Latest / The Breakfast Club / The breakfast Club Best Of Episode(Tiffany Haddish, Tank Interview, Rhapsody Interview, Do Men Get Jealous of Sex Toys Topic)
Transcript
- 0:00Speaker 1: Listen to you every single day.
- 0:04Speaker 2: Breakfast club, God, Damny, the breakfast club.
- 0:06Speaker 3: What that ass up on a breakfast club?
- 0:10Speaker 2: Brady. They can't say breakfast club without the refless club.
- 0:14Speaker 3: You're like this rare air.
- 0:17Speaker 4: She got platforms and partners all over the place. Because
- 0:19Speaker 4: your man is so high, people want to be invested
- 0:22Speaker 4: with the breakfast block. I don't think white people know
- 0:24Speaker 4: how popular you guys are. DJ Envy just hilarious, Charlemagne
- 0:31Speaker 4: the God.
- 0:31Speaker 2: You guys really are like the hip hop early morning,
- 0:33Speaker 2: late night talk. Y'all know what you'all talking about.
- 0:39Speaker 5: From today?
- 0:40Speaker 2: Is it your time to get it off your chest?
- 0:42Speaker 6: Wait up, whether you're mad or blessed, time to get
- 0:46Speaker 6: up and get something.
- 0:47Speaker 4: Call up now eight hundred and five eighty five one
- 0:49Speaker 4: O five one. We want to hear from you on
- 0:51Speaker 4: the breakfast club.
- 0:52Speaker 7: Hello.
- 0:52Speaker 2: Who's this?
- 0:54Speaker 8: It's Jonathan?
- 0:55Speaker 2: Jonathan?
- 0:55Speaker 3: What up?
- 0:55Speaker 2: Get it off your chest? Bro?
- 0:57Speaker 5: I just call and tell you just hilarious and they
- 1:00Speaker 5: n be. I appreciate what y'all do. Y'all keep me
- 1:03Speaker 5: rolling out here in the morning, Tony's cause all right, that's.
- 1:06Speaker 2: What it is. We appreciate your service. Wait, do you
- 1:09Speaker 2: toe cars?
- 1:09Speaker 9: As far as you deliver them or you you pick
- 1:11Speaker 9: up cars with people that didn't pay their bill or tickets.
- 1:14Speaker 10: I'm repossession agent, damn it.
- 1:16Speaker 3: Okay, well, I appreciate that. We keep you going to
- 1:20Speaker 3: do that.
- 1:21Speaker 9: Now, if somebody's out there while you repossess them, you
- 1:22Speaker 9: give them a little shot or little chance and say
- 1:24Speaker 9: get out of here or you taking it.
- 1:26Speaker 5: I'll give them a chance to try to get the
- 1:27Speaker 5: stuff out of trying to call they finance company working
- 1:29Speaker 5: out before I take it. You know, sometimes you gotta
- 1:32Speaker 5: work with the people. Is you never know what they're going.
- 1:34Speaker 11: I ain't go front and it's a TV show on
- 1:36Speaker 11: I can't remember what channel, but.
- 1:38Speaker 3: Oh my god, yeah, I know what you're talking about.
- 1:40Speaker 9: But that is so interesting to see them. I think
- 1:42Speaker 9: it's in Baltimore, Philly. It's one of those areas. And
- 1:45Speaker 9: then people be fighting, y'all.
- 1:47Speaker 2: Miami.
- 1:47Speaker 9: In Miami, they be fighting y'all. They be swinging at y'all,
- 1:50Speaker 9: throwing stuff at y'all. See somebody pull out a gun
- 1:51Speaker 9: on one of y'all. You can say something, Miami.
- 1:53Speaker 3: Don't be trying to say that's bottom on us.
- 1:55Speaker 5: Oh yeah, someone just got shot down in Florida, m Florida.
- 2:02Speaker 2: Damnit man eight O three? What's happening? All right, we'll
- 2:08Speaker 2: be safe out there. Hea. Hey, Felicia, good morning, get
- 2:13Speaker 2: it off your chest?
- 2:14Speaker 12: Hey, good morning.
- 2:15Speaker 6: How you doing me?
- 2:18Speaker 12: I'm good, thank you.
- 2:19Speaker 10: Well.
- 2:19Speaker 12: I was actually just calling because there's a lot of
- 2:22Speaker 12: dads out here that actually take care of their kids,
- 2:25Speaker 12: and I just feel like you should be acknowledged for that.
- 2:27Speaker 12: And I want to because there's being out here to
- 2:30Speaker 12: actually take care of their kids. And then I would
- 2:32Speaker 12: like to sell my raggedy ass baby daddy under the
- 2:35Speaker 12: bus because he don't take care of our dad.
- 2:37Speaker 3: That's right.
- 2:37Speaker 2: Salute your raggedy ass baby daddy.
- 2:39Speaker 7: Man.
- 2:39Speaker 2: You know what I'm saying. I don't know what the
- 2:41Speaker 2: reasoning is when not taking care.
- 2:42Speaker 12: Of Give him a donkey for me, please.
- 2:45Speaker 11: I need to hear both sides, stop and shout all
- 2:48Speaker 11: the dads out there doing the right thing, taking care
- 2:49Speaker 11: of their kids and doing what they're supposed to be doing.
- 2:51Speaker 2: Salute all the dads.
- 2:53Speaker 7: Definitely, you, mam.
- 2:55Speaker 11: I need to hear both sides because he might call
- 2:57Speaker 11: up here and say that right, my raggedy ass baby
- 2:59Speaker 11: mama talks thembut I ain't doing nothing for my children.
- 3:03Speaker 2: Hello, who's this?
- 3:04Speaker 10: This is franky, But look I was calling Look check
- 3:07Speaker 10: this out. So I just bought a car. I don't
- 3:08Speaker 10: know what my look, kid is with car. In the
- 3:10Speaker 10: last ten years, I had nine cars. I done bought
- 3:12Speaker 10: a car twelve days ago. I wake up this morning,
- 3:15Speaker 10: it won't even start.
- 3:16Speaker 11: Oh wow, yeah, well, maybe you should go to a
- 3:18Speaker 11: dealership that offers a warranty.
- 3:20Speaker 2: My last here, Well you should have a warranty on
- 3:23Speaker 2: it then, right, yeah, yeah, no.
- 3:25Speaker 10: I gotta wait fromim. I gotta wait from it open up,
- 3:27Speaker 10: and I'm gonna take it right back to him, because like, look,
- 3:29Speaker 10: you know I paid for what I paid for twelve days.
- 3:31Speaker 10: That's not adding up.
- 3:33Speaker 2: Well yeah, but you should get Usually get it from
- 3:36Speaker 2: a dealership. They'll give you warranty.
- 3:37Speaker 11: If there's an issue or problem, they'll give you a
- 3:39Speaker 11: loan until they fix it.
- 3:41Speaker 10: Oh yeah, most definitely. I've been on it all morning.
- 3:43Speaker 10: I'm just you know, like.
- 3:44Speaker 8: Waiting to wake up.
- 3:45Speaker 10: But hey, look I can't wait to see y'all next month.
- 3:47Speaker 10: Ess hilarious. I'm so proud of you. Ain't about to
- 3:50Speaker 10: do anything. I actually once you've been on here, I
- 3:52Speaker 10: start from going back watching your movies and all that
- 3:54Speaker 10: stuff like that. You can't do anything. I'm very proudly
- 3:57Speaker 10: congratulations on the baby.
- 3:58Speaker 3: I appreciate you, babe. Stay away from them lemons.
- 4:04Speaker 10: All right, I'll be good.
- 4:07Speaker 11: Hello.
- 4:08Speaker 2: Who's this?
- 4:09Speaker 7: DJ Envy? Just Hilarry and Charlotte.
- 4:11Speaker 10: Made the dog Good morning.
- 4:14Speaker 2: Forever?
- 4:15Speaker 7: Man, I go hey, listen, man. You know I'll be
- 4:17Speaker 7: trying to call you know how that go? You know
- 4:19Speaker 7: how gonna stop? Listen, man, I just want to say
- 4:22Speaker 7: congratulations to you, justs on the pregnancy and receiving that
- 4:27Speaker 7: third spot as well deserved. And I also just want
- 4:29Speaker 7: to say, May God continue to bless your families, the
- 4:33Speaker 7: whole Breakfast Clumb family staff up there with great health
- 4:36Speaker 7: and much success. You know what I mean. But listen,
- 4:39Speaker 7: it's bar time, baby. Check it out, I said, listen,
- 4:44Speaker 7: taking time, just the outline, See what I got in place,
- 4:47Speaker 7: protecting my spaece through paragraph easy to day ten. Oh
- 4:51Speaker 7: g them bars fifty. They remember me taking time off
- 4:56Speaker 7: the slot. They call me contemporary. Take cover. Just got
- 5:00Speaker 7: a test, a type of simulation in your head these shots.
- 5:03Speaker 7: Then let examine the transportation. Why not the game is
- 5:06Speaker 7: the need of something that's threaded right. Too many water
- 5:09Speaker 7: down on that yo string and that puppet light from
- 5:11Speaker 7: sitting low, pull up slow, they claim in the next
- 5:14Speaker 7: to bloke, So I show him bookies, the vest and
- 5:16Speaker 7: how it's supposed to go on the bright lights.
- 5:18Speaker 10: I'm the best.
- 5:19Speaker 7: They ain't got nothing for me and knockdown shoot a
- 5:22Speaker 7: big shot. The visions of Rob Harley switching up on them.
- 5:25Speaker 7: The ninety's been real good to me, So for twenty
- 5:28Speaker 7: four I wrecked for gg and kolbe respectfully are Rob.
- 5:32Speaker 13: P it's so g.
- 5:35Speaker 2: I that balls? You got some balls?
- 5:37Speaker 10: Jesse?
- 5:38Speaker 2: You got some balls this morning?
- 5:39Speaker 3: Just no, I'm good you go, oh you go ahead.
- 5:43Speaker 11: I got some in a minute all one two one
- 5:46Speaker 11: two one two one two on O g Rob. Early
- 5:50Speaker 11: this morning, Charlemagne invited mad people to his d Now
- 5:53Speaker 11: it was a line outside.
- 5:55Speaker 2: But that ain't gonna beat.
- 5:56Speaker 3: Me, because Virginia, that's why when you were tell you.
- 6:01Speaker 11: Hold up wait a minute, like I'm meek s w V,
- 6:05Speaker 11: I'll make you weak. Don't like me. You can kiss
- 6:09Speaker 11: my cheeks. That's all I got.
- 6:11Speaker 2: Yes, cars, all right.
- 6:20Speaker 7: Y'all have a good week, and I appreciate y'all y'all love.
- 6:23Speaker 9: Brother, alright, get it off your chest eight hundred five
- 6:26Speaker 9: eight five one oh five one.
- 6:27Speaker 2: If you need event, let's discuss this the breakfast slug.
- 6:29Speaker 2: Good morning, the breakfast club.
- 6:34Speaker 4: Wait, this is your time to get it off your chest.
- 6:38Speaker 4: Eight hundred five eight five one o five one. We
- 6:40Speaker 4: want to hear from you on the breakfast club.
- 6:43Speaker 2: Hello, who's this? What's up?
- 6:45Speaker 8: Y'all?
- 6:46Speaker 5: What's up?
- 6:47Speaker 2: What's up?
- 6:48Speaker 12: Draft?
- 6:48Speaker 8: Yeah? What's up?
- 6:49Speaker 7: Draft?
- 6:49Speaker 10: Are you doing?
- 6:50Speaker 2: Baby?
- 6:51Speaker 3: Good morning?
- 6:52Speaker 8: Sure?
- 6:53Speaker 2: Drave? What up?
- 6:54Speaker 8: Says?
- 6:54Speaker 11: I see you still be lying under people comments? You
- 6:56Speaker 11: still delusion on hunh? You still delusion on hunh?
- 7:00Speaker 8: Happened?
- 7:00Speaker 7: Stop hating on my girl?
- 7:02Speaker 10: To leave my girl toe alone.
- 7:04Speaker 8: I'm talking.
- 7:04Speaker 2: I ain't talking about I'm talking about you Lyons, still
- 7:07Speaker 2: about Jake Cole.
- 7:09Speaker 13: Oh, you don't need to stop lying talking about this though,
- 7:12Speaker 13: jay Hole.
- 7:13Speaker 10: It's still the top rapper, top three, number one, true three,
- 7:18Speaker 10: not number two.
- 7:19Speaker 2: That's not true. Who I've been telling you is the
- 7:21Speaker 2: leading way. Who have I've been telling you is the
- 7:23Speaker 2: leader of the new school for this generation for forever.
- 7:26Speaker 8: Huh.
- 7:26Speaker 10: Sorry, let me tell you talking strong, I'm not distressing me.
- 7:28Speaker 13: I'm not distressing those straight men today, just say it, okay, man,
- 7:34Speaker 13: shout out to that gay hold, you know, showing song.
- 7:37Speaker 7: For letting us know it's still gay.
- 7:38Speaker 13: You know, it's still black music mane and I'm black
- 7:40Speaker 13: and I'm gay and I do music, So celebrating.
- 7:43Speaker 2: Me, okay, trap, okay, yes.
- 7:46Speaker 13: All right, and I'll say you missed it. You wasn't
- 7:49Speaker 13: here last week, but I called in and I was
- 7:51Speaker 13: denouncing some gaye and DJ MBS sixteen nine gay no more?
- 7:55Speaker 8: I denounced him, did Gaze?
- 7:57Speaker 2: And why why are you always on Stone? Like I know.
- 8:02Speaker 10: I'm announcing him too.
- 8:04Speaker 8: You're not getting no more.
- 8:04Speaker 10: We kick you out the l DBC community.
- 8:06Speaker 2: Damn. All right, Well if that's and be hung up
- 8:09Speaker 2: on your travel, I want you to know that yes
- 8:11Speaker 2: he did. He ain't learned nothing from yesterday with mister
- 8:13Speaker 2: Kirk Travis.
- 8:17Speaker 11: Okay, so with Sewan Stone, come on a Sean, Oh god,
- 8:21Speaker 11: here's you go.
- 8:23Speaker 8: Do this man? Good morning a trash.
- 8:25Speaker 14: Hey, listen, draft, I love that you represented for the Gates.
- 8:28Speaker 8: Okay, I'm gonna represent for the straight team.
- 8:31Speaker 14: Okay, Well, hey, try where you're going, Hey, trave where
- 8:37Speaker 14: you're going to be at the breakfast again I'm gonna
- 8:39Speaker 14: come up there and meet you. Man.
- 8:40Speaker 2: You want to get his kid, Sean, want to get.
- 8:43Speaker 10: His You gotta be.
- 8:51Speaker 2: Damn why you gotta call me?
- 8:54Speaker 7: What you are?
- 8:55Speaker 8: All right? All right?
- 8:56Speaker 10: Goodbye?
- 8:57Speaker 8: Traft.
- 8:57Speaker 11: I'm trying to think Traves mounted you out, Sean? He
- 8:59Speaker 11: talked to you crazy. What I'm showing all around your Wow?
- 9:05Speaker 8: You know why? You know why he talked to me
- 9:08Speaker 8: like that because I don't really care that he's here,
- 9:11Speaker 8: you know what I mean. But he's very disrespectful. I
- 9:15Speaker 8: don't be disrespecting him. And you want to meet him, right?
- 9:19Speaker 2: But what's up?
- 9:20Speaker 8: Traft?
- 9:21Speaker 2: Your nickname for him and his phone and your phone
- 9:23Speaker 2: is a young oxtail? Is that true?
- 9:27Speaker 8: I'm not even in his phone. What are you talking about?
- 9:29Speaker 8: But what up?
- 9:30Speaker 2: Sewing chest?
- 9:32Speaker 8: Hey, listen man, shout out to all the fathers out there,
- 9:34Speaker 8: and happy Father's Day. Man. We don't get a lot
- 9:37Speaker 8: of recognition out here.
- 9:38Speaker 2: Father's Day already passed.
- 9:39Speaker 7: And day, yeah, every day his Father's Day, boy, and
- 9:44Speaker 7: Mother's Day?
- 9:46Speaker 8: Can I quote? Can I quote something shoul man? Uh?
- 9:51Speaker 14: It says a real father never deprived his child from
- 9:55Speaker 14: being a part of his life. And a real father
- 9:58Speaker 14: is like a farmer that take care of all his
- 10:01Speaker 14: seeds with the same affection and intention for a positive brow.
- 10:06Speaker 8: Okay, you could.
- 10:07Speaker 2: Have wrapped that.
- 10:07Speaker 8: That was written by Ryan.
- 10:09Speaker 2: Huh, you could have wrapped that or something.
- 10:10Speaker 8: Bro.
- 10:11Speaker 2: There was no rhythm that.
- 10:13Speaker 8: Oh my goodness, Charlotte man, go check out the poetry online. Okay, yes, sir,
- 10:18Speaker 8: you're always shooting me down, brother.
- 10:19Speaker 2: Have a good well travels always.
- 10:22Speaker 7: Charlotmade always shooting me down.
- 10:23Speaker 2: Brother, I always shooting you up.
- 10:25Speaker 8: You know what I mean?
- 10:26Speaker 2: Which way you all right?
- 10:27Speaker 8: Man?
- 10:28Speaker 2: Leave show have a hard time. I say he loved it.
- 10:30Speaker 2: Where you excivent hits the poke.
- 10:32Speaker 11: Gas get it off your chest eight hundred and five
- 10:37Speaker 11: five one oh five one if you need to be
- 10:38Speaker 11: hit this up now.
