Latest / The World of Phil Hendrie / Episode #3973 The New Phil Hendrie Show

Transcript

Episode #3973 The New Phil Hendrie Show · The World of Phil Hendrie

0:00
Speaker 1: The following is a world-famous Phil Henry Show encore presentation.
0:04
Speaker 1: All right, thank you very much. Welcome, thank you very much.
0:12
Speaker 1: This is Tom Dovka here in Southern California. I was
0:17
Speaker 1: consulting with David Hall on the Phil Henry Show, and
0:20
Speaker 1: a couple of things happened over the last 24, 48
0:22
Speaker 1: hours that I'm going to tell you about. But first
0:26
Speaker 1: I want to say I'm very happy to be on
0:28
Speaker 1: the Phil Henry show. I don't take this lightly that
0:32
Speaker 1: I'm getting to host the show. Now what happened, and
0:36
Speaker 1: I want to thank General Shaw is here and Margaret
0:39
Speaker 1: Gray is here and Bud Dickman is here.
0:40
Speaker 2: Right?
0:42
Speaker 3: Yes, we're here.
0:43
Speaker 4: We're right here, yeah.
0:44
Speaker 3: Yes, sir.
0:45
Speaker 1: Okay, and I don't want anyone to think that Phil
0:48
Speaker 1: is not going to be back. But what happened was
0:50
Speaker 1: essentially this. In the last 24 hours, 12 to 20,
0:56
Speaker 1: just like last 8 to 16 to 12 to 24 hours.
1:03
Speaker 3: What?
1:05
Speaker 2: Mr.
1:05
Speaker 1: Henry was contacted by David Hall, David G. Hall, who
1:10
Speaker 1: is the president of digital operations, the Phil Henry Show,
1:15
Speaker 1: and was asked if it wouldn't be too much trouble
1:19
Speaker 1: for him to take a day off so I could
1:20
Speaker 1: come on here and sort of put out a couple
1:23
Speaker 1: of fires. And General Shaw, you wanted to say? Yes,
1:27
Speaker 1: I just want to say one thing. I understand what
1:31
Speaker 1: it is you're.
1:31
Speaker 2: Trying to do.
1:32
Speaker 1: I want to be heard on this, though.
1:34
Speaker 2: How do we know a lot.
1:34
Speaker 1: Of these fires that you say you're going to put
1:37
Speaker 1: out weren't started by you? Okay, so this is what
1:42
Speaker 1: you wanted to say.
1:43
Speaker 4: I think it's a valid question.
1:44
Speaker 2: I didn't start any fires. Now, hold on.
1:48
Speaker 1: Bobby Dooley is a longtime guest on the Phil Henry Show.
1:52
Speaker 1: She come on this show here yesterday. And she kind
1:55
Speaker 1: of fought... Well, I think.
1:58
Speaker 4: We can use another term for that.
2:01
Speaker 1: She passed gas in a very loud way, and she
2:05
Speaker 1: did it as a way of protesting and embarrassing this
2:10
Speaker 1: show because she felt that she'd somehow been wrong. Her
2:14
Speaker 1: and her husband had been wrong in an ongoing.
2:19
Speaker 2: Situation with another guest, right?
2:21
Speaker 1: Yes, it was Chris Norton, and I might... As I
2:24
Speaker 1: understand it, Mr. Norton has now been on Talkatik.
2:29
Speaker 2: It's on TikTok.
2:30
Speaker 1: Yeah, he's been on TikTok. He's on other platforms with
2:34
Speaker 1: this relaxation tape.
2:35
Speaker 2: And that's fine. I don't know anything about this.
2:38
Speaker 1: All I know is that there was a problem with
2:40
Speaker 1: this Dooley woman who then come on this show yesterday
2:44
Speaker 1: and farted.
2:46
Speaker 4: She came on the program and loudly passed gas, yes. Right.
2:50
Speaker 3: Right.
2:51
Speaker 1: Well, I heard the replay of the tape, and she
2:53
Speaker 1: busted it pretty good.
2:57
Speaker 4: Well, you have another.
2:58
Speaker 3: Yeah, yeah.
2:58
Speaker 1: Well, and then the other thing that I want to say, well,
3:00
Speaker 1: first of all, I want to talk about this is
3:01
Speaker 1: why I'm here.
3:02
Speaker 2: Mr.
3:03
Speaker 1: Henry was asked by Mr. Hall to take a day
3:07
Speaker 1: off so that cooler heads could prevail. I could come
3:12
Speaker 1: on here and talk to you about the expectations of
3:16
Speaker 1: the Phil Henry, of what we expect of the Phil
3:18
Speaker 1: Henry show, what he's been able to deliver. And also
3:23
Speaker 1: addressed the understandable outrage that was voiced by a great
3:26
Speaker 1: many listeners who said, that's just, that's stupid to rely
3:31
Speaker 1: on the fart. What are you saying? You're talking about
3:34
Speaker 1: fart humor. Yeah, that's exactly right. Fart humor.
