Latest / The Breakfast Club / INTERVIEW: Taye Diggs, J Carter & Troy Brookins Talk Production Partnership, Hollywood Vs. Influencers +More
Transcript
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- 0:31Speaker 1: Every day up week ago.
- 0:32Speaker 5: Clicks up the Breakfast Club finish the y'all done, morning everybody,
- 0:37Speaker 5: It's the j n V.
- 0:39Speaker 3: Jess Hilarious, Charlamagne the God.
- 0:41Speaker 1: We are the Breakfast Club.
- 0:42Speaker 3: Law La Rosa is here as well, and we got
- 0:44Speaker 3: some special guests in the building.
- 0:46Speaker 1: Yes, indeed, you got the brother t Diggs. Is this
- 0:48Speaker 1: your first time here? None, I've been here, haven't been
- 0:51Speaker 1: in a minute. It's long. I've been a long time.
- 0:53Speaker 1: I've been here before. I'm a black man, Okay, couple time, yeah, yeah,
- 0:59Speaker 1: after you.
- 1:00Speaker 3: It was a long time ago, all right, Jay Carter
- 1:03Speaker 3: and Troy Brookings welcome fellas.
- 1:07Speaker 2: Yeah, feeling good, feeling good, happy to be here.
- 1:09Speaker 5: What what do we owes threesome.
- 1:32Speaker 1: We're promoting this new lou chocolate.
- 1:37Speaker 6: Chocolate, some new loub But that's right, goes in, easy,
- 1:40Speaker 6: comes out, smooth my work.
- 1:45Speaker 2: Yes, we're a producer team.
- 1:49Speaker 6: Newly formed and you know, kind of happened organically where
- 1:52Speaker 6: we started to produce content as we cast a Troy
- 1:55Speaker 6: and I and uh, you know the natural kind of
- 1:58Speaker 6: progression of it. You know what, Let's let's let's three
- 2:00Speaker 6: black men. Let's let's go and own this ourselves. Let's
- 2:03Speaker 6: build a table, let's build a couple of seats. So yeah,
- 2:06Speaker 6: that's what we on this occasion, also to promote the
- 2:08Speaker 6: new movie Nice that.
- 2:10Speaker 5: I feel like that's the that's not that's the only
- 2:12Speaker 5: way in Hollywood now, like to form your own production
- 2:15Speaker 5: company and shoot your own stuff. I mean tell you
- 2:17Speaker 5: probably know better than most of them.
- 2:19Speaker 7: I mean it's like, I mean, obviously there's the way
- 2:22Speaker 7: things have been done. But if you want to guarantee
- 2:27Speaker 7: anything at this point, you you've got to do it yourself.
- 2:30Speaker 1: Because there's no shame these days.
- 2:32Speaker 7: People will lie right to your face and there's no
- 2:37Speaker 7: code and for someone like me. I just got frustrated
- 2:39Speaker 7: because I like to play by the rules, but when
- 2:42Speaker 7: the people on my own team are not playing by
- 2:44Speaker 7: the rules but then breaking and I'm watching them break them.
- 2:47Speaker 1: But let's do this ourselves.
- 2:49Speaker 7: And right now, with social media and everything, it's proof that,
- 2:53Speaker 7: like people are taking control absolutely and.
- 2:55Speaker 1: I love that.
- 2:56Speaker 8: How did you three come together?
- 2:58Speaker 5: How did this happen?
- 3:00Speaker 2: I can I can take that if you want, sure.
- 3:02Speaker 4: Yeah.
- 3:03Speaker 6: So, uh we had a movie. Uh so, I'm a
- 3:06Speaker 6: part of Freely Films. It's me Tonya right, my wife Lashawn,
- 3:11Speaker 6: she's a partner in business and in life. We have
- 3:14Speaker 6: a production company and so we were producing this movie
- 3:16Speaker 6: called The Comeback a couple.
- 3:17Speaker 2: Of years ago, and actually we cast the lead.
- 3:20Speaker 6: Female in the role. And this this is how you know,
- 3:24Speaker 6: things just happen and you got to embrace that opportunity,
- 3:27Speaker 6: right right, Yeah, the universe just happened. So the agent
- 3:30Speaker 6: for the female called me. The female lead called me
- 3:33Speaker 6: and said, hey, have you cast the male lead yet?
- 3:35Speaker 6: And I'm just bopping around. I'm like, nah, we haven't
- 3:37Speaker 6: cast it. We've got a few people we're talking to you, right,
- 3:39Speaker 6: And she was like, well, Tate Diggs is seeing the script?
- 3:43Speaker 6: Would you be interested in Tate Diggs? Now that was
- 3:44Speaker 6: the most obvious, you know, But but here's the thing
- 3:47Speaker 6: about it, like and this is this is how you
- 3:49Speaker 6: can block your blessings. I tried to talk her out
- 3:53Speaker 6: of it because I wasn't ready.
- 3:55Speaker 1: I didn't think I was ready.
- 3:59Speaker 7: And we think we're doing the right thing because we
- 4:01Speaker 7: think it's humility.
- 4:02Speaker 2: But we're getting in our own wedding in our own way.
- 4:04Speaker 6: And so she talked me into it. She was like, Jay, no,
- 4:08Speaker 6: this is happening, Embrace it, run with it. And so
- 4:11Speaker 6: that was a couple of years ago. He came into Atlanta,
- 4:13Speaker 6: where I'm based, shot it. I'm hugely successful on Peacock
- 4:16Speaker 6: as well, and uh Rest is history. So we've been
- 4:19Speaker 6: collaborating ever since.
- 4:20Speaker 5: I'm interested in that because if you write a script,
- 4:23Speaker 5: you know it's great.
- 4:23Speaker 4: At least I would think you would know it's great.
- 4:25Speaker 5: Why wouldn't you expect anybody to read it and want
- 4:28Speaker 5: to be a part of it.
- 4:30Speaker 1: Well, that's that's the crazy thing about the business.
- 4:33Speaker 7: Like what you said makes sense, Yeah, as it is
- 4:36Speaker 7: now makes no sense.
- 4:38Speaker 1: It makes no sense.
- 4:40Speaker 7: Like if you knew the movies that got turned down,
- 4:43Speaker 7: and if you saw the stars that were in those
- 4:44Speaker 7: movies and what you'd be like, what, there's no rhyme
- 4:48Speaker 7: or read like egos. I mean, it's it's really frustrating
- 4:55Speaker 7: because you're you're you're raised to think that everything happens
- 4:58Speaker 7: for a reason. Like I knew I was talented. I
- 5:01Speaker 7: knew I would I got into school. When I got
- 5:03Speaker 7: into school, I was like, Okay, black people, the business
- 5:09Speaker 7: is going to need black people. I'm gonna move to
- 5:10Speaker 7: New York. I can do stage or screen. That happened,
- 5:14Speaker 7: and then I got movie after movie, and then all
- 5:15Speaker 7: of a sudden, the rules changed. Wait, who are the influencers?
- 5:19Speaker 2: Who is it?
- 5:21Speaker 1: I don't know who that is.
- 5:23Speaker 7: Wait, he got the part over but he doesn't have
- 5:25Speaker 7: any experience, doesn't matter.
- 5:28Speaker 1: He's got followers. What are followers?
- 5:30Speaker 7: It's his videos videos? Who is anybody paint? No, he
- 5:35Speaker 7: just put on videos and because he got all so
- 5:39Speaker 7: it's like, you gotta adjust, Then let me do.
- 5:43Speaker 1: I can't swear. Let's do this ourselves.
- 5:46Speaker 7: And we'll play by their rules. But at least will
- 5:49Speaker 7: I won't have the excuse.
