Latest / Music Explored Podcast / From Janelle Monae to Personal Connections: A Producer's Story

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From Janelle Monae to Personal Connections: A Producer's Story · Music Explored Podcast

• 0:00
  I
• 0:00
  mean,
• 0:00
  you've
• 0:00
  worked
• 0:00
  with
• 0:01
  so
• 0:01
  many
• 0:01
  incredible
• 0:02
  artists
• 0:02
  just
• 0:02
  like
• 0:03
  Janelle
• 0:03
  and
• 0:03
  that
• 0:04
  you've
• 0:04
  mentioned
• 0:04
  and
• 0:05
  Julie
• 0:05
  Black.
• 0:06
  What
• 0:06
  would
• 0:06
  you
• 0:06
  say
• 0:06
  was
• 0:06
  the
• 0:07
  defining
• 0:07
  moment
• 0:07
  that
• 0:08
  led
• 0:08
  you
• 0:08
  on
• 0:08
  that
• 0:08
  pathway
• 0:09
  to
• 0:09
  working
• 0:09
  with
• 0:10
  all
• 0:10
  these
• 0:10
  major
• 0:10
  artists?
• 0:11
  Like,
• 0:11
  was
• 0:11
  there
• 0:11
  something
• 0:12
  that
• 0:12
  sparked
• 0:12
  and
• 0:12
  then
• 0:12
  it
• 0:12
  kind
• 0:13
  of
• 0:13
  just
• 0:14
  snowballed
• 0:15
  into
• 0:15
  you
• 0:15
  just
• 0:15
  getting
• 0:16
  other
• 0:17
  artists
• 0:17
  to
• 0:18
  connect
• 0:18
  with?
• 0:19
  Pretty
• 0:19
  much,
• 0:20
  yeah.
• 0:20
  It's
• 0:20
  a
• 0:20
  very
• 0:21
  light
• 0:21
  snowball,
• 0:22
  but,
• 0:23
  you
• 0:23
  know,
• 0:23
  a
• 0:23
  small
• 0:24
  snowball.
• 0:24
  But
• 0:25
  yeah,
• 0:25
  you
• 0:25
  know,
• 0:25
  just.
• 0:25
  God
• 0:26
  presented
• 0:27
  me
• 0:27
  with
• 0:27
  the
• 0:28
  opportunity
• 0:28
  to
• 0:28
  work
• 0:29
  with
• 0:29
  Janelle
• 0:29
  through
• 0:30
  one
• 0:30
  of
• 0:30
  her
• 0:31
  producers,
• 0:31
  Chuck
• 0:32
  Lightning.
• 0:33
  And
• 0:33
  he
• 0:34
  found
• 0:34
  me
• 0:34
  in
• 0:34
  a
• 0:34
  studio
• 0:35
  session
• 0:35
  in
• 0:35
  Atlanta
• 0:36
  and
• 0:37
  asked
• 0:38
  if
• 0:38
  I
• 0:38
  could
• 0:38
  work
• 0:38
  with
• 0:38
  him
• 0:39
  and
• 0:39
  his
• 0:39
  band,
• 0:40
  Deep
• 0:40
  Cotton.
• 0:41
  And
• 0:41
  this
• 0:41
  is
• 0:42
  before
• 0:42
  Janelle
• 0:42
  had
• 0:43
  a
• 0:43
  record
• 0:43
  deal
• 0:43
  or
• 0:44
  an
• 0:44
  album
• 0:44
  out.
• 0:45
  And,
• 0:46
  you
• 0:46
  know,
• 0:47
  she
• 0:47
  heard
• 0:47
  us
• 0:47
  working
• 0:48
  and
• 0:48
  she
• 0:48
  liked
• 0:48
  my.
• 0:48
  My
• 0:49
  work,
• 0:49
  my
• 0:49
  guitar
• 0:50
  work
• 0:50
  and
• 0:50
  asked
• 0:51
  me
• 0:51
  to
• 0:51
  work
• 0:51
  with
• 0:51
  her
• 0:51
  as
• 0:52
  well.
• 0:52
  And
• 0:52
  then,
• 0:53
  you
• 0:53
  know,
• 0:53
  she
• 0:53
  got
• 0:53
  signed
• 0:54
  about,
• 0:54
  I
• 0:54
  don't
• 0:54
  know,
• 0:55
  maybe
• 0:55
  a
• 0:55
  year
• 0:55
  later
• 0:56
  or
• 0:56
  so.
• 0:57
  And
• 0:58
  here
• 0:58
  we
• 0:58
  are
• 0:59
  15
• 0:59
  years
• 0:59
  later.
• 1:02
  Wow,
• 1:03
  that's
• 1:03
  incredible.
• 1:04
  It's
• 1:04
  pretty
• 1:04
  amazing.
• 1:05
  What's
• 1:05
  your
• 1:06
  production
• 1:06
  technique
• 1:07
  like?
• 1:07
  Because
• 1:08
  just
• 1:08
  like
• 1:09
  film
• 1:09
  directors,
• 1:10
  some.
• 1:10
  Some
• 1:10
  producers
• 1:11
  are
• 1:11
  very
• 1:12
  hands
• 1:12
  on
• 1:13
  and
• 1:14
  want
• 1:15
  to
• 1:15
  affect
• 1:15
  everything
• 1:16
  from
• 1:16
  the
• 1:16
  harmony
• 1:17
  to
• 1:17
  what
• 1:18
  distortions
• 1:18
  are
• 1:18
  being
• 1:19
  used
• 1:19
  and
• 1:19
  all
• 1:19
  that.
• 1:20
  And
• 1:20
  then
• 1:20
  some
• 1:20
  producers
• 1:21
  leave
• 1:21
  more
• 1:22
  that
• 1:22
  to
• 1:22
  the
• 1:22
  engineer.
• 1:22
  What's
• 1:23
  your
• 1:23
  style
• 1:23
  of
• 1:23
  production?
• 1:24
  I'm
• 1:25
  more
• 1:25
  of
• 1:25
  a
• 1:26
  live
• 1:26
  producer.
• 1:27
  I
• 1:27
  want
• 1:27
  to
• 1:28
  accomplish
• 1:28
  the
• 1:28
  sounds
• 1:31
  here
• 1:32
  for
• 1:32
  like,
• 1:32
  you
• 1:33
  know,
• 1:33
  in
• 1:33
  the
• 1:33
  analog
• 1:34
  stage
• 1:34
  first
• 1:34
  before
• 1:35
  post
• 1:36
  production.
