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On-Set Security (with Vic Michaelis) · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:07
  Speaker 1: We're back with another app.
• 0:09
  Speaker 2: You don't know what they do, but they do the
• 0:14
  Speaker 2: things that keep.
• 0:16
  Speaker 3: Your favorite people safe. That's right.
• 0:19
  Speaker 2: We're talking about on set security for TV, film and entertainment.
• 0:24
  Speaker 4: So let's feel safe today. Do you have clearance to
• 0:28
  Speaker 4: enter set?
• 0:29
  Speaker 2: No?
• 0:30
  Speaker 4: Then you have to stay over there. This is just
• 0:33
  Speaker 4: a taste of what an onset security guard will do.
• 0:37
  Speaker 1: So gather up your guns and tasers. It's on set security.
• 0:44
  Speaker 3: Did you guys notice how easy it was to get
• 0:46
  Speaker 3: in here?
• 0:48
  Speaker 5: Oh?
• 0:50
  Speaker 3: Ope? Yeah? To repeat my question, sir, I didn't know
• 0:53
  Speaker 3: you're going for that.
• 0:53
  Speaker 6: Big Sorry about that. Just a bit of coffee. It's
• 0:56
  Speaker 6: been a long day.
• 0:57
  Speaker 3: It's a big gold full of coffee, a.
• 0:58
  Speaker 6: Big go full of coffee.
• 1:00
  Speaker 7: Here you're going it's hot to look steam. Why it
• 1:02
  Speaker 7: is burning the roof of my mouth right now.
• 1:05
  Speaker 2: Burning the cup too. It's going to make a hole.
• 1:12
  Speaker 2: As I was saying, did you guys notice how easy
• 1:14
  Speaker 2: it was to get in here?
• 1:15
  Speaker 3: Yeah? That makes you nervous a little bit.
• 1:17
  Speaker 4: Yeah, it makes me feel kind of shaky.
• 1:19
  Speaker 3: Yeah.
• 1:20
  Speaker 4: I just waltzed right on in here like this is
• 1:22
  Speaker 4: Walt Disney World, and I think it's a little nuts.
• 1:26
  Speaker 1: I will say Walt Disney World exceptionally difficult to get into,
• 1:30
  Speaker 1: exceptionally difficult to get into.
• 1:32
  Speaker 6: See the video.
• 1:34
  Speaker 3: I saw that video. What is the video?
• 1:36
  Speaker 6: It's a little girl pretending to be a baby.
• 1:38
  Speaker 5: Is this posted on the security guard Facebook?
• 1:41
  Speaker 6: On the security guard Facebook?
• 1:42
  Speaker 3: Yeah?
• 1:43
  Speaker 7: And so then they lift out the blanket. It is
• 1:45
  Speaker 7: a twenty six year old woman.
• 1:49
  Speaker 3: That never would have happened on my watch. So they.
• 1:53
  Speaker 6: Pretending to be a baby. They cut a hole out
• 1:55
  Speaker 6: of the bottom of the carriage.
• 1:56
  Speaker 5: Wow.
• 1:57
  Speaker 7: And she was sitting in the sort of like the
• 1:59
  Speaker 7: low bay part of the stroller.
• 2:02
  Speaker 3: Sylvester Crum posted it. You guys know Sylvester.
• 2:04
  Speaker 5: Oh, come on, Sylvester's an icon in the security game.
• 2:08
  Speaker 3: Security Guard for the Oscars.
• 2:11
  Speaker 5: Oh he used to be, oh yeah until the incident.
• 2:14
  Speaker 4: Yeah yeah.
• 2:15
  Speaker 5: Where was where was he when the slap that was
• 2:18
  Speaker 5: heard around the world. I'm talking about the moment Oscar
• 2:24
  Speaker 5: Isaac slapped Jessica Alba backstage right, terrible moment, tragic. Will
• 2:31
  Speaker 5: Smith's thing really really really really overplayed the Jessica Alba
• 2:37
  Speaker 5: Oscar Isaac slap.
• 2:39
  Speaker 2: I'm on his side, though, I'm on Oscar's side. Why
• 2:41
  Speaker 2: was Jessica backstage? She had made a movie in so
• 2:44
  Speaker 2: long was she there?
• 2:46
  Speaker 7: Here's the thing I am on Jessica Beside' been off
• 2:49
  Speaker 7: for the reasons that you're thinking, the reasons. That was
• 2:51
  Speaker 7: a security guard's job to say that you can't be backstage.
• 2:54
  Speaker 7: It was not Oscar Isaac's job. He is an actor
• 2:56
  Speaker 7: and a presenter. Nowhere on his badge say security.
• 3:00
  Speaker 3: That is a great point.
• 3:00
  Speaker 1: Well, why don't we go around and introduce ourselves. I'll start.
• 3:05
  Speaker 5: My name is Leroy Tantano, and I run security and
• 3:12
  Speaker 5: am in charge and the main security guard for Addison Ray.
• 3:16
  Speaker 5: And let me tell you, it is a lot keeping
• 3:22
  Speaker 5: that girl safe and out of trouble. She is a
• 3:24
  Speaker 5: thrill seeker. She does not know when to quit. It's
• 3:28
  Speaker 5: a lot. Yeah, absolutely, thank you.
• 3:32
  Speaker 4: Yeah, Beth Myers, I was running security for Martha Stewart's
• 3:39
  Speaker 4: show for fifteen years. I sort of sat outside, sat
• 3:44
  Speaker 4: outside her house, so I was I was running the
• 3:48
  Speaker 4: door kind of. And since then Martha and I have
• 3:54
  Speaker 4: become quite close. I eventually got to be her person.
• 4:00
  Speaker 4: No bodyguard. On occasion, I'll take a freelance thing where
• 4:03
  Speaker 4: she'll go, Hey, I kind of need protection, and we're
• 4:07
  Speaker 4: the exact same size, So uh, it kind of comes
• 4:10
  Speaker 4: in handy because if I ever need to take a
• 4:12
  Speaker 4: bullet for I just know to mimic her exact.
• 4:15
  Speaker 5: Oh so you're like almost like a body double.
• 4:19
  Speaker 4: Yeah, in a way. They've you know, they've subbed me
• 4:22
  Speaker 4: in occasionally when they need to do lighting tests and stuff,
• 4:25
  Speaker 4: because you know, I looked just so much like her.
• 4:29
  Speaker 4: It was honestly pretty scary.
• 4:31
  Speaker 3: Yeah.
• 4:31
  Speaker 5: That must have been surreal when you first signed up
• 4:33
  Speaker 5: for the job.
• 4:34
  Speaker 4: Yeah, I mean it was like looking in a mirror.
• 4:36
  Speaker 4: And then there was that one day when you know,
• 4:39
  Speaker 4: we accidentally saw each other changing, and we just stopped
• 4:43
  Speaker 4: dead stop cold, and we looked into each other's eyes
• 4:45
  Speaker 4: and we just kind of kept looking up and down
• 4:48
  Speaker 4: and up and down, giving each other the once over
• 4:50
  Speaker 4: because and we said at the same time, we're the same.
• 4:55
  Speaker 1: So I understand how you might be able to accidentally
• 4:57
  Speaker 1: see her changing because you know your security, what situation
• 5:01
  Speaker 1: where you and where you.
• 5:02
  Speaker 5: Had to change as well.
• 5:04
  Speaker 4: Well. Okay, so here's the deal. I was Martha Stewart.
• 5:07
  Speaker 4: We had gotten We've done a couple jobs together at
• 5:09
  Speaker 4: this point we were kind of on a certain level
• 5:12
  Speaker 4: and uh, I said, you know, I've been up all
• 5:15
  Speaker 4: night at Coachella. I'm really dirty. I wish I had
• 5:18
  Speaker 4: taken a shower before this. And Martha says, oh, you know,
• 5:20
  Speaker 4: we're up filming for a couple of You went.
• 5:23
  Speaker 7: To her house after Coachella, You went to Coachella, and
• 5:26
  Speaker 7: then you went back home to Martha.
• 5:29
  Speaker 4: It was at work. So I, look, we've all done it.
• 5:33
  Speaker 4: We've all gone to something over the weekend. We have
• 5:35
  Speaker 4: our weekend and then go straight to set. And sometimes
• 5:39
  Speaker 4: sometimes you don't have time in between.
• 5:40
  Speaker 5: Yeah, I've been Yeah, And so I was.
• 5:43
  Speaker 4: I was there a couple hours before general call and
• 5:46
  Speaker 4: I got there and I was a little bit of
• 5:48
  Speaker 4: a wreck, but she was kind enough to take me
• 5:50
  Speaker 4: in and yeah, so I I was like, she offer me.
• 5:59
  Speaker 3: The story, the woman, tell the story, please.
• 6:01
  Speaker 4: I wasn't drunk. I was on Mollie and which is
• 6:05
  Speaker 4: very different because it really colors the whole situation differently.
• 6:08
  Speaker 4: I was a joy to be around, Okay, I wasn't
• 6:10
  Speaker 4: like throwing up all over he stuff. She was having
• 6:13
  Speaker 4: a blast. She was giggling at everything I was saying.
• 6:15
  Speaker 4: I swear. So she takes me into the shower, and
• 6:19
  Speaker 4: so I get undressed, and then there is I hear
• 6:24
  Speaker 4: a scream from the adjoining master bedroom, and so I
• 6:28
  Speaker 4: run out. You know, it's it's your instinct. When you
• 6:30
  Speaker 4: hear a scream, you run. And Martha had seen a
• 6:33
  Speaker 4: spider on the ground, was really, really big, and she
• 6:36
  Speaker 4: had been changing into her clothes. And that's when we
• 6:39
  Speaker 4: stopped and we looked at each other. We locked eyes,
• 6:42
  Speaker 4: and we locked eyes at each other's bodies and we
• 6:44
  Speaker 4: kept going. But you, but I, but you.
• 6:47
  Speaker 6: I'm so sorry.
• 6:48
  Speaker 7: I don't mean to harp on this. You look to
• 6:50
  Speaker 7: be about sixty seven years old, and you were at
• 6:52
  Speaker 7: Coachella alone.
• 6:55
  Speaker 4: Yeah, you know, it's it's hard. I won't lie. It's
• 6:59
  Speaker 4: hard to be a sixty seven year old woman alone
• 7:01
  Speaker 4: at Coachella. People don't respect you, nobody gives you free stuff.
• 7:06
  Speaker 4: But yeah, I was camping, I was on my own.
• 7:09
  Speaker 4: I asked my doctor, I said, how's everything looking. Can
• 7:12
  Speaker 4: I go to Coachella? And they said, well, we don't
• 7:14
  Speaker 4: advise it, but but you technically can. And you know
• 7:19
  Speaker 4: I take that as a yes. Look at me going
• 7:21
  Speaker 4: on and on and on and on. It's still gonna
• 7:25
  Speaker 4: meet everybody.
