Latest / Luke's English Podcast / ALEE - Podpah _973

Transcript

ALEE - Podpah _973 · Luke's English Podcast

• 0:00
  Speaker 1: Thank you.
• 0:35
  Speaker 2: Every day can be.
• 0:41
  Speaker 3: A super day.
• 0:42
  Speaker 1: Download the app Superbad.
• 0:51
  Speaker 2: Be super.
• 1:11
  Speaker 3: We are live for another Podpah, Mítico Jovem! A round
• 1:18
  Speaker 3: of applause for him! I like it like this, man.
• 1:39
  Speaker 2: I like it like this. Because all Corinthians, any shout, they.
• 1:42
  Speaker 1: Say, go Corinthians.
• 1:43
  Speaker 3: Because the go Corinthians, mythical, the go Corinthians, it serves
• 1:45
  Speaker 3: for any sentence. Like, are you okay?
• 1:46
  Speaker 1: Go Corinthians.
• 1:48
  Speaker 4: If you're not from São Paulo, that's it. If you're
• 1:51
  Speaker 4: not from São Paulo, there will be a crazy person
• 1:54
  Speaker 4: who will say, go Corinthians.
• 1:56
  Speaker 2: Respect Corinthians.
• 1:57
  Speaker 3: It's very similar in BH, if you say, Galo!
• 1:59
  Speaker 1: Galo! Galo!
• 1:59
  Speaker 2: Galo! Galo! Galo!
• 2:00
  Speaker 3: Galo!
• 2:01
  Speaker 2: Galo!
• 2:01
  Speaker 1: Galo!
• 2:01
  Speaker 2: Galo! Galo!
• 2:02
  Speaker 1: Galo!
• 2:03
  Speaker 2: Galo!
• 2:10
  Speaker 2: .
• 2:14
  Speaker 3: I'm very excited.
• 2:35
  Speaker 2: Very excited. We're going to announce our sponsors here.
• 2:38
  Speaker 3: Let's talk about our sponsors, certainly.
• 2:40
  Speaker 2: Mítico Jovem, starting with....
• 2:57
  Speaker 3: Oh, what a good noise to hear, brother.
• 2:59
  Speaker 2: And I'm going to get more intense now, see?
• 3:01
  Speaker 5: Oh, you're already an intense guy, but you taking this
• 3:03
  Speaker 5: Pepsi Black, for sure, gets a little more intense, because
• 3:06
  Speaker 5: Pepsi Black makes everything more intense, including even that your
• 3:12
  Speaker 5: contradictory range, okay? You know that thing that only you
• 3:15
  Speaker 5: eat at home? Pepsi Black makes it even better. And remembering...
• 3:20
  Speaker 5: Temos o cupom que te dá 10 reais de desconto
• 3:22
  Speaker 5: pra você pedir sua Pepsi geladinha no conforto da sua casa,
• 3:25
  Speaker 5: que é o PEPSIPODPAD10. Mas lembrando que esse cupom fica
• 3:29
  Speaker 5: válido só até o dia 31.
• 3:30
  Speaker 3: Tô certo ou errado? Tô certo. Certo, rapaziada? QR Code
• 3:34
  Speaker 3: on the screen, scan it and take.
• 3:36
  Speaker 2: This one, okay? Mítico Jovem.
• 3:39
  Speaker 4: The party will take place at Submundo, but Submundo got
• 3:42
  Speaker 4: together with.
• 3:43
  Speaker 5: Podparty, which is Podparty's party.
• 3:45
  Speaker 3: So this party got even better, really, the best party, really,
• 3:48
  Speaker 3: Submundo is the best party in São Paulo. Then it
• 3:52
  Speaker 3: got together with Podparty and will make the best party
• 3:54
  Speaker 3: in the galaxy, it will even come to ET, I
• 3:56
  Speaker 3: don't even want to know.
• 3:58
  Speaker 2: November 7th, at Complexo Tempo.
• 4:00
  Speaker 3: At Moca, guys.
• 4:01
  Speaker 5: From the side of the subway, just for 18 years old,
• 4:04
  Speaker 5: you will be crazy about beatbull, witchcraft, crazy in your head,
• 4:07
  Speaker 5: it's clown, it's motorcycle, man, there will be a lot
• 4:10
  Speaker 5: of things, DJ Muzão, Jeová. Remembering, you have to be
• 4:13
  Speaker 5: 18 years old, for the love of God, right, people?
• 4:14
  Speaker 2: And remembering, young mythical, the tickets are in the last lot, seriously.
• 4:24
  Speaker 4: Okay, and for everyone to understand what the size of
• 4:27
  Speaker 4: the party is, it's 8,000 people, right?
• 4:28
  Speaker 2: Is it for 8,000?
• 4:28
  Speaker 1: 10,000?
• 4:28
  Speaker 5: For more than 8,000 people. Who knows who will be
• 4:31
  Speaker 5: for more than 10,000 people. So, for the love of God,
• 4:33
  Speaker 5: if you want to see a beautiful, well-decorated party, with
• 4:36
  Speaker 5: good music, and you come back stunned from how happy
• 4:40
  Speaker 5: you were, buy your ticket now, okay?
• 4:42
  Speaker 3: Come back stunned? Come back stunned, like this....
• 4:50
  Speaker 1: And I'm intense, huh?
• 4:51
  Speaker 2: I know.
• 4:51
  Speaker 5: And remembering that PodPai is exclusive on Spotify and on YouTube, okay?
• 4:55
  Speaker 1: Let's go. Let's go.
• 4:55
  Speaker 3: The episode is very awaited, acclaimed and requested, huh?
• 4:59
  Speaker 2: Those episodes that the guys are like... And when is
• 5:02
  Speaker 2: he going?
• 5:03
  Speaker 1: What's up?
• 5:03
  Speaker 2: They've already tricked me and rolled me like this....
• 5:18
  Speaker 4: I said, do you have anything against Ale? I said, no,
• 5:20
  Speaker 4: you're crazy, you're a monster. Why doesn't he go to
• 5:22
  Speaker 4: the podcast? I don't know if he wants to go too,
• 5:23
  Speaker 4: but one day we'll do it. I like it when
• 5:25
  Speaker 4: the public charges like this.
• 5:27
  Speaker 3: I also like it when the public comes... I said, hey, fuck!
• 5:29
  Speaker 2: What's up, Gal?
• 5:30
  Speaker 3: I'm Vacilão.
• 5:31
  Speaker 5: Look, receive with a lot of affection, make a lot
• 5:35
  Speaker 5: of noise, knock down this studio, because who's here... My God,
• 5:38
  Speaker 5: who's here today at the Podpapo table for today's episode
• 5:41
  Speaker 5: is nothing more.
• 5:42
  Speaker 3: Nothing less, nothing bad, than the law!
• 5:45
  Speaker 2: Let's go!
• 5:45
  Speaker 3: Let's go!
• 5:50
  Speaker 1: First word.
• 5:53
  Speaker 2: First word.
• 5:53
  Speaker 1: Let the chaos begin, let's go.
• 5:55
  Speaker 3: It started, it started, my brother.
• 5:56
  Speaker 2: How are you? Man, I'm fine, and you? How are you?
• 5:59
  Speaker 1: I'm fine, man. I'm happy, anxious about today's talk.
• 6:01
  Speaker 2: I'm even promoting the episode here. I'm so happy to
• 6:03
  Speaker 2: be here today, too. In front of you. It's us.
• 6:06
  Speaker 1: Have you always been a chaotic boy? Man, always, but
• 6:14
  Speaker 1: now it calmed down.
• 6:15
  Speaker 3: It calmed down, brother?
• 6:16
  Speaker 1: It calmed down, it calmed down.
• 6:17
  Speaker 5: How was you, young boy, in Bahia? What were your desires?
• 6:21
  Speaker 5: What did you think about doing? Not about work, but
• 6:24
  Speaker 5: your desire as a boy. Man, it was to spend
• 6:26
  Speaker 5: the whole.
• 6:27
  Speaker 1: Day on the street, my mom would yell at me, Alisson!
• 6:31
  Speaker 1: You'd hear it from the box, from the car, from
• 6:33
  Speaker 1: the car, boy. But my hobby, in fact, when I
• 6:38
  Speaker 1: was a kid, was more to play ball. Climbing trees
• 6:41
  Speaker 1: to pull out sleeves, you know?
• 6:43
  Speaker 2: Childhood.
• 6:43
  Speaker 1: I really lived my childhood.
• 6:45
  Speaker 3: You lived on the streets, let's say.
• 6:47
  Speaker 4: But your city on the streets was a city that
• 6:49
  Speaker 4: used to be a street.
• 6:52
  Speaker 1: For a while, yes. For another time, no.
• 6:55
  Speaker 3: I see.
• 6:55
  Speaker 2: It was dangerous there.
• 6:57
  Speaker 1: It was dangerous.
• 6:57
  Speaker 2: It was growing. Where was Zara?
• 6:59
  Speaker 1: Camarçari, Bahia. A greeting to my land. I'm even giving
• 7:02
  Speaker 1: you a show, guys. It's going to happen. It's going
• 7:04
  Speaker 1: to happen.
• 7:04
  Speaker 2: But your childhood was a good boy's childhood.
• 7:10
  Speaker 1: No, man. If you say it's good, it's good.
• 7:14
  Speaker 2: But she asked a lot, asked a lot.
• 7:15
  Speaker 1: At school? At school, mainly. She was a little boy
• 7:18
  Speaker 1: near the head, look, man.
• 7:20
  Speaker 2: Really?
• 7:20
  Speaker 3: Do you have siblings?
• 7:21
  Speaker 1: I only have a sister. I'm the only man, both
• 7:24
  Speaker 1: father and mother, right? My parents are separated.
• 7:28
  Speaker 3: And there are several sisters, then?
• 7:29
  Speaker 1: I have a younger one and an older one.
• 7:34
  Speaker 3: I got it, that's the middle one.
• 7:35
  Speaker 1: And a borrowed one, which is my sister Júlia. Ah,
• 7:36
  Speaker 1: how cool.
• 7:37
  Speaker 3: How cool.
• 7:39
  Speaker 4: But what was it like to go to school? Did
• 7:41
  Speaker 4: you already have music? Was it just an attempt? What
• 7:44
  Speaker 4: was it like?
• 7:45
  Speaker 1: So, man... I've always been the kid who paid a
• 7:48
  Speaker 1: lot of attention to classes, you know? Like this and such.
• 7:51
  Speaker 1: But when it came to... In the break, I played terrible.
• 7:54
  Speaker 2: Did you play ball or did you do shit?
• 7:56
  Speaker 1: I played ball, I did shit.
• 7:58
  Speaker 3: We're both together. Did you try to play ball professionally?
• 8:02
  Speaker 3: To take the risk?
• 8:02
  Speaker 1: I played very well, actually.
• 8:05
  Speaker 2: Really, bro? What position?
• 8:06
  Speaker 1: I was either lateral or left-footed. Actually, the guys from
• 8:10
  Speaker 1: the 46 were there. You run like a fuck.
• 8:12
  Speaker 2: I run like a fuck, even today, bro.
• 8:13
  Speaker 1: What did the guys from the 46 have?
• 8:15
  Speaker 3: From the field, there.
• 8:16
  Speaker 1: You messed up there, then? I messed up.
• 8:18
  Speaker 3: This is not your.
• 8:19
  Speaker 1: Talk, is it?
• 8:20
  Speaker 3: No.
• 8:22
  Speaker 1: No, man. Look it up.
• 8:25
  Speaker 2: Fuck, look it up.
• 8:26
  Speaker 1: Look it up, watch my videos, my DVDs. I'm spending,
• 8:28
  Speaker 1: I'm spending.
• 8:29
  Speaker 3: But did you manage to do some push-ups?
• 8:30
  Speaker 1: Man, I did some push-ups, but I ended up giving
• 8:33
  Speaker 1: up and went to boxing. You know? Boxing became my.
• 8:37
  Speaker 3: In Bahia it's very strong, right?
• 8:38
  Speaker 2: At what age?
• 8:39
  Speaker 1: Man, I don't remember the exact age, but... Child. I
• 8:42
  Speaker 1: was young, I was young, I was young. But then
• 8:45
  Speaker 1: I started to compete in boxing. And then I won
• 8:47
  Speaker 1: some championships, I won the Bahian championship, I won the
• 8:50
  Speaker 1: championship of champions. Academia Desafio, we're together.
• 8:53
  Speaker 3: Is Baiano born with a boxing sling?
• 8:55
  Speaker 1: It's Carnaval, he has to be smart, you know?
• 8:59
  Speaker 4: But it really looks like the guys there are stronger.
• 9:04
  Speaker 2: There's a sling, right?
• 9:05
  Speaker 3: You can go there, there's nothing to say.
• 9:07
  Speaker 2: Davi Brito is there.
• 9:08
  Speaker 4: Davi Brito, if you lose to Sasha, you don't go
• 9:13
  Speaker 4: back to.
• 9:13
  Speaker 3: Salvador, bro.
• 9:15
  Speaker 4: Let's go to the Camarote and say hi. Didn't they
• 9:17
  Speaker 4: send you to fight there?
• 9:19
  Speaker 3: They sent me to say hi and to invite me.
• 9:22
  Speaker 5: But the thing about going to the Camarote and watching
• 9:25
  Speaker 5: Davi Brito and Johnny vs.
• 9:26
  Speaker 3: Chamuel is that in my.
• 9:28
  Speaker 5: House I could be doing some things that I won't
• 9:31
  Speaker 5: be able to do there.
• 9:33
  Speaker 2: I see.
• 9:35
  Speaker 1: Who are you cheering for? Johnny or Chamuel?
• 9:37
  Speaker 4: You want to say more?
• 9:38
  Speaker 1: It's hard.
• 9:39
  Speaker 3: I don't have any fans because.
• 9:44
  Speaker 3: We have a certain friendship with both.
• 9:46
  Speaker 2: Vision, vision.
• 9:48
  Speaker 3: And... So I'm more for entertainment. Like, I want to
• 9:50
  Speaker 3: watch this a lot. But, brother, I'm thinking... That the world...
• 9:55
  Speaker 3: The world, it is... It has its... Narratives. It has
• 10:00
  Speaker 3: its turns. The world, it doesn't... Sometimes it... Stop rolling
• 10:04
  Speaker 3: and say it right away. I think Xamã will win.
• 10:06
  Speaker 5: I'm thinking that Xamã will win because, like.
• 10:11
  Speaker 1: Man, it.
• 10:12
  Speaker 2: Would be crazy.
• 10:13
  Speaker 3: If Johnny wins.
• 10:14
  Speaker 2: It's the expected.
• 10:15
  Speaker 1: It's the expected.
• 10:15
  Speaker 2: I was going to say that. It's the expected.
• 10:17
  Speaker 1: It's the expected.
• 10:18
  Speaker 2: If you're going to.
• 10:19
  Speaker 1: Bet, I'll bet on Samuel. Because the expected is Johnny.
• 10:23
  Speaker 2: But you want to see the entertainment.
• 10:24
  Speaker 1: I want to see the entertainment happening there. So, that's
• 10:27
  Speaker 1: what I'm saying.
• 10:28
  Speaker 3: The world is going to prepare this story, brother.
• 10:30
  Speaker 1: You know?
• 10:30
  Speaker 3: It's like Argentina being champion with Messi now. It was
• 10:36
  Speaker 3: all ready, man.
• 10:37
  Speaker 1: Vision.
• 10:37
  Speaker 2: But if you're the champion, there's the audience. Who's going
• 10:41
  Speaker 2: to win? Johnny raises his hand. Johnny raises his hand. Mano,
• 10:45
  Speaker 2: não mostra a galera, mas tem um, dois, três, quatro, cinco, seis, sete.
• 10:49
  Speaker 3: Um levantou a mão. Samuel.
• 10:52
  Speaker 1: Mano.
• 10:53
  Speaker 2: Man.
• 10:53
  Speaker 1: But it's the expected, right? Like, where to win.
• 10:55
  Speaker 3: I really hope he wins too.
• 10:57
  Speaker 1: Yes, it's going to be cool. If he calls himself
• 10:58
  Speaker 1: to win, it's going to be really cool. You know?
• 11:00
  Speaker 3: Any result is going to be cool.
• 11:01
  Speaker 1: It's going to be cool.
• 11:02
  Speaker 2: It's going to be cool.
• 11:03
  Speaker 3: It's going to be cool.
• 11:04
  Speaker 1: It's going to be cool. It's going to be cool.
• 11:05
  Speaker 1: It's going to be cool. It's going to be cool.
• 11:06
  Speaker 1: It's going to be cool.
• 11:07
  Speaker 3: It's going to be cool.
• 11:08
  Speaker 2: It's going to be cool. It's going to be cool.
• 11:10
  Speaker 2: It's going to be cool. It's going to be cool.
• 11:12
  Speaker 1: It's going to be cool. It's going to be cool.
• 11:13
  Speaker 1: It's going to be cool. It's going to be cool.
• 11:14
  Speaker 1: It's going to be cool. It's going to be cool.
• 11:16
  Speaker 1: It's going to be cool. It's going to be cool.
• 11:18
  Speaker 2: It's going to be cool. It's going to be cool.
• 11:19
  Speaker 2: It's going to be Boxer, man. Is that what you
• 11:24
  Speaker 2: were doing in your life?
• 11:24
  Speaker 1: I was already in that. I already had a sports wallet.
• 11:29
  Speaker 1: I was from the Bahia Boxing Federation too.
• 11:31
  Speaker 2: Man, you were good.
• 11:32
  Speaker 1: I was the best in my category, man.
• 11:33
  Speaker 3: What the fuck? What was your category?
• 11:35
  Speaker 2: Weight.
• 11:35
  Speaker 3: I weighed 46 kilos.
• 11:36
  Speaker 1: Straight talk. Then I went up to 50. I went up.
• 11:37
  Speaker 1: You lost what I lost in fat this year, man.
• 11:40
  Speaker 1: What is this, man? I was thin, man.
• 11:42
  Speaker 2: But I was also thin. Agile. All traced because of boxing, right?
• 11:51
  Speaker 1: He was skinny, his punch was like that.
• 11:52
  Speaker 4: But how was your family, your friends? Like, damn, the
• 11:55
  Speaker 4: kid is becoming a boxer, he's going to follow that.
• 11:59
  Speaker 2: How did your.
• 12:00
  Speaker 1: Family look at that? My family has a boxing history too.
• 12:02
  Speaker 1: My cousins, who are not here anymore.
• 12:04
  Speaker 2: I thought it was about music, bro.
• 12:06
  Speaker 1: Me too. But it's all mixed up, bro.
• 12:08
  Speaker 2: That's awesome, bro. Good people. And I went.
• 12:12
  Speaker 1: There for the first time in the challenge gym. I
• 12:15
  Speaker 1: trained for a few weeks. The teacher saw a talent
• 12:17
  Speaker 1: in me and said, bro, you're going to start fighting.
• 12:19
  Speaker 1: That's it. I said, yeah.
• 12:21
  Speaker 3: When did you decide to stop?
• 12:21
  Speaker 1: When I started.
• 12:22
  Speaker 3: I'm a.
• 12:23
  Speaker 1: Guy who likes to eat a lot, you know? And
• 12:25
  Speaker 1: when I lost weight, I had to ride my bike
• 12:26
  Speaker 1: and everything was set. Rice was set, even the water
• 12:28
  Speaker 1: was set. You couldn't go up in weight, you know? Sometimes... Wow,
• 12:32
  Speaker 1: the water was set, that's awesome. Everything was set, man.
• 12:34
  Speaker 1: Everything was set to hit the right weight.
• 12:37
  Speaker 2: The next day. Then I said, don't do this to.
• 12:39
  Speaker 1: Me, I want to eat. Then when you got out
• 12:41
  Speaker 1: of weight, Me, big-eyed. I ate a lot, then I was.
• 12:51
  Speaker 3: Not heavy to fight?
• 12:52
  Speaker 1: No, I was really tired. When you go on that diet,
• 12:55
  Speaker 1: you'll eat a lot and it's bad.
• 12:57
  Speaker 3: But do you still follow the fights, boxing, UFC, bro?
• 13:01
  Speaker 1: I like it a lot.
• 13:02
  Speaker 2: If I called you to fight.
• 13:05
  Speaker 1: Man, your competition is awesome. Don't call me, because I'm going.
• 13:10
  Speaker 2: A lot of money, a great fight, bro. How many
• 13:13
  Speaker 2: kilos are you?
• 13:14
  Speaker 1: I'm 60, 67. I'm still dry.
• 13:17
  Speaker 3: You're still dry. If you want to challenge.
• 13:19
  Speaker 2: Ale, say hi. But it's already bad. How long did
• 13:22
  Speaker 2: you practice boxing? I think it was 3 or 4 years.
• 13:25
  Speaker 3: A long time.
• 13:25
  Speaker 2: It was my pre-adolescence.
• 13:27
  Speaker 1: Did you enjoy the carnival? Forget it, my cousin. I'll
• 13:30
  Speaker 1: say hi to him, Robert.
• 13:32
  Speaker 3: Canary.
• 13:32
  Speaker 2: Narito's popcorn.
• 13:47
  Speaker 1: Era nóis.
• 13:47
  Speaker 2: Pipoca do Narito. Muito bom, mano. Eu queria que você... Pô,
• 13:51
  Speaker 2: você viveu isso.
• 13:52
  Speaker 4: Eu queria que você comentasse também essa parada, que bombou
• 13:54
  Speaker 4: muito a galera aqui, que tá falando do carnaval de lá.
• 13:57
  Speaker 4: Queria saber da sua visão também no carnaval. E eu
• 13:58
  Speaker 4: tenho certeza que isso inspirou muito também a sua musicalidade, né?
• 14:01
  Speaker 1: Pô, mano, bastante. Acho que a Bahia em si, ela
• 14:04
  Speaker 1: respira a música, tá ligado, mano? So, the representation of
• 14:09
  Speaker 1: both Canário and SD City and Fantasmão, who already spoke
• 14:12
  Speaker 1: the word of order, for us, who were from the outskirts,
• 14:15
  Speaker 1: black youth, that kind of thing, we didn't hear that
• 14:17
  Speaker 1: a lot, but the guys came with the word of order, like,
• 14:23
  Speaker 1: you are this, you are favela, you have to be proud,
• 14:25
  Speaker 1: you are this, you are this. Like what happened in
• 14:28
  Speaker 1: the funk here, what happened in the funk here, what
• 14:31
  Speaker 1: happened in Salvador, but with another genre, you know?
• 14:33
  Speaker 2: And the people saw it with their eyes... Discriminating this
• 14:37
  Speaker 2: crazy music. My mom didn't.
• 14:39
  Speaker 1: Like it when I listened to it. But when I
• 14:42
  Speaker 1: was a kid, I used to listen to Adidas' Bermudão,
• 14:45
  Speaker 1: my cousin's Correntona da Cioeira. My cousin! Forget it! I
• 14:53
  Speaker 1: used to listen to Racionais, Narita e Fantasmao.
• 14:56
  Speaker 2: Combo.
• 14:57
  Speaker 1: Combo. That's what we played in the slums.
• 14:59
  Speaker 5: Brother, Christian Abel came here with Belly, Canario also came
• 15:04
  Speaker 5: here recently, and I asked them the same question, and
• 15:06
  Speaker 5: I wanted to know about you, because we saw from afar,
• 15:10
  Speaker 5: and after meeting Canario we understood a lot, but what
• 15:13
  Speaker 5: is Canario there in Bahia, his popcorn, like, it's a
• 15:17
  Speaker 5: day that you get.
• 15:18
  Speaker 3: Ready, everyone goes... How is this day for Bahia?
• 15:21
  Speaker 2: Brother, hello Canario.
• 15:23
  Speaker 1: Let's say it's the concentration... From the young people in
• 15:28
  Speaker 1: the suburbs of Salvador, you know? Man, just you guys
• 15:34
  Speaker 1: going there so you can have a notion.
• 15:36
  Speaker 3: Of what it's like, you know? So, but we said,
• 15:38
  Speaker 3: I said, Canário, I want to go to your popcorn,
• 15:41
  Speaker 3: he said, don't go, no.
• 15:45
  Speaker 1: Don't go, no.
• 15:46
  Speaker 2: Don't go, no.
• 15:48
  Speaker 1: Go slowly. Go slowly.
• 15:49
  Speaker 2: Go slowly. You've been to his popcorn?
• 15:50
  Speaker 1: Yeah, since I was little. I even have a video
• 15:53
  Speaker 1: on Facebook, including with my cousins. Put it up there.
• 15:56
  Speaker 4: Tell us, what's the breeze? Because Canario came here and said, man,
• 15:59
  Speaker 4: I can't go on my own, unfortunately. But what happens there,
• 16:01
  Speaker 4: in this popcorn?
• 16:02
  Speaker 1: Tell us.
• 16:03
  Speaker 4: A fucking punch exchange, a dance and joy, right? Man,
• 16:05
  Speaker 4: it's an explosion of happiness, you know? Even too much,
• 16:09
  Speaker 4: even too much, you know? But in any corner, right, man?
• 16:12
  Speaker 1: Sometimes there are people who go to enjoy, celebrate... Enjoy
• 16:24
  Speaker 1: that good energy and there will be people who go
• 16:27
  Speaker 1: to that wave. To put the base, bro, bro, Tom, boy,
• 16:31
  Speaker 1: or Paul. Chris Peake.
• 16:33
  Speaker 2: You've already taken some out of nowhere.
• 16:36
  Speaker 1: No, I've never hit.
• 16:38
  Speaker 3: The carnival, are you crazy? Smooth, it was always smooth.
• 16:41
  Speaker 2: I've never hit the carnival. Never.
• 16:43
  Speaker 1: They've tried, by the way, but it was more like this,
• 16:45
  Speaker 1: I'll explain. He's a boxer, damn it. São Pedro clock, brother.
• 16:49
  Speaker 1: There's a side there that stays, one side bread, the
• 16:51
  Speaker 1: other side bread. I understood.
• 16:54
  Speaker 2: And that's how we saw it.
• 16:57
  Speaker 1: My God. And we were in the middle. Then the
• 16:59
  Speaker 1: stick breaks. It's awesome. If you're not smart, come back soon.
• 17:04
  Speaker 2: Come back. And what can't be missing in this carnival?
• 17:07
  Speaker 1: Say it. In your carnival. In my carnival? Yeah.
• 17:09
  Speaker 2: Joy, mainly.
• 17:10
  Speaker 1: You know? Celebrate. Living is also good, right?
• 17:14
  Speaker 2: Living is good, right?
• 17:15
  Speaker 1: I think it's cool. And Narito....
• 17:19
  Speaker 3: Naritinho, Campo Grande, on Monday, forget it.
• 17:20
  Speaker 1: My brother, you have... Half a day off, right?
• 17:21
  Speaker 3: Yeah, I'm already watching.
• 17:23
  Speaker 2: I'm watching.