• 1:36
  I
• 1:37
  just
• 1:37
  feel
• 1:37
  that
• 1:38
  I'm
• 1:38
  more
• 1:39
  capable
• 1:39
  of
• 1:40
  having
• 1:41
  an
• 1:42
  uncompromised
• 1:43
  or
• 1:43
  unlimited
• 1:44
  array
• 1:45
  of
• 1:45
  sounds
• 1:46
  when
• 1:46
  I
• 1:46
  do
• 1:46
  it
• 1:46
  that
• 1:46
  way.
• 1:47
  It's
• 1:47
  kind
• 1:47
  of
• 1:47
  ironic
• 1:47
  because
• 1:48
  you
• 1:48
  would
• 1:48
  think
• 1:48
  it's
• 1:48
  the
• 1:48
  other
• 1:48
  way
• 1:49
  around,
• 1:49
  but
• 1:50
  there's
• 1:51
  certain
• 1:51
  tonalities
• 1:51
  and
• 1:52
  certain
• 1:52
  effects
• 1:53
  that
• 1:53
  like
• 1:53
  choruses
• 1:54
  and
• 1:54
  modulation
• 1:55
  effects
• 1:56
  that
• 1:56
  I
• 1:56
  feel
• 1:57
  like
• 1:57
  digitally
• 1:58
  I've
• 1:58
  not
• 1:58
  found
• 1:58
  the
• 1:59
  way
• 1:59
  to
• 2:00
  come
• 2:00
  close
• 2:00
  to
• 2:00
  the
• 2:01
  quality
• 2:01
  that
• 2:01
  I
• 2:01
  get
• 2:01
  from
• 2:02
  some
• 2:02
  of
• 2:02
  my
• 2:02
  analog
• 2:02
  pedals.
• 2:03
  Okay,
• 2:04
  so
• 2:04
  you
• 2:05
  prefer
• 2:05
  to
• 2:05
  add
• 2:06
  those
• 2:06
  effects
• 2:07
  in
• 2:07
  the
• 2:07
  analog
• 2:08
  stage
• 2:08
  mostly
• 2:08
  as
• 2:09
  guitar
• 2:09
  pedals.
• 2:09
  Would
• 2:09
  you
• 2:10
  say
• 2:10
  yes?
• 2:11
  For
• 2:11
  guitar
• 2:11
  pedals?
• 2:12
  Yes.
• 2:12
  Now
• 2:12
  for
• 2:13
  vocals?
• 2:14
  Definitely
• 2:14
  not.
• 2:14
  That's
• 2:15
  going
• 2:15
  to
• 2:15
  be
• 2:15
  post
• 2:15
  production
• 2:16
  for
• 2:16
  sure.
• 2:16
  You
• 2:17
  know,
• 2:18
  so
• 2:18
  I
• 2:18
  basically
• 2:19
  treat
• 2:19
  myself
• 2:20
  like
• 2:20
  a
• 2:20
  rock
• 2:20
  artist
• 2:20
  when
• 2:21
  I
• 2:21
  record.
• 2:21
  And
• 2:22
  I'm
• 2:22
  finding
• 2:22
  that
• 2:22
  less
• 2:23
  is
• 2:23
  more
• 2:24
  the
• 2:24
  more
• 2:24
  experienced
• 2:25
  I
• 2:25
  get
• 2:25
  in
• 2:25
  production.
• 2:26
  It's
• 2:26
  way
• 2:27
  easier
• 2:27
  for
• 2:28
  me
• 2:28
  to
• 2:28
  produce
• 2:29
  artists
• 2:29
  with
• 2:30
  less
• 2:30
  instruments.
• 2:30
  You
• 2:31
  know,
• 2:32
  as
• 2:33
  a
• 2:33
  rocker,
• 2:33
  I'm
• 2:33
  so
• 2:34
  into
• 2:34
  like
• 2:34
  multiple,
• 2:35
  you
• 2:36
  know,
• 2:36
  instruments,
• 2:36
  multiple.
• 2:37
  Tracks,
• 2:38
  you
• 2:38
  know,
• 2:38
  like
• 2:38
  Rush,
• 2:38
  Double
• 2:39
  Everything,
• 2:39
  Layer
• 2:40
  everything.
• 2:41
  Exactly.
• 2:42
  So
• 2:42
  many
• 2:42
  layers,
• 2:43
  Rush,
• 2:43
  all
• 2:43
  this.
• 2:43
  Bands
• 2:43
  like
• 2:44
  huge
• 2:44
  layers.
• 2:45
  But
• 2:45
  I'm
• 2:46
  really
• 2:46
  enjoying
• 2:47
  bringing
• 2:47
  it
• 2:47
  down.
• 2:48
  Simplifying
• 2:49
  everything.
• 2:50
  Kind
• 2:50
  of
• 2:50
  like
• 2:50
  with
• 2:50
  hip
• 2:51
  hop,
• 2:51
  you
• 2:51
  know,
• 2:52
  you
• 2:52
  hear
• 2:52
  like
• 2:52
  three
• 2:52
  or
• 2:53
  four
• 2:53
  instruments
• 2:53
  and
• 2:53
  then
• 2:53
  you're
• 2:53
  good.
• 2:54
  You
• 2:54
  know
• 2:54
  what
• 2:54
  I
• 2:54
  mean?
• 2:55
  Yeah,
• 2:55
  yeah,
• 2:56
  yeah.
• 2:58
  Nice.
• 2:58
  Nice.
• 2:59
  Well,
• 2:59
  hey,
• 2:59
  guys,
• 3:00
  I'm
• 3:00
  gonna
• 3:00
  welcome
• 3:00
  myself
• 3:01
  to
• 3:01
  the
• 3:01
  show.
• 3:01
  I've
• 3:01
  had
• 3:02
  some
• 3:02
  tech
• 3:03
  issues
• 3:03
  here,
• 3:04
  so
• 3:05
  I'm
• 3:05
  joining
• 3:06
  a
• 3:06
  little
• 3:06
  late.
• 3:08
  Great
• 3:08
  to
• 3:08
  have
• 3:09
  you.
• 3:09
  I
• 3:09
  guess
• 3:09
  I
• 3:09
  should
• 3:09
  say
• 3:09
  that
• 3:10
  officially.
• 3:10
  Kalindo,
• 3:12
  what's
• 3:12
  it
• 3:13
  like
• 3:13
  for
• 3:13
  you?
• 3:14
  Co
• 3:14
  writing
• 3:14
  and
• 3:15
  co
• 3:15
  producing.
