Latest / Suspense | Old Time Radio / Suspense - "Dead Ernest" (Old Time Radio, 1949)
Transcript
- 0:00Speaker 1: Ernest Bauers is struck by a car at a city intersection,
- 0:03Speaker 1: and a rare cataleptic condition leaves him appearing dead. A
- 0:08Speaker 1: police accident report, missing medical warnings, and the urgent need
- 0:12Speaker 1: to establish his true condition set events in motion from CBS.
- 0:18Speaker 1: This is suspense Dead Earnest listed as episode four with
- 0:22Speaker 1: an original broadcast date of March second, nineteen forty nine.
- 0:27Speaker 1: Pad O'Brien stars with Alan Reid, also heard in a
- 0:31Speaker 1: script by Celig Lester and Mervyn Girard. Now back to
- 0:36Speaker 1: the golden age of radio.
- 0:44Speaker 2: Now auto light and it's sixty thousand dealers and service
- 0:48Speaker 2: stations present.
- 0:50Speaker 3: Suspend the Night.
- 0:57Speaker 4: Auto Light brings you, Ped O'Brien in Dead Earnest, one
- 1:01Speaker 4: of the most famous of suspense plays, produced and directed
- 1:05Speaker 4: by Antonym Leader.
- 1:11Speaker 3: Friends.
- 1:11Speaker 2: Officially, spring has sprung and you'll want a spring pep
- 1:15Speaker 2: for your witter, weary car. That means when you replace
- 1:18Speaker 2: old narrow gap spark plugs with wide gap autolight resistor
- 1:21Speaker 2: spark plugs, your car will idle smoother, give you better
- 1:24Speaker 2: performance on leaner gas mixtures, save gas dollars. Yes, you
- 1:28Speaker 2: actually can tell the difference in your car. Auto light
- 1:31Speaker 2: regular type spark plugs have long been standard factory equipment
- 1:34Speaker 2: on many leading makes of cars and trucks, and now
- 1:36Speaker 2: six that's right, six of these leading makes of cars
- 1:39Speaker 2: and trucks have switched to Autolite resistor type spark plugs
- 1:42Speaker 2: for factory installation on their new nineteen forty nine models.
- 1:46Speaker 2: The new Autolite resistor spark plugs are the spark plugs
- 1:49Speaker 2: of today and the future. Remember you're right with autolite.
- 1:54Speaker 4: And now Autolite presents Pad O'Brien in the tail well,
- 1:59Speaker 4: calculated to keep you in suspense.
- 2:05Speaker 5: Accident Report to lease Inspector Blandon from Lieutenants Healy Place,
- 2:12Speaker 5: Fifteenth Street and Fourth Avenue, time two forty five pm,
- 2:16Speaker 5: March eleventh, remarks Ernest Bowers, age thirty four, was crossing
- 2:22Speaker 5: the intersection as the signal light changed from green to red.
- 2:25Speaker 5: A car driven by a Theaterre trophy made a legal
- 2:28Speaker 5: right turn from fifteenth Street into Fourth Avenue.
- 2:36Speaker 3: Much wrong, guys, so cold, he's bleeding right clear?
- 2:41Speaker 6: Right?
- 2:42Speaker 5: Come on now, w.
- 2:45Speaker 3: Alright, stand back, Nah, let's have a look. Is he
- 2:49Speaker 3: hurt that eye? I didn't see him, honest, I didn't.
- 2:51Speaker 3: I had the right away, and he's passed down. One
- 2:54Speaker 3: of your people come for ambulance. Yeah, yeah, you there, Oh, Kate.
- 2:58Speaker 7: Move move looking, he's bleeding, he's beating.
- 3:01Speaker 3: Here, I'll prop up.
- 3:02Speaker 2: His hand here, use his jagget eg here, I'll hold him.
- 3:07Speaker 3: Golly, he's limp. He feels just like he's dead.
- 3:17Speaker 5: Yes, Ernest Bowers felt like he was dead. Ernest Bauer
- 3:22Speaker 5: suffered from catalypsy, a strange disease. He carried her all times,
- 3:26Speaker 5: or note in his inside jacket pocket stating that he
- 3:29Speaker 5: was a cataleptic, and then in the event of seeming death,
- 3:31Speaker 5: his wife should immediately be notified or his doctor in
- 3:35Speaker 5: the event his wife is unavailable. The letter also requested
- 3:39Speaker 5: that no autopsy or embombing should be performed on his
- 3:42Speaker 5: body for seventy two hours, although in his particular case
- 3:45Speaker 5: the duration of the attacks were usually four hours or less.
- 3:49Speaker 5: Ernest Bauers also wore a sterling silver bracelet with an
- 3:52Speaker 5: inscription reading, do not embalm me I am not dead.
- 3:57Speaker 3: Catalypsy is a disease of the nerves and mind.
- 4:00Speaker 5: The physical conditions of a catalyeptic when he was under
- 4:02Speaker 5: his spell closely resemble death in all aspects, including the
- 4:06Speaker 5: primary stages of riga mortis. Officer Rabbit was on the
- 4:10Speaker 5: scene of the accident. He administered aid to the injured
- 4:13Speaker 5: man before making out of.