• 17:23
  Speaker 1: You grew up in a very musical house, right? Right, bro, right.
• 17:27
  Speaker 3: How was that for you, if you could tell a
• 17:30
  Speaker 3: little bit about what your father and your mother did?
• 17:33
  Speaker 3: For the people to understand where to see your musical inspirations,
• 17:38
  Speaker 3: you're very young and it's already very musical, very good,
• 17:41
  Speaker 3: you know? So, bro, my father and my mother, they.
• 17:44
  Speaker 1: Met singing, right? There was a band in my city,
• 17:50
  Speaker 1: in Camarceri, called Banda Please. My dad was the main
• 17:53
  Speaker 1: vocalist and my mom was the backing vocal. And sometimes
• 17:56
  Speaker 1: she was the main one. My mom was my vibe-calypse,
• 17:59
  Speaker 1: you know? Got it? So, since the belly, since that
• 18:03
  Speaker 1: moment she knew I was pregnant, she kept doing her shows.
• 18:05
  Speaker 1: What was her musical style? Man, axé. Axé mixed with
• 18:09
  Speaker 1: other things. I don't know how to explain it, my
• 18:12
  Speaker 1: mom knows. But I'm ashamed to sing in front of
• 18:16
  Speaker 1: my mom, by the way.
• 18:17
  Speaker 3: Because you think she's an excellence.
• 18:20
  Speaker 1: She's a beast. She's sinister.
• 18:22
  Speaker 3: But does she cover you, bro? Like, she's not like that.
• 18:25
  Speaker 3: When she was younger, yes.
• 18:26
  Speaker 1: Because I counted a lot with the nose, right? Then
• 18:28
  Speaker 1: she would say, look, I have a nose, boy. Old voice.
• 18:32
  Speaker 2: Cool, cool. But then your whole childhood you saw them
• 18:35
  Speaker 2: doing shows.
• 18:36
  Speaker 1: No, in my mother's belly, I felt the energy. But
• 18:38
  Speaker 1: my mother, unfortunately, in the past, with problems and without
• 18:41
  Speaker 1: family support, my mother had to stop with music and
• 18:45
  Speaker 1: focus on work. My mother became a health worker, went
• 18:49
  Speaker 1: to work in other places, and I ended up not
• 18:50
  Speaker 1: taking this phase of her as a singer, but I
• 18:54
  Speaker 1: really wanted to see my mother coming back.
• 19:01
  Speaker 2: Coming back. And what does she say about it?
• 19:03
  Speaker 3: I got a little bit of a headache hearing you
• 19:05
  Speaker 3: say that. Couldn't you make an EP or three songs
• 19:07
  Speaker 3: with your mom? I want to do a lot.
• 19:08
  Speaker 1: I'll call her to do the vibe. Or put her
• 19:09
  Speaker 1: to go to a show of yours.
• 19:10
  Speaker 2: Has she already sung at a show?
• 19:12
  Speaker 1: Already, man. She didn't even want to give me back
• 19:14
  Speaker 1: the microphone.
• 19:15
  Speaker 2: It was just a song. She was already in the third.
• 19:17
  Speaker 2: You don't get out of there, man. The chaos is
• 19:19
  Speaker 2: crazy here.
• 19:19
  Speaker 3: I don't know if you saw it on the banner.
• 19:21
  Speaker 2: She.
• 19:24
  Speaker 1: Hi, my Salvador. Everybody... Forget it, bro. It was hard
• 19:29
  Speaker 1: to get that girl's microphone. Fuck, bro.
• 19:31
  Speaker 4: But your father, when you were little, did he still sing?
• 19:33
  Speaker 4: My father still sings today. But my father sings today for.
• 19:36
  Speaker 1: How do you say it? For people from... I forgot
• 19:38
  Speaker 1: the name. Childhood, right? Childhood? Childhood, yes.
• 19:46
  Speaker 2: Educator of children?
• 19:47
  Speaker 1: Yes, educator of children and also does bazinhos. Ah, how cool.
• 19:51
  Speaker 1: Until today. There in my city it is well known.
• 19:54
  Speaker 3: How did this flame of music light up in you there?
• 19:57
  Speaker 1: My mother.
• 19:58
  Speaker 3: Was it your mother? How was this story? Do you
• 20:00
  Speaker 3: remember the age?
• 20:01
  Speaker 1: I remember, I was a little boy, I think I
• 20:03
  Speaker 1: was 8 years old, 7 years old, I don't know,
• 20:05
  Speaker 1: something like that. My mother came with a DVD Black.
• 20:08
  Speaker 1: There was a DVD that came with a lot of
• 20:10
  Speaker 1: gringo artists.
• 20:11
  Speaker 3: Black Total.
• 20:12
  Speaker 1: Then there was 50 Cent, A-Con, Yahoo, Destiny Child. Then
• 20:19
  Speaker 1: I heard that song that 50 Cent is lying down
• 20:23
  Speaker 1: like this.
• 20:23
  Speaker 3: Go, go, in the club.
• 20:25
  Speaker 1: That's epic. I said, man, I have to be like
• 20:27
  Speaker 1: this nigga when I grow up. 50 Cent respected that.
• 20:30
  Speaker 2: Yeah, man, I kept that in my head.
• 20:32
  Speaker 1: That's how I started to listen to a lot of rap.
• 20:35
  Speaker 1: And also my uncle, my uncle... When he would pick
• 20:40
  Speaker 1: me up to spend the weekend with his family, he
• 20:41
  Speaker 1: would always play rap to listen to me. My mom
• 20:44
  Speaker 1: didn't like to listen to the Racionais, because... Believe it
• 20:48
  Speaker 1: or not.
• 20:48
  Speaker 3: People used to have that vision.
• 20:50
  Speaker 1: Yeah, they had that vision.
• 20:51
  Speaker 2: The voice, the beat.
• 20:52
  Speaker 1: Yeah, because you go to the corners, man, you can
• 20:54
  Speaker 1: hear that vibe. My mom thought that... But I always
• 20:57
  Speaker 1: listened to it. She said, I won't forbid you, but
• 20:59
  Speaker 1: I don't like it either. It's not my taste in music,
• 21:06
  Speaker 1: but it's mine. Let's go.
• 21:08
  Speaker 5: Your uncle is from Timbalada, right?
• 21:11
  Speaker 1: Yes, yes, yes.
• 21:12
  Speaker 3: Damn, it's a very musical family. I didn't know where
• 21:14
  Speaker 3: to run. Brother, did you come? I tried to run, brother.
• 21:16
  Speaker 3: You tried?
• 21:17
  Speaker 1: I tried, I tried. That's why I went to the
• 21:19
  Speaker 1: box to do other things.
• 21:20
  Speaker 3: I tried.
• 21:20
  Speaker 2: The music called you. But did you go to his
• 21:23
  Speaker 2: shows in Timbalada?
• 21:24
  Speaker 1: Brother... I used to go a lot when I was
• 21:28
  Speaker 1: a kid, you know? My uncle used to take me
• 21:30
  Speaker 1: to rehearsals and say that I used to play.
• 21:32
  Speaker 2: On the cymbals and everything.
• 21:33
  Speaker 1: Man, that was a lot of school for you, man. Yeah,
• 21:36
  Speaker 1: but I don't remember.
• 21:36
  Speaker 2: But the body records.
• 21:37
  Speaker 3: I came to realize what.
• 21:38
  Speaker 1: My uncle was like at the carnival. When I was
• 21:42
  Speaker 1: in the Canary's time, my uncle passed by and.
• 21:44
  Speaker 2: I said, fuck, my uncle, what the fuck is this?
• 21:47
  Speaker 1: He was lifting a mass like that, crazy stuff, and
• 21:50
  Speaker 1: I said, fuck, my uncle, crazy.
• 21:51
  Speaker 2: Do you want to be like that too? No. But
• 21:53
  Speaker 2: at that time you weren't?
• 21:54
  Speaker 1: Not yet, man. Not yet, because.
• 21:57
  Speaker 2: It was 50.
• 21:58
  Speaker 1: Cent that woke you up. Also for rap, but I
• 22:01
  Speaker 1: was living on the streets, I was a very rebellious boy,
• 22:04
  Speaker 1: you know? Did you get the picture? Uh-huh.
• 22:07
  Speaker 3: I was very rebellious.
• 22:08
  Speaker 5: Look, it only brings you the Black Total CD and DVD,
• 22:11
  Speaker 5: you look and say, my God, I want to be
• 22:12
  Speaker 5: like that, but then you ran away from the music there.
• 22:14
  Speaker 1: I ran away a lot.
• 22:15
  Speaker 3: As you said yourself. Why do you come back? What
• 22:19
  Speaker 3: makes you come back?
• 22:19
  Speaker 5: Is it your mom again? What makes you say, ok,
• 22:21
  Speaker 5: I'll give it a shot?
• 22:23
  Speaker 1: What moves the world, man. I got a little guitar
• 22:26
  Speaker 1: at school.
• 22:28
  Speaker 3: I wanted to kiss your mouth.
• 22:30
  Speaker 1: Yeah, you know? I got a little guitar and learned
• 22:33
  Speaker 1: it by myself. I started writing some songs, you know?
• 22:36
  Speaker 1: But already? Yeah, I liked it. Man, I've always been creative.
• 22:39
  Speaker 1: I don't know how to explain it to you, man.
• 22:41
  Speaker 1: My mom says, like, everything you do works. I said, man... Yeah,
• 22:45
  Speaker 1: but you have to be determined. And I learned that
• 22:48
  Speaker 1: from her. My mom didn't have money, but she said, man,
• 22:50
  Speaker 1: this water is going to be mine, that's it. She
• 22:53
  Speaker 1: could do it, man. That's what was recorded in my mind,
• 22:54
  Speaker 1: you know? So, man, I got the guitar there. My dad,
• 22:57
  Speaker 1: could you teach me? He could. But you wouldn't want
• 22:59
  Speaker 1: to give that arm to torcer.
• 23:00
  Speaker 3: No, it's because my dad, man, he never stopped.
• 23:02
  Speaker 1: He never had an interest in me learning too.
• 23:05
  Speaker 6: I see.
• 23:09
  Speaker 1: We were a little far.
• 23:11
  Speaker 2: From each other. What did you do to learn by yourself, man?
• 23:13
  Speaker 1: Videos on YouTube? I had a friend of mine called Daniel,
• 23:17
  Speaker 1: because he played a lot. I watched him play and
• 23:21
  Speaker 1: tried to replicate the notes. I can still get notes
• 23:24
  Speaker 1: from my ears because of that. I think that's absurd.
• 23:26
  Speaker 5: Do you remember the first song you were trying to
• 23:29
  Speaker 5: record there?
• 23:32
  Speaker 1: Oh, Mariana Mendonça.
• 23:33
  Speaker 3: Ah, I wanted to kiss her too much.
• 23:35
  Speaker 1: I wanted a lot. She rode a little girl like that, man,
• 23:37
  Speaker 1: she was cool. And she helped, right? Oh, for fuck's sake.
• 23:41
  Speaker 2: He was the son of a bitch of the school's guitar.
• 23:43
  Speaker 1: I was, man.
• 23:44
  Speaker 3: I hated that guy, man.
• 23:45
  Speaker 4: I always hated the son of a bitch from Motinha,
• 23:47
  Speaker 4: who always has someone who goes by motorcycle.
• 23:48
  Speaker 2: It's the repetent, naughty. It's the repetent, naughty, who smokes
• 23:51
  Speaker 2: a cigarette.
• 23:52
  Speaker 3: Smokes a cigarette.
• 23:52
  Speaker 2: I was between those two there, brother. Ah, yeah?
• 23:53
  Speaker 1: Yeah, it's all right. You were super tired of school.
• 23:55
  Speaker 3: I just didn't ride a motorcycle, but the bike, damn,
• 23:57
  Speaker 3: forget it.
• 23:57
  Speaker 1: It took the wave. It took the wave. The crazy
• 23:59
  Speaker 1: guy from the guitar, so.
• 24:00
  Speaker 2: It was cool, you were talking to the girls there.
• 24:03
  Speaker 2: The guy would come, he.
• 24:04
  Speaker 3: Would sing the.
• 24:08
  Speaker 3: I'm going to sing a Jota Quest, you're.
• 24:11
  Speaker 2: Going to drink it. You're going to drink it.
• 24:13
  Speaker 3: Good.
• 24:13
  Speaker 2: Nati Rutz. Nati Rutz, man. Nati Rutz, I was sure,
• 24:16
  Speaker 2: because she always knows how to sing. Hey, you know
• 24:19
  Speaker 2: what killed me? Kiss the flower and.
• 24:20
  Speaker 1: Bring my love. Beautiful flower.
• 24:24
  Speaker 3: And the girls, oh! And I, go drink it with
• 24:26
  Speaker 3: the chubby, damn it, man. So your first movement.
• 24:30
  Speaker 2: Was on the violins at school.
• 24:33
  Speaker 1: On the violins. My first song was also like... What
• 24:36
  Speaker 1: did you write? I wrote a sertanejo. Oh, stop it.
• 24:40
  Speaker 1: The worst thing was... Is.
• 24:41
  Speaker 2: There a way for you to remember?
• 24:44
  Speaker 1: At least the chorus? Eita doutor, que modão foi esse
• 24:47
  Speaker 1: que o senhor botou aí agora? Até meu sorriso foi embora.
• 24:53
  Speaker 3: Oxi.
• 24:54
  Speaker 1: I wrote it, but I... You didn't record it? No,
• 24:56
  Speaker 1: because it was from Marola, bro. And why are you from.
• 25:00
  Speaker 2: Tanejo, bro? If you were from.
• 25:03
  Speaker 1: So, what happens?
• 25:04
  Speaker 2: I was very.
• 25:04
  Speaker 1: Marília Mendonça took care of it, right, bro? Marília Mendonça,
• 25:08
  Speaker 1: Paul Cano, Sinistro. I was writing something like that to
• 25:11
  Speaker 1: sing in front of Gatinha and say it's.
• 25:13
  Speaker 3: Mine, right? This one is mine, this one is mine.
• 25:16
  Speaker 1: Cool. But then I left it like that, so much
• 25:19
  Speaker 1: so that even a singer recorded it. It was cool. Chocolate,
• 25:23
  Speaker 1: his name is.
• 25:24
  Speaker 3: So you already made some money there.
• 25:25
  Speaker 1: What? No way!
• 25:26
  Speaker 3: No? They recorded it, they didn't give me a damn.
• 25:29
  Speaker 1: Thanks, brother. Thanks, brother. The song is awesome.
• 25:31
  Speaker 2: We're together. But did you want to follow a career?
• 25:34
  Speaker 4: Did you already plan something like that?
• 25:37
  Speaker 2: No, no, no. It was just to make a little sound.
• 25:39
  Speaker 1: It was just to make a little sound of Marola.
• 25:43
  Speaker 1: A little kiss. Yeah, get a soft.
• 25:45
  Speaker 2: Reggaeton from Marola.
• 25:46
  Speaker 1: But when did it start? Some, but not others. At
• 25:49
  Speaker 1: that time it was not fashionable to get black yet.
• 25:51
  Speaker 2: I see.
• 25:52
  Speaker 4: But the guitar, you saw that it was a.
• 25:57
  Speaker 4: I said, I see. I'll ask the next question. Did
• 26:00
  Speaker 4: you know that this guitar helped you a lot? Because
• 26:02
  Speaker 4: the guitar is different, bro. You see a person with
• 26:05
  Speaker 4: a guitar and you say... It's powerful, bro.
• 26:07
  Speaker 1: I've seen people cry on the bus with that song.
• 26:13
  Speaker 1: O meu desafio é andar sozinho... Do Jô de Barro? É,
• 26:17
  Speaker 1: mas aí meu amigo também apelava, ele vinha com a
• 26:19
  Speaker 1: poesia sinistra.
• 26:21
  Speaker 3: Aí depois você vinha.
• 26:22
  Speaker 1: Eu cantava.
• 26:23
  Speaker 3: Tá, quando é que você decide....
• 26:27
  Speaker 5: Calma, antes dessa pergunta, você trabalhou com alguma outra coisa
• 26:30
  Speaker 5: a não ser música?
• 26:31
  Speaker 1: Sim, trabalhei entregando quentinha. É tanto que eu falo... Retrato
• 26:36
  Speaker 1: isso no clipe, isso que é bom, né? Todo lugar
• 26:38
  Speaker 1: que eu trabalhei, na oficina, quentinha. É... Foi um demais...
• 26:43
  Speaker 1: I also worked on the bus, which was a way
• 26:45
  Speaker 1: for me to earn money to record.
• 26:46
  Speaker 2: Were you going to play on the bus?
• 26:48
  Speaker 1: I worked from Monday to Saturday at the restaurant. On
• 26:51
  Speaker 1: Saturday I would go out, take a shower and go
• 26:54
  Speaker 1: to Salvador. And then my partner Lincoln and I would
• 26:58
  Speaker 1: go down to São Cristóvão, until the end of Salvador
• 27:02
  Speaker 1: and go back to Cado Daxter, which is the guy
• 27:05
  Speaker 1: who at the time was the most bravest guy in
• 27:07
  Speaker 1: Salvador who recorded.
• 27:08
  Speaker 2: But how was that experience? Was it to get in
• 27:10
  Speaker 2: a bus, play?
• 27:10
  Speaker 1: Yeah, the motorbikes would let us in. The only thing
• 27:13
  Speaker 1: that didn't let us in was the subway. The subway
• 27:15
  Speaker 1: still had this embassies, but the buses still let us in.
• 27:18
  Speaker 1: They told us to go in through the back. They
• 27:19
  Speaker 1: told us to collect there to record. It was cool.
• 27:22
  Speaker 1: And did it work, bro? Did you manage to collect
• 27:24
  Speaker 1: a little money? Yeah, bro.
• 27:25
  Speaker 3: Because at the time, it was 150 reais a recording.
• 27:28
  Speaker 1: You could take that money on the bus. Holy shit, bro.
• 27:33
  Speaker 3: I got the picture. I want to know when he
• 27:36
  Speaker 3: decided to dive into it, to make it come true,
• 27:41
  Speaker 3: to leave the restaurant. Because I imagine it must have
• 27:45
  Speaker 3: been a difficult decision to make.
• 27:48
  Speaker 1: So, yeah. Both for me and for my mom. My
• 27:51
  Speaker 1: mom lived the music thing. She was very afraid of
• 27:56
  Speaker 1: being like her, you know? I think she... It's not easy.
• 28:01
  Speaker 1: It's not easy. And I was already working, I turned
• 28:04
  Speaker 1: to her and said, either school or work. You decide there.
• 28:09
  Speaker 1: You know?
• 28:10
  Speaker 2: It's not possible.
• 28:11
  Speaker 1: I studied at night and many times the teacher was missing.
• 28:14
  Speaker 1: It was a lot of work, man. So I got tired,
• 28:17
  Speaker 1: you know? I worked in the morning. Brother, 12 o'clock, Camasari,
• 28:21
  Speaker 1: hot sun. I went down like this, bike. But in
• 28:23
  Speaker 1: Bahia it's so hot like that, brother? Are you going
• 28:33
  Speaker 1: there one day, man?
• 28:34
  Speaker 3: I've been there.
• 28:35
  Speaker 2: It's hot as hell.
• 28:36
  Speaker 1: It's hot as hell, man. No, it's not.
• 28:38
  Speaker 3: The sun of the midday there doesn't exist.
• 28:40
  Speaker 2: No, no, no. It's different, it's different.
• 28:41
  Speaker 1: It's too different, man. It even makes a mirage, man.
• 28:44
  Speaker 2: It does. It's crazy.
• 28:46
  Speaker 1: It does. And then I told my mom, she was like,
• 28:47
  Speaker 1: my dad, but she believed, you know? Deep down, she believed.
• 28:52
  Speaker 1: Deep down, she believed. But I think it's the fear, right, brother?
• 28:55
  Speaker 3: Of what happened to her. Yeah, especially since she.
• 28:58
  Speaker 1: Had this experience, you know? She went through it. Without
• 29:01
  Speaker 1: the support of the family, you know? But did she
• 29:03
  Speaker 1: tell you what happened?
• 29:04
  Speaker 3: Like, son, I tried, this happened, or not? No, man.
• 29:07
  Speaker 1: Worse than nothing, man. It's because my relationship with my
• 29:14
  Speaker 1: mother was... Even with my father too, you know? My
• 29:17
  Speaker 1: relationship was kind of... Away from it, you know? Because
• 29:21
  Speaker 1: my mother, man, there's no way you could go... love
• 29:24
  Speaker 1: for your child if you didn't have love, you know?
• 29:26
  Speaker 1: And nowadays, as an adult, I learned that me and
• 29:29
  Speaker 1: my mom are best friends, you know? So, I.
• 29:30
  Speaker 3: We didn't have this thing of saying.
• 29:32
  Speaker 1: I love you, hugging you, telling her things from the past.
• 29:38
  Speaker 1: It was like mother and son there, showing some things.
• 29:47
  Speaker 1: What made you.
• 29:47
  Speaker 4: Change that beyond time and coexistence? But that's cool, it changed, right?
• 29:51
  Speaker 4: It changed a lot.
• 29:52
  Speaker 1: Man, today I talk about everything with my mom. My
• 29:56
  Speaker 1: mom is my best friend, man. It was even good.
• 29:58
  Speaker 1: It was even good, man. It was really cool, really cool.
• 30:00
  Speaker 5: When is the moment, brother, that you decide to professionalize
• 30:04
  Speaker 5: your thing?
• 30:05
  Speaker 1: So, my brother, what happened? I was in this transition, right?
• 30:09
  Speaker 1: Work from Quintinha, poetry. Then I went to record there.
• 30:14
  Speaker 1: I only followed Lincoln, who is my partner. To record,
• 30:17
  Speaker 1: to use his lib, you know? Always. Then Dax called
• 30:19
  Speaker 1: me and said, man, why don't you record some verses?
• 30:21
  Speaker 1: Then I said, yeah, man. I'm here, right? Yeah, I'm here,
• 30:25
  Speaker 1: I'm going to record. Then I started recording, he asked me,
• 30:28
  Speaker 1: I said, man, I'm going to take this forward. That's it, man.
• 30:31
  Speaker 1: Then we got together, me, him and another partner, and
• 30:34
  Speaker 1: formed Mahatma Gang, which was a group of us, you know?
• 30:37
  Speaker 1: Mahatma Gang, what a key, man.
• 30:38
  Speaker 2: Damn, what a key.
• 30:39
  Speaker 1: Then we got together.
• 30:40
  Speaker 3: Was it trap already?
• 30:41
  Speaker 1: Yeah, yeah, yeah. I used to sing there, I always
• 30:44
  Speaker 1: translated a lot in OIMB, right, man? Like, always. I
• 30:48
  Speaker 1: was hired to sing in B, you know? Really?
• 30:50
  Speaker 3: Yes.
• 30:51
  Speaker 1: So, I was always hired. Then, I decided to quit.
• 30:55
  Speaker 1: I showed my work to the guys at work. They
• 30:57
  Speaker 1: were laughing. Really? Yeah. But I understood their mentality, you know? So,
• 31:02
  Speaker 1: I quit. Wait, you quit without winning anything with the song?
• 31:06
  Speaker 3: No.
• 31:16
  Speaker 1: I continued working there and making my poetry. Then the
• 31:21
  Speaker 1: old failure came. It's part of the story. The old
• 31:27
  Speaker 1: failure came and sent a message that he was going
• 31:32
  Speaker 1: to do a test with us, which was Mahatma Gang.
• 31:36
  Speaker 1: And then we stopped at the bench, who was coming up.
• 31:41
  Speaker 1: Jovem Dex.
• 31:42
  Speaker 3: The brave one.
• 31:42
  Speaker 1: The brave one. Navi just left.
• 31:43
  Speaker 2: He's back, Jovem Dex. We're together.
• 31:46
  Speaker 4: This motherfucker is really good. Pay attention, he's releasing the songs.
• 31:50
  Speaker 1: Forget it, man.
• 31:52
  Speaker 3: He's really good. He's really good.
• 31:55
  Speaker 1: He's our master, man. There's no way. Our master Splinter.
• 31:59
  Speaker 2: Wait, but was it this day that you met him?
• 32:01
  Speaker 1: No, no. I met Dex in this bench right there.
• 32:04
  Speaker 1: I went to stop to smoke a cigarette, have a
• 32:05
  Speaker 1: coffee with a partner, put... Poetry had ended a little,
• 32:11
  Speaker 1: I had already collected some money.
• 32:12
  Speaker 3: You were already a bad guy.
• 32:13
  Speaker 2: I went to smoke a cigarette.
• 32:14
  Speaker 3: I did.
• 32:14
  Speaker 2: Poetry, I'm going to smoke a cigarette.
• 32:16
  Speaker 1: I already lived an adult life.
• 32:18
  Speaker 2: And Dex, he had launched the ship? He had just
• 32:20
  Speaker 2: launched the ship, it had 2,000 views.
• 32:21
  Speaker 1: Damn, bro! Then I turned to the guy at the
• 32:23
  Speaker 1: counter and said, hey, are you seeing this guy here?
• 32:25
  Speaker 1: It's coming up now, hey, bravo, bro. I said, hey,
• 32:27
  Speaker 1: I'm talking to his employer. And it was from the
• 32:30
  Speaker 1: old Farina. And then I went to do this test.
• 32:38
  Speaker 1: People really liked me there, I went there with a
• 32:40
  Speaker 1: little guitar and sang a lot of songs. And the
• 32:41
  Speaker 1: people liked it, they just wanted to close it with me.
• 32:44
  Speaker 1: So I closed it. At the time.
• 32:47
  Speaker 5: I was going to ask you, if you get there
• 32:49
  Speaker 5: with the guitar, did you not wonder? Because trap, people
• 32:52
  Speaker 5: usually don't imagine that you're going to get there with
• 32:55
  Speaker 5: a little guitar.
• 32:56
  Speaker 1: On your back, you know? But I'm going to tell you,
• 32:59
  Speaker 1: you can do trap even.
• 33:00
  Speaker 3: With the table.
• 33:01
  Speaker 2: I'm sure, I'm.
• 33:02
  Speaker 1: Sure of that.
• 33:02
  Speaker 3: But talking about, you talked about.
• 33:05
  Speaker 3: As you said, the old one passed away.
• 33:06
  Speaker 5: It's crazy to realize that many great names went through there.
• 33:11
  Speaker 3: Oh, bro. It was possible to form the gang, bro. Anata.
• 33:16
  Speaker 2: Anata passed there.
• 33:17
  Speaker 1: I think it would be, let's say, one of the
• 33:20
  Speaker 1: biggest nowadays.
• 33:22
  Speaker 3: For me, maybe the best.
• 33:23
  Speaker 1: Lost TT, Dex, Leviano, me, Duquesa. That's crazy. That's crazy.
• 33:30
  Speaker 2: Damn, bro.