- 5:50Speaker 1: I can't complain. Now I'm gonna play it by your rules,
- 5:52Speaker 1: but we're gonna do it our way.
- 5:54Speaker 3: Doesn't bother you when somebody doesn't put in an amount
- 5:57Speaker 3: of time that you did, doesn't go to the school,
- 5:59Speaker 3: doesn't do the things that you did, and then because
- 6:03Speaker 3: of followers, because of social media, because of a funny
- 6:07Speaker 3: skit might get the part over you.
- 6:10Speaker 1: Does that bother you at all?
- 6:12Speaker 7: I mean, if there's talent there, then it's cool, you
- 6:15Speaker 7: know what I mean? For me, I just didn't. It
- 6:18Speaker 7: didn't make sense. I didn't care who was doing what,
- 6:20Speaker 7: but good for you. Whatever they were doing was working,
- 6:23Speaker 7: and I was like, good for you. But I don't
- 6:25Speaker 7: know what to do right now?
- 6:27Speaker 1: You know what I mean?
- 6:32Speaker 4: Andy would come in here and show me that video.
- 6:37Speaker 7: I'm not That's why it's this worked for me? All right, Well,
- 6:40Speaker 7: I'll just be funny and not even I don't even.
- 6:43Speaker 7: I don't even realize that people are watching. I would
- 6:45Speaker 7: just like express myself and if it worked, okay, I
- 6:49Speaker 7: don't know what's happening, but they say post, I still
- 6:52Speaker 7: have to ask him.
- 6:53Speaker 1: I don't like, how do I double the well? How
- 6:55Speaker 1: do I take this and copy? You know? Well?
- 6:58Speaker 9: We love t Diggs on Instagram and I appreciate it.
- 7:03Speaker 1: I apologize because that's you never.
- 7:06Speaker 4: Saw you like the post?
- 7:07Speaker 1: What are you talking about?
- 7:08Speaker 4: I never saw when he liked the post.
- 7:09Speaker 1: He loves your post. I don't even know.
- 7:12Speaker 7: I don't even know he put know how to read
- 7:16Speaker 7: this response.
- 7:19Speaker 4: Just about today, it's like, yeah, but you do realize.
- 7:22Speaker 5: I mean, that's interesting to see to hear somebody like
- 7:25Speaker 5: Tate Diggs feel like they had to do that.
- 7:29Speaker 1: How do you think I feel? How do you think
- 7:34Speaker 1: I feel? Right? That's totally good. You you know what
- 7:41Speaker 1: I mean?
- 7:41Speaker 7: In this movie, you want Joe who's never acted in
- 7:45Speaker 7: his life, and I can't. It's not even I can't
- 7:49Speaker 7: get an audition. I'm not even a part of the conversation.
- 7:54Speaker 1: That crazy.
- 7:55Speaker 7: So I was like, I don't I don't hate that dude,
- 7:58Speaker 7: but somebody tell me what's going on with these rules?
- 8:00Speaker 1: Because I've worked really hard and I like to buy
- 8:04Speaker 1: a lot of nice Really, you know what I'm saying,
- 8:07Speaker 1: how are we going to do this? Somebody just explained
- 8:09Speaker 1: it to me, But for a minute, I was.
- 8:12Speaker 7: Like I was I It was pushed back and people
- 8:15Speaker 7: like to argue, well I did this, Well.
- 8:17Speaker 1: It doesn't matter. Nobody cares it.
- 8:19Speaker 9: Seems like the formula is now that a lot of
- 8:23Speaker 9: influencers are being casted because they can push the movie easier.
- 8:28Speaker 1: Right, But what.
- 8:29Speaker 9: But what happened because at first we didn't need that,
- 8:32Speaker 9: nobody needed that.
- 8:33Speaker 2: So budgets are smaller.
- 8:36Speaker 6: Budgets are smaller, and so when you have an influencer
- 8:39Speaker 6: as five million followers, that is free marketing. And so
- 8:43Speaker 6: the studio doesn't have to come up with a you know,
- 8:46Speaker 6: one million dollar marketing budget because they have just right now,
- 8:50Speaker 6: we'll use just as a case study, right, because I
- 8:52Speaker 6: cast just in the.
- 8:53Speaker 2: Movie that I Hate I Love You, I Love You.
- 8:56Speaker 6: Super super successful and now it's on to be the
- 8:58Speaker 6: number one drama on too be Love That excellent. But
- 9:02Speaker 6: you know, we we we we saw obviously just as followers,
- 9:05Speaker 6: and we said, you know, built in marketing, right, she
- 9:07Speaker 6: could posed, it's going to be great.
- 9:09Speaker 2: But then I watched her actual acting work.
- 9:11Speaker 1: She was great.
- 9:13Speaker 2: That that was the That was the clincher, you know,
- 9:15Speaker 2: seeing her and I got a story to tell it.
- 9:27Speaker 1: Every morning for us.
- 9:35Speaker 2: It worked.
- 9:37Speaker 1: Yeah, it worked like okay, cool, well let me get
- 9:39Speaker 1: on this boat.
- 9:40Speaker 6: So INA's example, if you can marry the social media
- 9:44Speaker 6: prowess and the following with the talent, like Jess is
- 9:48Speaker 6: married to those two things.
- 9:50Speaker 2: You got the winner. You have today today.
- 9:53Speaker 1: To figure out how to make it worse cut.
- 9:56Speaker 9: Yeah, I never knew that.
- 9:58Speaker 5: So Hollywood have an evolved in in terms of the
- 10:00Speaker 5: opportunities available to black actors since you, since you first started.
- 10:04Speaker 5: It feels like at first I was thinking the barriers
- 10:07Speaker 5: are just dressed differently, But now it feels like they
- 10:10Speaker 5: don't even want you.
- 10:14Speaker 7: General until we prove it, you know what I'm saying.
- 10:17Speaker 7: Like right now, we're at a time where they don't
- 10:19Speaker 7: have control.
- 10:20Speaker 1: Like all that stuff that you said. Soon everybody's gonna
- 10:22Speaker 1: be talking like that, and that's not a student. Studio
- 10:25Speaker 1: can't take credit.
- 10:27Speaker 7: And that's what I love. We're doing it ourselves and
- 10:31Speaker 7: no one can stop.
- 10:32Speaker 1: Us, and it's succeeding.
- 10:34Speaker 7: I still don't get it. Yeah, it was too good
- 10:36Speaker 7: to be true because I was raised.
- 10:39Speaker 1: You got to be let in.
- 10:40Speaker 7: You can apologize, you know, be really grateful and talk
- 10:43Speaker 7: to this meeting, go to this you know, crazy restaurant
- 10:46Speaker 7: and meet with these studio hat.
- 10:50Speaker 1: That's not how it goes down.
- 10:52Speaker 7: A bunch of non people that I've never heard of
- 10:56Speaker 7: doing funny stuff host again and then get it.
- 11:00Speaker 9: Hey, so it's the positives and the negatives of it.
- 11:02Speaker 9: So you you so it's bittersweet for you.
- 11:04Speaker 7: Huh, Well it's now it's sweet because we're taking control.
- 11:09Speaker 1: So I have no I can complain, but we now
- 11:12Speaker 1: there's no excuse. That's why we're here. Let's get on board.
- 11:15Speaker 1: Let's get it doing that.
- 11:16Speaker 5: That's gonna be the most interesting thing when you as
- 11:19Speaker 5: a production company, y'all take all the risks, put up
- 11:21Speaker 5: the money, shoot it. You know it's good, But then
- 11:24Speaker 5: the studio is still like, eh, well that we know
- 11:27Speaker 5: something else.