3:38
Speaker 4: Yeah, but she did it on purpose.
3:40
Speaker 5: There was no attempt by Ms. Dooley to be funny.
3:44
Speaker 5: She was trying to embarrass the show.
3:45
Speaker 2: Well, I think this is the thing. I think Mr.
3:48
Speaker 2: Henry knew what was about to happen.
3:53
Speaker 4: Why do you say that?
3:54
Speaker 1: Because he knew that Mr. Norton already had produced a
3:58
Speaker 1: relaxation tape and had it on TikTok.
4:01
Speaker 2: It's called TikTok.
4:02
Speaker 1: Yeah, on TikTok and had it on YouTube and had
4:07
Speaker 1: it on different platforms. And his relaxation tape was on
4:11
Speaker 1: and it was going.
4:12
Speaker 2: So Mr.
4:12
Speaker 1: Henry knew that. So he should have known that when Ms.
4:15
Speaker 1: Dooley come on this show with her husband that she
4:18
Speaker 1: was more or less going to make a statement. And
4:21
Speaker 1: the statement that she made was a big, loud fart
4:25
Speaker 1: that everyone could hear. And no, it was no mistake
4:28
Speaker 1: in what it was. And everyone could hear it.
4:31
Speaker 4: And why do you call that humor?
4:33
Speaker 2: Oh, come on.
4:34
Speaker 1: Fart humor, if when you're a program consultant like I am,
4:38
Speaker 1: fart humor is one of the oldest staples in morning
4:42
Speaker 1: show radio, Mr. Henry being a product of morning radio,
4:48
Speaker 1: if you will, personality radio, so he knows, hey, I
4:51
Speaker 1: know what I'll do. I'll have Dooley come on and
4:53
Speaker 1: bust out a fart. Excuse my language.
4:56
Speaker 4: Well, it's called fart.
4:58
Speaker 2: I know it is. What do you think I'm saying?
4:59
Speaker 2: You're saying fart.
5:00
Speaker 4: You're saying fart. Fart.
5:02
Speaker 1: I'm saying fart. Don't worry how I'm saying it. So
5:07
Speaker 1: I think that it was a crude, crass attempt at humor,
5:11
Speaker 1: and I think it failed and flopped, and I think
5:14
Speaker 1: any time you've got to fall back on farting and
5:17
Speaker 1: making fart noises, you're losing the audience already.
5:20
Speaker 5: All right, that's a very good point, but again, I
5:23
Speaker 5: don't know that that was what Phil's intention was.
5:25
Speaker 4: I believe that it was, again, Bobby and Steve Dooley.
5:29
Speaker 1: Well, Bobby and Steve Dooley are guests, but I believe
5:32
Speaker 1: that they might have telegraphed to Mr.
5:34
Speaker 3: Hendry.
5:34
Speaker 2: How did they telegraph?
5:36
Speaker 1: I think that when they come in, And Mr.
5:38
Speaker 2: Henry sat down.
5:39
Speaker 1: They kind of gave him, you know, they gave him,
5:41
Speaker 1: they winked and they arched an eyebrow and gave a
5:43
Speaker 1: thumbs up like there's going to be, I'm going to
5:45
Speaker 1: bust one.
5:46
Speaker 2: You know, I don't know.
5:47
Speaker 4: You don't know that for a fact.
5:49
Speaker 2: You're right.
5:49
Speaker 1: I don't know that for a fact. But I just,
5:52
Speaker 1: it was too perfect. She was talking and she was
5:55
Speaker 1: doing a relaxation tape. Then all of a sudden, are
5:58
Speaker 1: you here?
5:58
Speaker 2: Do you hear it?
5:59
Speaker 1: And then here comes this, she busts ass in the
6:02
Speaker 1: loudest possible manner. And I can well imagine her looking
6:06
Speaker 1: at Mr. Henry and winking and And Henry giving a
6:08
Speaker 1: big thumbs.
6:09
Speaker 2: Up like, yeah, you know.
6:11
Speaker 4: Well, that did not happen.
6:13
Speaker 2: I was in the studio.
6:14
Speaker 4: That didn't happen. I was here as well. And we
6:16
Speaker 4: didn't see that.
6:17
Speaker 1: Well, I know that you're very loyal to Mr.
6:19
Speaker 3: Henry.
6:19
Speaker 4: Look, we're loyal to Mr.
6:21
Speaker 3: Henry.
6:21
Speaker 1: We're not going to sit here and lie about it
6:23
Speaker 1: and everything. Oh, so in other words, you're going to
6:26
Speaker 1: tell me that you don't like Tom Dovka, do you?
6:30
Speaker 1: I don't mind you telling me. Phil's the guy that
6:32
Speaker 1: doesn't like you. I know you're here to do a job.
