Latest / The Bald Brothers Podcast / 149: Top 10 TV shows Led by Stand Up Comedians | #TheBaldBrothersPodcast

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149: Top 10 TV shows Led by Stand Up Comedians | #TheBaldBrothersPodcast · The Bald Brothers Podcast

0:00
Speaker 1: Man, Watch up man, Welcome to the bar Brothers. I'm
0:02
Speaker 1: keV on stage. They were here to wax poetically on everything, music, movies,
0:06
Speaker 1: and we're gonna do a tangent or two. You're supposed
0:09
Speaker 1: to be working anyway.
0:10
Speaker 2: Big tangents, big tangent passing the time.
0:13
Speaker 1: Yeah, if you're on Patreon, man, shout out to you.
0:15
Speaker 1: You you streaming right now. You know you got a
0:17
Speaker 1: meeting on your calendar. You're done blocked off set. I
0:19
Speaker 1: got something going and you and here listening to us
0:21
Speaker 1: talk wax poetically about the top ten TV shows led
0:25
Speaker 1: by stand up comedians. That is our first thing, ton,
0:30
Speaker 1: I'm gonna let.
0:31
Speaker 2: You kick it.
0:32
Speaker 1: I'm gonna let you kick it off.
0:33
Speaker 3: First kick it off of my favorite I feel that's
0:37
Speaker 3: my favorite TV comedy of all time, of all time,
0:41
Speaker 3: all time, including the Blacks, including the Blacks.
0:46
Speaker 1: Okay, so let me ask you this. Yes, Sinfield came
0:49
Speaker 1: out with eighty nine. Yeah, okay, so what was it?
0:55
Speaker 1: Did that supersedar show?
0:58
Speaker 2: No? At the time, signe. It was a slow build.
1:02
Speaker 3: I was watching it that the initial first season was
1:04
Speaker 3: a short one yeah, and I was just like, I
1:06
Speaker 3: don't know, I don't really understand this show because it
1:09
Speaker 3: wasn't like a show I had seen before, but I
1:11
Speaker 3: kind of like it, and I kept watching it, and
1:13
Speaker 3: then as I kept watching.
1:14
Speaker 2: It, it got funnier.
1:15
Speaker 3: Yeah, and then it just it kept progressing as the
1:17
Speaker 3: seasons went on a lot of times, like you know
1:19
Speaker 3: with the black shows, they start off hot.
1:21
Speaker 1: And then they kind of taped it off a little
1:23
Speaker 1: bit completely. No, no, no, for sure, Seinfeld got stronger. Yeah,
1:27
Speaker 1: the first everybody was I was on Seinfield way late
1:30
Speaker 1: in life. I did not watch it in real time,
1:31
Speaker 1: but I was wearing the cultural phenomenon. No soup for you, Kramer,
1:36
Speaker 1: Like I was aware of the big episodes, but I
1:38
Speaker 1: didn't watch it. But when you're learning to write TV shows,
1:40
Speaker 1: they always recommend watching Seinfield and all that type of stuff.
1:43
Speaker 1: They got it fully away from him doing the stand
1:45
Speaker 1: up bits.
1:45
Speaker 3: Yeah, they cut that out. Yeah, because I was into
1:47
Speaker 3: the into the little stand up bits, even though.
1:50
Speaker 2: I wouldn't like laughing like crazy.
1:52
Speaker 1: I was like, I liking what's going I feel, you know,
1:54
Speaker 1: when I.
1:54
Speaker 2: Was going to be a comedian in the future. But
1:56
Speaker 2: it was like that whole dynamic with something I was
1:59
Speaker 2: just drawn to.
2:00
Speaker 3: And then it just got funnier and funnier. The style
2:02
Speaker 3: of writing is what is what draws me in. They
2:05
Speaker 3: always do a call back. Yes, it's stuff going on.
2:08
Speaker 3: They circle back, and I feel like the other shows
2:11
Speaker 3: on TV weren't really doing that.
2:12
Speaker 1: No, no, it definitely changed the game. Kurby Enthusiasm is
2:17
Speaker 1: in a lot of ways the R rated version of Seinfeld,
2:20
Speaker 1: and it's George, Larry's perspective, George's perspective turn to the max.
2:26
Speaker 1: But what I like about Curb and I know this
2:28
Speaker 1: is why the show's be an hour and I'll be complaining,
2:30
Speaker 1: but I don't mind it. Larry David b noticing a
2:34
Speaker 1: lot of things I noticed, but he just turns into
2:36
Speaker 1: the max like chat and cut. Oh man, chat and
2:40
Speaker 1: cut is I'm big chat and cut? Yeah, when he
2:44
Speaker 1: did my One of my favorite parts is when Tom
2:48
Speaker 1: Hanks's son was playing the He was playing the veteran
2:52
Speaker 1: and three out of the four people said thank you
2:54
Speaker 1: for your service, and Larry was like, Hey, that's to
2:58
Speaker 1: meet you. And he was just like, I'm sorry, kind
3:02
Speaker 1: of messed up. Why you're thinking for service? People think
3:05
Speaker 1: them everybody got to think. You ain't got to think
3:08
Speaker 1: three times.
3:10
Speaker 2: Larry David.
3:13
Speaker 3: He's you.
3:14
Speaker 1: Yes, I'm sticking to it.
3:16
Speaker 3: Not gonna sway me offen. No, I got to say it. Man,
3:19
Speaker 3: just got three thank you for your services. I'm a
3:22
Speaker 3: service you need. Come on, man, No, I'm not doing it.
3:26
Speaker 1: I'm doing it.
3:27
Speaker 2: I'm not doing it.
3:28
Speaker 1: All right for me? Number one Martin Lawrence Martina, my a.
3:34
Speaker 1: I am. I'm the man.
3:38
Speaker 2: That's the funniest show.
3:41
Speaker 1: Pound for pounds, Pound for pounds. I didn't watch people
3:44
Speaker 1: like Martin. The plot. The plot is Dragonfly Jones. I
3:48
Speaker 1: don't care about the plot. Did you see him go hey, hey, hey, hey.
3:54
Speaker 3: Side Dragonfly Jones is my favorite Martin character on that show,
4:00
Speaker 3: and it ain't even close. His brand to kiss was
4:05
Speaker 3: just like, hey man, before we get into this, man,
4:08
Speaker 3: I need to get paid. Man, they gonna cut off
4:10
Speaker 3: my phone. Hey man, hands off of me me.
4:14
Speaker 2: Don't fall only lie till you get hurt.
4:19
Speaker 3: And he would always be like, this is my assistant
4:22
Speaker 3: kitch and then excuse.
4:25
Speaker 2: Me, man, listen.
4:25
Speaker 3: He would Kenzie would always tell him he man where
4:30
Speaker 3: every time he's.
4:33
Speaker 2: Never paying Kenjy to feed him up and taking O money.
4:37
Speaker 2: And the fact that Dragonfly Jones had his money in
4:39
Speaker 2: the g out of this man.
4:41
Speaker 3: Funny he had cash cash told he had the cash
4:47
Speaker 3: big brand. That's how people be though, when they owe
4:50
Speaker 3: you money, they be having the cash on them. You
4:54
Speaker 3: you owe somebody here one hundred dollars, You gotta.
4:57
Speaker 1: Pay everything your body.
4:58
Speaker 3: Hey man, I get to him when I yet, you
5:01
Speaker 3: get three hundred dollars fresh than all.
5:04
Speaker 1: Mar was biting the air man.
5:07
Speaker 2: Man. Just dumb, just dumb.
5:10
Speaker 1: They just was like, bro, do you I feel like
5:14
Speaker 1: I know? There were scripts. It was like page one, Martin,
5:17
Speaker 1: do you all right? That take us through page seven?
5:21
Speaker 1: It was so funny all the characters he played. I mean,
5:24
Speaker 1: and I was a kid at that time, early nineties.
5:27
Speaker 1: That was like the beginning of Fox, the Fox doing
5:30
Speaker 1: the black stuff. So we was like ride our bike home,
5:33
Speaker 1: get home in time to watch Martin.
5:35
Speaker 3: So the reason I give one the pound for pound
5:38
Speaker 3: funniest show is because he was just doing him.
5:41
Speaker 2: It was his show.
5:42
Speaker 3: He was he was the main anchor of the you know, Tommy, Pam,
5:46
Speaker 3: they was doing their thing, Gina, but it was like
5:49
Speaker 3: his show. But then when you when you go back
5:51
Speaker 3: and look at it outside of those first few seasons,
5:54
Speaker 3: you see the weaknesses and like, all right, that's why,
5:58
Speaker 3: that's why I can't get a number one for me.
6:00
Speaker 2: Just see the flaws in.
6:02
Speaker 3: The show now. But when I was a kid, I
6:04
Speaker 3: really wasn't understanding like wright instructure.
6:07
Speaker 1: I don't care, man, but I don't had boogers in
6:09
Speaker 1: his nose. He did. That's all I cared about.
6:12
Speaker 3: He got books, that's sign. And then when I got older,
6:16
Speaker 3: you look at them latest seasons. He's like, all right,
6:18
Speaker 3: y'all watch out.
6:20
Speaker 1: Yeah, yeah, yeah, all right, you're up to So I'm
6:22
Speaker 1: back up. I'm gonna go The Cosby Show. I thought
6:25
Speaker 1: you might do that.
6:26
Speaker 2: The Cosby Show was so iconic, man. That was my father.
6:30
Speaker 3: Recorded every episode every season. He had the vhs' every
6:34
Speaker 3: episode labeled. He still got them down there in the
6:37
Speaker 3: basement label yes.
6:40
Speaker 2: And so that was mussy TV for real.
6:43
Speaker 3: It was a great family dynamic. You cared about the kids.
6:47
Speaker 3: The kids was good, the parents were outstanding. It was
6:51
Speaker 3: just the intros were always fired. He gonna change it
6:55
Speaker 3: every season.
6:55
Speaker 2: What's your favorite moment?
6:57
Speaker 3: Favorite? Yeah, the Gordon Gartrail shirt. Lisa made uh for THEO.
7:05
Speaker 3: Denise my bad Denise made for THEO. And then I
7:09
Speaker 3: also liked the episode where Denise and Vanessa fought.
