Latest / DA CREW Podcast / DA CREW PODCAST SEASON | SC BOOKGAL & FRIENDS| EPISODE 187- HOST PATRICE GRIMBALL

Transcript

DA CREW PODCAST SEASON | SC BOOKGAL & FRIENDS| EPISODE 187- HOST PATRICE GRIMBALL · DA CREW Podcast

• 1:32
  Speaker 1: Ladd.
• 2:04
  Speaker 2: Welcome to the sc Book Gallen French Chat. We're gonna
• 2:07
  Speaker 2: be talking about the latest and book reviews, author interviews
• 2:11
  Speaker 2: and life.
• 2:12
  Speaker 1: Come on in and join us. We're ready. Are you.
• 2:28
  Speaker 2: Welcome to the sc Book Gallen French Chat. We're gonna
• 2:31
  Speaker 2: be talking about the latest and book reviews, author.
• 2:34
  Speaker 1: Interviews, and life. Come on in and join us. We're ready,
• 2:39
  Speaker 1: are you? Hey? Everyone, this is your Girl sci book
• 3:25
  Speaker 1: out A four three, and it's another Saturday night, and
• 3:30
  Speaker 1: you guys, I am excited. I am am I on Hey,
• 3:40
  Speaker 1: you guys, it's SNY book out A four three, and
• 3:43
  Speaker 1: I am so excited. Tonight I get to bring you
• 3:47
  Speaker 1: guys an exclusive and I'm so honored because it's a
• 3:51
  Speaker 1: project that I work with someone on. This is awesome,
• 3:54
  Speaker 1: you guys. So tonight we are going to talk about
• 3:59
  Speaker 1: this book, Flowers of Eve. Okay, in the moment, we're
• 4:04
  Speaker 1: gonna show y'all to cover. And I'm telling y'all, this
• 4:08
  Speaker 1: book is something, all right. I met this author through
• 4:14
  Speaker 1: the Queen of Collaborations, our founder of the Divas of
• 4:19
  Speaker 1: the Airways, Angela Thomas Smith, and we work together to
• 4:24
  Speaker 1: get this project. Now, this book, I can't remember how
• 4:29
  Speaker 1: long ago it's been written. But it's not one of
• 4:33
  Speaker 1: those books that tells it's it doesn't. It's not one
• 4:40
  Speaker 1: of those books that will go away with time. Okay,
• 4:45
  Speaker 1: So I'm gonna bring up the author of Flowers of Eve,
• 4:49
  Speaker 1: mister M. Kendrick Northern, Come on up and tell us
• 4:53
  Speaker 1: a little bit about yourself.
• 5:00
  Speaker 3: You know, I say, had found raised by some great parent.
• 5:03
  Speaker 3: Get to uh brother, two children, you know, I've got
• 5:08
  Speaker 3: to brother church and jump in there. And I think,
• 5:10
  Speaker 3: but the fa but uh, you know, things of that nature. Man,
• 5:16
  Speaker 3: I've been in the bed.
• 5:18
  Speaker 1: Here, so I know my viewers are like, okay, Trees,
• 5:22
  Speaker 1: you always have the author in studio. Okay, what in
• 5:26
  Speaker 1: the devil? We want to see this person with this voice.
• 5:29
  Speaker 1: We're going to get all this out the way. So
• 5:32
  Speaker 1: can you tell them where you are?
• 5:36
  Speaker 3: But I'm homa incartirated. Uh I the locked of twenties
• 5:39
  Speaker 3: going on twenty seven years and we don't like. But
• 5:43
  Speaker 3: I never let that com boundaries in the wall the
• 5:45
  Speaker 3: chairs me from you know.
• 5:48
  Speaker 1: Other day.
• 5:48
  Speaker 3: You know a lot of people that can situation, you know,
• 5:52
  Speaker 3: get them away from things they're doing life. So I
• 5:55
  Speaker 3: didn't let that happen and I have nothing and did
• 5:58
  Speaker 3: and I'm gonna share with the where what about up with?
• 6:03
  Speaker 1: Now? You guys, I'm gonna tell you something and anybody
• 6:07
  Speaker 1: can tell you, Queen the collaboration, everybody can tell you.
• 6:11
  Speaker 1: I am a procrastanator. I got that bad. Y'all want
• 6:17
  Speaker 1: to talk of somebody who stayed on my case? Because
• 6:20
  Speaker 1: sometimes we got into like it's like into it, into it.
