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One Piece, 783-785 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an unspoiled network podcast. This is spoil Me
• 0:09
  Speaker 1: covering one piece episodes seven eighty three through seven eighty
• 0:16
  Speaker 1: five because we've skipped some filler episodes. In these episodes,
• 0:22
  Speaker 1: we meet some of Sanchi's family and actually they're cooler
• 0:30
  Speaker 1: than I was expecting them to be, at least for now.
• 0:36
  Speaker 1: Welcome to spoil Me. Welcome to the show everyone. I
• 0:57
  Speaker 1: am Natasha. Thank you very much to Flora for commissioning
• 1:01
  Speaker 1: this episode, and Florian and Sarah FM are here in
• 1:04
  Speaker 1: the chat. Delighted to have you. Yeah, this section, guys,
• 1:13
  Speaker 1: I loved it so much. I loved it so much.
• 1:20
  Speaker 1: I don't know why it got me, but it's a
• 1:24
  Speaker 1: combo of a few different factors. I think One, I
• 1:29
  Speaker 1: feel like the story's moving along, so I think that's
• 1:33
  Speaker 1: part of it is that it's like paste better. Two,
• 1:37
  Speaker 1: the design of Poisoned Pink is low key, the best
• 1:42
  Speaker 1: design of any character on the show ever before, and
• 1:49
  Speaker 1: everything with Sanji in it turning out that the girl
• 1:52
  Speaker 1: is super hot. That was on my wish list. As
• 1:55
  Speaker 1: you may remember from the episode that I did with
• 1:57
  Speaker 1: Florian where he asked like what do I think? And
• 2:00
  Speaker 1: I said, like, I would prefer it if she were
• 2:02
  Speaker 1: super hot. I'm getting that, So that's great. And there's
• 2:08
  Speaker 1: just some random weirdness thrown in to a few different places.
• 2:15
  Speaker 1: And also we've got a couple of top tier voice actors.
• 2:22
  Speaker 1: Actually I suspect it's the same voice actor, but the
• 2:27
  Speaker 1: dude who's doing the frenchman's voice, I can't remember what
• 2:29
  Speaker 1: that guy's name is. The accent is so intense and
• 2:35
  Speaker 1: extreme and so funny. And then of course Brooke is
• 2:41
  Speaker 1: killing it, killing it in these episodes, and there's just
• 2:48
  Speaker 1: there's just a lot of really good moments, a lot
• 2:52
  Speaker 1: of little like yummy bits that just added up like
• 2:56
  Speaker 1: a tap us to make a really satisfying meal, you know.
• 3:02
  Speaker 1: Sarah him says Baron Tomago. Maybe he has a teacup
• 3:10
  Speaker 1: somewhere on his person. I can't remember how that goes,
• 3:12
  Speaker 1: or teapot. But anyway, all right, all right, all right,
• 3:15
  Speaker 1: let's get into this whole thing to begin with. So
• 3:19
  Speaker 1: in the first of these three episodes, we are with
• 3:25
  Speaker 1: our straw hats, and I will I will say I
• 3:29
  Speaker 1: actually did watch the filler episodes before this, so it
• 3:36
  Speaker 1: made it extra funny because like, if you skip the
• 3:38
  Speaker 1: filler episodes, everybody's still just like dying of starvation. But
• 3:43
  Speaker 1: if you watch the filler episodes, they actually get food
• 3:49
  Speaker 1: and then they just fucking ruin it for themselves again.
• 3:53
  Speaker 1: So I found it I actually I enjoyed the filler
• 3:57
  Speaker 1: episodes quite a bit, and and then I found it
• 4:00
  Speaker 1: very funny that it's like, ultimately they don't matter because
• 4:03
  Speaker 1: these guys are such complete fuck ups that it made
• 4:08
  Speaker 1: no difference in the end. So everybody is just struggling
• 4:14
  Speaker 1: because they are starving. And we have like a couple
• 4:17
  Speaker 1: different extremes that happen in these episodes, where at first
• 4:22
  Speaker 1: it's this really intense storm and then later on it's
• 4:26
  Speaker 1: the boiling sea, as poison Pink calls it. So apparently
• 4:31
  Speaker 1: it's like that all the time. And then we go
• 4:35
  Speaker 1: over to Sonjy who's on Big Mom's ship, and you guys,
• 4:41
  Speaker 1: so the ship just says shippy shippy, shippy shippy all
• 4:47
  Speaker 1: the time. And I feel like, on paper, I would
• 4:53
  Speaker 1: hate this, but I don't know why I like that
• 4:57
  Speaker 1: so much. I think it's just it's sort of giving
• 5:03
  Speaker 1: the vibe of like, I'm so proud of the job
• 5:07
  Speaker 1: I do as the ship that I'm showing off about it,
• 5:11
  Speaker 1: like I'm just gonna keep mentioning it because I am
• 5:15
  Speaker 1: really good at this job and everybody should know. So
• 5:19
  Speaker 1: shippy shippy, shit be shippy. You know. I don't even know.
• 5:22
  Speaker 1: I really don't know, but it just caught me. It,
• 5:27
  Speaker 1: I really I found this, and I know this isn't
• 5:31
  Speaker 1: the first episode this has popped up, but for whatever reason,
• 5:35
  Speaker 1: it's the first episode that I really spotted front on
• 5:39
  Speaker 1: that it was the ship saying it, because I'd heard
• 5:41
  Speaker 1: it in other episodes and I think I just didn't
• 5:44
  Speaker 1: quite see who it was that was saying it. But
• 5:47
  Speaker 1: I do believe I commented at one point somebody's just
• 5:50
  Speaker 1: saying shitpy and was sort of confused by it. So
• 5:55
  Speaker 1: now I'm like delighted. And later on the door just
• 5:59
  Speaker 1: says Doory, Doory, Doory. I don't think it even says
• 6:03
  Speaker 1: it more than once. I think it just says dory
• 6:05
  Speaker 1: and then opens up. And it's just reminding me of
• 6:08
  Speaker 1: something else that I covered the Young Wizards series, in
• 6:13
  Speaker 1: which Wizards are able to enchant objects to do certain things,
• 6:18
  Speaker 1: not because they themselves have magic powers over objects so
• 6:24
  Speaker 1: much as they have the magic power to communicate with
• 6:27
  Speaker 1: objects and objects inherently want to be doing what they're
• 6:34
  Speaker 1: made to do. So if you are trying to enchant
• 6:39
  Speaker 1: a lock to open, for example, in that book, you'd
• 6:43
  Speaker 1: be like, hey, lock, you are doing an amazing job.
• 6:49
  Speaker 1: You know what. It'd be so great would you unlock
• 6:52
  Speaker 1: for me and then I can lock you again? That
• 6:54
  Speaker 1: would be really fun. Wouldn't it be fun to unlock
• 6:57
  Speaker 1: so I can relock you and then the door in lock.
• 7:00
  Speaker 1: Or you're like, hey, refrigerator, I don't have any food
• 7:05
  Speaker 1: in you right now, but your job is to keep
• 7:07
  Speaker 1: food cold. Do you think that maybe you could pull
• 7:10
  Speaker 1: food from somewhere else and just you know, fill up
• 7:13
  Speaker 1: with food for me. I would really appreciate that. And
• 7:17
  Speaker 1: the refrigerator is like, yeah, I would love to be
• 7:20
  Speaker 1: full of food, and so it pulls food from somewhere else.
• 7:23
  Speaker 1: So I just really there's something about this that got
• 7:27
  Speaker 1: me and I am looking forward to singing all of
• 7:31
  Speaker 1: the other objects that say their own name. I hope
• 7:33
  Speaker 1: this is like a thing that keeps happening. Also, you
• 7:39
  Speaker 1: guys know that I have to mention, and I know
• 7:42
  Speaker 1: I'm kind of I'm jumping around here a little bit.
