Latest / Artists on Artists on Artists on Artists / Rat Pack Contemporaries "The Mouse Group"

Transcript

Rat Pack Contemporaries "The Mouse Group" · Artists on Artists on Artists on Artists

• 0:00
  Speaker 1: Welcome back to artists on Artists on Artists on artists. Boy,
• 0:03
  Speaker 1: do we have a panel for you Todaystry's Screenwriting Expert
• 0:06
  Speaker 1: panel of new voices in Hollywood.
• 0:08
  Speaker 2: Costumes are character.
• 0:10
  Speaker 3: Buck Mary cal wide shot, two shot close up.
• 0:14
  Speaker 4: Artist on artists on Artists on artists. Do you know
• 0:17
  Speaker 4: why they call it show business? I always wondered that.
• 0:25
  Speaker 3: Welcome back to artists on Artists on Artists on artists.
• 0:28
  Speaker 3: You've heard of the rat Pack, but have you heard
• 0:30
  Speaker 3: of the Mouse Group, one of the comparable big band
• 0:34
  Speaker 3: style quartet of singers that used to grace old Las Vegas,
• 0:39
  Speaker 3: often far behind the rat Pack. Straight from the Artists
• 0:42
  Speaker 3: on Artists on Artists on Artists vault. This is the
• 0:46
  Speaker 3: recording of the Mouse Group.
• 0:49
  Speaker 5: Our arts are? You know each other very well?
• 0:57
  Speaker 3: Don't we? We know each other well?
• 1:00
  Speaker 5: Kids.
• 1:03
  Speaker 3: Hey, I love my boys, Oh love my boys. Hey,
• 1:08
  Speaker 3: where's a nice pair of legs around you that can
• 1:11
  Speaker 3: give me a drink?
• 1:13
  Speaker 5: You know?
• 1:13
  Speaker 1: I think they're running around with a nice pair of
• 1:16
  Speaker 1: knockers running around getting.
• 1:19
  Speaker 4: Me a drink.
• 1:19
  Speaker 5: One and the two and the three NFL and hey,
• 1:29
  Speaker 5: what's up? I'm Tommy Tuba and I am a part
• 1:32
  Speaker 5: of the Mouse Group founding member and very very big
• 1:38
  Speaker 5: fan of Oh my friend.
• 1:39
  Speaker 3: Tommy Tommy Tuba mea.
• 1:43
  Speaker 4: Oh, my name is.
• 1:46
  Speaker 3: Bahama Bahama.
• 1:50
  Speaker 6: Hey, motherfuckers, Hey, motherfuckers, Hey, motherfuckers.
• 1:55
  Speaker 5: WHOA.
• 1:57
  Speaker 6: Wow, Hey, it's me the R Rated Mouse Group member.
• 2:03
  Speaker 6: It's me the R Rated Mousecrew.
• 2:08
  Speaker 5: Alright, what's your name, buddy?
• 2:09
  Speaker 4: What's your name?
• 2:11
  Speaker 6: My name is Joey Sizza, and I'm happy to be
• 2:17
  Speaker 6: here with my boys again.
• 2:19
  Speaker 5: Joey and Joey once it together.
• 2:23
  Speaker 3: My name is Rinne del Campo, Bene Ben del Campo.
• 2:29
  Speaker 3: It's Annie, miss singer, sad songs, crooner.
• 2:36
  Speaker 5: Wow. Wow, it's great to see you all fellas again
• 2:38
  Speaker 5: once in a while. Yeah, I know it is. What
• 2:41
  Speaker 5: year is this? What year we in?
• 2:43
  Speaker 3: Nineteen sixty eight?
• 2:45
  Speaker 1: Nineteen sixty eight, we went on the moon seven years ago.
• 2:53
  Speaker 5: Thank you guys so much for sitting down with me.
