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1074 - 60 Days In (s4e10) "The Inmate Who Loved Me" with Keisha · Pink Shade: Reality TV with Mary Payne

• 0:15
  Speaker 1: Hey, everybody, welcome to Pink Shade. It is Monday mugshot Monday.
• 0:21
  Speaker 1: You guys. Sixty days in, we're still doing it. We're
• 0:24
  Speaker 1: loving it.
• 0:26
  Speaker 2: We indeed are.
• 0:28
  Speaker 3: And the episodes just keep getting better and better.
• 0:32
  Speaker 2: Like every week. I'm kind of like, Okay, now it's
• 0:35
  Speaker 2: gonna get boring.
• 0:36
  Speaker 1: Yeah, but it does it no, and it's interesting too,
• 0:40
  Speaker 1: this whole Stephanie Angela thing the way like we originally
• 0:44
  Speaker 1: predicted it was going to be on Angelay, but then
• 0:46
  Speaker 1: it turned into Stephanie, but now it's Angela. And I
• 0:52
  Speaker 1: gotta tell you the amount of hairstyles that Stefan both
• 0:57
  Speaker 1: both of them now every time it's there, they'll be
• 0:59
  Speaker 1: in the middle of a sudden send their hairstyl changes,
• 1:02
  Speaker 1: like does somebody come into a quick new and then
• 1:04
  Speaker 1: walked off someone in their loves doing both those girls.
• 1:09
  Speaker 3: I think with Stephanie because Stephanie's got longer hair even
• 1:12
  Speaker 3: without the hair extensions. Yeah, and I think they're so
• 1:15
  Speaker 3: in love with Angela. I say, darling, let me do
• 1:17
  Speaker 3: your hair.
• 1:19
  Speaker 2: It's like fucking Marie Antoinette. Every day she's got a
• 1:21
  Speaker 2: new wig, a new hair, new or whatever.
• 1:24
  Speaker 1: So you know, do you that's so funny. I will
• 1:29
  Speaker 1: tell you, though, Kisha, the amount of people that sent
• 1:32
  Speaker 1: me a text. So the new season of Before the
• 1:35
  Speaker 1: ninety Days started, Now, of course I cover it here
• 1:38
  Speaker 1: with Kimberly on Tuesdays TLC Tuesdays. Last week I was
• 1:42
  Speaker 1: on Chris Ferra's podcast Banity Farah formerly DOCU Sweety's and
• 1:46
  Speaker 1: You're gonna be on this week, okay, So I discussed
• 1:51
  Speaker 1: it with her, and then I discussed it with Kimberly.
• 1:53
  Speaker 1: But the amount of DMS I got about Emma's wig. Now, First,
• 2:00
  Speaker 1: while I was watching it, I sent you a screenshot.
• 2:02
  Speaker 1: I go, hey, there's I know you're not always you know,
• 2:04
  Speaker 1: up to date on ninety Day, but there's this new
• 2:07
  Speaker 1: girl Before the ninety You're gonna have to watch it.
• 2:08
  Speaker 1: So I sent you some screenshots and you're like, even
• 2:11
  Speaker 1: my white husband knows that's a wig.
• 2:14
  Speaker 3: I gotta tell you something, Mary Pane, I was slightly
• 2:17
  Speaker 3: disappointed in you.
• 2:19
  Speaker 2: I was like, I think, not to believe she's asking
• 2:22
  Speaker 2: me if this is a wig? How we learned nothing?
• 2:25
  Speaker 1: Well, I kept thinking maybe she's got a Teresa Judi's hairline,
• 2:29
  Speaker 1: Like it's real low.
• 2:30
  Speaker 2: Girl girl with no baby hairs, no nothing, no edges.
• 2:34
  Speaker 2: You are better than this. You are better than this.
• 2:39
  Speaker 1: Initially, because of the way the hair looked, I thought,
• 2:43
  Speaker 1: because it was so flat and straight and shiny, and
• 2:46
  Speaker 1: the way that she was always sort of petting it,
• 2:49
  Speaker 1: I thought, well, maybe.
• 2:50
  Speaker 2: She'st it to make sure it says on ah.
• 2:53
  Speaker 1: But then when she's at yoga and at the beach,
• 2:56
  Speaker 1: it never fits her hair from a pony till nothing.
• 2:58
  Speaker 1: I was like, Okay, so it was ai so bad
• 3:02
  Speaker 1: and you think it's a bad wig.
• 3:05
  Speaker 2: I don't think it. I know it's a bad.
• 3:07
  Speaker 1: Okay, all right, Well, guys, for everybody wanting Keisha to
• 3:11
  Speaker 1: weigh in, she has wived in. People were like, were
• 3:16
  Speaker 1: going to talk about it.
• 3:16
  Speaker 3: Yeah, I told someone said, we had a very long
• 3:19
  Speaker 3: discussion about this last night.
• 3:23
  Speaker 2: Yeah.
• 3:23
  Speaker 3: It's part of having a wig on is it's supposed
• 3:28
  Speaker 3: to look not like it's a wig.
• 3:31
  Speaker 1: Right.
• 3:32
  Speaker 2: She didn't get that memo. She didn't get it. She
• 3:35
  Speaker 2: didn't get it.
• 3:35
  Speaker 1: Well, even when they showed pictures of flashback pictures of
• 3:38
  Speaker 1: her when she was with her first boyfriend in Morocco,
• 3:43
  Speaker 1: she had a wig, but it was a little more
• 3:45
  Speaker 1: curly like the hair was a little more curly, but
• 3:48
  Speaker 1: it's just but once Chris and I kind of really
• 3:50
  Speaker 1: got into the nitty gritty of comparing it with her
• 3:52
  Speaker 1: sister's hair in the park color yeah, and Chris is like,
• 3:57
  Speaker 1: maybe she got a spray tan on her scalp. I
• 3:58
  Speaker 1: was like, you know, I think we're going too far
• 4:01
  Speaker 1: with trying to get this girl some credits.
• 4:02
  Speaker 3: Don't give it her too much credit, and there's no
• 4:04
  Speaker 3: credit to be had. She failed, throw air in jail,
• 4:08
  Speaker 3: throw away the key. It is so fucking bad. I
• 4:11
  Speaker 3: cannot believe she knew all this time was coming, she's
• 4:13
  Speaker 3: gonna be on this show, and that's the week she
• 4:15
  Speaker 3: decided to wear and she gotta wear that wig all season.
• 4:18
  Speaker 1: She's gonna wear it. Well, she has to. Is once
• 4:20
  Speaker 1: you start on something, you have to. So Keisha has
• 4:25
  Speaker 1: rendered her verdicts. Here we go. It's a bad wig.
• 4:29
  Speaker 1: That's the verdict. Felony, felony, class one for such a
• 4:34
  Speaker 1: cute girl. I know, but like I said, her and
• 4:38
  Speaker 1: her sister look like a before an expert picture of
• 4:40
  Speaker 1: plastic surgery. And they're so young to have all that
• 4:43
  Speaker 1: work on their face.
• 4:45
  Speaker 3: I you know, my theory, I don't understand people in
• 4:47
  Speaker 3: their twenties and thirties getting botox.
• 4:49
  Speaker 1: That's just me.
• 4:50
  Speaker 2: I don't get it.
• 4:51
  Speaker 1: I'm like, save it, save it, save it for when
• 4:53
  Speaker 1: you save that money when you need it. Yeah, I don't.
• 4:57
  Speaker 1: I don't know.
• 4:58
  Speaker 2: I don't.
• 4:58
  Speaker 1: They call it baby botox, preventative botox. I'm like, no,
• 5:02
  Speaker 1: don't do it.
• 5:02
  Speaker 2: There's no such thing as preventative botox, is it.
• 5:05
  Speaker 1: Well? I think if when you're in your twenties and
• 5:07
  Speaker 1: you can see you're starting to get the lines across
• 5:09
  Speaker 1: your head or the line whatever, you can start to
• 5:11
  Speaker 1: see that they're gonna be there, and they do just
• 5:13
  Speaker 1: like a little and they think. I think the theory
• 5:16
  Speaker 1: is is that it freezes it enough so that you
• 5:19
  Speaker 1: they don't form those wrinkles, don't for Is that even true?
• 5:22
  Speaker 1: I have no idea. Maybe, but I would wait till
• 5:26
  Speaker 1: I just had the wrinkles and freeze them then that.
• 5:29
  Speaker 2: Yeah, that's that's that's my plan to do that. But
• 5:32
  Speaker 2: then I saw something. I'm like, I saw the cost
• 5:36
  Speaker 2: of flip fillers.
• 5:38
  Speaker 1: Holy ship balls, everything's cost a lot, it costs a lot.
• 5:44
  Speaker 3: I was shocked when I saw the price of flip fillers.
• 5:47
  Speaker 3: I'm like, are you fucking kidding me.
• 5:49
  Speaker 2: I thought it's like two hundred dollars.
• 5:51
  Speaker 1: No, no, no, no, no, it's probably at least one
• 5:53
  Speaker 1: thousand if you're just doing at least yeah, at least yeah.
• 5:59
  Speaker 1: I mean you can tell for me, my little chicken
• 6:00
  Speaker 1: lips that I've done it before and I really liked it,
• 6:03
  Speaker 1: but the pain and the money is not worth it
• 6:05
  Speaker 1: to me. So and I don't even know it's a lot.
• 6:08
  Speaker 1: I don't even know if I'll do lip flip again
• 6:10
  Speaker 1: because it just makes you so weird for like three weeks.
• 6:13
  Speaker 1: You can't thrink out of a straw, you can't rinse
• 6:16
  Speaker 1: your mouth out. You've seen me and my struggles.
• 6:21
  Speaker 2: Yeah, I used to hate my big lips, but now I'm.
• 6:23
  Speaker 1: Like, no girl. Hashtag blessed, hashtag blussed. Well, you will
• 6:30
  Speaker 1: be on Chris's show this week. Vanity Farah. Guys, it's
• 6:33
  Speaker 1: if you were subscribed to Docus. Sweety's the same feed,
• 6:35
  Speaker 1: but she changed the name because she's solo now and
• 6:38
  Speaker 1: it's a Vanity Farah fa r a h. So make
• 6:41
  Speaker 1: sure you're following it and listening to our friend. Chris
• 6:43
  Speaker 1: and Keisha will be on this week and I was
• 6:44
  Speaker 1: on last week.
• 6:45
  Speaker 2: Okay, yep, but she went to the best for her
• 6:49
  Speaker 2: first two shows.
• 6:50
  Speaker 1: That's I mean, she's got to get those numbers up, Keisha,
• 6:54
  Speaker 1: she's got to get those listeners in. But we're here
• 6:59
  Speaker 1: to talk about mates. So okay, another quick announcement, really quick.
• 7:03
  Speaker 1: They did bump the date back for Love during Lockup,
• 7:08
  Speaker 1: so it is in fact going to start January sixteenth, Yes,
• 7:13
  Speaker 1: which we'll put our episode on the nineteenth, so the
• 7:15
  Speaker 1: airs on Friday, our episode comes Monday, and guys, it's
• 7:17
  Speaker 1: going to be perfect. It's going to be right after
• 7:20
  Speaker 1: sixty days end at their fourteenth episode, we'll roll right
• 7:24
  Speaker 1: into Love during Lockup. We don't have to have any
• 7:26
  Speaker 1: break with any filler content. I'm thrilled. Thank you awesome,
• 7:29
  Speaker 1: thank you we TV. Oh, thank you Lord. I don't
• 7:33
  Speaker 1: have to come up with some content. But Keisha and
• 7:35
  Speaker 1: r are going to cover. We are going to cover
• 7:36
  Speaker 1: the Mary Cosby TLC documentary. We're getting the screeners for
• 7:40
  Speaker 1: that and it will count on the ten dollars level
• 7:44
  Speaker 1: of prime. So patroon supercast Apple on January first, the
• 7:50
  Speaker 1: day that it drops, it'll come out the same day,
• 7:53
  Speaker 1: January eighth. It will come out on the free Feed
• 7:55
  Speaker 1: on the Pop and Bravo the Pop and Bravo Day Thursday,
• 8:00
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• 8:04
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• 9:42
  Speaker 1: sure you say pink shade. Okay sixty days. In season four,
• 9:48
  Speaker 1: episode ten, The Inmate who Loved Me Okay, I am
• 9:56
  Speaker 1: getting very nervous about this situation, and I can't wait.
• 9:59
  Speaker 1: I really can't wait till next week. I almost watched
• 10:01
  Speaker 1: her head, but I didn't let myself do it.
• 10:03
  Speaker 2: I almost did too. You know, I usually never watch ahead.
• 10:07
  Speaker 3: I'm so tempted, but I'm like I'm not gonna remember
• 10:10
  Speaker 3: this shit, so I might as well just wait till
• 10:13
  Speaker 3: closer to the time we record.
• 10:15
  Speaker 1: I know. I just wanted to know. Is is it
• 10:17
  Speaker 1: Stephanie that blows Angela's cover and is like she has
• 10:21
  Speaker 1: told Gabrielle or does angelaie like jokingly telling herself, like
• 10:26
  Speaker 1: tell the production? So I told, and then they're like, well,
• 10:29
  Speaker 1: now we have to pull you, you dumb fuck.
