Latest / What's Your (Least) Favorite Scary Movie? / #261: The Sadness (2021)

Transcript

#261: The Sadness (2021) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? You're just like me, violent and
• 0:13
  depraved. Welcome to What's Your Least
• 0:16
  Favorite Scary Movie? The podcast where we talk about
• 0:18
  the good, the bad, the ugly, and the absurd in all of our
• 0:21
  favorite and least favorite scary movies.
• 0:23
  Because we believe every horror movie rightfully has its fan
• 0:26
  base. Even if we don't always get it.
• 0:27
  My name is Travis. My name is Jesse.
• 0:29
  And welcome everybody to the sadness.
• 0:35
  What is it? What is it that sex bomb says
• 0:37
  like we're here? We're going to talk about death
• 0:39
  and make we're here to talk about death and get sad and
• 0:43
  stuff. I don't know, something like
• 0:45
  that. That's your fucking movie, man.
• 0:48
  I know, but man, huh. You sent me.
• 0:50
  You put me on the spot. Embarrassing.
• 0:53
  Whatever, we're here to talk about death and make you sad and
• 0:55
  stuff. OK, That's that's what we're
• 0:57
  doing today. That's what the it's the
• 0:58
  sadness, man, OK, Like it's right there in the title.
• 1:01
  We're not here to have a good time.
• 1:03
  We are here to have a good time, but it's going to be.
• 1:06
  Bad time. Talking about some really,
• 1:08
  really bad things. Yeah, yeah, I'm sorry.
• 1:10
  It's just, it's the that's the type of month that this is You,
• 1:16
  you started it by kicking it off with Blink twice.
• 1:19
  Then we did Cherry Falls that. Was fun.
• 1:21
  That was absurd. Tokyo Gore Police.
• 1:24
  That was fun. Yeah, but they're all disturbing
• 1:27
  in their own ways. That's true.
• 1:28
  And then we're going to cap this all off with The Texas Chainsaw
• 1:31
  Massacre. So excited about that.
• 1:33
  I am too. It's.
• 1:34
  Just it's time that we finally devote 2 hours to Franklin
• 1:37
  bowling raspberries. Oh my God, I can't wait for
• 1:40
  that. And I'm sorry for you guys to
• 1:42
  listen to that. Yeah.
• 1:44
  OK, so we're going to talk about the sadness.
• 1:46
  Yeah. Do you have anything you need to
• 1:47
  know? Yeah, this weekend we will have
• 1:50
  our Child's Play Chucky wrap up where we rank the franchise.
• 1:54
  Say goodbye to Chucky. Say goodbye to Chucky and look
• 1:57
  forward to text you. Say hi to the other face or Jeb
• 2:02
  a die. No.
• 2:04
  That he is named that in some movies.
• 2:06
  Some of them. Yeah, it's, it's super
• 2:08
  inconsistent. We're gonna get into that.
• 2:10
  We're gonna get to the bottom of it.
• 2:12
  Anyway, OK. I don't have a poll, you know, I
• 2:16
  got distracted. Yesterday was Valentine's Day.
• 2:18
  We're recording on the 15th and we were busy doing Valentine's
• 2:21
  Day shit. And I I'm sorry, I just.
• 2:23
  Let me know. Let me know if you want to see
• 2:26
  the video of Travis singing Paper Planes.
• 2:29
  By Mia. Third world democracy.
• 2:32
  He did that into a microphone in a room full of people out in
• 2:35
  public. Yeah, I had fun.
• 2:38
  That's why, you know that's all that counts.
• 2:41
  OK, all right, so with all that said and done, how about we get
• 2:46
  started on the sadness? How about we?
• 2:49
  OK, so I had to. I ran on sheets.
• 2:53
  OK, we usually have these prep sheets where we put all the
• 2:56
  information in. I forgot to print more, so here
• 2:59
  we are. I just scribbled on the back of
• 3:02
  one that already exists. I don't.
• 3:03
  Know I specifically reminded him.
• 3:06
  Yeah, I put in a reminder on my phone too.
• 3:07
  I guess I just like, swiped away from it without even thinking.
• 3:11
  What a fool. So I wrote everything on the
• 3:14
  back here and you know, I'm going to try and get it with a
• 3:17
  good flow. All right, I think we'll be fine
• 3:19
  here. All right.
• 3:21
  So The Sadness premiered January 22nd, 2021 in Taiwan.
• 3:28
  OK, I believe it was a Film Festival.
• 3:30
  I didn't see which one it was exactly, but it made its online
• 3:33
  premiere on Shutter, May 12th, 2022.
• 3:37
  OK. We watched it on Shutter and if
• 3:41
  you want to watch it right now, you can watch it on Shutter and
• 3:43
  I think AMC Plus. Yes, if you have shutter through
• 3:46
  AMC, well and they share a lot of the same catalog too I think.
• 3:50
  Hey dude, you can't watch everything from shutter on AMC
• 3:53
  plus but you can watch most things.
• 3:56
  It's how I understand it at least.
• 3:58
  I don't know, it's kind of confusing their whole setup.
• 4:01
  Yeah, I don't really know. OK starring Brenton Zoo as Jim,
• 4:07
  Regina Lee as Cat, Ying Ruchin as Molly and SU Chang Wang as
• 4:13
  businessman. OK, so neither of us got the
• 4:17
  right name for him in our notes. No.
• 4:19
  So I ended up naming him Madman. OK, he was asshole I almost
• 4:24
  literally the entire time in my notes like this.
• 4:27
  Fucking asshole. I, I started off calling him
• 4:29
  asshole, but then I was like, that's too easy madman because
• 4:34
  he he's mad now he's got the, the disease that makes you mad,
• 4:37
  I think. He was mad before he had the
• 4:39
  disease. He was, he was, he was having
• 4:40
  his incel rage moment, you know, he's, you know, and you could
• 4:44
  call him incel too. Yeah.
• 4:46
  I think he transcends that in this movie.
• 4:49
  So yeah, this is where we're going today, people.
• 4:52
  That's. Where we're going.
• 4:53
  All right, so it's time for our favorite game on the show,
• 4:56
  Budget or Buck Ted. Man, I'm going to say budget.
• 5:01
  Like it feels like there was a lot.
• 5:03
  There was a lot. There was a lot, so I don't have
• 5:07
  a figure, but based off of everything that I've seen, I'm
• 5:11
  going to go and say I'm guessing Buck Ted.
• 5:16
  OK. Yeah, it seemed like it wasn't a
• 5:18
  super high production. Well, Teddy over here.
• 5:21
  Yeah, Yeah. I mean it's modest budget I
• 5:24
  would assume, but I think that they they definitely had more
• 5:28
  than enough to get the job done. All right.
• 5:32
  I don't have an opening box office, but I do have a gross.
• 5:36
  The Movie. The movie, yes, the movie is
• 5:39
  very, very, very gross, but the gross financially was $430,000.
• 5:46
  OK, OK. That's not bad for like maybe
• 5:49
  they go straight to streaming basically.
• 5:51
  And also during the pandemic, yeah, that was like a huge yeah.
• 5:56
  Like, movies really struggled back then, if I remember
• 6:00
  correctly. So here's a funny thing.
• 6:02
  This movie doesn't have any tag lines, so we're we've got a work
• 6:07
  cut out for us at the end of this episode.
• 6:09
  We gotta come up with something. They let the title speak for
• 6:12
  itself. They really did like.
• 6:13
  Yeah. I just, I would have done like
• 6:16
  the little teardrop emoji. Were you smiling too?
• 6:20
  Like the smile teardrop? Yeah, that's what I've been
• 6:22
  using that when I've been referring to this movie lately.
• 6:25
  OK, so yeah, 5.6 IMDb score for the set.
• 6:29
  All right, so I've got 3 movies from 2021.
• 6:32
  OK. I noticed an interesting kind of
• 6:35
  little theme that happened this year.
• 6:38
  So we have movies from franchises that are sequels, but
• 6:43
  they're just kind of not really connected to the main stories.
• 6:47
  So they're like side cools. Yeah, it's one of them.
• 6:51
  Texas Chainsaw. No.
• 6:52
  Oh. OK.
• 6:54
  Did that come out that year? No, I think that was 22.
• 6:56
  OK. Yeah, I know.
• 6:57
  I was right around that time. Yeah, yeah, that would be.
• 7:00
  I would count that. No, you're right.
• 7:05
  We're going to get into that shit because the the timeline of
• 7:07
  that series is so confusing. I I don't know if I would call
• 7:10
  that a side quote. I think that that was just
• 7:11
  another attempt at re doing the series.
• 7:14
  If you can make the timeline of the franchise make sense, I will
• 7:18
  like, I will applaud you. You will have earned like a
• 7:22
  Nobel Prize. I'm going to break it.
• 7:25
  I I believe in myself. It's a tall task, all right.
• 7:30
  Wrong Turn Release February 26, 2021.
• 7:35
  I don't have the budget for it, but the opening box office was
• 7:38
  $107,000 and the gross was 4 million dollars. 5.6 on IMDb.
• 7:45
  OK. Next up Spiral from the book of
• 7:48
  Saul that had premiere of May 14th, 2021.
• 7:56
  That was the. 1st movie we saw back in theaters post COVID.
• 7:59
  Yeah, it was a big event, you know, Will Smith is back, Will.
• 8:02
  Smith is back, baby. That's had a budget of $20
• 8:08
  million, an $8 million opening and a $40 million gross.
• 8:12
  So it actually did pretty good for it to be a COVID release.
• 8:15
  Yeah, COVID release and one that people try to say that they
• 8:18
  don't like. Yeah, I mean, it's not normal
• 8:20
  selling money because that shit usually went hard.
• 8:23
  And the final one, Paranormal Activity, next of Kin.
• 8:27
  So that one released October 29th, 2021.
• 8:32
  That one was straight to streaming, also straight to
• 8:33
  Paramount Plus. I really like that one because I
• 8:37
  had no clue how they were going to do a found footage film in an
• 8:40
  Amish community. Exactly.
• 8:43
  Yeah, it, it's impressive. It's pretty interesting and it's
• 8:46
  it definitely feels different than all the other ones.
• 8:49
  It's, but not in a, not in a bad way.
• 8:52
  No, not it's not found footage, it's they're making a
• 8:55
  documentary. Yeah, it's interesting.
• 8:57
  It's a different take, which is why I included it and this was
• 9:00
  so I don't have any financial information for that one, but
• 9:03
  the IMDb score was 5.3. So all these movies did pretty
• 9:07
  decently ratings wise and money wise, I guess.
• 9:11
  OK, so like I said, no tag lines, but let's do some fun
• 9:15
  facts, all right? We're going to make some fun out
• 9:17
  of this set. So they're fun and not sad.
• 9:21
  I think that they're fun. I don't like the way you said
• 9:24
  that. OK, so I've seen a lot of people
• 9:27
  already make comments about how this movie came about, where his
• 9:31
  inspiration came from. So I figured I would just get it
• 9:34
  from the man himself to see what he said.
• 9:36
  So in an interview, Online asked how he came up with the idea for
• 9:39
  this. He says.
• 9:41
  I was working as a staff writer for this entertainment company,
• 9:44
  writing scripts that may or may not get made.
• 9:45
  And this was before the pandemic, when being able to
• 9:48
  work from home was cool and attractive at the time.
• 9:50
  But then the pandemic happened. My boss was like, OK,
• 9:54
  Hollywood's closed. We can make a movie right now,
• 9:56
  and we won't have any competition.
• 9:58
  But we need to release it soon. And then he says it has to be a
• 10:02
  virus or zombie movie. I thought, I don't want to write
• 10:05
  a zombie movie that's boring. It's all been done to death.
• 10:08
  What's left to say with that? So I started thinking about ways
• 10:11
  to push the envelope without pushing the small budget.
• 10:13
  There's a small budget part, OK. And I thought, what if we make
• 10:18
  them really cruel and really sadistic?
• 10:20
  They're sadists. They take pleasure in harming
• 10:23
  other people. This made me think of a comic
• 10:25
  from years ago called Crossed. I took a look at those comics
• 10:30
  and I was like, this is cool, but this isn't quite right
• 10:32
  because these characters are still being treated like
• 10:35
  zombies. They're not.
• 10:36
  They're not talking enough. They're not expressing
• 10:38
  themselves enough. So I tried to give myself
• 10:41
  memorable villains to work with and some ideas, but what you
• 10:45
  need is that one auxiliary idea that connects it all together.
• 10:50
  So that was one of my takeaways from this movie, like how I had
• 10:54
  an interesting take to the zombie genre approach, which
• 10:57
  we'll get into here shortly. OK, this is somebody gave a
• 11:03
  review that mentioned that comic book, so it's interesting.
• 11:07
  Yeah, which is why I was like, let's get this out of the way.
• 11:10
  Yeah. So it is inspired by that.
• 11:13
  Yeah. So anytime he was on set, he
• 11:17
  would have like, if he ever had pushback from people, like there
• 11:20
  were sometimes people like, hey, we need to tone this down a bit.
• 11:22
  He, in his own words, said he had to bulldoze over it, he
• 11:26
  said. You know what?
• 11:27
  We're going to make it worse. Yeah, he's like, I'm standing my
• 11:30
  ground. We have to make this shit
• 11:31
  violent. We have to make it vile.
• 11:34
  I like to imagine it's like in the bad place, like where every
• 11:37
  time you have an objection, it just gets a little worse.
• 11:40
  Like they're like, we, we can't do that.
• 11:42
  And he's like, you know what? We're gonna do it harder.
• 11:43
  I'm gonna do it even harder now. Yeah.
• 11:46
  What does that mean? So it's interesting this is
• 11:50
  actually his directorial debut. Oh wow.
• 11:53
  Yeah, he had a background in animation.
• 11:55
  So you know that one scene where he is like flipping through the
• 11:59
  TV stations and he stumbles up on a cartoon?
• 12:02
  He did that. OK, I was wondering because I
• 12:06
  was like, I don't feel like this is a real cartoon, but maybe it
• 12:08
  is. Yeah, it, it's got that.
• 12:11
  It's got that old school and feel to it, but I can spot the
• 12:17
  newness of like the way it's rigged on like animation,
• 12:22
  puppetry type things. Like it's, I'd have to get into
• 12:26
  some details about how it works. But yeah, it's interesting.
• 12:29
  But it's cool to see somebody go from like an animation
• 12:31
  background and then to like a movie like this.
• 12:34
  But the way that happened was he wrote the script, gave it to his
• 12:38
  boss, they shopped it around and they could not find a director
• 12:42
  for the price that they wanted. So they're like, OK, can you do
• 12:44
  it? And he's like, yeah, I can do
• 12:45
  it, but. Put me in couch.
• 12:49
  If I'm going to do, it's either going to go one or two ways way
• 12:52
  #1 I'm going to phone it in, I'm going to delegate all the work
• 12:56
  to everybody else. I'm just not really going to
• 12:58
  like care about it or #2 I make it my entire life and I can go
• 13:03
  all in on it. But that means I have to have
• 13:06
  final cut and I have to have final say on the project.
• 13:09
  And the guy was like, well I don't want you to half ass it,
• 13:11
  so you're gonna get final cut, I guess.
• 13:14
  What a bargaining strategy. Yeah, he's in a.
• 13:18
  He's like, I'm not trying to be a director, but if I'm being
• 13:21
  thrust into this, I'm. I'm doing it my way.
• 13:23
  Yeah, like I have nothing to lose in this moment.
• 13:25
  I respect that. This isn't the trajectory I was
• 13:27
  going. Swing for the fences, man.
• 13:29
  It's pretty neat too. It was interesting too, reading
• 13:32
  in the interview. He was like, they're like, so
• 13:34
  what'd you like? Were you surprised to see like
• 13:36
  made the festival rounds and like had success?
• 13:37
  He's like, look, I really don't want to to my own horn, but like
• 13:40
  whenever I put it together, I was like, this is fucking
• 13:42
  awesome. I respect.
• 13:44
  Him more and more, this guy. Yeah, he's like, I, I respect
• 13:48
  that. He's like, I don't want to sound
• 13:50
  like I love myself, but like it was pretty.
• 13:52
  Fucking you know what? Yeah, I'm pretty awesome.
• 13:54
  His quote was I believe people are going to shit their pants.
• 13:59
  That's what he said about this and I think that he is correct
• 14:03
  because everybody that I've talked with about this movie, I
• 14:07
  think that's been their reaction and shooting in some form or
• 14:12
  fashion. All right, so that's it for the
• 14:14
  fun facts that I got. So I think that means we can go
• 14:18
  on into our good, bad, ugly and absurd.