• 6:25
  Speaker 1: But I would say, to see the the final final result,
• 6:34
  Speaker 1: it is such such an honor. So Flowers of Eve,
• 6:40
  Speaker 1: tell us give us a little background about the book,
• 6:43
  Speaker 1: not much, but give us a little background because in
• 6:46
  Speaker 1: a minute we're gonna dive into these characters. So give
• 6:49
  Speaker 1: us a little background well.
• 6:54
  Speaker 3: About the character, you know, the character name other maybe
• 7:01
  Speaker 3: both being friends like Mode and the other name.
• 7:05
  Speaker 1: You know.
• 7:05
  Speaker 3: So everybody pretty much in the story and a little
• 7:08
  Speaker 3: nothing's going on that everybody out here they relate to,
• 7:12
  Speaker 3: you know what I'm saying. But for the main characters,
• 7:16
  Speaker 3: they have something to come in a certain circumstance has
• 7:19
  Speaker 3: happened in their lives, in their body is never loved
• 7:21
  Speaker 3: me in so you know, until thinking that out and
• 7:25
  Speaker 3: get each other ran to each other, So flute running
• 7:30
  Speaker 3: you know, and it didn't. It didn't come the first time,
• 7:32
  Speaker 3: but they take the time they ran back into each other.
• 7:36
  Speaker 3: Well the circus difference, they're different, you know what I'm saying.
• 7:40
  Speaker 3: So that's that's pretty much hide and thought.
• 7:43
  Speaker 1: So you tell us about so our mean male character's
• 7:47
  Speaker 1: name is Kendrick. So let's give us a little background
• 7:53
  Speaker 1: of Kendred. Not like his style, his flavor in general,
• 8:02
  Speaker 1: who he is.
• 8:05
  Speaker 3: He was, He's a prominent you upcoming football So I'm
• 8:09
  Speaker 3: saying he had got in trouble with John. I can't
• 8:11
  Speaker 3: take this, no know how hed So we end up
• 8:15
  Speaker 3: being a football at the cottage towards leave something, end
• 8:19
  Speaker 3: up being a real estate uh hate and you know,
• 8:24
  Speaker 3: yeah a little you know, miss Tip in his life,
• 8:25
  Speaker 3: they be things and wig some things they didn't want
• 8:27
  Speaker 3: to wig. H you know what I'm saying. And just
• 8:29
  Speaker 3: with genial person love just changed the joints around. But
• 8:34
  Speaker 3: it's just way more good than.
• 8:36
  Speaker 1: That does, all right, And so female main characters tell
• 8:42
  Speaker 1: us about it.
• 8:44
  Speaker 3: Well, he she would do the same thing.
• 8:46
  Speaker 2: You know.
• 8:46
  Speaker 3: She went some thing with a trendy trinity, different parents
• 8:50
  Speaker 3: and uh no, she she pretty much relied on them.
• 8:56
  Speaker 1: People.
• 8:57
  Speaker 3: You know what I'm saying. She can have her back
• 8:58
  Speaker 3: on and tell me she can't real together well being
• 9:03
  Speaker 3: to day such for love and it again. But thanks
• 9:10
  Speaker 3: coming up.
• 9:14
  Speaker 1: So you ladies, Eve sounds like most of us ladies
• 9:17
  Speaker 1: out there, we have we are better love. Either we
• 9:21
  Speaker 1: lost love we never thought about finding love again, or
• 9:25
  Speaker 1: in Eve's case, she tragically loses the love and she
• 9:29
  Speaker 1: was like, I'm never gonna do this again, never ever.
• 9:33
  Speaker 1: But you know them about chances and counters, That's what
• 9:37
  Speaker 1: happened between Kendrick and So let's talk about our two
• 9:42
  Speaker 1: secondary characters, which are like the buddy buddies, you know,
• 9:48
  Speaker 1: let's think of the secondary characters and main characters. Let's
• 9:52
  Speaker 1: talk about there. They are more lined of sisters where
• 9:59
  Speaker 1: you got all your friends and you date the friends.
• 10:01
  Speaker 1: So that's what we're talking about. So tell us a
• 10:04
  Speaker 1: little bit about Kendrick's homeboy Callers.
