Latest / Crime Night / Faiza: A Tale of Reckoning and Retribution

Transcript

Faiza: A Tale of Reckoning and Retribution · Crime Night

• 0:00
  Speaker 1: Okay, fixture this It's mid twenty thirteen, the day before
• 0:03
  Speaker 1: eed Elfitz. The air's cold still, it's dawn, maybe just
• 0:08
  Speaker 1: before in Osim, Giza just.
• 0:11
  Speaker 2: Quiet, really quiet, and Fiza she wakes up around five am.
• 0:14
  Speaker 2: It's her routine, you know, getting ready for her husband, Mustafa,
• 0:17
  Speaker 2: before he heads out for his job as a truck driver.
• 0:19
  Speaker 1: But this morning's different. Mustafa decides, no, I'm sleeping in
• 0:22
  Speaker 1: a bit of a holiday luxury exactly.
• 0:25
  Speaker 2: So Faiza. She just slips back into bed next to him.
• 0:28
  Speaker 2: Everything's peaceful, the house is.
• 0:29
  Speaker 1: Quiet until about six am. That's when it happens.
• 0:32
  Speaker 2: A sound, not loud right, not like a crash.
• 0:35
  Speaker 1: No more chilling out of place, coming from the apartment downstairs.
• 0:39
  Speaker 1: It's enough to jolt her awake, and.
• 0:40
  Speaker 2: Her heart starts racing. She nudges Mustafa, whispering like I
• 0:44
  Speaker 2: think I think someone's down there, maybe an intruder.
• 0:47
  Speaker 1: And right there, that ordinary morning just shatters Mustafa. He's
• 0:51
  Speaker 1: hit with this sudden like icy dread.
• 0:53
  Speaker 2: He throws the covers off, tears downstairs, and what he
• 0:56
  Speaker 2: finds it just ramps up the fear.
• 0:58
  Speaker 1: Instowing downstairs apartment door to jar just.
• 1:01
  Speaker 2: Opened a bit and then he sees the main house
• 1:02
  Speaker 2: door that's open to oh wow.
• 1:04
  Speaker 1: So he bursts out into.
• 1:05
  Speaker 2: The street, right into the street. It's completely silent outside,
• 1:09
  Speaker 2: which is terrifying, you know, compared to the panic he's feeling.
• 1:12
  Speaker 2: He's looking everywhere desperately, nothing, no one.
• 1:15
  Speaker 1: Just that empty pre dawn calm, the absolute worst kind
• 1:18
  Speaker 1: of calm, exactly.
• 1:19
  Speaker 2: Because then he goes back inside, back into the shadows
• 1:22
  Speaker 2: of that apartment, and this sickening realization just hits him.
• 1:27
  Speaker 1: The scene he walks into, it's unthinkable.
• 1:30
  Speaker 2: His two little girls, Schroc and Asala, they've been brutally murdered.
• 1:35
  Speaker 2: One's on the bed at the other hidden underneath it.
• 1:37
  Speaker 1: And then the silence breaks. Fis Us screams from upstairs,
• 1:41
  Speaker 1: then withst Off his own scream, just raw grief.
• 1:44
  Speaker 2: Neighbors start gathering, drawn by these awful sounds, and then
• 1:48
  Speaker 2: you know, the authorities arrive.
• 1:49
  Speaker 1: It's a scene that just grabs you immediately, doesn't it.
• 1:52
  Speaker 1: That horror right from the start.
• 1:53
  Speaker 2: Absolutely, it's visceral. And that's really our mission in this
• 1:56
  Speaker 2: deep dive to unpack how this terrible crime, starting with
• 2:00
  Speaker 2: what seems like a normal family in Egypt, could just
• 2:02
  Speaker 2: spiral into this tangled mess of betrayal, neglect, and horrific violence.
• 2:08
  Speaker 1: Yeah, we're not just listing facts here. We want to
• 2:10
  Speaker 1: explore the twisted decisions, the awful consequences that led to
• 2:15
  Speaker 1: these two little girls losing their lives.