• 14:20
  So Jesse, what did you like? I thought all of the
• 14:23
  performances were very strong. Which thing need to be for a
• 14:26
  movie like this? You have to be willing, like
• 14:28
  just the way the director was willing to take it to extremes.
• 14:31
  The the actors needed to be willing to go that far, too.
• 14:34
  Yeah, absolutely. And I think that everybody did a
• 14:36
  very good job with it. Even the performances that I
• 14:40
  find upsetting like that means they did their job.
• 14:43
  Exactly, Yeah. I think the God it there were so
• 14:48
  many times like I knew exactly what was going to happen, but
• 14:51
  every single time it still like had me squirt and this is the
• 14:54
  first time watching it. I was like, Nope, I don't like
• 14:56
  where this is going. I know it's going to happen.
• 14:58
  I don't want to see it. Like when we got to that, I've
• 15:00
  all seen the first time we watched, I went no, no, no, no.
• 15:04
  This movie's like we're doing all the things the worst
• 15:07
  possible way you can imagine it, and as soon as you see that,
• 15:09
  you're like, Oh no, oh God, it's happening.
• 15:11
  I think there's something so brilliant about that too.
• 15:14
  Where? Oh, Talia's out there hitting
• 15:17
  the button and she's. I think she might be sad about
• 15:19
  this movie still too. I I think there's something so
• 15:22
  brilliant about this where the whole point is this virus like
• 15:26
  triggers people's like darkest ideas and thoughts that they can
• 15:30
  have. And then like you're sitting
• 15:32
  there going, wow, that's crazy that people could think to do
• 15:34
  that. But also the entire time you're
• 15:36
  watching it, you're like, is he gonna?
• 15:38
  And then you're like, oh, OK, cool.
• 15:41
  I have the same limbic disease, maybe, Yeah.
• 15:44
  It's that's one of my favorite things from this movie too, is
• 15:48
  how they did that. Like they it's almost like the
• 15:51
  28 Days Later rage virus type. Yeah, except you're like, I
• 15:55
  think there's something so terrifying too about like you
• 15:58
  don't get like a bliss from it. Like you're not deactivated.
• 16:02
  You're you're kind of like trapped in your mind and you're
• 16:05
  held hostage to this like addiction.
• 16:07
  And I think that's part of what makes Jim's whole thing so sad
• 16:10
  is that he's like fighting it. And you're really like, OK,
• 16:12
  cool, maybe there's a chance to fight off.
• 16:15
  Yeah, fight this off. And then he says he wants to cut
• 16:18
  cats tits off. And then you're like, Oh, yeah,
• 16:20
  OK. Like, way to ruin a sweet
• 16:22
  message there man. Yeah, you should blew it.
• 16:25
  Blew it at the at the the 10 yard line, man.
• 16:29
  So yeah, I just all around like that.
• 16:32
  As uncomfortable as this movie, it makes me, and as much as it
• 16:36
  bums me the fuck out, it's incredible.
• 16:40
  Yeah, it's a big bummer and I feel really bad for making
• 16:45
  people who like to watch along with this show.
• 16:48
  I'm sorry if I bummed you out with this pic, but.
• 16:51
  Yeah, I'm sorry that Travis made you watch back-to-back Tokyo
• 16:55
  Gore police. And then the sadness.
• 16:59
  I'm not sorry about Tokyo Gore Police.
• 17:01
  I still apologize for that chair, but this right here, I
• 17:04
  think I'll. Never apologize for the chair.
• 17:07
  I think that this is a movie that a lot of people do need to
• 17:10
  see because I really do think it's a, it's a really, really
• 17:13
  fucking good movie. It's one of those movies that,
• 17:15
  yeah, it'll ruin your day. It's a day ruiner, but it's
• 17:19
  going to be one of those ones that I don't think people will
• 17:21
  regret watching. And I also feel like it's one of
• 17:24
  those like it, it addresses real life rhetoric without like
• 17:29
  satirizing it or making it like feel over the top or anything,
• 17:35
  you know, like that whole like, oh, well, this pandemic is just
• 17:38
  a hoax. It's just, it's an election
• 17:40
  year. Of course we're not going to
• 17:40
  shut things down and ruin the economy.
• 17:42
  Why would they do that? Oh, people don't listen to
• 17:44
  public health officials anymore. And then we got the fucking
• 17:47
  asshole on the train, like. Men, that was a thing because we
• 17:53
  had all of these movies before where it's like, hey, people
• 17:56
  aren't gonna be stupid during a big event like this.
• 18:00
  People are gonna do the things that will protect them.
• 18:03
  And then we went and experienced that and that made us be able to
• 18:07
  come out on the other end and be like, make these movies where
• 18:09
  like, oh, we know people are going to ignore shit now.
• 18:13
  In February of 2025, living in America, I no longer have any
• 18:17
  doubt to people's lack of compassion for one another.
• 18:20
  Yeah, yeah, exactly. Yeah.
• 18:23
  And you know, I think it's really interesting.
• 18:25
  I feel like this movie kind of took some of that and they
• 18:28
  really like harnessed it in this.
• 18:31
  What if, what if our current administration actually has this
• 18:37
  virus? It just like it doesn't turn.
• 18:39
  Yeah, yeah, yeah. It's like political violence.
• 18:44
  I'm gonna be zooming in, zooming and enhancing and squinting to
• 18:47
  see if I see any like, tears rolling down their face.
• 18:52
  OK. OK.
• 18:53
  I guess like another thing about that is I know a lot of
• 18:57
  countries handled the approach to COVID and this movie is so
• 19:01
  heavily inspired by COVID, like it wears it on its sleeve.
• 19:04
  Yeah, it doesn't try and hide that at all.
• 19:07
  Yeah. So this was Taiwanese, I think
• 19:10
  it was. I've seen it listed as
• 19:13
  Taiwanese, but like when the president is doing an address.
• 19:16
  Yeah, yeah, yeah. Which that confused me.
• 19:19
  It might be set there, but it might be a Taiwanese film.
• 19:21
  I'm not entirely sure the director is and the writer is
• 19:26
  Canadian, so I don't understand how he went and made this film
• 19:32
  over there. It may have been because of the
• 19:34
  pandemic restrictions and stuff, but I I feel like he took like
• 19:39
  an approach, like a North American approach to people's
• 19:42
  reaction to it. I don't know if it was this bad
• 19:44
  over there because I don't know how like they handled it over in
• 19:46
  Taiwan. Yeah, I feel like I have more
• 19:49
  faith in them generally, you know?
• 19:51
  Yeah, but also like how much of that is just like what we're
• 19:54
  given through media propaganda as well?
• 19:56
  That's true, yeah. You know, there's a lot of like
• 19:58
  question marks about that type of.
• 19:59
  Stuff. Yeah, it's, you know, and it's
• 20:02
  funny, this is a slight tangent, but like, that's the whole
• 20:05
  reason that the Spanish flu got called the Spanish flu because
• 20:08
  every country was dealing with it, but nobody wanted to admit
• 20:10
  that they were fighting it because they didn't want to look
• 20:12
  weak in the midst of World War One.
• 20:15
  And finally, it was some Spanish reporters.
• 20:17
  They're like, hey, there's. Some.
• 20:19
  Shit, yeah, hey, this is going on.
• 20:20
  And I was like, Spain did it, they did it, Spain started it.
• 20:23
  And I just think that's so interesting that even now, over
• 20:27
  100 year late, 100 years later, we still call it the Spanish
• 20:30
  flu. And it was really just a massive
• 20:33
  propaganda that got it named that way.
• 20:35
  At least this time around, we know where it came from.
• 20:38
  Yeah, we all pointed fingers at China like, hey guys.
• 20:41
  Yeah, but yeah. But like, we, you know, we, I
• 20:45
  don't know it, like diseases are also just going to kind of
• 20:48
  happen, just, you know what I mean?
• 20:49
  Like, yeah, I mean, like, I'm not going to blame a country.
• 20:52
  Like they didn't release a weapon.
• 20:54
  Like it's not it. Ask RFK about that.
• 20:58
  Shit, I know actually. How about how about not?
• 21:01
  I will go ask one of our elementary school nieces and
• 21:05
  nephews and they can probably tell us more about viruses.
• 21:07
  I think, yeah, I think we'll have a much more adult
• 21:09
  conversation about it in that way.
• 21:12
  OK. Do you got any other good things
• 21:14
  to say? I mean, lots of good things, but
• 21:16
  you know, I'll pepper them out as we talk about the movie.
• 21:18
  OK, so the my favorite take on the zombie thing with this here
• 21:24
  is it reminded me of Return of the Living Dead, which the big
• 21:29
  break in that movie with the zombie genre was that they feel
• 21:34
  pain. My favorite thing about this was
• 21:37
  they feel emotional pain and it's like the sadness, I feel
• 21:42
  like it comes, the name comes from like they shed that tear
• 21:46
  because like the guy at the end of the movie, the virologist
• 21:49
  says they have guilt for these things.
• 21:52
  They fully understand what they're doing.
• 21:53
  They can't control themselves. So like they're crying because
• 21:57
  like they're doing these horrible things.
• 21:59
  And I think like you see that in other ways too, like the ones
• 22:02
  that have like attached to other emotions as well, like Molly,
• 22:06
  where she talks about not fitting in and like because
• 22:09
  we're already sympathetic to Molly, right?
• 22:11
  Like when you get her whole deal right from the get go and she
• 22:15
  sits down and she's clinging the cat like we know who this person
• 22:18
  is. And not only that, right out the
• 22:20
  gate, she gets an umbrella to the act.
• 22:22
  Yeah, like it happens almost immediately.
• 22:24
  And then her being like, I've never fit in before.
• 22:27
  And then kind of you're like, good.
• 22:29
  Like, it's almost a good for her moment.
• 22:32
  Yeah, but not really. Yeah.
• 22:35
  And then we also see, like with the fucking asshole, like, he
• 22:38
  doesn't really feel bad about it because this is just who he is
• 22:41
  as a person. And he he has an excuse for no
• 22:44
  restrictions. Now he was gonna snap in some
• 22:47
  other form or fashion. He was on the brink of it right
• 22:49
  there on that train that. Day Yeah, If I found out that he
• 22:52
  hadn't raped before the virus, I would be surprised.
• 22:55
  Yeah, exactly. Yeah, so I mean, now like that
• 22:58
  was such a huge thing for me. I feel like that gives this
• 23:00
  movie so much more weight. Like it it makes the actions and
• 23:05
  all of the things that happened that much more meaningful.
• 23:08
  And it's it's really cool. Yeah, cuz like that's the thing
• 23:11
  with other like zombie and virus movies, you're like, well at
• 23:13
  least they like they don't know what they're doing.
• 23:15
  Yeah, I mean, and like, it's not, this isn't like cookie
• 23:17
  cutter shit, you know, like they actually did something
• 23:20
  different. And for a genre that has had so
• 23:24
  many takes and iterations, it's hard to innovate.
• 23:27
  Something like that, yeah. It's hard to make it fresh.
• 23:30
  And I don't really know if we can give him too much credit for
• 23:32
  this because it is based off of the comic cross.
• 23:35
  So maybe, you know, I should be giving them credit for coming up
• 23:38
  with that idea. I think that that's the thing in
• 23:39
  that. I feel like we probably need to
• 23:40
  check that comic out. Sounds.
• 23:42
  Like another thing about this movie is this is at we're horror
• 23:47
  junkies here. If you're a part of the show,
• 23:48
  you love horror movies. You get them all ways you can as
• 23:53
  often as you can. And we all know that it's hard
• 23:55
  to find that movie that has that reaction for you.
• 23:59
  We're all chasing the dragon. We all want to be scared.
• 24:02
  And this was one of those movies that we watched it for the first
• 24:05
  time last year during our October screen screen, and it
• 24:10
  just got a reaction. I got goosebumps watching it.
• 24:12
  It made me so unnerved. It's one that like, sticks with
• 24:17
  you. Yeah, like right out the game
• 24:19
  when we get the old woman in the cafe.
• 24:22
  I'm not as bothered by her as you are.
• 24:25
  Dude, that whole scene of how she her whole demeanor and when
• 24:29
  she takes the fucking basket of like, I mean, that's.
• 24:32
  Upsetting, but like, I don't know, it's that's not the stand
• 24:35
  out part of the movie for me. That like, I didn't even know
• 24:39
  about this movie, but I saw still images of that woman
• 24:43
  leading up to like the release or like after the release when
• 24:45
  people were talking about it, like because people were just
• 24:47
  sharing that picture of her and it fucking got me.
• 24:52
  It's so creepy to me. It is so you know, but I'm just
• 24:56
  saying this movie creeped me out.
• 24:57
  And not only heard, just like in all the other ways, like the
• 24:59
  businessman, he's so fucking unnerving.
• 25:02
  He is a great horror villain, a key.
• 25:05
  He's creepy. He was already creepy to begin
• 25:07
  with, but then when he gets the virus, he becomes like a fucking
• 25:09
  monster. And you know, that's about,
• 25:12
  we've kind of touched all the other bases of all the other
• 25:15
  things that I've liked about this movie.
• 25:17
  So how about we talk about some bad stuff?
• 25:20
  OK, I feel like there is a I'm trying to figure out a way to
• 25:27
  say this that doesn't sound weird.
• 25:31
  I feel like there was very little nuance to the depravity
• 25:35
  that was it's. Just rape and stomp.
• 25:37
  Yeah, rape and torture. I prefer rape and stomp.
• 25:42
  That almost sounds like a fucked up music.
• 25:44
  I'm gonna take that clip out of context.
• 25:46
  Don't. That's gonna play on the Netflix
• 25:49
  documentary. Yeah, with that picture.
• 25:52
  Jesse posted a picture of me last night and it's gonna be I.
• 25:55
  Said This is the picture that they're gonna show in Part 1 of
• 25:57
  the Netflix docu series When I'm Murdered and they're trying to
• 26:00
  paint Travis. This is a very obvious like
• 26:03
  killer. He talked about rape and stomp.
• 26:07
  He said he prefers it. Yeah, he likes that name a lot
• 26:10
  more. Yeah, I just, and I talk about
• 26:16
  this a lot in movies that like, sometimes I feel like rape is
• 26:20
  like overused as like, great, here's the worst thing that
• 26:23
  we're going to do and we're just going to use this as a shortcut.
• 26:27
  And I do believe that it would be a part of this virus for
• 26:31
  sure, you know, But I also feel like I don't know it.
• 26:37
  It very quickly devolved into blood orgies at the hospital.
• 26:41
  Yeah. Oh, I think I read about that.
• 26:43
  They hired like a bunch of I guess Taiwanese porn actors.
• 26:47
  I mean, that makes sense. Yeah, cuz those, those are
• 26:49
  professional screen fuckers. You know what?
• 26:51
  I mean, yeah, you could tell that they've.
• 26:53
  They knew the moves they've done.
• 26:55
  That. Yeah, they knew how to make it,
• 26:56
  how to make it interesting for the camera, Yeah.
• 27:00
  They they saw it. So yeah, I, I think like and
• 27:04
  that's maybe like it does get kind of one note a little bit.
• 27:07
  Yeah, I can get that. Like, you do want to, when this
• 27:11
  movie descends into pure chaos, you do want it to be that.
• 27:15
  But, you know, there are more than two ways that that can go
• 27:18
  down, you know? Yeah, I was, and I thought about
• 27:21
  it the second time. I'm really grateful that we
• 27:24
  didn't have them, like, attacking pets because like,
• 27:28
  that, my mind went there. I was like, you know, like I
• 27:30
  know that that shit's happening here, like everything, the worst
• 27:34
  things. So they didn't.
• 27:35
  They could have taken it further, but they at least
• 27:37
  didn't. Yeah, and they only alluded to
• 27:39
  stuff with that could have happened to the babies.
• 27:42
  Yeah, and and. It was still really fucked up
• 27:44
  using the babies as test subjects like that and then
• 27:46
  dumping them in the hazmat bin. Yeah, yeah.
• 27:50
  Really, truly heinous stuff was off screen.
• 27:53
  I feel like it was done as tastefully as you could do
• 27:55
  those. Things, yeah.
• 27:57
  But still it's not tasteful. So yeah.
• 28:00
  Yeah, my bad thing with this. I like the no I like the dual
• 28:08
  stories that we have of Jim and Cat.