7:13
Speaker 2: Yes, the episode where THEO thought he was grown and
7:18
Speaker 2: they were. They were showing him how Bill's were in
7:20
Speaker 2: the real world.
7:21
Speaker 1: That's your three, you know, big fun down in Baltimore,
7:26
Speaker 1: big fun, you having a big fun. When when she
7:29
Speaker 1: when she here, Rudy, Rudy bad you, big fun down
7:35
Speaker 1: in Baltimore with the wreck che that one the Ray Charles,
7:44
Speaker 1: I was just, man, come on, you know too, man?
7:51
Speaker 1: I love that. And then when Alvin tried to he
7:54
Speaker 1: tried the son Claire, I realized, out of my three,
7:58
Speaker 1: is Claire give us? Yeah, she was, boy, you already
8:01
Speaker 1: took Gordon guntrail. That was gonna be in mind. But
8:04
Speaker 1: she was like, yes, I get a cup of coffee
8:06
Speaker 1: when he wants, when he gets me when I need one.
8:08
Speaker 1: She's the best TV mom of all time, the best
8:12
Speaker 1: TV mom of all time.
8:14
Speaker 3: She was no nonsense. She was cool, soft, firm all that. Also,
8:18
Speaker 3: I liked the snowball fight episode. It was just a
8:21
Speaker 3: snowball fight outside the door.
8:22
Speaker 2: It was crazy.
8:23
Speaker 3: And then the one where Cliff they kept sending him
8:26
Speaker 3: to the store for things.
8:27
Speaker 2: That's the other one. I was gonna say when that
8:30
Speaker 2: door is open, and he was out there in the
8:32
Speaker 2: room standing in the trench. Class.
8:36
Speaker 1: Oh yeah, okay, I'm gonna go. I'm gonna go. I'm
8:39
Speaker 1: gonna go. I'm gonna go. Jimmie Fox Show, this early
8:45
Speaker 1: Jemmy Fox Show. Man, I love the Jammy Fox Show.
8:49
Speaker 1: Ain't too many much more than we doing sitcoms, right, yeah,
8:54
Speaker 1: that comedy. I like Jimmy King. One of my favorite
8:58
Speaker 1: episode was Mark Curry with the uh with the drill drill.
9:03
Speaker 2: They didn't stand Jamie holding it together like man.
9:06
Speaker 1: They didn't stand a chance against Mark Curry. They folded
9:12
Speaker 1: like that.
9:16
Speaker 2: Man, Jammy Fox is funny.
9:22
Speaker 1: It's funny, man, and I love Garcell Buvet Nylon. It's fancy. Yeah,
9:29
Speaker 1: great cash, Junior King, his aunt. It was just good man.
9:34
Speaker 3: My only my only note his what would mess me up?
9:38
Speaker 3: With the Jamie Fox Show. I didn't have cable, so
9:42
Speaker 3: when it was in prime time he wasn't watching.
9:44
Speaker 1: I had.
9:45
Speaker 2: I had to catch you well because I was in college.
9:46
Speaker 1: Man, I am stillers and stuff.
9:49
Speaker 2: Yeah, you always bring up the stolen.
9:51
Speaker 1: It's just a really funny visual of you in line
9:53
Speaker 1: with their big big jeans taking whoppers.
9:57
Speaker 2: It's just funny.
9:58
Speaker 3: To me, I can only catch The Wayne's Brothers and
10:01
Speaker 3: the Jamie Fox Show when I was like around people
10:04
Speaker 3: that had some cables.
10:05
Speaker 1: Got it okay, But intro, yeah here, I gall here.
10:11
Speaker 1: I love that. Just the low budget graphics all that,
10:15
Speaker 1: like big face.
10:16
Speaker 2: Backgrounds and stuff like that. I was like, they spent
10:18
Speaker 2: two thllars.
10:21
Speaker 1: A. Yeah it started.
10:24
Speaker 2: The fake convertible driving down the fake street.
10:29
Speaker 1: Yeah, I come.
10:31
Speaker 2: I always hated the intro.
10:34
Speaker 1: I never thought about that at all because I felt
10:35
Speaker 1: like he was trying to do his thing. Remember Martin
10:37
Speaker 1: had the big face intro for a while.
10:39
Speaker 2: To Miam he came out to TV.
10:41
Speaker 1: I'm the man. I was like, make that face.
10:47
Speaker 3: He was creepy, that big headed Martin coming out the TV.
10:51
Speaker 3: That's that's where they got that idea for the Ring
10:53
Speaker 3: from the movie The Ring. They was like, they started
10:57
Speaker 3: writing the script.
10:59
Speaker 1: Yeah, I'm I'm sticking the shows I actually watched. I
11:02
Speaker 1: I'm not doing things that just to saying for the
11:04
Speaker 1: people I was up there watching me some Jamie, Yeah, okay, you're.
11:08
Speaker 2: Up all right.
11:09
Speaker 3: So one of my favorite sitcoms of all time live
11:14
Speaker 3: by comedian is The King and Queens.
11:17
Speaker 1: Kevin James I love The King and Queens. They always
11:20
Speaker 1: point to him as the fat comedian, ugly with the
11:22
Speaker 1: hot wife. But comedians be having beautiful women on their side.
11:26
Speaker 1: Comedy could be ugly and fat and that woman gonna
11:29
Speaker 1: be right.
11:29
Speaker 2: Today, comedians be having some fine women.
11:32
Speaker 1: Funny, get them panties going. Every time they'd be like,
11:34
Speaker 1: you know what, you did it again?
11:36
Speaker 2: And the only thing, the only thing is he was
11:37
Speaker 2: just heavyweight. He was heavyweight, you know what I'm saying.
11:40
Speaker 1: Some guy's a chill guy, but his wife was cut.
11:43
Speaker 1: I didn't really watch The King of Queens. I actually
11:45
Speaker 1: didn't watch it at all. Go back, It's good. It's
11:48
Speaker 1: gonna hold up.
11:48
Speaker 2: It's gonna hold up for sure. Steers in there, man.
11:52
Speaker 1: I love Jerry Stealers.
11:53
Speaker 2: It's funny.
11:53
Speaker 1: He's funny. And Seinfeld he is great. And the King
11:56
Speaker 1: Arthur Spooner, George's dad. That's him, inn't it. You're still
12:01
Speaker 1: learned him and his mom too. I'm gonna check a
12:03
Speaker 1: few episodes out, all right, I'm gonna go Wayne's Brothers.
12:07
Speaker 2: Okay.
12:08
Speaker 1: I love Marlon Sean Pops. Is this lady from Nightcore
12:14
Speaker 1: or is it d D not? Nightcore is night Cork.
12:17
Speaker 2: She's not from night Court. You think about Marshall Wolfield.
12:20
Speaker 1: Is it Mom from Friday?
12:21
Speaker 2: Yeah?
12:21
Speaker 1: Okay, you're also amen back in the day, yeah, Ana,
12:26
Speaker 1: Marie Horsford, Uh, my kids did a video one time
12:31
Speaker 1: to the theme song of the Waynees Brothers. I was like,
12:33
Speaker 1: y'all don't even know that. Ya don't know. They didn't
12:35
Speaker 1: get no season finale. No, they just canceled it at
12:40
Speaker 1: the end of the season. But the Wayne's humor is
12:44
Speaker 1: right up my alley, Marlin Sean the little Newsstand pop,
12:48
Speaker 1: that's great intros. Great intros were colored. We're happy are
12:54
Speaker 1: you talking about? You know, the theme song or intro
12:57
Speaker 1: lay on top of the theme song.
12:59
Speaker 3: When they do little intro with color, and then even
13:01
Speaker 3: when they changed it, yeah, even that instrumental was fire.
13:05
Speaker 2: Yeah yeah, yeah, yeah, yeah.
13:06
Speaker 1: I'm saying I feel like that really solidified Pops for real,
13:11
Speaker 1: like he was in from Boomerang and Friday, but his
13:15
Speaker 1: work on on on the Waynes, the Waynes Brothers.
13:19
Speaker 2: Because now we're seeing them on the regular basis.
13:21
Speaker 1: And he was funny every time, he was fantastic, spooned.
13:25
Speaker 2: Delivered every time.
13:26
Speaker 1: Free time man rest a piece of the goat man.
13:31
Speaker 2: What was he eating? Every time? He was eating grapes
13:33
Speaker 2: on Friday.
13:34
Speaker 1: He was eating grapes.
13:35
Speaker 2: That made every time I come in the kitchen, you
13:37
Speaker 2: in the kitchen got damn.
13:41
Speaker 1: Yeah. It was such a dad to him.
13:48
Speaker 2: Was actually in Hollywood Shuffle.
13:50
Speaker 1: I remember that he had the balls thinking yeah, him
13:53
Speaker 1: and Robert Townsend. Yeah okay man, what's that six? All right?
13:57
Speaker 2: You're up man?
13:57
Speaker 3: Okay, So I'm gonna go Sanford and Son. I grew
14:02
Speaker 3: up watching the hell out of the Shut. It was
14:05
Speaker 3: like that would be on TV Red Fox and Lamont. Man,
14:09
Speaker 3: it was It's funny. Over the Christmas break, I was
14:12
Speaker 3: watching an episode with my mom and I was just like, oh,
14:15
Speaker 3: this must be the first episode ever because it was
14:18
Speaker 3: like Fred was softer, Lamont was meaner.
14:22
Speaker 2: And I was like, nah, this got to be an
14:23
Speaker 2: early episode.
14:24
Speaker 3: Normally Fred be lighting Lamont's ass, calling them big dummies
14:29
Speaker 3: left and right, and I was like, because Lama, Lama
14:31
Speaker 3: could get on your nerves easy, but uh, but Fred
14:35
Speaker 3: was light And then I.
14:35
Speaker 2: Was like I looked at it. I was like, oh,
14:37
Speaker 2: this is the pilot. I can tell when you ain't
14:40
Speaker 2: watch the show.