- 4:14Speaker 3: The report and stopped the bleeding. Looks like just the
- 4:20Speaker 3: cut on his forehead when he hit the ground. Nothing much.
- 4:24Speaker 3: Oh what's your name?
- 4:26Speaker 8: Is Toby Theodoretoby? Yeah, here's my life?
- 4:29Speaker 2: Hey, hey, hey, hey, you kids?
- 4:32Speaker 3: What do those kids do? They picked up something off
- 4:34Speaker 3: the street?
- 4:35Speaker 9: Oh?
- 4:36Speaker 3: Here it comes. I hope he's all right.
- 4:38Speaker 8: Eye.
- 4:39Speaker 3: He doesn't look like he's breathing. You know, my gosh,
- 4:41Speaker 3: you ain't. I told you to get back. Come on now,
- 4:44Speaker 3: he's come on. I'm glad you're here.
- 4:51Speaker 10: Doc.
- 4:51Speaker 3: He's out cold. Okay, h I'll say he's out cold.
- 4:56Speaker 8: Let's get him my wife, he's dead.
- 4:58Speaker 10: Well anyhow, it didn't happen to Okay.
- 5:01Speaker 11: We'll take away.
- 5:02Speaker 3: Kick back, yeah, kick clear round, Come on.
- 5:07Speaker 8: One today.
- 5:08Speaker 4: Yeah there, Well, let's go.
- 5:11Speaker 8: Whose coat was that he was laying on?
- 5:12Speaker 4: Huh?
- 5:13Speaker 3: I don't know.
- 5:13Speaker 8: Did you pick it up? No?
- 5:15Speaker 3: A officer, Yeah, where's the coat? H Well, gosh, it's gone. Okay,
- 5:22Speaker 3: never mind, let's go.
- 5:24Speaker 5: Bank and his bowers had lost the identification of his condition.
- 5:37Speaker 5: The letter was in the inside pocket of his jacket.
- 5:40Speaker 5: The silver Chainey wore on his left wrist had snapped
- 5:42Speaker 5: and fallen into the pavement.
- 5:44Speaker 3: Two youngsters picked up the chain.
- 5:46Speaker 5: Robert Manelli, aged nine and one half, Tommy Stoner eight,
- 5:50Speaker 5: Let's go.
- 5:50Speaker 9: Around the deck to find a chaperon.
- 5:53Speaker 12: We choose a nice chain. He is writing there. Maybe
- 5:56Speaker 12: it's a guy's name.
- 5:58Speaker 3: Is he her?
- 5:58Speaker 8: Be?
- 5:59Speaker 3: Just a boom?
- 6:00Speaker 6: What's it say?
- 6:02Speaker 12: Just a second, we'll be out of the alley. Yeah,
- 6:04Speaker 12: Pop's gone home. Indeed, what's it say? Wait a second?
- 6:08Speaker 12: Will you? It says do not in bomb, do not
- 6:12Speaker 12: sumthing me?
- 6:14Speaker 13: I am not dead.
- 6:15Speaker 12: It's screwy when we do it. There, sell it thor baby,
- 6:18Speaker 12: we can buy some baseballs and stuff. Yeah, but when
- 6:21Speaker 12: we try to sell to ask us where we got it.
- 6:24Speaker 12: When we tell him nothing, use your head, you know,
- 6:27Speaker 12: we'll do what We'll use Pop's walgen torch.
- 6:31Speaker 3: Will melt it down.
- 6:32Speaker 12: Or he told us not to use it.
- 6:35Speaker 13: Pop ain't here?
- 6:36Speaker 6: Is he?
- 6:38Speaker 3: No?
- 6:38Speaker 9: Well come on.
- 6:41Speaker 13: There it is?
- 6:42Speaker 12: Yeah here, put it on that brick. Okay, yeah, be careful.
- 6:49Speaker 8: Hey, what are your kids doing?
- 6:52Speaker 11: Oh? Holo?
- 6:53Speaker 14: Pop?
- 6:53Speaker 12: Nothing mister Minnelli when we ain't doing.
- 6:55Speaker 1: Nothing nothing huh, I thought, I told you kids, not
- 6:59Speaker 1: going out that torch.
- 7:00Speaker 3: We want to melt this down, give me that.
- 7:03Speaker 8: Ah.
- 7:04Speaker 3: What's this all about?
- 7:06Speaker 12: We found this chain, Papa, and we want to melt it.
- 7:08Speaker 3: Down and sell it it.
- 7:10Speaker 12: We don't know, do we tell me?
- 7:12Speaker 3: No, No, we don't.
- 7:14Speaker 12: There's nothing wrong, Pop, We just found it.
- 7:17Speaker 3: See it's ours, O, not.
- 7:21Speaker 8: Umboom Me, I am not dead. What's that?
- 7:25Speaker 12: It's screwy?
- 7:26Speaker 3: Where did you find it in the street?
- 7:28Speaker 12: Ernest Papa asked Tommy.
- 7:30Speaker 3: All right, go and get out of here.
- 7:31Speaker 12: How about melting it down, Pop, We can sell it
- 7:34Speaker 12: and buy some baseballs?
- 7:36Speaker 8: All right, keep back.
