Latest / The Magic Guys / Magic Bars of Japan: Whiskey, Fork Bends and Midnight Cards #256

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Magic Bars of Japan: Whiskey, Fork Bends and Midnight Cards #256 · The Magic Guys

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They're guys. They do magic. They are the Magic Guys.
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Ladies and gentlemen, welcome to episode 256 of the Magic Guys.
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I'm one of your hosts, Josh Norbedo, and next to me is the handsome, gorgeous, famous...
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It's Nick Kay, everybody. Hi, everyone. I'm Nick Kay.
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Uh... good to be back yeah welcome back to australia welcome back,
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whoop there we go how's it feel how's it feels good yeah you guys did an amazing
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job while i was away i was tuning in and listening to the part of my downtime so yeah it was great,
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That's got to be a weird thing to listen to the pod while you're in Japan.
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It is pretty cool. So for the folks that don't know, for the past few weeks, I was away on vacation.
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I like to retreat to the mountains and get as far away from people as possible.
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And so I was in Japan, but all over Japan, just visiting different mountains,
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drinking lots of beers and eating way too many dumplings.
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And yeah. And in that journey, we visit a bunch of magic bars,
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which we'll be talking about today, but not before we say what up to our friends in the chat.
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Tim askin good to see your friend herbert wasp good to see you buddy gutbuster mike what up.
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Degenerates he knows us well yeah it
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was really well yeah anyway alex lamb i
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i like we we we had a bit of a back and forth
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because i was posting on my socials every like i
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i didn't post a lot on my on my trip because i was genuinely enjoying
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doing nothing on my vacation but i would
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just do like one post a day just to let everyone know that
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like i'm alive leave me alone because i got 50 people like
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let me know you're okay it's like i'll do one post that way
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you know i'm alive leave me alone and i would post a
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beer every now and again and then alex was like man that
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beer looks crispy and i'll be like it is and
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then i'd go to another place and i'd say like look at this beer and he's like oh
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i need to send me like a sad can on his coffee table
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and we just had this back and awful weeks which
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was great so we might even have to have a group
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called post your crispy beers on the
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discord which you can join magic beer and magic mix pretty
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well you know i gotta say even though i don't drink beer like i'm
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sure it mixes pretty well what is your drink everyone wants to know i mean i'm
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more of a sweet liquor guy so i'm usually having like canadian club or southern
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comfort with coke you know like just that kind of stuff nothing like nothing
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manly nothing like sophisticated.
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Aren't you sweet enough well thanks man thanks so much hey super quick gig story
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before we get into it just while it's on my mind,
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because everyone can relate to this did a show last night a big
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show corporate show 900 people in the
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audience live streaming me to the screens they've
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got a dedicated roving camera guy
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on a on a like tripod with wheels
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for when i go into the audience like we're talking like the
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full production anyway this is the one time
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on stage i'm doing the solution by
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michael murray and right so i'm so
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the lady is going to solve the cube behind her back oh yeah
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sorry just to be clear like explain explain exactly what that is yeah yeah
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yeah well rubik's cube magic is going super
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well and then at the end the volunteer on stage is going
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to impossibly solve the rubik's cube behind
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her back bring it out solved she's the star you know everything goes to plan
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she get i you know i asked her do you understand she's like yep great i'm like
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okay here we go And I glance back and I can see her mixing up the cube Like
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fully mixing up the cube behind her back,
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And I'm like, oh, goddammit, this is for so many people.
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Now, I know I have a spare cube in my case, which if I have to,
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I make a joke about, oh, that's all right, we'll try again with one that's not
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mixed up too much. And I grab out whatever, a new one and whatever.
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But something interesting was, I don't know if you've had this too,
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Nick, but because we do cube work so much, I saw her mix it up and I'm like,
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okay, yeah, all right, just pause there for a second.
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And I grabbed the cube and I could see it wasn't super duper mixed up.
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Like I could see it was probably five moves away from being sold.
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So I was like, oh, you've been mixing it a lot now.
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Just pause for a second. And I found one bit that was a little bit still solved.
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So I was like, oh, look, behind her back so the audience could see,
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but she couldn't. I'm like, look, she's doing pretty well so far. And I showed them this.
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And then behind her, I'm like trying to fucking solve it now.
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Like for real i'm like oh fuck how the fuck what am
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i meant to and and so i end up i end
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up solving it miraculously behind her
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back i'm really i really solved this cube and then
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i just quickly mix it back up again and i'm like all right let's make it more
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difficult we don't want her to solve it too quickly go back
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and then i just had to be like now actually this time just hold it
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there don't even do anything and then you know and
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then i'm like to someone in the audience you know boom say when
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she brings it out and it's solved and we have an ending to the routine which
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she was shocked and surprised as well which you know so was i but it was like
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such a pressure moment having that many people watching this that i don't want
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it to stuff up and it's the one time it didn't go the way it should go actually
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in the moment was able to solve it.
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And mix it up again anyway if any magicians listening
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they know exactly what i'm talking about and it was just a pressure
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moment that that i have it on camera too so if
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anyone wants to see it let me know but it's just me shooting my
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pants for like 30 seconds and then being like all right
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we're back on this roller coaster baby yeah yeah
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but like you know credit to you buddy i mean that that's a really good recovery because
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i i've been in that scenario myself i i i use the same principle but just a
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different algorithm to to mix it up and so while i was my script is very clear
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i'm like you see what i'm doing behind my back and i'm just turning the and
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i just go yeah you're going to do the exact same thing you're just going to
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keep turning it like this real slow,
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all right now and like this terrific now there's no way in a million years gonna
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and then i say you're gonna be able to solve this without looking at it right
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terrific and in the action of them bringing them forward it's eight moves bang
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bang bang bang bang it goes into their part now i've been in scenarios where
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I've stand behind them and I do this. I'm like, go ahead, turn it.
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And then they go slower, slower, slower, slower. And then sometimes I go like,
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no, no, no, just like I showed you. And so they're twisting it.
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And then what I have to do in that moment is like, no, no, no, like I showed you.
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And they go, hang on, you know, you're doing, you're doing it wrong.
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And then I take it, mix it up real quick, which only takes like two seconds,
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bring it back out again, mixed to the audience.
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Show them that i'm doing the secret move behind
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the back and then do the solve once
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again as it goes back to their pocket like it's i've been in that scenario but
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yeah yeah well i don't i don't just go good luck with that i watch i'm like
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turn it slower slower slower but then what i like to because i think the revelation
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for myself is then i want the spectators the audience to see what i'm doing
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so i actually turn i put the cue behind my back and then i turn my back to the
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audience go watch what I'm doing.
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And then they can see this kind of like duality of it happening behind my back
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and also happening behind there.
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I've seen your routine and I love it. And it's great. I love that.
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I love that perspective.