14:40
Speaker 1: I didn't watch it. I can tell you I didn't
14:43
Speaker 1: see I didn't see that episode, but I caught a
14:46
Speaker 1: lot of reruns, but I don't remember that. No, I
14:48
Speaker 1: for sure did him versus the heart thing that though
14:53
Speaker 1: it was a big one. Him versus the lady Martin
14:56
Speaker 1: Pam had the same dynamic as him. I canno think
14:58
Speaker 1: of the ladies Esther Okay, yeah, him and Esther's dynamic
15:02
Speaker 1: was the funnies part of the show to me, and
15:03
Speaker 1: he was always on top of Lamont's head. I just
15:04
Speaker 1: don't remember. I don't know which episode was the pilot.
15:07
Speaker 1: You was talking pilot specificat. Yeah, I know, but I
15:10
Speaker 1: didn't want I don't remember if I remember that show
15:12
Speaker 1: being on. And also him and Lamont weren't that far
15:15
Speaker 1: an age, it realized Red Fox. It wasn't as old
15:19
Speaker 1: as he, No, I think it was. They looked like
15:23
Speaker 1: seventy and forty.
15:24
Speaker 2: I thought he was.
15:25
Speaker 1: They were not. I remember, like a random YouTube thing
15:28
Speaker 1: was like Lemont and Fred was not that different.
15:30
Speaker 2: Hold on, he died in his sixties.
15:32
Speaker 1: If I'm not mistaken, Lamont and Fred.
15:34
Speaker 3: Fred Red Fox, really, I think so. I think he
15:37
Speaker 3: was in his sixties.
15:38
Speaker 1: Still, I thought he died older than that he always
15:42
Speaker 1: seemed older than he was. Okay, so it says Red
15:46
Speaker 1: Fox Fred was forty nine and Lamont, oh he's twenty five.
15:54
Speaker 2: He was sixty eight years old.
15:56
Speaker 1: It was sixty eight. Yeah, okay, that's that I thought
15:58
Speaker 1: he looked I thought he a young.
16:00
Speaker 2: They always he always looked older than he was. Okay.
16:03
Speaker 1: Red was supposed to be sixty five and he was
16:05
Speaker 1: forty nine. Because look at look, that's really what it is.
16:10
Speaker 1: Red was not as old as they made him seem,
16:12
Speaker 1: but Lamont was out and Lamont looked to way older
16:15
Speaker 1: than twenty five.
16:16
Speaker 2: I think they grayed him up.
16:17
Speaker 1: Oh yeah, he looked twenty five.
16:19
Speaker 2: In the seventies, just looked older.
16:21
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Speaker 1: did a whole research on this. There was not into research,
17:58
Speaker 1: but I saw his video out of it. Is the clothing,
18:02
Speaker 1: the clothing and the hair, we don't hear. Yeah, like
18:04
Speaker 1: if you because you know Jonathan Bino, do you follow him?
18:09
Speaker 1: He's a content creator. He does like a lot of
18:12
Speaker 1: makes for a lot of musicians and stuff. He'll and
18:14
Speaker 1: he has a little fro. He'll dress like the Temptations
18:17
Speaker 1: dress and he's like twenty six. Yeah, he looks like
18:20
Speaker 1: he could be forty because that that collar, the crochet
18:24
Speaker 1: stuff that'll aid you up. So a lot of it.
18:26
Speaker 1: And then obviously a lot of times it's no color,
18:29
Speaker 1: you know, black and white. And the mustache and the
18:31
Speaker 1: mustache Lama always had a thick stag. He had that
18:34
Speaker 1: police captain mustard.
18:36
Speaker 3: Your hairlines fading back, that's gonna give you twenty And
18:39
Speaker 3: that's the Sherman Helmsley because we don't men of this age.
18:43
Speaker 1: Ballman, no Rock to Coldy. You don't see nobody coldy fro.
18:46
Speaker 2: James Evans. It was crazy work going on.
18:49
Speaker 1: Top Danny Glover was like thirty eight. He was thirty
18:53
Speaker 1: eight as lethal weapon.
18:55
Speaker 2: Once you get the cool.
18:56
Speaker 3: If I left my hair grown up now totals sixty
18:59
Speaker 3: eight immediately.
19:01
Speaker 1: Would you grow it out for a movie if you
19:03
Speaker 1: had to play a police cat.
19:04
Speaker 2: There, grow that out if you cast me as a
19:08
Speaker 2: police captain. I'm growing the hell out.
19:11
Speaker 1: With you playing seventy two. I might have a ball
19:17
Speaker 1: coming with a big cup of coffee and no more
19:20
Speaker 1: than the man chewing me up and y'all out here, man,
19:25
Speaker 1: I can't wait. All right, I'm gonna go. Curby Your Enthusiasm. Okay,
19:30
Speaker 1: Curby your Enthusiasm is a great show. I love Larry
19:35
Speaker 1: David's humor. I love the like Like I said, it's
19:38
Speaker 1: like a nuanced same nuanced level of Seinfeld, but more
19:42
Speaker 1: annoying and Larry is it. You don't see many comedies
19:46
Speaker 1: led by an annoying character like Larry is annoying even
19:50
Speaker 1: to his friends.
19:51
Speaker 2: I can't watch too many episodes, but a.
19:53
Speaker 1: Lot of people feel like that. Soonsie becaussing him smooth out,
19:57
Speaker 1: kicking him out. One of the favorite things he did.
20:00
Speaker 1: He ran into somebody in New York who he was
20:02
Speaker 1: in there like uh, he used running the funk Houser
20:04
Speaker 1: all the time, so I think I think it was
20:06
Speaker 1: funk Houser.
20:07
Speaker 2: But he was in New York.
20:07
Speaker 1: He's like, I wish you get lunch. She was like,
20:10
Speaker 1: he said, we never get lunch in l a And
20:12
Speaker 1: he was like, but we're in New York. He's like,
20:14
Speaker 1: so we don't have to We don't have to do
20:17
Speaker 1: something because we're in the same place.
20:21
Speaker 2: He is right, He is right.
20:26
Speaker 1: He hang out where we live. Why would we hang
20:29
Speaker 1: out just because we're in the same city.
20:33
Speaker 2: We shouldn't. We should We never do what we do.
20:37
Speaker 1: Ever, he says all the stuff people want to say
20:40
Speaker 1: but never never say.
20:43
Speaker 2: So, yeah, I love that show.
20:44
Speaker 1: I've watched. I watched the earlier stuff, The Racist Dog
20:46
Speaker 1: with Makai Fire for episode him and funk Houser. He
20:51
Speaker 1: was funny. Jamie's moved to me. Jab's move got them
20:57
Speaker 1: four or five more seasons, for sure. He had a
20:58
Speaker 1: whole season where he took in a black family from
21:00
Speaker 1: Hurricane Katrina, and then Jamie Smooth just never left. Viva
21:04
Speaker 1: Fox was a whole season. Vivica Fox, the mom from
21:08
Speaker 1: Jamie Fox show JB Smooth and they had like yeah
21:14
Speaker 1: and then James Smooth was just like, no, I'm not leaving.
21:17
Speaker 2: He was taking over a couple of shows.
21:19
Speaker 3: There's a show called Till Death with Brad Garrett and JB.
21:23
Speaker 2: Smooth was just one off. They made him a regular.
21:26
Speaker 2: Really yeah, dang, because when he showed I never heard that. Yo,
21:30
Speaker 2: this dude is fantastic. Boom, all right, you're up. I'm up.
21:34
Speaker 3: Okay, I'm gonna go now, Mark, we to put sketch
21:41
Speaker 3: shows in here. I was keeping it like a you know,
21:45
Speaker 3: like a traditional.
21:49
Speaker 2: I was.
21:50
Speaker 1: I was gonna throw it in. If you didn't, we
21:52
Speaker 1: could give.
21:52
Speaker 2: The sketch shows honorable mentions.
21:54
Speaker 1: Or are we including this TV show?
21:57
Speaker 2: It's TV shows? Well, then I gotta do a living cut.
22:00
Speaker 1: Got to do in living color. I was thinking sitcoms too,
22:03
Speaker 1: but when I saw it, I said, I was in
22:04
Speaker 1: the sitcom mood. So in living color for Shore, in
22:07
Speaker 1: living color. That show right there we had to watch
22:11
Speaker 1: in living color. I just still to this day, the
22:14
Speaker 1: fact that the super Bowl halftime show is thanks to
22:16
Speaker 1: a living color is one of my favorite Black culture
22:20
Speaker 1: fun facts. Because they had to not only super Bowl
22:22
Speaker 1: halftime show, they had to go get Michael Jackson. They
22:25
Speaker 1: changed the culture they had. They changed the culture so much.
22:29
Speaker 1: And they didn't just get share or YouTube. They said
22:32
Speaker 1: who is the who can we get it? Because the
22:35
Speaker 1: last year they turned off the Super Bowl And what
22:38
Speaker 1: a ballsy move to be like twenty minutes, we forget
22:41
Speaker 1: that halftime come over here and not with us. That's
22:43
Speaker 1: brilliant and Fox being like, yes, oh hell no, Michael
22:49
Speaker 1: Jackson doing this. You can thank Keenan Ivory Wayns. When
22:52
Speaker 1: you see Beyonce, you can thank Keenan Ivy Wayns.
22:55
Speaker 2: And the halftime show is such a big deal. Man.
22:57
Speaker 1: Man, if you go back and look at the halftime
22:59
Speaker 1: show before or that marching bands floats, they was throwing
23:04
Speaker 1: high school it was they were throwing anything.
23:11
Speaker 2: Everybody getting snags, They running into the gas station.
23:14
Speaker 3: Anybody wasn't there, bullshit people people at the game.
23:18
Speaker 1: It's just like they didn't even the cell phones. They
23:21
Speaker 1: just taking raw band materials.
23:26
Speaker 2: Michael Jackson, Michael Jackson, can you imagine what's that?
23:31
Speaker 1: Me?
23:35
Speaker 2: Oh?
23:35
Speaker 1: Okay, I was like, I know that ain't mine. That
23:38
Speaker 1: ain't just computer. She clicked it up. Okay, but yeah,
23:43
Speaker 1: in Living Color to me gave they gave us like
23:48
Speaker 1: eight or nine Superstars. Keenan, Damon, Marlon barn was on there, Sean, Jamie,
23:59
Speaker 1: Jim Carrie, Oh yeah, j Lo Uh, Tommy Davidson, Uh,
24:07
Speaker 1: count j Lo. Though she was on the show, she
24:10
Speaker 1: was she was a fly girl.