• 10:31
  Speaker 2: I think that I I think she tells on herself
• 10:36
  Speaker 2: on accident.
• 10:37
  Speaker 3: I'm gonna go with that theory because she's already doing
• 10:39
  Speaker 3: too many joky jokes about does she does she not?
• 10:43
  Speaker 2: Does she does? She not? Right?
• 10:45
  Speaker 1: And then it's like does does Gabrielle then say to Stephanie,
• 10:50
  Speaker 1: I know you're part of this program.
• 10:53
  Speaker 2: Oh I didn't even think about that.
• 10:55
  Speaker 1: And then Stephanie's like, hand above the head.
• 10:58
  Speaker 2: I gotta get out of here.
• 11:01
  Speaker 3: I am in dangerous so it's my They already took
• 11:03
  Speaker 3: my hair, so okay, y'all please come give me before
• 11:06
  Speaker 3: they take my glasses.
• 11:08
  Speaker 1: I keep thinking somebody's gonna take her glasses to be mean.
• 11:12
  Speaker 1: She and Emmanuel are cut from the same coth. They're
• 11:15
  Speaker 1: so like earkle like you know, they're like, oh my goodness,
• 11:18
  Speaker 1: how dare you? You know?
• 11:20
  Speaker 2: Yes, they most definitely are. They would make a pretty
• 11:23
  Speaker 2: annoying couple.
• 11:24
  Speaker 1: Yeah they would. Yeah, Okay, sixty Days ends. He's a
• 11:28
  Speaker 1: four episode ten, The Inmate Who Loved Me. We're gonna
• 11:30
  Speaker 1: start with Nate Allen and Andrew in the five hundred,
• 11:35
  Speaker 1: so Alan bless his heart. So, oh boy, we see
• 11:38
  Speaker 1: his new roomy Dre. Oh god, Dre ain't right he
• 11:44
  Speaker 1: something's happened to Dre and he has fully lost his mind.
• 11:48
  Speaker 2: He's scary, like because you don't know what's.
• 11:52
  Speaker 1: Wrong with him, right.
• 11:54
  Speaker 2: He acts very oddly. He doesn't seem to comprehend things.
• 12:00
  Speaker 1: Didn't he say last episode he's affiliated? Or was that
• 12:05
  Speaker 1: Andrew's new roommate that said that affiliation?
• 12:09
  Speaker 3: I feel like someone It wasn't him. I feel like
• 12:11
  Speaker 3: someone's room and said I'm affiliated with the Bluffs. But
• 12:13
  Speaker 3: I leave that stuff up out on the streets and
• 12:15
  Speaker 3: don't bringing it in here.
• 12:17
  Speaker 1: I think that was Are's roommate.
• 12:19
  Speaker 3: That may be Andrew's roommate who I'm sure Andrew's gonna
• 12:22
  Speaker 3: help him learn algebra, social studies and all that great
• 12:28
  Speaker 3: stuff because Andrews an angel.
• 12:31
  Speaker 2: Blessed at jail.
• 12:32
  Speaker 1: He's so sweet, so bless his heart. So thank god
• 12:37
  Speaker 1: they don't know that. So Dre Dre is saying like
• 12:42
  Speaker 1: and he's like what he says passed to be my sheet,
• 12:45
  Speaker 1: and Alan goes, I can't understand anything this guy says.
• 12:49
  Speaker 1: It's frustrating. Then we see Dre standing up on the
• 12:52
  Speaker 1: chair chair yelling honor, honor into the event and saying
• 12:59
  Speaker 1: to Alan and don't trust the big dogs when you're
• 13:02
  Speaker 1: going in too much. And then we see Alan pull
• 13:06
  Speaker 1: a mat and look right at the camera like, what
• 13:09
  Speaker 1: is going on now? I'm kind of wondering now that
• 13:12
  Speaker 1: we move ahead in the episode, I'm wondering if Dre
• 13:14
  Speaker 1: was saying all that honor honor and he's saying, don't
• 13:18
  Speaker 1: trust the big dogs when you're going in into prison
• 13:21
  Speaker 1: too much. I think he's talking about the Bloods now
• 13:23
  Speaker 1: that I'm now that we know that he's he's in
• 13:27
  Speaker 1: the bloods or he wants to be in the bloods unclear.
• 13:29
  Speaker 1: I think he wants to be in the bloods, wants
• 13:32
  Speaker 1: to be in Okay.
• 13:33
  Speaker 3: So my question is, is the person that does the subtitles,
• 13:37
  Speaker 3: how were they able to understand that that is what
• 13:39
  Speaker 3: he was saying.
• 13:40
  Speaker 2: Oh, I don't know, especially the sheet part, because I'm like,
• 13:43
  Speaker 2: what did the fuck is he?
• 13:45
  Speaker 3: Like?
• 13:45
  Speaker 1: How did go back?
• 13:46
  Speaker 2: And at Yeah? And I'm like, did they ask him.
• 13:48
  Speaker 3: Like, hey, can you slowly tell us what you said
• 13:52
  Speaker 3: and stead of typing it in because it's mushmouth?
• 13:55
  Speaker 1: Yeah, yeah, he's not. And he's been there over a
• 13:58
  Speaker 1: day now, so it means at least if he was
• 14:00
  Speaker 1: on drugs, he's awfu by now.
• 14:03
  Speaker 2: Yeah, this is just the way he speaks.
• 14:05
  Speaker 1: So then we see a night vision camera and Dre
• 14:09
  Speaker 1: says to Alan. Dre says to Alan, you're afraid, and
• 14:15
  Speaker 1: Alan's like what what? And then Dra is talking to
• 14:18
  Speaker 1: himself and laughing for no reason, and he's like sitting
• 14:22
  Speaker 1: up in the bed and like talking, and you see
• 14:25
  Speaker 1: poor Alan down on his block like, oh my god,
• 14:27
  Speaker 1: what to do? And then he's just standing there staring
• 14:31
  Speaker 1: at him while I'm sleeping.
• 14:33
  Speaker 2: Can you imagine if Dre would have been Matt's roommate,
• 14:38
  Speaker 2: Oh god, the.
• 14:42
  Speaker 1: Night vision they would have needed in that room. They
• 14:44
  Speaker 1: would just camera.
• 14:47
  Speaker 3: Matt would have been like, well, since you're already standing up, smooth,
• 14:53
  Speaker 3: since we're both up.
• 14:55
  Speaker 2: Let's just do this.
• 14:56
  Speaker 1: You know, he's just daring. It's super creepy. And Dre says,
• 15:01
  Speaker 1: you see that redheaded girl, and Alan's like, you're scaring me,
• 15:05
  Speaker 1: dog man, I don't know what you're doing, like you're
• 15:07
  Speaker 1: scaring me. So then Dre is saying, you know, I
• 15:11
  Speaker 1: like to fight. I like to fight, like I'm gonna today,
• 15:14
  Speaker 1: I'm gonna beat somebody up today. I'm gonna beat somebody up.
• 15:17
  Speaker 1: So then they're called out of their cell. This is
• 15:19
  Speaker 1: after they've been in lockdown for X amount of time,
• 15:22
  Speaker 1: and we see Drake go upstairs like at a fast pace,
• 15:24
  Speaker 1: like he's a jogs up the stairs and Alan. We
• 15:28
  Speaker 1: hear Alan going, something is going down. I don't know.
• 15:32
  Speaker 1: Dre just went upstairs, went to that corner cell and
• 15:34
  Speaker 1: started fighting, and so he asked JT's this other white guy.
• 15:38
  Speaker 1: He goes up and he asks JT what's going on?
• 15:41
  Speaker 1: And then these other two guys that are watching the
• 15:43
  Speaker 1: fight kind of look over at JT and Alan kind
• 15:46
  Speaker 1: of wink like, you know it's going down in this
• 15:48
  Speaker 1: in this corner cell.
• 15:50
  Speaker 3: Okay, I'm not gonna lie. When he first went to
• 15:53
  Speaker 3: the corner cell, yeah, I thought it was to have sex.
• 15:57
  Speaker 1: Oh, well, he said he was he wanted to beat
• 15:59
  Speaker 1: somebody up.
• 16:01
  Speaker 3: Yeah, I mean you could use the same terminology for
• 16:04
  Speaker 3: both things, like fight or six.
• 16:07
  Speaker 2: I could beat somebody up, you know what I mean.
• 16:09
  Speaker 3: I really thought that's what it was, because usually when
• 16:13
  Speaker 3: there's a fight, like everyone's talking about it already and
• 16:16
  Speaker 3: then the fight breaks out.
• 16:17
  Speaker 2: But that wasn't the case. But I was wrong.
• 16:19
  Speaker 1: No, he got off all lockdown and was like who
• 16:22
  Speaker 1: just ran right up there as if everybody knew. And
• 16:24
  Speaker 1: that's why I'm wondering earlier when he was yelling into
• 16:26
  Speaker 1: the vent and stuff, was.
• 16:28
  Speaker 2: That the message?
• 16:29
  Speaker 1: That was the message? So yeah, then we see them counting,
• 16:35
  Speaker 1: but they didn't do one blood, two blood, three blood.
• 16:37
  Speaker 1: They were just counting one, two, three and the black
• 16:40
  Speaker 1: screen of deaths, says Alan's cellmate Dre is being initiated
• 16:45
  Speaker 1: by the Bloods.
• 16:46
  Speaker 2: Yeah, and we hear them.
• 16:47
  Speaker 1: Yelling fight back, fight back, they're yelling. So I don't
• 16:50
  Speaker 1: know if he had to go in there and take
• 16:51
  Speaker 1: a beating and not fight back, or if they want
• 16:53
  Speaker 1: him to fight back. I'm just glad we didn't see it.
• 16:56
  Speaker 3: All I know is by the way that he looked
• 16:58
  Speaker 3: at when he came out. He most definitely didn't fight back.
• 17:00
  Speaker 1: No no, no, no oh no, so zucking head Allen goes.
• 17:04
  Speaker 1: I don't want to be a part of it. I
• 17:05
  Speaker 1: don't want to be guilty by association because that's my roommate. Like,
• 17:08
  Speaker 1: I don't know if this is worth it, if my
• 17:10
  Speaker 1: roommate's going to be this guy. Like, I feel like
• 17:13
  Speaker 1: I'm wasting my time here. I don't know how to
• 17:15
  Speaker 1: control my anxiety. I miss my baby, I miss my wife.
• 17:18
  Speaker 1: I'm exhausted mentally physically. So Alan's starting to cry.
• 17:22
  Speaker 2: He's spiraling. Yeah, he's most definitely spiraling like he is.
• 17:25
  Speaker 1: So did we hear the CEO say okay, bet check
• 17:27
  Speaker 1: everybody go to your cell and Dre comes out and
• 17:30
  Speaker 1: his face is all fucked up.
• 17:32
  Speaker 3: So when I saw Dre's face, it reminded me of
• 17:36
  Speaker 3: this episode of Martin Okay where Martin, Yeah, he had
• 17:40
  Speaker 3: a fight with the some professional fighter Botzer.
• 17:44
  Speaker 2: I don't remember what it is. Well, he had talked
• 17:45
  Speaker 2: so much shit and.
• 17:47
  Speaker 3: Then he comes back in his head swallen out to
• 17:49
  Speaker 3: hear he's got huge nods.
• 17:51
  Speaker 1: He's like, I don't want to fight, no moo, I
• 17:53
  Speaker 1: don't want to fight.
• 17:55
  Speaker 2: That is exactly what Dre looked like.
• 17:58
  Speaker 3: I'm lying, How do you get a goddamn big like boy.
• 18:01
  Speaker 3: You didn't even try to cover up or nothing. You
• 18:04
  Speaker 3: would just like take me as I am, beat on me,
• 18:06
  Speaker 3: do whatever you want.
• 18:08
  Speaker 2: How did that ship not hurt? Why was he not
• 18:10
  Speaker 2: trying to get help from the nurse.
• 18:12
  Speaker 1: I don't know. Maybe if you get help from the nurse,
• 18:16
  Speaker 1: But if you get help from the nurse, maybe that
• 18:17
  Speaker 1: means like you're squealing or you know. I don't know.
• 18:21
  Speaker 2: I would have been like I fell downstairs.
• 18:24
  Speaker 1: You don't want to get in trouble for sneeche stitch
• 18:27
  Speaker 1: nis And so Dre comes out, he's all fucked up,
• 18:31
  Speaker 1: and the CEO goes, yeah, what happened to your eye?
• 18:35
  Speaker 1: And you just hear much more but the callows captions
• 18:38
  Speaker 1: say that. He says, I'm all right, So you had
• 18:42
  Speaker 1: so mushromuth? Do you think the COO just don't doesn't
• 18:45
  Speaker 1: ask any further questions, like clearly this guy got placed
• 18:47
  Speaker 1: in the eye. He's like all right, he says he's fine.
• 18:50
  Speaker 2: He says he's fine, all right, all right.
• 18:53
  Speaker 1: So then we see Alan walking around with his hands up.
• 18:55
  Speaker 1: He's put his hands up with a disressed distress call,
• 18:58
  Speaker 1: so they look like a ghost. He's but his hair
• 19:01
  Speaker 1: is so much better now, but his coloring.
