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IT CAME FROM SCREAMBOX: Zombie! · WASD and Beyond

• 0:20
  Well, thanks does. It listen to us What?
• 0:24
  GPT likes us, we. Don't see now it's funny you've
• 0:28
  said that because I've, I've also searched this on ChatGPT
• 0:32
  and I and it, it brought up something, you know, pretty
• 0:37
  accurate, I'd say for our description.
• 0:39
  And then I said, who are the hosts?
• 0:41
  It says the IT came from Screen Box podcast that's hosted by
• 0:45
  Zayn and Shirley So. Zayn and Shirley.
• 0:51
  I don't know one of one of these chat GPTS is confused.
• 0:54
  Yeah, I think, I think we just fucked ChatGPT.
• 0:59
  Oh my God. Thanks ChatGPT.
• 1:02
  Thanks ChatGPT. Great, this is good.
• 1:06
  Thanks. What the fuck dude?
• 1:08
  It's having me. About this much water from the
• 1:11
  ocean. We just boiled it away.
• 1:13
  Very good, very good. Anyways, with that being said,
• 1:18
  welcome back everybody to the IT Came From Screen Box podcast.
• 1:22
  We're your hosts, Nick, Noah and Alex.
• 1:26
  Before we hop right in, let's give us quick shout out to our
• 1:30
  shout outs. We got Screen Box final boss doc
• 1:34
  Longy links below. Check us out everywhere.
• 1:37
  You can give us a follow like subscribe show us to your
• 1:40
  friends. All those links are down below
• 1:42
  as well. Check out WASD and beyond.
• 1:45
  It came from screen box and roll for deception.
• 1:48
  Now with fresh new episodes for all shows on in like the sphere.
• 1:53
  Every show is getting new episodes, weekly updates from
• 1:56
  screen box and WASD and beyond. So be there for that, for WASD
• 2:00
  and beyond coming out this well, it's already passed.
• 2:05
  I I reviewed replaced. It's a great game.
• 2:08
  Go play it anyways, boys. Nick.
• 2:14
  We stayed we stayed in the Italian horror folchi verse and
• 2:21
  we watched Zombie. Yes, it's very, very good.
• 2:29
  This was directed released in 1979 by Lucio Fulchi.
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  Great flick, cult classic. This is also known as Zombie 2
• 2:38
  or Zombie Flesh Eaters. You know, he does what he wants,
• 2:44
  Fulchi does what he wants at all points and it's supposed to be
• 2:49
  over there. It was marketed as the follow up
• 2:51
  to Dawn of the Dead, which it most certainly is not.
• 2:56
  You, you can't just be like, well, here's my sequel.
• 2:58
  You can't just do that. It it follows around Anna, who
• 3:03
  travels to a mysterious Caribbean island to uncover the
• 3:06
  truth, but her missing father alongside the journalist Peter,
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  where they uncover A mysterious thing on this island and it's
• 3:14
  overrun by the living dead. That is my synopsis of the film.
• 3:18
  That's all you're going to get, because I think you should go
• 3:20
  see this film if you haven't. I don't want to spoil it, but I
• 3:23
  want to talk about a lot of the elements, a lot of the story
• 3:26
  beats, a lot of the effects, and some of the fucking crazy shit
• 3:29
  that actually happened while filming this film.
• 3:32
  I have an addition before we get into that, you mentioned that it
• 3:36
  was supposed to be a sequel to Dawn of the Dead.
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  So it's actually the concept for this that it would be a direct
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  sequel to Zombie, which is spelled Zombie with an I, which
• 3:48
  is a re edited version of George Romero's Dawn of the Dead by
• 3:52
  Dario Argento which released with Yeah, it was just edited
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  differently and contained a new score by an Italian prog rock
• 4:03
  band called Goblin. I love that.
• 4:06
  And Goblin as of 2024 was still around and performing live.
• 4:13
  We love that. That's dope.
• 4:15
  Pretty sweet. I I still think Flesh eaters.
• 4:20
  Zombie Flesh Eaters is a tight name.