• 7:44
  Speaker 1: Forgive me. That's just going to be how this is.
• 7:46
  Speaker 1: But I can't not get enough of the esthetic that
• 7:53
  Speaker 1: we are giving in this arc, with everything being ice
• 7:58
  Speaker 1: cream Sundays and can and cupcakes and oh my god,
• 8:04
  Speaker 1: I love it so much. I love it. So when
• 8:09
  Speaker 1: they get to the island and there's a woman in
• 8:13
  Speaker 1: this giant hoop skirt that's decorated to look like there's
• 8:16
  Speaker 1: like icing dripping down with like sprinkles on it or whatever, everything,
• 8:24
  Speaker 1: do you understand me? Do you understanstand how much I
• 8:27
  Speaker 1: love this? It's so goofy, and it's just it's everything
• 8:33
  Speaker 1: I want in like a silly fantasy world. I just
• 8:36
  Speaker 1: it's honestly what I think as a child, I kind
• 8:41
  Speaker 1: of wanted the Willy Wonka movie to be because like
• 8:47
  Speaker 1: everything in the setting is candy, but the people are
• 8:51
  Speaker 1: just oopa lupas and uniforms, and you know, Wonka himself
• 8:56
  Speaker 1: in his like velvet suit, And I think I wanted
• 8:59
  Speaker 1: there to be like more of this where everybody is
• 9:02
  Speaker 1: part of it, more of like like Wizard of Oz
• 9:06
  Speaker 1: a bit, you know, just a little bit Wizard of Oz.
• 9:10
  Speaker 1: It's still not quite the same, but there is like
• 9:14
  Speaker 1: there is a sort of vibe going there with the
• 9:17
  Speaker 1: outfits as well. Anyway, I am very excited to see
• 9:22
  Speaker 1: more of this design aesthetic, and honestly, once we get
• 9:29
  Speaker 1: a look at Big Mom ahnah y'ah, I may just
• 9:32
  Speaker 1: have to be cause playing this bitch. It depends on
• 9:35
  Speaker 1: what her outfit is. I really really hope that we
• 9:37
  Speaker 1: are sticking with this look for her and that it
• 9:41
  Speaker 1: goes to eleven because that would be so much fun
• 9:45
  Speaker 1: for me. I would I would love it. And you know,
• 9:48
  Speaker 1: I don't have anything that I'm going to anytime soon
• 9:51
  Speaker 1: that I need to cause play for I. So this
• 9:53
  Speaker 1: is just like a theoretical at this point, but eventually,
• 9:58
  Speaker 1: if there is something, you had better believe whatever I causeplay,
• 10:03
  Speaker 1: I'm gonna go fucking all out. I don't do things
• 10:05
  Speaker 1: by halves, especially that type of shit. So whatever I pick,
• 10:09
  Speaker 1: I'm gonna do it. And ah hope, hope, cross my fingers,
• 10:15
  Speaker 1: Big Mom, that you have something for me. So okay,
• 10:20
  Speaker 1: on the ship, we we've got like this what looks
• 10:24
  Speaker 1: to be snow fluttering down and Sanchi tastes some of
• 10:31
  Speaker 1: it and it turns out that it is actually cotton candy.
• 10:40
  Speaker 1: I mean, come on, how great is that? How great?
• 10:45
  Speaker 1: Is that it's just snowing cotton candy? Are you serious? Like,
• 10:51
  Speaker 1: is there a chocolate river? I mean, please, let there
• 10:54
  Speaker 1: be a chocolate river. Or it could be a simple
• 10:56
  Speaker 1: syrup river. It could be a lemonade river. That's gonna
• 10:59
  Speaker 1: look too much, yeurine. I'm trying to think what else
• 11:02
  Speaker 1: we could do. I don't know something, but anyway, I'm
• 11:09
  Speaker 1: now I've got my brain just going Saraphim, he's just
• 11:13
  Speaker 1: a happy boy. Yeah, it's also supposed to just be
• 11:16
  Speaker 1: saying ship, but have to add a syllable to make
• 11:18
  Speaker 1: it match the Japanese. Okay, oh yeah, this is going
• 11:21
  Speaker 1: to be your arcs as Seraphim. That seems as neat,
• 11:24
  Speaker 1: But think how big a mess it would be to
• 11:25
  Speaker 1: clean up look everything about this candy thing. It would
• 11:29
  Speaker 1: be a disaster in life. But I'm just not acknowledging
• 11:33
  Speaker 1: any of that. You know, we're gonna pretend there are
• 11:35
  Speaker 1: no insects. We're going to pretend that there's no humidity
• 11:38
  Speaker 1: to make things super sticky. We're just gonna pretend none
• 11:40
  Speaker 1: of that is a thing, and just this is all
• 11:44
  Speaker 1: perfect and easy and wonderful, because like, obviously, if we
• 11:47
  Speaker 1: have a chocolate river. Well, we we still need a
• 11:50
  Speaker 1: water supply, like we still need to you know, so
• 11:53
  Speaker 1: like no, we don't want that, but also I definitely
• 11:55
  Speaker 1: want that though, I really really do so you know. Anyway,
• 12:02
  Speaker 1: So Sanji is just like looking out at the sea
• 12:08
  Speaker 1: very Uh, what's the word I want? Introspective, I guess,
• 12:14
  Speaker 1: And to Mago that is his name. Yes, he says
• 12:22
  Speaker 1: that it's a warning signal that their transponder snail is
• 12:26
  Speaker 1: going off, letting us know that we have entered Big
• 12:29
  Speaker 1: Mama's territory, Big Mom's territory, and that if we weren't
• 12:36
  Speaker 1: in the ship that we are, there would be a
• 12:39
  Speaker 1: lot of people coming out here and challenging us. Right now,
• 12:45
  Speaker 1: I really want to like emphasize when I say this
• 12:50
  Speaker 1: is what he says. It's so much more intense because
• 12:56
  Speaker 1: of this extreme French accent that he's putting on. It
• 13:00
  Speaker 1: reminds me a little bit of in The Little Mermaid.
• 13:03
  Speaker 1: There is a number where Sebastian is in a chef's
• 13:09
  Speaker 1: kitchen and the chef is trying to turn Sebastian into
• 13:12
  Speaker 1: an entree because he does not know or care that
• 13:15
  Speaker 1: Sebastian is still alive, and a little guy and so
• 13:20
  Speaker 1: the whole song is about cooking and butter and how
• 13:26
  Speaker 1: much he loves to make food, and this is giving
• 13:29
  Speaker 1: that same energy, and it is I don't even want
• 13:34
  Speaker 1: to imitate it because he goes so hard and I'm
• 13:36
  Speaker 1: just not sure that I could quite do it. But
• 13:39
  Speaker 1: it's very fun because he drops like friends at the
• 13:42
  Speaker 1: end of practically every sentence, and it's I don't know,
• 13:48
  Speaker 1: it's doing a lot. And this Walluigi mustache is so much,
• 13:52
  Speaker 1: it's so much. So he's talking about like keeping Sanji's
• 14:00
  Speaker 1: father happy, and Sonji says, you think I give a
• 14:04
  Speaker 1: shit about what he thinks. I never want to see
• 14:07
  Speaker 1: him again. He makes me sick. Now I hadn't even
• 14:12
  Speaker 1: touched on this from the previous episode, but I we
• 14:20
  Speaker 1: see a guy who's checking into this hotel and is
• 14:23
  Speaker 1: super rude to the staff. He comes in and it's
• 14:26
  Speaker 1: like one of their top rated rooms that they say
• 14:31
  Speaker 1: is exclusively for nobility to stay in because of the
• 14:35
  Speaker 1: event that's happening, and he's like, really, this is it.
• 14:40
  Speaker 1: And he's with a woman who's trying to be more
• 14:42
  Speaker 1: diplomatic about it, but he himself is just like ugh.
