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Melissa Mccarthy and Azealia Banks Interview and more · The Breakfast Club

• 0:01
  Speaker 1: The Walmost Dangerous Morning Show, The Breakfast Club. What club
• 0:07
  Speaker 1: they y'all together? Y'all are like a manga for us.
• 0:10
  Speaker 1: Y'all just took over him with is Chris Brown. I've
• 0:14
  Speaker 1: officially joined the Breakfast Club. Say something, mother, I'm with it,
• 0:18
  Speaker 1: Walmost Dangerous Morning Show, Brinklas Club. Good morning Usa yo
• 0:33
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:35
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:37
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:39
  Speaker 1: yo yo yo yo yo yo yo Good morning angela
• 0:42
  Speaker 1: yea Charlomne, the guy Peace of the planet. It is Friday, Yes,
• 0:48
  Speaker 1: It's Friday. Yes, man, the weekend is finally here. It's
• 0:51
  Speaker 1: been a great week. It has been a great week,
• 0:53
  Speaker 1: and I think we ended the week strong today. That's
• 0:56
  Speaker 1: where has strong. We have two people joining us this morning.
• 0:59
  Speaker 1: We have a zell Your Banks. We have a Zellia Banks.
• 1:02
  Speaker 1: Uh dropping a clue bombs for a Zellia Banks. Explaining
• 1:04
  Speaker 1: to the people who are zell your Banks is if
• 1:05
  Speaker 1: they don't know, because I'm sure an artist from Harlem,
• 1:09
  Speaker 1: you know she tours internationally. Um, A lot of people
• 1:13
  Speaker 1: focus on what she says. Yeah, her The thing she
• 1:17
  Speaker 1: says more than her music sometime, but she still has
• 1:20
  Speaker 1: a cult like following of a fan who rock with
• 1:23
  Speaker 1: her music. So she'll be here this morning. I never
• 1:25
  Speaker 1: met with you guys yesterday. Yeah, I never met the
• 1:28
  Speaker 1: young lady. So yeah, I never met her either. It's
• 1:30
  Speaker 1: funny because we have a relationship through text and phone calls. Okay, yeah,
• 1:34
  Speaker 1: but we never physically met. All right. And also Melissa
• 1:37
  Speaker 1: McCarthy will be joining us. She has a movie out
• 1:40
  Speaker 1: this weekend. It's called Light for the Party. Yeah, it
• 1:42
  Speaker 1: comes out to day. I never met Melissa McCarthy either.
• 1:44
  Speaker 1: But Melissa McCarthy's worth sixty million dollars. You are a bird.
• 1:46
  Speaker 1: That the first thing you look up when you when
• 1:48
  Speaker 1: you see a person's coming. She's the number two highest
• 1:50
  Speaker 1: paid actress in Hollywood, I believe. Yeah, Melissa get to
• 1:54
  Speaker 1: the money. McCarthy. Here you go, she gets her coins. Well.
• 1:56
  Speaker 1: I can't wait to hear these interviews because yesterday I
• 1:58
  Speaker 1: was not here. I had to leave early. I had
• 2:01
  Speaker 1: to do this Made in New York panel with the
• 2:04
  Speaker 1: City of New York, and then I had to host
• 2:05
  Speaker 1: the essence upfront, and that's where they present what they
• 2:08
  Speaker 1: have coming up this year for advertisers, right, So I
• 2:12
  Speaker 1: got to learn a lot about Essence magazine. You know,
• 2:13
  Speaker 1: the Essence fast this year is probably going to be
• 2:15
  Speaker 1: like the biggest one ever. Are they putting Melissa McCarthy
• 2:18
  Speaker 1: on the cover of the new Essence magazine because she's
• 2:23
  Speaker 1: not a black woman, But Essence does do a lot
• 2:27
  Speaker 1: for black women. Essence is definitely a staple for us
• 2:30
  Speaker 1: in our community. So I was honored to be there
• 2:32
  Speaker 1: hosting their upfront yesterday. I had a great time. And
• 2:35
  Speaker 1: you know, the new owner of Essence is Richard Dennis
• 2:37
  Speaker 1: who used to own Shade Moisture, and he was up
• 2:39
  Speaker 1: here before and people were giving him a hard time
• 2:42
  Speaker 1: for an ad that Shade Moisture had put out and
• 2:44
  Speaker 1: then they were managed. Yeah, Richard us he is an
• 2:48
  Speaker 1: amazing car collection, like like, and then he sold he
• 2:52
  Speaker 1: sold Shade. Most people were so mad, they were like,
• 2:55
  Speaker 1: how could you sell Shade Moistures for black people? See
• 2:59
  Speaker 1: how black people sell out? But then he went and
• 3:00
  Speaker 1: bough and started his own venture capitalist funds to actually
• 3:04
  Speaker 1: invest in other companies for people who are doing startups.
• 3:07
  Speaker 1: So that's what you do when you have a business.
• 3:09
  Speaker 1: When you have a business, sometimes you sell your business,
• 3:11
  Speaker 1: and he couldn't talk about what he was doing at
• 3:14
  Speaker 1: the time, people thought he just cashed out kids. What
• 3:18
  Speaker 1: people thinking like, maybe care because they had an emotional
• 3:20
  Speaker 1: connection to the projects of Shade moist just so they
• 3:23
  Speaker 1: did care. That's the fact. He just sold it. He
• 3:25
  Speaker 1: sold it and then he put out that ad and
• 3:27
  Speaker 1: the ad had a lot of white people in it,
• 3:28
  Speaker 1: and these about that the ad was. But that's what
• 3:30
  Speaker 1: you're supposed to doing business, supposed to build your business
• 3:32
  Speaker 1: up to a certain level and then sell it in
• 3:34
  Speaker 1: the capitalism keep doing more business and helping your community
• 3:36
  Speaker 1: more and more and more. That's what you're supposed to do.
• 3:38
  Speaker 1: But I am going to actually get him to come
• 3:39
  Speaker 1: up here before Essence Fest and just discuss everything that's
• 3:42
  Speaker 1: been going on in his new ventures, because I think
• 3:44
  Speaker 1: it's very interesting. So if you have an idea, hit
• 3:46
  Speaker 1: him up and pitch it. Bring one of the nice
• 3:48
  Speaker 1: cars when he comes too. I respect him because he
• 3:50
  Speaker 1: hauled him shaped through all the pressure that he was
• 3:53
  Speaker 1: enough to selling Shade Butter Moisture Difference and you know,
• 3:58
  Speaker 1: and and let me apologize to all the dump trucks
• 4:02
  Speaker 1: and garbage men out there. I thought you about the
• 4:04
  Speaker 1: apologize to the bar um, to the dump truck, garment
• 4:08
  Speaker 1: with the barn barbs, who cares about the bat the
• 4:12
  Speaker 1: garbage trunk and the only people that work sanitation because
• 4:15
  Speaker 1: there on my way to work, I was cutting them
• 4:17
  Speaker 1: off left and right. They would give me all types
• 4:18
  Speaker 1: of fingers. But look, bro, I gotta get the first
• 4:22
  Speaker 1: of all. How do you get around garbage trunk? Garbae trucks.
• 4:24
  Speaker 1: Don't play them. Garbage trucks will stop in the middle
• 4:26
  Speaker 1: of the road and command the whole street. You must
• 4:29
  Speaker 1: have never seen me drive. I don't play you that.
• 4:31
  Speaker 1: I gotta like I don't care about my car. I
• 4:33
  Speaker 1: closed my eyes. I was doing all types of absolutely
• 4:37
  Speaker 1: get around. Let him know. I can't see what's going on.
• 4:39
  Speaker 1: So if you put your garbage truck in front of me,
• 4:41
  Speaker 1: we're gonna be here all day because we're gonna crash
• 4:42
  Speaker 1: into each other. And nine times at the time they
• 4:44
  Speaker 1: move out the way. But let me apologize because I
• 4:46
  Speaker 1: had to get the work. Bro. Sometimes y'all just gotta
• 4:48
  Speaker 1: pull over to the right. You know people are late,
• 4:49
  Speaker 1: and you know that garbage truck can't do zero to
• 4:51
  Speaker 1: sixty and nine seconds, So just move over. To the
• 4:53
  Speaker 1: right proper on the clues bars faull of garbage men
• 4:55
  Speaker 1: out there. Work has got to I gotta deal with
• 5:01
  Speaker 1: assholes like DJ Envy. You can't see that word, you jerk.
• 5:04
  Speaker 1: I can't say no, you can't see that. You know,
• 5:07
  Speaker 1: you can't say you know what. Let's get a star.
• 5:11
  Speaker 1: What's the front page news? What are we talking about?
• 5:14
  Speaker 1: We're gonna be talking about waffle house. Another incident. This
• 5:17
  Speaker 1: really broke my heart watching and this is just too
• 5:19
  Speaker 1: many things happening at waffle house. No more passes for
• 5:22
  Speaker 1: waffle House. Will tell you about a young man who
• 5:24
  Speaker 1: was coming from the prom and things ended terribly. Now
• 5:26
  Speaker 1: this is how he remember his prom night. All right,
• 5:28
  Speaker 1: we'll get into all that when we come back. Keep
• 5:30
  Speaker 1: it locked it to breakfast club. Good morning, everybody is
• 5:33
  Speaker 1: DJ Envy, angela Ye, Charlemagne the guy we all the
• 5:36
  Speaker 1: breakfast club. Let's get in some front page news. Now,
• 5:40
  Speaker 1: let's talk about what happened at waffle house. Now, I
• 5:43
  Speaker 1: hope you guys saw this video yesterday. Now the video
• 5:46
  Speaker 1: is of Anthony Wall. He's wearing a tuxedo and he's
• 5:49
  Speaker 1: at an outside of the North Carolina waffle House. And
• 5:52
  Speaker 1: you can see him being slammed up against the glass
• 5:55
  Speaker 1: and then slammed onto the floor, choked. Just a lot
• 5:59
  Speaker 1: of excessive for us. And he's screaming to get your
• 6:01
  Speaker 1: hands off of me. Listen to how it sounds, but recording,
• 6:10
  Speaker 1: he's not supposed to be doing that, get get your
• 6:14
  Speaker 1: hands off me. You Unfortunately I saw that video, Yeah
• 6:24
  Speaker 1: I got Anthony was twenty two years old, and guess
• 6:26
  Speaker 1: what he was doing. He was coming from taking his
• 6:28
  Speaker 1: sixteen year old sister to the prom. So he was
• 6:31
  Speaker 1: his sixteen year old sister's prom date. He took it
• 6:34
  Speaker 1: to waffle house. Afterward, he got into a situation with
• 6:38
  Speaker 1: one of the employees because he complained about customer service,
• 6:41
  Speaker 1: and apparently they it wasn't anything physical. The employee called
• 6:45
  Speaker 1: the police. Why would he expect customer service at waffle house?
• 6:48
  Speaker 1: You should expect copect anywhere. Man knock it off and gas.
• 6:51
  Speaker 1: You're allowed, you're allowed to complain when the customer. Absolutely,
• 6:53
  Speaker 1: that's the point. That's one of the that's one of
• 6:55
  Speaker 1: the experiences when you go to waffle house. You will
• 6:57
  Speaker 1: complain about customer service at waffle Now that's not known
• 7:00
  Speaker 1: at the old wiffle houses and he had his hands
• 7:01
  Speaker 1: up at first when the cop first pulled him out,
• 7:03
  Speaker 1: he had his hands up. The cop grabbed him by
• 7:04
  Speaker 1: his neck and throw the planned him against the glass
• 7:07
  Speaker 1: really hard, just banged his head against the glass. Now,
• 7:09
  Speaker 1: he says that he was pretty much trying to scream
• 7:11
  Speaker 1: for air and trying to breathe because he was holding
• 7:14
  Speaker 1: my throat and that's when I got aggressive with him,
• 7:16
  Speaker 1: because you are choking me. He also said he wasn't
• 7:19
  Speaker 1: fighting the officer because his arms were in the air listening.
• 7:22
  Speaker 1: At the end of the day, it's nothing. You might
• 7:24
  Speaker 1: have to fight officers back, you know why, because you
• 7:25
  Speaker 1: feel like you're fighting for your life, right because you
• 7:27
  Speaker 1: once they start putting you in choke holds and all
• 7:29
  Speaker 1: kind of exactly start thinking about all of people who
• 7:33
  Speaker 1: have been choked out. You won't fight back for your life.
• 7:35
  Speaker 1: That's the vibal instant. It's reaction. And let's not forget
• 7:37
  Speaker 1: what happened to Taquisa Clemens when she was at waffle house. Also,
• 7:41
  Speaker 1: remember you guys saw that video where they had her
• 7:44
  Speaker 1: on the ground and then he was basically choking on
• 7:47
  Speaker 1: her and her top was slipping off and she was
• 7:49
  Speaker 1: trying to cover her self up, and he told her
• 7:52
  Speaker 1: that he would break her arm. All these police officers
• 7:55
  Speaker 1: are asking too much of human beings. And the reason
• 7:56
  Speaker 1: they're asking too much of human beings, it's gonna come
• 7:58
  Speaker 1: a point in time when human being survival and things
• 8:00
  Speaker 1: are gonna kick in and it's gonna be fight or flight,
• 8:02
  Speaker 1: you know, Okay, when we start back, when they start
• 8:05
  Speaker 1: fighting back, yelling nobody to blame but yourself, it's just
• 8:07
  Speaker 1: not a fair fight because they have guns, they have
• 8:09
  Speaker 1: backup officers. But I don't want anybody to get killed.
• 8:12
  Speaker 1: You almost gott And I was thinking about this, and
• 8:14
  Speaker 1: I do this with my son. Now, I work out
• 8:16
  Speaker 1: with my son. But we all have to make sure
• 8:18
  Speaker 1: we are fit because the way the way that cop
• 8:20
  Speaker 1: man handled that young man that shouldn't happened like that.
• 8:22
  Speaker 1: He was choking the shout of him, and what happens
• 8:24
  Speaker 1: to a young lady like you did to Jakissa Clements.
• 8:26
  Speaker 1: You're right, we gotta start working out and getting out
• 8:28
  Speaker 1: bodies right and being just as strong so you're not
• 8:30
  Speaker 1: gonna be throwing us around like you're abusing your power.
• 8:32
  Speaker 1: It is only a matter of time before people start
• 8:35
  Speaker 1: fighting back and clapping back, and you don't got nobody
• 8:37
  Speaker 1: to blame. And by the way, there was a second
• 8:38
  Speaker 1: police officer involved in this as well, so it's just
• 8:40
  Speaker 1: a I But I do believe the waffle House needs
• 8:44
  Speaker 1: to actually speak up because they haven't said anything. And
• 8:46
  Speaker 1: this is happening at waffle houses and people really go
• 8:49
  Speaker 1: to waffle House all the time. Or the patty mill
• 8:51
  Speaker 1: played at huddle House is way better than the one
• 8:53
  Speaker 1: at Everybody want to boycott Starbucks, but you guys should
• 8:56
  Speaker 1: be also boycotting waffle House. Right now, I'm trying to
• 8:58
  Speaker 1: figure out when they're going to get an All Stars
• 9:00
  Speaker 1: special becomes so dangerous. I've always liked her the house better,
• 9:02
  Speaker 1: by the way, because I grew up in Monk's Corner,
• 9:04
  Speaker 1: South Carolina. We got a hut of a a house, wifouse.
• 9:05
  Speaker 1: You always to go to the hout of house. But y'all,
• 9:07
  Speaker 1: I don't need to be going to a a wiffle house
• 9:08
  Speaker 1: at all. Right now, ain't no played way better? We
• 9:09
  Speaker 1: ain't got wiffle house. A hut of house, yes, y'all
• 9:11
  Speaker 1: do it is a hut of house in Jersey? Now? Yes?
• 9:13
  Speaker 1: It is right off Exit thirteen in Jersey. Okay, I
• 9:16
  Speaker 1: see the sign all but if you're outraged when you've
• 9:18
  Speaker 1: seen either one of these videos, then you need to
• 9:20
  Speaker 1: actually make sure that Wilfa house they need some training
• 9:24
  Speaker 1: in their facilities. It's not hard not to go to
• 9:27
  Speaker 1: a Wilfer house, you know what I mean? You know
• 9:28
  Speaker 1: what I'm saying. Unless you're out three o'clock, four o'clock
• 9:30
  Speaker 1: in the morning, the people are well, stay your ass home,
• 9:33
  Speaker 1: all right, the last front page news. Get it off
• 9:36
  Speaker 1: your chess eight on drip five eight five one on
• 9:38
  Speaker 1: five one. If you're upsets, you need to vent hit
• 9:40
  Speaker 1: us up right now. Maybe had a bad night, bad morning,
• 9:43
  Speaker 1: whatever it may be. Get it off few chess is
• 9:44
  Speaker 1: to breakfast club the morning, the breakfast club. This is
• 9:50
  Speaker 1: your time to get it off your chest. Your man,
• 9:54
  Speaker 1: get from you on the breakfast club. You got something
• 9:57
  Speaker 1: on your mom? Hello? Who's this without this track? North Carolina? Trade?
• 10:02
  Speaker 1: What up? Man? Get it off he bro ec hey, Man,
• 10:06
  Speaker 1: They lynching dudes in Oklahoma. That was mentioning two thousand
• 10:10
  Speaker 1: and eight things I saw that, man. They didn't just
• 10:12
  Speaker 1: lynch them, they dismember them and through their body parts
• 10:14
  Speaker 1: in the river. Right what so? Okay, I'm I'm a
• 10:17
  Speaker 1: convicted felon. You know, I'm approbation not coach carry weapon.
