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EP 3 | Dying for a Holiday (w Utt Panichkul) · Tales from Incredible Tales

• 0:00
  Speaker 1: Wasn't anything that felt negative. It was more playful. I
• 0:04
  Speaker 1: mentioned it to my friend. Um, and it turns out
• 0:07
  Speaker 1: that I guess his uncle or someone in the house
• 0:10
  Speaker 1: has that the the Guman.
• 0:32
  Speaker 1: Hi. My name is Art. My name
• 0:34
  Speaker 2: is Ryan. My name is Wayne and my name is
• 0:37
  Speaker 2: Kyle and this is Tales From Incredible Tales together with
• 0:41
  Speaker 2: some very special guests. We are taking a look back
• 0:44
  Speaker 2: at Incredible Tales, a horror anthology that add on channel
• 0:48
  Speaker 2: five from 2004 to 2017. We will also ask our
• 0:52
  Speaker 2: guests to share their scary stories.
• 0:55
  Speaker 2: This episode once again joined by Art, the host of
• 0:58
  Speaker 2: Incredible Tales throughout its 13 years. Hi.
• 1:01
  Speaker 1: Hi guys. So looking forward to this episode. So many stories. Oh, yes.
• 1:09
  Speaker 2: So in every episode of Tales From Incredible Tales, we
• 1:12
  Speaker 2: will explore a different theme and how it ties to
• 1:15
  Speaker 2: the classic Incredible Tales episodes. For this episode, we're looking
• 1:18
  Speaker 2: at strange things that happen while you're on a retreat
• 1:22
  Speaker 2: or at a hotel or even just enjoying some quiet
• 1:25
  Speaker 2: time off the beaten path. This episode's theme was inspired
• 1:29
  Speaker 2: by Possessed from season one, an old hotel and no picnic.
• 1:33
  Speaker 2: From season two possess follows a group of teenagers working
• 1:37
  Speaker 2: at a restaurant. They all stay over at a chalet.
• 1:40
  Speaker 2: But little did they know that the chalet already has
• 1:43
  Speaker 2: an occupant whom they can't see soon after they step
• 1:46
  Speaker 2: foot into the chalet,
• 1:47
  Speaker 2: it possesses one of them and wreaks havoc in all hotel.
• 1:51
  Speaker 2: A young chambermaid gets a job in one of the
• 1:53
  Speaker 2: oldest hotels in Singapore as she dutifully goes about her
• 1:57
  Speaker 2: job through the corridors of the hotel. She finds that
• 2:00
  Speaker 2: the hotel holds a terrible secret behind its creaking doors,
• 2:05
  Speaker 2: always creaking doors
• 2:07
  Speaker 2: and in no picnic. A young couple goes on a
• 2:10
  Speaker 2: picnic in a remote part of Chu Kang. While the
• 2:13
  Speaker 2: boyfriend is preoccupied with setting up the picnic, the girl
• 2:16
  Speaker 2: encounters something that changes her and ultimately terrorizes her boyfriend. Yeah,
• 2:22
  Speaker 2: that's
• 2:22
  Speaker 1: intense. I
• 2:23
  Speaker 2: know. I
• 2:25
  Speaker 1: feel like we're in the movie theater.
• 2:28
  Speaker 2: I'm, I'm quite correct me if I'm wrong. I'm quite
• 2:31
  Speaker 2: sure I saw you jump. I did. You did right
• 2:34
  Speaker 2: when the door close. I just like
• 2:39
  Speaker 2: a couple of times there. So art. How did things
• 2:42
  Speaker 2: change for you when you know incredible tales went to
• 2:45
  Speaker 2: season
• 2:46
  Speaker 1: two? I think it was a natural progression when we
• 2:49
  Speaker 1: went into two. I think once we got into the
• 2:52
  Speaker 1: later seasons, that's when I realized how powerful our stories
• 2:57
  Speaker 1: were becoming and connecting with people. But going to season two,
• 3:03
  Speaker 1: it was still an extension of me being fairly new
• 3:05
  Speaker 1: to Singapore. I continue to, like, learn more through the stories,
• 3:08
  Speaker 1: but it's a bit different because as I'm here longer,
• 3:11
  Speaker 1: I'm more, more comfortable. But it's kind of like when
• 3:16
  Speaker 1: you're white eyed and you have no idea of this
• 3:19
  Speaker 1: new culture or new place that you're coming
• 3:21
  Speaker 2: into. And I have to agree because the second season
• 3:23
  Speaker 2: has even more intensified, more jump scares. Yeah. I think
• 3:29
  Speaker 2: the second season they show a little bit more
• 3:32
  Speaker 2: the spirits. You see a little bit more of the spirits.
• 3:35
  Speaker 2: What was like the gap between shooting for season one
• 3:38
  Speaker 2: and season two was there didn't jump straight into it
• 3:41
  Speaker 1: sometimes. Like, we would have, like, a year or two
• 3:43
  Speaker 1: before another season. But, like, the first couple of seasons
• 3:46
  Speaker 1: were sort of back to back. But what I found
• 3:49
  Speaker 1: interesting is
• 3:51
  Speaker 1: basically when you think about the stories, you would think
• 3:55
  Speaker 1: of the scenario and situations being at night. So it
• 3:59
  Speaker 1: was so seeing these stories told where it's like in
• 4:02
  Speaker 1: broad daylight gives a whole different context to it. That's true.