• 33:31
  Speaker 1: And except the others. Except the others.
• 33:33
  Speaker 2: Except the others. Okay.
• 33:36
  Speaker 5: I know you don't want to talk too much, but
• 33:37
  Speaker 5: what happened that didn't work out? Wasn't it well worked out?
• 33:39
  Speaker 5: I'll say something that even fans are curious to know.
• 33:42
  Speaker 1: I didn't even have access to my Paypal, but I
• 33:44
  Speaker 1: had access to my MPM account. Streams, stuff like that.
• 33:46
  Speaker 1: I didn't know how much I earned from shows. I
• 33:50
  Speaker 1: didn't know anything. It was bizarre. You were in the dark.
• 33:52
  Speaker 1: I was in the dark.
• 33:53
  Speaker 2: Dex opened his eyes.
• 33:53
  Speaker 1: Dex came to me and said, do you know how
• 33:55
  Speaker 1: much you earn? Do you have your account? Do you
• 34:07
  Speaker 1: know who is Royt?
• 34:08
  Speaker 2: I didn't know who was Royt.
• 34:10
  Speaker 1: They never explained it to me. When they sold me
• 34:14
  Speaker 1: the dream, I was 17 or 18 years old. I
• 34:16
  Speaker 1: was very young, from a totally different reality. For me,
• 34:20
  Speaker 1: Salvador was like São Paulo. I looked at Salvador like
• 34:23
  Speaker 1: São Paulo. Dude, I'm in Salvador.
• 34:29
  Speaker 2: It was the big city, you know?
• 34:31
  Speaker 1: So it was just the choice of the smallest dreamer,
• 34:33
  Speaker 1: you know? And it helped me a lot too. I
• 34:36
  Speaker 1: have nothing to complain about, I matured a lot with
• 34:39
  Speaker 1: this stuff. It strengthened me. Was it easy to get
• 34:41
  Speaker 1: rid of it? A lot, man. I think that from
• 34:43
  Speaker 1: the moment you release the forgiveness, you can get rid
• 34:45
  Speaker 1: of even your worst enemy, you know? I said, man,
• 34:57
  Speaker 1: I'm going to turn this hatred that I'm feeling here,
• 35:00
  Speaker 1: this anger inside me, this fire, all into music.
• 35:05
  Speaker 2: But how was this process?
• 35:07
  Speaker 4: Since you entered Falecida, you left, how long did it last?
• 35:13
  Speaker 1: Man, it lasted almost five years. Brother, a long time.
• 35:16
  Speaker 1: It was five years, I spent two, three years in
• 35:18
  Speaker 1: the fridge. The hatred. What do you say in the fridge?
• 35:22
  Speaker 3: People don't want to sell their show, they touch the
• 35:23
  Speaker 3: law and that's it? No, it was the Dex phase too.
• 35:25
  Speaker 1: But I was there, recording music, let's say the white
• 35:28
  Speaker 1: house and the slaves, you know, bro? Ah, there's a
• 35:32
  Speaker 1: house here, soft, you're going to stay here, there's a
• 35:34
  Speaker 1: studio there, record it for us there. If it hits,
• 35:39
  Speaker 1: we work the music. Did you get the idea? I
• 35:46
  Speaker 1: was already a producer.
• 35:47
  Speaker 5: So it was just a square where you had a studio.
• 35:50
  Speaker 4: Yeah, the five of them have to make the songs,
• 35:53
  Speaker 4: deliver them here, let's post it here, hit it, we
• 35:55
  Speaker 4: make the video, we work. Anyway, the guy has to
• 35:57
  Speaker 4: work a lot to work him, you know?
• 35:59
  Speaker 2: Yeah, you know?
• 35:59
  Speaker 4: The funk producers were like that, too much. 40 guys
• 36:02
  Speaker 4: like that in a studio.
• 36:03
  Speaker 1: It was crazy, man. Imagine, bro. But then, in this transition, like,
• 36:08
  Speaker 1: I sang a lot of R & B, and then
• 36:11
  Speaker 1: Deck came to me, brother, you need to... Because Thiago
• 36:13
  Speaker 1: was very shy. You were shy? You don't look like
• 36:16
  Speaker 1: you were shy.
• 36:16
  Speaker 3: I am, bro. I'm still a little bit shy.
• 36:18
  Speaker 1: But I'm still a little bit shy. Like, if you
• 36:21
  Speaker 1: see me in the studio, he's recording in TPM. What's that?
• 36:24
  Speaker 2: For me, it's one of the best... Best trap album, bro.
• 36:27
  Speaker 2: Best trap album. Oh, forget it, bro.
• 36:29
  Speaker 1: Best trap album, my God.
• 36:30
  Speaker 2: I accompanied him.
• 36:31
  Speaker 1: I also made peace there, too, in the construction. Damn,
• 36:35
  Speaker 1: it's a great honor, too, you know? And he came
• 36:38
  Speaker 1: to me, bro, you have to stop with this. Damn,
• 36:40
  Speaker 1: if you let go, you're angry, damn. What was it, nigga?
• 36:42
  Speaker 1: You want to call me nigga, right? I was like, man,
• 36:43
  Speaker 1: you have to open your mouth in the studio, man.
• 36:46
  Speaker 1: What the fuck is this? I was like, yeah, bro.
• 36:48
  Speaker 1: Then I started recording Tropa do Dê. I started Tropa
• 36:53
  Speaker 1: do Dê, and after that, I was never the same.
• 36:56
  Speaker 5: How important is it to have someone like that, right?
• 36:59
  Speaker 5: Who believes in you and says, open your mouth, bro.
• 37:02
  Speaker 5: Let's go, up.
• 37:03
  Speaker 1: Dex is an essential pillar for all of us to
• 37:07
  Speaker 1: be here. Why all of us? I think Brandão, Leviano...
• 37:11
  Speaker 1: Because Dex showed me that it was possible, since I
• 37:15
  Speaker 1: was smoking a cigarette on the bench.
• 37:17
  Speaker 4: He already knew what was going to happen.
• 37:20
  Speaker 1: It's so sinister. Not only him, but also Matue, Bakushu
• 37:25
  Speaker 1: do Blues, the guys from the Northeast. They showed me
• 37:28
  Speaker 1: that it was possible for us to do this. For me,
• 37:30
  Speaker 1: Dex is one of the biggest references. Because he is
• 37:33
  Speaker 1: close to my city, He came from the countryside and
• 37:37
  Speaker 1: made it all go crazy. You saw yourself in him.
• 37:40
  Speaker 3: I said, bro, I can do it. What I think
• 37:41
  Speaker 3: is really cool about Dex is that he... He's really good.
• 37:46
  Speaker 3: He knows that. And he talks. You know? I remember
• 37:50
  Speaker 3: when he came here and said, I knew it was
• 37:53
  Speaker 3: going to hit. I knew it was going to work.
• 37:56
  Speaker 3: I know I'm good, man. And then I didn't feel
• 37:58
  Speaker 3: his arrogance. He said, man, this guy in the studio
• 38:00
  Speaker 3: must be scary. And he's coming back, right?
• 38:03
  Speaker 1: It's bizarre.
• 38:04
  Speaker 4: I also want to take advantage of this moment that
• 38:06
  Speaker 4: Dex is already talking about, these gossip there, you will
• 38:10
  Speaker 4: release an album together, in collab with you, Leviano and Brandão.
• 38:19
  Speaker 1: We are getting organized, each one is doing something. I imagine,
• 38:22
  Speaker 1: the schedule must be crazy. Dex just came back too,
• 38:25
  Speaker 1: he was a father, so we are getting organized to
• 38:28
  Speaker 1: see the best date for us to get together and
• 38:30
  Speaker 1: make the party happen.
• 38:31
  Speaker 2: But there is the will.
• 38:33
  Speaker 1: I think you'll destroy everything. If we fight with these
• 38:34
  Speaker 1: guys in the studio again, it'll be a divine thing,
• 38:38
  Speaker 1: you know?
• 38:38
  Speaker 2: You'll launch some pure stuff, bro.
• 38:39
  Speaker 1: Do it.
• 38:40
  Speaker 2: They had to do a camping.
• 38:41
  Speaker 1: You know?
• 38:41
  Speaker 3: It's been three days they've been isolated doing this album, bro.
• 38:44
  Speaker 2: Even more, bro. It's a week.
• 38:46
  Speaker 1: But I think we finish very quickly. The songs, like,
• 38:49
  Speaker 1: we record very quickly. It's very crazy. Just you watching, bro.
• 38:53
  Speaker 1: How are you guys in the studio, bro?
• 38:55
  Speaker 2: I'm curious. I'm crazy, bro. What level?
• 39:00
  Speaker 1: I don't know if you've seen those videos of Trappi
• 39:02
  Speaker 1: recording in the studio. The one that screams? Damn, when
• 39:05
  Speaker 1: I do the Dilib myself, I have to close the
• 39:07
  Speaker 1: door to the whole studio. Because I was embarrassed when
• 39:09
  Speaker 1: everyone left, because.
• 39:10
  Speaker 2: I was embarrassed. But you scream, fuck it.
• 39:13
  Speaker 1: No, it's not screaming, bro. I do the stuff that
• 39:15
  Speaker 1: comes to my head. It's there like a torch, you know? Yes.
• 39:17
  Speaker 1: I let it go.
• 39:21
  Speaker 4: And sometimes you already released things that you later saw
• 39:23
  Speaker 4: in the song and said, wow, it.
• 39:24
  Speaker 2: Was very good, I don't even know what.
• 39:25
  Speaker 3: I did there.
• 39:27
  Speaker 1: Brother, a thing I did in Passariva, Pi, um, pi.
• 39:30
  Speaker 1: was a Torete, brother.
• 39:31
  Speaker 2: It just came out.
• 39:32
  Speaker 1: It just came out, I was recording the.
• 39:34
  Speaker 3: Word, I said, yeah, let's go.
• 39:38
  Speaker 1: That's it.
• 39:38
  Speaker 2: You are discovering what Ale does. Cool, bro.
• 39:41
  Speaker 4: But how is your process? First you write, you first
• 39:44
  Speaker 4: get the beat. You write and then you play on
• 39:46
  Speaker 4: the beat, how do you do it?
• 39:47
  Speaker 3: He has the face of those.
• 39:48
  Speaker 2: Freestyle?
• 39:49
  Speaker 1: Malignant in freestyle, you know? I do everything free, you know?
• 39:52
  Speaker 1: But first I create... I call it... Imbrolation.
• 39:57
  Speaker 2: Okay, I know what it is.
• 39:59
  Speaker 1: And then I listen to freestyle. Sometimes I turn off
• 40:02
  Speaker 1: all the imbrolation and do something else.
• 40:03
  Speaker 3: Okay.
• 40:04
  Speaker 1: You know? It depends on the day I have, you know?
• 40:07
  Speaker 1: I'm literally moved by music. If I'm sad, I'm going
• 40:11
  Speaker 1: to do something really sad. If I'm happy, I'm going
• 40:13
  Speaker 1: to do something really bad. If I'm angry, I'm fucked.
• 40:16
  Speaker 3: Wow, I was curious to see you in the studio.
• 40:18
  Speaker 3: I'll always mention this because... Man, when I saw Yankee
• 40:22
  Speaker 3: coming to the studio, I said.
• 40:23
  Speaker 1: It's bizarre too. Are you a sorcerer?
• 40:25
  Speaker 2: What the fuck are you doing there, bro?
• 40:27
  Speaker 3: Are you a witch?
• 40:27
  Speaker 5: Because you spoke Arabic on the microphone, and then when
• 40:31
  Speaker 5: the nagali played.
• 40:32
  Speaker 3: It was Portuguese.
• 40:33
  Speaker 2: And wonderfully well.
• 40:34
  Speaker 3: And wonderfully well. Brother, I love Vino. I even love you, brother.
• 40:37
  Speaker 1: I love you too, Vino. You became a dad.
• 40:39
  Speaker 2: Yeah, bro.
• 40:40
  Speaker 1: I don't know. I went to Lis Macedo's birthday party,
• 40:46
  Speaker 1: he did a show, right?
• 40:47
  Speaker 2: Then he ended up going down, he's his mother, his
• 40:48
  Speaker 2: mother is very... Wow, Tia, Tia. Vino, we love you,
• 40:50
  Speaker 2: but we love your mother more. Man, his mother, every
• 40:53
  Speaker 2: time we fight, she's.
• 40:54
  Speaker 1: Gone, you know?
• 40:54
  Speaker 3: And then he ended the show, broke it, smashed the show,
• 40:57
  Speaker 3: I said, damn, Vino is too small.
• 40:58
  Speaker 4: Then when he came down, we greeted him, I said, oh,
• 41:00
  Speaker 4: stay there a little longer, he said, no, man, I'm
• 41:03
  Speaker 4: going out, my son, I just had my little son
• 41:06
  Speaker 4: and such, I.
• 41:15
  Speaker 2: Man, that's awesome. Let's go, bro. We're in this together.
• 41:17
  Speaker 2: I'm very happy, man. Very happy. Very professional. Awesome, you know?
• 41:21
  Speaker 1: He's speechless, bro.
• 41:22
  Speaker 2: And there are some songs that Jesus loves.
• 41:23
  Speaker 1: I even have to update a feat with him.
• 41:26
  Speaker 3: Please, bro. Please, bro.
• 41:27
  Speaker 1: It's just a matter of coming to São Paulo, bro.
• 41:30
  Speaker 1: I want to spend a month here.
• 41:32
  Speaker 2: You don't come here a lot. Is this show schedule
• 41:34
  Speaker 2: difficult now too? Yeah, bro.
• 41:35
  Speaker 1: It's a bit complicated. And I, like... Since I'm of
• 41:38
  Speaker 1: African descent, sometimes I have to spend... Right now, I'm
• 41:41
  Speaker 1: going to spend ten days.
• 41:44
  Speaker 1: In a period where I need to be away from
• 41:46
  Speaker 1: my cell phone, away from everything, you know? So it's
• 41:49
  Speaker 1: very difficult sometimes to reconcile, because sometimes I'm there, you know?
• 41:55
  Speaker 3: But you have your.
• 41:56
  Speaker 1: Call in Axé, sometimes I'm in the music, sometimes I'm
• 42:01
  Speaker 1: doing two songs at the same time, the thing is crazy.
• 42:03
  Speaker 3: That's it, man. Did you always go to Axé, brother?
• 42:06
  Speaker 1: So, man, I sang in English too. I forgot to
• 42:09
  Speaker 1: talk about that. It's time to talk about it. But
• 42:11
  Speaker 1: my calling, I don't see myself as... I think everyone
• 42:14
  Speaker 1: has their own path. Right. There are people who were
• 42:17
  Speaker 1: born for Spiritism, there are people who were born to
• 42:20
  Speaker 1: be in the church. I was born for my ancestors,
• 42:23
  Speaker 1: it was a legacy that was left to me. It
• 42:26
  Speaker 1: was a place where I felt inner peace that I
• 42:30
  Speaker 1: can't explain to you.
• 42:32
  Speaker 5: I know, because I already went and felt the same thing,
• 42:35
  Speaker 5: you know? And I think of musicality too, because it's
• 42:39
  Speaker 5: a musical.
• 42:40
  Speaker 3: Place, you know?
• 42:41
  Speaker 1: Bro, it's because I can't see much, right? It's just
• 42:44
  Speaker 1: a photo.
• 42:44
  Speaker 2: I don't see it, I don't remember.
• 42:48
  Speaker 3: But it's crazy, bro.
• 42:50
  Speaker 1: My mom is Christian. My mom is like that, you know?
• 42:55
  Speaker 1: And I think it was the biggest proof of love
• 43:00
  Speaker 1: that my mom did for me. I went on my
• 43:03
  Speaker 1: way out to see my orisha dancing.
• 43:06
  Speaker 2: It was surreal.
• 43:07
  Speaker 1: It was, bro. It was, bro. Surreal. Damn, for you
• 43:09
  Speaker 1: it must have been emotional.
• 43:11
  Speaker 3: I only saw it later, because I cried a lot.
• 43:13
  Speaker 1: But how long have you been here?
• 43:14
  Speaker 3: Since you were a kid?
• 43:16
  Speaker 2: Since when? So, I was raised in a house of axé.
• 43:19
  Speaker 1: You know? Actually, it wasn't a house of axé, but
• 43:23
  Speaker 1: it was women who had the knowledge of television. So,
• 43:30
  Speaker 1: for me, it was just that I didn't get.
• 43:32
  Speaker 3: The vision, because I was small, so I didn't have.
• 43:34
  Speaker 1: You had to go through it, right? I had to
• 43:36
  Speaker 1: go through it. I went to church, candomblé, church, candomblé, church, candomblé.
• 43:39
  Speaker 1: I know the word, I know the ancestors.
• 43:42
  Speaker 3: How much does your religiosity go through your music, bro?
• 43:47
  Speaker 1: A lot, bro. A lot. I think candomblé is discipline,
• 43:53
  Speaker 1: and that transmits in the music. If I don't record
• 43:56
  Speaker 1: a song one day, I get sad, bro. It's like
• 43:58
  Speaker 1: I didn't work.
• 44:00
  Speaker 2: Without recording music every day?
• 44:01
  Speaker 1: I record music every day. I have to do something, bro.
• 44:03
  Speaker 1: Or make a beat, make a melody.
• 44:05
  Speaker 3: You have to be in the studio.
• 44:06
  Speaker 1: You have to be doing something. Or studying there. I
• 44:09
  Speaker 1: think so too. The FL thing, studying how to automate something.
• 44:13
  Speaker 3: This commitment changes in the end, right?
• 44:15
  Speaker 1: It changes. That's a lot of work. You have to
• 44:17
  Speaker 1: have a commitment there. To be firm.
• 44:20
  Speaker 3: You know? When I listen to your audio. Not the audio,
• 44:23
  Speaker 3: I listen to your album. And the intro of your
• 44:26
  Speaker 3: album is a bit naughty. You know?
• 44:29
  Speaker 2: You start to shiver.
• 44:30
  Speaker 3: I thought it was really cool. I thought it was brave,
• 44:33
  Speaker 3: because you know about the prejudice.
• 44:35
  Speaker 1: But I thought it.
• 44:37
  Speaker 5: Was really cool. I saw you saying that you asked
• 44:39
  Speaker 5: permission for your orishas to post your album. And how
• 44:43
  Speaker 5: was that?
• 44:44
  Speaker 3: This conversation, like, you said, oh, I'm going to make
• 44:47
  Speaker 3: an album about this, I have a license. How was it, brother?
• 44:50
  Speaker 1: So, man, I'm the son of Exu, right? So, the chaos.
• 44:57
  Speaker 1: The chaos, the chaos itself, it's the orchestrator, right? It's chaos,
• 45:02
  Speaker 1: it's peace. And I said, man, I've always lived the chaos,
• 45:06
  Speaker 1: I've always been chaotic, my life has always been chaotic, crazy.
• 45:09
  Speaker 1: I have to talk about chaos. So much that I
• 45:13
  Speaker 1: also went through the chaos that I lived with the
• 45:16
  Speaker 1: old Farida and such, which matured me and I said, man,
• 45:18
  Speaker 1: I need to say this, I need to transmit something.
• 45:21
  Speaker 1: Nothing more chaotic than Exu, right, man? And it was incomprehensible.
• 45:26
  Speaker 1: That confusion in my album is that. There's always a
• 45:30
  Speaker 1: gender that has nothing to do with anything. And I
• 45:35
  Speaker 1: reflected a lot on the album too. This issue, this
• 45:39
  Speaker 1: person of Exu.
• 45:40
  Speaker 4: So at that moment when you left Falecida, you said, man,
• 45:44
  Speaker 4: now I'm going to organize all this, I'm going to
• 45:46
  Speaker 4: make the car.
• 45:47
  Speaker 2: Were you angry? How was that moment?
• 45:49
  Speaker 1: Bro, I was full of hatred, bro. I was on
• 45:51
  Speaker 1: the outside, I had a lot of hatred. I was
• 45:53
  Speaker 1: in a lot of stress. I was crazy. How long
• 45:55
  Speaker 1: did it take to write this album?
• 45:56
  Speaker 2: So, days before the chaos, it was chaos. And then,
• 45:59
  Speaker 2: Clisma turned.
• 46:00
  Speaker 1: Into my brother. You have an album ready too, right?
• 46:09
  Speaker 1: We have, we have. Our monster. And it's a thing up, okay?
• 46:13
  Speaker 1: What are you going to say? Clima came to me
• 46:21
  Speaker 1: and said, bro, have you ever seen... I have to
• 46:24
  Speaker 1: release the Days Before Chaos, and then you came with Chaos, bro.
• 46:28
  Speaker 1: Fast Pick and Trevis Man, Brilho for Rodeio, you know?
• 46:31
  Speaker 2: Trilogy.
• 46:32
  Speaker 1: A trilogy, bro, tell your story, the real one, what happens, what...
• 46:34
  Speaker 1: Try to convey this thing, your truth, bro. I said, man,
• 46:37
  Speaker 1: it's true, bro. No, genius, it was awesome.
• 46:39
  Speaker 2: I said, the Days Before Chaos was ready.
• 46:41
  Speaker 1: I said, yeah. It was going to be Chaos.
• 46:43
  Speaker 3: It was going to be Chaos, I said, release.
• 46:45
  Speaker 1: The Days Before Chaos, let's go. I called my team
• 46:49
  Speaker 1: and said, man, I have this, this and this ready.
• 46:52
  Speaker 1: I have this, this and this idea.
• 46:55
  Speaker 3: And what cover?
• 46:56
  Speaker 1: What cover? Fuck, did you like it?
• 46:57
  Speaker 3: Fuck, talk about this cover later. Finish it and then
• 46:59
  Speaker 3: talk about the cover. Because, damn, what a fucking cover.
• 47:01
  Speaker 1: Then I said, I have this, this and this here.
• 47:03
  Speaker 1: Let's go? But I want to release the day before
• 47:07
  Speaker 1: the call and then the call. Guys, damn, man, let's go, man,
• 47:10
  Speaker 1: I don't know what. Everyone got excited and we released it.
• 47:13
  Speaker 1: We saw the tournament there, right? What was the initial repercussion?
• 47:17
  Speaker 1: It was very cool, bro. It was very cool, but
• 47:19
  Speaker 1: the album fell, right? With problems of... Anyway, we already know. Okay,
• 47:21
  Speaker 1: but that didn't prevent anything, right?
• 47:24
  Speaker 3: That didn't prevent anything. But how long did it last?
• 47:27
  Speaker 1: Man, it was a little while, bro.
• 47:28
  Speaker 2: Really? More than two weeks?
• 47:29
  Speaker 1: Bro... Because it hurts a lot.
• 47:31
  Speaker 2: I don't remember, the fans must know.
• 47:33
  Speaker 1: I remember this, Bel.
• 47:34
  Speaker 2: Man, it was a big wave.
• 47:35
  Speaker 1: I was really bad, like, I said, fuck. What a
• 47:37
  Speaker 1: bad thing.
• 47:37
  Speaker 3: But it gave me more gas.
• 47:39
  Speaker 1: I said, bro, there. Man, I recorded the album, literally,
• 47:47
  Speaker 1: on a T-2020, in an apartment, like, in the living room,
• 47:50
  Speaker 1: you know? T-2020 is a... It's a microphone mark. It's
• 47:54
  Speaker 1: a basic.
• 47:54
  Speaker 2: It's a lot of crap, it's dirty.
• 47:57
  Speaker 3: It's a basic.
• 47:58
  Speaker 1: It's a basic. It's that little black capacitor that everyone sees.
• 48:03
  Speaker 1: But I'm going.
• 48:04
  Speaker 3: To tell you, it's a basic that hits a lot on.
• 48:06
  Speaker 1: The big ones, okay? I'll tell you, the quality of
• 48:14
  Speaker 1: that mic is sinister. This one, look. Yeah, man. Forget it.
• 48:19
  Speaker 1: I love him, I already have him. I record TVs
• 48:20
  Speaker 1: that I leave.
• 48:21
  Speaker 3: He has his little dirt, right?
• 48:22
  Speaker 1: He has his little dirt. Brother, he has his little
• 48:23
  Speaker 1: dirt trap.
• 48:23
  Speaker 3: It's like Dinamo.
• 48:24
  Speaker 2: He has his little dirt trap.
• 48:25
  Speaker 1: He has, man. He has the wave.
• 48:27
  Speaker 2: He is trap.
• 48:28
  Speaker 1: He is trap. Do you want to record trap?
• 48:30
  Speaker 4: And for the people who want, now I'm curious about
• 48:33
  Speaker 4: this microphone, how much does it cost?
• 48:36
  Speaker 1: Brother, I don't know exactly how much it costs, but...
• 48:38
  Speaker 1: It's not that expensive.
• 48:40
  Speaker 4: It's not that expensive, no. There's a little girl who
• 48:42
  Speaker 4: wants to start, right?
• 48:44
  Speaker 3: It starts with one of these. 800, 700 reais.
• 48:47
  Speaker 2: You didn't start with one of these.
• 48:48
  Speaker 3: There are some used ones of 500, 500.
• 48:49
  Speaker 1: Man, no, no. This one I won from Dallas. Dallas,
• 48:54
  Speaker 1: Dallas is epic. This one I won from Dallas, it
• 48:57
  Speaker 1: was to record the album. In fact, he lent it
• 48:58
  Speaker 1: to me. Then I took over.
• 49:00
  Speaker 3: Yes.
• 49:00
  Speaker 2: He had another one.
• 49:03
  Speaker 1: He had other mics there. I said, bro, I swear
• 49:05
  Speaker 1: to God, if you don't release about 20 songs, I'll
• 49:07
  Speaker 1: change my name.
• 49:08
  Speaker 2: And how many did you release?
• 49:10
  Speaker 3: .
• 49:10
  Speaker 1: I'll create this thing for you. Before
• 49:42
  Speaker 1: popularizing IA, he was already studying this thing. Then he said,
• 49:46
  Speaker 1: I'll put IA. And it's going to be cool. People
• 49:50
  Speaker 1: are afraid of IA, let's put it.
• 49:52
  Speaker 2: It's chaos.
• 49:53
  Speaker 1: Chaos, chaos. Then we put it, bro. Then it was
• 49:55
  Speaker 1: that thing. The photo is real. But those images there,
• 49:59
  Speaker 1: everything there. The contrast itself is all worked by IA
• 50:04
  Speaker 1: and such. In the best way. Because Johnny really knows
• 50:07
  Speaker 1: how to mess with this stuff, you know?
• 50:09
  Speaker 2: No, it was really crazy, man.
• 50:10
  Speaker 1: The picture is like this, very real, and the background
• 50:14
  Speaker 1: is totally distorted reality. This is chaos as fuck, you know?
• 50:18
  Speaker 2: A lot of chaos.
• 50:19
  Speaker 5: And why is the chaos cover a calmer cover?
• 50:24
  Speaker 1: I'll explain it to you now.