• 10:20
  Speaker 1: But at this point, if they lynching people, is it
• 10:23
  Speaker 1: really better to get caught with it or without it?
• 10:25
  Speaker 1: At this point to protect yourself and your family, My brother,
• 10:27
  Speaker 1: you and North Carolina, you can get a concealed weapons permitt.
• 10:30
  Speaker 1: Come on, now, you're from the Carolinas. You know you
• 10:31
  Speaker 1: can't get some permit to carry your gun even as
• 10:33
  Speaker 1: a convicted for life? How long ago you convicted? Papers you? Okay?
• 10:37
  Speaker 1: No money to me? So I don't know what happened.
• 10:40
  Speaker 1: Black men lynched? Yeah I would I'm for real. I
• 10:42
  Speaker 1: would like some more information on it too. If y'all
• 10:44
  Speaker 1: find out, you know more, we start getting the thing out.
• 10:46
  Speaker 1: They try to figure out they lynching people, and they
• 10:48
  Speaker 1: talk about making America great again. That ain't great, bro. Yeah,
• 10:50
  Speaker 1: I saw the I saw the article circulating on SO
• 10:53
  Speaker 1: saying it was a murder and dismemberment of two African
• 10:57
  Speaker 1: American men over a gun sale gone wrong, Gerald Marland
• 11:00
  Speaker 1: and ramand Smith. I haven't read the story though, so
• 11:03
  Speaker 1: I really don't know the all right, thanks for saying
• 11:06
  Speaker 1: like and I want to say my mom won't heir happy?
• 11:08
  Speaker 1: Mother's Day. Every day is Mother's Day. Dian Michelle stem
• 11:10
  Speaker 1: from Dawnson, Dark Carolina. I love you, MoMA, I love
• 11:13
  Speaker 1: I love your mama too. Bro Right, Hello, who's this? Hey?
• 11:16
  Speaker 1: What that man? Man? What's up? Broke? Get it off
• 11:18
  Speaker 1: her chest? What's going on? Y'all? To the police? Brutality? Man,
• 11:23
  Speaker 1: It had never happened to me, But there was one
• 11:26
  Speaker 1: time where there was two offices, two white officers. They
• 11:29
  Speaker 1: pulled me over and like a dark alley. So they
• 11:31
  Speaker 1: asked me for my license, you know, my registration. So
• 11:34
  Speaker 1: I asked them, like, you know, can I go to
• 11:36
  Speaker 1: my grove department because I don't know what they was
• 11:38
  Speaker 1: going through. And they was like, you know why we
• 11:40
  Speaker 1: pulled you over. I'm like nah. They was like, oh,
• 11:42
  Speaker 1: because you made a turn. I'm like what, I'm like
• 11:45
  Speaker 1: all right, cool? And then they gave me back my
• 11:47
  Speaker 1: life of registration. I just took off though I don't
• 11:49
  Speaker 1: give them no no leaveway, like, I don't give him
• 11:51
  Speaker 1: nothing there, you know, yeah, I mean listen, man, And
• 11:53
  Speaker 1: my anxiety kicks in. Whenever the police get behind me,
• 11:56
  Speaker 1: please get behind me. Down days I pull over on
• 11:58
  Speaker 1: the side of the road, I'll pull over the stall.
• 12:00
  Speaker 1: I don't want to even I don't want to interact
• 12:02
  Speaker 1: with him. And you know what, in front page News
• 12:04
  Speaker 1: I had a whole another story about a Kentucky police detective.
• 12:07
  Speaker 1: A woman went to go report a rate she was
• 12:09
  Speaker 1: sexually assaulted, and you know what happened. That Kentucky police
• 12:13
  Speaker 1: detective allegedly offered to drive her home and then he
• 12:17
  Speaker 1: ended up raping her again. Oh my goodness, Wow, Wow,
• 12:20
  Speaker 1: my goodness. Well a good lord, these young boys. Man,
• 12:23
  Speaker 1: just be careful out here, man. I mean, that's the
• 12:25
  Speaker 1: only thing my dad used to say. Just make sure
• 12:27
  Speaker 1: you get home. Man. You can't do nothing when you're
• 12:29
  Speaker 1: locked up a dad, just make sure you get home.
• 12:31
  Speaker 1: So you're saying that we need to fight back or
• 12:33
  Speaker 1: you need to make sure you get home, because those
• 12:34
  Speaker 1: are going to be I want to, I mean, make
• 12:36
  Speaker 1: sure you get home. What you gotta make sure you
• 12:38
  Speaker 1: live in you know what I mean? If they if
• 12:39
  Speaker 1: you can't just choke somebody like that asking too much
• 12:41
  Speaker 1: about Yeah, if you watch that video with a brother
• 12:43
  Speaker 1: named Anthony, he got threw up against that window and
• 12:45
  Speaker 1: the guy the cop put his on run his neck. Immediately,
• 12:48
  Speaker 1: his instinct was to fight back. Was going to happen.
• 12:51
  Speaker 1: And the whole thing is that he wasn't even nothing
• 12:54
  Speaker 1: violent was happening inside of a wiffle house. It's a
• 12:56
  Speaker 1: disagreement of a customer service, right, That's not a reason
• 12:58
  Speaker 1: for you to be slammed up choking. But I will
• 13:02
  Speaker 1: say a young boy, don't expect customer service at Waffa.
• 13:04
  Speaker 1: Come on, man, come expect customer service anywhere. You're not
• 13:07
  Speaker 1: that Waffa. Yes, all I wanted them to do with
• 13:09
  Speaker 1: wear gloves, but they don't even do that. Eight hundred
• 13:12
  Speaker 1: five A five one oh five one is the breakfast club.
• 13:14
  Speaker 1: God morning, the breakfast club. Pick up the mother mother
• 13:19
  Speaker 1: phone and down. This is your time to get it
• 13:22
  Speaker 1: off your chat. Whether you're man, we want to hear
• 13:26
  Speaker 1: from you on the breakfast club, so we better have
• 13:27
  Speaker 1: the same energy. Hello, who's this? This is a time
• 13:31
  Speaker 1: from long burn off Carolina. Time come on to get
• 13:33
  Speaker 1: it off fat chess bro. First office is about that
• 13:35
  Speaker 1: video about the teenage that uh we twenty two year
• 13:39
  Speaker 1: old guy at the way yep, yep, all right, cool man.
• 13:42
  Speaker 1: First thing first, I want to say, uh, that's not
• 13:44
  Speaker 1: I can't keep happening like this man, You know I
• 13:46
  Speaker 1: lost my brother back in twenty thirteen. A boy, it
• 13:48
  Speaker 1: has a police officer back in favor on North Carolina
• 13:51
  Speaker 1: or whatever. You know what I'm saying. He didn't have
• 13:52
  Speaker 1: a chance to fight for his life. You know what
• 13:54
  Speaker 1: I'm saying. It was just a straight three shots to
• 13:56
  Speaker 1: the chest and he dropped bed. So you know, we
• 13:58
  Speaker 1: can't keep having it going on. Man like this got
• 14:00
  Speaker 1: this guy to stop. Now, Brothers, now, I agree with you. Man.
• 14:03
  Speaker 1: Plus they I'm telling you, they're asking too much of us.
• 14:05
  Speaker 1: His human beings, our natural instincts are gonna kick, We're
• 14:08
  Speaker 1: gonna start fighting back. It's this is just ridiculous at
• 14:10
  Speaker 1: this point. Hello, who's this? Hey, Peace and budsons guys.
• 14:14
  Speaker 1: Good morning, pot guy. What's up that? I'm good man? Hey,
• 14:17
  Speaker 1: Charlot man, you ain't gonna talk with me today? What's
• 14:20
  Speaker 1: up my guy? How you? Hey? Eavy? I'm good. Heavy.
• 14:23
  Speaker 1: I was listening in a while ago as a garbage
• 14:25
  Speaker 1: truck driver, right, I was listening that you're on't show
• 14:28
  Speaker 1: the respect to the garbage sever I just say the
• 14:30
  Speaker 1: hold up, I said this morning, I was dipping in
• 14:32
  Speaker 1: and out. I said, I respect you guys. That's why
• 14:33
  Speaker 1: I apologized for dipping in and out. You're listening to
• 14:35
  Speaker 1: what I'm saying. Yeah, I am alright. Listen when you
• 14:39
  Speaker 1: when you're going around the garbage shrup try to go
• 14:41
  Speaker 1: nice and easy because sometimes the people that work on
• 14:44
  Speaker 1: the bat sometimes they walking in front of the garbage truck,
• 14:47
  Speaker 1: you know what I mean. I've seen incident where people
• 14:48
  Speaker 1: are going so fast past the garbage truck that they
• 14:51
  Speaker 1: almost hit one of the guys on the back, you
• 14:53
  Speaker 1: know what I mean. Yeah, and they're trying to get around,
• 14:55
  Speaker 1: and they're not expecting a holes like dj Envy to
• 14:58
  Speaker 1: be trying to drive aroun They blocked the streets sometimes
• 15:01
  Speaker 1: they know people around and I had to get around.
• 15:03
  Speaker 1: I had to get the work. It was either get
• 15:04
  Speaker 1: the work late. Sometime we have to block off the
• 15:07
  Speaker 1: street because you know, we're trying to get the garbage
• 15:10
  Speaker 1: in a timely manner and sometimes people part their cart
• 15:12
  Speaker 1: in front of the garbage that we can't even get it.
• 15:15
  Speaker 1: So we have to do the type of maneuver just
• 15:17
  Speaker 1: to protect the guys that's on the back, you know
• 15:19
  Speaker 1: what I mean. Yeah, I need to be safe, man,
• 15:21
  Speaker 1: because I love you guys. Man, We love you back brother. Yeah,
• 15:24
  Speaker 1: Peace and blessings. So if you don't do anything different
• 15:26
  Speaker 1: now when you're driving around the garbage, you actually go
• 15:28
  Speaker 1: to that. I was late, I was going to have
• 15:30
  Speaker 1: to get the work. Hello, who's this? Amya, amya, good morning,
• 15:33
  Speaker 1: to get it off your chest. I just don't like
• 15:36
  Speaker 1: how Charlotte Man was being ignorant about the situation. What's
• 15:40
  Speaker 1: the kid from the Wiffle House. I would imagine if
• 15:43
  Speaker 1: it was his daughter being assaulted by that police, of
• 15:46
  Speaker 1: which we have told your child not to go to
• 15:48
  Speaker 1: the walf House. Yes, I would tell my child not
• 15:50
  Speaker 1: to go to Wafferhouse. No more. What are you talking about?
• 15:52
  Speaker 1: Ain't that the whole point? Are we boycotting Wafflehouse? No,
• 15:55
  Speaker 1: we need to be so to be ignorant about it
• 15:57
  Speaker 1: though if that was your child, seriously, what are you
• 16:00
  Speaker 1: talking about? What? How was like ignorant when I specifically saying,
• 16:02
  Speaker 1: these cops are asking too much for us and when
• 16:04
  Speaker 1: we start fighting back, it's gonna be an issue. You're saying,
• 16:08
  Speaker 1: don't go to waffle House? Why not? He just took
• 16:10
  Speaker 1: a sistem from from I bet she was home. Why not?
• 16:14
  Speaker 1: What do you someone? You know this is not the
• 16:16
  Speaker 1: first incident at waffle house, right, And I didn't say
• 16:18
  Speaker 1: that little boy shouldn't go in to waffle house. I said,
• 16:20
  Speaker 1: don't go to wiff house and expect good customer service.
• 16:22
  Speaker 1: Waffle House customer services trash, which is you had another
• 16:24
  Speaker 1: reason not to go. Won't you expect the customer You
• 16:27
  Speaker 1: go anywhere and expect the customer service because waffle houses,
• 16:31
  Speaker 1: waffle House, they don't even wash their hands when they
• 16:33
  Speaker 1: cooking your food. They don't wear gloves when they cooking
• 16:35
  Speaker 1: your foods. What are you talking about this waffle House?
• 16:38
  Speaker 1: When have you ever gone to woff house and got
• 16:39
  Speaker 1: great customer service? Seriously all the time. No, you have it? Well,
• 16:42
  Speaker 1: thank you for calling mama. Get it off your chest.
• 16:45
  Speaker 1: Eight hundred five eight five one on five one. If
• 16:48
  Speaker 1: you need to vent, you can hit this up at
• 16:49
  Speaker 1: any time. Now you've got rumors on the way. Oh well, yeah,
• 16:51
  Speaker 1: this is a crazy story. But we are gonna talk
• 16:53
  Speaker 1: about detail. A producer who's working with people like Drake,
• 16:57
  Speaker 1: with Khalifa, Beyonce, jay z is being acute physically and
• 17:01
  Speaker 1: sexually abusing up and coming female artists, will tell you
• 17:04
  Speaker 1: what they had to say. All right, we'll get into
• 17:05
  Speaker 1: all that when we come back keep it locked as
• 17:07
  Speaker 1: the Breakfast Club. Good morning, the Breakfast Club, all right morning.
• 17:12
  Speaker 1: Everybody is DJ Envy and angeluyis Charlomagne. Got what I
• 17:16
  Speaker 1: ain't go live in? He hit Google and huddle House
• 17:18
  Speaker 1: because you know, I grew up on huddle House. Right now,
• 17:21
  Speaker 1: I'm hungry as yeah, because we can't go to waffle House.
• 17:24
  Speaker 1: So the only I grew up with one in mont
• 17:26
  Speaker 1: Corner side and line up. But then I saw they
• 17:27
  Speaker 1: got one in New A, New Jersey, and I'm damn
• 17:29
  Speaker 1: what how the house will be franchising, But now I'm starving.
• 17:32
  Speaker 1: They hunger? Yes, all right, well, let's get to the rumors.
• 17:34
  Speaker 1: Let's talk detail producer. This is the rule of report
• 17:39
  Speaker 1: with angela Ye Breakfast Club. Now, these allegations are horrific. Detail.
• 17:49
  Speaker 1: Who's a music producer. He actually co wrote and produced
• 17:51
  Speaker 1: Little Wayne's single how to Love. He also did Drunken
• 17:54
  Speaker 1: Love for Beyonce with the Boys for with Khalifa, worked
• 17:57
  Speaker 1: at a lot of different artists and he's now being
• 18:00
  Speaker 1: accused of raping and abusing two female artists. One of
• 18:03
  Speaker 1: them is a singer. Her name is Christina Buck and
• 18:06
  Speaker 1: she says that he raped her back in February after
• 18:09
  Speaker 1: a recording session in Miami and forced her to have
• 18:11
  Speaker 1: sex with him in front of other people. He got
• 18:14
  Speaker 1: violent last week while they were at the Malibu Beach
• 18:16
  Speaker 1: in and she says he forcibly grabbed her by the hair,
• 18:19
  Speaker 1: hit and choked her, bit her lip during it, and
• 18:21
  Speaker 1: she was left for bruises on her arms, head, back
• 18:23
  Speaker 1: and legs. Then, a second artist named Peyton Acclee says
• 18:26
  Speaker 1: that he made her and Christina his sex slaves and
• 18:30
  Speaker 1: she considered him a mentor in the industry, but he
• 18:32
  Speaker 1: told her the business was all about sex. Now, according
• 18:35
  Speaker 1: to these documents, he walked in on Peyton taken a
• 18:39
  Speaker 1: bath and forced to have sex with him in front
• 18:40
  Speaker 1: of another producer, and forced her to take nude photos
• 18:43
  Speaker 1: while he masturbated, and also forced her to record him
• 18:46
  Speaker 1: having sex with Christina. She also says that he got
• 18:50
  Speaker 1: violent and slammed her head into a wall and dragged
• 18:52
  Speaker 1: her up a flight of stairs. Now, according to TMZ,
• 18:55
  Speaker 1: these women did request restraining orders and the judge did
• 18:59
  Speaker 1: grant them. Details of this detail case are crazy now.
• 19:02
  Speaker 1: Bb rex up posted glad these women came out. It's scary.
• 19:05
  Speaker 1: He tried to with me but I literally ran out
• 19:07
  Speaker 1: of that studio. Karmen is a bitch. Singer Jesse Reyes
• 19:11
  Speaker 1: talks about one night over sixty years ago where he
• 19:14
  Speaker 1: tried that on her as well. Antie also says that
• 19:17
  Speaker 1: the song that she has about a gatekeeper is actually
• 19:21
  Speaker 1: about detail. Check it out. Oh I'm the gatekeeper. Spread
• 19:25
  Speaker 1: your legs open up. You could be famous if you
• 19:28
  Speaker 1: come up anywhere else Sally racing, drink up its. We
• 19:32
  Speaker 1: got champagne by the cases, don't you know? Don't you know?
• 19:35
  Speaker 1: We are the gatekeeper. Spread your legs open up, you
• 19:39
  Speaker 1: could be famous. You'll know where holding it dreams at
• 19:42
  Speaker 1: you're chasing. You'll know you're supposed to get un million
• 19:50
  Speaker 1: tallist in a car. Girl, tell your health if you
• 19:53
  Speaker 1: want to fisst Off yikes. Well, anybody who calls himself
• 19:56
  Speaker 1: a gatekeeper is trash because you're not God. I don't
• 19:59
  Speaker 1: know why to do act their God and like they
• 20:01
  Speaker 1: can grant blessings now. Jesse Ray's posted fear is a
• 20:04
  Speaker 1: real thing. The girls that came out are brave as hell.