• 10:08
  Speaker 3: But he you know that came up together in the
• 10:11
  Speaker 3: Street book and uh Street in the street Food. But
• 10:16
  Speaker 3: like I said, when Kendricks go out his meat, he's
• 10:19
  Speaker 3: trying to get out of the street, but then he
• 10:21
  Speaker 3: ended up getting caught up going to the head up
• 10:23
  Speaker 3: and when he comes out and he just see him
• 10:25
  Speaker 3: and everything, so no, can't shoot out was a well
• 10:29
  Speaker 3: of life man, get out there trying to do the
• 10:33
  Speaker 3: part thing because the book back there, it's not all
• 10:35
  Speaker 3: bigger than go get some get out ever, so you
• 10:39
  Speaker 3: know he didn't know he was looking for a little
• 10:41
  Speaker 3: but when he run into a home and when he realized,
• 10:43
  Speaker 3: you know what I'm saying, it's really more the life
• 10:45
  Speaker 3: and just show given in the street the other thing
• 10:48
  Speaker 3: to it.
• 10:50
  Speaker 1: All right, And so let's talk about Eve's homegirl more, y'all.
• 10:55
  Speaker 1: More is the case. That's all I can tell y'all
• 10:58
  Speaker 1: that no see more more something. You know I got
• 11:03
  Speaker 1: some feelings about Mo. But well, well we'll discuss that leader,
• 11:08
  Speaker 1: but tell us a little bit about More.
• 11:13
  Speaker 3: Was the character man, she's she's done now. She got
• 11:16
  Speaker 3: a lot of clients there. You know, she better. She
• 11:22
  Speaker 3: would give it ease the whole time, but not in
• 11:24
  Speaker 3: a bad way. Was in a good end because she
• 11:27
  Speaker 3: was always having to love that she beat it and
• 11:30
  Speaker 3: she always fet the love. So she used to get
• 11:32
  Speaker 3: her love. You No, sweet guys, you know going through
• 11:36
  Speaker 3: better things that no ware to do, no searching for
• 11:39
  Speaker 3: love and thinking that, no thinking of love. It really
• 11:44
  Speaker 3: she gone a little things. She better with two men,
• 11:47
  Speaker 3: you know what I'm saying. And she realized she don't
• 11:50
  Speaker 3: realize that the one man that she.
• 11:55
  Speaker 1: But I mean, look at the dude she was dating.
• 11:57
  Speaker 1: I mean, why would she think that one man would
• 11:59
  Speaker 1: be in I think, Okay, y'all, I'm talking ahead because
• 12:03
  Speaker 1: y'all want to like, what in the world's she talking?
• 12:05
  Speaker 1: I'm talking ahead. I'm a backtrack, you guys. I promise
• 12:08
  Speaker 1: I'm a backtrack some mm hmm before we dive deep
• 12:16
  Speaker 1: into the book, because we're not going to give away much.
• 12:19
  Speaker 1: I want to know. I'm always curious about how authors
• 12:23
  Speaker 1: come up with the names of their characters. Is there
• 12:28
  Speaker 1: a reason behind the names or are there just names
• 12:31
  Speaker 1: that you picked up out of the clar blue sky.
• 12:35
  Speaker 3: Well, a lot of my friend the book I think about,
• 12:40
  Speaker 3: uh you know that kind of over here and just
• 12:46
  Speaker 3: wrote me. I'm not like, I didn't you get name,
• 12:49
  Speaker 3: but it makes a lot of different names. And people
• 12:52
  Speaker 3: know who got your hand. And that's what I think,
• 12:56
  Speaker 3: because you know he is from the garden, they have
• 12:59
  Speaker 3: had him in you. So that's my name is Tim,
• 13:01
  Speaker 3: you know what I'm saying. So because the guy he
• 13:03
  Speaker 3: got this your about it, you know what I'm saying.
• 13:05
  Speaker 3: So when you read it, you will see dance and so.
• 13:09
  Speaker 1: Okay, so you're saying this symbolic and you say you
• 13:11
  Speaker 1: have to read it, but can you give them a
• 13:13
  Speaker 1: little bit about the symbolism of it without giving away
• 13:18
  Speaker 1: too much of the book.
• 13:21
  Speaker 3: I mean, you know, inside the guard you have a house.