• 50:26
  Speaker 3: Sober.
• 50:27
  Speaker 2: Tell us about the chaos.
• 50:28
  Speaker 1: Let's go. I'm on the ground, right? In front of
• 50:32
  Speaker 1: a sofa, taking fire.
• 50:34
  Speaker 2: I'm going to analyze what you're saying here. As you said,
• 50:37
  Speaker 2: I said, damn, I want to see him standing there.
• 50:39
  Speaker 2: In a beautiful landscape. Let's say that no matter what
• 50:41
  Speaker 2: chaos you have.
• 50:42
  Speaker 1: In your life, be resilient, be the protagonist of your
• 50:47
  Speaker 1: own chaos, you know, brother? know how to organize this
• 50:59
  Speaker 1: thing and push you forward this thing. And you kick everything, man.
• 51:03
  Speaker 1: Got it? I know, I know. There's a lot of
• 51:06
  Speaker 1: this vibe, you know? So I'm there, standing in my position.
• 51:09
  Speaker 1: I even wanted to look like I was smoking a charuto.
• 51:12
  Speaker 1: I didn't let.
• 51:14
  Speaker 3: It. It's less commercial.
• 51:15
  Speaker 2: Wow, but the capo is really very cool, man.
• 51:17
  Speaker 1: So it's more or less that. You organize your chaos,
• 51:21
  Speaker 1: orchestrate your chaos, you know? Look.
• 51:25
  Speaker 3: Days Before Chaos, Chaos and Chaos Deluxe, do you know
• 51:28
  Speaker 3: how many tracks there are? Bro.
• 51:31
  Speaker 2: It's a lot, huh?
• 51:32
  Speaker 1: It's a lot, but I released 12 in one, right?
• 51:35
  Speaker 3: Look, 1, 2, 3, 4, 5, 6, 7, 8... 14,
• 51:36
  Speaker 3: the song at the end shows when.
• 51:38
  Speaker 1: Ah, sorry.
• 51:39
  Speaker 2: Pay attention, bro. The Chaos is 14. The Days Before
• 51:43
  Speaker 2: is 12, so there are 26.
• 51:44
  Speaker 3: And the Deluxe... The Deluxe has more, I think. 24.
• 51:51
  Speaker 2: The deluxe has 24 songs.
• 51:53
  Speaker 3: 50 songs.
• 51:53
  Speaker 1: I released the traditional deluxe.
• 51:56
  Speaker 2: No, no.
• 51:58
  Speaker 3: No, man. Ah, it was bad, man. I'm bad at math. No, here, look.
• 52:05
  Speaker 2: The deluxe... Ah, because it joins, I think, the deluxe
• 52:07
  Speaker 2: with the pants. Ah, okay.
• 52:09
  Speaker 3: So, look, no... That's it.
• 52:11
  Speaker 1: That's it.
• 52:11
  Speaker 2: Because this number was right.
• 52:12
  Speaker 1: I released a traditional deluxe. Like... Man, what deluxe is this?
• 52:16
  Speaker 1: What is a traditional deluxe? That's it. In the sequence.
• 52:24
  Speaker 1: It's you following what has already been done. Man, very cool.
• 52:26
  Speaker 1: Were the songs that really didn't fit.
• 52:29
  Speaker 5: The cause or were they songs that you did thinking
• 52:31
  Speaker 5: about a deluxe? Some didn't fit, like Sumo, Millennium, let
• 52:34
  Speaker 5: me see, another one that.
• 52:35
  Speaker 1: Was supposed to fit. Lúcio came to my action, but
• 52:49
  Speaker 1: at the time I didn't have the part of my
• 52:51
  Speaker 1: brother's hair, but the others I was looking for the
• 52:54
  Speaker 1: fits that I identified and I was bringing. Got it?
• 52:59
  Speaker 4: Man, and so many songs like this, how is it
• 53:02
  Speaker 4: working at the show, man? What song do people lose
• 53:05
  Speaker 4: and you.
• 53:05
  Speaker 3: It blew up the three albums, okay?
• 53:06
  Speaker 2: Yeah, so, all the songs people sing. How is it
• 53:09
  Speaker 2: at the show, for example?
• 53:11
  Speaker 1: Chaos from the beginning to the end, man. Amen. There
• 53:12
  Speaker 1: must be songs that.
• 53:13
  Speaker 2: You don't sing and people say, why didn't you sing that, man?
• 53:15
  Speaker 1: It's, brother, bizarre. And, like, I got even a Canelite, man. Dude,
• 53:21
  Speaker 1: why did you jump on the stage?
• 53:22
  Speaker 3: Are you serious?
• 53:22
  Speaker 1: Canelite for real? For real.
• 53:24
  Speaker 3: I'm not kidding. I got out of the show.
• 53:25
  Speaker 1: There was a show where I got out of the
• 53:26
  Speaker 1: show without being able to walk, bro.
• 53:27
  Speaker 3: Even the fans.
• 53:28
  Speaker 1: Because I like to attend to all of them, right?
• 53:29
  Speaker 1: I like to give maximum attention. Man, the guys saw
• 53:32
  Speaker 1: me with the ice like this... Then we take a
• 53:40
  Speaker 1: picture and you go back to my city later. You know?
• 53:44
  Speaker 4: But there are some favorite songs of the guys, especially
• 53:46
  Speaker 4: in shows?
• 53:46
  Speaker 1: A lot. Tempo do Ouro.
• 53:49
  Speaker 3: Tudo de Novo.
• 53:50
  Speaker 1: Tudo de Novo. The guys like it a lot. I
• 53:52
  Speaker 1: think the whole chaos, the guys like to listen to it. Because, man,
• 53:56
  Speaker 1: the chaos, when I'm going to do the chaos show,
• 54:00
  Speaker 1: which is the one where I'm there, now entering the
• 54:02
  Speaker 1: new scenography, the stuff is going to be sinister. There's
• 54:05
  Speaker 1: a theater that happens before the entrance. So it's two
• 54:11
  Speaker 1: hours of show, two and a half hours of show,
• 54:13
  Speaker 1: you know? I sing all the songs of the chaos,
• 54:15
  Speaker 1: of the days before the chaos. Sometimes I get soaked.
• 54:18
  Speaker 3: So I don't die later.
• 54:19
  Speaker 1: But... Man, two and.
• 54:20
  Speaker 2: A half hours of show is crazy, huh? You like to.
• 54:23
  Speaker 3: Invest in the thing.
• 54:24
  Speaker 1: Man, it's because I have fun, man. It's what I
• 54:27
  Speaker 1: play there, like this. It's a fun there, it's a celebration.
• 54:30
  Speaker 1: Like this, I'm seeing guys here... that consumes my stuff,
• 54:34
  Speaker 1: that really likes me, because who likes me, likes me.
• 54:38
  Speaker 1: So for me, he's there. Fuck, forget it, bro.
• 54:41
  Speaker 3: Let's enjoy it together.
• 54:42
  Speaker 4: And it's normal to see in the world of music,
• 54:44
  Speaker 4: people wait, release one per year, give a period.
• 54:47
  Speaker 2: What happened? You were so hungry that you said, drop everything.
• 54:51
  Speaker 1: Let's go. It was a time of arrest, right? Liberdade sang,
• 54:55
  Speaker 1: I want to work. How long were the three albums?
• 54:58
  Speaker 3: Man.
• 55:02
  Speaker 1: I released it days before, it took a little while,
• 55:06
  Speaker 1: I think it was in October, right Johnny? 7 months.
• 55:09
  Speaker 1: 7 months of studying?
• 55:10
  Speaker 3: No, 7 months.
• 55:11
  Speaker 2: Oh, ok, 7 months. Ah, that's a good interval, man.
• 55:15
  Speaker 2: I thought it was smaller, because it came a lot,
• 55:18
  Speaker 2: a lot of hits. A lot of followed.
• 55:19
  Speaker 3: Yeah, a lot of spoken.
• 55:19
  Speaker 1: No, but I think.
• 55:20
  Speaker 5: What has to be taken off the hat, brother, is
• 55:22
  Speaker 5: that it's very well worked, very good indeed. Tipo assim, não,
• 55:27
  Speaker 5: eu ouvindo os álbuns assim, não sinto que... Sabe aquele
• 55:31
  Speaker 5: álbum que você ouve e você fala assim, puta, mas
• 55:32
  Speaker 5: essa música que parece que é com essa, que é
• 55:33
  Speaker 5: igual àquela.
• 55:34
  Speaker 3: Sabe um álbum todo igual? Eu senti um álbum muito visceral,
• 55:38
  Speaker 3: muito real e muito gostoso de ouvir também.
• 55:42
  Speaker 2: Mas é bem mixado pra caralho também, mano. Muito bem mixado, velho.
• 55:45
  Speaker 1: Olha o monstro ali. Ah, ele? E Dallas também. Porra, velho.
• 55:50
  Speaker 2: No fone as suas músicas ficam um bagulho.
• 55:53
  Speaker 5: I recorded once with Dallas, and I was scared about
• 55:56
  Speaker 5: what this kid does in the studio.
• 55:57
  Speaker 1: Oh, bizarre.
• 55:58
  Speaker 3: Because, like, Mítico, normally.
• 55:59
  Speaker 2: What does he do?
• 56:00
  Speaker 5: Let's assume that I need to send a phrase where
• 56:03
  Speaker 5: I'm going to say.
• 56:03
  Speaker 3: I'm here on the podcast.
• 56:06
  Speaker 2: Then I.
• 56:07
  Speaker 3: Yeah, man, yeah.
• 56:30
  Speaker 1: I call him.
• 56:30
  Speaker 2: Yeah, man, he's very fast, man.
• 56:32
  Speaker 3: That's what's crazy.
• 56:34
  Speaker 1: I call him Metro Boomer, man. Our Metro Boomer, man.
• 56:37
  Speaker 3: And then you talk to him, he's shy, he almost
• 56:39
  Speaker 3: doesn't talk.
• 56:39
  Speaker 1: Oh, Dallão has a mouth, but he doesn't talk. I
• 56:42
  Speaker 1: think I recorded with Dallas and I heard him.
• 56:44
  Speaker 3: What's up, brother?
• 56:48
  Speaker 1: Falou, irmão.
• 56:49
  Speaker 3: Falou, irmão. Gente, voa pra caralho, mano.
• 56:54
  Speaker 1: Mano, muito da hora.
• 56:55
  Speaker 3: Ele, ele, porra, foi foda.
• 56:56
  Speaker 1: Antes de fuder.
• 56:56
  Speaker 4: Mas, mano, eu queria saber, quando você entra na Nada
• 56:58
  Speaker 4: Mal também, foi antes de tudo, antes do caos?
• 57:01
  Speaker 1: Pô, os cara me abraçou de uma forma, abraçou a
• 57:04
  Speaker 1: minha causa, né, mano? Tipo assim.
• 57:06
  Speaker 3: Como é que foi essa ligação aí?
• 57:07
  Speaker 1: Pô, o Dallas, mano.
• 57:09
  Speaker 3: Was it him?
• 57:09
  Speaker 2: It was, man.
• 57:10
  Speaker 3: Man, Dallas was there.
• 57:11
  Speaker 1: He was talking, so this time he talked.
• 57:12
  Speaker 3: This time he communicated.
• 57:14
  Speaker 1: Man, Dallas arrived, we changed the idea, I recorded a
• 57:16
  Speaker 1: song with Harry, you know?
• 57:17
  Speaker 6: I was living in São Paulo, including with Brandão, we
• 57:22
  Speaker 6: spent a period here of three months, and then I
• 57:25
  Speaker 6: went to record a song with Harry, a clip and such,
• 57:27
  Speaker 6: which was from a Dallas beat.
• 57:28
  Speaker 1: He said, and Clisma too. And also, Clima was in
• 57:37
  Speaker 1: that situation when he came to me and said, man,
• 57:39
  Speaker 1: do you think it's bad? I said, man, I don't
• 57:43
  Speaker 1: think so, bro.
• 57:44
  Speaker 2: I want to work.
• 57:45
  Speaker 1: I'm thinking, man. I want to work a lot, you know?
• 57:47
  Speaker 1: Then he said, man, it's enough. I'm going to talk
• 57:51
  Speaker 1: to Dallão. When I got to Rio, I met Dallão.
• 57:54
  Speaker 1: And I saw that he was an extremely sinister person,
• 57:57
  Speaker 1: you know? A type of person. Then, from Dallão, I
• 58:00
  Speaker 1: met Johnny, you know? I sat there with the guys.
• 58:03
  Speaker 2: Man.
• 58:05
  Speaker 1: The guys explained everything. Bro, for you to have an idea,
• 58:07
  Speaker 1: the guys read the contract more than ten times. There's
• 58:10
  Speaker 1: a time when I say, bro, I don't want to
• 58:12
  Speaker 1: read the contract anymore. I already understood. That's right.
• 58:15
  Speaker 3: But that's great, right?
• 58:17
  Speaker 1: No, for sure.
• 58:17
  Speaker 2: You shouldn't go through that again.
• 58:19
  Speaker 3: Yeah, you know? Man, tell me a person... Tell me,
• 58:22
  Speaker 3: you who have signed a contract, the person says, read it.
• 58:25
  Speaker 3: The person says, read it. You read, not reading. No,
• 58:28
  Speaker 3: read it here, in my opinion. Read it.
• 58:30
  Speaker 1: Explained clause by clause.
• 58:32
  Speaker 2: That's f * * * ing important.
• 58:32
  Speaker 1: You know? Like, like... The guys hugged me, there was
• 58:35
  Speaker 1: a time when I was sleeping a lot of favors
• 58:38
  Speaker 1: in the other people's house in Rio de Janeiro. And
• 58:40
  Speaker 1: it bothers you, right, brother? Yeah, it's awesome, bro. The
• 58:43
  Speaker 1: thing was... I and Bredão, by the way, we passed
• 58:44
  Speaker 1: a bar like this in Istra, in Rio. Bizarre, you know?
• 58:48
  Speaker 2: Really, brother? Tell us, brother. Of not having a house,
• 58:50
  Speaker 2: of not having a change, how was this experience?
• 58:53
  Speaker 1: Yeah, bro, I managed to save some money, you know?
• 58:56
  Speaker 1: Mano Beto also saved some money. What was the crazy thing?
• 58:59
  Speaker 1: You two said, let's.
• 58:59
  Speaker 2: Try the crazy thing there. Man, it's because.
• 59:03
  Speaker 1: There was a lot of people watching us here from
• 59:07
  Speaker 1: the old place, you know? And if we were in
• 59:11
  Speaker 1: the corner, it was being passed to the guys. And
• 59:13
  Speaker 1: I said, bro. Holy shit, man.
• 59:14
  Speaker 2: And it's a thousand degrees. And I said, bro, we
• 59:16
  Speaker 2: need to get our.
• 59:18
  Speaker 1: Feet out of here, because the thing is so big.
• 59:20
  Speaker 1: And Brandão, right, bro? Then I said, man, I'm going
• 59:30
  Speaker 1: to Rio, I'm going to see a place for us
• 59:32
  Speaker 1: to stay, bro. And you come right after. Then Brandão said, yeah, yeah.
• 59:35
  Speaker 1: Then I went to Rio to record this clip and
• 59:37
  Speaker 1: I said, bro, I got a house here, please. Brota.
• 59:38
  Speaker 1: Brandão Brotou. And then we arrived at a period, obviously,
• 59:45
  Speaker 1: in the house of the others, it was, man, difficult
• 59:47
  Speaker 1: for the house.
• 59:48
  Speaker 2: You spend those times, you say, it's time, right?
• 59:50
  Speaker 1: It's time, man.
• 59:51
  Speaker 2: Every time I give a shit....
• 59:54
  Speaker 1: Or I would go to Clisma's room and sleep on
• 59:55
  Speaker 1: the floor. It was bizarre, man. It was like this, literally.
• 1:00:00
  Speaker 1: A little van like this. No, me, Brandão, Clisma and
• 1:00:06
  Speaker 1: another crazy guy. Fuck, four people in a van, man.
• 1:00:09
  Speaker 2: And how did your head feel at that moment? Like, man,
• 1:00:11
  Speaker 2: it's going to work, it's going to happen. Or did
• 1:00:14
  Speaker 2: you think about giving up?
• 1:00:15
  Speaker 1: Don't stop. It was very.
• 1:00:20
  Speaker 1: I don't know what it is, bro. I think I
• 1:00:22
  Speaker 1: knew it was going to work, you know? I don't
• 1:00:23
  Speaker 1: know what the thing is. I said, bro, it's going
• 1:00:25
  Speaker 1: to work.
• 1:00:25
  Speaker 2: It didn't matter what was happening.
• 1:00:27
  Speaker 1: I didn't get here in vain. I don't know. God
• 1:00:29
  Speaker 1: is seeing the suffering I'm going through here. It's not
• 1:00:32
  Speaker 1: possible that he's not seeing.
• 1:00:33
  Speaker 4: And then when you saw 10 times the contract was
• 1:00:35
  Speaker 4: not bad, you signed it and said.
• 1:00:37
  Speaker 2: And how was it when I'm inside?
• 1:00:39
  Speaker 1: Man, it took me a little while because I had
• 1:00:42
  Speaker 1: some problems. So, like, I had to solve a lot
• 1:00:45
  Speaker 1: of things. I don't know if you can say it.
• 1:00:46
  Speaker 1: You can say it.
• 1:00:48
  Speaker 2: Ah, contracts. Contracts.
• 1:00:50
  Speaker 1: Not the one from the management there?
• 1:00:52
  Speaker 3: Yeah.
• 1:00:52
  Speaker 1: Ah, it's gone, we already talked about it. I was
• 1:00:56
  Speaker 1: with the problems, you know? Like, problems as fuck. And
• 1:00:59
  Speaker 1: the guys said, bro, we're going to solve this shit.
• 1:01:02
  Speaker 1: We're going to solve it. Put it in the chest.
• 1:01:04
  Speaker 2: And solved it, bro. I didn't believe it. And it
• 1:01:07
  Speaker 2: was a problem. And it was a problem, you know?
• 1:01:09
  Speaker 2: Difficult to unravel.
• 1:01:10
  Speaker 1: Very difficult to unravel. I said, bro, I didn't believe it.
• 1:01:12
  Speaker 1: The guys solved the problem. Then I said... It took
• 1:01:15
  Speaker 1: me a little while to sign up, right? Because the
• 1:01:17
  Speaker 1: guys wanted to, they made a request.
• 1:01:18
  Speaker 3: To see if the problem was solved.
• 1:01:21
  Speaker 1: Yeah, you know? This album problem still happened. But then
• 1:01:25
  Speaker 1: the guys also influenced a lot of... Right? Yeah. Fuck,
• 1:01:31
  Speaker 1: they said they made the cover of my album. That's
• 1:01:34
  Speaker 1: fucking cool. You know?
• 1:01:35
  Speaker 2: The thing was crazy.
• 1:01:36
  Speaker 3: I can't even imagine. It was 100% you and Nada Mal.
• 1:01:39
  Speaker 1: Yeah, you know? It didn't exist, it was crazy. I understand.
• 1:01:43
  Speaker 1: But then these problems happened, you know? It took me
• 1:01:47
  Speaker 1: a little while to get through this transition, bro. After
• 1:01:50
  Speaker 1: a while, TZ helped me a lot too.
• 1:01:51
  Speaker 3: TZ helped you?
• 1:01:52
  Speaker 1: TZ put me in his producer's house, I lived there
• 1:01:55
  Speaker 1: a little bit. That's awesome, bro. It was, bro. TZ
• 1:01:57
  Speaker 1: was also very grateful to me. That's awesome.
• 1:01:59
  Speaker 2: Done.
• 1:01:59
  Speaker 1: I got there. Dava merda? Pra cá de KL. Dormir
• 1:02:06
  Speaker 1: no chão.
• 1:02:06
  Speaker 2: Falar um corredorzinho lá.
• 1:02:07
  Speaker 1: Dormir no corredorzinho no chão, pá. Aquela vibe, mano.
• 1:02:10
  Speaker 2: Qual que era a média de ficar na casa de alguém?
• 1:02:12
  Speaker 2: Quantos dias?
• 1:02:14
  Speaker 1: Mano, eu sou bem tranquilão, tá ligado?
• 1:02:17
  Speaker 3: I don't know why.
• 1:02:18
  Speaker 2: I don't talk like that, man, it's.
• 1:02:19
  Speaker 1: Been 15 days.
• 1:02:20
  Speaker 3: I'm calm, I spend 20 days at your house and
• 1:02:22
  Speaker 3: you don't even.
• 1:02:25
  Speaker 2: See it. I'm fine, man, I don't even do much mess.
• 1:02:27
  Speaker 1: I'm very calm, man, you know? Then I was like,
• 1:02:29
  Speaker 1: oh no, there was one that I spent a month,
• 1:02:31
  Speaker 1: I think, it wasn't a month, it wasn't a month.
• 1:02:34
  Speaker 1: A month, a month, a month, a month. But whoever
• 1:02:36
  Speaker 1: strengthens us, don't forget.
• 1:02:38
  Speaker 2: Yeah, no, we're together.
• 1:02:44
  Speaker 1: But I don't want to vote again. No, don't go,
• 1:02:46
  Speaker 1: don't go.
• 1:02:47
  Speaker 3: But these people who helped you knew, bro. They said, bro,
• 1:02:50
  Speaker 3: let's help this kid.
• 1:02:51
  Speaker 4: If he gets to some place, he'll go, bro. How
• 1:02:53
  Speaker 4: is it for you, a kid from Bahia, from the North,
• 1:02:55
  Speaker 4: that you.
• 1:02:56
  Speaker 3: Know the difficulties of being out of the axis? And...
• 1:02:59
  Speaker 3: Floating a flying circus. An iconic house in Rio de Janeiro.
• 1:03:06
  Speaker 1: Brother.
• 1:03:07
  Speaker 3: How was it for you? I don't even know how
• 1:03:10
  Speaker 3: to explain it to you.
• 1:03:11
  Speaker 1: Like, like... I came to have a reaction two days later.
• 1:03:16
  Speaker 1: I started jumping inside the house. Did you remember what
• 1:03:20
  Speaker 1: you did? No, bro. I saw the video. I saw
• 1:03:21
  Speaker 1: the video of the Circulador. Because at that time, literally,
• 1:03:25
  Speaker 1: I was in ecstasy.
• 1:03:26
  Speaker 2: Adrenaline.
• 1:03:27
  Speaker 1: Adrenaline. I was focused on delivering the performance there, you know?
• 1:03:32
  Speaker 1: Two days passed and I said, fuck, I did this here, bro?
• 1:03:38
  Speaker 1: I said, man, it's not possible that I did this here, bro.
• 1:03:40
  Speaker 1: It's not a lie, it's not me.
• 1:03:41
  Speaker 2: Is it?
• 1:03:42
  Speaker 1: Is it really me?
• 1:03:44
  Speaker 3: Man, Mítico, imagine being from another state.
• 1:03:45
  Speaker 1: From another state, bro.
• 1:03:46
  Speaker 3: Man, Rio de Janeiro is.
• 1:03:47
  Speaker 2: It's difficult to conquer.
• 1:03:50
  Speaker 1: Musically, bro. Difficult.
• 1:03:51
  Speaker 3: Everyone knows how it is there.
• 1:03:52
  Speaker 1: A lot, a lot, a lot.
• 1:03:53
  Speaker 3: The guys are very critical. That's it. So, like, you
• 1:03:56
  Speaker 3: were hugged in a way... Man, obviously, you're very good. So,
• 1:03:59
  Speaker 3: I was, like, face to face, bro. Because the Circo
• 1:04:04
  Speaker 3: Voador is not for anyone, you know? The guys know,
• 1:04:06
  Speaker 3: you know?
• 1:04:07
  Speaker 1: Forget it, my idol played there, I did it on
• 1:04:11
  Speaker 1: the stage that the.
• 1:04:12
  Speaker 3: Guy did, which is BK, you know? Is that what
• 1:04:15
  Speaker 3: BK was going to say?
• 1:04:15
  Speaker 1: Your idol? Brother, what did he do with Ícarus?
• 1:04:18
  Speaker 3: Oh, forget it, brother, brother, forget it.
• 1:04:19
  Speaker 1: The BK for me is one of the greatest raps
• 1:04:22
  Speaker 1: of today, fuck it if you have the opposite opinion.
• 1:04:25
  Speaker 1: I think BK is going to be one of the
• 1:04:26
  Speaker 1: greatest in history, bro.
• 1:04:27
  Speaker 3: It's history, brother.
• 1:04:28
  Speaker 1: He's already becoming, but it's that.
• 1:04:32
  Speaker 5: As his work is still under construction, we don't even
• 1:04:35
  Speaker 5: know where this black guy is going, bro.
• 1:04:36
  Speaker 1: It's very f * * * ed up, you know?
• 1:04:38
  Speaker 1: That's it, that's it. I have this feeling too.
• 1:04:41
  Speaker 2: But when was the first time you saw BK?
• 1:04:43
  Speaker 1: Man, in Lapa, I was taking a ride. Right there,
• 1:04:45
  Speaker 1: right there. I was taking a ride in Lapa, he
• 1:04:48
  Speaker 1: was drinking a beer like this, I was already in
• 1:04:50
  Speaker 1: Nada Mal. And then, like, when I saw him, I said,
• 1:04:53
  Speaker 1: he's like that.
• 1:04:54
  Speaker 3: He stays in Lapa.
• 1:04:54
  Speaker 1: Yeah, man, he's drinking a beer like this. He and
• 1:04:56
  Speaker 1: his partners. I said, what's BK? Then he.
• 1:05:01
  Speaker 1: I said, do you know me? Then I hit his
• 1:05:05
  Speaker 1: hand like this, and there we go.
• 1:05:07
  Speaker 2: He's really cool, right?
• 1:05:08
  Speaker 1: He's really cool, I forget.
• 1:05:09
  Speaker 3: Man, what he did in this last album, it doesn't exist.
• 1:05:13
  Speaker 2: Ah, the show of this last album.
• 1:05:14
  Speaker 3: The show was messed up. What is this, man? It
• 1:05:16
  Speaker 3: looked like a sertanejo show.
• 1:05:18
  Speaker 1: Brother, forget it.
• 1:05:19
  Speaker 2: Bizarre. How good that it continues, right, man?
• 1:05:21
  Speaker 1: That it continues, I think the scene needs a lot
• 1:05:23
  Speaker 1: of that too, not just... sell music for Tik Toks,
• 1:05:28
  Speaker 1: but like doing something, a career construction here.
• 1:05:30
  Speaker 2: Art for the fans, right? My son will know who
• 1:05:33
  Speaker 2: BK is, you know?
• 1:05:34
  Speaker 1: Go. And I hope that I want to build this
• 1:05:38
  Speaker 1: thing too, that your son will know who I am.
• 1:05:40
  Speaker 3: Sure.
• 1:05:40
  Speaker 1: So I think this is important to see BK doing it,
• 1:05:43
  Speaker 1: because he is the biggest reference for me, you know?