• 20:06
  Speaker 1: She said, I didn't know what to say or who
• 20:08
  Speaker 1: to tell here somewhere from her song, Oh I'm the
• 20:10
  Speaker 1: gate keep bush, spread your you could be famous. Wait
• 20:15
  Speaker 1: till five years down the road and your failing keeping
• 20:18
  Speaker 1: Cofi's regular dudes that are names, don't you know? Don't
• 20:22
  Speaker 1: you know that we got the gate keepers? Spread your
• 20:24
  Speaker 1: lisping up? You could be famous? Girl on your knees.
• 20:28
  Speaker 1: Don't you know what your places got? Cold on? My girl?
• 20:32
  Speaker 1: Don't you want to taste? The best thing about the
• 20:34
  Speaker 1: industry now is then there are no gates, by the way,
• 20:37
  Speaker 1: and then on the side, no, Jesse is dope, She's dope.
• 20:40
  Speaker 1: I never heard of this. I never heard it to
• 20:42
  Speaker 1: this now, but just what I just heard, she sounds.
• 20:43
  Speaker 1: And people always ask how has this been going on?
• 20:45
  Speaker 1: For Solon? Because she was talking about an incident over
• 20:47
  Speaker 1: six years ago, and like she said, she was scared.
• 20:50
  Speaker 1: And so it took for these two women coming forward,
• 20:52
  Speaker 1: for other people to feel brave enough to come forward
• 20:55
  Speaker 1: and tell their stories as well. Listen, I've never seen
• 20:57
  Speaker 1: detail of day in my life, but when I saw
• 20:59
  Speaker 1: him yesterday, I will say pictures I was looking at.
• 21:01
  Speaker 1: He's got a rape his face, and you know he
• 21:03
  Speaker 1: recently also had a lawsuit against Drake saying that his
• 21:05
  Speaker 1: security beat him up. If you guys remember that. Yeah,
• 21:09
  Speaker 1: they broke his jaw. He's got some really rape features,
• 21:12
  Speaker 1: like with the shades on and the big black hatters, like,
• 21:14
  Speaker 1: bro what you up to? He looks like a little
• 21:16
  Speaker 1: shifty rape Still your poom poom looking individual, don'tly good? Well?
• 21:20
  Speaker 1: I commend these women for coming forward and having the
• 21:23
  Speaker 1: strength to tell their story. The first picture look a
• 21:25
  Speaker 1: little Still what happens to? Still? He's stupid? Image lay
• 21:30
  Speaker 1: and that is your rumor report. All right, thank you,
• 21:32
  Speaker 1: miss ye. Now when we come back, Hey, we have
• 21:35
  Speaker 1: a special guest with us. Yes, she has a movie
• 21:37
  Speaker 1: that comes out the day called Life for the Party,
• 21:39
  Speaker 1: Life of the Party. She's the second highest paid actress
• 21:42
  Speaker 1: in all of Hollywood. She's been in Bridesmaid, she's been
• 21:45
  Speaker 1: on S and now she's done the Female when they
• 21:48
  Speaker 1: relaunched The Female Ghosts Part two. Yeah, she's been a
• 21:51
  Speaker 1: female when they relaunched. When they relaunched, they relaunched on
• 21:56
  Speaker 1: your ass. You don't know what'll be coming out your mouth? Oh,
• 22:00
  Speaker 1: why are you flirting with me? This morning? Melissa McCarthey
• 22:02
  Speaker 1: will be here and we'll talk to when we come back,
• 22:04
  Speaker 1: So don't move. It's to Breakfast Club. Of the morning Morning.
• 22:06
  Speaker 1: Everybody is DJ Envy Angela yee charl I mean the
• 22:10
  Speaker 1: guy we all the breakfast clubby our special guests in
• 22:13
  Speaker 1: the building. Yep. You might know her from Bride'smaids or
• 22:16
  Speaker 1: Coachbusters or even on S n L. Melissa McCarthey, Hey,
• 22:22
  Speaker 1: get to the money McCarthy. Yeah you okay, she's worth
• 22:24
  Speaker 1: sixty million dollars your bird. Why are you one of
• 22:28
  Speaker 1: the top paid women in Hollywood? Okay, all right, if
• 22:32
  Speaker 1: you can locate where that money is that you can
• 22:36
  Speaker 1: just let me know with like a code or something.
• 22:39
  Speaker 1: The Celebrity Network confused you online. You go look at
• 22:41
  Speaker 1: you be like, where's that money? You say? I just
• 22:43
  Speaker 1: like a call from my mom. She's like, oh my god,
• 22:46
  Speaker 1: how is this possible. I'm like, it's not possible. That's
• 22:49
  Speaker 1: a that's the thing. But you are one of the
• 22:51
  Speaker 1: top paid women in Hollywood or it's it's kind of weird.
• 22:54
  Speaker 1: I mean, I don't I don't know who gets what,
• 22:56
  Speaker 1: but I'm just shocked every time I get I actually
• 22:58
  Speaker 1: get paid someone. Let's go to work. Okay. I figured
• 23:02
  Speaker 1: at the end of the day, they're gonna be like,
• 23:04
  Speaker 1: we figured it out. I'm always slightly waiting for somebody
• 23:08
  Speaker 1: be like, wait a minute, Wait a minute, wait a minute,
• 23:11
  Speaker 1: we're onto you take ahead. I always the one that
• 23:13
  Speaker 1: you know about the business though, because you know, in
• 23:14
  Speaker 1: this world with a gender wage gap is so real,
• 23:16
  Speaker 1: how you been able to get your break? I don't know.
• 23:20
  Speaker 1: I mean it's a weird. I mean I think it
• 23:22
  Speaker 1: just always fight for like what the project is, and
• 23:25
  Speaker 1: I've got you know, okay, could people fighting with me?
• 23:28
  Speaker 1: And I think it is. Finally when I was like
• 23:30
  Speaker 1: I will say no, I think that was the biggie,
• 23:33
  Speaker 1: which is always terrified, especially for somebody who couldn't get
• 23:36
  Speaker 1: work for twenty years. It's like when you're finally like
• 23:38
  Speaker 1: I'm gonna say no and walk away unless it seems
• 23:41
  Speaker 1: right and fair, which is you know, then you go
• 23:45
  Speaker 1: cry in your car when you get to that point,
• 23:47
  Speaker 1: which fills seriously, let me know where that is? Um No,
• 23:53
  Speaker 1: I mean I think pretty early on, I was like,
• 23:56
  Speaker 1: you know, it's it's a funny thing. It's like you
• 23:58
  Speaker 1: can't make a jump for I'm like almost nothing, And
• 24:01
  Speaker 1: I was always like, oh wait, when did you finally
• 24:03
  Speaker 1: make the jump that everybody you always hear about. I
• 24:05
  Speaker 1: finally was like, I'm just gonna wait it out. It
• 24:08
  Speaker 1: wasn't crazy, but I just wanted it to be fair
• 24:11
  Speaker 1: of like, well, what's everybody else on it? Making kind
• 24:14
  Speaker 1: of even it out? So it worked it off. So
• 24:18
  Speaker 1: what made you come to this show? This Rinky Dan show?
• 24:20
  Speaker 1: You know? We were yeow what made you come? Yeah?
• 24:24
  Speaker 1: Because nobody's listening you guys, keep it up some day
• 24:29
  Speaker 1: someone my tune in now? Yeah, yeah, right right, you
• 24:34
  Speaker 1: listen to the show. Yes, I listened to the show,
• 24:36
  Speaker 1: but like, star, does everybody else in the world? Come on?
• 24:40
  Speaker 1: Did you do it? Okay? We're doing Okay, we're not yet,
• 24:43
  Speaker 1: but we you know where it is. It was you're
• 24:49
  Speaker 1: my only link to it? Are you start? Right? I did?
• 24:53
  Speaker 1: Actually really yeah. I started doing stand up when I
• 24:56
  Speaker 1: came to New York and like just clueless, um, which
• 25:01
  Speaker 1: probably probably good because it's the only reason I got
• 25:03
  Speaker 1: up on stage. And somebody's like, oh, do stand up
• 25:05
  Speaker 1: tomorrow night, And I'm like, all right, that's it, Like
• 25:08
  Speaker 1: no prep, no no common sense about it. But I
• 25:10
  Speaker 1: was twenty and I was like I didn't think about like, oh,
• 25:13
  Speaker 1: what are you gonna write? What are you gonna say?
• 25:14
  Speaker 1: I just kind of jumped up on stage, which now
• 25:17
  Speaker 1: I'd be like, there's no way, I'd be too chicken.
• 25:19
  Speaker 1: But uh, what was your worst show doing stand up?
• 25:22
  Speaker 1: Since you didn't write anything? So so many it's also
• 25:25
  Speaker 1: like when there's a heckler, I didn't I didn't want
• 25:28
  Speaker 1: to do like a mean show. It just was not
• 25:31
  Speaker 1: because that can't be funny, but just because it wasn't
• 25:33
  Speaker 1: my thing. I was telling like long, weird stories and
• 25:37
  Speaker 1: and you know, especially when you're starting out you only
• 25:39
  Speaker 1: have like four minutes, somebody that's like took your chop off.
• 25:44
  Speaker 1: Always that was, but that guy in a different way.
• 25:51
  Speaker 1: That guy was in every single club to the point
• 25:53
  Speaker 1: where we're just like, oh, has that ever worked? Have
• 25:57
  Speaker 1: you ever yelled at at a woman and they're like,
• 25:59
  Speaker 1: oh my god, I gotta get this thing off. Incredible. Yeah,
• 26:04
  Speaker 1: But there is always like in every comedy which is
• 26:07
  Speaker 1: why I stept doing standard, Like every comedy club always
• 26:09
  Speaker 1: had somebody that was like just yelling crazy stuff. I'm like,
• 26:13
  Speaker 1: let me take a guess. It's the guy in the
• 26:15
  Speaker 1: corner alone on his like eighth drink. And then you
• 26:18
  Speaker 1: have to but you take two minutes of your four
• 26:21
  Speaker 1: minute time to like and he really was usually never
• 26:25
  Speaker 1: going to shut up until you kind of eviscerated him.
• 26:27
  Speaker 1: And then once you get that mean with somebody, which
• 26:29
  Speaker 1: I didn't want to do in the first place, then
• 26:31
  Speaker 1: just switch back into like, hey, so anyway I'm walking
• 26:34
  Speaker 1: to it, like I just said awful things about it,
• 26:37
  Speaker 1: like his family while he's alone, you're never gonna find happiness. Hey.
• 26:41
  Speaker 1: The craziest thing happened walking down, like did you make
• 26:43
  Speaker 1: that switch back? People were like, she's got a mean
• 26:46
  Speaker 1: street Like then You'm like, I didn't want to do that,
• 26:49
  Speaker 1: so weird to a guy to do, because there's other
• 26:51
  Speaker 1: clubs for that. There's plenty of clubs you can go
• 26:53
  Speaker 1: to see women taking especially I had like a wig
• 26:57
  Speaker 1: on and like weird, like I looked. I looked kind
• 27:00
  Speaker 1: of club kid ish. So it wasn't like I think
• 27:03
  Speaker 1: it was just anybody who walked up there that they
• 27:05
  Speaker 1: probably didn't think it was going to punch them. That
• 27:07
  Speaker 1: they would they would probably yell that at it. But
• 27:10
  Speaker 1: it was like a absolute consistent which I just was
• 27:14
  Speaker 1: always like, I'm just like, come on, Melissa mccafee's here.
• 27:17
  Speaker 1: You might know how from Bribes, Med's Goldsbusters or s
• 27:20
  Speaker 1: and now, now, how did you lose so much weight?
• 27:22
  Speaker 1: You lois ast a lot. Well, it's also like over
• 27:26
  Speaker 1: five years, it's not like three weeks ago. Why just
• 27:30
  Speaker 1: did Why did you work at it? Why not just
• 27:33
  Speaker 1: because well because I figured it would stick, because it's
• 27:42
  Speaker 1: like I don't know, because I just wanted I wanted
• 27:44
  Speaker 1: to change it without like you know, I don't know.
• 27:47
  Speaker 1: I think everybody's always like kind of working on something.
• 27:49
  Speaker 1: And I was like, if I can distress and just
• 27:52
  Speaker 1: do it slower and stop constantly trying to be on something,
• 27:55
  Speaker 1: and then it and it actually worked better, like instead
• 27:58
  Speaker 1: of being like I'm gonna not do this and do
• 28:00
  Speaker 1: this and only drink this and do it like instead
• 28:03
  Speaker 1: of the crazy plan because they started to think about
• 28:05
  Speaker 1: it like that's like controlling your breathing all day, like
• 28:09
  Speaker 1: fourteen hours in you go that crazy. So I was like,
• 28:12
  Speaker 1: I'm just gonna like mellow out, give myself a break.
• 28:15
  Speaker 1: And after I had kids, I was just like I can't.
• 28:18
  Speaker 1: I have to be realistic, like it's not gonna it's
• 28:20
  Speaker 1: not gonna go fast, but I feel I mean, I
• 28:22
  Speaker 1: feel great. So it's very rare in Hollywood to lose
• 28:25
  Speaker 1: the weight naturally. Well, I just didn't want to. I
• 28:28
  Speaker 1: don't know, I'm too chicken maybe maybe being chickens. I'm
• 28:33
  Speaker 1: a very for know, I'm not a frightened moment, but
• 28:35
  Speaker 1: I just thought, I thought there's gotta be a way.
• 28:38
  Speaker 1: And if I wasn't rushing it, I said, you know,
• 28:40
  Speaker 1: I was kind of like, what's the hurry? And a
• 28:42
  Speaker 1: little guyed and working out? Thank you? What's that old?
• 28:45
  Speaker 1: And working out? Yeah? And like stop stop freaking out
• 28:48
  Speaker 1: about stuff. Stop looking at the crazy things of like
• 28:50
  Speaker 1: who were it better? Where it's like two amazing looking people.
• 28:54
  Speaker 1: It's like all that stuff. We're supposed to be fighting
• 28:56
  Speaker 1: each other and women are supposed to be in compared
• 28:59
  Speaker 1: and stuff. I found it was just like I'm done
• 29:00
  Speaker 1: with it. I'm done with it. Like I think when
• 29:04
  Speaker 1: you freak your freak your mind out and worry about
• 29:07
  Speaker 1: stuff that's not like you're you're not gonna ever get
• 29:10
  Speaker 1: healthier that way. And you said you met your husband
• 29:14
  Speaker 1: was named Ben Falcolm. He's a director and writer. Y
• 29:17
  Speaker 1: y'all done like three films together. The difficult balance and
• 29:19
  Speaker 1: the personal and professional it's great, really, oh my god.
• 29:24
  Speaker 1: That's how we met. We met at the Groundlings. So
• 29:27
  Speaker 1: he was like, my he was my favorite person to
• 29:29
  Speaker 1: write with. Its super funny. Yeah he's not gonna puts
• 29:37
  Speaker 1: a great guy. No, he's like super funny, super smart
• 29:44
  Speaker 1: and just like weird and makes me laugh. And and
• 29:47
  Speaker 1: we immediately like we became really good friends right away Groundlings,
• 29:50
  Speaker 1: and we were always the ones like we should let's
• 29:53
  Speaker 1: just write together because it was easy and fun. And
• 29:56
  Speaker 1: then I was pretty sweet on him early and then
• 29:58
  Speaker 1: that all worked out and it's just it's easy with him.
• 30:01
  Speaker 1: It's like we get to go to work together. It's
• 30:02
  Speaker 1: like we're stupid all day. He's like even Stephen and
• 30:05
  Speaker 1: so he's like a super mellow guy. So to have
• 30:07
  Speaker 1: that as a director, and you know, they're really funny
• 30:10
  Speaker 1: and like watching out for you, it's like it's it's
• 30:13
  Speaker 1: like the dream. It's never too far. It's never babe,
• 30:15
  Speaker 1: do this or never you have to do this. It's
• 30:17
  Speaker 1: always fun. No problems now because it's like, oh what
• 30:20
  Speaker 1: about this? And then he'll say what about that? It's
• 30:22
  Speaker 1: like oh what about green? What about yell? And then
• 30:23
  Speaker 1: we're both like ah purple, Like it's a fun it's
• 30:27
  Speaker 1: a super fun like collaborative. There's no ego. I also,
• 30:30
  Speaker 1: you know, I think if you get into ego stuff,
• 30:32
  Speaker 1: you're never gonna make anything funny anyway. Have you ever
• 30:34
  Speaker 1: held up a scene because you want to hook up
• 30:36
  Speaker 1: in the trailer? No? Is that sad? Listen, it's not
• 30:40
  Speaker 1: too late. I'll be right back. We have more with
• 30:48
  Speaker 1: Melissa about coffee when we come back. Don't move. She
• 30:50
  Speaker 1: has a new flick in theaters this weekend, Life of
• 30:52
  Speaker 1: the Party. It's the Breakfast Club. Good morning, the Breakfast Club.
• 30:58
  Speaker 1: Everybody is DJ and v Angela, Ye, Chalomagne the guy.
• 31:01
  Speaker 1: We all the Breakfast Club. We have Melissa McCarthy in
• 31:04
  Speaker 1: the building. You might know how from Bride'smaids S andl
• 31:08
  Speaker 1: Ghostbusters And now she has a new flick out this weekend.
• 31:11
  Speaker 1: It's called Life for the Party. Melissa McCarthy's here is Chalomagne.
• 31:14
  Speaker 1: My Rootolf is one of your close friends too. You
• 31:15
  Speaker 1: met her at the ground Links too. Yeah, wow, we
• 31:18
  Speaker 1: started We started the Groundlinks together, Christian Wig. It's just
• 31:22
  Speaker 1: kind of a crazy It was a crazy group when
• 31:25
  Speaker 1: we were in that you know, student student shows together.
