Latest / Who Did What Now With Katie Charlwood / 125, The Mysterious Death of Elisa Lam
Transcript
- 0:00Speaker 1: You're listening to an Airwave Media podcast. Hello delicious friends,
- 0:17Speaker 1: and welcome to Who Did Want Now? The history podcast
- 0:20Speaker 1: That's Not Your History Class with me your host Katie Charlewood,
- 0:25Speaker 1: history Harlotte and reader of books. Speaking of books, I
- 0:33Speaker 1: am in my hotel room. I have just performed at
- 0:37Speaker 1: the Red Line Book Festival in Dublin and Talla, and
- 0:42Speaker 1: I was at the Civic Theater and I was having
- 0:46Speaker 1: a think and it's roughly like a whole year since
- 0:51Speaker 1: my first live show. And my friend was at my
- 0:55Speaker 1: first live show actually and was at this one, and
- 0:58Speaker 1: he was telling me, like the difference between then and now,
- 1:01Speaker 1: like everything from like the structure or the confidence, Like
- 1:05Speaker 1: the difference is it's like a much better like live show,
- 1:09Speaker 1: which I'm so proud of and so thankful for because
- 1:12Speaker 1: it means I actually do learn as I go on. Yay.
- 1:18Speaker 1: But yeah, I was at the Red Line Book Festival,
- 1:20Speaker 1: even though my book is now till like twenty twenty six.
- 1:23Speaker 1: But they were like we wanted to pre empt it
- 1:24Speaker 1: and bring you in, which is so exciting and lovely.
- 1:29Speaker 1: And she was a strange amount of faith in me
- 1:31Speaker 1: from people who don't know me that I had such
- 1:34Speaker 1: a good time. And it's like each show I do
- 1:40Speaker 1: just feels like so much better than the previous, Like
- 1:43Speaker 1: I feel like I'm really getting into the stride of it,
- 1:47Speaker 1: and so like I'm really excited about the US TIL
- 1:50Speaker 1: next year, Like once I get things locked in, if
- 1:53Speaker 1: venues would get back to me. Ah, I wish I
- 1:56Speaker 1: had a TILL manager because honestly, trying to organize this
- 1:59Speaker 1: is so hard, especially with everything else I'm doing. There's
- 2:03Speaker 1: just so much going on. But yes, so I'm organizing that,
- 2:06Speaker 1: and then I'm in Dublin next week and again, like
- 2:10Speaker 1: I'm all over the shop and I'm performing here, there
- 2:13Speaker 1: and everywhere. But you may be looking at this episode
- 2:17Speaker 1: and thinking this is not her usual content, because this
- 2:20Speaker 1: seems fairly recent in comparison. Yeah, yeah, I decided to
- 2:24Speaker 1: do a wee break of the norm. I'm still talking
- 2:26Speaker 1: about horrible history. It's still a horrible thing that happened.
- 2:30Speaker 1: It's just a little bit more recent, the recent past,
- 2:33Speaker 1: but it's there, and I'm consistently asked about it, like
- 2:37Speaker 1: how I'm mentioning it once because I was talking about
- 2:41Speaker 1: misinterpretations of ghosties and gullies and spooky mysteries like, I
- 2:48Speaker 1: love a mysteries much as the next person, but I'm
- 2:50Speaker 1: far too You're a divergence for that, and so I
- 2:52Speaker 1: have to ruin everyone's fun. And also I don't feel
- 2:55Speaker 1: like making fun about the tragic death of a woman,
- 2:59Speaker 1: and I've I just don't. I don't. I don't find
- 3:02Speaker 1: that a good thing, you know. And I like to
- 3:06Speaker 1: clarify things and write some wrongs because that's just who
- 3:10Speaker 1: I am as a person. And so I'm going to
- 3:13Speaker 1: be debunking a few things. I'm going to be telling
- 3:16Speaker 1: the facts as they are. And I know what you're thinking.
- 3:22Speaker 1: You're thinking, Katie, quite your jibbl Jabba in fact me
- 3:26Speaker 1: in fact Jui will. But first we've got to get
- 3:29Speaker 1: our source on. Our sources are The strange death of
- 3:34Speaker 1: Alisa Lamb by David Nicholson, Elie Hotel, our body was
- 3:41Speaker 1: found in water tank, has long dark history by Mark Memmett.
- 3:47Speaker 1: The suicide the Hotel Caesel and the main Streets of
- 3:50Speaker 1: LA's Notorious Schedule by Hardley Meres. The Dark Past of
- 3:56Speaker 1: the Caesel Hotel by Joshua o'campbell Lamb. What Really Happened
- 4:01Speaker 1: in the Ceacil Hotel by Michael Baggs crime Scene The
- 4:05Speaker 1: Vanishing at the Cecil Hotel documentary on Netflix, and of
- 4:10Speaker 1: course we have the elevator video read it and so
- 4:15Speaker 1: on and so forth. Als it in comfortably good, Then
- 4:21Speaker 1: let's begin. Our story starts and well ends at the
- 4:28Speaker 1: infamous Cecil Hotel, a building an establishment which has garnered
- 4:34Speaker 1: an unsavory reputation over the years, linking it to tragedy, trauma,
- 4:39Speaker 1: travesty and mysterious goings on. It is linked to dark
- 4:47Speaker 1: in depraved tales of terror, as if the building itself
- 4:51Speaker 1: is cursed, when in fact it's just location and economy.
- 5:01Speaker 1: That's what created the dark history of the Cisol Hotel,
- 5:06Speaker 1: which was briefly rebranded as the Stay On Main because
- 5:10Speaker 1: they're trying to like like pr change it. But it
- 5:16Speaker 1: stopped doing what it was supposed to do. It wasn't
- 5:19Speaker 1: able to keep running. And obviously the terrible publicity, which
- 5:23Speaker 1: you know should actually have gotten it like more because
- 5:28Speaker 1: like people do dark history tours all the time. People
- 5:31Speaker 1: are obsessed with the macab you know, so it should
- 5:34Speaker 1: have done really well. It was not doing really well
- 5:38Speaker 1: and it just had to clause. Now, the Cecil opened
- 5:44Speaker 1: in nineteen twenty four. Like, the whole purpose of it
- 5:47Speaker 1: initially was like it was downtown. It was supposed to
- 5:50Speaker 1: cater to businessmen, you know, men doing business in the city.
- 5:54Speaker 1: Businessmen doing business. Yeah, it was that sort of whole scenario. Unfortunately,
- 6:02Speaker 1: when the crash happened and the Great Depression hit, wasn't
- 6:08Speaker 1: really a lot of businessmen to be to be holding
- 6:10Speaker 1: up there in the seesil, And so it changed its
- 6:14Speaker 1: business plan. Thought instead of doing this, it was going
- 6:18Speaker 1: to bring in like these really low rates, because people
- 6:21Speaker 1: wouldn't just stay in a hotel for like a night
- 6:24Speaker 1: or two. It would bring in these like really low
- 6:26Speaker 1: weekly rates, like a rent. So that meant people who
- 6:30Speaker 1: were on lower incomes they could reside in the hotels
- 6:34Speaker 1: instead of an actual apartment or house or whatever. And
- 6:40Speaker 1: so as the depression really got worse and crime rates
- 6:45Speaker 1: increased downtown, well that area of downtown anyway becomes skid
- 6:52Speaker 1: row downtown where the guys a drips downtown, where they
- 6:59Speaker 1: kick yours downtown. Our relationships are not gone down. On
- 7:07Speaker 1: Scared Row, listen, I do not have the vocal quality
- 7:12Speaker 1: to do that song, but I could not hit myself.
- 7:15Speaker 1: But yeah, Scared Row it's where the people who are
- 7:18Speaker 1: really suffering, the poorer of the impoverish, the homeless, like,
- 7:22Speaker 1: that's where they're staying. They've got nowhere else to go.
- 7:26Speaker 1: And with they say so, being so situated, it becomes
- 7:32Speaker 1: the go to place for a lot of these people.
- 7:35Speaker 1: And so the hotel on skied Row, which caters to
- 7:39Speaker 1: people on low incomes, becomes a place where people on
- 7:44Speaker 1: low incomes are going to be. People who are living
- 7:48Speaker 1: in this environment, people who are living in an area
- 7:51Speaker 1: filled with crime, drugs, et cetera. This is where people
- 7:55Speaker 1: are going to stay. And when you've got people in
- 7:58Speaker 1: these high danger life I say lifestyle right, as if
- 8:02Speaker 1: it's not just their life, as if this is not
- 8:05Speaker 1: just how their life is turned out like which could
- 8:08Speaker 1: be a result very easily of just external factors. And
- 8:12Speaker 1: so here they are having to be here, of all places.
- 8:16Speaker 1: And so when you've got people in these high risk
- 8:18Speaker 1: lives staying in this one area, shockingly enough, incidents are
- 8:24Speaker 1: going to be away bit higher. So they talk about
- 8:28Speaker 1: like all of these deaths and stuff that happen in
- 8:31Speaker 1: the Caesel hotel, and a lot of them are like
- 8:36Speaker 1: deaths suicides, overdoses and of course it gets worse because
- 8:41Speaker 1: allegedly Richard Ramirez stayed there when he was like hiding
- 8:45Speaker 1: out from his murder spray, you know, the original Nightstalker.