• 2:17
  Speaker 2: Because the truth, when it finally crawled out of the darkness,
• 2:21
  Speaker 2: it was way more shocking, honestly, more disturbing than anyone
• 2:25
  Speaker 2: could possibly guess.
• 2:26
  Speaker 1: So let's peel back those layers. Let's really try to
• 2:29
  Speaker 1: understand how this happened. To get the full picture, we
• 2:31
  Speaker 1: really need to go back back to the beginning, or
• 2:34
  Speaker 1: at least the troubled foundations, between say, two thousand and
• 2:37
  Speaker 1: five and two thousand and nine.
• 2:38
  Speaker 2: Okay, So two thousand and five we meet Mustafa in Osin.
• 2:42
  Speaker 2: He's young, seems popular, a hard working truck driver, drives
• 2:45
  Speaker 2: one of those small trucks hauling bricks cement, makes decent.
• 2:49
  Speaker 1: Money, a stable life, you'd say, modest maybe, but stable
• 2:52
  Speaker 1: pretty much.
• 2:53
  Speaker 2: And he's incredibly close to his father, Yeah, listens to
• 2:56
  Speaker 2: his advice on almost everything. They live together in this
• 2:58
  Speaker 2: four story family house.
• 3:00
  Speaker 1: Okay, But then in that same year, two thousand and five,
• 3:03
  Speaker 1: he decides he wants to get married. He chooses a
• 3:05
  Speaker 1: local girl a beer, right.
• 3:06
  Speaker 2: A beer. She's described as intelligent, but and this is key,
• 3:11
  Speaker 2: she apparently had this questionable past that she managed to
• 3:14
  Speaker 2: keep hidden, really well hidden. Well apparently anything if he
• 3:17
  Speaker 2: happened outside their local area, so nobody you know, seem
• 3:20
  Speaker 2: could really you know, put anything on her. But here's
• 3:23
  Speaker 2: the really strange part. Mustapha's father, the guy he always
• 3:27
  Speaker 2: listens to. He strongly disapproves of the marriage.
• 3:30
  Speaker 1: That doesn't say why.
• 3:31
  Speaker 2: Exactly, Yeah, no clear reason given, just this gut feeling maybe,
• 3:36
  Speaker 2: But Mustapha he just dismisses it. He's kind of got
• 3:39
  Speaker 2: a beer up on a pedestal, thinks she's an angel.
• 3:41
  Speaker 2: So they get married in early two thousand and six.
• 3:43
  Speaker 1: Makes you wonder what the father sense, doesn't it? And
• 3:45
  Speaker 1: Mustapha himself you mentioned insecurity suspicion.
• 3:50
  Speaker 2: Oh, deeply insecure and apparently quite suspicious, almost paranoid, sometimes
• 3:54
  Speaker 2: making up scenarios a beer, though she seems manipulative, focused
• 3:59
  Speaker 2: only on making the marriage work, managing Mustafa's issues okay, And.
• 4:02
  Speaker 1: Then just a year later, two thousand and seven, their
• 4:04
  Speaker 1: first daughter arrives, Charoke.
• 4:06
  Speaker 2: Yes, and from day one, Charok becomes Mustafa's entire world.
• 4:11
  Speaker 2: He adores her, but a beer. That's where it gets unsettling.
• 4:14
  Speaker 2: Sources suggest a beer was pretty indifferent to being a mother,
• 4:17
  Speaker 2: like having a baby was just a biological thing, no
• 4:20
  Speaker 2: real emotional connection.
• 4:21
  Speaker 1: Wow, and that indifference showed.
• 4:23
  Speaker 2: Apparently, so she started being absent more often, always had excuses,
• 4:27
  Speaker 2: doctor market friends, plausible stuff. Mustapha's suspicions. They're growing, but
• 4:33
  Speaker 2: he is zero.
• 4:34
  Speaker 1: Proof and the money thing, right.
• 4:36
  Speaker 2: She'd ask for money, often for the house for the baby,
• 4:39
  Speaker 2: but Mustafa noticed the cash would just disappear. No new
• 4:44
  Speaker 2: things bought, just gone. A subtle pattern of deception starting
• 4:48
  Speaker 2: to form.