• 7:26
  Speaker 3: I'll take the baton. My name is Travis Luisy Jr.
• 7:29
  Speaker 3: It's so nice to meet you all. I am a
• 7:31
  Speaker 3: security entail.
• 7:34
  Speaker 2: I'm a security protege that mostly does freelance. But what
• 7:38
  Speaker 2: I specialize in is sitting outside of locations when we
• 7:44
  Speaker 2: shoot our location.
• 7:45
  Speaker 3: For movies and TV show.
• 7:46
  Speaker 2: So this is us the l word next generation. Those
• 7:52
  Speaker 2: are two shows that I am on. And usually when
• 7:56
  Speaker 2: someone's shooting inside, you got somebody sitting on the outside.
• 8:00
  Speaker 3: I bring my.
• 8:00
  Speaker 2: Chair, I sit down on the corner and I hang out.
• 8:04
  Speaker 2: I make sure that there's no trouble. You know, somebody
• 8:06
  Speaker 2: comes up, so, oh, what do we shooting?
• 8:07
  Speaker 3: What are we shooting?
• 8:08
  Speaker 2: You know, I got the personality I gotta. I gotta
• 8:10
  Speaker 2: people to say, hey, we're shooting the something over here.
• 8:12
  Speaker 2: You got that way, And that's the kind of thing
• 8:14
  Speaker 2: we're up to.
• 8:15
  Speaker 3: And that's me. I'm kind of a man of the street.
• 8:17
  Speaker 3: I'm a street man. Wow.
• 8:21
  Speaker 5: Yeah, that's that's an important job, you know, Yeah, very important.
• 8:24
  Speaker 2: Jo I would like to think it's the most important
• 8:26
  Speaker 2: job because it could it could easily there could be
• 8:29
  Speaker 2: one rogue person who could come in and ruin the
• 8:31
  Speaker 2: whole thing, and.
• 8:32
  Speaker 5: I'm actually for l Ward Next Generation.
• 8:35
  Speaker 2: Lward next generation the people I have turned away from
• 8:37
  Speaker 2: that set. And I'll tell you specifically, Well, it's a
• 8:41
  Speaker 2: lot of women who just want to get in there
• 8:43
  Speaker 2: because they think there's sex going.
• 8:45
  Speaker 4: On and they're women perverts going in.
• 8:51
  Speaker 3: But it's not for you.
• 8:52
  Speaker 2: A lot of horny women trying to get in that set,
• 8:54
  Speaker 2: claw their ways into that set.
• 8:56
  Speaker 3: I think it's despicable. I think it's despicable.
• 9:00
  Speaker 5: What do you do to get a what do you
• 9:01
  Speaker 5: what's your kind of protocol to.
• 9:05
  Speaker 3: Well, I tell them it's not gonna happen.
• 9:07
  Speaker 5: Okay, that's good, classics classic.
• 9:10
  Speaker 3: Here's what else I do.
• 9:11
  Speaker 2: I usually look up on my Google Maps before I
• 9:14
  Speaker 2: get there in the morning, I look up the closest
• 9:17
  Speaker 2: uh beach and I tell them to go there, and
• 9:21
  Speaker 2: I tell them to jump in, and I tell them
• 9:24
  Speaker 2: to get some cold water running through their boxes.
• 9:26
  Speaker 4: Oh you're in central California, you can you can pull
• 9:28
  Speaker 4: out the specific and go why don't you go jump
• 9:30
  Speaker 4: in Pismo Beach?
• 9:32
  Speaker 2: Is that the absolutely when I am shooting the L
• 9:34
  Speaker 2: word and you know, Bakersfield whatever, I know the closest beach.
• 9:38
  Speaker 7: So I'm not seeing you got a lot of map
• 9:39
  Speaker 7: quest map print outs in your pocket.
• 9:41
  Speaker 6: That's all about.
• 9:42
  Speaker 3: Yeah you noticed you notice my fat stack?
• 9:46
  Speaker 6: I love that.
• 9:47
  Speaker 4: I I don't trust Google Maps as far as I
• 9:49
  Speaker 4: can throw it.
• 9:50
  Speaker 2: Yeah, yeah, yeah, I don't trust them either. I like
• 9:52
  Speaker 2: to have something to hold, you know what I mean.
• 9:54
  Speaker 2: Especially you never know when your phone's gonna die.
• 9:56
  Speaker 3: You never know, you, I mean they have I never know.
• 10:01
  Speaker 3: I never know when it's gonna die. I never know, right.
• 10:05
  Speaker 4: I wish they'd give you some kind of clue.
• 10:07
  Speaker 2: I wish they would tell me my phone's gonna die.
• 10:09
  Speaker 2: It just goes away.
• 10:11
  Speaker 7: No, I'm noticing a fat piece of black tape on
• 10:14
  Speaker 7: top of your phone. There just sort of a strip
• 10:16
  Speaker 7: on the top of your phone covering the clock.
• 10:18
  Speaker 3: And yeah, I'm saying, but pulling that off, well, it's
• 10:21
  Speaker 3: covering the camera.
• 10:22
  Speaker 5: Yeah, you can't have cameras, and.
• 10:26
  Speaker 2: I can't and I can't and I can't have cameras
• 10:29
  Speaker 2: looking at me.
• 10:31
  Speaker 3: I don't want that. I know. There's a lot of hacks.
• 10:33
  Speaker 2: There's a lot of hacking in, and there's a lot
• 10:37
  Speaker 2: of people trying to get after me, and and and
• 10:39
  Speaker 2: you're not getting it.
• 10:40
  Speaker 3: You're not. You're not getting to view of me. If
• 10:42
  Speaker 3: you're a hacker, you're not gonna view a me.
• 10:45
  Speaker 2: I am good at security on cyber and I'm good
• 10:47
  Speaker 2: at security in real life.
• 10:48
  Speaker 5: Wow, what is you?
• 10:52
  Speaker 3: What's up with you?
• 10:54
  Speaker 4: Look at me?
• 10:55
  Speaker 3: What's the deal with you?
• 10:56
  Speaker 4: I gotta know your dear.
• 10:58
  Speaker 3: The quiet type this one. I feel.
• 11:00
  Speaker 6: Here's the thing. I it's not a big deal. And
• 11:02
  Speaker 6: I know you're all.
• 11:02
  Speaker 7: Looking at me, and you're like, is that Alex when
• 11:04
  Speaker 7: the bago, Yes it is, And.
• 11:06
  Speaker 4: I don't know. I was so sure.
• 11:12
  Speaker 7: You got a young buck running crowd control on Chuck
• 11:15
  Speaker 7: Laurie's Big Bang Theory for for eight seasons, and all
• 11:18
  Speaker 7: of a sudden, everybody's like, oh, oh, oh, I want
• 11:20
  Speaker 7: to talk to you. I when when you stand outside
• 11:22
  Speaker 7: my house for a little bit, and I'm like, no,
• 11:23
  Speaker 7: I'm busy.
• 11:24
  Speaker 6: I got other work to do, you know what I mean?
• 11:25
  Speaker 7: So, yeah, you know, puttering around here there looking on
• 11:29
  Speaker 7: a little show called Young Sheldon.
• 11:30
  Speaker 6: No, it's not a big deal.
• 11:33
  Speaker 3: They moved you right to Young Sheldon.
• 11:35
  Speaker 6: I know. I'm actually I'm head of crowd control.
• 11:38
  Speaker 3: That is crazy.
• 11:40
  Speaker 2: What anybody one of the crowds because it went from
• 11:42
  Speaker 2: multi to single, right, sure, so what are the crowds
• 11:46
  Speaker 2: on there? Heard?
• 11:47
  Speaker 5: They're still bringing it.
• 11:49
  Speaker 7: They do it for testing, so they bring in small
• 11:51
  Speaker 7: groups of people now. So it's like, you know, when
• 11:53
  Speaker 7: you go to disney and you get a VIP tour.
• 11:55
  Speaker 3: Never never done that.
• 11:56
  Speaker 7: No, So you know, Chuck every once in a while,
• 11:58
  Speaker 7: Christmas time, he takes us all to give VIP towards
• 12:00
  Speaker 7: at Disneyland.
• 12:00
  Speaker 6: It's it's you know, it's nice. He's like that, which
• 12:04
  Speaker 6: is pretty sweet.
• 12:04
  Speaker 5: That's a great boss.
• 12:05
  Speaker 6: Yeah, it's nice.
• 12:06
  Speaker 7: And so you know, we sort of a small group
• 12:08
  Speaker 7: shuttle people around, test out jokes. You know, I sort
• 12:11
  Speaker 7: of get to give them a tour of the.
• 12:12
  Speaker 4: Back in the back area.
• 12:14
  Speaker 6: It's not a big deal. It's you know, anyone could
• 12:17
  Speaker 6: do it. Do I do it the best? Yeah?
• 12:20
  Speaker 3: I do.
• 12:21
  Speaker 4: Okay, but I think.
• 12:24
  Speaker 3: I heard it's the one to go.
• 12:27
  Speaker 6: Don't look at me, don't look at me.
• 12:28
  Speaker 5: Yeah, absolutely, I've heard.
• 12:30
  Speaker 3: You're so good.
• 12:30
  Speaker 5: They gave you your own trailer.
• 12:32
  Speaker 6: Yeah, I got a small trailer on set. I do
• 12:35
  Speaker 6: live in it.
• 12:35
  Speaker 7: So it's sort of a hybridized for both being on
• 12:39
  Speaker 7: set comfort and living situation. So I do have a
• 12:42
  Speaker 7: shower in the great cooking set up stove, So that's
• 12:47
  Speaker 7: pretty good.
• 12:47
  Speaker 4: It's always on the job. So did you ever do
• 12:51
  Speaker 4: you get to talk to young Sheldon much?
• 12:54
  Speaker 6: They try and talk to me, you turn them down.
• 12:57
  Speaker 5: Well, it's good.
• 13:00
  Speaker 4: He's a little nerd. I love that you put him
• 13:02
  Speaker 4: in his plate.
• 13:03
  Speaker 7: He's constantly chasing me around the second Alex, Alex, you know,
• 13:07
  Speaker 7: show me what what is this wall from? You know,
• 13:10
  Speaker 7: and it'll sort of point to a wall on the
• 13:11
  Speaker 7: set and you know, I know, but I'm yeah, I'm busy.
• 13:14
  Speaker 5: What is it from?
• 13:16
  Speaker 7: Uh So if you're looking at the west wall when
• 13:18
  Speaker 7: you walk in, they they did just put that up
• 13:22
  Speaker 7: for young Shelter specifically.
• 13:24
  Speaker 3: Okay, so most of the seconds. So the answer would
• 13:28
  Speaker 3: be this, but you're not going to tell it to him.