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But where were you last night, Nick? This is no good to me now, buddy.
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This is what I, I needed you to tell me this yesterday because I've never,
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I had this situation happen maybe once a year,
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like when they're just super drunk, but like she gave me the very
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clear like ah yes you know like that
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light bulb yes and you're like okay they're they're
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on it and my glance i always do a check
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to make sure as well but yeah it's just anyway whatever be
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like nick everyone and you'll be fine but
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it was yeah well mike mike is asking do you have to
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depend on them following the instructions and it's like well yeah because
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it is a dual reality based thing so like what
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they understand like it's still very true but
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this is there's a double entendre that's sort of inlaid with your particular script
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so the way you choose the word very important they're very
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much still just as fooled but yeah they're a
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spectator in being involved on stage and they got
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to know how to be involved yeah yeah also in
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the chat welcome our friends from Gosford and from Michigan good to see you
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and a question here from Scotty P anyone who's been following Josh's social
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media which is always fire he's got this new segment in in he does in his act
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which is about random objects and so scotty p wants to ask how is the random
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object from the audience routines going.
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Yeah. Thanks, Scotty. Yeah. The short answer is it's, yeah, it's still interesting.
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I'm working it out every week. Last week I was given peanut slab.
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That was the objects that the audience put under the box for me to, to do something with.
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So I do have it on camera, but like, and it did get a good reaction,
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but I'm just kind of like gathering info at the moment, like seeing what are the common,
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like 20 things or shapes that people have given me so I can best decipher,
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like the best kind of approaches for each thing so
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i'm kind of in my learning stage but but yeah it's
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going well and it is fun buddy i got an idea we should
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do like a challenge for one episode of everyone just sort of post a bunch of
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stuff we spin a wheel and then whatever that is we have like two minutes to
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come up with an idea using that routine and using that particular item like
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on the spot i think that'll be really fun it'll feel like i'm back at the theater
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of magic yeah I would love to do that.
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Yeah. Well, we've spoke about this in the past where we do a thing called Magic
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Sports which is effectively like whose line is it anyway but with magic?
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And we've done shows with this here in Melbourne at the Magic Festival,
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et cetera. And we do this kind of on a monthly basis.
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One of the things we do at the end of the show is called Make a Trick.
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Now, we actually have a lot more time to create something. I'm not sure where you're...
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Like impromptu bit is in with your show but the
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way it works at the magic sports is that everybody throws
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stuff into a bucket and then there's three magicians on each
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team without looking we reach in grab an object
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and and then we've got basically to the
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end of the show to script something put something together
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and put a whole made-up routine in that
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time and you receive a lot of really crazy
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stuff in in a theater and throwing stuff into a bucket like
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you know we one time got someone's prosthetic leg nice
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do magic with that you know what i mean well you know what i someone was
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gonna give me their crutches last week
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or like a few weeks ago and i didn't but i but whenever
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i see an object that i don't take i always go home thinking what could i've
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done and now i realize i would have totally used the crutch to like flip to
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any named card like using their their crutch you mean like kick it over like
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with a breather yeah like as if you're using your finger to flip.
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Flip the deck you know set it up so that you can
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just go but i would have done that with the crutch i reckon in hindsight
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but in my show it's like dead in the middle because because
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it's something i'm working on it's you know put it right in the middle so
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it's oh great stuff on the side of it but i'm
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i'm literally like i turn around and i instruct someone
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to be the chooser people hold up objects for them
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they consider their options they put something underneath and
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then i i have no time to think of a routine i just turn
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around and i start my routine and then i go and
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we're gonna use boom oh we're gonna
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use the peanut slab my childhood fondest memory of sweet and
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then i just have to keep going and it'll
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it'll become like it'll become my favorite thing to
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do eventually but right now i'm just yeah anyway thanks scotty
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p come and see the show and don't bring any weird shit all right are you ever
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worried that some that they might something phallic in the in that thing like
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i can't wait it'll be it'll be it'll be viral viral content someone just puts
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like a big floppy donkey wiener and it's.
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Do magic with that yeah well then you
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can do flip stick with it right like if it's
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got a stuck cup on it you could probably do little plunger
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if it's one of those like oh yeah and well if it is a vibrating thing you know
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you put a ring on it and you turn the vibration on it and the ring will start
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spinning you know um anyway that's just related to a gimmick that like is available
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on the market you know you put the ring right at the tip of your nail and it will,
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cause it to spin anyway i've said too much no i
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i do premise if there are kids in the room i say now keep
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in mind there are kids in the room and then i move on but good
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times yeah we we one time got tampon for for the routine and then we did a vanishing
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water no we did like a sign card in the in the tampon thing so like we you know
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gimmicked it up and then you sort of push the card came out and it was like
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their signed card. So, yeah. Whoa.
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But imagine if you had slush powder and you did the vanishing water in the cup.
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That's pretty funny. Yeah. I don't know if you've ever read The Jerks,
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which is like the worst trick in the world to do where it's card to impossible
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location and it's kind of based on using...
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The the tampon injector to do an actual effect like i don't know if you know
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that or not but it's on the jerks so i'll let you guys search that one i'm not
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promoting it i don't suggest you even do it but it does exist so by all means
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don't google jerks tampon okay that's not gonna,
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do you any favors jokes for the next speaking of googling segue segue segue
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segue speaking of googling that's how i on my vacation whilst in the amazing
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country of japan found so many cool,
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magic bars magic bars there are
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like as common as as anything there's like you sometimes i found one that was
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literally 20 meters from each other and i was unaware that i were there because
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i don't read japanese too well and so it really got me thinking and so i thought
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it would be cool for anyone who's looking to go visit that amazing country to
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tell you guys about my journey and what it's like,
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because I still struggle to kind of understand how these bars even stay open.
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It's staggering. So let's take it back to the beginning. So I was actually trying
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to figure out like, like, you know, like the history of it and how it even happened.
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So if you aren't aware what like a magic bar is in Japan, their bars are very small.
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They're like no bigger than your lounge room type of thing. And even your lounge
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room would probably compass their, the size of what an ordinary magic bar would be like.
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And they're engineered to be very small and intimate, maybe 10 to 30 people at most, right?
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And they're always built around the bar or something like a horseshoe type vibe,
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but that's typically how it's done.
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And it's always featuring really good close-up magic.
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And more times than not, the entire operation is run by one single person.
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And what I mean by that is that you got one guy doing magic for you,
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making you drinks, serving you snacks, just one cat doing that. So he'll do like,
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a routine make you another drink make another drink
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run back into the kitchen pull a little thing like it's
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just one cat running the whole show so it's kind of cool and i was like how
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did this even begin how is this so popular and doing my little very little amount
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of research that i actually did it was basically after the second world war
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where western culture especially in american entertainment uh flowed into japan
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now the and i say that in a very strange way because.