- 8:49Speaker 1: So he stayed there. So I was like, ooh, he
- 8:51Speaker 1: stayed there. It's creepy. And then of course you have
- 8:56Speaker 1: the cirrecular jerk unter Winger Unterwiger. Yeah, he's like in
- 9:04Speaker 1: the cecil garrotting sex workers with their own lauingerie. And
- 9:09Speaker 1: of course people like to like layer on the mystery
- 9:12Speaker 1: and the darkness and the conspiracies, and so there's like
- 9:15Speaker 1: a rumor as well that that's where the black Dahlia
- 9:18Speaker 1: Elizabeth Short stage. They're like she was there too, because
- 9:22Speaker 1: again it was a cheap place to stay, and she
- 9:24Speaker 1: was notorious for like being broke, and of course people
- 9:29Speaker 1: like to add, like to add and embellish. On top
- 9:33Speaker 1: of that as well, you've got all these suicides that
- 9:36Speaker 1: happen there were people who are already not doing well
- 9:40Speaker 1: in their lives are in this place and they decide
- 9:44Speaker 1: that this is the time that they are going to
- 9:46Speaker 1: die by suicide. And you know, I'm just gonna give
- 9:49Speaker 1: you a rundown of the deaths of the seasonal hotel.
- 9:53Speaker 1: So the twenty second of January nineteen twenty seven, Percy
- 9:56Speaker 1: Ormond Cook dies by suicide. He separated from his wife
- 10:00Speaker 1: and he's just struggling. He deliberates for a week before
- 10:06Speaker 1: finally ending his life. On the nineteenth of November nineteen
- 10:10Speaker 1: thirty one, W K. Norton under the name James Willis.
- 10:17Speaker 1: He ends his life after a week in the cecil
- 10:20Speaker 1: after consuming poison capsules. In September nineteen thirty two, Benjamin
- 10:26Speaker 1: Doditch ended his life with a gunshot to the head.
- 10:30Speaker 1: He was discovered by a maid, so we don't know
- 10:32Speaker 1: the exact tay of his death. On the twenty sixth
- 10:35Speaker 1: of July nineteen thirty four, Sergeant Lewis D. Borden slit
- 10:39Speaker 1: his own throat with a razor. He was unwell and
- 10:42Speaker 1: the illness was too much for him, and so he
- 10:46Speaker 1: decided to end his life on his own terms. In
- 10:50Speaker 1: March nineteen thirty seven, Grace E Magrow falls or leaps.
- 10:56Speaker 1: We're not sure whether this was planned or an accident,
- 11:01Speaker 1: but she falls from a ninth story window and falls
- 11:05Speaker 1: on telephone wires which wrap around her body and end
- 11:08Speaker 1: her life. On the ninth of January nineteen thirty eight,
- 11:12Speaker 1: Roy Thompson leaps from the roof and lands atop a
- 11:16Speaker 1: skylight on the next building. In May nineteen thirty nine,
- 11:20Speaker 1: Erwin c. Neblet swallows poison in his room. In January
- 11:26Speaker 1: nineteen forty, Dorothy Segar, who sends herself into the hotel
- 11:30Speaker 1: under the name Evelyn Brent, consumes poison. She writes to
- 11:35Speaker 1: her family to let her know that she's planning on
- 11:37Speaker 1: doing this. As a result, she has discovered but she
- 11:41Speaker 1: passes away in hospital on the twelfth of January, so
- 11:44Speaker 1: technically she didn't die in the Cecil, but she died
- 11:49Speaker 1: from the seasil in September nineteen forty four. This is
- 11:53Speaker 1: a tough one, so if you have a thing about
- 11:55Speaker 1: babies or children, skip forward about forty five seconds. Nineteen
- 12:00Speaker 1: year old Dorothy Jean Purcell. She's staying in a room
- 12:04Speaker 1: with her boyfriend in the Cecil hotel and she starts
- 12:07Speaker 1: getting paints, severe pains. She goes into the bathroom and
- 12:12Speaker 1: gives birth alone, and in a state of panic, she
- 12:17Speaker 1: throws her newborn baby and bilical cord still attached, out
- 12:22Speaker 1: of the window, and so she gets charged with the
- 12:24Speaker 1: murder of an infant. But she gets assessed by three
- 12:28Speaker 1: separate psychiatrists and they're like, no, she wasn't in her
- 12:31Speaker 1: right mind when she did this. She was mentally confused,
- 12:35Speaker 1: which she's nineteen, Like her boyfriend in the next room,
- 12:39Speaker 1: she's just given birth, like she's not with it. Like,
- 12:44Speaker 1: imagine the fear. Imagine how terrified you have to be
- 12:49Speaker 1: to do something like that, Like how scared must you
- 12:54Speaker 1: be for that to be your choice, to be the
- 12:58Speaker 1: active decision that you make. OK. In November nineteen forty seven,
- 13:04Speaker 1: Robert Smith jumps from a seventh floor window in the Cecil.
- 13:08Speaker 1: On the twenty second of October nineteen fifty four, Helen
- 13:12Speaker 1: Gurney also leaps from a seventh floor window, except she
- 13:17Speaker 1: lands on top of the Cecil's marquis, but she had
- 13:21Speaker 1: also registered into the Cecil under a false name, Margaret Brown.
- 13:27Speaker 1: On the eleventh of February nineteen sixty two, Julia Francis
- 13:31Speaker 1: Moore leaps from the eighth floor room and lands on
- 13:35Speaker 1: a second story interior lightwell. On the twelfth of October.
- 13:39Speaker 1: In nineteen sixty two, Pauline Auten has an argument with
- 13:43Speaker 1: her estranged husband and throws herself out of a window.
- 13:48Speaker 1: The twenty seven year old woman hits a pedestrian before
- 13:52Speaker 1: she hits the ground. She lands on sixty five year
- 13:55Speaker 1: old George Giannini, who died instantly dually. The police thought
- 14:00Speaker 1: this was like a double suicide, but George Giannini had
- 14:06Speaker 1: his hands in his pockets as he was walking and
- 14:09Speaker 1: they were like he would not have been able to
- 14:12Speaker 1: do that if they were both leaping out the window.
- 14:15Speaker 1: On the fourth of June nineteen sixty four, Pigey Goldie
- 14:19Speaker 1: Osgood was found raped, stabbed, and beaten in her room.
- 14:24Speaker 1: She was called Pidgeon Goldie because she used to go
- 14:26Speaker 1: out and feed the buds out in the square. Her
- 14:29Speaker 1: murder is unsolved. On the twentieth of December nineteen seventy five,
- 14:34Speaker 1: a woman registered under the name of Alison Liwell jumps
- 14:38Speaker 1: from the twelfth floor window onto the second floor with
- 14:41Speaker 1: On the first of September nineteen ninety two, an African
- 14:45Speaker 1: American man who has still yet to be named, who
- 14:49Speaker 1: was fallen or pushed from the hotel's fifteenth floor, landing
- 14:53Speaker 1: in the alley behind the cecil. June thirteenth, twenty fifteen,
- 14:58Speaker 1: a twenty eight year old man who has not and identified,
- 15:02Speaker 1: passed away from falling from one of the Cecils windows.
- 15:05Speaker 1: And you may be thinking, well, Katie, there's a mysterious
- 15:08Speaker 1: death you haven't mentioned. Correct, the nineteenth of February twenty thirteen,
- 15:14Speaker 1: the tragic and accidental death of Alisola. If you want
- 15:19Speaker 1: to keep believing in paranormal and dark and twisted conspiracies
- 15:22Speaker 1: about her, you can just choose not to listen. But
- 15:26Speaker 1: if you want to know the facts, then listen up
- 15:29Speaker 1: Delicious friends, because I've got a story for you. Also.
- 15:34Speaker 1: In addition, furthermore, before I get into anything else about this,
- 15:38Speaker 1: there's this whole idea of the Cecil Hotel being haunted,
- 15:42Speaker 1: and you actually see this repeated in media quite a lot,
- 15:44Speaker 1: to the inspiration for a lot of things. You see
- 15:49Speaker 1: it sort of it's the perfect place because lots of
- 15:51Speaker 1: people coming and going. If you're a lot of deaths,
- 15:53Speaker 1: you expect that sort of situation. But there's not really
- 15:57Speaker 1: any like ghost sightings. Like it's not like an old
- 16:00Speaker 1: manner in England. We're like, oh the old lady, No,
- 16:03Speaker 1: none of that, which is weird because you would expect
- 16:06Speaker 1: somewhere to have like such a high death rate for
- 16:08Speaker 1: there to be like an inkling of a ghost somewhere
- 16:10Speaker 1: or ghost sighting. And it's weird as well because it's
- 16:14Speaker 1: portrayed such a way in media, like you see in
- 16:17Speaker 1: a lot of like books and TV shows. I'm going
- 16:20Speaker 1: to talk about two ones that right off the top
- 16:22Speaker 1: of my head, one of which is there's an episode
- 16:25Speaker 1: of Angel, which is I think they when he goes
- 16:28Speaker 1: to La and he moves into this hotel and the
- 16:30Speaker 1: hotel is haunted, like that's based on the Cecil. And
- 16:33Speaker 1: then you have American horror story Hotel, like that's that
- 16:38Speaker 1: is that's the Cecil, you know, And I think they're
- 16:40Speaker 1: actually filmed in there. But yeah, that's that. But the
- 16:46Speaker 1: true horror of the Cecil Hotel does not lie in
- 16:50Speaker 1: its mythology. It lies in its reality. And I'm going
- 16:56Speaker 1: to say it capitalism and CoP's not doing job and
- 17:02Speaker 1: a company so desperate with protecting itself that it didn't
- 17:05Speaker 1: let the facts out and created a conspiracy. But let
- 17:09Speaker 1: us get back to the nineteenth of February twenty thirteen.
- 17:14Speaker 1: The Cecil Hotel it had been running is partially a hotel,
- 17:18Speaker 1: partially a hostel, so it had some rooms which were
- 17:21Speaker 1: like dorm rooms and some rooms were private rooms. They
- 17:24Speaker 1: had permanent residents, they had like a whole lot going on.