• 1:05:46
  Speaker 3: And it will complete 10 years of Castelos.
• 1:05:48
  Speaker 1: And Ruinas, huh? 2016 is already 10 years ago, Mítico. Fuck.
• 1:05:51
  Speaker 3: This is crazy.
• 1:05:51
  Speaker 1: Crazy.
• 1:05:56
  Speaker 3: What is this?
• 1:05:57
  Speaker 1: No, crazy.
• 1:05:58
  Speaker 3: Anyway, I thought it was really cool you talking about BK.
• 1:06:00
  Speaker 3: And Pagão, what's up?
• 1:06:04
  Speaker 1: Ah, Pagão is coming.
• 1:06:05
  Speaker 3: Why this name? This album is ready already.
• 1:06:09
  Speaker 1: When is it coming? I think next year. I'm going
• 1:06:15
  Speaker 1: to take a breath. Take a breath to work here
• 1:06:19
  Speaker 1: on the stage, to deliver a show way. But Pagão,
• 1:06:22
  Speaker 1: I want to do an absurd thing, so much of aesthetics.
• 1:06:26
  Speaker 1: So much of everything, you know? From the lyrics, bring
• 1:06:30
  Speaker 1: some more conscious lyrics, you know? Do you feel ready
• 1:06:33
  Speaker 1: for this thing? A lot, bro. I was born a pagan, bro.
• 1:06:37
  Speaker 1: The thing was crazy.
• 1:06:39
  Speaker 2: What is a pagan in itself?
• 1:06:40
  Speaker 4: Because we came to talk about.
• 1:06:42
  Speaker 2: Pagans, we even researched there. In religion we are... Because
• 1:06:45
  Speaker 2: it's not baptized, right?
• 1:06:46
  Speaker 1: In the Catholic Church, right?
• 1:06:47
  Speaker 2: In the Catholic Church.
• 1:06:49
  Speaker 1: A pagan can even be a lifestyle, bro. One that
• 1:06:51
  Speaker 1: doesn't identify with anything, you know? Like... I'll give you
• 1:06:57
  Speaker 1: an example, São Paulo is a very busy city and
• 1:07:01
  Speaker 1: I don't belong to this village, I don't feel part
• 1:07:04
  Speaker 1: of this village. I'm going to live alone, fuck it.
• 1:07:08
  Speaker 1: I'm a pagan.
• 1:07:09
  Speaker 2: I see.
• 1:07:10
  Speaker 3: You feel like a different being in the world.
• 1:07:13
  Speaker 1: I feel different in the world, yes. There are several
• 1:07:18
  Speaker 1: names for pagans, right? Like, the Vincas too, you know? Like...
• 1:07:23
  Speaker 1: The invasion of the Vincs. The invasion of the pagans.
• 1:07:26
  Speaker 1: So you can study a lot of things about paganism
• 1:07:30
  Speaker 1: that comes to a place.
• 1:07:33
  Speaker 2: Curious.
• 1:07:34
  Speaker 1: It's curious too.
• 1:07:34
  Speaker 2: It's interesting because I think I'm considered a pagan. A lot.
• 1:07:38
  Speaker 1: It goes in many ways. It depends on what meaning
• 1:07:41
  Speaker 1: it belongs to you. So from what.
• 1:07:43
  Speaker 3: I'm realizing, you have a lot of music ready already.
• 1:07:50
  Speaker 1: A lot, bro.
• 1:07:51
  Speaker 2: Really, bro?
• 1:07:52
  Speaker 1: Man, a lot.
• 1:07:53
  Speaker 2: You don't even know how many.
• 1:07:55
  Speaker 1: Man, I lost, I think it was 70 and a
• 1:07:57
  Speaker 1: few songs. You lost? I lost.
• 1:07:58
  Speaker 2: You didn't have a backup?
• 1:08:01
  Speaker 3: And songs that you.
• 1:08:02
  Speaker 1: Won't even remember. I was dumb, I was dumb.
• 1:08:05
  Speaker 3: You were young, you were a boy.
• 1:08:06
  Speaker 1: I was a boy.
• 1:08:07
  Speaker 2: Wow, but you lost, like, the produced ones, right?
• 1:08:09
  Speaker 1: Man, guides with the project and stuff, you know? What
• 1:08:13
  Speaker 1: a pain, man.
• 1:08:14
  Speaker 2: There are some there that you remember, you say, wow.
• 1:08:15
  Speaker 1: No, there are some that I remember the lyrics and
• 1:08:17
  Speaker 1: I re-record. But I don't put it in the same beat,
• 1:08:20
  Speaker 1: I do another wave. But I lost, like, Pagão mesmo,
• 1:08:24
  Speaker 1: a faixa que saiu, eu perdi esse projeto.
• 1:08:28
  Speaker 3: Que isso?
• 1:08:29
  Speaker 1: Só que aí nós tem o Johnny, né? Infelizmente, quem
• 1:08:31
  Speaker 1: não tem?
• 1:08:34
  Speaker 2: Recuperou.
• 1:08:35
  Speaker 1: Não, o Johnny, ele recuperou a guia. Ele fez a
• 1:08:39
  Speaker 1: guia se tornar um bagulho muito máster.
• 1:08:42
  Speaker 4: E você é muito chato pra lançar música, por exemplo,
• 1:08:44
  Speaker 4: pra selecionar as músicas pros seus álbuns?
• 1:08:47
  Speaker 2: Foi difícil? Como que é pra você selecionar cada musiquinha?
• 1:08:50
  Speaker 1: Pô, eu tenho a síndrome de Michael Jackson.
• 1:08:52
  Speaker 3: Qual que é a síndrome do Michael Jackson?
• 1:08:53
  Speaker 1: Perfeccionismo demais. Branco não tem como. I have a Michael
• 1:08:50
  Speaker 1: Jackson syndrome. What is Michael Jackson's syndrome? Too much perfectionism.
• 1:08:54
  Speaker 1: White people can't do.
• 1:09:01
  Speaker 3: It.
• 1:09:01
  Speaker 2: White people can't do it. Pick Michael Jackson, bro. It's
• 1:09:06
  Speaker 2: boring that people say, bro, this song is worth it. No, bro,
• 1:09:08
  Speaker 2: this one is worth it. It's too much perfectionism, bro.
• 1:09:12
  Speaker 1: Unfortunately. I'm trying to change that in me too.
• 1:09:16
  Speaker 2: Does it bother you?
• 1:09:16
  Speaker 1: It bothers me a little.
• 1:09:17
  Speaker 2: And to what level is this perfectionism?
• 1:09:19
  Speaker 1: Man, too much in everything. Sometimes unnecessary. Unnecessary selection of beat.
• 1:09:24
  Speaker 1: of what I'm going to say, sometimes, like, is my
• 1:09:27
  Speaker 1: voice sounding cool? Sometimes the voice is good and I
• 1:09:29
  Speaker 1: don't want the voice to be good. That's fucked up.
• 1:09:32
  Speaker 2: You're just getting angry.
• 1:09:33
  Speaker 1: Yeah, you know, bro? It's fucked up.
• 1:09:34
  Speaker 5: No, but there's a moment when you have to trust
• 1:09:37
  Speaker 5: the person who's there and say, oh.
• 1:09:39
  Speaker 1: It was already this one.
• 1:09:40
  Speaker 3: And you.
• 1:09:40
  Speaker 1: But that's it. I record myself, so there's no way
• 1:09:42
  Speaker 1: to tell this person to say anything. Then it's fucked, bro.
• 1:09:44
  Speaker 3: Then it's fucked. Then it's fucked.
• 1:09:45
  Speaker 2: No, it must be boring, his stuff.
• 1:09:47
  Speaker 3: Someone will have to hack his PC and release it,
• 1:09:52
  Speaker 3: you know?
• 1:09:53
  Speaker 1: There are some pieces that I don't like, but the
• 1:09:55
  Speaker 1: people like it. Really?
• 1:09:56
  Speaker 5: Do you have some waves that you say, this wave
• 1:09:58
  Speaker 5: here is from 2027? I'm going to save this one
• 1:10:01
  Speaker 5: because this one is at the right moment.
• 1:10:03
  Speaker 1: Hotel, man. Hotel, the song that the fans always ask
• 1:10:06
  Speaker 1: for in Hotel. But I lost the project, but it
• 1:10:09
  Speaker 1: wasn't because of that. It was because of what I
• 1:10:12
  Speaker 1: left there. Can I record again? I can. Do I
• 1:10:15
  Speaker 1: have the same voice?
• 1:10:15
  Speaker 3: No.
• 1:10:16
  Speaker 1: But it flows.
• 1:10:18
  Speaker 2: The fans ask a lot for this.
• 1:10:19
  Speaker 1: They ask a lot, man. They ask a lot. It's
• 1:10:23
  Speaker 1: been years.
• 1:10:24
  Speaker 5: Trapper fans are crazy, right? They like the leaks.
• 1:10:27
  Speaker 3: They like the songs that don't exist. They like the
• 1:10:29
  Speaker 3: songs that will never come out.
• 1:10:30
  Speaker 2: No, they like the previa. I don't know, you guys.
• 1:10:34
  Speaker 3: I heard the previa.
• 1:10:36
  Speaker 1: I heard the previa.
• 1:10:37
  Speaker 2: But really, trap is previa, bro. Trap is previa, there's
• 1:10:41
  Speaker 2: no way. It's really crazy.
• 1:10:42
  Speaker 1: It's really crazy, bro.
• 1:10:44
  Speaker 3: We, reading about you, my brother, we saw that you
• 1:10:46
  Speaker 3: were a big fan of Michael Jackson, I thought it
• 1:10:48
  Speaker 3: was crazy that you mentioned him.
• 1:10:48
  Speaker 1: Oh, forget it!
• 1:10:49
  Speaker 3: Because I'm a big fan too, I think Mítico too.
• 1:10:51
  Speaker 2: Me too, man, you're crazy.
• 1:10:52
  Speaker 5: Do you remember what you saw about him that you
• 1:10:54
  Speaker 5: were paralyzed, like, because I remember when I saw, researching
• 1:10:57
  Speaker 5: the first Moonwalking, like, I saw that and.
• 1:11:00
  Speaker 3: I said, what, what, what is this? Bizarre, right?
• 1:11:04
  Speaker 2: What level is this guy, right?
• 1:11:05
  Speaker 1: Man, there was a DVD of him that was a
• 1:11:08
  Speaker 1: golden statue, you know? That he was entering the army stuff,
• 1:11:12
  Speaker 1: you know, the guys marching. Fuck!
• 1:11:14
  Speaker 2: That was the first thing you saw of him. You
• 1:11:16
  Speaker 2: were like, who is this guy? Look at Michael.
• 1:11:17
  Speaker 1: It's Michael.
• 1:11:18
  Speaker 4: When we were kids, we would look at him and say, man, he's...
• 1:11:23
  Speaker 4: I don't know.
• 1:11:24
  Speaker 3: He's a wonderful being.
• 1:11:25
  Speaker 2: He's a great dancer. I would say, no one dances
• 1:11:28
  Speaker 2: like that.
• 1:11:29
  Speaker 1: It was bizarre.
• 1:11:30
  Speaker 3: No one dresses like that, no one.
• 1:11:31
  Speaker 2: Dances like that, no one... No one screams like that.
• 1:11:34
  Speaker 1: No one does that, man.
• 1:11:35
  Speaker 2: No one grabs the ass and goes.
• 1:11:37
  Speaker 1: No one will do that. He... James... James Brown, man.
• 1:11:42
  Speaker 3: James Brown.
• 1:11:43
  Speaker 1: He's been releasing Adlib for many.
• 1:11:46
  Speaker 2: Years in music, bro. James Brown is a.
• 1:11:50
  Speaker 1: He's the idol of my idol.
• 1:11:52
  Speaker 3: That's true.
• 1:11:52
  Speaker 5: But know that James Brown paid a lot of money.
• 1:11:57
  Speaker 3: For Michael Jackson. There's a show of James Brown there
• 1:11:59
  Speaker 3: that he sees that Michael Jackson is there.
• 1:12:02
  Speaker 2: There.
• 1:12:02
  Speaker 3: Michael Jackson!
• 1:12:03
  Speaker 1: The Michael Jackson and Prince war was there, man. It
• 1:12:05
  Speaker 1: was there, man.
• 1:12:07
  Speaker 6: I know.
• 1:12:07
  Speaker 3: Tell us, man. Tell us.
• 1:12:08
  Speaker 1: Update us.
• 1:12:08
  Speaker 2: Brother, the Michael.
• 1:12:09
  Speaker 1: Jackson and Prince war was there. Michael called James Brown to.
• 1:12:18
  Speaker 1: The prince climbed up to show his talent, you know?
• 1:12:20
  Speaker 1: But he saw that the prince was really good-looking, you know?
• 1:12:24
  Speaker 2: What's the line?
• 1:12:24
  Speaker 3: Michael Jackson was fighting with the prince.
• 1:12:27
  Speaker 5: And then James Brown, the guy called Michael Jackson, and
• 1:12:30
  Speaker 5: Michael Jackson kind of says like this, call the prince.
• 1:12:31
  Speaker 1: Too, to see if it's all this. Yeah, you know,
• 1:12:33
  Speaker 1: to see if it's all this.
• 1:12:34
  Speaker 5: But the prince had taken one, man, and didn't climb up.
• 1:12:36
  Speaker 5: And then when James Brown calls Michael Jackson, watch this video, Michael.
• 1:12:42
  Speaker 3: Jackson sends a little step that doesn't exist.
• 1:12:45
  Speaker 1: It doesn't exist.
• 1:12:45
  Speaker 3: It starts like this, and he says, he's going to fly,
• 1:12:47
  Speaker 3: he's going to start flying.
• 1:12:48
  Speaker 1: Soon I'll fly. But the price went up, man. And
• 1:12:51
  Speaker 1: it was a shame. Oh, it went up? I thought
• 1:12:53
  Speaker 1: it hadn't gone up.
• 1:12:54
  Speaker 2: Oh, I thought... I didn't see it going up. It
• 1:12:56
  Speaker 2: went up, man.
• 1:12:57
  Speaker 1: It went up.
• 1:12:58
  Speaker 2: But was it crazy?
• 1:12:59
  Speaker 1: It was, man. Cachaça ends with cachaça. Not only cachaça,
• 1:13:03
  Speaker 1: but it changed the substance that our brother Pablo used
• 1:13:05
  Speaker 1: to like.
• 1:13:08
  Speaker 2: Fuck, fuck.
• 1:13:09
  Speaker 4: But Michael also inspired you musically. You bring his musicality
• 1:13:13
  Speaker 4: to yours, too.
• 1:13:14
  Speaker 1: I think... I won't say performance, because I don't dance yet, but...
• 1:13:17
  Speaker 1: Mike's persona was enchanting. Do you want to add dance, dancers,
• 1:13:21
  Speaker 1: choreography to your stuff?
• 1:13:21
  Speaker 3: I'm a trap, man. I don't like it. No, it's cool.
• 1:13:25
  Speaker 3: I'm the time of.
• 1:13:27
  Speaker 7: Not the time, but I'm the vibe... Your trap is...
• 1:13:31
  Speaker 7: I've got a type. See the guys breaking everything. DJ,
• 1:13:35
  Speaker 7: that vibe, breaking everything. Trev Scott, man, you know?
• 1:13:47
  Speaker 1: I'm in this wave, man.
• 1:13:48
  Speaker 3: Migos.
• 1:13:48
  Speaker 1: Migos, you know?
• 1:13:49
  Speaker 3: Trev Z.
• 1:13:50
  Speaker 2: There won't be ballet. You won't have ballet, man.
• 1:13:52
  Speaker 1: No, I can even... A musical. Trev de Bada?
• 1:13:55
  Speaker 2: A little song there, a.
• 1:13:57
  Speaker 1: Man, o Caio tem um certo preconceito com a galera
• 1:14:00
  Speaker 1: que bota a banda no Trev.
• 1:14:03
  Speaker 2: É foda. It happens.
• 1:14:06
  Speaker 1: But I think, for me, it doesn't work very well,
• 1:14:08
  Speaker 1: because I really like the stuff getting on fire, bro.
• 1:14:10
  Speaker 1: The bass, right? Yeah, the bass. Like, our body.
• 1:14:13
  Speaker 3: Is water, bro.
• 1:14:13
  Speaker 1: We have to feel the vibrations. If I don't feel
• 1:14:16
  Speaker 1: the fucking... I'm not going to do the show, I'm
• 1:14:18
  Speaker 1: going to do the show dead. Got it. So, for me,
• 1:14:27
  Speaker 1: it's not worth it. But I can do a show
• 1:14:29
  Speaker 1: with a band like that.
• 1:14:30
  Speaker 2: At some point, right?
• 1:14:31
  Speaker 1: You're very young, bro.
• 1:14:33
  Speaker 2: At some point, you'll.
• 1:14:34
  Speaker 3: Have a thing with a band. I think he's very
• 1:14:36
  Speaker 3: similar to you, bro.
• 1:14:38
  Speaker 1: Really, bro?
• 1:14:38
  Speaker 3: Lyrically, like.
• 1:14:39
  Speaker 5: He's a guy who sings... He sings on a trap beat.
• 1:14:44
  Speaker 5: But he's... Like, 70s.
• 1:14:45
  Speaker 3: E.J.
• 1:14:46
  Speaker 2: Jones.
• 1:14:46
  Speaker 1: Ah, I saw his video, bro.
• 1:14:48
  Speaker 2: He's very.
• 1:14:49
  Speaker 1: He sings on a blues, no?
• 1:14:51
  Speaker 2: A jazz?
• 1:14:52
  Speaker 3: Yeah, but on a trap beat.
• 1:14:53
  Speaker 7: You know?
• 1:14:53
  Speaker 1: Forget it, bro. Those who have a jazz voice... I
• 1:14:58
  Speaker 1: can't even believe it. Terry Segg is a king. A
• 1:15:01
  Speaker 1: jazz voice is sinister.
• 1:15:02
  Speaker 2: What's his name? I've only seen him viral on TikTok.
• 1:15:05
  Speaker 1: He's viral.
• 1:15:06
  Speaker 3: AJ Jones.
• 1:15:06
  Speaker 1: AJ Jones, that's it.
• 1:15:07
  Speaker 2: What a voice, man.
• 1:15:08
  Speaker 1: Very sinister.
• 1:15:09
  Speaker 2: But your voice is also very different, right, man? Very sinister,
• 1:15:12
  Speaker 2: your voice.
• 1:15:12
  Speaker 1: There's a little bit of jazz there.
• 1:15:14
  Speaker 2: There is, man.
• 1:15:16
  Speaker 3: There's a little bit.
• 1:15:17
  Speaker 1: I like to mix jazz with trap, too. I like
• 1:15:19
  Speaker 1: to use jazz.
• 1:15:19
  Speaker 3: Yeah?
• 1:15:20
  Speaker 1: But you're a.
• 1:15:21
  Speaker 3: Guy who sees himself.
• 1:15:24
  Speaker 3: Making an album... Not a trap?
• 1:15:28
  Speaker 1: Yes, I'm making a... But it's also a trap song, right? Ah, but...
• 1:15:34
  Speaker 1: It's an IB, but... Rhythmed, you know? But it's talking
• 1:15:39
  Speaker 1: about love. In fact, it's talking about relationships.
• 1:15:44
  Speaker 3: That doesn't necessarily have to be romantic. Right?
• 1:15:48
  Speaker 1: You know? That's the vibe of the album.
• 1:15:50
  Speaker 3: It can be suffering.
• 1:15:51
  Speaker 1: Yeah, man.
• 1:15:52
  Speaker 2: Or it can be just a little shit, soft.
• 1:15:55
  Speaker 3: Each song tells its own story.
• 1:15:57
  Speaker 1: What do you.
• 1:15:58
  Speaker 2: Like to sing? About love, let's say, about whores, romance, everything.
• 1:16:03
  Speaker 1: Right, man? I have a phrase in the album that
• 1:16:06
  Speaker 1: I say, it's like this, she grew up without a father,
• 1:16:10
  Speaker 1: looking for relationships that she didn't have in her childhood.
• 1:16:14
  Speaker 1: This is for the album, me and K.L., which is
• 1:16:16
  Speaker 1: the album about relationships. I got it, I got it.
• 1:16:17
  Speaker 1: You're going to take it this way. I got it.
• 1:16:20
  Speaker 1: It's going to be bizarre.
• 1:16:21
  Speaker 3: Only next year.
• 1:16:22
  Speaker 1: No, you know why not? Let's go!
• 1:16:26
  Speaker 4: How many tracks do you have?
• 1:16:29
  Speaker 1: Man, we put 9 tracks. Damn, the song.
• 1:16:31
  Speaker 2: It's going to be cool.
• 1:16:33
  Speaker 1: There's all kinds of wave in there, but it's more
• 1:16:36
  Speaker 1: aimed at R & B, trap, soul, let's say. More
• 1:16:38
  Speaker 1: Relic and Brizontide, you know? Who knows this year? Yeah,
• 1:16:42
  Speaker 1: I think something cool.
• 1:16:43
  Speaker 2: Will come out this year. Man, you don't stop, right?
• 1:16:47
  Speaker 1: Next year, this chat... Next year, Pagão.
• 1:16:54
  Speaker 3: No, he said that every day he goes to the
• 1:16:56
  Speaker 3: studio to do something.
• 1:16:58
  Speaker 1: I have to do something, bro. I can't stay without
• 1:17:02
  Speaker 1: doing anything. If not, I work, right?
• 1:17:03
  Speaker 2: And how is your life at this moment, bro?
• 1:17:04
  Speaker 4: Your songs are all bursting, I'm seeing a lot of show.
• 1:17:07
  Speaker 4: And how is your head, like, in this transition, that
• 1:17:10
  Speaker 4: now you're, damn, you're making a lot of success.
• 1:17:12
  Speaker 2: That cause is over, but maybe a new one will come.
• 1:17:15
  Speaker 2: A new one, another cause is coming, right?
• 1:17:17
  Speaker 1: The more money, the more new problems. Yes, bro.
• 1:17:19
  Speaker 3: It's awesome.
• 1:17:20
  Speaker 2: But, like, like.
• 1:17:22
  Speaker 1: I'm very calm, man. I'm well resolved with everything. I think,
• 1:17:26
  Speaker 1: as you said, the chaos has already passed. I resolved
• 1:17:30
  Speaker 1: myself so much with the relationship from father to work,
• 1:17:34
  Speaker 1: you know? So I'm very resolved. I'm just living the
• 1:17:38
  Speaker 1: moment that God, my orishas, prepared for me, which was
• 1:17:41
  Speaker 1: this moment, you know? E tô aí. Tá desfrutando. Tô
• 1:17:45
  Speaker 1: desfrutando da melhor forma. Comprei meu carrinho. Ah!
• 1:17:49
  Speaker 2: Caralho, que foda! Tá ligado?
• 1:17:51
  Speaker 3: Muito foda.
• 1:17:51
  Speaker 1: Tô morando bem agora. Não tô mais dormindo no chão
• 1:17:53
  Speaker 1: de Caelho na Lapa. Aê, caralho. Nem Caelho tá na
• 1:17:56
  Speaker 1: Lapa mais, né?
• 1:17:56
  Speaker 2: Aê, porra.
• 1:17:57
  Speaker 3: Tá com causa do ar-condicionado?
• 1:17:59
  Speaker 1: So, I haven't put the AC on yet, because I
• 1:18:02
  Speaker 1: just changed it. But I'll put it on now. It's
• 1:18:04
  Speaker 1: coming in the summer.
• 1:18:04
  Speaker 2: Congratulations, bro. Congratulations.
• 1:18:05
  Speaker 4: It's very good to get in the car and go
• 1:18:07
  Speaker 4: to work, do the courses. It gives you a motivation, like, bro,
• 1:18:09
  Speaker 4: I'm doing everything right. And it's a lot of that.
• 1:18:11
  Speaker 1: Thing of you saying what you want to live too.
• 1:18:14
  Speaker 1: Because I always talked about Mercedes in music. And today
• 1:18:18
  Speaker 1: I have a Mercedes, you know? Ah, take it, man.
• 1:18:21
  Speaker 3: It's the law of attraction.
• 1:18:22
  Speaker 2: The law of attraction works, bro. It works, bro.
• 1:18:26
  Speaker 3: It works like hell.
• 1:18:27
  Speaker 5: I believe in this thing of when... foreign foreign Man,
• 1:18:40
  Speaker 5: I believe, bro. Because everything I dreamed.
• 1:18:59
  Speaker 1: Even if I'm awake, it happened, you know? That's really crazy, man.
• 1:19:02
  Speaker 2: That's crazy.
• 1:19:03
  Speaker 1: And it really happens.
• 1:19:03
  Speaker 2: But people get it wrong. I think it's just thinking
• 1:19:05
  Speaker 2: that it's going to happen.
• 1:19:06
  Speaker 3: No, man.
• 1:19:06
  Speaker 1: It's working.
• 1:19:07
  Speaker 2: You have to think and not sleep to make it happen,
• 1:19:09
  Speaker 2: you know? It's working.
• 1:19:10
  Speaker 3: Yeah, man.
• 1:19:11
  Speaker 1: Like, I think that... I'm talking about music, right? But, like, you...
• 1:19:17
  Speaker 1: How much does music test you and charge you at
• 1:19:20
  Speaker 1: all times, you know? It's ungrateful, right? How much are
• 1:19:22
  Speaker 1: you going to... How much are you going to endure
• 1:19:24
  Speaker 1: this burden? Of you losing your privacy... You have to
• 1:19:30
  Speaker 1: deliver something.
• 1:19:31
  Speaker 3: Have you seen Brau talking about it?
• 1:19:33
  Speaker 1: Yes, man. Brau said something really cool.
• 1:19:36
  Speaker 3: He said the song is... She gets jealous. She gets jealous.
• 1:19:39
  Speaker 1: She wants to give 100% of her attention to it. Exactly, man.
• 1:19:41
  Speaker 1: He said, I couldn't be as close to my children
• 1:19:43
  Speaker 1: as I wanted.
• 1:19:44
  Speaker 3: To my family, to my wife.
• 1:19:45
  Speaker 5: 100% dedicated to the song, bro. To be excellent, to
• 1:19:55
  Speaker 5: have an excellence, the song is f * * *.
• 1:19:56
  Speaker 1: Ed, bro. Yeah, bro, you have to donate your body
• 1:19:59
  Speaker 1: and soul. Apart from this charge.
• 1:20:01
  Speaker 4: Of, like, I have to hit one, bro, I have
• 1:20:02
  Speaker 4: to hit... But I don't have that kind of thing, no.
• 1:20:05
  Speaker 1: You don't? Because, like, like... That's why you hit. Bro,
• 1:20:08
  Speaker 1: I don't have.
• 1:20:08
  Speaker 3: No, I say, bro, I'm making the song here, I know.