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After the, the, the bombing, the awful bombing, you haven't seen Oppenheimer
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or script that out, but basically half the country was decimated,
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but it was the Americans that rebuilt it.
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And I say that because half the country, like there is different power that we have in Australia.
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Like we run a two 40 volt Americans run on half of that at like 110 volts. Okay.
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So the weird thing is that the Americans rebuilt one side,
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all the electronics on that side of that, of, of that country
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110 volts and then like on the other side are
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all australian standard at like 240 volts so
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just just a weird little little fact about about
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the country so during that time the television and variety shows it really influenced
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the areas of osaka and tokyo and then basically in the 70s and 80s there was
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this amazing growth period in areas like shinjuku jinza and a bunch of other
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places where theme bars really became a thing.
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Hostess bars, magic bars, and jazz bars. In fact, the very first jazz bar I went to in Japan was...
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Two like two doors down from a jazz bar as well
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with like rock and jazz jazz is like crazy popular there
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and so the magic bars really flourished
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because they fit perfectly into japanese
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culture and if you know anything about japanese
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culture and especially like in the automotive realm like one
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of the greatest cars ever built out of japan is called like the nissan skyline
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or the gtr skyline right and the
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the gentleman that created that like he
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would have uh protégés underneath him and and he would
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just have them day in day out for like a year just
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draw straight lines on paper just straight lines that's it
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like and they'd be like i came here to design cars
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what do you make me draw like straight lines for and he's like buddy if you
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can't draw straight lines you have no business drawing cars and so it's that
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notion of this they had such a high respect for craftsmanship you just need
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only look at the way they present their food and the way that sushi is made
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and everything of that nature.
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For me, the culture of magic and how hard we work on things and the intricacies
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involved with that, it just fits perfectly into Japanese culture with that detailed,
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orientated sort of performance that we have, right?
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Right. Yes. I mean, you're not in podcast. No, yeah.
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No, I'm just getting amazed that I'm also just trying to Google a couple of
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pictures to give you guys a visual of it. And this is amazing.
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I want to go there yesterday.
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Yeah. Now, there's so many of them, you know, they're not just with the close
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up notion, which is what I experienced. They also have proper shows.
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Now I was very much freestyling my trip and I tried to go see an actual sit down show.
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Unfortunately, the timings didn't align we did communicate there was one
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venue called magic bar mgm and
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unfortunately they were really polite and they were trying to
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be super accommodating but like we just you know we were just jazzing
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and didn't plan it appropriately but it would have been amazing to see
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some of the actual stage performances they had on offer there so as
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one of the cool things there now the beauty about performing in japan is that
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everybody is so respectful and they're so
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lovely that like when you being a
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magician in japan is like one of the greatest things you can experience because everyone
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is just polite respectful you're not going to
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get that sort of bogan-esque no no let me shuffle
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let me look they're just going to sit there and go oh very
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nice and bow beautiful oh very nice and bow like it's just
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remarkable because they just they revel in the
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mastery that's involved they just appreciate seeing the craftsmanship
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and you you just have this
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automatic respectful audience that
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won't heckle and they will watch carefully and they'll
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do everything respectfully in fact when i took i had
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a couple of buddies with me and i said to them that like when we go into these things
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they're probably going to give us their business cards so when you do that can
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you please get the business card so this is one from a magician that performed
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for us called sage absolute rock star so when he gave his business cards to
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us at the end of the show i said make it a point to do this look at the front all right observe it.
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Compliment something about it, and then look at the back.
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Oh, that's a great photo of you, Sagi. That's very nice. And then you look at
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it again, back to the front, and then put it in your pocket for safekeeping.
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Like you give them the respect of...
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Looking at it and really appreciating it they're like oh okay now i really want
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to get to know you as much as possible when you do that so it's one of the exchanges
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you've got to have culturally.
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Interesting huh yeah like there's a respect
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element yeah going into it you
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know yeah very cool absolutely so
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look i mean i've been to japan many many times and most times i
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don't i don't actually bother going to the bars at all but i thought i'll make it
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a point to do it this time and so we did
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now i only managed to go to a couple of places one
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being sapporo and then the northern island of tokyo i
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didn't stay in tokyo i've done it way too many times before and kind of want
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to tell you guys about this particular bar because they're actually so difficult
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to find yeah like you'd be walking through the city and trying to get an address
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in japan is very difficult so you'll use your you know.
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Your maps to help navigate you there, sure. But then what will happen is you'll
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get to the building and then it's just this giant building.
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And so the addresses kind of go like the number, the place, the street,
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and then the floors, and then on the floors, locations in the floors.
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Ah, right. Yeah, so I get to you. The single floor.
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Yeah. This happened to be in Singapore as well. It's confusing.
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Yeah, it's hella confusing. So, I mean, but all well and good once you get there.
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So we, we, we find this place and it's just this red sign with scroll,
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like a LED sign and it's scrolling.
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And eventually it said magic like opens at this time. And I thought, great.
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So we rock up and we're going like down underground into this cheeky little bar. You go in there.
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There was like half a dozen Japanese businessmen all laughing, screaming.
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Everyone's smoking inside. Now it's culture to have a gas bar inside.
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If you have a smoke on the street, they'll be like, no.
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Like go inside and smoke cigarettes.
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Whoa. Yeah. Control shock. Yeah. Big time.
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Wow. So, you know, so you're just sitting there, you know, like they bring you
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out an astray. I'm like, oh, okay. So, you know, because they're just so used
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to everyone having a smoke inside.
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And, and then, you know, so when we first arrived, this, this bar had actually
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three magicians in it and they said like only English. And I said, yes.
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And I went like, sagge. and so i guess so he came
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over and just blew our minds really beautiful
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stuff it was like actually having josh nabita he was like he did
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he did like all the really really kind like nally stuff
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with the cubes and whatever else there is a bit of a common thread which i will
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say as we kind of go along but it's kind of like everyone has their standard
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in in these bars like different magicians all the other ones we went to were
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kind of smaller because in sapporo it's kind of a north island it's buried by snow,
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and you know the foot traffic isn't as much there but I'll talk about that in
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a sec so the routines these guys did Saga was one of the standout guys he was,
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You know, like the guys that are really good will do fork bending.
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So I'm holding up a fork for the viewers on the YouTube right now.
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You can see how gnarly that kind of bend is, right?
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Like that is a twist in the time. Right. In the actual. Yeah. What the hell?
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So you can see how gnarly that type of like, look at that.
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Now, this is like, yeah, go ahead.
23:26
No it looks like if magneto had just destroyed wolverine's claws.
23:32
Made of alimantium that's now what nick is holding up yeah i mean that's so crazy how it just.