• 3:16
  I
• 3:16
  know
• 3:16
  you're
• 3:17
  working
• 3:17
  with
• 3:17
  some
• 3:17
  of
• 3:17
  the
• 3:17
  best
• 3:17
  in
• 3:18
  the
• 3:18
  industry
• 3:18
  now,
• 3:19
  so
• 3:19
  what's
• 3:19
  the
• 3:19
  experience
• 3:20
  like
• 3:20
  each
• 3:20
  time
• 3:21
  you
• 3:21
  sit
• 3:21
  down?
• 3:22
  It's
• 3:22
  an
• 3:22
  honor,
• 3:25
  you
• 3:25
  know,
• 3:25
  I
• 3:25
  don't
• 3:25
  take
• 3:25
  it
• 3:25
  for
• 3:26
  granted
• 3:26
  ever.
• 3:28
  And
• 3:28
  it's
• 3:28
  a
• 3:28
  lot
• 3:29
  of
• 3:29
  fun.
• 3:29
  You
• 3:29
  know,
• 3:30
  it's.
• 3:30
  It's
• 3:30
  different
• 3:31
  because
• 3:31
  I.
• 3:31
  I've
• 3:32
  known
• 3:33
  Janelle
• 3:33
  Monae
• 3:34
  for
• 3:34
  so
• 3:34
  many
• 3:34
  years
• 3:35
  that
• 3:35
  I've
• 3:36
  known
• 3:36
  her
• 3:36
  before
• 3:36
  she
• 3:36
  was
• 3:37
  famous,
• 3:37
  so
• 3:38
  I
• 3:38
  know
• 3:38
  her
• 3:38
  as
• 3:38
  the
• 3:38
  person,
• 3:39
  you
• 3:40
  know,
• 3:40
  so
• 3:40
  I'm
• 3:40
  not
• 3:40
  like,
• 3:41
  oh,
• 3:41
  my
• 3:41
  God,
• 3:41
  I
• 3:42
  don't
• 3:42
  believe
• 3:42
  in
• 3:42
  a
• 3:42
  best
• 3:42
  Go
• 3:43
  to
• 3:43
  the
• 3:43
  house,
• 3:45
  which
• 3:45
  I
• 3:45
  would
• 3:45
  be,
• 3:46
  of
• 3:46
  course.
• 3:47
  Yeah.
• 3:47
  If
• 3:47
  I
• 3:48
  just.
• 3:49
  So
• 3:49
  I.
• 3:50
  I'm
• 3:50
  going
• 3:50
  to
• 3:51
  see
• 3:51
  my
• 3:51
  sister.
• 3:51
  You
• 3:51
  know
• 3:51
  what
• 3:51
  I
• 3:52
  mean?
• 3:52
  My
• 3:52
  good.
• 3:52
  My.
• 3:53
  Like
• 3:53
  one
• 3:53
  of
• 3:53
  my
• 3:53
  best
• 3:53
  friends.
• 3:54
  Yeah,
• 3:55
  yeah.
• 3:56
  You
• 3:56
  know,
• 3:56
  and.
• 3:57
  And
• 3:57
  so
• 3:58
  we
• 3:58
  talk
• 3:58
  to
• 3:58
  each
• 3:58
  other
• 3:58
  that
• 3:58
  way.
• 3:59
  I
• 3:59
  mean,
• 3:59
  we're
• 3:59
  very
• 4:00
  honest
• 4:00
  and
• 4:00
  open
• 4:01
  with
• 4:01
  each
• 4:01
  other.
• 4:01
  And,
• 4:02
  you
• 4:02
  know,
• 4:03
  I
• 4:03
  mean,
• 4:03
  we.
• 4:03
  You
• 4:03
  know,
• 4:03
  we've
• 4:04
  spent.
• 4:04
  Gosh,
• 4:05
  I
• 4:05
  spent
• 4:06
  more
• 4:06
  time
• 4:06
  with
• 4:06
  Janelle
• 4:07
  Nae
• 4:07
  than
• 4:07
  I
• 4:07
  have
• 4:07
  with
• 4:08
  my
• 4:08
  girlfriend.
• 4:15
  I
• 4:15
  really
• 4:15
  know
• 4:15
  her
• 4:15
  really
• 4:16
  well.
• 4:16
  That
• 4:16
  shows
• 4:17
  the
• 4:17
  closeness.
• 4:18
  Yeah,
• 4:18
  that's
• 4:18
  some
• 4:18
  closeness.
• 4:19
  You
• 4:19
  know
• 4:19
  what
• 4:19
  I
• 4:19
  mean?
• 4:20
  Yeah,
• 4:20
  yeah.
• 4:21
  Everything
• 4:21
  about
• 4:22
  me,
• 4:22
  and
• 4:22
  I
• 4:22
  know
• 4:22
  everything
• 4:22
  about
• 4:22
  her,
• 4:23
  and
• 4:23
  so
• 4:24
  we're
• 4:24
  super
• 4:24
  duper
• 4:24
  close.
• 4:25
  And
• 4:26
  yet
• 4:27
  I'm
• 4:27
  very,
• 4:27
  very
• 4:27
  grateful
• 4:28
  because
• 4:28
  I
• 4:28
  do
• 4:28
  get
• 4:29
  where
• 4:29
  I
• 4:30
  am
• 4:30
  in
• 4:30
  my
• 4:30
  life.
• 4:31
  So
• 4:32
  thankful
• 4:32
  to
• 4:32
  God
• 4:33
  and
• 4:33
  to
• 4:34
  Janelle
• 4:34
  and
• 4:35
  team
• 4:35
  Chuck
• 4:35
  and
• 4:35
  Nate,
• 4:36
  you
• 4:36
  know,
• 4:37
  and
• 4:37
  everyone
• 4:37
  who
• 4:38
  helped
• 4:38
  make
• 4:38
  these
• 4:39
  albums
• 4:39
  so
• 4:39
  spectacular.
• 4:41
  Yeah,
• 4:42
  it's
• 4:42
  been
• 4:42
  an
• 4:42
  amazing.
• 4:42
  Can
• 4:43
  I
• 4:43
  ask.
• 4:43
  I'm
• 4:43
  going
• 4:43
  to
• 4:44
  be
• 4:44
  asking
• 4:44
  the
• 4:44
  uncomfortable
• 4:45
  questions.
• 4:46
  Oh.
• 4:47
  I
• 4:47
  mean,
• 4:49
  so
• 4:50
  when
• 4:50
  you're.
• 4:51
  I'm
• 4:51
  going
• 4:51
  to
• 4:51
  stick
• 4:51
  to
• 4:51
  the
• 4:52
  production
• 4:52
  side
• 4:53
  when
• 4:53
  you're
• 4:53
  producing,
• 4:54
  especially
• 4:55
  if
• 4:55
  you're
• 4:55
  a
• 4:56
  player.