• 19:04
  Speaker 3: Is not like he is the color of this paper
• 19:07
  Speaker 3: towel at this point of the show. He didn't start
• 19:10
  Speaker 3: off that white like he is, because it's concerning me.
• 19:15
  Speaker 2: I'm like, it's blood flowing.
• 19:16
  Speaker 1: Well, he's had no you know, sunshine to get you
• 19:20
  Speaker 1: know what I mean, So damn Nate.
• 19:22
  Speaker 2: Don't look that white. Neither does Matt's son Andrew.
• 19:26
  Speaker 1: That's true, that's true. That's a good point. Well, this
• 19:28
  Speaker 1: guy's he's struggling. So he gets pulled in for an
• 19:32
  Speaker 1: interview and he tells them he's just tired, and he
• 19:34
  Speaker 1: starts crying. And he says that, you know, there's this
• 19:40
  Speaker 1: new herd of people, and the first thing my ruby
• 19:42
  Speaker 1: does this morning is fight. And now I'm associated with
• 19:46
  Speaker 1: this guy mentally, it's exhausting. I just want to finish this.
• 19:49
  Speaker 1: I want to go home. And he goes throw me
• 19:51
  Speaker 1: a bone, and they said, do you know your your
• 19:53
  Speaker 1: day count? And he says, no, I don't, and they
• 19:56
  Speaker 1: say it's been forty days, and so then you really
• 19:59
  Speaker 1: start crying. Yeah, and he goes, because he was hoping
• 20:02
  Speaker 1: they were going to go.
• 20:03
  Speaker 2: It's been fifty five days, you know, No, you got
• 20:06
  Speaker 2: to any more to go, buddy, And he goes.
• 20:09
  Speaker 1: I don't know if I can handle I don't know
• 20:10
  Speaker 1: if I could handle it the full sixty And he goes,
• 20:12
  Speaker 1: I'm drained. And he goes. Putting on a show and
• 20:15
  Speaker 1: acting for forty days is exhausting. He goes, I left
• 20:19
  Speaker 1: my wife, my baby. I put my life at risk,
• 20:21
  Speaker 1: and I know I can't just give up, but I
• 20:24
  Speaker 1: don't know what else to do. I don't give up
• 20:26
  Speaker 1: on things, and I want my family to be proud,
• 20:29
  Speaker 1: but I'm really struggling. So Matt didn't have that struggle.
• 20:32
  Speaker 1: He gave right up. Yeah.
• 20:34
  Speaker 2: I feel like if.
• 20:38
  Speaker 3: He knew that Nate was part of the program and
• 20:41
  Speaker 3: they could really talk, I think this would help him
• 20:45
  Speaker 3: out a lot, because Andrew ain't got time for Allen
• 20:49
  Speaker 3: because he is teaching social skills. Wouldworking all like he
• 20:55
  Speaker 3: is there on a true mission. But I feel like
• 20:58
  Speaker 3: if he had you know, Nate with him, Nate could
• 21:01
  Speaker 3: totally help him through the next twenty days.
• 21:05
  Speaker 2: Think of would help a lot. And maybe some red meat,
• 21:07
  Speaker 2: maybe a little bit of red meat.
• 21:09
  Speaker 1: Maybe a hot meal. So yeah, yea, all the holidays
• 21:13
  Speaker 1: are here. They're not coming, they're here, and I'm trying
• 21:16
  Speaker 1: not to pan it because i have a lot of
• 21:17
  Speaker 1: last minute things to do. Luckily, I have Wayfair to
• 21:20
  Speaker 1: help me out. I'm hosting a Christmas Eve party and
• 21:23
  Speaker 1: I'm not ready, not ready. So today I went on
• 21:26
  Speaker 1: Wayfair and I found the absolute cutest table decorations. You know,
• 21:29
  Speaker 1: I love some little trees. I got some outdoor lights
• 21:32
  Speaker 1: while I was at it, because they have everything. They
• 21:34
  Speaker 1: have those blow up outdoor decorations, they have wreaths for
• 21:37
  Speaker 1: your door. They also have fancy ornaments that I like,
• 21:40
  Speaker 1: and they gorgeous table linons, literally everything from napkins to
• 21:44
  Speaker 1: Christmas trees. And luckily, you know, delivery is fast and free,
• 21:48
  Speaker 1: so I don't have to worry about that. My items
• 21:50
  Speaker 1: are coming this week. So I'm going to be able
• 21:51
  Speaker 1: to de stress and enjoy the holidays with my family.
• 21:54
  Speaker 1: And when you go on wayfair dot com, they have
• 21:56
  Speaker 1: an entire gift guide section. I found some great gifts
• 21:59
  Speaker 1: for my husband's family and some great things for my
• 22:02
  Speaker 1: sisters and also my dogs. Yes, Wayfair has the things
• 22:06
  Speaker 1: for your dogs too. Last time we went to the beach. Also,
• 22:09
  Speaker 1: we have three items delivered from Wayfair. It's like Wayfair, yes,
• 22:13
  Speaker 1: thank you, A rug, a bench and a light fixture. Y'all.
• 22:16
  Speaker 1: They have everything and again delivery is free even on
• 22:20
  Speaker 1: the big stuff. So get your last minute hosting essentials
• 22:23
  Speaker 1: gifts for all your loved ones and acre to celebrate
• 22:26
  Speaker 1: the holidays for way Less. Head to wayfair dot com
• 22:30
  Speaker 1: right now and shop all things home that's wayfairt dot com,
• 22:34
  Speaker 1: w A, y f A r dot com, Wayfair, Every style,
• 22:39
  Speaker 1: every Home, Black screen of death. After Allan's distress call.
• 22:44
  Speaker 1: The colonel arranged for Alan's wife to visit him, and
• 22:48
  Speaker 1: he doesn't know, so they call him out of his
• 22:51
  Speaker 1: cell again and the talking head Brittany, his wife, says,
• 22:55
  Speaker 1: I think when he sees me, he's gonna want to
• 22:57
  Speaker 1: come home right when he sees me. And I don't
• 22:59
  Speaker 1: want to to come home because of me. I want
• 23:01
  Speaker 1: him to finish it out if he wants to. And
• 23:03
  Speaker 1: I really wonder if they get paid less if they
• 23:05
  Speaker 1: leave early, because she is really really encouraging him to stay.
• 23:09
  Speaker 1: And I wonder if it has something to do with money.
• 23:12
  Speaker 2: I'm thinking that it does.
• 23:14
  Speaker 1: So he sees her and just bursts into tears.
• 23:19
  Speaker 3: I mean it was the equivalent of a child being
• 23:23
  Speaker 3: picked up from the first day of kindergarten when they
• 23:25
  Speaker 3: see their mom.
• 23:28
  Speaker 1: Today.
• 23:29
  Speaker 2: Mo, that is how he is crying, like hit her
• 23:36
  Speaker 2: neck and her shoulder. He looks like a child.
• 23:40
  Speaker 3: He became the size of a thimble when he broke
• 23:43
  Speaker 3: down and started hugging.
• 23:44
  Speaker 2: I felt bad for him, I really did.
• 23:47
  Speaker 1: He hugs her and he kisses her, and she's like, well,
• 23:49
  Speaker 1: what's going on is He tells her about the new
• 23:51
  Speaker 1: roomy and how he got beat up by the bloods
• 23:54
  Speaker 1: on the first day, and he goes, I just look
• 23:56
  Speaker 1: and and he goes, I just I just lost it emotionally,
• 23:59
  Speaker 1: after lost it, And he says, would you be disappointed
• 24:02
  Speaker 1: if I left early? And she goes, if you want
• 24:05
  Speaker 1: to do that and you just can't handle it anymore,
• 24:08
  Speaker 1: you should do it, but don't do it just for us,
• 24:11
  Speaker 1: like right now, I think you just want to come
• 24:13
  Speaker 1: home to see me and Ali, but you have to
• 24:16
  Speaker 1: think through the whole thing. And she shows him. She goes,
• 24:19
  Speaker 1: but I have pictures, So she brings like new pictures, and.
• 24:22
  Speaker 2: I think she had a picture of a new car.
• 24:25
  Speaker 1: At the bottom, and one of them said, on this car,
• 24:28
  Speaker 1: so fifteen thousand if you stay in, only ten if
• 24:31
  Speaker 1: you leave, And this is.
• 24:33
  Speaker 2: The car that I want, right, he keep your eyes on.
• 24:37
  Speaker 2: You promised me that minivan.
• 24:39
  Speaker 1: So daycare is five thousand dollars.
• 24:41
  Speaker 3: Yeah, for real, Because she was like, okay, I'm here,
• 24:45
  Speaker 3: let's have a pep talk. But she does not want
• 24:47
  Speaker 3: him to come home right now.
• 24:49
  Speaker 1: No, And I don't think she doesn't like a Jacqueline, Well,
• 24:52
  Speaker 1: Jacquelin's guy doesn't like her. I think that she likes him.
• 24:56
  Speaker 1: She just wants whatever it is. I think it's I
• 24:58
  Speaker 1: think it's money, I think. And we'll have to go
• 25:02
  Speaker 1: on the Reddit to find out, like how much they
• 25:03
  Speaker 1: get made, how much they make and if they make
• 25:05
  Speaker 1: less if they leave early, because we could find that.
• 25:07
  Speaker 1: So yes, she shows him a bunch of pictures. He cries,
• 25:13
  Speaker 1: and she says, if you say all right, I'm done,
• 25:16
  Speaker 1: I think you're gonna regret it. She says, do you
• 25:18
  Speaker 1: think you can stick it out? And he's like, yeah,
• 25:21
  Speaker 1: I can't. And he says he'll stay. He's gonna make
• 25:25
  Speaker 1: it to the end. Okay, Christie, Okay, Andrew. So Andrew
• 25:33
  Speaker 1: calls his dad, and he's like.
• 25:36
  Speaker 2: Oh so good.
• 25:39
  Speaker 1: He goes, hey, Dad, how's it going? And that goes
• 25:43
  Speaker 1: Andrew the gang stuff, the gang stuff, And on my side,
• 25:47
  Speaker 1: it was just ramping up. I was ramping up, and
• 25:49
  Speaker 1: I'm thinking like, wow, I could really face some charges
• 25:52
  Speaker 1: because you'll have a fighter. And if stuff went down,
• 25:54
  Speaker 1: I was gonna fight Andrew and you know, you know,
• 25:57
  Speaker 1: I'm deadly, deadly weapon. What's with my and and Andrew goes, yeah, Dad,
• 26:04
  Speaker 1: I think you were just being paranoid about that.
• 26:07
  Speaker 3: Yeah.
• 26:09
  Speaker 1: I don't think any of that would have crept over
• 26:11
  Speaker 1: into my side.
• 26:12
  Speaker 2: Dad.
• 26:12
  Speaker 1: Yeah, he lost it, so colocked it. And Andrew goes,
• 26:20
  Speaker 1: you know, uh, I think my dad felt kind of
• 26:22
  Speaker 1: panicked and he didn't like being him den and so
• 26:25
  Speaker 1: I'm glad. I'm glad for his sake that he did leave.
• 26:28
  Speaker 2: Yeah.
• 26:29
  Speaker 1: Yeah, and the talking head Matt goes, you know, I
• 26:31
  Speaker 1: feel so proud of Andrew. And it must have been
• 26:35
  Speaker 1: me all along then needed to tough enough. Okay, good
• 26:39
  Speaker 1: you figured it out.
• 26:39
  Speaker 2: I'm glad you realized that maybe you actually could be.
• 26:44
  Speaker 3: In a m M A fight like in the ring,
• 26:48
  Speaker 3: not just classes. But we want to see it like
• 26:52
  Speaker 3: we want to see you in this fight. It was
• 26:55
  Speaker 3: just what I say, Andrew, I do too.
• 26:57
  Speaker 2: I bet money on it.
• 26:58
  Speaker 1: Yeah, well, and I wouldn't do well.
• 27:01
  Speaker 2: I would bet it on him. I love it, Andrew.
• 27:07
  Speaker 3: Everything that we've been saying and thinking about Matt, Andrew
• 27:11
  Speaker 3: summed it up in thirty seconds.
• 27:14
  Speaker 1: Yeah.
• 27:15
  Speaker 2: Yeah, he as this fucking paradox. There was nothing going
• 27:18
  Speaker 2: on over there.
• 27:20
  Speaker 1: Nobody was trying to get him.
• 27:24
  Speaker 2: Not at all.
• 27:25
  Speaker 3: He lived in a constant state of paranoia the entire
• 27:29
  Speaker 3: time that he was there two weeks ago. I think
• 27:31
  Speaker 3: he else wanted to see a therapist and maybe take
• 27:35
  Speaker 3: like an anti paranoia peel.
• 27:37
  Speaker 2: Every day because the mother he's fucked up.
• 27:40
  Speaker 3: In the head.
• 27:41
  Speaker 1: Yes, all true. Okay, so now we go to Nate. Okay,
• 27:46
  Speaker 1: so Nate said, I love Nate. So Nate says, you know,
• 27:56
  Speaker 1: Nate says, We've come across people in here with marijuana,
• 28:00
  Speaker 1: and I'm just trying to figure out, like how the
• 28:01
  Speaker 1: contraband is getting in. I've been in here over three
• 28:03
  Speaker 1: months now. And he says, I heard O'Neil and I
• 28:09
  Speaker 1: wrote down Babba, but it's Rabbit talking about how the
• 28:12
  Speaker 1: meth is coming in, and I want to know why.