• 13:24
  Speaker 3: You know what I'm saying. You know, I just really
• 13:26
  Speaker 3: to the Bible and stuff. But you know, a lot
• 13:29
  Speaker 3: of time and when they say having an eve committed
• 13:33
  Speaker 3: the other the scene, you know what I'm saying, They say,
• 13:35
  Speaker 3: hate them happen, but I'll see that that gal I say,
• 13:39
  Speaker 3: they won't be in the garden when they want even
• 13:41
  Speaker 3: guarden creator to procreate. So we got kind of feeling too. Look,
• 13:47
  Speaker 3: you know what I'm saying. It's still uh finding love
• 13:50
  Speaker 3: and doing regard. They pro create until the finished the
• 13:53
  Speaker 3: earth uh man had got beside the sun canulated, I say,
• 13:58
  Speaker 3: And when they did it, that took your puny help
• 14:01
  Speaker 3: and they you know a little things, and they went
• 14:04
  Speaker 3: outside of what they both needed regard and then we'll
• 14:07
  Speaker 3: do and that's what's appropriat So now it's only so
• 14:10
  Speaker 3: with that she's she's working for a room chop saying
• 14:16
  Speaker 3: and Himboltica. You know when I was being in the
• 14:19
  Speaker 3: Guard to read in the Guard and help me you
• 14:21
  Speaker 3: know pretty.
• 14:26
  Speaker 1: Okay. So, you guys, in this book, there's a lot
• 14:29
  Speaker 1: of things that's touched. We're talking about there are there
• 14:36
  Speaker 1: is death, there is there is a portion of the
• 14:42
  Speaker 1: book that has something to do with HIV. I know
• 14:47
  Speaker 1: y'all thinking what character, And I'm not gonna tell y'all
• 14:49
  Speaker 1: what character because when you read that part of the
• 14:51
  Speaker 1: book you want to throw the book. I actually stopped
• 14:54
  Speaker 1: when I read that part of the book. I was like, no,
• 14:57
  Speaker 1: you can't do that to that character. But m hm,
• 15:05
  Speaker 1: when y'all see what that catch has done to my homegirl, Moe,
• 15:10
  Speaker 1: you shouldn't say that's what you get. But what will
• 15:13
  Speaker 1: say you read what you saw. We're just gonna put
• 15:17
  Speaker 1: it like that. There is a part where there is
• 15:22
  Speaker 1: what we're talking about person, We're talking about lifestyle changes,
• 15:25
  Speaker 1: we are talking about what's what's some of the other
• 15:30
  Speaker 1: topics we're eve been talking about parental relationships. Now, how
• 15:36
  Speaker 1: did you feel putting that in the book, because normally
• 15:41
  Speaker 1: it's I'm gonna give it a little given a little
• 15:43
  Speaker 1: bit away. There is the wanna, okay, and the Wanna
• 15:47
  Speaker 1: is Kendrick's son's mother. Okay. Normally it's the father who's
• 15:56
  Speaker 1: being trifling in the book, but you've got is the Wanna.
• 16:01
  Speaker 1: And when y'all see what she did? What what's her name? Nicole?
• 16:08
  Speaker 1: What was the girl's name? Who did the scene? I
• 16:14
  Speaker 1: think when y'all see what the Wanna did to Kendrick,
• 16:23
  Speaker 1: y'all gonna be mad as heck. But tell us a
• 16:28
  Speaker 1: little bit about the dynamics and why did you feel
• 16:31
  Speaker 1: it was important to bring that factor of Cole Prrington,
• 16:34
  Speaker 1: which is one of the biggest issues there is an
• 16:38
  Speaker 1: African American family. So why did you feel that it
• 16:41
  Speaker 1: was important to expound on that part in your book
• 16:46
  Speaker 1: between the Wanna and Kendrick.
• 16:51
  Speaker 3: You know with that he really he really had loved her,
• 16:56
  Speaker 3: saying if you really didn't bok realized she really had love.
• 17:01
  Speaker 3: But again, what he felt she did it to him?
• 17:04
  Speaker 3: He tell her people just show nothing. That's why he
• 17:07
  Speaker 3: tell me never love again. How he gave his off
• 17:09
  Speaker 3: because we have a child for her, You know, I'm
• 17:11
  Speaker 3: saying so that I had.
• 17:16
  Speaker 1: Myself, I was.