• 28:11
  I like but I feel like Jim had the short end of the stick on
• 28:15
  his his is him just like travelling and I feel like he
• 28:19
  could have had more encounters. He had that one where he, like,
• 28:22
  stopped the teens with the guy that was tied to the pole, but
• 28:27
  Cat and Molly had their big they had a big bad following them the
• 28:31
  entire time. Yeah, and that guy's so fucking
• 28:34
  creepy. I just have to say it over and
• 28:35
  over again. Every time he comes up on
• 28:37
  screen, especially the one that gets me the most is when he pops
• 28:40
  up at the hospital behind the cop.
• 28:44
  You just see him standing on the other side of the door and he
• 28:46
  makes eye contact with her. Yeah it's so fucking creepy but
• 28:52
  I wish he had one because like he almost becomes forgotten at a
• 28:56
  certain point whenever he starts to like go in and out.
• 28:59
  We don't even really see the exact moment that he gets
• 29:01
  infected. I wish we'd had that kind of
• 29:03
  like a moment so that we, we as the audience have like that oh
• 29:07
  shit feeling. And it's not just like him
• 29:09
  having visions on the phone. Like I wish we could have seen
• 29:12
  it that way. We could have started looking
• 29:13
  for the signs or. Yeah, it would have been cool.
• 29:15
  And to have kind of like what you were saying before, like see
• 29:18
  more of that fight, because we saw then that he was putting up
• 29:21
  a fight. Yeah, like he was having
• 29:23
  dilution of like a mannequin head and like a little pond or.
• 29:27
  Whatever. Yeah.
• 29:27
  That way we have like that, that sense of like, is there hope to
• 29:31
  fight off this virus? Yeah, That was because like with
• 29:33
  her, we're like, is she immune? This virologist, he's, he's kind
• 29:38
  of given us hope that there's an immunity here.
• 29:40
  And then with him it's like, oh, you can maybe also resist.
• 29:43
  You know if you. Really try, but yeah, we just.
• 29:46
  Didn't I? I kind of like that We do have
• 29:47
  like the bleak ending. I do too, and bleak endings can
• 29:50
  be bummers, but like, this movie needed to have a yeah OK, so
• 29:56
  ugly. OK, so there's a lot of fucking
• 30:00
  ugly, the depths of human depravity, for one, the man on
• 30:06
  the train, like even before he's infected, Like I said, this is
• 30:09
  one of those things. And we were talking about this
• 30:10
  at dinner last night. We got kind of talking about
• 30:13
  those things that like, people like to brush off as like, oh,
• 30:17
  they don't mean any harm by it. But it's like that kind of stuff
• 30:19
  builds up and it becomes like you, you have to nip that stuff
• 30:24
  in the bud early. So like, first of all, he's
• 30:27
  already like the most annoying kind of person.
• 30:29
  When you see a person reading and you ask them a million
• 30:31
  questions about what they're reading, don't do that.
• 30:33
  That's annoying. That's like talking over the
• 30:35
  movie and asking what's happening in the movie.
• 30:36
  That shit drives me crazy too. Yeah, like, and I used to, this
• 30:39
  used to happen to me all the time at an old job of mine where
• 30:43
  I would try and read on my lunch break and somebody would sit
• 30:44
  down next to me and, like, try and talk to me about the book
• 30:46
  I'm reading. I'm like, I can't tell you about
• 30:47
  the book I'm reading because I can't read it because you're
• 30:49
  talking to me and I can't listen to you and read my book at the
• 30:52
  same time. Dude that happens to me too.
• 30:53
  I'll be on my break and I'm like clearly watching a video on my
• 30:57
  phone. I'm holding it horizontally.
• 30:59
  Who fucking browse this horizontally?
• 31:01
  Sociopaths. And I had people walking in
• 31:03
  like, hey, Travis, what are you doing?
• 31:05
  I'm like, I'm fucking watching the video here.
• 31:07
  I've got earbuds in. I'm not supposed to be hearing
• 31:09
  you right now. Yeah, so it it that was already
• 31:12
  annoying. And then him just say like, I
• 31:14
  think you're very pretty. And she was like, you're making
• 31:19
  me uncomfortable. Like she she did it the right.
• 31:22
  Like she was very firm the first time where she was like she.
• 31:24
  Was polite. Yeah, she was.
• 31:25
  Like, I appreciate that you're being friendly, but I would like
• 31:28
  to just read my book, please. Yeah.
• 31:30
  That's totally fine. She doesn't say about him any
• 31:33
  more than that she was kinder than she had to be to a complete
• 31:36
  stranger. He should have gotten it, Yeah.
• 31:38
  He was just not taking the. Hint and then him say like, OK,
• 31:41
  but I think you're really pretty and she's like, OK, you're
• 31:44
  making me uncomfortable now. And he like has a piss poor
• 31:50
  fucking reaction. Like what is she supposed to do?
• 31:52
  Like suck your Dick just because she you called her pretty?
• 31:54
  That's not how this works. Women are not like a vending
• 31:58
  machine where you put in a compliment and you get to get
• 32:01
  off from it. Like that's not how that works.
• 32:04
  I've heard so many people have this stupid conversation like
• 32:07
  I've I've had some people like then to be like oh God, like
• 32:10
  girls just don't fucking care. Like they just want to like
• 32:12
  these asshole dudes. I mean no, no, just read the
• 32:15
  fucking room. If they don't want you, like
• 32:16
  just fucking move on. I'm like, it wants to be like,
• 32:20
  like it's not fun to go out in public and you have a person
• 32:24
  compliment you and you have to like try and be like, OK, what
• 32:27
  is the reaction I have to have so that way I'm not violently
• 32:29
  attacked. You know what I mean?
• 32:31
  Like it's exhausting to constantly be on like that.
• 32:34
  And like also the fact that, like, some people will just
• 32:37
  encourage each other and be like, yeah, catcaller just
• 32:39
  compliments. Like no, it is a form of
• 32:41
  harassment and violence. It's it makes it's
• 32:43
  uncomfortable. Yeah, and like in this is one of
• 32:46
  those things, and you've always been very sympathetic to it.
• 32:48
  But unfortunately, you had an experience at the bar where a
• 32:51
  woman was doing that to you. And you're like, Oh my God, is
• 32:53
  this just life for you? Yeah, I remember asking, is this
• 32:57
  what it feels like to be a woman?
• 32:58
  That fucking sucks. Yeah.
• 32:59
  Ruined my night. Yeah.
• 33:01
  She was so fucking drunk. Yeah.
• 33:02
  Yeah. And it's not like she was doing
• 33:04
  anything that like you could like be like arrest her like,
• 33:09
  but like it's there's a there's an underlying threat of violence
• 33:13
  there. And it's just one of those
• 33:15
  things that like it fucking sucks.
• 33:16
  So and that's pre virus. And then there's one other thing
• 33:19
  that I'm going to tell. I mean, obviously, like
• 33:21
  everything they do in this movie is ugly, but there's 1A special
• 33:24
  moment that like there is a young girl, like still has
• 33:28
  braces on, can't be older than like 14 or 15 on the train.
• 33:31
  And we see her briefly being licked by a man when everything
• 33:37
  goes haywire. And then after everybody clears
• 33:39
  off the train at the stop, she's there, her clothes are tattered
• 33:42
  and she's clearly infected. And there's just something so
• 33:45
  fucking heartbreaking about it. And that's really as young as
• 33:47
  they is. She the one that's the last one
• 33:49
  standing with the businessman. Yeah, yeah.
• 33:52
  And that was just like, they don't they don't go any younger
• 33:56
  with a lot of the violence in this.
• 33:58
  And that one was enough. And it's like, OK, cool,
• 34:00
  nobody's safe from this. I mean, we do have the babies
• 34:04
  later, but we don't actively see that, at least I.
• 34:07
  Would hope that that's just an adult with braces because we see
• 34:10
  nudity with her. Yeah, but she, I'm sure that
• 34:13
  that actress herself is older, but I do think that the
• 34:16
  character was implied to be very young and she looks very young.
• 34:19
  Yeah, that's true. But also, like, I know from like
• 34:22
  casting that generally with stuff like that, yeah, it's
• 34:24
  going to be an older person who just favors, yeah, like a
• 34:28
  younger look. That's true.
• 34:29
  Yeah. OK.
• 34:31
  What's your ugly? Mine is I we kind of briefly
• 34:37
  talked about it earlier, but it just we going over the whole
• 34:41
  like at the beginning of the movie, they're like, oh, the
• 34:44
  virus is responsible for no deaths when they're like going
• 34:47
  on about the what the fuck is it called?
• 34:51
  Alvin. Alvin Virus.
• 34:53
  Yeah, like they Jim is watching YouTube videos.
• 34:58
  And I just say, like every time they called it Alvin, I heard
• 35:02
  what's his face from Alvin and the chipmunks going Alvin.
• 35:08
  What is his name? I can't remember, I'm just I'm
• 35:11
  just thinking of the live action one.
• 35:14
  The dude from My Name is Earl. Earl.
• 35:18
  Yeah, he's no like the actor. Jason something.
• 35:22
  Yeah, Jason, something. That's because he does.
• 35:25
  He's a pro skater, you know, He's cool.
• 35:29
  He's a cool guy. OK, anyway.
• 35:34
  I just hated that it just brought back the whole thing of
• 35:37
  COVID and how they were like deniers.
• 35:39
  And like, I remember when it first came out and whenever I
• 35:44
  was at work, one of no longer with the company, but like went
• 35:48
  downstairs to address the team. It's like, hey, listen, this is
• 35:51
  nothing. It's just all being born out of
• 35:54
  proportion. We're going to be fine.
• 35:55
  Just don't even worry about it. And it's just like, dude, like,
• 36:00
  no, listen to the fucking professionals.
• 36:03
  It like, and that was one of those things that like before it
• 36:05
  really like hit us with the impact.
• 36:07
  I was like, I feel like maybe this is being blown out of
• 36:08
  proportion. And once I saw it and I was
• 36:10
  like, oh shit, no, this isn't being like, we saw people die
• 36:14
  from it, you know, like, and God, I had it.
• 36:19
  And that was I. There was a point where we were
• 36:23
  strongly considering going to the ER because I had such a high
• 36:26
  fever and couldn't get it down you.
• 36:28
  Also have asthma, so. You.
• 36:29
  Yeah, and I also couldn't breathe.
• 36:31
  Yeah, yeah, you were not. You're not the ideal candidate.
• 36:34
  Yeah, yeah, yeah. OK, so let's do some absurd
• 36:37
  stuff. OK, so there's one point when
• 36:42
  they're running out of the train, they're in like the
• 36:44
  underground, like subway station or whatever, and the asshole,
• 36:47
  like, reaches out to get the axe from the thing and he smashes
• 36:52
  the glass. But clearly the prop thing
• 36:54
  wasn't latched shut or like, yeah.
• 36:56
  And his arm is, like, caught in the door.
• 36:58
  The actor did such a good job. He didn't break at all.
• 37:01
  They didn't lose the take. But like I saw that door caught
• 37:05
  on his hand and he just ran with it and he still pulled the axe
• 37:09
  fell through the window portion. Good for him.
• 37:11
  I didn't catch that. Yeah.
• 37:12
  Like, I saw it and I was like, fuck, it's just like, what are
• 37:16
  those funny little moments like you kind of need in a movie like
• 37:20
  this? So I'm glad it made the final
• 37:22
  cut. Is that your only?
• 37:27
  Yeah, that's, that's my, that's what I mean absurd.
• 37:30
  Also, I guess we could also talk about Mr. Lynn because he's like
• 37:33
  a typical neighbor type. He's the he's the virus dinar.
• 37:36
  And he's like, I'm going to give you some basil.
• 37:38
  And then of course, he's the one that comes in later and attacks
• 37:40
  Jim. Yeah, he seemed like a cool guy.
• 37:42
  He. Seemed like he would have been a
• 37:43
  cool enough neighbor, one that you don't want to talk to you
• 37:45
  about anything too deep. No, just like a very like
• 37:50
  baseline conversation with them. Just like, hey, how you doing,
• 37:53
  Jen? Yeah.
• 37:54
  Yeah, yeah, yeah. OK, my absurds at the beginning
• 37:58
  we see Jim pick up a pastry and I am assuming hot sauce and he
• 38:04
  just fucking jams hot sauce in this pastry and I don't really
• 38:07
  it's. Pastry.
• 38:07
  I think it's a sandwich. I don't really think that makes
• 38:11
  it better. Putting hot sauce on a sandwich
• 38:13
  sounds disgusting. I think it depends on the type
• 38:16
  of sandwich, but I've done it. It looked like a pastry.
• 38:20
  You think that every time. Well, because it looks like a
• 38:23
  pastry. The other thing is, so we have
• 38:28
  the guy, he works the train station.
• 38:31
  He kind of becomes part of the crew whenever Molly and Cat make
• 38:35
  it out of the train station and she has like hand over the
• 38:38
  phone. And his phone background is
• 38:39
  Hintai. Yeah.
• 38:41
  It's so funny. Can I add to the absurd that guy
• 38:44
  getting punched in the face over?
• 38:46
  Multiple times. I like that one nurse.
• 38:48
  He's like. What about me?
• 38:49
  And she she like, barely looks like she goes.
• 38:50
  It's not broken. Is she fine?
• 38:52
  Yeah. She's like, I'm going to go take
• 38:53
  care of the woman who lost. Her eye, yeah.
• 38:55
  And he's so upset. I called him Gate Guy.
• 38:59
  OK. This is really was in my nose.
• 39:02
  He looks like Pat Pat Noswell to me.
• 39:04
  Businessman looks like Jim Leahy to me.
• 39:06
  He also had like, he had mannerisms too, like, you know,
• 39:10
  like if he was like drunk acting, I could see him.
• 39:12
  Being Jim Leahy, see him running around with a plastic bag around
• 39:15
  his ears. Brand new.
• 39:19
  So yeah, those are my absurd moments.
• 39:20
  OK. All right, so let's rate.
• 39:23
  Dude, it's a hard watch but it's a very good movie.
• 39:26
  I'm gonna give it an 8.5. Yeah, I'm giving it a nine.
• 39:29
  This movie fucking rocks man. It will ruin your day but God
• 39:33
  damn it fucking hits like it. It creeps you out.
• 39:36
  And if you wanna be creeped out, I highly recommend watching it.
• 39:38
  All right, so starting average of 8.75.
• 39:41
  Hell yeah. All right, let's get into it.
• 39:44
  We started off with a couple in bed and they're cute and
• 39:47
  cuddling and she said she's got I get ready.
• 39:49
  She has a meeting. He's like play hooky and she's
• 39:51
  like I can it's an important meeting.
• 39:53
  She goes. Besides, we have our trip next
• 39:54
  week and he's like I'm actually he's.
• 39:56
  Like what? Trip.
• 39:57
  I'm gonna start a fight right now.
• 40:01
  That's that's what I'm about to do.
• 40:03
  Yeah, so like his whole thing, he forgot.
• 40:06
  He forgot that they were doing a trip.
• 40:07
  He's like, oh shit, I've got a job coming up next week.
• 40:10
  And you know, I can't really say no to this job.
• 40:12
  I need the work. He says it's a German ad agency.
• 40:15
  Like that should matter. Like, do Germans pay more for
• 40:18
  their ads? I don't.
• 40:19
  Know I need to know I I really need what's are.
• 40:22
  Those the best clients to get. I I want more information.
• 40:26
  People that work in the ad world, please let us know.
• 40:29
  Is that what it is? Is he like an ad advertising
• 40:32
  guy? I think he's a photographer, OK.
• 40:34
  He's either a photographer or like a videographer, is the
• 40:37
  impression. I got videographer vibes from
• 40:38
  him. Yeah, that's what I thought.
• 40:39
  I thought he was like doing like an ad for them or something.
• 40:42
  And she is frustrated because she only gets 10 vacation days a
• 40:45
  year. It was really hard for her to
• 40:46
  book off the time. They really needed a chance to
• 40:49
  go away together. And she also wanted to get a
• 40:50
  tan. And he said you can get a tan on
• 40:52
  the roof. And she was like, cool, not
• 40:53
  helping your situation. Yeah, she.
• 40:55
  Storms off and goes 60. Hours and then he like has to
• 40:58
  the door he goes. Are you gonna eat the what was
• 41:00
  it like a bowel bun I think is what it's called.