• 4:48
  Speaker 1: Then another year goes by two thousand and eight, their
• 4:50
  Speaker 1: second daughter, Asala, is born, so.
• 4:53
  Speaker 2: Now they have two girls. The money pressure on Mustafa's increasing,
• 4:57
  Speaker 2: his suspicions about a beer still simmering despite her.
• 5:00
  Speaker 1: Denials, until the breaking point in two thousand and nine.
• 5:03
  Speaker 2: Exactly, a friend of Mustafa's is out. He's at a
• 5:06
  Speaker 2: nightclub in Haram, an area known for let's say, less
• 5:08
  Speaker 2: reputable activities, and who does he see a beer? A
• 5:11
  Speaker 2: beer but totally transform different clothes, heavy makeup, clearly not
• 5:15
  Speaker 2: just out for a quite.
• 5:16
  Speaker 1: Evening, and that confirms everything for Mustapha.
• 5:18
  Speaker 2: His worst fears. Yeah, the divorce was instant. But here's
• 5:21
  Speaker 2: another disturbing detail. A Beer initially hesitates about taking the girls.
• 5:26
  Speaker 1: Really she didn't want them.
• 5:28
  Speaker 2: It sounds like it was more about appearances, like how
• 5:30
  Speaker 2: would it look a divorced woman without her kids? So
• 5:33
  Speaker 2: she takes them, but both Mustafa and a Beer are
• 5:36
  Speaker 2: now thinking about their next steps.
• 5:37
  Speaker 1: Mustafa needs someone to look after him and the.
• 5:39
  Speaker 2: Girls immediately, and a Beer's worried about how she'll continue
• 5:43
  Speaker 2: her well her nightclub work now that she's a divorced
• 5:46
  Speaker 2: mother with two kids.
• 5:48
  Speaker 1: It's a critical moment, absolutely, because this sets the stage
• 5:50
  Speaker 1: for who comes into their lives next. And as we
• 5:53
  Speaker 1: move into this next chapter from two thousand and eight
• 5:55
  Speaker 1: to twenty twelve, you think Mustafa is starting fresh, but it's.
• 5:59
  Speaker 2: Actually the beginning of something much, much darker. While a
• 6:03
  Speaker 2: Beer's figuring things out, this woman Fasa shows up in Osim,
• 6:08
  Speaker 2: that's back in two thousand and eight.
• 6:09
  Speaker 1: Where did she come from?
• 6:10
  Speaker 2: Her story was she'd fled her family and said that's
• 6:13
  Speaker 2: Upper Egypt, often seen as more traditional. She mentioned problems,
• 6:16
  Speaker 2: but nothing specific. She presented herself as you know, poor
• 6:20
  Speaker 2: and good hearted, just.
• 6:21
  Speaker 1: Looking for work, and someone helped her out.
• 6:23
  Speaker 2: Stuff has uncle yeah, had a shot nearby, felt sorry
• 6:27
  Speaker 2: for her, gave her a job a small room in.
• 6:29
  Speaker 1: His house, and Mustapha noticed her.
• 6:31
  Speaker 2: He watched her for a while, saw her seeming kindness,
• 6:34
  Speaker 2: how she was apparently great with kids, always playing with
• 6:36
  Speaker 2: the neighborhood children.
• 6:38
  Speaker 1: He liked what he saw, so he decides to marry her.
• 6:41
  Speaker 2: He does, and again his father warns him, we don't
• 6:43
  Speaker 2: know her background, where she's really from, why she left
• 6:46
  Speaker 2: her family, same.
• 6:48
  Speaker 1: Mornings and Mustafa ignores him again, Just.
• 6:50
  Speaker 2: Like with a beer, he set on it and fisa,
• 6:53
  Speaker 2: she jumps at the chance, accepts his proposal immediately, maybe
• 6:57
  Speaker 2: saw it as her ticket to stability, you know.
• 6:59
  Speaker 1: But then she asks for something unusual and orphy marriage first.
• 7:03
  Speaker 2: Yes, that's the unofficial kind of marriage contract in Egypt.