• 14:45
  Speaker 1: And then he tells the staff, like, get out of
• 14:48
  Speaker 1: my sight, you trash. And I don't feel like I
• 14:52
  Speaker 1: remember to talk about that part, but I didn't. I
• 14:55
  Speaker 1: think it's I didn't mention it because I didn't know
• 14:57
  Speaker 1: who he was. And now I'm assuming that's son father
• 15:01
  Speaker 1: who seems to suck balls. So the fact that Sanji
• 15:05
  Speaker 1: says he makes me sick. Uh, yeah, that's making sense.
• 15:10
  Speaker 1: Yeah so, And I love here too that Sanji is saying,
• 15:17
  Speaker 1: how like, I am not going to cook for Big
• 15:21
  Speaker 1: Mom because that's brought up here. Tomago says something like,
• 15:25
  Speaker 1: I think she's really excited about the excellent training that
• 15:30
  Speaker 1: you got in the kitchen and that she's going to
• 15:33
  Speaker 1: want you to cook for her, and Sanji is like,
• 15:36
  Speaker 1: the fuck, I will I cook for my fucking crewmates.
• 15:41
  Speaker 1: That's it. I Am not doing shit for her, and
• 15:46
  Speaker 1: then says, I bet they're crying miss like missing my cooking,
• 15:53
  Speaker 1: already wishing that I was there. And I just love
• 15:57
  Speaker 1: the fact that that is exactly literally what's happening. Anybodybody
• 16:00
  Speaker 1: else saying this, it would be kind of a joke
• 16:04
  Speaker 1: to cut to them being perfectly fine without him, you know.
• 16:09
  Speaker 1: I love the fact that that is exactly what's going on.
• 16:15
  Speaker 1: They are just like literally crying out, going songy, where
• 16:20
  Speaker 1: are you fucking excellent? So let's see oh oh oh.
• 16:30
  Speaker 1: Sarah from me in the chat says, no, you've seen
• 16:32
  Speaker 1: him before. That's Stelly, Sabo's adopted brother. Honestly, I don't
• 16:40
  Speaker 1: even remember Stelly. I don't. I had no I have
• 16:44
  Speaker 1: no memory of Sabo even having a brother. Wow. I
• 16:49
  Speaker 1: sure would never put that together. I'm not putting it
• 16:51
  Speaker 1: together now, I believe you, But like I cannot emphasize
• 16:55
  Speaker 1: enough how that is not clicking. Oh well, so it's not.
• 16:59
  Speaker 1: So she's dad, So I'll see. That's what I'm sort
• 17:02
  Speaker 1: of expecting Sanji's dad to be like. So it might
• 17:06
  Speaker 1: be kind of fun if actually his dad wasn't too
• 17:09
  Speaker 1: bad and him hating them turned out to kind of
• 17:13
  Speaker 1: be like, what's your problem, dude, He's kind of cool.
• 17:17
  Speaker 1: You know. It makes uh. There's a whole thing in
• 17:20
  Speaker 1: community with this with Britta where she talks about her
• 17:23
  Speaker 1: parents a lot, and then we get to meet her
• 17:25
  Speaker 1: parents and they're like the most sweet, supportive people that
• 17:28
  Speaker 1: you can imagine, And it's just that Britta wants life
• 17:33
  Speaker 1: to be harder than it is and resents their support
• 17:36
  Speaker 1: and I find that very funny. So anyway, this whole
• 17:41
  Speaker 1: thing here with Sanjy, he's saying to to Mango that like,
• 17:47
  Speaker 1: I don't expect you to understand how I feel about
• 17:50
  Speaker 1: cooking for my crew because none of you guys have
• 17:52
  Speaker 1: any fucking loyalties to each other because one he y'all
• 17:55
  Speaker 1: shot another in the back. So of course what I'm
• 17:59
  Speaker 1: saying isn't going to like register for you because you
• 18:02
  Speaker 1: don't have the same value system that I do and
• 18:04
  Speaker 1: you don't care about each other. And Tomaco basically just
• 18:07
  Speaker 1: doubles down on that, and it's just like, no, Beji
• 18:11
  Speaker 1: did the right thing. He you know, the whole thing
• 18:15
  Speaker 1: with Peckham's. He was about to put his personal feelings
• 18:18
  Speaker 1: ahead of business, and I like, fine, sure. So this
• 18:29
  Speaker 1: is when we get this other dude who shows up
• 18:32
  Speaker 1: and I keep forgetting his name. Veto. Veto is his name.
• 18:35
  Speaker 1: I don't know what it's going to take for me
• 18:37
  Speaker 1: to remember. He has that thing where he says laylo
• 18:41
  Speaker 1: at the end of sentences here and there, And this
• 18:44
  Speaker 1: is another thing that I like kind of expected to
• 18:46
  Speaker 1: annoy me more, and I'm actually okay with it as
• 18:49
  Speaker 1: it's happening. I'm sort of like, yeah, all right, this
• 18:53
  Speaker 1: tick isn't too bad. I don't know, and he is here.
• 18:58
  Speaker 1: I'm not sure if he fully realizes how effective this
• 19:06
  Speaker 1: is going to be. I am assuming he does know
• 19:09
  Speaker 1: that he that like Sanji's reputation for being a womanizer,
• 19:14
  Speaker 1: does it count as being a womanizer if you weren't
• 19:17
  Speaker 1: ever actually hooking up with women? Because I feel like
• 19:20
  Speaker 1: womanizer implies you hook up all the time and you
• 19:22
  Speaker 1: just like kind of go through women like paper towels.
• 19:24
  Speaker 1: But Sondre never hooks up with anybody. He's just a
• 19:27
  Speaker 1: fucking luster. So I'm not sure if that's the same.
• 19:30
  Speaker 1: But anyway, I'm wondering if his reputation went ahead of
• 19:34
  Speaker 1: him and so this this like was an intentional I
• 19:41
  Speaker 1: know what's gonna you know, convince him. And to be fair,
• 19:46
  Speaker 1: despite the reaction that Sanji has to this photo, he
• 19:50
  Speaker 1: is still holding his ground. He is not actually going
• 19:55
  Speaker 1: at oh yeah, I definitely want to marry her. But
• 20:00
  Speaker 1: in the moment, you know, he zooms in on her cleavage,
• 20:03
  Speaker 1: on her lips. She has these big brown eyes with
• 20:07
  Speaker 1: the lashes. They're very like Doe Wise, and she's got
• 20:10
  Speaker 1: light brown hair. That's done in this very cute see
• 20:13
  Speaker 1: like half up ponytail style pigtail. Her name is Lady
• 20:18
  Speaker 1: Charlotte Pudding, which I really enjoy this. I don't know
• 20:24
  Speaker 1: if this joke is on purpose, but there is a
• 20:27
  Speaker 1: type of pudding that is called a Charlotte, and I
• 20:32
  Speaker 1: have to assume that's like intentional. I love this joke,
• 20:36
  Speaker 1: and I anticipate that I'm going to be loving a
• 20:38
  Speaker 1: lot of the jokes because they're going to be food
• 20:40
  Speaker 1: puns and I'm excited about it, so we will definitely
• 20:43
  Speaker 1: be like going there. And she looks very sweet and innocent.