• 41:02
  I don't know, it's whatever. The food I was talking about
• 41:05
  earlier is the pastry maybe? And she's just like, you can
• 41:08
  have it. And it's like, that's one of
• 41:10
  those, like, when a couple has been together long enough and
• 41:12
  neither of them wants to, like, fully break, but they also need
• 41:16
  to, like, melt the ice. Yeah.
• 41:19
  And like, and he does apologize a little bit, but also he's
• 41:22
  like, I'm hungry. Maybe we'll feel better if I'm
• 41:24
  not hungry. He's like, we're moving on.
• 41:25
  I'm eating that sandwich. Yeah, Which is the hot sauce.
• 41:28
  Yeah. So he goes in there, got the
• 41:31
  cool Nintendo Switch combo. He's got the pink and the green.
• 41:34
  Joy cons dig it. Yeah, he gets a little sandwich.
• 41:38
  God, I so wish that the joy con prices had ever gone down.
• 41:42
  Yeah, we could have gotten those.
• 41:43
  I refuse to buy brand new. No.
• 41:45
  Fully priced. One not gonna die.
• 41:47
  Yeah, well, not They're gonna drift.
• 41:48
  Yeah, the fucking they're supposed to fix that and switch
• 41:52
  to to better, I hope. But anyways, he he.
• 41:55
  The most thing called the switch to the Switcher Rooney.
• 41:58
  Switcher Rooney Yeah, Jesse, I'm sorry.
• 42:01
  They would love you over there. And then send them because they
• 42:03
  are terrible at naming the consoles.
• 42:05
  That sounds stupid. We're doing it, yeah.
• 42:08
  All right, so he's besides, he's gonna pull up some YouTube
• 42:12
  videos and there's coverage of the Alvin virus.
• 42:17
  Yeah, almost. Call it Alan.
• 42:19
  Alan. Virus.
• 42:19
  Yeah. So I like the virologist.
• 42:22
  He's the one that we're gonna end up seeing later, like he's
• 42:24
  been trying to tell people. Yeah.
• 42:25
  Shit, I didn't make that connection.
• 42:27
  Yeah, he's breaking it down. Yeah, he's breaking it down.
• 42:30
  And first of all, I love him like struggling to get the like
• 42:33
  iPad out because this he's, you know, he's like a science guy.
• 42:37
  He's not a presenter. He was just like, no, look at
• 42:40
  my, look at my charts. He said that like there's, I
• 42:43
  didn't write down all of the medical jargon, but basically
• 42:47
  the strain of this particular mutation is the same as like the
• 42:50
  one in rabies. And that ends up being important
• 42:53
  later because rabies like attacks, like irrational
• 42:55
  thinking. If you've never read a
• 42:57
  description of what happens when you, like, show it, start
• 43:01
  showing active symptoms of rabies, look it up.
• 43:04
  It'll be a fun double feature. Bummer of a day after watching
• 43:08
  this movie. Yeah, except that's real.
• 43:10
  Yeah, like that's real life. Like I've seen videos of people
• 43:13
  afraid of water trying to drink it on rabies.
• 43:16
  It's sad. He goes outside like, and
• 43:20
  they're talking about like, oh, it's an election year.
• 43:22
  It's awfully convenient that suddenly there's this virus
• 43:25
  happening. Whoever.
• 43:26
  Suspicious. The guy that Oh, no, nevermind.
• 43:30
  Yeah, this. I'm, I'm moving on over to Lynn.
• 43:33
  Accidentally. But so Jim goes outside for a
• 43:35
  second. He just, like, stares around the
• 43:37
  little city. I feel like the the
• 43:42
  infrastructure of this area kind of adds to the tension for me.
• 43:46
  Yeah, because we have these towering buildings and people on
• 43:48
  top of each other. And like in an event like this,
• 43:50
  that would make me so fucking nervous.
• 43:52
  I would be super paranoid, like, yeah, not only like the
• 43:56
  closeness for your contagion to pass, but also like there are so
• 44:00
  many options for sneak attacks. Yeah, we'll see you here in a
• 44:03
  minute. Yeah, yeah.
• 44:05
  But he goes outside and he walks over to the right, and he sees
• 44:10
  the old lady standing. On I don't think it's the old
• 44:13
  lady. I think it is.
• 44:14
  No, because when they turn around there's like blood all
• 44:16
  down the front of their shirt and the old lady later and the
• 44:19
  cafe doesn't have blood. Maybe she changed.
• 44:22
  I don't think that they tend to do that in this movie.
• 44:25
  And because I had the same thought, I was like, oh shit, is
• 44:27
  that the old lady from later? But then I saw the blood, and
• 44:29
  when we saw her after the fact, no blood.
• 44:32
  Eerily similar. Yeah.
• 44:33
  But yeah, just standing there with blood all what is?
• 44:36
  That building that like that person was standing on, it was
• 44:38
  like a nursing home or something.
• 44:42
  That would be sad in the sadness where all things sad happens.
• 44:48
  So he's out there, he gets distracted by Cat and he turns
• 44:52
  away, looks back over there and she's gone.
• 44:54
  And then Mr. Lynn comes out, he's watering his basil.
• 44:57
  And then they have small, small chitchat about the virus.
• 45:00
  And it's like, ah, don't worry about it, it's just a hoax.
• 45:02
  Yeah, he's like, what they're doing is they're waiting.
• 45:04
  So that way the stock market goes down, they can buy up all
• 45:07
  the stocks on the cheap, and then when the economy bounces
• 45:10
  back, they'll sell them for a pretty penny.
• 45:12
  This is all shit that we like, legitimately heard.
• 45:14
  We don't have to remind you people.
• 45:15
  You guys live through the same shit too.
• 45:17
  Yeah, yeah, you know, you were there.
• 45:19
  So. So.
• 45:21
  He's going to give Cat a ride to work on his scooter, but his
• 45:24
  phone instead, so he's going to go plug it and charge it first.
• 45:27
  Hard relate. Yeah, it's like 2%.
• 45:30
  Hard relate. I never let mine get that bad.
• 45:32
  You are fucking nuts. Mine was at like 8% before I
• 45:35
  plug it in this morning. I would like to see a version of
• 45:38
  the sadness where like we see that kind of depravity, like
• 45:41
  people like waiting for their phone to get down to 1.
• 45:42
  Percent. That's one of those things, like
• 45:44
  there are certain things that it always surprises people because
• 45:46
  I'm normally a very like, conscientious, neat, tidy
• 45:49
  person. But that's one of those things
• 45:51
  that it blows everybody of my life's mind that I let my phone
• 45:54
  die so regularly. Me.
• 45:57
  But I do. Yeah.
• 45:57
  I don't. I don't know why.
• 46:01
  Like, I don't. I just don't think about.
• 46:02
  It if I see people take screenshots of their phone and I
• 46:05
  see I, I clock the battery all of the time and if it's ever in
• 46:08
  the red I'm like, charge your fucking phone motherfucker.
• 46:11
  Here's a Here's a tip for you. If you ever get a cropped
• 46:14
  screenshot from me, it's because my battery slow.
• 46:17
  But I don't want you to call me out.
• 46:20
  I will. I will crop that shit so I don't
• 46:22
  get called out. You told them so now I know.
• 46:26
  Now you know, But at least you can't shame me because you don't
• 46:28
  know how low it is. That's fair.
• 46:31
  All right. So on the trip over there, they
• 46:33
  drive by what looks to be an active crime scene.
• 46:36
  It this one that just keeps getting worse.
• 46:38
  So first it looks like a finger Bender and then you're driving
• 46:40
  and then there's like a there's a crying couple.
• 46:43
  Well. There's somebody being, like,
• 46:44
  held down by the police. Yeah.
• 46:46
  And you're like, is this person crazed?
• 46:48
  Is this police brutality? Looks like maybe the person's
• 46:50
  crazed. They're fighting pretty hard.
• 46:52
  And then you see the couple crying, and then you see you
• 46:55
  like. Stretchered, covered in blood.
• 46:56
  Yeah. It's like Jesus, what the fuck
• 46:58
  happened? Yeah, And you're like, that's
• 47:00
  not good. And then when they get to the
• 47:02
  train, the subway station, train station, whatever, Jim's like,
• 47:06
  sorry, I shouldn't have slowed down.
• 47:07
  And she's like, well, I look too like.
• 47:09
  Anytime I think that right there, I just think of the
• 47:11
  American dad episode. With the best.
• 47:14
  Yeah, OK, so he drops her off and she's going to get on the
• 47:17
  train. Yeah, and he's like, I'll make
• 47:19
  dinner tonight. And she goes, what are you going
• 47:20
  to make? He's like something with Thai
• 47:23
  basil, because that's what Mr. Lynn promised to give to them.
• 47:28
  We get basil for lunch. Not just like chunks of basil,
• 47:32
  but like we used basil in our lasagna soup.
• 47:33
  Basil makes shit good man. So he's just.
• 47:39
  Imagining it was just like eating basil wheats like a.
• 47:41
  Fucking pandas. So in the meantime, Jim is gonna
• 47:46
  go to the cafe to get himself some coffee.
• 47:48
  I like that he walks in and the person is like you're usually
• 47:52
  just now I already ate, I just put a coffee and that feels very
• 47:55
  real also. So he's waiting for his coffee
• 47:59
  and in the background we see this woman walk in out of focus.
• 48:05
  And they're like, just walk in. And you like the little like
• 48:07
  musical kids like bring and. I want to point out that they
• 48:11
  left their apartment at 8:30. I just because this whole movie,
• 48:14
  like all of these things we're going to talk about take place
• 48:16
  in the span of like 4 hours. It's.
• 48:17
  Like 1/2 a day. Yeah, it really is not a long
• 48:20
  time. Yeah.
• 48:21
  So yeah, she. Just like 1/2 a work day,
• 48:24
  actually, yeah. Yeah, isn't that weird like this
• 48:27
  is? All over by lunchtime.
• 48:30
  So there's, like, patrons there in the restaurant, and they
• 48:34
  notice that the woman is acting kind of strange.
• 48:36
  So one guy gets up to like talk to her and then she goes over
• 48:40
  there and she just spits in his face.
• 48:42
  And it's fucking gross. And then the person that's
• 48:46
  cooking the food, he's like, hey dude, don't do that.
• 48:49
  And so she picks up the fry basket, dumps it on his head and
• 48:54
  then calls off his crispy skin. Kills his whole fucking face
• 48:58
  off. Oh my God it is gnarly.
• 49:00
  And the dude who got spit on turns and stabs his like teenage
• 49:05
  son that he's with. That's awful.
• 49:09
  This and this part right here. And the old woman, she just
• 49:12
  like, looks at Jim. She's like handsome boy, like so
• 49:16
  fucking creepy. So she like, chases him, like
• 49:19
  backs him out of the restaurant into the middle of the road, and
• 49:22
  then she gets whacked. Buy a fucking car.
• 49:24
  Yeah, and he sees like the person that's driving is also
• 49:29
  crazed. People jump down from a roof,
• 49:31
  they're crazed, and they all start chasing after him.
• 49:33
  He runs back to his apartment. He gets inside.
• 49:35
  Drink something. I can't tell if it's alcoholic
• 49:38
  or not. I don't know.
• 49:38
  That I wouldn't need a drink after.
• 49:40
  That Yeah, no, I'd immediately be like popping up in one of my
• 49:43
  my mountain, my special mountain dews you.
• 49:45
  Need something harder than that for this.
• 49:47
  I mean, it's called Mountain Dew hard Travis, that's.
• 49:49
  Just 5%, man, I ain't going to cut it.
• 49:52
  I'm dainty. So yeah, he he gets his phone
• 49:57
  and he's trying to get a hold of Cat to be like, hey, what the
• 49:59
  fuck's happening? He's like, don't.
• 50:01
  He's like, I will come to you. I'm coming to find you.
• 50:04
  He turns on the TV and it's like a state of emergency on
• 50:07
  basically every channel except for the cartoon.
• 50:09
  Yeah, that we talked about. And then there's an announcement
• 50:13
  that comes over the like speakers outside.
• 50:17
  So fucking eerie, like because you hear this and you
• 50:20
  automatically think, oh, here's the people that are going to
• 50:22
  help. This is the thing that's going
• 50:24
  to be like informative and like it'll be at least maybe somewhat
• 50:27
  reassuring. He's like, there's no kind of.
• 50:29
  Emergency Everybody needs to report here.
• 50:31
  No, like all of the men report to the whatever building because
• 50:36
  we're going to cut your Dicks off and feed them.
• 50:38
  The dogs and all of the women come to this building because
• 50:42
  we're going to rape you. We're going to have the dogs
• 50:45
  rape you. Is that what he said?
• 50:47
  Yeah. Oh fuck, which that I don't know
• 50:50
  if you've ever read the transcriptions for the tape that
• 50:53
  the dude would play for his victims.
• 50:55
  It was like the Toy Box Killer. Toy Box Killer.
• 50:57
  Yeah, that guy is. Fucked up and that was one of
• 50:58
  the things that he did to his victims.
• 51:00
  Oh, for real? Yeah, Oh.
• 51:02
  God, it's damn fucked up. And he goes into detail about it
• 51:04
  on the tapes. That way they know exactly
• 51:06
  what's going to be happening to them.
• 51:07
  That's one of the things where I know that there's access to that
• 51:10
  clip out there and I usually I have more curiosity for things
• 51:15
  like that, but I heed warnings every now and then and that's
• 51:18
  one where I've. That was one of those on Reddit
• 51:21
  that I was just like, let the link stay blue and I was like, I
• 51:23
  can handle this. I could not handle this.
• 51:26
  And I just read the transcription.
• 51:28
  I didn't even hear his voice and I can't imagine listening to the
• 51:31
  clip. Yeah, I'm not in for that.
• 51:34
  So Wallace is like is happening. He's distracted, trying to get a
• 51:38
  hold of cats still. And then we see in the
• 51:40
  background, out of focus, Mr. Lynn has climbed the balcony
• 51:43
  over onto his balcony. And he starts to sneak up behind
• 51:46
  him. And then Jim gets a glance of
• 51:48
  him at the like from a reflection of something in his
• 51:51
  house. So he turns around, stops Mr.
• 51:53
  Lynn, who has shears held up to him.
• 51:56
  He's holding the shears and then they back him down to a wall and
• 51:59
  then eventually. Of course.
• 52:01
  Mr. Lily was like, oh, I've got fucking.
• 52:03
  Cheers. Yeah, I can.
• 52:03
  Just close these. This is one of those that you
• 52:05
  know it's coming, you're powerless to stop it.
• 52:08
  It doesn't make it suck any less knowing it's going to happen.
• 52:10
  I think movies that can accomplish that where like,
• 52:13
  you're not surprised by anything, but it still feels
• 52:16
  like a gut punch. Yeah, that's good storytelling.
• 52:19
  There was a good build up to it, Yeah.
• 52:20
  Like, you know what's going to happen?
• 52:21
  It's just like, Oh my God, here's it's so fucking tense.
• 52:24
  And then snip and his fingers cut off.
• 52:26
  He pulls a raw and hurts to eat his fingie, which I'm gonna talk
• 52:30
  about raw on this show. Yeah, that's another I.
• 52:33
  Really wanna talk about that? One that's a great movie also
• 52:35
  fucked up it's only. Yeah, and then he spits it into
• 52:38
  the fish tank. Poor fish.
• 52:40
  I wish, I wish. I wish I hadn't stepped on that
• 52:43
  fish. I do wish we had seen like the
• 52:47
  fish go crazy. Yeah, each other.
• 52:48
  I don't. Want to see fish attack each
• 52:51
  other? I don't want to animal cruelty.
• 52:53
  I don't want to see like I was talking about before.
• 52:56
  This is the most I've wanted. That right there.
• 52:58
  Just give the fish a finger. Give the fish a finger.
• 53:02
  Yeah. And you know that's we can leave
• 53:04
  it at that. So Jim hits him with a toaster
• 53:08
  and then he leaves. That's it.
• 53:10
  That's. Does he kill him?
• 53:11
  No. No, he's moving before Jim gets
• 53:13
  out of the. Apartment he is, Yeah, okay.
• 53:15
  He sees a group torturing a man on the way to his bike and it's.
• 53:19
  A group that chased him there they were just waiting.
• 53:21
  They found a new dude. They are.
• 53:23
  They curb stomp this dude's arm. This one I always.
• 53:28
  See, I'm like, yeah, I'm like rubbing my arm, right?
• 53:31
  Now you didn't even watch. It yeah, you like.