• 13:30
  Speaker 7: Well, you know, it's just it's one of those things
• 13:32
  Speaker 7: I don't and I hate to use this word, but
• 13:34
  Speaker 7: I don't like the fans getting getting too close, you know.
• 13:39
  Speaker 2: So, which is funny because you just mentioned, you know,
• 13:41
  Speaker 2: people used to ask you to come stand outside of
• 13:43
  Speaker 2: the house. I remember when you were you were on
• 13:47
  Speaker 2: I think you built your own version of cameo. But
• 13:49
  Speaker 2: it was for security guards. Yeah, well yeah, you could
• 13:52
  Speaker 2: hire you could hire Alex Winnebago to come on and
• 13:55
  Speaker 2: stand outside of your house for thirty to forty five minutes.
• 13:57
  Speaker 6: You couldn't guess what.
• 13:58
  Speaker 7: It just got too busy, yeah you know, I was
• 14:01
  Speaker 7: you make too much money, too young, And it gets.
• 14:03
  Speaker 3: To here, what was it called?
• 14:06
  Speaker 6: Security? SECURITYO?
• 14:07
  Speaker 3: Security O? You know, I forgot secure?
• 14:10
  Speaker 4: I got I booked a I tried to book you
• 14:16
  Speaker 4: on a secure dot I owe for my niece's birthday party.
• 14:20
  Speaker 6: Because i've you're that bad.
• 14:22
  Speaker 4: I'm not bad, wow, but I you know, I don't
• 14:26
  Speaker 4: want you to feel weird. I'm gonna be totally normal
• 14:29
  Speaker 4: this whole time. And uh, you did a great job.
• 14:32
  Speaker 6: Oh thank you. That's really kind of you to say.
• 14:34
  Speaker 7: Actually, but hey, today, I'm just I'm one of the pals,
• 14:38
  Speaker 7: all right.
• 14:39
  Speaker 6: I'm just I'm at the table like you.
• 14:41
  Speaker 7: I got I got gloves on my hands because I
• 14:44
  Speaker 7: don't want things to get too dirty.
• 14:45
  Speaker 6: Because you get a cold, you can't go into work.
• 14:47
  Speaker 2: Exactly what do you think it is about you that
• 14:49
  Speaker 2: makes you such a special security guard? Like and we
• 14:52
  Speaker 2: can try to guess what what about Alex that makes
• 14:54
  Speaker 2: them so special. I would love to figure that out
• 14:57
  Speaker 2: because I I just when I look at I feel
• 15:00
  Speaker 2: like you're normal.
• 15:00
  Speaker 3: But there must be something else there.
• 15:02
  Speaker 5: Can I take a guess? Yeah, the hair? Is it
• 15:05
  Speaker 5: the hair?
• 15:05
  Speaker 3: It might be the hair.
• 15:06
  Speaker 5: It's the hair.
• 15:08
  Speaker 6: Shade of brown.
• 15:08
  Speaker 5: The shade of brown is so piercing, thank you?
• 15:12
  Speaker 4: Yeah, so chestnut, believably chestnut sean brown.
• 15:16
  Speaker 6: Yeah, absolutely like the I'm not saying this.
• 15:20
  Speaker 7: When I used to work on the set of Mom.
• 15:26
  Speaker 7: When I used to work on Mom, Alison Janey used
• 15:28
  Speaker 7: to come up to me and she would say, you
• 15:29
  Speaker 7: look like the most beautiful.
• 15:30
  Speaker 6: Mouse in the field.
• 15:32
  Speaker 3: What would you say?
• 15:33
  Speaker 7: And I'd say, Allison, I don't have time for this
• 15:35
  Speaker 7: right now. It's just got to be too much.
• 15:37
  Speaker 5: You know.
• 15:38
  Speaker 7: She's give me a little sweet nothings in my ear,
• 15:40
  Speaker 7: and I just didn't have time for it anymore.
• 15:42
  Speaker 3: I get you.
• 15:43
  Speaker 2: My Liveli always asked me to come to his house
• 15:46
  Speaker 2: to play his pinball machine, and I'm like, I am
• 15:48
  Speaker 2: not interested.
• 15:50
  Speaker 7: What do you think it is about security guards where
• 15:52
  Speaker 7: the talent wants to be friends?
• 15:55
  Speaker 5: Well, I wish it was a little bit more like
• 15:57
  Speaker 5: that with me and Addison.
• 15:58
  Speaker 6: Oh, you and Addison aren't.
• 16:00
  Speaker 5: No, it's very business oriented. It's kind of like me
• 16:03
  Speaker 5: running after a marble in one of those marble mazes.
• 16:06
  Speaker 3: It's a mess.
• 16:07
  Speaker 5: It's that's a marble marble mais you guys, no marble mazes, right,
• 16:11
  Speaker 5: it's it's the thing where you put a marble in.
• 16:13
  Speaker 4: It a pinball machine. No, well kind of, but it's
• 16:17
  Speaker 4: like a survivor.
• 16:18
  Speaker 3: Well, it's what are those machines.
• 16:20
  Speaker 4: Like, like a robe Goldberg Goldberg machin. So you're just
• 16:23
  Speaker 4: tripping and spinning all over the place trying to get
• 16:25
  Speaker 4: your hands.
• 16:26
  Speaker 1: I'm not trying to get my hands on that girl.
• 16:30
  Speaker 1: I'm trying to do the opposite. I'm trying to gat
• 16:31
  Speaker 1: those hands off that girl.
• 16:32
  Speaker 4: All right, all right, all right.
• 16:34
  Speaker 7: I did leave school at thirteen to pursue security guarden
• 16:36
  Speaker 7: full time.
• 16:37
  Speaker 6: So do remind me. Is this where people are trying
• 16:39
  Speaker 6: to see if you're a robot or not?
• 16:41
  Speaker 5: No, that's that's a touring Goldberg is.
• 16:48
  Speaker 1: When you put the marble in it, it does all these
• 16:50
  Speaker 1: crazy things and you know, irons fall.
• 16:52
  Speaker 3: The flips go up, and the swidgets go over.
• 16:55
  Speaker 6: And Domino's dominoes.
• 16:57
  Speaker 5: It's a dominant Domino's fall, not a domino, specifically a
• 17:00
  Speaker 5: Rube Goldberg machine.
• 17:02
  Speaker 6: Speaking of the dominoes, I would love a pizza.
• 17:04
  Speaker 3: I god, I would love it.
• 17:07
  Speaker 5: Addison's all vegan. It's not going to work for me.
• 17:10
  Speaker 4: But are you allowed to eat pizza?
• 17:11
  Speaker 5: I'm not allowed to eat pizza. If she smells it
• 17:13
  Speaker 5: on me, I get fired.
• 17:14
  Speaker 3: Do you have to do her diet.
• 17:16
  Speaker 1: I have to do her diet, I have to do
• 17:17
  Speaker 1: her photo shoots, I have to do everything.
• 17:19
  Speaker 6: I'm just going to ask about the outfit.
• 17:21
  Speaker 4: Yes, a small planid skirt, because you're look incredible, but
• 17:28
  Speaker 4: I don't know if you feel incredible.
• 17:30
  Speaker 5: Love the bangs, love the bang. It's just not me though.
• 17:32
  Speaker 5: I've never had bangs, and I don't love it.
• 17:35
  Speaker 1: But she kind of pays me a lot of money
• 17:37
  Speaker 1: to secure her and also just kind of test things
• 17:40
  Speaker 1: out every once.
• 17:42
  Speaker 4: Relax.
• 17:43
  Speaker 5: Yeah, I can't. I can uncross my arms physically, I can't.
• 17:48
  Speaker 5: I'll pop out of this. Basically, she's kind of like
• 17:51
  Speaker 5: leading a cult. If you will, Wow, you're just saying
• 17:53
  Speaker 5: it right out, but I wouldn't say it's a cult.
• 17:56
  Speaker 5: It's like a cult.
• 17:58
  Speaker 6: I guess her secrets aren't secure.
• 18:00
  Speaker 3: Yeah, I'll tell you. What if I was your time,
• 18:02
  Speaker 3: I wouldn't have said that. I wouldn't have done that.
• 18:04
  Speaker 5: You guys think she's gonna fire me.
• 18:06
  Speaker 3: I don't know. Did you sign an NDA?
• 18:08
  Speaker 5: I signed a lot of NDAs. I signed ten NDAs.
• 18:12
  Speaker 1: Every about two weeks she makes me sign another.
• 18:15
  Speaker 5: NDA covering what whatever hydrinks she's gotten into, just just
• 18:20
  Speaker 5: to cover this section is also under the NDIADA. She's
• 18:24
  Speaker 5: doing such crazy things. She needs a new NDA. It's insane.
• 18:27
  Speaker 4: Okay, So walk me through like a general day in
• 18:29
  Speaker 4: the life of Addison Ray, because it seems like this
• 18:32
  Speaker 4: girl's running around all sorts of plays.
• 18:34
  Speaker 1: She is wild. Let me tell you, it's like walking
• 18:37
  Speaker 1: in a wild horse. Just go in a field. She
• 18:40
  Speaker 1: wake up at five am, and she is off to
• 18:43
  Speaker 1: the races. First it's swimming and photos in the pool,
• 18:46
  Speaker 1: and then we jump right into a sauna, and right
• 18:49
  Speaker 1: from the sauna, we've got to do four photo shoots
• 18:51
  Speaker 1: back to back, and then she's recording, and then she's
• 18:54
  Speaker 1: going to the club right around five, but we have
• 18:57
  Speaker 1: to make the club look like it's midnight. After that
• 19:00
  Speaker 1: it's dinner, and after that we get breakfast. But it's
• 19:03
  Speaker 1: a photo shoot called breakfast to a post for the
• 19:06
  Speaker 1: next day and ever then she has a little free
• 19:09
  Speaker 1: time with boys. Let me tough times for me, the
• 19:13
  Speaker 1: tough times for me, the free time with boys. I
• 19:14
  Speaker 1: don't know my place, I don't understand where I should
• 19:17
  Speaker 1: be there.
• 19:17
  Speaker 5: And then it's sleep time, right.
• 19:19
  Speaker 4: But she wants you to be there.
• 19:20
  Speaker 5: She wants me in the room. She wants me to
• 19:22
  Speaker 5: are you there for it?
• 19:24
  Speaker 1: Most of the time, unfortunately I'm standing outside the door, okay,
• 19:28
  Speaker 1: but I hear a lot of giggling and a lot
• 19:30
  Speaker 1: of fun. And these boys they're just you know, beautiful, beautiful,
• 19:34
  Speaker 1: beautiful cut boys with nothing going on inside of their brains.
• 19:38
  Speaker 4: You know.
• 19:38
  Speaker 5: It's it's it's.
