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BOOK CLUB: THE HOUSEMAID (CHAPTERS 1-10) · Relatables

0:00
Speaker 1: Coming up on Relatables Baddie's book Club.
0:03
Speaker 2: In my head, whenever she mentioned someone's handsome, I'm like,
0:06
Speaker 2: they got a fuck.
0:08
Speaker 1: Yes, that's what I think, exactly what I think.
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Speaker 3: Even that is exactly what every time she says something
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Speaker 3: about strong arms, like people don't like you can look
0:18
Speaker 3: at someone and say he's strong as fuck and actually
0:20
Speaker 3: not want to fuck him, but we're ruined from the Akatar.
0:26
Speaker 3: Welcome to Relatables Baddies book Club, where we will embark
0:30
Speaker 3: on a journey reading some of the finest pieces of
0:32
Speaker 3: literature you have ever laid eyes or he is, if.
0:35
Speaker 1: That's your preferred way to consume a book on.
0:39
Speaker 3: Baddies. The housemade chapters one to ten.
0:45
Speaker 1: Short, very short. I read five.
0:48
Speaker 3: I read all ten chapters yesterday, short and sweet, and
0:51
Speaker 3: I read I've read five chapters as soon as I
0:52
Speaker 3: woke up, and then I was like, okay, I'll just
0:54
Speaker 3: read the ten chapters before I go to bed.
0:56
Speaker 1: And then I was doing stuff. Got to about.
0:58
Speaker 3: Nine and I was like, oh wait, I read those
1:00
Speaker 3: chapters yet, and I was kind of like fuck wit
1:02
Speaker 3: started quickly reading.
1:03
Speaker 1: Twenty minutes later, I was thinking, let's go.
1:07
Speaker 2: Yeah, it's definitely different to what we're used to. Yeah,
1:11
Speaker 2: very very different. I'm liking it. It's an easy read.
1:15
Speaker 2: That's the word easy.
1:17
Speaker 3: I am going to say jarring, particularly only from one
1:22
Speaker 3: character though.
1:23
Speaker 2: That is jarring. Yeah, yeah, how it's all from like
1:26
Speaker 2: her pov.
1:28
Speaker 1: Just but what jars me is just.
1:33
Speaker 3: The way that one of the characters, like that Nina is.
1:37
Speaker 4: Yeah.
1:38
Speaker 3: I listen to the audio two and is it drum
1:41
Speaker 3: tized just like audiobook.
1:44
Speaker 2: Audiobook and she voices every character I think, but her
1:47
Speaker 2: long Island accent is annoying. How could I try and do?
1:52
Speaker 2: It's like I was locked in my room. I locked
1:57
Speaker 2: in my room.
1:58
Speaker 1: Oh oh my god.
2:01
Speaker 2: I heard it for me a little bit, but I
2:02
Speaker 2: was like, oh, it's authentic.
2:04
Speaker 1: Yeah, so we've got.
2:06
Speaker 3: The book is in a very short sense, clearly about Millie,
2:12
Speaker 3: who is an ex con who has been out of jail.
2:16
Speaker 3: She was there for ten years, so we don't know
2:18
Speaker 3: why she went yet.
2:19
Speaker 2: She was there since he was seventeen seventeen.
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Speaker 3: She's twenty seven now, and she was living in her car.
2:26
Speaker 3: Had an interview at this house to be a Livian housemaid,
2:30
Speaker 3: and she got it right. And so she's living at
2:35
Speaker 3: this house family of three Nina Cecilia the daughter, Andrew
2:38
Speaker 3: the father. Okay, so the very beginning of the first
2:44
Speaker 3: page talks about she's sitting on a lounge and there's
2:47
Speaker 3: a police officer talking to her.
2:49
Speaker 2: They did the classic thing where it's like they give
2:51
Speaker 2: you a teaser, the juicy bit, and then it goes to.
2:54
Speaker 4: Three months earlier.
2:55
Speaker 3: Yeah, it's like, get creative. I was like, it is
3:00
Speaker 3: what it is, Yeah, exactly. I guess you're right. So
3:05
Speaker 3: I want to give a quick recap of the ten chapters,
3:09
Speaker 3: not in as much depth as we've been doing. So
3:12
Speaker 3: quick recap we can go together because I always do
3:15
Speaker 3: the recax. But first I do want to say, firstly,
3:20
Speaker 3: different genre. I'm kind of liking it because this is
3:23
Speaker 3: actually somewhat realistic.
3:25
Speaker 1: Yeah, I didn't think.
3:26
Speaker 2: Of it like that in my head. Whenever she mentioned
3:29
Speaker 2: someone's handsome, I'm like, they got a fuck. Yes, that's
3:33
Speaker 2: what I think.
3:34
Speaker 1: Exactly what I think.
3:35
Speaker 3: Even that is exactly what every time she says something
3:38
Speaker 3: about strong arms, like people don't like you can look
3:42
Speaker 3: at someone and say he's strong as fuck and actually
3:44
Speaker 3: not want to fuck him.
3:46
Speaker 1: But we're ruined from the Akatar.
3:51
Speaker 2: Man Jake. We're messaging during the week. I said, we're
3:53
Speaker 2: talking about the book, what we're going to do for this,
3:55
Speaker 2: And I was like, just out of curiosity, are there
3:57
Speaker 2: any sexy scenes in it?
3:58
Speaker 1: Yeah?
3:58
Speaker 2: And he's auto correct changed, isn't it is?