• 7:07
  Speaker 2: It's private, not legally registered. Right away, she says they'll
• 7:11
  Speaker 2: make it official later after meeting her family.
• 7:13
  Speaker 1: Hmmm, that raises a red flag, doesn't it?
• 7:15
  Speaker 2: With a secrecy, it certainly makes you wonder. But Mustafa,
• 7:19
  Speaker 2: he just agrees, no questions asked, and right then the
• 7:22
  Speaker 2: power dynamics starts shifting dramatically. How sad well a beer
• 7:26
  Speaker 2: Mustapha's first wife, she remarries really quickly and her new
• 7:30
  Speaker 2: husband he lays down a condition she has to completely
• 7:32
  Speaker 2: abandon Chorroc and Asala what just completely? And she agrees,
• 7:36
  Speaker 2: So Mustafa goes and gets his daughter's back.
• 7:39
  Speaker 1: Unbelievable. So the girls move in with Mustapha and Faza.
• 7:42
  Speaker 2: Yes, and that good hearted image Faiza had it starts
• 7:45
  Speaker 2: to crumble almost immediately. She lays down these really disturbing
• 7:49
  Speaker 2: rules like what total obedience from the girls, no contact
• 7:53
  Speaker 2: whatsoever with a beer their biological mother. And maybe the
• 7:57
  Speaker 2: worst part, Charroc and Asala must call Faisa mama and
• 8:01
  Speaker 2: call a Beer their real mom.
• 8:03
  Speaker 1: Culty Anti and everyone just went along with this Mustapha.
• 8:06
  Speaker 2: Beer Shockingly, yes, everyone agreed a beer seemed totally indifferent
• 8:10
  Speaker 2: to her own daughters, basically having their identity erased. It
• 8:13
  Speaker 2: speaks volumes about the adults involved, tho.
• 8:15
  Speaker 1: It really does.
• 8:16
  Speaker 2: So.
• 8:16
  Speaker 1: By twenty ten, FIS's true colors are showing fully.
• 8:19
  Speaker 2: That good hearted woman becomes shrewd is the word used.
• 8:24
  Speaker 2: She knows exactly how to please Mustafa, keep them happy,
• 8:27
  Speaker 2: but behind his back. She's subjecting sharrok in a solid
• 8:29
  Speaker 2: to severe physical abuse.
• 8:31
  Speaker 1: Abuse, but she calls it teaching.
• 8:33
  Speaker 2: Manners, re raising them. That's how she rationalized it. Yeah,
• 8:36
  Speaker 2: and the most chilling part, Mustapha approved of this discipline
• 8:41
  Speaker 2: because Faiza said it was necessary.
• 8:43
  Speaker 1: How could he, the man who adored Charoke? How could
• 8:46
  Speaker 1: he let that happen?
• 8:47
  Speaker 2: It's profound neglect, isn't it just staggering? And the girl's
• 8:51
  Speaker 2: isolation gets even worse. Fisa demands they be moved out
• 8:55
  Speaker 2: of the main apartment chrokes five us all is four.
• 8:58
  Speaker 2: She wants them put in the empty second floor apartment
• 9:01
  Speaker 2: of the family hun.
• 9:02
  Speaker 1: To live alone, alone, little kids. Why.
• 9:05
  Speaker 2: Her reason, so she and Mustapha could have privacy for
• 9:08
  Speaker 2: their well, their intimate relations. She claimed the girls were
• 9:12
  Speaker 2: old enough to notice things. Ada Mustapha he agrees, He complies.
• 9:16
  Speaker 2: He basically abandons his daughters to live by themselves on
• 9:19
  Speaker 2: the severate floor. Meanwhile, the Orphi marriage eventually becomes official
• 9:23
  Speaker 2: after Mustafa meets Faiza's family. Her position is cemented.
• 9:27
  Speaker 1: This is getting darker and darker. Yeah, and Mustafa's jealousy, Yeah, that.