• 19:39
  Speaker 1: Tough to it's tough to have conversations with them even,
• 19:44
  Speaker 1: you know, because it's like talking to cardboard.
• 19:48
  Speaker 6: Trying to have conversations.
• 19:50
  Speaker 3: What are you talking about?
• 19:51
  Speaker 6: The door?
• 19:51
  Speaker 5: Just to make sure they're all good, you know, see
• 19:53
  Speaker 5: if they're right in the.
• 19:54
  Speaker 3: Head, they respond like cardboard, and you say it's okay.
• 19:57
  Speaker 5: She forces me to let them in.
• 19:59
  Speaker 1: Every once in a while, I go, I don't know
• 20:00
  Speaker 1: about this guy, Addison, and she goes let him in,
• 20:03
  Speaker 1: Let him in, Let him in.
• 20:05
  Speaker 3: Do you feel like a parent sometimes?
• 20:08
  Speaker 5: Yes, absolutely, but almost like I feel like a step dad.
• 20:14
  Speaker 5: But her parents have died, you know, and somehow I
• 20:17
  Speaker 5: got custody.
• 20:18
  Speaker 6: Oh sure, a Richie.
• 20:20
  Speaker 5: Rich, a Richie rich situation, does that what happened in
• 20:22
  Speaker 5: rich rich just gets.
• 20:23
  Speaker 3: A lot of money?
• 20:25
  Speaker 6: Okay? Are you getting a lot of money for this?
• 20:28
  Speaker 3: Yeah?
• 20:28
  Speaker 1: I'm getting a lot, about seventeen dollars a day, which
• 20:31
  Speaker 1: is fantastic money. But she's not forcing me to do everything,
• 20:36
  Speaker 1: so you know, giving a take.
• 20:38
  Speaker 4: Do you what seventeen dollars a day total?
• 20:41
  Speaker 5: Yeah, but that's your job. Yeah, that's my job.
• 20:44
  Speaker 3: Is that?
• 20:44
  Speaker 5: I thought that was annoymos And.
• 20:45
  Speaker 7: I did notice you're buying a subway sandwich before this,
• 20:48
  Speaker 7: so you're not getting any kind of food.
• 20:49
  Speaker 5: No, I buy it, buy my own food.
• 20:51
  Speaker 6: Yeah, okay, I feel like you have to know that's
• 20:53
  Speaker 6: not And I also.
• 20:54
  Speaker 2: Saw you throw out the subway sandwich because you know
• 20:56
  Speaker 2: that Addison doesn't need something.
• 20:57
  Speaker 1: I buy it to smell it. I buy it to
• 20:59
  Speaker 1: smell it. I just missed the taste.
• 21:00
  Speaker 4: You could probably go into the subway. A subway smells
• 21:04
  Speaker 4: like a.
• 21:05
  Speaker 2: Subway, and it always well a cardinal rule.
• 21:09
  Speaker 3: I have a pillow that says that in my house.
• 21:12
  Speaker 4: No matter where you go, it's gonna smell like one.
• 21:16
  Speaker 5: Could I ask you guys something, just making brains here,
• 21:18
  Speaker 5: because you guys are so good. What do you guys do?
• 21:21
  Speaker 5: What's your kind of move to shut down a situation?
• 21:24
  Speaker 1: You know, because we're all having to deal with situations constantly.
• 21:29
  Speaker 5: What is your go to? Do you have one? Are
• 21:32
  Speaker 5: you kind of mixing it up every day?
• 21:33
  Speaker 3: But he's what I do.
• 21:35
  Speaker 2: If I can't get it done here, I try to
• 21:37
  Speaker 2: get it as far away as possible.
• 21:39
  Speaker 3: I try to move it. I try to move it.
• 21:42
  Speaker 3: Move it. You guys, ever seen the movie Madagascar?
• 21:44
  Speaker 4: I like to move it?
• 21:46
  Speaker 2: You remember that little monkey that says that. I like
• 21:48
  Speaker 2: to movie. It's hilarious. It's a monkey and it's animated.
• 21:53
  Speaker 3: I think it's a monkey. I think it's I think
• 21:57
  Speaker 3: any I think it is a monkey. So why are
• 21:59
  Speaker 3: you calling it something else? I try to move it,
• 22:03
  Speaker 3: move it okay, like the monkey says it.
• 22:07
  Speaker 5: Yeah.
• 22:07
  Speaker 6: I don't know why this is such a sticking point.
• 22:09
  Speaker 7: I do think a lemur is a type of monkey.
• 22:12
  Speaker 4: I also think different. I think I think it's definitely
• 22:16
  Speaker 4: a lemur.
• 22:16
  Speaker 3: It's a monkey.
• 22:19
  Speaker 7: Listen, man, I'm trying to meet you halfway here, and
• 22:21
  Speaker 7: I feel like you're really you're both physically and emotionally
• 22:23
  Speaker 7: pushing me back.
• 22:24
  Speaker 4: Here because I really what you have to say.
• 22:27
  Speaker 3: You need to take a walk.
• 22:28
  Speaker 5: You all need to take a walk. That's your move.
• 22:31
  Speaker 3: That's something I would do if I was pissed off.
• 22:32
  Speaker 4: See that's interesting. My go to catchphrase is like a
• 22:36
  Speaker 4: you know, if if no doesn't work, you hit him
• 22:39
  Speaker 4: with an ah. You hit him with a no, never
• 22:45
  Speaker 4: gonna happen. The hand motions too, Yeah, you hit it
• 22:49
  Speaker 4: with a big X nah ah. And then if that
• 22:51
  Speaker 4: doesn't work, it's two finger wab wags first to the left,
• 22:55
  Speaker 4: then to the right, never gonna happen.
• 22:59
  Speaker 6: Like windshield first, Yeah.
• 23:00
  Speaker 3: Use that. I'm going to use that.
• 23:02
  Speaker 6: Your wipers for.
• 23:03
  Speaker 4: Like a drizzle, not pouring rain. Just one, two, three,
• 23:08
  Speaker 4: real precise gets them away fast.
• 23:10
  Speaker 3: I love that. Yeah that's great.
• 23:13
  Speaker 6: Sure, I mean for me, I'm not gonna lie.
• 23:15
  Speaker 7: I haven't dealt with the situation like this in a
• 23:17
  Speaker 7: while because my security guard handles that for the most part.
• 23:19
  Speaker 3: So you know you have a guard.
• 23:20
  Speaker 6: Yeah, you know, things got a little bit crazy. I
• 23:22
  Speaker 6: did have to hire someone to sort of take care
• 23:24
  Speaker 6: of my affairs.
• 23:25
  Speaker 3: Who is your god?
• 23:26
  Speaker 6: Tony Tony? You know Tony.
• 23:30
  Speaker 5: Smith, Tony, there's only ten thousands that work.
• 23:34
  Speaker 6: In It was Matt Smith's brother.
• 23:36
  Speaker 3: Oh, the British one. He's British. Yeah, very cool. Doctor.
• 23:41
  Speaker 2: Well his brother, yeah, yeah, yeah, we call him. I
• 23:44
  Speaker 2: called him Tony Britt.
• 23:45
  Speaker 3: I know Tony Tony Britta. That's it. Yeah, we were.
• 23:48
  Speaker 3: We worked together on We worked on what was that
• 23:52
  Speaker 3: freaking's called? It was Enlightened, Enlightened.
• 24:00
  Speaker 5: I've never heard of that show.
• 24:01
  Speaker 2: Yeah, yeah, yeah, Laura Dern, Jason Maukis, Oh, sure, all
• 24:07
  Speaker 2: kinds of people.
• 24:08
  Speaker 6: He's in the new season of Paper Girls.
• 24:10
  Speaker 3: Is he wire? You work on that?
• 24:14
  Speaker 7: Chuck was looking at getting involved and then they said,
• 24:17
  Speaker 7: uh no, studio audience.
• 24:19
  Speaker 5: Do you spend a lot of like personal time with Chuck.
• 24:22
  Speaker 7: Yeah, for a while, I was doing something called idea security.
• 24:27
  Speaker 3: And then we're protecting Ip.
• 24:28
  Speaker 4: You're just locking him up and he is NonStop.
• 24:32
  Speaker 5: He just I know how he works. He yells his ideas.
• 24:35
  Speaker 4: To write it down.
• 24:35
  Speaker 2: So did you have to stand outside the idea or
• 24:38
  Speaker 2: did you have to go to where the idea was?
• 24:40
  Speaker 3: And secure where that before the idea came in.
• 24:43
  Speaker 7: So essentially how this worked for him is he would
• 24:45
  Speaker 7: shout an idea, one of his guys would write it down.
• 24:48
  Speaker 7: I then would go over snatch it out of his
• 24:50
  Speaker 7: greasy little hands, and then I'd fold it up.
• 24:52
  Speaker 5: And put it. Well, that's what I heard.
• 24:53
  Speaker 1: There was a huge legal debacle about who owned two
• 24:56
  Speaker 1: and a half men because he just was walking around
• 24:58
  Speaker 1: the Paramount lot and went two and a half men
• 25:01
  Speaker 1: and then it was a big legal battle between him
• 25:04
  Speaker 1: and the studio.
• 25:05
  Speaker 3: Right.
• 25:05
  Speaker 7: It was tough because he did say that on studio properties.
• 25:07
  Speaker 7: So here's what he does now.
• 25:09
  Speaker 6: You know in have you seen a quiet place?
• 25:12
  Speaker 3: I have seen that.
• 25:13
  Speaker 6: You know how they carry around the little baby in
• 25:15
  Speaker 6: the box?
• 25:15
  Speaker 5: Yeah, that's quiet place too.
• 25:17
  Speaker 6: I think have you seen Guie place too?
• 25:19
  Speaker 4: I have not, No, not at all.
• 25:21
  Speaker 7: You know how Harry styles when he's trying to get
• 25:24
  Speaker 7: to the stage, they put him in a little box,
• 25:26
  Speaker 7: they wheel him.
• 25:27
  Speaker 1: I should start doing that with Addison. That's a good idea.
• 25:31
  Speaker 6: She does music now, I heard she does a.
• 25:33
  Speaker 5: Lot of music, A lot of music.
• 25:35
  Speaker 6: Are you involved in that?
• 25:36
  Speaker 5: I have to be okay, I'm doing a lot of
• 25:39
  Speaker 5: the mixing and a lot of the vocals.
• 25:41
  Speaker 6: So it seems like most of your job is actually
• 25:43
  Speaker 6: not security related.
• 25:45
  Speaker 5: It's it's full of Addison. I'm doing a lot for Addison.
• 25:48
  Speaker 6: I see you're sort of protecting her as a person.
• 25:50
  Speaker 5: Well, she's got a lot of weirdos.
• 25:53
  Speaker 1: She's got a lot of weirdos, and my job is
• 25:55
  Speaker 1: to kind of wrestle them and bribe them, make peace
• 25:59
  Speaker 1: with them, convince them to get away.