4:02
Speaker 1: Yes? And I was like yes, and then I had
4:04
Speaker 1: to break his bubble and be like, no, sorry, there
4:06
Speaker 1: actually isn't.
4:07
Speaker 2: I was thinking ends out of the Garden and she's
4:09
Speaker 2: going to get it okay.
4:11
Speaker 3: But we start off she's she's had an interview at
4:15
Speaker 3: this house.
4:16
Speaker 1: Nina is the wife.
4:18
Speaker 3: She's obviously owns the house, beautiful house in Long Island
4:20
Speaker 3: in New York, and Milly is there.
4:24
Speaker 1: She's kind of just chatting.
4:26
Speaker 3: She's never been a maid, and she's also just like,
4:29
Speaker 3: I'm pretty sure she's made up her resume and shit,
4:30
Speaker 3: she hasn't told anyone she was in.
4:31
Speaker 1: Prison and we don't even know at this point. But
4:35
Speaker 1: interview goes pretty well. She likes Nina.
4:38
Speaker 3: She goes away and she gets a phone call from
4:42
Speaker 3: another interview she went and had at this place called
4:44
Speaker 3: munch Burger. They're like sorry and usually higher REX cons Yeah,
4:48
Speaker 3: She's like I looked into him, like the higher X
4:50
Speaker 3: cons and shit. But you know, they go, sorry to
4:53
Speaker 3: let you know we're a different direction. We wish you
4:56
Speaker 3: all the best, and she's like yeah, cool. Not even
4:58
Speaker 3: two seconds later, phone call. She's using a little Bona
5:00
Speaker 3: phone by the way, when those little ones from Colds
5:02
Speaker 3: or the top of Market and and it's Nina and.
5:06
Speaker 1: She's like, girl, you're hired. Losing her mind.
5:10
Speaker 3: She says thank you so much. She's like, when can
5:11
Speaker 3: you start? And she's like, I don't want to fucking
5:14
Speaker 3: admit to Nina. I live in my car. She goes, well,
5:16
Speaker 3: I can start tomorrow. And Nina's like, what about your
5:18
Speaker 3: stuff and just like have a quick pack up.
5:20
Speaker 4: Yeah.
5:20
Speaker 1: I was like, fuck they okay.
5:23
Speaker 2: So immediately thought Nina was a red flag though yeah bro,
5:27
Speaker 2: oh my god, Like the way she was acting, I
5:29
Speaker 2: was like, oh, this like you're saying it was realistic
5:33
Speaker 2: before really highlighted the decisions people make when they need
5:40
Speaker 2: they need spot. Yeah, they don't have many decisions there,
5:43
Speaker 2: so they have to make it work.
5:45
Speaker 3: True.
5:45
Speaker 1: Yeah, Like she actually doesn't doesn't have a choice.
5:47
Speaker 3: Yeah, exactly, Like this is all she's just got and
5:49
Speaker 3: she mentions that a lot like so during the interview
5:51
Speaker 3: with Nina. She goes, Nina gives her a tour of
5:55
Speaker 3: the house. Beautiful downstairs. They go upstairs, beautiful master bedroom,
5:59
Speaker 3: beautiful bedroom for the kid. They've got a massive spare
6:02
Speaker 3: room in a home theater, like massive TV and shit
6:06
Speaker 3: in there. And then she goes, and this is where
6:08
Speaker 3: you'll be staying if you get the job. They go
6:12
Speaker 3: up into the attic. She goes, we have a fully
6:14
Speaker 3: furnished attic. She goes up there and takes her into
6:17
Speaker 3: this fucking tiny little what used to be like a
6:21
Speaker 3: broom closet, and I'm thinking, like Harry Potter starts out
6:24
Speaker 3: and she's in there, and Nina's like.
6:27
Speaker 1: Okay, yeah, yeah, yeah, and she goes, yeah, I know,
6:28
Speaker 1: I'm sorry. It's small.
6:30
Speaker 3: And they have a spare bedroom in the house, and
6:31
Speaker 3: they have a full spare room in their house, and
6:33
Speaker 3: Nina's and Millie keeps saying to herself, of course, you know,
6:35
Speaker 3: they probably don't want to give me the live in help,
6:38
Speaker 3: like the spare room.
6:39
Speaker 1: Grubby old me, grubby old me.
6:41
Speaker 3: And and so she goes in and she says, as
6:46
Speaker 3: soon as she walks in that room, she just gets
6:48
Speaker 3: her just disturbing feeling about it. And I was like,
6:52
Speaker 3: I need to not pick this story apart, right, But
6:56
Speaker 3: again I was gonna say, obviously you would just leave
6:59
Speaker 3: and not go back, but.
7:00
Speaker 1: Of but again, she's desperate. She sleeps in the back
7:04
Speaker 1: of a niss.
7:04
Speaker 2: And then she's what felt discussing about it was the
7:07
Speaker 2: lock to the door was on the outside.
7:09
Speaker 1: Yeah, So she's like, what's so weird about this?
7:12
Speaker 3: And she couldn't put a finger on it, and then
7:15
Speaker 3: that's when she and so then she leaves a week later,
7:19
Speaker 3: gets denied from munch Burger, gets accepted by Nina. She
7:23
Speaker 3: goes back and she's got her bags and then he
7:24
Speaker 3: goes a right, let's go take your bags upstairs. She
7:26
Speaker 3: first of all walks into the house a week later,
7:29
Speaker 3: pig sty it was immaculate and it's now fucked up.