• 4:23
  Well, they, it was, I think it, it's Zombie too, because it was
• 4:27
  supposed to be that sequel and it got released as Zombie in the
• 4:33
  US and then Zombie Flesh Eaters in the UK.
• 4:36
  Yeah, so. I think the UK probably got the
• 4:39
  best name. Oh I agree 100%.
• 4:41
  A lot of things going on with this film.
• 4:42
  Also the budget seemed to be around 400 to 500.
• 4:45
  K was shot primarily on location in the Dominican Republic, but
• 4:50
  there's scenes obviously in New York and in Italy.
• 4:54
  It's pretty cool stuff going on in this film.
• 4:57
  Bolshee doesn't hold any punches.
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  This is really his like dive into like his very realistic
• 5:05
  gore hound movies. That was like his first big
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  foray into US was with Zombie. And what if this does
• 5:12
  differently than Night of Living Dead is the zombies and Night
• 5:16
  Living Dead are scary because it's like our first, one of our
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  first because there was a movie prior to this, which we've
• 5:22
  discussed in the last show episode where we talked about
• 5:25
  Night Living Dead. But what that does is make the
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  zombies more like like feasible, right?
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  Like they're slow, they're shamblers.
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  It's cool. It's like the first time you've
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  really seen it. This goes OK, they're slow,
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  they're shamblers. They're hyper violent though.
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  Like these things look way more gross.
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  They're more akin to what we were used to, are getting used
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  to with zombies. They are disgusting.
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  The way they're killing people is just brutal and vicious.
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  And that's what this movie is really known for, as well as
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  it's brutal and vicious violence.
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  Like this movie doesn't spare punches.
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  There's a very, there's a couple very famous scenes, especially
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  the splinter scene, which that in and of itself was a very
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  difficult film or scene to film due to the rig that the actress
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  had to wear that was just fucking her up.
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  So like, really, yeah, there's there's a whole, there's a whole
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  slew of filming troubles that I have a list for that was just
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  one like the. So the infamous eye gouging
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  scene used a mechanical rig and careful, careful timing.
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  But the actor said it was physically and mentally
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  stressful to shoot because like you are like in the film, her
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  her actual eye is like inches away from this giant piece of
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  wood. And then the shot is obviously
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  the cut with the like the face being engulfed into the
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  splinter. And that is the.
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  Best splinter I've ever seen. Oh, it's the gnarliest thing
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  you'll ever see. Is fucking gnarly.
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  I think I know what Alex wants to talk about.
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  Dude I just it's a whole movie though.
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  It's great. Let's go into like.
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  The entire movie is just sick all the way through.
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  It's. What neither of you have seen
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  Zombie I. Thought I have no.
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  OK, so let's let's really dive here.
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  Who wants to go first, being that this is your guys's first
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  viewing of the film? I saw this film plenty of times
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  10 years ago. I haven't watched it since then.
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  But for you guys, what were your guys's thoughts on the film,
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  especially going back to Folchi, right?
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  Like we know what he likes to do now.
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  We know how he likes to direct. He's rough.
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  But going back to him seeing Zombie, what you guys think of
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  that? Why don't you take it, Alex?
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  Dog No. This dude's off a dab rig going
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  shit. Oh, shut up.
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  I didn't. I didn't bring my homework.
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  I. Didn't.
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  I? Did not.
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  Oh fuck. I don't know.
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  The entire movie is just it has a solid story for a fucking
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  zombie flick. Like super solid story.
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  I don't know, really good flake. I don't really know what to say
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  about it. Just go fucking.
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  Watch that show, it's very late. Yes, he is.
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  So very amazing. Well, I, I mean, so it's, it is
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  a, it's a somewhat of a different take on the zombie
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  apocalypse story. I like that there's an aspect of
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  a like science minded individual who goes out to this island to
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  study what's going on and he still has no idea what it is.
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  So whenever somebody asks, he still says that it's voodoo
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  because he still hasn't quite figured out what's going on,
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  even though he's he's like testing it.