- 17:28Speaker 1: It was a relatively affordable place to stay if you
- 17:31Speaker 1: were visiting la and if you're okay with being on schedule,
- 17:35Speaker 1: then you were fine there. So people could rent private rooms,
- 17:40Speaker 1: you could have your own space, or you could you know,
- 17:43Speaker 1: bunk with strangels hostel style, and then you've got entire
- 17:47Speaker 1: floors which are specifically for the permanent residents. And this
- 17:52Speaker 1: again is a cheap, cheap hotel, like it's a rundown,
- 17:57Speaker 1: a lot of stuff we didn't work in. It's calling
- 18:01Speaker 1: it a dump would probably be an improvement. And so
- 18:04Speaker 1: the staff in the hotel are quite used to receiving
- 18:06Speaker 1: complaints from the guests consecutively, one after another in a row.
- 18:12Speaker 1: But on this date there is a specific complaint, not
- 18:16Speaker 1: like oh there's ants in my room, or the windows
- 18:19Speaker 1: going to crack in it, or the lock doesn't work. No, no, no,
- 18:22Speaker 1: these are just like little tiny odd complaints. This is
- 18:27Speaker 1: the same complaint, the same issue that resident upon resident
- 18:33Speaker 1: upon guest is having. There's something wrong with the water.
- 18:38Speaker 1: So some are complaining that the water in the bathroom
- 18:40Speaker 1: taps is coming out black, so it like starts off
- 18:44Speaker 1: running like discolored and then goes to normal. Others the
- 18:49Speaker 1: water pressure is like really really low, like it's not
- 18:52Speaker 1: coming out properly, and some some oh, yeah, I hope
- 19:00Speaker 1: we've got a strong stomach. Guys. Some people are saying
- 19:03Speaker 1: that the water from the rooms is tasting weird, like
- 19:07Speaker 1: it's off like kind of sweet. And because the Ceesil
- 19:11Speaker 1: is getting just complaint. After complaining about the water, they
- 19:15Speaker 1: send the maintenance man, Santiago Lopez, up to the roof
- 19:20Speaker 1: and so he climbs to the roof of the hotel
- 19:23Speaker 1: to have we look at the water tanks, because see
- 19:26Speaker 1: the Ceasol has four water tanks on the roof, so
- 19:29Speaker 1: it's got one large one and three smaller ones. The
- 19:32Speaker 1: large one is the main supply to the building. And
- 19:37Speaker 1: these water tanks are like four foot wide, they're eight
- 19:42Speaker 1: foot tall, and they're up on these concrete blocks. So
- 19:45Speaker 1: in order to actually get into the water tank or
- 19:48Speaker 1: to get looking at it, you have to climb a ladder.
- 19:53Speaker 1: And so he gets his ladder and he climbs up
- 19:57Speaker 1: the main one because he's like, I'll start with the
- 19:59Speaker 1: main one because that it's probably the cause of the issue.
- 20:01Speaker 1: And when he gets to the top of the tank,
- 20:04Speaker 1: the hatch is open. It should not be open, but
- 20:08Speaker 1: it was, because that's actually health and safety concern. Water
- 20:13Speaker 1: tank hatches are not supposed to be open. It's not
- 20:16Speaker 1: a thing, but it's open, and inside the tank is
- 20:21Speaker 1: the naked body of a woman. And it was apparent
- 20:25Speaker 1: that this body had been in the water for some time.
- 20:29Speaker 1: I don't know if you've ever seen a water logged body.
- 20:33Speaker 1: I have for reasons, we're not going to get into it,
- 20:37Speaker 1: but that is not something you want to see. So
- 20:40Speaker 1: typically when a body is found in water, if it's
- 20:43Speaker 1: been there for some time, whether it's at sea or
- 20:46Speaker 1: in a lake or whatever, they do not allow you
- 20:50Speaker 1: to have an open casket. Well it's not advised, like
- 20:53Speaker 1: you see it with Emmett Till, specifically because his mother
- 20:58Speaker 1: wanted to show the world the barbar of what had
- 21:02Speaker 1: happened to her child. And even so, his body has
- 21:07Speaker 1: not the worst water logging I've ever seen. It's bad,
- 21:12Speaker 1: also worsened by the fact that he was brutally beaten.
- 21:17Speaker 1: But there are bodies. When they're in water, it changes it,
- 21:23Speaker 1: it fills the cells, is the best way I can
- 21:25Speaker 1: describe it. So like in a plant, you give it water,
- 21:29Speaker 1: it cells become strong, right, It builds the walls and
- 21:32Speaker 1: makes it a structure. In a body, when the cells
- 21:35Speaker 1: are filled with water, it makes them splushy and soft, right,
- 21:40Speaker 1: that is the technical term, splushy and soft. But yes,
- 21:44Speaker 1: the epidermis, which is the outer layer skin, it blisters
- 21:49Speaker 1: because again it sort of fills, so it blisters and
- 21:52Speaker 1: turns like a greenish black color. So like all over
- 21:56Speaker 1: the body except for the feet, in hands, which becomes
- 22:00Speaker 1: swollen and wrinkled and also bleached. Right. So it's like
- 22:06Speaker 1: when you've been in the bath for too long and
- 22:07Speaker 1: you get penny fingers like that, but so much worse.
- 22:12Speaker 1: And the thing is as well, if you've been submerged
- 22:14Speaker 1: for a long time, when your body is you know,
- 22:17Speaker 1: submerged in water. When you die, your body fills with
- 22:21Speaker 1: gas because it's decomposing. Yeah, and so you're intestines, especially
- 22:28Speaker 1: you know, your chest cavity, they fill with gas in
- 22:31Speaker 1: air and they make the body buoyant, which is why
- 22:34Speaker 1: after like so many days weeks when a body is
- 22:38Speaker 1: out at sea, when it's close to shore, things like
- 22:41Speaker 1: that when it's in a lake, even bodies float to
- 22:46Speaker 1: the surface. It's why the mafia would do the concrete
- 22:49Speaker 1: block thing, right, It's why you would weigh a body
- 22:51Speaker 1: down the bricks because the gas makes it float to
- 22:53Speaker 1: the top. And so because the gas is in sort
- 22:56Speaker 1: of the intestines and the gut and the chest cavity
- 22:59Speaker 1: and that area that's decomposing, that's sort of the balloon
- 23:04Speaker 1: part of the body. And that's why when bodies float
- 23:06Speaker 1: to the surface, they do so like upside down. So
- 23:12Speaker 1: you see bodies kind of starfish, but their face is
- 23:16Speaker 1: facing down into the water. Now because of the way
- 23:21Speaker 1: the tank is for whatever reason, the body doesn't flip like,
- 23:26Speaker 1: it doesn't go face down. The body is face up.
- 23:30Speaker 1: So when Santiago Lopez is looking into this tank, he
- 23:36Speaker 1: is seeing a bloated dead face of a woman looking
- 23:42Speaker 1: back at him. And it's pretty clear that the cause
- 23:46Speaker 1: of all the water issues currently happening, and this is
- 23:48Speaker 1: a hotel, is because of the decomposing body in the
- 23:53Speaker 1: water tank. So emergency services are called to remove the
- 23:57Speaker 1: corpse and they get there and it's not a simple
- 24:00Speaker 1: is just like hoisting the body out, because if they
- 24:02Speaker 1: try and take the body out, because you know it's
- 24:04Speaker 1: decomposing and has been for some time. There's the possibility
- 24:08Speaker 1: of sort of the joins of the bodies where things
- 24:12Speaker 1: get weaker. It's why so many feet are floating in
- 24:14Speaker 1: the river was over and like San Francisco, there's all
- 24:19Speaker 1: these feet because that's the joint where things get weaker.
- 24:22Speaker 1: So that's why so many sneakerls and stuff because they
- 24:24Speaker 1: are boy into the bottom. That's why the feet are flowing.
- 24:28Speaker 1: And so they're worried if they take the body out
- 24:30Speaker 1: like this that parts of it are just gonna fall off,
- 24:33Speaker 1: and so they have to very carefully remove the body
- 24:36Speaker 1: from the tank. Now it's not just a body that's
- 24:40Speaker 1: in the tank. The clothes of the women are also
- 24:44Speaker 1: in the tank with her. Now, these clothes that are
- 24:51Speaker 1: floating alongside her in the tank, they are covered in
- 24:55Speaker 1: a substance which may or may not be sand like
- 24:58Speaker 1: it's literally described as a sand like particulate. So they're like,
- 25:04Speaker 1: maybe it's a substance that might be like that's it.
- 25:11Speaker 1: So obviously they eventually get the body out and they
- 25:14Speaker 1: have to perform an autopsy. So when there is an
- 25:17Speaker 1: unusual or possibly violent death, any unusual death has to
- 25:22Speaker 1: be investigated, and so they have to perform an autopsy
- 25:25Speaker 1: on you know, a young woman's body that is floating
- 25:30Speaker 1: in a water tank atop a hotel on skid row
- 25:33Speaker 1: that that kind of fits those parameters. Now, you could
- 25:36Speaker 1: be forgiven for assuming that a topsicality report wouldn't be
- 25:40Speaker 1: possible for a body that had been submerged in water
- 25:43Speaker 1: for three weeks, but you would be wrong because what
- 25:47Speaker 1: they do is they'll not test in the bloodstream. They're
- 25:50Speaker 1: actually testing the internal organs, so things like your liver,
- 25:54Speaker 1: for example, which is what helps purify your body, like
- 25:57Speaker 1: your kidneys, The liver really really lasts and holds onto
- 26:02Speaker 1: that information long eruan say the blood would. So when
- 26:05Speaker 1: they perform the autopsy and they do a toxicology report,
- 26:09Speaker 1: it reveals that there are no recreational drugs in her system,
- 26:14Speaker 1: and there are no traces of barbituates, opiates, amphetamines, coquaine,
- 26:18Speaker 1: marijuana or MDMA, zilch zip nara, nothing right. And her
- 26:25Speaker 1: blood alcohol level was only zero point two percent, which
- 26:30Speaker 1: is really really typical for a body in this state
- 26:32Speaker 1: of decomposition, which also shows that not only was there
- 26:36Speaker 1: no recreational drugs in a system, but it meant that
- 26:41Speaker 1: she didn't consume any alcohol, any booze on the day
- 26:45Speaker 1: that she died, So no alcohol or recreational drugs in
- 26:50Speaker 1: her system at the time of passing. And the body
- 26:53Speaker 1: was also tested for signs of sexual assault and there
- 26:57Speaker 1: were no signs of it. Now, Ah, yeah, here's the thing.