- 7:46Speaker 3: They melted it and took it to a gold and
- 7:47Speaker 3: silver dealer.
- 7:49Speaker 5: They sold the melt of chain for a dollar thirty
- 7:51Speaker 5: one dollar thirty cents. But the coat, the coat was
- 7:54Speaker 5: the principal thing in the coat and the inside pocket
- 7:56Speaker 5: was the letter. The information about Ernest Bauer's condition was
- 7:59Speaker 5: in that letter, the instructions that could save his life.
- 8:03Speaker 5: The coat was picked up from the street by honest
- 8:05Speaker 5: Jerry Murdoch. There's a big sign in the corner of
- 8:08Speaker 5: fifteenth Street. It says honest Jerry Murdock swapshop. He brought
- 8:13Speaker 5: the coat into his store, runners around in his shelves
- 8:15Speaker 5: until he found some cleaning fluid, and then started to
- 8:17Speaker 5: clean the blood stain.
- 8:21Speaker 3: Well the first sport jacket.
- 8:22Speaker 15: Just a moment, okay, conservative, Oh will you come over
- 8:28Speaker 15: here please?
- 8:30Speaker 6: Yeah, something on that order?
- 8:32Speaker 3: Pick out what you want? How much you want to spend?
- 8:36Speaker 8: Five bucks?
- 8:37Speaker 3: East costs more? How much I made the twelve?
- 8:41Speaker 6: They don't look so hot for eight, buts I.
- 8:42Speaker 3: Make the twelve?
- 8:43Speaker 15: Say wait a minute, Wait a minute, I'm just putting
- 8:45Speaker 15: a new one at stock over here by.
- 8:46Speaker 3: The common.
- 8:49Speaker 4: Yeah.
- 8:49Speaker 3: That looks all right.
- 8:50Speaker 8: What size it?
- 8:51Speaker 3: I don't know? Hey, trying to.
- 8:52Speaker 6: Okay, hmm, yeah, it feels all right. Kind of stiff
- 9:02Speaker 6: in front here though.
- 9:03Speaker 3: Because it's almost snow. You'll break it in.
- 9:05Speaker 6: He's like cardboard or something.
- 9:06Speaker 15: You want it five dollars? Okay, it might still be
- 9:10Speaker 15: a couple of stains on it. I ain't had time
- 9:12Speaker 15: to take out. You was some cleaner around it to
- 9:14Speaker 15: bring it to the tailors.
- 9:15Speaker 3: Be better than.
- 9:15Speaker 6: Lou Yeah, here's a five.
- 9:25Speaker 5: Ernest Bowers was brought to the receiving room of the
- 9:27Speaker 5: better General Hospital and various routine tests were made. The
- 9:31Speaker 5: time for ten fifth Bowers are going to awaken it
- 9:34Speaker 5: would probably be six forty five.
- 9:38Speaker 3: Doctor Weldon made out his report.
- 9:39Speaker 5: He wrote it down while he was standing near the
- 9:41Speaker 5: telephone switchboard.
- 9:46Speaker 16: Yeah, this is the Better General hospital. Is there anybody
- 9:50Speaker 16: by the name of Bowers at home? Bowers Bowe Rs.
- 9:55Speaker 11: Now nobody home?
- 9:57Speaker 13: Is mister Bowers married?
- 9:59Speaker 11: I hope so living in finn Where.
- 10:02Speaker 13: Can I reach her? There's been an accident.
- 10:04Speaker 11: I don't know she's out.
- 10:06Speaker 16: Will you tell her to call the Better General hospital?
- 10:10Speaker 11: Yeah? What happened?
- 10:11Speaker 13: Mister Bowers is dead?
- 10:14Speaker 9: Can Richard huh No, I'd like to do an autopsy.
- 10:18Speaker 13: Yeah, Well, what'll I tell the wife when she calls?
- 10:20Speaker 3: Well, if it's pretty soon, I'll talk to her. We've
- 10:22Speaker 3: still got those tests to go through.
- 10:23Speaker 8: Then I'm off.
- 10:24Speaker 4: If it's more than an hour, he'll probably be on
- 10:26Speaker 4: the way to the morgue.
- 10:30Speaker 5: At that moment, it was then four twenty two in
- 10:33Speaker 5: the afternoon. At that moment, if anyone had been in
- 10:37Speaker 5: receiving room be a better General hospital where the body
- 10:41Speaker 5: of Ernest Bowers lay on the patient carriage, they would
- 10:45Speaker 5: have seen a fly crawl slowly across the face of
- 10:47Speaker 5: the dead man, and they would have seen his nose twitch.
- 11:01Speaker 4: For suspense, Auto light is bringing you, Pad O'Brian in
- 11:04Speaker 4: Radio's outstanding Theater of thrills suspense.
- 11:16Speaker 1: Those day was the first day of spring it I've
- 11:18Speaker 1: got it coded by edge.
- 11:19Speaker 2: Well half you should get outdoors. You need a change
- 11:22Speaker 2: the way. A car with old, worn out plugs needs
- 11:24Speaker 2: white gap auto light resistor spark plugs for your winter
- 11:28Speaker 2: weary car. Replace old narrow gap spark plugs with white
- 11:31Speaker 2: gap auto light resistor spark plugs. A car idle smoother,
- 11:34Speaker 2: gives better performance on leaner gas mixtures, actually saves gas dollars.