• 26:02
  Speaker 4: Physically, you have to wrestle them.
• 26:03
  Speaker 5: There's a lot of wrestling. Now.
• 26:05
  Speaker 4: Is this her saying will you wrestle this person? Or
• 26:07
  Speaker 4: is this this person getting aggressive and then you wrestling
• 26:10
  Speaker 4: them away.
• 26:10
  Speaker 1: No, it's mostly her as a fun game, pointing to
• 26:13
  Speaker 1: somebody and going wrestle them.
• 26:15
  Speaker 4: So, okay, so.
• 26:17
  Speaker 1: It'll be we'll be at we'll be at lunch. She'll
• 26:19
  Speaker 1: be bored and she'll just want to, you know, a
• 26:21
  Speaker 1: little drama. So she'll point to somebody and say, start
• 26:23
  Speaker 1: wrestling them.
• 26:23
  Speaker 6: Can I ask you a personal question ahead? Are you okay?
• 26:28
  Speaker 3: Yeah?
• 26:28
  Speaker 6: I think this might be a bad relationship for.
• 26:30
  Speaker 3: No, it's good.
• 26:31
  Speaker 5: It's good, she said, I'm on the path.
• 26:35
  Speaker 4: We're sweating into your choker.
• 26:38
  Speaker 3: Your choke is getting.
• 26:40
  Speaker 6: And the glitter is just welling in the bottom of
• 26:42
  Speaker 6: your eyes.
• 26:44
  Speaker 3: Yeah.
• 26:44
  Speaker 5: No, it's a good relationship, for sure.
• 26:46
  Speaker 2: For sure, this tea is falling onto the your exposed
• 26:49
  Speaker 2: belly under your mid drip.
• 26:51
  Speaker 7: And that that belly button piercing looks very infected, my friend.
• 26:54
  Speaker 5: Yeah no, yeah, definitely, Well he has got germs man. No,
• 26:59
  Speaker 5: we'll come back. We don't have to.
• 27:00
  Speaker 6: She should go to the doctor and get that looked after.
• 27:02
  Speaker 1: No, she doesn't believe in doctors. Oh no, no, no.
• 27:08
  Speaker 6: I think you need to maybe find a new job,
• 27:12
  Speaker 6: you know.
• 27:13
  Speaker 2: I'm looking for somebody to help me out. I'm actually
• 27:15
  Speaker 2: working on the new season of Squid Game.
• 27:17
  Speaker 5: Will I have to wear the jumpsuit?
• 27:19
  Speaker 2: No, security, we don't wear We don't wear jumpsuits.
• 27:23
  Speaker 5: Are you sure about that?
• 27:25
  Speaker 3: What are you talking about?
• 27:27
  Speaker 4: Yeah?
• 27:27
  Speaker 2: You wear some vest, You wear shorts if you want.
• 27:30
  Speaker 2: Sometimes you wear long pants, and you wear the dirtiest
• 27:32
  Speaker 2: shoes you can possibly find.
• 27:33
  Speaker 7: Hat and a button up shirt and maybe a reflective vest,
• 27:36
  Speaker 7: sunglasses bigger than most of your cheeks.
• 27:41
  Speaker 3: So bev.
• 27:41
  Speaker 5: How's it going with Martha Stewart these days?
• 27:44
  Speaker 4: If you're looking for somebody who's going to corroborate how
• 27:47
  Speaker 4: you do your job. It's not going to happen. Me
• 27:49
  Speaker 4: and Martha are very professional. Sometimes we do go over
• 27:54
  Speaker 4: the line of security, but that is on a friend basis.
• 27:57
  Speaker 4: We have a relationship full of love and trust.
• 28:00
  Speaker 6: Have your phone is ringing off the hook? Do you
• 28:02
  Speaker 6: need to take?
• 28:03
  Speaker 4: Won't stop? I listen? I don't want to and I
• 28:08
  Speaker 4: didn't sign an NDA about this, so I guess I
• 28:10
  Speaker 4: can say it. Martha Stewart has a huge crush on me.
• 28:13
  Speaker 4: Oh gosh, it's kind of hard. I mean, part of
• 28:17
  Speaker 4: me loves it because you know, I'm attracted to her
• 28:20
  Speaker 4: because we're exactly the same, and you know, we're all
• 28:22
  Speaker 4: attracted to sort of a version of ourselves.
• 28:25
  Speaker 3: But me, I like to go opposite.
• 28:27
  Speaker 5: Yeah, me too. I don't look at the mirror and
• 28:29
  Speaker 5: go wow.
• 28:30
  Speaker 4: You say I want the furthest thing from that?
• 28:33
  Speaker 3: Are you?
• 28:33
  Speaker 4: Are you in a relationship?
• 28:35
  Speaker 3: I am who dating.
• 28:37
  Speaker 2: Let's just say they are eight foot three Shaquille O'Neill.
• 28:42
  Speaker 4: No, it's not Shaquill O'Neill like a regular person.
• 28:46
  Speaker 3: It's Cheaquil O'Neil's buddygud No, very bird, it's lammy bird.
• 28:53
  Speaker 6: I heard it got into the security game.
• 28:55
  Speaker 2: He was so good, you know, he he's so good
• 28:59
  Speaker 2: andecurity game.
• 29:00
  Speaker 3: It was really crazy when I first said, excuse me,
• 29:04
  Speaker 3: are you?
• 29:04
  Speaker 2: And he said are you? And I said are we?
• 29:07
  Speaker 2: And I was like I was gonna see you Larry Burden.
• 29:09
  Speaker 2: I think he thought I was going to say, are
• 29:10
  Speaker 2: you into men? And then he said are you a demn
• 29:12
  Speaker 2: And then I ever answered no, but nips facto.
• 29:16
  Speaker 3: I got a boyfriend.
• 29:17
  Speaker 7: So question to you, is the opposite of a security
• 29:19
  Speaker 7: guard a basketball player?
• 29:22
  Speaker 3: Yes?
• 29:23
  Speaker 2: Absolutely, that is this spectrum. You got the security guard
• 29:28
  Speaker 2: full of order and strict rules, and you got a
• 29:31
  Speaker 2: basketball player slopping around the court throwing balls that might
• 29:36
  Speaker 2: hurt somebody.
• 29:37
  Speaker 4: There are a lot of rules in basketball and a
• 29:39
  Speaker 4: lot of order too.
• 29:40
  Speaker 5: This is primarily an order sport.
• 29:42
  Speaker 2: Well, but then when you get out there, it just
• 29:44
  Speaker 2: looks so effortless. When you're a security guard, it's gotta
• 29:47
  Speaker 2: look difficult.
• 29:49
  Speaker 5: That is true.
• 29:50
  Speaker 4: That is true. We do. I mean I will confess
• 29:53
  Speaker 4: a lot of the times. You know, hours will pass
• 29:55
  Speaker 4: by without one of Martha Stewart's fans. We call them cookies.
• 30:02
  Speaker 5: Where did you guys get that name?
• 30:04
  Speaker 6: There's gotta be a story.
• 30:05
  Speaker 4: Well, okay, tell us the long version. Oh come, let's
• 30:11
  Speaker 4: don't spam, right, we have the time, the yearsion. The
• 30:16
  Speaker 4: year is nineteen ninety nine. She's just started Martha Stewart's
• 30:21
  Speaker 4: living in her new location, fresh house, new house, and
• 30:26
  Speaker 4: down in Santa Barbara for season four, I think. And
• 30:30
  Speaker 4: she goes into the house. It's the first day we're
• 30:33
  Speaker 4: shooting of the season, and we realized that there are
• 30:37
  Speaker 4: some squatters there. But they don't look like regular squatters.
• 30:40
  Speaker 4: They look like very well dressed, sort of like conservative women,
• 30:44
  Speaker 4: and they've just been sort of hiding in this closet
• 30:47
  Speaker 4: and like pearl necklaces, like real like waspy churchy types.
• 30:52
  Speaker 4: And then Martha says, can I can I help you? Ladies?
• 30:55
  Speaker 4: And they come out and they say, we brought you
• 30:58
  Speaker 4: cookies And they had like made Martha these cookies and
• 31:01
  Speaker 4: they were squatting in this house all summer, just waiting
• 31:04
  Speaker 4: for her to start filming there.
• 31:06
  Speaker 3: What happened to those people?
• 31:10
  Speaker 2: Wow, you touch your face got away, your face got
• 31:14
  Speaker 2: stone cold, you went pale.
• 31:16
  Speaker 5: It seems like a security secret. They all have security secrets.
• 31:20
  Speaker 3: What did you do to the cookies?
• 31:21
  Speaker 4: Sometimes you gotta do what you gotta do.
• 31:23
  Speaker 7: Nineteen ninety nine Santa Barbara, the year of the Santa
• 31:26
  Speaker 7: Barbara Cookie Killers.
• 31:30
  Speaker 5: Wait a minute, Oh, it wasn't me.
• 31:32
  Speaker 4: That was an unrelated security guard serial killer shot four
• 31:37
  Speaker 4: women holding tupperwars full of cookies and through their bodies
• 31:41
  Speaker 4: on State Street and Santa Barbara and didn't dispose of
• 31:44
  Speaker 4: them correctly. And that would never be me. I would
• 31:47
  Speaker 4: never do that. That's a tragedy.
• 31:49
  Speaker 6: I heard they were found with cookie staple to their.
• 31:51
  Speaker 3: Head and crumbs in there.
• 31:55
  Speaker 4: Yeah, it's really sick, really sick. They had, Yeah, and
• 31:59
  Speaker 4: they had chocolate chips in their eyeballs. But I that
• 32:03
  Speaker 4: was a.
• 32:03
  Speaker 3: That wasn't a specific the police released.
• 32:05
  Speaker 4: We just know that from do you know the police report? Really?
• 32:09
  Speaker 3: Well? Beth? Have you heard of trauma bonding?
• 32:14
  Speaker 4: Have you?
• 32:15
  Speaker 3: You know?
• 32:16
  Speaker 4: I have heard of trauma bonding when you.
• 32:18
  Speaker 3: Go through something together then you get feelings for someone.
• 32:21
  Speaker 4: Yeah, is that happening to us right now?
• 32:22
  Speaker 7: Dev I know you took your phone off the table,
• 32:24
  Speaker 7: but the light is just flashing out.
• 32:26
  Speaker 6: Of your leg.
• 32:27
  Speaker 4: Look, I know, and I like, I've turned off vibrate,
• 32:30
  Speaker 4: but it's still so loud. It won't it's like the
• 32:32
  Speaker 4: phone is screaming. It's like the phone knows I don't
• 32:35
  Speaker 4: want her to call me.
• 32:36
  Speaker 2: It's the biggest Samsung Galaxy I've ever seen. I didn't
• 32:38
  Speaker 2: even know they made them that big, almost a tablet.