- 27:03Speaker 1: And I'm only telling you this because people argue about
- 27:06Speaker 1: it all the time. Right, the woman in the water tank,
- 27:10Speaker 1: she has a pro lapped anus. Now, some people will
- 27:15Speaker 1: just be bump of their gums about how this is
- 27:17Speaker 1: evidence of essay. However, I would argue that this is
- 27:23Speaker 1: a very typical state of decomposition, especially for a body
- 27:29Speaker 1: that has been submerged in water for three bloody weeks. Anyway,
- 27:33Speaker 1: the woman in the tank has no other signs of
- 27:38Speaker 1: physical trauma. There's no evidence to suggest that she was
- 27:42Speaker 1: harmed or attacked in any physical manner. There are no
- 27:46Speaker 1: injuries on the body, there were no defensive wounds. There
- 27:49Speaker 1: was nothing to suggest even that she tried to get
- 27:53Speaker 1: out of the tank, you know, no chipnails, nothing like that.
- 27:57Speaker 1: And so the La County Coroner determined that the death
- 28:01Speaker 1: of this young woman the cause of death was accidental drowning.
- 28:06Speaker 1: Everything added up to that according to their investigation. Now
- 28:12Speaker 1: it does take them, I think four months to release
- 28:16Speaker 1: that information, to release the autopsy report, and when they
- 28:19Speaker 1: do release it, it has like amendments and corrections because
- 28:24Speaker 1: the video tests THEDEO checks and they've probably rechecked it
- 28:27Speaker 1: a few times because of how high profile this case became.
- 28:32Speaker 1: You see, So when it is released with its corrections
- 28:36Speaker 1: and alterations, there's this massive theory of a huge cover up,
- 28:42Speaker 1: right when it's just people make mistakes. Consider it a
- 28:48Speaker 1: little bit like when somebody goes to the doctor. Right
- 28:51Speaker 1: when you go to the doctor, a lot of the
- 28:54Speaker 1: time they'll test you for things in order to roll
- 28:56Speaker 1: something out, and you could have the symptoms that would
- 29:01Speaker 1: lead you to think something is happening, but it could
- 29:03Speaker 1: be something else entirely, like anyone who's have just web
- 29:07Speaker 1: Md to try and determine what is wrong with them.
- 29:11Speaker 1: Like I went onto WebMD put in my symptoms and
- 29:15Speaker 1: it was like you're having a heart attack, which was
- 29:18Speaker 1: fun turned out I wasn't having a heart attack. I
- 29:22Speaker 1: was pregnant and that was causing the same stresses in
- 29:26Speaker 1: my body. So you know, this is one of those
- 29:28Speaker 1: things where you know, a lot of the time when
- 29:32Speaker 1: you go and you're being tested for something that you're
- 29:35Speaker 1: not sure of, a lot of it is them just
- 29:38Speaker 1: ruling things out. Like when you start getting headaches, the
- 29:42Speaker 1: first thing they'll do is get you to get your
- 29:44Speaker 1: eyes tested to make sure that it's not an ocular
- 29:47Speaker 1: migrating that it's caused by that. Like it's all these
- 29:50Speaker 1: kind of things where they think it might be something
- 29:53Speaker 1: and they're testing things and they're double checking and they're
- 29:56Speaker 1: fixing their mistakes. Yeah. So again, because of the release
- 30:03Speaker 1: of how long it took them to do it, Yeah, yeah,
- 30:06Speaker 1: people people started putting on their tinfoil hats instead of
- 30:12Speaker 1: maybe just considering that it was just a classification error.
- 30:15Speaker 1: Like if the Ela County Corner was involved in some
- 30:20Speaker 1: massive conspiracy and a multi level cover up, do you
- 30:24Speaker 1: not think they would have done a better job but
- 30:26Speaker 1: you know, doing the autopsy report, Like do you think
- 30:31Speaker 1: they would have like scored stuff out in, scribbled new
- 30:33Speaker 1: bits in or would they just not have made like
- 30:36Speaker 1: a new autopsy, like a fresh one and just got
- 30:39Speaker 1: rid of the old one completely so there wasn't any
- 30:41Speaker 1: evidence of it? Like, would that not be the smart
- 30:44Speaker 1: thing to do. Are we not considering that maybe the
- 30:48Speaker 1: people who do this for a living would would be
- 30:51Speaker 1: smarter in covering it up. No, and not to like
- 30:56Speaker 1: put too sharp of a point on it there, But like,
- 30:59Speaker 1: this is not the only like suspicious slash unusual death
- 31:02Speaker 1: that the La County Coroner has to deal with. Like
- 31:06Speaker 1: it's La County. There's gonna be a fair few real deaths. Okay,
- 31:12Speaker 1: there's going to be a fair few deaths to investigate.
- 31:14Speaker 1: And I'm fairly certain, you know, but there's a considerable
- 31:18Speaker 1: backlog in you know, this type of provision. And yeah,
- 31:23Speaker 1: you have to remember as well that at this time
- 31:26Speaker 1: this case wasn't such a big deal. It became a
- 31:28Speaker 1: huge deal when the Internet grabbed it and rolled with it.
- 31:32Speaker 1: But at the time, this was just one body in
- 31:37Speaker 1: a sea of bodies, you know. That being said, due
- 31:42Speaker 1: to her body markings, like they were able to identify
- 31:45Speaker 1: her fairly quickly, which is wild because like I think
- 31:49Speaker 1: if if I had to be identified like without I
- 31:54Speaker 1: don't know, go ahead or something, Yeah, wow, it would
- 31:58Speaker 1: be like how would you do it? Well, I've got
- 32:00Speaker 1: the cancer scar, the surgery scar, I've got two of
- 32:03Speaker 1: them on the side of my neck. I've got two tattoos.
- 32:08Speaker 1: I've got a scar on my left hand. Yeah, I've
- 32:14Speaker 1: got a scar on my left hand from when I
- 32:17Speaker 1: tried to pick up a broken piggybank. Oh, I've got
- 32:20Speaker 1: a mark on my stomach still from when I had
- 32:22Speaker 1: to get a drip in my stomach. I've got that.
- 32:26Speaker 1: And yeah, probably some freckles and molds that some very
- 32:30Speaker 1: Internet people could tell you about. But yeah, yeah, I
- 32:33Speaker 1: feel like my body would be fairly recognizable. But yes,
- 32:37Speaker 1: because of the very specific body markings, birthmarks, etc. The
- 32:44Speaker 1: coroner's office was able to identify the body fairly sharpish
- 32:50Speaker 1: and the person who was found floating in the water
- 32:53Speaker 1: tank of the Cecil Hotel was none other than Elisa Lamb,
- 32:58Speaker 1: a twenty one year old Canadian woman who had been
- 33:01Speaker 1: reported missing three weeks previously. Alisa Lamb had checked into
- 33:06Speaker 1: the Seiso hotel on the twenty ninth of January twenty thirteen,
- 33:09Speaker 1: and she was supposed to be staying there for three nights.
- 33:12Speaker 1: This was part of her little trip around on the
- 33:16Speaker 1: west coast of the US, so she was on this
- 33:19Speaker 1: little solo trip. She was going on public transport, so
- 33:22Speaker 1: like buses, trains, et cetera. And so she was stopping
- 33:26Speaker 1: off at a bunch of cities along the way. So
- 33:30Speaker 1: she arrived in the hotel, she checked into one of
- 33:33Speaker 1: the dorms. So she's in a room with I think
- 33:36Speaker 1: three other people. Oh, and like it's sort of, I
- 33:39Speaker 1: want to say, like a hostel situation. So you kind
- 33:43Speaker 1: of book a shared room and whoever you're lumped in
- 33:46Speaker 1: there with, you're lumped in there with. And sometimes you
- 33:49Speaker 1: get like very nice roommates, and sometimes you get roommates
- 33:53Speaker 1: who are not quite who you want to be sharing
- 33:56Speaker 1: a room with. So Alisa she ends up being moved,
- 34:02Speaker 1: She gets upgraded to a single room. She gets moved
- 34:05Speaker 1: to a room on her own after one night because
- 34:10Speaker 1: her roommates complain to the Cecil hotel management about her
- 34:14Speaker 1: odd behavior. And like that's a direct quote. Their quote
- 34:18Speaker 1: is odd behavior. Now this is a hostel slash hotel
- 34:24Speaker 1: on schedrow, Like people are sharing dorms and schedule. Like
- 34:29Speaker 1: you're not expecting much from that scenario. And here's the thing.
- 34:34Speaker 1: I've shared hostels with somewhere individuals. But like, how odd
- 34:40Speaker 1: quote does someone's behavior have to be in order for
- 34:45Speaker 1: you to like want to get them moved out of
- 34:47Speaker 1: your room, Like what are you doing? Like that's a
- 34:51Speaker 1: level of something if all of the other roommates are complaining.