• 4:06
  Speaker 1: Even the chat was like during the day.
• 4:09
  Speaker 2: Yeah, because you would least expect anything to happen. Oh, yeah.
• 4:12
  Speaker 2: Broad daylight like that, that last bit where the guy
• 4:16
  Speaker 2: walks away from the door and then you just see
• 4:18
  Speaker 2: the lady standing there in this last clip.
• 4:20
  Speaker 2: That's like it, it feels like a very, it's not
• 4:25
  Speaker 2: gonna work again. I had a hard job. He thought
• 4:30
  Speaker 2: it was real. Exactly. I mean, ok, never mind. You're
• 4:36
  Speaker 2: an actor. You do this for a living. You can't
• 4:38
  Speaker 2: do this
• 4:40
  Speaker 2: a little too convincing sometimes. Exactly. The stories here which
• 4:45
  Speaker 2: are possessed and old hotel, they deal with ghosts from
• 4:49
  Speaker 2: Singapore's history from the time of colonialism to the Japanese occupation. So,
• 4:55
  Speaker 2: in your experience, what are some of the places where
• 4:58
  Speaker 2: you think the echoes of our past are still a
• 5:00
  Speaker 2: little
• 5:01
  Speaker 1: louder? I think everything you just mentioned right there, those
• 5:05
  Speaker 1: echo a lot louder because they are more
• 5:08
  Speaker 1: rooted in history. We only get a taste or hear stories,
• 5:13
  Speaker 1: but we don't know what actually happened. So what actually
• 5:17
  Speaker 1: happened could be so much more darker and further than
• 5:20
  Speaker 1: what we know.
• 5:21
  Speaker 2: I wanted to ask like, were you on set for
• 5:24
  Speaker 2: shooting the links? Because I remember like some of the
• 5:26
  Speaker 2: links for these episodes shown what you were in like
• 5:29
  Speaker 2: the forested area? Yeah. How was it
• 5:32
  Speaker 1: like
• 5:33
  Speaker 1: the four areas um As in all areas? Um I
• 5:37
  Speaker 1: keep on like men saying this is, you have to
• 5:40
  Speaker 1: just kind of go into it, respecting the space that
• 5:43
  Speaker 1: you're going into. For me, it's always a bit different
• 5:46
  Speaker 1: shooting at night versus during the day, I feel at
• 5:49
  Speaker 1: night there is more
• 5:51
  Speaker 1: energies that are around. But I would be really interested
• 5:56
  Speaker 1: to get like um accounts from the actors because as
• 6:00
  Speaker 1: we're revisiting these stories, it's interesting to see the actors
• 6:04
  Speaker 1: and some of the actors are very good and to
• 6:07
  Speaker 1: find out if they had any experience because we're talking
• 6:09
  Speaker 1: about the crew. Right. But you also have the actors
• 6:12
  Speaker 1: as well.
• 6:14
  Speaker 2: Definitely.
• 6:15
  Speaker 2: Yeah, I think it would be quite nice to actually
• 6:17
  Speaker 2: at some point revisit some of these episodes with that,
• 6:20
  Speaker 2: the cast and the crew as well. Exactly. Because you
• 6:22
  Speaker 2: never know what might happen to them. Right. Especially when
• 6:25
  Speaker 2: they are acting out that particular scene, which speaks of,
• 6:28
  Speaker 2: speaking of which because in both possess and no picnic,
• 6:31
  Speaker 2: a spirit sticks over one character. So what do you
• 6:34
  Speaker 2: think makes a person susceptible to possession or is it
• 6:38
  Speaker 2: like a particular type of person that is
• 6:41
  Speaker 2: we always get it or is it just a wrong time?
• 6:43
  Speaker 2: Wrong place kind of situation?
• 6:45
  Speaker 1: Well, I'm not an expert in
• 6:48
  Speaker 1: giving like a formal answer to that, but I can
• 6:51
  Speaker 1: only give an answer from my own personal experience or
• 6:54
  Speaker 1: like my thoughts on it is I feel certain people
• 6:57
  Speaker 1: have are more attune. I think it has to do
• 7:01
  Speaker 1: with your energies at a certain time, whether you're in
• 7:05
  Speaker 1: a place of, I think people who are more depressed
• 7:07
  Speaker 1: or maybe like going through certain situations, their energies are
• 7:10
  Speaker 1: lower so
• 7:11
  Speaker 1: they're more susceptible to energies that might come in. So,
• 7:15
  Speaker 1: um if you're not in the right place in terms
• 7:19
  Speaker 1: of like your feelings and stuff, I do feel that
• 7:21
  Speaker 1: energies can come in a way to
• 7:24
  Speaker 1: take over you in a way to the, to the
• 7:27
  Speaker 1: point of possession. I don't know. It could.
• 7:30
  Speaker 2: Yeah, I've seen, I've seen a real life possession before.
• 7:33
  Speaker 2: It's really weird. Yeah. So, so basically I, I saw
• 7:36
  Speaker 2: one of my oldest friends that I trust the most
• 7:40
  Speaker 2: just flip the switch just like that. Wow.