6:36
Speaker 1: I just am saying that every time you're on this program, Mr.
6:39
Speaker 4: Dovka, okay?
6:41
Speaker 3: Yeah.
6:42
Speaker 5: You are somehow critical of Mr. Henry's approach to his show,
6:46
Speaker 5: and you can't wait to get on and give your
6:49
Speaker 5: two cents. And you also can't wait to get on
6:51
Speaker 5: here and consult the show. Now here you are hosting
6:53
Speaker 5: this segment after Phil's been pulled off the air.
6:56
Speaker 2: Well, Phil, I'll tell you, Phil was pulled off. David G.
6:58
Speaker 1: Hall said, I can't have it. I can't, you know,
7:01
Speaker 1: we'll do anything. I'll do anything you want. But when
7:04
Speaker 1: you sit down here at the microphones of the Phil
7:08
Speaker 1: Henry platform and you sit down and you have a
7:10
Speaker 1: woman come on who does a relaxation tape and everyone's
7:13
Speaker 1: relaxed and you've essentially lulled the audience into a false
7:19
Speaker 1: sense of security.
7:21
Speaker 2: You know what I'm saying about that?
7:22
Speaker 4: Yeah, I know.
7:25
Speaker 1: And she's going, hey, you know, I'm relaxed, I'm relaxed.
7:27
Speaker 1: All of a sudden comes this big, loud ass bust.
7:32
Speaker 2: You cannot deny.
7:34
Speaker 1: That that is going to be problematic. And that's why
7:39
Speaker 1: I'm here today to tell the audience that it was
7:42
Speaker 1: not an intentionally offensive move.
7:46
Speaker 3: Mr.
7:47
Speaker 1: Henry, in an effort to entertain the audience. Well, you're
7:51
Speaker 1: saying again, you're saying that this was something that Ms.
7:54
Speaker 1: Dooley knew she was going to do. And first of all,
7:57
Speaker 1: how do you plan a fart like that?
8:00
Speaker 2: Well, you're pretty free with that word.
8:02
Speaker 4: You are.
8:03
Speaker 3: God, Mr.
8:03
Speaker 6: Doctor, you're saying it.
8:04
Speaker 2: All right, okay. How do you plan? Let's call it
8:07
Speaker 2: the wind bust.
8:08
Speaker 4: The what?
8:09
Speaker 2: How do you plan to bust wind the way she did?
8:12
Speaker 4: Yeah, how do you plan one that big?
8:15
Speaker 2: I think you.
8:15
Speaker 1: Can have several cups of coffee, and you can have
8:20
Speaker 1: certain grain cereals, and you can have perhaps a rotten egg.
8:26
Speaker 1: Not a rot, but she said, did she say deviled egg?
8:29
Speaker 3: Yes. All right.
8:31
Speaker 1: By the time she got in here, she was ready
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Speaker 1: to bust it. So without keeping everybody, you know.
8:38
Speaker 4: This is ridiculous.
8:40
Speaker 1: I mean, I'm just saying. I don't want to belabor
8:42
Speaker 1: the point. I'm just telling you why I'm here. The
8:46
Speaker 1: other reason why I'm here is Tom Bell.
8:50
Speaker 4: Ted Bell.
8:50
Speaker 1: Ted Bell asked me to come on because he has
8:54
Speaker 1: a new advertising slogan.
8:55
Speaker 2: And I said, you know.
8:56
Speaker 1: Phil's not going to be here because David G. Hall
8:59
Speaker 1: asked Phil to sit this one out because of this
9:02
Speaker 1: explosive gas incident from yesterday. And Tom Dovka could go on,
9:07
Speaker 1: maybe help you with a slogan, because he has a
9:09
Speaker 1: new slogan called Your Mouth, Our Meat.
9:12
Speaker 2: Ah, something like that.
9:14
Speaker 4: And you are going to write a song.
9:16
Speaker 1: No, I actually have Armie Glasscock, who has an advertising
9:20
Speaker 1: agency in New York. We're going to bring him on,
9:22
Speaker 1: and Armie's going to come up with some... come up
9:26
Speaker 1: with a jingle for the Ted's at Beverly Hills restaurant
9:31
Speaker 1: to utilize that jingle. So that's coming up here on
9:34
Speaker 1: the show. And I remind you that you're listening to
9:37
Speaker 1: Phil Henry Show here at philhenryshow.com here from Southern California.
9:42
Speaker 2: I'm Tom Dauka.
9:43
Speaker 6: The world-famous Phil Henry Show is brought to you by
9:46
Speaker 6: philhenryshow.com and the Backstage Pass. Get a Backstage Pass today
9:51
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10:03
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10:09
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10:12
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10:16
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10:20
Speaker 6: value online, you know.
10:22
Speaker 7: Yeah.