• 32:41
  Speaker 4: I asked, this was a gift from Martha for Christmas?
• 32:45
  Speaker 4: I said, I want, I want a phone as big
• 32:47
  Speaker 4: as my leg, and she said, I'll make it happen.
• 32:50
  Speaker 5: Can I ask you a question? What happened when Martha
• 32:53
  Speaker 5: was in jail?
• 32:55
  Speaker 4: Oh, that was a hard time. I did get to
• 32:57
  Speaker 4: go to a conjugal visit with her.
• 33:00
  Speaker 6: Were you assisting?
• 33:03
  Speaker 7: Were you guarding somebody that was just in the conjugal
• 33:05
  Speaker 7: visiness or was it you that was going to consiness?
• 33:08
  Speaker 4: Accidental conjugal vision was originally it was originally in a
• 33:12
  Speaker 4: guarding capacity. And then let's just say things got a
• 33:15
  Speaker 4: little weird.
• 33:16
  Speaker 3: Why did you need to prison?
• 33:19
  Speaker 4: You didn't I didn't trust the prison guards. She said, no, no, no, no, no,
• 33:24
  Speaker 4: I'm bringing my own.
• 33:26
  Speaker 3: And that was her call to make.
• 33:27
  Speaker 6: They allowed her to bring in her own.
• 33:30
  Speaker 4: Your Martha's steward. I mean, you get special meals, you
• 33:33
  Speaker 4: get a special room. We're not going to give you
• 33:36
  Speaker 4: the regular dirty, old security guards that we have in
• 33:39
  Speaker 4: this prison. She said, I want to clean one. I
• 33:41
  Speaker 4: want one that I know.
• 33:43
  Speaker 3: That's so true.
• 33:45
  Speaker 1: Let's quickly talk about the difference between security guards and cops.
• 33:48
  Speaker 5: You know, yeah, let's talk about it.
• 33:51
  Speaker 1: I'm always confused as being a cop and I'm not
• 33:54
  Speaker 1: a cop.
• 33:59
  Speaker 3: That you're must Yeah, thank you, thank you.
• 34:02
  Speaker 6: I appreciate you saying that I do have them insured.
• 34:06
  Speaker 6: Oh much, not as much as you'd think. It was
• 34:09
  Speaker 6: a small, a small price to pay.
• 34:11
  Speaker 3: How much do you think I think premium on it?
• 34:16
  Speaker 6: I'd say maybe seventy five dollars a month.
• 34:19
  Speaker 3: You think I'm thinking seventy five dollars a month.
• 34:21
  Speaker 6: For the premium for the preview. But that's not what happening.
• 34:24
  Speaker 4: That just what you think. I think.
• 34:26
  Speaker 7: You think that I went to All Stay and I
• 34:28
  Speaker 7: had to get a special umbrella policy for my whole body.
• 34:31
  Speaker 7: And then I said I don't need the whole body,
• 34:33
  Speaker 7: I just need the arms. And so then they said, okay, well, I.
• 34:35
  Speaker 6: Guess we can do that as sort of a special uh.
• 34:38
  Speaker 7: And so they did it for seventy five dollars a month,
• 34:39
  Speaker 7: and it's not it's sixty eight dollars a month.
• 34:41
  Speaker 1: So okay, sixty eight dollars a month for how many years?
• 34:44
  Speaker 1: Because that doesn't tell me how much you have them
• 34:46
  Speaker 1: insured for. That just tells me.
• 34:47
  Speaker 7: How about so for some sort of a bodily damage? Yeah,
• 34:51
  Speaker 7: I still we're looking about one point five million dollars
• 34:53
  Speaker 7: on that policy.
• 34:54
  Speaker 6: Wow, yeah, you know sort of a standard.
• 34:56
  Speaker 3: Did you think I was talking about the premium? And
• 34:58
  Speaker 3: now the policy?
• 35:03
  Speaker 4: Got insurance is such a headache.
• 35:05
  Speaker 6: I'm not living inside your head.
• 35:07
  Speaker 7: I've went into sort of cover all bases because when
• 35:08
  Speaker 7: I talk to people and I say how much how
• 35:10
  Speaker 7: much of your insurance, I'm assuming that I'm assuming they're
• 35:13
  Speaker 7: thinking that I'm talking about the policy.
• 35:15
  Speaker 3: Yeah, absolutely, Yeah.
• 35:18
  Speaker 1: Anyway, cops and security guards could not be more different.
• 35:22
  Speaker 5: We are guarding. They are hunting.
• 35:25
  Speaker 4: Yeah, they're no, they're out for blood and we're just
• 35:29
  Speaker 4: trying to make a movie.
• 35:31
  Speaker 6: They are the wolves.
• 35:32
  Speaker 2: We are the trees in our perfect world. Nothing happens
• 35:36
  Speaker 2: in our perfect world. We are there purely to keep
• 35:40
  Speaker 2: the status quo, purely to keep our interests, uh, problem free.
• 35:46
  Speaker 2: It was stopping stuff from happening, and we're not trying
• 35:48
  Speaker 2: to start any ship.
• 35:49
  Speaker 5: We also have no training.
• 35:51
  Speaker 3: No right.
• 35:52
  Speaker 6: No, well, I watched a video.
• 35:54
  Speaker 5: Oh yeah, I had to watch a video.
• 35:55
  Speaker 3: Yeah it was Oh no.
• 36:00
  Speaker 2: A book that was written by the first Hollywood security
• 36:04
  Speaker 2: guard for MGM. Did you guys ever read that? Wow,
• 36:06
  Speaker 2: Gus Sack Gus Sacher a book called How to Keep
• 36:11
  Speaker 2: Judy Garland Happy?
• 36:13
  Speaker 5: And well it didn't work very well.
• 36:16
  Speaker 2: No, no, And he talks about it at the end.
• 36:19
  Speaker 2: It was written before she died, and then he did
• 36:21
  Speaker 2: a special epilogue after she died, and he said, I'm
• 36:24
  Speaker 2: so sorry I did.
• 36:26
  Speaker 5: Not I love a special epilogue.
• 36:28
  Speaker 4: I love the end of the book that just says,
• 36:30
  Speaker 4: never mind, because if I remember correctly from reading that
• 36:34
  Speaker 4: book a few years ago, after I left middle school
• 36:37
  Speaker 4: to sort of pursue security guarding full time, he ends
• 36:40
  Speaker 4: that book by saying, and it worked out perfectly, exactly,
• 36:43
  Speaker 4: And I've never seen a happier saying do it how.
• 36:44
  Speaker 3: I do it.
• 36:45
  Speaker 2: Every single person I've helped has gotten better, and every
• 36:48
  Speaker 2: single person I have looked after will be safe for
• 36:51
  Speaker 2: the rest of their lives.
• 36:52
  Speaker 6: On the top, when your control group is one, yeah, yeah.
• 36:55
  Speaker 3: Yeah yeah.
• 36:56
  Speaker 4: Also, Alex, I want to go back to something you quit.
• 36:59
  Speaker 4: You try to be a security guard when you were
• 37:01
  Speaker 4: thirteen years old? What did your parents think about that?
• 37:03
  Speaker 6: They were supportive.
• 37:05
  Speaker 7: You know how sometimes you hear stories about stand up
• 37:08
  Speaker 7: kids who you know, they go to clubs with their
• 37:10
  Speaker 7: young and their parents were sneaking in the back. That
• 37:12
  Speaker 7: was like me on the lot, you know, I wasn't
• 37:14
  Speaker 7: supposed to be there. I didn't have a permit.
• 37:16
  Speaker 6: You didn't need that. In two thousand and eleven starting.
• 37:19
  Speaker 5: Your parents were in a lot already, they were sneak
• 37:21
  Speaker 5: you on.
• 37:22
  Speaker 6: Yeah, my parents are kind of a big deal on
• 37:24
  Speaker 6: the lot.
• 37:26
  Speaker 5: Who are your parents?
• 37:28
  Speaker 6: I don't want to say, I don't want to mouth stop.
• 37:31
  Speaker 7: Okay, So it is uh Trin and Taylor Winnebago Janitorial
• 37:37
  Speaker 7: Trim and Taylor.
• 37:40
  Speaker 5: Yeah, so you know it's tough put you in a
• 37:42
  Speaker 5: little mop.
• 37:46
  Speaker 2: Y So Trin Winnebago of Trin Winnebago Ammonium.
• 37:52
  Speaker 6: Train Winnebago Ammonium. They did kind of come up with
• 37:54
  Speaker 6: their own little.
• 37:54
  Speaker 5: Concoction only use on warn this in Radford.
• 38:01
  Speaker 7: Yes, yes, so they cleaned uh most recently the Mentalist
• 38:06
  Speaker 7: the season.
• 38:06
  Speaker 3: Yeah, I know the Mentalists look very clean, sort.
• 38:09
  Speaker 6: Of a law and order SVU.
• 38:11
  Speaker 7: Was there another claim to fame, you know, any any
• 38:14
  Speaker 7: of those big franchises that you can think.
• 38:16
  Speaker 3: To clean up because the murders exactly, and.
• 38:18
  Speaker 6: So I so it's tough because they use red wine.
• 38:21
  Speaker 6: They insist on everything. So really they said it's the
• 38:24
  Speaker 6: brightest red So.
• 38:26
  Speaker 5: Your parents or.
• 38:28
  Speaker 6: When they use.
• 38:29
  Speaker 7: Blood, okay for you, fun fact, it is all red wine.
• 38:33
  Speaker 4: Oh it's such a light horrible consistency for blood.
• 38:37
  Speaker 3: Yeah, I've never thought, oh that's blood.
• 38:41
  Speaker 6: Well, dick Wolf is a real dick wolf, if you
• 38:43
  Speaker 6: know what I mean.
• 38:47
  Speaker 5: So you snuck in with your parents, then you chose
• 38:50
  Speaker 5: to be a security guide. That's I'm pretty crazy.
• 38:52
  Speaker 6: There's a telegram coming in for you, Bev. This happened sometimes.
• 38:58
  Speaker 6: I'm sorry.
• 38:58
  Speaker 4: We've been recording for about forty minutes, and this is
• 39:02
  Speaker 4: about usually the time she resorts to other methods.
• 39:05
  Speaker 3: That poor man looks out of breath.
• 39:07
  Speaker 4: Yeah, and I didn't say anything before, but uh, that
• 39:11
  Speaker 4: carrier pigeon, she said, definitely died ramming its head against
• 39:14
  Speaker 4: the window. Oh god, what does this telegram say? I
• 39:19
  Speaker 4: hate Morse code? Don't you guys hate Morse code?
• 39:21
  Speaker 3: Tap it out for us, I'll.