• 1:20:10
  Speaker 1: There's going to be... Bro, bro, I've already... Literally, I
• 1:20:12
  Speaker 1: witnessed a fan's thing, he told me, like, like, bro, bro, after.
• 1:20:20
  Speaker 1: I started to listen to you, I started to know
• 1:20:22
  Speaker 1: how to be black. I said, damn, that's crazy, man.
• 1:20:23
  Speaker 3: That's the best compliment you can have. And the words
• 1:20:25
  Speaker 3: I was saying.
• 1:20:26
  Speaker 1: In the song are for me. I know there will
• 1:20:29
  Speaker 1: be someone who will go through the same reality as me.
• 1:20:31
  Speaker 4: That goes back to what you said, that you saw Canário, Racionais,
• 1:20:35
  Speaker 4: who made you identify and you are doing this.
• 1:20:37
  Speaker 1: With the new kid.
• 1:20:38
  Speaker 2: Yeah, you know?
• 1:20:39
  Speaker 1: Very cool, congratulations. This is very satisfying.
• 1:20:43
  Speaker 5: I think you are also building a community to the
• 1:20:46
  Speaker 5: point of that community that doesn't need the music from
• 1:20:49
  Speaker 5: Tik Tok.
• 1:20:50
  Speaker 3: I don't need it. You know, the way you've been coming,
• 1:20:53
  Speaker 3: the sound you make, the audience will buy.
• 1:20:56
  Speaker 1: It, because.
• 1:20:57
  Speaker 3: You know? This is the best.
• 1:20:58
  Speaker 4: Artist that has an audience. We announced you, and they
• 1:21:01
  Speaker 4: sent me a message.
• 1:21:02
  Speaker 3: Like this, fuck, since this guy released Days Before the Chaos,
• 1:21:06
  Speaker 3: I listen to him every day, how fucking cool he is. Fuck, bravo, bro.
• 1:21:10
  Speaker 3: You know what's the worst? People listen to you every day.
• 1:21:14
  Speaker 1: Fuck, bro. I think I can't take it anymore, I
• 1:21:19
  Speaker 1: listen to.
• 1:21:19
  Speaker 2: It every day.
• 1:21:21
  Speaker 3: You got it, bro?
• 1:21:22
  Speaker 1: I listen to it every day. And that's what I consume,
• 1:21:24
  Speaker 1: the music. I'll show you my topics here on Spotify.
• 1:21:27
  Speaker 2: What's your favorite of the moment?
• 1:21:29
  Speaker 1: Of the moment now? Man, Compass, bro.
• 1:21:32
  Speaker 2: Compass?
• 1:21:33
  Speaker 1: Yeah, I'm listening to it a lot, like, Compass.
• 1:21:36
  Speaker 4: But then I want your curiosity now. You're listening to
• 1:21:39
  Speaker 4: it on the car, you listen and you say, fuck,
• 1:21:41
  Speaker 4: this one I was fucked, fuck, look what I did here, bro.
• 1:21:43
  Speaker 2: Sometimes yes, sometimes no.
• 1:21:44
  Speaker 1: Why? Because sometimes I'm making a song and I'm looking
• 1:21:51
  Speaker 1: for a flaw. And I'm like, damn, it's nothing to
• 1:21:53
  Speaker 1: do with it, man. I'm going to change this. Oh, man,
• 1:21:56
  Speaker 1: I'm going to change this. Oh, did you really like it?
• 1:22:00
  Speaker 2: It's bad, right? But sometimes you look.
• 1:22:01
  Speaker 1: And say, damn. Yeah, there's a past of villain when
• 1:22:04
  Speaker 1: I did it. I said, huh? It's fucking hot. I'm angry, fuck.
• 1:22:07
  Speaker 1: Go fuck yourself. It's me, fuck.
• 1:22:11
  Speaker 3: How did your audience react to the intro of your album?
• 1:22:16
  Speaker 1: Man, that's what I think... Very bizarre, because there are
• 1:22:21
  Speaker 1: people who are not from the Axé community who go
• 1:22:22
  Speaker 1: to the show and sing the malandrage intro. Leave the
• 1:22:28
  Speaker 1: prejudice aside, everything aside, and sing the intro.
• 1:22:32
  Speaker 3: And if you hear what is being said there, the
• 1:22:35
  Speaker 3: person transforms.
• 1:22:36
  Speaker 1: Brother, it's bizarre. Why did you choose this intro?
• 1:22:40
  Speaker 4: Did you know that it could be a little bit
• 1:22:42
  Speaker 4: of a mess? Did you have prejudice? Could it cause something?
• 1:22:45
  Speaker 4: Or did you say, that's it, my life is over?
• 1:22:48
  Speaker 1: No, bro, it was because of the moment I was living.
• 1:22:50
  Speaker 3: In the lyrics it says, who does you wrong, will
• 1:22:53
  Speaker 3: see who.
• 1:22:53
  Speaker 1: You know?
• 1:22:54
  Speaker 3: It was more.
• 1:22:56
  Speaker 1: Because of the moment they tried to steal my album.
• 1:23:00
  Speaker 1: They tried, they were all the time above me. I said, bro...
• 1:23:05
  Speaker 1: You will try a lot, try it!
• 1:23:06
  Speaker 3: But you will have to see yourself with Zé Malandro.
• 1:23:08
  Speaker 1: You know? That's more or less it.
• 1:23:10
  Speaker 3: I understood perfectly, bro.
• 1:23:11
  Speaker 5: So I thought it fell like a glove, literally, what
• 1:23:16
  Speaker 5: you did. Even for the guys to demystify a little,
• 1:23:20
  Speaker 5: take a little of the prejudice, because I'm absolutely sure,
• 1:23:23
  Speaker 5: just like Djonga demystified a lot, you too, several other rappers, singers,
• 1:23:30
  Speaker 5: But I think it's really cool because you're communicating directly
• 1:23:32
  Speaker 5: with the youth.
• 1:23:33
  Speaker 3: And you know that, you know? And not being afraid
• 1:23:35
  Speaker 3: to do that shows the artist that you are. Because
• 1:23:38
  Speaker 3: you could only think about the monetary. If you take
• 1:23:39
  Speaker 3: the intro, the album is there too, you know? There
• 1:23:43
  Speaker 3: are people who are scared, right?
• 1:23:45
  Speaker 1: There are some people who are scared. They didn't understand
• 1:23:48
  Speaker 1: the message very well. But when they get to the show,
• 1:23:51
  Speaker 1: they sing.
• 1:23:52
  Speaker 3: You know?
• 1:23:52
  Speaker 1: You don't have to be scared.
• 1:23:55
  Speaker 3: There's nothing to be scared about.
• 1:23:57
  Speaker 1: This is very.
• 1:23:59
  Speaker 1: Satisfactory too, you know, bro? Break this prejudice, like that,
• 1:24:01
  Speaker 1: guys doing wheelies, bro.
• 1:24:02
  Speaker 3: There are guys who play.
• 1:24:03
  Speaker 1: Capoeira when they enter the intro, bro. This is bizarre. Man,
• 1:24:06
  Speaker 1: I get goosebumps. This is crazy. The guys go in
• 1:24:08
  Speaker 1: the palm of their.
• 1:24:09
  Speaker 2: Hand and take it, and fuck, samba.
• 1:24:11
  Speaker 1: I said, damn, bravo, bro. That's what I wanted to
• 1:24:13
  Speaker 1: go through, this transformation. You're creating a community there. Damn,
• 1:24:22
  Speaker 1: this is cool.
• 1:24:22
  Speaker 2: Do you realize that? The capoeira dance at the beginning
• 1:24:25
  Speaker 2: of the show is crazy.
• 1:24:27
  Speaker 1: Man, it's bizarre, it's bizarre.
• 1:24:28
  Speaker 4: It's a community, it's a fucking cool crowd.
• 1:24:31
  Speaker 1: They spin, they take the other's hand and go spinning.
• 1:24:33
  Speaker 4: If I was doing the show, I would go down
• 1:24:35
  Speaker 4: there to dance capoeira with the guys.
• 1:24:37
  Speaker 2: What a crazy thing it must be you seeing this, brother.
• 1:24:39
  Speaker 2: The people dancing capoeira, you know?
• 1:24:41
  Speaker 1: It's bizarre. I only saw this at my uncle's show, bro.
• 1:24:44
  Speaker 1: Cat and Ballad. That vibe, Axé, right? Axé is a monster.
• 1:24:48
  Speaker 1: Axé is a monster. I only saw this at his show.
• 1:24:50
  Speaker 1: When I heard mine, I was like, what the hell?
• 1:24:52
  Speaker 1: What happens the most.
• 1:24:53
  Speaker 3: In your show?
• 1:24:54
  Speaker 2: For those who never went, or for those who went
• 1:24:55
  Speaker 2: and said, yeah, it's true, it happens.
• 1:24:57
  Speaker 1: Man, it's very low-key.
• 1:24:59
  Speaker 2: People are going to go crazy. Is there a right
• 1:25:02
  Speaker 2: moment for low-key?
• 1:25:03
  Speaker 1: Man, lately the show has been a lot of bullshit, man.
• 1:25:06
  Speaker 1: It's a sequence after another.
• 1:25:08
  Speaker 2: You have to calm the guys down.
• 1:25:10
  Speaker 1: I calm down.
• 1:25:11
  Speaker 2: Play two songs, but calm down.
• 1:25:13
  Speaker 1: Brother, the show now was in Recife? Recife? I put
• 1:25:17
  Speaker 1: oxygen in the space. To have it. I didn't light
• 1:25:20
  Speaker 1: the lighter. Bombeiro... Bombeiro was going up, desperate.
• 1:25:24
  Speaker 2: It's not, it's not.
• 1:25:25
  Speaker 3: Fuck!
• 1:25:25
  Speaker 1: We knocked the house down, the thing was crazy. Man, really,
• 1:25:30
  Speaker 1: like that, only who is a fan is going to
• 1:25:34
  Speaker 1: be there, brother. Because the ceiling was too low, there
• 1:25:38
  Speaker 1: was no oxygen in the show, in the space.
• 1:25:41
  Speaker 2: Man.
• 1:25:41
  Speaker 1: That was bizarre, man. And I was afraid of giving
• 1:25:43
  Speaker 1: some shit, right? Like... Then I calmed down, even the
• 1:25:46
  Speaker 1: guys asked me to cut some songs and such, I said, man,
• 1:25:49
  Speaker 1: the guys are asking here, I'm on the wave, all sweaty.
• 1:25:52
  Speaker 1: On the wave. Yeah, bro, I said, man, I'm going
• 1:25:55
  Speaker 1: to the top of the problem, let's go. Is there
• 1:25:57
  Speaker 1: any place.
• 1:25:58
  Speaker 5: That you haven't taken your show yet, that you know
• 1:26:01
  Speaker 5: that when it happens it will be something.
• 1:26:03
  Speaker 3: Historical.
• 1:26:05
  Speaker 5: Historical, and I was going to say strange, but not
• 1:26:08
  Speaker 5: strange of strange, that you.
• 1:26:10
  Speaker 3: Say like, what is this, I don't understand what's going on.
• 1:26:13
  Speaker 1: Salvador Bahia, son.
• 1:26:15
  Speaker 3: It hasn't happened yet.
• 1:26:17
  Speaker 1: Man, I'm crazy to go back to my city and
• 1:26:19
  Speaker 1: fuck it up. And you will.
• 1:26:21
  Speaker 2: And you will.
• 1:26:22
  Speaker 1: But this moment of me taking this show of chaos
• 1:26:24
  Speaker 1: will happen. It has to happen, actually. It will happen.
• 1:26:26
  Speaker 1: But it will be very satisfying, you know? It's a city.
• 1:26:33
  Speaker 1: It's kind of like... I went to war, you know, bro?
• 1:26:35
  Speaker 1: And I'm coming back with the opponent's head, bro. To
• 1:26:37
  Speaker 1: my city, bro. It's a movie, bro. It's a movie. Fuck,
• 1:26:40
  Speaker 1: forget it, bro.
• 1:26:41
  Speaker 2: I think it's going to be a thing that I'm going.
• 1:26:43
  Speaker 1: To cry the fuck out of. I'm sure. I think so, bro.
• 1:26:45
  Speaker 1: I'm sure you're going to cry.
• 1:26:49
  Speaker 2: Fuck, it's going to be too angry.
• 1:26:51
  Speaker 1: What are you a fan of? Because I'm a fan?
• 1:26:53
  Speaker 3: BK? Of boy, of going back, of seeing.
• 1:26:59
  Speaker 3: If there's a show, you'll go.
• 1:27:01
  Speaker 1: BK, I'll go. BK, I'll go to hell. BK is
• 1:27:03
  Speaker 1: very good, he'll take it. Man, I'll put it here.
• 1:27:08
  Speaker 1: Mano is stuck, but Tory Lanez. I would go wherever
• 1:27:11
  Speaker 1: he is. Really? He's my teacher, bro. Ah, people say
• 1:27:13
  Speaker 1: that he looks a lot like Travis.
• 1:27:14
  Speaker 2: There are some songs.
• 1:27:15
  Speaker 1: Bro, it's because I only study Tory Lanez.
• 1:27:25
  Speaker 2: Man, that's crazy. He's in jail, right?
• 1:27:27
  Speaker 1: It's because... No, no, Tori Lenz is Trevis' father. The
• 1:27:30
  Speaker 1: fans are going to kill me. But really, that's it.
• 1:27:33
  Speaker 1: Tori was the one who wrote the lyrics for Trevis.
• 1:27:36
  Speaker 2: Really? I didn't know that. It's because they fought, bro.
• 1:27:39
  Speaker 3: I don't know but I don't know I don't know
• 1:27:41
  Speaker 3: I don't know I don't know.
• 1:28:09
  Speaker 1: That I see music. He's the one who's sounding like me,
• 1:28:12
  Speaker 1: you know? Fuck.
• 1:28:14
  Speaker 2: Then it was a joke.
• 1:28:15
  Speaker 1: Then it was a joke, you know? But I think
• 1:28:16
  Speaker 1: they're well resolved nowadays. But I... Man, I just study, man. Man,
• 1:28:20
  Speaker 1: it's like a class of... I send a trap, you know?
• 1:28:24
  Speaker 1: I take that live of him that he did in...
• 1:28:26
  Speaker 1: In the studio. Paper, pen.
• 1:28:29
  Speaker 3: Fuck.
• 1:28:29
  Speaker 1: What preset is this?
• 1:28:30
  Speaker 3: You know?
• 1:28:30
  Speaker 1: That's cool, man. And someone in Brazil too.
• 1:28:33
  Speaker 2: That you're listening to, that you listen to, that you enjoy?
• 1:28:35
  Speaker 3: Man.
• 1:28:39
  Speaker 1: No, man. some really good stuff. The re-recordings he did?
• 1:28:57
  Speaker 3: Thank you very much, Oliviano, for re-recording Lábios Divididos, brother.
• 1:29:01
  Speaker 2: What did we already sing, Gaetano? When you come back insensitive,
• 1:29:06
  Speaker 2: what is this? He went crazy, very good.
• 1:29:09
  Speaker 1: One more time!
• 1:29:11
  Speaker 3: Holy crap, brother! For real, forró is the way. I'm
• 1:29:16
  Speaker 3: a forrozeiro.
• 1:29:17
  Speaker 1: Me too, bro.
• 1:29:17
  Speaker 2: I like it too.
• 1:29:19
  Speaker 4: You have some songs that have a vibe, I don't know, bro.
• 1:29:24
  Speaker 2: I don't know where you get it.
• 1:29:25
  Speaker 1: There's a flow there, right?
• 1:29:27
  Speaker 2: Yeah, bro. There's a flow that I say, bro, damn it.
• 1:29:30
  Speaker 1: But this is Salvador, bro. Salvador breathes music, bro.
• 1:29:34
  Speaker 3: Salvador breathes culture.
• 1:29:35
  Speaker 1: Yeah, bro, it's bizarre.
• 1:29:36
  Speaker 2: The trap in the Nordeste is... You can't, right?
• 1:29:39
  Speaker 4: I can't say, but for me it's the worst, bro. Bro,
• 1:29:42
  Speaker 4: there's no way, bro. The Trap of the Northeast seems
• 1:29:45
  Speaker 4: to have a spice, it's different, bro.
• 1:29:46
  Speaker 3: It's authentic.
• 1:29:48
  Speaker 4: And I don't know, the climate there that makes the
• 1:29:50
  Speaker 4: Trap be what it is.
• 1:29:52
  Speaker 2: You know, from out there, from the North, from the Northeast,
• 1:29:54
  Speaker 2: from the Northeast mainly, bro.
• 1:29:55
  Speaker 1: Man, I think the whole region there... The climate, the environment,
• 1:30:00
  Speaker 1: the people, right?
• 1:30:01
  Speaker 3: But, bro, man, Franco himself, how old is this guy? 19.
• 1:30:03
  Speaker 1: 19 years old.
• 1:30:07
  Speaker 3: It's serious, man. Franco, he's this big, he looks like
• 1:30:10
  Speaker 3: Pepe Moreno. Maguinho.
• 1:30:12
  Speaker 1: Maguinho.
• 1:30:13
  Speaker 5: Man, I swear, I get to the Mítico' s house sometimes
• 1:30:16
  Speaker 5: like this.
• 1:30:16
  Speaker 3: He has a keyboard from here and there. He screams
• 1:30:21
  Speaker 3: and says... Come here, listen to this one that I
• 1:30:22
  Speaker 3: did now. You listen to the thing and you get
• 1:30:24
  Speaker 3: in shock.
• 1:30:24
  Speaker 1: You say like this. Brother, when I listen to this song,
• 1:30:27
  Speaker 1: I'm shocked. This guy is scared.
• 1:30:27
  Speaker 2: He released a clip of Franco, but you that I love,
• 1:30:30
  Speaker 2: go there on YouTube, this song is bombing.
• 1:30:31
  Speaker 3: We're making some hooks there.
• 1:30:32
  Speaker 2: Thank you, thank you. But this guy is the one
• 1:30:34
  Speaker 2: I've been seeing since.
• 1:30:37
  Speaker 2: I saw them up close, like you do, and I said,
• 1:30:39
  Speaker 2: what the fuck is this? This song that is going well,
• 1:30:41
  Speaker 2: we were at home on the.
• 1:30:42
  Speaker 4: Couch, it was 1h30 in the morning, on a Sunday,
• 1:30:44
  Speaker 4: and he said, he started to snore, like you do,
• 1:30:47
  Speaker 4: I didn't do anything, on a Sunday, I'm going to
• 1:30:50
  Speaker 4: make a song, I.
• 1:30:51
  Speaker 3: Said, dude, on a Sunday.
• 1:30:52
  Speaker 2: If you put them together, there are 19 songs. Brother,
• 1:30:55
  Speaker 2: forget it. He went and made this song, he left
• 1:30:58
  Speaker 2: home at 1h30 in the morning, 4h in the morning
• 1:31:00
  Speaker 2: he sent this song that is hitting Spotify, And in
• 1:31:07
  Speaker 2: like 3 hours he made the sound, you know? It's
• 1:31:09
  Speaker 2: very crazy, the guy is listening to the thing, I'm
• 1:31:11
  Speaker 2: going to make a sound.
• 1:31:12
  Speaker 1: Why?
• 1:31:12
  Speaker 2: I don't know, bro. It's been two days that I haven't.
• 1:31:15
  Speaker 1: Made a sound. Brother, when I saw that pivete, I
• 1:31:18
  Speaker 1: saw the video, bro. I saw it and I said, fuck.
• 1:31:22
  Speaker 1: Pivete for hair, for... His way. His way, no, like
• 1:31:24
  Speaker 1: in the clothes shop, singing, for fuck's sake. Man, I said, man, bizarre.
• 1:31:29
  Speaker 1: I sent it right to the group. I said, brother,
• 1:31:31
  Speaker 1: look at this pivete there. He's absurd. How bizarre, this
• 1:31:34
  Speaker 1: pivete there. Look, how bizarre!
• 1:31:36
  Speaker 2: This weekend I went to the Nog show, where Nog debuted.
• 1:31:40
  Speaker 2: What a wonderful party!
• 1:31:41
  Speaker 3: In Cinejoia?
• 1:31:42
  Speaker 2: Cinejoia, it was wonderful. Franco played there. And Criolo... I
• 1:31:46
  Speaker 2: wasn't going to greet Criolo, you know? Because.
• 1:31:49
  Speaker 1: You're nervous, right?
• 1:31:50
  Speaker 2: Yeah, man!
• 1:31:51
  Speaker 1: I'm sweating!
• 1:31:51
  Speaker 2: Look at Criolo! Is everyone a mythic? Look at Criolo!
• 1:31:53
  Speaker 2: Look at Criolo! And Criolo looked like this... No, you're crazy,
• 1:31:56
  Speaker 2: you're not looking at me. And Criolo looked like this...
• 1:32:00
  Speaker 2: Spinatti took Franco's hand and said, let's go, Criolo wants
• 1:32:03
  Speaker 2: to talk to you, Franco.
• 1:32:04
  Speaker 1: Wow, that's crazy!
• 1:32:05
  Speaker 2: Then he said, I really like Spinadi, he's pulling me
• 1:32:08
  Speaker 2: to talk to him.
• 1:32:09
  Speaker 4: Then I went to Crioula, he said, man, come see
• 1:32:11
  Speaker 4: the kid's show here and such. So, like, very cool,
• 1:32:13
  Speaker 4: like the music too, they will get to know each other,
• 1:32:15
  Speaker 4: they will identify and say, man, I'm connected to you,
• 1:32:18
  Speaker 4: I'm connected to you.
• 1:32:19
  Speaker 2: You're going to be connected, right, man?
• 1:32:20
  Speaker 5: Do you ever have meetings like this, in the dressing room,
• 1:32:23
  Speaker 5: backstage of a show, that you were like this?
• 1:32:27
  Speaker 2: In shock?
• 1:32:27
  Speaker 3: It's not happening here, no.
• 1:32:29
  Speaker 1: I went through Bunabói, bro, I was in shock, in
• 1:32:33
  Speaker 1: the detail. I listened to him for a long time, man.
• 1:32:36
  Speaker 1: I knew him for a long time, I listened to
• 1:32:39
  Speaker 1: his music, you know?
• 1:32:40
  Speaker 3: Look at your life, bro.
• 1:32:40
  Speaker 5: You were, a few minutes ago, saying that you were
• 1:32:44
  Speaker 5: sleeping on the floor. And you were sharing the same.
• 1:32:48
  Speaker 3: Space as Burnaboy to do the same thing as him, sing.
• 1:32:51
  Speaker 2: At the event.
• 1:32:52
  Speaker 1: You know? That's a lot.
• 1:32:53
  Speaker 3: Dude, have you ever stopped to think about it? Brother...
• 1:32:56
  Speaker 3: It's crazy, man.
• 1:32:57
  Speaker 1: It's a little bizarre, I think.
• 1:32:59
  Speaker 3: It's not a little, it's very bizarre, man. Burnaboy is
• 1:33:02
  Speaker 3: still born in the United States, he must have his story. But, brother,
• 1:33:05
  Speaker 3: Bahia is.
• 1:33:05
  Speaker 1: Bahia, you know? Bahia is... But I admire Burnaboy, mainly,
• 1:33:09
  Speaker 1: for the fact that he doesn't let his traditional language
• 1:33:14
  Speaker 1: come out of the music.
• 1:33:16
  Speaker 3: You know?
• 1:33:17
  Speaker 2: It's always there.
• 1:33:18
  Speaker 1: It's always there. It's always there, it's a thing in
• 1:33:20
  Speaker 1: Yoruba there.
• 1:33:21
  Speaker 3: You see?
• 1:33:21
  Speaker 1: That's fucking awesome. I think that... I identify with it.
• 1:33:25
  Speaker 3: No, it's the real deal, you know? No, it's really cool, man.
• 1:33:28
  Speaker 3: It's really cool. You sang at Detal, you sang at Lola.
• 1:33:31
  Speaker 1: Yes.
• 1:33:31
  Speaker 3: Circo Voador.
• 1:33:33
  Speaker 1: Now come here, Madureira. Madureira.
• 1:33:37
  Speaker 3: When will it be? Under that bridge there?
• 1:33:39
  Speaker 2: Yeah, man.
• 1:33:39
  Speaker 3: I've been to a samba show there. It's different, that place. Man,
• 1:33:43
  Speaker 3: it's ancestral, bro.
• 1:33:43
  Speaker 1: It's ancestral.
• 1:33:44
  Speaker 2: When are you going to do this show? 31 of
• 1:33:46
  Speaker 2: this month now.
• 1:33:47
  Speaker 1: Yeah, in two days, right? It's friday.
• 1:33:53
  Speaker 4: He keeps saying that it was too far, but it's
• 1:33:55
  Speaker 4: after the morning.
• 1:33:56
  Speaker 1: Friday, friday. But what's the expectation of this show?
• 1:33:59
  Speaker 2: Man, thank God we already sold 3000 and.
• 1:34:00
  Speaker 1: How many tickets? It's sold out already, guys. If you.
• 1:34:10
  Speaker 3: Bought tickets, go.
• 1:34:10
  Speaker 1: If you didn't, stay on the bridge.
• 1:34:11
  Speaker 2: It's going to be hot, man.
• 1:34:12
  Speaker 3: It's going to be hot. I'm preparing something, I'm so
• 1:34:14
  Speaker 3: anxious for this show.
• 1:34:22
  Speaker 1: For fuck's sake, like... You can curse, right? You can curse.
• 1:34:25
  Speaker 1: I'm cursing for fuck's sake.
• 1:34:26
  Speaker 2: You can curse, you're the fuck here in this shit.
• 1:34:28
  Speaker 1: In this fucking shit, girl.
• 1:34:29
  Speaker 7: Fuck.
• 1:34:29
  Speaker 1: Let's go. Like... I'm anxious, I'm preparing a very special thing.
• 1:34:37
  Speaker 1: I'm going to take my guests too. Forget it, our monsters.
• 1:34:40
  Speaker 1: Who's going?
• 1:34:41
  Speaker 2: Ah, there's going to be guests.
• 1:34:42
  Speaker 3: Or is it a surprise for those who come to
• 1:34:43
  Speaker 3: the church? If it's a surprise, leave it to the
• 1:34:46
  Speaker 3: guys there.
• 1:34:46
  Speaker 1: Man.
• 1:34:46
  Speaker 2: You can only talk about one.
• 1:34:47
  Speaker 1: There's going to be a transmission of our man there,
• 1:34:49
  Speaker 1: you know?
• 1:34:50
  Speaker 2: Transmission? Yeah.
• 1:34:52
  Speaker 3: Talk, talk, talk.
• 1:34:53
  Speaker 1: It's a broadcast of ours, bro. Soon he'll turn it on, soon.
• 1:34:57
  Speaker 1: He'll turn it on, he'll turn it on. He will?