7:33
Speaker 3: She's like, what the fuck happened in here? She goes upstairs,
7:37
Speaker 3: puts her bags down. She says, I finally realize what
7:39
Speaker 3: makes this room so disturbing. The lock is on the outside.
7:43
Speaker 3: And she says to Nina, why is the lock on
7:45
Speaker 3: the outside?
7:47
Speaker 1: You speak closet. I don't even notice, Like I didn't
7:49
Speaker 1: know that you.
7:50
Speaker 3: Speak closet, red flag, You know we you know it
7:53
Speaker 3: makes sense to lock a closet and then does it.
7:56
Speaker 3: She also she notices on the back of the door
8:00
Speaker 3: marks on the timber, and she's like gaslighting herself, going, oh, no,
8:05
Speaker 3: you know, I guess you know, timber cracks and timber
8:08
Speaker 3: timber moves.
8:08
Speaker 1: And stuff, and she's like, okay, what the fuck.
8:11
Speaker 3: Anyways, goes downstairs cleans up this shit. So first day
8:15
Speaker 3: she's cleaning up and I think she's finally getting to
8:19
Speaker 3: a point where it's like she said, it's fucked up.
8:21
Speaker 1: Because the point was spit clean.
8:23
Speaker 3: And then Nina comes downstairs and she's like, Cecilia, the
8:28
Speaker 3: little fucking kid comes down Before Ninni comes down, She's like,
8:31
Speaker 3: I'm hungry. She so Millie goes on, Okay, I'll make
8:35
Speaker 3: you a snack. She makes her something with peanut butter. Bitch,
8:38
Speaker 3: I'm allergic to peanut butter. You're trying to kill me.
8:41
Speaker 3: She calls to her mum and she starts crying. She's like,
8:43
Speaker 3: Millie tried to kill me. And then and then Nina goes,
8:46
Speaker 3: what the fuck, bitch, Like I told you my daughter
8:49
Speaker 3: has is deathly allergic a peanut butter. Why would give
8:51
Speaker 3: it to her, and Millie's like, oh my god, I'm
8:52
Speaker 3: so sorry. Must have slipped my mind. Obviously she didn't
8:55
Speaker 3: tell her. She's like I would remember something like that.
8:57
Speaker 3: And then she's like, why is.
8:59
Speaker 1: There peanut butter in the house.
9:00
Speaker 4: Yeah.
9:00
Speaker 1: She goes to Nina, well, I'm so sorry, Like, I'm
9:02
Speaker 1: so sorry. Let me get you some.
9:03
Speaker 3: Different you want me to throw the peanut butter out?
9:06
Speaker 3: And then Nina goes, this is this has sussed me out.
9:09
Speaker 3: Nina goes, no, no, no, we might need it.
9:11
Speaker 4: Yeah, what for bread crumbing?
9:13
Speaker 1: Are you fucking threatening this kid or some shit?
9:15
Speaker 3: Yeah?
9:15
Speaker 2: I don't know, life threatening a or she's not actually allergic?
9:19
Speaker 3: Yeah? True, Like Nina seems to be not right in
9:22
Speaker 3: the head. Bro, she's possessed. This is called is it
9:24
Speaker 3: called a psychological thriller?
9:26
Speaker 4: Yeah? Yeah.
9:27
Speaker 1: She's like, fucking we've been taken on a ride.
9:29
Speaker 2: She she's talking to like the devil a she's doing
9:32
Speaker 2: something we've been We've been.
9:33
Speaker 1: Taking on a ride.
9:35
Speaker 3: So uh.
9:36
Speaker 1: And then Nina goes, well, you're you gonna make his dinner.
9:38
Speaker 3: Or what.
9:40
Speaker 2: She's got like bipola. She's like randomly really really nice
9:43
Speaker 2: and sweet and like offering all these things, and then.
9:44
Speaker 3: She's like, you take take us for granted. Yeah, yeah, yeah,
9:48
Speaker 3: She's like, don't don't take my curdness for granted. And
9:50
Speaker 3: she's like she's such a bit sometimes so weird and
9:53
Speaker 3: it's absolutely jarring.
9:54
Speaker 2: Oh it's so daring.
9:55
Speaker 3: So she says, you're gonna makes dinner. Cool, We meet
9:59
Speaker 3: the husb and Andrew. He comes home while dinner's being cooked. Oh,
10:03
Speaker 3: this smells amazing, Like, oh, Millie, you must be Milli.
10:06
Speaker 3: Nina jealous as fuck. Yeah, straight less of Millie straight
10:11
Speaker 3: away because Millie young, petite, size six.
10:15
Speaker 1: We find out in dresses and something.
10:17
Speaker 3: I think that must be mean small, and you know,
10:19
Speaker 3: Andrew's like kind of having a laugh at her.
10:21
Speaker 1: Being you know, nice.
10:22
Speaker 3: Nina's just like gets this, fucking I'm gonna kill you.
10:26
Speaker 3: Look at her, right, she looks at Millie. If Andrew's
10:28
Speaker 3: in the room and Millie's in the room, Nina's looking
10:30
Speaker 3: at Milli like, get on your fucking And we didn't
10:32
Speaker 3: mention Andrew's hot.
10:34
Speaker 1: Andrew's a baddie.
10:34
Speaker 2: I was picturing Andrew Huberman.
10:39
Speaker 3: I've seen a trailer, I've seen I've seen a TikTok
10:42
Speaker 3: with the characters. So I'm picturing who the character.
10:44
Speaker 4: From the actual movies.
10:45
Speaker 3: Okay, i'll show you after this, and we'll show the baddies.