• 28:15
  Speaker 1: I want to know when, and I got to know
• 28:17
  Speaker 1: so I can tell the colonel so we can plug
• 28:19
  Speaker 1: the leaks. And he goes. But you gotta finesse how
• 28:22
  Speaker 1: you talk to them about it. You know, you gotta joke.
• 28:25
  Speaker 1: You got a joke about putting shit in your ass,
• 28:27
  Speaker 1: like you got a joke. And he goes. But I
• 28:29
  Speaker 1: did find out it's five commissary items for one hit shit.
• 28:36
  Speaker 1: So now we see a new character.
• 28:39
  Speaker 2: M M.
• 28:43
  Speaker 1: Kasha, What the actual fuck am I looking at right here?
• 28:47
  Speaker 3: That actually scared me for a second. I'm like, that
• 28:50
  Speaker 3: is a jump scare Keisha.
• 28:54
  Speaker 1: This guy's name is Rabbit, and they call him Rabbit.
• 28:58
  Speaker 1: But the guy's two front buck teeth that are yellow.
• 29:03
  Speaker 2: They're almost fucking gold.
• 29:05
  Speaker 1: I have a picture up on the screen if you're
• 29:08
  Speaker 1: watching on video. I was so upset because, as you know,
• 29:13
  Speaker 1: think about teeth, and normally I would look away and
• 29:18
  Speaker 1: not put a picture up and just talk about it.
• 29:21
  Speaker 1: But this was so upsetting it had to be shown.
• 29:24
  Speaker 2: It is just like, here's the thing.
• 29:26
  Speaker 3: So let's say we were down to our last two teeth. Okay,
• 29:31
  Speaker 3: I'm gonna take such good care of those last two teeth.
• 29:36
  Speaker 3: I'm gonna cress white and stripped them every day.
• 29:43
  Speaker 1: You just said, let's just say we're down to our
• 29:46
  Speaker 1: last two teeth. Oh my god, I okay, I have
• 29:54
  Speaker 1: to take it off. Okay, oh okay. When he was
• 30:02
  Speaker 1: scary looking, he was scary looking. Yeah, that's why this show, y'all.
• 30:08
  Speaker 1: Just when you think, well, there's nothing else to talk about,
• 30:11
  Speaker 1: you give me a guy that looks like that.
• 30:13
  Speaker 2: Okay, his name Crankster Gangst.
• 30:17
  Speaker 1: I'm thesster gangster.
• 30:20
  Speaker 2: All right, so.
• 30:22
  Speaker 1: Rabbit tells us, Hey, I'm the Crankster Gangster. I've been
• 30:25
  Speaker 1: using myths since I was fifteen, from California to Oregon
• 30:28
  Speaker 1: to hear.
• 30:30
  Speaker 2: Such we can tell.
• 30:33
  Speaker 1: From California to Oregon. And now he's in Atlanta. So well,
• 30:39
  Speaker 1: he's just in prison for meth and he just is now,
• 30:42
  Speaker 1: he says, from fifteen to now.
• 30:44
  Speaker 2: But with this guy, he.
• 30:46
  Speaker 1: Could be he could be thirty six, he could be.
• 30:49
  Speaker 2: So many different agents.
• 30:51
  Speaker 3: Maybe he's a certain age in Rabbit years, and we
• 30:53
  Speaker 3: just don't know how to calculate it.
• 31:10
  Speaker 1: I can't.
• 31:12
  Speaker 2: I'll deal with this guy. This is crazy, crazy.
• 31:20
  Speaker 3: And he ain't ship for sure, there's no real reason
• 31:23
  Speaker 3: for him to be on this episode.
• 31:25
  Speaker 1: They couldn't. They could have just said there's a guy
• 31:27
  Speaker 1: named Rabbit. We didn't need to know any more information.
• 31:29
  Speaker 1: If they wouldn't have shown him up up close, we
• 31:31
  Speaker 1: would have never seen this. Okay, no, but listen, it
• 31:35
  Speaker 1: was the comedic relief we needed, so yeah, we did.
• 31:39
  Speaker 1: Nate says, you know, Rabbit, he's an og. He's known
• 31:42
  Speaker 1: as an unk or a guy who really knows what's
• 31:44
  Speaker 1: going on. So he's the guy I'm going to talk about.
• 31:46
  Speaker 1: And also he's a crankster gangster, so never forget. So
• 31:51
  Speaker 1: Nate talks to Rabbit and Alan is just standing. They're
• 31:55
  Speaker 1: kind of listening, okay, and he's like, so, like, what
• 31:59
  Speaker 1: actually are you trying to get? And Rabbit says, no,
• 32:03
  Speaker 1: I found out you can get like a five or
• 32:05
  Speaker 1: a ten dollars bump of ice or meth, but like
• 32:07
  Speaker 1: I don't even know like five or ten. Like does
• 32:10
  Speaker 1: it last? And Nate goes says, he says, something like
• 32:14
  Speaker 1: that last guy that did it was high for two days.
• 32:16
  Speaker 1: That's gary, yeah, but not if you're the crankster gangster,
• 32:20
  Speaker 1: that's what you're looking for.
• 32:23
  Speaker 2: This motherfucker is like a cockroach.
• 32:25
  Speaker 3: It could be the end of times and there will
• 32:28
  Speaker 3: be cockroaches wrote it, and Rabbit well because he's a.
• 32:36
  Speaker 1: So and the talk of head Alan who's listening, says,
• 32:42
  Speaker 1: maybe I should just try to buy some to show
• 32:44
  Speaker 1: Chief Asher how easy it is to smunkle drugs. So
• 32:48
  Speaker 1: it's interesting, right because Nate knows Alan's in the program,
• 32:52
  Speaker 1: but Alan doesn't know that Nate's in the program. So
• 32:54
  Speaker 1: Alan is like gonna actively try to buy drugs but
• 32:59
  Speaker 1: he doesn't know. I mean, Nate could just be I
• 33:01
  Speaker 1: don't know. It was interesting.
• 33:02
  Speaker 2: I didn't know that Nate knew that Allan was in
• 33:04
  Speaker 2: a program. I know he knows Andrews.
• 33:06
  Speaker 3: I know Andrew and Allan know they're in the Yeah,
• 33:10
  Speaker 3: but I didn't know Nate knew one of them was
• 33:12
  Speaker 3: in the program.
• 33:13
  Speaker 1: I think Nate knows both of them are in, but
• 33:14
  Speaker 1: he's never told them that he's in. I think he
• 33:17
  Speaker 1: figured it out when they came in. I think he
• 33:19
  Speaker 1: said it's pretty obvious those are the guys, because I
• 33:23
  Speaker 1: remember he said, like immediately when you say you're not
• 33:25
  Speaker 1: from Fulton County or Atlanta, yeah, and then you're like
• 33:29
  Speaker 1: these white guys that have these kind of weird crimes,
• 33:32
  Speaker 1: you know, Nate, because Nate said when they came in,
• 33:34
  Speaker 1: he goes, oh, yeah, I can tell those two guys
• 33:36
  Speaker 1: are the new guys, but he never tells them, which
• 33:38
  Speaker 1: is interesting.
• 33:39
  Speaker 2: Oh so he's not blowing his cover for anything.
• 33:43
  Speaker 1: Yeah, okay, all right, all right, let's go over to
• 33:48
  Speaker 1: the six hundred Matt, Johnny and Emmanuel. Now Matt with
• 33:53
  Speaker 1: clean hair and a cablenet sweater goat and it's little
• 33:58
  Speaker 1: little pony, little little poney me bun in the.
• 34:00
  Speaker 2: Back looked half way decent. I mean, maybe not all
• 34:04
  Speaker 2: the way.
• 34:05
  Speaker 1: Half I mean comparatively, I guess.
• 34:08
  Speaker 2: Yeah.
• 34:08
  Speaker 1: He goes over to chat with Colonel Mark Ager and
• 34:13
  Speaker 1: Lieutenant Colonel Kurt Beasley. Kurt is the woman.
• 34:17
  Speaker 2: Yeah, and did you notice she could not stop laughing?
• 34:23
  Speaker 1: I really, I really want to take a screenshot of it.
• 34:25
  Speaker 2: And she every time they showed her, her head was
• 34:28
  Speaker 2: down as trying to keep in the laft.
• 34:31
  Speaker 1: Now, I did notice when when he left the room
• 34:33
  Speaker 1: and she was just talking to the colonel, she wasn't
• 34:36
  Speaker 1: acting like that, but when he was in the room,
• 34:39
  Speaker 1: she could not contain her smirk.
• 34:41
  Speaker 3: Well, imagine how much they probably had to cut out
• 34:44
  Speaker 3: of this scene, right, because God knows what all he
• 34:49
  Speaker 3: really said, because there's no way Matt just said the
• 34:51
  Speaker 3: little bit that we saw.
• 34:53
  Speaker 1: You know, it was a two it was a two
• 34:55
  Speaker 1: hour thing, and she's like, yes it was. So you
• 34:59
  Speaker 1: know that the whole time, h Lieutenant Colonel Kurt is
• 35:03
  Speaker 1: looking over at Matt, like the hours of footage I
• 35:05
  Speaker 1: had to watch of this dumb ass talking to himself,
• 35:09
  Speaker 1: hung to fighting in his cell alone, shadow boxing his enemies.
• 35:14
  Speaker 3: Yes you know he is, yes, yes, yes, yes that
• 35:18
  Speaker 3: they should have sent him to the psych board after
• 35:20
  Speaker 3: they saw the way he behaved.
• 35:22
  Speaker 1: Because he's clearly clearly paranoid. And Okay, so Matt says,
• 35:29
  Speaker 1: there was a very active gang in there, the Bloods,
• 35:33
  Speaker 1: and in my cell there in my unit, there was.
• 35:36
  Speaker 2: A guy named Tebow and we haven't seen I'm seeing.
• 35:41
  Speaker 1: In a while. Yeah, he's a big dude. He's a bully,
• 35:44
  Speaker 1: and he was threatening people that I cared about? Who who?
• 35:49
  Speaker 1: Who'd you care about that he threatened?
• 35:51
  Speaker 2: He didn't threaten you don't care about Boccie.
• 35:54
  Speaker 1: He didn't threaten Johnny.
• 35:55
  Speaker 2: He did thirty threaten Johnny and he damn sure didn't
• 35:58
  Speaker 2: threaten you.
• 36:00
  Speaker 1: No, and uh, you know it preyed on me. It
• 36:04
  Speaker 1: preyed on me. And this needs to stop with these people,
• 36:08
  Speaker 1: Like I want something to be done with watching what's
• 36:12
  Speaker 1: going on, Like the little guy in the corner is
• 36:15
  Speaker 1: being terrified and feels violated, and they show a picture
• 36:19
  Speaker 1: of that, like goofy white guy with the hair with
• 36:21
  Speaker 1: the stripe in it walking around like little and the
• 36:24
  Speaker 1: one he just went and sell and let him beat
• 36:25
  Speaker 1: him up.
• 36:26
  Speaker 2: Yeah, and he was perfectly fine after he got beat up.
• 36:28
  Speaker 1: No, he didn't care. And he says, you know, the
• 36:31
  Speaker 1: little guy in the corner is terrified and feels violated,
• 36:34
  Speaker 1: and he could go out into the street and reoffend
• 36:37
  Speaker 1: because he feels cornered. And you know it'll be Fulton
• 36:40
  Speaker 1: County Jail's fault if this happens. Really, and this is
• 36:44
  Speaker 1: when you see more than once they showed Kurt basically
• 36:48
  Speaker 1: looking down like are you fucking getting me with this guy?
• 36:50
  Speaker 2: This motherfucker right here? How much fun left do we
• 36:54
  Speaker 2: have with this motherfucker? Can we hurry up and get
• 36:56
  Speaker 2: him out of here?
• 36:57
  Speaker 3: He he is acting like it's TBO and the Mormon
• 37:02
  Speaker 3: Tabernacle Choir, that's who's all in the pod, Like, no,
• 37:07
  Speaker 3: it's not.
• 37:08
  Speaker 2: They're all criminals doing something bad.
• 37:12
  Speaker 1: And they're all bloods and they're handling their business amongst.
• 37:15
  Speaker 2: Themselves and not paying any attention to Matt.
• 37:18
  Speaker 1: So Colonel Agri goes, So Matt goes, I want to
• 37:21
  Speaker 1: tell you that there's a button, an emergency button in
• 37:24
  Speaker 1: the cell, and when you press it, nothing happens. And
• 37:26
  Speaker 1: he goes, something good happen to me. I pressed it
• 37:29
  Speaker 1: like twenty minutes. Nobody either responded, and that's a problem.
• 37:34
  Speaker 2: I'll give him that one.
• 37:35
  Speaker 1: We'll give him that And the colonel says, you know,
• 37:38
  Speaker 1: recently on my rounds, I checked those buttons and there
• 37:41
  Speaker 1: were some missing, so we will have to address that.