• 2:55
  Speaker 5: I'm so happy you come. I know I was the
• 2:57
  Speaker 5: one that organized this whole sit down thing for all
• 3:00
  Speaker 5: of us to come and kind of sit down and
• 3:02
  Speaker 5: put our favorite memories and favorite things back. I know,
• 3:06
  Speaker 5: me as Tommy Tuba, am so excited for us to
• 3:10
  Speaker 5: just kind of share the history because I know this,
• 3:13
  Speaker 5: the Mouse Group will be known forever.
• 3:16
  Speaker 3: You know, are the premier super group of artists. And
• 3:21
  Speaker 3: we hang with each other and we have fun.
• 3:23
  Speaker 5: We have a lot of fun.
• 3:25
  Speaker 1: And for me, I can tell we're in our golden years.
• 3:28
  Speaker 1: And I don't think our golden years.
• 3:31
  Speaker 5: No, no, no, But for me, I just want to
• 3:32
  Speaker 5: do one thing real quick. What do you think your
• 3:35
  Speaker 5: most famous song is? Right now? Off the top of
• 3:37
  Speaker 5: your head, what do you think you're most known for?
• 3:42
  Speaker 5: Just not as a group, because I don't think we
• 3:44
  Speaker 5: as the Mouse Group has performed together song. We have
• 3:49
  Speaker 5: a bunch of I.
• 3:50
  Speaker 6: Don't understand the rat pack. Then we're like the blue
• 3:53
  Speaker 6: collar group. Anyway, let's go back anyway, let's.
• 3:56
  Speaker 5: Talking about that. What do you think your most famous
• 3:58
  Speaker 5: song is?
• 4:00
  Speaker 2: Famous? Song? Is your thigh means love?
• 4:03
  Speaker 5: Come on, give us a little piece of your thigh
• 4:10
  Speaker 5: means love.
• 4:12
  Speaker 6: Your thigh means love. It's the upper part of your
• 4:19
  Speaker 6: leg and so it means I love it.
• 4:23
  Speaker 4: So oh, that just really gets me going.
• 4:28
  Speaker 5: Little Joey, you bring me in the in that one
• 4:31
  Speaker 5: you bring me in you.
• 4:33
  Speaker 6: I wrote that with a big band, of course. I
• 4:37
  Speaker 6: wrote that about Marilyn Monroe.
• 4:42
  Speaker 1: Wow, and a pair of thighs on that dame she's got.
• 4:48
  Speaker 3: Did you ever meet a Joey?
• 4:50
  Speaker 4: We had a meatball dinner.
• 4:52
  Speaker 2: We had a meatball dinner.
• 4:56
  Speaker 4: We had a.
• 4:56
  Speaker 7: Meatball dinner after Kennedy's assassination.
• 5:00
  Speaker 6: Scoop, it's after right after, because meatballso so she Yeah,
• 5:10
  Speaker 6: we had a meatball dinner after Kennedy's assassination that the
• 5:13
  Speaker 6: family put together because we're all we we need some
• 5:17
  Speaker 6: comfort food. So we did that, and her and I,
• 5:21
  Speaker 6: you know, YadA YadA. One thing led to another. Morning
• 5:24
  Speaker 6: is morning, you know what I mean.
• 5:26
  Speaker 7: And I touched the thighs, and I remember going, well,
• 5:29
  Speaker 7: I've never felt a thigh like that.
• 5:32
  Speaker 8: I usually fall in love with the brain of the heart,
• 5:35
  Speaker 8: but I fell in love with the thigh. Not saying
• 5:37
  Speaker 8: that she's only her thighs, not saying that she's only
• 5:42
  Speaker 8: and I'm saying that she this woman, especially Merilin, she's
• 5:47
  Speaker 8: more than anything. Everybody part, every brain part, is more
• 5:51
  Speaker 8: than the other.
• 5:52
  Speaker 5: Right.
• 5:52
  Speaker 7: But I will say I fell in love with the thighs.
• 5:56
  Speaker 4: You love it, you really, really, I don't love her.