10:47
Speaker 3: So a few more days go by, and then one
10:52
Speaker 3: morning she wakes up. Nina's in the kitchen, She's throwing
10:56
Speaker 3: everything out of the fringe, making an absolute mess.
10:59
Speaker 1: She Millie comes down, She's like, what's good, what's happening?
11:02
Speaker 1: What's good? What's going on?
11:04
Speaker 3: And Nina's going where is it? And Milly's like what.
11:08
Speaker 3: She's like, where are my PTA meeting? Like my Parent
11:12
Speaker 3: Teacher Association meeting? Notes that I spent hours writing you
11:16
Speaker 3: threw them out? Where are they?
11:18
Speaker 1: And Millie's like, I didn't touch them?
11:20
Speaker 3: Al so why would it be in the free She's like,
11:23
Speaker 3: first of all, why would they be in the fridge?
11:25
Speaker 1: And second well I didn't touch them.
11:28
Speaker 3: And then Millie again she gaslights herself because she needs
11:30
Speaker 3: this job so bad and she's so desperate. She gaslights herself,
11:33
Speaker 3: being like, maybe you know, there was a chance, Like
11:35
Speaker 3: she's in her head in a monologue, She's like, maybe
11:37
Speaker 3: there was a chance of there was a crumpled up
11:40
Speaker 3: piece paper during that mess the other day, and I
11:42
Speaker 3: checked it out so all she does is she just
11:44
Speaker 3: Andrew comes down.
11:46
Speaker 1: He's like, Nina, what's going on? She crying?
11:48
Speaker 3: She goes, she's like a kid bro. She like goes
11:51
Speaker 3: and hugs Andrew gets like snot all over his fucking worksuit.
11:53
Speaker 3: She's like, Milly threw out my PTA meeting notes.
11:56
Speaker 4: Just blame it.
11:56
Speaker 3: And then and he's like, oh, well, you know you
11:58
Speaker 3: sayd them on your computer, and she goes, yeah, some
12:00
Speaker 3: of them, but I have to redo a lot of them.
12:01
Speaker 3: And so she bugs off and Andrew's like, no, Millie says,
12:06
Speaker 3: I'm so sorry. I swear I didn't. He goes, no,
12:09
Speaker 3: I know, I know. She's like, nice, I actually didn't.
12:11
Speaker 3: And he's like, no, trust me, I know. And I
12:14
Speaker 3: was like he's there, and he goes. He goes, yeah, Nina, she's.
12:17
Speaker 2: He's almost too much of a green flag.
12:19
Speaker 1: Yeah yeah, Yeah, it's sexy.
12:21
Speaker 3: Yeah, it's sexy to a point where it's like, are
12:23
Speaker 3: you manipulating us? So he goes, yeah, Nina is high strung,
12:28
Speaker 3: you know, but she's but she is. She's a very
12:31
Speaker 3: good person half and so I'm kind of thinking like okay, okay.
12:35
Speaker 3: He helps her clean up a bit, and she's kind
12:36
Speaker 3: of like because he's clearly had to do this for
12:38
Speaker 3: a long time.
12:40
Speaker 1: And she notices that she's like.
12:41
Speaker 3: Andrew fucking he knows his way around that cleaning closet.
12:44
Speaker 3: Let me tell you, it's clear he's done this a
12:46
Speaker 3: fair few times. So now Millie's going to go shopping.
12:50
Speaker 3: And she goes shopping because Nina throws the food on
12:53
Speaker 3: the ground. She comes back and, oh, we.
12:56
Speaker 1: Didn't, did we mention Enzo yet?
12:58
Speaker 4: Now? And then no, we didn't.
12:59
Speaker 2: We sort of to make you jay at the start
13:01
Speaker 2: when she couldn't get in sexy gardener doesn't speak English.
13:03
Speaker 3: Yeah, sexy gardens speak English. And he said something in
13:06
Speaker 3: Italian to her like pera coola and she translated it,
13:09
Speaker 3: translated it on her phone and it means danger.
13:11
Speaker 4: Because she hasn't translated yet.
13:13
Speaker 3: Yeah, she has by this time because Nina. She translates
13:15
Speaker 3: it straight away because sorry, I forgot to say it.
13:17
Speaker 3: Because Nina gave Mellly an iPhone, she goes, if you're
13:20
Speaker 3: going to be taking my kid places, if I need
13:23
Speaker 3: you to take my kid places, I want you to.
13:24
Speaker 4: Have a reliable phone.
13:25
Speaker 3: So she gives her an iPhone, loads her credit card
13:26
Speaker 3: onto it, and everything Like, Nina's nice as fuck but
13:28
Speaker 3: also a bitch.
13:30
Speaker 1: And so.
13:32
Speaker 3: Yeah, she looks up what paracolo means in English and
13:34
Speaker 3: it means danger and Enzo's trying to warn her clearly.
13:36
Speaker 1: So keep that in mind, guys, listen to the Sexy Guarden.
13:39
Speaker 3: Yeah, a few days later, goes and gets groceries, comes back,
13:42
Speaker 3: and Enzo notices she's struggling, and so he comes and
13:45
Speaker 3: holds the groceries for her, goes inside and like puts
13:48
Speaker 3: them on account for her. And he's like about to
13:51
Speaker 3: try and say something, and she's trying to say like
13:54
Speaker 3: grassyas or whatever. I'm pretty sure it's Spanish, and he's like, no, no, gratzy,
13:57
Speaker 3: like what.
13:59
Speaker 1: And so he then hears Nina coming and he bugs off.