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  He's trying to push the theory of what's going on on the
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  island. And the the zombies are
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  interesting because they seem to sometimes be in like a
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  hibernation. Like they don't, they're not
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  always awake, which is interesting because in like, you
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  know, night of the living dead is a good one where there's slow
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  zombies and the, the terror comes from the fact that they
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  never stop moving, Like they're always moving slowly.
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  But these ones will like wait long enough to be buried.
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  And then they'll just like wake up if they, if they smell or
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  they like if they see somebody or they sense a person there.
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  It's like if they're disturbed, if you disturbed where they're
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  resting, it's like boom activated.
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  Yeah, which is actually more. Creepy.
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  Way more creepy than just like constantly roaming.
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  Yeah, yeah, yeah. Because then because you never
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  know truly how many there are, if they can be anywhere, which
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  we have shown in the movie that they are everywhere.
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  Like this island. It it it's shown pretty like at
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  in like the last third, like the bidding of the last third right
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  when the the crew is just like taking a little rest in the
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  woods and they're just coming out of the ground like in every
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  location. Like there could just be a
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  zombie there and you have no idea until it like reaches up
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  out of the ground and attacks you.
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  And they're vicious, dude, because like in other Zion
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  movies, it's like they grab you and like you're old.
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  There's obviously nowadays like a zombie grab somebody.
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  Like they have that strength aspect right where it's like,
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  OK, the the fucking hand gets pulled out.
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  And this is like back then it was just like cool.
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  So the zombies gripping and it's like a vice grip going down on
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  the dude's ankle, just pulling it and be gloving it almost.
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  And that was awesome to see. But not only that, but like the
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  effects in general in this film, like that makeup they had to
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  wear. Fuck that dude.
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  That shit was so heavy. Yeah, it looked like full head
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  prosthetics for the most part. Like maybe a mask they were
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  wearing or just like 1 big prop. But then some of them did have
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  different effects. One of the effects I noticed for
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  a lot of them, a lot of the zombies are walking around,
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  their eyes are closed. Yes.
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  Will that be indicative of like the the voodoo aspect to a
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  degree, like the sewn eyelids and shit like that when you bury
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  the bed a lot of. There's that one, there's that.
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  There's that one shot, though, on top of the barn that Zombie
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  pokes in and his one eye is open.
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  Yeah, that that just that shot was so nice you.
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  Can see the whites of the eyes too and it's like oh that's so
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  sweet. There's a lot of cool camera
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  stuff going on in this movie as well.
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  Yeah, a lot. They do like, like a shot where
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  it'll be focused on one person. The camera will like whip around
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  180°. There's a lot of like kind of
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  extended close up shots on the zombies to really get a good
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  look at them. Yeah, the underwater scene is
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  really impressive too. Very cool.
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  Let's dive on in. So in this movie.
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  Dive on into the underwater scene.
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  Very good. This movie boasts this is a cult
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  scene. This is a cult classic scene of
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  a zombie shark fight. This is the first time it's ever
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  happened in a movie. It was a real shark, so let's
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  get that out of the way. This was a real fucking shark.
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  This thing was a bit more aggressive than they had
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  intended for, I guess, and it caused problems during the
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  shoot. More aggressive as in, like the
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  shark, the wild animal that they were filming near was more
• 12:59
  aggressive than they hoped. Yeah, the thing got pissed.
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  The shark was not supposed to be aggressive, but unpredictably
• 13:06
  made it generally dangerous, Yes.
• 13:09
  It's a it looked like a fucking great white shark, dude.
• 13:13
  I mean, it was. So in some shots it looks much
• 13:15
  bigger than it actually is. When you see it wrestling with
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  the guy, it looks much smaller, but like that's still a shark.
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  That's still dangerous. The the zombie in the water was
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  also a trained diver, so that is good because that scene is
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  incredibly dangerous and he is caked in that makeup, which is
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  like, unfortunately because they're in the ocean, it's just
• 13:42
  fucking ripping off his face. But you know what that I feel
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  like? Do you feel like that added to
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  it? It adds to it.