• 6:00
  Speaker 4: You look like a man in love.
• 6:02
  Speaker 3: You're infatuated.
• 6:04
  Speaker 5: Next Vinnie, you wytn't you tell us a little bit
• 6:06
  Speaker 5: about your most famous song ever?
• 6:08
  Speaker 3: Oh, my most favorite song, famous.
• 6:11
  Speaker 4: Minnie, the famous frowning man himself.
• 6:15
  Speaker 3: Y'all don't want to hear about me? Come on, okay,
• 6:20
  Speaker 3: I'll tell you what I'm really known. Sunshine on a
• 6:24
  Speaker 3: Dark Day?
• 6:26
  Speaker 5: One two, you count yourself.
• 6:30
  Speaker 3: I got it. Captain. You're like sunshine on a dark day.
• 6:39
  Speaker 3: Your like moonshine on the lake. You're like dancing with
• 6:48
  Speaker 3: this man, seeing if you can't.
• 6:54
  Speaker 6: I love that line.
• 6:56
  Speaker 2: You're like you like Disney with the man.
• 6:59
  Speaker 4: Can I say it?
• 7:00
  Speaker 6: You like dancing with the man. Let's see if you can't.
• 7:05
  Speaker 4: Oh, it's me.
• 7:09
  Speaker 5: Said about who's that about?
• 7:11
  Speaker 3: Oh? That's actually a song I wrote about my parents
• 7:14
  Speaker 3: when they stare at each other.
• 7:17
  Speaker 4: With your parents, when they stare at each other, they.
• 7:20
  Speaker 3: Love each other and it's really beautiful to see.
• 7:22
  Speaker 1: You and it makes you sad. For some reason, everything
• 7:27
  Speaker 1: makes you sad.
• 7:29
  Speaker 5: Come on, give us a little piece.
• 7:33
  Speaker 4: Ok Okay, Tony. That's what I tell myself when I
• 7:37
  Speaker 4: wake up in the morning.
• 7:38
  Speaker 1: Okay, Tony, okay, Tony. All right, So this is a
• 7:41
  Speaker 1: little piece of my hit song. That's it?
• 7:45
  Speaker 4: Okay five?
• 7:47
  Speaker 1: Six, five, six, seven eight. Well, that's it. That's what
• 7:53
  Speaker 1: happened in my life.
• 7:56
  Speaker 4: That's it. That's it. That's who went down during the strife.
• 8:03
  Speaker 5: That's it.
• 8:04
  Speaker 4: That's it. I kissed the Dame more too. That's it
• 8:09
  Speaker 4: for me. How about you?
• 8:14
  Speaker 6: My favorite part about the song is that it's a
• 8:16
  Speaker 6: conversation between the audience, between the audience and the singer.
• 8:22
  Speaker 5: It's really I would say, really, and you know.
• 8:27
  Speaker 4: Sometimes people talk back.
• 8:29
  Speaker 1: Sometimes people talk back, and I gotta improvise, and I
• 8:32
  Speaker 1: don't always carry it. I'll be honest, I don't always
• 8:35
  Speaker 1: carry it.
• 8:36
  Speaker 4: I love to.
• 8:37
  Speaker 6: Hear I'm sorry. It's about your family. It's about Maryland.
• 8:42
  Speaker 6: Who's at about Oh?
• 8:45
  Speaker 1: This is about a man looking back at his life,
• 8:48
  Speaker 1: and I am a man of thirty two years of old.
• 8:53
  Speaker 4: It about you.
• 8:54
  Speaker 3: It's somebody by this guy a tombstone.
• 8:57
  Speaker 1: You know, Listen, my dad was raised the Great Depression,
• 9:01
  Speaker 1: and so tell.
• 9:03
  Speaker 2: Your father worries about It's.
• 9:05
  Speaker 1: About me putting myself in the shoes and my father
• 9:08
  Speaker 1: and looking at his life and going, I'm thirty two
• 9:11
  Speaker 1: here in the nineteen thirties and I might die soon.