10:25
Speaker 1: Hi, welcome back here. This is Tom Dobka here on
10:27
Speaker 1: The Phil Henry Show. No, Phil has not been fired
10:31
Speaker 1: or anything. Phil is still on The Phil Henry Show,
10:35
Speaker 1: but I was asked by David G. Hall, who's the
10:38
Speaker 1: president of the digital division of The Phil Henry Show,
10:42
Speaker 1: to come on here and explain... that Phil's not here
10:45
Speaker 1: because of this incident with his Bobby Dooley yesterday where
10:48
Speaker 1: they got together, we believe, to have her fought.
10:53
Speaker 2: And we think it was pre-planned.
10:57
Speaker 4: Well, you don't have, and I want to speak on
10:59
Speaker 4: behalf of Phil now.
11:00
Speaker 2: Look, Ms.
11:01
Speaker 5: Gray, I'm speaking on behalf of Phil. You don't know
11:04
Speaker 5: that that's true. We have no indication telling us that
11:07
Speaker 5: Bobby Dooley and Phil Henry set that one up. That
11:10
Speaker 5: was Bobby Dooley upset with the fact.
11:11
Speaker 1: That No, I know she was upset with the fact
11:13
Speaker 1: that Chris Norton had done did the.
11:17
Speaker 4: What is it with a lot of these people? You're
11:19
Speaker 4: an educated man, Mr.
11:20
Speaker 3: Duff.
11:20
Speaker 1: What do you mean done did?
11:22
Speaker 2: I said, what did I say?
11:24
Speaker 4: You said she done did.
11:26
Speaker 1: I'm saying that Bobby Dooley come on here and busted
11:30
Speaker 1: ass as a way of protesting. That's what you want
11:34
Speaker 1: to believe. That's what they want you to believe. But
11:35
Speaker 1: I think it was set up.
11:37
Speaker 2: By Mr.
11:37
Speaker 3: Henry.
11:37
Speaker 4: And you have no idea whether that's true or not.
11:40
Speaker 1: Yeah, you know, that's just your opinion, and that's what
11:42
Speaker 1: you told Mr. Hall, and he believed it.
11:44
Speaker 2: Hey, let me tell you, you know what we should
11:47
Speaker 2: do is get on David G.
11:48
Speaker 3: Hall.
11:48
Speaker 1: I got Armie Glasscock on the line first and foremost,
11:52
Speaker 1: and also got Ted Bell on the line.
11:55
Speaker 2: He's got a... What do we got first? Got Ted Bell. Hey, Ted,
11:59
Speaker 2: this is Tom Dovka. How are you doing?
12:01
Speaker 3: Hey, Tom, thanks very much. I appreciate Armie coming on
12:04
Speaker 3: and helping out with the jingle. And I do want
12:07
Speaker 3: to weigh in on this, whether Phil Hendry and Bobby
12:10
Speaker 3: Dooley got together and had her rip one on the
12:16
Speaker 3: air as a way of protesting Chris Norton.
12:21
Speaker 2: Wait, wait, wait, hold on for a minute.
12:23
Speaker 1: We don't need to talk to you about that because
12:26
Speaker 1: we just wanted to have you on to ask you about,
12:28
Speaker 1: we're going to do the jingle.
12:30
Speaker 3: Yeah, I know you can do the jingle, but I
12:31
Speaker 3: thought you were Okay.
12:32
Speaker 1: So have him come on.
12:34
Speaker 4: Yeah, he's going to come on when we do the jingle.
12:35
Speaker 1: Right, have him come on when we do the jingle.
12:38
Speaker 1: Now I'm going to bring on Armie Glasscock from his
12:40
Speaker 1: ad agency in New York City. And Armie, on top
12:46
Speaker 1: of everything else, what has gone on here is Ted Bell,
12:50
Speaker 1: who we just had.
12:52
Speaker 2: On, and I hung up on him. I guess I
12:54
Speaker 2: shouldn't have.
12:54
Speaker 4: No, you should not have.
12:55
Speaker 2: Can you get him back on the line? We got
12:59
Speaker 2: Ted Bell and Armie Glasscock. Are you there?
13:02
Speaker 3: Yeah, I'm here, and I got hung up on it.
13:04
Speaker 3: I got to tell you something right now. I don't
13:06
Speaker 3: appreciate that very much.
13:07
Speaker 2: I apologize. I didn't mean to hang up on you.
13:09
Speaker 2: I got Armie Glasscock from New York. Armie, you there?
13:12
Speaker 3: Yes, I'm right here, Tom. So, Mr. Glasscock, I'm Ted Bell.
13:15
Speaker 3: I'm the owner of the restaurant.
13:17
Speaker 8: It's my understanding, and we think we've got a nice
13:20
Speaker 8: theme for you based upon the advertising slogan that you
13:26
Speaker 8: introduced here yesterday.