• 53:34
  That's how you turn away cuz yeah, it's fucking gnarly.
• 53:36
  Like they show it straight up. They curb stomp that arm.
• 53:39
  Oh, it's. So bad, it's so bad.
• 53:42
  So he gets to his bike and like it goes ringing and it attracts
• 53:50
  everybody on the block. They.
• 53:52
  Cover trope right there. But you know what?
• 53:55
  It works. Yeah, it's still fine.
• 53:56
  Like it worsen but he gets it going just in time because you
• 53:59
  know it's going to. Happen.
• 54:00
  Yeah, he drives off. Yeah, we're still only like 20
• 54:02
  minutes in the movie. Of course he's gonna get out.
• 54:05
  And then a cop is one of the infected ones and he's chasing
• 54:07
  him too. So Cat is on the train and she
• 54:12
  is reading her book. And this guy was like, oh, it's
• 54:14
  so nice to see you raise your book.
• 54:17
  People these days are just so focused on their phones, which I
• 54:20
  always get annoyed about that because one, I have the Kindle
• 54:22
  app on my phone. So sometimes I am reading a book
• 54:25
  on my phone if I don't have my book or my Kindle with me.
• 54:28
  Yeah, and like, whatever, man, like that's fucking, it's modern
• 54:32
  times, whatever. Sometimes I'm doing the
• 54:34
  crossword, I'm exercising my mind that way.
• 54:36
  Sometimes I'm reading the news and yeah, sometimes I'm.
• 54:38
  I'm just watching animal videos. Let me have them on dopamine,
• 54:42
  dude. Yeah, it's not your business.
• 54:44
  Yeah, you get your dopamine from harassing young women.
• 54:47
  Let me have mine. Watching cats say meows that
• 54:51
  sound like. Words and dogs getting.
• 54:53
  Parents and yeah, getting their nails clear, yeah.
• 54:56
  Their nails clear. So he like keeps pressing.
• 55:01
  He's like, look, I have noticed you on this train for many weeks
• 55:05
  now. Things you don't want to hear.
• 55:06
  No, it's not good. And then he's like, I just
• 55:09
  wanted to tell you, I think you're beautiful.
• 55:11
  And then he like tries to touch her hair and she says stop I'm
• 55:15
  going to find a cop and file her sexual harassment claim.
• 55:18
  And he goes you fucking bitch all you bitches are the same.
• 55:22
  Can't take a compliment. Yeah, he's like, it's a fucking
• 55:25
  crime to compliment somebody did it, like to talk to people like.
• 55:29
  You know what I bet this guy does when he's on his phone?
• 55:31
  Goes to the red pills. I've Reddit.
• 55:33
  Yeah, probably. I don't know what that is
• 55:35
  exactly. But sure, it's a kind of men's
• 55:38
  righty type thing, yeah. She gets up because the train
• 55:41
  stopped and Molly is now on board and she kind of said Molly
• 55:46
  up for failure here. That's that's me.
• 55:48
  She's like Molly, take or not, she doesn't know Molly, but
• 55:50
  she's like here, you can have my seat.
• 55:52
  And Molly sit down next to the businessman.
• 55:55
  And then while this is happening, another guy has
• 55:57
  sported the train. This is dude with sunglasses and
• 56:00
  he's just kind of got this weird smile.
• 56:01
  If we didn't know about the virus, I would 100% say this guy
• 56:05
  was on bath salts. That's the kind of energy he's.
• 56:08
  Given he's either on bath salts or he is just fucking rolling
• 56:12
  high on some kind of pill, probably Molly.
• 56:15
  It'd be my guess here, but he's just looking up at the sky and
• 56:19
  then you see this tear roll down his face and then he gets out a
• 56:23
  knife and he starts just stabbing random people in the
• 56:26
  train. And eventually people are like,
• 56:28
  hey, that's enough. And then they pin him down and
• 56:31
  get his knife while this is all happening.
• 56:34
  Everybody's like, yeah, we saved the day, it's all OK.
• 56:39
  Molly immediately she barnacles to Cat and she's like why is he?
• 56:43
  She does, yeah. She like she.
• 56:47
  Like has her arms roused around Cat's leg.
• 56:49
  She's like, why are they doing? This.
• 56:51
  I've never had friends I've heard of trauma bonding.
• 56:54
  Here's my chance. Finally, yes.
• 56:57
  This is my end. And so, yeah, everybody thinks
• 57:01
  that they've got in the guy. He really he also.
• 57:04
  And he bloodied that place up, boy.
• 57:06
  There's one guy in particular, like some of them were getting
• 57:09
  blood everywhere, but he got this one guy in the jugular and
• 57:11
  it hit some the artery. Yeah, like the one that gushes
• 57:15
  the most blood. Yeah.
• 57:16
  Yeah. Cuz it's just like a fucking
• 57:18
  Tarantino movie. Blood is just like, it's like a
• 57:20
  waterfall in there. So a lot of people are covered
• 57:23
  and gonna be infected now, which is what happens.
• 57:26
  Like 90% of that train becomes infected.
• 57:29
  You know, and before, like, as the guy saying held down, he's
• 57:31
  like, did I break the record? And I'm like, OK, cool.
• 57:33
  So he's with a weird group of people that decided they were
• 57:35
  gonna, like, see how many people they could stab.
• 57:38
  It's one of those things that they're like, yeah, they're in
• 57:40
  control. They're not in control, but
• 57:42
  they're aware and they can plan. And they have, like, they talk
• 57:46
  to each other and they make games of it and stuff.
• 57:48
  So another man attacks somebody, then several more people are
• 57:51
  attacking. It's just absolute chaos.
• 57:54
  And we have seen that the asshole has stood up from his
• 57:57
  bench and all of a sudden we just have an umbrella in Molly's
• 58:00
  face. God, eye trauma.
• 58:04
  It gets me every single time. The holy fucking shit Umbrella.
• 58:08
  Yeah, they stop, the train stops and they all run off.
• 58:11
  We see Cat has dropped her phone.
• 58:13
  It is just in a pool of blood. She has not seen any of John's
• 58:17
  texts because she has been dealing with some other shit.
• 58:21
  Cat is helping Molly and the asshole is following them down.
• 58:24
  The thing. This kind of I, I say this every
• 58:27
  time we watch it, but I'm just like Molly babe, it is your eye,
• 58:31
  not your leg. Why are you having Cat carry
• 58:33
  you? Yeah, I don't understand why
• 58:35
  she's like blimping. It's it's a little funny.
• 58:40
  Yeah, I'm like, come on, come on, babe.
• 58:42
  You you just found your friend. Don't blow it so soon, man.
• 58:44
  Come on. We're rooting for you here.
• 58:46
  Yeah, and they're. Like back a little.
• 58:48
  There's another funny part. They're running through there
• 58:50
  and they run into the sky and say, what the fuck's wrong with
• 58:53
  you? Are you blind?
• 58:53
  And then he sees her eyes like Oh my God, you are blind.
• 58:57
  Which I can't blame him because I feel like I would have had a
• 59:00
  similar reaction. Like, what the fuck?
• 59:02
  What the fuck? Yeah.
• 59:04
  Oh my God, I'm so sorry. And then he tries to help
• 59:07
  because they're like, hey, that guy's coming after us.
• 59:09
  He wants to rape us and kill us. And he's like, not on my watch.
• 59:12
  He's a big dude. Yeah.
• 59:13
  I'm like, I want this dude fighting for me.
• 59:14
  Except he does not know what he's up against.
• 59:17
  Yeah. Well, he he starts out pretty
• 59:19
  strong, but then he doesn't expect the businessman to bite
• 59:23
  his nose off. No, to be fair, like that and
• 59:26
  the Spanish Inquisition are the top two things people don't
• 59:29
  expect. This is another thing I've seen
• 59:31
  in a lot of videos of like people fighting drugged up
• 59:34
  people. That's not the person you want
• 59:35
  to fight because they'll do shit like this.
• 59:37
  They'll bite your fucking finger off.
• 59:39
  They'll buy whatever. It's not good.
• 59:41
  This is and this is the stuff I learned from you watching all
• 59:44
  your street fight videos. You're like, there are no rules
• 59:46
  there. You say it every time.
• 59:48
  You're like play dirty. If you're in that situation,
• 59:50
  play dirty. Street fight, It's like it's for
• 59:53
  your life every single time out there.
• 59:54
  Yeah, No, no fucking way. Yeah, and then this is where the
• 59:58
  asshole gets the the emergency acts out-of-the-box and it gets
• 1:00:02
  caught on his name. You're gonna have to like,
• 1:00:03
  rewatch that scene just so you can kind of see him like.
• 1:00:07
  This is really like the way that this was shot too, because it's
• 1:00:10
  like that far tunnel shot and then all the way you see him
• 1:00:12
  just kind of like slowly walk in the frame and Oh my God, it's so
• 1:00:15
  creepy. And they go running up a ramp
• 1:00:17
  and you can see like there's an exit and they're trying to get
• 1:00:20
  there. And then you see the gate guys
• 1:00:23
  slowly lower the gate and they're like, hey, hey.
• 1:00:26
  And they like Indiana Jones under the door.
• 1:00:28
  They just barely get out. And they're like, what the fuck
• 1:00:31
  is wrong with you? And then the asshole goes like
• 1:00:33
  up there and he's like, I'm coming for you.
• 1:00:34
  And they're like, see, this is what you almost walked us in.
• 1:00:37
  There he goes. The police told me to lock it.
• 1:00:40
  I didn't know what was going on. I thought you were crazy like
• 1:00:42
  the rest of them. So did you know what was going
• 1:00:44
  on or not then? Gay guy.
• 1:00:46
  Molly punches him in the nose. Book.
• 1:00:48
  Yeah, Molly. I've got friend industry now I
• 1:00:50
  can punch you in the nose. Power through friends.
• 1:00:53
  I have strength now. Yeah.
• 1:00:55
  Girl bosses. So he tags along with them.
• 1:00:59
  Yeah, they're like, OK, let's go to the.
• 1:01:00
  Hospital. I mean, he doesn't.
• 1:01:01
  He thinks that he, his little Boo Boo needs to be addressed.
• 1:01:04
  Yeah. And he tells Molly to stop being
• 1:01:07
  dramatic. Well, he doesn't say it yet, but
• 1:01:09
  he says something that gets so he's like, stop being traumatic.
• 1:01:11
  And she's like, my brain got poked.
• 1:01:13
  You got. Your nose may be broken.
• 1:01:15
  Probably not. It's not actually verifiably
• 1:01:18
  because the nurse looks at it. I got no fucking eyes.
• 1:01:20
  Here's The thing is that noses bleed.
• 1:01:23
  A lot like you can have a little injury and it'll bleed a lot.
• 1:01:26
  I've gotten nosebleeds just from playing a little too rough with
• 1:01:28
  Talia. There's like a lot of like blood
• 1:01:29
  vessels. Yeah, there.
• 1:01:31
  Yeah, yeah. So Jim is driving along and we
• 1:01:34
  hear, like, a broadcast happening, like, just basically
• 1:01:37
  talking about how, like, you know, this virus is widespread.
• 1:01:40
  Don't trust anybody who seems like they're acting strange.
• 1:01:43
  It's affecting, like, people of all ages, including children.
• 1:01:47
  Don't trust your family members if they're acting strange.
• 1:01:49
  Basically just like you know. People are being violent like
• 1:01:52
  it's like physical, like attacking violence and also
• 1:01:54
  sexual violence. So be wary.
• 1:01:56
  Yeah, he gets to a point because the main roads are blocked off,
• 1:01:59
  so he's taking Back Rd. and he stops in at one point when he's
• 1:02:03
  like alone and he tapes his hand.
• 1:02:06
  Yeah, he's like, he's got a little material under his seat
• 1:02:09
  on his scooter and you get some water.
• 1:02:11
  And he conveniently happened to stop right next to a block of
• 1:02:15
  wood that has the perfect blade. Yeah, sticking out of it.
• 1:02:18
  So he takes it for himself. Yeah, it's kind of like a like a
• 1:02:21
  handheld scythe. There's like a video game right
• 1:02:23
  here. Like, yeah, I felt like I was
• 1:02:25
  watching a Pokémon game, like, oh, you're this route's closed.
• 1:02:28
  You have to find the alternate. Yeah, I wish.
• 1:02:29
  Like when he had opened up the seat of his scooter, like we
• 1:02:31
  were just getting like the circle like inventory like so he
• 1:02:34
  can be like click drink water +2.
• 1:02:41
  So he hears some screaming in the distance.
• 1:02:43
  So he goes to go investigate. He sees a group of three teens.
• 1:02:48
  They have a man tied to a pole. They're all wearing sports
• 1:02:51
  outfits. Yeah, it seems like soccer, if I
• 1:02:54
  were to guess, basketball, maybe it looked like a basketball
• 1:02:57
  court that they were at. I thought maybe it was baseball
• 1:02:59
  because they had bats. Yeah, I don't know.
• 1:03:01
  It could be anything, yeah. You're right.
• 1:03:03
  Yeah, that's right. That's right.
• 1:03:04
  I just wrote Sports you. Don't typically wear shorts with
• 1:03:07
  baseball though because you got to slide.
• 1:03:09
  You don't want to slide with shorts on.
• 1:03:11
  Yeah, but I mean, maybe they were just doing like, practice.
• 1:03:18
  Sorry, theater kid. Energy came out and I almost
• 1:03:21
  said dress rehearsal. Jesse no dress rehearsal in
• 1:03:28
  sports. No, there's nothing.
• 1:03:34
  There's no physical realm where those two are tied together.
• 1:03:38
  Yeah, and that's why I paused until I got the word practice.
• 1:03:41
  Out. I just love the idea of like
• 1:03:43
  going to like a baseball practice.
• 1:03:44
  Like, hey fellas, we're doing dress rehearsal today.
• 1:03:47
  You fucking what? Yeah, I'm sorry.
• 1:03:51
  I knew it wasn't right, and I was.
• 1:03:53
  I was choosing to be honest. But yeah, they're, the guy's
• 1:03:56
  tied up. He's kind of watching just to
• 1:03:59
  check, like see, should I intervene?
• 1:04:02
  The guy's still alive. They're taking bats to his head.
• 1:04:05
  He's got this is like where they know the visual effects, the
• 1:04:08
  makeup effects, but it's got like huge swelts.
• 1:04:11
  Or welts. His face is just nasty.
• 1:04:15
  And one of the kids hits him a little too hard.
• 1:04:18
  And I'm like, now he's unconscious.
• 1:04:19
  And it's no fun when he's unconscious.
• 1:04:20
  And they're like, hey, I got an idea.
• 1:04:22
  Let's do another round of Nutcracker.
• 1:04:24
  Which apparently means that they take this guy, they spread his
• 1:04:26
  legs and they run him into a pole.
• 1:04:28
  But this time, yeah, they wrapped barbed wire where his
• 1:04:31
  pee pee. It's gonna hit.
• 1:04:33
  Oh my God, it's so fucking and. Then this is where Jim comes in
• 1:04:38
  and he's like, cool, I'm gonna save the day, feel real good
• 1:04:41
  about myself. The kids run off and then the
• 1:04:45
  guy goes, why did you stop them? I was just about to blow my
• 1:04:48
  load. So I was wondering.
• 1:04:51
  Can you do that if your penis is full of puncture wounds?
• 1:04:55
  I don't want to know. Like does it?
• 1:04:58
  I'm not going to do the research.
• 1:05:00
  Does it just like ooze out of all of the?
• 1:05:03
  Holes, Jesse. No.
• 1:05:05
  No. Stop it.
• 1:05:07
  You know, like when you have a tube of like something.
• 1:05:09
  And no, Jesse, stop it. I am putting my foot down right
• 1:05:15
  now. I don't want to hear it.
• 1:05:19
  I forbid it. So I was going to say, was he
• 1:05:26
  infected beforehand or did he turn after that nut Buster?
• 1:05:33
  I feel like it happened at some point between going unconscious
• 1:05:37
  and having his Wiener smashed. I think that's what happened to
• 1:05:42
  because he seemed like he was resisting.
• 1:05:44
  Yeah, he seemed to not enjoy it. And then he very quickly was
• 1:05:48
  like, Nah, man, I was almost there so.
• 1:05:51
  And that's like, yeah, that's super unsettling having that.
• 1:05:53
  Like I was about to fucking call him as a.
• 1:05:56
  Yeah, and the kids have run back at this point when they realize
• 1:05:59
  that this guy has changed and like, rocks.