• 31:28
  Speaker 1: Like it's like you don't get paid there, so you're
• 31:31
  Speaker 1: there and you're working so hard, so it's like you've
• 31:34
  Speaker 1: gotta love it. You gotta love it, or you wouldn't
• 31:37
  Speaker 1: put up with it. But yeah, it was pretty It
• 31:39
  Speaker 1: was a pretty crazy group. And she is Maya to
• 31:42
  Speaker 1: me is like I would say, one of the top
• 31:44
  Speaker 1: five human creatures that are that funny I've ever met
• 31:47
  Speaker 1: in my life and like sweet, like all that goodness,
• 31:50
  Speaker 1: all that sweetness on top of that kind of funny
• 31:53
  Speaker 1: is like mind blowing. Oh, I gotta put I gotta
• 31:55
  Speaker 1: ask you who other four before you move on? Ma,
• 31:57
  Speaker 1: Maya Tuck, I say, Christian Wig, not just because they're friends,
• 32:01
  Speaker 1: but like truly like they're nuts. I think Bill Hayter,
• 32:05
  Speaker 1: I don't know, Jamie Fox. Really it's me. Um oh,
• 32:08
  Speaker 1: I don't know. I hate. I hate to end the list.
• 32:11
  Speaker 1: That's cool. You have people calling your phone later like, oh,
• 32:13
  Speaker 1: you don't think I'm talking about thinking about that. I
• 32:16
  Speaker 1: was like, you know what, I'm gonna get in trouble
• 32:18
  Speaker 1: for this list, And am I is in your new
• 32:20
  Speaker 1: movies that I gotta be fine to your friends. It's
• 32:26
  Speaker 1: really like it was such a good it's such a
• 32:29
  Speaker 1: good group. Like set was just pretty stupid, like, which
• 32:33
  Speaker 1: is a pretty good way to go to work when
• 32:35
  Speaker 1: you're just like, if we stop laughing long enough to
• 32:37
  Speaker 1: like shoot it, like, that's a pretty good that's a
• 32:40
  Speaker 1: pretty good way to spend the day. And she is
• 32:42
  Speaker 1: she plays my best friend in it, Maya, And uh,
• 32:45
  Speaker 1: it was great because we're like, you know, anytime we
• 32:48
  Speaker 1: can get to work together, like we're both busy and
• 32:51
  Speaker 1: she's you know, we both have kids. It's like you
• 32:53
  Speaker 1: don't always see each other. So to be able to
• 32:55
  Speaker 1: be at work and just hang out and kind of
• 32:58
  Speaker 1: do the like make each other laugh like we did
• 33:01
  Speaker 1: when we met, was it's kind of amazing. Yeah, we're
• 33:03
  Speaker 1: talking to Melissa McCarthy. Of course, she has a new
• 33:05
  Speaker 1: flick life with the party out this weekend. She's from
• 33:08
  Speaker 1: Bridesmaids S and now Ghostbusters. Now, you just talked about
• 33:12
  Speaker 1: how you used to do stand up. Do you think
• 33:14
  Speaker 1: that some of those jokes that you did before, you know,
• 33:16
  Speaker 1: comedians could do now. I think it's it's definitely different.
• 33:20
  Speaker 1: I think it's different, and I think it's it's definitely
• 33:23
  Speaker 1: good that we're becoming more aware. I mean it's kind
• 33:26
  Speaker 1: of like about time is on a lot of front
• 33:29
  Speaker 1: on a lot of friends. I think it's how you
• 33:31
  Speaker 1: do it. I think you still have to poke the bear.
• 33:33
  Speaker 1: I think you still have to shine the light and
• 33:35
  Speaker 1: hold a mirror up. And I think that's one of
• 33:37
  Speaker 1: the great things that comedy and stand up can do.
• 33:41
  Speaker 1: It's like it can it can poke at you if
• 33:44
  Speaker 1: you don't do it with venom. I think you can
• 33:47
  Speaker 1: actually make fun of a situation and what's going on
• 33:51
  Speaker 1: and do it in a way that might actually make
• 33:53
  Speaker 1: someone realize something. If you just come at someone hard
• 33:56
  Speaker 1: and make them feel stupid, then I think people are
• 33:59
  Speaker 1: gonna and you're not gonna change anyone's mind. No one's
• 34:02
  Speaker 1: gonna be like, huh, like maybe this is dumb. They're
• 34:05
  Speaker 1: just gonna get mad at you. You always felt like
• 34:07
  Speaker 1: intention madness because even when you watch old comedy shows
• 34:10
  Speaker 1: back in the day, and they might have been talking
• 34:11
  Speaker 1: about like you know, like like edgy topics, Yeah it
• 34:17
  Speaker 1: was fun. And also they were they were the joke,
• 34:20
  Speaker 1: like they were somehow even though they were talking about
• 34:23
  Speaker 1: if they wanted to like talk about something, they put
• 34:27
  Speaker 1: themselves in as the butt of the joke, which immediately
• 34:30
  Speaker 1: makes you more able to kind of like take it
• 34:33
  Speaker 1: in and like laugh at it and realize maybe this
• 34:35
  Speaker 1: is stupid. It's intention for sure, I think, but when
• 34:38
  Speaker 1: somebody really is like if you're trying to make a point,
• 34:41
  Speaker 1: like I don't think anybody really wants to be preached
• 34:43
  Speaker 1: to a good time, And then you go on social media,
• 34:46
  Speaker 1: people are just trying to get attention. So everybody's looking
• 34:48
  Speaker 1: for that viral moment, even when they're like on stage
• 34:51
  Speaker 1: at a show or something. They just want to say
• 34:53
  Speaker 1: something that they'll know go viral. And and why it's
• 34:55
  Speaker 1: too like whoever can be the like the nastiest in
• 34:58
  Speaker 1: the meaness That's what my brain just doesn't work that way.
• 35:02
  Speaker 1: I'm always like you put like a quarter of that
• 35:05
  Speaker 1: energy and of like if you want to be noticed,
• 35:07
  Speaker 1: then like figured out figure out how. But just saying
• 35:11
  Speaker 1: really incredibly mean, hateful things, and I was just like,
• 35:15
  Speaker 1: what does that person walk around with all day? They
• 35:18
  Speaker 1: just like just like toxic. Yeah, they're miserable, and it's
• 35:21
  Speaker 1: always like, you know, three thirty two in the morning
• 35:24
  Speaker 1: and like Scratton, Pennsylvania and you're like someone's in like
• 35:28
  Speaker 1: their parents. You know, that's not someone who's like I
• 35:30
  Speaker 1: just had the most amazing day. I'm so happy. Let
• 35:33
  Speaker 1: me just write this quick hate mail like no one's
• 35:35
  Speaker 1: doing that thugging. That's what we call. That's yeah, And
• 35:40
  Speaker 1: misery loves company and social media provides you company twenty
• 35:42
  Speaker 1: four seven, three sixty five. I thowt you tell people
• 35:45
  Speaker 1: that you like you ignore your online trolls. I just
• 35:48
  Speaker 1: don't read any of it. Like I've never tried to
• 35:50
  Speaker 1: get better at figuring out like some social stuff because
• 35:55
  Speaker 1: I'm just like, I don't want to. It's not going
• 35:57
  Speaker 1: to improve me. I'm not gonna like, oh, so and
• 36:00
  Speaker 1: so and you know, Indiana hopes I died to night.
• 36:02
  Speaker 1: I'm like, you know what that's I'm gonna take that
• 36:06
  Speaker 1: note and try to imply it. It's like when it's
• 36:08
  Speaker 1: so awful, I'm like, if I'm right with my kids
• 36:10
  Speaker 1: and my family, and then I'm okay, Like I'll take
• 36:14
  Speaker 1: any creative note or like positive not positive, it can't
• 36:18
  Speaker 1: doesn't have to be positive. But like when it's just crazy,
• 36:21
  Speaker 1: like ope, you and your family die in your sleep,
• 36:23
  Speaker 1: it's like, okay, that did not that did not help
• 36:27
  Speaker 1: my situation. Well, after this interview, you can have a
• 36:29
  Speaker 1: bunch people with tweeting, you say, and take your top
• 36:30
  Speaker 1: of somebody yells yells at at me. Today, I'll be like,
• 36:36
  Speaker 1: thank you, thank you so much. I'll consider its Yeah,
• 36:41
  Speaker 1: and it was an all male franchise before, clearly was
• 36:44
  Speaker 1: all female when y'all did it. Did you learn anything
• 36:46
  Speaker 1: new about a sexism in Hollywood when y'all did that? Well,
• 36:49
  Speaker 1: just that people need hobbies, people need to fill their
• 36:52
  Speaker 1: time with other stuff. Because literally saying like you ruined
• 36:58
  Speaker 1: my life, it's like through oh my god, like so
• 37:01
  Speaker 1: many people, this was before we started filming, just the
• 37:05
  Speaker 1: concept of women doing that thing. There were so many
• 37:09
  Speaker 1: like things online that was like, you're ruining my life,
• 37:12
  Speaker 1: You're ruining my childhood. I was like, if that's going
• 37:15
  Speaker 1: to ruin your childhood, I'm gonna guess it was pretty
• 37:17
  Speaker 1: bad to start with. I don't I don't think we
• 37:20
  Speaker 1: did it like a sexist and misogynistic. Do you have
• 37:23
  Speaker 1: to be to think women can't kill ghosts something that
• 37:25
  Speaker 1: we're not even sure it exists? I never really just
• 37:31
  Speaker 1: thought about like it's all fake, Like yeah, well I don't.
• 37:36
  Speaker 1: I can't say the people saying that are people that
• 37:38
  Speaker 1: I'm like, they seem to be really smart. I bet
• 37:42
  Speaker 1: they're really really fought this through. Melissa mccarfee still in
• 37:45
  Speaker 1: the building, you know how from Bridesmay's ghostbust Is just
• 37:47
  Speaker 1: to name a few. Continue Chlamie. Do you believe in ghosts? Hey?
• 37:51
  Speaker 1: I do from a small funtime. I'm from the country
• 37:53
  Speaker 1: to South Carolina. So you have a saw one growing up?
• 37:56
  Speaker 1: I think I said, my great grandmother lived with us,
• 38:00
  Speaker 1: and when she passed away, like I know that I
• 38:03
  Speaker 1: saw her and my mom came upstairs and I was like,
• 38:06
  Speaker 1: grandma was and she was like what. I was like,
• 38:09
  Speaker 1: Grandma was in my room and She's like, you were
• 38:11
  Speaker 1: in there talking to somebody, So how are you? Like seven? Really? Yeah?
• 38:16
  Speaker 1: But it didn't scare him. It didn't scare me or anything.
• 38:18
  Speaker 1: It wasn't uh yeah, I just think, who knows where
• 38:21
  Speaker 1: we go? Where? You like, I believe in all that?
• 38:24
  Speaker 1: What does she tell You're gonna be worse? Sixty say?
• 38:27
  Speaker 1: She's like you you are going to be worth now
• 38:31
  Speaker 1: do you remember? I know, I don't remember any talking.
• 38:35
  Speaker 1: I just know that she was in she was in
• 38:37
  Speaker 1: my room and that that's all. And I just remember
• 38:41
  Speaker 1: it didn't feel scary. It didn't. And then my other
• 38:44
  Speaker 1: grandmother passed away and I was I was driving and
• 38:48
  Speaker 1: you know, I was upset. Because she'd like I was
• 38:50
  Speaker 1: living out here at the time and just found out,
• 38:52
  Speaker 1: like she's just passed away. And I was trying to
• 38:54
  Speaker 1: like literally drive somewhere where I could pull over because
• 38:57
  Speaker 1: I was crying in the car. And I reached over,
• 39:00
  Speaker 1: and you know, you just really reached Its like your
• 39:02
  Speaker 1: glove compartment, and I opened it and out flipped a
• 39:06
  Speaker 1: picture of my grandma. Wow, that I guess he had
• 39:09
  Speaker 1: been in there. I drove it out from Illinois this car.
• 39:12
  Speaker 1: I had not opened my glove compartment, nor I have
• 39:14
  Speaker 1: no idea why I had a picture of my grandma
• 39:16
  Speaker 1: and it literally flipped up and ended up on the
• 39:19
  Speaker 1: passenger seat to face up like, and I had not
• 39:23
  Speaker 1: opened it. I'd had the car for like three years,
• 39:26
  Speaker 1: so it wasn't like, oh, I just put it in
• 39:27
  Speaker 1: there because I was thinking, like it came out of nowhere,
• 39:30
  Speaker 1: and I just then when I finally pulled over, I
• 39:32
  Speaker 1: was like, oh, everything's fine, all right. We have more
• 39:34
  Speaker 1: with Melissa McCarthy when we come back, you know her
• 39:36
  Speaker 1: from Bridesmaids S and L keep it loft as the
• 39:39
  Speaker 1: Breakfast Club. Good morning morning, everybody is DJ Envy angela Ye, Charlemagne,
• 39:44
  Speaker 1: the guy we all the Breakfast Club now from Life
• 39:47
  Speaker 1: of the Party, which is in theaters this weekend. Melissa
• 39:49
  Speaker 1: McCarthy's in the building, Charlemagne. You, you and Tiffany Hatris
• 39:53
  Speaker 1: will be starting in a movie together. I just met her.
• 39:56
  Speaker 1: I just met her. Yeah, it's u. She's a force
• 40:00
  Speaker 1: of nature, like she's a force of good, Like she's
• 40:04
  Speaker 1: sweet and it's fun like crazy funny. So yeah, you
• 40:10
  Speaker 1: just kind of like I was just in from like
• 40:13
  Speaker 1: the second I met her. I'm like, yep, this seems
• 40:16
  Speaker 1: this seems like I'm just gonna be like, keep going.
• 40:19
  Speaker 1: She's great. We start there tomorrow. Really, wow, why are
• 40:22
  Speaker 1: you not somewhere sleeping? I'll just take that up. You guys,
• 40:31
  Speaker 1: don't mind if I just not offer a minute. It's
• 40:34
  Speaker 1: not a comedy y'all doing right now, No, not at
• 40:36
  Speaker 1: all drama. It's a Hell's Kitchen nineteen seventies and uh,
• 40:41
  Speaker 1: we kind of take over. We take over the Irish mom.
• 40:43
  Speaker 1: You know, nobody's gonna be expecting that you and Tiffany
• 40:47
  Speaker 1: Hatters in a movie. They're expecting it to be comedy
• 40:49
  Speaker 1: and y'all doing a drama. I know, I wish I
• 40:51
  Speaker 1: kind of love. Yeah, I think it's like a great
• 40:54
  Speaker 1: it's such a good script, and Elizabeth Moss is doing
• 40:57
  Speaker 1: it too. It's just it's a really it's a really
• 40:59
  Speaker 1: cool story. But yeah, it's not funny. What advice would
• 41:01
  Speaker 1: you give tip, because y'all kind of blew up in
• 41:03
  Speaker 1: a similar way you would bribe me her girls trip
• 41:06
  Speaker 1: and now you're now you're worth sixty million dollars? So
• 41:09
  Speaker 1: what if? What if we call him a bird because
• 41:11
  Speaker 1: all he talking about advice where I give her not
• 41:17
  Speaker 1: a word? Really, she doesn't need, she does not need.
• 41:21
  Speaker 1: She is clear and on a on her path. She knows,
• 41:24
  Speaker 1: like you just feel it in her and you when
• 41:27
  Speaker 1: she talks about stuff we had we went out to
• 41:29
  Speaker 1: dinner and she just had you just know she she
• 41:33
  Speaker 1: sees what she wants how to get it. And I
• 41:36
  Speaker 1: mean that in a really like good way of like
• 41:38
  Speaker 1: a work this way. And she's also like right in
• 41:40
  Speaker 1: her element. I always think it's really exciting when you
• 41:43
  Speaker 1: find when you meet somebody who's doing something that you're like,
• 41:46
  Speaker 1: this is like what if you weren't doing this, Like
• 41:49
  Speaker 1: you're so built to do it, and you found it
• 41:52
  Speaker 1: and you figured out how to do it better than
• 41:56
  Speaker 1: almost everybody else like that. I'm always like I get
• 41:59
  Speaker 1: like goosebump, like you found your you found it, and
• 42:02
  Speaker 1: like hit it hard. I always think that's really it
• 42:05
  Speaker 1: doesn't matter what it is. Could be cooking, could be painting,
• 42:08
  Speaker 1: could be music. But when you see someone drop into that,
• 42:11
  Speaker 1: you're just like, I don't know, it's it's uh, it's
• 42:13
  Speaker 1: pretty exciting. But we feel like who paid for dinner? Yeah,
• 42:16
  Speaker 1: both went out for dinner. Oh listen, we let to
• 42:18
  Speaker 1: direct your play. We just both walked out there. You
• 42:22
  Speaker 1: just dropped it. We dropped their forums and just walked out.
• 42:25
  Speaker 1: That took me rad group on on on you. I
• 42:27
  Speaker 1: got to root it. I don't pay for dinner. If
• 42:28
  Speaker 1: I'm with somebody that got more money than me, I
• 42:30
  Speaker 1: think that's consulting. Do you do you say like bake,
• 42:35
  Speaker 1: I'd be like, oh I got it. You go out, yeah,
• 42:37
  Speaker 1: I think you get to the wallet, Yeah I got
• 42:41
  Speaker 1: I got it to be like no, no on me.