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  It's falling off Ironic. The the ocean, like a body in
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  the ocean, decays incredibly quickly.
• 14:00
  Yeah, yeah. So they would have had all the
• 14:02
  animals, like all the little fish nibbling off of it.
• 14:05
  And the salt water takes a toll on it as well.
• 14:08
  Yep Yep Yep Yep Yep Yep. I mean this scene is awesome
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  though. This seat is so awesome and that
• 14:14
  shark got so pissed when it bit that zombies arm.
• 14:18
  It was just green duck going everywhere blows you.
• 14:22
  Sorry we keep it live on the show baby.
• 14:25
  And then you can just see that shark was like, this is not
• 14:28
  anything I actually want and it just fucks off for a minute.
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  But for them to use a real shark and have a human fight a real
• 14:36
  shark in the 70s? Yeah, that's that could have
• 14:41
  been you could have been a Congo type situation.
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  Congo the movie. Isn't isn't that the one where
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  the people got got killed by wild animals while making the
• 14:53
  movie? Did that hurt?
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  Did that happen during the? Congo.
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  Congo. There's a there's a movie where
• 15:00
  people were killed by animals during the movie.
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  What? It could be wrong, it might not
• 15:07
  be. Caught what?
• 15:10
  Yeah, you never heard of this? Oh.
• 15:13
  No. Oh well, yeah, it it, it
• 15:19
  happened. That's why I like when I saw the
• 15:21
  shark I was, I immediately thought it was like, oh,
• 15:24
  somebody's about to be bitten by a shark on camera for real.
• 15:28
  Like that's what I expected during that whole scene.
• 15:32
  Oh I have no idea dude, I I can't find.
• 15:38
  Anything about that I will vamp for a while.
• 15:41
  I'll see if I can find this. Yeah, yeah, yeah.
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  But this is, again, the shark scene is fucking just an example
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  of the lengths Folchi will go to, to just do what he wants, in
• 15:56
  my opinion. But it's it, it works here
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  because Zombie doesn't. The film doesn't just go, here's
• 16:04
  that cool shark thing also, we're going to just continue
• 16:08
  with some silly shit like that. It's OK.
• 16:10
  Now we'll get back to the real shit.
• 16:11
  We just want to show you that we can do this.
• 16:14
  This is a wild shark too, right? I'm assuming.
• 16:17
  I probably. I don't know, I, I, I if they
• 16:21
  intended it for it not to be aggressive.
• 16:24
  I think maybe this was like a shark that they had an animal
• 16:27
  trainer bring, but then the thing got pissed off.
• 16:33
  That's so sick. Dude so.
• 16:35
  I mean, how much can you train a shark?
• 16:38
  Yeah, that's where I'm kind of. I don't know.
• 16:41
  Like a lion can be trained somewhat, an elephant can be
• 16:46
  trained. I don't.
• 16:47
  I mean, a dolphin can be trained.
• 16:48
  I don't think you can train a shark.
• 16:50
  Though I'm not a shark geologist.
• 16:51
  I don't know man. Also, the movie I'm thinking of
• 16:54
  is called Roar and over 100 people were injured making that
• 16:59
  movie, mostly from wild animals. That's a rough gig.
• 17:03
  I'd be fucking pissed. That's like people.
• 17:09
  People were cut, like, scratched by tigers, stepped on by
• 17:13
  elephants. It's yeah, not good.
• 17:16
  Not a good time. I needed fifty stitches after
• 17:19
  being attacked by a lioness. Oh.
• 17:22
  My God, not fucking around with animals to talk about filming
• 17:25
  troubles. This film had its own slew of
• 17:28
  them, including cast and crew dealing with intense heat,
• 17:30
  humidity, and then sex. Extreme exhaustion was
• 17:35
  constantly plaguing the set, as well as illness.