23:40
Yeah and so this is like the one
23:43
i'd seen prior but i'd never seen this particular bend before thankfully he
23:46
gifted me this one the gentleman that performed for me but
23:49
what's really cool is that like once they've done performing in
23:52
it they shove their business card in it and they gift you that so it's
23:56
like a little business card holder holy crap that's
23:59
genius yeah so there's a little pro tip for you
24:02
if you if you do want to start exploring something like this you
24:05
can bend it all up into the type of thing i've
24:08
never seen it done this way before the other way i have seen
24:11
done before but this one was gifted to me so i got to keep it
24:13
which is really like we're all used to the standard you know
24:16
morgan strebler gold standard of liquid
24:21
metal but that i've never seen and just looking at that
24:23
i'm fooled because yeah that doesn't make
24:26
any human sense yeah their bands were really
24:29
good and what's cool about it as well is that like all all
24:32
of their cutlery was like just in a packet like brand new and they
24:35
they just they drop a packet with two on there they'd be like open
24:38
the packet check them out you crack open it's like
24:40
they're just for some reason like all the cutlery is just like that like it
24:43
comes is just like two tear it open this and
24:46
that everyone's looking at it everyone's trying to bend it and then these guys
24:50
just come out and just start crushing like so my two buddies that were with
24:53
me it was great because it was like it's okay the dogs that people can't hear
24:56
the dog on the pot anyway it gets put out so yeah and so they just crushed that
25:01
and you know his big finish was a sign card.
25:05
Inside of a like a like a green tea type type number which is so like the bottle
25:12
was kind of like all covered up and then he's like he produces the bottle like
25:15
this but then when he peels back.
25:17
Like all the branding, it's just this car, but like, boom, it's in there.
25:21
And so really strong. And he did this all in his person, man.
25:25
Like it was pretty exceptional magic.
25:28
So it sounds like really elegant, really classy gentleman magic.
25:33
That's what it sounds like.
25:34
I found a couple of pictures. I think they're from the same.
25:38
These two pictures are from the one magic bar that I could find.
25:41
It's called the Owl Magic Bar. Okay.
25:45
I guess this is what I do think of when I think of a Japanese magic bar.
25:49
Like you've got the whiskey and everything behind him, like the actual bar set
25:52
up, and then everyone's sitting at the bar, right? And then you've got the magician in front of you.
25:58
I think this is just a different, yeah, different angle. Oi,
26:02
a goldfish. Well, that's not even, I think that might be a fighter fish.
26:06
Fighter fish production mid bar show. That is next level commitment.
26:11
Yeah, I mean, and just even looking at the way this guy's
26:14
dressed in these photos like it you know it sets
26:17
another kind of yeah gentlemanly standard i
26:20
like it yeah and i was i was very polite in saying
26:23
like i was like magician no like no magician
26:26
no magician so i was like perform to them and i will help you
26:29
and they're like gotcha and so we were just really
26:32
really really had a fun jamming and then like you know they finished their
26:35
set we have a chat a little bit of a cultural exchange sharing a
26:38
couple of moves back and forth and then yeah some of
26:41
them actually kind enough to gift me a couple of decks which i'll share with
26:43
you guys these are really cool yeah those decks
26:46
they gifted you are they their own custom decks
26:49
i believe so i think it's actually akira i
26:52
forget his surname but akira who does the linking cigarettes i believe these
26:56
are his decks so they're called straight playing cards and the this i mean this
27:01
is like why why why are they giving to you hey why because they oh it was just
27:05
a gift because it was a great magic but um they give you straight playing cards.
27:11
Anyway no but these are we'll move on these are okay these are quite nice they
27:15
have like a more premium style deck which is this one here which is dope these are actually marked,
27:21
in, in really good fashion. But so what I like about this deck in particular
27:25
is that like, I mean, it feels pretty good. It doesn't farrow amazingly,
27:28
but that's all well and good.
27:29
But what I do like about this is like the jokers are cool because they have
27:33
like a hat and then a rabbit. So you can do like the rabbit jump out of the hat type thing.
27:37
That's kind of cute. But what's really clever is that when you go to the court
27:41
cards, they got this cool strip across them.
27:43
And the reason they do this is because it makes it easier for people to sign picture cards.
27:49
Oh my God, that is genius. That is genius.
27:53
It's just beautiful and simple and so clever. Yeah.
27:58
Yeah. And the marking on the back is like just exceptionally like you can't,
28:02
you can't even tell like that it's an M. No.
28:06
You know, like, well, not with that. Here we go. Focus, focus, focus.
28:10
Like you cannot even tell. That is the 10 of clubs, right? Nope.
28:16
Nope. I have no idea. Can you see it?
28:19
I'm pointing at it can you see it not really okay yeah it's really good it is
28:24
yeah yeah like it's so beautifully hidden so really really nice but that was
28:29
a beautiful gift from them and then it's this premium deck which has got like
28:32
a lot of lots of shiny little business on there,
28:35
feels really nice and then like the inside look at that yeah same deal these
28:40
ones just have a kind of lighter finish on the black cards like it's not as
28:43
bright as you can probably see but it's,
28:47
these ones feel really nice they feel like a really nice matte
28:50
finish and and so forth but these are not marked but
28:52
they do look dope they do look dope so that was
28:55
very kind of them to gift me that after we had a little culture exchange sharing
28:59
the magic so yeah so then like the next part we went to same kind of deal met
29:03
a lovely kid his name was junior he performed he was great you know i liked
29:07
about him he was very like street-esque painted nail polish and And so was his TT.
29:13
Like he had the same nail polish. Yeah.
29:18
So he did some stuff with a tip and painted his thumbnail for that. And I was just like,
29:25
I respect the hustle, man. That's actually quite cool. Nice.
29:29
Yeah. What came first? Did he get the TT like that? And he was like,
29:31
oh, I better make all my fingers look like that?
29:33
Or did he paint the TT because of how his nails look already?
29:38
That's an interesting thought. That's a very funny thought, though.
29:41
Yeah. And so, you know, he did some really cute stuff. A lot of like,
29:44
because the one thing that's great about Japan is they have like fake food everywhere,
29:48
which I purchased a lot of last time I was there.
29:50
So like, very like realistic looking dumplings and stuff like that. So he can do.
29:56
You know, just stuff like that. So what trick, Tim Askin has a question and
30:00
he was asking what trick did I do for them?
30:03
I, I did like a multiple cards, I showed him my multiple card select,
30:06
and then I did my card in the box for some, and more than anything,
30:11
I just shared moves. I was like, here's a cool move for you.
30:14
And they're like, oh, I love that. And I was like, yeah, my gift,
30:16
you know, to share a move.
30:18
I'm like, oh, I like this, but here's a cool move that you can use for controlling
30:21
this card. And he was like, oh, that's cool.