- 11:38Speaker 2: And what's more, white gap auto light resistor spark plugs
- 11:40Speaker 2: cut down spark plug interference with radio and television reception.
- 11:43Speaker 3: I gotta get rid of this code.
- 11:45Speaker 2: You should all get rid of winter ills and get
- 11:47Speaker 2: rid of old narrow gap spark plugs. Everybody should install
- 11:50Speaker 2: a set of white gap auto light resistor spark plugs.
- 11:53Speaker 8: Everybody could cut her body else's coute.
- 11:56Speaker 2: But only auto light offers smart car and truck owners
- 11:58Speaker 2: everywhere the sensational advantage. Jizov resistor type spark lugs their
- 12:02Speaker 2: ignition engineer to meet the highest standards of automotive engineers. Remember, folks,
- 12:07Speaker 2: you're always right with auto light.
- 12:10Speaker 4: And now auto light brings back to our Hollywood sound stage.
- 12:14Speaker 4: Pat O'Brien as Lieutenant Healy in Dead Earnest, A tale
- 12:19Speaker 4: well calculated to keep you in.
- 12:21Speaker 3: Suspend accident report continued.
- 12:27Speaker 5: Henry Prince had within his power the opportunity to save
- 12:30Speaker 5: the life of Ernest Bowers. He had purchased the code
- 12:33Speaker 5: in which was a letter that could save him. When
- 12:35Speaker 5: he left the second hand store, he stopped to have
- 12:37Speaker 5: a chat with some friends, made some purchases at the
- 12:40Speaker 5: grocery store, and started home. The time a few minutes
- 12:44Speaker 5: after five. He lived about two blocks in the scene
- 12:47Speaker 5: of the accident. His wife was waiting for him.
- 12:50Speaker 8: Well, how you like it for five bucks?
- 12:52Speaker 17: Yeah, yeah, it looks all right. That was that spot
- 12:56Speaker 17: were Yeah, take it off a second.
- 12:58Speaker 6: I wonder what it is, I said, There was a
- 13:00Speaker 6: couple of spots cleaner will take them.
- 13:02Speaker 17: Love you know, it looks like, Hey, what's this in
- 13:05Speaker 17: the parget? I don't know to whom it may concern, Please.
- 13:09Speaker 13: Open and read.
- 13:10Speaker 3: That's what must have felt stiff.
- 13:13Speaker 17: This note is carried on my person wherever I go.
- 13:17Speaker 17: It is to advise responsible parties that I am a cataleptic,
- 13:22Speaker 17: that if it appears as though I am dead, I
- 13:25Speaker 17: am not.
- 13:26Speaker 3: What's that?
- 13:27Speaker 13: And that my body is not to be molested for
- 13:29Speaker 13: a period of seventy two hours, neither by autopsy nor
- 13:33Speaker 13: by embalming, although the maximum periods of my attacks usually
- 13:37Speaker 13: do not exceed four hours. Please telephone my wife, missus
- 13:41Speaker 13: Margaret Bowers, at fullt and seven seven eight three seven.
- 13:44Speaker 13: This is a boarding house address eight four one and
- 13:47Speaker 13: a half was twenty fifth Street. If she's not there,
- 13:50Speaker 13: please try Axeminster four three four two to two. This
- 13:54Speaker 13: is the number of doctor Benton. It's a vital importance.
- 13:57Speaker 13: It may mean my life. Thank you, Ernest Bowers.
- 14:02Speaker 6: That's a funny one.
- 14:04Speaker 13: Where'd you get the coat, Henry?
- 14:06Speaker 6: Honest, Jerry Murdos, wonder what we can do? Nothing, It's
- 14:09Speaker 6: probably been forgotten already. Somebody shold them the coat and
- 14:12Speaker 6: forgot to take a letter out.
- 14:13Speaker 17: It doesn't sound like something to go. I'd forget might
- 14:16Speaker 17: be important. They look at that, Henry, Those spots they
- 14:19Speaker 17: look like blood. No, too dark, that's the color blood turns.
- 14:23Speaker 17: I'm gonna telephone that number ahead.
- 14:25Speaker 6: I think you're wasting your time.
- 14:27Speaker 13: Me Hell all, I'd like to talk to missus Bowers.
- 14:37Speaker 11: She ain't in.
- 14:39Speaker 13: Well, how do you know?
- 14:39Speaker 11: You didn't even know she went out and you ain't
- 14:42Speaker 11: the first to call her.
- 14:43Speaker 13: Who else wanted to get in touch with her?
- 14:45Speaker 6: Oh?
- 14:45Speaker 11: Somebody I don't know who?
- 14:47Speaker 13: Oh, well, thank you?
- 14:50Speaker 6: Yeah, you see, you're wasting your time.
- 14:51Speaker 14: I have the strangest feeling, Henry. She must be a
- 14:54Speaker 14: terrible position to be in. To have everybody think you're
- 14:56Speaker 14: dead when you ain't. You're helpless about it.
- 14:58Speaker 6: Well, go ahead, go ahead, I can see I'm not
- 15:00Speaker 6: going to win this time.