- 10:39Speaker 2: It's the Breakfast Logan Wing, the Breakfast Club.
- 10:44Speaker 11: Want everybody is dj En v Jesse, Larry Charlamage the guy.
- 10:48Speaker 2: We are the Breakfast Club. We got a special guest
- 10:50Speaker 2: in the balance. Indeed, the brother tank some tank way here. Man,
- 10:55Speaker 2: look at young and young every time we see you.
- 10:58Speaker 4: Yeah, that's I use a good exfoliant. You know what
- 11:01Speaker 4: I'm saying.
- 11:02Speaker 2: Routine in the morning, you gotta face routine in the morning.
- 11:04Speaker 4: Well, I use my my wife's you know, beauty tools
- 11:07Speaker 4: and stuff. You know what I'm saying, Xena Foster beauty,
- 11:10Speaker 4: get over there, Gotta get you, gotta get you. Yeah,
- 11:12Speaker 4: I get you right. But that's about it, you know
- 11:15Speaker 4: what I'm saying.
- 11:16Speaker 2: A little dove there you go.
- 11:17Speaker 4: You know what I'm saying. I keep it clean.
- 11:19Speaker 2: Take always happy. Every time you see take happen.
- 11:21Speaker 9: Okay, wherever you see taking, if it's a club, if
- 11:24Speaker 9: it's out in the street.
- 11:25Speaker 4: Halfy mo listen, she's apparently been listening to my music.
- 11:30Speaker 4: So I feel good about that.
- 11:33Speaker 2: Take. Just somebody been in there.
- 11:37Speaker 4: And didn't get out. Ain't funny.
- 11:43Speaker 11: You know what I'm saying.
- 11:45Speaker 4: This is serious, that's really awesome. I'm really happy for you.
- 11:51Speaker 11: Do you make your movie, I mean, you make your
- 11:53Speaker 11: music for those those moments?
- 11:55Speaker 4: Yeah, yeah, that's I mean that was kind of a
- 11:58Speaker 4: point in the beginning. You know, like everything we do
- 12:02Speaker 4: is for the attention of a woman, or women for
- 12:07Speaker 4: that matter, depending on how you plan it, you know
- 12:08Speaker 4: what I'm saying. So for me musically, like I want
- 12:11Speaker 4: to be connected to as many of those moments as
- 12:14Speaker 4: humanly possible. I want to be responsible for bringing life
- 12:18Speaker 4: into the universe.
- 12:19Speaker 2: Have people.
- 12:22Speaker 4: The club I've met the kids, Yeah, no, I was
- 12:27Speaker 4: born because I've met I'm that old now you know
- 12:29Speaker 4: what I'm saying to where I've met the children the
- 12:34Speaker 4: offspring of my music. So I'm really proud of that.
- 12:37Speaker 9: Absolutely, I see it feels like R and B, especially
- 12:40Speaker 9: the nineties two thousands, R and B has picked up
- 12:43Speaker 9: a lot more.
- 12:44Speaker 2: Have you noticed that as well?
- 12:45Speaker 4: Absolutely, the feeling I was right, it's the feeling of
- 12:50Speaker 4: it is what's back people want to and it's what's
- 12:55Speaker 4: crazy is that. Of course, I give credit to the
- 12:57Speaker 4: women for keeping R and B in the main extreame
- 13:00Speaker 4: conversation right. They have been kicking ass and taking names, right,
- 13:04Speaker 4: But I gotta give some credit to hip hop, to
- 13:08Speaker 4: the sampling of.
- 13:09Speaker 2: All of this old R and.
- 13:12Speaker 4: B that they've been bringing back to the forefront and
- 13:16Speaker 4: making people take a deep dive into what those samples
- 13:19Speaker 4: are and rediscovering the original feelings and now desiring those things.
- 13:24Speaker 4: Give me some examples. I was just listening to Doja Cat.
- 13:27Speaker 2: Those just did it. She just had record with the
- 13:31Speaker 2: Troop record.
- 13:31Speaker 4: I mean, originally Michael Jackson five. But I remember the
- 13:38Speaker 4: first time you heard true shout out to Little Steve
- 13:40Speaker 4: and and like Chucky Booker and them like that type
- 13:44Speaker 4: of production. We don't even do that no more. So
- 13:46Speaker 4: you have to actually outsource it by going to the crates,
- 13:50Speaker 4: you know what I'm saying, and bringing that feeling back
- 13:53Speaker 4: and they don't know why it's connecting. We know because
- 13:55Speaker 4: we were there, but it's it's something about that frequent see.
- 14:00Speaker 4: It just makes you feel good, like.
- 14:04Speaker 3: Like your first you did it with yourself, with your
- 14:07Speaker 3: own music. You recreated I deserve and was it? No,
- 14:11Speaker 3: it was you recreated.
- 14:13Speaker 4: I did a well one of my own I deserve.
- 14:16Speaker 4: I was like, let me sample it for somebody else
- 14:18Speaker 4: sample it because they're gonna take all the money.
- 14:20Speaker 3: And then I know it was a Brian McKnight one
- 14:23Speaker 3: that you did, Chris Brown.
- 14:25Speaker 4: It was Brian originally Michelle and Degcello. Okay, you know
- 14:28Speaker 4: what I'm saying. So there there was that, and I
- 14:31Speaker 4: was like, you know what, I might as well get
- 14:32Speaker 4: in on this too, because we rarely do that. And
- 14:35Speaker 4: I was like, let me just tap into some old
- 14:37Speaker 4: and of course Brian me and I, you know, one
- 14:38Speaker 4: of my inspirations growing up and Michelle and deg Cello
- 14:41Speaker 4: is absolutely one of my favorites. So I just had
- 14:44Speaker 4: to get some of that.
- 14:44Speaker 2: I'm going to ask you man, that was one of
- 14:46Speaker 2: my quarters I have for you. Is R and B
- 14:48Speaker 2: music a sound or a feeling?
- 14:50Speaker 4: It's both. It's both because it's like the feeling is
- 14:55Speaker 4: express through the sounds, you know what I mean? Like
- 14:59Speaker 4: you like think about like Davante, like how was he
- 15:04Speaker 4: feeling when he made that when they were making joicy music?
- 15:08Speaker 8: Like what was he on?
- 15:10Speaker 4: You know what I'm saying. When when Casey says, take
- 15:13Speaker 4: my money, Jesus Christ, my house and house in my car.
- 15:20Speaker 4: You let him work, let him work. You gotta you
- 15:25Speaker 4: gotta mean that in order for it to resonate, like
- 15:31Speaker 4: like yes, you can take my money, my house in
- 15:34Speaker 4: my car for one hit of you.
- 15:36Speaker 2: I mean them to this day, to this day. I
- 15:40Speaker 2: mean now, but you don't hear that now out of
- 15:43Speaker 2: that soul and that feeling. That a slick way of
- 15:46Speaker 2: telling somebody, I'll give you the world.
- 15:47Speaker 4: Yeah yeah, but we moved into this, you know kind
- 15:51Speaker 4: of you know, simp and all of these things. When
- 15:55Speaker 4: it comes to taking care of women, I just think
- 16:00Speaker 4: then men are just they've they've been programmed to not
- 16:03Speaker 4: be vulnerable. You know what I'm saying, They've been programmed
- 16:06Speaker 4: to not to not cater. I don't know who started that.
- 16:11Speaker 4: You know what I'm saying. It ain't pimping, It ain't player.
- 16:13Speaker 4: You know what I'm saying, because all the pemps and
- 16:14Speaker 4: the players I grew up watching taking care that they women.
- 16:19Speaker 2: But when did it end? Like what era did it end?
- 16:21Speaker 9: Because even early trade songs was was singing his ass
- 16:25Speaker 9: off to the women, expressing his love.
- 16:27Speaker 11: I think when the RB singers started wanting to be rappers,
- 16:30Speaker 11: and when a lot of these RnB singers probably started
- 16:33Speaker 11: having sex with directors.
- 16:35Speaker 4: I don't even know what that means.
- 16:37Speaker 11: But not saying that, not saying that a man can't
- 16:39Speaker 11: make songs about another man and it'll still be a
- 16:41Speaker 11: love song, just saying I think that they started loving
- 16:44Speaker 11: on each other so much that they really.
- 16:45Speaker 2: Was on some f the women stuff. Yeah, and I
- 16:47Speaker 2: think I could have seen face like the no. But
- 16:50Speaker 2: I also think that, you.
- 16:51Speaker 4: Know, you know, with with the with the wanting to
- 16:54Speaker 4: be with hip hop's emergence, right, it became this really
- 16:58Speaker 4: cool thing that was taking over everything, the airwaves and radio,
- 17:03Speaker 4: the clubs and all of that. And so as R
- 17:06Speaker 4: and B artists getting left behind, we're trying to figure
- 17:09Speaker 4: out how to compete and stay relevant. And so you
- 17:12Speaker 4: and the club and you, you know, you're decently hot artist,
- 17:16Speaker 4: but none of your songs are being played in here.
- 17:18Speaker 4: And all the songs are about bottles, and they're about cars,
- 17:21Speaker 4: and they're about money, and it's about it's not about women,
- 17:25Speaker 4: it's about and so it's like, and I got to
- 17:28Speaker 4: incorporate some of this into my music if I'm going
- 17:31Speaker 4: to survive in this new landscape. And so as we
- 17:36Speaker 4: took that turn, or as R and B took that
- 17:38Speaker 4: turn and never found its balance, I think it's the
- 17:41Speaker 4: DJ fault.
- 17:42Speaker 11: And I tell you why, because there used to be
- 17:44Speaker 11: a time when we was growing up in the clubs,
- 17:47Speaker 11: there would be a moment where the slow songs played. Yeah, absolutely,
- 17:50Speaker 11: but regardless, y'all don't turn down there everybody be on
- 17:52Speaker 11: too much drugs.
- 17:53Speaker 2: Well yeah, I mean there was a time, and usually
- 17:55Speaker 2: it was at the end of the party. But now
- 17:57Speaker 2: it comes back. Now I have a set in the
- 17:58Speaker 2: middle of my part way.
- 18:00Speaker 11: I play R and B music in this and that's
- 18:02Speaker 11: usually the biggest part of it because people are singing,
- 18:04Speaker 11: they feel that that how it felt to be during
- 18:07Speaker 11: that time.
- 18:08Speaker 2: We got more with take when we come back, don't move.
- 18:10Speaker 2: It's to Breakfast Club. Good Morning, the Breakfast Club Morning.
- 18:15Speaker 11: Everybody's j En Vy, Jess, Larry Charlamage the guy we
- 18:19Speaker 11: are the Breakfast Club and tanks in the building, Jess.
- 18:22Speaker 3: What about to go on to with another og? Carl Thomas.
- 18:25Speaker 2: Carl Thomas one of the greatest R and B albums
- 18:28Speaker 2: of all time, not even close.
- 18:31Speaker 4: And people I've seen people ask me, you know, people
- 18:34Speaker 4: ask me why you know, why you choose Carl Thomas,
- 18:37Speaker 4: why you choose Carry Hilson. I'm like, you don't hear it.
- 18:40Speaker 11: Emotion is literally one of the greatest RMB albums. Like
- 18:42Speaker 11: you don't you don't top the bottom love making music,
- 18:45Speaker 11: you know.
- 18:45Speaker 4: What I'm saying. Like when we down at them do
- 18:46Speaker 4: ops with My Girl are down and down in uh
- 18:48Speaker 4: in Miami, and then Carl Thomas records come on. It's
- 18:51Speaker 4: a thing, absolutely really happens. Play some of them Carry
- 18:56Speaker 4: Hilson Records Like things happen.
- 18:58Speaker 3: Yeah.
- 18:58Speaker 4: I was like, first of all, I want to go
- 18:59Speaker 4: into my friends, I want to go toward people I like,
- 19:02Speaker 4: but then too, I want to I want to be
- 19:03Speaker 4: out there. It's an R and B money tour. I
- 19:05Speaker 4: want the catalog to be expensive, with some expensive catalogs,
- 19:09Speaker 4: you know, carry got Hot one hundreds. Carl Thomas has
- 19:12Speaker 4: timeless R and B.
- 19:15Speaker 3: Parties today right now with Summer Raine. They played that
- 19:20Speaker 3: at the top, in the middle of the party at
- 19:22Speaker 3: the end like they what And I grabbed him like
- 19:24Speaker 3: I don't care where I'm at, no karaoke even playing.
- 19:27Speaker 4: Let me give me a little come on, you gotta
- 19:31Speaker 4: pay for that Charlamagne has given us. He's blessed us with.
- 19:34Speaker 3: His storming Come on outside when she keeps me home.
- 19:42Speaker 3: That's my song.
- 19:42Speaker 2: That was.
- 19:49Speaker 11: My wife and college rocking with car Time Carl Thomas
- 19:52Speaker 11: emotional and Joe my name is Joe.
- 19:58Speaker 4: I gotta I gotta do a tour with Joe too. Yeah, man,
- 20:00Speaker 4: touring a song.
- 20:01Speaker 2: I love that.
- 20:02Speaker 4: People have been wanting that for quite some time. You
- 20:05Speaker 4: know what I'm saying, I get you. You know, Joe
- 20:06Speaker 4: likes to hide until it's time. You know what I'm saying, Like, well,
- 20:10Speaker 4: you know I'll be I'll be out playboy. You know
- 20:12Speaker 4: what I'm saying I'm a pop out of.
- 20:14Speaker 2: You mentioned everybody with TGD. I ain't no boy, no
- 20:17Speaker 2: tire reason genuine.
- 20:19Speaker 11: Yeah, but you was in the studio where I saw
- 20:22Speaker 11: you in the studio working on My Beautiful Pain.
- 20:25Speaker 4: Yeah, I think you know, I think we we're at
- 20:30Speaker 4: a great place, man, We're at a great place where
- 20:34Speaker 4: I think now we all everybody collectively sees the value
- 20:40Speaker 4: in what we are, in what we created. And it's again,
- 20:44Speaker 4: it's this resurgence of just that feeling of R and B.
- 20:48Speaker 4: So you got you got two guys from the nineties
- 20:51Speaker 4: who got classicalogs. You got me coming in from the
- 20:54Speaker 4: two thousands, who came came up under these guys, and
- 20:58Speaker 4: and people are hungry and thirsty for that. And so
- 21:01Speaker 4: you're going to see You're going to see some T
- 21:05Speaker 4: G T you know. Fortunately, thank god, you're gonna get
- 21:09Speaker 4: that album. I don't know if we have an album,
- 21:12Speaker 4: but we do have we do have a couple of
- 21:15Speaker 4: moments that we're that we're lining up that are going
- 21:17Speaker 4: to be very special. So that's all. That's all I
- 21:19Speaker 4: can really really say about that.
- 21:22Speaker 11: And I saw you the other night, man, I forgot
- 21:23Speaker 11: I don't know where y'all was at but Flavor Flav
- 21:26Speaker 11: was singing.
- 21:27Speaker 2: He was what was so I forgot what he was singing?
- 21:29Speaker 4: Was it we were honoring, they were honoring. I don't
- 21:32Speaker 4: want to get this wrong to be I don't remember
- 21:36Speaker 4: be there. I can't, I don't. I don't want to
- 21:38Speaker 4: mess up the name of the organization. Seana hit me.
- 21:41Speaker 4: It was like, we're honoring Jimmy jam and Terry Lewis,
- 21:44Speaker 4: and we need you to do what you do. And
- 21:47Speaker 4: I was like, cool, I mean you say Jimmy Jam
- 21:49Speaker 4: and Terry Lewis.
- 21:49Speaker 2: I'm in I don't.
- 21:50Speaker 4: I don't care what it is. And so we're honoring them,
- 21:52Speaker 4: and and and baby Face is there, and you know,
- 21:56Speaker 4: I don't want to pressure baby Face to sing, but
- 21:59Speaker 4: he's there, and I'm like, Babyface, if you want to sing,
- 22:03Speaker 4: you can, you don't have to. And they started playing
- 22:06Speaker 4: one of his songs and we were singing in faces
- 22:08Speaker 4: like na, na, let me let me handle that. He
- 22:11Speaker 4: started singing. Just Flavor Flav just came out of nowhere
- 22:13Speaker 4: and just started and just started singing.
- 22:15Speaker 2: You look surprised that you could hold an oak.
- 22:17Speaker 4: No, if that wasn't surprise, It was just like they
- 22:20Speaker 4: think about it.
- 22:21Speaker 2: Like, why did you take the mic from Babyface to
- 22:22Speaker 2: give it a flavor?
- 22:25Speaker 4: My thing is, Babyface is singing all right, and Flavor
- 22:30Speaker 4: flav has the gall and audacity to take the micro
- 22:36Speaker 4: to run up and started singing against the baby Face.
- 22:43Speaker 2: Why didn't you stop it? That's why the game need referees.
- 22:45Speaker 11: You supposed to stop that, right then you're big enough
- 22:47Speaker 11: to stopping polls at that moment.
- 22:51Speaker 4: Right, it only goes one way. It only looks like
- 22:55Speaker 4: disrespect in front of that many people. You know what
- 22:59Speaker 4: I'm saying, Like to now, it's now, it's flavor Flake.
- 23:02Speaker 4: He is flavor Flake. Let's not discredit him.
- 23:05Speaker 1: He is who he is.
- 23:07Speaker 4: And then I run up on him saying baby Face singing,
- 23:09Speaker 4: hold on right now, hold on, hold on, baby facing away.