• 20:49
  Speaker 1: She's not even making eye contact with the camera. She's
• 20:52
  Speaker 1: just looking away and has like a hand to her
• 20:55
  Speaker 1: chin and a sort of uncertain gesture. And I'm wondering
• 20:59
  Speaker 1: if she's going to be as sweet and innocent as
• 21:02
  Speaker 1: it seems she is in this photo, or if her
• 21:04
  Speaker 1: personality is not going to match this picture at all,
• 21:07
  Speaker 1: And who knows, I am. I am really not sure
• 21:13
  Speaker 1: how Sanji is going to behave once he is confronted
• 21:17
  Speaker 1: by her in person, because like I said, he sees
• 21:21
  Speaker 1: this picture and has a very strong reaction but almost
• 21:26
  Speaker 1: instantly goes back to like no, no, no, but fuck
• 21:29
  Speaker 1: this bitch, you know, like I'm not doing it, so ah,
• 21:33
  Speaker 1: I guess we'll see. So we have the ship coming
• 21:35
  Speaker 1: into Doc. There are so many presents on the boat
• 21:41
  Speaker 1: and they are carrying everything off and everything that all
• 21:44
  Speaker 1: the gifts that they're carrying are like, at minimum the
• 21:48
  Speaker 1: size of a microwave. They're quite large. There are even
• 21:52
  Speaker 1: some human size candy canes of the type that one
• 21:55
  Speaker 1: would use to decorate the front of your house at
• 21:57
  Speaker 1: Christmas time. And I am I like, I just feel
• 22:06
  Speaker 1: like this is all speaking directly to me, and like
• 22:09
  Speaker 1: what as a child I particularly wanted to see in
• 22:14
  Speaker 1: my Fantasilians. It's just tons and tons of huge presence
• 22:21
  Speaker 1: giant candies. Are you kidding? I mean, I love it
• 22:27
  Speaker 1: so much, It's so great. Oh, Surfi was telling me
• 22:32
  Speaker 1: about Sabo's brother. He was the super spoiled brat. His
• 22:34
  Speaker 1: parents adopted to replace Sabo because Sabo wasn't being enough
• 22:38
  Speaker 1: of a spoiled snob for them. Oh okay, I'm vaguely
• 22:42
  Speaker 1: remembering this now, Okay, thank you, Seraphim. Yeah yeah, that's
• 22:46
  Speaker 1: that's ringing a tiny bell, so tiny though, God, my memory, guys.
• 22:51
  Speaker 1: Florian Wow, thirty five years and I did not know
• 22:53
  Speaker 1: that about her name. I will learn a lot by
• 22:56
  Speaker 1: you in this arc. Maybe. I so the thing that
• 23:06
  Speaker 1: many of you may know about the store called Charlotte Ross.
• 23:13
  Speaker 1: And I'm not even sure that I'm saying it properly,
• 23:17
  Speaker 1: but that is actually Charlotte Ross. Isn't the store name originally.
• 23:22
  Speaker 1: It's the name of the dessert originally. So they named
• 23:25
  Speaker 1: the store after the dessert. It's like naming a store
• 23:28
  Speaker 1: Tira Missu or something. And it's a dessert that's similar
• 23:34
  Speaker 1: to Tira Missau because it starts with lady fingers and
• 23:37
  Speaker 1: it's filled with moose and uh so, yeah, it's kind
• 23:43
  Speaker 1: of elaborate to make. It's like, it's simple, but making
• 23:47
  Speaker 1: a moose is kind of elaborate. And if you make
• 23:49
  Speaker 1: the lady fingers from scratch, it's like a I think
• 23:53
  Speaker 1: it's I think it's Bavarian cream, which I'm trying to remember.
• 23:58
  Speaker 1: I believe Bavarian cream is like kremon glaze whipped into
• 24:03
  Speaker 1: whipped cream. I don't remember I used to know this stuff, guys.
• 24:07
  Speaker 1: But anyway, I'm sure many of you are listening like
• 24:10
  Speaker 1: neither of those things mean anything to me, so whatever,
• 24:13
  Speaker 1: fair enough, But yes, Charlotte Rosse is what I think
• 24:18
  Speaker 1: she's being like, that's what the joke is there. So
• 24:23
  Speaker 1: then we have this bit where Vito is following Sangi
• 24:28
  Speaker 1: and this was interesting to me, So he asks Sanji,
• 24:32
  Speaker 1: do you ever read the WEG the World Economic Journal?
• 24:38
  Speaker 1: And evidently in this journal it's funny because I was thinking,
• 24:41
  Speaker 1: like the Wall Street Journal, and I think that's what
• 24:43
  Speaker 1: But it's got a comic strip in it, and I'm
• 24:45
  Speaker 1: almost positive the Wall Street Journal doesn't have comics. And
• 24:50
  Speaker 1: there's like an ongoing story in it that he says
• 24:53
  Speaker 1: that he wouldn't miss for the world, and that there's
• 24:59
  Speaker 1: a guy who's like, you know, a hero who has
• 25:05
  Speaker 1: a pet seagull and he's got like a robot friend,
• 25:09
  Speaker 1: and they're the enemies of the Marines. And then we
• 25:13
  Speaker 1: get this whole image montage that is first of all
• 25:20
  Speaker 1: animated really cool. I thought this looked awesome. But what
• 25:24
  Speaker 1: surprised me, and by the way, I watched this section twice.
• 25:28
  Speaker 1: I watched it last week and then I watched it
• 25:29
  Speaker 1: again today. What surprised me both times is that there's
• 25:33
  Speaker 1: no dialogue overlaying any of these illustrations. It's all just
• 25:40
  Speaker 1: music and like light sound effects. But it's like, considering
• 25:46
  Speaker 1: that he's sort of trying to convince Sonjy about it,
• 25:52
  Speaker 1: you would expect him to tell the story a little
• 25:54
  Speaker 1: bit more, and we're not really getting any of that.
• 25:58
  Speaker 1: We're just kind of like the overall look of the
• 26:03
  Speaker 1: comic and some of the characters that pop up, and
• 26:08
  Speaker 1: it's like a weird thing because this dude is eminently
• 26:13
  Speaker 1: meant to be one of the Marines, I guess, and
• 26:17
  Speaker 1: so the people that they go up against, the bad
• 26:20
  Speaker 1: Guys are enemies to Marines everywhere. And eventually Vito gets
• 26:29
  Speaker 1: to the point where he's saying, like, people loved that
• 26:34
  Speaker 1: comic so much, and it was like basically military propaganda
• 26:39
  Speaker 1: to be real, because it's the Navy and they're the
• 26:42
  Speaker 1: heroes every single time. But I was always the biggest
• 26:48
  Speaker 1: fan of the bad guys because they always pulled the
• 26:53
  Speaker 1: most underhanded shit. And he says, the villains for Germa
• 26:58
  Speaker 1: sixty six, and this interested me because six' six is
• 27:04
  Speaker 1: on the legs of poison pink lator AND i think
• 27:09
  Speaker 1: it's on the thighs of her brother's pants as, Well so,
• 27:13
  Speaker 1: LIKE i don't know if the comic is meant to
• 27:15
  Speaker 1: be based on them or if they're taking a cue
• 27:17
  Speaker 1: from the, comic but he says they were role models
• 27:24
  Speaker 1: for outlaws like me and then finishes this With i'm
• 27:33
  Speaker 1: a big fan of you, guys AND i wasn't expecting.
• 27:38
  Speaker 1: This so, basically what he seems to think is that
• 27:42
  Speaker 1: this comic is based on the exploits of the Straw,
• 27:47
  Speaker 1: hats WHICH i don't really know how to feel about,
• 27:56
  Speaker 1: that like the way that they are designed at the
• 28:00
  Speaker 1: look like them at. All AND i don't know about the,
• 28:05
  Speaker 1: stories like if the stories line up or, what but
• 28:10
  Speaker 1: it does seem, like, Yeah i'm telling you as a,
• 28:14
  Speaker 1: FAN i can hardly wait to meet the rest of your.
• 28:17
  Speaker 1: Family oh oh oh, Oh i'm Misunderstanding sangie's actual family
• 28:27
  Speaker 1: when he's saying, family of, Course i'm just fucking thinking
• 28:29
  Speaker 1: of the Stray, ats you. Guys i'm just realizing, Now
• 28:34
  Speaker 1: OH i. Am that is how deep in IT i
• 28:37
  Speaker 1: am That sonji is not part of this family That
• 28:39
  Speaker 1: i'm just, like when you actually use the word, Family i'm, like,
• 28:42
  Speaker 1: yeah you, know like loofy fuck that is very. Funny oh, Man,
• 28:46
  Speaker 1: okay so apparently his family is like, Bebbies saraphim, says
• 28:58
  Speaker 1: need to double the spoilties for the, start just to
• 29:00
  Speaker 1: fit in all the food. Talk the W ej paper
• 29:04
  Speaker 1: is the one we see people getting delivered by the.