24:11
Speaker 2: She was just a fly girl.
24:12
Speaker 1: She was on the show, she counted as part as
24:15
Speaker 1: her of her thing, and she became a superstar. That
24:18
Speaker 1: was the first time we saw her before Selena.
24:21
Speaker 2: Acting, singing or not.
24:23
Speaker 1: I didn't say that the actor hit us at the show.
24:25
Speaker 1: Now she was over there doing.
24:26
Speaker 3: Fly I feel like this, David, I feel like this
24:33
Speaker 3: with j Lo. She was just there because she she
24:38
Speaker 3: wasn't acting.
24:39
Speaker 1: I don't remember her in real time.
24:41
Speaker 3: It wasn't like that's the girl from in Living Color.
24:43
Speaker 3: When you saw her in a movie or whatever. You
24:44
Speaker 3: never put the two or two together.
24:46
Speaker 1: That's true. I didn't know she was on a Living Color.
24:48
Speaker 3: When you make a star, we know where you were
24:50
Speaker 3: made from. Okay, when you saw even though Jim Carrey
24:55
Speaker 3: was already deep and doing stuff before that, it's like, Yo,
24:59
Speaker 3: that's a dude.
24:59
Speaker 2: From Li the Color playing he's been too We're pulling
25:01
Speaker 2: up now.
25:03
Speaker 1: Do you think the people from Selina was like that's
25:05
Speaker 1: the girl from a Living Color. No, you don't think so.
25:08
Speaker 1: Oh you can't.
25:12
Speaker 3: Even get a showcase of her talent by watching uh
25:15
Speaker 3: in Living Color unless you're looking for dancers. Sure, yeah,
25:17
Speaker 3: I'm sure Janet might have been like, oh, that girl
25:20
Speaker 3: can dance good, let me have her come to my video.
25:22
Speaker 2: And then she's just in the background of the video.
25:25
Speaker 2: Janet Jackson watched the Living Color.
25:26
Speaker 1: Like, no, let me let her have me come. She
25:29
Speaker 1: don't even know how cheetos are when.
25:31
Speaker 3: I first, when I first took in j Lo, I
25:33
Speaker 3: ain't know nothing about a Living Color, even though I
25:35
Speaker 3: watched Mad episodes.
25:36
Speaker 2: Look there dead in her eyes.
25:37
Speaker 1: You don't really single out the fly girls though it
25:40
Speaker 1: was always sick.
25:41
Speaker 2: It was one that I remember though, and it wasn't
25:43
Speaker 2: it was it was the black girl.
25:46
Speaker 1: So you didn't recognize je Loo at all.
25:48
Speaker 2: But I saw j Loo and something else I never
25:50
Speaker 2: put in Living Color on.
25:51
Speaker 1: Okay, she was.
25:53
Speaker 2: It was like a shot, we're taking jy Lot.
25:56
Speaker 1: All right, take her off. But Kim Kim Coles was
25:59
Speaker 1: on there for one season two and Kim Wayne's I
26:02
Speaker 1: was on there. How many we got my queta?
26:06
Speaker 2: All right?
26:06
Speaker 1: I'm not gonna lie to y'all. I'm gonna do I'm
26:08
Speaker 1: gonna do what I watched the most. I hated the Parker. Yeah,
26:18
Speaker 1: it was one note. I don't I've never bought well.
26:23
Speaker 1: I missed Professor Ogilvie. Was not attracted the Monique. I
26:27
Speaker 1: was like, nigga, you she should be doing this to you.
26:31
Speaker 1: Monique ain't never not been fine to me. Count as
26:37
Speaker 1: hilarious though, but it's this, you know, respect to her,
26:40
Speaker 1: but it's not. I'm not gonna do it. I probably
26:43
Speaker 1: watched other remaining Bernie max Shaw. I didn't really watch
26:46
Speaker 1: that much. I'm sorry. I was at a different time
26:47
Speaker 1: in my life. Was it early two thousands or late nineties?
26:50
Speaker 2: It was like two.
26:52
Speaker 1: Thousand and three, Okay, I was in college. I was
26:54
Speaker 1: in college. I wouldn't watch. I was, yeah, that's why
26:58
Speaker 1: the Chappelle shows. Probably what I'll say then if we're
27:01
Speaker 1: gonna go like Living Color. But I didn't even watch
27:04
Speaker 1: the Chapelle Show in real time. I got those DVDs later.
27:07
Speaker 2: Actually, Yo, So when the Rick James hit, what was
27:11
Speaker 2: it like for you?
27:11
Speaker 1: So? I remember that one? Like it was just like
27:16
Speaker 1: did you see that sign?
27:17
Speaker 2: Real time?
27:18
Speaker 1: Yes? So I went to a PWY. White kids loved
27:21
Speaker 1: Chappelle Show so and a lot of them had it
27:23
Speaker 1: on DVD, but I wasn't watching it in real time.
27:25
Speaker 1: The one I did watch in real time was The
27:27
Speaker 1: Real World. I remember that one, but I later just
27:30
Speaker 1: went back and watched the whole thing. I just like
27:33
Speaker 1: got the DVD's and watched them, but in real time
27:35
Speaker 1: I was moving around tone I mean class, and I'm
27:37
Speaker 1: riding the bus. I ain't got time to de turn
27:39
Speaker 1: on comedy situ. Well, so I'm gonna go.
27:41
Speaker 2: I must go.
27:41
Speaker 1: Chappelle's show also probably the most iconic black sketch show
27:47
Speaker 1: since in Living Color Matt TV had more black people,
27:50
Speaker 1: but I'm.
27:51
Speaker 2: Probably without a doubt. What's the probably about?
27:56
Speaker 1: Key and Peel was up there, but that was after
27:59
Speaker 1: but the okay, yeah you're right show, Yeah, you're right,
28:02
Speaker 1: you're right, you're right, earthquake. Yeah, I remember Russell used
28:04
Speaker 1: to hate Ken Pill. People are like and Pee is hilarious.
28:08
Speaker 3: Key and Peel pound for pounds more funnier sketches than
28:14
Speaker 3: Spell Show.
28:15
Speaker 2: I agree.
28:16
Speaker 1: I think the Chappelle shows high as Highs are higher,
28:18
Speaker 1: and they're culturally relevant like everything. Charlie Murphy did the
28:24
Speaker 1: Clayton bigsby Rick James. Yeah, yeah, Prince is just game
28:29
Speaker 1: Bosses is dating is Lexicon.
28:31
Speaker 2: Plays the Haters Ball.
28:34
Speaker 1: But if you go sketch by sketch by all the way.
28:37
Speaker 2: Through Key and Peel sketches is fun.
28:39
Speaker 1: I'll be watching Key and Pill sketches on TikTok and.
28:42
Speaker 2: I always discover new ones.
28:43
Speaker 1: I don't believe they released them all. I believe Comedy
28:47
Speaker 1: Central has sneaking in unreleased sketches because I'm like, I've
28:51
Speaker 1: never seen this and.
28:52
Speaker 3: It's like, I can't even keep counting how many like yo,
28:55
Speaker 3: this is a.
28:55
Speaker 4: Fire as ye Liam Neeson's Liam Neeson's uh, And it's
29:00
Speaker 4: so interesting to me who like Jordan Piel's career like
29:04
Speaker 4: Key and Michael Key's career makes sense.
29:06
Speaker 1: After Key and Piel, Jordan Peele was like, actually, I'm
29:10
Speaker 1: doing nothing like this ever, and I'm not even talking
29:13
Speaker 1: that much. No more, get out us nope, uh him.
29:20
Speaker 1: Did he produce him? Yeah, he didn't direct him, but
29:23
Speaker 1: like he all that was in him, and he was
29:25
Speaker 1: just funny acting that Key and Pill sketch where the
29:28
Speaker 1: camera keeps thinking he's gay.
29:30
Speaker 3: Oh my god, so funny he put his White, Indian, Asian,
29:36
Speaker 3: Hispanic gay because the camera was cutting to every every
29:42
Speaker 3: demographic he named, the camera would cut.
29:44
Speaker 1: To them, and He's like, game on gay and he.
29:49
Speaker 2: Kept coming back. He tried to change seats.
29:52
Speaker 1: He got on to sit next to the girl, put
29:54
Speaker 1: his arm around and he was like, gets right. They
29:59
Speaker 1: ruined all the people's names with the with the sketch.
30:02
Speaker 2: Aa Ron the football.
30:05
Speaker 1: Football player, the East West Trine cap. Oh my god,
30:09
Speaker 1: the one sketchy he did the UFC promotion was like,
30:12
Speaker 1: I'm going to make him his soul will be bored.
30:15
Speaker 1: He was like, hey, man, were just talking about fight.
30:17
Speaker 3: When they talking about they will make you see, they.
30:22
Speaker 2: Kept getting further further away from the house.
30:24
Speaker 1: Man, yes, Kim Peel, so yeah, but are they stall?
30:31
Speaker 1: Who's stand up? Are they stand ups? Jordan Pilling kick
30:35
Speaker 1: Michael Key?
30:36
Speaker 4: Not?
30:36
Speaker 2: To my knowledge, I don't know.
30:37
Speaker 1: All right, they're off. Quick break from the show. Tell
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32:02
Speaker 1: I just realized. I was like, I don't know that
32:04
Speaker 1: they did stand up. Okay, they're out. I'm gonna go
32:07
Speaker 1: hang with mister Cooper. That's what I watched the most.
32:11
Speaker 1: I thought Mark Curry hang on, mister Cooper. That's like
32:13
Speaker 1: Childhood TV. Reagan Goummanz on there. Who's a young girl there?
32:22
Speaker 2: No, Raven Simone was on there.
32:23
Speaker 1: Raven Simone, Raygan Gummanz is on the Parenthood parent Hood. Okay,
32:28
Speaker 1: but yeah, I love Mark Cooper.
32:29
Speaker 2: He killed in the nineties. He was great. And the
32:31
Speaker 2: hanger with he was great. Omar Gooden was.
32:35
Speaker 1: On Omar Goody. So yeah, that's what I'm gonna go.
32:39
Speaker 1: That's ten.
32:40
Speaker 2: I think we're good. All right, cool, all right?