30:23
So I'll show him like the Viper control and stuff like that and so yeah
30:26
and yeah the disappearing whiskey in
30:29
fact yeah i drank a lot of whiskey highballs and the cool thing is
30:32
this guys when you do go they all kind of vary in price depending on how long
30:37
you stay there or how much magic you want to see but you're looking at about
30:41
40 000 yen which is like 40 bucks australian for an hour show and all you can drink,
30:51
all you can drink yeah damn bro and did you take it like a challenge or.
31:00
Yeah i was okay my buddies are bigger drinkers than i am i just don't have the
31:04
the capacity in my stomach to drink as much but but it was all well and good
31:08
and it was just little things that were quite cute and quirky so like for example
31:12
we went to junior's bar which i did write down It's called the record in Hokkaido.
31:19
So we went there and found it down this icy road.
31:24
So like we're walking through Sapporo, we find this icy road.
31:27
We're all slipping as we're trying to walk, walk through and we get to this
31:31
building and I'm like, the building looks closed. None of the lights are on or anything.
31:35
And I was like, I've come this far. I've got to go a step further,
31:38
right? So I go and I pull in the door. Sure enough, door's open. Thank goodness.
31:42
And I start walking down the hallway trying to like see where this thing is.
31:45
And I see the magic sign, which I was able to match with what I saw on Google.
31:50
And I went, oh, cool. I think I found it.
31:51
You know, then I opened the door and opened another door. And I'm like, are you open?
31:54
And he was like, yeah. I was like, I'm bringing my friends. I'll come right back.
31:58
So you walk into this room and it's just this tiny little room, quite long.
32:03
And the bar no one's in there because you can't even find the joint and so then
32:08
you go and you sit down with this cat it's super quiet there's like very low
32:11
level jazz in the background.
32:13
And then you just sit you down you know puts out a snack what's
32:17
your thing asterisk assuming we're all gonna have a smoke over there
32:20
or whatever else yeah but my favorite part was
32:23
i mean like oh i'm gonna use the bathroom and you go over to the toilet and then
32:25
you grab the handle the handle just comes off like i just
32:28
had my gags everywhere i was just oh that's
32:33
fun man hey i'm gonna put i just put some japanese text in the private chat
32:38
do your best can you say that whole sentence as best as you can just now yeah
32:45
go no you try that's what i'm saying where is it,
32:50
in the i just put it i can put it in the general comments but i just put it
32:53
in there all right in Okay, so it's just here.
33:05
Yeah.
33:10
He said, I used to be in a band in Japanese, baby.
33:20
I guess we have to drink now. Put it in the comments so everyone else can see
33:22
what he was trying to say. Yeah, boy. I was born in the band.
33:29
I was born in the band. I was born in the band.
33:33
That is hilarious.
33:40
That's what my google just told me it sounds
33:42
like yeah boy anyway yeah so
33:46
they're doing super cool stuff there was one really cool effect that he
33:48
did where it was kind of like a i don't know what you call it like a like a
33:53
what do you call it like a chicago opener type effect where it was like yeah
33:57
but it was just really clever so like he kind of like palmed an item underneath
34:01
the spread like this and then was like oh look at that but then what he did
34:05
was he put this down on the table,
34:07
and like so this was just sitting on the table like this and he was but he was
34:10
referencing up here and he did all the stickers oh and then you look back and
34:13
it's like just like a hamburger just sitting on the deck fine you're like that's
34:17
so clever like this little bits like that were,
34:20
really really cool you know herbert here was asking we probably both have answers for this,
34:26
do you think there are any differences in the attitudes between aussie
34:30
and japanese close-up magicians how do you feel about when you watch each of
34:34
them well i gotta talk about some commonalities that i saw across these magicians
34:39
so for example they all did ambitious card the exact same way and they all use
34:45
the tilt move for it it was like whatever whatever like.
34:50
Was taught or handed down or read that might be it like it was interesting one
34:56
thing like some people mixed it up themselves there was you know you know kenji
35:00
with this other this third bar that we went to his bar was like really beautiful
35:03
all lovely wood he was like in his 60s he'd been,
35:07
performing magic since he was like 13 and he was explaining that this is the
35:12
second oldest bar in like Sapporo is what he said, or in Ashwakaya,
35:19
I think it was pronounced in that particular region of Sapporo.
35:22
So it was like just really, really fascinating.
35:25
But there's certain things that like there's a commonality that they all tend to do.
35:30
So they all, everyone does the, put your fingertips together,
35:33
put the sticky tape around it, and then you penetrate the wine glass.
35:37
Like everyone did that effect.
35:40
Yeah. That's interesting. I wonder if the tilt move, for example,
35:46
if that's because of Cyril's magic specials in Japan.
35:51
Because Cyril is known heavily for doing that.
35:55
Yeah. I don't know if that's a culture thing. I'm just like,
35:58
they just replicate that.
35:59
I mean, I will say from afar, whenever I've seen any Japanese magic,
36:05
it's always that the difference for me, they take
36:09
it like an art form that has
36:12
to be mastered in like how a
36:15
ninja would learn you know like the art of or calligraphy or
36:18
like you know you really do your diligence to
36:21
learn that craft and then they they
36:25
perform it as like a craft as opposed to in australia we tend or in in western
36:31
culture i feel like a lot of the time people just learn enough like they get
36:36
not good but they get like enough skill to then start showing people and they try and hide their.
36:45
Not defined skill set yet with comedy and
36:48
they yeah that and they try and it's sort of like not polished yet whereas i
36:52
feel like in japan they're very much like i polish my art form and then i display
36:57
it and it's very much like thank you very much like boom boom like precision
37:01
yeah that's my feeling of it anyway that's like the vibe i get yeah you know
37:05
it's it's interesting I think that Ozzy's,
37:08
as far as style goes,
37:10
it's the most different.
37:15
Yeah, there's not a lot of commonality between all Aussie magicians, for example.
37:20
We're all very... I feel like there's a wonderful level of individualism that's
37:25
exuberant across every performer.
37:27
Even LJ just in the comments, like, he's so different from me,
37:30
I'm so different from you, Josh.
37:31
I mean, skill level-wise, I think you and I have a lot of similarities,
37:34
but I think as far as presentation and so forth and personalities,
37:40
we're quite different, you know?
37:42
Yeah, we did a show together and people watched our acts separately and enjoyed
37:47
them separately, you know? Absolutely.
37:49
But like with the Japanese culture, I just found like so many similarities with the routines.
37:54
Everyone does the same thing. And the question was like between Japan and Australia,
37:59
I would say that Japan, there's a lot of similarities.
38:02
I would say that Australia, there's a lot more individualism.
38:05
Maybe it's because we are a multicultural society as well.