• 17:17
  Speaker 3: Raising in two parent homes. I'm saying, I had a
• 17:19
  Speaker 3: lovely fall. I love the mother that waited raise, you
• 17:22
  Speaker 3: know what I'm saying, And I go out, you know
• 17:25
  Speaker 3: how to feel the ex team in relationship to the
• 17:29
  Speaker 3: enemy manage Well, I want to put any now, But
• 17:31
  Speaker 3: at the same time, I want to show that it
• 17:35
  Speaker 3: really happen, really somebody that people don't through, you know
• 17:40
  Speaker 3: what I'm saying. And then when he trying love, I
• 17:42
  Speaker 3: want to show people that it can be time and
• 17:46
  Speaker 3: what we have lost over the years, we can have it.
• 17:49
  Speaker 1: But that's a black community, that's true. Okay. So I
• 17:53
  Speaker 1: know y'all saw the face when he said that Kendrick
• 17:56
  Speaker 1: had loved the Wanna. I just didn't like to check, y'all.
• 17:59
  Speaker 1: I didn't like her in the book. She was one
• 18:01
  Speaker 1: of them. Hmm. She is one of them girls you're
• 18:06
  Speaker 1: take in the back alley. You you know I'm not Yeah,
• 18:11
  Speaker 1: I'm not a violent type. But for what she did
• 18:14
  Speaker 1: in that book, oh my god. I know there's going
• 18:18
  Speaker 1: to be a book too, because I've told the Kendrick
• 18:21
  Speaker 1: that you have to do a book too. You can't
• 18:24
  Speaker 1: just leave us up in the air wondering if the
• 18:30
  Speaker 1: one is going to get in trouble for what she did,
• 18:33
  Speaker 1: or wondering how does Mow and call Us continue to
• 18:38
  Speaker 1: go on, Oh yeah after the suicide. Yes, y'all. I'm
• 18:45
  Speaker 1: telling y'all when I say he touched all bases and
• 18:47
  Speaker 1: stuff in this book, he touched a lot of things.
• 18:50
  Speaker 1: And it's not a book that is like jumbo mumble altogether.
• 18:54
  Speaker 1: It's one of those ones whereas it's intertwine and you
• 19:00
  Speaker 1: remember what somebody said in a couple of chapels before,
• 19:04
  Speaker 1: and then you recognize why they said that. Okay, now
• 19:09
  Speaker 1: there's another unique factor to your book. And what is
• 19:12
  Speaker 1: that that you do to the end of every chapter
• 19:15
  Speaker 1: and why do you feel that's important to the book?
• 19:20
  Speaker 3: Well, went only with like, uh, one thing, I do
• 19:23
  Speaker 3: a lot like the white in my book, any kind
• 19:27
  Speaker 3: of chord with the chap I'm dealing with the chapter.
• 19:31
  Speaker 3: But at the very end of every one of my books,
• 19:33
  Speaker 3: I like, uh, put it saying black quotes and it's
• 19:38
  Speaker 3: gonna take you from the ending of that chapter. And
• 19:42
  Speaker 3: when you read the quote and you read the end
• 19:43
  Speaker 3: of the chapel, it don't make people people like like, Okay,
• 19:46
  Speaker 3: I'm gonna put this this chapter. I'm gonna put it
• 19:49
  Speaker 3: down to go sleep. I'm gonna put it down and
• 19:51
  Speaker 3: whatever every night get there because like, well, let's get
• 19:58
  Speaker 3: one more chapter and then let me get one chapter.
• 20:01
  Speaker 3: And that's kind of like.
• 20:05
  Speaker 1: I love the fact that the chapters aren't long, you guys.
• 20:08
  Speaker 1: They are short, sweet and to the point. And I
• 20:12
  Speaker 1: do love the chapters that are about one person, and
• 20:14
  Speaker 1: it really focus on so on that one person. So
• 20:18
  Speaker 1: let's dive a little deeper into the book. To me,
• 20:24
  Speaker 1: Kendrick and Calls are opposite side of the same coin.
• 20:31
  Speaker 1: Why did you give them such a strong relationship whereas
• 20:39
  Speaker 1: Carlos is leaning more on Kendrick, but Kendrick is trying
• 20:44
  Speaker 1: to change Carlos. Why did you make the dynamics between
• 20:49
  Speaker 1: these two characters so strong? Well, when I.