32:43
Speaker 1: Oh God, another music thing.
32:45
Speaker 2: Jesus Christ music again. Jesus Christ is Jason Bourne.
32:49
Speaker 1: Do I get the eighties or you get the eighties.
32:50
Speaker 2: I'll take the eighties, man.
32:52
Speaker 1: You're gonna get Michael Jackson all over again. Yeah, either way.
32:56
Speaker 2: I was just helping you out because he's more familiar
32:58
Speaker 2: with the two thousands. I'm older, So that's why I
33:01
Speaker 2: was picking eighties. Let me look at the two thousand.
33:03
Speaker 3: Oh, let me be looking at it, van looking at
33:05
Speaker 3: it fastly. Raw raw, Yeah, you're looking damn.
33:12
Speaker 1: Let me think I'm gonna have the better chance of
33:15
Speaker 1: I'll go two thousands. You sure, now, eighties Take the eighties.
33:18
Speaker 1: I'm gonna take the eighties. Michael Jackson, Michael Jackson, Michael Taxon,
33:21
Speaker 1: all right, we're doing the best decade of music, eighties
33:25
Speaker 1: verse two thousand. Tony Baker got the two thousands. He'd
33:28
Speaker 1: been well twenty three when the two thousand start. Uh
33:32
Speaker 1: you seventy seven? You was twenty three.
33:34
Speaker 2: I was twenty one. I turned twenty one in ninety eight. Yo.
33:38
Speaker 1: Yeah, twenty three, that's crazy. Yeah, he was a man,
33:40
Speaker 1: fully really twenty three and two. When's you your first son?
33:43
Speaker 2: Huh?
33:43
Speaker 1: When you are your first son?
33:44
Speaker 2: Two thousand, January two twenty three.
33:46
Speaker 1: That's right, we had something to that, twenty three and
33:48
Speaker 1: twenty five.
33:48
Speaker 3: I was twenty two when he was born, because I
33:51
Speaker 3: turned twenty three in two thousand, so I was twenty two.
33:54
Speaker 1: Oh okay, all right, you want to go first. You
33:56
Speaker 1: want to go first, Yeah, you kick it off. I'm
33:58
Speaker 1: gonna kick it off because I like the man, and
34:00
Speaker 1: I'm gonna go Billy Jean Michael Jackson.
34:04
Speaker 2: Coming out, coming out the gates, swinging.
34:06
Speaker 1: Straight out the day, Michael Joseph Jackson. She said, I
34:11
Speaker 1: I'm no one, Ken is not my son. Huh, baby,
34:18
Speaker 1: Mama drama. Michael Jackson said, you go down to the
34:21
Speaker 1: labor ready in the parks department and get the DNA test.
34:24
Speaker 2: That ain't my son.
34:25
Speaker 3: I'm gonna come in hard with a heavy handed fists
34:31
Speaker 3: of drug dealing supremacy in the club about fifty versus
34:35
Speaker 3: Billy g versus Billy's goddamn jeans go show, It'll.
34:41
Speaker 2: Be much rap. You coming with me? I gotta go
34:43
Speaker 2: with a big song in the club. In the club
34:46
Speaker 2: was an earthquake.
34:48
Speaker 1: Fifty kicked the door in the rap music. I can't
34:52
Speaker 1: think of anybody post fifty cent that entered rap with
34:57
Speaker 1: the like I am here the way he did. I
35:01
Speaker 1: mean since since since I don't think anybody's.
35:04
Speaker 2: Everybody else was slow build, slow Kendrick.
35:06
Speaker 1: Slow build Drake, slow build. Fifty cent was like mother,
35:11
Speaker 1: I'm here. I got she had the good backstory shot.
35:14
Speaker 2: Nine times survived.
35:16
Speaker 3: He had the pigs, the bullet, He had the bullet
35:19
Speaker 3: wound on the album cover.
35:20
Speaker 1: Bullet. He had the jaw rule. People. People don't understand.
35:25
Speaker 1: The jaw rule was so hot. There was like three
35:30
Speaker 1: my first car. Jaw Rule was turned.
35:33
Speaker 2: To the max.
35:34
Speaker 1: What's him and the shanty? What love?
35:39
Speaker 2: Madic?
35:39
Speaker 1: The bulls, the manematic, the bull in my mind?
35:41
Speaker 2: Oh that's a fat Joe? That's that? Ain't j R?
35:45
Speaker 1: Love? What's jaw road?
35:47
Speaker 2: Dude, that's fat Joe in a shanty? But y'all ruling
35:49
Speaker 2: the shanty? What's the brother?
35:51
Speaker 1: None of what's that? Oh my mind? Man, Patreon? What
36:00
Speaker 1: am I thinking of? That's That's not Joe Rule?
36:04
Speaker 2: John R. He definitely gets always on time.
36:09
Speaker 1: I'm real.
36:10
Speaker 2: That's is that?
36:13
Speaker 1: John Reel and Jalo? Oh I just said what's love
36:16
Speaker 1: and it's I'm real? Was a melody, right, I'm real?
36:23
Speaker 2: But you were saying what's love?
36:24
Speaker 1: Okay, let me play because now I'm I'm twisting up myself.
36:28
Speaker 2: He was singing what's love?
36:30
Speaker 1: Too? Listenay I was saying, what's What's love?
36:36
Speaker 2: And it's I'm real.
36:37
Speaker 1: I was driving down for Lewis. Actually at first I
36:41
Speaker 1: was titting to us I got my license, but after
36:43
Speaker 1: a while was.
36:47
Speaker 2: This nigga was hot man, So I had his jo
36:51
Speaker 2: Rul had like three fav.
36:56
Speaker 1: And then fifty made him a joke.
37:00
Speaker 3: Yep, and that's why he got mad at Jada and
37:03
Speaker 3: fat Joel. Yeah, Jada served his ass up lyrically.
37:09
Speaker 2: I want you to that podcast.
37:11
Speaker 3: Jordan was like, nah, man, the locks, the locks went in.
37:15
Speaker 2: But yeah, I'm gonna go there.
37:16
Speaker 1: Okay, all right, now I'm gonna go human nature.
37:20
Speaker 2: You're gonna keep it all mic Man.
37:22
Speaker 1: I got Michael off, my Michael human nature.
37:25
Speaker 2: You go do what you tell him.
37:29
Speaker 1: Man, it's human nature. I ain't gonna get off Michael Jack.
37:32
Speaker 1: I'm start off Michael, and I ain't gonna do it
37:34
Speaker 1: Michael John. But I'm gonna start out. But I gotta
37:36
Speaker 1: start off. I ain't had Michael before you had Michael.
37:38
Speaker 1: He was going Michael, Michael, Michael McGhee. Were you doing seventy?
37:42
Speaker 1: Then he Michael Michael. I'm going Michael Michael.
37:44
Speaker 2: I mix it up, and in between Michael, I'm.
37:48
Speaker 5: Going straight down off the wall. Track list off the
37:53
Speaker 5: Wall one through forty, The Boy is Mine? Hey, Michael, Paul.
38:01
Speaker 1: First of all, both of ya, nigga ain't getting the girl.
38:02
Speaker 1: That's what I thought, Paul and Michael. She's gone. The
38:07
Speaker 1: girl is gone. The girl is mane. All right, go ahead, Tom,
38:10
Speaker 1: what you're gonna put up against that?
38:11
Speaker 2: Huh? Get Richard?
38:12
Speaker 1: Do try and you have another track off of that
38:14
Speaker 1: to go in Human Nature.
38:16
Speaker 2: I'm gonna go.
38:17
Speaker 1: Uh.
38:17
Speaker 2: Crazy in Love by Beyonce.
38:19
Speaker 1: Man, man, watch out you love that album?
38:22
Speaker 2: Oh that's her best album. I don't care what y'all say.
38:24
Speaker 1: It's the best.
38:25
Speaker 2: Happen that's her best. Dangerously in Love is her best album.
38:28
Speaker 1: Do you did you engage in every album? Yeah?
38:31
Speaker 3: I would hang out and I'd be like, all right,
38:33
Speaker 3: this is cool. Eliminade is probably the best.
38:37
Speaker 1: That's my favorite album, the.
38:39
Speaker 3: Best structural and like creativity and all that stuff. Elimonade
38:43
Speaker 3: is probably her magnum opus. But Dangerously in Love is
38:48
Speaker 3: the only Beyonce album I could not stop listening to that.
38:52
Speaker 1: That reporter who said that Beyonce will never be bigger
38:55
Speaker 1: than a Shanti got to be kicking themselves. Right before
38:59
Speaker 1: that album came out, somebody listened to that album, I believe,
39:02
Speaker 1: and wrote an article that said, Beyonce's solo project, just
39:05
Speaker 1: listen to it. She's not gonna be bigger than A
39:07
Speaker 1: Shanti And they living around, walk living in the earth,
39:10
Speaker 1: walking around today and Beyonce ain't done nothing but get
39:13
Speaker 1: bigger every every album.
39:16
Speaker 3: Hold on, that didn't make sense because when did A
39:21
Speaker 3: Shanty's first album come out? Hold on a second, man,
39:24
Speaker 3: look it up, Tom, hold on a second.
39:27
Speaker 1: That's like that variety of article on Center. No, it's not.
39:30
Speaker 1: I Love a Shanta.
39:31
Speaker 3: That was just a wild take. So her first album
39:34
Speaker 3: came out two thousand.
39:36
Speaker 6: And two, who's that Ashanti? Oh yeah, okay, Khalifa?
39:48
Speaker 1: What is she? Middle American? Middle Eastern.
39:52
Speaker 2: Too?
39:52
Speaker 1: And didn't album come on two thousand and three?
39:55
Speaker 2: Yeah? They both came out in two thousand and three.
39:58
Speaker 1: Okay, so that might be the music had the bigger
40:01
Speaker 1: first week.
40:02
Speaker 2: They figured, yeah, she's gonna be bigger than Beyonce.
40:05
Speaker 1: And Shanty was hot at that she was, so I'm
40:10
Speaker 1: sure and has how successful Destiny Child was.
40:14
Speaker 2: It's always again.