- 34:56Speaker 1: So the remaining two nights she has her own room. Okay, Now,
- 35:01Speaker 1: she calls her family every single day of this trip,
- 35:05Speaker 1: like without fail, she calls back home in Canada. But
- 35:10Speaker 1: on what's supposed to be the last day of her stay,
- 35:12Speaker 1: the day she's supposed to check out, the thirty first
- 35:14Speaker 1: of January, Lisa does not call home and straight away
- 35:19Speaker 1: her parents, David and Nina, they fill a missing person
- 35:23Speaker 1: report with the LPED, like right away. So when they
- 35:27Speaker 1: do discover the body floating in the tank, they already
- 35:30Speaker 1: had Elisa on their system. It wasn't going to make
- 35:34Speaker 1: it difficult for the ELPED to identify her. And the
- 35:38Speaker 1: thing is as well when she was reported missing because
- 35:42Speaker 1: her last known address, her last known location was the
- 35:45Speaker 1: Seas Hotel. That was the first place the ELPD looked. Now,
- 35:51Speaker 1: this is a bit of a sticky wicket because legally
- 35:55Speaker 1: there were only so many parts of the hotel they
- 35:58Speaker 1: were able to investigate because it's a whole legal situation.
- 36:04Speaker 1: So because there are permanent residents and it's not just
- 36:07Speaker 1: a hotel. Like, if it's just a hotel, then the
- 36:10Speaker 1: temporary rooms can all be searched fairly sharpished, right, But
- 36:15Speaker 1: when you've got someone in a permanent address, I think
- 36:19Speaker 1: an individual warrant is required for each of those sort
- 36:22Speaker 1: of apartments kind of, so like it's a whole it's
- 36:26Speaker 1: a whole legal bigmarole. So effectively they're searching as much
- 36:30Speaker 1: of the Cecil Hotel as they physically could, Like they
- 36:34Speaker 1: even brought their dogs in, so the police dogs they
- 36:38Speaker 1: couldn't pick up her scent, like, they weren't able to
- 36:42Speaker 1: find it around the hotel, which isn't hard because like
- 36:45Speaker 1: that's that's an area where there's going to be a
- 36:47Speaker 1: lot of a lot of snalls going on. There's gonna
- 36:49Speaker 1: be a lot of sensory overload for those dogs, I think,
- 36:54Speaker 1: And also legally there was a certain parts they couldn't
- 36:56Speaker 1: go into, so it wasn't exactly the most thorough and
- 37:00Speaker 1: clearly they didn't get up onto the roof because well
- 37:05Speaker 1: they had no reason to assume the roof and so
- 37:09Speaker 1: without any like actual leads, the police get CCTV footage
- 37:14Speaker 1: of Alisa Lamb at the Seacil hotel and it's on
- 37:19Speaker 1: the first of February. It's recorded in the first of February,
- 37:22Speaker 1: which was no, the first of February, the day she's
- 37:24Speaker 1: supposed to check out the hotel. But yeah, she hadn't
- 37:27Speaker 1: found her parents on the thirty first, and she was
- 37:30Speaker 1: supposed to check out on the first. That's right there
- 37:33Speaker 1: we go back on track. So yes, yeah, because it's
- 37:37Speaker 1: so weird and it's grainy old footage, and the issue
- 37:40Speaker 1: is right, the reason the footage is grainy is because,
- 37:45Speaker 1: like many businesses, the Cecil Hotel refused to upgrade its
- 37:50Speaker 1: fucking camera equipment. Like here's the thing we've all seen,
- 37:54Speaker 1: like the doorbell cameras and stuff, which has like like
- 37:59Speaker 1: HD quality like imagery in twenty thirteen. There is absolutely
- 38:04Speaker 1: no reason for CCTV footage to be this grainy, Like
- 38:09Speaker 1: it's literally just because they're so cheap they didn't want
- 38:12Speaker 1: to upgrade it. And you see this with a lot
- 38:14Speaker 1: of businesses. Whenever you see like really shit CCTV, it's
- 38:18Speaker 1: literally because it's a shit camera when it's not that
- 38:22Speaker 1: expensive to have a higher quality camera, Like my iPhone
- 38:27Speaker 1: has better like camera, Like it's fine, my old iPhone
- 38:32Speaker 1: I my iPhone eleven, right, that has a better camera
- 38:35Speaker 1: on it than most of these CCTVs like that that
- 38:39Speaker 1: should not be the case, Like it's not that expensive,
- 38:43Speaker 1: not for a business, not for a fucking hotel, like
- 38:46Speaker 1: not when you know safety and security should be a
- 38:50Speaker 1: main priority, you know what I mean. But yes, this
- 38:53Speaker 1: is something that stent the endnet sloths up on a tizzy.
- 38:57Speaker 1: It was all over read it four chan. It's something
- 39:01Speaker 1: that I watched I remember back in the day because
- 39:05Speaker 1: it was very unnerving and it's very it's creepy because
- 39:12Speaker 1: we know what happens to her, and that's what I
- 39:16Speaker 1: think is the unnerving part of it. But like, if
- 39:19Speaker 1: you watch this footage and you're told, oh, this is
- 39:22Speaker 1: just a girl, she's going to meet her family later
- 39:24Speaker 1: in the day. This is her in the lift, right,
- 39:28Speaker 1: it's significantly less creepy. So I'm gonna have to like
- 39:35Speaker 1: describe this and this footage when I first watched it
- 39:39Speaker 1: skilled like the crap of me. My hebees well geewied.
- 39:44Speaker 1: Let me tell you, like absolutely one hundred percent. And
- 39:48Speaker 1: so she's in the left the elevator, if you will,
- 39:53Speaker 1: and she's acting really fucking wild, right, she is she's
- 39:58Speaker 1: kind of making weird movements. She's pressing a lot of buttons,
- 40:02Speaker 1: and at one point she's like hiding and then popping
- 40:06Speaker 1: out and like looking into the corridor, which we cannot
- 40:09Speaker 1: really see into by the way. We can only see
- 40:11Speaker 1: the inside really of the elevator, and so she's kind
- 40:16Speaker 1: of like pushing all the buttons and she's poken her
- 40:20Speaker 1: head out and poken back in. And the thing is,
- 40:24Speaker 1: to me, right when I watch that, it looks like
- 40:27Speaker 1: she's playing, Like it's as if you're doing peekaboo with someone,
- 40:33Speaker 1: like like if there was a kid in the hallway
- 40:35Speaker 1: and she was doing a little peekaboo and coming back,
- 40:38Speaker 1: and like that makes sense to me. Like I know
- 40:42Speaker 1: that people say that she looks like terrified and scared,
- 40:48Speaker 1: but I don't. I don't think she's scared. It just
- 40:52Speaker 1: looks like she's kind of messing about, right to me. Now,
- 40:57Speaker 1: I think you take from it what you put in it,
- 41:01Speaker 1: Like if you expect that it's going to be scary,
- 41:03Speaker 1: you watch it and be terrified, you know. So yeah,
- 41:11Speaker 1: when the LAPD release it, because they release the footage
- 41:15Speaker 1: because they don't have any leads there, thinking maybe somebody
- 41:17Speaker 1: sees what's going on, because lest we forget, at this
- 41:21Speaker 1: point in time, Elisa is simply a missing person and
- 41:26Speaker 1: so they want to find her, like that is the
- 41:28Speaker 1: whole purpose of releasing this tape. And if they're watching
- 41:32Speaker 1: it and they think if something's gone wrong, yeah, they
- 41:36Speaker 1: might be thinking, oh, what if somebody's chasing or what
- 41:38Speaker 1: if she's hiding from somebody, and so what if they
- 41:41Speaker 1: do that? And so the laped they release the CCTV
- 41:46Speaker 1: footage like five days before her body is discovered, So
- 41:52Speaker 1: the thirteenth of February, right, and they release it hoping
- 41:56Speaker 1: that someone's gonna recognize her or they're going to know
- 41:58Speaker 1: where she's been and gonna be able to find this
- 42:01Speaker 1: missing woman. But no one comes forward, no one notifies,
- 42:06Speaker 1: nothing happens. However, it does happen to go absolutely viral.
- 42:12Speaker 1: And I remember, this is a greeny ass bloody video.
- 42:14Speaker 1: It's it's crappy, it's pre quality, and because of the
- 42:18Speaker 1: way it's recorded, because like the numbers in the bottom,
- 42:21Speaker 1: people argue that like people are like suspicious about it
- 42:26Speaker 1: and that they think that bits of it have been
- 42:27Speaker 1: cut out and stuff, and it's it's not It's just
- 42:31Speaker 1: a really really shitty quality, like that's all it is.
- 42:35Speaker 1: So yeah, she's and the elevator. She probably explained this better.
- 42:38Speaker 1: And she gets like really close to like the bit
- 42:42Speaker 1: with all the buttons, and she presses them like very particularly,
- 42:48Speaker 1: like she's very careful with it, and she's very slow
- 42:52Speaker 1: and deliberate, like she's making very deliberate movements, and she's
- 42:58Speaker 1: not panicking, she's not flurried. She's just pressing all of
- 43:04Speaker 1: these buttons like she's not whacking it or being flimsy.
- 43:08Speaker 1: She's just hitting all these buttons. And then the lift
- 43:13Speaker 1: doors elevator, those doors don't close because normally you hit
- 43:18Speaker 1: a button, you press closed door and they close. Now again,
- 43:23Speaker 1: I would like to reiterate that this is a very
- 43:25Speaker 1: shitty hotel which doesn't even have quality cameras. What makes
- 43:29Speaker 1: you think it's going to have a quality elevator. So
- 43:32Speaker 1: she's pressed all these buttons, the doors haven't closed, and
- 43:35Speaker 1: so she's kind of pacing. She sort of walks around
- 43:41Speaker 1: inside like steps to the front, sort of kind of
- 43:45Speaker 1: towards the door, looks out, looks down the corridor, and
- 43:49Speaker 1: then she's suddenly like boom, sort of just back right
- 43:54Speaker 1: as if she's hiding, as if she's hiding, and I
- 43:59Speaker 1: like steps out, looks through, looks down, comes back in,
- 44:04Speaker 1: and then she kind of goes into the corner of
- 44:06Speaker 1: it and then moves to the side and like and
- 44:09Speaker 1: she's like pressing herself up against the wall like of
- 44:13Speaker 1: the elevator, and she's just kind of as if she's hiding, right,
- 44:17Speaker 1: as if somebody goes past and they might not see
- 44:19Speaker 1: her because she's right against the wall. And then she
- 44:24Speaker 1: does this wee little step, the sort of side step,
- 44:28Speaker 1: which is a very a very like dancer movement. It's
- 44:32Speaker 1: like a little papa and that tast the weird. That's
- 44:37Speaker 1: a very deliberate movement. It's not again a panic movement.