• 4:56
  And
• 4:58
  I
• 4:59
  think
• 4:59
  the
• 4:59
  more
• 4:59
  as
• 4:59
  a
• 4:59
  producer,
• 5:00
  you
• 5:00
  know,
• 5:00
  the
• 5:00
  more
• 5:00
  likely
• 5:01
  you
• 5:01
  are
• 5:01
  to
• 5:02
  at
• 5:02
  least
• 5:02
  at
• 5:02
  one
• 5:02
  point
• 5:02
  run
• 5:03
  into
• 5:03
  some
• 5:03
  sort
• 5:03
  of
• 5:03
  friction
• 5:04
  with
• 5:05
  an
• 5:05
  artist
• 5:05
  on
• 5:05
  a
• 5:06
  part
• 5:06
  where
• 5:06
  you're
• 5:06
  like,
• 5:07
  this
• 5:08
  doesn't
• 5:08
  work
• 5:09
  right.
• 5:09
  It's
• 5:09
  just
• 5:10
  straight
• 5:10
  up,
• 5:10
  this
• 5:10
  is
• 5:10
  harmonically
• 5:11
  wrong
• 5:11
  or
• 5:11
  whatever.
• 5:12
  Do
• 5:12
  you
• 5:13
  ever
• 5:13
  have
• 5:13
  a
• 5:14
  line
• 5:14
  that
• 5:14
  you're
• 5:14
  like,
• 5:15
  seriously,
• 5:15
  like,
• 5:16
  we
• 5:16
  have
• 5:16
  to
• 5:16
  do
• 5:17
  it
• 5:17
  this
• 5:17
  way
• 5:17
  because
• 5:17
  the
• 5:18
  other
• 5:18
  way
• 5:18
  is
• 5:18
  dissonant
• 5:18
  or
• 5:19
  whatever?
• 5:19
  Or
• 5:19
  at
• 5:19
  one.
• 5:20
  At
• 5:20
  some
• 5:20
  point,
• 5:20
  you're
• 5:20
  like,
• 5:20
  this
• 5:21
  is
• 5:21
  your
• 5:21
  song
• 5:21
  and
• 5:21
  I'm
• 5:21
  done.
• 5:22
  And
• 5:22
  how.
• 5:23
  What
• 5:23
  do
• 5:23
  you
• 5:23
  do?
• 5:24
  How
• 5:24
  do
• 5:24
  you
• 5:25
  handle
• 5:25
  that?
• 5:25
  Great
• 5:26
  question.
• 5:26
  I'm
• 5:26
  honest.
• 5:27
  I
• 5:27
  say
• 5:27
  exactly
• 5:28
  what's
• 5:28
  wrong.
• 5:29
  I
• 5:29
  hear
• 5:29
  a
• 5:30
  rub,
• 5:30
  you
• 5:31
  know,
• 5:31
  and
• 5:31
  this
• 5:31
  has
• 5:31
  happened
• 5:32
  a
• 5:32
  few
• 5:32
  times,
• 5:33
  really,
• 5:34
  where
• 5:34
  I've
• 5:34
  heard
• 5:35
  a
• 5:35
  minor
• 5:35
  second
• 5:35
  kind
• 5:36
  of
• 5:36
  rub
• 5:36
  or,
• 5:36
  you
• 5:37
  know,
• 5:37
  or
• 5:37
  it's
• 5:37
  like
• 5:37
  there's
• 5:37
  a
• 5:37
  major
• 5:38
  chord,
• 5:39
  but
• 5:39
  the
• 5:39
  melody,
• 5:41
  someone's
• 5:41
  singing,
• 5:42
  you
• 5:42
  know,
• 5:42
  the
• 5:42
  major
• 5:43
  second.
• 5:43
  And
• 5:44
  that
• 5:44
  rub
• 5:44
  is
• 5:45
  wrong.
• 5:46
  And
• 5:46
  usually
• 5:47
  what
• 5:47
  I
• 5:47
  get
• 5:48
  is.
• 5:49
  I'll
• 5:49
  get.
• 5:50
  No,
• 5:50
  it's.
• 5:51
  I
• 5:51
  like
• 5:51
  it
• 5:51
  that
• 5:51
  way.
• 5:52
  And
• 5:53
  then
• 5:53
  when
• 5:53
  the
• 5:54
  record
• 5:54
  is
• 5:54
  released,
• 5:55
  switch
• 5:55
  to
• 5:55
  the
• 5:56
  suggestion
• 5:56
  that
• 5:56
  I
• 5:57
  made.
• 5:57
  You
• 5:58
  know
• 5:58
  what
• 5:58
  I
• 5:58
  mean?
• 5:59
  So
• 6:00
  if
• 6:00
  it
• 6:00
  doesn't
• 6:01
  have.
• 6:01
  So
• 6:01
  I
• 6:01
  don't
• 6:01
  fight
• 6:02
  it
• 6:02
  on
• 6:02
  the
• 6:02
  spot,
• 6:02
  you
• 6:03
  know,
• 6:03
  if
• 6:03
  the,
• 6:04
  you
• 6:04
  know,
• 6:04
  the
• 6:04
  main
• 6:05
  producer
• 6:05
  or
• 6:05
  the
• 6:06
  artist
• 6:06
  is
• 6:06
  like,
• 6:06
  nah,
• 6:07
  I
• 6:07
  like
• 6:07
  it
• 6:07
  that
• 6:07
  way.
• 6:07
  I'll
• 6:07
  be
• 6:08
  okay.
• 6:09
  You
• 6:09
  know,
• 6:10
  have
• 6:11
  somebody
• 6:11
  listen
• 6:12
  to
• 6:12
  that
• 6:13
  kind
• 6:13
  of
• 6:13
  situation
• 6:14
  and
• 6:14
  then
• 6:14
  turn
• 6:15
  to
• 6:15
  you
• 6:15
  and
• 6:15
  be
• 6:15
  like,
• 6:16
  how'd
• 6:16
  you
• 6:16
  let
• 6:16
  that
• 6:17
  happen?
• 6:19
  Not
• 6:20
  really,
• 6:20
  because
• 6:20
  they
• 6:21
  actually,
• 6:21
  honestly,
• 6:21
  they
• 6:22
  don't
• 6:22
  allow
• 6:22
  it
• 6:23
  to
• 6:23
  be
• 6:23
  released
• 6:23
  that
• 6:24
  way.
• 6:24
  Like,
• 6:24
  they're
• 6:25
  always.