• 1:34:59
  Speaker 2: Yes. Let's show who it is to the guys.
• 1:35:01
  Speaker 1: Yes.
• 1:35:02
  Speaker 3: You talk a lot about ancestry, it has a lot
• 1:35:04
  Speaker 3: to do with your religiousness. Do you feel like going to.
• 1:35:06
  Speaker 1: Africa, bro? Man, forget it. It's my dream to do
• 1:35:10
  Speaker 1: a show there, bro. And it would happen, but my team,
• 1:35:16
  Speaker 1: it increased, you know? In terms of, now there will
• 1:35:19
  Speaker 1: be scenography, I need to... It needs some... Some structure.
• 1:35:26
  Speaker 1: And I don't want to get to a sacred ground
• 1:35:30
  Speaker 1: to do a show in my mouth, bro.
• 1:35:31
  Speaker 2: In the sacred ground.
• 1:35:33
  Speaker 7: Disarmed.
• 1:35:33
  Speaker 1: You know? I'm not going to do a show. I
• 1:35:34
  Speaker 1: don't want to go there. I'd rather wait. It could
• 1:35:36
  Speaker 1: last two years, bro. But I'm going to do a
• 1:35:39
  Speaker 1: show there.
• 1:35:40
  Speaker 2: Hot. Like, bizarre, you know? Foda, irmão. Eu tenho muita
• 1:35:44
  Speaker 2: vontade de ir lá. Imagina também fazer o safário. Nós
• 1:35:47
  Speaker 2: temos que ir fazer um safário, irmão.
• 1:35:48
  Speaker 3: Por favor, velho.
• 1:35:48
  Speaker 4: Nós temos que inventar desculpas que vamos trabalhar lá, gravar vídeo,
• 1:35:51
  Speaker 4: mas só pra dar um rolê lá, mano.
• 1:35:53
  Speaker 3: Nós tínhamos que meter o louco, mano. Nós tínhamos que
• 1:35:55
  Speaker 3: ir de um lado e viajar. Os caras, cadê vocês? Ah,
• 1:35:57
  Speaker 3: mas nós estamos na Ásia.
• 1:35:58
  Speaker 4: Caralho, mano. Queria fazer um safário, mano. Você já fez
• 1:36:03
  Speaker 4: viagens pra fora?
• 1:36:04
  Speaker 2: Como que tá o bagulho de turnê? Quais são os
• 1:36:06
  Speaker 2: papos pra isso?
• 1:36:07
  Speaker 1: Irmão, eu fiz um show em Portugal que teve gente
• 1:36:09
  Speaker 1: que até saiu com o braço quebrado, mano. Yes, it was.
• 1:36:12
  Speaker 3: What is this, Trey Scott?
• 1:36:13
  Speaker 1: Yeah, man, it's crazy. It was crazy. Man, you have
• 1:36:15
  Speaker 1: to reveal these things, damn it. It happens, it's crazy.
• 1:36:17
  Speaker 1: And he said that with a smile, like, yeah, fuck, trap, fuck.
• 1:36:20
  Speaker 3: Man, it's because she came to me, she even took
• 1:36:22
  Speaker 3: a picture.
• 1:36:23
  Speaker 1: Of me, and then she was like, there, I broke
• 1:36:25
  Speaker 1: my arm, I broke my arm, I said, fuck. I
• 1:36:27
  Speaker 1: don't know if I congratulate you or go to the
• 1:36:29
  Speaker 1: doctor or what.
• 1:36:30
  Speaker 2: Take a picture with me, I broke my arm. I said,
• 1:36:33
  Speaker 2: come on, come on, come on.
• 1:36:33
  Speaker 1: Come here, come here, you deserve it. But it was,
• 1:36:35
  Speaker 1: it was crazy.
• 1:36:35
  Speaker 2: Like, the first one I did it.
• 1:36:37
  Speaker 1: Twice, right? Man, there were people who came from far
• 1:36:44
  Speaker 1: away to see us. There were people from Porto, I think.
• 1:36:48
  Speaker 2: I think even from Angola.
• 1:36:49
  Speaker 1: They came from Angola to see me. It was crazy.
• 1:36:51
  Speaker 1: It was cool.
• 1:36:52
  Speaker 2: Imagine your concert in Angola.
• 1:36:53
  Speaker 1: Brother, forget it. My cousins.
• 1:37:00
  Speaker 1: Oh, forget it.
• 1:37:00
  Speaker 2: Another place I really want to.
• 1:37:02
  Speaker 1: Visit, bro. I literally have blood from there.
• 1:37:03
  Speaker 2: Ah, no, what is this?
• 1:37:05
  Speaker 1: No, no, calm down.
• 1:37:07
  Speaker 3: Oh, Raposo, what happened?
• 1:37:08
  Speaker 1: Why are you like this, bro? Bro, doing a live
• 1:37:11
  Speaker 1: here with a Halloween theme. This guy, bro. The budget
• 1:37:14
  Speaker 1: is low, the guy gave his heart here, made a
• 1:37:19
  Speaker 1: little budget. What's up, Alex? What's up, Chuchu?
• 1:37:24
  Speaker 2: This guy is a son of a bitch, man. Fonte,
• 1:37:26
  Speaker 2: we're your.
• 1:37:27
  Speaker 3: Fans, but what's the reason for the connection? Talk to
• 1:37:29
  Speaker 3: the man here. What's up?
• 1:37:30
  Speaker 1: What's up, young man? Put it on the mic, put.
• 1:37:34
  Speaker 3: It on the mic. Look, look. Day 31, I'm there
• 1:37:37
  Speaker 3: at the show, playing at home, Madureira.
• 1:37:40
  Speaker 1: And we're going up, bro.
• 1:37:42
  Speaker 3: Fuck.
• 1:37:43
  Speaker 1: Hey, speaking of this, it's Zara do Home here, isn't it, man?
• 1:37:48
  Speaker 3: It's what?
• 1:37:48
  Speaker 1: It's just Zara, isn't it? Madureira. Madureira is this. Man, Madureira,
• 1:37:52
  Speaker 1: I'm like the mayor. 40% of Maracanã, 50% of Maracanã.
• 1:37:54
  Speaker 3: I've lived a lot there, man.
• 1:37:55
  Speaker 2: Very good, man. Raposo, don't take it.
• 1:37:57
  Speaker 3: Raposo, don't take it. Fonte.
• 1:37:58
  Speaker 1: You're going to be crazy, man. You're going to be crazy.
• 1:38:01
  Speaker 1: At Alê' s show, you're not going to kiss anyone, right, man?
• 1:38:15
  Speaker 3: Com certeza.
• 1:38:19
  Speaker 2: Sem beijar na boca lá, hein?
• 1:38:20
  Speaker 3: Sem beijar na boca, irmão.
• 1:38:23
  Speaker 1: Você vai fazer a transmissão?
• 1:38:20
  Speaker 3: No kissing in the mouth, brother.
• 1:38:23
  Speaker 1: You're not going to do the broadcast so we can
• 1:38:26
  Speaker 1: stay tuned?
• 1:38:26
  Speaker 3: What the fuck, bro? Let's do some live performances. Movements, movements, cool. Yeah,
• 1:38:32
  Speaker 3: we're fucking... But it's not to catch anyone there, huh? Man, seriously.
• 1:38:46
  Speaker 3: He's Agustinho Carrara, man. And black, man. What's your connection?
• 1:38:49
  Speaker 1: What's your connection? Mano, eu já assisto ele, pô, assisto
• 1:39:16
  Speaker 1: a live dele, tá ligado?
• 1:39:17
  Speaker 2: E a resenha dele.
• 1:39:18
  Speaker 1: E aí eu fiz esse convite pro parceiro dele, que
• 1:39:21
  Speaker 1: eu falei, pô, irmão, preciso desse mano junto no show
• 1:39:23
  Speaker 1: fazendo um caos, tá ligado?
• 1:39:25
  Speaker 2: Que da hora, mano.
• 1:39:26
  Speaker 1: E ele abraçou o projeto, ele falou, pô, mano, tá maluco,
• 1:39:28
  Speaker 1: uma doida na minha casa, pá. Let's go, a big hug.
• 1:39:30
  Speaker 3: He's got a lot of good blood, right? Don't forget, bro.
• 1:39:33
  Speaker 3: There was nothing that didn't call Fontenelle, that he sent a...
• 1:39:36
  Speaker 3: Let me see, it's always... I'll be back with you, bro.
• 1:39:40
  Speaker 3: If I can't, I'll be back another day. I said, man,
• 1:39:41
  Speaker 3: a man of disposition, of good people, bro.
• 1:39:43
  Speaker 1: But he likes to give a skirt tail, bro.
• 1:39:45
  Speaker 3: Raposo, don't take it.
• 1:39:46
  Speaker 2: Don't take it, Raposo, please.
• 1:39:48
  Speaker 3: What he says, he invents, my God.
• 1:39:49
  Speaker 1: Man, he's very.
• 1:39:50
  Speaker 2: He's very Agostinho Carrara.
• 1:39:52
  Speaker 3: No, no, no. Kisses.
• 1:40:00
  Speaker 2: The guy with the knife in his head.
• 1:40:03
  Speaker 1: No, it's going to be fine.
• 1:40:06
  Speaker 2: Brother, bizarre. Wonderful, cool, cool, bro.
• 1:40:08
  Speaker 4: So, on the 31st, Fontenelle will be broadcast your show.
• 1:40:10
  Speaker 4: Who can't go, will be able to see through him.
• 1:40:11
  Speaker 1: Yeah, guys, man. We'll be connected. Forgive me again, in
• 1:40:14
  Speaker 1: the circus happened the same thing too, guys. He even
• 1:40:16
  Speaker 1: charged me, bro, in the show.
• 1:40:18
  Speaker 3: What?
• 1:40:18
  Speaker 1: Damn, I tried in the circus, I had no more credit.
• 1:40:21
  Speaker 1: I said, man, it's going to happen the viaduct.
• 1:40:25
  Speaker 2: It's good to apologize, right?
• 1:40:27
  Speaker 3: Apologize, guys.
• 1:40:28
  Speaker 4: If you can't do this, do it next time. But
• 1:40:30
  Speaker 4: buy it before, a month before. And I'm very.
• 1:40:33
  Speaker 1: Happy, bro. What a moment. I think it's great, you know?
• 1:40:36
  Speaker 1: I don't know. I'm in the room recording and there's
• 1:40:40
  Speaker 1: a girl who's identifying with me, bro. That's really cool,
• 1:40:44
  Speaker 1: you know? I think, from the bottom of my heart,
• 1:40:46
  Speaker 1: you're a guy who's been through.
• 1:40:47
  Speaker 3: A lot, you know?
• 1:40:49
  Speaker 5: And you're a very good artist. And you have this
• 1:40:55
  Speaker 5: artistic sensitivity since always. So, it's hard for people who
• 1:40:59
  Speaker 5: go through these things and manage to make art with them,
• 1:41:03
  Speaker 5: you know? It's just a way to give the change
• 1:41:06
  Speaker 5: in the world, you know? So, I think that's why, bro.
• 1:41:10
  Speaker 5: I think the guys, when they hear the rhymes with
• 1:41:12
  Speaker 5: a very good beat, with a fucking melody, they say
• 1:41:15
  Speaker 5: like this, How.
• 1:41:17
  Speaker 3: Did this guy do that? He's talking to me, man.
• 1:41:19
  Speaker 3: It's like he's talking about me, you know?
• 1:41:20
  Speaker 2: Yeah, man. That's it, man.
• 1:41:21
  Speaker 3: This identification, there's no way to find it, there's no formula.
• 1:41:26
  Speaker 3: It's in there, you know?
• 1:41:26
  Speaker 1: It's bizarre, man. I get... I don't know, I don't
• 1:41:29
  Speaker 1: know the feeling. You just have to.
• 1:41:31
  Speaker 3: You have to appreciate it, man. Appreciate it and work harder.
• 1:41:33
  Speaker 2: It must be very nice, man, but it's a feeling
• 1:41:34
  Speaker 2: of you writing and seeing people crying, singing.
• 1:41:36
  Speaker 4: Because you helped me to get emotional composing.
• 1:41:39
  Speaker 1: What people sing is a part that, like, it was
• 1:41:40
  Speaker 1: a chat that I had with K.L., Then I talked
• 1:41:46
  Speaker 1: to my mom, and I said to her, if my
• 1:41:48
  Speaker 1: father and my mother were more present when I was younger,
• 1:41:51
  Speaker 1: would I have the same maturity as I have today?
• 1:41:53
  Speaker 1: She said, yes, my son. I said, yes, you taught me. Brother,
• 1:41:57
  Speaker 1: I put this in a song, the people seem to
• 1:41:59
  Speaker 1: be singing for the father. Even Errano, this son of
• 1:42:01
  Speaker 1: a bitch, teaches me.
• 1:42:02
  Speaker 3: Yeah, brother.
• 1:42:02
  Speaker 1: Things like that, people identify themselves.
• 1:42:04
  Speaker 3: Very, man.
• 1:42:04
  Speaker 1: Crazy, man.
• 1:42:05
  Speaker 2: Crazy.
• 1:42:11
  Speaker 4: And even the people who identify with it and the
• 1:42:14
  Speaker 4: people who didn't know that they were going through this, when.
• 1:42:17
  Speaker 3: They hear it, they say, bro, it's this, fuck. It's
• 1:42:20
  Speaker 3: you putting yourself vulnerable, bro. Yeah.
• 1:42:23
  Speaker 1: You know?
• 1:42:23
  Speaker 3: You're going to put yourself vulnerable.
• 1:42:24
  Speaker 1: You have to talk about your problems, believe it or not.
• 1:42:28
  Speaker 3: I think this is the way the artist surpasses them, right?
• 1:42:31
  Speaker 3: That's it. You know?
• 1:42:32
  Speaker 2: And the public identifies, right? For sure, bro.
• 1:42:34
  Speaker 3: Because the public needs, right, of a... Fuck. look at
• 1:42:38
  Speaker 3: the chaos that is happening in the world, the public
• 1:42:40
  Speaker 3: needs a little bit of encouragement, of joy.
• 1:42:43
  Speaker 2: I even wanted to say my condolences to the relatives
• 1:42:45
  Speaker 2: who lost their loved.
• 1:42:46
  Speaker 1: Ones, the guys, the residents who had their house invaded,
• 1:42:49
  Speaker 1: which gives a feeling of impotence to see their people suffering.
• 1:42:53
  Speaker 1: The images are terrible. Very bizarre. I don't know, it's sad.
• 1:43:06
  Speaker 1: The city literally has a death scent, you know? The
• 1:43:08
  Speaker 1: thing is... It's really... It's crazy. It's crazy because it's useless,
• 1:43:14
  Speaker 1: you know?
• 1:43:15
  Speaker 5: Like, it's not there that the barons of the traffic are.
• 1:43:19
  Speaker 3: It's not in the complex of Maré.
• 1:43:21
  Speaker 1: Never.
• 1:43:22
  Speaker 3: Never, never, brother, never. Because this.
• 1:43:26
  Speaker 5: Man, you are residents of Rio de Janeiro, you know, man.
• 1:43:28
  Speaker 5: This happens for years.
• 1:43:30
  Speaker 3: This killing, this... Kill, kill, kill the police and kill...
• 1:43:35
  Speaker 3: and the drug dealer stopped and it didn't end, the
• 1:43:40
  Speaker 3: police died, the.
• 1:43:41
  Speaker 1: Police lost their lives, the bandit lost his life.
• 1:43:44
  Speaker 3: And it won't change, because the problem is not there,
• 1:43:47
  Speaker 3: you know, that's what I say, Brazil does the K-47,
• 1:43:52
  Speaker 3: it doesn't do it, bro, it's not in the favela
• 1:43:54
  Speaker 3: that the drug is manufactured. You know what's absurd?
• 1:43:58
  Speaker 4: Igão posted a video there recently, go there on his Instagram, man,
• 1:44:00
  Speaker 4: he posted a video there, very cool, And then I
• 1:44:03
  Speaker 4: went to open the comment, a lot of people supporting,
• 1:44:04
  Speaker 4: but in the middle of it there were a lot
• 1:44:07
  Speaker 4: of people giving a laugh, thanking. I reposted a thing too,
• 1:44:11
  Speaker 4: I saw the DMs, a lot of answers. Like, you
• 1:44:13
  Speaker 4: have to fuck yourself, man.
• 1:44:14
  Speaker 1: I'm laughing, I say, man, that's crazy, man. Bro, it's
• 1:44:18
  Speaker 1: like this. I'll even talk about the rap scenario too, bro.
• 1:44:20
  Speaker 1: There's a lot... Playboy is inserted in our culture, bro.
• 1:44:23
  Speaker 3: There is.
• 1:44:24
  Speaker 2: Holy shit.
• 1:44:24
  Speaker 1: Like, too white, you know, bro?
• 1:44:25
  Speaker 3: And even sometimes ours with a Playboy mentality. Yeah, you know, bro?
• 1:44:29
  Speaker 1: Then it's even worse. Then it's even worse.
• 1:44:32
  Speaker 3: Why?
• 1:44:32
  Speaker 1: What happens? We're not talking about bandits. Bandits, we don't
• 1:44:34
  Speaker 1: like either, right, bro? Am I wrong? No, it has
• 1:44:38
  Speaker 1: to be judged. But it has to be judged within
• 1:44:40
  Speaker 1: the law, if it's... But, bro, we're talking about family, bro.
• 1:44:44
  Speaker 1: It's a child, like... A child that, bro, could be
• 1:44:47
  Speaker 1: going to school, a war bursting out of nowhere, bro. I...
• 1:44:51
  Speaker 1: I was like, bro, in Salvador, favela, there's a complex,
• 1:44:55
  Speaker 1: but I didn't live in favela, favela. My neighborhood is
• 1:44:58
  Speaker 1: a flat favela, right? Did you get the picture?
• 1:45:00
  Speaker 3: Yes. Like the City of God.
• 1:45:02
  Speaker 1: That's right, a flat favela. So we didn't see this stuff,
• 1:45:07
  Speaker 1: but it's where the police kill the most, you know?
• 1:45:09
  Speaker 1: It's a sinister thing, and it even increased the rate
• 1:45:11
  Speaker 1: even more. There are a lot of young black people
• 1:45:13
  Speaker 1: being killed, bro. Did you get it? It's a lot
• 1:45:17
  Speaker 1: of crazy people, a lot of kids watching that.
• 1:45:19
  Speaker 5: Before presenting a public policy to save, they kill before.
• 1:45:25
  Speaker 1: Forget it, man. There are 500 years of fighting, but
• 1:45:28
  Speaker 1: no one.
• 1:45:28
  Speaker 3: To resist, man. It's fucking awesome. There's a lot to resist.
• 1:45:31
  Speaker 1: And the worst people who.
• 1:45:32
  Speaker 2: Don't even dream of what a community is.
• 1:45:34
  Speaker 1: No, man.
• 1:45:35
  Speaker 2: It's on the internet. You know what I think?
• 1:45:37
  Speaker 4: I think that most people think that who lives in
• 1:45:40
  Speaker 4: the favela, everyone who lives in the favela is a bandit.
• 1:45:42
  Speaker 4: And I say, guys, just take that out of your head.
• 1:45:44
  Speaker 4: Just think that a lot of people live in the favela.
• 1:45:47
  Speaker 2: You know who lives in the.
• 1:45:48
  Speaker 3: Favela, guys? The woman who cleans your house.
• 1:45:53
  Speaker 5: The woman who takes care of your son, who takes
• 1:45:56
  Speaker 5: you to walk your dog, the doorman of your building,
• 1:45:58
  Speaker 5: they live in the favela, you know?
• 1:46:01
  Speaker 3: So put your hand on your conscience, bro.
• 1:46:03
  Speaker 5: I even said this in the video, favela became.
• 1:46:06
  Speaker 3: A pejorative synonym. I go to the favela, what are
• 1:46:09
  Speaker 3: you going.
• 1:46:09
  Speaker 2: To do there?
• 1:46:10
  Speaker 3: I go there, get my partner, listen to the sound.
• 1:46:12
  Speaker 3: In the favela there is music, there is culture for
• 1:46:14
  Speaker 3: fuck's sake.
• 1:46:14
  Speaker 1: Brother, it's the best, right? In fact, we were forgotten there.
• 1:46:18
  Speaker 3: The favela dictates the fashion.
• 1:46:20
  Speaker 1: We were left and forgotten there, without land.
• 1:46:23
  Speaker 3: It's important to remember that.
• 1:46:24
  Speaker 1: Our people were left in the.
• 1:46:26
  Speaker 3: Middle of nowhere.
• 1:46:27
  Speaker 5: That's why there are mountains and favelas. Because they abolished slavery, but.
• 1:46:32
  Speaker 3: They said, fuck it, brother, there's no land here for you.
• 1:46:34
  Speaker 1: The land is.
• 1:46:36
  Speaker 3: For the white people, who are still European.
• 1:46:38
  Speaker 1: Man, I see this problem of generations, you know, brother?
• 1:46:42
  Speaker 1: Let's say that our people... How are you going to
• 1:46:51
  Speaker 1: have empathy and have, let's say, a different vision of
• 1:46:55
  Speaker 1: the future if you go out on the street and
• 1:46:58
  Speaker 1: there are a hundred and few, few dead in front
• 1:47:01
  Speaker 1: of you, you're a child seeing that there, bro.
• 1:47:04
  Speaker 2: It's bizarre. Traumatizing, bro.
• 1:47:06
  Speaker 1: Your house is being invaded, you're getting beaten, you're seeing
• 1:47:09
  Speaker 1: your relatives killed, shooting, noise. Man, it's scary, bro. It's bizarre.
• 1:47:15
  Speaker 3: They're wounds, they're traumas that stay for the rest of
• 1:47:18
  Speaker 3: your life.
• 1:47:18
  Speaker 2: They're traumas that, at least, are just hatred.
• 1:47:20
  Speaker 1: That's crazy, bro. That will pull you away from the
• 1:47:22
  Speaker 1: state later. It's just hatred, Mítico, exactly.
• 1:47:25
  Speaker 2: That's what's crazy.
• 1:47:25
  Speaker 1: That's crazy, bro.
• 1:47:26
  Speaker 2: You know?
• 1:47:26
  Speaker 5: It's important for us to talk about this, bro, because
• 1:47:28
  Speaker 5: you're a reference today in hip-hop, in trap, and people
• 1:47:31
  Speaker 5: need to know that trap, hip-hop, it has a side,
• 1:47:36
  Speaker 5: you know?
• 1:47:36
  Speaker 1: It has, bro. I don't know what people think, that
• 1:47:38
  Speaker 1: we're going to keep raising our hands to the others.
• 1:47:40
  Speaker 1: You know? I don't know, you know? But, man, we
• 1:47:45
  Speaker 1: have to give a position to our people. Unfortunately, from
• 1:47:48
  Speaker 1: what we've seen, this scene has no hope. It seems
• 1:47:51
  Speaker 1: like it's just... Invade there and kill them. You know?
• 1:47:53
  Speaker 1: And it scares the residents. Like, it's a scuffle. It's
• 1:47:55
  Speaker 1: a scuffle. And the drugs will keep coming. I even
• 1:47:58
  Speaker 1: talk about... of the police too, like, it's the command
• 1:48:14
  Speaker 1: of the state, you know? They lost the lives of policemen.
• 1:48:17
  Speaker 3: Too, you know? The policemen are also victims, man.
• 1:48:20
  Speaker 1: Of that too, bro. It's bizarre.
• 1:48:22
  Speaker 5: Because who gives the pen is another man who says
• 1:48:24
  Speaker 5: like this, go there.
• 1:48:25
  Speaker 1: Who is dedicated to watching. It's logical, man.
• 1:48:27
  Speaker 3: You know? Who even makes money with drug trafficking is
• 1:48:29
  Speaker 3: now walking on the street, man. It's not in the complex.
• 1:48:33
  Speaker 3: It's not in the complex.
• 1:48:34
  Speaker 2: It's not in the complex.
• 1:48:35
  Speaker 3: Who is in the.
• 1:48:35
  Speaker 5: They are soldiers who... That's what I said in the video.
• 1:48:38
  Speaker 5: They are soldiers who tomorrow... That died and that tomorrow
• 1:48:42
  Speaker 5: there's a lot more to put in place.
• 1:48:43
  Speaker 3: And it's always going to happen.
• 1:48:45
  Speaker 1: Always. It's awesome.
• 1:48:47
  Speaker 3: We need public policies.
• 1:48:50
  Speaker 1: Education. This changes.
• 1:48:52
  Speaker 3: And there's a lot of examples.
• 1:48:55
  Speaker 1: Anyway.
• 1:48:56
  Speaker 3: It's a situation.
• 1:48:57
  Speaker 2: That makes us reflect literally.
• 1:48:58
  Speaker 1: And it makes us very sad. When you're crazy, it
• 1:49:01
  Speaker 1: hurts the heart. And I just came from there. The air.
• 1:49:10
  Speaker 2: The city must be... And that's what I was going
• 1:49:11
  Speaker 2: to say.
• 1:49:12
  Speaker 1: There must be a... There's an air of death, bro.
• 1:49:14
  Speaker 1: I took a look, there's an air of fear, of chaos,
• 1:49:16
  Speaker 1: you know?
• 1:49:17
  Speaker 2: Like... You don't know what's going to happen.
• 1:49:19
  Speaker 1: Yeah, you know? And, man, I have a lot of
• 1:49:22
  Speaker 1: fans who live in communities, you know? Fans, like, sending
• 1:49:24
  Speaker 1: me messages like, man, will there be a show? Maybe
• 1:49:26
  Speaker 1: most of them, right?
• 1:49:28
  Speaker 3: You know?
• 1:49:29
  Speaker 1: And I think, man, it's bizarre, like... It's sad. Very sad.
• 1:49:34
  Speaker 1: It's sad.
• 1:49:34
  Speaker 2: Too sad.
• 1:49:35
  Speaker 1: Very, man.
• 1:49:35
  Speaker 2: You know? Ale.
• 1:49:38
  Speaker 5: I'm going to ask you some quick questions so you
• 1:49:40
  Speaker 5: can answer right away.
• 1:49:42
  Speaker 1: Okay.
• 1:49:43
  Speaker 3: Three things that can't be missing in Ale's dressing room.
• 1:49:45
  Speaker 1: Coffee. One?
• 1:49:46
  Speaker 3: There are three. Three?
• 1:49:48
  Speaker 1: Coffee, Yopro.
• 1:49:52
  Speaker 2: The Yopro addict?
• 1:49:53
  Speaker 1: No, but the team likes it. Yopro and apples.
• 1:49:59
  Speaker 3: I thought it was Trapper Fitness.
• 1:50:01
  Speaker 1: No, but there's a gin there.
• 1:50:03
  Speaker 3: Relax.
• 1:50:04
  Speaker 1: Calm down, man.
• 1:50:05
  Speaker 2: Calm down, man.