• 1:06:00
  Yeah. Throwing rocks at gym.
• 1:06:02
  Yeah. And then he he runs off.
• 1:06:04
  How did he get away? How did he make it?
• 1:06:07
  I'm I'm not buying it. He got he had enough time to run
• 1:06:10
  to his scooter to start it up and drive off.
• 1:06:12
  Those kids were able to probably throw rocks at his head and
• 1:06:14
  knock him. Out.
• 1:06:15
  Yeah, we know they're in good shape.
• 1:06:16
  They were at dress rehearsal before this so.
• 1:06:18
  Yeah, yeah. OK, so back over to Cat's story.
• 1:06:24
  They're at the hospital and the ER is closed because it's been
• 1:06:28
  overrun by people infected. And the cops are like, so we're
• 1:06:31
  just going to kind of like treat in the small corner of the
• 1:06:34
  hospital. And they tell cat thing or they
• 1:06:37
  tell Molly that they need to give her ACT scan.
• 1:06:40
  And that's when the gate guy was like, but what about me?
• 1:06:43
  My nose is broken. And the nurse like clicks a
• 1:06:45
  little pen light on and off real fast because no, it's not.
• 1:06:48
  And this is like, I feel bad for her because they're willing her
• 1:06:51
  back and she's she's like, I'm losing my friend now I gotta say
• 1:06:54
  goodbye to Cat. Yeah.
• 1:06:56
  Thank you for saving my wife, I'll never forget you.
• 1:06:58
  Yeah, and then this is gay guy. He's like, he's also barnacling
• 1:07:02
  for Cat. Like she's just attracting
• 1:07:04
  everybody. Whether it's.
• 1:07:05
  Them or not today and he's like stop being dramatic and then cat
• 1:07:10
  goes give me your phone and then he's like what and they're out
• 1:07:14
  in the lobby and she goes you almost let a man rape and kill
• 1:07:18
  us let me use your phone and then everybody in the.
• 1:07:21
  Waiting room perception to her benefit there she's like she
• 1:07:25
  shamed him and she gave him no other option but to roll in
• 1:07:28
  there and. Good for her.
• 1:07:30
  Yeah, it's effective and he is over the phone and he's got like
• 1:07:33
  like this anime girl with big boobs as a screensaver it.
• 1:07:36
  Doesn't even have her face, it's just the boobs.
• 1:07:38
  No, I think it's only like I, it's on the one like the lock
• 1:07:42
  screen, it's the full face. But when you unlock it and you
• 1:07:45
  know, I can set it to something else.
• 1:07:47
  I think that's the boobs. It's not better.
• 1:07:51
  It's not better. But he he there the face is
• 1:07:54
  present. So she downloads this app to
• 1:07:59
  contact Jim. And he's like freaking out.
• 1:08:01
  And she's like, I don't have his number memorized.
• 1:08:03
  I'm using whatever the app is. And he was like, how hard is it
• 1:08:06
  to memorize a number? And she's like, how hard is it
• 1:08:09
  to not let me get murdered? I know your numbers, like yeah,
• 1:08:14
  I always have that, but I don't know most other people's
• 1:08:17
  numbers. Yeah, I have years memorized
• 1:08:19
  just because at a certain point it was easier to not have to
• 1:08:21
  look it up every single time that I needed to write it down.
• 1:08:24
  Yeah, plus, as we've discussed, I have a habit of letting my
• 1:08:28
  phone die, so I figured I needed to have at least one emergency
• 1:08:31
  number memorized. So in the lobby there, the TV
• 1:08:36
  turns on, we get the national broadcast startup.
• 1:08:40
  It's the Department of Defense. They're like, hey, we are trying
• 1:08:44
  to be transparent. So here we are.
• 1:08:46
  We're giving you a guys like a briefing on what's going on
• 1:08:48
  here. Here's the president.
• 1:08:49
  He's going to give you all some information.
• 1:08:51
  Yeah. So the infection rate seems to
• 1:08:53
  currently be about 10 to 15%, which means 14.5 million people
• 1:08:56
  are currently infected. 4.5. Oh, that, that is the start of
• 1:09:02
  the parentheses. OK, yeah, 4.5, you know, and and
• 1:09:07
  then he goes kind of like a history lesson and are just
• 1:09:10
  like, well, this is just like bullshit, whatever.
• 1:09:12
  And they start to get distracted and then the general comes up,
• 1:09:15
  interrupts the president, but pulling a pin on a.
• 1:09:18
  Grenade, you see like the old tear roll down his face.
• 1:09:22
  Yeah, He pulls a pin on grenade, shoves it in the president's
• 1:09:25
  mouth, and then we watch his head explode on TV.
• 1:09:28
  I feel like they probably could have cut the broadcast before
• 1:09:30
  that because like it was very clear what was going to.
• 1:09:32
  Happen. I love the way it cuts after
• 1:09:33
  that though because when things cut to like the default like
• 1:09:38
  error screen after an event like that, that makes it so much more
• 1:09:41
  unsettling. Yeah, actually.
• 1:09:42
  Like that feels not planned. That head explosion was very
• 1:09:49
  fuck scanners. Yeah.
• 1:09:51
  Yeah, it was. And then this causes chaos in
• 1:09:55
  the waiting room. People start fighting, they're
• 1:09:57
  freaking out, they don't know what's real and what's not.
• 1:09:59
  And then the cop is like trying to figure out how they're going
• 1:10:02
  to calm everybody down. And then this is where we get
• 1:10:04
  that slow approach for the asshole outside.
• 1:10:06
  It's so creepy, Oh my God. And Cat sees him and she goes
• 1:10:09
  running before he's able to. He makes eye.
• 1:10:11
  Contact. Yeah, she like gets a jump on
• 1:10:14
  it. She gets in the door and she
• 1:10:16
  walks the gatekeeper guy out and he's mad about it, and then he
• 1:10:23
  gets in there, axes the cop in the back, a bunch of other
• 1:10:27
  infected jump in there and it's just chaos.
• 1:10:30
  Everybody's attacked. The gatekeeper runs to the back
• 1:10:33
  with Molly and hides under one of the little.
• 1:10:35
  No, he runs to the back. Molly has been given drugs.
• 1:10:38
  Good for her. Yeah, and a clean bandage on her
• 1:10:40
  eye. Also good for her.
• 1:10:41
  She's just sitting there. She's vibing.
• 1:10:43
  She's riding the waves. For example, I'm just like I'm
• 1:10:47
  hearing the fucking like synth wave like.
• 1:10:51
  Just like going on back there for her.
• 1:10:52
  She's just like chilling back. Yeah, he sees her, and you can
• 1:10:57
  see him recognize that she's not going to be able to defend
• 1:11:00
  herself. He realistically had to.
• 1:11:02
  She's in a wheelchair. He just has to scoot, scoot,
• 1:11:04
  scoot. And he doesn't.
• 1:11:06
  Instead he hides the. Guy fucking sucks, he's
• 1:11:09
  spineless as fuck. And then?
• 1:11:13
  He, the businessman, walks back there, sees her, and he's like,
• 1:11:16
  oh, hey, where's your friend at? Well, hey, whatever, I'm going
• 1:11:19
  to be able to have fun with you. And I'm sorry we have to say
• 1:11:22
  this. People he so he unbuckles his
• 1:11:24
  pants. First of all, this dork is
• 1:11:28
  wearing suspenders and a belt. Pick one, man.
• 1:11:31
  Yeah, like your pants like or just get better pants like this
• 1:11:35
  is excessive and. Just imagine like if you like, I
• 1:11:39
  feel sorry for the man, maybe does.
• 1:11:41
  This because pre virus like he barely controlled his rapey
• 1:11:44
  tendencies. So like a chassis?
• 1:11:46
  Yeah, no, it's going to make it more.
• 1:11:50
  Different. Yeah.
• 1:11:51
  He's like, I have to think really hard as I'm unbuckling my
• 1:11:53
  belt if I'm going to really do this.
• 1:11:55
  So yeah, he's doing this. And we're like, oh fuck not Poor
• 1:11:58
  Molly. And then it gets worse because
• 1:11:59
  he takes the bandage off her eye.
• 1:12:02
  And this is the moment where I screamed at the TV.
• 1:12:07
  The camera cameraman was nice enough to pan up.
• 1:12:10
  To where we just. See, like the upper torso of the
• 1:12:13
  businessman. And unfortunately Molly is not
• 1:12:16
  rolling high enough to avoid this were because she is
• 1:12:19
  screaming and we see gatekeeper look real uncomfortable under
• 1:12:24
  the stretcher Gurney. Whatever the fuck he's on and I
• 1:12:27
  don't feel bad for him. I don't think he's really
• 1:12:29
  uncomfortable about what's happening to her.
• 1:12:30
  I think he's just scared for himself.
• 1:12:32
  Yeah, he's just a selfish. And that's what I like how we
• 1:12:35
  have the different layers of how people react to these types of
• 1:12:39
  things in this movie too. Like we but.
• 1:12:41
  That right there is like kind of like what you were talking about
• 1:12:43
  before. That was how people like you
• 1:12:45
  lose faith in humanity. Moments like this, that guy
• 1:12:47
  didn't care about other people, he just cared about himself.
• 1:12:50
  So, Jim? Gets the text from Kat on the
• 1:12:54
  guy's phone and he calls her and, you know, she's like, hey,
• 1:12:58
  I took it from this guy so I don't have my phone.
• 1:13:01
  You're going to have to call me. I can't call you.
• 1:13:04
  And he's like, OK, well, I'm coming.
• 1:13:06
  I will find you. And as he's doing this, like
• 1:13:08
  he's having flashes. He sees like a mannequin head in
• 1:13:10
  the lake, but he starts thinking that it's like a real person's
• 1:13:13
  dead body. It's.
• 1:13:14
  Like looking at its teeth, it's like some weird shit.
• 1:13:16
  Yeah, he also sheds a tear. Yeah, but.
• 1:13:18
  Then this is like also plausible deniability because he could
• 1:13:21
  just be sad because he's talking to Cat and he's like worried
• 1:13:23
  about her, you know? Yeah, the gay guy runs out after
• 1:13:29
  everything was done. Stumbles upon hallway orgy.
• 1:13:32
  Blood orgy A. Big.
• 1:13:33
  That's a good horror movie name. Blood Orgy right there.
• 1:13:36
  I'm I swear to God, we're going to see that on TV like next
• 1:13:40
  month or something. To be or not to be People coming
• 1:13:42
  up and then he like tries to run across and then he stumbles upon
• 1:13:47
  Molly and then Molly gets her revenge on him.
• 1:13:52
  I love this. She goes in a little worm.
• 1:13:54
  Yeah, that's like a Gunther level insult.
• 1:13:56
  Yeah, yeah. And she takes this little
• 1:13:58
  surgical saw and she's like, yeah.
• 1:14:01
  And then I like this shot FM. He's like being backed down by
• 1:14:04
  her. And then he like stumbles in the
• 1:14:06
  hallway and the orgy has stopped because they'd see him and
• 1:14:09
  they're just kind of like peeking from behind the corner
• 1:14:13
  and it's so fucking creepy. And then they all just pounce on
• 1:14:16
  him, sort of like going to him. And then she on top, all of that
• 1:14:19
  takes the little blade and so it's cutting him up.
• 1:14:21
  Yep, Cat, here is the stairwell door open and she goes.
• 1:14:27
  She runs so fast she leaves her shoes behind.
• 1:14:30
  She was out of her shoes. Yeah, impressive.
• 1:14:33
  She she pulls a full Cinderella, double Cinderella even.
• 1:14:37
  And the the people stop and sniff her shoes and we see her
• 1:14:42
  legs. Yeah.
• 1:14:44
  Yeah, businessman's one of the people part of the chase here.
• 1:14:47
  She like, makes it into this little door, and she like
• 1:14:51
  makeshifts a little lock on it, like sticks, like a thing in the
• 1:14:54
  bars. It's not enough to contain the
• 1:14:57
  businessman. He's able to slip through the.
• 1:14:58
  Crash Yeah, cuz it it looks like it's probably like a hollow
• 1:15:01
  steel tube type thing. It's probably been stretched
• 1:15:04
  real thin and it's easy enough for him to bend and he's a thin
• 1:15:06
  guy, which is why he needs so many ways of keeping his hands
• 1:15:11
  and he squeezes through and chases after.
• 1:15:14
  He like locks the extra he takes the bars and bends in.
• 1:15:17
  He's like, sorry boy, she's all mine and they love those.
• 1:15:19
  And again, this is a whole other, like, there is a whole
• 1:15:22
  sociology I want to study with the people who have this virus
• 1:15:25
  because we have Molly downstairs and the blood orgy people are
• 1:15:28
  like, yeah, we probably weren't friends with you before the
• 1:15:29
  virus, but you know what? You get your revenge.
• 1:15:31
  You go, girl. And they, like, work together as
• 1:15:35
  a group. And then this asshole's like,
• 1:15:36
  Nope, I'm doing destruction by myself, boys.
• 1:15:40
  Yeah, I got, I got wrong turn vibes.
• 1:15:44
  I got like hillockers. Yeah, yeah, yeah, yeah.
• 1:15:47
  When they're like in the hospital.
• 1:15:50
  Yeah, exactly. Yeah, and four.
• 1:15:51
  Patients are turning them on. So she has like hidden, he's
• 1:15:54
  walking down the hallway with his axe and then she pops out
• 1:15:58
  from where she was hiding and uses the fire extinguisher on
• 1:16:00
  him. And then she like, hoses him
• 1:16:02
  down with it, takes it and starts bashing his fucking.
• 1:16:05
  Head. This is very irreducible.
• 1:16:07
  Yeah. Sorry, it was pretentious in
• 1:16:10
  French, like whenever I watch them.
• 1:16:17
  And then we have another good for her moment because she gets
• 1:16:20
  this guy that's been harassing her for like.
• 1:16:22
  And he's like, he's like, you're no better than me.
• 1:16:24
  You're just as depraved. And she's like, I'm fighting for
• 1:16:27
  my life. You fuck her.
• 1:16:28
  She doesn't let him have the satisfaction.
• 1:16:30
  She mashes that skull so much. And then as soon as she's done,
• 1:16:35
  the store right next to her just slides open.
• 1:16:37
  It's like a secret door and it's this guy in a hazmat suit.
• 1:16:41
  He's gonna come in here. Yep.
• 1:16:43
  And as soon as she does, he, like, handcuffs her to the
• 1:16:45
  shower. Like he holds the gun up and he
• 1:16:47
  said you need to handcuff yourself to the shower.
• 1:16:48
  And she's like, what? And he goes, I don't wanna do
• 1:16:50
  this, but I don't know. You shower.
• 1:16:53
  For up until a certain point, this guy's very reasonable.
• 1:16:56
  Yeah, like, and I'm kind of like, I get it.
• 1:16:59
  Like, yeah, let's let's feel her out.
• 1:17:01
  And he forces a chemical bath on her.
• 1:17:04
  Again, reasonable. I get it.
• 1:17:05
  Like he understands that the blood causes the contamination.
• 1:17:08
  Yeah, he's like you are covered in all kinds of other people
• 1:17:11
  right now. You can take the tissue.
• 1:17:12
  Yeah. You got to get that shit off of
• 1:17:14
  you. So she's like, I don't know,
• 1:17:16
  what am I going to wear? He's like, I've got scrubs for
• 1:17:18
  you right here. Just wash that shit off.
• 1:17:19
  Yeah. And she looks around, she sees
• 1:17:22
  it as the maternity ward. And he's like, Oh no, they've
• 1:17:25
  been renovating this part of the building.
• 1:17:26
  It's been empty, but these doors are the most secure ones in the
• 1:17:29
  hospital. People like to feel that it
• 1:17:30
  keeps them safe, it keeps their babies safe.
• 1:17:33
  Yeah, makes sense. Yeah.
• 1:17:34
  And this is where he's like talking about he's, he's a
• 1:17:37
  virologist, you know, and he's been studying this in for like.
• 1:17:40
  A year and he's been sounding the alarms on the Alvin virus
• 1:17:44
  for a whole year, but everybody's been denying it
• 1:17:46
  because it's an election year. Politics, but got wrapped up in
• 1:17:50
  it. Sound familiar, people?
• 1:17:51
  Yeah, and he was like lot like, politics shouldn't matter when
• 1:17:54
  lives are on the line. So he like we get a whole dump
• 1:18:02
  of information on this whole thing here.