• 37:43
  Speaker 1: So you know that's correct. So Matt says, you know,
• 37:47
  Speaker 1: my son was on the other side of that wall,
• 37:51
  Speaker 1: and I want someone to be accountable because I was
• 37:54
  Speaker 1: told we would be safe, and I knew in that
• 37:57
  Speaker 1: moment I would not be safe. Okay, So Colonel Andre says,
• 38:04
  Speaker 1: you know, look, I'm glad that you and some of
• 38:07
  Speaker 1: the other participants helped us realize some of our weaknesses
• 38:11
  Speaker 1: so we could. We're gonna look ahead and not behind.
• 38:13
  Speaker 1: We're gonna try to fix it. And what you brought
• 38:15
  Speaker 1: to us, is going to be acted upon. We take
• 38:17
  Speaker 1: it all very seriously. Meanwhile, Kurt Beasley is looking down
• 38:20
  Speaker 1: at her pad of paper, like, is it over? Get
• 38:22
  Speaker 1: him out of here.
• 38:24
  Speaker 3: The only thing that they could have written down was
• 38:27
  Speaker 3: the button doesn't work or no one responded to the button.
• 38:31
  Speaker 2: That was it. Everything else was made up.
• 38:34
  Speaker 1: So the colonel goes, you know, Matt uh he got
• 38:38
  Speaker 1: He has a lot of energy, a lot of energy
• 38:41
  Speaker 1: in his participation in the project. So yes, and then
• 38:46
  Speaker 1: he says to Beasley, because Matt's walked out of the room,
• 38:50
  Speaker 1: He goes, look, I always worried about his son, but
• 38:52
  Speaker 1: I've been monitoring it. It seems like his son is
• 38:54
  Speaker 1: doing just fine on his own. But then he says
• 38:59
  Speaker 1: to Kurt. He says, them being separated as how it
• 39:02
  Speaker 1: is in the real world when people are separated from
• 39:05
  Speaker 1: their support system. So they had a real prison experience
• 39:08
  Speaker 1: because they were separated.
• 39:09
  Speaker 3: So and I don't feel like Matt was really a
• 39:14
  Speaker 3: support system to Andrew in or out of jail.
• 39:17
  Speaker 1: No before or after probably m and they definitely couldn't
• 39:21
  Speaker 1: put them in together. They would blow their cover immediately.
• 39:24
  Speaker 2: No, Matt would blow their cover.
• 39:26
  Speaker 3: Andrew would act like he'd never seen Matt before in
• 39:29
  Speaker 3: his entire life.
• 39:30
  Speaker 1: I mean, I'm sure that happens a lot. If it's
• 39:32
  Speaker 1: like two brothers get arrested together, they're not going to
• 39:34
  Speaker 1: put you in together because I don't want you to
• 39:36
  Speaker 1: form an alliance or whatever.
• 39:38
  Speaker 2: Yeah, that's true.
• 39:39
  Speaker 1: Yeah, I don't think I don't think they would do. Also, again,
• 39:42
  Speaker 1: we talk about things we know nothing about. Guys we
• 39:44
  Speaker 1: don't know.
• 39:45
  Speaker 2: All we know is orange is a new black, and
• 39:48
  Speaker 2: the shit that we see on La Lou that's.
• 39:51
  Speaker 1: It correct, that's what we know. Nobody tells us to
• 39:54
  Speaker 1: watch the wire. It's not gonna happen, okay, mm hmm.
• 39:57
  Speaker 1: Emmanduel slash Bucci. So he says, So we see them
• 40:02
  Speaker 1: all sort of lining up and they're near the phones
• 40:04
  Speaker 1: and whatever. I don't know if they're lining up to
• 40:06
  Speaker 1: eat or go to bed or whatever. They're lined up,
• 40:09
  Speaker 1: and Emmanuel tells us my roommate Alan Different, Alan, Alan,
• 40:13
  Speaker 1: Alan has been trying to get in touch with his
• 40:15
  Speaker 1: fiance and he's trying.
• 40:17
  Speaker 2: To He ain't got no damn fiance. That's his baby mama.
• 40:23
  Speaker 1: He's trying to tell the CEOs that he can't get
• 40:25
  Speaker 1: in touch with her, and he's like pissed. So I
• 40:27
  Speaker 1: don't know if he's pissed because he can't get in
• 40:31
  Speaker 1: touch with her, and he thinks there's an issue that
• 40:33
  Speaker 1: someone needs to check on her, like a welfare check,
• 40:36
  Speaker 1: or he can't get in touch with the one person
• 40:40
  Speaker 1: that's supposed to give him money. He's pissed because the
• 40:42
  Speaker 1: CEO's are I didn't quite understand why he's.
• 40:45
  Speaker 3: A girl ain't answering the phone because she will her
• 40:48
  Speaker 3: other baby daddy. She ain't thinking about Alan with the
• 40:52
  Speaker 3: butter teeth.
• 40:52
  Speaker 1: So why is she mad? So why is he so
• 40:56
  Speaker 1: mad at the CEOs because he can't get in touch
• 40:58
  Speaker 1: with this fiance. It's not their fault.
• 41:00
  Speaker 2: It's not their fault, yeah, because he's stupid.
• 41:03
  Speaker 1: So he's yelling. He's furious about it. And so we
• 41:06
  Speaker 1: see this woman who's the CEO come in and go
• 41:08
  Speaker 1: all right, it's count time, it's count time. And they're
• 41:11
  Speaker 1: all just kind of, you know, most of them are
• 41:12
  Speaker 1: kind of dealing what they're supposed to, but Alan is
• 41:15
  Speaker 1: just standing against the wall. He's calling her a whole
• 41:18
  Speaker 1: ass bitch, motherfucking hoe, motherfucking bitch.
• 41:20
  Speaker 2: Da da da da, And she but a black girl.
• 41:23
  Speaker 2: And she goes, she.
• 41:25
  Speaker 1: Goes calm down, pipe down boo, pipe down boo. He goes, oh,
• 41:29
  Speaker 1: you know, you're just a fucking ho blah blah blah,
• 41:32
  Speaker 1: and she goes, boo, you turned up a little too much.
• 41:35
  Speaker 1: Pipe it down.
• 41:36
  Speaker 2: Now.
• 41:36
  Speaker 1: I love this because she's in the position of power
• 41:40
  Speaker 1: and he's thinking we could just cuss her and call
• 41:42
  Speaker 1: her all the kind of news and she's like, simmer down, boo,
• 41:46
  Speaker 1: you little too turned up. She just keeps her composure.
• 41:50
  Speaker 1: She does she's been there a while, yeah, and she's like,
• 41:53
  Speaker 1: I'm used to get the dumb asses like yes. So
• 41:55
  Speaker 1: Alan's like, oh, this is going to make me black
• 41:57
  Speaker 1: out on this motherfucker. And he is just like, basically,
• 42:00
  Speaker 1: you know, I'm gonna try to beat up this woman, right.
• 42:02
  Speaker 2: Yeah, So I think she could kick his ass.
• 42:05
  Speaker 1: Oh it would take one arm time behind her back.
• 42:08
  Speaker 2: She could take him down. Yeah, I agree.
• 42:10
  Speaker 1: Someone talking to her, Johnny says Alan, he is a
• 42:14
  Speaker 1: loud math. He has no respect for women, and he's
• 42:17
  Speaker 1: disrespecting an officer. And I don't know about Alan. I
• 42:20
  Speaker 1: don't know how he grew up. Maybe he didn't have
• 42:22
  Speaker 1: a man in his life to tell him what's right
• 42:24
  Speaker 1: and what's wrong. But it's out of my character to
• 42:28
  Speaker 1: just let him be and let this happen. You know,
• 42:30
  Speaker 1: I was taught by my mother to respect women no
• 42:32
  Speaker 1: matter what the situation, right, which I was like, how
• 42:36
  Speaker 1: much more do we could? We love Johnny. Johnny is
• 42:38
  Speaker 1: in prison and these people are trying to hold him down,
• 42:40
  Speaker 1: but he's like, hey, respect that woman even though she
• 42:43
  Speaker 1: just puts you in ancuffs, you know, yeah, And.
• 42:47
  Speaker 2: You have to remind yourself that this person was not
• 42:49
  Speaker 2: just a gang leader. He created a.
• 42:52
  Speaker 1: Whole gang, created all day.
• 42:55
  Speaker 2: You know, how bad motherfucker you gotta beat and create
• 42:58
  Speaker 2: your own gang.
• 42:59
  Speaker 1: I just think Johnny is such an interesting study until
• 43:03
  Speaker 1: like people really turn in their life around because we
• 43:05
  Speaker 1: just don't see it that but.
• 43:06
  Speaker 2: Like it's such a drastic, drastic.
• 43:10
  Speaker 1: So Johnny walks over and goes hey, hey, hey, Alan,
• 43:13
  Speaker 1: And Alan goes no, hey hey hey, And he goes no, man, hey,
• 43:17
  Speaker 1: you need to respect the woman. And Alan goes no.
• 43:20
  Speaker 1: He goes kad nobody in this bitch tell me nothing, bro,
• 43:24
  Speaker 1: And he's like, excuse me. Johnny's like excuse me, And
• 43:29
  Speaker 1: the CEO, who I love is going it's all right, baby,
• 43:32
  Speaker 1: it's all right baby. Thank you though, baby, let it go,
• 43:34
  Speaker 1: let it go. Boo, It's okay.
• 43:36
  Speaker 2: He's a fucking idiot.
• 43:37
  Speaker 1: Yeah, she's like okay, She's like, I'm in the position
• 43:40
  Speaker 1: of power. Let him keep running his mouth. See what's
• 43:42
  Speaker 1: gonna happen, you know, yep. So Johnny goes, look, I
• 43:45
  Speaker 1: tried to calm him down, but I'm just tired of it.
• 43:48
  Speaker 1: I'm tired of him running his mouth all the time.
• 43:50
  Speaker 1: And then we see Johnny kind of going like he
• 43:52
  Speaker 1: needs to get his ass whooped, like he needs to
• 43:53
  Speaker 1: get a good ass whooping to kind of get him
• 43:56
  Speaker 1: in check. And Alan starts going, let's go, let's go.
• 43:59
  Speaker 1: I'm not your child. You better back up, you better
• 44:01
  Speaker 1: back up. I'm not your child, and he and Johnny
• 44:03
  Speaker 1: are both just sort of doing that man thing where
• 44:05
  Speaker 1: they're like bowed up and just sort of like yep,
• 44:08
  Speaker 1: drawing at each other yep. And Johnny is like, look,
• 44:12
  Speaker 1: I want to take a swing at him, and you know,
• 44:14
  Speaker 1: this is it. He has pissed me off for the
• 44:15
  Speaker 1: last time. I want to beat his aster. I want
• 44:17
  Speaker 1: to teach him a lesson. I want to take him
• 44:18
  Speaker 1: into the room. And so they all keep yelling, both
• 44:22
  Speaker 1: of them, Johnny and Alan, like you swing on me,
• 44:24
  Speaker 1: you know, you swing on me, beat my ass?
• 44:26
  Speaker 3: Do it.
• 44:26
  Speaker 1: I'll show you. I'll take it. Da da da da.
• 44:28
  Speaker 2: And you're talking.
• 44:30
  Speaker 1: It's a lot of talking to Alan's like, you can
• 44:32
  Speaker 1: make me respect her. You could make me respect her.
• 44:35
  Speaker 1: And I think Alan wants him to beat him up.
• 44:36
  Speaker 1: I think Alan wants to get his ass beat. Well.
• 44:40
  Speaker 3: I feel as though Alan thinks he can take Johnny
• 44:44
  Speaker 3: because he's younger.
• 44:45
  Speaker 1: Right, But I think maybe he doesn't know Johnny's street cred. Yeah.
• 44:54
  Speaker 1: So in the Talking Head, Johnny goes, you know, I
• 44:56
  Speaker 1: shouldn't have reacted that way, but this does remind me
• 44:59
  Speaker 1: of my dad mistreating my mother, and all my emotions
• 45:03
  Speaker 1: came out, and I just wanted to respect this woman,
• 45:06
  Speaker 1: and I let this get the best best of me,
• 45:08
  Speaker 1: and I shouldn't have and I just need to cool off.
• 45:10
  Speaker 1: I just love Johnny.
• 45:12
  Speaker 3: It's so funny that now that Matt is gone, Yeah,
• 45:16
  Speaker 3: Johnny's acting this way and I can't believe I'm gonna
• 45:20
  Speaker 3: say this. I almost hate myself a little bit. Uh oh,
• 45:24
  Speaker 3: But I think Matt was actually a good support system
• 45:28
  Speaker 3: for Johnny.
• 45:29
  Speaker 1: I think they were a good support system for each other,
• 45:31
  Speaker 1: even though Johnny's got to know Matt's bunker's crazy. Oh yeah,
• 45:37
  Speaker 1: that's yeah, he's got to be like in the real life,
• 45:39
  Speaker 1: I wouldn't buck with this guy.
• 45:40
  Speaker 2: No oh no, no, no, no, no, no, no, no, no,
• 45:42
  Speaker 2: no not at all.
• 45:43
  Speaker 3: No.
• 45:45
  Speaker 1: All right, let's let's move on to the main show.