• 6:25
  What's
• 6:26
  great
• 6:26
  about
• 6:26
  the
• 6:27
  people
• 6:27
  I
• 6:27
  work
• 6:27
  with,
• 6:27
  Janelle
• 6:28
  and
• 6:28
  the
• 6:28
  team,
• 6:29
  even
• 6:29
  if
• 6:29
  they
• 6:30
  say
• 6:30
  no
• 6:30
  to
• 6:30
  the
• 6:30
  suggestion,
• 6:31
  by
• 6:32
  the
• 6:32
  time
• 6:32
  the
• 6:32
  album
• 6:32
  comes
• 6:32
  out,
• 6:33
  they've
• 6:34
  ironed
• 6:34
  it
• 6:34
  out
• 6:34
  and
• 6:34
  they
• 6:34
  fixed
• 6:35
  it.
• 6:36
  Seriously.
• 6:37
  Enough
• 6:37
  people
• 6:38
  get
• 6:38
  involved
• 6:38
  and
• 6:38
  they're
• 6:38
  like,
• 6:39
  you
• 6:39
  can't
• 6:39
  do
• 6:39
  that.
• 6:40
  Interesting.
• 6:41
  So
• 6:41
  it's
• 6:41
  a
• 6:41
  great
• 6:42
  question.
• 6:42
  Yeah.
• 6:43
  You
• 6:43
  don't.
• 6:43
  It's
• 6:43
  not.
• 6:43
  You
• 6:44
  don't
• 6:44
  want
• 6:44
  to
• 6:44
  get
• 6:44
  into
• 6:44
  an
• 6:44
  argument
• 6:44
  over
• 6:45
  it
• 6:45
  because,
• 6:45
  of
• 6:46
  course,
• 6:47
  you
• 6:47
  know,
• 6:47
  it's.
• 6:48
  It's
• 6:48
  like
• 6:48
  a
• 6:48
  painting.
• 6:49
  You
• 6:49
  know,
• 6:49
  you
• 6:49
  go
• 6:49
  to
• 6:49
  a
• 6:49
  museum,
• 6:50
  you
• 6:50
  see.
• 6:50
  You
• 6:50
  see
• 6:51
  artwork
• 6:51
  on
• 6:51
  the
• 6:51
  wall,
• 6:51
  and
• 6:51
  you're
• 6:52
  like,
• 6:52
  how
• 6:52
  does
• 6:52
  this
• 6:53
  person
• 6:53
  know
• 6:53
  this
• 6:53
  painting
• 6:54
  is
• 6:54
  done?
• 6:54
  Like,
• 6:55
  voila,
• 6:56
  fini.
• 6:57
  And
• 6:57
  it's
• 6:57
  just
• 6:57
  like,
• 6:58
  I
• 6:58
  don't
• 6:58
  know,
• 6:58
  done.
• 6:59
  The
• 7:00
  artist
• 7:00
  knows,
• 7:00
  you
• 7:00
  know,
• 7:01
  what's
• 7:01
  right
• 7:01
  and
• 7:01
  what's
• 7:01
  wrong.
• 7:03
  Okay.
• 7:04
  Yeah.
• 7:07
  What
• 7:07
  do
• 7:07
  you
• 7:08
  enjoy
• 7:08
  doing
• 7:08
  the
• 7:09
  most?
• 7:09
  Playing,
• 7:09
  writing
• 7:10
  or
• 7:10
  producing?
• 7:16
  Hmm.
• 7:17
  I'm
• 7:17
  gonna
• 7:17
  say
• 7:18
  playing.
• 7:19
  Yeah,
• 7:19
  playing
• 7:20
  and
• 7:20
  listening
• 7:20
  and
• 7:21
  performing.
• 7:22
  You
• 7:22
  know,
• 7:22
  I
• 7:22
  like
• 7:22
  listening
• 7:23
  to
• 7:23
  the
• 7:23
  production
• 7:24
  after
• 7:24
  it's
• 7:24
  done,
• 7:25
  or
• 7:25
  at
• 7:25
  least
• 7:25
  when
• 7:26
  final
• 7:26
  mixing
• 7:27
  stages.
• 7:27
  I'm
• 7:27
  like,
• 7:27
  yeah,
• 7:28
  man,
• 7:28
  this
• 7:28
  is
• 7:28
  great
• 7:31
  work.
• 7:31
  The
• 7:31
  hard.
• 7:32
  It's
• 7:32
  work.
• 7:32
  I
• 7:32
  mean,
• 7:33
  the
• 7:33
  other.
• 7:33
  Everything
• 7:33
  else
• 7:33
  is
• 7:34
  definitely
• 7:34
  work,
• 7:35
  and
• 7:35
  I
• 7:36
  can't
• 7:36
  take
• 7:36
  that
• 7:36
  for
• 7:36
  granted.
• 7:37
  You
• 7:37
  know,
• 7:37
  that's
• 7:37
  not
• 7:38
  like,
• 7:38
  oh,
• 7:38
  yay,
• 7:38
  we
• 7:38
  get
• 7:39
  to,
• 7:39
  you
• 7:39
  know,
• 7:40
  party.
• 7:40
  We're
• 7:40
  not
• 7:40
  partying.
• 7:41
  We're
• 7:41
  working.
• 7:41
  You
• 7:41
  know
• 7:42
  what
• 7:42
  I
• 7:42
  mean?
• 7:43
  Work.
• 7:43
  Yeah.
• 7:44
  Finish
• 7:44
  product.
• 7:46
  What's.
• 7:46
  What's
• 7:47
  been
• 7:47
  your
• 7:47
  favorite
• 7:48
  Place
• 7:48
  to
• 7:48
  perform.
• 7:49
  Have
• 7:49
  you
• 7:49
  ever
• 7:49
  not
• 7:50
  let
• 7:50
  artist
• 7:50
  party?
• 7:51
  Sorry.
• 7:53
  My
• 7:54
  favorite
• 7:55
  place.
• 7:55
  Two
• 7:56
  questions
• 7:56
  in
• 7:56
  one.
• 8:00
  Please.
• 8:00
  Anthony,
• 8:01
  Mike's
• 8:02
  yours.
• 8:03
  What's
• 8:04
  been
• 8:04
  your
• 8:04
  favorite
• 8:04
  place
• 8:05
  to
• 8:05
  perform
• 8:05
  so
• 8:06
  far?
• 8:08
  Wow.
• 8:09
  I
• 8:09
  don't
• 8:09
  have
• 8:10
  one
• 8:10
  particular
• 8:10
  favorite,
• 8:11
  but
• 8:11
  I
• 8:11
  will
• 8:11
  say
• 8:15
  I
• 8:16
  love
• 8:16
  amphitheaters.
• 8:17
  I
• 8:17
  think
• 8:18
  they're
• 8:18
  incredible.