• 9:31
  Speaker 2: Ramps up too, becomes almost irrational. Focused on Faiza. It
• 9:34
  Speaker 2: leads to this big conflict with the local worker Muhammad,
• 9:37
  Speaker 2: same line of work as Mustafa.
• 9:38
  Speaker 1: What happened?
• 9:39
  Speaker 2: Faisa falsely accuses Mohammad of harassing her. Mustafa, totally believing her,
• 9:44
  Speaker 2: flies into a rage, confronts Mohammed and forces him to
• 9:47
  Speaker 2: leave the area completely. Mohammad agrees and moves away.
• 9:51
  Speaker 1: So Faiza manipulated him into getting rid of this guy?
• 9:54
  Speaker 2: Seems that way. Then fast forward to mid twenty twelve,
• 9:58
  Speaker 2: Faiza gets pregnant with most off as child. Their new
• 10:01
  Speaker 2: baby stays upstairs with him. Of course, Washeroq and Asala
• 10:05
  Speaker 2: still downstairs alone, isolated, neglected.
• 10:08
  Speaker 1: Which brings us right back horribly to that dawn in
• 10:12
  Speaker 1: mid twenty thirteen, the day before d The police arrives
• 10:16
  Speaker 1: the forensic teams.
• 10:17
  Speaker 2: And right away things don't add up. No forced entry signs,
• 10:20
  Speaker 2: not on the downstairs apartment door, not on the main
• 10:22
  Speaker 2: house door, suggests the killer either had a key or
• 10:25
  Speaker 2: was let.
• 10:26
  Speaker 1: In, and little kids aren't letting strangers in at five
• 10:28
  Speaker 1: am without making a sound impossible exactly.
• 10:31
  Speaker 2: Then they find the knife bloodstained in the kitchen. The
• 10:33
  Speaker 2: kitchen itself is described as violently disturbed signs of a
• 10:36
  Speaker 2: struggle and.
• 10:37
  Speaker 1: The girl's positions shroke on the bed Aslam moved under it.
• 10:40
  Speaker 2: Yeah, like someone tried to hide her after the fact.
• 10:42
  Speaker 2: And here's a huge red flag for the investigators. The
• 10:45
  Speaker 2: forensic evidence. It says the girls died hours earlier than
• 10:49
  Speaker 2: Faisa claim she heard a noise maybe three hours.
• 10:52
  Speaker 1: Early, three hours so around three am.
• 10:55
  Speaker 2: Around that time, yes, yeah, long before her six am discovery.
• 10:58
  Speaker 2: And then there's the gas cylinder hose removed, gas still flowing,
• 11:03
  Speaker 2: a clear attempt at arson destroy the evidence.
• 11:05
  Speaker 1: So questioning starts.
• 11:07
  Speaker 2: Mustapha, he's bewildered, confused, suggests a beer and her new
• 11:11
  Speaker 2: husband maybe revenge, but police clear them quickly. He does
• 11:16
  Speaker 2: mention this this weird gut feeling about Piza's reaction though,
• 11:19
  Speaker 2: what feeling that her breakdown seemed fake, like she was acting,
• 11:23
  Speaker 2: but he pushes the thought away, tells himself, well they
• 11:25
  Speaker 2: weren't her real daughters.
• 11:27
  Speaker 1: Unbelievable justification and Phaiza's story.
• 11:29
  Speaker 2: She gives this detailed account of her morning, waking up
• 11:32
  Speaker 2: Mustafa sleeping in, hearing the noise, but he just doesn't
• 11:35
  Speaker 2: line up with the timeline from forensics.
• 11:36
  Speaker 1: Things aren't adding up at all until the breakthrough forensics exactly.
• 11:41
  Speaker 2: The lab finds fingerprints on the murder weapon, the knife,
• 11:45
  Speaker 2: and they match prints found on the downstairs apartment door,
• 11:49
  Speaker 2: a direct link.
• 11:50
  Speaker 1: And who do the prince belong to?
• 11:52
  Speaker 2: They circle back to Mohammed the worker Mustapha had that
• 11:55
  Speaker 2: big fight with over Paiza, the when he forced to
• 11:57
  Speaker 2: leave town months before.