13:28
Speaker 3: Yeah, you know that this is... Your mouth.
13:31
Speaker 1: I think it's your mouth, our meat, your move, right?
13:35
Speaker 3: No, that's not it at all. It's your mouth, our meat, ah.
13:39
Speaker 3: I think we... Yes, that was our understanding. I can
13:41
Speaker 3: work with that one, Tom. All right. And here's what
13:45
Speaker 3: we've got. Turn the TV down, if you would, Shorty, okay?
13:50
Speaker 3: Here's what we've got. And, Mr. Bell, you tell me
13:53
Speaker 3: what you think, but... I know you're familiar with the
13:56
Speaker 3: ad agencies here in New York. I know that you're
13:58
Speaker 3: familiar with the work that we do. Very much. In fact,
14:02
Speaker 3: we used Harmon & Sons when we came up with,
14:05
Speaker 3: we want to put our meat in your mouth. Yes,
14:07
Speaker 3: very good people. Here it is. When you want to
14:12
Speaker 3: be in the groove, when you want to make your move, uh-oh,
14:16
Speaker 3: look out, your mouth, our meat, your move. When you
14:20
Speaker 3: want to be really smooth, When you want to make
14:24
Speaker 3: it groove, your mouth, our meat, uh-oh, ah. It's Ted's
14:30
Speaker 3: Beverly Hills. When you are walking down the street and
14:37
Speaker 3: you feel like a piece of meat, you don't have
14:42
Speaker 3: to feel that way. All you got to do is say,
14:47
Speaker 3: my mouth, your meat, ah. My mouth, your meat, ah.
14:52
Speaker 3: Ted's of Beverly Hills. It is better than pills. Can
14:58
Speaker 3: I just interrupt myself? Yeah. I didn't want to put down. Yeah,
15:02
Speaker 3: it's better than pills. Ted's of Beverly Hills. Better than
15:06
Speaker 3: a handful of pills. Your mouth, our meat. Yeah. Your mouth.
15:16
Speaker 3: Your mouth, our meat. Yeah. Your mouth? Hold on for
15:21
Speaker 3: a minute. I can't have that.
15:23
Speaker 2: What's wrong with that?
15:24
Speaker 3: It sounds like you're... Excuse me for saying this. It
15:27
Speaker 3: sounds like you're busting the nut. No, no, no, no.
15:30
Speaker 3: That is the satisfaction that you get from eating a
15:33
Speaker 3: Ted's at Beverly Hills steak. No one's busting their nut.
15:37
Speaker 2: Okay, well, let's watch the language, okay? This is a podcast.
15:40
Speaker 1: We're trying to appeal to many different audiences.
15:45
Speaker 2: You understand?
15:46
Speaker 3: I don't know. I don't know that I understand. Look, Tom...
15:48
Speaker 3: I understand why you're there. I appreciate you being there,
15:50
Speaker 3: and I appreciate you bringing on Mr. Glasscock here. And
15:54
Speaker 3: the jingle I like, but the whole, you know, your meat.
15:58
Speaker 3: What is it again? No, your mouth, our meat. Yeah.
16:02
Speaker 3: Your mouth, our meat.
16:04
Speaker 7: Ah.
16:05
Speaker 3: You see what I'm saying? I liked better with your move.
16:09
Speaker 1: Well, I thought you didn't want to have your move
16:10
Speaker 1: because that was my saying.
16:12
Speaker 3: Yeah, I understand that, but I... In researching it, General,
16:17
Speaker 3: you know, saying it's your saying, a lot of people
16:19
Speaker 3: have said your move. You're not the guy that came
16:21
Speaker 3: up with it.
16:22
Speaker 4: But on this show, General Shaw's the originator. Yeah, people
16:25
Speaker 4: hear your move, but people hear your meet my move,
16:29
Speaker 4: you know.
16:29
Speaker 3: What do you mean your meet my move? But people
16:32
Speaker 3: hear it, they'll immediately associate it with General Shaw.
16:35
Speaker 4: That's the point we're trying to make.
16:36
Speaker 3: All right, but Army, just give it a try, okay?
16:38
Speaker 3: All right. If you want a... If you want a
16:43
Speaker 3: thick piece of meat, let me tell you you're in
16:46
Speaker 3: for a treat. Your mouth, our meat, your move. Your mouth,
16:52
Speaker 3: our meat, it's a groove. Your mouth, our meat, ooh-ooh.
16:57
Speaker 3: I don't know. I don't know if it works or not, but.
16:59
Speaker 1: Hey, it sounds pretty good to me, and that way
17:01
Speaker 1: you don't have to do the.
17:03
Speaker 2: Ah, you know.
17:05
Speaker 3: What's wrong with that? I understand, Tom. I don't like
17:08
Speaker 3: it either. It sounds grotesque. It sounds... It sounds like
17:11
Speaker 3: some kind of a sex act.