• 9:15
  Speaker 4: And so I was looking at him through his.
• 9:18
  Speaker 1: Experience but it's also through the It's also, if you
• 9:23
  Speaker 1: listen closely, it's about that's it, that's life.
• 9:26
  Speaker 4: But it's also about.
• 9:27
  Speaker 1: Being in between two and the knockers of the greatest
• 9:31
  Speaker 1: French namut ever dien.
• 9:33
  Speaker 5: See Where did you go? By? Where did she go?
• 9:38
  Speaker 4: Oh?
• 9:39
  Speaker 5: Effie Effie famously fresh name Effie to it short for Evelyn.
• 9:50
  Speaker 6: Evelyn Roosevelt, Oh lady never tells?
• 9:56
  Speaker 5: Okay, Well, Tommy Tuba's got a song for you, guys.
• 9:58
  Speaker 5: You guys all know it's.
• 9:59
  Speaker 4: A big oh please give it to us.
• 10:02
  Speaker 5: Five six five six seven Exkin lit Up Minneapolis, Minneapolist.
• 10:11
  Speaker 5: We in Minneapolis, twin City, Hey at big get up
• 10:21
  Speaker 5: minneapol Listen Minneapolis Gang, Minneapolist. You're bad for me.
• 10:30
  Speaker 1: I really love this song because it makes me go,
• 10:33
  Speaker 1: what the heck is Minneapolis?
• 10:36
  Speaker 3: What is it? What are you gonna tell us?
• 10:38
  Speaker 5: What is never telling? I never told Minneapolis me fucking say?
• 10:44
  Speaker 5: What the I promise you two things on my fucking grave.
• 10:49
  Speaker 5: I promise you two things are my fucking grave right now?
• 10:52
  Speaker 5: One I will what do you promise? My mother and
• 10:56
  Speaker 5: my father go up when people talk about them. Mother,
• 11:02
  Speaker 5: my mother's two things on my grave. One, my mother
• 11:05
  Speaker 5: is a saint, and I won't ever fucking hear a difference. Okay,
• 11:09
  Speaker 5: she did some wrong. You ain't never gonna know what
• 11:15
  Speaker 5: Minneapolis is, and I ain't never gonna tell you.
• 11:18
  Speaker 2: Oh I don't like number two.
• 11:19
  Speaker 1: Oh I begging the come on, tell me what Minneapolis is.
• 11:25
  Speaker 4: Begging to hear it?
• 11:26
  Speaker 5: Minneapolis is a city.
• 11:29
  Speaker 6: Oh oh god, I thought she was a broad spoke.
• 11:35
  Speaker 5: So Minneapolis is a big, big city right on the right,
• 11:39
  Speaker 5: on the border Canada.
• 11:41
  Speaker 6: And Minnesota sounds like a brunette with a good ass.
• 11:45
  Speaker 4: Don't know. I'm soolut i'bsolute.
• 11:48
  Speaker 5: Let me tell you I wouldn't put it past me
• 11:51
  Speaker 5: for kissing a broad named Minneapolis. Let's see, I did it.
• 11:55
  Speaker 5: I went to Minneapolis. Oh, let me tell you. The
• 11:59
  Speaker 5: buildings and Minneapolis are slappable. You slap those booties and
• 12:03
  Speaker 5: you're gonna get a bounce back. Hey, Minneapolis, they canna
• 12:10
  Speaker 5: you know, feel it on your hand. You're gonna be
• 12:12
  Speaker 5: shaking that ship off a will you walk up to.
• 12:15
  Speaker 1: You just walks up to the banks, you say, and
• 12:17
  Speaker 1: you say, hey, damon, you slap the building of the
• 12:20
  Speaker 1: banks and you selling you was telling me, you get
• 12:23
  Speaker 1: a slap.