• 42:42
  Speaker 1: Then they pull out the black card and be like
• 42:44
  Speaker 1: if we ever go to dinner, I'm just gonna wait
• 42:45
  Speaker 1: it out and be like, oh wait, you can get
• 42:49
  Speaker 1: that back pocket. I know you can do. Do you
• 42:55
  Speaker 1: feel like women of color women in general and women
• 42:58
  Speaker 1: but specifically when the color get overlooked in common for sure.
• 43:01
  Speaker 1: I think I think for so long, women in general
• 43:05
  Speaker 1: were always kind of like like the parts in the
• 43:08
  Speaker 1: in the actual characters were given to men, and then
• 43:11
  Speaker 1: the woman was just kind of there to be like
• 43:13
  Speaker 1: oh Jack, like that's it, oh Jack, oh Tom, oh Phil.
• 43:20
  Speaker 1: I mean it's like there's I always want to put
• 43:22
  Speaker 1: together a mom's house. How many actresses had you just
• 43:24
  Speaker 1: stay on there and go and always kind of a bummer,
• 43:27
  Speaker 1: so they have like a fun husband to the wife's
• 43:28
  Speaker 1: always like ah, I was like, why is every woman
• 43:32
  Speaker 1: a bummer? And then certainly like women, I call it
• 43:34
  Speaker 1: like there's there's such a avoid again it goes back
• 43:38
  Speaker 1: to that like I want I want to see the
• 43:40
  Speaker 1: real world. It's like it's funnier, it's certainly more interesting.
• 43:46
  Speaker 1: It's like when you clean it all up and you know,
• 43:49
  Speaker 1: it's like every woman's like done perfectly, and it's like
• 43:52
  Speaker 1: I like a hot mess. Like better to see a
• 43:55
  Speaker 1: story about somebody real. We're like you can kind of
• 43:58
  Speaker 1: relate to them, either you're glad you're not them, or
• 44:00
  Speaker 1: you know somebody liked them as opposed to like when
• 44:03
  Speaker 1: it's always like the perfect woman and the perfect outfit,
• 44:06
  Speaker 1: and I'm like, I don't really know any of those women, right,
• 44:09
  Speaker 1: I'm sure they're out there, like they're not my Like,
• 44:11
  Speaker 1: I don't relate to that. So but really, why you
• 44:14
  Speaker 1: look so successful because people didn't relate. It's been tricky
• 44:17
  Speaker 1: because sometimes it's when we did Tammy and I was
• 44:20
  Speaker 1: like this, this is a woman who's like it was
• 44:22
  Speaker 1: our first movie together with Ben and you know she
• 44:27
  Speaker 1: was she was a mess. But I was like, well,
• 44:28
  Speaker 1: the characters. The whole point is she's a mess and
• 44:31
  Speaker 1: she doesn't have a lot of like she doesn't think
• 44:34
  Speaker 1: she's kind of worth a lot of stuff. But people
• 44:36
  Speaker 1: were so interesting. There were so many reviewers that were
• 44:39
  Speaker 1: like so crude or grotetque. Like one guy kept saying,
• 44:43
  Speaker 1: like your grotesque characters and I was like, tesk, it's like,
• 44:47
  Speaker 1: what what's grotetque? And he's like, so crude. They kept
• 44:51
  Speaker 1: talking about crude, crude, crude, and I was like, can
• 44:53
  Speaker 1: I just ask like what you're saying it is if
• 44:56
  Speaker 1: I'm agreeing with you, and I keep saying I'm not
• 44:58
  Speaker 1: agreeing with that, it's where's the crudeness coming? He goes, well,
• 45:01
  Speaker 1: just you know, in general, and I was like, no,
• 45:04
  Speaker 1: You've got to tell me what do you mean by
• 45:05
  Speaker 1: crude and grotesque as well? How you looked yike? And
• 45:10
  Speaker 1: I was like, would you say that to a guy
• 45:12
  Speaker 1: playing a character from somebody who's like a total mass
• 45:15
  Speaker 1: if he had like, you know, like if he just
• 45:18
  Speaker 1: looked kind of terrible because his life was falling apart?
• 45:21
  Speaker 1: Like would you ever ask a guy that He goes, no,
• 45:25
  Speaker 1: it's just that, you know, you didn't even have makeup on.
• 45:27
  Speaker 1: And I was like, there we go wow. But I
• 45:30
  Speaker 1: was like, but you use a crude and grotesque about that.
• 45:32
  Speaker 1: So I just but that kind of like fueled me
• 45:35
  Speaker 1: to be like I can't listen to any of that stuff,
• 45:38
  Speaker 1: Like you may hate the story or like the story.
• 45:41
  Speaker 1: I love my characters because there they are flawed and
• 45:44
  Speaker 1: they never want to I never want to stop doing
• 45:46
  Speaker 1: it because I think those are real women. What about
• 45:48
  Speaker 1: that critic? Did you write his name down and slip
• 45:50
  Speaker 1: it to the Times up? People like it? You know?
• 45:53
  Speaker 1: But I do, like, I'm like, well was his name? No?
• 45:56
  Speaker 1: But I did call him out on it. This was
• 45:58
  Speaker 1: in front of like forty people. He kept saying that.
• 46:01
  Speaker 1: I finally was like, you need to explain yourself if
• 46:04
  Speaker 1: you're gonna if you're gonna rip me apart, like explain
• 46:06
  Speaker 1: what you mean. And then by the time he said, well,
• 46:08
  Speaker 1: you weren't even wearing makeup, I was like, and I'm
• 46:11
  Speaker 1: done with you. So that's about life. When a party
• 46:13
  Speaker 1: comes out May eleven, May eleven, bring your mom's, bring
• 46:17
  Speaker 1: your kids. Yeah, I think you may want to make
• 46:25
  Speaker 1: some calls a flower shop today. Um No, it's I
• 46:30
  Speaker 1: love this movie. It was and I was surrounded. It's
• 46:33
  Speaker 1: about I played Diana Miles who's dropping her daughter off
• 46:36
  Speaker 1: at college. Kind of emptiness. They're gonna go on second honeymoon.
• 46:39
  Speaker 1: It's like mom wife, like really happy life and that
• 46:44
  Speaker 1: I was not supposed to rhyme um. And then literally
• 46:47
  Speaker 1: the second my daughter's out of the car, my husband
• 46:50
  Speaker 1: uh says like I don't of you. I want to
• 46:52
  Speaker 1: divorce wow, and just kind of rattles everything that I know,
• 46:56
  Speaker 1: like we had our retirements that like all this stuff
• 46:58
  Speaker 1: we were supposed to do, and it's just like, nope,
• 47:01
  Speaker 1: it's all the rugs pulled out. So after kind of
• 47:04
  Speaker 1: a mild a pretty good freak out, I kind of
• 47:07
  Speaker 1: realized like, well I was, I was a mom, I
• 47:09
  Speaker 1: was a wife, but like where did I go? Like
• 47:11
  Speaker 1: what was left for me? And one of the things
• 47:14
  Speaker 1: she really regretted was never finishing school. It's a little
• 47:17
  Speaker 1: like me, so uh. And it's kind of based on
• 47:20
  Speaker 1: my mom just in terms of she's really positive and
• 47:24
  Speaker 1: decides to go back to school, but she goes back
• 47:26
  Speaker 1: to college where her daughter's attending. So her daughter's a
• 47:29
  Speaker 1: little like, glad you're getting it together, but maybe not here.
• 47:33
  Speaker 1: I know, you gotta go. Why do you feel like
• 47:34
  Speaker 1: you want to go back to college? What do you
• 47:35
  Speaker 1: feel like you missed? And now I would just love
• 47:37
  Speaker 1: to take like random classes. I wouldn't go back, but
• 47:40
  Speaker 1: the thought of like which I couldn't appreciate at eighteen,
• 47:43
  Speaker 1: like sitting through like a history class, or sitting through
• 47:46
  Speaker 1: anything like an art whatever the classes, I'd be like,
• 47:49
  Speaker 1: this is great, Like I would love to do like
• 47:52
  Speaker 1: random classes. Now at eighteen, I was just like trying
• 47:55
  Speaker 1: to get out because trying to get out. Yeah, I
• 47:57
  Speaker 1: feel like everybody in life should go through the whole face,
• 47:59
  Speaker 1: and most of the time college is like that whole face.
• 48:02
  Speaker 1: Will you just do whatever you want to do section.
• 48:04
  Speaker 1: Oh there's that. I think I've been shooting that. I
• 48:08
  Speaker 1: just wasn't. I just part of the I just wasn't
• 48:14
  Speaker 1: attending classes. I was, I had agreed to get me wrong.
• 48:19
  Speaker 1: I had a lot of fun at college. I just uh,
• 48:21
  Speaker 1: I didn't learn anything. But oh later later I learned.
• 48:25
  Speaker 1: I feel like Groundlings was my college. So but thank you,
• 48:27
  Speaker 1: thank you for giving the name my whole face. We
• 48:30
  Speaker 1: appreciate you for joining us, thank you for coming. Thank you. Yes,
• 48:34
  Speaker 1: like the Portent Theater this weekend. That's right, Melissa McCarthy,
• 48:37
  Speaker 1: your mom and my present. Will you give me alone?
• 48:40
  Speaker 1: You're worth explained. It's the Breakfast Club. The Breakfast Club.
• 48:50
  Speaker 1: It's about this report to angela ye fund to break
• 49:00
  Speaker 1: his club. So people, of course do not want R.
• 49:06
  Speaker 1: Kelly to perform in venues right now, and in North
• 49:09
  Speaker 1: Carolina where he's supposed to be performing today in Greensboro.
• 49:12
  Speaker 1: They're saying that if the show isn't canceled, then they
• 49:15
  Speaker 1: are going to be protesting, standing outside of the arena
• 49:18
  Speaker 1: and protests. So no reason, no word on whether or
• 49:22
  Speaker 1: not they are going to cancel that show, but they
• 49:24
  Speaker 1: said that they're going to keep it going. So we'll
• 49:26
  Speaker 1: see what happens. But in the meantime, Spotify has removed
• 49:31
  Speaker 1: R kelly music from their playlists, all of it. No,
• 49:33
  Speaker 1: so you can still find his music on Spotify, but
• 49:36
  Speaker 1: he's not on any of the curated playlists that they have,
• 49:39
  Speaker 1: So I think that's kind of hypocritical Spotify though, well,
• 49:41
  Speaker 1: we're going to talk about that in a second. We'll
• 49:43
  Speaker 1: tell both sides of the story. Now. They have a
• 49:45
  Speaker 1: new public hate content and Hateful conduct policy. A lot
• 49:49
  Speaker 1: of music that they're putting into effects, so there's flagship
• 49:52
  Speaker 1: playlists like Rap caveat, Discovery Weekly or New Music Friday,
• 49:56
  Speaker 1: so there's all these different genres or mood based playlists.
• 49:58
  Speaker 1: So they're just not active promoting him, but his music
• 50:02
  Speaker 1: is still on Spotify. They're doing the same thing with
• 50:05
  Speaker 1: xxx Tantasion as well. I don't like selective morality though.
• 50:08
  Speaker 1: If you're gonna, you know, express moral outrage, you gotta
• 50:10
  Speaker 1: have it all across the board, because there's plenty of
• 50:12
  Speaker 1: people who have, you know, charges against women, and what
• 50:16
  Speaker 1: about the music that actually degrades women. You're gonna take
• 50:18
  Speaker 1: that down to now. R Kelly has his management team responded.
• 50:22
  Speaker 1: We appreciate Spotify for continuing to make R. Kelly songs
• 50:25
  Speaker 1: accessible to millions of people, although it will stop listing
• 50:28
  Speaker 1: his songs on its official playlist. They said, mister Kelly
• 50:31
  Speaker 1: for thirty years has sung songs about love and passion
• 50:34
  Speaker 1: for women. He's innocent of the false and hurtful accusations
• 50:37
  Speaker 1: and the ongoing smear campaign against him waged by enemies
• 50:39
  Speaker 1: seeking a payoff. He never has been convicted of a crime,
• 50:43
  Speaker 1: nor does he have any pending criminal charges against him. Bro,
• 50:46
  Speaker 1: we saw the tape. But you know what, though, and
• 50:48
  Speaker 1: I think R. Kelly's a piece of fecies for all
• 50:50
  Speaker 1: the things that he's doing. But it's that right because
• 50:53
  Speaker 1: he was found innocent, he said. Meanwhile, though Spotify promotes
• 50:58
  Speaker 1: numerous other artists who are convicted fellas others who have
• 51:01
  Speaker 1: been arrested on charges of domestic violence, and artists who
• 51:04
  Speaker 1: say lyrics that are violent and anti women in nature.
• 51:06
  Speaker 1: That's why I say selective morality is a slippery, slippery slow.
• 51:09
  Speaker 1: It is like you can't, you know, point to blame
• 51:11
  Speaker 1: at two people when it's people other people music that
• 51:14
  Speaker 1: got worse charges, right, you know what I mean, that
• 51:16
  Speaker 1: have been actually found guilty of things right now. Fifty
• 51:18
  Speaker 1: Sam posted Spotify is wrong for what they're doing. The
• 51:21
  Speaker 1: artists like R. Kelly and xxx Tantasion, they're not even
• 51:24
  Speaker 1: convicted of anything. And once again, what about the music
• 51:27
  Speaker 1: that degrades women? What about that? Right? You're not gonna
• 51:31
  Speaker 1: take that down. It's pretty hypocritical if you ask me.
• 51:34
  Speaker 1: In the meantime, though some people still love R. Kelly.
• 51:37
  Speaker 1: This woman wanted to announce to her husband that she
• 51:40
  Speaker 1: is pregnant, and here's how she did it. Guys, I've
• 51:43
  Speaker 1: been waiting to sing the song to you for so long,
• 51:46
  Speaker 1: Heaven A baby, a little boy, a little girl, a
• 51:52
  Speaker 1: little you, little me, a girl. It doesn't matter as
• 51:57
  Speaker 1: long as it's healthy. No, you know, he's all kid
• 52:00
  Speaker 1: a little bit, but it's always thank you. That white
• 52:05
  Speaker 1: woman has no idea what all Kelly has done the
• 52:07
  Speaker 1: little black now. She has no clue. She think, why
• 52:10
  Speaker 1: did this go so viral? She has no clue what
• 52:14
  Speaker 1: all Kelly has done the little black girl? Zoo. All right,
• 52:16
  Speaker 1: well I Mandela yee, and that is your rumor report.
• 52:19
  Speaker 1: All right, thank you, miss ye Charlemain. Yes, we're giving
• 52:22
  Speaker 1: that down CONTU four after the hour, let's talk about it.
• 52:27
  Speaker 1: We'll just just just be here for after that I
• 52:29
  Speaker 1: have a conversation. Let's just have a conversation for after
• 52:31
  Speaker 1: the hour. We'll be here, all right, and to join
• 52:34
  Speaker 1: us next hour. Yeah, all right, so don't move. It's
• 52:36
  Speaker 1: to breakfast club the morning. Don't be at the gate
• 52:41
  Speaker 1: you get drunk, you are, I'm gonna fatten all that
• 52:53
  Speaker 1: around your They want this man's two doten blowers. Man,
• 52:56
  Speaker 1: they're waiting for Charlemagne to top these gloves. Let's go
• 52:58
  Speaker 1: to make a judgment. Was going to be on the
• 53:00
  Speaker 1: Donkey of the day. They chose you the practice club. Bitch.
• 53:04
  Speaker 1: Who's donkey of the day today? Donkey today for Friday
• 53:08
  Speaker 1: May eleventh is nobody. But we have a young woman
• 53:11
  Speaker 1: in here who has received Donkey of Today a couple
• 53:13
  Speaker 1: of times, and she would like to talk about it
• 53:15
  Speaker 1: a little bit, amongst other things. Okay, missus, Zelia Banks
• 53:19
  Speaker 1: Banks Hell, nothing much. It must be a special occasion
• 53:24
  Speaker 1: if you've come out of hiding to show your face
• 53:27
  Speaker 1: and talk. I'm never hiding. I'm never hiding. I guess
• 53:30
  Speaker 1: I just wanted to wait until I had some new music.
• 53:33
  Speaker 1: Got you. You've never been here before, actually never, Charlotte
• 53:37
  Speaker 1: Mane and I have actually known each other via text
• 53:40
  Speaker 1: for three years. Yes, actually never met each other. You know,
• 53:43
  Speaker 1: I was the first time you guys actually met face
• 53:45
  Speaker 1: to face. W Yeah, because you know I've I've had
• 53:47
  Speaker 1: I've had my opinion about it, Dallia Banks over the years,
• 53:49
  Speaker 1: and she's had an opinion about me, my opinion. I
• 53:53
  Speaker 1: actually do. I dig a lot. I think a Zelia
• 53:55
  Speaker 1: is a very misunderstood individual. And I realized that when
• 53:58
  Speaker 1: I started actually having conversations with her, and I say,
• 54:02
  Speaker 1: you know what, I apologize for giving you donkey to
• 54:04
  Speaker 1: day because she told me about a lot of the
• 54:05
  Speaker 1: things that why did you give a donkey to day?