• 7:44
  Speaker 1: Yeah. I had a nun in Thailand who explained the, and,
• 7:50
  Speaker 1: and spirits and when deities possess you, it's different. It's
• 7:55
  Speaker 1: a different energy versus like uh a negative spirit taking
• 8:01
  Speaker 1: possession over you. I think it's a lot has to
• 8:04
  Speaker 1: do with like, um because it's a whole different territory
• 8:08
  Speaker 1: and it's like um when going back to your question about,
• 8:11
  Speaker 1: you know, um
• 8:12
  Speaker 1: how people who are more susceptible, I think it's more
• 8:15
  Speaker 1: like a radio frequency when you turn on to your
• 8:17
  Speaker 1: radio station. So you just happen to have that particular signal,
• 8:21
  Speaker 1: that kind of tunes in with their signal. So that's
• 8:26
  Speaker 1: why certain people are more susceptible to like seeing things and,
• 8:29
  Speaker 1: and certain people don't. Yeah, it's just more of that wave,
• 8:33
  Speaker 1: the radio wavelength.
• 8:35
  Speaker 2: So, so yeah, it goes with the whole stereotype, like,
• 8:38
  Speaker 2: don't drink,
• 8:39
  Speaker 2: I don't drink because it's easier for you to get
• 8:42
  Speaker 1: possessed if you're seeing it or you sense, but then
• 8:46
  Speaker 1: the level of being possessed or seeing a possession, it's just,
• 8:51
  Speaker 1: it's a whole different level. Yeah, exactly.
• 8:53
  Speaker 2: It's like an intrusion, a greater intrusion into your life.
• 8:56
  Speaker 2: Because it's somebody, you know.
• 8:58
  Speaker 2: Yeah. Yeah. Yeah. So in my culture, we believe that
• 9:01
  Speaker 2: possession can happen in two cases. One, it could be
• 9:04
  Speaker 2: a work of somebody else could be like somebody else
• 9:07
  Speaker 2: sent off something to you, possess you because hatred or something,
• 9:12
  Speaker 2: it could also be
• 9:14
  Speaker 2: due to you. You know, sometimes we still have this,
• 9:18
  Speaker 2: this issue where people adopt spirits. Right. Right. Right. So, um,
• 9:25
  Speaker 2: they adopt spirits for their own use and then they
• 9:28
  Speaker 2: don't feed the spirits. Well, the spirits eats them back. Yeah,
• 9:31
  Speaker 2: it's
• 9:32
  Speaker 1: black magic. It exists in Thailand as well. Where if
• 9:36
  Speaker 1: you dabble into black magic with voodoo or, but the
• 9:39
  Speaker 1: thing about black magic is
• 9:42
  Speaker 1: you have to be very careful how you play because
• 9:46
  Speaker 1: it will go back 23 times. Folds. Yes. Yeah.
• 9:51
  Speaker 2: Yeah, because I've had an experience where my sister saw one.
• 9:54
  Speaker 2: She seeing you see, so she saw one and it
• 9:57
  Speaker 2: was in our house by God when it entered. So
• 10:02
  Speaker 2: I saw something
• 10:04
  Speaker 2: like a figure just passed by me while I was
• 10:06
  Speaker 2: in the living room and go straight to my sister's room.
• 10:09
  Speaker 2: And then my younger sister went inside her room and
• 10:12
  Speaker 2: the next thing she's wheeling out, she wasn't possessed, but
• 10:14
  Speaker 2: she keep on pointing to the corner of the wall
• 10:17
  Speaker 2: and she keep on crying and crying and crying and
• 10:20
  Speaker 2: we tried to console her, say some prayers, but I
• 10:23
  Speaker 2: can feel such an energy in that room.
• 10:26
  Speaker 2: It was like one of those moments where I, I
• 10:29
  Speaker 2: totally believe that. Yeah, this thing is really, so I
• 10:33
  Speaker 2: guess when experiences hit you, that's when you just change,
• 10:38
  Speaker 1: you become a believer. Yeah. It's
• 10:41
  Speaker 2: hard to be a non-believer after you see enough.
• 10:44
  Speaker 1: Yeah. In Thailand ghost Children grow spirits. They call G man.
• 10:50
  Speaker 1: So I think earlier in my time in Thailand I
• 10:54
  Speaker 1: had stayed over at my friend's house
• 10:56
  Speaker 1: and I, I think I went for a nap. There
• 10:59
  Speaker 1: was like a lot of people over I woke up with,
• 11:03
  Speaker 1: I woke up with kids in the room, but I
• 11:06
  Speaker 1: didn't see kids and I hear, I heard laughter and
• 11:10
  Speaker 1: I actually I can hear like I can hear running around.
• 11:15
  Speaker 1: So I thought I was dreaming at first and it
• 11:18
  Speaker 1: was kind of a different experience for me because
• 11:22
  Speaker 1: uh it wasn't anything that felt like negative, it was
• 11:26
  Speaker 1: more playful and then I mentioned it to my friend.
• 11:31
  Speaker 1: Um and it turns out that I guess his uncle
• 11:35
  Speaker 1: or someone in the house has that, you know. Yeah,
• 11:40
  Speaker 1: the Guman where they um they would have this altar
• 11:44
  Speaker 1: just for the children's ghost where they give him like,
• 11:48
  Speaker 1: you know, candy and like milk and,
• 11:50
  Speaker 1: and stuff like that to sort of protect the house.
• 11:55
  Speaker 1: So that was my first experience in that, in that respect,
• 11:59
  Speaker 1: having an experience that was like more light. But it
• 12:02
  Speaker 1: was still pretty strange for me
• 12:04
  Speaker 2: because it's not normal. Yeah. Essentially bring to a spirit
• 12:09
  Speaker 2: of a child is deceased. Yeah, exactly.