• 8:19
  So
• 8:20
  in
• 8:20
  Denver,
• 8:21
  there's
• 8:21
  Red
• 8:21
  Rocks.
• 8:21
  I
• 8:22
  love
• 8:22
  Red
• 8:22
  Rocks.
• 8:23
  I
• 8:23
  love
• 8:23
  the
• 8:23
  Gorge
• 8:24
  in
• 8:25
  Seattle,
• 8:28
  I
• 8:28
  love
• 8:28
  the
• 8:28
  Hollywood
• 8:29
  bowl
• 8:29
  in
• 8:29
  la.
• 8:32
  So
• 8:33
  outdoor
• 8:33
  venues
• 8:33
  are
• 8:33
  just
• 8:34
  incredible.
• 8:34
  The
• 8:34
  acoustics
• 8:35
  are
• 8:35
  just
• 8:36
  heavenly.
• 8:37
  Indoors,
• 8:38
  I
• 8:38
  would
• 8:38
  say
• 8:38
  Madison
• 8:39
  Square
• 8:39
  Garden,
• 8:40
  you
• 8:40
  know,
• 8:40
  just
• 8:40
  because
• 8:40
  it's
• 8:41
  the
• 8:41
  classic
• 8:41
  legendary
• 8:42
  arena,
• 8:43
  you
• 8:44
  know,
• 8:44
  playing
• 8:44
  there
• 8:44
  just.
• 8:45
  It's
• 8:46
  been
• 8:46
  a
• 8:46
  dream
• 8:46
  of
• 8:46
  mine.
• 8:47
  So
• 8:47
  I
• 8:48
  think
• 8:48
  we
• 8:48
  did
• 8:48
  it
• 8:48
  twice
• 8:49
  and
• 8:50
  I
• 8:50
  enjoyed
• 8:51
  it
• 8:51
  the
• 8:51
  second
• 8:51
  time
• 8:52
  better
• 8:52
  than
• 8:52
  the
• 8:52
  first
• 8:52
  time
• 8:53
  for
• 8:54
  various
• 8:54
  reasons,
• 8:55
  but
• 8:55
  that's
• 8:55
  another
• 8:55
  conversation.
• 8:57
  Hey,
• 8:59
  interesting.
• 9:00
  Why
• 9:01
  don't
• 9:01
  you
• 9:01
  share
• 9:01
  the
• 9:01
  reasons
• 9:02
  we'd
• 9:02
  love
• 9:02
  to
• 9:02
  know.
• 9:05
  We
• 9:05
  opened
• 9:06
  for
• 9:06
  Prince
• 9:06
  and.
• 9:07
  Oh,
• 9:08
  Prince.
• 9:08
  It
• 9:08
  was
• 9:09
  our
• 9:09
  first
• 9:09
  time
• 9:09
  opening
• 9:09
  for
• 9:10
  Prince
• 9:10
  and
• 9:11
  we
• 9:11
  were
• 9:11
  really
• 9:12
  excited
• 9:12
  and
• 9:12
  nervous
• 9:13
  and
• 9:14
  ended
• 9:14
  up
• 9:15
  hiring
• 9:15
  a
• 9:16
  lot
• 9:16
  of
• 9:16
  musicians
• 9:17
  for
• 9:17
  the
• 9:17
  first
• 9:17
  time
• 9:17
  ever.
• 9:18
  And
• 9:18
  so.
• 9:19
  And
• 9:19
  we
• 9:20
  had
• 9:20
  a
• 9:20
  short
• 9:20
  amount
• 9:20
  of
• 9:20
  time
• 9:21
  to
• 9:21
  perform
• 9:22
  and
• 9:22
  to
• 9:22
  sound
• 9:22
  check.
• 9:23
  So
• 9:23
  by
• 9:23
  hiring
• 9:24
  all
• 9:24
  these
• 9:24
  extra
• 9:24
  musicians,
• 9:25
  we
• 9:26
  had
• 9:26
  less
• 9:26
  time
• 9:27
  to
• 9:27
  sound
• 9:27
  check.
• 9:27
  Once
• 9:27
  you
• 9:28
  get
• 9:28
  all
• 9:28
  the
• 9:28
  inputs
• 9:29
  and
• 9:29
  stuff
• 9:29
  together,
• 9:30
  we
• 9:30
  were
• 9:30
  out
• 9:31
  of
• 9:31
  time
• 9:31
  and
• 9:31
  we
• 9:31
  couldn't
• 9:32
  really
• 9:32
  have
• 9:32
  a
• 9:32
  sound
• 9:32
  check,
• 9:33
  so
• 9:33
  that
• 9:33
  freaked
• 9:33
  me
• 9:33
  out.
• 9:36
  You
• 9:36
  want
• 9:36
  to
• 9:36
  get
• 9:36
  me
• 9:36
  nervous
• 9:37
  before
• 9:37
  a
• 9:37
  show,
• 9:38
  freak?
• 9:39
  Like,
• 9:39
  cancel
• 9:39
  out
• 9:39
  my
• 9:40
  sound
• 9:40
  check.
• 9:40
  That's
• 9:41
  the
• 9:41
  first
• 9:41
  step,
• 9:43
  you
• 9:44
  know
• 9:44
  what
• 9:44
  I
• 9:44
  mean?
• 9:45
  And
• 9:45
  then
• 9:45
  we
• 9:45
  did,
• 9:46
  and
• 9:47
  we
• 9:48
  ran
• 9:48
  out
• 9:48
  of
• 9:48
  time
• 9:48
  on
• 9:49
  stage,
• 9:49
  so
• 9:49
  we
• 9:49
  had
• 9:49
  to
• 9:49
  cut
• 9:49
  out
• 9:50
  Cold
• 9:50
  War,
• 9:50
  which
• 9:51
  was.
• 9:51
  Which
• 9:51
  is
• 9:51
  one
• 9:52
  of
• 9:52
  my
• 9:52
  favorite
• 9:52
  live
• 9:52
  songs
• 9:53
  because
• 9:53
  it's
• 9:53
  high
• 9:53
  energy.
• 9:54
  And
• 9:54
  after
• 9:54
  the
• 9:55
  show,
• 9:55
  Prince
• 9:55
  was
• 9:55
  like,
• 9:56
  why
• 9:56
  didn't
• 9:56
  you
• 9:56
  guys
• 9:56
  play
• 9:56
  Cold
• 9:57
  War?
• 9:57
  Oh,
• 9:58
  man.
• 9:59
  It
• 9:59
  was
• 10:00
  that
• 10:00
  kind
• 10:00
  of
• 10:00
  vibe
• 10:01
  got
• 10:01
  you.