- 15:01Speaker 8: Eat it.
- 15:06Speaker 13: I'm busy.
- 15:08Speaker 6: How about some dinner?
- 15:08Speaker 13: Oh, it's cooking. I just can't get out of my head.
- 15:11Speaker 17: That guy, whoever he is, lying there and people thinking
- 15:14Speaker 17: him dead when he ain't.
- 15:15Speaker 13: Maybe doing things to him. What's them bombing?
- 15:18Speaker 6: They do that at the morgue. It's preparing his body
- 15:20Speaker 6: for burial. I think they take all the blood out
- 15:22Speaker 6: of his veins.
- 15:23Speaker 13: And I would kill him if he wasn't already dead.
- 15:25Speaker 6: He couldn't kill him.
- 15:26Speaker 13: No debt, Henry, I'm going to find out about that code?
- 15:28Speaker 13: Where's his place? You body?
- 15:29Speaker 6: Now wait a minute, Francis, I put in a good
- 15:31Speaker 6: day's work.
- 15:31Speaker 3: I'm tired.
- 15:32Speaker 6: I don't want to run around the city looking for
- 15:34Speaker 6: something I don't even know.
- 15:34Speaker 13: Oh, then i'll go myself.
- 15:36Speaker 3: Well, how about me at.
- 15:36Speaker 9: Home here while you'll go out. I want to eat.
- 15:38Speaker 3: I'm hungry.
- 15:39Speaker 13: Then I won't be ready for another fifteen minutes anyway. Now, look,
- 15:41Speaker 13: where's the place?
- 15:42Speaker 6: Oh?
- 15:42Speaker 9: All right, i'll go with you.
- 15:52Speaker 3: Well, he ain't here.
- 15:54Speaker 9: He locked up.
- 15:54Speaker 13: What's the sign? Say? Ten minutes?
- 15:56Speaker 6: Yeah, but those guys put up signs like that if
- 15:57Speaker 6: they're going away for an hour.
- 15:59Speaker 13: Oh we'll wait a few. Come on, frand look you
- 16:01Speaker 13: wait here. I'm going in the cigar story to tell us.
- 16:03Speaker 6: Once you make up your mind to something, nothing can
- 16:05Speaker 6: change it, unless it's an invitation of polka.
- 16:07Speaker 9: Gain, very very funny.
- 16:09Speaker 13: Look you wait here? Seven seven?
- 16:30Speaker 11: Hello?
- 16:32Speaker 13: Is missus Bowers in? No, mister Bowers.
- 16:35Speaker 11: No, he's dead. He is, that's what they tell me.
- 16:40Speaker 13: Well wait a minute, oh darn seven seven.
- 16:51Speaker 6: Hello?
- 16:52Speaker 13: Look I just spoke to you.
- 16:53Speaker 11: Will you really bother me? Lady? I got a meal
- 16:56Speaker 11: set up on the table. I can't be answering a
- 16:58Speaker 11: million questions.
- 16:59Speaker 13: But all I want to know is when mister Bauers died.
- 17:03Speaker 11: Ask missus Bowers, she'll be home soon.
- 17:05Speaker 13: Thanks. I mean, darn, who is that doctor's life?
- 17:18Speaker 11: Is he?
- 17:23Speaker 9: Well?
- 17:23Speaker 13: No, look same as before. Mister Bowers is dead. I
- 17:27Speaker 13: found that out.
- 17:28Speaker 3: I told you what about the letter?
- 17:29Speaker 13: Then what if he ain't dead? What if they only
- 17:31Speaker 13: think he did?
- 17:32Speaker 6: What do you want to do?
- 17:33Speaker 9: Wait here all night?
- 17:34Speaker 13: No, but we ought to wait a little while. Maybe
- 17:36Speaker 13: we can find out where he lives.
- 17:38Speaker 6: You're going traps around the whole city. I have to
- 17:41Speaker 6: well without me, then, as you please, I'll be home.
- 17:44Speaker 3: I'm hungry.
- 17:44Speaker 6: If you think more of a crazy letter than you
- 17:46Speaker 6: do a feeding your husband And that's all.
- 17:47Speaker 11: What do you mean?
- 17:48Speaker 3: That's all just what I said, That's all you know.
- 17:50Speaker 13: The trouble with you is you don't have no imagination.
- 17:52Speaker 6: No, I'm just the home loving guy, that's all. I
- 17:54Speaker 6: don't go stick in my nose where it don't belong.
- 17:56Speaker 13: Go on home. Then I'll find out about women.
- 18:05Speaker 5: A different turn of speech, another question if the boarding
- 18:09Speaker 5: house women were more cooperative if she knew the facts
- 18:12Speaker 5: of the case.
- 18:13Speaker 3: I took an interest in the death of Ernest.
- 18:15Speaker 5: Bowers if if If at the hospital.
- 18:19Speaker 3: Meanwhile, events were pursuing their normal course.
- 18:22Speaker 16: Couldn't reach anybody, No doctor, I tried just a few
- 18:25Speaker 16: minutes ago. That boarding house woman snapped my head off.
- 18:29Speaker 3: Well we're finished with a test.