17:13
Speaker 2: Right, but, you know, unless you say, for instance... Hold
17:17
Speaker 2: on for just.
17:17
Speaker 3: A minute, if you don't mind, Tom. You know, I've
17:19
Speaker 3: known you many years, and I respect you, but you're
17:21
Speaker 3: not an advertising executive. You're in radio consulting, so you're
17:25
Speaker 3: doing what?
17:26
Speaker 1: I'm just, we're on the air right now, and I'm
17:28
Speaker 1: trying to be a part of it.
17:31
Speaker 4: Yeah, he's just giving an opinion.
17:33
Speaker 3: All right.
17:33
Speaker 2: No, no, what I was saying was.
17:37
Speaker 1: If you say, your mouth, our meat, ah, it doesn't
17:41
Speaker 1: have to be sex. It can be like, ah, finally,
17:44
Speaker 1: I've found a place where I can get a piece
17:46
Speaker 1: of meat to slip into my mouth.
17:49
Speaker 2: You see?
17:51
Speaker 3: Well, I don't know. I think, I understand where you're
17:53
Speaker 3: going with that. And I can try, let me try it.
17:56
Speaker 3: Your mouth, our meat, yeah. Your mouth, our meat, ah.
18:02
Speaker 3: Your mouth.
18:03
Speaker 2: No, no, no, no. The first, not yeah, but.
18:07
Speaker 3: Do it so it's your mouth, our meat, ah, like
18:10
Speaker 3: I found my home. Okay, your mouth, our meat, ah. No,
18:16
Speaker 3: that sounds too weird. I'm not exactly crazy about the
18:21
Speaker 3: ah approach. I thought it was your mouth, our meat,
18:24
Speaker 3: your move, but I can go back and work on it.
18:27
Speaker 2: I think maybe you want to do that. What do
18:29
Speaker 2: you think, Ted?
18:30
Speaker 3: Yeah, you know, I'm not married to the concept of this.
18:34
Speaker 3: I appreciate you, Mr. Glasscock, coming on here, but there's
18:40
Speaker 3: more to this slogan than just your mouth, our meat,
18:43
Speaker 3: your move, because the tune you wrote, your mouth, our meat,
18:48
Speaker 3: I don't know. It sounds a little too simplistic. When
18:52
Speaker 3: we put in some piano and some saxophone, and what
18:56
Speaker 3: we do is we put in a piano, saxophone, and trumpet. Uh,
19:00
Speaker 3: don't you have a guy?
19:01
Speaker 2: We've got a guy, Don Mixer, who can play mouth trumpet. Hey, uh,
19:04
Speaker 2: get this guy Mixer.
19:06
Speaker 3: There's a guy named Don Mixer. You know who he is, Ted?
19:08
Speaker 3: I know who he is, yeah. Well, we can get him. Mr. Mixer?
19:13
Speaker 4: We've got Don Mixer on line three.
19:15
Speaker 2: Don Mixer. Hey, Don, how are you?
19:17
Speaker 3: Hey, everybody, how are you? Hey, Mr. Mixer, I'm Army Glasscock.
19:21
Speaker 3: I understand you're writing an advertising jingle, is that right?
19:24
Speaker 3: That's right, yeah. And it goes, your mouth, our meat.
19:29
Speaker 3: Let me see what I can do here. I got
19:31
Speaker 3: my trumpet. I don't have my trumpet right now, but
19:33
Speaker 3: this is what it would sound like if I had
19:35
Speaker 3: my trumpet. Do you play trumpet? Yes, I play trumpet.
19:38
Speaker 3: How many times do you say that? I love these guys.
19:41
Speaker 2: So what's it going to sound like?
19:43
Speaker 7: Go.
19:43
Speaker 3: Your mouth, our meat. your move. No, I can't. My
19:54
Speaker 3: lips are ticklish. Playing mouth trumpet this late at night.
19:59
Speaker 1: So, but your mouth, our meat, your move.
20:02
Speaker 3: No, I'm sorry. I got it wrong. Your mouth, our meat. Wait. Yeah,
20:05
Speaker 3: your mouth, our meat. Yeah. How about that? That's kind
20:10
Speaker 3: of a little signature thing.
20:11
Speaker 2: That works, too.
20:14
Speaker 3: Okay, thanks very much, guys. I don't want any part
20:16
Speaker 3: of this. What are you saying exactly? What I'm saying
20:19
Speaker 3: is I don't want any part of it. I like
20:21
Speaker 3: the slogan, your mouth, our meat, your move, your mouth,
20:24
Speaker 3: our meat, whatever the hell you want to call it.
20:26
Speaker 3: But the mouth trumpet and you, you talking to me?
20:31
Speaker 3: I'm not talking to the guy standing behind you. Yeah.
20:34
Speaker 2: All right, so you don't like Army Glasscock?