• 17:38
  Equipment struggled in the climate, especially with makeup
• 17:41
  effects melting or degrading. The again, the eye gouging scene
• 17:46
  had its own thing. Extras playing zombies often
• 17:49
  wore heavy prosthetics and extreme heat, increasing the
• 17:53
  risk of dehydration. Some did dehydrate and there was
• 17:57
  an incredible language barrier during the filming, which you
• 18:00
  can tell because the filming had its dubbing issues or not
• 18:04
  issues, but there was a lot of dubbing going on here.
• 18:08
  So I mean, this thing experienced its own fucking.
• 18:10
  It's a full G film though. Like it's going to have this.
• 18:14
  It's almost like getting on set with Stanley Kubrick and like
• 18:16
  not having a mentally torment you.
• 18:21
  He said he seems to be a director who you you know what
• 18:25
  you're getting into. You kind of know what if a if,
• 18:29
  if a movie by the same director is a little bit weird or a
• 18:32
  little bit quirky, You can expect the explanation like you
• 18:37
  can you already know what it's going to be.
• 18:40
  It's it's interesting. I mean his.
• 18:42
  I actually think that the the like the English translation
• 18:48
  issues are worse in the beyond than they were in this.
• 18:52
  Like there wasn't as much with this one.
• 18:55
  No, I I definitely agree on that and I like to be on.
• 19:00
  Yeah, it. Was.
• 19:03
  Beyond was good too. Yes brother, you got yes.
• 19:07
  You got to not dab it out before the show.
• 19:10
  You're fucking so sleepy. I'm so sleepy.
• 19:14
  I'm what's up? Nevermind.
• 19:18
  Go ahead. Sorry.
• 19:19
  What? What he's actually going to
• 19:23
  like? What's the drama?
• 19:27
  What you're saying? Nothing.
• 19:29
  Go ahead, Nick. I'm sorry.
• 19:30
  What drama? I don't know.
• 19:37
  Anyway, I'm. I'm cooked.
• 19:39
  Oh, I'm done. I posit this.
• 19:41
  Question but Alex, you're the the dry but grounded 1.
• 19:44
  Yes, Alex. Thick, dry, but grounded.
• 19:48
  Yeah, I posit. I was like the chat GPD just
• 19:51
  called me boring. Thank you chat GPD, you've
• 19:56
  broken a man's spirit so you piece of shit.
• 20:00
  He's just in the background, in the dark, laughing.
• 20:03
  I am. I'm laughing really hard and
• 20:04
  it's so good. Oh my God, I posit this final
• 20:07
  question before our review. Does the raw danger of the
• 20:11
  practical effects make this movie feel more I got 2 Like
• 20:14
  make this feel more real than Night of Living Dead?
• 20:18
  And does Zombie do a better job of representing the current
• 20:26
  zombie movies that we are accustomed to than the Living
• 20:30
  dead? It's 2 parter.
• 20:33
  I I think 1 there's, I mean, it's, it's only kind of cool to
• 20:41
  say it, but there's really nothing cool about putting
• 20:43
  actors in danger to make a movie when it's avoided.
• 20:47
  But it was also the late 70s and you could make an argument that
• 20:51
  they didn't really know yet. And also they were probably less
• 20:54
  regulations on safety it but I mean, you never want to hear
• 21:00
  about like actors being harmed on set making a thing.
• 21:06
  But I think some of it it adds to the mystique of the movie,
• 21:11
  you know, having a bit of legacy now.
• 21:13
  It it definitely adds to that. And I would say it is more like
• 21:19
  our current depictions of zombies, like you're walking
• 21:22
  Deads or you're 28 Days later where they are, you know, they
• 21:26
  are violent. They are a little more
• 21:29
  complicated than just a guy walking around.
• 21:32
  They have a, there's a, their abilities are sort of in
• 21:35
  question and what sort of drives them is also something that's in
• 21:41
  question. And, and, and the idea that they
• 21:43
  are given a source, like they come from somewhere and we're
• 21:47
  going to explore that a little bit.
• 21:48
  That's sort of what I think connects it to more modern
• 21:52
  movies because now a lot of modern movies are like, you want
• 21:56
  to figure out why? Like why did the zombies show
• 21:58
  up? Yep, love it.