• 11:59
  Speaker 1: Mohammed okay, does he have an alibi?
• 12:01
  Speaker 2: He claims he does, says he was at work then
• 12:04
  Speaker 2: very publicly at a coffee shop having breakfast. People saw
• 12:07
  Speaker 2: him there. But the locals who saw him noted his
• 12:10
  Speaker 2: behavior was off, really exaggerated. They said, like he was
• 12:15
  Speaker 2: putting on a show, making sure everyone noticed him. Not
• 12:18
  Speaker 2: his usual self at all.
• 12:19
  Speaker 1: Suspicious and the fingerprints.
• 12:21
  Speaker 2: They're a match. Mohammed's fingerprints are on the knife in
• 12:24
  Speaker 2: the door. It's undeniable. They arrest him immediately.
• 12:27
  Speaker 1: And under questioning, he confesses he does. And it's absolutely shocking.
• 12:30
  Speaker 1: He admits he killed the girls. But the motive it
• 12:35
  Speaker 1: wasn't revenge against Mustafa. Then why he said it was
• 12:37
  Speaker 1: to protect himself from scandal.
• 12:39
  Speaker 2: Protect himself from scandal. That's the reason for murdering two children.
• 12:42
  Speaker 2: That's what he claims, and then then he drops the
• 12:45
  Speaker 2: name that just blows this whole case wide open, the
• 12:49
  Speaker 2: name that reveals the true architect behind it all. Pisa, Pisa.
• 12:53
  Speaker 2: The investigators are stunned. They arrest her immediately too.
• 12:56
  Speaker 1: So that's where the real story comes out. The affair.
• 12:59
  Speaker 2: Yes, Mohammad reveals everything. He and Fiza had been having
• 13:02
  Speaker 2: an affair for about a year and their meeting.
• 13:05
  Speaker 1: Spot Oh no, don't tell me, the.
• 13:09
  Speaker 2: Girls downstairs apartment. Faiza would leave the door open for
• 13:12
  Speaker 2: him when Shiroc and Asala were out, probably at school
• 13:15
  Speaker 2: or playing.
• 13:15
  Speaker 1: So that earlier fight, the harassment accusation, all.
• 13:18
  Speaker 2: Alie, It was a fight between them between Faiza and Mohammed.
• 13:21
  Speaker 2: When things got rocky, Fiza preemptively accused him to Mustafa,
• 13:25
  Speaker 2: manipulating Mustafa into forcing Mohammad out of town a way
• 13:29
  Speaker 2: to control the situation, maybe get rid of him before
• 13:31
  Speaker 2: he caused problems for her.
• 13:32
  Speaker 1: But the affair started again.
• 13:34
  Speaker 2: Months later, Yes, it reignited. Paisa used doctor visits as
• 13:38
  Speaker 2: her cover story to sneak away.
• 13:39
  Speaker 1: And meet him, which brings us to the night itself.
• 13:42
  Speaker 1: The full truth.
• 13:43
  Speaker 2: Mohammad lays it all out. They ranged to meet that
• 13:46
  Speaker 2: night in the girl's apartment. He arrives around three am.
• 13:50
  Speaker 2: Faiza left the doors open, Gustafa's asleep upstairs, totally unaware,
• 13:54
  Speaker 2: and they're in the kitchen, yes, engaged in their affair,
• 13:57
  Speaker 2: and suddenly Hiroc and Asala peer standing right there. The
• 14:02
  Speaker 2: sources say they just look stunned. Caught them.
• 14:04
  Speaker 1: Oh God, the poor girls.
• 14:07
  Speaker 2: In that instant, Mohammed panics. He grabs the kitchen knife.
• 14:10
  Speaker 2: He kills Schrogue first, then Asalah brutally impulsively.
• 14:15
  Speaker 1: And Faiza what did she do?
• 14:16
  Speaker 2: She watched passively, didn't try to stop him, didn't intervene,
• 14:20
  Speaker 2: just watched her stepdaughters being murdered.
• 14:23
  Speaker 1: I can't even process that watch watched.