• 29:06
  Speaker 1: Bird oh, YEAH i assume that not the straw Hat
• 29:08
  Speaker 1: sandi's bio. Family, YES i finally figured that ONE i
• 29:11
  Speaker 1: was there of. Him it took me a little while. Though.
• 29:14
  Speaker 1: Yeah so this is when they come across the door that's,
• 29:18
  Speaker 1: asleep And sanji has to bang on it and just be, like,
• 29:22
  Speaker 1: hey you're gonna open or, what and the door seems
• 29:25
  Speaker 1: delighted to. Open they go inside and he has led
• 29:30
  Speaker 1: to his bedroom Where Caesar clown is already all set
• 29:35
  Speaker 1: up in an actual. Cage NOW i love this so.
• 29:40
  Speaker 1: Much Caesar, CLOWN i, mean you, guys he's really like
• 29:48
  Speaker 1: the goober in all of this everything to do with.
• 29:52
  Speaker 1: Him ever since they took him. Down he's just like
• 29:57
  Speaker 1: this annoying nuisance dude Getting he's like the punching bag
• 30:04
  Speaker 1: And i'm fucking here for. IT a lot of, times
• 30:06
  Speaker 1: those sorts of, characters it can be like tiresome or
• 30:10
  Speaker 1: even sad because they don't deserve. It but he deserves
• 30:14
  Speaker 1: it so much that it just is entertaining and. Funny so,
• 30:20
  Speaker 1: yeah at this, point we have a new character that
• 30:25
  Speaker 1: joins our ranks Named, gotti the name of another crime.
• 30:29
  Speaker 1: Family and this guy is like really agro and seems
• 30:40
  Speaker 1: to like not know who all the players even, are
• 30:48
  Speaker 1: which doesn't speak to his intelligence or involvement in the
• 30:52
  Speaker 1: plan too. Much and he comes At sanji really hard
• 30:58
  Speaker 1: Because sonji told veto to fucking take, off And gotti took,
• 31:04
  Speaker 1: yeah AND i took that. Personal And vito is Between
• 31:14
  Speaker 1: gotti And sanji trying to talk his brother down and
• 31:18
  Speaker 1: his brother is not hearing, him AND i found this
• 31:23
  Speaker 1: actually really funny because he's attempting to tell you what
• 31:27
  Speaker 1: this other woman comes in and says later and you're
• 31:29
  Speaker 1: just not listening to. Him but when we see her
• 31:35
  Speaker 1: Her sanchi says something about how like her face looks,
• 31:38
  Speaker 1: familiar where DO i know her? From and, honestly, SAME
• 31:44
  Speaker 1: i was also kind of trying to figure, out like
• 31:46
  Speaker 1: she looks familiar AND i can't think WHERE i know
• 31:53
  Speaker 1: her face. From If i'm, like if it doesn't, matter
• 31:57
  Speaker 1: AND i am going to find, out perhaps just don't tell,
• 32:02
  Speaker 1: me but if it is something THAT i should, remember you,
• 32:07
  Speaker 1: know if you feel LIKE i. SHOULD i don't, know
• 32:09
  Speaker 1: it's up to. You florian's in the chat literally being,
• 32:11
  Speaker 1: like should we tell? Her, uh let's see how long
• 32:17
  Speaker 1: it takes her to figure it, out Said. Seraphim, okay
• 32:20
  Speaker 1: because like the face That i'm, picturing the body i'm
• 32:25
  Speaker 1: picturing with this face is much bigger and this woman
• 32:31
  Speaker 1: is very. Small So i'm wondering if the Face i'm
• 32:34
  Speaker 1: picturing is attached to her, daughter perhaps that we might
• 32:39
  Speaker 1: have met somewhere, else BECAUSE i don't feel like we've
• 32:42
  Speaker 1: met this lady. Before And florian says it is A
• 32:48
  Speaker 1: Nicholas flamel. Situation, ah, okay because, yeah her like it's
• 32:54
  Speaker 1: really you, know BUT i can't. Tell so anyway she
• 32:59
  Speaker 1: comes and what is her? Name you know, what, Guys
• 33:01
  Speaker 1: i'm gonna be real with. YOU i just want to
• 33:04
  Speaker 1: kind of call Her, carmela because you, know she's like
• 33:07
  Speaker 1: the wife of a mobster and That's Tony soprano's wife's.
• 33:10
  Speaker 1: Name and she has a bit of that sort of
• 33:13
  Speaker 1: energy of, LIKE i am not going to tolerate any
• 33:17
  Speaker 1: bullshit AND i know what is going on at all,
• 33:20
  Speaker 1: times And i'm low key the actual brains of this,
• 33:23
  Speaker 1: operation which like honestly isn't actually really even accurate to
• 33:30
  Speaker 1: Who carmela. Is she is out of it and kind
• 33:34
  Speaker 1: of pretends she doesn't know what's going. On but this
• 33:39
  Speaker 1: is my Fantasy, carmela somebody who is like in it
• 33:42
  Speaker 1: to win. It and, yeah she is teeny. Tiny she's
• 33:49
  Speaker 1: wearing like a house dress with a bunch of really
• 33:52
  Speaker 1: slips that are showing from underneath. It every step she.
• 33:55
  Speaker 1: Takes it's like a, thundering you, know room shake. Moment
• 34:01
  Speaker 1: and she comes up to this dude and tells, Him,
• 34:08
  Speaker 1: oh my, god her name Is. Chiffon, Okay chiffon is
• 34:11
  Speaker 1: another type of, Cake chiffon. Cake, Okay, yeah this is
• 34:17
  Speaker 1: what we're. Doing i'm into. It oh and it's lovely.
• 34:20
  Speaker 1: Too it's really, light like the Fabric. Chiffon so that's, yeah. Okay.
• 34:27
  Speaker 1: Uh and she has to tell this dude he's one
• 34:30
  Speaker 1: of the Fucking vincemoke. Family did you not know, that you?
• 34:33
  Speaker 1: Moron if you fuck him, up it is going to
• 34:37
  Speaker 1: Be beije's. Problem and she, says My, Beije So i'm
• 34:40
  Speaker 1: assuming that she's his. Wife perhaps he's her, son but
• 34:45
  Speaker 1: it's hard to. Tell in this show what age some
• 34:48
  Speaker 1: people are meant to? Be so, yeah she drags him
• 34:54
  Speaker 1: away and over her shoulder says TO sanchi forgive. Him
• 34:58
  Speaker 1: he's a hopeless. Idiot i'm a, afraid but you're our,
• 35:01
  Speaker 1: guest so we'll do all we can to treat you.
• 35:04
  Speaker 1: Right drags bro out by his ear and tells him
• 35:08
  Speaker 1: his punishment is no, dinner and he reacts as if
• 35:12
  Speaker 1: she just told him he's going to be put on
• 35:14
  Speaker 1: the rack and pulled limb from. Limb he literally just,
• 35:17
  Speaker 1: says anything but. That so the food here must fucking
• 35:23
  Speaker 1: Slap like maybe BECAUSE i had thought son she departed
• 35:28
  Speaker 1: from his family and then learned to cook due to
• 35:32
  Speaker 1: a personal, Desire but it seems like food is a
• 35:37
  Speaker 1: whole culture, here and maybe he had that desire ingrained
• 35:42
  Speaker 1: from childhood due to being surrounded by great, food and
• 35:45
  Speaker 1: then he went out into the world and was, like
• 35:47
  Speaker 1: what the fuck is? This because like that was kind
• 35:49
  Speaker 1: of my experience as a. Kid my mother was such
• 35:51
  Speaker 1: a good. Cook she did not have that stereotypical no
• 35:55
  Speaker 1: seasoning thing that a lot of white people. Have she
• 35:57
  Speaker 1: went hard on her. Seasonings SO i had a similar
• 36:01
  Speaker 1: reaction TO i think a lot of people of color
• 36:04
  Speaker 1: when they taste in white people's. Food for the first,
• 36:06
  Speaker 1: time WHEN i started to go out and eat the
• 36:09
  Speaker 1: food of like my dad's church, friends for, example at pot,
• 36:13
  Speaker 1: LOOKS i was always, like why doesn't this fucking taste like?