38:09
That might be it. You know what I mean? Because like, you know,
38:11
I'm Greek, you're Aussie,
38:13
someone's German, whatever it might be, you know what i mean so that might be
38:15
like the fact of the culture that actually influences
38:18
that because i will say that whenever i
38:21
go to magic live and i meet an american who's like can i show you a trick it's
38:28
counting cards almost every time it's like i want you to count i'm like okay
38:35
and uh and uh i want you to shuffle the shuffle the cards first yeah yeah shuffle first.
38:42
Yeah whatever you want do you want to shuffle it again yeah and I'm like the shuffle,
38:51
It's always that, okay, you want to do a trick? Shuffle.
38:56
Unless it's Franco Piscali, then he just demolishes you.
39:00
See, there's something, yeah. It's remarkable. And he's an individual without question.
39:05
You can't replicate that.
39:09
The guy's a Mona Lisa. He's amazing. But yeah, I do find that with a lot of Americans.
39:14
And I think, and also the Canadians. A lot of times people show me tricks and
39:17
he's like, I want you to count cards. I go, American? He goes,
39:19
Canadian. I go, okay, keep going.
39:21
Like it's whereas if they ask someone in australia we say name any card that's what we say.
39:29
Yeah we don't even pick one
39:33
name one yeah it's in my pocket or
39:36
it's at my fingertips or how do you want me to find it or it's
39:39
in your tampon or whatever you know it's not shuffle the
39:43
day and i think there's strength in that i think that needs to
39:46
be yeah because i mean the thing is we don't we
39:48
don't have nearly enough magic international magic come to our shores
39:51
i mean short of the melbourne magic festival we probably
39:54
wouldn't see a lot of international acts at all you know
39:57
we're blessed that rc win's going to come and
40:00
visit us in the coming weeks which i assume you're going to josh that's
40:04
going to be incredible yeah yeah we'll see what happens
40:07
yeah it was just announced today at the melbourne magic
40:10
festival that magical katrina will be joining the
40:14
the lineup to the melbourne magic festival so that'll
40:17
be interesting to see i believe she'll be doing her kid show i think
40:20
i didn't actually have time to read the email this morning i just learned
40:22
a catch ring oh cool cat's coming and then i moved on yeah great
40:26
yeah yeah another american coming through that'll be
40:29
fun yeah so yeah it sounds like to to
40:32
yeah further what you were saying like in japan
40:35
it's very much like this is the magic you do if you're a close-up magician and
40:41
like how good can i get it doing that set that everyone does like now watch
40:45
me do it how perfected mine is or it sounds like that rather than let me be
40:51
creative and think outside the box and blah blah blah it's like.
40:54
We all, yeah, if you're a magician, you do these 10 things, but let me see how
40:58
good I can execute these 10 things.
41:00
Yeah. Yeah, absolutely. And so everyone did like the same, and it was kind of interesting.
41:05
It was like, we go to a different bar and my buddies were like,
41:08
oh, we've seen this one. And I was like, let him cook, let him cook, you know?
41:12
And then we saw this one and this one. And then, yeah, you know,
41:16
Kenji was like probably my favorite.
41:18
Like we spoke about it. I was like, yeah, Kenji, like, and he was,
41:20
he was a G man. And like, like when you walk into, here's the thing,
41:24
every time we walked into these bars, other than the first time, the bars were empty.
41:28
They were empty. There was dead quiet, but they were open and they were going
41:33
to be open from seven till two in the morning.
41:37
And they would just sit there and wait for folks to rock up.
41:40
And then we rock up and they're there and they're poised and they're impeccably dressed.
41:46
And there's not a single stain on their shirt, not a single sweat stain on their anything.
41:51
It's, it's phenomenal. Like it's insane.
41:55
Yeah. So Kenji was the, was at a bar. I think it was called Welcome, the Welcome Magic Bar.
42:01
And his was the hardest to find. I wouldn't
42:04
have found it if I didn't have the kindness of a couple of locals that
42:07
came through they were walking through with a couple of other Aussie
42:10
blokes and I went you guys go into the magic bar and
42:13
they're like no we're going and whatever and I was like oh
42:15
and the guys and then one of the Japanese guys who spoke English really
42:18
well he was like what are you trying to do and I and I was
42:21
like this place and he just took my phone and just started walking
42:24
up the stairs come come and I'm like all right and
42:27
then he was kind enough to take me like all the way to the place
42:30
and like things being bowed and away he went and it was
42:33
that was probably my most favorite experience sitting
42:36
around with him there was one really cool thing that these guys do
42:39
with regards to their social media and so forth they
42:43
do a lot of stuff where it's like you have a blank card and you can't see anything
42:47
hold it up and smile and then they take your phone and take a photograph put
42:51
it down and then like later on reveal like you're thinking of a card what card
42:57
are you thinking look back at that blank photo of the photo with the blank card
43:00
and then it then like it appears.
43:03
Know what I mean? And I've seen that, I've seen that gimmick at Magic Live,
43:06
but I never really felt the need or want for it.
43:08
But when you look at the capacity of photographs and sharing it through social
43:14
media and extending that type of reach.
43:17
I will say from experience since doing Theater of Magic that like any opportunities
43:21
for photographs are really important to the success of one's business.
43:26
And especially if it's something that's like location driven,
43:29
they need to be able to go there and take photographs and be a part of that
43:32
you know like our media wall is lit
43:35
like it's staggering how like we finished the
43:38
show say thank you very much and go straight to the media wall and
43:41
then everyone just rush this lines up to take like photos as we
43:44
leave and says thank you like it's it's pretty dope
43:46
yeah that card herbert
43:50
oh who just mentioned it the rainbow card yeah i i do
43:54
like you i don't use it so
43:58
i might light a little fire the other one that's fun
44:00
is ozzy wins double exposure that's a
44:03
that's a fun impromptu photo moment as
44:06
well yeah yeah all those are good the goods
44:09
yeah the goods yeah absolute banger
44:12
and so yep that's what the venue's like and then
44:15
like the last one we went to was very funny it was kind of
44:17
upstairs it was cold old where's
44:21
my notes as i go back up the fontaine
44:24
magic bar like fontaine playing cards i
44:27
was like okay this guy better be good and he was dressed in like like proper
44:33
garb like he's in like proper like samurai garb type of thing you know like
44:36
with the robes and stuff really polite very soft and he was great because this
44:41
guy did all original stuff all original uh and when i say original it It was like,
44:45
it was like original in a sense that like, oh, he took this idea and this idea and made them a routine.
44:53
You know? So that was really cool. But even then, you know, like my,
44:57
my buddy, he, you know, he smokes.
44:58
And so he like, in this one venue, we're like, Oh, can we, you know,
45:01
like get, get an ashtray.
45:03
And he was like, no, sorry, balcony. And we're like, okay. So he walks out to the balcony.
45:07
Now I thought, well, I've got to go see this. Right. So I walk over and like
45:11
his clothes lines there.