• 22:01
  Do you guys prefer fast zombies or slow ones?
• 22:07
  Slow. I like shamblers.
• 22:11
  I do, I love shamblers, I really do.
• 22:14
  I think some I think a healthy mix of fast and slow is good
• 22:18
  though. But if I had to watch a zombie
• 22:20
  flick, I like the shamblers because I like the horde swarm
• 22:24
  effect. Fast zombie is cool for things
• 22:27
  like 28 days because it's not technically an actual zombie,
• 22:30
  it's just like a rage virus. But I mean, there's an argument
• 22:34
  to be had there. I'm going to go with slow.
• 22:41
  Yeah, my problem with fast zombies is it's harder to make a
• 22:45
  fast zombie because a fast zombie is not just like a zombie
• 22:50
  who can run as fast as a person can run.
• 22:52
  They're always like super fast and they always get, it always
• 22:56
  devolves into World War Z where they're just like a bunch of
• 22:59
  floppy ragdoll bodies stacking up on each other and I.
• 23:02
  Posit this corpses like that that are decaying.
• 23:08
  Yeah, they would fall apart from the act of running.
• 23:11
  The minute those bitches go it's going to be boom and the knees
• 23:15
  are going to crack and break, dude.
• 23:17
  People's knees explode. Train runner's knees just
• 23:20
  explode from the act of running. And you want me to believe that
• 23:23
  this. Yeah.
• 23:25
  You want me to believe that this decaying corpse just runs around
• 23:28
  like that? I I, I think it's less
• 23:30
  realistic. Like the slow zombie is, is
• 23:34
  scarier because it's slow, Yeah, than a zombie that's fast.
• 23:38
  Like it's not as scary because they're fast.
• 23:41
  I'm going to. I'm going to throw this in
• 23:42
  there. I left the concert before the
• 23:44
  fucking main acts finished their set because my knees and my
• 23:48
  ankles hurt. I dipped these zombies that have
• 23:51
  been dead for fucking years who are getting up.
• 23:53
  They ain't running bro. Yeah, they're just going to turn
• 23:57
  into a pilot. You know, it's zombie semantics,
• 24:00
  but yes, definitely, definitely slow.
• 24:03
  And these are really good slow zombies because they will just
• 24:06
  sort of walk in One Direction for a while, but they'll also
• 24:10
  just like they'll wait and they'll reach out and they'll
• 24:13
  grab you. Yeah, like the one in the coral
• 24:15
  reef. That was sweet.
• 24:17
  How? Long was he down there, you
• 24:19
  know? Son of a bitch, dude.
• 24:21
  If that if he can be down there, does that mean that zombies
• 24:24
  don't have to breathe? They.
• 24:26
  Defy all laws, dude. Where are there?
• 24:30
  What the fuck? What the fuck?
• 24:32
  They're in our waters. Those are that those are the
• 24:34
  interesting things that this movie, that this movie proposes
• 24:40
  to us. Yeah.
• 24:41
  But they did have Yeah, that was a weird.
• 24:44
  They did have the end. The the end is, is a very like
• 24:53
  generic 80s sci-fi ending where they like, look at the radio or
• 24:57
  look at the information and see that, like, the rest of the
• 25:00
  world's been taken over, that it's ended.
• 25:04
  And then we see the zombies just like walking slowly across the
• 25:07
  Brooklyn Bridge. That's a great shot.
• 25:10
  Yeah. On the top of it.
• 25:11
  Which is even cooler. It's like that's well First off,
• 25:14
  Polchi explain how they got I I want to see how they got I would
• 25:19
  love to know the explanation there.
• 25:21
  How do? They they got there because
• 25:25
  they're New York has infested with them because it comes from
• 25:29
  the cop being attacked on the boat and then attacking.
• 25:32
  On top of the bridge. Oh, oh, it's a pedestrian
• 25:35
  walkway, I thought. The top of it is.
• 25:40
  There's some bridge that has like a it's a pedestrian walkway
• 25:43
  on the on the top. Oh, that's terrifying.