• 54:07
  Speaker 1: Don't remember he gave me donkey of the day, if
• 54:10
  Speaker 1: I remember correctly. For defending myself to TI. I remember
• 54:14
  Speaker 1: during that whole deco and t I said something about
• 54:20
  Speaker 1: me and then I said something back, and then you
• 54:21
  Speaker 1: called me donkey o the day. Yeah, he said something
• 54:23
  Speaker 1: about his wife. I think it was no that was
• 54:25
  Speaker 1: that was way after it. Oh well, I don't remember,
• 54:27
  Speaker 1: but whatever was. I apologize for it, and I apologize again,
• 54:31
  Speaker 1: Miss Spinks. Give thank you. Charlomagne. Did you give you
• 54:34
  Speaker 1: donkey twice? Charlomagne's always giving me donkey. I always the
• 54:39
  Speaker 1: movie thing. Remember no, I wasn't the movie No, no,
• 54:42
  Speaker 1: that she was definitely not the donkey in that situation. Okay, yeah,
• 54:46
  Speaker 1: and she called me a jiggaboo in a coon. I
• 54:49
  Speaker 1: apologize for calling you a jiggabow. It's all good. So
• 54:53
  Speaker 1: you're from Hallom, yes, but I don't think a lot
• 54:55
  Speaker 1: of people, I don't want to say respect, but they
• 54:57
  Speaker 1: don't support you, like an artist from Hallow. Why why
• 55:00
  Speaker 1: do you think that is? Who's a lot of people,
• 55:02
  Speaker 1: A lot of New Yorkers I would say, I would
• 55:05
  Speaker 1: say that they don't support you like I think that
• 55:07
  Speaker 1: they should. Do you agree or though I don't agree
• 55:09
  Speaker 1: that they should support me just because I'm from Harlem
• 55:12
  Speaker 1: and you know, I wouldn't say that people don't respect me.
• 55:15
  Speaker 1: I think that respects a bad word. I think of support,
• 55:17
  Speaker 1: I would say it's bad. Even still, I still think
• 55:22
  Speaker 1: that there are a lot of people who actually do
• 55:25
  Speaker 1: support a Zelia Banks. A very long time, we've been
• 55:28
  Speaker 1: really focused on this, you know, narrative of Azelia Banks,
• 55:32
  Speaker 1: this like music industry villain type of thing. But um,
• 55:36
  Speaker 1: aside from that, I actually do live a normal life.
• 55:39
  Speaker 1: I have friends and pets and fans, and streams on
• 55:43
  Speaker 1: Spotify and plays on YouTube. You know you think you
• 55:47
  Speaker 1: think some of the narrative, of course, you know some
• 55:49
  Speaker 1: of the native you created yourself, of course? Yeah? Yeah.
• 55:51
  Speaker 1: Do you feel like the music industry bad girl or
• 55:54
  Speaker 1: hip hop industry bagirl? No? I feel like I don't know.
• 55:59
  Speaker 1: I don't know how to say it without sounding really ignorant,
• 56:01
  Speaker 1: but just say it, speak freely. I just feel like
• 56:04
  Speaker 1: that dorky black girl who everyone thinks is kind of weird.
• 56:09
  Speaker 1: Do you think you feed into the negativity instead of
• 56:12
  Speaker 1: focusing on your craft more? Sure? Don't we all? This
• 56:15
  Speaker 1: is what gets me about his day. She knows what
• 56:18
  Speaker 1: she's doing, but she won't stop doing it. I think
• 56:21
  Speaker 1: she's to stop doing. What have I? What have I
• 56:25
  Speaker 1: really done? Well? Like, what if I actually really done?
• 56:28
  Speaker 1: You would make a great And I told you before
• 56:29
  Speaker 1: you'd make a great Like personality, you're not afraid to
• 56:32
  Speaker 1: express your opinion. How about I'm a great musician. You
• 56:35
  Speaker 1: definitely are, But being a musician in the music industry
• 56:38
  Speaker 1: and then critiquing other people the way that you do
• 56:40
  Speaker 1: makes other people not want to deal with you. Well,
• 56:43
  Speaker 1: whose problem is that I think that when I offer
• 56:47
  Speaker 1: my opinion or offer my critique or anything like that,
• 56:50
  Speaker 1: it's always in a way for me to digest what
• 56:53
  Speaker 1: I'm seeing. You get what I mean? How do you like?
• 56:55
  Speaker 1: Do you like Nicki Minaj and home music? Yeah? Y'all
• 56:58
  Speaker 1: y'all in a good space now, Yeah, y'all remind me
• 57:00
  Speaker 1: of each other. We went to we went to leguari
• 57:02
  Speaker 1: to leguari each other, which which is not just the
• 57:04
  Speaker 1: way that you speak, in the way that you talk,
• 57:06
  Speaker 1: is it's everything about you that whole all right, LaGuardia
• 57:09
  Speaker 1: actress drama. That's what you do. Y'all remind me of
• 57:12
  Speaker 1: each other. Nice? Thank you. Have y'all spoken outside of
• 57:16
  Speaker 1: social media? Now, sorry, she mentioned you in the interview.
• 57:19
  Speaker 1: I know that was that was that was really good.
• 57:21
  Speaker 1: Thank you, Nikki. You feel like that put you in
• 57:24
  Speaker 1: a good place. Finally, you gotta somebody wasn't afraid to
• 57:27
  Speaker 1: say of the banks is the dope? Are you kidding?
• 57:29
  Speaker 1: People say I'm dope all the time. This is what
• 57:31
  Speaker 1: this is what I'm talking about. This people music industry,
• 57:35
  Speaker 1: people say I'm dope all the time. It seems like
• 57:37
  Speaker 1: you're always getting Kanye West called me the future of music.
• 57:40
  Speaker 1: Nas is like what did not say? He was like,
• 57:42
  Speaker 1: oh yeah, she's got the full package. Solange bikes me
• 57:45
  Speaker 1: up all the time. People like and love and respect
• 57:48
  Speaker 1: of Celia Banks. I don't know why you keep trying
• 57:50
  Speaker 1: to tell people that they don't. So you think it's
• 57:53
  Speaker 1: just that like when you it's you Charlotte Mage and goddamn.
• 57:56
  Speaker 1: But you know, like they pay more attention to things
• 57:59
  Speaker 1: that you say one music. No, they pay more attention
• 58:03
  Speaker 1: to the things you say you give it. I mean, yeah,
• 58:06
  Speaker 1: you you've okay, so you've got say you've got a
• 58:08
  Speaker 1: million listeners every morning, right, and say I've got ten
• 58:12
  Speaker 1: thousand followers on Twitter. If I say something to those
• 58:15
  Speaker 1: ten thousand people, it kind of goes away. But when
• 58:18
  Speaker 1: you guys latch onto it, the media latch onto it,
• 58:22
  Speaker 1: and you guys blow it up, then it becomes a thing.
• 58:24
  Speaker 1: Yeah that's what s that's my fault. Yes, no, absolutely not.
• 58:31
  Speaker 1: It's not my fault because I'll hit you and be like,
• 58:33
  Speaker 1: now you didn't have to say that, so what I
• 58:35
  Speaker 1: said it? So what I said it? Who cares? That's
• 58:40
  Speaker 1: my point? Why do people care? But it's the gift
• 58:43
  Speaker 1: in the cress, right, Like you can't pick and choose
• 58:45
  Speaker 1: what people gravitate towards. You put people who can people
• 58:48
  Speaker 1: can choose. You know a lot of people I see
• 58:50
  Speaker 1: people really stress themselves out in the comment sections over
• 58:53
  Speaker 1: things that I say, and it's just like, yeah, I
• 58:56
  Speaker 1: don't think I could ever imagine being that, you know, pressed, well,
• 59:01
  Speaker 1: not pressed because pressure. I don't know. I'm a very
• 59:05
  Speaker 1: anxious girl, so I'm always in some state of pressedness.
• 59:10
  Speaker 1: But you have anxiety, of course. I think. I think
• 59:15
  Speaker 1: because of that, and you're not gonna like this, but
• 59:16
  Speaker 1: I think because of that, people don't get it actually
• 59:19
  Speaker 1: a chance to meet and understand exact How many times
• 59:25
  Speaker 1: has you been telling me you're gonna set up my
• 59:26
  Speaker 1: podcast and you're never true. I'd be like, let's do it,
• 59:34
  Speaker 1: and I'd be like, hello, hello, Hello. Don't really feel
• 59:38
  Speaker 1: like people misunderstand you, but they will never understand you
• 59:41
  Speaker 1: because they look at the negative things or whatever you say.
• 59:43
  Speaker 1: They're so attached to what you say and not necessarily
• 59:46
  Speaker 1: the things that you do, whether it's the music, whether
• 59:48
  Speaker 1: it's the acting fashion. I don't know why a lot
• 59:51
  Speaker 1: of my opinions are terrible. You know, like, you really
• 59:55
  Speaker 1: should not subscribe to the I'm saying what people do?
• 59:59
  Speaker 1: You know why they're so attached to some of the
• 1:00:01
  Speaker 1: people that you talk about. Problem. But that's why it's
• 1:00:05
  Speaker 1: even more iller, because you are an artist. So when
• 1:00:08
  Speaker 1: people no, no, no, don't subscribe to a Zelia Banks's opinions. Okay,
• 1:00:13
  Speaker 1: that's it, But they do, you know, when when you
• 1:00:16
  Speaker 1: talk about some of their favorite artists, that's what they
• 1:00:18
  Speaker 1: you know, that's what they see. They don't hear the music,
• 1:00:21
  Speaker 1: they don't see the fashion, they don't see the acting.
• 1:00:23
  Speaker 1: They see Zelia Banks just said this, and that's what
• 1:00:26
  Speaker 1: they attached to. And then all of a sudden, you know,
• 1:00:27
  Speaker 1: people don't understand that you can have an opinion, so
• 1:00:29
  Speaker 1: they pick sides, and all of a sudden, your side is.
• 1:00:32
  Speaker 1: Everything you're explaining to me is like people's problems that
• 1:00:35
  Speaker 1: not a Zelia Banks's problem. I can't control with people.
• 1:00:39
  Speaker 1: I can only be myself. How did you like your
• 1:00:41
  Speaker 1: shout out on Atlanta? Oh? I like that when they
• 1:00:43
  Speaker 1: when they like look like the Zelia Bank's been in
• 1:00:46
  Speaker 1: his I take it. That was nice. Donald. You still
• 1:00:50
  Speaker 1: do that with the chickens. I don't know if you
• 1:00:52
  Speaker 1: put something, Mommy, just now, what was that? What was
• 1:00:54
  Speaker 1: that look you gave me? Just now? You still you
• 1:00:59
  Speaker 1: can You're not allowed to talk about it. I'm sure
• 1:01:01
  Speaker 1: I can talk about it. So do you still do it?
• 1:01:04
  Speaker 1: Jesus Christ. I don't look at me like that. I
• 1:01:06
  Speaker 1: don't know if you're putting something on me? Now? All right?
• 1:01:08
  Speaker 1: You got skincare products too, right? Yes I do? What
• 1:01:11
  Speaker 1: is the skincare product? But you know she'll hit me
• 1:01:13
  Speaker 1: and be like, um uh, I can tell you bleaching.
• 1:01:17
  Speaker 1: I was not a bleaching girl, A five rubber natty cream.
• 1:01:20
  Speaker 1: Do you think he's bleaching? Charoagne's bleaching. I've never bleached.
• 1:01:23
  Speaker 1: Both of usn't been accused of skin bleaching, though we're
• 1:01:26
  Speaker 1: we're bleaching bleaching siblings, Yes we are. That's That's how
• 1:01:31
  Speaker 1: Charlomagne and I bonded. We were sharing skin skin bleach recipes.
• 1:01:36
  Speaker 1: Was hitting me with all kind of stuff, telling me
• 1:01:38
  Speaker 1: you all kind of chemicals. I'm like, I don't know
• 1:01:39
  Speaker 1: what this is. Oh, shut the fuck up. Come on.
• 1:01:41
  Speaker 1: Charlomagne's got not nor Lie immediate Claire volume party, Charlomagne's
• 1:01:50
  Speaker 1: mixing Charlomagne. Charlemagne got a top under the bed. All right,
• 1:01:55
  Speaker 1: we got more with the zell your Banks. When we
• 1:01:57
  Speaker 1: come back, donpe move. It's to Breakfast Club. Good morning,
• 1:02:00
  Speaker 1: Breakfast Club the morning. Everybody is DJ Envy, Angela Yee,
• 1:02:06
  Speaker 1: Charlemagne the guy. We all the Breakfast Club. We have
• 1:02:09
  Speaker 1: Azelia Banks in the building. Now, did you really call
• 1:02:12
  Speaker 1: Cardi b and a literate, untalented rat? I did? Why?
• 1:02:17
  Speaker 1: I just think that, you know, and this is gonna
• 1:02:20
  Speaker 1: sound really deep when I look at black women's culture
• 1:02:25
  Speaker 1: as like a whole thing, right, and then you think
• 1:02:28
  Speaker 1: about the media and the power that the media has,
• 1:02:31
  Speaker 1: Like how the media have the power to get rid
• 1:02:34
  Speaker 1: of me. The media has the power to make anyone
• 1:02:37
  Speaker 1: like the Forefront. You know this this this is what
• 1:02:40
  Speaker 1: we're trying to like grab black women's consciousness with right now.
• 1:02:44
  Speaker 1: You know, I think that it's very concerning to me
• 1:02:50
  Speaker 1: that this conversation surrounding black women's culture like changes from
• 1:02:56
  Speaker 1: I don't know, because I feel like maybe two years ago,
• 1:02:58
  Speaker 1: the conversation surrounding black women's culture was really reaching an
• 1:03:01
  Speaker 1: all time high, and we were really like discussing, you know,
• 1:03:05
  Speaker 1: our power amongst ourselves, and you know, Beyonce came out
• 1:03:09
  Speaker 1: with Lemonade, and like there was just this really really
• 1:03:12
  Speaker 1: really intelligent conversation going on nationally and then everything just
• 1:03:16
  Speaker 1: kind of changed. And then it was like you, I mean,
• 1:03:21
  Speaker 1: you don't think it grew dough, What do you mean
• 1:03:23
  Speaker 1: grew like it grew? I think I think people took
• 1:03:26
  Speaker 1: what Beyonce was doing and it grew like in all aspects,
• 1:03:28
  Speaker 1: because I mean for every cardy B you got a
• 1:03:30
  Speaker 1: Scissor and you got Esa Rain and you gotta it
• 1:03:33
  Speaker 1: was Duvenay and you got Tiffany had it her music
• 1:03:37
  Speaker 1: and what she raps about No no, no, no, no,
• 1:03:39
  Speaker 1: no no no she did, oh not at all. I'm
• 1:03:42
  Speaker 1: just talking about like this caricature, you get it. I mean,
• 1:03:46
  Speaker 1: this charcature of a black woman that black women themselves
• 1:03:49
  Speaker 1: would never be able to get away with. You know,
• 1:03:52
  Speaker 1: like if my spelling and grammar was that bad, I'd
• 1:03:55
  Speaker 1: be canceled. If Nicki Mina spelled like that, just be
• 1:03:58
  Speaker 1: ragging on her all day. You know, I've been spelling
• 1:04:00
  Speaker 1: wrong his whole career, and we like that, right, But
• 1:04:02
  Speaker 1: we're talking about women, you know, so we've we've already
• 1:04:06
  Speaker 1: established that there's a double standard there. I think that
• 1:04:10
  Speaker 1: when it comes to this black women's culture thing. I
• 1:04:12
  Speaker 1: just don't understand how we go from Yance and Lemonade
• 1:04:16
  Speaker 1: and Solange and all of these like great conversations Black
• 1:04:19
  Speaker 1: lives matter, all these conversations to like this black women
• 1:04:24
  Speaker 1: on monolithic though either or I know we're not monolithic,
• 1:04:26
  Speaker 1: but come on, and you used to like Cardi b.
• 1:04:29
  Speaker 1: I used to. They had a video of you in
• 1:04:30
  Speaker 1: the club going crazy to what made you not like her?
• 1:04:35
  Speaker 1: You know, because I have three daughters. Of course, I
• 1:04:37
  Speaker 1: don't want my daughter to be a strip. She's a
• 1:04:38
  Speaker 1: businesswoman now that's employing people. Why she looking like that?
• 1:04:42
  Speaker 1: Because that's because it's just like I don't know, I
• 1:04:44
  Speaker 1: feel like you guys just use everything to like make
• 1:04:47
  Speaker 1: this like bigger than what it is. Yeah, I feel
• 1:04:50
  Speaker 1: like it's like a little like you call somebody a literate,
• 1:04:53
  Speaker 1: untalented rat. That's I let the record, Shore, I wasn't
• 1:04:57
  Speaker 1: even gonna bring it up. By the way, I know
• 1:04:58
  Speaker 1: you weren't gonna bring it up. I'm asking, I don't don't,
• 1:05:00
  Speaker 1: I don't know. I really want to know because I'm
• 1:05:02
  Speaker 1: trying to learn more about you because I've never spoke
• 1:05:04
  Speaker 1: to you, and this first time I met you, so yeah,
• 1:05:07
  Speaker 1: saying I want to get to the DAU. I just
• 1:05:11
  Speaker 1: I just don't understand the like extreme lack of cous
• 1:05:16
  Speaker 1: You know, I've never seen that at the forefront of
• 1:05:20
  Speaker 1: female rap. I didn't know that the standards that that
• 1:05:24
  Speaker 1: the bar would be lowered so much. So it's kind
• 1:05:27
  Speaker 1: of it was kind of like a culture shock, Like
• 1:05:29
  Speaker 1: the bar went from Beyonce Lemonade, this very very extremely
• 1:05:33
  Speaker 1: intelligent conversation to like, but we see that old genres
• 1:05:36
  Speaker 1: of music, we see that rape. But okay, and that's great,
• 1:05:42
  Speaker 1: that's great, that's great. But when you're talking about this
• 1:05:46
  Speaker 1: female rap thing like bitches that really pushed their pen,
• 1:05:50
  Speaker 1: I just I just feel like it's unfair to like
• 1:05:52
  Speaker 1: the real institution of female rap. We're talking about this.