20:36
Speaker 3: No, I'm sorry, Mr. Glasscock, but... Fine. Pain in the ass?
20:42
Speaker 3: What'd he say? Nothing.
20:45
Speaker 1: Okay, thanks very much, Army Glasscock, and thank you very much,
20:49
Speaker 1: Don Mixer.
20:49
Speaker 2: Thanks.
20:50
Speaker 3: Yeah, well, you know, I could do something. I could
20:52
Speaker 3: do a little tune like this. Sorry. I've got to get,
21:03
Speaker 3: I'm not playing a trumpet, I'm playing a simulated trumpet,
21:05
Speaker 3: but on my real trumpet the mouthpiece is broken, so
21:08
Speaker 3: I had to make it sound like.
21:09
Speaker 2: I understand. All right, thanks so much. Ted, you're still there, right?
21:14
Speaker 3: Yeah, I'm here. I can tell you this much, Tom,
21:18
Speaker 3: as much as I appreciate the help and as much
21:20
Speaker 3: as I appreciate you coming on here and bringing a
21:23
Speaker 3: sort of a programming or a programmer's sense to this thing,
21:28
Speaker 3: It's not happening for me.
21:29
Speaker 4: Well, I have to say something.
21:31
Speaker 5: The whole thing sounds a little ridiculous from the your mouth,
21:34
Speaker 5: our meat, your move, or whatever you're calling it.
21:37
Speaker 4: They want to go with ah.
21:39
Speaker 2: That's right. That was the thought.
21:42
Speaker 4: I think it sounds ridiculous.
21:44
Speaker 5: And on top of that, Ted, you've been a longtime
21:47
Speaker 5: advertiser on this program, and you've always stuck with we
21:51
Speaker 5: want to put our meat in your mouth.
21:52
Speaker 4: You've got a perfectly lovely jingle.
21:54
Speaker 3: No, I know we got a great jingle, but I'm
21:56
Speaker 3: just looking to update it and see if we can't
21:59
Speaker 3: go someplace else with it.
22:00
Speaker 2: Yeah, well, I mean, how are you going to beat this?
22:04
Speaker 3: No, I know, yes, I know, okay?
22:07
Speaker 4: And listen, there is Lisa Valenzuela. Listen to the beautiful voice.
22:12
Speaker 8: I know that.
22:13
Speaker 3: I'm just saying, how am I going to fit the
22:15
Speaker 3: new slogan in with that? Okay?
22:18
Speaker 7: All right, listen, here at the end, Here at Ted's,
22:26
Speaker 7: your mouth, our meat, ah.
22:28
Speaker 4: What do you think?
22:30
Speaker 3: What?
22:34
Speaker 2: Okay, that sounded good. I like that. Try to do
22:36
Speaker 2: that again. Let me demonstrate it for you, Ted.
22:39
Speaker 3: Oh, come on. No, no, hold on.
22:41
Speaker 2: Let me demonstrate. Do it again.
22:43
Speaker 7: Okay.
22:46
Speaker 2: Now just listen, okay?
22:47
Speaker 3: Okay.
22:49
Speaker 9: Well, I mean....
22:53
Speaker 1: Okay, so here's what you say.
22:57
Speaker 2: It's great steaks and everything.
22:59
Speaker 3: Yeah, I know. I know already, Tom.
23:01
Speaker 2: Okay, great steaks. And then the lady comes in.
23:04
Speaker 4: Okay, forget it then.
23:07
Speaker 1: You know, I was.
23:12
Speaker 7: Told.
23:17
Speaker 2: That you wanted some help with this.
23:19
Speaker 3: I don't mind the help, but I don't need some
23:22
Speaker 3: second-rate ad agency guy or a guy who's a radio consultant.
23:25
Speaker 3: I need something that's top drawer, okay?
23:28
Speaker 4: And you call your meat our mouth.
23:32
Speaker 3: What?
23:33
Speaker 4: Our mouth, your meat, uh.
23:36
Speaker 3: Well, no, I wanted to use your move.
23:38
Speaker 4: Well, then you didn't want to use your move.
23:41
Speaker 3: We can use your move. It doesn't matter. Your mouth,
23:43
Speaker 3: our meat, your move. Try that.
23:46
Speaker 4: Okay.
23:46
Speaker 2: Try it.
23:47
Speaker 9: Ted's of Beverly Hills Steakhouse, come on down.
23:58
Speaker 1: Yeah, come down to Ted's of Beverly Hills. They got
24:00
Speaker 1: great steaks, and they have, it's just fantastic, the deliciousness
24:05
Speaker 1: of the steak.
24:07
Speaker 3: And it's great.
24:08
Speaker 9: Here at Ted's, we want to put our meat in
24:11
Speaker 9: the house.
24:11
Speaker 2: You'll meet our mouth, you'll move.
24:15
Speaker 3: That was terrible.