14:03
Speaker 3: He's scared of Nina clearly, and so then she's like
14:06
Speaker 3: what and Nina comes down, She's like.
14:08
Speaker 1: I heard voices.
14:09
Speaker 3: You know, really, if you're gonna have guests over, I
14:12
Speaker 3: expect you to ask us and I expect two days
14:14
Speaker 3: advanced notice. And I was like and she goes, no, no, no,
14:17
Speaker 3: it was just Enzo the landscape and she goes, Enzo
14:19
Speaker 3: was in the house. Do not let that man in
14:21
Speaker 3: my house again. He's disgusting, and then Millie's like, what
14:25
Speaker 3: the fuck?
14:25
Speaker 2: Okay, an a fair.
14:28
Speaker 1: A all right, we'll get to predictions after this, So.
14:33
Speaker 3: Yeah, I don't know.
14:35
Speaker 4: We go. She goes to the PTA meeting.
14:37
Speaker 1: She goes to the PTA meeting.
14:39
Speaker 3: One of the first nights that Millie spends in there,
14:42
Speaker 3: she wakes up at three am to go take a pierce.
14:45
Speaker 1: She goes to try and unlock.
14:47
Speaker 3: The door doesn't budge, and she's like, oh my fucking god,
14:49
Speaker 3: they locked me in, and then she starts saying like
14:51
Speaker 3: that's why there's scratch marks. Who was the poor soul
14:53
Speaker 3: that was in here before me. She goes to try
14:55
Speaker 3: again and it was just stuck. So she's getting in
14:57
Speaker 3: her own head.
14:57
Speaker 2: She's scared, and the window doesn't open either.
14:59
Speaker 1: The window does open, whatevers.
15:01
Speaker 3: So Nina PTA meeting gorne Sky's Cecilia has come down.
15:07
Speaker 1: She's up in her room or whatever.
15:08
Speaker 4: Sorry.
15:09
Speaker 3: Andrew comes home and she's cooking dinner, nice steaks. Andrew's like,
15:12
Speaker 3: oh my god, once again, Millie, this smells amazing, and
15:15
Speaker 3: she's like, stop complimenting me, because I will sit on
15:17
Speaker 3: your face. So he calls Cecilia down. She puts a
15:21
Speaker 3: steak in front of her, and Cecilia is like, first
15:24
Speaker 3: of all, why is there class of water in front
15:26
Speaker 3: of me? I hate water? I hate Get me an
15:30
Speaker 3: apple juice. Millie gets her an apple juice. Millie, this grass,
15:34
Speaker 3: this glass is dirty, Give me a new one.
15:38
Speaker 1: I fucking hate this kid.
15:40
Speaker 2: Rich kids, man, rich kids, hate this kid entitled.
15:44
Speaker 3: Andrew's like, girl, you should try a steak. Cecilia is
15:47
Speaker 3: like nah, So Andrew goes, all right, I'll make.
15:50
Speaker 1: You some nuggets. And then Andrew the smooth fucking criminal,
15:54
Speaker 1: he goes.
15:55
Speaker 3: To Milly like, here, if you're gonna be, if you're
15:58
Speaker 3: gonna be living with us, look better to teach you
16:00
Speaker 3: how to make her nuggets because all this money spents
16:02
Speaker 3: in our kitchen and all she's going to eat is
16:04
Speaker 3: something out of a microwave.
16:05
Speaker 1: Teaches are how to make the.
16:06
Speaker 3: Nuggets and stuff. And then I don't know, she just
16:09
Speaker 3: talks about like seeing the chest hairs come out and
16:12
Speaker 3: just has sexy andrew is and stuff.
16:15
Speaker 1: And then next day.
16:17
Speaker 2: We know she's they mentioned. Andrew says do you want
16:20
Speaker 2: to eat with us? And yeah, and then Millie goes, no,
16:22
Speaker 2: that would be appropriate. I don't think Nina would like
16:25
Speaker 2: that if she comes home what she would think.
16:27
Speaker 4: And then Andrew's like, oh, you're right.
16:29
Speaker 2: It doesn't really like say, it doesn't really fight.
16:30
Speaker 4: So he's like, oh, maybe she's toxic. Yeah, yeah, yeah yeah.
16:33
Speaker 3: So next day she comes down and Nina is in
16:38
Speaker 3: the living room with a massive garbage bag on the lounge.
16:41
Speaker 3: Emillie's just thinking, oh my god, what is your me
16:43
Speaker 3: to do? You sort the fucking rubbish color coded eight
16:45
Speaker 3: his e type shit. She goes down and she's like, Millie,
16:48
Speaker 3: is that you goes, ah, I was going through my
16:52
Speaker 3: closet and I've got these I'm a few size is
16:55
Speaker 3: too big for these dresses, you know, I just want
16:58
Speaker 3: to see if you could, can you please take these
16:59
Speaker 3: two the donation and she goes, actually, hold on, what
17:01
Speaker 3: size are you? And she's like, I'm six to eight.
17:05
Speaker 3: She's like, oh my god, these are all six to eight?
17:07
Speaker 3: How about you have them?
17:08
Speaker 1: You don't have any nice clothes. I was like whoa
17:11
Speaker 1: shots fired.
17:13
Speaker 2: Backhanded, confident, Yeah, did you have them?
17:17
Speaker 3: She's right? And then and then Millie goes, oh my god,
17:20
Speaker 3: like thank you so so much. Please, like, if you
17:24
Speaker 3: let me know if the second you want them back,
17:25
Speaker 3: please let me know, like I'll give them right back.