• 1:05:56
  Speaker 1: We're way too long, honestly, I think you. I think
• 1:05:59
  Speaker 1: you give card Be enough free promotion. Let's talk about
• 1:06:02
  Speaker 1: Anna Winter. But I love Rhapsody and I love I
• 1:06:06
  Speaker 1: think CARDIV would love Anna Winter. I think it would
• 1:06:09
  Speaker 1: make her feel really good. And she listened to Anna Winter,
• 1:06:12
  Speaker 1: maybe she should put the headphones on her belly and
• 1:06:15
  Speaker 1: let the baby here Anna Winter. We all, well, let's
• 1:06:18
  Speaker 1: take it out of Cardi, But do you feel like
• 1:06:19
  Speaker 1: wait for male music as well? I don't care. I
• 1:06:21
  Speaker 1: really don't care about male music. Then you used to
• 1:06:24
  Speaker 1: be in the studio or Kanye back in the day,
• 1:06:25
  Speaker 1: back in the day day. Yeah, you used to write
• 1:06:27
  Speaker 1: you help him? Right? Uh? I didn't say all that, oh,
• 1:06:30
  Speaker 1: which I'll just used to work together. We were just talking.
• 1:06:34
  Speaker 1: Those conversations very scattered. Do you understand what he's going
• 1:06:37
  Speaker 1: through now? Ums, you had your your love for Trump moment. Listen,
• 1:06:40
  Speaker 1: I wanted to tax break, Okay, Like everybody keeps trying
• 1:06:44
  Speaker 1: to pin this like love for Trump on me that
• 1:06:47
  Speaker 1: that wasn't the point. I feel like, you know, this
• 1:06:50
  Speaker 1: was before he was president, by the way, Yeah, I
• 1:06:52
  Speaker 1: feel like the system is the same on both sides.
• 1:06:55
  Speaker 1: You know, no matter who you're voting for, the American
• 1:06:59
  Speaker 1: dream is it rests on a systematically oppressed underclass, be
• 1:07:04
  Speaker 1: it black people, Latino people, people in jail, people in China.
• 1:07:09
  Speaker 1: Building for us for cheap, you know, like that's just
• 1:07:12
  Speaker 1: the name of the game. So either way you go,
• 1:07:14
  Speaker 1: somebody's getting you know, wouldn't you want to get a
• 1:07:17
  Speaker 1: couple extra like thirty thousand dollars back on your tax return,
• 1:07:21
  Speaker 1: like you're getting either way. Now, let's put this in context.
• 1:07:24
  Speaker 1: She was saying this before he was president. When he
• 1:07:27
  Speaker 1: became president, she changed her tomb Yeah, because it's like,
• 1:07:30
  Speaker 1: all right, Trump, you're just cheapening the presidency. Now you're
• 1:07:33
  Speaker 1: just you know what I mean, Like, now you're just
• 1:07:34
  Speaker 1: being sloppy. Okay, Because I'm also an American, Like I
• 1:07:37
  Speaker 1: grew up watching South Park. I love the bullshit, like
• 1:07:41
  Speaker 1: calling Kim Jong unfat and short. I think he's like
• 1:07:45
  Speaker 1: the adult human like Eric Cartman, Like he reminds me
• 1:07:50
  Speaker 1: so much of Eric Cartman. A big part of the
• 1:07:52
  Speaker 1: reason why I didn't want to vote for Hillary Clinton
• 1:07:55
  Speaker 1: is because I felt like her movement was just shrouded
• 1:07:59
  Speaker 1: in so much like white feminism. It just seems like
• 1:08:04
  Speaker 1: we're just gonna get this woman to the presidency and
• 1:08:07
  Speaker 1: like completely ignore the fact that her and her husband
• 1:08:10
  Speaker 1: are the reason that so many black families are divided. Now,
• 1:08:13
  Speaker 1: like in the nineteen ninety four crime Bill, you get
• 1:08:16
  Speaker 1: what I mean. That's why it's you know, people going
• 1:08:18
  Speaker 1: to jail for like a bag of weed and dumb
• 1:08:21
  Speaker 1: like that. We're like, we're forgetting that this woman called
• 1:08:24
  Speaker 1: us super predators you know, she's blatantly like trying to
• 1:08:27
  Speaker 1: pedal to us and talk about she's got hot sauce
• 1:08:29
  Speaker 1: in her bag and all types of like that. She's
• 1:08:31
  Speaker 1: like literally talking to us like we're idiots. You know.
• 1:08:33
  Speaker 1: I always say that I like my racist racist, you know,
• 1:08:37
  Speaker 1: I don't like any of that covert like and yeah,
• 1:08:42
  Speaker 1: I felt I just and I feel this way about
• 1:08:45
  Speaker 1: feminism too. I feel like the conversation or the feminist
• 1:08:49
  Speaker 1: conversation is always very white, female centric, and I just
• 1:08:53
  Speaker 1: felt like if Hillary Clinton won, that was just gonna
• 1:08:56
  Speaker 1: be like a win for white women and just like
• 1:09:00
  Speaker 1: more losses for black women because that was just going
• 1:09:02
  Speaker 1: to give them even more of an excuse not to
• 1:09:04
  Speaker 1: deal with like the intersectionality and all of the different
• 1:09:08
  Speaker 1: all of the other women that fall under that feminist
• 1:09:11
  Speaker 1: banner or like you know, should be included in there.
• 1:09:15
  Speaker 1: So how do women of color become, I guess, all
• 1:09:17
  Speaker 1: inclusive in that movement? Our duty really want to do?
• 1:09:21
  Speaker 1: We want to be you know, I mean, like we've
• 1:09:24
  Speaker 1: seen it with the suffrage. Suffrage movement, black women helped
• 1:09:28
  Speaker 1: white women get the right to vote, and then they
• 1:09:31
  Speaker 1: just kind of left us, you know, left us to
• 1:09:34
  Speaker 1: fend for ourselves. We were the last American citizens to
• 1:09:37
  Speaker 1: get the right to vote. So yeah, I guess. I
• 1:09:39
  Speaker 1: guess it's a bit about, you know, realizing that history
• 1:09:43
  Speaker 1: can and will repeat itself and the fact that Donald
• 1:09:46
  Speaker 1: Trump was a seemingly a political outsider. I was willing
• 1:09:50
  Speaker 1: to take the chance. You know, a lot of people were,
• 1:09:52
  Speaker 1: but you're one of the people that could say I
• 1:09:54
  Speaker 1: made a mistake voting, but she didn't vote, didn't vote him?
• 1:09:57
  Speaker 1: Did you vote? Don't look at me like that. You
• 1:10:01
  Speaker 1: like your racist racist right? Yeah, I like my racist
• 1:10:04
  Speaker 1: racist What happened until Aviv? Because you said that you'll
• 1:10:07
  Speaker 1: never go back because I can't. I can't go back
• 1:10:10
  Speaker 1: to Tel Aviv? No, oh no, I'm not banned for
• 1:10:13
  Speaker 1: the country. Just everywhere I went there was just looks, looks, looks, looks, looks.
• 1:10:18
  Speaker 1: Went into a restaurant, people would be like like, I'd
• 1:10:20
  Speaker 1: come in and they'd be like, oh, hold on a second,
• 1:10:22
  Speaker 1: showing on their face that they needed to go like
• 1:10:24
  Speaker 1: get their mind together before they served black people. There
• 1:10:27
  Speaker 1: was only like we only ate in one restaurant. Every
• 1:10:31
  Speaker 1: other restaurant we went to, the people were just kind
• 1:10:32
  Speaker 1: of like h Then in the airport. It was just like,
• 1:10:35
  Speaker 1: you know, the people like working for the airline were
• 1:10:40
  Speaker 1: just clearly giving me and my security guard a hard time.
• 1:10:45
  Speaker 1: I was seeing a lot of people with UK passport,
• 1:10:47
  Speaker 1: white people with the UK passports just passing through, passing through,
• 1:10:50
  Speaker 1: passing through, and just the vibe I got was very
• 1:10:54
  Speaker 1: like unwelcoming. It kind of just gets to the point
• 1:10:57
  Speaker 1: where you're just like, damn, I'm an here here too,
• 1:11:02
  Speaker 1: rather just go home and Vietna or at home. All right,
• 1:11:04
  Speaker 1: we got more with the Zelia Banks. Will we come back.
• 1:11:06
  Speaker 1: Let's get on her joint right now. It's called Anna Winter,
• 1:11:09
  Speaker 1: and then let us know what you think about it.
• 1:11:11
  Speaker 1: It's a matter of fact. Tweet her if you don't.
• 1:11:13
  Speaker 1: If you like it, Twitter if you don't like it,
• 1:11:15
  Speaker 1: tweeter that too. All right, all right, it's the Breakfast Club.
• 1:11:17
  Speaker 1: Good morning, prebody is DJ Envy Angela yee, Charlemagne. The
• 1:11:21
  Speaker 1: guy we are the breakfast club is Zalla Banks is
• 1:11:23
  Speaker 1: in the building. Charlemagne. Let me ask you about Riza.
• 1:11:26
  Speaker 1: He was here and he admitted that Russell Crowe did
• 1:11:28
  Speaker 1: spit in your direction. You said he's spit on you. Um,
• 1:11:31
  Speaker 1: do you forgive Risen. Now are you still? Rizzle can
• 1:11:36
  Speaker 1: call me when he's got some money from me? Ye
• 1:11:38
  Speaker 1: had y'all? Y'all did a movie together came out early
• 1:11:40
  Speaker 1: this year, Love Beats, Love Beats Rhymes, and you didn't
• 1:11:44
  Speaker 1: even want to promote it, I mean, because it was
• 1:11:45
  Speaker 1: it was embarrassing, you know, all of the all of
• 1:11:48
  Speaker 1: the things that happened around the movie was really humiliating.
• 1:11:53
  Speaker 1: What director is gonna throw the star of his movie
• 1:11:55
  Speaker 1: under the bus like you an idiot? Like we we
• 1:11:59
  Speaker 1: like Zza and I were the only ones who suffered,
• 1:12:01
  Speaker 1: you know what I mean? Russell Crowe was the one
• 1:12:03
  Speaker 1: who choked me, spat me little bit, lands on me
• 1:12:06
  Speaker 1: like you choke me out, throw me outside the room.
• 1:12:08
  Speaker 1: And he gets and walk off scott free. And here's
• 1:12:12
  Speaker 1: me and Rizza arguing out loud, you knowing up both
• 1:12:16
  Speaker 1: of our reputations for this that he did. If Rizza
• 1:12:19
  Speaker 1: was smart, he should have just shut the fuck up.
• 1:12:21
  Speaker 1: Who's gonna want to see a movie in which the
• 1:12:23
  Speaker 1: director has slandered lead actress like Russell Crowe's already established.
• 1:12:28
  Speaker 1: You and I are trying to make our play. Why
• 1:12:30
  Speaker 1: are you defending him? Why did you press charges against
• 1:12:33
  Speaker 1: Russell Crowe because they bought the tapes, and to be honest,
• 1:12:36
  Speaker 1: I didn't have the money at the time. Everybody that
• 1:12:38
  Speaker 1: was there that night, if you if you watch the
• 1:12:40
  Speaker 1: t the TMZ testimonies, they're all conflicting stories. Everybody was
• 1:12:45
  Speaker 1: down to lie on Russell's behalf. I was just about
• 1:12:48
  Speaker 1: to start recording the soundtrack for the movie, you know,
• 1:12:50
  Speaker 1: and then think think about that, you know, like, God,
• 1:12:53
  Speaker 1: damn it, Rizza, you were like directing a film with
• 1:12:55
  Speaker 1: Jill Scott, Common, Azelia Banks and Rizza and you can't
• 1:12:58
  Speaker 1: manage to forge a soundtrack. Jesus do you think that? Uh?
• 1:13:03
  Speaker 1: If that would have happened maybe a year later, during
• 1:13:05
  Speaker 1: the whole Time's Up Me Too movement, people would have
• 1:13:06
  Speaker 1: heard your voice a little louder. Who gives I'm not
• 1:13:09
  Speaker 1: like China. He's like, seriously, like, I really don't give
• 1:13:12
  Speaker 1: a about these two clowns. My My biggest thing is
• 1:13:16
  Speaker 1: like you guys, my moment up. That was my movie
• 1:13:19
  Speaker 1: and you sit up Z. Have you reached out to
• 1:13:22
  Speaker 1: you at all? No? And he better not Russell Crowe.
• 1:13:25
  Speaker 1: I mean you never know. Now, how does that affect
• 1:13:28
  Speaker 1: with any other movies that you try to do is
• 1:13:29
  Speaker 1: that reputation alleged reputation of what happened. Of course it will. Yeah,
• 1:13:33
  Speaker 1: that was really stupid, Like you the both of us
• 1:13:36
  Speaker 1: out of a lot of money, peck me weird Russell
• 1:13:39
  Speaker 1: Crowe's fault, yes, and now now and I for him
• 1:13:43
  Speaker 1: that was wrong, that's what. And now now you and
• 1:13:45
  Speaker 1: I Ris are out of a lot of money because
• 1:13:48
  Speaker 1: nobody went to see the movie. The movie flopped, We
• 1:13:50
  Speaker 1: didn't have a soundtrack. All of the things that we
• 1:13:53
  Speaker 1: were supposed to get done we didn't get done. But
• 1:13:55
  Speaker 1: every time, you know, every every time you're like calling
• 1:13:58
  Speaker 1: me to go to the studio, I show up to
• 1:13:59
  Speaker 1: the student on your coped out zzle like he's really
• 1:14:03
  Speaker 1: a dummy. Don't believe any of that in gong banging
• 1:14:07
  Speaker 1: and nun chucked throwing he'd be talking about that is
• 1:14:10
  Speaker 1: a clown man. Seriously, the read oneself help book and
• 1:14:17
  Speaker 1: like goes like this, you know what, and he thinks
• 1:14:24
  Speaker 1: he's some you don't want to alleged y alleged, but
• 1:14:30
  Speaker 1: kim So after the thing happened, he put that whole
• 1:14:33
  Speaker 1: letter on Facebook and then he was just like oh yeah,
• 1:14:35
  Speaker 1: Azelia Banks and her psychiatric health, like rizzle was giving
• 1:14:39
  Speaker 1: me money to go to the psychiatrist, you know what
• 1:14:41
  Speaker 1: I mean. And he like put that out there as
• 1:14:44
  Speaker 1: if that was something used against me. There's nothing wrong
• 1:14:46
  Speaker 1: with therapy, but why like, why why would you like
• 1:14:49
  Speaker 1: say that? Crazy? But why why when't we have a
• 1:14:53
  Speaker 1: movie to sell? What are you doing? It's making sure
• 1:14:56
  Speaker 1: his friendship with Russell Crowe was better. Then listen, let
• 1:14:59
  Speaker 1: me tell you something. You as Russell crow is never
• 1:15:01
  Speaker 1: gonna do another movie with you. Okay, everyone saw the
• 1:15:04
  Speaker 1: man with an iron fist. That was trash. You're not talent.
• 1:15:08
  Speaker 1: You're not a talented director. You know, he should probably
• 1:15:11
  Speaker 1: stop wasting people's time and money. I don't know why
• 1:15:13
  Speaker 1: people don't like it. I don't know. I don't know.
• 1:15:16
  Speaker 1: In April, Boy, he posted a message on isay seeing
• 1:15:19
  Speaker 1: that you was drugged and raped, which was concerning Yes,
• 1:15:23
  Speaker 1: I got gh bead that some white boys. I got
• 1:15:27
  Speaker 1: ghbad at a bar by yourself. I was staying in
• 1:15:30
  Speaker 1: a hotel because I was doing some press and I
• 1:15:34
  Speaker 1: was just drinking and some guy came over and just
• 1:15:37
  Speaker 1: started buying me drinks. Why of course, and he just
• 1:15:40
  Speaker 1: buying me drinks and I guess in between then and
• 1:15:42
  Speaker 1: there he like dropped something into my drink, get upstairs
• 1:15:45
  Speaker 1: to the room and drinking some more, with drinking some more,
• 1:15:49
  Speaker 1: and Okay, this is really graphic. I'm just gonna say it.
• 1:15:53
  Speaker 1: So I keep trying to kick this guy out of
• 1:15:55
  Speaker 1: my room, but he keeps sticking his tongue in my ass.
• 1:15:57
  Speaker 1: Your pants were I was like dancing around my room naked,
• 1:16:00
  Speaker 1: but I was like planning to kick him out. Every
• 1:16:02
  Speaker 1: time I tried to kick him out, he just went
• 1:16:04
  Speaker 1: starting ass and one thing led to another, and then
• 1:16:08
  Speaker 1: I just started getting heavy, like my body just started
• 1:16:10
  Speaker 1: getting heavy. And then I realized something was wrong and
• 1:16:13
  Speaker 1: I just started screaming and I kind of like stumbled
• 1:16:15
  Speaker 1: and kicked him out, and then I collapsed on the
• 1:16:17
  Speaker 1: bed and cried. Like once I realized that I was
• 1:16:20
  Speaker 1: like on drugs that I didn't know I was on.
• 1:16:22
  Speaker 1: The next day, like my whole throat was like burning.