• 12:13
  Speaker 2: Speaking of spirits in many places, we know that as
• 12:17
  Speaker 2: we travel, definitely there will be spirits anywhere. Have you
• 12:21
  Speaker 2: experienced any strange things that happens to you when you're traveling?
• 12:26
  Speaker 2: I
• 12:26
  Speaker 1: have a lot. I have a lot. I'll be sharing.
• 12:29
  Speaker 2: You. Look, look at this side, this side. Yeah, I
• 12:32
  Speaker 2: was looking at what they do. I looked at you.
• 12:34
  Speaker 2: I was like,
• 12:35
  Speaker 1: oh, this is whether I'm going to share in this episode.
• 12:39
  Speaker 1: Teasing.
• 12:39
  Speaker 2: Actually, I'm quite curious for win. Yeah, nothing overt. It's,
• 12:45
  Speaker 2: it's one of those things where it's just that feeling.
• 12:49
  Speaker 2: I don't know whether it's just because you're an unfamiliar environment.
• 12:53
  Speaker 2: But for one thing I didn't know about the superstition
• 12:56
  Speaker 2: that you're supposed to knock on the door before you go.
• 12:59
  Speaker 2: I had no idea about that. So I used to
• 13:01
  Speaker 2: continuously just walk into the hotel room. I was like,
• 13:03
  Speaker 2: it's fine.
• 13:04
  Speaker 2: The worst is always that sense when you're alone in
• 13:09
  Speaker 2: the hotel room and you feel like you're being watched
• 13:12
  Speaker 2: that I, that I've experienced quite a bit and in
• 13:16
  Speaker 2: many different countries, it's not just, it's not just like, oh,
• 13:20
  Speaker 2: in the region you feel that way, but like there was,
• 13:23
  Speaker 2: I stayed in a very old bed and breakfast in
• 13:26
  Speaker 2: London and I love that place. But every time I
• 13:30
  Speaker 2: fall asleep on that, just you get the sense that
• 13:32
  Speaker 2: somebody is watching you.
• 13:34
  Speaker 2: So, yeah, that thankfully nothing overt but always just speaking
• 13:39
  Speaker 2: of the knocking door. Do you guys practice it? You
• 13:41
  Speaker 2: knock the hotel room? I
• 13:43
  Speaker 1: don't, you don't? I do it on planes. Oh, really? Oh, yeah. Oh, why?
• 13:48
  Speaker 1: But it's not related to spirits.
• 13:53
  Speaker 2: But, but you do, you do it now, now, now
• 13:55
  Speaker 2: you do it. Mine would not be knocking the door.
• 13:58
  Speaker 2: Mine will be opening the door, see a prayer and
• 14:01
  Speaker 2: say another prayer and say more prayers inside. Yeah, it's similar.
• 14:07
  Speaker 2: It's almost like saying hello. I come in peace. That's right.
• 14:12
  Speaker 2: You disturb me. I want you. Ok. Ok. Yes, because
• 14:14
  Speaker 2: what happened was before that I didn't do it.
• 14:17
  Speaker 2: And those things happened. It was on my honeymoon if
• 14:21
  Speaker 2: I believe and we were right at the back near
• 14:24
  Speaker 2: the beach. I don't think it's a good idea to
• 14:26
  Speaker 2: be there. And
• 14:29
  Speaker 2: that night when I was sleeping, I had a nightmare. I,
• 14:32
  Speaker 2: I it was in my vision where I had somebody
• 14:35
  Speaker 2: standing right beside me on my bed. He was looking
• 14:38
  Speaker 2: down on me. Oh God. While sleeping, I was looking down.
• 14:41
  Speaker 2: So II I had my wife woke me up and
• 14:44
  Speaker 2: I realized that oh yeah, it was just a dream.
• 14:47
  Speaker 2: But spirits can also disturb you in dreams. It was like, no,
• 14:50
  Speaker 2: I was inside my body but I was looking up
• 14:53
  Speaker 2: to the spirit that was looking down towards me. Yeah.
• 14:57
  Speaker 2: And I can, I can imagine. I can still vision it,
• 15:00
  Speaker 2: like he's wearing white with black hair but when I
• 15:04
  Speaker 2: open it is not, that is a, he somehow that
• 15:08
  Speaker 2: seemed to frighten you even more. Yeah. Yeah, because it's
• 15:11
  Speaker 2: not normal. Yeah. You know, it's not
• 15:16
  Speaker 2: what you're talking about.
• 15:17
  Speaker 1: What's interesting is because, like, for me and Kyle is
• 15:20
  Speaker 1: quite normal if we come up with, you know, we
• 15:22
  Speaker 1: have stories but right hand is like, what?
• 15:27
  Speaker 2: On your honeymoon? Yeah, I've had kisses.
• 15:31
  Speaker 2: Pretty creepy. It's pretty creepy. So that day I had
• 15:34
  Speaker 2: to say a prayer and we were very conscious about
• 15:37
  Speaker 2: what we do and where we go because we don't
• 15:39
  Speaker 2: want any spirits to follow us home. So II I
• 15:42
  Speaker 2: also travel, used to travel extensively for work. There was
• 15:46
  Speaker 2: one project that took me around
• 15:47
  Speaker 2: Southeast Asia. So by that point, I've seen it all like, wow,
• 15:52
  Speaker 2: because when you're doing production, you, you usually trying to
• 15:56
  Speaker 2: save money, especially when you're the crew, right? So you
• 16:00
  Speaker 2: stay in really weird like creepy hotels pretty, pretty dingy.