- 44:41Speaker 1: It's a very deliberate, you know. And this whole movement,
- 44:46Speaker 1: this whole like thing that she's doing, to me, it
- 44:49Speaker 1: looks like she's doing hide and seek, right, That's what
- 44:53Speaker 1: it feels like to me, Like she's kind of messing about.
- 44:57Speaker 1: I find it very playful as opposed to like scary.
- 45:03Speaker 1: And then Alisa Lamb actually goes out of the elevator right,
- 45:09Speaker 1: and like you can't see what else is out there
- 45:12Speaker 1: because of the way the camera is you couldn't see
- 45:15Speaker 1: if there was another person in the corridor, if there
- 45:17Speaker 1: was another person in the corridor, because it looks like
- 45:21Speaker 1: she's talking to someone, like she's she's moving her arm,
- 45:25Speaker 1: she's it's as if she is talking to someone. But
- 45:28Speaker 1: again we don't have that information because it's a really
- 45:31Speaker 1: fucking crappy camera and so seems like she's chatting away
- 45:35Speaker 1: to someone, like once she's like stepped out of the lift,
- 45:39Speaker 1: like the doors like opening close a few times, which
- 45:42Speaker 1: again I think it's just a shitty lift. I think
- 45:45Speaker 1: it's just a crappy, crappy lift and a crappy building.
- 45:50Speaker 1: So this CCTV footage from the first to February twenty thirteen,
- 45:54Speaker 1: this is the last footage we have of Alisa Lamb
- 45:58Speaker 1: being alive. Now, the last time she was physically seen
- 46:02Speaker 1: by somebody was the day before the thirty first of January.
- 46:09Speaker 1: She had gone down to this book shop owned by
- 46:12Speaker 1: Kate Orphan. She had gone into the bookshop by like
- 46:16Speaker 1: souvenirs for her family and some books. And there wasn't
- 46:20Speaker 1: ething suspicious about her behavior. She wasn't acting odd or
- 46:24Speaker 1: there was nothing that worried Kate Orphan Alisa was chatty,
- 46:29Speaker 1: she was bubbly. Her main area of concern was how
- 46:35Speaker 1: difficult it was going to be to carry all these
- 46:37Speaker 1: souvenirs back to her family, because she wasn't just worried
- 46:41Speaker 1: about what she'd already picked up. She was thinking about,
- 46:45Speaker 1: you know, the next thing she picks up on her trip,
- 46:47Speaker 1: next city she goes to, Like how she going to
- 46:49Speaker 1: make sure she gets all of these things back to
- 46:52Speaker 1: her family. I remember that was something they brought up
- 46:55Speaker 1: in like therapy, way back when, and it was future plans.
- 47:01Speaker 1: Like having a future plan is something that keeps you
- 47:07Speaker 1: like tethered to this earth, you know, it stops you
- 47:12Speaker 1: from exiting the mortal coil. And Alisa was happy. She
- 47:18Speaker 1: was planning her next steps of her trip. She was
- 47:21Speaker 1: thinking about the souvenirs because remember she is due to
- 47:25Speaker 1: check out the hotel the very next day, so she's
- 47:28Speaker 1: thinking about what she's going to do. But mental health,
- 47:31Speaker 1: it's it's not a one size fits all and it's
- 47:35Speaker 1: all too easy for the coin to flip. It's kind
- 47:41Speaker 1: of how nervousness and excitement are two sides of the
- 47:43Speaker 1: same coin, and mental illness isn't logical, It's not rational.
- 47:49Speaker 1: And Alisa she had a history of mental illness. She
- 47:53Speaker 1: had been diagnosed with bipolar disorder. And the thing about
- 47:57Speaker 1: bipolar is is that used to be called manic depression, right,
- 48:01Speaker 1: And the reason being is you had these two polar opposites,
- 48:05Speaker 1: so you would have this very like low, this massive lull,
- 48:10Speaker 1: this deep depressive state, and then on the flip side,
- 48:15Speaker 1: you would have this absolutely manic, excited sort of drive
- 48:19Speaker 1: where you could do something really wild. You know. You
- 48:22Speaker 1: had these two very different like states of being, and
- 48:27Speaker 1: that's where the idea of manic depressive came in. And
- 48:30Speaker 1: because of that polarization between these two states of being
- 48:34Speaker 1: is where we have the the new GM really of bipolar.
- 48:39Speaker 1: So like two polar opposites. Yeah, and Alissa she had
- 48:43Speaker 1: been dealing with treatment for this for a long time
- 48:45Speaker 1: and she was actually on I think four different medications,
- 48:51Speaker 1: maybe five, I think it was five. Then the vaccine,
- 48:54Speaker 1: which is an antidepressant, dextra dene which is a dexter
- 48:59Speaker 1: amfetaminel fate which is used to treat ADHD depression, arcolepsy, obesity,
- 49:06Speaker 1: and also to help reduce like certain symptoms of schizophrenia.
- 49:11Speaker 1: A motrogen which is a mood stabilizer and also used
- 49:16Speaker 1: to treat acute depression, quatiopene which is an atypical antipsychotic
- 49:21Speaker 1: used for the treatment of bipolar depression and schizophrenia, and
- 49:29Speaker 1: well bututrin, which is just another atypical antidepressant so typically
- 49:35Speaker 1: for like major depressive disorders. So basically she's on a
- 49:41Speaker 1: collection of SSRIs and mood stabilizers specifically to manage bipolar disorder.
- 49:48Speaker 1: And the whole purpose of these medications is to keep
- 49:50Speaker 1: Alise a lamb on an even queue, nothing more than that.
- 49:55Speaker 1: Just like she wasn't known for having suicidal idiations, like
- 49:58Speaker 1: that wasn't like a part of her known depressive states
- 50:05Speaker 1: when she was in those depressive states which you know
- 50:08Speaker 1: are part of her by whole disorder. And I see,
- 50:12Speaker 1: Elisa is often listed as a student of the University
- 50:17Speaker 1: of British Columbia, but she hadn't been registered for any
- 50:20Speaker 1: classes in twenty thirteen because just before Christmas in twenty twelve,
- 50:26Speaker 1: she had just stopped going to school because of just
- 50:32Speaker 1: these severe depressive episodes. You know, it was very difficult
- 50:38Speaker 1: for her, and as such she just she just couldn't go.
- 50:43Speaker 1: It just wasn't something she was able to do, and
- 50:47Speaker 1: she was always very honest and open about her depressions,
- 50:51Speaker 1: like she posted about it on her tumbler, Like she
- 50:54Speaker 1: was always very open. And I think that's something that's
- 50:58Speaker 1: very interesting with people who online, is sometimes you are
- 51:02Speaker 1: so open, like with this audience who don't see you,
- 51:08Speaker 1: then you are with the people who are closest to
- 51:11Speaker 1: in your life, like you're so open to all of
- 51:14Speaker 1: this and yet so private in another way. But yeah,
- 51:19Speaker 1: she's very very honest talking about her by polar disorder
- 51:24Speaker 1: on her little tumbler blog Novelle Novaue, like she had
- 51:28Speaker 1: one before that, and then she just kind of got
- 51:31Speaker 1: rid of it to do this, And so it's it's,
- 51:34Speaker 1: you know, her talking about her life being so honest.
- 51:38Speaker 1: And then also these like Ruth Wilson gifts and then
- 51:42Speaker 1: you've got like fashion posts and stuff like that. And yeah,
- 51:49Speaker 1: I don't also want to blame the fact that she
- 51:52Speaker 1: has by poor disorder, that she has a mental illness
- 51:54Speaker 1: and as such, like there's this blame on her or
- 51:59Speaker 1: her family or anybody. And also just because you have
- 52:03Speaker 1: a mental illness, because you live with a condition, it
- 52:07Speaker 1: doesn't automatically mean that you're gonna like run away from
- 52:10Speaker 1: home or do something crazy like, that's not a thing.
- 52:16Speaker 1: You're not automatically more likely to do something terrible to
- 52:21Speaker 1: yourself because you have a mental illness. There are many
- 52:26Speaker 1: people out there who do not have sort of conditions
- 52:30Speaker 1: or disorders or mental illnesses who do terrible things to
- 52:35Speaker 1: themselves all the time, just because you know, human nature
- 52:40Speaker 1: makes people do shit sometimes. And also it's far too
- 52:44Speaker 1: easy to just go, well, she has a mental illness,
- 52:48Speaker 1: so like, let's not investigate like fucking no, like rule
- 52:53Speaker 1: out every other possibility. Absolutely, but you have to rule
- 52:57Speaker 1: out every possibility. You have to consider what is true
- 53:03Speaker 1: and what realistically happened. And yes, so she was prescribed
- 53:09Speaker 1: all these medications, but when they did the toxicology report,
- 53:14Speaker 1: there was none of that in her system either, well
- 53:18Speaker 1: I say none. There was like traces of I think
- 53:22Speaker 1: the mood stabilizer, but she had completely stopped taking the antidepressants,
- 53:27Speaker 1: like there was a little bit of one, but none
- 53:29Speaker 1: of the rest, And so there definitely wasn't enough as
- 53:34Speaker 1: far as they could tell from the medicine that was
- 53:37Speaker 1: left in her room. It seemed as though she was
- 53:40Speaker 1: trying to wean herself off and this is an issue
- 53:43Speaker 1: with mental illness. This is an issue with anybody who
- 53:47Speaker 1: has to go through these ebbs and flows. Is that
- 53:51Speaker 1: you think, for a while, oh, I'm doing really well.