17:27
Speaker 1: And she goes, oh no, no, trust me.
17:28
Speaker 3: I don't think I'll be going down to those sizes
17:30
Speaker 3: anytime soon, especially with the baby.
17:32
Speaker 1: On the way.
17:33
Speaker 3: Milly goes, you're pregnant, and then he goes, oh no,
17:35
Speaker 3: not yet, but Andrew and I do, we do want
17:38
Speaker 3: to have another one, and we've been trying, but we
17:41
Speaker 3: have been having been successful so far, but we're gonna
17:42
Speaker 3: go see a specialist tomorrow or some shit.
17:44
Speaker 1: And Milly goes, oh, well, congrats.
17:47
Speaker 2: Didn't it say something like the underneath the chiniggles?
17:51
Speaker 3: Yeah, yeah, yeah, she laughs, yeah, yeah, yeah.
17:54
Speaker 1: She goes, whenever you want these back.
17:55
Speaker 4: Let me know.
17:56
Speaker 3: And then and then fucking what's he? Nina laughs and
18:00
Speaker 3: she's like when she laughed, the fat under her chin
18:02
Speaker 3: just fucking like jiggled, and so.
18:05
Speaker 1: I think that was it. Yeah, and then yeah, one
18:09
Speaker 1: more thing.
18:10
Speaker 3: She gives her the clothes and she's all happy, go lucky,
18:13
Speaker 3: and then she goes, really, I just give to do
18:16
Speaker 3: some clothes.
18:16
Speaker 1: Don't leave the garbage bag on the fucking floor. That's
18:18
Speaker 1: bad manners.
18:19
Speaker 3: And Millie's like, oh, sorry, like what it's actually the
18:22
Speaker 3: most insanely jarring thing I've experienced.
18:24
Speaker 1: All Right, so let's go into proper thoughts and feelings.
18:29
Speaker 4: Now.
18:29
Speaker 3: I know we did a little bit while we were
18:30
Speaker 3: talking about that, but look, how are you feeling.
18:34
Speaker 4: I'm feeling good.
18:35
Speaker 2: I'm enjoying it. It's definitely one of those only comparison
18:40
Speaker 2: I've got is when you're watching a scary movie or
18:42
Speaker 2: TV show and you don't really want to watch, but
18:46
Speaker 2: you need to know what happens. It's giving that.
18:48
Speaker 3: Yeah, I'm like not wanting to read because of all
18:51
Speaker 3: the things that are happening, and I know something is
18:52
Speaker 3: inevitably going to happen.
18:54
Speaker 4: Yeah, but it's like you're an.
18:56
Speaker 2: Idiot, like, look at all these signs, but no feeling
18:59
Speaker 2: really good. Also, it's a very different reading reading, very
19:03
Speaker 2: different writing style to Sarah J.
19:05
Speaker 4: Mass. Yeah, very very different.
19:07
Speaker 2: I would say it's more structured maybe.
19:11
Speaker 1: Yeah.
19:11
Speaker 3: It's also more of just a I want to say,
19:16
Speaker 3: is the right word, like a straight line story?
19:19
Speaker 1: Is that the right word?
19:20
Speaker 4: It's linear?
19:21
Speaker 1: Maybe a little more linear. J.
19:22
Speaker 4: Mass was non millennial.
19:23
Speaker 3: I don't even know if that's right. Basically, what I'm
19:25
Speaker 3: trying to say is Sarah J. Mass like it's a
19:28
Speaker 3: slow burn kinder, like they really were quite slow burns. Yeah,
19:33
Speaker 3: even though like a lot was happening, but still it's
19:34
Speaker 3: like very long, a lot of world building.
19:39
Speaker 1: Sarah J.
19:39
Speaker 3: Mass actually is like a very good world builder, I've
19:41
Speaker 3: discovered because in this the whole world is the house.
19:45
Speaker 4: Yeah.
19:46
Speaker 2: So, and I guess it's already playing on the fact
19:49
Speaker 2: that you know what a house is like and what
19:51
Speaker 2: the world's like.
19:52
Speaker 4: Yeah, because it's in Long Island.
19:54
Speaker 3: Yeah, and you can and we get a bit of
19:55
Speaker 3: a description of the house and stuff, and like I
19:57
Speaker 3: can picture in my head what I think it looks
19:59
Speaker 3: like gated innegated community.
20:01
Speaker 2: I'm kind of glad I haven't seen the cast yet
20:03
Speaker 2: because I'm completely like opening to my own thoughts.
20:07
Speaker 3: I want to dive into Nina. I genuinely think Nina
20:12
Speaker 3: has mental health problems probably and she is, like I
20:20
Speaker 3: think she has something on Andrew.
20:25
Speaker 4: I want to keep him like this maybe.
20:27
Speaker 3: Okay, actually backtrack, So Nina mental health issues right, like
20:33
Speaker 3: proper Yeah.
20:34
Speaker 4: And I think it's ones that she's in denial about.
20:38
Speaker 2: Hell yeah, she's like maybe Andrew tried to get her
20:40
Speaker 2: help at one point and it just didn't work.
20:42
Speaker 3: Okay, okay, Yeah, so that's my thoughts on Nina. I'm
20:45
Speaker 3: not going very deep into Nina. She pisses me off,
20:48
Speaker 3: ce Cilia. I think that she's like this because of
20:50
Speaker 3: her mother.
20:51
Speaker 4: Agreed.
20:51
Speaker 1: Obviously, Andrew just goes to work all the time.