- 23:13Speaker 4: Baby Face has to fight that battle. Listen, and don't
- 23:22Speaker 4: think that baby Face felt the way. He wouldn't have
- 23:25Speaker 4: handled it, Babyfaces, Listen. The songs are nice and soft
- 23:30Speaker 4: and meek. Baby Face is not. He's a nice guy,
- 23:34Speaker 4: but he's nobody sucker. I promise you if he felt
- 23:37Speaker 4: the way, and he would have and I was kind
- 23:40Speaker 4: of following his lead, the baby Face would have looked
- 23:43Speaker 4: like he wasn't feeling it. Then we would have handled
- 23:46Speaker 4: that way, but he was. It was all in good fun.
- 23:49Speaker 2: R and B money. The vault is out, vault say
- 23:51Speaker 2: it again. The vault is out right now, and we
- 23:54Speaker 2: appreciate you for joining.
- 23:55Speaker 4: Twenty six Yes, right, yeah, that's what's out right now
- 23:59Speaker 4: right now? Okay, are you gonna what do you? What
- 24:02Speaker 4: are you gonna do with this music?
- 24:03Speaker 2: You already know what I'm doing.
- 24:04Speaker 3: I got I can't ain't too much I can do
- 24:06Speaker 3: right now because I can't get pregnant twice and one.
- 24:09Speaker 2: You know how far along are you?
- 24:11Speaker 3: Five months?
- 24:12Speaker 1: I'm gonna be six five months? Yeah, that's a good time.
- 24:15Speaker 3: Yeah, I'm still I'm still money, still having.
- 24:21Speaker 2: I'm still moving a head.
- 24:23Speaker 8: Believe. Let me tell you something.
- 24:25Speaker 4: My wife is ragnant.
- 24:26Speaker 2: Some of the best, the best time, some of the best. Crazy.
- 24:35Speaker 4: It's something extra in there.
- 24:37Speaker 2: It is. Can I swim in your ocean?
- 24:42Speaker 10: That's right?
- 24:43Speaker 3: I know that people put on money. It's a skip.
- 24:48Speaker 4: It's like an ointment, all right, taut right now, it's
- 24:53Speaker 4: take It's the practice club.
- 24:55Speaker 2: Good morning morning. Everybody is d j en Vy just hilarious.
- 24:58Speaker 11: Charlamagne the Guy we all the breakfast club now if
- 25:01Speaker 11: you're just joining us.
- 25:02Speaker 2: I was talking to Jess in the other room.
- 25:04Speaker 11: Me and my wife do this podcast called the Casey
- 25:06Speaker 11: Crew Podcast, and on the last episode, I was talking
- 25:09Speaker 11: about how I felt when she was telling me about
- 25:12Speaker 11: the rolls, the sex toy.
- 25:14Speaker 2: Me and my wife talk about everything. One night went
- 25:15Speaker 2: bad and she was telling me.
- 25:16Speaker 11: She was like, look, one of my friends recommended this
- 25:18Speaker 11: rose and when I tried it, she was like, yo,
- 25:21Speaker 11: she said, it got to the point I had to stop.
- 25:23Speaker 11: It was going so my body was shaking, my fingernails
- 25:25Speaker 11: was shaky. She was like it was something I never seen,
- 25:27Speaker 11: like an out of body experience, and I felt a
- 25:29Speaker 11: way damn Like. I was like, word, I no doubt,
- 25:32Speaker 11: I'm going to sleep and she was like, Dad, you
- 25:33Speaker 11: ain't even ask me no questions. I said, I want
- 25:35Speaker 11: to ask them.
- 25:35Speaker 2: I mean you gave me all info. Yeah, I'm getting
- 25:38Speaker 2: so I kind of turned over and went to sleep,
- 25:40Speaker 2: and damn you turned it back to it. I definitely
- 25:42Speaker 2: turned my back. I definitely turned my back.
- 25:44Speaker 11: So we had a discussion and I was like, yo,
- 25:46Speaker 11: I feel a little way like I felt insecure and
- 25:48Speaker 11: kind of jealous of the rose.
- 25:50Speaker 9: So you know, the question is eight hundred and five
- 25:52Speaker 9: eight five one oh five one. Do people feel the
- 25:54Speaker 9: same way, like like I did, Like I even took
- 25:56Speaker 9: the batteries out.
- 25:57Speaker 3: Jesus, that is crazy. Now Chris has hidden my toys
- 26:02Speaker 3: like he hides them because he'll get in the bed,
- 26:06Speaker 3: want to be in the bed.
- 26:07Speaker 1: It won't be behind it. You know what I'm saying,
- 26:09Speaker 1: the toys you got in the bed?
- 26:11Speaker 3: All right, Listen, my dad and I are grown together.
- 26:17Speaker 3: So he understands I'm pregnant right now and nothing nothing
- 26:19Speaker 3: more than that dad to see.
- 26:22Speaker 1: So no, he's a truck driver.
- 26:24Speaker 3: He's gone most of the time.
- 26:25Speaker 2: And yeah, so he just hides them.
- 26:28Speaker 3: Yes, he's like, yo, you know I was going to
- 26:30Speaker 3: be home, like you can't put him up, like you
- 26:32Speaker 3: know what I'm saying.
- 26:33Speaker 2: So Solamon, you use him with your wife. First of all,
- 26:37Speaker 2: don't don't worry about what me and my wife do.
- 26:39Speaker 11: But I will tell you sensitive light skin individuals out there,
- 26:42Speaker 11: you sensitive light skin.
- 26:44Speaker 2: Yes, he is a.
- 26:47Speaker 11: Sex toys or tools and you know, same way you
- 26:50Speaker 11: need a wrench and a screwdriver and a hammer to
- 26:53Speaker 11: get things done around the house. It's the same with
- 26:55Speaker 11: sex toys, look at him as tools. Will get you
- 26:57Speaker 11: a little work belt, you know what I'm saying, a
- 26:58Speaker 11: little Batman utility belt.
- 27:00Speaker 2: Have you satisfy your pro two on it?
- 27:01Speaker 11: Have your g spot, tongue vibrated, you know what I'm saying,
- 27:04Speaker 11: have your rolls, have your cardless wan vibe okay, and
- 27:07Speaker 11: get the work.
- 27:07Speaker 1: I know that's get the damn basically describe his nights.
- 27:13Speaker 2: I know that the work. What's wrong with you?
- 27:15Speaker 8: All man?
- 27:16Speaker 2: Insecure?
- 27:16Speaker 11: A toys hiding battery like she don't got three backups?
- 27:21Speaker 11: He come in there, Leonard, the landscape, build her.
- 27:28Speaker 15: Melvin, good morning, good morning. How you're doing?
- 27:31Speaker 2: That's going on? What's what's your thoughts? Melbourn.
- 27:33Speaker 15: I wouldn't say I'm secure, but I do get upset
- 27:36Speaker 15: when she might promise me something of the day and
- 27:40Speaker 15: I found that to use her road, but then she'd
- 27:42Speaker 15: be good for the.
- 27:43Speaker 8: For the night.
- 27:43Speaker 15: You know what I mean.
- 27:44Speaker 3: Oh yeah, that's crazy.
- 27:46Speaker 2: So you get upset.
- 27:47Speaker 15: Yeah, I get upset because I'm like, you promised me
- 27:49Speaker 15: one thing, then you use you know what I'm saying,
- 27:51Speaker 15: your jon't promises?
- 27:55Speaker 2: Okay, thank you, Melvin. I'm with him on that jazz.
- 27:58Speaker 2: Good morning, jazz.
- 27:59Speaker 10: What's up, y'all? What's up?
- 28:02Speaker 2: What's your thoughts? Morning?
- 28:04Speaker 15: My thought it says, yes, me get the chore as
- 28:09Speaker 15: far as you're using the roads. I had the same
- 28:11Speaker 15: issue with an ex boyfriend of mine and the current
- 28:15Speaker 15: voice of mine. But I just decided not to use
- 28:17Speaker 15: the roads, just to not get it.
- 28:18Speaker 13: So they wait.
- 28:20Speaker 10: Ify. I see why you brought the topic up, because
- 28:22Speaker 10: they nick to do what y'all from yo.
- 28:28Speaker 15: Woman, You y'all take each other all the time back then, you.
- 28:33Speaker 4: Know what I think?
- 28:33Speaker 10: I wonder.
- 28:34Speaker 11: I wonder if men are getting jealous or if they
- 28:36Speaker 11: feel more so like the brother who just called Phil,
- 28:39Speaker 11: like once a woman does it, she don't want them anymore.
- 28:43Speaker 2: She doesn't you know, got her fization.
- 28:46Speaker 3: Is already for fell like that, it's already. You know
- 28:47Speaker 3: what I'm saying.
- 28:48Speaker 2: I wanted them more disappointed that they didn't get some
- 28:50Speaker 2: as opposed to being jealous.
- 28:53Speaker 1: Video yo, video, Oh yo?
- 28:56Speaker 15: What's up?
- 28:57Speaker 3: Man?
- 28:57Speaker 8: All right?
- 28:58Speaker 10: So I'm listening to you, right, do it?
- 29:01Speaker 15: I think you kind of looking at the wrong I
- 29:03Speaker 15: think instead of resistant a road.
- 29:05Speaker 10: You gotta look at it as part of the part
- 29:07Speaker 10: of the team, you know. Y'ah, y'all, that's right. You
- 29:12Speaker 10: gotta incorporate you to the whole situation.
- 29:14Speaker 15: Don't work out for your problem.
- 29:16Speaker 11: It's a tool, bro, it's a tool. Look at it
- 29:19Speaker 11: like it's a tool. Like you can't when you're around
- 29:22Speaker 11: the house. There's certain things you know, like when your
- 29:24Speaker 11: toilet called up?
- 29:24Speaker 2: What do you grab? You need a tool. Look at
- 29:28Speaker 2: these things as tools. Man, you're looking at it all wrong.
- 29:32Speaker 2: It's a tool, bro.
- 29:33Speaker 8: Pops.
- 29:33Speaker 11: What you say, just Alaris pops his head got come
- 29:38Speaker 11: to the mic. O G oh god, Michael, Ladies and gentlemen,
- 29:42Speaker 11: this is just Alarics poppy. He's spending the day with that.
- 29:45Speaker 6: Why would you because he's O GV what's happening.
- 29:52Speaker 2: He's America.
- 29:53Speaker 6: What I feel is, uh, I would be upset for
- 29:55Speaker 6: a while, but then I think it frees up time
- 29:56Speaker 6: for Sports Center. I never really watched the whole thing,
- 30:01Speaker 6: but I think that the rose asked to the element
- 30:04Speaker 6: is you can get to watch the front half and
- 30:05Speaker 6: the back half.
- 30:07Speaker 2: Because it gets things done so good. Yeah okay, okay,
- 30:09Speaker 2: I feel you're saying. I never look at it like that.
- 30:11Speaker 2: Oh yeah. Sometimes you can just get more dumpy yourself
- 30:14Speaker 2: you know I got you bowling.
- 30:16Speaker 3: Yeah, so you'll be tired more so like you just
- 30:19Speaker 3: like you tired. You know, sex all the time.
- 30:20Speaker 6: So it's like you you you appreciate the rules, like
- 30:24Speaker 6: maybe I can go first and let the rose finish up.
- 30:28Speaker 2: Versa.
- 30:28Speaker 8: You know, I just.
- 30:32Speaker 2: I think you should always let let the roads open
- 30:35Speaker 2: up for you, though, because.
- 30:35Speaker 11: Then you ensure she gets hurts. So if you get
- 30:39Speaker 11: in there, you know that, and it don't take one.
- 30:41Speaker 3: That's the problem. The rose takes care of all the rolls.
- 30:45Speaker 3: We were tired after the rose. It's like, all right,
- 30:47Speaker 3: so we know you never let the rules open up.
- 30:49Speaker 3: You let the ruse headline. Okay, okay, okay, the guy
- 30:52Speaker 3: opens up, and then you're doing a lot.
- 30:55Speaker 9: I know, I know, fie O five one if you're
- 30:58Speaker 9: just joining us. I was about me and my wife's podcast.
- 31:01Speaker 9: We have a podcast called the Caacy Crew podcast. We
- 31:02Speaker 9: were talking about one night. She was telling me about
- 31:05Speaker 9: the roles that one of her friends recommended to her.
- 31:07Speaker 9: She got it and she was like, the rolls was
- 31:09Speaker 9: this and that, and it made me feel the way
- 31:11Speaker 9: like it made me feel the way where I hit
- 31:13Speaker 9: the battle.
- 31:13Speaker 2: I just want one story and I just want one
- 31:16Speaker 2: of you actually satisfying your wife, just one past. I
- 31:21Speaker 2: need to start listening. Listen to the stories that you'll
- 31:23Speaker 2: be presenting.
- 31:25Speaker 8: Don't you.
- 31:30Speaker 11: Listen to them, because that's normal since you've been working here,
- 31:34Speaker 11: have you heard one?
- 31:39Speaker 2: I got six and sex stories?
- 31:40Speaker 8: All right?
- 31:41Speaker 2: That no success?
- 31:43Speaker 3: Yeah, don't play them?
- 31:45Speaker 1: Kids came out to deal.
- 31:46Speaker 2: That's right, success story.
- 31:48Speaker 8: Hello?
- 31:48Speaker 2: Hello, who's this y'all?
- 31:50Speaker 10: What up?
- 31:53Speaker 2: Talk to us?
- 31:54Speaker 8: Rio?
- 31:54Speaker 2: Man?
- 31:55Speaker 10: Look and bro, look, tell you you can't beat the machine. Bro.
- 31:58Speaker 8: You gotta join it.
- 32:00Speaker 10: You gotta join it, Bro, you can't. You can't beat
- 32:02Speaker 10: it here already. We gotta deal with it.
- 32:04Speaker 2: It's like AI. You ain't gonna be able to fight it.
- 32:07Speaker 8: Better learn to use it, man.
- 32:09Speaker 10: You gotta use it all her. Don't don't let her
- 32:11Speaker 10: use it on her stuff. You got to use it
- 32:12Speaker 10: on her. And you add to a little thing to it.
- 32:14Speaker 10: I'm telling you, bro, she can use it all she
- 32:16Speaker 10: want to, but she ain't gonna get this in in
- 32:18Speaker 10: sancty like you.
- 32:19Speaker 8: Use it on it.
- 32:19Speaker 10: You feel me.
- 32:20Speaker 11: And I'm glad you said that, my brother, because that's
- 32:22Speaker 11: why I keep saying it's a tool. When you when
- 32:24Speaker 11: you and that thing together are working is one. Now
- 32:29Speaker 11: you're really doing something, but see that.
- 32:32Speaker 3: No, you ain't really doing nothing but hurt none. You're
- 32:34Speaker 3: trying to kill the cat basically because what the rose
- 32:37Speaker 3: is designed to do, it's everything all in one already.
- 32:40Speaker 3: So you even use the rods to get you excited,
- 32:44Speaker 3: but don't go go all the way in. Let the
- 32:46Speaker 3: man finish, or you let the man and you ain't done.
- 32:49Speaker 3: And then you use the roads because you you only
- 32:52Speaker 3: you know your body. You know your body more than
- 32:54Speaker 3: the man. That thing is powered up, especially when especially
- 32:58Speaker 3: your joy the batteries is, you know, doing other.
- 33:00Speaker 2: Things while the roses working. You can be kissing on her.
- 33:02Speaker 1: Neck, yes like that.
- 33:03Speaker 3: Yeah, but if it's too much construction going on down there,
- 33:07Speaker 3: it will it will get destroyed.
- 33:09Speaker 2: So you gotta thing you handle the rest.
- 33:11Speaker 3: Because it's like seventeen modes and and then this, you
- 33:14Speaker 3: know it's and then the cycles.
- 33:19Speaker 1: So you don't want to beat it up like.
- 33:21Speaker 2: You'd be like dang and then be running seventeen.
- 33:26Speaker 4: Like this.
- 33:27Speaker 3: Yeah, but the power in that thing is crazy, so no,
- 33:31Speaker 3: just let her do it and then you yeah, like
- 33:33Speaker 3: you said, you kiss on her neck, get on the mood.
- 33:35Speaker 1: Talk to it because Roses can't talk roses roses, so
- 33:38Speaker 1: you have to talk to him.
- 33:39Speaker 9: But you know, you know what I feel disgusted about
- 33:42Speaker 9: the fact that you know what I have in my
- 33:43Speaker 9: mind Charlomagne walking around his bedroom, but ass nigga with
- 33:46Speaker 9: a utility.
- 33:49Speaker 2: On one side, rolls on one side three thousand. It
- 33:53Speaker 2: ain't no plugs in the back like that. Just you
- 33:55Speaker 2: know what discussed me, The fact that ain't orgasm in
- 33:58Speaker 2: ten years?
- 34:00Speaker 11: Okay told us that. Now you're telling us that she's
- 34:03Speaker 11: using a sex toy and you mad about that. Why
- 34:05Speaker 11: won't you let her be happy?
- 34:07Speaker 5: Okay?
- 34:10Speaker 11: You know what discussed me. You don't have one success story,
- 34:13Speaker 11: a million of you don't have one all the success stories, man, million,
- 34:20Speaker 11: I'm tired of you doing this. I'm laying yourself down.
- 34:22Speaker 3: On this craw.
- 34:26Speaker 16: Brother for years.
- 34:28Speaker 2: Million enough last year when.
- 34:30Speaker 11: When Real Love came out two years ago, I ain't
- 34:32Speaker 11: make my wife all gas mainteen years, I'm hiding my
- 34:35Speaker 11: wife batteries.
- 34:37Speaker 2: The die, you take the caps.
- 34:39Speaker 8: You doing this, you do what everybody.
- 34:43Speaker 2: You go crazy? This is crazy to me.