• 14:26
  Speaker 2: Then the cover up attempt. Mohammad removes the Gasos planet
• 14:30
  Speaker 2: to burn the place down, but around four thirty am,
• 14:32
  Speaker 2: Faiza tells him to leave.
• 14:34
  Speaker 1: Why.
• 14:34
  Speaker 2: She's worried Mustafa might wake up soon, but she's chillingly
• 14:37
  Speaker 2: confident she can handle the situation herself now. She sends
• 14:40
  Speaker 2: Mohammed away and her plan, her plan was cold calculated.
• 14:44
  Speaker 1: Yeah.
• 14:44
  Speaker 2: She goes upstairs, slips into bed next to Mustafa, tries
• 14:47
  Speaker 2: to wake him. At five am, send him off to work,
• 14:49
  Speaker 2: hoping he'll stumble upon the scene, make it look like
• 14:52
  Speaker 2: a robbery gone wrong.
• 14:53
  Speaker 1: But he slept in.
• 14:54
  Speaker 2: He slept in, so Faiza, she just waits for a
• 14:57
  Speaker 2: whole hour, lying there before Fi only at six a m.
• 15:01
  Speaker 2: Staging the whole intruder discovery, waking Mustafa up, pretending to
• 15:05
  Speaker 2: be terrified.
• 15:06
  Speaker 1: The level of detachment. It's monstrous. This whole story is
• 15:09
  Speaker 1: just Layer's failure, it really is. You.
• 15:12
  Speaker 2: Look at Faiza escapes hardship, finds a new life, then
• 15:15
  Speaker 2: throws it away for an affair that ends in the
• 15:17
  Speaker 2: motor of children. She was meant to protect.
• 15:19
  Speaker 1: You.
• 15:19
  Speaker 2: Look at Mohammed, married family of his own, kills two
• 15:22
  Speaker 2: little girls just to hide his affair, and.
• 15:24
  Speaker 1: The parents Mustapha and a beer, The sheer indifference, a
• 15:27
  Speaker 1: beer practically selling her daughter's identities, Mustapha okaying, the isolation,
• 15:32
  Speaker 1: the abuse, calling it discipline.
• 15:34
  Speaker 2: How do you even get to that point where you
• 15:36
  Speaker 2: agree to your children living alone on another floor, where
• 15:39
  Speaker 2: you allowed even to prove of them being heard. It's
• 15:42
  Speaker 2: a complete breakdown of parental responsibility.
• 15:44
  Speaker 1: A complete void where protection should have been.
• 15:47
  Speaker 2: And the tragic consequence of all these failures, all these
• 15:51
  Speaker 2: selfish choices. Charoq and Asalah innocent lives, just caught in
• 15:56
  Speaker 2: the middle, completely fail by every adult who should have
• 15:58
  Speaker 2: cared the outcome.
• 16:00
  Speaker 1: Mohammed were both sentenced to death, weren't they.
• 16:02
  Speaker 2: Yes, both receive the death penalty for their crimes, which
• 16:05
  Speaker 2: feels like justice maybe, but it doesn't bring back Sharock
• 16:09
  Speaker 2: in a saul. It just highlights the senselessness of it all.
• 16:11
  Speaker 1: Two little girls just gone because of this, this web
• 16:16
  Speaker 1: of deceit and neglect.
• 16:17
  Speaker 2: It really makes you think, doesn't it, This whole deep
• 16:19
  Speaker 2: dive into their story. It forces you to ask what
• 16:23
  Speaker 2: really happens when the most basic duties, the responsibilities of marriage,
• 16:27
  Speaker 2: of parenthood are just completely abandoned. How far can that deception,
• 16:32
  Speaker 2: that neglect actually go when people prioritize themselves above all else.
• 16:36
  Speaker 1: Yeah, it makes you consider the ripple effects. You know,
• 16:38
  Speaker 1: every choice, even the ones made in secret, they echo
• 16:40
  Speaker 1: outwards and sometimes, as we saw here, the impact on
• 16:43
  Speaker 1: the most vulnerable is just devastating beyondwards. Something to really
• 16:48
  Speaker 1: sit with.