• 10:01
  Do
• 10:01
  you
• 10:01
  have
• 10:01
  any
• 10:02
  weird
• 10:02
  Prince
• 10:02
  stories
• 10:03
  I
• 10:03
  hear.
• 10:04
  Every
• 10:04
  story
• 10:04
  I
• 10:04
  hear
• 10:04
  about
• 10:05
  Prince
• 10:05
  is.
• 10:05
  Really
• 10:05
  weird,
• 10:06
  you
• 10:07
  know,
• 10:07
  I
• 10:07
  don't.
• 10:07
  The
• 10:08
  weird
• 10:08
  stories
• 10:08
  that
• 10:09
  I
• 10:09
  have
• 10:09
  are
• 10:09
  how
• 10:10
  not
• 10:10
  weird
• 10:10
  he
• 10:10
  was
• 10:11
  around
• 10:11
  us,
• 10:11
  which
• 10:11
  I
• 10:11
  thought
• 10:12
  was
• 10:12
  weird.
• 10:13
  You
• 10:13
  were
• 10:13
  also
• 10:14
  expecting
• 10:14
  it,
• 10:14
  right?
• 10:15
  I
• 10:15
  was
• 10:15
  expecting
• 10:16
  him
• 10:16
  to
• 10:16
  be
• 10:16
  weird.
• 10:20
  I
• 10:20
  don't
• 10:21
  know,
• 10:21
  just
• 10:21
  prints.
• 10:22
  You
• 10:22
  look
• 10:22
  at
• 10:22
  pictures,
• 10:22
  you
• 10:23
  see
• 10:23
  videos,
• 10:24
  you're
• 10:24
  expecting
• 10:25
  that
• 10:25
  person.
• 10:26
  Yeah,
• 10:27
  yeah.
• 10:28
  You
• 10:28
  know.
• 10:28
  Hey,
• 10:29
  did
• 10:29
  you
• 10:29
  see
• 10:29
  the
• 10:29
  football
• 10:29
  game
• 10:30
  last
• 10:30
  week,
• 10:30
  man?
• 10:31
  You
• 10:31
  know,
• 10:32
  like,
• 10:34
  we're
• 10:34
  like,
• 10:34
  what
• 10:35
  did
• 10:35
  you
• 10:35
  say?
• 10:35
  Pancakes?
• 10:36
  And
• 10:36
  he's
• 10:37
  like,
• 10:37
  no,
• 10:37
  pancakes.
• 10:38
  And
• 10:38
  we
• 10:38
  went
• 10:38
  to
• 10:38
  his
• 10:39
  house
• 10:39
  at
• 10:39
  3
• 10:39
  in
• 10:39
  the
• 10:39
  morning
• 10:40
  in
• 10:40
  LA.
• 10:40
  His
• 10:40
  LA
• 10:41
  house.
• 10:41
  And
• 10:42
  his
• 10:43
  cook
• 10:43
  cooked
• 10:43
  Aunt
• 10:44
  Jemima
• 10:44
  pancakes.
• 10:45
  That's
• 10:46
  so
• 10:46
  funny.
• 10:49
  Watching
• 10:50
  this
• 10:50
  dude
• 10:50
  cook
• 10:51
  Aunt
• 10:51
  Jemima.
• 10:51
  Just
• 10:52
  add
• 10:52
  water.
• 10:52
  Aunt
• 10:52
  Jemima.
• 10:53
  Like,
• 10:53
  not
• 10:53
  even.
• 10:55
  Not
• 10:55
  Even
• 10:55
  gourmet.
• 10:56
  See,
• 10:56
  that's
• 10:57
  weird,
• 10:58
  dude.
• 10:59
  They
• 10:59
  were
• 11:00
  so
• 11:00
  gourmet,
• 11:00
  you
• 11:00
  know?
• 11:00
  And
• 11:01
  then
• 11:01
  after
• 11:01
  that
• 11:01
  was
• 11:01
  done,
• 11:02
  we
• 11:02
  were
• 11:02
  all
• 11:02
  out
• 11:02
  there
• 11:02
  talking
• 11:03
  to
• 11:03
  him
• 11:03
  for
• 11:03
  a
• 11:03
  while.
• 11:04
  At
• 11:05
  the
• 11:05
  end
• 11:05
  of
• 11:05
  the
• 11:05
  night,
• 11:05
  when
• 11:05
  the
• 11:05
  cook
• 11:06
  left
• 11:06
  and
• 11:06
  everybody
• 11:06
  else
• 11:06
  left,
• 11:07
  there
• 11:07
  he
• 11:07
  is.
• 11:07
  There
• 11:07
  he
• 11:08
  is.
• 11:08
  Prince.
• 11:08
  Washing
• 11:08
  his
• 11:09
  dishes.
• 11:09
  Washing
• 11:10
  our
• 11:10
  dishes.
• 11:10
  Wow.
• 11:11
  I'm
• 11:12
  just
• 11:12
  like,
• 11:13
  is
• 11:13
  that
• 11:13
  weird
• 11:14
  to
• 11:14
  you?
• 11:15
  That's
• 11:15
  amazing.
• 11:16
  Prince,
• 11:17
  wash
• 11:17
  your
• 11:17
  dishes.
• 11:19
  That's
• 11:19
  a
• 11:19
  weird
• 11:19
  look,
• 11:20
  the
• 11:20
  hair.
• 11:22
  Yeah.
• 11:22
  Yeah.
• 11:22
  All
• 11:22
  right.
• 11:26
  Wow.
• 11:28
  Wow.
• 11:28
  I
• 11:28
  think
• 11:28
  Prince
• 11:29
  really
• 11:29
  liked
• 11:29
  pancakes
• 11:30
  because
• 11:30
  there's
• 11:30
  another
• 11:31
  story
• 11:31
  I've
• 11:31
  heard
• 11:31
  regarding
• 11:32
  pancakes
• 11:32
  with
• 11:33
  Charlie
• 11:33
  Murphy.
• 11:34
  That's
• 11:34
  so
• 11:35
  funny.
• 11:37
  I
• 11:37
  didn't
• 11:38
  until
• 11:39
  after
• 11:39
  that
• 11:39
  it
• 11:39
  happened.
• 11:41
  Kevin
• 11:41
  Smith
• 11:42
  was
• 11:42
  talking
• 11:42
  about
• 11:42
  how
• 11:43
  one
• 11:43
  time
• 11:43
  they
• 11:44
  were
• 11:45
  in
• 11:46
  Minnesota
• 11:47
  and
• 11:47
  he.