45:13
It's just his clothesline. We just walk out to his clothesline.
45:16
Like, Oh, like his jocks are probably here like it's just you know snow all
45:22
around us and the thing as well yeah,
45:26
yeah just casually yeah but again
45:29
cute little venue little plate of chocolates he performed
45:32
his bit he was the most expensive bar we went to yeah he charged a lot for whatever
45:36
reason and I wasn't going to say no so we paid basically double what everyone
45:40
else was charging so we did that he did his bit we had again a nice culture
45:44
exchange took a photo this and that thank you Herbert let's shout him out Herbert, come on.
45:50
What are you doing to us? A $10 donation.
45:55
One bicycle deck each for Mick and I. Cash back.
46:00
Yeah. And so look, I mean, all in all, each bar had its own little differences.
46:04
Each bar had a lot of commonalities. But it was just so curious to me as I look through these,
46:11
how they actually have been around for as long as they have and how they survive
46:17
with what to me seemed like phenomenal to be open six days a week.
46:25
From seven till two in the morning and they'd
46:28
be lucky if anyone comes in and they're so damn hard to
46:31
find you know like that's genuinely staggering to me and i just couldn't quite
46:36
i'm trying to understand like and like this is your full time this is all you
46:39
do is like yes and i'm like how do you you know i was also really gnarly man
46:43
so my buddy he drinks rum he drinks rum like a sailor Okay.
46:49
So we get there. He's like, what do you want to drink? Have the rum.
46:53
And then he's like, Oh, finishes the rum. Um.
46:57
And then like sends a text and literally six minutes later, some old guy just
47:02
rocks up with another bottle and an invoice and says, thank you.
47:06
And leaves and then, and then just goes and then my other, yeah.
47:09
And then, and then my other buddy drank all the whiskey and then sends a text.
47:13
The same guy rocks up six minutes later and goes, boop.
47:17
And it's like, it's like, I don't know how it works.
47:20
But like we ended up in a situation where this one old man.
47:23
Is just like sitting there with like a stockpile of
47:26
all this booze waiting for like stores to text him
47:29
or shoot him a message being like yo can you bring some rum he's
47:32
like yeah man i'll be on my way and then just brings it there in a bag and
47:34
sends him an invoice and then just walks off bro i saw this
47:37
in a nelk video the nelk boys went
47:41
and did a japan trip which is a great vlog that
47:44
everyone should go watch and they like met up with the the japanese
47:48
mafia when they were there and so anyway it's crazy but but one
47:51
particular part is they're like mid-walk in
47:54
this park like this giant park there's no shops around
47:58
or anything and like man i could really go for a beer and their
48:01
translator that's looking after them goes oh we can just order
48:04
beer and he's like what do you mean we can just order beer we're
48:07
in the middle of nowhere he's like watch this and he orders this beer
48:10
and a fucking drone comes out of
48:12
nowhere and drops it off at this like drone
48:16
station where where people can order stuff and it
48:19
dropped off like this whole bucket of beers for them
48:22
and they're in the middle of nowhere like that's one
48:25
thing they've definitely figured out is you know you
48:27
can get anything anywhere anytime yeah and
48:31
there's vending machines everywhere with everything in them
48:34
like hot coffees it's there and there's no trash cans anywhere like if you find
48:41
a trash can it's like finding a leprechaun it's crazy and yeah there's no trash
48:46
cans anyway like so you have rubbish you just hold on to it like for half the
48:49
day and then And you find a rubbish bin and you're like, oh.
48:51
And you just empty your pockets, you know?
48:53
Oh, wow. And erroneous of there
48:55
being no bins anywhere. It is the cleanest country I've ever been to.
48:59
Huh. Yeah. Like, yeah.
49:02
I mean, it's like, so, yeah. So the guys were asking, did I go for a show or the snow?
49:06
I was there for the snow and I will, I will tell you some really fun things
49:09
as like we, we move on from magic and just, and just praise the country.
49:13
So I will make a quick mention of some bars that I didn't get to see,
49:16
but some of my friends in the past have been to, and I'm just going to mention this one.
49:20
I had a list of five, but given the time we have, I mean, just go to as many
49:23
as you can while you're there.
49:24
But there was one in particular in Ginza, it's called the magic table.
49:27
And the magic table is unlike our friend Damien's a part of. The magic table is this.
49:34
Guy at this one little table in this one little bar
49:37
and he and he performs this magic and i saw the
49:39
video of what my buddy took and it was basically like he does
49:42
this thing where he like opens up a matchbox and
49:45
then takes out a little matchstick and then the matchstick just kind of like jumps up
49:48
and then the matchstick like jumps like this and
49:51
then the matchstick is like it's it's vertical like think of
49:53
like pixar animation and then it's just
49:57
kind of going across all the playing cards like
50:00
it just bounces all across the crowd and then stops on one playing card and
50:03
it's their selection like it's the most like animated
50:07
thing i've ever seen as far as magic goes like
50:10
it's phenomenal yeah and that would
50:13
be an experience like there's a level of engineering behind that
50:15
beautiful piece of magic that would be such a pleasure to experience
50:18
in person so if you're if you have time
50:21
for only one like find that place what should
50:24
you go and visit there but yeah but look
50:27
outside of that i i have so many praises of what a beautiful country
50:30
it is you know one of the cool like there's just so many things that they
50:34
just they always say when you
50:36
come back you have like post japan blues does happen they're just
50:40
so much better than us in every way and i'll tell you why like one
50:43
their toilets rock you can use a toilet anywhere and it's going to be cleaner
50:49
than where you where you've ever pooped in your own house and they wash your
50:53
butthole for you so that's just amazing right all their trains are insanely
50:58
on time if If they're late by 30 seconds.
51:01
That's considered late or a delay for these cats.
51:04
And as well as that, they've even got dedicated carriages for women only when traveling at night.
51:10
So yeah, it's super cool. As well as that, in like trains, and because we got
51:18
a lot of bullet trains as we're sort of bouncing around the country.
51:21
Culturally, you don't talk on your phone. It's silence. Yeah.
51:27
Yeah, unless you're talking to each other, that's fine. But I like that.
51:32
Yeah, but nobody's just sitting there obnoxiously on their phone or got their
51:36
things playing video games aloud and like none of that. Like it's just culturally not accepted.
51:42
Yeah, that's nice. Yeah.
51:45
Bins, hard to find everywhere. The shoes off culture, quite nice,
51:48
keeps everything clean.
51:50
Vending machines, they're dope because you can basically walk down your,
51:55
like hallway and then just grab a bunch of beers and then go back to your
51:57
room like it's just rad and and everything there is
52:00
so cheap they had these particular um highballs these
52:03
like whiskey highballs and they were like orange flavored like blood orange
52:06
you get a six pack for 580 yen or something it's like less than six bucks for
52:12
a six pack and they're like seven percenters they're just great at the end of
52:15
the day of snowboarding all day you just want to have like a little chill and
52:19
wonderful they are what's what's their airport like.