• 1:18:05
  So I've got. I wrote as much of it as I can
• 1:18:07
  here. Let's see.
• 1:18:09
  And again, this is one of those things that as much as we love
• 1:18:12
  this movie and we love covering these types of movies, it is
• 1:18:15
  really hard to take notes when you're also trying to read
• 1:18:17
  subtitles. Yeah, so apparently the virus
• 1:18:21
  attacks the. Limbic.
• 1:18:23
  System, yeah, which is where people have their violence in
• 1:18:26
  their sex drive, emotions or whatever.
• 1:18:30
  It's all tied in the. Like the lizard brain, Like the
• 1:18:32
  one that drives all of your primal needs.
• 1:18:34
  Yeah, it's all, it's very similar to that area.
• 1:18:36
  So people lose their impulse control.
• 1:18:39
  They understand that they're doing viral things, but they
• 1:18:41
  can't control themselves. So that's where he speculates
• 1:18:44
  that maybe the tears that are coming from them are from the
• 1:18:46
  guilt because they feel bad for the horrible actions that they
• 1:18:49
  can't help from doing. Yeah, he's like, he's like, it's
• 1:18:51
  like telling yourself not to blink and like, think about it,
• 1:18:54
  you can't not do it. And these people, even though
• 1:18:57
  they don't want to do it, they have like this insane
• 1:18:59
  bloodthirst, like they, they need this violence to satisfy
• 1:19:03
  whatever is being triggered in their brain.
• 1:19:06
  And he says not only like people think that it makes you lose all
• 1:19:10
  imagination, but no, it does the opposite.
• 1:19:12
  It makes you imagine even more horrific things than you could
• 1:19:14
  ever think of before. Victims must suffer is the
• 1:19:18
  number one thing here. So that's why they aren't
• 1:19:21
  normally going after each other because they love the shit that
• 1:19:25
  happens to them so that they're not having fun torturing people
• 1:19:28
  if they're people being are also having fun.
• 1:19:30
  Yeah, and she goes to put her clothes in the biohazardous
• 1:19:35
  waste, and here's a upsetting sound and she looks and it's an
• 1:19:43
  infected baby, and I think this is worse than the baby and Dawn
• 1:19:48
  of the Dead. Definitely.
• 1:19:50
  Yep. It is so cuz like, this baby is
• 1:19:53
  so angry, the innate wants to attack it can't do anything.
• 1:19:57
  And then she freaks out and then he handcuffs her back into the
• 1:20:01
  shower and he's like, listen, these babies were just left here
• 1:20:06
  and I was going to rescue them. It was hard enough to get the
• 1:20:10
  helicopter to come. And then I was like, well, I'll
• 1:20:12
  save these babies, you know? But then I thought.
• 1:20:15
  What? Perfect little test subjects.
• 1:20:17
  So I injected them all. And this is where he also
• 1:20:19
  injects her with the virus. And he's like, we're going to
• 1:20:21
  see if you're immune. None of these babies were
• 1:20:23
  immune. This one must have been a
• 1:20:25
  fighter. And then he puts on a nitrile
• 1:20:27
  glove. And again, again, the cameraman
• 1:20:30
  is kind enough. Yeah, the polite cameraman.
• 1:20:33
  And. He just, like, takes his hand
• 1:20:36
  and just, like, jabs into the bag and just, yeah, he did it
• 1:20:41
  because he thought since they're newborns, they could maybe,
• 1:20:44
  like, adapt to the virus and become immune to it.
• 1:20:48
  And then he shouts some really upsetting things.
• 1:20:50
  He's like, it's better for them this way anyway.
• 1:20:52
  Do you know what those monsters would have done if they'd found
• 1:20:55
  these babies? They would have fucked these
• 1:20:56
  babies. They're all Jacob Black.
• 1:20:59
  He's oh God, he's not. Zero days since you mentioned
• 1:21:03
  Twilight on the podcast. This is the type of guy that
• 1:21:07
  you're not wrong man, but you're just still kind of an asshole.
• 1:21:11
  Yeah, This is why we have ethics review boards for scientific
• 1:21:15
  studies and testings. Well, why we used to.
• 1:21:18
  Yeah, like, I mean, yeah, that probably would have been the
• 1:21:21
  outcome, but maybe try to actually protect them, you know,
• 1:21:24
  like, instead of just like, well, they're already fucked
• 1:21:26
  anyway, so let's just go ahead and end them.
• 1:21:28
  Especially because babies notoriously have no immune
• 1:21:31
  system. So like.
• 1:21:33
  You fucking idiot for a virologist.
• 1:21:35
  Here, Yeah, like we know this is not how that link and this is
• 1:21:38
  the kind of misinformation people have about vaccines or
• 1:21:40
  they're like they're just injecting you with COVID, like
• 1:21:43
  yes, but no. Yeah, like, I mean, that's kind
• 1:21:46
  of how all. Yeah, like you have to inject a
• 1:21:49
  tiny little bit to so your body's exposed to it and knows
• 1:21:52
  how to fight it. Yeah, it's not just like the
• 1:21:55
  disease you're being injected with.
• 1:21:57
  It's other shit too. I don't know enough.
• 1:21:59
  I'm not. We're too stupid for this, but
• 1:22:01
  we at least understand that. We at least understand you don't
• 1:22:04
  just shoot infected blood into babies.
• 1:22:06
  Yeah, yeah. Come on.
• 1:22:07
  Yeah, we know that. So while all this is happening,
• 1:22:11
  we see Jim has arrived at the hospital and while this has also
• 1:22:15
  been happening, cat like in a panic text Jim.
• 1:22:18
  She's like, hey, and the hospital still upstairs,
• 1:22:20
  maternity ward guy has a gun and.
• 1:22:24
  Yeah, and she's not having a reaction, so he's like, all
• 1:22:27
  right, cool, you're coming with me to the helipad.
• 1:22:28
  They're 5 minutes away. I need you to help me.
• 1:22:31
  They get out and as soon as they get out, she looks down where
• 1:22:35
  the asshole was. Well, it still is, but his axe
• 1:22:38
  is gone and she goes, where is the axe?
• 1:22:40
  One of the other people has finally the two people that were
• 1:22:42
  behind him and this guy. This guy wasn't such a
• 1:22:45
  pretentious ass because he's like shut the fuck up.
• 1:22:48
  Like she's warning you of a fucking potential threat here.
• 1:22:51
  And then he like powers through and so my behind the corner
• 1:22:54
  comes out with the axe and cuts his fucking foot off.
• 1:22:58
  And then that other one comes up and vomits into his.
• 1:23:01
  Foot vomits into his fucking that's again.
• 1:23:05
  Who fucking thinks of that? That's the imaginative like.
• 1:23:08
  Because it was intentional. Yeah, yeah, he.
• 1:23:10
  Was he aims that puke yeah, he was a little he has a little
• 1:23:13
  vomit gun he. Took this little gun now he 3D
• 1:23:16
  printed by the way. Very interesting.
• 1:23:19
  And of course, because it was 3D printed, it jams.
• 1:23:22
  It jams and it backfires into him.
• 1:23:25
  Like literally like it backfires.
• 1:23:26
  It explodes in his hand. So he's like trying to run to
• 1:23:30
  the helipad, but he's like starting to get sick.
• 1:23:34
  And Jim is now in there and Cat can immediately tell he's
• 1:23:38
  infected. And so she grabs the virologist
• 1:23:40
  keys and gets behind the locked gate.
• 1:23:43
  Yeah, Jim goes over to the virologist and like finishes him
• 1:23:47
  off 1st. This gives Kat just enough time
• 1:23:50
  to unlock the door and get behind the gate and lock it for
• 1:23:52
  Jim to not be able to get hurt. And then she's starting to kind
• 1:23:56
  of back up to the roof and he's like, please, Kat, please.
• 1:23:59
  When you called me, God, this is fucking heartbreaking.
• 1:24:03
  It's like, you sounded so scared and I knew I needed to be with
• 1:24:06
  you. I've never known what my purpose
• 1:24:08
  was in life. And my purpose was to come to
• 1:24:10
  you as you were so scared. So that way I could cut off your
• 1:24:15
  tits and peel off your skin. And he's.
• 1:24:19
  Crying and she starts sobbing, but then her sobs turn into this
• 1:24:24
  kind of manic laughter. That one, they do a good job.
• 1:24:28
  It's a very it's an ambiguous thing we have.
• 1:24:30
  Here it's ambiguous. I do think especially because of
• 1:24:34
  the manic way she runs out, she has been fairly collected
• 1:24:38
  despite everything so far. And I think the manic way she
• 1:24:42
  ran out there, she would have known if she was in her rational
• 1:24:44
  mind that like, they're going to shoot her.
• 1:24:46
  She runs out there like that. See, I just thought that like,
• 1:24:50
  that was her breaking point. She all the things that happened
• 1:24:55
  today. She had this sweet little moment
• 1:24:57
  with Jim. She finally got Jim again.
• 1:24:58
  And then he said the nicest thing he's probably ever said to
• 1:25:02
  her. And then he ruins it by saying
• 1:25:04
  he's going to cut off her tits. And then she's like, that's a
• 1:25:07
  like, that's when you like have like that.
• 1:25:08
  I'm sad but I I can't help but laugh like my life is fucking
• 1:25:11
  ruined. Yeah.
• 1:25:13
  So like, I think that she was my interpretation, she was fine.
• 1:25:17
  My interpretation is that she was just like she didn't have a
• 1:25:20
  full immunity, she was just a slower.
• 1:25:22
  Yeah, I thought. Progression.
• 1:25:24
  Because like the virologist, like we saw, he's not exactly
• 1:25:27
  right about everything. Yeah, he had a lot of
• 1:25:29
  speculation, but you know. And we've seen it throughout the
• 1:25:31
  movie. Some of the people instantly
• 1:25:33
  turn, like the second they're exposed, and some of them it
• 1:25:35
  takes a little bit. So I think she was just one, it
• 1:25:39
  takes a little bit longer. That's my interpretation.
• 1:25:41
  But I do agree, I think it's purposefully meant to be
• 1:25:44
  ambiguous. Like we never, cuz we never see
• 1:25:46
  her eyes. That's one of the things is that
• 1:25:48
  the actors all have like black squares.
• 1:25:50
  Yeah, whenever they they're turned so and.
• 1:25:54
  That's probably why we don't get a face shot with her going
• 1:25:57
  upstairs. Yep.
• 1:25:58
  Yeah. But yeah, she goes outside and
• 1:25:59
  just hear gunshots from the rooftop and that's it.
• 1:26:03
  It's dead. That's it.
• 1:26:04
  So yeah, that's how the movie ends.
• 1:26:08
  I'm keeping mine out of nine. Man this movie is so fucking
• 1:26:11
  strong. I'm gonna keep mine at 8.5.
• 1:26:14
  Like I said, the main thing that I think I would probably change,
• 1:26:16
  we're gonna still be in an 8.75 is I just want a little bit
• 1:26:20
  nuanced to like all of the depravity that's happening.
• 1:26:24
  That's such a weird thing to say, but.
• 1:26:26
  I, you know, I feel like they maybe like did it there when the
• 1:26:29
  guy's like, I'm vomiting in your foot.
• 1:26:31
  I thought that he like. This is gross.
• 1:26:33
  This is gross. Who thinks of tossing off toes
• 1:26:35
  and vomiting into the foot? Yeah, this is new.
• 1:26:37
  Yeah. Yeah, So what do we think Talia
• 1:26:41
  thought? Well, let me tell you what Talia
• 1:26:43
  thought. She was not, yeah, she was not
• 1:26:45
  having it. She was.
• 1:26:51
  You can't read through nothing, can you?
• 1:26:54
  I see tummy. Jesse got told by the karaoke
• 1:26:57
  guy last night. He was like, you need to write
• 1:26:59
  better, be better. Yeah, he was like, I couldn't
• 1:27:01
  read this. He's like, if I didn't know who
• 1:27:03
  Kim Carnes was, I wouldn't have known what your song was.
• 1:27:05
  And I went to Jesse the night before reading the grocery and I
• 1:27:08
  was like Jesse, what the fuck is this?
• 1:27:10
  You need to write better man. I don't know what this word is.
• 1:27:12
  It looks like this is butter, but I don't think this is
• 1:27:15
  better. That's his tummy.
• 1:27:17
  Butter, Butter tummy. Button.
• 1:27:20
  She was hitting her button. Oh yeah, she hit it like 7 times
• 1:27:23
  in a row. She kept going.
• 1:27:24
  Talia. Yeah, it's like Bill Nye the
• 1:27:27
  science guy. Maybe it's just like the science
• 1:27:29
  guys in this movie. We need Bill, Bill, Bill.
• 1:27:32
  Science guy Yeah. So, yeah, I think Talia didn't
• 1:27:36
  really like it. She doesn't like people being
• 1:27:39
  mean. She understands the throwing up,
• 1:27:40
  though, because she does that. And here's a fun fact about all
• 1:27:44
  of our animals, when they throw up, their instinct is to go
• 1:27:46
  throw up into the floor registers and we have to chase
• 1:27:50
  them when they're vomiting so that way we don't get vomit in
• 1:27:53
  our air vents. It's easy.
• 1:27:54
  And they think that we're punishing them for vomiting and
• 1:27:56
  we're like, no, just please don't vomit into our air vents.
• 1:27:59
  It's either there or under the bed.
• 1:28:01
  It's never in a place that's easy to clean up, no.
• 1:28:04
  Yeah. So yeah, anyway, I think Talia
• 1:28:06
  will give this A7, OK. Is Zoe's ultimate warrior.
• 1:28:11
  I've been thinking about this and I think it's Jim because
• 1:28:14
  first thing in the morning they get into a fight and to ease the
• 1:28:18
  tension he asks for food. Not bad.
• 1:28:22
  I was going to say Molly, because Molly, like Zoe,
• 1:28:26
  barnacled on the scout. She needed friendship and she
• 1:28:31
  she finally had her. Good for her moment, you know
• 1:28:33
  what I mean? Yeah, yeah, yeah.
• 1:28:35
  OK. Yeah, I'll, I'll give her Molly,
• 1:28:37
  OK. Yeah.
• 1:28:39
  OK. Who did you relate?
• 1:28:42
  To Oh boy, I yeah, this is a weird one because we don't have
• 1:28:48
  enough time to truly know these people before chaos arrives.
• 1:28:52
  Well, I feel like I relate to Jim because of the whole like
• 1:28:55
  the phone thing and yeah, yeah. That's true.
• 1:28:59
  That's relatable for me. And you also relate to a cat
• 1:29:01
  with the book reading thing. Yeah.
• 1:29:05
  Yeah, I I think if I were to relate to somebody I'd relate
• 1:29:11
  to, it's either Jim or I'm going to give Cat the credit on the
• 1:29:15
  joy cons. OK, yeah, I feel like that would
• 1:29:18
  be, I feel like he would have been fine with the red and blue
• 1:29:20
  one that came with the console. And she'd be like, she'd be
• 1:29:23
  like, we need a second set because there's two of us and we
• 1:29:25
  don't always want to have to use like the tiny half joy con.
• 1:29:28
  Yeah, exactly. And I think it makes sense for
• 1:29:31
  us to have different colors. I think we should have a splash
• 1:29:33
  of color in the house anyway. I agree and I relate to that.
• 1:29:35
  So I like I every time I watch this movie, I see that I'm like
• 1:29:39
  love it, dig it. Yeah, good for you all.
• 1:29:41
  OK, OK, so so let's do a dream sequel.
• 1:29:47
  OK, the dream sequel. Do we?
• 1:29:52
  The sadness, too, even sadder. Do we do like a continue from
• 1:30:00
  here or do we do like a Side Story type deal?
• 1:30:03
  I think we need to do, I think it needs to be kind of like a 28
• 1:30:08
  weeks later type situation where we see like people that have
• 1:30:11
  survived the initial, like the outbreak, initial outbreak and
• 1:30:14
  see what they're doing and how they're handling stuff.
• 1:30:18
  OK, I like that. Like, I mean, we're borrowing
• 1:30:20
  from existing IPS anyway, so. This movie kind of had that
• 1:30:23
  already. Yeah.
• 1:30:24
  Like, I mean, it's based off of that book, but also like 28 Days
• 1:30:28
  Later the virus is the very rapid as well.
• 1:30:32
  Yeah, and it's and it's called rage, so.
• 1:30:34
  Yeah, exactly. So I like that.
• 1:30:36
  Yeah. Yeah.