- 18:30Speaker 4: She wish we could do that autopsy maybe later after
- 18:33Speaker 4: he's gone to the morgue.
- 18:35Speaker 13: Want me to try again.
- 18:37Speaker 3: No, get me the orderly room.
- 18:39Speaker 13: Okay, use that one there.
- 18:43Speaker 4: Ah, pain, Yeah, there's doctor Weldon. There's a delivery for
- 18:47Speaker 4: you to go to the moring.
- 18:48Speaker 3: No.
- 18:48Speaker 4: Yeah, I ain't have nothing to eat. Yeah, since lunch,
- 18:52Speaker 4: go on, No pain, it's down in the receiving room.
- 18:54Speaker 4: The papers are down there too.
- 18:56Speaker 8: Oh, I can't wait a few minutes.
- 18:57Speaker 3: It's got to go now. They want to start embalming
- 18:59Speaker 3: so they can go home.
- 19:00Speaker 8: About one of the other boys.
- 19:01Speaker 3: I don't care, as long as he gets there.
- 19:03Speaker 16: Okay, you want me to keep trying to reach his home.
- 19:07Speaker 4: The rushes off anytime, though, going to the morgue, tell
- 19:11Speaker 4: you what you're gonn wait till his wife calls here.
- 19:13Speaker 4: She should be home pretty soon. I guess I'll be
- 19:15Speaker 4: here all evening.
- 19:16Speaker 9: I want to talk to her all right.
- 19:18Speaker 3: Oh, I'll get your wires crossed.
- 19:28Speaker 14: Dear, Oh, mister Murdoch, Oh, I'm glad you came back.
- 19:35Speaker 13: I've you saw my.
- 19:37Speaker 14: Husband jacket, sport jacket this afternoon? Yeah, I light blue
- 19:41Speaker 14: and it's had a few stains on it.
- 19:43Speaker 3: We can't take back anything once, so no, no, I don't.
- 19:45Speaker 13: Want to give it back. Where'd you get it, mister Murdoch.
- 19:47Speaker 3: I don't even know which one you're talking about it?
- 19:49Speaker 14: It must have been a few hours ago, blue with
- 19:51Speaker 14: thin red boxes.
- 19:52Speaker 3: Oh that one? What a bother?
- 19:54Speaker 13: Where'd you get it?
- 19:55Speaker 3: What do you want to know for?
- 19:56Speaker 13: Because there was a letter in it? An important letter?
- 19:58Speaker 3: I don't know. How can I remember? I got it
- 20:00Speaker 3: long ago, long time. I don't see where it's any
- 20:02Speaker 3: of your business when I got it?
- 20:03Speaker 13: Maybe important. I've been trying to reach the numbers.
- 20:05Speaker 14: The doctor's number is always busy, and his wife she
- 20:08Speaker 14: hasn't even hold I.
- 20:09Speaker 3: Don't know what you're talking about now, please, I'm busy.
- 20:11Speaker 14: You got notts to do, but you gotta tell me
- 20:13Speaker 14: just look look, tell me one thing.
- 20:15Speaker 13: Did you have the jacket in there a long time?
- 20:17Speaker 3: Wow?
- 20:17Speaker 13: Look please, it's very important.
- 20:19Speaker 3: Well no, no, I just got it in this afternoon.
- 20:23Speaker 13: Oh where did you get it?
- 20:25Speaker 15: You said, one question, yes, and I answered, that's all
- 20:27Speaker 15: that was blood on it.
- 20:28Speaker 3: I can't help no, I feel excuse you.
- 20:29Speaker 13: No, no, Look, you must tell me.
- 20:31Speaker 3: I don't have to tell nobody.
- 20:32Speaker 16: Not.
- 20:32Speaker 13: Look. I may be all wrong. I'm probably just crazy
- 20:34Speaker 13: about this.
- 20:35Speaker 8: Look.
- 20:35Speaker 14: But if that man's alive and didn't do anything to him,
- 20:37Speaker 14: I'll never get over I'll never be.
- 20:39Speaker 3: Able to live with myself crazy. You said, it all
- 20:41Speaker 3: sounds crazy to me.
- 20:42Speaker 13: Listen, there was a letter in the inside pocket of
- 20:45Speaker 13: that jacket. It said that Ernest bauers but was a cadileeptic.
- 20:48Speaker 3: What's that he goes in the fits?
- 20:50Speaker 13: Oh no, no, no, catileptic. You know, somebody looks like
- 20:53Speaker 13: he's dead at times and he isn't. He goes into
- 20:55Speaker 13: a spell and looks as always dead.
- 20:57Speaker 14: Sometimes, you know, they take dead bodies to the morgue
- 20:59Speaker 14: and they am bomb them.
- 21:01Speaker 13: That means they take all the blood out of their veins.
- 21:03Speaker 13: I just tell a borers he's a catalyptic.
- 21:06Speaker 14: I don't know whether he's dead or alive, or even
- 21:08Speaker 14: if he's worrying about this letter, But I just got
- 21:11Speaker 14: to find.
- 21:11Speaker 3: Out well, there was an accident before.
- 21:16Speaker 13: Where who's in it?
- 21:17Speaker 3: I don't know. Believe me, lady, I didn't know anything
- 21:18Speaker 3: about all this.