- 53:55Speaker 1: If I'm doing really well, maybe I don't need a medicine,
- 53:58Speaker 1: Maybe I don't need it, and then you don't take it,
- 54:02Speaker 1: and then it flips something in your brain and next
- 54:07Speaker 1: thing you know, you're very unwell. And so when her
- 54:10Speaker 1: parents see the way she's acting on this CCTV, this
- 54:15Speaker 1: is not a way she's ever acted. So there's always
- 54:19Speaker 1: the possibility that there has been some kind of break
- 54:23Speaker 1: and instead of her talking to a real person and
- 54:27Speaker 1: not a ghost either, by the way, that she's having
- 54:30Speaker 1: some kind of auditory or visual hallucination. And by the way,
- 54:36Speaker 1: that's an interesting thing is that you're more likely to
- 54:38Speaker 1: have auditory hallscinations, like you're wanting to hear something that
- 54:42Speaker 1: isn't there, than you are to see something that isn't there.
- 54:47Speaker 1: And remember, she was acting in such an odd way
- 54:52Speaker 1: that all of her roommates in her little dorm wanted
- 54:57Speaker 1: her gone. So something something isn't right here. And Alissa,
- 55:03Speaker 1: she posts everything on her blog, right, she posts these
- 55:08Speaker 1: deep thoughts he talks about the breakup she had with
- 55:10Speaker 1: her boyfriend. She talks about how depression has been affecting her,
- 55:16Speaker 1: and if she was planning to do something, if she
- 55:20Speaker 1: was planning to inter life, like, you can schedule Tumblr
- 55:24Speaker 1: posts for like up to a year, like up to
- 55:28Speaker 1: a year in advance. So if she was planning to
- 55:32Speaker 1: do something, she probably would have blocked about it on
- 55:36Speaker 1: her tumbler and she would have sent like a digital suicide. No, like,
- 55:41Speaker 1: if this was a plan, if this was predetermined, if
- 55:43Speaker 1: this was something she was looking to do, because you
- 55:47Speaker 1: can do that, you can schedule it. And she had
- 55:52Speaker 1: posts scheduled, so she had things rebloged like thirteen months
- 55:57Speaker 1: after her death. And this is why people like thirty months. Yeah, yeah, yeah,
- 56:04Speaker 1: because when it was scheduled, and so people think that like, oh,
- 56:09Speaker 1: it's spooky, she's talking to us beyond the grave. No,
- 56:12Speaker 1: she just knows how to use a scheduler. And there
- 56:15Speaker 1: were certain stuff she wanted to reblog, and it's all
- 56:17Speaker 1: like it's Valentine's Day, here's the thing, you know, like
- 56:20Speaker 1: there's there's a reason for that. And yeah, if she
- 56:27Speaker 1: was going to do anything, she would have blogged about it.
- 56:31Speaker 1: There would have been something. But another thing that makes
- 56:36Speaker 1: peoples aspicious is like her phone is missing. But again,
- 56:41Speaker 1: this is schedule. If she lost her phone somewhere, somebody
- 56:45Speaker 1: picked it up, right, somebody picked up that phone because
- 56:50Speaker 1: they're gonna sell it, they're gonna use it, they're gonna
- 56:52Speaker 1: do something with it. But yeah, people complain that the
- 56:55Speaker 1: reason her phone is missing is because it's a conspiracy.
- 56:58Speaker 1: YadA YadA, no e Liz a phone schedule, someone's neck
- 57:03Speaker 1: in it. I had the big question that people ask
- 57:06Speaker 1: when it comes to Alisa Lamb and the Cecil Hotel
- 57:09Speaker 1: is how the hell did she get up on the
- 57:11Speaker 1: roof because it should not be accessible and staff are
- 57:16Speaker 1: the only people that can get through the alarmed door.
- 57:19Speaker 1: At least that's what the manager of the time, Amy Price,
- 57:22Speaker 1: said over and over again. She made it very clear
- 57:25Speaker 1: that there was no access up to that roof. And
- 57:29Speaker 1: even like the guy who was running the hotel's alarm system,
- 57:34Speaker 1: the engineer he was dealing with that, he's like, oh,
- 57:36Speaker 1: the alarms are great and they're when Phil working or
- 57:39Speaker 1: they were all tibery top I captain. Except here's here's
- 57:43Speaker 1: the thing. The roof was accessible by fire escape which
- 57:48Speaker 1: is one option, but also loads of people, loads of
- 57:55Speaker 1: people have come forward and said that they've been able
- 57:57Speaker 1: to get to the roof, like there was even and
- 58:00Speaker 1: there was some jury I remember was staying in the hotel.
- 58:02Speaker 1: He filmed himself going up to the roof and getting
- 58:06Speaker 1: onto it, like going through the door. Now he was
- 58:09Speaker 1: saying that he'd gone there by accident and he'd gone
- 58:12Speaker 1: through the first time, and so he filmed it, you know.
- 58:16Speaker 1: And then staff members started coming forward saying that the
- 58:19Speaker 1: door wasn't alarmed, and the reason that they knew that
- 58:22Speaker 1: is because they used to go up there for their
- 58:24Speaker 1: smoke brakes, and so it was like really easy to
- 58:26Speaker 1: get on the roof, and because it had been broken
- 58:29Speaker 1: and it hadn't been fixed that yet, they were able
- 58:31Speaker 1: to go do that. And here you have this woman
- 58:35Speaker 1: who should not have made it up to the roof.
- 58:38Speaker 1: But as we know from all the videos that we've
- 58:40Speaker 1: seen on YouTube and from all the testimony from x staff, yeah,
- 58:45Speaker 1: fairly simple for her to get up on that roof.
- 58:49Speaker 1: And then you have the next question, how the hell
- 58:51Speaker 1: did she get in the tank? Now, first thing's first,
- 58:56Speaker 1: something we have to cover again said it before and
- 59:01Speaker 1: I'll say it again. The hatch on the water tank
- 59:06Speaker 1: was open. Again, it's reported that it was closed. Now, Santiago,
- 59:12Speaker 1: the man who discovered Elisa's body, he didn't speak English,
- 59:17Speaker 1: and the police officers did not think, you know, they
- 59:20Speaker 1: did not think to maybe get a proper translator in.
- 59:23Speaker 1: They didn't do their due diligence. They didn't do their
- 59:26Speaker 1: jobs right, and so when the interview hit him, right,
- 59:32Speaker 1: they didn't know the hatch was open, but it was.
- 59:35Speaker 1: And yeah, again, if you're trying to hide a body, right,
- 59:39Speaker 1: people say like it must be a member of staff
- 59:41Speaker 1: because of how she cout up on the roof or ABC.
- 59:44Speaker 1: And it's like, yeah, that's why they put it in
- 59:46Speaker 1: a water tank that you know, anybody would figure that
- 59:50Speaker 1: bodies decompose like and stuff's going to grong without water.
- 59:55Speaker 1: But also, if you're hiding a body and you don't
- 59:58Speaker 1: want people to see it, wouldn't you close the lid
- 1:00:01Speaker 1: of the tank, Like, wouldn't you close the hatch? It
- 1:00:05Speaker 1: feels like step one, you know. But yes, that's why
- 1:00:09Speaker 1: people think it's foul play. That's why they think that
- 1:00:11Speaker 1: she was attacked because it's assumed even though it's not
- 1:00:18Speaker 1: it's assumed that the lid of the tank was closed,
- 1:00:23Speaker 1: and it's Santiago Lopez who in his deposition states that
- 1:00:28Speaker 1: when he finds her body, the hatch was open. And
- 1:00:33Speaker 1: Santiago Lopez, he needed a ladder to get into that
- 1:00:37Speaker 1: tank because it's high up. It's high up in anybody
- 1:00:40Speaker 1: who wanted to get in that tank, they would need
- 1:00:42Speaker 1: the ladder. But in order to see into the tank,
- 1:00:46Speaker 1: you would have to be like at the top of
- 1:00:48Speaker 1: that ladder. So if you're on the riff and you're
- 1:00:52Speaker 1: a staff member and you see a ladder there, like
- 1:00:55Speaker 1: the ladder moved, you moved it from tank to tank,
- 1:00:58Speaker 1: or you moved it around the building when you needed it.