• 1:50:08
  Speaker 3: Um rapper pra ser sua dupla sertaneja?
• 1:50:10
  Speaker 1: KL.
• 1:50:11
  Speaker 3: Três motivos pra não desistir?
• 1:50:15
  Speaker 1: Perseverança... Ah, minha mãe. Vou dizer meu futuro filho, que
• 1:50:21
  Speaker 1: eu penso ter filho. Amém.
• 1:50:23
  Speaker 3: É isso.
• 1:50:24
  Speaker 1: E eu mesmo. Provar pra mim mesmo que eu sou...
• 1:50:27
  Speaker 1: É possível mesmo, foda-se.
• 1:50:29
  Speaker 3: O que você mais sente falta de Camassari?
• 1:50:31
  Speaker 1: Pô, mano, de tá jogando bola no campinho ali da
• 1:50:34
  Speaker 1: rua da linha, mano. Man, it was really good. Or
• 1:50:38
  Speaker 1: I would go near my aunt's house, jump on the
• 1:50:40
  Speaker 1: wall and the guy would kick the dog because we
• 1:50:42
  Speaker 1: jumped on the wall to steal the mango. Damn, that
• 1:50:44
  Speaker 1: was really cool.
• 1:50:45
  Speaker 3: This adrenaline is fucking.
• 1:50:46
  Speaker 2: Cool, right?
• 1:50:47
  Speaker 3: Man, mango is fucking cool, bro.
• 1:50:48
  Speaker 2: I would go there to get the fruit, it's adrenaline.
• 1:50:51
  Speaker 2: A dog will come, a knife.
• 1:50:53
  Speaker 1: An old man, crazy. My brother, you know that salt gun?
• 1:50:55
  Speaker 2: Yes.
• 1:50:56
  Speaker 1: Man, it hurts, huh?
• 1:50:57
  Speaker 2: It hurts.
• 1:50:58
  Speaker 1: He would kick the dog and start. He would just
• 1:51:01
  Speaker 1: wait for the boy to come.
• 1:51:06
  Speaker 3: I think it was.
• 1:51:07
  Speaker 4: The old man's fun, it's also a ball, it falls
• 1:51:10
  Speaker 4: here for me to pierce the.
• 1:51:13
  Speaker 3: Pipe, it's the pipe in the house, there was always
• 1:51:16
  Speaker 3: a neighbor, you know that it's you, bro, you play,
• 1:51:18
  Speaker 3: we liked to stay at the door of her.
• 1:51:20
  Speaker 5: House because it was perfect to sit there, there was
• 1:51:22
  Speaker 5: a goalkeeper's gate, the gate, you know what she did, the.
• 1:51:33
  Speaker 3: The mother's daughter, she threw candy on the sidewalk. Damn.
• 1:51:36
  Speaker 3: She smashed all our clothes, damn it. Son of a bitch.
• 1:51:39
  Speaker 3: I'll tell you a story. I'll tell you a story
• 1:51:40
  Speaker 3: here too. The gym was close to my house.
• 1:51:42
  Speaker 2: My grandma used to bat there, there.
• 1:51:44
  Speaker 3: Was a bat there too, from the gym.
• 1:51:45
  Speaker 1: We used to play the ball there, we used to
• 1:51:46
  Speaker 1: put the sandals on. He used to play glass, man. Glass?
• 1:51:50
  Speaker 3: Yeah.
• 1:52:01
  Speaker 1: So we cleaned it up, and then São João arrived,
• 1:52:04
  Speaker 1: and I.
• 1:52:04
  Speaker 3: Got that 1 real bomb.
• 1:52:05
  Speaker 1: And I threw it in his house. Wow, do you
• 1:52:09
  Speaker 1: know what we did?
• 1:52:09
  Speaker 3: I'm going to tell you, you're going to love it.
• 1:52:11
  Speaker 5: I told my mom, I said, mom, this old woman there,
• 1:52:15
  Speaker 5: we play, we play volleyball, she throws the ball, we
• 1:52:18
  Speaker 5: play soccer, I even understood the soccer that.
• 1:52:20
  Speaker 2: We were doing her goal goal. But okay.
• 1:52:23
  Speaker 5: She started to bother us, not in front of her house,
• 1:52:25
  Speaker 5: on the street. Do you know what my mom did?
• 1:52:27
  Speaker 5: She went with me to buy a bomb. My mom
• 1:52:30
  Speaker 5: went with me to buy a bomb.
• 1:52:32
  Speaker 1: Damn. Your mom is a gangster.
• 1:52:33
  Speaker 2: My mom is a monster.
• 1:52:34
  Speaker 3: She said, stay in the back seat. I'll stop in
• 1:52:38
  Speaker 3: front of... Look what she said to me. I'll stop
• 1:52:40
  Speaker 3: in front of her backyard.
• 1:52:41
  Speaker 1: You.
• 1:52:41
  Speaker 3: Oh, mom, sorry. But you don't even live there anymore.
• 1:52:44
  Speaker 2: I'll stay in front.
• 1:52:47
  Speaker 5: I'll stop in front of the backyard. You turn on
• 1:52:51
  Speaker 5: and don't make a mistake.
• 1:52:53
  Speaker 3: Throw it in there. I threw a B4, like... But
• 1:52:56
  Speaker 3: inside the house of the woman who did... You know
• 1:52:59
  Speaker 3: when you see it getting all gray like this?
• 1:53:00
  Speaker 2: Go, go, go.
• 1:53:01
  Speaker 3: Let's go to Palinho, let's put the macho.
• 1:53:02
  Speaker 2: He and his mother.
• 1:53:03
  Speaker 3: Me and my mother.
• 1:53:04
  Speaker 1: This is very gangster.
• 1:53:05
  Speaker 2: This is very gangster.
• 1:53:06
  Speaker 3: This is gangster.
• 1:53:07
  Speaker 2: This is gangster. Then you smoked a cigarette.
• 1:53:10
  Speaker 3: I wanted. I wanted. But my mother is that. Do
• 1:53:12
  Speaker 3: what I command and don't do what I do.
• 1:53:14
  Speaker 1: You know?
• 1:53:14
  Speaker 4: Just look at the mother smoking.
• 1:53:16
  Speaker 1: Smoking.
• 1:53:16
  Speaker 3: Because I'm gangster. You're not. You're fiat.
• 1:53:19
  Speaker 2: You're fiat. I'm fiat.
• 1:53:21
  Speaker 1: Damn, bravo, man.
• 1:53:22
  Speaker 3: Dryer Weiss.
• 1:53:24
  Speaker 1: Irmão, eu não fumo. É isso.
• 1:53:27
  Speaker 3: É isso que eu queria ouvir, mano.
• 1:53:29
  Speaker 1: Não fumo.
• 1:53:30
  Speaker 3: Maior músico de todos os tempos?
• 1:53:31
  Speaker 1: Michael Jackson. Caralho.
• 1:53:35
  Speaker 3: Como que o Alê gasta mais dinheiro?
• 1:53:38
  Speaker 2: Com o quê?
• 1:53:39
  Speaker 1: E aí você pegou... Roupa, roupa, roupa, roupa. Roupa.
• 1:53:42
  Speaker 3: Verdade?
• 1:53:43
  Speaker 1: Roupa. Não, não.
• 1:53:45
  Speaker 6: Roupa é roupinha.
• 1:53:47
  Speaker 1: Roupa! Cala a boca!
• 1:53:50
  Speaker 3: Roupa....
• 1:53:52
  Speaker 1: Clothes! Clothes! Clothes! Clothes!
• 1:53:54
  Speaker 3: Clothes!
• 1:53:54
  Speaker 1: Clothes! Clothes!
• 1:53:54
  Speaker 2: Clothes! Clothes!
• 1:53:55
  Speaker 1: Clothes!
• 1:53:56
  Speaker 2: Clothes!
• 1:53:56
  Speaker 1: Clothes!
• 1:53:56
  Speaker 3: Clothes! Clothes!
• 1:53:57
  Speaker 1: Clothes! Clothes! Clothes! Clothes!
• 1:53:58
  Speaker 4: Clothes!
• 1:53:58
  Speaker 2: Clothes! Clothes! Clothes!
• 1:53:58
  Speaker 1: Clothes!
• 1:53:59
  Speaker 2: Clothes!
• 1:53:59
  Speaker 1: Clothes! Clothes! Clothes!
• 1:54:00
  Speaker 2: Clothes!
• 1:54:01
  Speaker 1: Clothes!
• 1:54:01
  Speaker 2: Clothes!
• 1:54:01
  Speaker 1: Clothes! Clothes! Clothes! Clothes!
• 1:54:02
  Speaker 3: Clothes!
• 1:54:03
  Speaker 1: Clothes!
• 1:54:03
  Speaker 3: Clothes! Clothes!
• 1:54:03
  Speaker 2: Clothes!
• 1:54:04
  Speaker 1: Clothes!
• 1:54:04
  Speaker 3: Clothes!
• 1:54:04
  Speaker 2: Clothes!
• 1:54:05
  Speaker 3: Clothes!
• 1:54:06
  Speaker 2: Clothes! Clothes!
• 1:54:06
  Speaker 3: Clothes!
• 1:54:06
  Speaker 1: Clothes!
• 1:54:07
  Speaker 2: Clothes!
• 1:54:08
  Speaker 1: Clothes! Clothes! Clothes!
• 1:54:08
  Speaker 7: Clothes!
• 1:54:09
  Speaker 3: Clothes! Clothes!
• 1:54:09
  Speaker 1: Clothes! Clothes!
• 1:54:10
  Speaker 3: Clothes!
• 1:54:11
  Speaker 2: Clothes!
• 1:54:11
  Speaker 3: Clothes! Clothes!
• 1:54:12
  Speaker 2: Clothes!
• 1:54:12
  Speaker 1: Clothes!
• 1:54:13
  Speaker 2: Clothes! Clothes!
• 1:54:14
  Speaker 1: Clothes! Clothes!
• 1:54:14
  Speaker 3: Clothes!
• 1:54:16
  Speaker 1: Clothes!
• 1:54:16
  Speaker 3: Clothes! Clothes!
• 1:54:17
  Speaker 1: Clothes! Clothes! Clothes! Clothes!
• 1:54:18
  Speaker 3: Clothes Um sonho que ainda não realizou?
• 1:54:24
  Speaker 2: Hum.
• 1:54:26
  Speaker 1: Pô, me sinto bem realizado hoje em.
• 1:54:28
  Speaker 3: Dia, sabia?
• 1:54:28
  Speaker 1: Sério? É, mano.
• 1:54:30
  Speaker 3: O que vê agora é novo.
• 1:54:31
  Speaker 1: Ah, não. África, cantar África.
• 1:54:33
  Speaker 3: Amém.
• 1:54:34
  Speaker 1: Pronto.
• 1:54:35
  Speaker 2: Bora.
• 1:54:37
  Speaker 3: Quem é o trapper mais bonito da cena?
• 1:54:39
  Speaker 2: Fala a verdade.
• 1:54:40
  Speaker 1: Hum, deixa eu.
• 1:54:42
  Speaker 3: Ver. Eu vou... Let me see, I'll give my vote.
• 1:54:45
  Speaker 2: Don't say Viggo, fuck.
• 1:54:47
  Speaker 1: My brother Adessandro is there, the black guy is very good.
• 1:54:49
  Speaker 2: He is very beautiful too, bro. Sandy. Sandy is beautiful.
• 1:54:52
  Speaker 2: The black guy is beautiful. The trapper is more beautiful, bro.
• 1:54:54
  Speaker 1: Oh, bitch.
• 1:54:55
  Speaker 2: It's that the Baco is not a trapper, right?
• 1:55:01
  Speaker 3: But he posts some pictures.
• 1:55:03
  Speaker 2: He always posts pictures. He's always sweaty.
• 1:55:06
  Speaker 1: He's always sweaty. He's always.
• 1:55:08
  Speaker 2: Yeah, with his chest that.
• 1:55:10
  Speaker 3: Looks like it's going to hug you, you know?
• 1:55:12
  Speaker 2: He's always... Damn, Baco.
• 1:55:14
  Speaker 3: If you post these pictures, the thing will go crazy, man.
• 1:55:16
  Speaker 2: Hold on to where? Hold on to where?
• 1:55:18
  Speaker 1: Calm down, man. It's cool.
• 1:55:19
  Speaker 3: No, Baco's shorts are way above his knees, right, man?
• 1:55:21
  Speaker 2: His shorts are in the middle of his thighs.
• 1:55:23
  Speaker 3: Did you see?
• 1:55:23
  Speaker 4: If he was sitting with his legs open, the egg...
• 1:55:27
  Speaker 4: It's so short that it's the thing. It's Macho Atlética,
• 1:55:30
  Speaker 4: the Bermudinho.
• 1:55:31
  Speaker 3: God bless you, brother. The guy is strong, you know?
• 1:55:32
  Speaker 2: I'm kidding, Baco.
• 1:55:34
  Speaker 3: You have to be kidding.
• 1:55:35
  Speaker 1: He fights a lot.
• 1:55:35
  Speaker 3: He fights a lot.
• 1:55:36
  Speaker 1: Bahia too.
• 1:55:37
  Speaker 3: He's rooting for Bahia too. Let's go. Have you ever
• 1:55:40
  Speaker 3: put someone in directs in your songs? Yes or no?
• 1:55:45
  Speaker 3: You don't need to say who.
• 1:55:47
  Speaker 2: Ah, already, man.
• 1:55:49
  Speaker 3: Ah, fuck.
• 1:55:49
  Speaker 1: Whoever gets it, gets it.
• 1:55:51
  Speaker 3: Whoever doesn't get it, I'm very sorry. If you could
• 1:55:53
  Speaker 3: end anything in the world, what would it be? Man.
• 1:55:56
  Speaker 1: Advance.
• 1:55:57
  Speaker 6: If you weren't a musician, what would you be?
• 1:56:26
  Speaker 1: Ah, boxeador, acho que eu votaria se o boxe não
• 1:56:28
  Speaker 1: desse nada certo.
• 1:56:30
  Speaker 3: Mas você não tem vontade de voltar a praticar um pouco?
• 1:56:32
  Speaker 1: Irmão, sou competitivo. Irmão, você fala, corre até ali, duvido. Tipo,
• 1:56:37
  Speaker 1: se eu chegar primeiro que você... Irmão, eu corro. Você
• 1:56:38
  Speaker 1: é assim, né? É, barril, sou competitivo.
• 1:56:42
  Speaker 5: Os menor que é assim, Mítico, é que é usado
• 1:56:44
  Speaker 5: pra fazer o mal.
• 1:56:46
  Speaker 3: Porque sempre tem um amigo, tipo eu.
• 1:56:48
  Speaker 2: Eu era assim.
• 1:56:49
  Speaker 3: Que você é o louco. Eu sei disso. Aí eu
• 1:56:51
  Speaker 3: vou chegar no Mítico e falar assim.
• 1:56:53
  Speaker 2: I'm just not anymore because of my age.
• 1:56:54
  Speaker 3: You can't go up to Quinta Andar without equipment, can you?
• 1:56:58
  Speaker 2: I can. From head to toe. I can, man.
• 1:57:00
  Speaker 1: I can. I can.
• 1:57:01
  Speaker 2: You want to see? I would blow myself up, but
• 1:57:03
  Speaker 2: I would get there. I'll explain the Salvador's law of
• 1:57:05
  Speaker 2: the little train. What is it?
• 1:57:07
  Speaker 1: What is it? Carnaval. The smallest in front.
• 1:57:10
  Speaker 2: Am I wrong, Caio? The smallest in front.
• 1:57:12
  Speaker 1: The most barrel.
• 1:57:22
  Speaker 2: Who knows how to hit.
• 1:57:23
  Speaker 1: There, in the contention. And then he goes to the hierarchy.
• 1:57:27
  Speaker 1: The smallest is the first to... The last one is
• 1:57:30
  Speaker 1: the one who only catches, right? Brother, the last one...
• 1:57:34
  Speaker 1: Cristiano said that. He has to be a bastard, brother.
• 1:57:37
  Speaker 1: Because I'm going to tell you, because the confusion happened,
• 1:57:39
  Speaker 1: he's on the last one, he has to turn to
• 1:57:40
  Speaker 1: the war.
• 1:57:42
  Speaker 2: Regardless of how this war is going to be, he's.
• 1:57:44
  Speaker 1: Going to have to go. But the smallest....
• 1:58:00
  Speaker 3: He said, if you're last on the train, you have
• 1:58:02
  Speaker 3: to be good. Because if you stay.
• 1:58:04
  Speaker 2: The last one has to be light, bro.
• 1:58:06
  Speaker 3: Like, you always have to be a wiser guy.
• 1:58:10
  Speaker 1: On the train, where did you stay? First, it was low.
• 1:58:12
  Speaker 1: So you were the demoniac.
• 1:58:14
  Speaker 3: I'm just talking to you. You said that, he said.
• 1:58:18
  Speaker 1: You were the first and ran away? No, I never
• 1:58:21
  Speaker 1: did that. Primeiro fui pra trás e aí começa o
• 1:58:32
  Speaker 1: bonde invadindo. Atropela. Ele nunca fez isso. É, pô, faz
• 1:58:36
  Speaker 1: isso e o bonde invadindo.
• 1:58:42
  Speaker 3: Dude, I saw Ju today.
• 1:58:44
  Speaker 1: Oh, Narito, I'm sorry, but I've already fought in your popcorn.
• 1:58:47
  Speaker 1: And you think he's.
• 1:58:48
  Speaker 2: Listening to this saying what?
• 1:58:49
  Speaker 1: Glory to God! That's it, fuck!
• 1:58:52
  Speaker 3: I'm talking here, I was with Canario, I said, Canario,
• 1:58:54
  Speaker 3: I'm going to your popcorn.
• 1:58:55
  Speaker 1: He was my neighbor, man. Narito, yeah, man. He calls
• 1:58:59
  Speaker 1: me Trevis, right? Hey, Trevis!
• 1:59:02
  Speaker 2: Hey, Trevis!
• 1:59:03
  Speaker 1: Why did you take off the bra, Trevis? That's so cool! Man,
• 1:59:08
  Speaker 1: think of a person like that. Pure, right?
• 1:59:09
  Speaker 3: Man, it took me to everything that is singing, bro.
• 1:59:11
  Speaker 1: That's so cool! Everything that is singing, everything that is singing.
• 1:59:14
  Speaker 2: He is very good-blooded.
• 1:59:15
  Speaker 3: Man, Christian Bell talking about him, he said like this...
• 1:59:17
  Speaker 3: What are you looking at me? I'm with your shot!
• 1:59:19
  Speaker 3: I don't know how to imitate.
• 1:59:21
  Speaker 2: He said that he liked to fight. He looked at me,
• 1:59:23
  Speaker 2: he said, what was it? And take it.
• 1:59:26
  Speaker 1: I also had a time in my life when I
• 1:59:28
  Speaker 1: was kind of rebellious. I go out on the street
• 1:59:29
  Speaker 1: and look at what the people are looking at.
• 1:59:31
  Speaker 2: Why, man?
• 1:59:32
  Speaker 1: You wanted any kind of development.
• 1:59:34
  Speaker 3: When I pass some at home, man, it's serious.
• 1:59:37
  Speaker 2: You want to discount.
• 1:59:38
  Speaker 3: I get disturbed.
• 1:59:39
  Speaker 2: But now you're soft, then.
• 1:59:40
  Speaker 1: No, nowadays I'm... You've.
• 1:59:41
  Speaker 3: Already laid down all the bodies you had to lay down.
• 1:59:44
  Speaker 1: Nowadays I'm peace. Because nowadays no one knows more in
• 1:59:47
  Speaker 1: the hand, right, man? Salvador is hot.
• 1:59:50
  Speaker 3: There's no more this healthy sport, right? No, man.
• 1:59:53
  Speaker 2: Everyone can have.
• 1:59:54
  Speaker 1: Salvador, 87 years old.
• 1:59:56
  Speaker 2: Now not.
• 1:59:56
  Speaker 1: Salvador, when the factions arrived, it was a neighborhood war.
• 2:00:02
  Speaker 1: And the other one, the neighborhood war was all in
• 2:00:05
  Speaker 1: the hands, man. The thing was crazy, at the end
• 2:00:07
  Speaker 1: of the school.
• 2:00:07
  Speaker 3: At my time it was school against school.
• 2:00:09
  Speaker 2: Let's go to Major Telmo, let's go get the guys.
• 2:00:11
  Speaker 1: That's crazy, right? Very crazy.
• 2:00:12
  Speaker 2: I was too, but... But what did they do?
• 2:00:14
  Speaker 3: They are only from high school.
• 2:00:18
  Speaker 4: They are entering the school, they are only entering the school,
• 2:00:20
  Speaker 4: let's get them.
• 2:00:21
  Speaker 3: They are only from high school, but they all live
• 2:00:22
  Speaker 3: in the same neighborhood, right?
• 2:00:24
  Speaker 2: That's crazy, right?
• 2:00:25
  Speaker 3: Yeah, but.
• 2:00:26
  Speaker 2: We liked to get hurt.
• 2:00:27
  Speaker 4: Do the guys at school do these things today?
• 2:00:29
  Speaker 2: They don't do anything, Mítico.
• 2:00:30
  Speaker 3: I'm saying that everyone today has an 8-window, bro. You
• 2:00:32
  Speaker 3: can't fight, but no.
• 2:00:33
  Speaker 1: I'll give you a 3-2-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3-2-3- I'll even send a greeting
• 2:00:55
  Speaker 1: to her, by the way. Director of the school, Dona Norma.
• 2:00:59
  Speaker 1: She was looking for confusion in school.
• 2:01:01
  Speaker 3: She was the director of the school and her name
• 2:01:03
  Speaker 3: is Norma.
• 2:01:04
  Speaker 1: And I'll tell you, she was the only person who
• 2:01:06
  Speaker 1: believed in me. She said, my son, kiss Dona Norma,
• 2:01:08
  Speaker 1: I love you, stay with God. It's Dona Norma. Our monster. Man,
• 2:01:19
  Speaker 1: she turned to me, my son, one day I'll see
• 2:01:21
  Speaker 1: you at Faustão, one day I'll see you on television,
• 2:01:25
  Speaker 1: you'll see, don't stop being like that, because, damn, I
• 2:01:28
  Speaker 1: married Carla Scoff.
• 2:01:29
  Speaker 3: Imperative.
• 2:01:30
  Speaker 1: Imperative, José do Menor hit her there, we gave her.
• 2:01:32
  Speaker 2: A finger, it was crazy.
• 2:01:35
  Speaker 3: It wasn't your imperative.
• 2:01:36
  Speaker 1: Police hitting her at the school door. This is a trap, bro. Yeah,
• 2:01:38
  Speaker 1: we lived the game. This is a trap since childhood, bro. No,
• 2:01:44
  Speaker 1: but I'm not very proud. I'll lie. But you built
• 2:01:46
  Speaker 1: the man you are today. I built it, man.
• 2:01:47
  Speaker 3: I would have been more.
• 2:01:48
  Speaker 1: Calm if I had said that. I'm not proud. I
• 2:01:50
  Speaker 1: don't recommend anyone to do what I did in school.
• 2:01:53
  Speaker 1: You guys, don't do that in school. You're just reporting it.
• 2:01:55
  Speaker 1: I'm just reporting it. It's a past.
• 2:01:56
  Speaker 3: A past of a villain.
• 2:02:03
  Speaker 2: But then.
• 2:02:23
  Speaker 1: Calm down, everything will be fine.
• 2:02:24
  Speaker 4: Calm down, calm down, soon, you know. When you're in
• 2:02:26
  Speaker 4: São Paulo, say hi. A show in São Paulo is
• 2:02:28
  Speaker 4: a hi that we like. I like a little show, bro.
• 2:02:29
  Speaker 4: I really like to stick to the brothers' show.
• 2:02:32
  Speaker 1: It's going to be cake, I see you there, bro.
• 2:02:34
  Speaker 1: It's going to be brave. If you feel the wave too,
• 2:02:36
  Speaker 1: get the show. I'm bringing a new show too. Curious, bro,
• 2:02:39
  Speaker 1: to see you on stage.
• 2:02:40
  Speaker 2: It's crazy, brother.
• 2:02:41
  Speaker 1: Crazy, pirouette. If it's not you, it's another guy.
• 2:02:44
  Speaker 3: So, people say that's it.
• 2:02:49
  Speaker 1: I feel a different energy. It's not the same.
• 2:02:51
  Speaker 3: I think this is awesome.
• 2:02:51
  Speaker 1: But I'm there. I don't know how many percent. No,
• 2:02:56
  Speaker 1: but it's like this. I incorporate so much character, bro.
• 2:02:59
  Speaker 1: It's not that I incorporate the character's size, but I
• 2:03:02
  Speaker 1: incorporate mine.
• 2:03:04
  Speaker 3: It's a performance.
• 2:03:05
  Speaker 1: I have to break this show house here, bro. The
• 2:03:08
  Speaker 1: thing has gone crazy.
• 2:03:10
  Speaker 2: You know?
• 2:03:10
  Speaker 1: So it's more or less this vibe.
• 2:03:12
  Speaker 2: Congratulations, bro.
• 2:03:13
  Speaker 3: Congratulations for real.
• 2:03:13
  Speaker 1: Thank you. Thank you for... Man, this moment here is
• 2:03:17
  Speaker 1: also very cool.
• 2:03:18
  Speaker 2: It's a special moment for us, man. Man, this kid
• 2:03:19
  Speaker 2: is awesome, really. Man, he's so good.
• 2:03:21
  Speaker 1: If you liked.
• 2:03:22
  Speaker 5: This video, follow Ale and all the social networks, they'll
• 2:03:25
  Speaker 5: be in the description. Follow all the releases that.
• 2:03:28
  Speaker 3: Will come soon.
• 2:03:29
  Speaker 2: The kid didn't stop.
• 2:03:30
  Speaker 3: I don't know, he said there are 18 albums ready.
• 2:03:32
  Speaker 1: My bro KL, my bro KL. For all of you
• 2:03:33
  Speaker 1: that I pretend to love. So, that's it.
• 2:03:38
  Speaker 3: And that collaborative album there, brother, with your friends.
• 2:03:41
  Speaker 1: Yeah, with me too.
• 2:03:43
  Speaker 2: Right, there's that one.
• 2:03:44
  Speaker 1: Tartarugas Naijas.
• 2:03:45
  Speaker 3: Naijas.
• 2:03:45
  Speaker 1: That's right.
• 2:03:46
  Speaker 5: If you liked it, leave your like, subscribe to the channel,
• 2:03:48
  Speaker 5: follow Ale and all the social networks will be in
• 2:03:49
  Speaker 5: the description. Listen a lot on your platform.
• 2:04:49
  Speaker 2: Let's go. Todo dia pode ser um super dia. Baixe
• 2:05:11
  Speaker 2: o app.
• 2:05:11
  Speaker 1: Superbet. Seja super.