• 12:23
  Speaker 5: Back, you get a building. Yes, it's not like slapping concrete,
• 12:29
  Speaker 5: it's like slapping flesh.
• 12:32
  Speaker 3: Something.
• 12:33
  Speaker 5: Come, what do you want to say to.
• 12:36
  Speaker 3: Me when you say Minneapolis, I'm looking out for Mickeyapolis.
• 12:42
  Speaker 5: No, don't you bring them up. Don't you fucking.
• 12:45
  Speaker 2: Bring up trumpet player.
• 12:49
  Speaker 5: That guy wronged me.
• 12:50
  Speaker 3: I thought you were saying it was Manny was Many
• 12:53
  Speaker 3: was Mickey's sisters, So I thought that song was about
• 12:56
  Speaker 3: her love Minnie.
• 12:58
  Speaker 5: We love Minnie Nickey's actual.
• 13:02
  Speaker 6: If you can ask, can I ask?
• 13:04
  Speaker 2: Can I ask?
• 13:05
  Speaker 5: You can ask anything, you can ask, it's opening.
• 13:07
  Speaker 4: You can ask.
• 13:09
  Speaker 9: I know as the Mouse group, we're on tour. Sometimes
• 13:12
  Speaker 9: it was in the studio sometimes, but I want to
• 13:15
  Speaker 9: know who's linked up, who's dating, who's married. I want
• 13:24
  Speaker 9: to know if we're sitting down here, we're not singing
• 13:27
  Speaker 9: songs and we're not playing music. I want to get
• 13:30
  Speaker 9: dirty because here's my thing, and you're right. In this year,
• 13:34
  Speaker 9: nobody asks about process.
• 13:36
  Speaker 5: Nineteen sixty eight is the year.
• 13:38
  Speaker 6: People want to know about who were fucking and they
• 13:40
  Speaker 6: want us to sing.
• 13:41
  Speaker 1: Nineteen sixty eight is the year nineteen six They don't care.
• 13:46
  Speaker 2: They don't care.
• 13:47
  Speaker 5: Who answered Joey, who you forging?
• 13:51
  Speaker 6: I'm fudging Maria Panana.
• 13:54
  Speaker 5: Maria.
• 13:58
  Speaker 6: Girl, Maria, if you're there, put the kids to bed,
• 14:02
  Speaker 6: because I love you.
• 14:04
  Speaker 2: You got kids with Maria Maria.
• 14:10
  Speaker 3: I don't think Joey, who is this guy?
• 14:13
  Speaker 2: Fanny?
• 14:13
  Speaker 6: I don't bring her on tour. I met at Rhoe
• 14:16
  Speaker 6: Island when we are on break. I met at Rhoe
• 14:19
  Speaker 6: Island in a little boat.
• 14:22
  Speaker 5: I took a boat.
• 14:24
  Speaker 2: It's not a small boat, a canoe.
• 14:27
  Speaker 5: If you will she drowned.
• 14:29
  Speaker 6: No, I wanted to get to the other side. I
• 14:32
  Speaker 6: wanted to get to the other side.
• 14:34
  Speaker 4: And what was waiting for you on the other side?
• 14:37
  Speaker 2: What was for me on the other side.
• 14:39
  Speaker 6: I was trying to I was trying to gamble, okay, gamble?
• 14:48
  Speaker 2: Was it a was a slack?
• 14:52
  Speaker 6: It was a slack.
• 14:53
  Speaker 5: Famous Marongo casino result on the other.
• 14:56
  Speaker 2: Side of the island.
• 14:58
  Speaker 6: It's the first morongo to have existed on the side
• 15:01
  Speaker 6: of Rhode Island.
• 15:02
  Speaker 5: No, I will say one thing. You know, Joey did
• 15:04
  Speaker 5: it one time. Introduced to me to Maria Panana. And
• 15:07
  Speaker 5: this girl makes one of the best whipped cream dishes
• 15:10
  Speaker 5: I've ever fucking had. No, No, no, dishy, I'll just
• 15:22
  Speaker 5: sing about it. One and a two and a three
• 15:25
  Speaker 5: and my girlfriend whipped cream and whoopy on a Friday night.