- 21:20Speaker 15: You you think that this guy was taken away an
- 21:23Speaker 15: ambulance could be one of them the cataleptics.
- 21:26Speaker 13: That coat was it his?
- 21:27Speaker 15: Yeah, lady, yeah, but it was left there in the street.
- 21:29Speaker 15: They drove away and left the ambulance.
- 21:31Speaker 13: What ambulance, I don't know.
- 21:32Speaker 3: It was on the corner. The cop was there. We
- 21:34Speaker 3: told somebody call an ambulance and came and took away
- 21:36Speaker 3: the man.
- 21:36Speaker 17: The cop I saw a cop outside of eyes waiting
- 21:38Speaker 17: for you, was at the same cop.
- 21:39Speaker 3: Yeah. Yeah, it looks like you gotta protect me. I
- 21:41Speaker 3: ain't done anything wrong. I didn't know anything like this
- 21:43Speaker 3: would happen.
- 21:44Speaker 15: I would never taken a coat if I thought.
- 21:46Speaker 5: The andern hist bowers lay on a slab in the
- 21:58Speaker 5: marg we were alive. Probabilities were that he would regain
- 22:02Speaker 5: consciousness before six forty five and the two and bombers
- 22:06Speaker 5: on Judy at the time. I decided to get a
- 22:08Speaker 5: bite to eat. When the phone rang, Anthony answered.
- 22:12Speaker 7: Well, we're going out to sea. Yeah, and all other
- 22:15Speaker 7: ones just came in.
- 22:16Speaker 9: We got it.
- 22:17Speaker 3: Here yo, Well what's the rush?
- 22:20Speaker 7: No, No, we just want to get a cup of
- 22:21Speaker 7: coffee and then we'll get on it. Okay, is at
- 22:24Speaker 7: our fall If it comes in just when we want
- 22:26Speaker 7: to have a right we can go home after. Well,
- 22:31Speaker 7: that's puts a different complexion on it. Okay, yeah, well.
- 22:35Speaker 3: What time is it?
- 22:35Speaker 7: Our six steady Doc says if we abombas went, now
- 22:38Speaker 7: we can.
- 22:39Speaker 8: Go home and let's stet in and I'm hungry. Okay,
- 22:41Speaker 8: I'll start them outed young guy in it. Yeah.
- 22:48Speaker 10: Yeah, I was speaking to the wife about that yesterday. Yeah,
- 22:51Speaker 10: I'll get the inject out to me. Yeah, And she
- 22:53Speaker 10: was saying, more and more people die, all the renoved
- 22:56Speaker 10: it here, it.
- 22:59Speaker 8: Looks like we can open through the mac Ye give
- 23:02Speaker 8: me a piece of their goods.
- 23:04Speaker 10: So yeah, I says to her. She should be around
- 23:07Speaker 10: this place at Why we get him all ages?
- 23:10Speaker 8: You want me to do it? No, you get the
- 23:13Speaker 8: injector ready?
- 23:15Speaker 3: He look at him.
- 23:16Speaker 7: She never think that such a little thing like his
- 23:18Speaker 7: heart stops speeding could make him dead, not alive, all
- 23:21Speaker 7: his steady Well you yeah, ready for just a second, okay,
- 23:28Speaker 7: all right, here we you go.
- 23:35Speaker 8: What's ther man my glasses?
- 23:39Speaker 7: Yeah, clouding up, will take them off?
- 23:41Speaker 8: No, no, no, I just clean him.
- 23:45Speaker 10: What the wife said to that, huh oh oh about
- 23:49Speaker 10: all ages? Yeah, she didn't have nothing to say, only
- 23:52Speaker 10: that most of the guys we deal would probably come
- 23:54Speaker 10: to a violent end.
- 23:56Speaker 8: Yeah, well there's something in there. Okay, got them clean. Right,
- 24:02Speaker 8: here we go.
- 24:06Speaker 3: What's the matter?
- 24:08Speaker 8: It's steamed up again? Every time I bend over there,
- 24:15Speaker 8: I wondered what it must be my imagination? Why?
- 24:20Speaker 10: Yeah, I could have sworn this guy was breathing on
- 24:26Speaker 10: my classes.
- 24:27Speaker 8: Well is he? How could he?
- 24:31Speaker 9: Well, come on and let's go.
- 24:32Speaker 3: It's a quarter seven already.
- 24:33Speaker 7: Yeah, all that there, I'll get the fall.
- 24:40Speaker 8: Let's get this started phase. Okay, we were just out.
- 24:46Speaker 10: Well, I, what's the matter with you?
- 24:51Speaker 8: I thought I saw a guy's hand twitch. Don't be stupid, for.
- 24:54Speaker 3: Get me a scarell. Let's waite a second.
- 24:57Speaker 8: I'll get the phone. There'll probably be another job and
- 24:59Speaker 8: we'll never get out of here. Let it ring.
- 25:01Speaker 3: Yeah, but the doc said we can go home after
- 25:03Speaker 3: if all right?
- 25:07Speaker 8: All right, come on, come on, let's get this thing
- 25:10Speaker 8: over with.
- 25:11Speaker 10: Oh okay, yeah, give me the knife again, Tony.