• 11:47
  He
• 11:47
  was
• 11:47
  like,
• 11:47
  it's
• 11:48
  3:00am
• 11:48
  I
• 11:48
  want
• 11:49
  camels.
• 11:50
  And
• 11:50
  he,
• 11:50
  like,
• 11:50
  ordered
• 11:51
  his
• 11:51
  assistants
• 11:51
  to
• 11:52
  bring
• 11:52
  him
• 11:52
  camels.
• 11:52
  And
• 11:52
  they're
• 11:52
  like,
• 11:53
  prince,
• 11:53
  we
• 11:53
  can't
• 11:53
  bring.
• 11:54
  It's
• 11:54
  winter
• 11:54
  here.
• 11:54
  We
• 11:55
  can't
• 11:55
  bring
• 11:55
  you
• 11:55
  a
• 11:55
  camel.
• 11:56
  And
• 11:56
  he,
• 11:56
  like,
• 11:56
  lost
• 11:57
  it
• 11:57
  on
• 11:57
  them.
• 11:58
  That's
• 11:58
  what
• 11:59
  I
• 11:59
  was
• 11:59
  expecting.
• 11:59
  But
• 11:59
  still,
• 12:00
  having.
• 12:00
  Having
• 12:00
  a
• 12:00
  personal
• 12:01
  chef
• 12:02
  do
• 12:02
  just
• 12:03
  add
• 12:03
  water,
• 12:03
  Aunt
• 12:03
  Jemima
• 12:04
  sounds
• 12:04
  almost
• 12:05
  as
• 12:05
  crazy.
• 12:08
  That's
• 12:08
  hilarious.
• 12:11
  What
• 12:11
  is
• 12:11
  your
• 12:12
  absolute
• 12:12
  favorite
• 12:13
  guitar?
• 12:13
  I'm
• 12:14
  just
• 12:14
  curious.
• 12:14
  It
• 12:14
  was
• 12:14
  just
• 12:14
  a
• 12:15
  random
• 12:15
  question,
• 12:15
  I
• 12:15
  was
• 12:15
  thinking.
• 12:16
  And
• 12:16
  why?
• 12:17
  It's
• 12:18
  a
• 12:18
  great
• 12:18
  question.
• 12:18
  And
• 12:18
  why.
• 12:19
  Wow,
• 12:21
  that's
• 12:21
  a
• 12:21
  tough
• 12:21
  one.
• 12:22
  Because
• 12:22
  they're
• 12:23
  so
• 12:23
  different.
• 12:25
  It's
• 12:26
  almost
• 12:26
  like
• 12:26
  people
• 12:26
  in
• 12:27
  a
• 12:27
  weird
• 12:27
  way,
• 12:27
  or,
• 12:27
  like,
• 12:28
  looks
• 12:28
  or,
• 12:28
  like,
• 12:28
  colors,
• 12:29
  you
• 12:29
  know,
• 12:29
  like,
• 12:30
  it's
• 12:30
  just
• 12:30
  hard
• 12:31
  to
• 12:31
  say.
• 12:31
  When
• 12:31
  people
• 12:31
  ask
• 12:32
  me
• 12:32
  my
• 12:32
  favorite
• 12:32
  color.
• 12:33
  I.
• 12:33
  I
• 12:33
  used
• 12:33
  to
• 12:33
  be
• 12:33
  able
• 12:33
  to
• 12:34
  just
• 12:34
  be
• 12:34
  like,
• 12:34
  oh,
• 12:34
  yeah,
• 12:34
  Green,
• 12:35
  blue,
• 12:35
  like,
• 12:35
  whatever.
• 12:36
  Now
• 12:36
  it's
• 12:36
  like,
• 12:37
  I'm
• 12:37
  starting
• 12:38
  to
• 12:38
  like
• 12:38
  pink
• 12:39
  now.
• 12:39
  Like,
• 12:40
  in
• 12:40
  a
• 12:40
  weird
• 12:40
  way,
• 12:40
  you
• 12:40
  know,
• 12:41
  like,
• 12:41
  pink
• 12:41
  and
• 12:41
  black
• 12:42
  are
• 12:42
  great
• 12:42
  together,
• 12:43
  dude.
• 12:43
  Like,
• 12:43
  pink
• 12:44
  and
• 12:44
  black,
• 12:45
  man.
• 12:45
  You
• 12:46
  know
• 12:46
  what
• 12:46
  I
• 12:46
  mean?
• 12:47
  It's
• 12:47
  not
• 12:47
  my
• 12:47
  favorite
• 12:48
  color,
• 12:48
  but
• 12:49
  I
• 12:49
  love
• 12:50
  now,
• 12:50
  you
• 12:50
  know,
• 12:51
  favorite
• 12:52
  guitar.
• 12:52
  I'm
• 12:52
  gonna
• 12:53
  say
• 12:53
  overall,
• 12:55
  the
• 12:55
  Fender
• 12:56
  Stratocaster
• 12:57
  is
• 12:57
  the
• 12:58
  most
• 12:58
  diverse
• 12:58
  guitar.
• 13:00
  So
• 13:00
  if
• 13:00
  I
• 13:00
  had
• 13:00
  to
• 13:01
  have
• 13:01
  only
• 13:01
  one
• 13:01
  guitar
• 13:02
  on
• 13:02
  an
• 13:02
  island,
• 13:04
  that
• 13:04
  would
• 13:04
  be
• 13:05
  on
• 13:06
  the
• 13:06
  list?
• 13:06
  A
• 13:06
  short
• 13:06
  list
• 13:07
  of
• 13:07
  three.
• 13:09
  What's
• 13:09
  the
• 13:09
  short
• 13:10
  list?
• 13:10
  The
• 13:11
  short
• 13:11
  list
• 13:11
  is
• 13:11
  easily
• 13:12
  a
• 13:12
  Gibson
• 13:12
  Les
• 13:12
  Paul
• 13:13
  custom
• 13:14
  Fender
• 13:15
  Stratocaster
• 13:16
  and
• 13:17
  the
• 13:17
  Brian
• 13:17
  May
• 13:18
  Red
• 13:19
  Special,
• 13:20
  and
• 13:20
  then
• 13:21
  maybe
• 13:21
  a
• 13:21
  big
• 13:22
  jazz
• 13:24
  355.
• 13:25
  I
• 13:25
  love
• 13:25
  355s.
• 13:26
  Electrosanic
• 13:28
  electronic
• 13:28
  body.
• 13:29
  Yes.
• 13:31
  Okay.
• 13:32
  Those
• 13:33
  are
• 13:33
  the
• 13:33
  four.
• 13:33
  Those
• 13:33
  are
• 13:33
  my
• 13:34
  four.