• 16:04
  Speaker 2: Um Then I stayed in a particular hotel in Myanmar.
• 16:09
  Speaker 2: Oh my God, I was supposed to say two more
• 16:11
  Speaker 2: days just to sightsee myself. That was maybe a couple
• 16:14
  Speaker 2: of years back
• 16:15
  Speaker 2: and I left early because I felt that hotel was
• 16:18
  Speaker 2: super dirty. I can feel it to my bone. So
• 16:22
  Speaker 2: I is a hotel, right? Like next to a jungle
• 16:28
  Speaker 2: and it's like quite out of the city center. But
• 16:32
  Speaker 2: my clients, because clients, they are very important. So we
• 16:36
  Speaker 2: gave them rooms with windows.
• 16:38
  Speaker 2: My room didn't have any window, like it was straight
• 16:42
  Speaker 2: up pitch black even in the day if you didn't
• 16:44
  Speaker 2: on the lights. So I I went into the lift,
• 16:48
  Speaker 2: the lift had like the garlands, the flowers. So it's
• 16:53
  Speaker 2: like it has a very strong cry smell. Then I
• 16:56
  Speaker 2: went out with the concierge. He opened a room for
• 16:58
  Speaker 2: me before he opened and he knocked,
• 17:01
  Speaker 2: that's why you know like, hey, this is like a
• 17:03
  Speaker 2: universal thing was saying or this room or something I
• 17:06
  Speaker 2: open the price is like dirt cheap. So I was like,
• 17:09
  Speaker 2: wait a minute, there's no, there's no window and there's
• 17:14
  Speaker 2: like four bits. Wow, I'm one person and there's like
• 17:17
  Speaker 2: a kitchen and there's like a big bathroom is way
• 17:22
  Speaker 2: too big for me is insane and didn't have windows. No,
• 17:27
  Speaker 2: the guy was like,
• 17:29
  Speaker 2: sir, he knocked it out so that I know you
• 17:32
  Speaker 2: go first you go in. He put in a key
• 17:35
  Speaker 2: on the line. Now I walk, I took two steps in.
• 17:38
  Speaker 2: I I smell, I smell something very funky, like very wet,
• 17:42
  Speaker 2: like damn smell. I didn't like the smell. I also
• 17:45
  Speaker 2: didn't like the vi I basically I just told him
• 17:47
  Speaker 2: got what weird smell they said OK, we both walk
• 17:51
  Speaker 2: up then he went to change the room.
• 17:53
  Speaker 2: Then the second room was similar but smaller but it
• 17:56
  Speaker 2: wasn't any better. It still felt weird. The weird advice
• 17:58
  Speaker 2: is strong and the layout of the hotel is very weird.
• 18:02
  Speaker 2: So the lift is right in the middle of the hotel.
• 18:05
  Speaker 2: So when you take the lift up, then there's like
• 18:07
  Speaker 2: a four crossroads, so you can go either way. So
• 18:10
  Speaker 2: my clients took this way that is facing, that's the
• 18:13
  Speaker 2: rooms with the windows that's facing the main road, which
• 18:15
  Speaker 2: is quite ok. I took the room which was behind
• 18:19
  Speaker 2: the lift. That's why it's pure darkness. And I asked,
• 18:23
  Speaker 2: can I change my room? And then they were like, oh,
• 18:25
  Speaker 2: you want to change your room $50 per night? That's
• 18:28
  Speaker 2: like hell, no, I'm not gonna pay like $200 just
• 18:32
  Speaker 2: to stay in the room with windows.
• 18:34
  Speaker 2: Oh, wow. So I was very wrong. I was very
• 18:36
  Speaker 2: wrong wrong. I, I, the whole night I couldn't sleep,
• 18:38
  Speaker 2: I kept having like vibes like people staring at me.
• 18:41
  Speaker 2: But luckily I knew some function techniques to change the
• 18:45
  Speaker 2: I shift around the beds and stuff to make it
• 18:48
  Speaker 2: in a way by the, the energy was so bad.
• 18:50
  Speaker 2: But it felt really bad to the point where, but
• 18:52
  Speaker 2: I didn't sleep for about close two days. And I
• 18:55
  Speaker 2: was shooting, I was shooting the program while I'm doing that.
• 18:58
  Speaker 2: Then it affected my work. So I couldn't even stay
• 19:01
  Speaker 2: on because when, once you read right, my client would
• 19:04
  Speaker 2: go back to Singapore and then it will change another
• 19:06
  Speaker 2: set of clients. But I was the lead director for
• 19:09
  Speaker 2: the whole shoot. So I had to stay on for
• 19:11
  Speaker 2: the program. So I was like, I can't do this.
• 19:13
  Speaker 2: I can't, I think if I stay two more days,
• 19:14
  Speaker 2: come home, we see the ghost on the ghost. You
• 19:17
  Speaker 2: can feel like the tension is building up already. So
• 19:19
  Speaker 2: I was like, no, no, no, I straight away, I
• 19:20
  Speaker 2: booked the flight. I went back home, I went back
• 19:23
  Speaker 2: in Singapore. Straight as I screwed a book,
• 19:25
  Speaker 2: I go back, I pay for my own flight. I
• 19:27
  Speaker 2: told my I'll pay for my own flight. I go home.