- 34:45Speaker 11: Your utility about that? I am because you know what
- 34:48Speaker 11: I want you to do. I want you to get
- 34:49Speaker 11: some get back. I act like it's your vibrator. Put
- 34:51Speaker 11: a little brown on the end of it. Make her jealous.
- 34:54Speaker 2: Back in.
- 35:00Speaker 4: Breakfast club, everybody.
- 35:04Speaker 9: Is DJ n V Jess hilarious, Cholamine the guy. We
- 35:07Speaker 9: are the breakfast club. You got a special guest in
- 35:09Speaker 9: the building, A good sister. Tiffany Hadish is back.
- 35:11Speaker 2: Welcome, he's booting.
- 35:13Speaker 1: Yeah, I'm feeling fantastic. How are you feeling?
- 35:16Speaker 2: God bless black and.
- 35:19Speaker 1: I feel good.
- 35:20Speaker 8: There you go.
- 35:20Speaker 2: Yeah, new book. I curse you with Joy. Talk to
- 35:24Speaker 2: me about it.
- 35:24Speaker 17: But you know it's funny. Everybody's called it, I curse
- 35:26Speaker 17: you with joy, but I call it it's at the
- 35:28Speaker 17: top of the page. If you look at the front
- 35:30Speaker 17: page and say, Tiffany Hattish, I curt you with joy?
- 35:33Speaker 8: Got you?
- 35:34Speaker 1: Yeah, I need to say that, But you can say
- 35:35Speaker 1: I cut you with joy.
- 35:37Speaker 2: You've been saying that since I've known you. You always
- 35:39Speaker 2: do that, like curse people with joy.
- 35:41Speaker 1: Yeah, because there's a lot of unhappy people.
- 35:44Speaker 17: And I mean, if you look at the Internet, you
- 35:46Speaker 17: can see it's a lot of like it's a lot
- 35:48Speaker 17: of hate and anger and sadness out there. And I could,
- 35:52Speaker 17: like you know, combat that with the same thing, or
- 35:54Speaker 17: I could say, you know what, I cut you with
- 35:56Speaker 17: some joy, because you obviously are not happy. So I'm
- 35:59Speaker 17: sharing some stories this book. It's a series of essays,
- 36:02Speaker 17: if you will. And then I'm sharing some dark things
- 36:06Speaker 17: about my existence and how I find the bright side
- 36:10Speaker 17: of it.
- 36:10Speaker 9: You know what got you to the point to write
- 36:12Speaker 9: the book? Was it a particular comment, was it something
- 36:14Speaker 9: that somebody said, or you just was all of the above?
- 36:17Speaker 14: No.
- 36:17Speaker 17: I had always wanted to do that because the first book,
- 36:20Speaker 17: Tiffany hottis the Last Black Unicorn. That first one I
- 36:24Speaker 17: had edited down when I had took a lot of
- 36:25Speaker 17: stuff out because it was too long. I don't like
- 36:28Speaker 17: super long, but I don't like them too long personally.
- 36:31Speaker 1: If I'm not gonna read it, why would I expect
- 36:33Speaker 1: somebody else to read it?
- 36:34Speaker 8: Right?
- 36:35Speaker 17: So I took a lot out. So on this next book,
- 36:38Speaker 17: I curse you with joy. All the stuff that I
- 36:40Speaker 17: had took out the first book I put in this
- 36:42Speaker 17: book plus more of the journey of being this you know,
- 36:47Speaker 17: shot out of a cannon star, I guess you would say.
- 36:50Speaker 17: And it's been it's been an interesting journey. You guys
- 36:53Speaker 17: have known me since the beginning of the journey. You
- 36:55Speaker 17: guys have seen the whole ups and downs and all
- 36:57Speaker 17: of that. I'm like, this is the craziest roller coaster.
- 37:00Speaker 17: And nobody gives you a manual on how to be famous.
- 37:03Speaker 17: Nobody gives you a manual on how to handle certain things.
- 37:07Speaker 1: And you have to figure that. You got to figure
- 37:09Speaker 1: it out, and it's it is hard. It is very hard,
- 37:12Speaker 1: but I'm having fun doing it.
- 37:13Speaker 2: What was the most difficult part, you said you figured
- 37:15Speaker 2: it out.
- 37:15Speaker 17: The most difficult part was not rolling up on somebody
- 37:18Speaker 17: and whipping the ass. Because I'm from the nineteen hundred
- 37:21Speaker 17: and we will show up to your mama house and
- 37:24Speaker 17: beat your ass. That's what it's like, the good old days.
- 37:27Speaker 17: You know, Oh you're talking, Okay, I'm gonna come over
- 37:28Speaker 17: there and beat you up.
- 37:30Speaker 4: You know.
- 37:30Speaker 3: When of my period come on and I got some time,
- 37:32Speaker 3: I will call people. I will make a phone call.
- 37:35Speaker 9: That you were Actually I guess you found an app
- 37:39Speaker 9: that you could actually find out where these people live
- 37:41Speaker 9: or find a number.
- 37:42Speaker 1: Yeah, yeah, you can find you can find people.
- 37:44Speaker 2: You know.
- 37:44Speaker 17: I used to be married to a private investigator, so
- 37:46Speaker 17: I know how to get in your business.
- 37:47Speaker 1: If I want to.
- 37:48Speaker 17: And so when the lady in the red dress show up,
- 37:51Speaker 17: I become a little evil and I'll be having time.
- 37:54Speaker 17: Sometimes sometimes I have time. So then I decided to
- 37:57Speaker 17: take that time to invest in it. People that like
- 38:00Speaker 17: to talk, and I'll just put your business out there,
- 38:03Speaker 17: not like docs you or nothing like that, but you
- 38:06Speaker 17: know I'll call you or I'll make comments on your
- 38:09Speaker 17: page and you won't know it's me, but i'll make
- 38:11Speaker 17: comments about you know, police recordsitions.
- 38:14Speaker 2: So when you call theseros, you calls in, this is
- 38:16Speaker 2: Tiffany Hattis. Yeah.
- 38:18Speaker 17: Yeah, I'll be like, is this blah blah blah and
- 38:20Speaker 17: they'd be like, yep, I'd be like this Tiffany Hatish.
- 38:22Speaker 1: They'd be like what nah what, No, No, this is
- 38:26Speaker 1: Tiffany Hattis.
- 38:27Speaker 17: I said, first of all, I want to say I
- 38:29Speaker 17: know you loved me because you spent three hours making
- 38:32Speaker 17: a video.
- 38:33Speaker 1: The video was three hours, so I know you spent at.
- 38:36Speaker 17: Least six editing it and all of that, like searching
- 38:40Speaker 17: for pictures and finally like thank you, I appreciate you,
- 38:44Speaker 17: or you know, I see your whole YouTube pages about me.
- 38:48Speaker 17: So I just wanted to say thank you, and I
- 38:50Speaker 17: wanted to let you know that I'm about to monetize
- 38:52Speaker 17: your videos because you know, you use something my content there,
- 38:56Speaker 17: so I'm gonna need to get paid too, And they'd
- 38:58Speaker 17: be like you crazy, ain't nobody this is you and no, no, no,
- 39:00Speaker 17: no no no, I'm not crazy. I'm not crazy.
- 39:03Speaker 1: I have endometriosis. And so I'll tell you I'm using it.
- 39:07Speaker 3: Yeah, I'm using it.
- 39:09Speaker 17: I'm using the energy towards something positive. So I just
- 39:12Speaker 17: wanted to let you know how I know you let me.
- 39:17Speaker 3: Therapeutic for you don't like in any way.
- 39:19Speaker 1: I don't know.
- 39:19Speaker 17: I've been therapy so long, I don't know. I don't
- 39:22Speaker 17: know if it was therapeutic. I felt like it was
- 39:23Speaker 17: more so informative for others, like it was my way
- 39:26Speaker 17: of sharing. For others, some parts are a little cathartic
- 39:31Speaker 17: or whatever, but for me, it was more so I
- 39:33Speaker 17: want people to know they're not the only person going
- 39:35Speaker 17: through what they're going through, like and just because somebody's
- 39:38Speaker 17: famous doesn't mean they're not a regular human being, and that.
- 39:42Speaker 1: There's not like bad days.
- 39:44Speaker 17: There's sometimes it's more bad days than good, especially like
- 39:47Speaker 17: I don't know, dealing with the Greek losing my grandma
- 39:50Speaker 17: really kind of just threw me for a loop. I
- 39:52Speaker 17: feel like my soul was like, look, we're gonna have
- 39:54Speaker 17: we don't have too many losses at this point, so
- 39:56Speaker 17: we're gonna have to sit down and deal with it.
- 39:57Speaker 17: And if you don't sit down and deal with it,
- 39:59Speaker 17: I'm I'm a ma. You do things, that's gonna have
- 40:01Speaker 17: to make you sit down and deal with it.
- 40:03Speaker 2: So was the Daddy issues chapter hard.
- 40:05Speaker 17: That was the hardest one. That was the hard That
- 40:08Speaker 17: was the hardest one because I realized, like, man, is
- 40:15Speaker 17: it's hard not having a dad. And then like when
- 40:18Speaker 17: I met my dad, it was like I was a
- 40:21Speaker 17: little girl all over again, and like I remember everything
- 40:24Speaker 17: about him, you know, even though I was three years
- 40:26Speaker 17: old the last time I saw him.
- 40:27Speaker 1: I remember how he smelled, I remember what he sound like.
- 40:30Speaker 17: Just hearing his voice, my whole soul lit up, like
- 40:32Speaker 17: nobody sound like my daddy. Nobody could be my daddy.
- 40:36Speaker 5: And so.
- 40:38Speaker 17: But there was years I was trying to find my dad, like,
- 40:41Speaker 17: you know, through other men and through whatever I was
- 40:44Speaker 17: doing stupid.
- 40:45Speaker 4: I was done.
- 40:45Speaker 17: And it's a lot of us out here like that.
- 40:47Speaker 17: But you can you can pull past all that and
- 40:50Speaker 17: grow and be successful.
- 40:51Speaker 2: You about to make me cry? Is it true? Women
- 40:54Speaker 2: really look for that? And men like do they look
- 40:56Speaker 2: like look for somebody that's like their daddy.
- 40:57Speaker 18: I don't know.
- 40:58Speaker 1: I don't know what other women looking for. I know
- 40:59Speaker 1: what I'm I was looking for it. I was looking
- 41:01Speaker 1: for it.
- 41:01Speaker 17: I was looking for like safety. I wanted to feel safe.
- 41:06Speaker 17: I wanted to feel like no fear. For so many
- 41:11Speaker 17: years growing up, it.
- 41:12Speaker 1: Was like every day was scary, you know, to be
- 41:15Speaker 1: scared every day.
- 41:17Speaker 17: So then to decide like I'm not gonna be scared
- 41:19Speaker 17: no more, and I'm gonna find somebody that's gonna do
- 41:22Speaker 17: this with me and protect me and love on me
- 41:24Speaker 17: and hold me, like take care of me and kiss
- 41:27Speaker 17: on me and tell me I'm doing good. But it's
- 41:30Speaker 17: hard to find. Also, I'm a little difficult. I'm sweet
- 41:34Speaker 17: though a little difficult. I want to do what I
- 41:39Speaker 17: want to do because I never that's part of I think,
- 41:42Speaker 17: not growing up with the fathers. Like I know how
- 41:44Speaker 17: to take orders and I know how to get things done.
- 41:47Speaker 17: If you ask me to do something, I'm gonna get
- 41:48Speaker 17: it done for you, but I'm gonna do it on
- 41:50Speaker 17: my time. When I feel like it. And if a
- 41:52Speaker 17: man's like I need you to call me when you
- 41:54Speaker 17: leave out of there. I want you to be here
- 41:55Speaker 17: at this time whatever if you not, if I'm not
- 41:57Speaker 17: getting a paycheck, I'm gonna show up when I feel
- 41:59Speaker 17: like it. I'm gonna be at your house when I
- 42:01Speaker 17: feel like coming to your house. You know That's I
- 42:02Speaker 17: think that's been the biggest issue, is like I don't
- 42:05Speaker 17: want to feel like I got an answer to this man.
- 42:08Speaker 3: So you've never had that type of relationship yet where
- 42:10Speaker 3: you would be like, Okay, I'm gonna let this man lead,
- 42:13Speaker 3: Like no one has ever shown you that they that.
- 42:16Speaker 17: I let men lead all the time. I let them lead.
- 42:19Speaker 17: But that don't mean I'm gonna follow all the way.
- 42:25Speaker 17: I'm gonna saying like this is not going I don't
- 42:29Speaker 17: feel safe. This don't feel safe. I'm not gonna be
- 42:33Speaker 17: like you know what I'm saying, Like I need to
- 42:34Speaker 17: feel safe. I need to feel like this is where
- 42:37Speaker 17: I'm gonna be Like spiritually, I need to feel safe, emotionally,
- 42:40Speaker 17: I need to feel safe, physically, I need to feel safe, financially,
- 42:44Speaker 17: I need to feel safe and I and I don't
- 42:46Speaker 17: need to.
- 42:46Speaker 1: Be feeling like I'm being used.
- 42:47Speaker 17: If I feel any type of way, I'm being used
- 42:50Speaker 17: or manipulated in some kind of way.
- 42:52Speaker 4: Uh what like?
- 42:53Speaker 8: No?
- 42:53Speaker 17: And if you're using me, tell me you using me
- 42:55Speaker 17: so I could use you to like, Oh, I can
- 42:57Speaker 17: help you use me better. I'm here to be used.
- 42:59Speaker 17: We are here to be used for some purpose something right.
- 43:02Speaker 17: But tell me what you're using me for and I
- 43:04Speaker 17: might help you get it done better. Don't don't sneak it.
- 43:08Speaker 17: Don't do it sneakily like think I'm stupid because I'm not.
- 43:11Speaker 1: I might be. I might be setting you up to
- 43:13Speaker 1: give it.
- 43:14Speaker 2: Use me, don't misuse me.
- 43:15Speaker 1: Yeah, use me, don't abuse me.
- 43:18Speaker 9: We got more with Tiffany Hattish when we come back,
- 43:20Speaker 9: don't move. It's the Breakfast Club.
- 43:21Speaker 11: Good morning, wanting everybody your cej N V, Jesse Lari
- 43:24Speaker 11: Charlamage the God. We are the Breakfast Club. We're still
- 43:27Speaker 11: kicking it with Tiffany Hattish. Now it says you haven't
- 43:29Speaker 11: been drinking in seven months?
- 43:31Speaker 1: Has it been seven months?
- 43:32Speaker 8: No?
- 43:32Speaker 17: No, no, no, I haven't had sex since October. That's
- 43:36Speaker 17: seven months. Oh that I said, drank since November twenty.
- 43:40Speaker 17: When was the twenty third, Thanksgiving twenty third.
- 43:44Speaker 2: Yeah, yeah, how was it affecting your comedy?
- 43:46Speaker 9: You know sometimes when you look at comedians or even
- 43:48Speaker 9: rappers actors, sometimes that's that's what they use because they
- 43:51Speaker 9: used to it.
- 43:52Speaker 2: They drink and they do a show. So the fact
- 43:54Speaker 2: that you haven't drink it doesn't make your show. Is
- 43:56Speaker 2: it easier? Is it more difficult? Are you seeing clear room?
- 43:59Speaker 17: I see everything clear for sure. But I didn't really
- 44:02Speaker 17: drink before shows. I will probably drink during, like while
- 44:06Speaker 17: I'm on stage. I'm gonna have a drink while I'm
- 44:08Speaker 17: on stage. But like before, No, I didn't smoke, no
- 44:12Speaker 17: weed before, none of that, not before the show. But
- 44:14Speaker 17: maybe by the second or third show at the night.
- 44:16Speaker 17: I'm proud I probably need it because I started drinking
- 44:19Speaker 17: on the first show. But I notice now like by
- 44:22Speaker 17: the but if there's more than two shows in the night,
- 44:24Speaker 17: by the end of that second show, I'm sleepy.
- 44:27Speaker 1: I'm so tired. I'm so sleepy.
- 44:29Speaker 17: I just want to go to bed, like I want
- 44:31Speaker 17: to go to bed at ten o'clock, nine thirty, and
- 44:33Speaker 17: you know, but comedy happens at night. And then I've
- 44:35Speaker 17: been getting up super early in the morning working out,
- 44:37Speaker 17: so I make sure I get my afternoon nap. If
- 44:40Speaker 17: I'm getting on nap in the afternoon, I'm pretty much
- 44:43Speaker 17: the rest of the evening. But I feel like my
- 44:45Speaker 17: comedy is I've been listening to it because I record
- 44:47Speaker 17: every set. I've been recording every set for the last
- 44:49Speaker 17: like five years through my phones and my recording devices.
- 44:53Speaker 17: And I was listening to like before my grandma died,
- 44:57Speaker 17: how much joy was in my voice, and then like
- 44:59Speaker 17: after my Grandma died, like I don't know, I'm about
- 45:02Speaker 17: to like maybe when Jesus died. It was before Jesus death, see, yeah,
- 45:10Speaker 17: before Grandma.
- 45:12Speaker 1: I don't know, but yeah, bg ag Yeah.
- 45:15Speaker 17: Anyways, I just noticed there's a big difference in like
- 45:18Speaker 17: people like, oh, you're saying you look good, you feel good,
- 45:21Speaker 17: like your energy is good. And I do feel good
- 45:23Speaker 17: and I am happy for the most part. But I
- 45:25Speaker 17: feel like this is huge grief hanging over me. Like
- 45:28Speaker 17: I just feel like grief.
- 45:30Speaker 3: Do you write on that?