- 11:27Speaker 1: But that's what he said earlier.
- 11:28Speaker 3: He said, all these black stars in these movies and
- 11:30Speaker 3: nobody's picking them up.
- 11:32Speaker 1: And what we were talking about, there's no risk.
- 11:35Speaker 2: Yeah, it's never I mean, he's.
- 11:38Speaker 1: A little bit of money.
- 11:39Speaker 7: You got to get somebody with a huge mansion, get
- 11:42Speaker 7: actors that just want to be seen.
- 11:44Speaker 1: That's what It's almost too good to be.
- 11:45Speaker 7: True if it's a story that people like people are
- 11:49Speaker 7: going to show up, And that's when I can give
- 11:52Speaker 7: my finger to the studios period and be like, you
- 11:54Speaker 7: don't need brad pet you don't need to you.
- 11:56Speaker 1: Know, we made up our own story.
- 11:59Speaker 7: Yeah, our own people that you don't know. But our
- 12:02Speaker 7: people are going to show up and watch them, which
- 12:05Speaker 7: isn't supposed to happen.
- 12:06Speaker 1: Absolutely, so let's hear it for black people. But let
- 12:12Speaker 1: me ask your question, does ever bother you?
- 12:14Speaker 4: Know?
- 12:14Speaker 3: You have major releases that instead of the major releases
- 12:17Speaker 3: now to b or Peacock or something that you know,
- 12:21Speaker 3: the masters might not have seen like they've seen one
- 12:23Speaker 3: of your other movies, were the theater, it's global.
- 12:26Speaker 1: It's national, it's this. Does that bother you at all?
- 12:29Speaker 1: Because you like to stay positive, don't challenging questions.
- 12:34Speaker 6: I believe you meet your audience where they are, you know,
- 12:38Speaker 6: And so if they're on Peacock, we'll meet you there.
- 12:40Speaker 6: If they're on TV, we'll meet you there. If they're
- 12:42Speaker 6: in theaters, we'll meet you there. But we're going to
- 12:44Speaker 6: meet you where you are, as opposed to expect expecting
- 12:47Speaker 6: you to come to where we are, like, yeah, we're
- 12:49Speaker 6: gonna and and the you know, the magic about what
- 12:52Speaker 6: we're doing is you know, Tay obviously international superstar.
- 12:56Speaker 4: Right mm hmm.
- 12:58Speaker 6: Humility speaking humbly speaking, international super walks in the door
- 13:04Speaker 6: commands a certain level of you know, respecting people. Okay,
- 13:07Speaker 6: we're gonna listen, right, Absolutely, I've got the funding, I've got.
- 13:11Speaker 2: The distribution on projects.
- 13:12Speaker 1: Right.
- 13:13Speaker 2: I don't know if you've heard who Clarence Avon is.
- 13:18Speaker 2: This is the young clars He is the grand connected.
- 13:23Speaker 6: If he showed you who he has in his content,
- 13:27Speaker 6: your mind will be blown.
- 13:28Speaker 4: You know.
- 13:29Speaker 2: And so if we ever got a home of whoever set.
- 13:33Speaker 10: Yeah, so so we we we make this this combination
- 13:39Speaker 10: of you know, the business side is taken care of
- 13:43Speaker 10: the content, talent side is taken care of the connection
- 13:46Speaker 10: and being able to reach certain talent, and Troy is
- 13:48Speaker 10: taken care of.
- 13:51Speaker 2: An example, like.
- 13:53Speaker 7: Troy started out as like my assistant, right, so he
- 14:00Speaker 7: he's like the last person that people want to include
- 14:02Speaker 7: in all these meetings.
- 14:04Speaker 1: You know what I'm saying, Yeah, I'm.
- 14:05Speaker 7: Like, I need to meet with subject. Had nobody told me?
- 14:09Speaker 7: Nobody sees me nobody hmmm. Cut to a few years
- 14:14Speaker 7: discussions and him being working with me. He sees he
- 14:18Speaker 7: knows how people are moving. So he's like, oh, this
- 14:22Speaker 7: person said that they were here, but they never they
- 14:25Speaker 7: never really committed and they blamed me. But this person
- 14:28Speaker 7: said that you were supposed to get there, and I
- 14:30Speaker 7: saw the I saw that you didn't get paid that much.
- 14:33Speaker 1: So now he is like working for us. Who would
- 14:38Speaker 1: have known. Now he's a major producer, you know, and now.
- 14:41Speaker 7: Like I can't, I can't move without him. But they're
- 14:46Speaker 7: not that, they're not a part of that business plan.
- 14:49Speaker 7: He's the assistant Watts give him two years.
- 14:54Speaker 1: I love that.
- 14:55Speaker 11: Yeah, what's that experience been like for you now? Because
- 14:57Speaker 11: I mean it said.
- 15:00Speaker 12: Yeah, it's been It's been a ride for real. I
- 15:03Speaker 12: mean we I used to play football. I used to
- 15:05Speaker 12: play professional football. That was like my first goal. My
- 15:08Speaker 12: dream was all about football. That's all I knew. And
- 15:11Speaker 12: God humbly blessed me with the opportunity to play All
- 15:15Speaker 12: American And that's where me and him met. And so
- 15:18Speaker 12: when we met, you know, everybody, you know, low key
- 15:21Speaker 12: gravitated towards me because I would train them and teach
- 15:24Speaker 12: them how to run a route or you know, do
- 15:26Speaker 12: everything that I used to do.
- 15:28Speaker 4: Play football together.
- 15:30Speaker 13: No, no, right away, pretend.
- 15:44Speaker 12: I love it, but yeah, no, we met. We met
- 15:48Speaker 12: there and then you know, one day we just we
- 15:51Speaker 12: kicked through. We grabbed some lunch at soho and he
- 15:52Speaker 12: was like, yo, you want to be my assistant and
- 15:55Speaker 12: I'm like, bro, I never, Yeah, I've never done it.
- 15:59Speaker 12: And then and you know, we just took the ball
- 16:02Speaker 12: wrong and we started at two days and I'm like, dog,
- 16:05Speaker 12: these emails is crazy. I can't just to days like
- 16:08Speaker 12: knowing me how I you know, put my time in.
- 16:10Speaker 12: I'm like, I can't do two days. We got to
- 16:11Speaker 12: lock in all the way and you know, seven seven
- 16:14Speaker 12: years now rolling.
- 16:17Speaker 7: And it was always Troy is great, like from the
- 16:19Speaker 7: cool people, yeah, oh he's great, And I kept on
- 16:24Speaker 7: hearing that. Now we're making business deals with those people.
- 16:28Speaker 1: Yeah, with him, and the people that didn't see.
- 16:31Speaker 7: Him are now like, where are you het?
- 16:36Speaker 1: We're good.
- 16:37Speaker 2: I love that too.
- 16:39Speaker 5: You know I've heard you speak to you about issues
- 16:41Speaker 5: of identity and acceptance right, and it feels like this
- 16:45Speaker 5: is another layer of that. Like in regards to Hollywood,
- 16:49Speaker 5: like you maybe questioning who did you.
- 16:51Speaker 4: Have a question who you were?
- 16:54Speaker 7: Well, they want you to like I never, That's what
- 16:57Speaker 7: didn't make sense. I've always on who I am, but
- 17:02Speaker 7: why don't you know? How come it's not so? Then
- 17:06Speaker 7: I had to move to a place where we were
- 17:07Speaker 7: all on the same page, which is like, you know,
- 17:10Speaker 7: a good lesson in identity.
- 17:11Speaker 1: You can't let anybody else dictate that.
- 17:13Speaker 7: I know who I am. You know who I am.