• 19:29
  Speaker 2: But to this day I didn't tell my why, but
• 19:32
  Speaker 2: I just like I had to get out here. So
• 19:34
  Speaker 2: then my client saw me and I thought it can
• 19:36
  Speaker 2: just stay to this and I miss my family. I
• 19:38
  Speaker 2: need to go home. But the friend that you could
• 19:41
  Speaker 2: actually stay there for the next two days I had
• 19:43
  Speaker 2: to my job. I have no choice. Oh my God. I,
• 19:46
  Speaker 2: I wanted to go home so bad, like seriously so bad.
• 19:49
  Speaker 2: And I've seen it all. I stay in a hotel
• 19:52
  Speaker 2: in Brunei.
• 19:53
  Speaker 2: I'm pretty sure the whole stretch right is a very
• 19:55
  Speaker 2: long hallway is like from the shining side, from the
• 19:58
  Speaker 2: shining kind and I was the only unit. Yeah, so
• 20:02
  Speaker 2: it's quite empty. It's a relatively quiet area of Brunei.
• 20:07
  Speaker 2: So I was the only hotel and I was fine.
• 20:09
  Speaker 2: I didn't feel, I felt creepy but I didn't feel
• 20:11
  Speaker 2: like that intense. But the one I can feel like
• 20:15
  Speaker 2: the one that thing wanted to get me. So I
• 20:18
  Speaker 2: fostered out.
• 20:19
  Speaker 2: Wow, I'm pretty sure you have a lot of experience
• 20:22
  Speaker 2: if you want to share one very
• 20:25
  Speaker 1: well to segue off of like Kyle. Um I have
• 20:29
  Speaker 1: an experience with a producer. Um We were shooting in
• 20:34
  Speaker 1: Phuket but yeah, we had lots of shoots in Phuket,
• 20:38
  Speaker 1: but this is a different producer, a different timeline. Um
• 20:42
  Speaker 1: I think we had uh several different crews, one from
• 20:45
  Speaker 1: Taiwan and one from Thailand and Singapore.
• 20:48
  Speaker 1: So we stayed at club med. I remember, I think
• 20:52
  Speaker 1: my producer at the time, like he was trying to
• 20:54
  Speaker 1: scare us. One of the nights we were there for
• 20:57
  Speaker 1: three days, two nights and I think at 11 or 12,
• 21:02
  Speaker 1: I remember it because I heard like I heard some,
• 21:06
  Speaker 1: like I had my headphones on so I was like
• 21:08
  Speaker 1: on my laptop. But um I think he went around
• 21:12
  Speaker 1: the different like different room and trying to scare people.
• 21:15
  Speaker 1: So he was throwing like or rocks or what, what not.
• 21:19
  Speaker 1: And I looked back and I remember I had like,
• 21:23
  Speaker 1: but for me, I didn't think it was spirits. I
• 21:25
  Speaker 1: just heard noises. Um And then the next day, I
• 21:30
  Speaker 1: guess we, we all flew, you know, flew back and
• 21:34
  Speaker 1: then he didn't come to work for the next two
• 21:36
  Speaker 1: days when we came back to Singapore and my, the
• 21:40
  Speaker 1: stylist makeup artist was telling me, you say, did you
• 21:45
  Speaker 1: hear like, you know, he's,
• 21:47
  Speaker 1: uh he's not doing really well. He's like, very sick.
• 21:50
  Speaker 1: Like he brought something back with him. And then that's
• 21:54
  Speaker 1: when we kind of connected the fact that um he
• 21:58
  Speaker 1: came back and he was just very withdrawn, very depressed
• 22:02
  Speaker 1: and it turned out that he had to get a
• 22:06
  Speaker 1: bo to um basically, you know, find out what was
• 22:11
  Speaker 1: going on with him. So he had brought the spirit
• 22:13
  Speaker 1: back with him. So what had happened was that because
• 22:16
  Speaker 1: he was just running around um and
• 22:20
  Speaker 1: probably did not pay respects. And you don't, we were,
• 22:23
  Speaker 1: we had this talk about how, when you go into
• 22:26
  Speaker 1: the forest or you go into certain areas or you
• 22:28
  Speaker 1: see incense or whatnot, sometimes you might be stepping into
• 22:31
  Speaker 1: certain things or places without knowing that you're actually intruding. So,
• 22:38
  Speaker 1: um the bo said that he actually intruded on a
• 22:42
  Speaker 1: spirit that was not happy and it was a woman.
• 22:45
  Speaker 1: So um he, he could actually see her
• 22:49
  Speaker 1: and he said the only way to uh to get
• 22:52
  Speaker 1: rid of her or is to bring her back and
• 22:55
  Speaker 1: do like a little ritual back in Phuket. So that's
• 22:59
  Speaker 1: what he had to do.
• 23:01
  Speaker 2: There was the producer that was playing Pranks la.
• 23:03
  Speaker 1: Yeah. And usually I'm the one who is playing pranks
• 23:06
  Speaker 1: but like, you know, I took a day, a night
• 23:08
  Speaker 1: off and maybe because I know better than to do pranks. So, yeah,
• 23:12
  Speaker 1: as a producer who was doing pranks a lot and
• 23:15
  Speaker 1: then he got pranked at the, like, the spirit going by.