• 1:16:25
  Speaker 1: I had pins and needles. I could barely swallow. So
• 1:16:27
  Speaker 1: you got him out, he didn't penetrate. It was so
• 1:16:30
  Speaker 1: this is this is the thing, Like whatever whatever drugs
• 1:16:33
  Speaker 1: he put in my drink made myself dry, Like my
• 1:16:37
  Speaker 1: was just dry. So it was just like a sloppy,
• 1:16:39
  Speaker 1: dry hump, and you probably would have got with him
• 1:16:43
  Speaker 1: if he hadn't a drugs an. I don't know. I
• 1:16:46
  Speaker 1: really don't know he was. That's weird, I know, right,
• 1:16:51
  Speaker 1: It's like you're gonna just say you're gonna saved your
• 1:16:53
  Speaker 1: drugs you cause just ate ass. I might have just
• 1:16:58
  Speaker 1: what's wrong with you? Yo? What's up? Man? Why you
• 1:17:01
  Speaker 1: got to say things like that? Listen? Now you talking
• 1:17:05
  Speaker 1: about Kanye? Uh not? Kanye really was paying for your
• 1:17:08
  Speaker 1: psychiatric therapy. I go to therapy every week. Yeah, you
• 1:17:12
  Speaker 1: enjoy therapy. I love it. Azelia is one of the
• 1:17:14
  Speaker 1: people who I talked about therapy with early on. This
• 1:17:18
  Speaker 1: is therapeutic for her, right now, it's therapeutic for me.
• 1:17:21
  Speaker 1: This is this is this is great. You told me
• 1:17:22
  Speaker 1: that I probably needed CBT Kanye to behavior therapy, and
• 1:17:26
  Speaker 1: he was right. Yeah. But you you've changed a lot.
• 1:17:28
  Speaker 1: I'm really proud of you. You used to be really rude,
• 1:17:32
  Speaker 1: and if I'm gonna be honest with you, the reason
• 1:17:34
  Speaker 1: I like started a problem with you is because of
• 1:17:37
  Speaker 1: when you made a little mama cry like I feel
• 1:17:40
  Speaker 1: like I feel like every black girl in the world
• 1:17:43
  Speaker 1: like hated you in that moment like you just kept
• 1:17:46
  Speaker 1: going in on her, like she was telling you that
• 1:17:48
  Speaker 1: her mom had just passed. You kept going in and
• 1:17:51
  Speaker 1: then then you were calling her ugly, like little Mama's
• 1:17:54
  Speaker 1: gorgeous ugly. You were like you look like a forty
• 1:17:57
  Speaker 1: year old man. You did piece of years ago. But
• 1:18:02
  Speaker 1: it was horrible and as as as like as like
• 1:18:06
  Speaker 1: a young girl who listened to Little Mama. I was
• 1:18:09
  Speaker 1: really against you. And you know what I told us
• 1:18:12
  Speaker 1: when she checked, when she tried to check on that,
• 1:18:13
  Speaker 1: I said, I know you ain't talking about getting that people.
• 1:18:16
  Speaker 1: I think y'all see, he sells in each other like
• 1:18:18
  Speaker 1: I really do. Like y'all, y'all are almost like the
• 1:18:21
  Speaker 1: same pa, the same tribe. It might be, but you know,
• 1:18:24
  Speaker 1: me and Little Mama was actually supposed to crack jokes
• 1:18:26
  Speaker 1: on each other. That was the thing. Yeah, but you
• 1:18:28
  Speaker 1: made her cry, so you lost. I didn't make her
• 1:18:31
  Speaker 1: now you lost? Did? You did make her cry? It
• 1:18:33
  Speaker 1: was disgusting though it was an ugly moment. I hate
• 1:18:35
  Speaker 1: that anyway. Anna win tour? Oh no, you gonna drop
• 1:18:45
  Speaker 1: the EP or album? I'm dropping an album in July.
• 1:18:48
  Speaker 1: It is the second installment of the first Fantasy project,
• 1:18:52
  Speaker 1: and it's called Fantasy to the second Wave. So I'm
• 1:18:55
  Speaker 1: going back in my like home Mermaid vibes and doing
• 1:18:59
  Speaker 1: the sea punk thing. And I was gonna ask that.
• 1:19:01
  Speaker 1: So for somebody who hasn't heard your music, knows your name,
• 1:19:04
  Speaker 1: but hasn't heard your music, how would you describe your music?
• 1:19:07
  Speaker 1: I got something for everybody. I have straight like you know,
• 1:19:11
  Speaker 1: pure R and B tracks. I have pure hip hop tracks.
• 1:19:14
  Speaker 1: I have some tracks that are a bit more tropical
• 1:19:17
  Speaker 1: than I have, like you know, the housey stuff. I
• 1:19:19
  Speaker 1: have trans music. Trans music is kind of like a
• 1:19:25
  Speaker 1: it's like techno electro kinda like I said, I should
• 1:19:31
  Speaker 1: be high when I listened to that, Like, dude, see
• 1:19:35
  Speaker 1: you he goes to trans cloud. I don't. Didn't you
• 1:19:38
  Speaker 1: get taken advantage of too by like an early manager? Yeah,
• 1:19:42
  Speaker 1: but like your boyfriends. Yeah, I was a crazy little girl.
• 1:19:45
  Speaker 1: I was a crazy lott. He was even worse because
• 1:19:47
  Speaker 1: he was a grown as man. I know, I was
• 1:19:49
  Speaker 1: like seventeen dating some like fifty year old white guys,
• 1:19:53
  Speaker 1: and he like the manager of like disgusting direction of
• 1:19:55
  Speaker 1: something cold Play. Cold Play. Now now that I look
• 1:19:58
  Speaker 1: back on it, I'm just like, it's like disgusting, like
• 1:20:01
  Speaker 1: I can like taste his like old like wrinkly nack. Yeah,
• 1:20:06
  Speaker 1: but putting his hands on you and stuff that, yeah
• 1:20:10
  Speaker 1: that like he was yeah yeah yeah. Once once I
• 1:20:13
  Speaker 1: started blowing up, he started getting like a little like
• 1:20:15
  Speaker 1: you know, because things changed. I wasn't like his little
• 1:20:19
  Speaker 1: plaything anymore. I was a Celia Banks the star, and
• 1:20:22
  Speaker 1: I started demanding more things and wanting more things. And
• 1:20:26
  Speaker 1: one day, because he was he was like going through
• 1:20:28
  Speaker 1: this divorce the whole time we were together. So the
• 1:20:32
  Speaker 1: finally hits the fan. You knew he was married, yeah,
• 1:20:35
  Speaker 1: but he was younger. I was seventeen eighteen, but he
• 1:20:38
  Speaker 1: told me that he was separated. He was lying. Then
• 1:20:42
  Speaker 1: eventually I found out that he's still married. By that time,
• 1:20:45
  Speaker 1: I'm still I'm already in love with him. What's his name? Like?
• 1:20:47
  Speaker 1: Wh I protect somebody like that? Because I just I
• 1:20:50
  Speaker 1: just don't care, you know, I'm up now? What stuff
• 1:20:54
  Speaker 1: like that would make you hate the industry? Though? Yes,
• 1:20:56
  Speaker 1: exactly tell him what to follow you on Instagram and
• 1:20:58
  Speaker 1: all that good stuff at Azelia Banks a Z A
• 1:21:03
  Speaker 1: L I A B A n K S. And I
• 1:21:05
  Speaker 1: think Azelia Banks an extremely talented as you can tell
• 1:21:08
  Speaker 1: she's extremely extremely light skinned. Stop it. I'm so proud
• 1:21:12
  Speaker 1: of my light skinned brethren. Would you stop, Azelia Banks,
• 1:21:17
  Speaker 1: ladies and gentlemen, My goodness, Yes, it's the breakfast Club.
• 1:21:21
  Speaker 1: The morning. The breakfast Club's filling the team. This is
• 1:21:30
  Speaker 1: the rumor report with Angela Ye on the Breakfast Club. Well,
• 1:21:35
  Speaker 1: mister Elliott looks incredible and how did she do it?
• 1:21:38
  Speaker 1: She posted a picture of herself and she said proudly
• 1:21:41
  Speaker 1: to say, it's been four months. I have only drank water,
• 1:21:43
  Speaker 1: no other juices or soda, and I cut out bread
• 1:21:46
  Speaker 1: and Lord knows that's been the hardest for me. See,
• 1:21:49
  Speaker 1: I've never been a water drinker, but this has helped
• 1:21:51
  Speaker 1: my skin. It really restored the glow back, and I
• 1:21:53
  Speaker 1: don't feel sluggish, she said. Next up, if she could
• 1:21:56
  Speaker 1: only cut out junk food, she said, it's that's my weakness.
• 1:21:59
  Speaker 1: But if I can get those other things, I'll fight
• 1:22:01
  Speaker 1: that too. Maybe only two cupcakes a month. I love
• 1:22:03
  Speaker 1: miss she looks great. What I will say this, I
• 1:22:06
  Speaker 1: hate when people talk about water as if it's something new,
• 1:22:09
  Speaker 1: like I just started drinking water, were our body has
• 1:22:12
  Speaker 1: made of three fossil water? Like what were y'all drinking
• 1:22:14
  Speaker 1: when y'all was kids, soda. No. When I was a kid,
• 1:22:18
  Speaker 1: I really didn't drink water outside so we can to
• 1:22:21
  Speaker 1: play a lot of basketball and run around football. Used
• 1:22:23
  Speaker 1: to drink out the holes all the time, water holes, water,
• 1:22:26
  Speaker 1: that's all. I never drink what the host water. But
• 1:22:29
  Speaker 1: I definitely did not drink water ever growing up. Now,
• 1:22:31
  Speaker 1: we did when we played basketball and when we played outside,
• 1:22:33
  Speaker 1: but then when we went inside, there were no water inside.
• 1:22:35
  Speaker 1: You know what. I drank a lot of fruity juices,
• 1:22:37
  Speaker 1: lemon mommy, we had we had red kool aid, but
• 1:22:42
  Speaker 1: that was a treat at dinner. Any other time it
• 1:22:44
  Speaker 1: was water. Yeah. But you know what, when people doing
• 1:22:47
  Speaker 1: they've done they actually I was just reading a whole
• 1:22:49
  Speaker 1: study with somebody. All they did was drink water, just
• 1:22:51
  Speaker 1: like Missy Elliott says she did. And it really makes
• 1:22:54
  Speaker 1: such a huge difference when it comes to your skin.
• 1:22:58
  Speaker 1: So it's easy to say that, but not everybody clearly
• 1:23:00
  Speaker 1: does that, as miss Elliott just did it now and
• 1:23:03
  Speaker 1: she's forty six years I love the fact that she
• 1:23:05
  Speaker 1: posted that picture and said all of that, Hey, guess
• 1:23:08
  Speaker 1: what else I just started doing? What's that breathing, taking
• 1:23:10
  Speaker 1: in this oxygen is really good for you. It's easy
• 1:23:13
  Speaker 1: to say that, but for some people is not so easy.
• 1:23:16
  Speaker 1: So she said, she said that she hadn't done it before,
• 1:23:19
  Speaker 1: and now she is and she feels great, and there's
• 1:23:21
  Speaker 1: a lot of people trust and believe. Everybody doesn't just
• 1:23:24
  Speaker 1: drink water all the time. Absolutely, all right, Tierra Marie. Now,
• 1:23:27
  Speaker 1: we all saw that leaked sex clip that was put out.
• 1:23:30
  Speaker 1: I'm not sure who put it out. Some people were
• 1:23:32
  Speaker 1: saying she did it herself. She denies that, but here
• 1:23:35
  Speaker 1: is what she had to say on TMZ. So, yes,
• 1:23:38
  Speaker 1: I record videos, I did everything, but I don't understand.
• 1:23:42
  Speaker 1: He threw me under the bus. I don't understand what's
• 1:23:45
  Speaker 1: going on myself. He keeps telling me that he didn't
• 1:23:48
  Speaker 1: do it. Was it a bad breakup. It hasn't even
• 1:23:50
  Speaker 1: been a whole breakup. So yeah, we are well after
• 1:23:56
  Speaker 1: the whole sex tape. Of course I'm pissed, and of
• 1:23:58
  Speaker 1: course I still feel away, but we talk every day
• 1:24:02
  Speaker 1: and we're still like in communication with each other. Now.
• 1:24:05
  Speaker 1: He says that his phone got hacked, and she doesn't
• 1:24:07
  Speaker 1: believe him at all. Well, when she was actually with
• 1:24:10
  Speaker 1: her boyfriend, right, because she's still talking to him. It's
• 1:24:13
  Speaker 1: not like they ever stopped talking. There's actually pictures. I
• 1:24:16
  Speaker 1: guess they're trying to say that she smashed his car
• 1:24:18
  Speaker 1: windows and all of that because of this whole porn situation. Well,
• 1:24:23
  Speaker 1: here they are together where she he's saying that it's
• 1:24:25
  Speaker 1: her ex boyfriend that actually posted these videos and pictures.
• 1:24:29
  Speaker 1: Tell the truth, Tex to everything. I'm me, Pierre, of
• 1:24:37
  Speaker 1: you and your dude will stopped talking about it, we'd
• 1:24:38
  Speaker 1: have forgot already, I promise you. I don't know. It
• 1:24:41
  Speaker 1: was pretty a big story yesterday. Yeah, it was everybody.
• 1:24:44
  Speaker 1: People was hitting me about it, like do you have
• 1:24:46
  Speaker 1: the picture? Do you have the video? Where can I
• 1:24:48
  Speaker 1: find it? All? Right? Now? T I and Tiny it's
• 1:24:50
  Speaker 1: been a year since their show ended, and rumor is
• 1:24:52
  Speaker 1: that they could be coming back to television. It seems like,
• 1:24:55
  Speaker 1: according to the Jasmine Brand, VH one is interested in
• 1:24:58
  Speaker 1: reviving their show and BT is interested in bringing back
• 1:25:02
  Speaker 1: Tiny Antoya as well. I want to be mad at
• 1:25:04
  Speaker 1: that both Tiny Antoya have done a lot. A lot
• 1:25:09
  Speaker 1: going on at Tinya and what about Ti and Tiny
• 1:25:12
  Speaker 1: coming back? I always love to see black families on TV.
• 1:25:15
  Speaker 1: They want to it's been on for a long time,
• 1:25:17
  Speaker 1: though a long time. It's been on for a year,
• 1:25:19
  Speaker 1: it's been on. I'm talking about the TI and uh,
• 1:25:22
  Speaker 1: the TI and Tiny shows right before he got locked up.
• 1:25:24
  Speaker 1: So at least eight nine seasons that long. Yeah, yeah,
• 1:25:27
  Speaker 1: maybe I'm not mad at that. Though. They still got
• 1:25:29
  Speaker 1: a lot going on and their kids are still young. Yeah,
• 1:25:32
  Speaker 1: if they want to do it, I think that'd be
• 1:25:33
  Speaker 1: great because I actually used to really watch that show.
• 1:25:35
  Speaker 1: So and the kids, some of them are so grown now,
• 1:25:37
  Speaker 1: so it'd be interesting to see how that is. All right,
• 1:25:39
  Speaker 1: Well I'm angela Ye and that is your rumor report.
• 1:25:42
  Speaker 1: All right, thank you, miss Yee. Now when we come back,
• 1:25:45
  Speaker 1: shout to all the moms out there. I'm doing a
• 1:25:47
  Speaker 1: Mother's Day mix and I'm gonna start it off with
• 1:25:49
  Speaker 1: first applies the remix to his rock songs, So shout
• 1:25:52
  Speaker 1: to all the moms. That's the rock and rock for
• 1:25:55
  Speaker 1: mama's Yes, well not for mamas. He just did a remix.
• 1:25:58
  Speaker 1: So it's like, your mom is the rocket? Exactly where
• 1:26:01
  Speaker 1: got you all? Your wife? Who's you know? Moms and
• 1:26:03
  Speaker 1: all that? What the remix is about your mom? I
• 1:26:05
  Speaker 1: didn't say that. I just said I'm just dedicating it
• 1:26:07
  Speaker 1: to the mom, because sometimes dedicate the talk about getting
• 1:26:12
  Speaker 1: all kind of other stuff, and you dedicated the moms
• 1:26:14
  Speaker 1: out there. This goes up to my mom. Dad has
• 1:26:17
  Speaker 1: nothing to do. Yeah, it's nothing to do with that.
• 1:26:21
  Speaker 1: It's about this song. Is that this song, the remix
• 1:26:23
  Speaker 1: actually represents for the ladies as well. Now, yeah, Remy
• 1:26:25
  Speaker 1: Martin's on the remix, remy mom, don't dedicate it to
• 1:26:28
  Speaker 1: the mom. Let's say, you playing the remix, don't know
• 1:26:29
  Speaker 1: what your mom could be your rock. You don't know
• 1:26:31
  Speaker 1: what the content of this I heard the record I'm playing. Okay, okay,
• 1:26:35
  Speaker 1: Well here's an exclusive. Not only that, but truth is
• 1:26:40
  Speaker 1: your mom dud got good poom poom to somebody. So
• 1:26:42
  Speaker 1: if flies does say sweep Saturday, that's for the dad.
• 1:26:44
  Speaker 1: That's for the dad. There, there you go. And also
• 1:26:47
  Speaker 1: we're gonna premiere Fat Joe's new record. This one is
• 1:26:49
  Speaker 1: actually called Mama, and it's featuring Big Sean and it's
• 1:26:53
  Speaker 1: in dedication to all the moms out there. All right,
• 1:26:55
  Speaker 1: So we're gonna start the mix off with those two records.
• 1:26:57
  Speaker 1: Let us know how you feel about that. Revote. We'll
• 1:26:59
  Speaker 1: see them on Monday. And Happy Mother's Day to the
• 1:27:02
  Speaker 1: moms