• 36:16
  Speaker 1: Anything what is? This and eventually came to find out
• 36:21
  Speaker 1: a lot of people don't know how to cook and
• 36:23
  Speaker 1: it's really. Tragic So i'm wondering if, that's, like you,
• 36:28
  Speaker 1: know part of. Whatever H But saraphin is, saying this
• 36:35
  Speaker 1: is all Big mom's, stuff not his. Family. OKAY i
• 36:38
  Speaker 1: wasn't sure because, like, well, well you know, what it doesn't.
• 36:42
  Speaker 1: Matter so let's see where do we go? Here oh.
• 36:47
  Speaker 1: Yeah this is when we Have caesar clown like basically
• 36:52
  Speaker 1: whining and crying To sangy about How sanji doesn't appreciate
• 36:57
  Speaker 1: how good he's being, treated THAT I i'm a, famous
• 37:01
  Speaker 1: brilliant scientist AND i should be getting more respect and, YadA, YadA,
• 37:06
  Speaker 1: YadA and just cry about. It cry more. Baby then
• 37:11
  Speaker 1: we go back to the sunny and we are going
• 37:17
  Speaker 1: through that heat. Wave this is When lufy is, SAYING
• 37:20
  Speaker 1: i Want soangy back on the, ship AND i just
• 37:22
  Speaker 1: wanted to be, like, baby even if he were back
• 37:26
  Speaker 1: on the, ship you don't have any. Food what's he
• 37:29
  Speaker 1: supposed to. Do he's not a, wizard you, know like
• 37:31
  Speaker 1: he needs ingredients to work. With and they're trying to,
• 37:37
  Speaker 1: fish but there's the water is literally, boiling and there's
• 37:43
  Speaker 1: no fish to be had until suddenly there is now
• 37:48
  Speaker 1: in the, meantime we have a moment THAT i will be,
• 37:52
  Speaker 1: HONEST i did not care for Where loofy looks over
• 37:58
  Speaker 1: At chopper and says emergency. Rations, lufy don't make me
• 38:12
  Speaker 1: fucking slap, you, silly BECAUSE i will fucking slap. You
• 38:16
  Speaker 1: do you hear? ME i was so, mad, KIDS i
• 38:21
  Speaker 1: was so. MAD i hated. THIS i hated. IT i
• 38:25
  Speaker 1: know it's just a Little joki. JOKE i don't find it.
• 38:27
  Speaker 1: FUNNY i don't find it fucking. FUNNY i don't like.
• 38:31
  Speaker 1: It do not play with, me okay, anyway SO i
• 38:40
  Speaker 1: don't like. It eventually we do catch a, fish a very, large,
• 38:48
  Speaker 1: weird purple and green fish that does not look, right
• 38:54
  Speaker 1: and we get some of the best like line delivery
• 39:02
  Speaker 1: Of brooke we have ever. Gotten. GUYS i can't tell
• 39:07
  Speaker 1: you HOW i found this so. Funny both, TIMES i watched,
• 39:12
  Speaker 1: it and not only like DID i hear this delivery
• 39:14
  Speaker 1: both TIMES i, watched but in the episode after, this
• 39:18
  Speaker 1: they do a recap as they always, do and they
• 39:21
  Speaker 1: have those lines in the, recap AND i laughed just
• 39:24
  Speaker 1: as much during the recap AS i did the first
• 39:26
  Speaker 1: time both times THAT i watched. This the first one
• 39:32
  Speaker 1: is As lufy's like struggling with this, fish and everybody
• 39:36
  Speaker 1: else is very passionately, like, yeah loviy get. It in
• 39:39
  Speaker 1: the background Is brooke, going we believe in you don't give,
• 39:45
  Speaker 1: up and he's just, like there's like no. Inflection oh my, god.
• 39:50
  Speaker 1: Y'all it is so fucking. Funny there's a point in
• 39:54
  Speaker 1: the in the filler episodes as, well where like everybody's
• 39:58
  Speaker 1: sort of about to be attacked by this guy who's
• 40:01
  Speaker 1: got like a bazooka or, something and he turns and
• 40:04
  Speaker 1: points it directly At brooke before, firing And brooke just goes,
• 40:07
  Speaker 1: ah AND i fell out. Laughing just this voice actor
• 40:12
  Speaker 1: For brook is so. Good he's SO i believe in
• 40:17
  Speaker 1: you don't give. Up oh my, god it was killing. Me. Guys,
• 40:22
  Speaker 1: anyway long story, Short lufy eventually does catch this. Fish
• 40:26
  Speaker 1: it don't look, right, though And chopper is, like you know,
• 40:31
  Speaker 1: what let me go and check out this, fish see
• 40:34
  Speaker 1: if there's any information anywhere about, it so THAT i
• 40:38
  Speaker 1: can ensure we're not doing something really stupid right. Now
• 40:43
  Speaker 1: and he goes to check and while he's, Gone lufy
• 40:49
  Speaker 1: starts eating the skin off the, fish which it turns
• 40:55
  Speaker 1: out the skin is the poisonous. Part, LOOFY i swear to,
• 41:03
  Speaker 1: god how do you do? It how do you do? It?
• 41:09
  Speaker 1: Like oh my, God So loofy has like a plus
• 41:18
  Speaker 1: forty in constitution or, something because this doesn't kill. Him
• 41:23
  Speaker 1: it's supposed to like basically kill you, instantly and that doesn't.
• 41:27
  Speaker 1: Happen he certainly starts to like go, downhill but it's
• 41:32
  Speaker 1: not doing what it would do to like a regular,
• 41:34
  Speaker 1: person WHICH i. BUY i, mean let's just set aside
• 41:39
  Speaker 1: even that he has like devil fruit powers that might
• 41:41
  Speaker 1: make him a little bit more. Durable let's set aside
• 41:46
  Speaker 1: all of that and just talk about some About loofy's
• 41:50
  Speaker 1: stomach ain't. Right lufy's something something with his tummy is fucked.
• 41:57
  Speaker 1: Up he's something that's wrong with. Him that's just. FACTS
• 42:01
  Speaker 1: i don't know what it, is BUT i don't know
• 42:02
  Speaker 1: if it's like a high metabolism due to what he
• 42:04
  Speaker 1: can do or and like the amount that he can,
• 42:07
  Speaker 1: eat but like his stomach is. Broken SO i frankly
• 42:12
  Speaker 1: really do believe that he can like consume some poisonous
• 42:14
  Speaker 1: shit and be okay for a lot longer than a regular.
• 42:16
  Speaker 1: Person so, anyway he is like seeming okay and eventually
• 42:26
  Speaker 1: starts to go down and then we begin to see
• 42:29
  Speaker 1: a real problem with his skin breaking out in a.