• 20:55
  Speaker 3: Wanted to be like Ope in industry, right in the streets,
• 20:59
  Speaker 3: coming up you know a lot of times and coming
• 21:02
  Speaker 3: to president when people get into you know, circumstances. Reason
• 21:06
  Speaker 3: is because a lot of times people have my identity card,
• 21:09
  Speaker 3: you know what I'm saying. So sometimes you trying to
• 21:12
  Speaker 3: find our identity out there and they have to go
• 21:14
  Speaker 3: for something I find. Well, I want to people find
• 21:17
  Speaker 3: those certain identities I'm saying they can end up killing
• 21:19
  Speaker 3: the others. So I just wanted the people to read
• 21:22
  Speaker 3: and explore the two different sides. I take the calling
• 21:28
  Speaker 3: and they can see, you know, two different character whatever
• 21:31
  Speaker 3: the train coming up to.
• 21:35
  Speaker 1: Okay and with More and Eve, why did you feel
• 21:41
  Speaker 1: that More was so important to eat and why did
• 21:47
  Speaker 1: you make their sisterhood despite again, same coin, two different sides.
• 21:55
  Speaker 1: Whereas somebody is very I'm going to get my degree,
• 21:59
  Speaker 1: I'm going to raise my child, and I'm going to
• 22:03
  Speaker 1: really be a homebody, and I'm gonna go out once
• 22:05
  Speaker 1: in a blue moon. But then you have the other
• 22:10
  Speaker 1: one who is loud. I can't hear her in my
• 22:14
  Speaker 1: head when I'm y'all. I can hear in my head
• 22:16
  Speaker 1: when I'm reading the book, like I hear this loud,
• 22:20
  Speaker 1: gum smacking female when I'm reading the book. Obnonxious play
• 22:29
  Speaker 1: a type female, but she on her game because she's
• 22:33
  Speaker 1: a hairstylist and as a she she's the best. She's
• 22:37
  Speaker 1: so good that the shop owner has to take her
• 22:41
  Speaker 1: mess because she's the one that's bringing money in the shop.
• 22:44
  Speaker 1: So why did you feel that these two characters have
• 22:48
  Speaker 1: such Why did you feel nothing? But why did you
• 22:51
  Speaker 1: create such a dependency on each other with these two females.
• 22:59
  Speaker 3: Splory, you know the difference uh characteristics, but other female
• 23:03
  Speaker 3: you know what I'm saying, you have like to say
• 23:05
  Speaker 3: you have one but there's more conservative. You have one
• 23:07
  Speaker 3: for the hood type. Well roll she more the hood knight,
• 23:11
  Speaker 3: but she is a conservative player. But she had how identity.
• 23:15
  Speaker 3: But once she she hanged around hes like I say,
• 23:17
  Speaker 3: she emptent the whole time she's really picking up you know,
• 23:21
  Speaker 3: I'm saying that hadn't that made her who she was?
• 23:24
  Speaker 3: The shots on to be like her. And at the
• 23:27
  Speaker 3: same time the kind of it showed them the reasons
• 23:29
  Speaker 3: that even when you have those characteristics and when they
• 23:34
  Speaker 3: come through take pass whatever they gonna have to see,
• 23:37
  Speaker 3: worry about their pants and worry about whatever, get back
• 23:40
  Speaker 3: up in their pasts, you know, and changed. And then
• 23:42
  Speaker 3: with what was doing, she was in a in a
• 23:45
  Speaker 3: transition stage where she was saying, you know, certain things happening.
• 23:49
  Speaker 3: She started experience up comes. She's been looking for her
• 23:52
  Speaker 3: and it's faith. So so it's it's just the growth
• 23:57
  Speaker 3: that they both had a fan like they say, help
• 24:00
  Speaker 3: each other.
• 24:01
  Speaker 1: Okay, okay, so this is my fun part of the show.
• 24:06
  Speaker 1: And you've heard my show plenty of times. So we're
• 24:09
  Speaker 1: gonna bring these characters to life. And we're gonna use
• 24:12
  Speaker 1: the nineties hip hop. Okay, and let's use nineties R
• 24:18
  Speaker 1: and B. So if Kendrick was a nineties R and
• 24:24
  Speaker 1: B artist, who would it be? Now?
• 24:32
  Speaker 3: I would say, like you said before, I say Jason.
• 24:36
  Speaker 3: At the same time, you know, I'm saying rock Camp,
• 24:39
  Speaker 3: don't pay uh rock can't.
• 24:44
  Speaker 1: See you win?
• 24:45
  Speaker 3: Hip hop?
• 24:47
  Speaker 1: You said, Okay, so you went hip hop. So if
• 24:49
  Speaker 1: I have to see a nineties hip hop artist, ooh.