• 23:18
  Speaker 2: Ok. So do you all have any tips to ensure
• 23:22
  Speaker 2: that you guys travel safely? I will say, just bring
• 23:26
  Speaker 2: any religious objects,
• 23:28
  Speaker 2: ah, that you have whatever your religion is, thing is
• 23:32
  Speaker 2: also to make you feel level. I have one, they
• 23:37
  Speaker 2: usually say that if you would like to book a
• 23:39
  Speaker 2: resort or hotel, try to make sure that it's not
• 23:42
  Speaker 2: in between two forests or two jungles because that's where
• 23:46
  Speaker 2: spirits paths across. So, I don't know, I've never heard
• 23:52
  Speaker 2: that one before. That's no, there's a lot of rules,
• 23:54
  Speaker 2: like there's one, like never book the last room
• 23:58
  Speaker 2: in the hallway right next to the fire. That is
• 24:00
  Speaker 2: usually the most haunted 10, is it? Yeah, like some
• 24:03
  Speaker 2: in some culture. 13th floor is a, no, no, is a, no, no. Yes. Yeah.
• 24:09
  Speaker 2: I think in Taiwan there's no fourth floor
• 24:12
  Speaker 1: in Thailand. All the condominiums. They don't have it as
• 24:16
  Speaker 1: 13 as 12 A B. Yeah.
• 24:21
  Speaker 2: I've noticed like, for 33 A, three BM, that kind
• 24:24
  Speaker 2: of thing. Like they, it's still four floor. They rebrand
• 24:29
  Speaker 2: it as a different floor. Right. Right. All right. So
• 24:31
  Speaker 2: this is a question for our audience. So, what's creepier
• 24:34
  Speaker 2: to you an old hotel or a resort that's near
• 24:38
  Speaker 2: a jungle or forest.
• 24:42
  Speaker 1: I feel when things are more older or like, it's
• 24:46
  Speaker 1: like it reels in those energies.
• 24:49
  Speaker 2: So, so you prefer an old
• 24:51
  Speaker 1: hotel? No, I prefer a new resort in the jungle
• 24:55
  Speaker 1: or like a forest versus an old hotel because I
• 24:58
  Speaker 1: think when things are old it has old energies and
• 25:01
  Speaker 1: it's going to reel in energies. Yeah.
• 25:06
  Speaker 2: Not well stuck there. I guess, I guess the energy
• 25:09
  Speaker 2: there because it's a foundation building itself for me is
• 25:17
  Speaker 2: the other way around. I would prefer an old hotel
• 25:20
  Speaker 2: because a hotel could mean that it's right in the
• 25:22
  Speaker 2: city center and then you can just leave. If anything happens,
• 25:27
  Speaker 2: you can just leave. But if you're in a new
• 25:29
  Speaker 2: resort in the middle of nowhere,
• 25:32
  Speaker 2: if you try to leave, like the forest spirits might
• 25:36
  Speaker 2: get you right. If you try to, I don't know,
• 25:39
  Speaker 2: like you try to run away. You, you, you're still
• 25:42
  Speaker 2: surrounded by forest and the forest, forest have even more things. Right.
• 25:46
  Speaker 2: So I think it's more of a strategy for me.
• 25:49
  Speaker 2: I agree with art. But I think like if it's
• 25:52
  Speaker 2: a hotel, I can just run out, then I go
• 25:53
  Speaker 2: to another hotel down the road or
• 25:55
  Speaker 1: something. Yeah, I'm thinking we should do a game show together.
• 25:59
  Speaker 1: It's so funny. Last man standing, let's go. Let's go.
• 26:04
  Speaker 2: I have to say hearing both the answers. Now, I've
• 26:07
  Speaker 2: decided I'm just not going to go on holiday for
• 26:08
  Speaker 2: a while because crap, there's no way to win. Um, no,
• 26:13
  Speaker 2: but II, I think I'll go with what you were
• 26:15
  Speaker 2: saying as well where it's
• 26:18
  Speaker 2: an old hotel, there's something so imposing about it. Even
• 26:22
  Speaker 2: if it's in the middle of a city that it's
• 26:24
  Speaker 2: like you saying, the energy and I couldn't put into
• 26:26
  Speaker 2: words like what it is about these old buildings that
• 26:29
  Speaker 2: just they're so imposing. But yeah, it's, the energy is
• 26:32
  Speaker 2: very oppressive energy to it. I don't know whether the
• 26:36
  Speaker 2: energies are good or bad, mostly bad but probably, but yeah, I,
• 26:42
  Speaker 2: I new resort in the jungle. Yes.
• 26:45
  Speaker 2: All right. So for myself, because I've had experiences for
• 26:48
  Speaker 2: both old hotel and also in the jungle. So this
• 26:52
  Speaker 2: is a very high pick.
• 26:56
  Speaker 2: It's hard. I don't want both. But if I would
• 26:58
  Speaker 2: have to go for both either, I'll go for a
• 27:01
  Speaker 2: whole whole hotel. Um Simply because like what Carl says,
• 27:07
  Speaker 2: if anything happens, you can run out because I've been
• 27:10
  Speaker 2: in a resort near a jungle. In fact, just beside
• 27:14
  Speaker 2: a beach where I was touched by a spirit in
• 27:17
  Speaker 2: the room and when I ran out it's the jungle.