• 42:34
  Speaker 1: Rash and this leads to yet another moment that had
• 42:40
  Speaker 1: me actually laughing out. Loud you, GUYS i this this
• 42:46
  Speaker 1: whole trio of episodes is just hitting so hard for. Me, it's,
• 42:51
  Speaker 1: uh they While loofy is, sick they're trying to feed everybody, else,
• 42:58
  Speaker 1: Right so they're cutting the fish, up distributing it after
• 43:02
  Speaker 1: it's been steamed and, cooked And chopper's eating While nami
• 43:09
  Speaker 1: is talking about like the problem they're. Facing and this
• 43:16
  Speaker 1: this is a scene Where chopper is crying About lufy's
• 43:19
  Speaker 1: condition but then going yum as he's, eating and it
• 43:25
  Speaker 1: just that joke keeps like it's just him having this
• 43:28
  Speaker 1: really delicious meal but also being devastated at the same,
• 43:31
  Speaker 1: time and it's, like, Yeah i'm really really. Sad i'm
• 43:35
  Speaker 1: also fucking. Starving and the voice actress who does his
• 43:41
  Speaker 1: voice the way that she delivers the yum every, Time
• 43:44
  Speaker 1: oh my, god it killed. Me you, guys this was
• 43:47
  Speaker 1: so fucking, funny the timing of it and. Everything it
• 43:51
  Speaker 1: just worked, really really. Well so, anyway eventually the ship
• 43:58
  Speaker 1: starts to get Into Big mom's tear because we start
• 44:01
  Speaker 1: to see the cotton candy falling from the, sky which h,
• 44:07
  Speaker 1: Understandably chopper is freaking out about. It this is his favorite,
• 44:13
  Speaker 1: Food HE'S i, mean can you IMAGINE i am trying
• 44:17
  Speaker 1: to think, of like IF i were gonna have my
• 44:19
  Speaker 1: brothers a food that fell from the, sky AND i,
• 44:22
  Speaker 1: JUST i genuinely can't think of something that would be
• 44:24
  Speaker 1: as cotton candy is so light that it floating down works.
• 44:28
  Speaker 1: Beautifully anything else is heavy and it's just gonna splat
• 44:32
  Speaker 1: like cloudy with a chance of. Meatballs SO i don't,
• 44:33
  Speaker 1: know cotton candy is just so. Ideal so eventually we
• 44:40
  Speaker 1: get to this point where they spot a ship that
• 44:44
  Speaker 1: has the six six on the front and there it's
• 44:48
  Speaker 1: basically looks like a giant transponder snail with like part
• 44:52
  Speaker 1: of a castle on its, back and they see a
• 44:55
  Speaker 1: dude up there who's got the curly, eyebrows and they
• 44:59
  Speaker 1: all assume this Is, sanji even though he's not making
• 45:05
  Speaker 1: any effort to communicate with them or showing any sign
• 45:09
  Speaker 1: of recognition or, anything and of, course LIKE i am
• 45:12
  Speaker 1: figuring immediately that this is his. Brother eventually they figure it,
• 45:18
  Speaker 1: out but it does take a little bit of a,
• 45:20
  Speaker 1: moment and he says something like about HOW i have
• 45:25
  Speaker 1: a relationship To, sanji but it's classified And i'll take
• 45:29
  Speaker 1: it to the, grave and they all are just, like, oh,
• 45:32
  Speaker 1: yeah that must be his younger, brother And brooke actually, says,
• 45:39
  Speaker 1: Well son is three And yon is, four so apparently
• 45:45
  Speaker 1: the family is, numbered WHICH i find kind of. Fun, Ah,
• 45:51
  Speaker 1: NO i think that's kind of. Fun and he seems
• 45:57
  Speaker 1: sort of, Goofy like there's a point later where his sister's,
• 46:02
  Speaker 1: like you, know you really screwed shit, up and he's, like,
• 46:05
  Speaker 1: YEAH i really, did and he's just completely copping to,
• 46:09
  Speaker 1: it WHICH i found. Fascinating, also he one hundred percent
• 46:15
  Speaker 1: has the same thing As, sanji at least when it
• 46:18
  Speaker 1: comes to, women because he Sees nami and loses his entire.
• 46:23
  Speaker 1: Mind and later on he's got her wonted poster and
• 46:26
  Speaker 1: is just like staring at her and like stroking her,
• 46:29
  Speaker 1: face and it's a. Lot so apparently they're looking For
• 46:37
  Speaker 1: sanji and they were trying to like cut off whatever
• 46:40
  Speaker 1: ship he arrived, on and they didn't know That Big
• 46:43
  Speaker 1: mom had. Him SO i thought that was sort of
• 46:46
  Speaker 1: interesting that it seems like they're not really part of
• 46:49
  Speaker 1: the inside plans, here you. Know so at this, Point
• 46:57
  Speaker 1: chopper is beginning to really really freak out because the
• 47:01
  Speaker 1: symptoms For lufy are getting. Worse and then we have
• 47:07
  Speaker 1: someone arriving flying in from. Above this Bitch, okay her
• 47:17
  Speaker 1: and her brother have these really interesting shoes that seem
• 47:22
  Speaker 1: to enable them to. Float hers are, yellow pink and
• 47:28
  Speaker 1: purple and white and kind of come up to her.
• 47:34
  Speaker 1: Knee she has this kind of, cape BUT i think
• 47:41
  Speaker 1: it's hard to tell because it looks like wings and
• 47:47
  Speaker 1: they change color later when she starts sucking the poison
• 47:51
  Speaker 1: out Of, loofy so it seems like they must actually
• 47:56
  Speaker 1: be part of her, body BUT i just don't see
• 48:01
  Speaker 1: how that's, POSSIBLE i don't. Know so, anyway she tells them,
• 48:08
  Speaker 1: like oh, YEAH i definitely know what poison this. Is
• 48:11
  Speaker 1: and lucky for, YOU i love this, stuff so get
• 48:17
  Speaker 1: out of my, way AND i am going to take
• 48:19
  Speaker 1: care of. This and she kneels down and like she's PERFORMING,
• 48:25
  Speaker 1: cpr she just sucks the poison directly out of his,
• 48:30
  Speaker 1: mouth and as she does, so more spots appear on her.
• 48:36
  Speaker 1: Wings and of Course, brooke who immediately was, like oh my,
• 48:40
  Speaker 1: god she's. Gorgeous who is, this is very jealous and
• 48:44
  Speaker 1: just keeps commenting on the fact That lufy is getting
• 48:46
  Speaker 1: smooches and her. Wings it's not just that they get more.
• 48:50
  Speaker 1: Spots they like, glow they spread. Out there's a kind
• 48:54
  Speaker 1: of like miasthma coming up off them that looks a
• 48:57
  Speaker 1: little bit like the like smoke thing that, uh oh
• 49:04
  Speaker 1: my God caesar clown had made. Before it's such a cool.
• 49:08
  Speaker 1: Effect this must be a really popular cause play because
• 49:13
  Speaker 1: it's like so. Distinctive it's immediately recognizable for what it,
• 49:17
  Speaker 1: is you. Know and, yeah she pulls all the poison
• 49:23
  Speaker 1: out of, him and within short, Order louviy is. Fine
• 49:27
  Speaker 1: it's unclear exactly why this. Works she just, says, well
• 49:32
  Speaker 1: that's Because i'm poisoned, Pink BUT i don't know what that.
• 49:35
  Speaker 1: MEANS i don't understand, this you. Know, meanwhile her brother
• 49:42
  Speaker 1: like he falls off the boat but then comes up
• 49:46
  Speaker 1: out of the water no. Problem so they're all sort
• 49:49
  Speaker 1: of theorizing that maybe he can fly because of a devil.
• 49:52
  Speaker 1: Fruit but Nom me points out as soon as he
• 49:54
  Speaker 1: touches the, water he should have sank like a, stone
• 49:56
  Speaker 1: because that just negates all of their, abilities and he
• 49:59
  Speaker 1: was a able to rise up out of the water
• 50:01
  Speaker 1: with no issue. Whatsoever SO i love To louie. Himself
• 50:09
  Speaker 1: he's like completely unaware that he was passed out from.
• 50:12
  Speaker 1: Poison so when he wakes, up he's immediately, Like, hey
• 50:15
  Speaker 1: that fish skin was really. Good is there any more of?