- 17:16Speaker 7: And now we're all in business. Why because we know
- 17:19Speaker 7: each other. They don't know us.
- 17:22Speaker 12: Like, somebody can't come to me and be like, yo,
- 17:24Speaker 12: taste said this, and I'll be like, no, I already know.
- 17:26Speaker 1: I already know what's up.
- 17:27Speaker 8: You know what I mean?
- 17:28Speaker 12: But people will try that.
- 17:30Speaker 1: Yeah, yeah, yeah.
- 17:32Speaker 4: So in Hollywood, what is it is?
- 17:33Speaker 1: It?
- 17:33Speaker 4: Is it ability? Is it your box office?
- 17:36Speaker 7: No?
- 17:36Speaker 4: But like what is it?
- 17:37Speaker 7: Oh right now? Nobody like we're about to make what
- 17:39Speaker 7: it is? Nobody knows what it is now?
- 17:42Speaker 1: Yeah, that's why it's a great time. Yeah, nobody knows.
- 17:48Speaker 7: You see a movie coming out in the theaters, then
- 17:50Speaker 7: you're watching it on the Nobody knows what's and they're
- 17:53Speaker 7: always pretending like they do.
- 17:55Speaker 1: This is a sure thing and we're on it, you
- 17:58Speaker 1: know what I mean.
- 17:59Speaker 9: Another man's wife, that is the name of him? Okay,
- 18:03Speaker 9: who had what to do? Because that already that I
- 18:06Speaker 9: already want to know.
- 18:06Speaker 4: Another man's wife?
- 18:08Speaker 5: Who who wrote that?
- 18:10Speaker 9: Whose idea was it?
- 18:12Speaker 5: What's happening?
- 18:14Speaker 6: Yes, So shout out to Maverick Entertainment, and you gotta
- 18:18Speaker 6: have allies, right like.
- 18:20Speaker 2: We we we can do what we can do.
- 18:24Speaker 6: But you know, we know who's still run in Hollywood, right,
- 18:27Speaker 6: so and you have to have those allies. And so
- 18:28Speaker 6: Maverick Entertainment, Doug Kelsey, Erica huge allies.
- 18:33Speaker 2: You know, they finance our work, they distribute our work.
- 18:36Speaker 6: So they said, you know what, Jake Carter, why don't
- 18:39Speaker 6: you come up with an idea based on this premise?
- 18:41Speaker 6: And so I brought in the writer by the name
- 18:43Speaker 6: of Brion the Cole, who said, uh, yeah, I think
- 18:46Speaker 6: I can tackle that. And you know, it was a
- 18:50Speaker 6: like the story, it just it just puts you in
- 18:52Speaker 6: the choke hold, you know. And it's it's about a
- 18:55Speaker 6: young couple who are struggling backs up against the wall,
- 19:00Speaker 6: losing their losing their house, losing their car. Uh husband
- 19:04Speaker 6: lost his job and then to make matters words yeah truly.
- 19:09Speaker 2: Yeah yeah, but you know the world is just banging
- 19:12Speaker 2: on them.
- 19:12Speaker 6: Right then the husband finds out his mom has a
- 19:15Speaker 6: serious illness and she could die, and the the the
- 19:19Speaker 6: medical treatment that she needs and covered by insurance. So
- 19:21Speaker 6: they're drowning in debt and just financial issues.
- 19:24Speaker 1: Right.
- 19:25Speaker 2: So Tay's character.
- 19:26Speaker 6: Comes along and he throws them a life raft and
- 19:29Speaker 6: he said, for two million dollars, I can change your life.
- 19:32Speaker 2: But he looks at the wife.
- 19:33Speaker 6: And he says, the only thing I want to return
- 19:35Speaker 6: is one weekend with you. Now, it's one weekend that
- 19:39Speaker 6: this this husband is going to give up his wife for.
- 19:41Speaker 6: Can save his mother, can save his job, could save
- 19:44Speaker 6: his car, could save his house, could save his marriage.
- 19:47Speaker 2: But at what costs? So the question that we always
- 19:50Speaker 2: ask people, you know, and I ask you, just Envy Charlottagelaw,
- 19:54Speaker 2: what would you do.
- 19:57Speaker 6: Two million dollars to save your mom, to save your house,
- 20:01Speaker 6: to save your car.
- 20:03Speaker 7: Jesus, all you got to give up one weekend your wife.
- 20:08Speaker 3: I ain't giving up my wife though, But chance happened.
- 20:14Speaker 1: There's a chance that nothing happens.
- 20:16Speaker 4: They can.
- 20:18Speaker 1: They can watch your wife. She all she has to
- 20:21Speaker 1: do is go.
- 20:22Speaker 3: I know, looking at my wife, I know nothing will happen.
- 20:25Speaker 3: But it's just the fact of pain from the guy.
- 20:27Speaker 5: I won't say nothing happened. What if it's Maxwell. Don't
- 20:29Speaker 5: your wife love Max?
- 20:34Speaker 1: Definitely? Not definitely, But it's the premise of pain.
- 20:43Speaker 3: Yeah, yeah, it just it seems like belittally.
- 20:46Speaker 12: And the therapy that you would need after it. That's right,
- 20:48Speaker 12: you know what I mean, because you're not that's a
- 20:50Speaker 12: mental thing after after that, because she made you know
- 20:53Speaker 12: you even though you feel like nothing happened, you never know.
- 20:56Speaker 11: You never know, doesn't go though, and all this stuff
- 20:59Speaker 11: does happened. You lose a lot of stuff on the
- 21:02Speaker 11: back end, so then you still need Then you're going,
- 21:05Speaker 11: I mean, I got you talking about my mom here,
- 21:07Speaker 11: like you're saying that, like I would lose my mom.
- 21:10Speaker 1: You don't.
- 21:21Speaker 6: Think about fifteen years of Runway's sixty's young six.
- 21:27Speaker 4: Is not what you do?
- 21:28Speaker 1: Yes?
- 21:30Speaker 5: Oh yeah, two million?
- 21:31Speaker 1: There you're going, we're talking about.
- 21:34Speaker 4: What happened with them?
- 21:35Speaker 1: You heard?
- 21:36Speaker 9: I'm going, what do we lose that we lose our mom.
- 21:41Speaker 11: Mom, your house?
- 21:42Speaker 1: What else?
- 21:43Speaker 2: Your marriage? Everything crumbles?
- 21:46Speaker 1: Not necessarily it depends on you if you lose the marriage.
- 21:49Speaker 5: I need to see the nuance, Like do I know
- 21:51Speaker 5: who the guy is? We have a background on him
- 21:53Speaker 5: that we know.
- 21:54Speaker 7: You know he's meant to me? Well, you know what
- 21:56Speaker 7: I mean, he's all above levels, Like this is me,
- 22:00Speaker 7: this is what's going on. I want you to meet me,
- 22:01Speaker 7: and there's no manipulation. Everything, there's a contract.
- 22:05Speaker 1: More's chestnuts. Why can't I the sequel.
- 22:18Speaker 4: The way, I'm just saying, I'm going what you doing?
- 22:22Speaker 1: I'm just trying do nothing.
- 22:24Speaker 5: I'm just saying, why can't I Why can't I go?
- 22:27Speaker 4: Why did they have to be on?
- 22:28Speaker 1: The guy not gay? Like this?
- 22:31Speaker 8: Right?
- 22:33Speaker 4: It's not.
- 22:35Speaker 1: That it's not that say I was gay?
- 22:38Speaker 4: I just said why can't I go? But that's what
- 22:40Speaker 4: a man does, right when you when you when it's
- 22:42Speaker 4: a job that.
- 22:42Speaker 1: You don't want your woman to do it.