• 1:30:39
  Just like another group of people, like people have had
• 1:30:41
  more time to adapt. The world has gone to shit.
• 1:30:46
  I want to see some of the people that are like, again, I'm going
• 1:30:49
  to see some more of the sociology of the people infected
• 1:30:52
  with the virus. Maybe we start seeing some of
• 1:30:54
  them recover. Let's let's go to a different
• 1:30:56
  country too. OK, but no, think about it
• 1:30:59
  though, like see some of them starting to recover and they
• 1:31:01
  have to deal with what they yeah, the reproduction.
• 1:31:05
  Like are we having court cases for some of these?
• 1:31:07
  You know there's going to be, it's going to be like in,
• 1:31:10
  there's a. Movie that.
• 1:31:11
  That happens the one in the office building.
• 1:31:15
  Oh. We've talked about it.
• 1:31:18
  Mayhem. Mayhem.
• 1:31:19
  Yeah, yeah. Where like he said that like he
• 1:31:21
  couldn't be held accountable because of the virus.
• 1:31:23
  Like we're going to see a similar.
• 1:31:24
  Oh my God, that movie is almost kind of like this.
• 1:31:25
  Too. Yeah, yeah.
• 1:31:26
  Holy. Shit, I forgot about that.
• 1:31:28
  Yeah, That would be really interesting.
• 1:31:29
  Yeah. I would love to see that.
• 1:31:31
  Yeah. So I go time junk like it's
• 1:31:33
  still a thing. Like maybe there's.
• 1:31:37
  I wanted to see there's like a oh faction of people that are
• 1:31:42
  like anti vax for this even too. Yeah, and we would have to say
• 1:31:46
  that. And, like, people like, also
• 1:31:47
  doing lawsuits for, like, because they refuse to get the
• 1:31:50
  vaccine and they got fired from their job.
• 1:31:52
  And so then they're angry. And then we start saying, like,
• 1:31:54
  people that, like, the viruses may be mutated once more and
• 1:31:58
  it's not as obvious signs. So then it turns into a whole
• 1:32:00
  like, oh, do you actually have the virus or are you fucking
• 1:32:03
  asshole? Hell yeah.
• 1:32:05
  Oh man. Yeah.
• 1:32:07
  All right, you can take this into some really interesting
• 1:32:09
  directions. So yeah, that's.
• 1:32:10
  I like that. Yeah.
• 1:32:12
  Please. Rob Shabazz.
• 1:32:15
  We'll shabazz it up with you. Look, you know we're going to
• 1:32:17
  half ass it and you're going to have a shitty sequel or you're
• 1:32:21
  going to hire us and we're going to go and make it our entire
• 1:32:23
  lives. Which one?
• 1:32:25
  Balls in your court, buddy? There we go.
• 1:32:28
  We have the job now, OK. Tack online.
• 1:32:35
  It's not called the happiness. I've been saying that a lot.
• 1:32:40
  Yeah. Yeah.
• 1:32:42
  That was that was my pitch. I think my pitch was good.
• 1:32:44
  OK, let's do that. I'm good with that cuz like,
• 1:32:46
  yeah. I mean the bar is really low cuz
• 1:32:48
  they didn't even come up with a tagline.
• 1:32:49
  Yeah, they couldn't even do it. Yeah.
• 1:32:51
  See Rob, we even have tagline. Yeah, man.
• 1:32:53
  Like we'll have that for the second one.
• 1:32:56
  Yeah, Yeah, come on. Even better.
• 1:32:57
  See, that's the where we don't have ass.
• 1:33:00
  The sadness, too. Even sadder, it's still not
• 1:33:03
  called the happiness. There you go, that's our pitch.
• 1:33:09
  There we go, we got it. Call us for negotiations.
• 1:33:13
  We'll call you. OK, I guess time for reviews.
• 1:33:18
  OK. All right, so I pulled a little
• 1:33:22
  review off of IMDb. Little review.
• 1:33:26
  They rated it 4 out of 10. Ding.
• 1:33:30
  It's titled Gore for Gore's sake.
• 1:33:33
  As a big fan of Asian cinema, I was hoping for a lot from the
• 1:33:36
  sadness but it totally let me down.
• 1:33:39
  I get the pandemic storyline, I love the wall to wall gore
• 1:33:42
  effects and emphasis on practical mayhem, but other than
• 1:33:44
  that this is an entirely hollow experience.
• 1:33:47
  The acting is wonky at best and the characterization rings
• 1:33:51
  totally hollow. The attempts at social
• 1:33:53
  commentary are heavy-handed at best.
• 1:33:55
  Worst of all is the gross out humor which takes things far too
• 1:33:59
  far and leads to this being mean spirited and unappealing.
• 1:34:03
  What I was hoping for was something more like Korea's fine
• 1:34:06
  project Wolf Hunting, which was the same level of bloodshed but
• 1:34:10
  also delivers a thrilling story at the same time.
• 1:34:12
  This It's just score for the gore's sake.
• 1:34:16
  I mean, yeah, it is gore for gore's sake, but that's kind of
• 1:34:18
  the whole point of it. It's.
• 1:34:19
  The point of the movie, yeah. Yeah, it's not like, oh, we're
• 1:34:22
  going to give you a thin premise and then just turn it into an
• 1:34:25
  excuse for your for your splatter gore.
• 1:34:28
  I do think that the acting, I disagree about the acting.
• 1:34:32
  I thought everybody did a fantastic job in this, yeah.
• 1:34:35
  And I wouldn't say anybody had a weak performance.
• 1:34:37
  And I also don't think that the political commentary was
• 1:34:39
  heavy-handed. They just used actual words
• 1:34:43
  people said. Yeah, I've like one thing that I
• 1:34:47
  can understand with this right here is we all got tired of
• 1:34:50
  hearing that shit over and over again.
• 1:34:52
  Like you got like fucking apathy from hearing it over and over
• 1:34:57
  again. If I like, I swear to God,
• 1:34:58
  hearing what was it unprecedented times like, yeah,
• 1:35:03
  that fucking killed me. I don't want to hear that shit
• 1:35:05
  anymore. Like it's but like.
• 1:35:07
  Yeah, that was something my mom and I used to text each other
• 1:35:10
  and be like. Do you remember precedented
• 1:35:11
  times? I sure miss those.
• 1:35:13
  It's just, I hated it so much. But like, it's, it's a fresh
• 1:35:16
  thing. But I mean, obviously after such
• 1:35:18
  a huge event that impacted the entire world, like we're going
• 1:35:21
  to tell stories about. It and also that was the thing
• 1:35:24
  like when the virus was like when the pandemic first started,
• 1:35:27
  that was what people were talking about.
• 1:35:29
  Like it wasn't like this wasn't forced dialogue.
• 1:35:33
  I felt very like true to how things happen.
• 1:35:35
  Like cuz like we, I don't think there was a single Uber we went
• 1:35:38
  into before the shutdowns happened where people haven't
• 1:35:40
  like one of the drivers wasn't like, So what do you think about
• 1:35:43
  this COVID virus? Yeah, and none of them are
• 1:35:45
  really cool about. It yeah.
• 1:35:47
  And like, I don't know, I just think it's I think it's pretty
• 1:35:51
  realistic. It's not like I'm gonna take
• 1:35:53
  another example. So the last season of The Boys,
• 1:35:56
  like there was a meeting, like a secret meeting of senators or
• 1:36:00
  whatever, and they took actual like conservative talking
• 1:36:05
  points. And those felt jammed into the
• 1:36:08
  discussion, like, OK, we're going to take this verbatim word
• 1:36:11
  for word quote somebody said, and we're going to plug it into
• 1:36:14
  the script. But they didn't do it in a very
• 1:36:16
  natural way. It was like, hey, we're spoofing
• 1:36:18
  real life by using their actual words now.
• 1:36:21
  But they didn't do it in a way that felt natural.
• 1:36:23
  This felt natural. In that instance, it took me out
• 1:36:26
  of it and this one right here, I think it's interesting because a
• 1:36:29
  lot of times like we for a long time, this type of movie was
• 1:36:33
  pure fiction. But for the first time for all
• 1:36:36
  of us, like be experienced this shit in our lifetime.
• 1:36:39
  Not necessarily the degree that this movie takes it, but we can
• 1:36:43
  all relate to it. I will say the best thing about
• 1:36:46
  the pandemic is it's given me a whole new appreciation for
• 1:36:48
  zombie and virus movies because we absolutely, for 100% fact now
• 1:36:53
  know that people will behave like assholes.
• 1:36:54
  Exactly. Yeah.
• 1:36:55
  Like it's not unrealistic. Yeah, like it.
• 1:36:58
  Just like it needed to be told post pandemic, yeah, we needed a
• 1:37:02
  story to be told like that because we like had like a new,
• 1:37:05
  totally different understanding of it now and we could relate to
• 1:37:09
  it. So we were able to like speak in
• 1:37:10
  a more relatable way about it. So I don't know, I I get it if
• 1:37:14
  it if you were tired of hearing that shit, but like it.
• 1:37:18
  The story was, yeah, I disagree about it being heavy-handed,
• 1:37:21
  but. Yeah, me too.
• 1:37:22
  You know, like you said, I get it.
• 1:37:24
  All right, so let's do some listener reviews.
• 1:37:27
  So we'll start off with our buddy Chat.
• 1:37:29
  OK? Chat says easily the best feel
• 1:37:32
  bad movie I've seen in ages. Feel bad movie.
• 1:37:35
  That's a good way to describe this.
• 1:37:37
  If you're a fan of bleakness, insane violence and gore, and
• 1:37:40
  utter nihilism in cinema, then stop what you are doing and
• 1:37:43
  watch this. The film does an excellent job
• 1:37:46
  of letting you fall in love with the leads, Cat and Jim, and you
• 1:37:49
  worry about them throughout the film, even down to the slim
• 1:37:52
  sliver of hope at the end. That seems too good to be true,
• 1:37:55
  and it is. The only negative I have is a
• 1:37:58
  very tangential one that this is the story that almost seems like
• 1:38:03
  a direct whiff from the Garth Enus comic cross, but not as
• 1:38:07
  depraved as the comic is. No, not ten.
• 1:38:10
  OK. Wow, if the comic is more
• 1:38:13
  depraved than this, I don't. Yeah, I'm curious to know what
• 1:38:16
  direction that goes. And you said that was like kind
• 1:38:18
  of his thing is that he wanted to have the people, like, feel
• 1:38:21
  like more aware of what they were doing, right.
• 1:38:23
  Yeah. And I think that that kind of
• 1:38:24
  makes it. You wanted to like, communicate.
• 1:38:27
  Like, yeah, because. You know, like it's a whole
• 1:38:29
  other type of deal right there. OK, over on Instagram, we have
• 1:38:37
  Pinot carrots, I think is that who says?
• 1:38:42
  Movie made me ill in the head for a few weeks, Then I watched
• 1:38:45
  it again and really appreciated it.
• 1:38:48
  You know what? I feel like that is one that,
• 1:38:49
  like, you probably do need, like, another watch if it really
• 1:38:53
  had that kind of a visceral impact on you because like, you
• 1:38:56
  know what's coming. And you said, yeah, like when we
• 1:38:59
  watched it the other night, you're like, yeah, Second time
• 1:39:02
  still didn't feel any better. Yeah, like, and it's one of
• 1:39:04
  those that like I appreciate the movie and it's not one of those
• 1:39:07
  that I'm going to say I would never watch again, but like I'd
• 1:39:11
  have to definitely be. It's not going to be like, hey,
• 1:39:13
  let's put on a movie. How about the sadness?
• 1:39:15
  Like it's going to be like, I'm already having kind of like
• 1:39:17
  weird feelings. Let's just purge these feelings
• 1:39:20
  right now. Yeah, and the final review, Sam
• 1:39:24
  X16 O 5 or I think this is Chris says a Taiwan live action
• 1:39:31
  version of the comic cross by Garthiness in the best possible
• 1:39:35
  way. So that means a good adaptation
• 1:39:40
  I guess. Yeah, so I guess that means that
• 1:39:42
  we just need to read the. It sounds like we need to read
• 1:39:44
  that book, yeah. We need.
• 1:39:46
  It's a graphic novel. We need an Enus.
• 1:39:48
  We need to get a little Enus. We need to get a little Enus.
• 1:39:51
  Garth Enus? Is that his name?
• 1:39:53
  Garth Enus? Yeah.
• 1:39:55
  What a name. Yeah, that was a just from how
• 1:40:00
  you could describe my style in high school.
• 1:40:02
  It was just a lot of Garthiness, Garth.
• 1:40:07
  Enus. OK, OK.
• 1:40:08
  And that was it. So thanks everybody for sending
• 1:40:12
  in reviews. Appreciate that.
• 1:40:14
  Again, I apologize for ruining your night.
• 1:40:16
  If you've watched this movie before listening to this
• 1:40:19
  episode, or if you plan on watching afterwards, sorry we're
• 1:40:22
  gonna ruin your night, but you know it's gonna do it in the
• 1:40:26
  best possible way. You know it won't ruin your
• 1:40:29
  night. What watching The Texas Chainsaw
• 1:40:31
  Massacre, the 1974 classic. That's a fucking classic.
• 1:40:34
  That'll cheer you right up. Where can people watch that,
• 1:40:37
  Chelsea? That's a very good question.
• 1:40:39
  Right now they can watch it on Tubi, Peacock, Pluto TV, Plex
• 1:40:43
  Prime freebie, or if you have a YouTube Prime Time or YouTube TV
• 1:40:48
  Premium subscription. You can also rent it from Google
• 1:40:50
  Play and Fandango at home, so it's a very watchable movie.
• 1:40:53
  Yeah. So you got free options and you
• 1:40:55
  got ad free options. So whatever, we're gonna watch
• 1:40:58
  it on our Blu-ray cuz we own that shit.
• 1:41:00
  Cuz this is this is Travis's time to shine.
• 1:41:05
  I shine with Halloween, but this is my secondary shine right
• 1:41:08
  here. I fucking love that afterglow.
• 1:41:11
  Yeah, I fucking love Texas Chainsaw.
• 1:41:13
  I'm super excited to kick that one off.
• 1:41:15
  So be on the lookout for that. And you know who needs an excuse
• 1:41:19
  to watch that again? But go ahead and do it.
• 1:41:20
  Get prepared. But in the meantime, I think we
• 1:41:23
  should shout out some bubbies. I think we should.
• 1:41:26
  Joe. Freakatron.
• 1:41:27
  As is his name, Amber, Michael, Chad Ward, Zombie, Tyler and
• 1:41:32
  Johnny all. Right.
• 1:41:34
  You went out of order a little bit, but you got them all.
• 1:41:36
  Yeah, I got. I panicked for a second.
• 1:41:37
  I was like, no, I don't know what happened there, but like,
• 1:41:41
  yeah, OK. But thanks everybody.
• 1:41:43
  We really appreciate you guys being part of the show.
• 1:41:45
  You guys help us make the show a better product and we really,
• 1:41:50
  really appreciate you all for doing that.
• 1:41:51
  If you guys are unable to do that, you can do things like
• 1:41:54
  rate US on whatever platform you listen on, share episodes, write
• 1:41:57
  a review, all those things does a great job.
• 1:42:02
  You can also, you can reach out to us if you want to, you know,
• 1:42:08
  tell us about how we fucked up your night with this movie or if
• 1:42:10
  you want to send us reviews in the future.
• 1:42:12
  Or if you want to request video of Travis singing karaoke.
• 1:42:15
  You can do that or if you got like movies for the show that
• 1:42:18
  you would like for us to cover, you know, send requests.
• 1:42:20
  We're open to that stuff, but you can find us on Instagram and
• 1:42:25
  threads at least. Favorite scary movie podcast.
• 1:42:27
  We have a blue sky, at least Faith Pod, our Gmail is least
• 1:42:31
  favorite scarymovie@gmail.com, and we have a website.
• 1:42:34
  What's your least favorite scary movie.com?
• 1:42:36
  All right, all right. Thank you guys for always being
• 1:42:41
  here. Yeah, always supporting us.
• 1:42:43
  Go get happy. Go get happy.
• 1:42:44
  Yeah. Cheer up.
• 1:42:45
  Yeah, yeah. Have a good day all.
• 1:42:47
  Right. All right, we'll see.
• 1:42:49
  Y'all. Bye bye.
• 1:43:04
  We got that noise now. You've already got your thing
• 1:43:08
  here. You put this at the end of the
• 1:43:09
  episode.