40:14
Speaker 1: I don't think it made no, I don't think it
40:16
Speaker 1: made as much hype. I don't remember it in real time,
40:21
Speaker 1: but in hindsight way off in inside of this twenty
40:25
Speaker 1: twenty though Insanti was white hot, she was wide gold
40:29
Speaker 1: her first week she was. And Beyonce, yeah, they did,
40:36
Speaker 1: and then Beyonce kept going. But in fairness not to
40:41
Speaker 1: that author, Beyonce doing stuff that our our artists don't
40:45
Speaker 1: often do. You don't usually get better and better, and
40:48
Speaker 1: you definitely don't switch genres. And when she switched to uh.
40:53
Speaker 2: What was this?
40:53
Speaker 1: First switch was renaissance right, a straight house music album
40:58
Speaker 1: and a house music album in twenties and then country.
41:03
Speaker 2: Most most artists period don't last as long.
41:06
Speaker 1: And most artists are like, stand up. Your first three
41:08
Speaker 1: specials are your stand up. Your first special is almost
41:12
Speaker 1: always your best. It's like the culmination of your work.
41:15
Speaker 2: By this time, you just putting out albums people didn't
41:17
Speaker 2: even know you put out. For sure, they got ten albums.
41:21
Speaker 2: One hugely happens with artists.
41:22
Speaker 3: They'd be like they still they put out album they
41:25
Speaker 3: put every year.
41:26
Speaker 2: I'll tap down two thousand and five, sixteen album.
41:29
Speaker 1: Look at Kanye's career, he did five six albums that
41:33
Speaker 1: people are like, man, watch out. He just put vultures
41:36
Speaker 1: to the green writing one move this crap. I'm not listening.
41:43
Speaker 1: But Beyonce get culturally relevant album out every event. Blackest King,
41:48
Speaker 1: people don't even talk about like they should. The Carter,
41:52
Speaker 1: she wrapped the whole thing with y Z. That's my wish.
41:56
Speaker 1: Straight rap solo. I don't care who wrote it. I
41:59
Speaker 1: don't care if the ingles wrong.
42:00
Speaker 3: I want to all rap album from Beyonce and Sissy,
42:02
Speaker 3: not together.
42:03
Speaker 1: But just yes, sissm rap, good rap, good though.
42:06
Speaker 2: I love sister, That's all I wanted. I want I
42:08
Speaker 2: want her to be j because can't be like I'm
42:11
Speaker 2: rapping on this one.
42:11
Speaker 1: Jojah Cat's a great artist as well. She she took
42:14
Speaker 1: that funny song and made a real career. She was like, yeah,
42:17
Speaker 1: the cows just how I got in the door like that.
42:19
Speaker 1: We at all deaf man. We had a hot six
42:22
Speaker 1: week love affair with that song.
42:25
Speaker 2: All right?
42:25
Speaker 1: Is it me? Should I give you less Michael Jackson
42:29
Speaker 1: or switch it up? Rock with you Michael Jackson.
42:36
Speaker 2: Seventies it's in here the eighties. She fumbled, God, dang
42:42
Speaker 2: off the wall.
42:43
Speaker 1: You know what, fine, I'll switch it up part time
42:46
Speaker 1: lover Stevie Wonders. They hate that lady from the Bob Brothers.
42:59
Speaker 1: They hate that that lady from the bar brother says
43:01
Speaker 1: seven winner can't sing. They was in tiktoking like this
43:04
Speaker 1: is not funny. You disrespecting the elder.
43:07
Speaker 2: She knew, she knew what it was.
43:09
Speaker 1: She said what she said, all right, part time and
43:11
Speaker 1: lover tone, what you got?
43:11
Speaker 2: I'm gonna go burn by Usher Raymond, let it back.
43:17
Speaker 2: We didn't that.
43:21
Speaker 3: Changing wet like hanging with you?
43:25
Speaker 1: All right, cool, I'm gonna go this little artist. Everybody
43:31
Speaker 1: grew up with sweet Love Anita Baker Auntie grew up
43:39
Speaker 1: cleaning the house of this music. Uh every Saturday, y'all remember,
43:44
Speaker 1: wake up, we clean and throw that Anita all but
43:49
Speaker 1: we all knew that in the eighties we was listening
43:53
Speaker 1: to it. What you got with that?
43:56
Speaker 5: Tom?
43:57
Speaker 2: We do?
43:57
Speaker 1: Say My Name, Sam and Name remixed of the original. Really, Wait,
44:05
Speaker 1: what's the remix? Why? Cliff Shohn? No, that's always funneling
44:10
Speaker 1: up the paperwork in there.
44:12
Speaker 3: He's a different song, Say My Name? The album cut
44:18
Speaker 3: with the video.
44:19
Speaker 2: And then they switch members on us. They switched members
44:22
Speaker 2: on us on the load. Wait an music video. It
44:25
Speaker 2: looked different.
44:26
Speaker 1: She came in and then they fel fair to get
44:30
Speaker 1: her luggage one video, it's better for you to get
44:34
Speaker 1: your luggage, and she's like, oh they do two videos
44:38
Speaker 1: and one Faara had to catch that flight.
44:40
Speaker 2: Franklin out there, quick.
44:41
Speaker 1: Catch the Beyonce. It's better you can get your flight
44:45
Speaker 1: than now your luggage. Ah, then get her out of here, screaming.
44:53
Speaker 2: For a one shoot day sixty for eight.
44:57
Speaker 1: Michael Matthew Knows was like, hey man, mm hmm.
45:03
Speaker 3: You see that clip of video Matthew talking about when
45:06
Speaker 3: Beyonce played Daddy for him, and he was just I
45:10
Speaker 3: regret listening to it with a with the A n
45:14
Speaker 3: R mind Daddy, that song Daddy that she dedicated to him, Daddy.
45:20
Speaker 1: Oh, I don't know this song. What album is it?
45:24
Speaker 1: It's on Dangerously in Love right yep? You need you
45:28
Speaker 1: need to come back to this album? Yeah yeah, And
45:36
Speaker 1: he was.
45:37
Speaker 3: He listened to it with like a A n R mindset,
45:40
Speaker 3: So he was just giving like he was giving the man.
45:42
Speaker 1: He didn't he didn't he didn't appreciate that it was
45:45
Speaker 1: a love letter to look like that.
45:46
Speaker 2: Song would have folded me up like a life bill.
45:48
Speaker 1: He was like, we gotta get we gotta get the
45:50
Speaker 1: production going on the course and stuff like Nigga, this is.
45:53
Speaker 2: To release this as a single.
45:54
Speaker 3: This yet like bro love you, I would have been drinking.
46:02
Speaker 3: I've been like, make this the first single.
46:06
Speaker 1: I ain't listen love album all the way through? What
46:10
Speaker 1: I had no money? Man? What you have to buy
46:12
Speaker 1: the albums? Then I ain't no two thousand and three,
46:15
Speaker 1: I ain't had I had a twelve.
46:16
Speaker 3: So you've been living your life, yes, yes, with a Beyonce.
46:22
Speaker 3: You've been living your life with a Beyonce standing first Beyonce.
46:25
Speaker 1: My listen to All the way Through is the self title.
46:28
Speaker 2: You never queued up with it all begame.
46:31
Speaker 1: I feel y'all. I feel y'all. I've been skaateing my
46:34
Speaker 1: whole life off the singles in the radio and the
46:36
Speaker 1: music videos and stuff. That's how I skate through life.
46:39
Speaker 1: My little secret is I ain't have nothing nobles. I
46:45
Speaker 1: just listen to the radio signals and they hits, y'all.
46:48
Speaker 1: I don't no money to buy the albums. We wouldn't
46:50
Speaker 1: do deep cuts, no deep cuts. I got plenty of excuses.
46:55
Speaker 1: I got other things to do. I'm not just killing up.
46:57
Speaker 1: Dare she ain't Love all the way Through? I'm not.
47:00
Speaker 1: I didn't have twelve every time and three. I ate
47:04
Speaker 1: that twelve.
47:05
Speaker 2: You always bringing up dangerously Love. That's because he has
47:07
Speaker 2: no reference.
47:08
Speaker 1: I got reference you Crazy in Love. That was the
47:13
Speaker 1: single single. I told y'all my secret, I go three singles.
47:17
Speaker 1: McGhee music videos get you almost every conversation, don't know
47:20
Speaker 1: nothing about.
47:21
Speaker 2: That's how you like it.
47:23
Speaker 1: That's how you like it.
47:24
Speaker 2: Girl like you, man, that's how you like it.
47:28
Speaker 1: I told y'all, you want to go deep cut? John
47:31
Speaker 1: p Key Strength.
47:32
Speaker 5: Album, color Blind, they always go go Pages of Life,
47:36
Speaker 5: Purpose by Design, Spearing and David Dona McClerkin Not just
47:40
Speaker 5: Live in London, the Byron Cash when he was on
47:43
Speaker 5: Air Records, Mary Mary Thankful album, Incredible album. You want
47:49
Speaker 5: to go deep cuts, I'm gonna know every deep cut
47:51
Speaker 5: of all them niggas. That's Ky Walker Live in London, Atlanta,
47:54
Speaker 5: More House Comes Together, Live in Toronto, Kurvy, every cut, Fragrance.
48:00
Speaker 5: That's why I was listening to finger Hunbers.
48:02
Speaker 1: Though I don't be fronting like I'm Gospel. I don't
48:04
Speaker 1: be fronting like you Beyonce. No I am Beyonce. You
48:08
Speaker 1: know I'm Beyonce from the singles and No from up
48:13
Speaker 1: what year was Black and Pek.
48:15
Speaker 2: With I don't know gospel. I come in out, walk
48:18
Speaker 2: in the house. I don't know gospel, y'all.
48:20
Speaker 1: Me.
48:20
Speaker 2: I burst into flames, they pull across. I'll be like
48:22
Speaker 2: a bun fire.
48:25
Speaker 1: But you be out here like, yeah, you know, I
48:27
Speaker 1: say everybody, I'm not saying everybody like her fans is
48:31
Speaker 1: deep right, but everybody don't listen to everybody's albums. I
48:35
Speaker 1: listen to the radio singles and the music videos. I
48:37
Speaker 1: get through a conversation.
48:39
Speaker 2: You know, you don't even really know what her best album.