• 25:46
  Yeah, it's like that. You.
• 25:47
  Ain't catching me doing that shit.
• 25:51
  I've seen that movie. I just watched that movie.
• 25:53
  I'm not going on there. I think it's safe.
• 25:58
  I'm not. I'm not arguing bridge safety
• 26:00
  with you. I'm not doing it.
• 26:03
  I wouldn't go there if there's all those zombies walking across
• 26:05
  there going to Manhattan to kill everybody.
• 26:08
  Hell no, that's Zombie from our good buddy Lucio Folchi.
• 26:14
  Again, Slow burn. Starts out a bit of a mystery,
• 26:17
  devolves into a bit of voodoo talk mixed with like an
• 26:21
  adventure looking for a missing father that leads to bigger
• 26:25
  crazier things that I think you should all experience and it is
• 26:29
  a zombie flick through and through that I I do believe is
• 26:32
  important to the current zombie movie scene.
• 26:36
  I think any director worth their grain who is going to make
• 26:40
  anything related to zombies references This Night of the
• 26:45
  Living Dead, Dawn of the Dead, and just these are the
• 26:49
  cornerstones right here, and this is definitely one of them.
• 26:52
  Even if I believe the marketing was a bit piggybackish for me,
• 26:56
  I'm going to get a fucking five out of five.
• 27:00
  This is a perfect. Zombie Flake.
• 27:02
  Wow. Yes.
• 27:06
  I'm going to say 3.5 out of five.
• 27:10
  Holy shit. Because I liked it, It was good.
• 27:14
  I'd recommend it to people. Well, no, I'll bring I'll bump
• 27:18
  that to a four because it was it was it was a good idea about
• 27:22
  like where the zombies come from.
• 27:23
  Yeah, I love a like a a chance happening situation that sparks
• 27:31
  a whole other thing. Yeah, pretty good all.
• 27:37
  Right, I'll give this a good O 4 out of five as well.
• 27:42
  It's a super, super solid flick. For the first time seeing it,
• 27:48
  it's probably like, I'd probably, yeah, rate this top
• 27:53
  five zombie films. Ah, very good.
• 27:56
  Where does this land with your list in zombie films?
• 27:59
  Does it land up high or where? Yeah, I'd put it pretty high.
• 28:04
  Like a lot of zombie films are kind of they're just, they're
• 28:11
  just more zombie movies. I think it's a bit played out
• 28:15
  now, but I like, I like this one.
• 28:18
  I thought it was a cool, cool idea.
• 28:22
  Awesome, awesome, awesome and. Awesome, we can all watch zombie
• 28:27
  three also on screen box. Oh shit.
• 28:31
  Rolling right into it. Rolling right into it.
• 28:34
  Could do it. Boys, we're getting ever closer
• 28:37
  to episode. What?
• 28:41
  52. 52 which means almost a full what?
• 28:46
  Year. Year of doing it came from
• 28:50
  Scream Box. We have a lot of lot to discuss
• 28:56
  about the show's future, which you guys keep hearing us talk
• 28:59
  about. But with recent events today,
• 29:04
  that discussion has been amplified and we will be
• 29:09
  progressing us a bit further. We're going to be trying to nail
• 29:11
  some shit down. No problems or anything like
• 29:13
  that. But just with certain things I
• 29:15
  was like, yeah, well, it's time. So we're going to be the show is
• 29:19
  not done by a long shot. That's not what we're saying.
• 29:22
  But we have a lot to discuss, a lot to change, and it's going to
• 29:26
  be a good change because it's not really going to affect the
• 29:29
  show you listen to. It's just going to be a Pretty
• 29:32
  Little change. So stay tuned for that.
• 29:35
  Again, check out the sponsors final boss screen box doc Long E
• 29:40
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• 29:43
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• 29:46
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• 29:50
  friends until next week guys take it easy and be safe.
• 29:54
  And sorry for my vocal crack, that was weird.
• 29:58
  Thank you screen box.