- 45:31Speaker 13: Yeah?
- 45:32Speaker 1: I write on that.
- 45:33Speaker 17: Yeah, I talk I talk about it on stage, like
- 45:35Speaker 17: deal with my grief. Like some days it'd be so heavy.
- 45:37Speaker 17: I'm like, oh, I gotta do something for Granny today,
- 45:40Speaker 17: and I'll put a picture of her up in the backyard.
- 45:42Speaker 17: I put on some music and I do rhythmic dance
- 45:45Speaker 17: from gymnastics and with ribbons and stuff, and I dance
- 45:48Speaker 17: around in my backyard.
- 45:50Speaker 1: I hope nobody ever sees. It's just for my grandma.
- 45:54Speaker 2: To god, we do you think you more focused alcohol?
- 45:57Speaker 1: No, because I wasn't. I was drinking.
- 46:00Speaker 2: It wasn't getting okay, you think about something now.
- 46:09Speaker 1: I just had a flash my head and I'm just like,
- 46:14Speaker 1: mediums my face.
- 46:17Speaker 3: Stop smoking.
- 46:20Speaker 1: Now I'm back smoking weed. I started smoking after my
- 46:22Speaker 1: court date.
- 46:25Speaker 8: Me.
- 46:26Speaker 1: I'm not I'm not gonna drink no more.
- 46:28Speaker 17: I probably will never drink alcohol again until like I'm
- 46:31Speaker 17: engaged to get married, just so he could see like
- 46:34Speaker 17: my full crazy yeah, like there's like no restriction.
- 46:39Speaker 1: I feel like though I have more restrictions. I was
- 46:42Speaker 1: like I was way too nice.
- 46:44Speaker 17: I feel like when I would be drinking, I'd be
- 46:46Speaker 17: way too nice, way too accommodating, probably way too loud
- 46:49Speaker 17: because alcohol make you death. And I think I'm a
- 46:53Speaker 17: little meaner now I'm quick to tell people no. Now, yeah, boundaries,
- 46:59Speaker 17: I feel like boundaries mean no, it can't be. I
- 47:02Speaker 17: know I'm protecting it. I'm protecting it.
- 47:05Speaker 2: Had a conversation since she was on a club station.
- 47:07Speaker 17: No, we have not had no conversation. We barely ever
- 47:11Speaker 17: had a conversation ever. I've you know, tried to talk
- 47:14Speaker 17: to her here and there or whatever, but no, we
- 47:16Speaker 17: haven't had no conversation. I slid on her DM since
- 47:18Speaker 17: she got.
- 47:18Speaker 2: My number, if she checked, Oh you just sent her
- 47:20Speaker 2: your number.
- 47:21Speaker 17: I sit to a statement, Yeah, and here's my number
- 47:26Speaker 17: two and here's my number. If you want to talk
- 47:27Speaker 17: about it, what.
- 47:28Speaker 2: Do you think? What do you think of that?
- 47:29Speaker 11: The whole state of black comedy since the top of
- 47:31Speaker 11: the year, It's like, since kat Wims did that interview,
- 47:33Speaker 11: it feels like everybody just been kind of at each other.
- 47:35Speaker 2: Like it's almost like you go to club just to
- 47:38Speaker 2: get that other comedians.
- 47:39Speaker 1: Yeah, I don't know about that.
- 47:41Speaker 17: Godfrey didn't go at other time, Brell didn't go at
- 47:44Speaker 17: other comedians just a little bit, just a little bit.
- 47:48Speaker 3: I don't know.
- 47:49Speaker 17: I feel like that's something we do in the club,
- 47:51Speaker 17: Like if you got some beef with somebody, you like
- 47:53Speaker 17: tell them to they face. I mean, I know I
- 47:55Speaker 17: have I've definitely gone up to people in their face
- 47:58Speaker 17: and said I don't like you or what you did
- 48:01Speaker 17: was stuff.
- 48:01Speaker 1: I ain't feeling that, Like I haven't had.
- 48:03Speaker 17: To do it too often because there's not too many
- 48:05Speaker 17: people that like really get on my nerves like that.
- 48:08Speaker 1: Just a few people.
- 48:10Speaker 17: I mean, that's comedy, like you're supposed to. It's a
- 48:13Speaker 17: little challenge. But I don't know about doing it in
- 48:15Speaker 17: front of the world like that. I don't know about
- 48:16Speaker 17: all that.
- 48:18Speaker 9: It was a bunch this weekend, I think a Netflix brunch. Yeah,
- 48:22Speaker 9: I was dead, like everybody that was beefing with each
- 48:25Speaker 9: other were all in the same room.
- 48:26Speaker 1: Yeah, but you know what was crazy. You know what
- 48:28Speaker 1: was crazy.
- 48:29Speaker 17: We was outside, Okay, so we wasn't in the same room.
- 48:32Speaker 17: We was outside and everybody was there, and Kat was
- 48:35Speaker 17: there and he was looking very interesting. He was looking
- 48:40Speaker 17: very interested, very shiny, and it was super cool, and
- 48:43Speaker 17: he's talking to everybody, moving around, moving around the room
- 48:45Speaker 17: and stuff, talking to everybody. And then as soon as
- 48:48Speaker 17: Kevin got there, nobody could find Kat. I don't know
- 48:51Speaker 17: where Kat went. But then he did perform live, but
- 48:54Speaker 17: it was like one.
- 48:56Speaker 2: In the afternoon.
- 48:57Speaker 1: Yeah, the brunch started at.
- 48:58Speaker 17: Twelve and then and then Kevin got there, like one
- 49:01Speaker 17: one point thirty and then CAV was gone, did you
- 49:04Speaker 17: speak the cat?
- 49:05Speaker 2: No?
- 49:07Speaker 1: No, I smiled and waved you cursed him with joy.
- 49:11Speaker 1: He looked at me.
- 49:11Speaker 17: I don't think he recognized me because I had a
- 49:13Speaker 17: wig onso. I don't think he realized it was me.
- 49:16Speaker 17: That's what I'm telling myself. Or he just was like,
- 49:19Speaker 17: I ain't right now talk crazy too.
- 49:21Speaker 11: But that's fine though. Yeah, everybody put their boundaries up.
- 49:24Speaker 11: I rather y'all not speak than see each other in
- 49:27Speaker 11: public and be crascinating.
- 49:28Speaker 1: I wouldn't. First of all, I love me some cat.
- 49:30Speaker 1: Me and cat ain't got no beef.
- 49:31Speaker 17: I mean, he do like saying my name, and I
- 49:33Speaker 17: think it's because my name garnishes clicks for some reason,
- 49:36Speaker 17: especially if you say like one negative thing around my name.
- 49:39Speaker 1: Everybody's clicking on like, oh what she do?
- 49:41Speaker 4: Now? What you do? Now?
- 49:41Speaker 1: What you do now?
- 49:42Speaker 17: So like, and I think he knows that he's a genius,
- 49:46Speaker 17: so he's like, Okay, what's gonna get me the clicks?
- 49:47Speaker 17: What's gonna get there? You know, she's just randomly say
- 49:50Speaker 17: my name and don't say something else, just to they
- 49:52Speaker 17: adish and live aftery and then let me tell you
- 49:56Speaker 17: about this Kenny. He's like, he's like, I'm the one
- 50:03Speaker 17: that put her on she was in school dance with me.
- 50:05Speaker 17: And I'm like, I never said that you that you
- 50:08Speaker 17: didn't put me on it that you did. But Nick
- 50:10Speaker 17: Cannon did put me in school dance for that road,
- 50:13Speaker 17: not Cat Williams.
- 50:14Speaker 1: But we did kill that together.
- 50:16Speaker 17: Like we did that together and that was awesome, and
- 50:18Speaker 17: it's like a viral moment online and I love kat.
- 50:21Speaker 17: I sent him a script and he's like, we got
- 50:23Speaker 17: we gotta work on that, writing on that script. Okay,
- 50:25Speaker 17: let's work on Like who do you want to write?
- 50:26Speaker 17: Like whatever, Like, let's make it happen, Let's make a movie.
- 50:29Speaker 8: Like.
- 50:30Speaker 2: I love him.
- 50:30Speaker 1: I think he's super talented.
- 50:32Speaker 2: It is strange when people try you do get on
- 50:33Speaker 2: my mother nerves.
- 50:34Speaker 1: Sometimes.
- 50:35Speaker 2: It is strange when people act like you didn't you
- 50:38Speaker 2: didn't come come up, come up like everybody else like
- 50:40Speaker 2: you was in the comedy clubs, you busted your ass,
- 50:43Speaker 2: you did all that.
- 50:43Speaker 17: Yeah, I mean, can't put me out, can't put me
- 50:46Speaker 17: out the club Tollywood Parkersino. I was underage and he
- 50:50Speaker 17: was doing the Hollywood Parkasino every week and I was
- 50:53Speaker 17: too young to be in there and he put me
- 50:54Speaker 17: out like you ain't got nobody, you can't be in here,
- 50:57Speaker 17: and like you put me out there.
- 50:58Speaker 1: Finally I got an eye.
- 51:00Speaker 17: You know, I was old enough and uh he let
- 51:02Speaker 17: me perform and then he commenced to roast to me
- 51:05Speaker 17: for like probably twenty minutes after I got off stage,
- 51:07Speaker 17: and I felt so proud.
- 51:09Speaker 1: I was like, God, William is this talking about?
- 51:11Speaker 17: He was roasting me back then? He roasted me, and
- 51:17Speaker 17: I'm like, do you remember this? He's like, not too
- 51:18Speaker 17: many I remember this. I showed him a picture. He
- 51:21Speaker 17: was like, oh, that was your skinny app So I
- 51:25Speaker 17: felt honored.
- 51:26Speaker 10: You know.
- 51:26Speaker 17: It's funny because some people don't even like I remember them,
- 51:29Speaker 17: but they don't remember me. They like, no, we just
- 51:32Speaker 17: met today. I'm like, no, we met back in two
- 51:35Speaker 17: thousand and one at this place and they're like no.
- 51:38Speaker 17: And then I show him a picture and they're like, oh,
- 51:40Speaker 17: you were calling me, but now you're nice.
- 51:42Speaker 1: So I cool.
- 51:43Speaker 2: We got more with Tiffany hats when we come back.
- 51:45Speaker 9: It's the Breakfast Club the morning wan did everybody get
- 51:47Speaker 9: on the Breakfast Club? We're still kicking it with Tiffany Hattish.
- 51:51Speaker 9: Uh huh uh a lot going on, Drake, Kendrick, what
- 51:54Speaker 9: you got to ask what goes to the court.
- 52:05Speaker 17: I'm a Jewish business woman and I'm about what's entertaining.
- 52:09Speaker 17: And if I'm going with the entertainment factor of it all,
- 52:12Speaker 17: Kendrick is killing that ass. Like I am, very entertained.
- 52:15Speaker 17: He got all the good punchlines. Drake got good punchlines
- 52:18Speaker 17: and all that too. And I just want to give
- 52:20Speaker 17: Drake you doing a good job. I'm proud of you because.
- 52:23Speaker 1: You know he's sensitive. He went off on me before.
- 52:25Speaker 10: He said.
- 52:28Speaker 1: No, not in my DMS, in my face. He told me,
- 52:33Speaker 1: he told me I didn't like that. That hurt my feelings.
- 52:36Speaker 5: What is that?
- 52:37Speaker 17: I'm sorry, I will talk I will not talk about
- 52:40Speaker 17: that no more. Although I did tell you I was
- 52:42Speaker 17: gonna talk about that, and he said it hurt his feelings,
- 52:45Speaker 17: and I said, okay, I'm sorry.
- 52:47Speaker 2: What did you talk about him?
- 52:48Speaker 1: I talked about how his daddy.
- 52:49Speaker 17: I told him I wasn't gonna talk about it no more,
- 52:50Speaker 17: but I'm gonna talk about him his daddy. His dad
- 52:53Speaker 17: be trying to Yeah, his daddy be trying to holler.
- 52:55Speaker 17: He don't like that, I said, I much rather be
- 52:57Speaker 17: your baby mama than your step mama.
- 53:00Speaker 3: Ain't like that hurt his feelings.
- 53:02Speaker 2: That hurt his feeling That's kind of like playing hating
- 53:04Speaker 2: on your daddy though a little bit right, like why
- 53:06Speaker 2: you caught blocking your daddy if your daddy trying to
- 53:08Speaker 2: holler while you mad.
- 53:09Speaker 1: I don't want to like it. I like his dad,
- 53:11Speaker 1: but not like that.
- 53:14Speaker 2: His feelings.
- 53:16Speaker 1: Because I talked about it on stage. I talked about it.
- 53:21Speaker 3: There was a lot of commodating to you that then
- 53:23Speaker 3: since you talked about it on stage and it got
- 53:24Speaker 3: back to him, it's like his daddy's interesting.
- 53:28Speaker 14: But no, the.
- 53:30Speaker 1: No any interesting.
- 53:33Speaker 14: No.
- 53:33Speaker 17: I see him at different events and stuff in different
- 53:35Speaker 17: like he'd be at Jewish stuff and all that. His
- 53:37Speaker 17: daddy be around, Like I don't know if you're looking
- 53:39Speaker 17: for his next Jewish back mama, what, but he ben
- 53:41Speaker 17: be outside.
- 53:42Speaker 1: He'd be outside. So but as far as the beef goes, uh,
- 53:47Speaker 1: the rap battle, I'm loving it. I'm here for it.
- 53:50Speaker 1: I think I'm so proud of Kendrick.
- 53:52Speaker 17: I'm so proud of him, Like, uh, he's killing it
- 53:56Speaker 17: and he's like in the lap just bringing it in
- 53:58Speaker 17: the punchlines. They like he's killing it. I'm proud of him,
- 54:02Speaker 17: and I'm proud of Drake too. He has an airplane.
- 54:06Speaker 1: An airplane.
- 54:08Speaker 17: Now, I think it's a little they're getting a little
- 54:10Speaker 17: they going a little blow the belt, but they're going
- 54:15Speaker 17: yeah it's deep, Yeah, but it's it's like a real.
- 54:19Speaker 1: Rat batter a little you know what I'm saying. Like
- 54:21Speaker 1: we did it at a safe Man.
- 54:23Speaker 3: Yeah, they had one of these in a long time. Yeah,
- 54:26Speaker 3: a real good one.
- 54:27Speaker 8: Yeah.
- 54:27Speaker 1: I feel like I'm back on the school bus.
- 54:29Speaker 2: What happened at Where was you at the outside Joke appearance?
- 54:33Speaker 8: Yeah?
- 54:33Speaker 17: So I was at the Netflix is not a joke. Netflix,
- 54:38Speaker 17: not a joke. I was at the show outside Netflix.
- 54:42Speaker 2: Went on a rent, I went on att Yeah, I.
- 54:44Speaker 17: Went off because people were saying, you know, they were
- 54:47Speaker 17: saying what they were saying, and they was like, you
- 54:50Speaker 17: got to support the colleges, and I'm like, I don't
- 54:51Speaker 17: want to. I don't want to support people tearing up
- 54:54Speaker 17: a school. I don't think that's the way to go
- 54:56Speaker 17: about it. If you really want to, if you want
- 54:59Speaker 17: stuff like this to stop happening, if you're protesting the
- 55:02Speaker 17: genocide that's going on and you want that to stop, happening.
- 55:05Speaker 17: I think there's some better ways to go about making
- 55:07Speaker 17: it stop happening. Blocking people from going to class is
- 55:11Speaker 17: not going to be the thing. I don't think that's
- 55:13Speaker 17: gonna be the thing, because that's what the I mean,
- 55:14Speaker 17: that's what the Nazis did. They blocked the Jews, they
- 55:17Speaker 17: blocked the Jehovah witnesses. They killed a lot of people.
- 55:20Speaker 17: They didn't just kill Jews. They was killing everybody that
- 55:24Speaker 17: was not like them, so like, and they were blocking
- 55:27Speaker 17: them from getting their education, blocking them for being able
- 55:30Speaker 17: to have a living.
- 55:31Speaker 1: They were hurting them.
- 55:33Speaker 17: And so like to me, if you really want to
- 55:35Speaker 17: be changed, you want to make change, you really want
- 55:37Speaker 17: to be effective, you really want this to stop, then
- 55:40Speaker 17: start learning, get yourself educated, and get in there and
- 55:43Speaker 17: change the laws, change how become, get in NATO or whatever,
- 55:48Speaker 17: the international or whatever. You got to be on Senate,
- 55:51Speaker 17: all that, Like, change the laws, change how we move.
- 55:55Speaker 17: That's what I would do. That's what if you really
- 55:57Speaker 17: wanted to change, like, be effective in get involved in government.
- 56:02Speaker 2: To protest. You disagree with how they protest.
- 56:04Speaker 17: How they protesting is not don't I don't agree with
- 56:06Speaker 17: how they're protesting. Yeah, protests yes, protests. Yes, if you
- 56:09Speaker 17: think that's gonna make it change. Yeah, if you think
- 56:12Speaker 17: it's gonna make a difference, you it's gonna make people
- 56:14Speaker 17: pay attention. Yeah, But the way y'all going about it,
- 56:17Speaker 17: I don't think this is right. I don't think you're
- 56:19Speaker 17: spray paying the library is gonna really make anything change.
- 56:22Speaker 17: I know niggas been spray paying the library for years
- 56:25Speaker 17: and they just shut the library down. That's all they did. Like,
- 56:29Speaker 17: so no, I don't think that's the way to go
- 56:31Speaker 17: about it. I think the way to go about it
- 56:33Speaker 17: is to get into legislation, to show up to your
- 56:36Speaker 17: congressman's office, show up to your senator's office, show up,
- 56:40Speaker 17: sit outside they office, and protest. Put the pressure on them.