- 22:45Speaker 5: But the guy is like, I don't know, I don't
- 22:47Speaker 5: like dudes. I don't want your wife.
- 22:49Speaker 2: I'm asking for your wife type of arrange.
- 22:51Speaker 1: He said, why can't I go? Let me do what
- 22:53Speaker 1: you want to do. You said, the guy's not Diddy,
- 22:58Speaker 1: I don't.
- 22:58Speaker 5: Even like Jay looked at me and said, I want
- 23:01Speaker 5: your wife, magga one.
- 23:07Speaker 6: But but you see the conversation that it sparks, right,
- 23:10Speaker 6: and so that's what we're that, that's what we're banking
- 23:12Speaker 6: on is you know people sitting on their couch, you know,
- 23:15Speaker 6: the wife cutting her eyes at her husband, the husband
- 23:17Speaker 6: cutting his eyes and his wife like you know, damn,
- 23:19Speaker 6: what would you do?
- 23:20Speaker 2: What would you do? It is a million? What's your number?
- 23:22Speaker 2: Two million, three million, four million? You know what?
- 23:24Speaker 1: What?
- 23:24Speaker 6: What will it cost you in the short term and
- 23:27Speaker 6: what's going to cost you in the long term once
- 23:29Speaker 6: there's a ripple effect in the fallout. So it just
- 23:31Speaker 6: sparks up this really cool dialogue.
- 23:34Speaker 9: And then all of the relatable issues like that they're
- 23:37Speaker 9: going through even before they get to the point of
- 23:40Speaker 9: you know Tay's character, right, Like a lot of people are.
- 23:43Speaker 4: Going through it.
- 23:44Speaker 9: The economy that you know, they we're in people's moms
- 23:47Speaker 9: or you know, people's parents period, are getting sick. Insurance
- 23:50Speaker 9: is not covering things that they need. Some people don't
- 23:52Speaker 9: even have insurance because of you know, government issues and
- 23:54Speaker 9: all that type of things. So it's like it's very
- 23:57Speaker 9: relatable until you get to the saving great.
- 24:00Speaker 6: Here because literally insurance and insurance company they are.
- 24:03Speaker 2: They are here to make money.
- 24:04Speaker 6: They're not nonprofit, they are a for profit companies. So
- 24:07Speaker 6: they will say this procedure, this treatment cost too much.
- 24:12Speaker 11: You had this fire script and you were surprised or
- 24:15Speaker 11: I felt like you weren't ready. When is like I
- 24:17Speaker 11: want to be a part of it.
- 24:18Speaker 2: Like I'm listening to the Congress.
- 24:19Speaker 6: No, that was that was the comeback. This one I knew, yeah,
- 24:23Speaker 6: this one, this one.
- 24:24Speaker 12: I was like, hey, he called me and was like, Yo,
- 24:27Speaker 12: let's availability we just go around.
- 24:31Speaker 1: He was definitely with it because he I.
- 24:33Speaker 6: Mean, he fits that mysterious brooding. You can look at
- 24:39Speaker 6: him and tell he he fits it.
- 24:41Speaker 1: So I'm tremendously talented.
- 24:43Speaker 5: And we as actors, we we forget.
- 24:49Speaker 7: Like I'm doing a show with Wayne Brady and he
- 24:56Speaker 7: was like, hey, man, would you We were thinking about you?
- 25:00Speaker 7: And I was like, oh, I was on your mond.
- 25:04Speaker 7: Like you get caught up in your own world and
- 25:07Speaker 7: if you're in any way grounded, you forget that other
- 25:10Speaker 7: people see you in a certain way.
- 25:12Speaker 1: You know what I'm saying.
- 25:13Speaker 4: Did you ever forget who you were?
- 25:15Speaker 1: Constantly? Constantly? And I gotta be reminded, Like that's something
- 25:19Speaker 1: I gotta work on because sometimes I'll be ashamed too
- 25:23Speaker 1: and people.
- 25:25Speaker 4: You cold, they know who you are?
- 25:28Speaker 5: Ye wound, No, because I know that's the thing.
- 25:33Speaker 7: It's it's it has to do with like being raised
- 25:36Speaker 7: in the church and you know, being taught you need
- 25:40Speaker 7: to be humble, you know, think about others like It's
- 25:43Speaker 7: like what they teach you. If you really want to succeed,
- 25:46Speaker 7: you have to do the exact opposite. You got to
- 25:49Speaker 7: be like a Kanye West. I'm not gonna apologize. I
- 25:52Speaker 7: belong here, Boom, don't don't knock open the door. Those
- 25:56Speaker 7: are the people that really and that's not.
- 25:59Speaker 1: How I was raised.
- 26:00Speaker 7: And I took a lot of pride in like following
- 26:02Speaker 7: the rules, and I still made it through. But I'm like, oh,
- 26:08Speaker 7: I could have been so much more if I like
- 26:10Speaker 7: I remember going on auditions and being like, you know
- 26:13Speaker 7: what this isn't I think I know somebody else who's
- 26:17Speaker 7: better for this part literally, and then feeling proud giving
- 26:22Speaker 7: a part away, like if it was a hood thing Lauren.
- 26:34Speaker 1: Told me about what was it?
- 26:36Speaker 12: Uh, I was the one that was was you were
- 26:42Speaker 12: going to do? He did and Matrix was a matrix or.
- 26:48Speaker 1: I don't know. This is really great for radio though,
- 26:49Speaker 1: really great.
- 26:52Speaker 11: About the movies we would have recognized that were like
- 26:54Speaker 11: big successes and you.
- 26:57Speaker 7: I don't know if it went, but I just remember thinking,
- 26:59Speaker 7: you know, I wanted to like do the right thing
- 27:02Speaker 7: instead of like promote myself and then and then and
- 27:06Speaker 7: and sometimes you know that that can be.
- 27:09Speaker 1: It can lead in the wrong direction. And I'm still learning.
- 27:12Speaker 5: I don't think you can have an act to Kanye West,
- 27:14Speaker 5: because in order to promote yourself, people got to be.
- 27:16Speaker 4: Giving you work, because your work is your calling card.
- 27:19Speaker 5: Like we we we rate Denzel because all of the
- 27:22Speaker 5: times we've seen Denzel and these fantastic girls. You rate
- 27:25Speaker 5: Tom Hanks because all the times you've seen him in
- 27:26Speaker 5: these fantastic growths.
- 27:27Speaker 4: I mean, it's the same reason we ran you.
- 27:29Speaker 5: But that would be the only thing you could actually
- 27:31Speaker 5: use to stick your chest out.
- 27:33Speaker 1: But I forget you got classics though, I forget.
- 27:38Speaker 4: Oh man, I've still got a groove bag best man
- 27:40Speaker 4: Brown shut.
- 27:42Speaker 1: You don't forget when you did them. But I don't know.
- 27:53Speaker 7: I don't know until somebody comes up to me, and
- 27:56Speaker 7: then the industry like, oh that's it's a fan like
- 28:00Speaker 7: the whole all this time, everyone's telling you to stay grounded,
- 28:04Speaker 7: you know what I mean, And then you take a
- 28:05Speaker 7: person that's like raised in the in the church, and
- 28:09Speaker 7: I'm trying to be humble, and don't you know what
- 28:11Speaker 7: I'm saying.
- 28:12Speaker 1: I don't want to be like this actor.
- 28:13Speaker 7: I don't want to be like that actor, this person
- 28:15Speaker 7: stepped too far over the line.
- 28:17Speaker 1: And they so then you just like all of a sudden.