24:17
Speaker 2: Okay, well, thanks a lot. Yeah. Did you hang up
24:22
Speaker 2: on him?
24:23
Speaker 4: Yeah, I did.
24:24
Speaker 2: Okay.
24:26
Speaker 4: Thanks a lot, Ted, wherever you are.
24:28
Speaker 2: Okay.
24:29
Speaker 4: See, this is the thing, Dov.
24:30
Speaker 1: It's okay for you to come in here and host
24:32
Speaker 1: the show, but now you're trying.
24:33
Speaker 4: To help out advertisers.
24:35
Speaker 1: You're telling people who's, you know, what was a good interview,
24:38
Speaker 1: what wasn't a good interview.
24:39
Speaker 4: You got Phil taken off the air.
24:42
Speaker 2: Yeah, not going to work out, okay?
24:44
Speaker 3: Not going to work out at all.
24:46
Speaker 1: Oh, I think it worked out very good. And let
24:47
Speaker 1: me tell you one other thing, too. Sometimes helping an
24:51
Speaker 1: advertiser on the air, as we just did with Ted
24:54
Speaker 1: Bell from Ted of Beverly Hills.
24:56
Speaker 4: Ted's of Beverly Hills.
24:57
Speaker 1: Right, from Ted's of Beverly Hills. Sometimes they will, down
25:01
Speaker 1: the road, they'll go, you know something? That wasn't such
25:03
Speaker 1: a bad idea.
25:03
Speaker 4: So you're thinking that he's going to.
25:05
Speaker 1: Go, wow, your mouth, our meat, ah, however it goes.
25:10
Speaker 1: And he may like the melody, because the way the
25:12
Speaker 1: melody went to Army... Rolled out, when you want to
25:15
Speaker 1: be in the groove.
25:16
Speaker 4: I heard it already.
25:17
Speaker 3: Wait a minute.
25:17
Speaker 1: When you want to be in the groove. When you
25:20
Speaker 1: want to make your move. Your meat, our mouth.
25:23
Speaker 2: No, wait a minute. My mouth, her meat.
25:26
Speaker 4: Come on.
25:27
Speaker 2: Our meat, your mouth, our meat. What was it?
25:31
Speaker 4: Your move.
25:31
Speaker 3: Yeah.
25:32
Speaker 1: Your mouth, our meat, your move. Your mouth, our meat. See,
25:38
Speaker 1: you kind of rhyme it. Okay, another mistake coming on
25:42
Speaker 1: this show. No, we appreciate it, but we don't necessarily
25:46
Speaker 1: think that that's going to do it for Ted. Well,
25:48
Speaker 1: I'd like to get Ted back on the phone at
25:50
Speaker 1: some point. You're not going to want to talk tonight.
25:52
Speaker 2: That's okay.
25:53
Speaker 1: I'd like to get him back on the show at
25:55
Speaker 1: some point and just, you know, ask him, just say, hey,
26:00
Speaker 1: what did you, you know, all kidding aside, what did
26:04
Speaker 1: you think about your mouth, our meat, you know, your groove?
26:08
Speaker 1: Our mouth.
26:13
Speaker 1: Your mouth, our meat.
26:16
Speaker 5: Let's make it so no one ever wants to hear
26:18
Speaker 5: that slogan again, as long as they live.
26:22
Speaker 1: This is Tom Dovka. Thank you very much for listening.
26:25
Speaker 1: I guess however many of you are still here. The
26:29
Speaker 1: world-famous Phil Henry Show, executive produced still by Phil Henry
26:36
Speaker 2: What is a Siempre Incorporated?
26:38
Speaker 4: That's Phil's company.
26:41
Speaker 2: Oh, well, excuse me.
26:42
Speaker 3: I'm sorry.
26:43
Speaker 2: His own company? Don't you have your own company? I'm
26:50
Speaker 2: Tom Dovka. Yeah, I guess. What's it called?
26:55
Speaker 1: It's called Tom, Tom, I'm Tom, I'm Tom. It's called
26:58
Speaker 1: I'm Tim, I'm Tommy. Tim Dovka? No, I'm Tom Dovka.
27:02
Speaker 3: I don't know.
27:03
Speaker 1: It's called Tom Dovka. Anyway, thanks very much to Army Glasscock.
27:11
Speaker 1: Thanks very much, Ted Bell. And thanks, Don Mixer.
27:15
Speaker 2: Not Don.
27:16
Speaker 1: Don.
27:16
Speaker 2: I'm sorry. How do you spell it?
27:18
Speaker 1: D-O-N-G?
27:18
Speaker 3: No.
27:19
Speaker 4: Don Mixer.
27:20
Speaker 1: Thanks, Don Mixer, for the mouth trumpet. I appreciate that very, very, very,
27:25
Speaker 1: very much.
27:32
Speaker 3: Bye.
27:36
Speaker 2: On iHeart Podcasts,