• 45:47
  Speaker 1: It's uh, Stephanie Angele, Jacqueline Rip So everyone crazy. It's
• 45:55
  Speaker 1: getting crazy. So is everybody is saying like, oh my gosh,
• 46:00
  Speaker 1: angela happy birthday. That party last night was off the chain,
• 46:03
  Speaker 1: and they're like, but that after party though? What what
• 46:06
  Speaker 1: I was like, we didn't see the after What was
• 46:08
  Speaker 1: the after I.
• 46:09
  Speaker 2: Was like, what the fuck if?
• 46:11
  Speaker 3: What we Okay, what we saw was drug usage, nachos
• 46:17
  Speaker 3: which is quite delicious.
• 46:19
  Speaker 2: Drink scrippers, parking drinking. What the fuck? Could the after
• 46:24
  Speaker 2: party have been?
• 46:25
  Speaker 1: Bouncers? They had bouncers.
• 46:28
  Speaker 2: Yeah, what could have gone on at the afterpart? I
• 46:30
  Speaker 2: don't know?
• 46:30
  Speaker 1: And we think this party was like midday, So what
• 46:32
  Speaker 1: was the after party like eight o'clock? What what I mean?
• 46:35
  Speaker 2: I don't know. I fear I fear what the after
• 46:40
  Speaker 2: party was.
• 46:41
  Speaker 1: I fear what it was too.
• 46:43
  Speaker 3: It was like a.
• 46:44
  Speaker 1: So and the talk of dad. Angela says, I never
• 46:48
  Speaker 1: thought I'd spent my twenty sixth birthday. I can't believe
• 46:50
  Speaker 1: she's only twenty six thus she was older. I did
• 46:54
  Speaker 1: do Yeah, Yeah, she says, I never thought I had
• 46:57
  Speaker 1: spend my twenty sixth birthday in prison. And I really
• 47:00
  Speaker 1: think this is the tip of the iceberg for what
• 47:02
  Speaker 1: I'm doing to help these women, and there's some greatness coming. Now.
• 47:07
  Speaker 1: How do you think you're helping these women by participating, encouraging, Yes,
• 47:11
  Speaker 1: all this craziness.
• 47:14
  Speaker 3: Yeah, she is a little bit de Lulu, the long
• 47:17
  Speaker 3: divest she's in there. Yeah, and just like Sephany, she
• 47:23
  Speaker 3: a little bit too comfortable in there.
• 47:25
  Speaker 2: Yeah.
• 47:25
  Speaker 3: She's totally forgotten the assignment, totally, I think. So you
• 47:29
  Speaker 3: can pull her in and say, look, bitch, do you
• 47:31
  Speaker 3: remember this contract that you signed. Do you remember what
• 47:33
  Speaker 3: it said? Do you remember what your purpose is here?
• 47:35
  Speaker 3: Because all we see you doing is fucking and partying
• 47:38
  Speaker 3: and using.
• 47:39
  Speaker 1: Yeah, so what good influence are you making? Are you
• 47:42
  Speaker 1: encouraging them to do their classes? Are you encouraging them
• 47:45
  Speaker 1: to do their treatments, you know, for alcoholism and addiction? No,
• 47:50
  Speaker 1: so the women are all getting called for wreck. If
• 47:52
  Speaker 1: you want to go to wreck, you know, come out.
• 47:53
  Speaker 1: So I didn't know you had a choice, but they
• 47:55
  Speaker 1: could choose.
• 47:56
  Speaker 2: Now you go. Yeah, I thought you everyone had to go.
• 47:59
  Speaker 1: Yeah, even if you go out there and do what
• 48:01
  Speaker 1: you're going to do. So they're getting called for rec
• 48:04
  Speaker 1: and Angela and Gabrielle are going to stay behind so
• 48:06
  Speaker 1: they can you know, make out and bond, and they're
• 48:10
  Speaker 1: talking about how much they really like each other, and
• 48:13
  Speaker 1: Angelai is saying too, Gabrielle, nobody knows anything about me,
• 48:17
  Speaker 1: but you you know all my deepest, darkest secrets.
• 48:19
  Speaker 2: When I was like, okay, they've only known each other
• 48:22
  Speaker 2: a month, right, like a month?
• 48:25
  Speaker 1: Yeah, And I do, and I do think that what
• 48:29
  Speaker 1: we've said before and what we've seen some of the
• 48:31
  Speaker 1: other inmates say that it is You're just it's such
• 48:34
  Speaker 1: a concentrated amount of time together. You're twenty four to seven.
• 48:37
  Speaker 1: You you live together, you work together, you go to
• 48:40
  Speaker 1: wrecks together, you pee together, you do every single thing together.
• 48:43
  Speaker 1: So it is like not in the real world where
• 48:45
  Speaker 1: you have eight hours a day apart of this work
• 48:48
  Speaker 1: or there's no distraction, just each other. I get real
• 48:52
  Speaker 1: sick of somebody real quick, so.
• 48:54
  Speaker 3: Girl, especially every time I see one of them in
• 48:58
  Speaker 3: bed and the other one climbs in the teeny tiny
• 49:00
  Speaker 3: bid to like.
• 49:01
  Speaker 2: You know, lock legs and shit. Yeah, I'm like, I
• 49:04
  Speaker 2: would need room to breathe, like face. We can talk
• 49:08
  Speaker 2: to each other while I'm in my bed and you're
• 49:10
  Speaker 2: in your bed.
• 49:11
  Speaker 1: Now because we can still talk it. Yeah, I agree.
• 49:14
  Speaker 2: Yeah, I don't know. Maybe that's the old lady in us.
• 49:18
  Speaker 1: I know, I'm just lad. Maybe we've been married a
• 49:20
  Speaker 1: long time. Maybe we were just like we could. You
• 49:21
  Speaker 1: could be in that chair, it could be on the couch.
• 49:23
  Speaker 1: We don't have to be next to exactly.
• 49:25
  Speaker 2: We ain't even got to talk.
• 49:27
  Speaker 1: Matter of fact, last night, we got home from this
• 49:30
  Speaker 1: Christmas party we went to, and Dave goes, so we
• 49:33
  Speaker 1: always watched Saurday Night Live together every Saturday. So Dave goes,
• 49:36
  Speaker 1: what are we gonna do so Storday Night Live. I go,
• 49:39
  Speaker 1: I'm going to wash my face, put them up with jamas,
• 49:41
  Speaker 1: to sit in the bend, scroll on my phone till
• 49:43
  Speaker 1: eleven fifty, and then we're gonna start it late so
• 49:45
  Speaker 1: we can fast forward so we can get to weekend update.
• 49:47
  Speaker 1: He goes, all right, I'm gonna go downstairs and scroll
• 49:50
  Speaker 1: on my phone. I'll see you left.
• 49:52
  Speaker 2: So that's so funny.
• 49:53
  Speaker 3: I saw a meme I think I reposted it, and
• 49:55
  Speaker 3: it says when are people going to normalize?
• 49:58
  Speaker 2: That? The good part about being a couple. He said,
• 50:01
  Speaker 2: you both could be in the same room, eat.
• 50:04
  Speaker 3: On their phone, scrolling and everyone knows. I'm okay, we're
• 50:08
  Speaker 3: not mad at each other. We're just prospecting each other's
• 50:10
  Speaker 3: space and doing what we want to do.
• 50:12
  Speaker 1: Yeah, yeah, I agree. Well I told him I was like,
• 50:16
  Speaker 1: go down stairs and do your you know whatever. Yeah,
• 50:19
  Speaker 1: So it was wonderful. So and they're talking head. Angelai says,
• 50:24
  Speaker 1: Gabrielle and I have been getting closer and sharing our
• 50:27
  Speaker 1: darkest secrets, and it's crazy that I'm incarcerated and genuinely
• 50:32
  Speaker 1: falling in love. But I felt bad because I feel
• 50:35
  Speaker 1: like I'm deceiving her and it's really hard to keep
• 50:37
  Speaker 1: my cover.
• 50:39
  Speaker 3: I think g Gabriel's deceiving you too. Oh yeah, it's easy,
• 50:44
  Speaker 3: playing Angela like a fiddle.
• 50:46
  Speaker 1: It's either gay for stay or she's like, let me
• 50:49
  Speaker 1: get in with this girl that everybody loves. So I'm
• 50:51
  Speaker 1: protected because she's the coolest one in here.
• 50:54
  Speaker 2: I agree.
• 50:56
  Speaker 1: So Stephanie says, I want to talk to angel about
• 51:00
  Speaker 1: having a girlfriend. So she goes over to Angel and
• 51:03
  Speaker 1: she's like, so on, what's going on? Like, you know,
• 51:06
  Speaker 1: remember we're in this program and everything, and Angelai goes,
• 51:11
  Speaker 1: you never.
• 51:12
  Speaker 2: At the pot calling the kill the blood.
• 51:14
  Speaker 1: Stephanie is such a hypocrite. She didn't even see it.
• 51:16
  Speaker 2: So she goes, yes, she is.
• 51:18
  Speaker 1: And Angel says to her, you never fucked anybody over
• 51:21
  Speaker 1: in your life, and Stephanie goes, no, never, That's why
• 51:26
  Speaker 1: it's not in me. It is not in my character.
• 51:30
  Speaker 2: Okay, we go back two episodes, and we go back to.
• 51:33
  Speaker 1: Two episodes when you fucked over Jacqueline so hard, so.
• 51:37
  Speaker 3: Bad she had to leave the fucking program because of you.
• 51:41
  Speaker 3: Oh my god, you laughed about it.
• 51:44
  Speaker 1: And you wished ill will on her as you do
• 51:46
  Speaker 1: on Angelais later here. Yep. So the producer asked Angela,
• 51:51
  Speaker 1: do you trust Stephanie And that should have been a
• 51:54
  Speaker 1: clue that she shouldn't. At the producer's asking you, yeah,
• 51:57
  Speaker 1: she goes, hm, I don't trust her as much as
• 52:00
  Speaker 1: I trust my one true love of my whole life. Gabrielle,
• 52:03
  Speaker 1: but I do trust her.
• 52:06
  Speaker 2: Yeah.
• 52:07
  Speaker 1: So intersperse here with these talking heads, we are seeing
• 52:11
  Speaker 1: Angelae and Stephanie chat and Angelae is telling Stephanie how
• 52:16
  Speaker 1: much she loves Gabrielle and she knows this is like
• 52:20
  Speaker 1: the person she's supposed to be with. She can't believe it.
• 52:23
  Speaker 1: She feels so hashtag blessed. She goes, I know we'll
• 52:25
  Speaker 1: end up together, like I know with the end of
• 52:27
  Speaker 1: this will be together. And Stephanie goes. Stephanie goes, you
• 52:31
  Speaker 1: don't think she's using you? And this has never occurred
• 52:35
  Speaker 1: to her. She was like, no, like what, We're in
• 52:38
  Speaker 1: love and how dare you question our love?
• 52:44
  Speaker 2: This is gonna be so bad. This is bad.
• 52:47
  Speaker 1: So this is funny because talking to Stephanie, goes, angel
• 52:50
  Speaker 1: has gone all the way with Gabrielle. I'm one hundred
• 52:52
  Speaker 1: percent sure, Like all the way, I was like, are
• 52:55
  Speaker 1: you they?
• 52:57
  Speaker 2: Are you a child? Had before? All the way?
• 53:02
  Speaker 3: Now she wants to be prudish and kind, you know
• 53:05
  Speaker 3: what I mean. It's like what happened to Thugnificent from
• 53:09
  Speaker 3: like two episodes ago?
• 53:10
  Speaker 1: What happened to the thug that was on there licking
• 53:12
  Speaker 1: the whipping and being like, oh, you gotta blend in
• 53:17
  Speaker 1: running up the.
• 53:18
  Speaker 3: Stairs for a fight that you know you really not
• 53:20
  Speaker 3: gotta throw a punch, but at least you were there
• 53:21
  Speaker 3: to see it.
• 53:22
  Speaker 2: Yeah, what happened to that girl?
• 53:24
  Speaker 1: Yeah yeah, And she goes, oh, they've gone all the way.
• 53:28
  Speaker 1: I'm a thousand print sure that she told me, And
• 53:30
  Speaker 1: a lot of things she would do I wouldn't do,
• 53:34
  Speaker 1: like have a full blown relationship in jail where you're
• 53:37
  Speaker 1: not gay. So no, you're not gonna have a full
• 53:39
  Speaker 1: blown relationship in jail. And you know their relationship is odd,
• 53:44
  Speaker 1: like they've loved each other. They love each other within
• 53:46
  Speaker 1: the span of a month. I mean, you don't get
• 53:49
  Speaker 1: to love somebody in three weeks. It's called infatuation, not love. Well,
• 53:54
  Speaker 1: that's true.
• 53:55
  Speaker 3: Well she was preaching right here because I'm like, I
• 54:00
  Speaker 3: cannot disagree with her at all, And I feel like
• 54:04
  Speaker 3: Angelae is going to get her heart shattered.
• 54:07
  Speaker 1: I think she's gonna get in trouble or arrested or something.
• 54:11
  Speaker 2: She might then they can really be together, that's right.
• 54:15
  Speaker 1: And then she says and Stephanie goes, this is jail.
• 54:18
  Speaker 1: You think somebody's gonna tell you the truth. If you do.