20:53
Speaker 3: Right, anytimes it perfectly. Times are perfectly all the time.
20:56
Speaker 3: I reckon he sits in his car down the street
20:58
Speaker 3: to be ready, right.
21:00
Speaker 2: It smells that steak and then.
21:02
Speaker 3: Millie, I think I liked the bread crumbing of We
21:09
Speaker 3: don't know what she did and why she was in
21:11
Speaker 3: prison for ten years.
21:12
Speaker 1: That's a long time. Couldn't have been murder. Her parents
21:15
Speaker 1: have completely cut her off.
21:17
Speaker 2: Seventeen Yeah, what should we speculate she did?
21:19
Speaker 1: She was seventeen and she went to prison for ten years?
21:22
Speaker 4: Ten years? What do you have for ten year sentence?
21:26
Speaker 1: Like, I don't know, arson and robbery or some shit.
21:29
Speaker 4: Yeah, what do you get? Fun?
21:31
Speaker 2: But it's giving. She killed someone, but she was probably
21:33
Speaker 2: trialed as a minor, so she got ten years.
21:36
Speaker 3: I think you're right. I think she's killed someone. Yeah,
21:38
Speaker 3: because I was. I was going to say the seventeen
21:39
Speaker 3: thing is what's making me believe that now?
21:41
Speaker 2: Because how the book started to I also immediately thought
21:44
Speaker 2: when the peanut butter scene came, I was like, oh,
21:47
Speaker 2: she's going to accidentally kill a peanut butter later down
21:49
Speaker 2: the line, and that could be a little teaser to
21:52
Speaker 2: what it was and that she thinks she kills.
21:55
Speaker 3: Okay, m Andrew, Yeah, I think that Nina is crazy
22:02
Speaker 3: because of him.
22:03
Speaker 2: Because of him.
22:04
Speaker 3: Yeah, he's giving, charming, you know, goes to work, makes
22:10
Speaker 3: the money. In front of guests, He's charming. He's great
22:14
Speaker 3: to Cecilia. He's like always very nice to Nina. But
22:19
Speaker 3: I think that the reason Nina is sometimes hot and
22:24
Speaker 3: cold with Millie is because what she gets from Andrew
22:29
Speaker 3: is hot and coldness. So in front of people, like
22:33
Speaker 3: she dotes on Andrew, right, so she loves Andrew. Nina
22:36
Speaker 3: loves Andrew in front of people. He's very like Nina,
22:40
Speaker 3: my love, you know, happy front, putting on a facade.
22:44
Speaker 3: I think once they're behind closed doors, like he makes
22:47
Speaker 3: her beg for it type of shit. That's what I think. Okay,
22:50
Speaker 3: I think he's got a bad.
22:52
Speaker 2: Side, Yeah, I can see that. And Enzo ense we
22:57
Speaker 2: don't know much about Enzo. He said danger and he's
23:01
Speaker 2: also tatted up got massive biceps the size of yeah,
23:08
Speaker 2: her thighs and could kill her if you wanted to apparently. Yeah,
23:12
Speaker 2: but she also said looks like he's good in the bedroom.
23:16
Speaker 3: She did say she wants to fuck him.
23:18
Speaker 4: Yeah.
23:18
Speaker 2: She said she hasn't had sex since before presion, which
23:21
Speaker 2: makes sense. Yeah, there's only stupid youth sex too, teenage sex.
23:26
Speaker 2: I'm thinking he's trapped there for some reason. Same, he
23:29
Speaker 2: can't leave, same because they have something on. I reckon
23:32
Speaker 2: maybe they have a family member trapped somewhere in the
23:35
Speaker 2: basement or something. And like one of his relatives.
23:39
Speaker 4: Used to be the housemaid.
23:40
Speaker 2: But also they said, but they said Andrews said, we'd
23:43
Speaker 2: never had a housemaid before, never had to live in. Yeah,
23:46
Speaker 2: a live in. But that also was kind of suss
23:47
Speaker 2: to me because they're so rich and she's got so
23:49
Speaker 2: many issues.
23:50
Speaker 1: I reckon that was a lie.
23:51
Speaker 2: Yeah, that was like a little bit of breadcrumbing with
23:53
Speaker 2: a lie. And like he said that because the other
23:55
Speaker 2: ones downstairs or something.
23:57
Speaker 3: Okay, would you like to go into prediction? Okay, Yeah,
24:01
Speaker 3: so we're gonna get some predictions there. Yeah, Okay, I
24:04
Speaker 3: think that based off that, I think that what's going
24:07
Speaker 3: to happen is the the reason that they have hired
24:15
Speaker 3: Millie is because either Andrew or Nina murdered their last help. Okay,
24:24
Speaker 3: actually Cecilia did it. She's crazy, bro. Cecilia murdered the
24:30
Speaker 3: last live in maid. All right, the last of it
24:33
Speaker 3: made is currently a kid, bro just my prediction. So
24:37
Speaker 3: Cecilia killed the last living maid. Yeah, the last living
24:40
Speaker 3: maid is currently in the basement or something, right, And
24:44
Speaker 3: they hired merely because they know she's an next con
24:49
Speaker 3: and they know they can frame her because I have
24:52
Speaker 3: a feeling she's probably was in You're right jail for murder,
24:56
Speaker 3: but she got tried as a young as a minor
24:57
Speaker 3: because she was seventeen. And what they're doing is they're
25:02
Speaker 3: slowly integrating her into the house, right, and they are
25:08
Speaker 3: going to frame her for the murder, okay, and the
25:14
Speaker 3: police are going to believe them over of a Millie
25:17
Speaker 3: of course, because she's an ex con also an ex murderer,
25:21
Speaker 3: and you know they get to yeah, okay, that's what
25:25
Speaker 3: that's what I think. Okay, different Okay. And the reason
25:28
Speaker 3: Enzo is not saying anything and not saying that Andrew
25:32
Speaker 3: and that murdered the previous live in Maid is because
25:38
Speaker 3: they have something on him. Okay, screen card or some shit,
25:41
Speaker 3: I don't.