- 1:01:01Speaker 1: So he had to go get the ladder. But it's
- 1:01:04Speaker 1: been three weeks that her body's been in there, So
- 1:01:07Speaker 1: over the course of that three weeks, chances are somebody
- 1:01:10Speaker 1: needed a ladder because there's a punch of shit going
- 1:01:13Speaker 1: wrong in that hotel. Something's going to need some maintenance,
- 1:01:16Speaker 1: you know, And like there's a bunch of reasons why
- 1:01:19Speaker 1: someone would move or want a ladder. And so let's
- 1:01:22Speaker 1: go back to Alisa for a second. I know that
- 1:01:25Speaker 1: i'd mentioned her medication earlier. But when they get the
- 1:01:30Speaker 1: toxicqology report, it shows that the only drug in her
- 1:01:34Speaker 1: system is vnoflexing, Like she took that on the day
- 1:01:38Speaker 1: she died. But her antidepressants, her mood stabilizers, the rest
- 1:01:43Speaker 1: of them, there's very little trace of them in her body, right,
- 1:01:49Speaker 1: so she stopped taking them like a little while before
- 1:01:52Speaker 1: she died. And so, yeah, it's like I said earlier,
- 1:01:56Speaker 1: it's that whole thing of leaning yourself off. And yeah,
- 1:02:00Speaker 1: the antipsychotic actually wasn't in her system at all, so
- 1:02:03Speaker 1: she hadn't stopped taking that. So it is quite possible
- 1:02:11Speaker 1: Alisa had stopped taking her antipsychotics and as a result
- 1:02:16Speaker 1: experienced a manic episode, which would explain her behavior, you know,
- 1:02:22Speaker 1: in the elevator and why she was chatting to someone
- 1:02:24Speaker 1: who wasn't there, and also why she was moved from
- 1:02:30Speaker 1: her room. Occasionally, people who have bipolar disorder sometimes have
- 1:02:38Speaker 1: auditory or visual hallucinations, which is why sometimes people who
- 1:02:42Speaker 1: have bipolar are misdiagnosed with schizophrenia. And I know that
- 1:02:50Speaker 1: like the very peculiar movement that Alisa has, I've seen
- 1:02:55Speaker 1: people suggest that it's like psychomotor agitation. But that's kind
- 1:02:59Speaker 1: of more sharp, it's going to flay, it's more could
- 1:03:04Speaker 1: have aggressive, But she's making very deliberate movements. So I
- 1:03:08Speaker 1: don't think that's the case. But yet here's here's what
- 1:03:12Speaker 1: I feel is what really happened to Alisa. Lam Alsa
- 1:03:18Speaker 1: stops taking her anto psychotics and then her mood stabilizers,
- 1:03:23Speaker 1: followed by her antidepressants until there's just one left, only
- 1:03:28Speaker 1: one that she's taking, and then she suffers a severe
- 1:03:33Speaker 1: manic episode. And as a result of this manic episode,
- 1:03:39Speaker 1: Alisa finds her way onto the roof and then she
- 1:03:42Speaker 1: climbs into the water tank. Water tanks are smooth on
- 1:03:47Speaker 1: the inside. There's no internal ladders, there's no way to
- 1:03:50Speaker 1: get out. It's not intended for that. It's not intended
- 1:03:53Speaker 1: for dipping, and so there's no way in there. And
- 1:03:59Speaker 1: unless the water level rises, you're not getting out of there.
- 1:04:04Speaker 1: Because if the water level was higher or the tank
- 1:04:07Speaker 1: was full, she'd have an option. And the thing is,
- 1:04:11Speaker 1: people talk about how she's naked in the tank and
- 1:04:14Speaker 1: how it's suspicious, but I don't know. If you've ever
- 1:04:19Speaker 1: been trapped in water, one of the first things you
- 1:04:22Speaker 1: do is try and peel your layers off, you try
- 1:04:24Speaker 1: and remove the weight because your clothes are water logged,
- 1:04:28Speaker 1: it's pulling you down. So whether she went unintentionally and
- 1:04:33Speaker 1: thought that this was a good idea for a swim
- 1:04:35Speaker 1: in whatever state she was in, and she's removing her
- 1:04:39Speaker 1: clothes so that she can float, or whether she's removing
- 1:04:44Speaker 1: her clothes so that she can try and swim and survive,
- 1:04:48Speaker 1: we'll never know. But the idea that someone managed to
- 1:04:53Speaker 1: get her up and into the tank is difficult in itself.
- 1:04:58Speaker 1: I mean, first of all, you've got the ladder issue.
- 1:05:00Speaker 1: How do you carry someone up that ladder and then
- 1:05:03Speaker 1: get them into the tank and do all that without
- 1:05:06Speaker 1: leaving a trace of evidence anywhere, Like you would have
- 1:05:12Speaker 1: DNA somewhere like across the surface of the tank. It
- 1:05:18Speaker 1: would be on the top of it, surely, because your
- 1:05:21Speaker 1: body would drop against it. You would have trace DNA.
- 1:05:25Speaker 1: There would be something. And considering she died in the tank,
- 1:05:31Speaker 1: to assume that there wouldn't be anything under her, because
- 1:05:35Speaker 1: imagine she's a dead weight. Right If she's a dead
- 1:05:37Speaker 1: weight and you're putting in the tank because she's unconscious,
- 1:05:40Speaker 1: even though there's nothing in her system that she could
- 1:05:43Speaker 1: have been drugged byether. She would have had to be
- 1:05:45Speaker 1: made unconscious without doing anything physical to her. There would
- 1:05:50Speaker 1: be some kind of defensive wouind if she was alive,
- 1:05:53Speaker 1: she would have something, or she would have skin, even
- 1:05:57Speaker 1: under her fingernails. But there's no prince, there's no DNA,
- 1:06:02Speaker 1: there's nothing there apart from what she left. She got
- 1:06:07Speaker 1: on that tank on her own, and no one had
- 1:06:09Speaker 1: been up on the roof to disrupt any fingerprints, like
- 1:06:13Speaker 1: no one had been there, nobody had looked in those
- 1:06:15Speaker 1: tanks because somebody would have reported that. And the passing
- 1:06:21Speaker 1: of Alisa Lamb is just a tragic accident, a horrible
- 1:06:28Speaker 1: accident that could have been prevented, possibly if the hotel
- 1:06:32Speaker 1: had done its due diligence. But this is a story
- 1:06:35Speaker 1: of a woman trapped in a water tank unable to escape,
- 1:06:40Speaker 1: not paranormal ghostis not sinister serial killers, but a woman
- 1:06:46Speaker 1: suffering a tragic death at twenty one years old. Twenty one.
- 1:06:51Speaker 1: And the reason we chase these conspiracies because people don't
- 1:06:55Speaker 1: like messy. People want an explanation, they want a reasoning.
- 1:07:00Speaker 1: They want someone to blame. They want someone to blame,
- 1:07:03Speaker 1: and that's why these conspiracy theories exist. They want a villain,
- 1:07:07Speaker 1: someone they can pin it all on. And when you
- 1:07:11Speaker 1: add this to the fact that this is peak Internet obsession.
- 1:07:17Speaker 1: You know, the way that the video was released and
- 1:07:20Speaker 1: the way people clung onto it, and because of how
- 1:07:22Speaker 1: odd her behavior isn't it, people latched onto it and
- 1:07:26Speaker 1: it unfurled on the Internet, and this led to an
- 1:07:30Speaker 1: even greater obsession. Even now, there are message boards full
- 1:07:34Speaker 1: of stuff about Alisa Lam, so many conspiracies and instead
- 1:07:40Speaker 1: of just letting it go, like her family have asked,
- 1:07:43Speaker 1: when they have accepted the tragic demise of their daughter.
- 1:07:51Speaker 1: In September of that year, the year she passed, her
- 1:07:54Speaker 1: parents attempted to sue the CSO Hotel for negligence that
- 1:07:58Speaker 1: led to the wrongful death of Lisa, but you know,
- 1:08:04Speaker 1: ends up being dismissed because the hotel says, like there
- 1:08:06Speaker 1: is no possible way anyone could have prevented or known
- 1:08:10Speaker 1: that Lisa was going to like get into the tank,
- 1:08:13Speaker 1: and no one has ever been able to, like tangibly
- 1:08:16Speaker 1: prove how a Lisa got up on that roof, and
- 1:08:22Speaker 1: so the hotel can't be held liable until someone can
- 1:08:27Speaker 1: even though we've got evidence of people going up onto
- 1:08:30Speaker 1: the roof, like through the door and through fire escapes.
- 1:08:34Speaker 1: The door wasn't alarmed, the police didn't do their due diligence,
- 1:08:39Speaker 1: and a hotel lied to save it's ass. And that's it.
- 1:08:44Speaker 1: That's it, and it's a tragic situation. A young woman
- 1:08:50Speaker 1: died because she was on her medication and then she
- 1:08:54Speaker 1: wasn't and a few things lined up in such a
- 1:08:59Speaker 1: way that led her to climb inside a water tank
- 1:09:03Speaker 1: where she died. And instead of owning up to how
- 1:09:08Speaker 1: it happened, by acting like they're blameless, the season hotel
- 1:09:15Speaker 1: have created this mystery. You know, they've created conspiracies, and
- 1:09:19Speaker 1: they have cheapened her death by allowing the twisted tails
- 1:09:23Speaker 1: and the ghosties and all that nonsense. And so ends
- 1:09:28Speaker 1: the tragic story of Alisa Lam And oh god, I'm
- 1:09:33Speaker 1: not going to say if you like the story, because
- 1:09:35Speaker 1: you don't like it. It's terriboat's Horrorboat's tragic. But yeah,
- 1:09:40Speaker 1: if you'd like to rate and review five stars, that
- 1:09:42Speaker 1: would be amazing. I just think it's important to tell
- 1:09:45Speaker 1: the truth about women. And I know this is so
- 1:09:48Speaker 1: much more recent than we typically do, but it's just
- 1:09:51Speaker 1: one of those things that I've had to correct so
- 1:09:55Speaker 1: many times on the Internet that I think she deserved
- 1:09:58Speaker 1: her own episode. Finally, don't forget you can follow me
- 1:10:04Speaker 1: on socials. And for recommendation time for reading, I'm gonna
- 1:10:09Speaker 1: recommend the woman who ran Fifth Avenue for watching just
- 1:10:13Speaker 1: watch ag of it all along. I think we all
- 1:10:15Speaker 1: deserve some like cove in Love at this point. And
- 1:10:20Speaker 1: for listening, let me see. You know what I've been
- 1:10:24Speaker 1: listening to recently, and this is so strange, welcome to help.
- 1:10:30Speaker 1: So it's an S and L skit with SiO Sharonan
- 1:10:35Speaker 1: and like Kate McKinnon and that, and yeah, it's it's
- 1:10:39Speaker 1: worth listening to. And with that, I'm gonna bite you
- 1:10:43Speaker 1: a good night. Adios. Ware is My Friends Bybee