- 25:19Speaker 8: Yeah, look at here, I'm bent over like this. I
- 25:29Speaker 8: ain't gonna move. My glass is up full of steam again.
- 25:34Speaker 9: Ho, he.
- 25:39Speaker 3: Is he alive?
- 25:46Speaker 8: I can shake to look at him out, look at
- 25:49Speaker 8: his lips.
- 25:51Speaker 3: Listen, shut off that motor.
- 26:19Speaker 5: Apparently the life of Ernest Bowers was worth one dollar
- 26:22Speaker 5: and thirty cents for a silver bracelet to the boys
- 26:25Speaker 5: or ran away with it, and five dollars for a
- 26:27Speaker 5: bloodstained jacket to honest Jerry Murdoch. Their petty thefts brought
- 26:33Speaker 5: a man to the brink of death. Oh there just
- 26:36Speaker 5: one more episode, which perhaps doesn't belong in an accident report,
- 26:40Speaker 5: which I'd like to include. After regaining full consciousness, Ernest
- 26:45Speaker 5: Bauers put in a telephone call from the more.
- 26:53Speaker 9: Hello, hello, missus Bully. Is Missus Bowers in?
- 26:57Speaker 11: I don't know, I'll see. Did Josie say, missus Bowers's home?
- 27:03Speaker 11: Who is it?
- 27:04Speaker 9: Well, this is mister Boss.
- 27:08Speaker 11: Mister Bowers. But they told me it was dead the
- 27:11Speaker 11: hospital call.
- 27:12Speaker 9: Yeah, I know, Missus Bolly, but they they made a mistake.
- 27:18Speaker 11: Well he she is, Hello, Ernest, Where are.
- 27:22Speaker 9: You well, darling? It's quite a long story, you see that.
- 27:26Speaker 11: Never mind, you get right home here, dinner's getting nice cold.
- 27:44Speaker 3: Thank you.
- 27:44Speaker 4: Pet O'Brien for a great suspense show. Now Here is
- 27:47Speaker 4: Harlow Wilcox.
- 27:50Speaker 9: I still got my coat of my head, Bolo well half.
- 27:54Speaker 2: Why don't you swap it for something useful the way
- 27:56Speaker 2: folks are swapping winter chills for springtime thrills. Replacing old
- 28:00Speaker 2: narrow gap spark plugs with white gap auto light resistor
- 28:03Speaker 2: spark plugs. Auto light resistor spark plugs are made by
- 28:06Speaker 2: Autolite men who make over four hundred products for cars, trucks, airplanes,
- 28:10Speaker 2: and boats in twenty eight. Auto light plans from coast
- 28:13Speaker 2: to coast, and Autolight also makes complete electrical systems for
- 28:16Speaker 2: many makes of America's finest cars. Batteries, spark plugs, generators,
- 28:20Speaker 2: starting motors, coils, distributors, all ignition engineered to fit together perfectly,
- 28:26Speaker 2: work together perfectly because they're a perfect team. So folks
- 28:30Speaker 2: don't accept electrical parts that are supposed to be as good,
- 28:33Speaker 2: ask for and insist on Autolite original factory parts at
- 28:37Speaker 2: your neighborhood service station, car dealer, garage, or repair shop.
- 28:41Speaker 3: Remember you're always right with auto light.
- 28:52Speaker 4: Now Here again is mister pad O'Brien.
- 28:54Speaker 5: It's been a pleasure for me to join this fine
- 28:56Speaker 5: cast and bringing you another suspense play. I'm a suspense
- 28:59Speaker 5: fan of long standing, and I'm just as anxious as
- 29:02Speaker 5: I know you'll be to here next week's broadcast, when
- 29:05Speaker 5: Edward g Robinson returns in a story called You Can't
- 29:09Speaker 5: Die Twice.
- 29:10Speaker 3: Another gripping study in.
- 29:12Speaker 2: Suspend at O'Brien may currently be seen in the Arkaol
- 29:20Speaker 2: picture The Boy with Green Hair. Tonight's suspense play was
- 29:23Speaker 2: written by Celi Gleicster and Merwin Girard, with music composed
- 29:27Speaker 2: by Lucian Morowake and conducted by lud Bluskin. The entire
- 29:30Speaker 2: production was under the direction of Anton M.
- 29:32Speaker 8: Leader.
- 29:33Speaker 2: Next Thursday, same time, here Edward g Robinson in You
- 29:36Speaker 2: Can't Die Twice.
- 29:41Speaker 11: You can buy auto light electrical parts, auto light resistance,
- 29:44Speaker 11: spark plugs, auto light stayful batteries at your neighborhood Autolite
- 29:48Speaker 11: dealers switch to auto light.
- 29:50Speaker 3: Good night, here's great news.
- 29:52Speaker 2: Suspense on television may be seen in many parts of
- 29:54Speaker 2: the country every Tuesday night. This is CBS, the Columbia
- 29:58Speaker 2: Broadcasting System.
- 30:17Speaker 1: We leave the city streets and hospital corridors with suspense
- 30:21Speaker 1: and dead earnest. Good Night, and thank you for sharing
- 30:24Speaker 1: an evening of classic radio