25:41
Speaker 2: Know, Okay, Okay, so my prediction is vastly different. Okay, Okay,
25:46
Speaker 2: go on, So I reckon. Nina really wants kids, Andrew's infertile,
25:55
Speaker 2: so Cecilia is actually Enzo's daughter, and the last Maid
26:01
Speaker 2: found out, so Nina had to kill the last Maid,
26:04
Speaker 2: the living Maid, and that's why she hates and resents
26:07
Speaker 2: Enzo so much because she can't tell anyone. And they're
26:10
Speaker 2: trying to have another kid with Andrew and then it
26:13
Speaker 2: is not working. So Millie's going to walk in on
26:16
Speaker 2: Nina and Enzo doing it to make the second kid,
26:19
Speaker 2: and she finds out and then she's just gonna and
26:21
Speaker 2: then Nina's going to try and kill Millie for finding
26:24
Speaker 2: out that she's trying to have a second kid. And
26:25
Speaker 2: that's why Enzo's still there because he's Cecilia's dad.
26:30
Speaker 3: Ouh, my drop, Oh my god.
26:35
Speaker 1: That was good. Yeah, that was a good prediction.
26:38
Speaker 2: Oh wow, all right, watch me be completely wrong.
26:43
Speaker 1: I love how I invested. You already are Yeah?
26:45
Speaker 3: That was so good. All right, fatties, please okay, if
26:49
Speaker 3: you've read this and more specifically, if you are reading along,
26:54
Speaker 3: how many chapters we're going to go to next week?
26:56
Speaker 1: These were short?
26:57
Speaker 2: How many in the book?
26:58
Speaker 1: Do we like these? I reckon we do ten again?
27:00
Speaker 2: Yeah, and let us know in this episode if you
27:02
Speaker 2: like the half an hour quicker episodes, yeah, or you
27:04
Speaker 2: want us to do twenty and do a lot more
27:05
Speaker 2: because recapping takes up majority of the time.
27:08
Speaker 1: Yeah, the recap, I talk about fifteen solid minutes.
27:10
Speaker 3: Then, because what I want, we're going to do ten
27:12
Speaker 3: episodes sorry, ten chapters again, so chapters eleven to twenty.
27:16
Speaker 1: Yeah, And what I.
27:18
Speaker 3: Want from your bodies is to send us your like
27:23
Speaker 3: as you're reading it, your voice messages, text messages on Instagram,
27:27
Speaker 3: whatever you want. Yeah, giving us your predictions, how you
27:31
Speaker 3: feel about certain situations. It's how you feel about a
27:34
Speaker 3: certain scene. We want to get you guys a lot
27:36
Speaker 3: more involved in this book club. And that's what we
27:39
Speaker 3: want to do for this book is keep it nice
27:41
Speaker 3: and short and sweet, have you guys involved, having your say,
27:43
Speaker 3: having your predictions, and then see how we like doing
27:47
Speaker 3: that for this book, and if everyone really enjoys it,
27:49
Speaker 3: then that's how we do the book club from.
27:50
Speaker 2: Now one and the easiest way to do that is
27:52
Speaker 2: on Patreon five dollars a month and you get the
27:57
Speaker 2: book Club five days early and you get an extra episode.
28:00
Speaker 4: Every single week.
28:01
Speaker 2: And then if not, what is the best way to
28:04
Speaker 2: send us all your thoughts and feelings email because the
28:11
Speaker 2: DMS we probably won't see it, so probably now. Yeah,
28:15
Speaker 2: so Patreon's number one. You gotta pay for that, and
28:17
Speaker 2: we understand not everyone wants to pay for it. Number
28:19
Speaker 2: two is just comment on the episode. And number three,
28:21
Speaker 2: if you have actual like voice messages or videos, email
28:23
Speaker 2: which is Relatable sixty nine at gmail dot com.
28:25
Speaker 3: Yes, sir, it is okay, Thank you so much for listening.
28:28
Speaker 3: Let us know how you like the new format. Don't
28:31
Speaker 3: forget Patreon sign up. You can get in touch that way.
28:34
Speaker 3: Email relatable sixty nine at gmail dot com. Let us
28:37
Speaker 3: know if you're on a hot girl walk fucking tag us,
28:40
Speaker 3: put us in your story and.
28:42
Speaker 2: No do' tell you we should do for this one
28:44
Speaker 2: tag us when you're reading the book.
28:46
Speaker 4: I like that.
28:46
Speaker 3: Yeah, it tags me to reading the book and send
28:51
Speaker 3: us your things via the email whatever, send us all
28:55
Speaker 3: your thoughts and feelings. Send us thoughts and feelings, your
28:57
Speaker 3: predictions and everything. We want to hear them. We want
28:59
Speaker 3: you to be involved. Everyone had been reading this book
29:01
Speaker 3: with us.
29:01
Speaker 4: We're on a new journey together.
29:03
Speaker 1: Yes, excited. Thank you so much. Stay bad