- 56:44Speaker 17: Doing it at the schools ain't putting no pressure on them.
- 56:46Speaker 17: They're just like, oh, they up there at the school
- 56:47Speaker 17: cutting up whatever. Like and we like, as a twenty
- 56:51Speaker 17: something year old, like do you invigorate it, teenager?
- 56:54Speaker 13: Yet?
- 56:55Speaker 17: Like that's protests, it's been happening every decade. It's always
- 56:59Speaker 17: had and women was out there burning their bras. But
- 57:02Speaker 17: y'all out here angry about you know what's going on
- 57:05Speaker 17: over there in Gayza and it's genocide. When they're about
- 57:08Speaker 17: to make pass laws over our bodies, women's bodies.
- 57:11Speaker 1: We ain't gonna be able to have no choice in
- 57:13Speaker 1: what we doing, like overturn.
- 57:16Speaker 17: Yeah, like hello, we need to be paying attention to
- 57:20Speaker 17: distraction is real, Like, you're not gonna it's gonna be
- 57:22Speaker 17: Handmad's tail out here when you start really read reading
- 57:25Speaker 17: all the legislative read everything like it's about to be
- 57:28Speaker 17: Handmad's tail out here. You're about to be like it's
- 57:31Speaker 17: gonna be crazy, Like you voluntarily want to be pregnant. Yeah,
- 57:35Speaker 17: that's a voluntary thing, Like, but there's gonna be situations
- 57:38Speaker 17: where it's gonna be involuntary, Like I mean, if you
- 57:41Speaker 17: read the legislations and I'm not I might not be
- 57:44Speaker 17: articulating it's the best, but I'm concerned. I'm concerned for
- 57:47Speaker 17: our future and I'm concerned when our youth are all
- 57:51Speaker 17: their knowledges coming from TikTok and Instagram and they not
- 57:55Speaker 17: really like doing the real research and really reading. They
- 57:58Speaker 17: just taking some some bloggers word for it. It's like, no,
- 58:03Speaker 17: go look this up. Go to the go look up
- 58:06Speaker 17: these legislations. Like there's no doubt there's there is a
- 58:09Speaker 17: genocide happening, There's no doubt about that. But like, that's
- 58:12Speaker 17: not the only one that's happening right now. So if
- 58:14Speaker 17: we're gonna be protesting genocide, if we against genocide, we
- 58:17Speaker 17: need to be against all the genocides now, just the
- 58:19Speaker 17: lighter genocide, all the like, the black, the the everybody, everybody.
- 58:26Speaker 1: We're not it. Don't need to just be from the
- 58:28Speaker 1: river to this.
- 58:28Speaker 17: You need to be like, uh, recycle these cell phones
- 58:31Speaker 17: and stop can killing the Congolesese like, but don't get
- 58:34Speaker 17: me start. I'm sorry, Okay, anyways, I curse you with Joyce.
- 58:39Speaker 17: It's out today. Get it audio or a physical book
- 58:43Speaker 17: hard copy at any local bookstore. The audio version is
- 58:46Speaker 17: off the chain because I'm definitely bringing it and some
- 58:49Speaker 17: of my music is.
- 58:51Speaker 1: On there, and I'm really excited about the music that's
- 58:53Speaker 1: coming for you. So yeah, all right, well.
- 58:56Speaker 2: There you have it.
- 58:57Speaker 9: The book is out right now, make sure you pick
- 58:59Speaker 9: it up. It's the Breakfast Club the Tiffany hadis It's
- 59:00Speaker 9: time for it's a reed.
- 59:03Speaker 1: But you're so good at charlamage.
- 59:06Speaker 4: He wants charlomade.
- 59:09Speaker 19: Yeah, Solomame, who do you given?
- 59:11Speaker 10: Dusk?
- 59:11Speaker 3: The other day?
- 59:11Speaker 11: Sooner well sexy red Donkey to Day goes to a
- 59:15Speaker 11: Catholic priest named Lawrence Kozak. Lawrence is accused of stealing
- 59:18Speaker 11: booty from a church in Pennsylvania. And I let the
- 59:21Speaker 11: record show when I say this Catholic priest stole booty,
- 59:23Speaker 11: I'm not talking about little kids.
- 59:25Speaker 2: I'm talking money.
- 59:26Speaker 11: Yes, this man stole more than forty grand and expenses
- 59:29Speaker 11: over three years, and some of the money was used
- 59:33Speaker 11: to buy cell phone games, cell phone video games. You know,
- 59:36Speaker 11: I'm a stern believer that it's not a stereotype if
- 59:39Speaker 11: it's true, and this story is not going to do
- 59:41Speaker 11: anything to defy the stereotype that Catholic priests are pedophiles
- 59:44Speaker 11: and child abusers, especially when we die more into why
- 59:47Speaker 11: this particular Catholic priest was stealing money.
- 59:50Speaker 2: Let's go to wr L for the report.
- 59:51Speaker 20: Police, a Pennsylvania Catholic priest is accused of stealing parish
- 59:55Speaker 20: funds to play games like Candy Crush. Lawrence Kozak is
- 59:58Speaker 20: charged with theft and related crimes. Authorities say he rocked
- 1:00:02Speaker 20: up tens of thousands of dollars and expenses over three
- 1:00:05Speaker 20: years and used some of that cash to play cell
- 1:00:08Speaker 20: phone games like Pokemon Go. The archdiocese has placed Kozak
- 1:00:12Speaker 20: on administrative leave.
- 1:00:14Speaker 11: These poor people, man, they come to the Catholic Church,
- 1:00:16Speaker 11: you know, given tithes and offers, given tithes and offerings,
- 1:00:20Speaker 11: typic tithes and offerings. Okay, giving they ten percent to
- 1:00:23Speaker 11: the Lord. And here go to pastor stealing money because
- 1:00:26Speaker 11: he wants to play Wizard of Our Slots and Candy
- 1:00:29Speaker 11: Crush sogin Cash Frenzy and Mario Kart or in Pokemon Go.
- 1:00:34Speaker 11: I hate to be, you know, the one to break
- 1:00:36Speaker 11: the news to you, but this man, this man might
- 1:00:39Speaker 11: have been buying that fast man. Okay, There's just no
- 1:00:42Speaker 11: way that the Catholic priest steals forty thousands from the church,
- 1:00:44Speaker 11: and a large part of it is going to these
- 1:00:46Speaker 11: apps that are largely aimed at kids.
- 1:00:47Speaker 2: Now, I'm not one of these people who buys into
- 1:00:49Speaker 2: every stereotype. I know that there has a lot of
- 1:00:51Speaker 2: prejudice against the Catholic Church because there are some people
- 1:00:54Speaker 2: who believe that Catholic priests everywhere are pedophiles and child
- 1:00:57Speaker 2: of musers.
- 1:00:57Speaker 11: We know that this is not the case. Every every
- 1:01:00Speaker 11: Catholic priests is not the same. So If I say,
- 1:01:03Speaker 11: what's the difference between Woody from toy Story and a
- 1:01:06Speaker 11: priest and someone replies, only one of them goes limp
- 1:01:10Speaker 11: when a child walks in walks in the room.
- 1:01:12Speaker 2: That does not apply to all priests. Okay, do you understand,
- 1:01:15Speaker 2: but it could apply to Lawrence Kozak.
- 1:01:16Speaker 11: I don't want to get distracted though this man used
- 1:01:18Speaker 11: the church's money that he stole over forty thousand dollars
- 1:01:22Speaker 11: on apps. The thing that bothers me the most about
- 1:01:25Speaker 11: this is that you are taking advantage of people's need
- 1:01:28Speaker 11: to believe. Taking advantage of a person's you need to believe,
- 1:01:32Speaker 11: that's also a form of abuse.
- 1:01:33Speaker 4: All right.
- 1:01:34Speaker 2: These people are sowing a seed.
- 1:01:35Speaker 11: They are showing gratitude for all that God has given
- 1:01:38Speaker 11: and want to return to God a portion of what
- 1:01:40Speaker 11: they have received. And a lot of people do this
- 1:01:42Speaker 11: hoping that they will also come back to them because
- 1:01:45Speaker 11: they need it. People say, when you tie, it brings
- 1:01:47Speaker 11: you closer to God. So you taking advantage of people's
- 1:01:50Speaker 11: need to believe they're hard earned money that they could
- 1:01:53Speaker 11: be spending on food, medical bills, housing, childcare. But you
- 1:01:56Speaker 11: taking these folks, you know money can buy candy crushing
- 1:02:02Speaker 11: Pokemon Go, Pokemon Go.
- 1:02:06Speaker 2: I think you got all these apps because you want
- 1:02:08Speaker 2: the poker kid.
- 1:02:08Speaker 11: But I don't want to reinforce stereotypes, because all Catholic
- 1:02:11Speaker 11: priest should not be judged by the bad actions of
- 1:02:13Speaker 11: a few. Like if I ask what's the difference between
- 1:02:16Speaker 11: acne and a Catholic priest? If someone responds, acne doesn't
- 1:02:19Speaker 11: come on a boy's face until he's thirteen or so,
- 1:02:21Speaker 11: I'm not asking that in reference to all Catholic priests.
- 1:02:23Speaker 2: That just wouldn't be right.
- 1:02:24Speaker 11: Now, Let's just say Lawrence wasn't reinforcing negative stereotypes of
- 1:02:28Speaker 11: Catholic priests, and he was one of the many people
- 1:02:30Speaker 11: who are addicted to these cell phone apps. I truly
- 1:02:33Speaker 11: believe game purchases is an epidemics big as crack or opioids.
- 1:02:37Speaker 11: They get you hooked by giving you something free, but
- 1:02:40Speaker 11: the catch is they make you wait like every hour
- 1:02:42Speaker 11: to refresh. But then they'll offer you a quicker way
- 1:02:45Speaker 11: to get whatever you know, whatever you need replenished, you
- 1:02:48Speaker 11: just gotta pay. Monopoly Go gives you ten dice every hour,
- 1:02:52Speaker 11: or you can get one hundred dice for.
- 1:02:53Speaker 2: Nine to ninety nine, which one are you gonna ultimately
- 1:02:56Speaker 2: choose if you want to play Monopoly?
- 1:02:57Speaker 14: Go?
- 1:02:58Speaker 11: It's kind of like man, remember back, and it still
- 1:03:01Speaker 11: might happen now, Like when the new iPhone comes out
- 1:03:04Speaker 11: and then they ask you if you want an update
- 1:03:05Speaker 11: on your old phone, and then when you update it,
- 1:03:07Speaker 11: it don't quite work.
- 1:03:08Speaker 2: The same that just happened to me. You see what
- 1:03:10Speaker 2: I'm saying. My long clock will not work. Now you
- 1:03:12Speaker 2: see what I'm saying. So now you forced to go
- 1:03:14Speaker 2: buy your new phone. Yeah, that's how they get you.
- 1:03:17Speaker 11: Speaking of getting you, I just really want people to
- 1:03:19Speaker 11: understand that I am not on this radio saying all
- 1:03:22Speaker 11: Catholic priests abuse kids. I'm just saying it's suspicious that
- 1:03:25Speaker 11: this guy was using the church's money to have all
- 1:03:27Speaker 11: these apps for kids on his phone. If I ask
- 1:03:31Speaker 11: Kendrick Lamar, why do Catholic priests like playing the violin?
- 1:03:34Speaker 11: And Kendrick replies, because they get the finger a minor.
- 1:03:37Speaker 11: That a minor that has nothing to do with all
- 1:03:40Speaker 11: Catholic priests.
- 1:03:40Speaker 2: Okay. Now. Father Kozoles was arrested on April.
- 1:03:43Speaker 11: Twenty fifth and face his felony theft charges, and he
- 1:03:47Speaker 11: earned that Father Kozak have you ever wondered why Catholic
- 1:03:52Speaker 11: priests called himselves father because it's too suspicious for kids
- 1:03:56Speaker 11: to call him daddy. But that has nothing to do
- 1:03:58Speaker 11: with all of them, just some Please let remy ma
- 1:04:03Speaker 11: give Lawrence Kozak the biggest he haw he.
- 1:04:05Speaker 2: Haw he ha, you stupid mother? Are you dumb?
- 1:04:10Speaker 4: M m m mmmm.
- 1:04:13Speaker 3: Well mm hmm, that's.
- 1:04:19Speaker 4: Ok.
- 1:04:20Speaker 3: I don't know what his words like Charlemagne or the priest.
- 1:04:24Speaker 2: I didn't do anything. I'm just telling the story.
- 1:04:26Speaker 3: No, I'm not talking about reference to the keys. I'm
- 1:04:28Speaker 3: talking about the way that you just slaughtered a lot
- 1:04:31Speaker 3: of other precesses.
- 1:04:33Speaker 2: No precess something I said, I said some preciss is
- 1:04:36Speaker 2: the word I didn't say. I didn't say all I said.
- 1:04:40Speaker 3: So I know the last little bit. I'm not listening
- 1:04:42Speaker 3: to this gonna be like, oh uh.
- 1:04:44Speaker 11: Uh, well, don't apply, let it fly. Okay, Yes, I said,
- 1:04:51Speaker 11: don't fit.
- 1:04:52Speaker 4: You must have quit.
- 1:04:54Speaker 2: Huh all right, thank you for that.
- 1:04:58Speaker 4: The Breakfast Club.
- 1:05:02Speaker 8: It's j M. V.
- 1:05:03Speaker 9: Jes Hilariy Schela mean the guy we are the Breakfast Club.
- 1:05:06Speaker 9: Now that it's sitting in on this interview, we got
- 1:05:08Speaker 9: a special guest in the building.
- 1:05:09Speaker 11: We got the greatest lyricists in the world whose name
- 1:05:12Speaker 11: is not Kendrick Lamar new album, Please Don't Cry?
- 1:05:18Speaker 2: How are You Anxiety?
- 1:05:21Speaker 11: Okay, we gotta get into it first before we started
- 1:05:23Speaker 11: talking about job on Kendrick and Drinke.
- 1:05:25Speaker 2: Come on, bro, Kendrick, easy call.
- 1:05:27Speaker 19: It's so easy. I could do my eyes closed.
- 1:05:30Speaker 11: Kendrick, what what causes an MC to win a rap battle?
- 1:05:35Speaker 11: Because you're an m c MC, So what causes the
- 1:05:37Speaker 11: MC to win a rap battle?
- 1:05:39Speaker 21: You gotta have strategy, right, I tell people it's like
- 1:05:42Speaker 21: the art of war. You got to know who you're
- 1:05:43Speaker 21: going against. And for this case in particular, the type
- 1:05:47Speaker 21: of person that Kendrick is, you know he's strategic.
- 1:05:49Speaker 19: Like if he goes quiet, you should know that he's cooking.
- 1:05:52Speaker 19: But you gotta have the right beats.
- 1:05:54Speaker 21: You know, your bar has got to be up. Your
- 1:05:58Speaker 21: performance is a thing. Like I think all of those
- 1:06:01Speaker 21: things matter. And the thing that I like that he
- 1:06:03Speaker 21: did he gave you.
- 1:06:04Speaker 19: He cooked that boy so many different ways, Like I.
- 1:06:07Speaker 21: Said, he baked them, me stir fried them, that grilled
- 1:06:09Speaker 21: them like he marinated a little bit, like he gave
- 1:06:12Speaker 21: you stories, He gave you a banger.
- 1:06:14Speaker 19: He gave you the classic hip hop bar joint.
- 1:06:17Speaker 4: It is.
- 1:06:18Speaker 19: However you want it, I got it for you. And
- 1:06:21Speaker 19: you know anything, Drake.
- 1:06:22Speaker 21: Said, he came back and was like he just didn't
- 1:06:25Speaker 21: have rooms. It's like when you're boxing somebody on you
- 1:06:27Speaker 21: can't get your arms nothing.
- 1:06:29Speaker 2: Yeah. The reason I'm glad we started the conversation like
- 1:06:32Speaker 2: this because I'm trying to set the stage for how
- 1:06:34Speaker 2: Dope Rhapsody is for those who still don't know. Like
- 1:06:37Speaker 2: your peers, the mcs MC's hold you in high regard.
- 1:06:42Speaker 2: That's why they do these type of records with you.
- 1:06:45Speaker 19: Yeah, and everybody says it's like you bring the best
- 1:06:47Speaker 19: out of them. I'm just you really do you know?
- 1:06:50Speaker 19: It's a beautiful, healthy competition.
- 1:06:53Speaker 18: I think your features that are on all your projects,
- 1:06:56Speaker 18: from Layla's Wisdom down to this latest one, from like
- 1:06:59Speaker 18: a Black Thought to what Eric Could I Do? To
- 1:07:02Speaker 18: working with Hip Boy, It's like the quality is just different.
- 1:07:05Speaker 18: You know, when you tap into an album like this.
- 1:07:08Speaker 21: It's you know, when I'm creating this about the music,
- 1:07:11Speaker 21: Like the music is the biggest ego in the room,
- 1:07:13Speaker 21: and I think when you approach it from that point
- 1:07:15Speaker 21: of view, everybody's gonna bring it best, you know, it
- 1:07:17Speaker 21: makes it fun and exciting, even on Complexion like you
- 1:07:21Speaker 21: going there, like y'all, I gotta I gotta meet they level,
- 1:07:24Speaker 21: even with the Wayne joint on the album I wrote my.
- 1:07:27Speaker 19: Versal, Yo, I wrote my vers that one.