- 28:19Speaker 7: You kind of forget who what you're worth, trying to
- 28:24Speaker 7: like follow the rules. I'm being a good person, I'm
- 28:27Speaker 7: being humble. Don't you know make sure you look after
- 28:31Speaker 7: the other person. No, that doesn't work. But it took
- 28:35Speaker 7: a minute, and it took a bunch of people, but
- 28:37Speaker 7: to be like, don't you know who you are? And
- 28:41Speaker 7: at first I'm like, oh, this person, he doesn't get it.
- 28:44Speaker 7: And then you're like, wait, Will Smith, and you look
- 28:47Speaker 7: at all the people that are doing it Kevin Harp
- 28:52Speaker 7: where I was like, oh, these guys are too they're
- 28:53Speaker 7: they're too full of themselves. Look at where they are,
- 28:57Speaker 7: and it's like you have to be in order.
- 28:59Speaker 6: To I believe that he aumility though, like you save
- 29:01Speaker 6: it for the people who deserve it.
- 29:04Speaker 2: Yeah, right, you save that humility and that approach for
- 29:07Speaker 2: the people who deserve it, who keep it works for you?
- 29:11Speaker 2: You know, thirty years later I thought it was humility.
- 29:15Speaker 1: It wasn't that.
- 29:16Speaker 9: What about other people that that you had, like like
- 29:21Speaker 9: you got closer that you did projects with like a
- 29:23Speaker 9: Morse Chestnut or like friends like do you have like
- 29:26Speaker 9: do they do you have these conversations with them?
- 29:27Speaker 1: Do they like like what's wrong? Like I know more so, well, yes,
- 29:33Speaker 1: all of a sudden, I started seeing him like I
- 29:36Speaker 1: look at him on Instagram.
- 29:37Speaker 11: That's not it's funny her Instagram up.
- 29:41Speaker 7: He took charge and I'm like, well, if Mars is
- 29:44Speaker 7: doing because we're both capricorns, yeah, we both play by
- 29:47Speaker 7: the rules.
- 29:48Speaker 1: We like to work hard. I was like, oh, I said, okay.
- 29:52Speaker 4: Is doing its ain't showing ass.
- 29:54Speaker 2: Now, just be dancing.
- 30:01Speaker 9: He never shows online his old mask.
- 30:07Speaker 1: Remember about ring I did. I did not say nothing
- 30:11Speaker 1: about that man's as he said, you should be on
- 30:14Speaker 1: while you're talking about.
- 30:15Speaker 14: Right now, But no, I tell you, I'm serious man.
- 30:26Speaker 5: Brown Sugar is one of my favorite movies ever. Like
- 30:29Speaker 5: that was the first and last hip hop brom com.
- 30:32Speaker 5: I don't know why that didn't open up a whole
- 30:35Speaker 5: new genre, and I always wanted how I did working
- 30:37Speaker 5: on that film change the way you think about like
- 30:39Speaker 5: the connection between music and relationships and just coachure period.
- 30:43Speaker 1: Oh it taught me.
- 30:45Speaker 7: It taught me, you know what I mean. I didn't
- 30:46Speaker 7: know that, and I was very proud because that was
- 30:49Speaker 7: like something new and innovative and it worked, and I
- 30:56Speaker 7: was like, oh we wow, we are good.
- 30:59Speaker 1: This is with the music in this okay? All right
- 31:03Speaker 1: black people?
- 31:04Speaker 7: Like that's when it started to really connect, like we
- 31:08Speaker 7: can do anything we can't. We can do more than
- 31:11Speaker 7: just catch up. We can create this thing with music
- 31:16Speaker 7: that we created and take all the elements of some
- 31:18Speaker 7: of the white movies. But then this it's our story
- 31:21Speaker 7: and awesome.
- 31:24Speaker 4: What was it about you.
- 31:26Speaker 5: That made that love story feel so authentic?
- 31:31Speaker 7: Oh, that's just some kind of I don't know, it's
- 31:33Speaker 7: a chemistry. Like I've been in this business long enough
- 31:37Speaker 7: to know I have I have no idea, but it
- 31:40Speaker 7: just worked. It just worked, and some things you just
- 31:44Speaker 7: I'm very I feel very blessed because for a while
- 31:49Speaker 7: I would hear stories of other just horror stories of
- 31:52Speaker 7: people that were playing couples and they hated each other, and.
- 31:56Speaker 1: I did not I had no idea what that was like,
- 31:59Speaker 1: you know, I mean I didn't know how lucky. I
- 32:00Speaker 1: didn't know how lucky I was.
- 32:02Speaker 9: You know, did you hatting me along when she slept chasst.
- 32:06Speaker 1: Man at that moment?
- 32:10Speaker 9: But it was the right choice and it was a
- 32:13Speaker 9: good acting yo, you did not break, though it was
- 32:15Speaker 9: the right choice.
- 32:17Speaker 1: You didn't know it was coming, but that's phenomenal. He
- 32:20Speaker 1: did not break. It was written in the script.
- 32:26Speaker 7: But in a situation like that, you need to have
- 32:28Speaker 7: a stuntman come, and it's supposed to be a fake slapper.
- 32:31Speaker 1: It's the whole thing. And the stumm man didn't come,
- 32:35Speaker 1: and she just slapped and she she should have.
- 32:39Speaker 7: But I had just come out of you know, drama school,
- 32:41Speaker 7: and I was like, why didn't rebhears?
- 32:43Speaker 2: And how dare you?
- 32:45Speaker 1: The director didn't have my back? How many takes that?
- 32:53Speaker 11: Do you feel like The Best Man Unfinished Business? The
- 32:55Speaker 11: book that Malcolm Delee just did, do you feel like
- 32:57Speaker 11: that should be on TV or like a series versus
- 33:01Speaker 11: the book?
- 33:04Speaker 1: So you know what, the book that.
- 33:06Speaker 11: He the recent book he just did, that's supposed to
- 33:08Speaker 11: continue the conversation.
- 33:10Speaker 7: As an actor, I'll say yes, just because I want
- 33:12Speaker 7: to be in it, but as as I love what
- 33:16Speaker 7: he's doing and that makes perfect sense, and and I
- 33:20Speaker 7: love that it's happening because I love that you can
- 33:22Speaker 7: take the idea that a book about a book, you
- 33:25Speaker 7: know what I mean?
- 33:26Speaker 1: I'm very impressed with him.
- 33:28Speaker 5: We had him up here to think that don't make
- 33:29Speaker 5: no sense to me about the best Man, and I
- 33:31Speaker 5: guess it goes into what we're talking about today. It
- 33:33Speaker 5: broke records on Peacock, right, it was like the most
- 33:36Speaker 5: view series ever on Peacock. Wouldn't common sense say hey,
- 33:41Speaker 5: let's do more of this?
- 33:43Speaker 1: You said, common sense?
- 33:44Speaker 4: Yes, that's the key, exactly.
- 33:46Speaker 6: That's the key because you think about who's at the
- 33:48Speaker 6: table making these decisions. Allow those folks at the table,
- 33:51Speaker 6: they don't care about us, They don't you know, we
- 33:54Speaker 6: can do numbers, but we constantly have to prove ourselves over.
- 33:57Speaker 1: We have to get out. It doesn't make sense.
- 34:00Speaker 7: You have agents that are turning down jobs that will
- 34:04Speaker 7: make them money.
- 34:06Speaker 1: Yeah, but because of their ego. Yep. So it's like, well,
- 34:10Speaker 1: what this you know?
- 34:12Speaker 7: Yeah, I don't get it, and I'm spending too much
- 34:15Speaker 7: time trying to figure it out. So let's just thank
- 34:19Speaker 7: god there are other people that I can look at.
- 34:22Speaker 1: Oh it's working, well, then let's go.