• 27:20
  Speaker 2: So I like part two guys. I'm not gonna do that.
• 27:24
  Speaker 2: That was like the bit like let me touch him,
• 27:26
  Speaker 2: then he will run out to the jungle. That's where
• 27:28
  Speaker 2: I get him. Exactly. Maybe. So I'm like, OK, that
• 27:31
  Speaker 2: is not what I want. So maybe the city is
• 27:33
  Speaker 2: much more safer if anything happens, I can just run
• 27:37
  Speaker 2: out to another hotel. Yeah. So old hotel for me. Nice.
• 27:41
  Speaker 2: There's no winning in this game.
• 27:43
  Speaker 2: Yeah, you lose, you lose. It's like a horror movie. Right.
• 27:47
  Speaker 2: That's right. It is that time again. Carl. Yes. Our
• 27:50
  Speaker 2: one morbid fact of the day,
• 27:53
  Speaker 2: as always we said it for this doesn't have to
• 27:56
  Speaker 2: be about ghost. It could be about anything but Kyle,
• 27:59
  Speaker 2: what is our one morbid fact of today?
• 28:02
  Speaker 2: Anyone here scared of clowns? Oh, I'm sorry, are you
• 28:07
  Speaker 2: afraid of clowns?
• 28:08
  Speaker 1: Not really. Are
• 28:10
  Speaker 2: you? Yes, you have. Like, what was that word for
• 28:12
  Speaker 2: clown phobia? I, I'm not sure it like there's an
• 28:16
  Speaker 2: English word for it like, yeah, I can't remember what
• 28:18
  Speaker 2: it is. The fear of clowns. Yeah, I didn't realize
• 28:21
  Speaker 2: I was scared of clown
• 28:22
  Speaker 2: until I saw Ronald mcdonald. And then recently there was
• 28:27
  Speaker 2: a Halloween party where little child dress as clown and
• 28:30
  Speaker 2: I was standing like 10 ft away and I was
• 28:33
  Speaker 2: just staring at him was no, sorry. Before we continue.
• 28:37
  Speaker 2: Donal mcdonald, I thought it would be quite creepy or maybe,
• 28:41
  Speaker 2: but I thought you were gonna say like w from it. Oh, that's,
• 28:45
  Speaker 2: I think that one is like not on the incredible scale, right?
• 28:48
  Speaker 2: Is like, that's a 10 plus plus.
• 28:52
  Speaker 2: Yeah. So I guess you can't go to Nevada. Apparently
• 28:56
  Speaker 2: in Nevada. There is a clown theme hotel. You,
• 29:01
  Speaker 2: and it's a doubt America's scariest motel. And then, and, and,
• 29:05
  Speaker 2: and the best part right next to a cemetery.
• 29:10
  Speaker 1: Are you serious? You can't get creepier than
• 29:13
  Speaker 2: that? Some dark tourism thing.
• 29:16
  Speaker 1: Can you imagine if they just got everyone who had
• 29:19
  Speaker 1: that phobia and just threw them into that hotel game show.
• 29:22
  Speaker 1: A game show? Yeah, that, that's a game show. That's
• 29:25
  Speaker 1: a game that I would watch That.
• 29:27
  Speaker 2: I feel so bad for those contestants. I would watch it.
• 29:30
  Speaker 2: Sign me up. It's a bit late. You've already told us, man,
• 29:35
  Speaker 2: there was one more big fact that one power down.
• 29:39
  Speaker 2: All right. So thank you so much for joining us again.
• 29:42
  Speaker 2: And thank you to all of you out there for
• 29:44
  Speaker 2: tuning into Tales From Incredible Tales. New episodes go up
• 29:48
  Speaker 2: every Thursday evening on youtube and we watch and on
• 29:51
  Speaker 2: podcast platforms such as me, listen, Spotify and Apple
• 29:55
  Speaker 1: Podcast. My name is Art.
• 29:58
  Speaker 2: My name is Wayne. My name is Kyle. My name
• 30:01
  Speaker 2: is Ryan and we'll see you next time
• 30:04
  Speaker 2: Tales From Incredible Tales was hosted by Raihan Jacob Wayne
• 30:08
  Speaker 2: Rey and Carl Ong with special guest art directed and
• 30:12
  Speaker 2: produced by Carl Ong, written by Wayne re assistant director
• 30:16
  Speaker 2: Jin Sin Wei, director of photography, Sherwin Chua Gaffer, Jonathan Chan,
• 30:22
  Speaker 2: art director Jolene Lim Sound by Audrey Lee
• 30:27
  Speaker 2: hair and makeup by Bino Lim.
• 30:30
  Speaker 2: Behind the scenes, footage shot by Bernard Lee. Production assistant,
• 30:34
  Speaker 2: Jasmine Tan Studio support by Citrus post production by Fudge
• 30:41
  Speaker 2: motion graphics by Jolene Lim. Special thanks to Danny Cory
• 30:45
  Speaker 2: from media Corp Tales from Incredible Tales is a production
• 30:49
  Speaker 2: of Hunt Two and Media Corp. Follow the podcast on
• 30:53
  Speaker 2: the me listen app, Spotify, Apple podcast, Google podcast and youtube.
• 30:58
  Speaker 2: Thank you for listening.