• 54:22
  Speaker 1: You're a fool. You're the biggest fool in the world.
• 54:24
  Speaker 1: And I wonder how that love thing is gonna work
• 54:27
  Speaker 1: out when Gabby finds out who Angel really is.
• 54:32
  Speaker 2: That's true too.
• 54:33
  Speaker 1: She smiles at the camera, like because I'm all fucking
• 54:35
  Speaker 1: tell her. Oh no, see, that's why, because she's so evil,
• 54:40
  Speaker 1: and she said all these mean things about Jackie and
• 54:42
  Speaker 1: like hope she hopes she is the last one standing
• 54:45
  Speaker 1: and hopes that Jackie gets her ass beat and all
• 54:48
  Speaker 1: this stuff. That's why, you know. She was like, you know,
• 54:51
  Speaker 1: I don't give a shit about her. I'll throw her
• 54:52
  Speaker 1: under the bus. I don't care today, You're a memory,
• 54:55
  Speaker 1: tomorrow your history. Whatever she said, and then she goes,
• 54:58
  Speaker 1: I wonder how that love thy is going to work
• 55:00
  Speaker 1: out when Gabby finds out who Angel really is. And
• 55:02
  Speaker 1: then she smiles at the camera.
• 55:05
  Speaker 2: So it seems like to me, Stephanie wants to be
• 55:07
  Speaker 2: the top dog again.
• 55:09
  Speaker 1: She thinks they're on a reality show called Survivor. That's
• 55:12
  Speaker 1: not what you're on, No, this is so you have
• 55:15
  Speaker 1: to keep this secret. Yeah yeah, I mean it literally
• 55:19
  Speaker 1: for safety reasons. There's not a winner. Everyone could be
• 55:23
  Speaker 1: the winner. So now We're in Angela cell and an
• 55:29
  Speaker 1: inmate named Sahar comes in. Now, I've noticed a couple
• 55:33
  Speaker 1: of times that some of these people have like folders
• 55:35
  Speaker 1: and things. So I'm wondering if some of them are
• 55:38
  Speaker 1: taking a course or these are their papers, or they've
• 55:41
  Speaker 1: met with a lawyer or something. So an inmate comes in.
• 55:45
  Speaker 1: She's got like a little folder and she goes, I
• 55:47
  Speaker 1: left my coffee right here. My coffee's gone, Like who
• 55:50
  Speaker 1: took my coffee? And they're all like, bitch, we didn't
• 55:52
  Speaker 1: take your coffee. We didn't touch your coffee right black
• 55:55
  Speaker 1: screen of death, says inmate. Sahar is accusing Angelai and
• 55:59
  Speaker 1: her cellmates of stealing her belongings. So I guess this
• 56:02
  Speaker 1: is not the first time that she's said, like, you
• 56:05
  Speaker 1: guys are stealing from me.
• 56:06
  Speaker 3: I think she's a little bit of a I don't
• 56:09
  Speaker 3: know if it's crabdwolf or she's always your pointing yeah,
• 56:14
  Speaker 3: And I don't know if she's new, like she's never
• 56:15
  Speaker 3: been in jail before, and she didn't know, like you
• 56:17
  Speaker 3: don't want to, you don't like come at people like
• 56:19
  Speaker 3: this or whatever, and so Sahar is like, fuck you,
• 56:25
  Speaker 3: fuck all of you, Like.
• 56:26
  Speaker 1: I know you took it, and I don't care if
• 56:28
  Speaker 1: you like me, cut your hands and don't come near
• 56:31
  Speaker 1: me or my fucking stuff. And I think this is
• 56:33
  Speaker 1: sort of a language barrier, like she's saying, like, cut
• 56:35
  Speaker 1: your hands off because you stole for me, right yeah,
• 56:39
  Speaker 1: and she's like, fucking loud asse loud asses and low lives,
• 56:42
  Speaker 1: get out of my life. I'm not joining in with
• 56:45
  Speaker 1: this low life shit.
• 56:47
  Speaker 2: Oh so ok, did she forget where she was?
• 56:52
  Speaker 1: So MG goes, get moved, get moved them, because nobody
• 56:55
  Speaker 1: here is a low life. We all have lives, so
• 56:58
  Speaker 1: we're not low lives. So sahar just goes off, and
• 57:01
  Speaker 1: MJ goes, you're an ugly person, so you need to
• 57:04
  Speaker 1: stop with this and accusing us of stealing, and so
• 57:07
  Speaker 1: her tells Angel because angels like you need to like
• 57:10
  Speaker 1: quit accusing Angel raiding Gabrielle's hair, and so Angel just
• 57:15
  Speaker 1: kind of goes, hey, look, you got to quit accusing
• 57:17
  Speaker 1: us the stealing and stuff and like quit calling his
• 57:19
  Speaker 1: low lives. And Sahara tells the Angel, you should decide
• 57:22
  Speaker 1: if you're a man or a woman.
• 57:27
  Speaker 2: Oh no, no fighting words right there, like oh shit, And.
• 57:33
  Speaker 1: Then there's lots of like fuck you, shut up your
• 57:36
  Speaker 1: ugly So Sahar starts to walk off out and Angel goes, Lord,
• 57:40
  Speaker 1: have mercy on you, like bless you and like and
• 57:43
  Speaker 1: she's doing like that right, So the talking head Angel
• 57:46
  Speaker 1: goes in the I twenty one. We are family and
• 57:50
  Speaker 1: we feel very protective of each other.
• 57:54
  Speaker 2: She's too far and she's too deep in. She's too
• 57:56
  Speaker 2: deep in.
• 57:57
  Speaker 1: So now we get an im in the moment with
• 58:00
  Speaker 1: her right outside the door of the production's talking to her,
• 58:02
  Speaker 1: and she says, like, I've already told all of them.
• 58:04
  Speaker 1: I don't want them to talk to me at all.
• 58:07
  Speaker 1: But they're hypocrites and they steal. And Angel and her
• 58:11
  Speaker 1: girlfriend are and they're having sex, like I hear the
• 58:13
  Speaker 1: sex sounds and the sex everything, and I turned to
• 58:16
  Speaker 1: give them privacy. But she doesn't appreciate anyone who respects
• 58:20
  Speaker 1: her because she doesn't respect herself. So now we see
• 58:24
  Speaker 1: Angel in her talking head. She goes, I don't like
• 58:26
  Speaker 1: to be disrespected, and I had to stand up for myself.
• 58:29
  Speaker 1: All right, Oh, all this over a coffee, All this over, well,
• 58:35
  Speaker 1: I think it's Sahara just comes in and calls them
• 58:37
  Speaker 1: low lives and says, you steal and they're all like,
• 58:39
  Speaker 1: you're new in here. Shut the fuck up.
• 58:41
  Speaker 2: Well, about half the bitches in there, they're in there
• 58:44
  Speaker 2: because they still why are you in there? Sahara, Yeah,
• 58:48
  Speaker 2: I'd like to know me.
• 58:50
  Speaker 1: So, so Sahara walks back in there and Angel goes,
• 58:55
  Speaker 1: you should just shut the fuck up, and they're just
• 58:56
  Speaker 1: kind of going back and forth. You should shut the
• 58:58
  Speaker 1: fuck up now, bubbah blah blah, and then Angel starts
• 59:01
  Speaker 1: making fun of her accent. Oh you're stealing our stuff?
• 59:04
  Speaker 1: Oh do do do? I was like, oh no, this is.
• 59:06
  Speaker 3: Bad between the man woman now the accent is this
• 59:10
  Speaker 3: is now it's going too deep?
• 59:12
  Speaker 1: Yeah, because Angels, because as the hoar is going like,
• 59:14
  Speaker 1: fuck you when you steal our stuff, Angel starts going
• 59:17
  Speaker 1: like making fun of her accent.
• 59:19
  Speaker 2: So now I'll turn a little bit homophobic and a
• 59:21
  Speaker 2: little bit racist. Yes, this is not good. So and
• 59:25
  Speaker 2: I was kind of disappointed in Angel.
• 59:27
  Speaker 1: I was very disappointed at her because at this point
• 59:30
  Speaker 1: she said pretty good, like keeping the pretty cool.
• 59:32
  Speaker 2: Yeah. Yeah.
• 59:33
  Speaker 1: So then the horror says, oh, this is bits right here,
• 59:36
  Speaker 1: and she goes off and lays hands on her. She
• 59:39
  Speaker 1: like goes at her, and that girl MJ kind of
• 59:42
  Speaker 1: pulls her off, and she does get a she does
• 59:44
  Speaker 1: get a swing in at her.
• 59:45
  Speaker 2: She does. Yeah, I couldn't.
• 59:48
  Speaker 3: I couldn't believe she did that neither. I was really surprised.
• 59:54
  Speaker 3: I'm like, she's too far in now. But she thinks
• 59:57
  Speaker 3: she is a real prisoner at this point, like, why
• 1:00:01
  Speaker 3: are you fighting?
• 1:00:02
  Speaker 1: Why are you fighting this this woman who's way older
• 1:00:05
  Speaker 1: than you and kind of frail and obviously is from
• 1:00:08
  Speaker 1: another Yeah, get crazy. You're making fun of her accent
• 1:00:12
  Speaker 1: and you know, I mean I would.
• 1:00:14
  Speaker 3: Have spent ageably be like, look, I know your coffee
• 1:00:16
  Speaker 3: is missing, but here, take my coffee.
• 1:00:19
  Speaker 1: I would expect that too. Yeah. So she's like she's yelling,
• 1:00:24
  Speaker 1: She's like, call me bitch again. I'll fuck you up.
• 1:00:26
  Speaker 1: I'll fuck you up. And she's yelling at her. They
• 1:00:29
  Speaker 1: pull her off. We see as there the melee is happening.
• 1:00:31
  Speaker 1: We see like the cameras are watching the whole thing. Yeah,
• 1:00:35
  Speaker 1: and talking head Stephanie for her to forget who she
• 1:00:39
  Speaker 1: was in the midst of what we're doing. It was
• 1:00:42
  Speaker 1: very shocking Stephanie three episodes there, like basically shooting up
• 1:00:47
  Speaker 1: heroin shut up.
• 1:00:48
  Speaker 3: I think Stephanie thinks like they're gonna give her a
• 1:00:51
  Speaker 3: good edit, and we're only gonna see the good Stefan Knobbish.
• 1:00:54
  Speaker 2: They showed it all, we have seen it all. Okay,
• 1:00:59
  Speaker 2: you want to be miss Goody two shoes.
• 1:01:01
  Speaker 1: She goes in the midst of what we're doing here
• 1:01:03
  Speaker 1: was shocking. It's preposterous and ridiculous. What are you doing.
• 1:01:07
  Speaker 1: You are here to do a job and now you're
• 1:01:10
  Speaker 1: fighting people. Girl. Five episodes ago, you were running up
• 1:01:13
  Speaker 1: to join a fly too.
• 1:01:15
  Speaker 3: Yeah, like where you could have set your ass down. No,
• 1:01:17
  Speaker 3: You're like, I gotta be with my pod.
• 1:01:19
  Speaker 2: We're family. We it well, I think she has it.
• 1:01:23
  Speaker 2: Looks like Big Swollen's not there anymore.
• 1:01:26
  Speaker 1: We haven't seen swallowing a couple of episodes or tea
• 1:01:28
  Speaker 1: and shift them off somewhere else.
• 1:01:30
  Speaker 3: Maybe they've been shipped out, and I think she's just
• 1:01:32
  Speaker 3: a lost a little puppy right now.
• 1:01:34
  Speaker 1: Yeah. Yeah, So the TUKA head Angela goes, yeah, this
• 1:01:39
  Speaker 1: place has turned to rub off on me. You know,
• 1:01:41
  Speaker 1: I've I got in that moment so into being an inmate.
• 1:01:44
  Speaker 1: I felt a shift and I had to check myself
• 1:01:47
  Speaker 1: and remind myself I'm a participant in this program here
• 1:01:50
  Speaker 1: and right now. Gabrielle is the only thing that keeps
• 1:01:55
  Speaker 1: me at ease, and I love her, I care for her,
• 1:02:00
  Speaker 1: and I think Gabrielle has a lot of strength, and
• 1:02:03
  Speaker 1: I think in her life she's just been influenced by
• 1:02:05
  Speaker 1: people on the outside, by her friends and bad influences.
• 1:02:08
  Speaker 1: Like she's doing the whole. I can change her.
• 1:02:12
  Speaker 2: Yeah, she wants to be Captain Sava Hoo.
• 1:02:14
  Speaker 1: She's Captain Saba Hoo. We've all been there, We've always been.
• 1:02:16
  Speaker 1: I will change that man, he will change for me.
• 1:02:21
  Speaker 3: Yeah, we all have.
• 1:02:25
  Speaker 2: So we're all guilty of it.
• 1:02:26
  Speaker 1: We're all guilty of it, but we wasn't in jail. No,
• 1:02:30
  Speaker 1: in a closed environment, we could get in our car
• 1:02:33
  Speaker 1: and leave. So in the Talk of Head, Stephanie says,
• 1:02:37
  Speaker 1: Gabrielle and angel have built a strong relationship, but we're
• 1:02:40
  Speaker 1: in jail. So when it's over, what's next? Will it
• 1:02:45
  Speaker 1: spark back again? Is she using you? What will she
• 1:02:48
  Speaker 1: say when she finds out who you are? Smiles at
• 1:02:52
  Speaker 1: the camera again.