48:41
Speaker 1: Is, the Lemonade based on what based on me, I
48:45
Speaker 1: like it. Uh yeah, I did listen to all. I
48:50
Speaker 1: did listen to Dashing Love all the way through, just
48:53
Speaker 1: to be like, yeah, like two years ago, Meanlessen was
48:57
Speaker 1: getting ready one day, we was like, let's play this
48:59
Speaker 1: all the way through. It's good. Back to Libane. We
49:03
Speaker 1: did the same thing with Lauren Hill miseducation.
49:07
Speaker 2: What you mean?
49:08
Speaker 1: What you mean?
49:09
Speaker 2: What I mean? I told you what I said. You
49:11
Speaker 2: listened to it late.
49:13
Speaker 1: I listened to it like.
49:14
Speaker 2: Three years ago.
49:15
Speaker 1: At Essence, Me and Melissa was getting dressed at Essence.
49:18
Speaker 1: We was like, I'm listen to this all the way through.
49:20
Speaker 1: I got y'all, man, guitar, you feel me? What what's
49:25
Speaker 1: the song? Do wop that thing? Doop that thing? That
49:31
Speaker 1: d that d.
49:33
Speaker 2: Yeah, I know it. I know.
49:36
Speaker 1: Nothing even matters if it was no if it was
49:40
Speaker 1: a radio hit or a music video, I'm gonna know it.
49:44
Speaker 1: If it was number seven, you oh, I love number seven.
49:47
Speaker 1: Me to y'all that dude, that d I was deep
49:52
Speaker 1: in the gospel. Man. I ain't gonna lie to y'all.
49:53
Speaker 1: Have been told y all this. Yeah, but I ain't
49:57
Speaker 1: have no money and I ain't have nobody buying this stuff.
50:00
Speaker 1: Some albums were twelve to fifteen tone at two thousand
50:03
Speaker 1: and three.
50:04
Speaker 2: Was you still in high school in ninety eight? Yes?
50:06
Speaker 1: Brother, what I'm gonna get the bread? You got to
50:09
Speaker 1: have it. I want to take a quick break from
50:11
Speaker 1: the show to tell you about one.
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Speaker 1: Now go get yourself good credit. And now back to
51:33
Speaker 1: the show. You got to play it for me Now,
51:36
Speaker 1: I listened to.
51:36
Speaker 2: It in college. You would have heard the Lauren Hill.
51:39
Speaker 1: Yeah, campus, I was fifteen. I was watching on MTV
51:44
Speaker 1: and stuff. I love this radio all that but track
51:49
Speaker 1: and plus. I couldn't play the albums at home, No way.
51:51
Speaker 1: I can just go in my room and be like,
51:53
Speaker 1: what you listen to Lauryn Hill, mother, this is god.
51:58
Speaker 1: You can't play it. I couldn't like. So there's a
52:01
Speaker 1: few uh that I be honest about. Uh Snoop Dogg
52:05
Speaker 1: Gin and Juice. I got that album. My home would
52:08
Speaker 1: let me have it, I was. I listened to that
52:10
Speaker 1: all the way through Crazy Sexy Cool, all the juice
52:14
Speaker 1: is crazy to keep going crazy cool? What is it
52:17
Speaker 1: called dogg Style Crazy Sexy Cool? I had that album,
52:21
Speaker 1: but see my dad was walking to a maxway at
52:23
Speaker 1: it on my walkman listen to Red Light Special over
52:26
Speaker 1: and over. My dad was like, what did you listen to?
52:28
Speaker 1: I was like, he opened it. He said TLC and
52:33
Speaker 1: he threw the tape on the ground. So I'm like,
52:37
Speaker 1: now I can't get because your fans on your crimping.
52:40
Speaker 1: I was listening to whatever. Yeah, everybody, if you Y's
52:44
Speaker 1: why I say about need A Baker. Nobody wants to
52:45
Speaker 1: hear me. But her albums came out when I was
52:48
Speaker 1: five and three. Somebody got to play that for you.
52:51
Speaker 1: My family was like, absolutely not, this is God's house.
52:54
Speaker 2: Well, my thing about Anita Baker, he was a fraud.
52:58
Speaker 1: How was I fraud? I admit it it immediately. I
53:00
Speaker 1: didn't know her. I never took I got did. I
53:02
Speaker 1: called up the Spice Adams Lady. That's but Melissa's parents
53:06
Speaker 1: weren't saved. That's why she got to listen to this stuff.
53:10
Speaker 2: Your key end.
53:11
Speaker 1: They was drinking beer and stuff. I was at revival.
53:13
Speaker 1: That's why church is on TV. Because I don't know
53:15
Speaker 1: Beyonce's full album. That's why church is on TV. Wait
53:18
Speaker 1: what I said? I know you I could do church
53:21
Speaker 1: and stuff because I don't know.
53:22
Speaker 2: I didn't.
53:22
Speaker 1: I couldn't listen to Beyonce.
53:23
Speaker 2: You wasn't living in City C.
53:25
Speaker 1: I know about you know about him? B b J.
53:28
Speaker 1: He was the rapper on Mary May's album Big Brother
53:32
Speaker 1: j A. Why you know I stayed fly? You don't
53:34
Speaker 1: know nothing about that. You're right, j MA, you right
53:37
Speaker 1: about that?
53:38
Speaker 2: All right? You're up? Is it me again? Yeah? So
53:41
Speaker 2: you just do.
53:41
Speaker 1: You're getting smashed right now. I didn't need a baker,
53:44
Speaker 1: sweet Love.
53:45
Speaker 2: I came with something. I said, say my name, Oh
53:47
Speaker 2: it's me.
53:47
Speaker 1: Okay, I'm gonna go Purple Rain by Prince m hm
53:54
Speaker 1: lit It calls you.
53:57
Speaker 2: Yeah, it's a great song.
53:58
Speaker 1: I know that from the.
54:00
Speaker 2: Living Lily calls You any Pain.
54:03
Speaker 1: I haven't seen that bling back up seasons.
54:06
Speaker 2: It's back on bill Board.
54:07
Speaker 1: I ain't seen the season. I was watching him Welcoming
54:09
Speaker 1: the Dairy. I think I made the right choice.
54:13
Speaker 2: Broken to Dairy is better.
54:14
Speaker 1: Yeah, that's what people were telling me. So I just
54:16
Speaker 1: watched workom the Derrek.
54:17
Speaker 2: I'm gonna hit you with a purple rain. Holy oh,
54:24
Speaker 2: juicy in that purple I love prints. I'm gonna do.
54:41
Speaker 1: Mm hmmm, I'm gonna do.
54:48
Speaker 3: It's hard to match with the eighties, yeah, because the
54:50
Speaker 3: two thousands got totally different.
54:52
Speaker 2: Yep, yep.
54:54
Speaker 1: I'm winning finally on the music and I'm gonna do
54:58
Speaker 1: the forties. You get the sixties, I'm gonna just do it.
55:04
Speaker 2: Ain't even gonna match it, man, I'm gonna do mm hmm.
55:12
Speaker 3: Oh two thousand. I'm thinking of the nineties. All right,
55:20
Speaker 3: nothing is calling to me to match up with the
55:24
Speaker 3: Purple Rain. I'm gonna just do Umbrella Rihanna.
55:42
Speaker 2: I'm gonna just do Umbrella.
55:44
Speaker 1: Cool, never too much, Luther Van Droz never too.
55:50
Speaker 3: Much, never too much, never two my bill Bill Bill built.
55:54
Speaker 2: I'm gonna do slow jams, twist and Kanye Western.
56:00
Speaker 1: Wasn't it wasn't nothing too much of Luther's first song
56:02
Speaker 1: after he left David Bowie.
56:04
Speaker 3: No, what was it some earlier than that?
56:09
Speaker 1: It definitely wasn't never too much. Then, all right, I'm
56:13
Speaker 1: gonna go I want to dance with somebody Whitney Houston.
56:21
Speaker 1: That song comes on eighteen times a day on Okay, okay,
56:28
Speaker 1: don't stop believe that Journey.
56:34
Speaker 2: Big White. I'm gonna go Big White as well. Lose yourself.
56:40
Speaker 2: I'm gonna match up the Big I'm gonna.
56:42
Speaker 1: Match up the Big Weddon Freddy Mercury. Uh, I'm gonna
56:48
Speaker 1: He's a journey you were singing, Who's a queen?
56:54
Speaker 2: Is Queen's queens? Today? He is dropping all of this step.
57:02
Speaker 1: I just don't say no names. Cav Ken is like
57:06
Speaker 1: I'm like rock with you Albertine style.
57:10
Speaker 2: He was like Freddie Mercury, like you were just singing journey.
57:14
Speaker 1: I know Freddie Mercury took a journey. Like I'm sorry, y'all,
57:22
Speaker 1: I just I just want y'all to like me. All right,
57:25
Speaker 1: how many more we got left? Marquita, Let's do football players?
57:29
Speaker 1: I know that stuff. Oh you're a commission Now you're
57:34
Speaker 1: talking about something I know.
57:39
Speaker 2: Supposed to do?
57:39
Speaker 3: What?
57:42
Speaker 2: Oh?
57:42
Speaker 1: Man, Now I'm winning this even with the mistakes, and Kate,
57:45
Speaker 1: don't take none of my mistakes.
57:46
Speaker 2: On the on the cutdown. I want to win one.
57:50
Speaker 1: Let's do. I'm gonna go big white again because back
57:54
Speaker 1: in the day we was listening to the other music.
57:56
Speaker 3: I listened to more white music in the eighties, and yeah,
57:59
Speaker 3: I ain't even gonna lie.
58:00
Speaker 1: I'm gonna go living on a prayer bon Jovie halfway there,
58:10
Speaker 1: tim My Head, what made it us?
58:13
Speaker 2: Well?
58:15
Speaker 1: Let you know lead singer that so Bester Stallone.
58:23
Speaker 3: Y'all, I'm gonna go big white again, all right, I'm
58:29
Speaker 3: gonna go justin Timberlake, Rocky Body.
58:32
Speaker 1: Oh that whole album is supposed to Michael Jackson. Yes,
58:37
Speaker 1: Rocky Buddy Can you imagine Michael Jackson singing that that's
58:40
Speaker 1: his that's his debut album. Man, it justify this whole
58:45
Speaker 1: album for real broke for Michael.