• 50:18
  Speaker 1: It and everybody's, like, oh my fucking, god. Dude so
• 50:24
  Speaker 1: at this point we have the uh like explanation of
• 50:31
  Speaker 1: What Big mom's territory. Is and it's very funny, because
• 50:37
  Speaker 1: like when you first see the, illustration there's the one
• 50:41
  Speaker 1: big island in the, center and then you see these
• 50:44
  Speaker 1: kind of concentric circles that are spreading out and there
• 50:50
  Speaker 1: are a bunch of. Islands. Now the thing that kind
• 50:57
  Speaker 1: of got me WHEN i was watching the first, TIME
• 51:01
  Speaker 1: i Missed peckham's dialogue where he's explaining how many islands there.
• 51:06
  Speaker 1: Are there's thirty, FOUR i, think he, says AND i
• 51:14
  Speaker 1: WHEN i missed his, DIALOGUE i thought that it was
• 51:19
  Speaker 1: him like we were seeing the island surrounded by clouds
• 51:25
  Speaker 1: because there's so many. Islands there's just a ton of,
• 51:28
  Speaker 1: them and evidently each one of them has like somebody in,
• 51:32
  Speaker 1: CHARGE i, think he, says like a, minister and so
• 51:36
  Speaker 1: there's just a lot to keep track. Of it's a
• 51:40
  Speaker 1: big kingdom with a lot of, resources a lot of.
• 51:44
  Speaker 1: People and he, says we call It Toto land Or Toto,
• 51:50
  Speaker 1: land so let's. See i'm kind of jumping ahead here
• 51:57
  Speaker 1: Because peckham's is the one who winds up dealing with
• 52:00
  Speaker 1: all of the uh little soldier, dudes and he is
• 52:08
  Speaker 1: making up a. Story he wants all of the straw
• 52:11
  Speaker 1: hats to stay hidden and tells the soldiers LIKE i
• 52:16
  Speaker 1: have a secret present for, mama and uh it's this
• 52:23
  Speaker 1: dude responds, with, like, oh so then you must have
• 52:25
  Speaker 1: some delicious. Ingredients everybody here is food crazy AND i
• 52:30
  Speaker 1: am loving it so. Much in that, Case i'm Sure
• 52:33
  Speaker 1: mama will be. Thrilled and he's, like, yeah but don't
• 52:36
  Speaker 1: tell her about it because it's a, surprise SO i
• 52:38
  Speaker 1: don't report, anything and these guys immediately like nod and
• 52:43
  Speaker 1: they they applaud and the look of these little dudes
• 52:47
  Speaker 1: is very. Weird i'm actually kind of loving it, because
• 52:50
  Speaker 1: like the goons in this show have often tended to
• 52:56
  Speaker 1: be very similar to all other, goods you, know they
• 53:01
  Speaker 1: just have a very similar, build and these dudes it's
• 53:06
  Speaker 1: sort of giving like lump but ish like in, spirit
• 53:12
  Speaker 1: but without the hugely problematic elements of the Original Oopa,
• 53:16
  Speaker 1: lumpus who were actually like enslaved native. People they are
• 53:22
  Speaker 1: all wearing what looks like a costume built to look
• 53:28
  Speaker 1: like an actual pawn piece from a chess. Game it's
• 53:33
  Speaker 1: like a perfectly round helmet that covers their, eyes and
• 53:37
  Speaker 1: then like this bell shaped almost dress. Tunic it looks
• 53:42
  Speaker 1: like an actual pawn figure with legs and, arms and
• 53:47
  Speaker 1: they have a strap that is holding a backpack that
• 53:52
  Speaker 1: is heart shaped on their, back and they're all very.
• 53:56
  Speaker 1: Short they are much shorter Than peckham And peckhams is
• 54:00
  Speaker 1: like shorter than a lot of other, people so they're pretty.
• 54:04
  Speaker 1: Tiny and uh, Yeah i'm just sort of excited about the,
• 54:09
  Speaker 1: minions like looking like this it's just so, weird you,
• 54:12
  Speaker 1: Know i'm into. It at this, point all of our
• 54:17
  Speaker 1: friends that are on the ship are looking over and
• 54:19
  Speaker 1: realizing that all, Right peckhams has got it figured. Out
• 54:23
  Speaker 1: we're going to be. Okay and then they turn around
• 54:27
  Speaker 1: and they realize that Both chopper And loofy have already
• 54:33
  Speaker 1: left the ship and decided to go into. Town AND
• 54:36
  Speaker 1: i was a little bit surprised That chopper went along with,
• 54:38
  Speaker 1: this because he's usually kind of anxious, about you, Know
• 54:44
  Speaker 1: but THEN i had to remind myself that this is
• 54:46
  Speaker 1: Like Candy, island and of, course of course he's going
• 54:51
  Speaker 1: to be absolutely one on board for. THIS i don't
• 54:54
  Speaker 1: know WHAT i was. Thinking and then we get like
• 54:56
  Speaker 1: the first glimpse and it's just so. Great LIKE i already,
• 55:02
  Speaker 1: said both of their eyes do that star, thing And
• 55:06
  Speaker 1: loufy And chopper are both like licking their chops because
• 55:10
  Speaker 1: all the houses are made to look like. Food it's
• 55:14
  Speaker 1: like you, could you could just say gingerbread, houses but
• 55:16
  Speaker 1: it's like not that, simple because you've got a lot of,
• 55:19
  Speaker 1: textures a lot of things going on. Here there's a
• 55:23
  Speaker 1: giant chocolate, fountain so, like you, KNOW i don't know
• 55:26
  Speaker 1: about the, river but we got something in the. Spirit
• 55:32
  Speaker 1: there's a woman who is so, tall you. GUYS i
• 55:34
  Speaker 1: just noticed her all the way to the. Left she's
• 55:36
  Speaker 1: got a tattoo on her outer thigh and this bitch is.
• 55:41
  Speaker 1: Gigantic oh my. God but you, KNOW i pretty much
• 55:47
  Speaker 1: only have eyes for this hoopskirt that looks like a
• 55:49
  Speaker 1: cupcake with. Frosting and it seems Like loofy And chopper
• 55:56
  Speaker 1: are probably gonna stick out like a sore thumb here
• 56:00
  Speaker 1: because they haven't got anything going on in terms of
• 56:03
  Speaker 1: their outfits to like blend in it. All But i'm.
• 56:07
  Speaker 1: Excited i'm. Excited i'm so. EXCITED i can't. WAIT i
• 56:10
  Speaker 1: can't wait to see where we're going with those. Guys
• 56:12
  Speaker 1: and you, know it may be THAT i don't love
• 56:15
  Speaker 1: this arc for the, plot but maybe even IF i,
• 56:20
  Speaker 1: Don't i'll still have fun because of this. PART i
• 56:24
  Speaker 1: guess we'll. See saraphim says her outfit is meant to
• 56:30
  Speaker 1: be a butterfly slash. Moth i'm wouldn't. Like but is
• 56:37
  Speaker 1: it part of her body or is it just a?
• 56:40
  Speaker 1: Costume you know What i'm? Saying like that's the part
• 56:45
  Speaker 1: because it's So i'm just trying to understand, too, like,
• 56:49
  Speaker 1: well you know the, poison and then why would you
• 56:51
  Speaker 1: design a? Butterfly like what is the significance of? That
• 56:54
  Speaker 1: BUT i don't know. Anyway All, Right i'm gonna wrap this,
• 56:59
  Speaker 1: up but thank you guys again so much for hanging
• 57:02
  Speaker 1: out with me And i'm really looking forward to watching
• 57:05
  Speaker 1: more AND i will be seeing you soon with a new.
• 57:08
  Speaker 1: Episode until, then to The, loo. Motherfuckers that was an
• 57:41
  Speaker 1: Unspoiled network. Podcast