: for coming.
• 58:01
  Speaker 2: And uh what about Nice?
• 58:03
  Speaker 1: I feel like she probably babysit, y'all, even though she's
• 58:05
  Speaker 1: nineteen Yadi Thank you album on the way see appreciate you,
• 58:10
  Speaker 1: appreciate you.
• 58:11
  Speaker 2: Oh easy,