- 1:07:29Speaker 18: I feel like for a hip hop purists, that's the
- 1:07:31Speaker 18: best one on there.
- 1:07:32Speaker 19: I love that record I did.
- 1:07:35Speaker 21: And I'm not afraid to say that at all, like
- 1:07:38Speaker 21: first time I ever did that. But I sent it
- 1:07:41Speaker 21: to him first, and I was just approaching it like
- 1:07:43Speaker 21: I was trying to grow and like I don't have
- 1:07:45Speaker 21: to be so lyrical. I want to do something that's
- 1:07:47Speaker 21: easier for people to learn, but it's not dumb down,
- 1:07:49Speaker 21: Like it's still me, but it's.
- 1:07:50Speaker 3: Not like just more relaxed.
- 1:07:52Speaker 8: Yeah.
- 1:07:52Speaker 21: When I got his verse back, I was like, nah,
- 1:07:56Speaker 21: I gotta I gotta match his level of raw, Like
- 1:08:00Speaker 21: I gotta match it.
- 1:08:01Speaker 19: So I was like, nah, I can't. I can't get
- 1:08:03Speaker 19: the people that.
- 1:08:04Speaker 3: What do you say when you rewrote it?
- 1:08:06Speaker 19: He said, I just sent it back to him.
- 1:08:07Speaker 21: I was like, I rewrote it. I said, I took
- 1:08:09Speaker 21: your flow and I just put my words to it.
- 1:08:11Speaker 21: I just want to let you know what you think
- 1:08:13Speaker 21: send me fire amojis.
- 1:08:14Speaker 2: And stuff.
- 1:08:16Speaker 11: The wild think about this projects called Please Don't Cry. Yeah,
- 1:08:19Speaker 11: what ironically throughout the album, all you're doing is giving
- 1:08:21Speaker 11: us stuff to cry about.
- 1:08:24Speaker 2: Like what is that about?
- 1:08:25Speaker 8: That?
- 1:08:26Speaker 2: That's the point.
- 1:08:28Speaker 19: It was like the title got a realer.
- 1:08:29Speaker 21: Man, it's about like I was never one to show
- 1:08:33Speaker 21: my emotion in public, or you know, we grow up
- 1:08:35Speaker 21: maybe men, especially what you're crying about. But it's really
- 1:08:39Speaker 21: about allowing yourself to be human. Why you should cry,
- 1:08:42Speaker 21: all the reasons you should cry. Don't cry just because
- 1:08:44Speaker 21: you're sad. Cry because it's something so funny you laugh
- 1:08:47Speaker 21: until you cry, or you so in love, you know,
- 1:08:50Speaker 21: like are you joyful or you angry? Like I cry
- 1:08:54Speaker 21: when i'm mad because if I don't, I'm gonna say
- 1:08:56Speaker 21: something or do something that I'm gonna regret. So I'm
- 1:08:58Speaker 21: gonna just let it come out tears, Like allow yourself
- 1:09:01Speaker 21: to just be human. I don't think we do that enough,
- 1:09:04Speaker 21: especially in a day with social media. It's perfection, perfection
- 1:09:07Speaker 21: in your face all day, like the highlight reel. But
- 1:09:10Speaker 21: where's the raw stuff? So you got to remind people
- 1:09:13Speaker 21: like you human?
- 1:09:14Speaker 2: But you're giving people feelings absolutely.
- 1:09:17Speaker 11: I know.
- 1:09:18Speaker 18: On the first single that you released for the album Asteroid,
- 1:09:21Speaker 18: you talked about how you almost wanted to step.
- 1:09:23Speaker 3: Away from this completely.
- 1:09:25Speaker 19: It was a thought, Yeah that broke my heart. Yeah,
- 1:09:28Speaker 19: why it was.
- 1:09:29Speaker 21: I was just at a place like I was just
- 1:09:32Speaker 21: seeing the music business and everything that was in front
- 1:09:34Speaker 21: of me. I was like, yo, I feel like I'm
- 1:09:36Speaker 21: getting tired, Like there's no place for me, you know
- 1:09:39Speaker 21: what I'm saying, Like I don't know.
- 1:09:40Speaker 19: If people care.
- 1:09:41Speaker 21: And it's like I could do music by myself, Like
- 1:09:44Speaker 21: I don't even have to play this game. I want
- 1:09:45Speaker 21: to get into the film world anyway. But I love
- 1:09:48Speaker 21: it too much. I got too much purpose in it.
- 1:09:51Speaker 21: I have to be the example. I want to be
- 1:09:53Speaker 21: the example. Rather I get to be the example. So
- 1:09:56Speaker 21: you know, but it was a real thought, like man,
- 1:09:58Speaker 21: what does it look like in this space?
- 1:10:01Speaker 19: You know? And you know hip hop likes to aid
- 1:10:03Speaker 19: you out. I was, you know, as a woman.
- 1:10:05Speaker 21: It was just so many things going through my head
- 1:10:07Speaker 21: and it's just like, yo, let me just pause and
- 1:10:09Speaker 21: just really sit with it.
- 1:10:11Speaker 3: So what helped you get over that part of it?
- 1:10:13Speaker 3: Because I can imagine you don't feel that way now,
- 1:10:15Speaker 3: you bet not.
- 1:10:16Speaker 21: You gotta you have to unplug from the matrix, right,
- 1:10:19Speaker 21: And you look at it and you're like, I feel
- 1:10:22Speaker 21: this way because I'm trying to validate myself through all
- 1:10:24Speaker 21: these other things that everybody like, yo, why don't why
- 1:10:27Speaker 21: aren't you know? Why don't I get this award? Or
- 1:10:31Speaker 21: why I'm not in this space or these same spaces
- 1:10:34Speaker 21: as other people? And you figure out like, yo, whatever
- 1:10:38Speaker 21: space is for me is for me.
- 1:10:40Speaker 19: And that's what it was like. I had to validate
- 1:10:44Speaker 19: myself and I look for anybody else and any other
- 1:10:46Speaker 19: these false measurements to do it. You know, it's like,
- 1:10:49Speaker 19: what are you in it for? I was like, damn,
- 1:10:52Speaker 19: I'd just really like to connect with people and make
- 1:10:54Speaker 19: music to inspire people.
- 1:10:56Speaker 8: So do that.
- 1:10:56Speaker 19: Anything else is a blessing.
- 1:10:58Speaker 14: Yeah.
- 1:10:58Speaker 2: So you think we can take off and wrap without
- 1:11:02Speaker 2: a male cold sign because.
- 1:11:04Speaker 19: I think, you know, we have so many resources. If
- 1:11:06Speaker 19: you make great music.
- 1:11:07Speaker 21: One thing Nfe always told me it might take you longer,
- 1:11:10Speaker 21: but people can't deny it. So it's kind of like
- 1:11:13Speaker 21: either down for the marathon or not. That's everybody like, man, woman,
- 1:11:17Speaker 21: it don't matter if the music good is somebody gonna
- 1:11:19Speaker 21: find it eventually I think you can, like, but you
- 1:11:22Speaker 21: gotta you gotta make great music and still be on
- 1:11:25Speaker 21: your brand and in.
- 1:11:25Speaker 19: Marketing and you know, all the little things. But I
- 1:11:28Speaker 19: do think it's possible.
- 1:11:29Speaker 2: Because I always think about how dope it would have
- 1:11:31Speaker 2: been if, like the way a Drake embraces a sexually
- 1:11:34Speaker 2: red Kendrick would embrace you in that way. I just
- 1:11:37Speaker 2: think I think that goes a long way. Sometimes, Yeah,
- 1:11:39Speaker 2: no it does.
- 1:11:41Speaker 19: And he hass you know, Complexion was an all ali
- 1:11:46Speaker 19: big alley for me and.
- 1:11:47Speaker 3: Then a lot I mean, to be honest, a lot
- 1:11:48Speaker 3: of embracing from like you know, older generations. I notice
- 1:11:52Speaker 3: a lot of people like to embrace people that can't
- 1:11:54Speaker 3: touch them, you get what I'm saying, Like they will
- 1:11:58Speaker 3: embrace people that they no cannot touch them, Yeah, beat
- 1:12:02Speaker 3: them lyrically, can't even I'm yeah, you're popularity, You've got
- 1:12:06Speaker 3: the big platform right now. What they want to be like,
- 1:12:09Speaker 3: you're playing and so what you you know, money, drugs all, alright, cool,
- 1:12:13Speaker 3: So I'm gonna take you under my wing, you know
- 1:12:15Speaker 3: what I'm saying, just to keep me in the game.
- 1:12:17Speaker 19: And ye keep my name out there attached. But yeah,
- 1:12:20Speaker 19: that's a real thing.
- 1:12:21Speaker 1: That's crazy.
- 1:12:22Speaker 2: How did this album?
- 1:12:23Speaker 11: Because I've heard you say that this album has brought
- 1:12:25Speaker 11: you the most peace you've ever seen.
- 1:12:26Speaker 2: How does the album this raw and vulnerable bring you peace?
- 1:12:30Speaker 19: It brings me peace because it's the most me I've
- 1:12:32Speaker 19: ever been.
- 1:12:34Speaker 21: I'm I'm so fearless now again like I'm I'm neo,
- 1:12:38Speaker 21: like unplugged from the matrix and living my reality. So
- 1:12:41Speaker 21: that's like everybody's been asking me how you feel, how
- 1:12:44Speaker 21: you feel like the album's about to come out, and
- 1:12:46Speaker 21: I tell them myself, I'm at peace because I have
- 1:12:49Speaker 21: no expectations.
- 1:12:50Speaker 19: I'm not thinking about I need to do this amount
- 1:12:53Speaker 19: of numbers, like, yo, what's good? If do we need
- 1:12:56Speaker 19: to do this?
- 1:12:56Speaker 21: I'm just like people like it or they don't. Yeah,
- 1:12:59Speaker 21: I made an album that I was happy with and
- 1:13:01Speaker 21: I shared things that I wanted to share that with
- 1:13:03Speaker 21: For me, like so many albums, I would shine a
- 1:13:06Speaker 21: light on the world, and this one was like I
- 1:13:09Speaker 21: need to shine light on me and so to be
- 1:13:11Speaker 21: able to like because I'm so private and I protect
- 1:13:14Speaker 21: myself in that way and I held so much and
- 1:13:16Speaker 21: I feel lighter because you know, I'm I'm so confident
- 1:13:20Speaker 21: and again I'm not afraid to just share. I was
- 1:13:23Speaker 21: afraid before because I was afraid of judgment, what people
- 1:13:26Speaker 21: would think, like, you're not perfect, You're not always the
- 1:13:29Speaker 21: good girl. You have disappointed yourself.
- 1:13:31Speaker 19: And some people. But it's like, it's okay, we all
- 1:13:34Speaker 19: do at some point.
- 1:13:35Speaker 2: We got more with rhaps City. When we come back,
- 1:13:37Speaker 2: don't move. It's to Breakfast Club.
- 1:13:38Speaker 11: Good morning warning, everybody's ej nd Jesse, Larry Shallaman the god.
- 1:13:42Speaker 2: We are the breakfast Club. Naala is hanging with us
- 1:13:44Speaker 2: this morning and we're still kicking it with Rhapsody, Nihla.
- 1:13:47Speaker 18: So what pushed you to the point of wanting to
- 1:13:51Speaker 18: live you know, like this much in your truth and
- 1:13:53Speaker 18: be this transparent.
- 1:13:55Speaker 19: I wanted to grow.
- 1:13:56Speaker 21: I had gotten out a relationship when I started this project,
- 1:14:00Speaker 21: and healing from that, you know, therapy, you realize it's
- 1:14:04Speaker 21: never about the person, it's about you. So once you
- 1:14:08Speaker 21: start to sit and ask yourself these questions trying to
- 1:14:10Speaker 21: figure out how to heal from the relationship, the relationship
- 1:14:14Speaker 21: is over with. It's just like, oh, what are the
- 1:14:16Speaker 21: mirrors in front of me? What are the things about
- 1:14:18Speaker 21: me that make me feel incomplete?
- 1:14:21Speaker 19: Or all the things? Why do I act like this
- 1:14:24Speaker 19: when this happens. So it was like an onion. I
- 1:14:26Speaker 19: was just peeling back, pelling back, peeling.
- 1:14:28Speaker 2: Back, and I was just like crying every time.
- 1:14:33Speaker 3: Year was crazy.
- 1:14:35Speaker 21: Yeah, a lot of solitude, a lot of tears, a
- 1:14:38Speaker 21: lot of praying, and I have a beautiful village. So
- 1:14:41Speaker 21: my homegirls would tell me, like, yo, you your next
- 1:14:46Speaker 21: phase is you gotta let people see you the human party.
- 1:14:49Speaker 21: You gotta be vulnerable. And so I love a good challenge.
- 1:14:53Speaker 21: It was hard, uncomfortable, it was not fun, but the
- 1:14:57Speaker 21: other side is so beautiful. So it's like the you
- 1:15:00Speaker 21: really got to let yourself sit in the fire and burn.
- 1:15:03Speaker 21: And some days I was like, man, am I gonna
- 1:15:05Speaker 21: feel like this forever?
- 1:15:06Speaker 2: But now I was going to ask, like which specific
- 1:15:10Speaker 2: experience led to, like the journey of self exploration and
- 1:15:13Speaker 2: self acceptance. So it was a breakup. It's like my
- 1:15:17Speaker 2: life album.
- 1:15:17Speaker 16: Yeah, yeah, it's a lot of my life, all pieces
- 1:15:28Speaker 16: of it.
- 1:15:29Speaker 21: Their relationship was dope, though, like I learned a lot
- 1:15:32Speaker 21: in a relationship about even how to begin this journey.
- 1:15:37Speaker 8: You know.
- 1:15:37Speaker 19: They was back to back relationship. So I got out
- 1:15:40Speaker 19: of the long one, had a little time, and got
- 1:15:42Speaker 19: in another one.
- 1:15:43Speaker 2: But the second one was just a rebound.
- 1:15:45Speaker 8: No really.
- 1:15:51Speaker 21: You I mean, yes, that happened, but that wasn't my
- 1:15:53Speaker 21: my experience. It was the one the relationship that impacted
- 1:15:57Speaker 21: me the most. I wouldn't have become the person I
- 1:16:00Speaker 21: am now without that relationship.
- 1:16:02Speaker 19: So they gave me like the starter pack tools you know,
- 1:16:06Speaker 19: to figure out.
- 1:16:06Speaker 21: They say, you people come into your life for a reason,
- 1:16:08Speaker 21: season or lifetime, and there was definitely reason in this.
- 1:16:13Speaker 19: I think it could be multiple things. But once it
- 1:16:15Speaker 19: was like now you're on your own, you by yourself.
- 1:16:18Speaker 19: I was like, oh, I gotta do the work work, you.
- 1:16:20Speaker 2: Know yo, I'm please don't cry.
- 1:16:22Speaker 11: You got a song about dementia, yeah, which is something
- 1:16:25Speaker 11: that impacts so many of us, like we all have
- 1:16:27Speaker 11: a loved one that suffering from dementia.
- 1:16:29Speaker 2: I had dementia. Like what made you want to speak.
- 1:16:31Speaker 21: On that cause it was such a big part of
- 1:16:34Speaker 21: my life when that time. My aunt, who's my mom's sister,
- 1:16:37Speaker 21: oldest sister, helped raise me. So just like all my
- 1:16:40Speaker 21: aunt's like my second mom's. So when she got diagnosed,
- 1:16:43Speaker 21: it hit me like, yo, my grandmother had it. But
- 1:16:47Speaker 21: to sit with somebody and see it progress is just
- 1:16:50Speaker 21: a big part of my life and it affects me
- 1:16:52Speaker 21: so emotionally, and it was just like I want to
- 1:16:56Speaker 21: talk about it, and because I do know so many
- 1:16:58Speaker 21: people that go through it, I was just everything I
- 1:17:01Speaker 21: was feeling.
- 1:17:01Speaker 19: I was just putting on paper. Yeah, you know, and
- 1:17:04Speaker 19: I think people need that. That's just what it was.
- 1:17:07Speaker 8: Like.
- 1:17:07Speaker 19: I think about how all the time.
- 1:17:09Speaker 21: You know, every time I go home, that's the first
- 1:17:11Speaker 21: place I go sometimes before I stop with my mom.
- 1:17:14Speaker 19: And this last time I went, I was there for
- 1:17:16Speaker 19: like four hours.
- 1:17:17Speaker 21: We was talking, laughing. I think the last hour, somebody
- 1:17:21Speaker 21: came in the house and they was like, you know.
- 1:17:23Speaker 4: Who that is?
- 1:17:23Speaker 2: She was like, I don't know.
- 1:17:25Speaker 19: I was like, damn, yeah, yeah, it's tough.
- 1:17:28Speaker 21: It's tough, and you know, I think about my cousins
- 1:17:31Speaker 21: who's at her kids. So it's just like, you know,
- 1:17:34Speaker 21: a story that I wanted to share, Like, if you
- 1:17:35Speaker 21: want to know me, this is what I go with,
- 1:17:38Speaker 21: this is what I go through.
- 1:17:38Speaker 19: When I'm with my family.
- 1:17:41Speaker 2: Your grandma got to make trade.
- 1:17:42Speaker 4: Yeah.
- 1:17:43Speaker 3: Yeah, And that's why I say that definitely hurts out
- 1:17:46Speaker 3: that to relate to that that it does hurt.
- 1:17:48Speaker 21: There's a hard, hard disease and go through like the
- 1:17:52Speaker 21: mind goes and the memory.
- 1:17:54Speaker 19: Yeah, you know, but same thing. My family's the same way.