58:46
Speaker 2: Justphire album, Go Hard, that's just that's his best album.
58:50
Speaker 1: If you imagine all those songs, with all those songs
58:53
Speaker 1: with Michael Jackson instead of justin Timberlake, you can hear
58:57
Speaker 1: it for sure, that's Michael. That's Michael Jackson's album. Michael's like, nah, man,
59:02
Speaker 1: give me Teddy Rilly and give me everything. Got Tony
59:07
Speaker 1: Teddy hate that.
59:12
Speaker 2: Imagine that Michael.
59:13
Speaker 3: Jackson's album that was Justified over Invincible.
59:16
Speaker 1: Even Michael Jackson singing crime a River Crabby with his
59:20
Speaker 1: hot falsettup. Michael, Oh my god, justin Timberlake, you think
59:27
Speaker 1: your lucky star. I don't know who was talking to
59:30
Speaker 1: Michael like that.
59:31
Speaker 2: Justified album is fine, man, great.
59:35
Speaker 1: Justified, future, sex Love Sounds twenty twenty experience just God
59:41
Speaker 1: didn't love the second twenty twenty experience in Mount of
59:43
Speaker 1: the Woods.
59:44
Speaker 2: Man Woods was in the woods.
59:45
Speaker 1: But the first twenty twenty experience, Oh that white boy
59:49
Speaker 1: was huh about the gun?
59:53
Speaker 2: Michael was killed dead.
59:55
Speaker 1: Yeah, all them songs is Michael Jackson ready made, and
59:58
Speaker 1: Justin Blanke was like, thank you, Michael, and then he
1:00:03
Speaker 1: got he got Timberland on the production for the first
1:00:05
Speaker 1: three and the Neptunes come on. He had to fell safe.
1:00:12
Speaker 1: All right, you're up me and yeah, I just did
1:00:14
Speaker 1: just timber Oh you went quick, you went quick.
1:00:16
Speaker 2: Okay, I don't be lingering.
1:00:18
Speaker 1: And my last one, let's groove tonight and do do
1:00:24
Speaker 1: do share the spicey earth Wind?
1:00:33
Speaker 2: What year was that?
1:00:35
Speaker 1: I'm gonna tell you my other little my other trick tone.
1:00:38
Speaker 2: Who is that cool?
1:00:38
Speaker 1: Eighty one tone? That's eighty one? What I would do
1:00:41
Speaker 1: is to get up on artists. I'll go listen to
1:00:44
Speaker 1: their central album Greatest Heads. So when I got to
1:00:47
Speaker 1: go back and do my research, I go earth Wind, Commodores, Cameo, Stevie, Wonder,
1:00:54
Speaker 1: Ray Charles. I can't go back through every album. Let
1:00:57
Speaker 1: me get them essential. They get them a cent that
1:01:00
Speaker 1: he knows the sisters, just so I can talk about it.
1:01:01
Speaker 1: We will talk about it.
1:01:02
Speaker 2: I don't want to hear these excuse.
1:01:03
Speaker 1: I'm just telling hey, excuse, Let me tell you how
1:01:05
Speaker 1: I got through life.
1:01:05
Speaker 2: I'm going hiding here by Nelly.
1:01:08
Speaker 1: Hot at Valk man the wrong song again.
1:01:13
Speaker 3: Man, even doing this whole episode, I said, hot in
1:01:18
Speaker 3: that country, grandma, even doing this all episode. I'm doing
1:01:28
Speaker 3: down now man, let it go.
1:01:31
Speaker 1: Yeah, hot in.
1:01:32
Speaker 2: There, Come on, man, work with me here, hot in here.
1:01:39
Speaker 1: You know the one with Kelly Rowling with the Excel thing. No, man,
1:01:43
Speaker 1: can he deal with Tim McGraw. Yeah, you're like an
1:01:50
Speaker 1: old dad right now? Dug all right?
1:01:53
Speaker 5: Y'ah man, this or that Black TV show theme song
1:01:58
Speaker 5: talk Wayne brothers a sister sister?
1:02:03
Speaker 2: Oh this is that is on me?
1:02:05
Speaker 1: Yeah?
1:02:06
Speaker 2: Really no Wayne brother sister, Wayne's brothers for sure.
1:02:09
Speaker 3: Yeah gee hed hedn't.
1:02:17
Speaker 2: No, watch out man, watch out this remember trying to
1:02:23
Speaker 2: get all grown sister.
1:02:27
Speaker 7: I got my Oh, man, cut it off, cut it off.
1:02:34
Speaker 2: I got my.
1:02:40
Speaker 3: An that's the power, but hard and slow cut it off.
1:02:45
Speaker 2: I don't want to hear it. No, we're grown now when.
1:02:49
Speaker 1: I've grown in the inshrow I got my own.
1:02:55
Speaker 2: Turn it off, all right.
1:02:58
Speaker 1: The Jeffersons versus Good Times.
1:03:01
Speaker 3: Oh that's a good This is a good one because
1:03:05
Speaker 3: they both fire.
1:03:06
Speaker 1: Moving O no mo, that's aspiration side yeah in sky,
1:03:14
Speaker 1: why do we want to move to heaven?
1:03:16
Speaker 5: Huh?
1:03:16
Speaker 1: Why we got to move to the Deleux apartment in
1:03:18
Speaker 1: the sky.
1:03:19
Speaker 2: That's prime real estate.
1:03:20
Speaker 1: I want on the west side first. Why we always
1:03:23
Speaker 1: got to die in the black stuff?
1:03:24
Speaker 2: We didn't, That's what That's what The Pinhouse is. Always
1:03:27
Speaker 2: in the sky.
1:03:28
Speaker 1: Oh they're not talking about heaven. No, I thought they
1:03:31
Speaker 1: were talking about heaven.
1:03:32
Speaker 2: This hard. I can't tell though you are.
1:03:34
Speaker 1: I'm just I was like, man, you in church, it
1:03:39
Speaker 1: was always to the Lord.
1:03:40
Speaker 2: We have been falling down the steps this whole episode.
1:03:44
Speaker 1: Were talking about Penhouse. Talk about all.
1:03:48
Speaker 2: Right, man, to the deluxe apartment in the sky. That's
1:03:50
Speaker 2: the Penhouse.
1:03:51
Speaker 1: That's what I've been saying, y'all, not Heaven. I don't know.
1:04:00
Speaker 1: We need to talk about football recalibratement. Top six running
1:04:05
Speaker 1: backs from the Seattle Seahawks. Marsha Lynz shout, shout out,
1:04:13
Speaker 1: come on, man, now, I'm start on it. The Smith
1:04:20
Speaker 1: Kevin grew up in a religious call. Y'all all knew
1:04:24
Speaker 1: they were talking about the Penhouse and not the heaven.
1:04:28
Speaker 2: Never never.
1:04:29
Speaker 1: That's because you'll mind is on. Y'all are on carnal.
1:04:33
Speaker 1: Y'all on that carnal. I'm on that heave of the things.
1:04:37
Speaker 1: I'm always thinking about eternal. First, y'all worried about Earth.
1:04:41
Speaker 1: That's your problem, y'all worried about Earth. I'm worried about heaven.
1:04:44
Speaker 1: Where we're going. You're gonna be fumbling in heaven. You're
1:04:48
Speaker 1: gonna be calling people the wrong name Jesus right, No.
1:04:51
Speaker 2: This is Moses. You got the na tax say mom?
1:04:56
Speaker 2: All right?
1:04:57
Speaker 1: Tom So, Oh you didn't pick it? Yeah? First, I
1:04:59
Speaker 1: mean Jeffersons, Good Times make a pavement. They were singing
1:05:07
Speaker 1: good back of them, not getting hassled, not getting hussled,
1:05:12
Speaker 1: keeping your head above water. That was really what that
1:05:16
Speaker 1: show was about.
1:05:18
Speaker 7: The good times, good time. Hey, we lucky we got him, dude.
1:05:29
Speaker 3: Now, from the aspirational standpoint, you want, you want the
1:05:32
Speaker 3: Jeffersons teams.
1:05:33
Speaker 1: Standhouse, y'all, it was on pure emotion.
1:05:37
Speaker 2: I'm gonna go good time because they was singing their asses.
1:05:41
Speaker 1: They were and they was going through it in good times.
1:05:43
Speaker 1: Good Times helped create the Cosmy show because it gives
1:05:47
Speaker 1: us all, like everybody, everybody always struggling. Yeah, Jeffersons already
1:05:51
Speaker 1: gave us success. Yeah. But Norman Larry, he knew, he
1:05:54
Speaker 1: knew how to write a struggle thing. He gonna get
1:05:55
Speaker 1: that black family going through it. I'm gonna go good
1:05:58
Speaker 1: time fresh Prince of bad Laire versus the proud family.
1:06:03
Speaker 1: Oh fresh Fresh Prince might might be my favorite thing
1:06:06
Speaker 1: song of all the time, Easy work, all right, last one.
1:06:08
Speaker 1: Family matters versus living single.
1:06:11
Speaker 2: It's a rat tradition.
1:06:13
Speaker 7: This day a read any good news on the newsday, birthday.
1:06:19
Speaker 1: Love, the gad desire.
1:06:22
Speaker 2: People say, you see.
1:06:26
Speaker 1: He was rap.
1:06:28
Speaker 2: It must be some magically.
1:06:32
Speaker 1: Side this.
1:06:36
Speaker 2: Living single good though living single. We are living.
1:06:42
Speaker 1: Single O and and it's kind of world.
1:06:46
Speaker 2: I'm glad I got my girl.
1:06:49
Speaker 1: If you head up what you heat up, that's right.
1:06:51
Speaker 7: I mean to get a fight with my home girls
1:06:54
Speaker 7: standing tell my left, Am I right?
1:06:55
Speaker 1: True blue? We tight light glue. We are tack tack
1:06:58
Speaker 1: tacking our tack tack tacking.
1:07:00
Speaker 2: Out single, limit singles, danced.
1:07:02
Speaker 1: Bout bight out of the mind, Yeah, limit single all right, y'all.
1:07:08
Speaker 1: That's the episode. Everything I know is correct.