52:24
Really organized and efficient is it
52:29
like the standard western airport where you used to going
52:32
like land walk through the thing i believe
52:35
they actually hold the record for not having lost
52:38
a single piece of luggage in like over a decade or possibly
52:41
even longer like i remember that being a thing last year that
52:44
the boys and i were talking about everything's just
52:47
organized man like even when you like when you go to the trains
52:50
they have like line lines on
52:53
the floor as to where you're supposed to stand and wait
52:56
for the train and then you and then the train
52:58
rocks up and it stops exactly where it's supposed to and
53:02
then everyone gets off and then everyone gets on and
53:05
that's it no one's pushing past each other no one's like you
53:08
know it's just just so civil
53:11
and so organized even in traffic the way people let them
53:14
each other in and you know like that and then they
53:17
kind of flash their hazard lights to say thank you that's like the little thank
53:20
you thing that hazard lights yeah it's just
53:23
it's phenomenal man and even in bowing as well like when i finished my exchange
53:27
with kenji and we shared magic with each other like we're bowing to each other
53:30
and like we just like we were trying to like bow the lower you bow is like more
53:33
respect and i just was like going full 90 degree like if not more you know i
53:37
was like damn near kissing my feet so yeah it's it's great.
53:41
Wow yeah and then outside of that like
53:44
convenience stores they're phenomenal like we're still trying to
53:47
have figure out like which which is the greatest like
53:50
the 7-elevens there's lawson's and there's family marts
53:53
and they're all dope like you can rock up
53:56
and just have the most delicious desserts
53:59
if you do go there they got these waffle ice creams that you
54:02
got to have at the end of every day like don't even argue with me
54:04
just go it's like a waffle double-sided waffle and
54:08
it's like like coated it's like waffle chocolate
54:11
all on the inside ice cream and then a full layer
54:15
of just brick chocolate in the middle have one
54:18
of those every day but don't eat it immediately buy it get it
54:20
home let it melt a little bit that's a pro tip what about
54:23
magic shops did you find any authentic magic stores
54:26
why i didn't find any magic shops to purchase
54:29
stuff most of the magic shops that when i look at magic shops
54:32
and magic bars it basically took me to the same thing and a lot
54:35
of the guys did have you know stuff that you
54:38
could purchase inside those bars like there was this really cool tenure gimmick
54:41
that was like he was doing this he was like fork bent and then you go like fork
54:47
straight fork bent and it was just a double-ended fork there's a tenure product
54:52
and it was so cool i was like oh yeah that's actually really clever like.
54:57
Yeah so it's it's just it's a really nice cultural exchange everyone's super
55:01
polite But if you do go there, understand that they have traditions,
55:05
they have customs, they have culture and abide by theirs.
55:09
Don't bring your misbehaving sort of notions to that place.
55:14
Like you'll just, yeah, like it's just such a pleasure to be a guest in that country.
55:18
And so it was also really nice to receive their magic.
55:24
And that's my story of going to japan our next travel adventure will be for
55:32
me are you enjoying singapore again,
55:34
look i did singapore because i i performed at the f1 the formula one so but
55:40
that's not in the in the works coming up so yeah singapore might not be for
55:45
a bit but we'll see yeah i got my buddies trying to trying to bust my nuts to
55:49
go like let's go to singapore grand prix and i'm like It's great.
55:53
Oh, right. The Grand Prix. Yeah, the Grand Prix is super hot and it's humid,
55:57
as you know, going anywhere on that side of the world.
56:00
I just remember it being fucked for humidity.
56:04
Dude, I was in minus 16 degrees every day and then I come back to Melbourne
56:08
and it's 36 today, which is like 6 million Fahrenheit for the American listeners.
56:15
It is just way too hot. I hate it.
56:18
Yeah. If you go to Singapore for the Formula One, definitely
56:21
take the arctic cooling vest that would
56:24
be my pro tip i'm gonna get those guys on
56:27
the pod one day as a surprise we should i mean look we're definitely gonna sell
56:32
at least three of them yeah so i think our next journey as far as like magical
56:37
journey i'll be taking i have committed to going to magic live hopefully anyone
56:42
else coming along by all means let us know we'll catch up and run amok.
56:47
Josh, I think you have family ties this year and won't be joining us.
56:52
Yeah, I have to bow out of Magic Live unless any companies out there want to sponsor me to go.
56:57
Ba-bing, I'll wear your hat. But no, we have some other overseas trips we have
57:02
to dedicate our time and money to this year.
57:05
But yeah, and then obviously Blackpool would be on the list at some point.
57:10
So I see everyone getting ready to go to Blackpool, which looks awesome.
57:14
Do you think we should? Do you think we should actually plan it?
57:16
It'll be an expansive trip.
57:18
But I wonder, is it more expensive than going to the US? It's Europe, man. Yeah.
57:26
Everything's expensive in Europe. Like, I actually looked at,
57:28
like, snowboarding in Europe, and I was like, oh, Macedonia does cat skiing.
57:32
I'm like, let's go to Macedonia. And 2,000 euros.
57:36
Like five grand we should do a compare like
57:39
we should we should look up all the expenses and and compare it
57:42
to what you know we're spending at magic live and just see
57:45
like how much more it is you know or if
57:48
it's yeah well that good buddy
57:51
eric is going eric leclerc is going to be doing
57:54
some stuff there as well he's going to be launching his brand new
57:57
character which we'll be doing which we'll
58:00
be interviewing as an exclusive i've already signed the deal
58:03
for you so i'm gonna keep that silent
58:06
and a nice surprise for
58:09
you listeners but i mean he's talked about it and he's posting
58:12
about it yep right his character yep but that man that would be fun to see you
58:17
show it so he's gonna do a show as that character at blackpool or host or something
58:22
he said that he's launching it there like he's showing the world the very first
58:26
time who it is and so i was like great And then I said, promise me,
58:30
you will let us do the first interview.
58:33
And he said, yes, we'll be the first people to interview Tooth Farrick.
58:38
Heck yeah. See, that's maybe what we need to try and find is,
58:42
you know, he's going to Blackpool, obviously, because he's booked to go there.
58:46
So, you know, Blackpool, just can you please book the Magic guys to come there?
58:53
And then that'll solve all our problems.
58:56
So that's pretty much it. We have a guest on next week, but we'll tell you more
59:00
about that as we lead into it.
59:02
And Nick is going to do the final word in Japanese.
59:07
Here we go. Sayonara, bitches.
59:12
Thanks for listening. It's time for us to disappear now. Disappear now.
59:17
But we'll see you again on the next episode of The Magic Guys.