- 1:17:57Speaker 21: Like I remember the first time, like she was really
- 1:17:59Speaker 21: doing things where I could really see it because I
- 1:18:01Speaker 21: can always see it before. But I remember the day
- 1:18:04Speaker 21: and my other aunt came over and we were just
- 1:18:06Speaker 21: talking about it. She just said she bust out laughing,
- 1:18:08Speaker 21: you know, like talking to pictures or whatever. I like,
- 1:18:12Speaker 21: I was in my feelings. She started laughing. She's like, girl,
- 1:18:14Speaker 21: we got laugh to keep from crying.
- 1:18:16Speaker 19: And that just changed me.
- 1:18:17Speaker 21: Like so it's beautiful to see, like how the family
- 1:18:22Speaker 21: takes care of her and we just whatever she on
- 1:18:25Speaker 21: that day, we just all a part of it.
- 1:18:26Speaker 3: Yeah, you know what I'm saying.
- 1:18:27Speaker 19: That's good and it makes.
- 1:18:29Speaker 21: It a little easier, but yeah, it's it's tough, is
- 1:18:33Speaker 21: it true? Your credits and notihilating with helping you magast
- 1:18:36Speaker 21: finishing it.
- 1:18:40Speaker 2: She's sing.
- 1:18:42Speaker 19: Not Lathan can sing, like yeah yeah.
- 1:18:45Speaker 21: And when I worked we worked on the movie on
- 1:18:48Speaker 21: a come Up in twenty twenty one, and she brought
- 1:18:51Speaker 21: me on to help with the.
- 1:18:52Speaker 19: Music and coach the actor.
- 1:18:55Speaker 21: But I got to see how much of a music fan,
- 1:18:58Speaker 21: especially hip hop, she was like i'd send her demos
- 1:19:01Speaker 21: and stuff. She tell me about the beat and what
- 1:19:03Speaker 21: she liked, and I was like, you know what you're
- 1:19:04Speaker 21: talking about. You know, we talked about music a lot.
- 1:19:07Speaker 21: But she was a big part of the healing process
- 1:19:10Speaker 21: for one, right, you.
- 1:19:11Speaker 19: Know, healing goals and phases. So she had put me.
- 1:19:14Speaker 21: Onto this course it's called how to Beemagnetic dot com
- 1:19:18Speaker 21: or whatever. And I did the course and it was
- 1:19:21Speaker 21: so instrumental, like meditation, like she helped.
- 1:19:25Speaker 19: Me get through over the hump.
- 1:19:26Speaker 2: Yeah.
- 1:19:27Speaker 21: So we was in New York at a premiere and
- 1:19:30Speaker 21: she was always asking about the album because you know,
- 1:19:33Speaker 21: we talked about pretty much everything, and she was like,
- 1:19:36Speaker 21: you're not finished with it yet, just like everybody on
- 1:19:38Speaker 21: the edit that I was like, I'm still not fitished.
- 1:19:40Speaker 19: She was like, what's taking so long. I was like,
- 1:19:42Speaker 19: I don't know. I said, I feel like it's too gray,
- 1:19:45Speaker 19: like I see music and color. Sometimes.
- 1:19:48Speaker 21: I said, I don't know, I think it's too gray.
- 1:19:49Speaker 21: It might be too sad, like I'm just overthinking it.
- 1:19:52Speaker 21: I could do that sometimes, And so she was like,
- 1:19:55Speaker 21: play me some songs. So I played her like three
- 1:19:59Speaker 21: or four songs and she was like, it's not too sad.
- 1:20:01Speaker 21: It's exactly what people need. Finished the album, and because
- 1:20:05Speaker 21: she said that, I was like, okay, and I finished
- 1:20:08Speaker 21: the album. Other than I probably would still be recording
- 1:20:11Speaker 21: right now.
- 1:20:11Speaker 19: I believe it.
- 1:20:12Speaker 3: I believe that you.
- 1:20:17Speaker 18: I do love having Felicia on the project.
- 1:20:21Speaker 2: I thought that was full name. Yes, okay, I knew
- 1:20:28Speaker 2: what I was talking about.
- 1:20:32Speaker 18: You have Felicia Rashad Narrate and I love on the intro.
- 1:20:36Speaker 18: The only way out is in. You even know who
- 1:20:38Speaker 18: you are. I'm like, this project really takes you on
- 1:20:41Speaker 18: a ride. But but how did you connect with her?
- 1:20:44Speaker 21: It was a lot easier than I thought. I think big,
- 1:20:47Speaker 21: I'm gonna always go big, and I'm like all they
- 1:20:49Speaker 21: can say is no.
- 1:20:50Speaker 19: So I was just prepared.
- 1:20:51Speaker 21: I was telling my manager. I was like, if she doesn't,
- 1:20:53Speaker 21: we can't get hurt. And this person, this person, this person.
- 1:20:56Speaker 1: Back up.
- 1:20:57Speaker 21: My manager got information on her manager and they just
- 1:21:01Speaker 21: she sent her a request and at first they were like,
- 1:21:03Speaker 21: we want to hear some music. And I was busy
- 1:21:05Speaker 21: at the time, but before I could even send it,
- 1:21:08Speaker 21: it meant two days.
- 1:21:09Speaker 2: When they went by, she was I'm too busy.
- 1:21:14Speaker 19: No I didn't, no, no, no, you, that's not what happened.
- 1:21:20Speaker 19: I was to get you know, the song.
- 1:21:22Speaker 21: I'm trying to figure out what exactly to send it
- 1:21:24Speaker 21: because the album went all the way done.
- 1:21:26Speaker 19: So I was like, you know, I was moving around,
- 1:21:28Speaker 19: so it was maybe two days later.
- 1:21:32Speaker 21: I was traveling, but I think like they asked for
- 1:21:39Speaker 21: the music, and then I think the next day she
- 1:21:41Speaker 21: was just like yes, you know, I don't know if
- 1:21:43Speaker 21: they google, I don't know what happened.
- 1:21:45Speaker 19: But I was like, my mouth was on the floor.
- 1:21:47Speaker 19: I was like what And so I wrote out the
- 1:21:50Speaker 19: parts and sent them to her and she recorded it
- 1:21:53Speaker 19: and she's so.
- 1:21:54Speaker 21: Good, like I just I wrote out my part in
- 1:21:57Speaker 21: her part and she did it on a voice memo
- 1:22:00Speaker 21: in our hotel.
- 1:22:02Speaker 19: But she's she's just so good, like you hear it.
- 1:22:06Speaker 19: But I chose her for that, you know, for the
- 1:22:09Speaker 19: very reason.
- 1:22:09Speaker 21: Or what she represents to the black community to us.
- 1:22:13Speaker 21: I was watching The Matrix and I was so intrigued
- 1:22:16Speaker 21: by the relationship of Neo and the Oracle. You know,
- 1:22:19Speaker 21: it was like that was the journey I was on
- 1:22:22Speaker 21: and how she got it him. So when we were
- 1:22:25Speaker 21: in the studio and I was with Black Odyssey in Austin, Texas.
- 1:22:28Speaker 21: They helped executive produce the album with s one. They
- 1:22:31Speaker 21: were like, how you gonna put pieces together? Not?
- 1:22:34Speaker 19: And that's what I thought of, And she was the
- 1:22:35Speaker 19: only voice.
- 1:22:36Speaker 3: That I heard.
- 1:22:37Speaker 9: How we got more with rhaps City when we come back,
- 1:22:38Speaker 9: don't move. It's to breakfast club. Good morning, the breakfast club.
- 1:22:44Speaker 2: When we are the breakfast club. We have now with
- 1:22:47Speaker 2: us this morning and we're still kicking it with rhaps City.
- 1:22:49Speaker 2: Tell me, I tell you tweeted no such thing as
- 1:22:51Speaker 2: female hip hop.
- 1:22:52Speaker 19: Yeah, I don't like that.
- 1:22:54Speaker 2: What is that elaborate on that little Yeah, it's.
- 1:22:57Speaker 19: It's just hip hop.
- 1:22:58Speaker 21: Like somebody they try to re boto me, like there
- 1:23:00Speaker 21: are women who make songs specifically for women. That's called
- 1:23:03Speaker 21: an audience, sir, audiences women. But what she does is
- 1:23:10Speaker 21: hip hop. Like you, when you label something, labels are
- 1:23:14Speaker 21: just there to separate us. So if you labeling it
- 1:23:17Speaker 21: female hip hop and you putting it in a category
- 1:23:20Speaker 21: with this is just for females, and you looking at
- 1:23:22Speaker 21: it a certain way, it's like, no, they do hip hop,
- 1:23:26Speaker 21: they rap, but their audience may be mostly women, you know,
- 1:23:30Speaker 21: And I just hate the separation and labels. It's already
- 1:23:33Speaker 21: hard for us. It's just another form of sexism too. Yeah,
- 1:23:37Speaker 21: I don't make female hip hop. I rap for everybody.
- 1:23:41Speaker 21: You get it or you don't. And you know my
- 1:23:43Speaker 21: fan base shows that got men, women, older people, younger people.
- 1:23:48Speaker 21: It's just that's what it is.
- 1:23:49Speaker 19: So it's like, we're not about to do that, and
- 1:23:51Speaker 19: I'm gonna advocate for it.
- 1:23:53Speaker 2: What problems you to the dress, questions about your sexuality?
- 1:23:56Speaker 2: Under stand tall records because it.
- 1:23:58Speaker 21: Would be conversations throughout the years of my career, and
- 1:24:01Speaker 21: so it was like things that I internalized to like
- 1:24:04Speaker 21: the way that I dress or whatever. People assume things
- 1:24:07Speaker 21: about you or because you have you don't know who
- 1:24:11Speaker 21: I've been a relationship. I'm private, so they just assume
- 1:24:14Speaker 21: who you are. So it's just like, let me just
- 1:24:16Speaker 21: address it head on. Then you know you hear it
- 1:24:19Speaker 21: from me.
- 1:24:20Speaker 2: He said. Judgment saw me. They wondering if I'm gona
- 1:24:21Speaker 2: eat the Kochie fan all because I choose the style
- 1:24:23Speaker 2: and sneakers and some baggy pants used to make me
- 1:24:26Speaker 2: Aggie want to black out like the Aggie fans.
- 1:24:28Speaker 8: I heard.
- 1:24:29Speaker 3: Of course you did, you, of course you did.
- 1:24:34Speaker 2: That's what I'm yo.
- 1:24:35Speaker 21: I'll be like it's like if you dress like this,
- 1:24:38Speaker 21: oh you do not like men because you're not catering
- 1:24:41Speaker 21: to men what we think or what we think men
- 1:24:44Speaker 21: want to be catered to. And now the conversation I'll
- 1:24:46Speaker 21: be seeing men having it like yo, we miss having
- 1:24:49Speaker 21: some imagination about it.
- 1:24:50Speaker 2: Do you hear me?
- 1:24:51Speaker 3: That's why I'm like, Yo, Y're gonna show us everything.
- 1:24:55Speaker 3: Listen to the man if all with these new you know,
- 1:24:58Speaker 3: newer brand. If women are trying to upheal the men
- 1:25:02Speaker 3: all the time, listen to them. They don't always want
- 1:25:05Speaker 3: to get online and misplaced belly buttons and all that.
- 1:25:09Speaker 1: They don't want to see it all the time, like rather.
- 1:25:13Speaker 3: Not even see the stomach.
- 1:25:19Speaker 2: Showing three for cloth, never showing your stuff off.
- 1:25:22Speaker 19: Like yo, you fly hell, I'm gonna affirm that to you.
- 1:25:29Speaker 21: And yeah, and it's not even just in music, like
- 1:25:32Speaker 21: I hear women in the business they say like I
- 1:25:35Speaker 21: sometimes I cover up just so I can go in
- 1:25:37Speaker 21: the meeting.
- 1:25:37Speaker 19: We can have a straight on meeting. I ain't about
- 1:25:40Speaker 19: to do that, but yeah, it's just like everything is
- 1:25:43Speaker 19: a full display, like you know, I like to I
- 1:25:46Speaker 19: like to have you guessing, like you know, the days
- 1:25:49Speaker 19: we do want to pop out.
- 1:25:51Speaker 16: And be like damnamn, Like yeah, let that reaction.
- 1:25:56Speaker 21: And it's not comfortable. I like to be comfortable and
- 1:25:59Speaker 21: just be real with you. Yeah, them he'lls hurt my feet. Yeah,
- 1:26:02Speaker 21: very excited about your packaging.
- 1:26:04Speaker 3: Your promotion is crazy. You always got a creative way
- 1:26:07Speaker 3: to appeal to your fans, Like when she does Past
- 1:26:10Speaker 3: the Us and she we always have your music. She
- 1:26:13Speaker 3: always says a song like show tell us, like little.
- 1:26:15Speaker 2: Creative ways that you be like like that one time.
- 1:26:20Speaker 3: Yeah, like a T shirt Like, yeah, the T shirt.
- 1:26:22Speaker 3: I'm like, Okay, that's creative.
- 1:26:24Speaker 2: That's dope.
- 1:26:25Speaker 3: That's how you really know who you're connected to as well,
- 1:26:27Speaker 3: like your fans are really loyal to you.
- 1:26:29Speaker 21: It's one of my favorite things about putting out an album,
- 1:26:31Speaker 21: Like the music is of course, but then it's like,
- 1:26:34Speaker 21: all right, that part is fun, Like how we gonna
- 1:26:36Speaker 21: roll this out with this one.
- 1:26:39Speaker 19: I watched the movie Air. I don't know if you've
- 1:26:42Speaker 19: seen it.
- 1:26:42Speaker 3: No, it's it's about Yeah, I'm sorry.
- 1:26:47Speaker 21: I was so inspired by the branding and marketing of it,
- 1:26:50Speaker 21: and it was just like, it ain't about the shoe,
- 1:26:52Speaker 21: It's about the person wearing the shoe. I was like,
- 1:26:55Speaker 21: I called the team. I was like, I want to
- 1:26:56Speaker 21: roll this out like a Nike ad for a shoe,
- 1:26:59Speaker 21: but with the album, how we gonna do that? And
- 1:27:01Speaker 21: you know, we really wanted again, like I was in
- 1:27:03Speaker 21: the place of like free, like I'm not worried about
- 1:27:06Speaker 21: Billboard or nothing like that. It's just like, let's just
- 1:27:09Speaker 21: focus on the fan base. So you know, we just
- 1:27:12Speaker 21: made them a part of it, and we just told
- 1:27:15Speaker 21: the story from that way, just being organic and the
- 1:27:18Speaker 21: ideas we was just flowing. My mind worked like that.
- 1:27:20Speaker 21: I can't explain it, but yeah, I'm glad people are.
- 1:27:26Speaker 3: I can see that.
- 1:27:27Speaker 16: Thank you.
- 1:27:28Speaker 2: And I just noticed this. We each each other, that's
- 1:27:31Speaker 2: your label.
- 1:27:31Speaker 19: Yes, I wasn't ready to announce it.
- 1:27:41Speaker 2: Each other Jack Nation.
- 1:27:42Speaker 3: I'm like, oh yeah, yeah, but it's okay. It's okay.
- 1:27:54Speaker 19: I could still have my moment when that time comes.
- 1:27:57Speaker 21: But yes, I started this is my last album on
- 1:28:00Speaker 21: Jammling Records, and that's my family forever. But it got
- 1:28:04Speaker 21: to a point where I felt like, you know, I've
- 1:28:06Speaker 21: learned so much. I feel like I reached the ceiling.
- 1:28:09Speaker 21: And it's like you leave the nest many times over life,
- 1:28:12Speaker 21: you know, you get eighteen, leave the home, you leave
- 1:28:14Speaker 21: the nest, and I feel like you do it many
- 1:28:16Speaker 21: times over.
- 1:28:17Speaker 19: So you know, I told going Knife, I was like,
- 1:28:19Speaker 19: I think it's time for me, you know, to try
- 1:28:21Speaker 19: this on my own.
- 1:28:23Speaker 21: So I have a business partner, Andre Mego, who's also
- 1:28:26Speaker 21: an artist, and our first artist that we signed together
- 1:28:29Speaker 21: is Nico Brim Yeah.
- 1:28:31Speaker 18: Nico love it.
- 1:28:34Speaker 19: Yeah, So I'm excited to introduce that more to the world.
- 1:28:39Speaker 18: That's why he got his own interlude on the project.
- 1:28:42Speaker 19: Why he has project Yeah.
- 1:28:45Speaker 2: Well, big ceo rap, you know what I mean. It's
- 1:28:48Speaker 2: a pleasure.
- 1:28:49Speaker 21: Thank you for your time as always you thank you
- 1:28:51Speaker 21: all for making space for me. Thank you for always
- 1:28:53Speaker 21: saying my name yr like.
- 1:28:54Speaker 2: I appreciate the love absolutely.
- 1:28:57Speaker 11: Please don't cry. It's out right now and it's rahaps
- 1:29:00Speaker 11: to the y'all. It's the breakfast club.
- 1:29:03Speaker 2: You're like into the breakfast club, pointing everybody.
- 1:29:06Speaker 11: It's j n V Jess hilarious. Charlomagne the God, we
- 1:29:09Speaker 11: are the breakfast Club. It's time to get up out
- 1:29:10Speaker 11: of here. Yes, Charlomagne, you got a positive note. The
- 1:29:13Speaker 11: positive note is this man. You are responsible for your life.
- 1:29:16Speaker 11: You can't keep blaming somebody else for your dysfunction.
- 1:29:19Speaker 2: Breakfast club bitch
- 1:29:20Speaker 1: Is you don't finish for y'all dunks,