- 34:25Speaker 5: It feels very dre leaving Millennium Records. Man, that's how
- 34:28Speaker 5: I feel what I feel like.
- 34:31Speaker 11: It's literally one of my questions here is like your
- 34:33Speaker 11: character and from Sugar is so you in real life,
- 34:36Speaker 11: everything you're going through now, and then what the music
- 34:38Speaker 11: industry is going through right now.
- 34:40Speaker 1: Too, Except this is like a surefire thing.
- 34:47Speaker 7: Like I'm not I don't feel like I'm taking the risk.
- 34:49Speaker 7: The only reason I'm doing it is because it works.
- 34:52Speaker 2: Yeah, I mean this is our third film with Say.
- 34:54Speaker 6: We had to come back huge hit on Peacock Both
- 34:58Speaker 6: Eyes Open went out to theaters and it was the
- 35:00Speaker 6: number one movie on Stars for four weeks in a row.
- 35:04Speaker 6: And then coming up with another Man's Wife. It's it's
- 35:07Speaker 6: they always slept on the performance.
- 35:09Speaker 1: They're not waking up now. I'm gonna be a part
- 35:13Speaker 1: of it.
- 35:13Speaker 4: They can see you camera.
- 35:23Speaker 11: I would watch it for all of you guys, because
- 35:25Speaker 11: there's so much content out there now, people that are
- 35:27Speaker 11: looking to do it their own way. How do they
- 35:29Speaker 11: get like out of the noise and like actually get
- 35:32Speaker 11: people to respect what they're doing, get people to want
- 35:34Speaker 11: to finance it and not just stay on social forever
- 35:37Speaker 11: or you know what I mean, Like build it where
- 35:39Speaker 11: it's like a business is elevated.
- 35:42Speaker 7: Honestly, nobody knows. I would say content and quality. That's
- 35:48Speaker 7: not necessarily the case. It's like you got to look
- 35:50Speaker 7: and see what's what's hitting now and jump on that, or.
- 35:55Speaker 1: Take a risk and try something new.
- 35:58Speaker 6: And you know, the content may vary, right, I mean,
- 36:02Speaker 6: I'm sorry, quality of content may vary. And obviously the
- 36:04Speaker 6: better the quality, the better opportunity you have for it
- 36:07Speaker 6: to get seen and the people to take you seriously.
- 36:09Speaker 6: But the end of the day, it's about a compelling story,
- 36:12Speaker 6: and you have to have a great story. Everything starts
- 36:15Speaker 6: with a great story, and then you have to have
- 36:17Speaker 6: great actors who can deliver that story. If he have
- 36:22Speaker 6: that formula, nothing still guaranteed. I mean, it's I mean,
- 36:24Speaker 6: to your point, Charlotte, it's it's it's mind boggling how
- 36:28Speaker 6: Malcolm cannot get a season two of It's like mind boggling, right,
- 36:35Speaker 6: But that's what happens, you know, And it's he was
- 36:39Speaker 6: very politically correct, you know, he was very you know, diplomatic, right,
- 36:43Speaker 6: but let me say it was some bullshit that he
- 36:45Speaker 6: that he is not. I mean, he is one of
- 36:47Speaker 6: the greatest writers of our time, one of the greatest
- 36:49Speaker 6: directors of our time. So so that's the lesson learned
- 36:52Speaker 6: is we're gonna tell our compelling stories, but we're gonna
- 36:54Speaker 6: we're gonna control the vehicle, and we're gonna build our
- 36:57Speaker 6: own seats, build our own tables, because if nobody else
- 37:00Speaker 6: is willing to tell our stories, well darn it, will
- 37:02Speaker 6: tell it.
- 37:02Speaker 5: And if I remember correctly, and I could be wrong, Malcolm,
- 37:04Speaker 5: so forgive me. I thought he kind of you kind
- 37:06Speaker 5: of put the onus on the actors a little bit
- 37:08Speaker 5: because he said, it's just all of y'all are so busy.
- 37:11Speaker 5: You knows so many big stars on that it's hard
- 37:13Speaker 5: to get you all together.
- 37:14Speaker 7: I mean, that was true. We were all you know,
- 37:16Speaker 7: everybody was blessed to be working. That was a part
- 37:19Speaker 7: of it.
- 37:20Speaker 1: But I mean how long.
- 37:22Speaker 2: I mean Sanx in the city, they figured out how
- 37:24Speaker 2: to do their business. Friends they figure gets.
- 37:29Speaker 1: Tiring waiting for them to let us in, you know
- 37:33Speaker 1: what I mean?
- 37:33Speaker 4: Because money makes people figure it out.
- 37:35Speaker 1: So not even money sometimes because we were making money.
- 37:41Speaker 1: That's what I didn't get. Why do this with this black.
- 37:44Speaker 7: Movie and then they don't have and they don't have
- 37:47Speaker 7: any explanation and they're fine with it. Why do black
- 37:52Speaker 7: movies disappear every once in a while. When was the
- 37:56Speaker 7: last black romantic comedy you saw?
- 37:59Speaker 5: Jesus?
- 38:00Speaker 4: Oh no, not a comedy.
- 38:02Speaker 7: Another when they were like there was one after another,
- 38:05Speaker 7: they were all making money.
- 38:06Speaker 1: I guess somebody decided to not do them.
- 38:09Speaker 5: I guess the last one I saw was was it
- 38:12Speaker 5: a comedy?
- 38:12Speaker 4: Though forever?
- 38:14Speaker 5: It's not a comedy? The joint with Keith that wasn't
- 38:18Speaker 5: a comedy, wasn't.
- 38:19Speaker 6: No photograph now that wasn't wow. I mean you'd have
- 38:24Speaker 6: to go back to like you can play that game, like, yeah.
- 38:31Speaker 7: One after another and it was like fun.
- 38:35Speaker 11: You bring that up a lot, because I feel like
- 38:37Speaker 11: that time movies and television, it just it was you
- 38:40Speaker 11: didn't have to think about it so hard, even so much,
- 38:43Speaker 11: right like, and they gave you a feeling and it
- 38:45Speaker 11: was different.
- 38:46Speaker 5: It's something happened, and I don't know what happened. And
- 38:48Speaker 5: I like to talk to people like you t because
- 38:49Speaker 5: y'all wore those superstars in the nineties and early two thousands.
- 38:53Speaker 4: Black.
- 38:53Speaker 5: Everything that we talk about wanting in black cinema and
- 38:55Speaker 5: black film, it was there already, you know.
- 38:58Speaker 4: And it's not like it wasn't doing numbers. The movies
- 38:59Speaker 4: was doing numbers.
- 39:00Speaker 5: Copedy show a different world, the number one, number two
- 39:02Speaker 5: show in the world.
- 39:03Speaker 4: It's just like what happened?
- 39:05Speaker 5: That means Hollywood just be like, you know what, we
- 39:06Speaker 5: don't want to make no money with niggas.
- 39:08Speaker 1: Mmm.
- 39:10Speaker 6: You think about the guy and his name escapes me.
- 39:12Speaker 6: But Love Jones iconic, right, I mean it brings out
- 39:16Speaker 6: in the motion.
- 39:16Speaker 2: When you hear it.
- 39:18Speaker 6: That director never had an opportunity to direct another feature again.
- 39:21Speaker 5: After Love Jones.
- 39:23Speaker 2: Jones?
- 39:23Speaker 4: Why or did or Witcher?
- 39:26Speaker 1: Yeah?
- 39:26Speaker 2: Yeah never?