• 39:22
  Speaker 4: Tell you what it Okay, So it says God, because
• 39:25
  Speaker 4: I can't do the mental math. Dot dot dot dash
• 39:31
  Speaker 4: dot dot dot dash dash dash dash dot dot dot
• 39:35
  Speaker 4: dot dash dash dash dash dash dash dot dot dot
• 39:37
  Speaker 4: dot dot.
• 39:37
  Speaker 7: Dot dot dot.
• 39:40
  Speaker 4: Dot dot dot dot dot dot dot dot dash dot
• 39:44
  Speaker 4: dot dot dot dot dot dot dot dash.
• 39:47
  Speaker 5: Yeah, I didn't get that.
• 39:48
  Speaker 3: I did. What did it say? If I said it,
• 39:51
  Speaker 3: I would blush so bad. You think they'd be red
• 39:54
  Speaker 3: white on Audi media? That was e raw t. Are
• 39:59
  Speaker 3: you gonna say that to Larry Later? What that? Yeah,
• 40:02
  Speaker 3: I'm gonna I'm gonna tell him Dash. I can't believe
• 40:06
  Speaker 3: I have a boyfriend. I can't believe it.
• 40:11
  Speaker 4: Congratulations, congratulation. I wish I had the time for a relationship.
• 40:17
  Speaker 4: I think you might be in a relationship.
• 40:19
  Speaker 2: It's at the very least, at the very least codependent.
• 40:24
  Speaker 4: Yeah, I mean we get each other Christmas presents.
• 40:28
  Speaker 5: You know, uh what you get her this year?
• 40:31
  Speaker 4: I got her a new mixing bowl.
• 40:34
  Speaker 3: Okay, she has millions of those.
• 40:37
  Speaker 7: That she's got her own brand.
• 40:41
  Speaker 5: I think she is a Martha Stewart Brandon like she
• 40:44
  Speaker 5: makes them.
• 40:45
  Speaker 4: That's why she she keeps. She her hands are so
• 40:48
  Speaker 4: tired all day long from making these mixing bowls. She
• 40:51
  Speaker 4: makes them, she forges them from flame and fire, and
• 40:56
  Speaker 4: so I thought, you know, why don't I It's like
• 40:59
  Speaker 4: taking a chef out to dinner. You know, it's like, here,
• 41:02
  Speaker 4: I see that you're putting a lot of labor in.
• 41:05
  Speaker 4: I'm gonna take this off your hands and here you go.
• 41:07
  Speaker 5: But does she feel a little bit more like making
• 41:10
  Speaker 5: a chef make you dinner?
• 41:11
  Speaker 4: Yeah?
• 41:12
  Speaker 3: It does. What did she get you?
• 41:13
  Speaker 4: I was gonna say, there, I have got me a
• 41:15
  Speaker 4: maserati Okay, but you know we have different incomes. Yeah,
• 41:20
  Speaker 4: we have different incomes. I'm not technically on her payroll.
• 41:22
  Speaker 4: I'm on her production company's payroll, and so it's not
• 41:25
  Speaker 4: it's not like she is funding me. And if she
• 41:28
  Speaker 4: were directly funding me, that would be crossing the line.
• 41:30
  Speaker 7: Have we gotten to the park where we go around
• 41:31
  Speaker 7: the table asking how much everybody makes every year after taxes?
• 41:34
  Speaker 6: I know, you seventeen dollars?
• 41:36
  Speaker 5: Yeah, well, after taxes it's about sixteen.
• 41:40
  Speaker 4: Okay, So she is sending this through the government, making
• 41:43
  Speaker 4: you do a W two yeah, and so deeply less
• 41:47
  Speaker 4: than minimum wage?
• 41:48
  Speaker 1: Yeah yeah, yeah, yeah, she gets away with it because
• 41:49
  Speaker 1: I'm technically an intern.
• 41:51
  Speaker 2: Oh, god, yeah, my man, come on, work on school
• 41:55
  Speaker 2: game with me.
• 41:55
  Speaker 3: They have the best crafty.
• 41:56
  Speaker 5: What do they have?
• 41:57
  Speaker 3: They have pretzels.
• 41:59
  Speaker 5: Okay, that does sound better than vegan toe furky ew
• 42:05
  Speaker 5: does it?
• 42:06
  Speaker 3: It's but no, I didn't finish.
• 42:08
  Speaker 4: Addison Ray is eating vegan food from like two thousand
• 42:11
  Speaker 4: and two.
• 42:13
  Speaker 3: She thinks it's retro.
• 42:14
  Speaker 6: There's no, there's no.
• 42:16
  Speaker 3: No, it's not just pretzels on squid game. What is it?
• 42:20
  Speaker 3: They have a dip. The dip is melted twizzler. I don't.
• 42:28
  Speaker 5: I don't know if I want that. That sounds disgusting.
• 42:31
  Speaker 3: It's no, yeah, I gotta try it. That's gotta just.
• 42:33
  Speaker 5: Be corn syrup. And I only know that because of
• 42:35
  Speaker 5: how vegan Addison Ray is.
• 42:38
  Speaker 2: No, come on, it's It also pays more than seventeen dollars.
• 42:42
  Speaker 2: It's really fun squaky. How much more could it pay?
• 42:45
  Speaker 3: It pays four hundred and fifty dollars every hour.
• 42:48
  Speaker 5: Okay, I'll try to fire. I'll try to get fired.
• 42:51
  Speaker 3: Okay, you should do it.
• 42:52
  Speaker 6: You could also just quit.
• 42:54
  Speaker 5: I can't.
• 42:55
  Speaker 4: Can you leave? Do you blink twice? If you can leave? Okay, no, Tonight,
• 43:06
  Speaker 4: I'm gonna try to get fired tonight.
• 43:07
  Speaker 3: All right, I cannot quit to answer your question.
• 43:11
  Speaker 5: Black belt from this industry, I'm working.
• 43:14
  Speaker 7: You can work probably with any one of us.
• 43:18
  Speaker 5: If I ever leave her, If I ever leave her.
• 43:22
  Speaker 2: How's she gonna get to me? How she gotta get
• 43:24
  Speaker 2: to me? What is she like one of the Is
• 43:26
  Speaker 2: she like that little uh? That that that uh?
• 43:29
  Speaker 3: That freaking mind it?
• 43:30
  Speaker 2: That squirrel character from Monsters Ink that comes in, that
• 43:33
  Speaker 2: comes into the door.
• 43:34
  Speaker 3: Would she find me through the door? Oh?
• 43:36
  Speaker 6: The child?
• 43:37
  Speaker 2: No, No, the Sully Sully, the big squirrel. Squirrel, it's
• 43:42
  Speaker 2: just squirrel. It's a squirrel.
• 43:46
  Speaker 6: The big blue guy.
• 43:47
  Speaker 5: He's not a squirrel, even a little squirrels.
• 43:50
  Speaker 3: You guys have to stop with this joke. It's just squirrel, buddy.
• 43:56
  Speaker 6: Why would we joke with you about this?
• 43:58
  Speaker 3: I don't know, and I don't get it.
• 44:00
  Speaker 6: It's not a funny jokes in my life.
• 44:02
  Speaker 3: What are they?
• 44:02
  Speaker 6: Let's hear them knock knock. I don't have time for this.
• 44:05
  Speaker 6: I'm busy.
• 44:07
  Speaker 3: That's very security, Very security.
• 44:11
  Speaker 6: Number two is more of a story than a joke.
• 44:15
  Speaker 5: Okay, uh.
• 44:20
  Speaker 7: So I should say I did know the story about
• 44:23
  Speaker 7: teens getting into stand up comedy, because that was sort
• 44:26
  Speaker 7: of what I was trying to do before security. So
• 44:28
  Speaker 7: this was sort of one of my one of my
• 44:30
  Speaker 7: one of my humor stories that I would tell Okay,
• 44:31
  Speaker 7: you ready, yeah, uh so, Uh I walk into a diner,
• 44:36
  Speaker 7: right uh. And there's one table and there's a man
• 44:39
  Speaker 7: sitting at the table and uh.
• 44:41
  Speaker 6: And that man goes, okay, uh, what would you like
• 44:44
  Speaker 6: to order? And I said, you're my dad.
• 44:46
  Speaker 7: Actually, So it's sort of about me figuring out that
• 44:51
  Speaker 7: my family.
• 44:52
  Speaker 6: Is not my family.
• 44:53
  Speaker 5: And that's the.
• 44:56
  Speaker 7: Real You guys aren't really laughing a ton, it's a
• 44:59
  Speaker 7: it's more of a it's a joke that you think about.
• 45:04
  Speaker 4: To you is a joke something something that makes you
• 45:07
  Speaker 4: think it later.
• 45:09
  Speaker 7: It makes you think about it and then you sort
• 45:10
  Speaker 7: of sit in bed and you go, oh, I thought
• 45:12
  Speaker 7: he was going to meet somebody at a diner, and
• 45:14
  Speaker 7: really it was just a stranger.
• 45:17
  Speaker 2: What is Well, this is very Chuck Laurie, this kind
• 45:20
  Speaker 2: of stuff. It's very I very much understand what you
• 45:23
  Speaker 2: guys get each other.
• 45:24
  Speaker 7: Well, thank you, I appreciate that. Yeah, notoriously. He's never
• 45:26
  Speaker 7: said a word to me.
• 45:28
  Speaker 4: Really, he just says the words into the air. By
• 45:31
  Speaker 4: the way, your pocket, your suit pocket is absolutely filled
• 45:34
  Speaker 4: to the brim.
• 45:35
  Speaker 5: Oh can we see some of these ideas?
• 45:37
  Speaker 3: Can we hear some of these ideas?
• 45:39
  Speaker 6: All right, all right, all right, twist my arm. Here
• 45:41
  Speaker 6: we go. This is the first one that I pulled out.
• 45:44
  Speaker 6: It goes.
• 45:46
  Speaker 7: So it's about a dad in the sun. So he
• 45:48
  Speaker 7: just sort of for this one shout out a premise.
• 45:50
  Speaker 7: So it's a dad and the son, and the dad
• 45:53
  Speaker 7: sits the sun down and goes, son, I'm adopted, and
• 45:55
  Speaker 7: the sun goes I'm adopted, and the dad goes, no,
• 45:58
  Speaker 7: I'm adopted.
• 45:59
  Speaker 6: And so that's sort of the back and forth.
• 46:01
  Speaker 4: I guess that's who's on first thing, that almost and
• 46:05
  Speaker 4: that is.
• 46:05
  Speaker 3: What that's a pilot. That's a pilot, I think.
• 46:08
  Speaker 7: I think that's a pilot of these are So this
• 46:11
  Speaker 7: one is younger. Sheldon has legs, actually young can they
• 46:16
  Speaker 7: go sort of Sheldon as age as a baby?
• 46:19
  Speaker 4: Oh?