• 24:55
  Speaker 3: What you said the n nineties emp? Uh No, I
• 25:06
  Speaker 3: guess you was uh w when Nelly came out.
• 25:11
  Speaker 1: Now, okay, well, let's just broaden it out. Let's say
• 25:15
  Speaker 1: if he was a hip hop artist, I wouldn't necessary say,
• 25:18
  Speaker 1: necessarily say Nelly. I would have said Drake Okay, okay,
• 25:30
  Speaker 1: m hm. Hip hop. Now that's hard, man, that's real hard.
• 25:37
  Speaker 1: But with his character, he's smooth around the edges. He
• 25:46
  Speaker 1: has a smooth demeanor, smooth around the edges, but he
• 25:50
  Speaker 1: has a rough lifestyle. Oh oh, I know method man.
• 25:57
  Speaker 1: Met the Man, Met the Man. We talked about Met
• 26:01
  Speaker 1: the Man and powers ladies. That's what I see. Met
• 26:04
  Speaker 1: the man, met the man. That's who I see. That's
• 26:09
  Speaker 1: that's who I see, you know. Okay, So now if
• 26:19
  Speaker 1: we choose Eve, and let's say she's an R and
• 26:23
  Speaker 1: B artist, somebody Monica. And the reason why I saying
• 26:31
  Speaker 1: Monica because Eve is when she was getting ready to
• 26:38
  Speaker 1: fight the Wanner at the hospital. I saw that, and
• 26:43
  Speaker 1: I could see that little round the way girl like
• 26:46
  Speaker 1: Monica has. But when she lost her daughter's father, Desmond,
• 26:54
  Speaker 1: she was hurt like Monica was hurt when she lost it.
• 26:57
  Speaker 1: So somebody said, Candy. Oh, I can see Candy is Mo.
• 27:04
  Speaker 1: Because Candy she's highly sexualized. So I can see Candy
• 27:10
  Speaker 1: is being Mo. So who do you see as Eve?
• 27:13
  Speaker 1: And who do you see as Kendrick? I mean, who
• 27:15
  Speaker 1: do you see is Eve? And who do you see
• 27:17
  Speaker 1: as Mo? Uh? What you said? Yeah, y'all? Because Mo
• 27:28
  Speaker 1: is a highly sexualized person, y'all? Yeah, So I could
• 27:33
  Speaker 1: see her being Candy. And Seanette said, big Daddy came
• 27:37
  Speaker 1: for Kendrick. I can see that, Seanette, you did that.
• 27:43
  Speaker 1: I can see that. But we can't. We can't leave
• 27:47
  Speaker 1: out Colos. So who will close be masterpiece? Like that
• 28:01
  Speaker 1: masterpiece because Carlos was about his money. He was about
• 28:06
  Speaker 1: making his money, so I could see master p. Okay, okay,
• 28:10
  Speaker 1: well we are winding down, but I want you to
• 28:14
  Speaker 1: be able to what do you want to say to
• 28:17
  Speaker 1: your new readers, your old readers, you soon to be readers.
• 28:21
  Speaker 1: What would you like to say to those who are
• 28:23
  Speaker 1: going to touch and read your book?
• 28:28
  Speaker 3: We want another bad We're gonna be ativated and uh,
• 28:33
  Speaker 3: we're gonna try to try out the book and come
• 28:34
  Speaker 3: up with your own conclusion. But I love that. That
• 28:37
  Speaker 3: That's why I live the write. That's what I want
• 28:40
  Speaker 3: to read fiction. I can figure out everything having in
• 28:43
  Speaker 3: a book, so how to kind of change it and
• 28:45
  Speaker 3: make it, you know, differ. No, everybody reading with ya
• 28:51
  Speaker 3: on the ride and ain't gonna get it.
• 28:54
  Speaker 1: Oh somebody said, Keisha cool this Eve. Oh yeah, that
• 29:02
  Speaker 1: that might. I think you did it, Angela, I think
• 29:05
  Speaker 1: you did it, Kisha cool.
• 29:07
  Speaker 3: Yeah, shout out there.
• 29:11
  Speaker 1: So you guys, flowers. If Eve is available now on Amazon,
• 29:18
  Speaker 1: you can get it in paperback fifteen ninety nine and
• 29:23
  Speaker 1: Kendo for two ninety nine. You guys, I'm telling you
• 29:28
  Speaker 1: that book is a trip. And before you leave, you
• 29:32
  Speaker 1: gotta tell us what else do you have coming up?