• 1:02:54
  Speaker 3: I feel like if Gabrielle found out that Angelaie was
• 1:02:57
  Speaker 3: part of the program, she would totally black mane Angela.
• 1:03:01
  Speaker 1: I think so too. And then she's gonna try to
• 1:03:03
  Speaker 1: black mel Stephanie.
• 1:03:05
  Speaker 2: Yeah, because I don't trust Gabrielle at all.
• 1:03:08
  Speaker 1: Don't either. I mean, she's cute, but okay.
• 1:03:10
  Speaker 2: That's all that's and she uses that cuteness to get
• 1:03:13
  Speaker 2: what she wants.
• 1:03:14
  Speaker 1: Yes, so so we're talking head. Angela goes, yeah, Gabrielle
• 1:03:19
  Speaker 1: and I, I mean, yeah, we've said I love you,
• 1:03:22
  Speaker 1: we have. I know it's real. We have found each
• 1:03:24
  Speaker 1: other in the darkest place, in the lowest time. So
• 1:03:27
  Speaker 1: imagine how our lives could be On the outside. Other
• 1:03:31
  Speaker 1: people will watch it and envy it, and they will want,
• 1:03:36
  Speaker 1: are you what are you talking about?
• 1:03:38
  Speaker 2: Real? She on the outside world, Gabrielle is fucking men.
• 1:03:44
  Speaker 1: Yes, and you think people are watching this and going, God,
• 1:03:48
  Speaker 1: you know what I envy. I envy the love of
• 1:03:51
  Speaker 1: these two people. I wish that's the love I could have.
• 1:03:54
  Speaker 1: That's what she thinks. She thinks she's in the.
• 1:03:56
  Speaker 2: Night for sharing a prison bunk.
• 1:03:59
  Speaker 1: That no putting up towel for some oral now come on, yes, yes,
• 1:04:07
  Speaker 1: we twelve people.
• 1:04:08
  Speaker 2: Of the people.
• 1:04:08
  Speaker 3: Yes, yes, yeah, that is exactly what we want on Angelais,
• 1:04:13
  Speaker 3: thank you for the inspiration.
• 1:04:14
  Speaker 2: Now I know what I've been missing all my life.
• 1:04:18
  Speaker 1: So the producer, I know it now. The producer goes,
• 1:04:21
  Speaker 1: you know, you're an undercover person in here. But Gabrielle
• 1:04:25
  Speaker 1: doesn't know that, So what's that?
• 1:04:27
  Speaker 2: Like?
• 1:04:27
  Speaker 1: How's that like? I think the Ducks's trying to figure
• 1:04:29
  Speaker 1: out if she's squealed.
• 1:04:30
  Speaker 2: I do too.
• 1:04:32
  Speaker 1: She just laughs and goes, how do you know she
• 1:04:34
  Speaker 1: doesn't know? I don't know?
• 1:04:38
  Speaker 2: And she laughs and she goes no, and they.
• 1:04:40
  Speaker 1: Go does she know? And she goes no, maybe, maybe not.
• 1:04:45
  Speaker 3: I was so annoyed with her when she did that.
• 1:04:47
  Speaker 3: Me too, Like this like it's not a serious matter
• 1:04:50
  Speaker 3: at all. It's pretty fucking.
• 1:04:51
  Speaker 1: Serious, pretty dangerous.
• 1:04:53
  Speaker 2: Yeah.
• 1:04:55
  Speaker 1: So next time on we see Stephanie and Angelaie talking
• 1:05:00
  Speaker 1: and she says, I think Angelai tells Stephanie, I have
• 1:05:04
  Speaker 1: to tell you something because the talking has Stephanie goes,
• 1:05:08
  Speaker 1: can you be that dumb to fall in love with
• 1:05:10
  Speaker 1: an inmate? That is the dumbest thing you can do.
• 1:05:14
  Speaker 1: But then we see then we see Angelai meeting with
• 1:05:18
  Speaker 1: the colonel, still in her still in her prison garb,
• 1:05:22
  Speaker 1: not in her autsie clothes, and he says, you just
• 1:05:26
  Speaker 1: said forget about it. Now I'm gonna do what I'm
• 1:05:28
  Speaker 1: gonna do and you don't understand the consequences of your
• 1:05:31
  Speaker 1: actions and what's actually going on here. So I think
• 1:05:35
  Speaker 1: they just told her, you think so. I think they
• 1:05:38
  Speaker 1: just pulled her with no warning. I think she joked
• 1:05:40
  Speaker 1: to production that she told and then I think she
• 1:05:43
  Speaker 1: told Stephanie that she told her, and I think they
• 1:05:45
  Speaker 1: pulled her out and left Stephanie in. And now what
• 1:05:48
  Speaker 1: I think is gonna happen is Gabrielle's gonna tell Stephanie
• 1:05:50
  Speaker 1: I know you're in too. Oh, so give me twelve
• 1:05:55
  Speaker 1: pieces a commissary or whatever.
• 1:05:57
  Speaker 2: This is bad.
• 1:05:59
  Speaker 1: So then there's talking head and Angela says, what Gabrielle
• 1:06:03
  Speaker 1: and I have is real, and I know we'll end
• 1:06:06
  Speaker 1: up together and I'll have no regrets about this experience. Girl,
• 1:06:10
  Speaker 1: Come on, please stop. So she thinks she's going to
• 1:06:14
  Speaker 1: get out of the program and she's going to visit
• 1:06:15
  Speaker 1: her on the weekends and they're going to end up
• 1:06:17
  Speaker 1: on love after lock Up and end up together.
• 1:06:20
  Speaker 2: Gabrielle will have a new girlfriend the next day.
• 1:06:22
  Speaker 1: The next day.
• 1:06:24
  Speaker 2: Yeah, So then we see alangnant the fourth day.
• 1:06:29
  Speaker 1: Yeah, we see Alan talking to some guy. I'm not
• 1:06:34
  Speaker 1: sure which guy it is, and Alan is like, hey,
• 1:06:36
  Speaker 1: can you get some good stuff from me? And Alan
• 1:06:39
  Speaker 1: is like, my time is limited here, so I'm trying
• 1:06:41
  Speaker 1: to get some meth before I go Like, he's trying
• 1:06:44
  Speaker 1: to see how it completely works, so the product gets
• 1:06:48
  Speaker 1: into his hand.
• 1:06:50
  Speaker 2: Okay, be careful, Alan.
• 1:06:51
  Speaker 1: The last scene we see is Gabrielle. It's in their
• 1:06:57
  Speaker 1: cell and Gabrielle is sitting and Stefan is standing and
• 1:07:01
  Speaker 1: Gabrielle tells Stephanie everything that we know is not the truth,
• 1:07:06
  Speaker 1: and then talking he has, Stephanie goes, I'm in a
• 1:07:08
  Speaker 1: lot of danger and somebody's gonna end up dead in
• 1:07:10
  Speaker 1: this pod. So I think Gabrielle tell Stephanie I know
• 1:07:16
  Speaker 1: about you before she got pulled. She told me, And
• 1:07:19
  Speaker 1: so you're gonna give me ten pieces a commissary or
• 1:07:22
  Speaker 1: I'm telling everybody and you've got ten minutes to do it.
• 1:07:25
  Speaker 1: That's what I think happens.
• 1:07:26
  Speaker 2: I think so too.
• 1:07:27
  Speaker 1: I do. Oh it's getting good. I'm so nervous. Okay,
• 1:07:31
  Speaker 1: So this is episode ten. We have two more regular
• 1:07:35
  Speaker 1: episodes and then thirteen and fourteen or thirteen is like
• 1:07:39
  Speaker 1: the reunion, and then fourteen is the six months later,
• 1:07:42
  Speaker 1: and then we've got a brand new season of Love,
• 1:07:44
  Speaker 1: Dury and Lockup. We've when they switched it, it hit
• 1:07:47
  Speaker 1: it just right for us. So for that, I'm grateful.
• 1:07:52
  Speaker 2: Man. I can't leave her down to like the last
• 1:07:54
  Speaker 2: two episodes.
• 1:07:55
  Speaker 1: The last two real episodes. We've got two more ago.
• 1:07:57
  Speaker 1: I'm excited.
• 1:07:58
  Speaker 2: I think some shit is really gonna go down.
• 1:08:01
  Speaker 1: I do too, So let me look at my calendar. Okay,
• 1:08:03
  Speaker 1: so this episode is coming out on the fifteenth, So
• 1:08:08
  Speaker 1: the twenty second and the twenty ninth of our next
• 1:08:10
  Speaker 1: two episodes. Okay, I'm just making sure it don't fall
• 1:08:13
  Speaker 1: like too too close to Christmas because I want to
• 1:08:16
  Speaker 1: make sure. I want to make sure everybody's watching right exactly.
• 1:08:21
  Speaker 1: You guys, if you've been watching all along with us,
• 1:08:25
  Speaker 1: stick with us, And I'm just gonna leave you with
• 1:08:26
  Speaker 1: an image.
• 1:08:30
  Speaker 2: If you guys ship the Nightmares of Maid.
• 1:08:33
  Speaker 1: If you guys, don't think that you're missing something, if
• 1:08:36
  Speaker 1: you haven't seen this guy, and guys, we barely even
• 1:08:39
  Speaker 1: saw him. They did this to his own purpose. Sorry, Ron, No,
• 1:08:45
  Speaker 1: there was.
• 1:08:46
  Speaker 2: No reason for him to be on this episode. None.
• 1:08:49
  Speaker 2: He offered nothing.
• 1:08:51
  Speaker 1: He just did as dirty with that.
• 1:08:52
  Speaker 2: But you know, everybody needs a little crankster gangster. And
• 1:08:55
  Speaker 2: they're like, my name is rap it out.
• 1:08:57
  Speaker 1: They call me the crankster gangster. I've done meth from
• 1:08:59
  Speaker 1: Oregon to California, did Georgia and.
• 1:09:02
  Speaker 2: That's all he said. That's all he said. He gave
• 1:09:06
  Speaker 2: us no clues how the myth got in nothing.
• 1:09:10
  Speaker 1: We don't know why he's there. I don't know. He's like,
• 1:09:12
  Speaker 1: you need all my commissary that I've bought for two weeks.
• 1:09:15
  Speaker 1: Take it. You're gonna let me get high for two days? Done.
• 1:09:18
  Speaker 1: I don't need food.
• 1:09:19
  Speaker 3: Yeah, long as long as I've got care it sticks
• 1:09:22
  Speaker 3: on the side, give me little extra cares off your plate.
• 1:09:31
  Speaker 1: God, that's so fucking funny. Okay, guys said it's it.
• 1:09:35
  Speaker 1: Make sure you're following Keisha on social media the liber
• 1:09:38
  Speaker 1: Lines with Keisha. Make sure you're following me at Pink
• 1:09:42
  Speaker 1: Shade Pod. I've got a lot of good posts up
• 1:09:44
  Speaker 1: about the ninety day Tails party that I attended. Very
• 1:09:48
  Speaker 1: fun event. And make sure you listen to Chris's podcast
• 1:09:52
  Speaker 1: Vanity Farrell. Last week I was on. This week, Kisha
• 1:09:54
  Speaker 1: will be on. I'm also going to be this week
• 1:09:57
  Speaker 1: on crime Scene. Se and crime Scene is a podcast
• 1:10:02
  Speaker 1: talking about The Merchants of Joy, which was a documentary
• 1:10:07
  Speaker 1: on Prime about like the Christmas tree racket in New
• 1:10:11
  Speaker 1: York City and how what like selling Christmas trees in
• 1:10:16
  Speaker 1: New York City. So you know where we are, You
• 1:10:19
  Speaker 1: go to like a Christmas tree lot and you get
• 1:10:20
  Speaker 1: your tree. Yeah, think about the logistics in New York City.
• 1:10:23
  Speaker 1: There's only like a very certain number of spaces. And
• 1:10:27
  Speaker 1: these people who have been doing it for like thirty years,
• 1:10:30
  Speaker 1: and the people that come in town that literally sell
• 1:10:32
  Speaker 1: these trees for like three weeks and they like sleep
• 1:10:34
  Speaker 1: out the Christmas tree lot and don't shower, and it's
• 1:10:36
  Speaker 1: very interesting. It's interesting and how much money they make
• 1:10:40
  Speaker 1: and that short amount of time. This last the whole year.
• 1:10:42
  Speaker 1: And I gave it like a I gave it like
• 1:10:46
  Speaker 1: a C plus. But if you want like kind of
• 1:10:48
  Speaker 1: a light hearted documentary anyway, we talk about that. But
• 1:10:52
  Speaker 1: then we talk about other things too, because the documentary
• 1:10:54
  Speaker 1: is that great. Anyway, I'm on Crime Scene this week.
• 1:10:58
  Speaker 1: That's it. Everybody, make sure you're fa following guys, and
• 1:11:00
  Speaker 1: I will see you tomorrow for t LC Tuesday with Kimberly.
• 1:11:05
  Speaker 2: Okay, night, h