- 39:27Speaker 6: You know, but other other directors can fail two, three,
- 39:31Speaker 6: four times and still get a budget. You know, they
- 39:34Speaker 6: they felt Love Jones didn't make enough money, so he
- 39:37Speaker 6: never got an opportunity. But look at the look at
- 39:39Speaker 6: the social impact it had on our culture. Matter never
- 39:43Speaker 6: directed another feature? So what projects allow y'all to scratch
- 39:47Speaker 6: versus just what feels safe?
- 39:50Speaker 1: Well for me, this this one didn't, You know what
- 39:52Speaker 1: I mean?
- 39:52Speaker 7: I love playing like the quote unquote bad bad guy.
- 39:56Speaker 1: I mean.
- 39:58Speaker 7: As an actor, it's it's it's fun playing outside of
- 40:03Speaker 7: what you know people know you as, and and how
- 40:07Speaker 7: you're perceived. So so you know, situations which I might
- 40:11Speaker 7: not have been you know, given that opportunity.
- 40:14Speaker 1: Word not for us, You know what I mean? Yeah?
- 40:18Speaker 2: That was cool?
- 40:18Speaker 6: I mean as as a part of the casting process.
- 40:22Speaker 6: You know, not to name names, but that was that
- 40:24Speaker 6: was a conversation around today. Could he play this role?
- 40:27Speaker 6: Could he play a bad guy?
- 40:29Speaker 2: Why not?
- 40:30Speaker 6: Like, why can't he have different versions of who he
- 40:34Speaker 6: is to show that diversity within himself?
- 40:37Speaker 4: Why not?
- 40:38Speaker 2: Right? So?
- 40:39Speaker 6: But I mean what I would say, what what would
- 40:41Speaker 6: stretch me is a biopic. Yeah, I would love to
- 40:45Speaker 6: do a biopick on Fred Hammon. I would love it.
- 40:50Speaker 6: Like if Fred, if you're watching and listened, call us, Yeah,
- 40:55Speaker 6: I would He's just I mean, he's just iconic, and
- 40:59Speaker 6: it would say it was an uphill clon. So there's
- 41:01Speaker 6: a lot of stories within that story, you know that
- 41:04Speaker 6: that that that will bold well for you.
- 41:06Speaker 2: Know, consumer consumption.
- 41:08Speaker 6: But yeah, I mean he's right up there, right So,
- 41:11Speaker 6: but a bio pick would actually you know, how do
- 41:13Speaker 6: you make it factual but then also entertaining at the
- 41:16Speaker 6: same time, but not but not straying away to make
- 41:18Speaker 6: it too you know, fictional?
- 41:20Speaker 1: Right?
- 41:20Speaker 2: Yeah.
- 41:21Speaker 5: My last question to tell you, how do you hope
- 41:23Speaker 5: your career will be remembered, not just in terms of roles,
- 41:26Speaker 5: but in terms of like your impact on culture and
- 41:28Speaker 5: like your the next generation of acting.
- 41:33Speaker 1: I don't.
- 41:34Speaker 7: I'm trying to get to the point where I don't
- 41:36Speaker 7: care because that's the easiest for me. And if I
- 41:42Speaker 7: come from that standpoint, I don't have to worry about
- 41:45Speaker 7: controlling anything. So that's what works for me. I used
- 41:51Speaker 7: to hate the idea of getting old, and then people
- 41:54Speaker 7: used to say words like oh, legacy, and then that
- 41:58Speaker 7: started to make me feel good. But then I was realizing, Okay,
- 42:02Speaker 7: I'm still attached to what happens when those movies are out,
- 42:06Speaker 7: and then people stopped talking No, so let me just
- 42:09Speaker 7: try to be in the moment, do good work, be grateful,
- 42:14Speaker 7: and remember what I did. But just stay in the moment,
- 42:18Speaker 7: because that's all that I can really deal with.
- 42:20Speaker 1: Yeah.
- 42:21Speaker 9: Yeah, well, I just want to say this. You don't
- 42:25Speaker 9: have any movies that you are casting for.
- 42:27Speaker 4: I am you have a job a job.
- 42:31Speaker 8: I do have a job, but I want another one.
- 42:35Speaker 2: When I tell you, you know.
- 42:37Speaker 6: That's actors come on and they'll say line, you know,
- 42:42Speaker 6: every every third line, line you never said, came.
- 42:46Speaker 2: On set on time?
- 42:47Speaker 4: Yes on.
- 42:49Speaker 6: I don't know if she's on time here, but she's
- 42:51Speaker 6: she's so consistently on tim knew her lines. You know,
- 43:03Speaker 6: people they take their cues from the names on set.
- 43:07Speaker 6: So if she's coming in with a cloud overhead, the
- 43:10Speaker 6: whole set will have a cloud sun constantly shining.
- 43:14Speaker 2: And she was pregnant. I know she was going that
- 43:17Speaker 2: first trimester. We didn't know it. She didn't show it.
- 43:21Speaker 2: M constantly professional. Yeah, I don't have to worry about that.
- 43:25Speaker 2: You know, you stay on speech, you know, jes get busy.
- 43:27Speaker 1: Man.
- 43:28Speaker 4: Why does your tattoos say chocolate?
- 43:29Speaker 7: Me?
- 43:31Speaker 1: M looking at the question, not about my booty has
- 43:42Speaker 1: no because you're talking. I know. It's a book. I
- 43:47Speaker 1: wrote a book.
- 43:48Speaker 7: Self self esteem and young people being proud of how
- 43:53Speaker 7: they look at their chocolate.
- 43:55Speaker 1: Dope.
- 43:55Speaker 8: Yeah, I love that it's available now, not his chocolate.
- 44:09Speaker 8: Questions about.
- 44:11Speaker 1: Children's book, the children's book I need, Yeah, order.
- 44:16Speaker 11: It makes sense. I remember you having no conversations about
- 44:18Speaker 11: your son and people like that.
- 44:20Speaker 1: Whole another book. Yeah for him? Yeah, I love that alright.
- 44:25Speaker 1: It embracing ourselves.
- 44:26Speaker 9: When are we releasing I'm sorry, we like, I'm for
- 44:29Speaker 9: your team.
- 44:30Speaker 5: When are you'll released in Another Man's Wife?
- 44:32Speaker 2: Yes?
- 44:45Speaker 1: Another.
- 44:49Speaker 6: It will either be late Q four so December, or
- 44:53Speaker 6: or early key one six, so over the next four months.
- 44:57Speaker 3: Look out for absolutely, Thank you, brothers, for you, thank
- 45:00Speaker 3: you with the day, with the production teams.
- 45:02Speaker 4: So we don't forget.
- 45:04Speaker 6: That's a good question. So it's freely films. That that's
- 45:07Speaker 6: that's that's what I bring to the table.
- 45:08Speaker 12: And then and it's down deep right now, down deep productions. Yeah,
- 45:12Speaker 12: so we partner together and we'll figure it out.
- 45:15Speaker 1: You have, let's figure out.
- 45:20Speaker 2: His ass productions, y'all.
- 45:28Speaker 4: Man, None of this matters if you know people don't
- 45:31Speaker 4: go out there.
- 45:31Speaker 2: And support staying for the people in the back.
- 45:34Speaker 1: But also you.
- 45:34Speaker 3: Gotta make your way back up here when the movie
- 45:36Speaker 3: comes out, come back up talking about people understanding and
- 45:38Speaker 3: see it.
- 45:40Speaker 2: Thank y'all, thank you, absolutely appreciate you.
- 45:42Speaker 1: Troy J called Digs. It's the breakfast Club. Good morning
- 45:47Speaker 1: every day.
- 45:47Speaker 2: I wait, click your ass up, the breakfast Club.
- 45:51Speaker 1: You don't finish for y'all.
- 45:52Speaker 4: Done,