• 29:38
  Speaker 3: Well, I have I have a rod that I'm I'm
• 29:41
  Speaker 3: jointly doing. I have uh, I read the redrive his
• 29:45
  Speaker 3: boot ball on the street Tennessee, I kind of partner
• 29:48
  Speaker 3: and uh in Chicago, I have boot black co wrote.
• 29:59
  Speaker 1: Thank you. So I.
• 30:02
  Speaker 3: Got a children book name and Taste. You know what
• 30:04
  Speaker 3: I'm saying with the teatures, just another child to show
• 30:07
  Speaker 3: the cart and teach a card.
• 30:08
  Speaker 1: And just.
• 30:10
  Speaker 3: God, I got a lot of count regulations I got.
• 30:12
  Speaker 3: I got a lot of couple of stars. That's why
• 30:14
  Speaker 3: I don't like time my chef verse. I'm not speaking
• 30:18
  Speaker 3: of my lf my property, closing my champion read or
• 30:21
  Speaker 3: something I can write on my own hand.
• 30:23
  Speaker 1: Take all right, So before you go, get those shout
• 30:26
  Speaker 1: outs to everyone who you want to shout out and
• 30:30
  Speaker 1: your thank you before we to close it out.
• 30:34
  Speaker 3: I thank h the treating so they gaming out of patony,
• 30:37
  Speaker 3: Angelas gave it out of the tona, my mother, my father,
• 30:39
  Speaker 3: my mother, my d You know what I'm saying, everybody,
• 30:43
  Speaker 3: believe it. You know what I'm saying. Specs, my brother,
• 30:46
  Speaker 3: do you know what I'm saying? Eave and I know
• 30:50
  Speaker 3: I'm you know the nerve, but you know you can
• 30:52
  Speaker 3: do it. Went up from so you know, just you know,
• 30:55
  Speaker 3: everybody every down, ride it out with me and.
• 30:59
  Speaker 1: So everybody, Well, you guys, it's another Saturday night. You
• 31:04
  Speaker 1: go grab flowers at Eve. That is by off the
• 31:08
  Speaker 1: le Kendrick Northern. It is on Amazon, Kimdo and Paperback.
• 31:14
  Speaker 1: Oh y'all, were about to come up to season three,
• 31:19
  Speaker 1: but I'm a misscheall on Saturday night, so look out
• 31:23
  Speaker 1: cause season three I'm moving to Tuesday night, you guys.
• 31:26
  Speaker 1: So we're gonna bring it back next season. But we
• 31:30
  Speaker 1: ain't finished yet. We still got two more months to go.
• 31:33
  Speaker 1: So if you want to be on mon show, if
• 31:35
  Speaker 1: you want to be about sc book, gallon French Chat,
• 31:38
  Speaker 1: hitting me up on email at SC book Gals and
• 31:41
  Speaker 1: Friends at gmail dot com. I'm on all social media,
• 31:46
  Speaker 1: so if you ever see SC Book Gals and Friends,
• 31:50
  Speaker 1: that's me because I am the only one. Okay, thank
• 31:54
  Speaker 1: you guys for joining me and not tonight another Saturday night,
• 31:58
  Speaker 1: another show always from Remember an old book is never
• 32:02
  Speaker 1: an old book because everybody's never read every book. Good
• 32:06
  Speaker 1: night everyone, bye and keep you join us for another
• 32:11
  Speaker 1: episode of the sci Bookouts and First Check met a
• 32:15
  Speaker 1: new author and he saw a new book. Allowed to
• 32:18
  Speaker 1: grab it. Make sure you join us next week Saturday
• 32:22
  Speaker 1: for a new author and a new book. And remember
• 32:27
  Speaker 1: an old book is always a new book because nobody
• 32:30
  Speaker 1: has read every whirl see Saturday and keep you join
• 32:35
  Speaker 1: us for another episode of the sci Book Outs and
• 32:37
  Speaker 1: first Check met a new author and he saw a
• 32:41
  Speaker 1: new book. Allow to grab it. Make sure you join
• 32:45
  Speaker 1: us next week Saturday for a new author and a
• 32:48
  Speaker 1: new book. And remember an old book is always a
• 32:53
  Speaker 1: new book because nobody has read every birl