• 46:22
  Speaker 3: Can I guess? Did he say this yet? Is his
• 46:24
  Speaker 3: first word? Bazinger?
• 46:26
  Speaker 6: Oh, that's a great question. Can I write that down?
• 46:29
  Speaker 5: You can write things down and pass it on.
• 46:32
  Speaker 3: Can you get into him?
• 46:33
  Speaker 7: Well, technically, if you did say it in the presence
• 46:35
  Speaker 7: of the paper, it does belong.
• 46:36
  Speaker 3: In the presence of the paper.
• 46:38
  Speaker 4: The paper is an extension of Lorie, so it's tough.
• 46:40
  Speaker 6: Yeah, so that is sort of the case legal hot water.
• 46:44
  Speaker 3: I know this, This whole thing cannot air. No, yeah,
• 46:48
  Speaker 3: I guess a.
• 46:49
  Speaker 7: Bunch about the n d A right, And I did
• 46:51
  Speaker 7: notice you handed out pieces of paper to all of.
• 46:53
  Speaker 1: Yeah, you guys, I'm so sorry, but uh adding once,
• 46:57
  Speaker 1: you guys designed NDA's as well.
• 46:58
  Speaker 6: So you've been here the whole time. How do you know?
• 47:00
  Speaker 6: That would be my question?
• 47:02
  Speaker 3: Oh, she texted me.
• 47:03
  Speaker 5: Okay, she texted me, I have a Google glass in
• 47:07
  Speaker 5: my eye.
• 47:07
  Speaker 6: Now, oh god, have Google glass in your.
• 47:11
  Speaker 5: In your eye. She shot this commercial for Google and
• 47:13
  Speaker 5: they gave her these and she made me try. Yeah,
• 47:16
  Speaker 5: Google glass eye, Google Class eye.
• 47:21
  Speaker 4: So your realizer gone.
• 47:23
  Speaker 5: One of my realiz are still there.
• 47:24
  Speaker 7: One of them is now Google knocking your snout into
• 47:28
  Speaker 7: the microphone.
• 47:29
  Speaker 3: Yeah, just a little bit. I have no depth. I
• 47:31
  Speaker 3: can still see, just no depth perception.
• 47:35
  Speaker 6: Ian.
• 47:36
  Speaker 1: My eye is doing that dinosaur running game. There must
• 47:38
  Speaker 1: be no service in here. Sorry, Okay, I got it.
• 47:42
  Speaker 2: That that game that plays on Google Chrome with the dinosaur,
• 47:45
  Speaker 2: the gyms.
• 47:46
  Speaker 4: The Google Chrome in your eyeball.
• 47:50
  Speaker 5: Yeah, yeah, basically, it's Google Chrome.
• 47:52
  Speaker 4: Do you have the John Oliver chrome extension that changes
• 47:56
  Speaker 4: Trump's name to.
• 47:57
  Speaker 5: Oh yeah, yeah, that's why that explain means a lot.
• 48:00
  Speaker 1: They must have added that automatically because I'm reading Donald
• 48:03
  Speaker 1: drump all the time, very confused.
• 48:05
  Speaker 3: It's funny.
• 48:07
  Speaker 5: Oh Addison loves Donald Trump.
• 48:12
  Speaker 6: That checks out.
• 48:14
  Speaker 2: She really has the sensibilities of a deep millennial. It's
• 48:18
  Speaker 2: really crazy. All this definitely talking about because.
• 48:20
  Speaker 7: Then when Bloomberg was running, I heard her say, well,
• 48:22
  Speaker 7: he's got some good ideas.
• 48:24
  Speaker 6: Yeah, I was gonna vote Democrat.
• 48:26
  Speaker 4: That's what I vote for.
• 48:27
  Speaker 3: Yeah.
• 48:27
  Speaker 5: Well, here's a thing, and I shouldn't be saying this,
• 48:30
  Speaker 5: but Addison Ray is actually sixty five.
• 48:34
  Speaker 4: No, no, no, okay, who are you with all the time?
• 48:41
  Speaker 5: I'm with Addison Ray. She's a sixty five year old
• 48:45
  Speaker 5: woman who acts and sings.
• 48:50
  Speaker 4: She's okay, you're describing somebody else.
• 48:54
  Speaker 3: I think, well, no, that I don't know. I think
• 48:57
  Speaker 3: I think you are with the actual Addison Ray.
• 48:59
  Speaker 5: I think so too.
• 49:00
  Speaker 3: I'm to you, and I'm gonna maybe I'm.
• 49:03
  Speaker 7: Gonna split the difference between the two of you and
• 49:05
  Speaker 7: say maybe it's both.
• 49:07
  Speaker 3: Okay. Oh wow, what a brave take.
• 49:10
  Speaker 4: It actually makes me think that is a good joke,
• 49:14
  Speaker 4: because it really made me think.
• 49:17
  Speaker 6: Do you think that was funny?
• 49:18
  Speaker 4: Yeah? I thought. I'm sorry, I thought that was your
• 49:20
  Speaker 4: third joke.
• 49:21
  Speaker 7: Oh, thank you. I appreciate that. Here's the thing, here's
• 49:23
  Speaker 7: my secret desire. I'm so good at security guarding. Have
• 49:26
  Speaker 7: hit the ceiling on security guarden. I want to be
• 49:28
  Speaker 7: a comedian so bad.
• 49:29
  Speaker 4: Oh my god, really.
• 49:31
  Speaker 5: That was you. I saw you. I saw this because
• 49:34
  Speaker 5: I'm on TikTok now so much. I've been seeing this
• 49:36
  Speaker 5: my jokes. Yeah, okay, jo Oh are you security anonymous?
• 49:40
  Speaker 5: I am Security Anonymous?
• 49:41
  Speaker 4: No, because I did remember the diner story. I'm like,
• 49:44
  Speaker 4: where have I heard that? Yeah?
• 49:46
  Speaker 3: But last time I heard it was I went to
• 49:48
  Speaker 3: a diner and my father found me.
• 49:52
  Speaker 7: So my whole my secret persona is I wear this
• 49:54
  Speaker 7: whole outfit and hold get up. But I put my
• 49:56
  Speaker 7: hat backwards so nobody can see me, and then I
• 49:58
  Speaker 7: do the voice changer. I'm gonna say, modulater, I'm not
• 50:01
  Speaker 7: a robot.
• 50:02
  Speaker 3: No, no, I don't think.
• 50:03
  Speaker 1: I don't think any of us here are we all
• 50:06
  Speaker 1: passed that robot test?
• 50:09
  Speaker 5: We did?
• 50:10
  Speaker 4: We did?
• 50:11
  Speaker 2: Oh my God, you guys got any jobs coming up?
• 50:14
  Speaker 3: Uh?
• 50:15
  Speaker 1: Yeah, well hopefully if I if I get fired, I'll
• 50:18
  Speaker 1: join you on squid games.
• 50:19
  Speaker 3: And I would love not.
• 50:20
  Speaker 5: Addison does this fun thing where every morning I wake
• 50:25
  Speaker 5: up and meet her at the airport and she tells
• 50:27
  Speaker 5: me if I'm going with her to a trip or not,
• 50:29
  Speaker 5: and she doesn't tell me the destination. So tomorrow is
• 50:32
  Speaker 5: surprised private jet.
• 50:33
  Speaker 1: So we find out if we go somewhere for a
• 50:36
  Speaker 1: couple of weeks or a couple of months.
• 50:41
  Speaker 6: You can quit.
• 50:42
  Speaker 4: Yeah, I think you can.
• 50:43
  Speaker 6: Think you gotta.
• 50:44
  Speaker 4: I think you can.
• 50:45
  Speaker 3: I think you just tried. You can just try it.
• 50:47
  Speaker 3: Just don't go back and just don't show up and
• 50:50
  Speaker 3: see what.
• 50:50
  Speaker 6: Happens on the text right now?
• 50:52
  Speaker 3: Send a text right now, see what happens.
• 50:53
  Speaker 5: Yeah, that'll be fine. I'll just try to Why are you.
• 50:57
  Speaker 6: Using your phone? Use your eye? Yeah, you're playing jump?
• 51:01
  Speaker 3: I use my Google glass eye.
• 51:04
  Speaker 2: Okay, wow, you're does does it make you make the noise?
• 51:13
  Speaker 5: It makes me make the noise?
• 51:14
  Speaker 1: It's connected to my Okay, so sent and it looks
• 51:18
  Speaker 1: like she's read it and yet exploded.
• 51:26
  Speaker 6: Yet I feel so bad for something to do that.
• 51:29
  Speaker 4: I'm so complicit.
• 51:30
  Speaker 6: Wait, hold on, hold on, what's happening?
• 51:33
  Speaker 7: Oh my god, it's like that thing from Hercules where
• 51:35
  Speaker 7: two heads grow out.
• 51:36
  Speaker 3: Of the Oh my god, he's got two heads.
• 51:38
  Speaker 5: Now I love Addison.
• 51:42
  Speaker 3: All right, guys, we need to get far away from here.
• 51:45
  Speaker 2: Let's go the beach, the closest beaches, Will Rogers, let's go, don't.
• 51:49
  Speaker 6: We don't need the paper, Come on, quest look at
• 51:55
  Speaker 6: the paper.
• 51:56
  Speaker 3: Hold on, it's only eight pages.
• 51:57
  Speaker 6: Wait, hold on, somebody's blocking the doorway. Who is that?
• 52:00
  Speaker 4: Oh Martha, will you move out of the condamn way.
• 52:02
  Speaker 1: I swear to God, this has been Artists on Artists
• 52:05
  Speaker 1: on Artists answering the question.
• 52:07
  Speaker 3: Now.
• 52:07
  Speaker 5: That's why they call it show based good Night.
• 52:13
  Speaker 4: Artists on Artists on Artists on Artists is an improvised
• 52:15
  Speaker 4: Hollywood roundtable podcast, created, performed, and produced by Kylie Raikman,
• 52:20
  Speaker 4: Jeremy Colhayne, Angela Geritana, and Patrick McDonald. AOAOAOA is a
• 52:25
  Speaker 4: Sugar twenty three podcast. Mike Mayer and Michael Sugar executive producers,
• 52:30
  Speaker 4: Liam Billingham producer. Production support by Angela Ristano and Anthony
• 52:34
  Speaker 4: Di Francesco. Music is by Gabriel Ponton The opinions expressed
• 52:39
  Speaker 4: on this podcast do not reflect the opinions of anyone
• 52:41
  Speaker 4: who works on it, not even the performers, because this
• 52:44
  Speaker 4: is an improvised podcast and we're stupid. Both video versions
• 52:48
  Speaker 4: of AOAOAOA are available on YouTube, so please like and
• 52:51
  Speaker 4: subscribe and leave us a five star review wherever you
• 52:54
  Speaker 4: get your podcasts. That's all for now, good Night, Hollywood.