• 15:32
  Speaker 5: All Saturday, you're gonna have whipped cream and whoopy all
• 15:37
  Speaker 5: dang night. Who's a bigger whip cream and whoope all
• 15:44
  Speaker 5: damn night. It's a Monday, Tuesday, Wednesday, Thursday, Friday, it's
• 15:50
  Speaker 5: Saturday and Sunday.
• 15:56
  Speaker 3: So you wrote that about his girlfriend.
• 16:00
  Speaker 5: It's whip cream and whoopy her whipped cream? And what's
• 16:03
  Speaker 5: whoopy the cake that you would make, it's a whoopy cake.
• 16:06
  Speaker 5: It's so good.
• 16:08
  Speaker 6: We're done dating me talk about it.
• 16:13
  Speaker 5: And no, I'm notoriously single. I'm not tooriously single. Why
• 16:19
  Speaker 5: don't you tell him about Paul? Paul? Paul, Hey, that's.
• 16:23
  Speaker 3: A weird girl.
• 16:25
  Speaker 4: God's a very weird name of girl.
• 16:29
  Speaker 5: Her name is Paul. And we've seen each other once
• 16:32
  Speaker 5: or twice. And let me tell you. When I first
• 16:35
  Speaker 5: heard her name was Paul, I thought, now, that's a
• 16:38
  Speaker 5: weird name for a girl. I assume so, But then
• 16:44
  Speaker 5: I got what else? But then I got to know
• 16:46
  Speaker 5: and I thought, you listen, I am no toiously single,
• 16:51
  Speaker 5: but I'll give you a shot. Paul, so she takes
• 16:54
  Speaker 5: me out to this Strombolier.
• 17:00
  Speaker 2: It's my dick harder than a ball of trombone.
• 17:05
  Speaker 5: She is one of a guy's Trumbeli. Nothing gets anybody
• 17:12
  Speaker 5: in the busse groomstick out of this trumble.
• 17:14
  Speaker 4: It's true. I'm all over the place right now.
• 17:17
  Speaker 2: Can I sing my song about Polly?
• 17:19
  Speaker 5: You hit it, Paul, you in your song about the
• 17:21
  Speaker 5: woman named Paul.
• 17:23
  Speaker 3: My dick.
• 17:27
  Speaker 4: Ninety sixty eight, My dick.
• 17:34
  Speaker 6: Nothing more without us trombole let a restaurant.
• 17:39
  Speaker 4: My Ball nineteen sixty eight.
• 17:44
  Speaker 5: I love that song because there's nothing due with Paul.
• 17:47
  Speaker 6: It does have having do with PAULI because she brought
• 17:49
  Speaker 6: in this Trambolie restaurant.
• 17:50
  Speaker 5: Okay, come, listener, would have no idea. I'm dating a
• 17:53
  Speaker 5: broad name, Paul.
• 17:55
  Speaker 6: Yeah, and that's why it's it's it's secrecy, Paul of Anny.
• 17:58
  Speaker 5: What are you doing?
• 18:00
  Speaker 4: Who are you doing?
• 18:00
  Speaker 2: What are you doing?
• 18:01
  Speaker 5: You're doing? And what are you doing? Let us let
• 18:04
  Speaker 5: that wall down.
• 18:05
  Speaker 3: Who you're doing?
• 18:05
  Speaker 5: What are you doing about?
• 18:08
  Speaker 1: What are you doing?
• 18:09
  Speaker 5: Singing about it? What are you doing?
• 18:12
  Speaker 4: I sing about it?
• 18:13
  Speaker 5: Are you doing? When are you doing? The singing about it?
• 18:15
  Speaker 4: Who are you doing? What are you doing to sing
• 18:17
  Speaker 4: about it.
• 18:19
  Speaker 3: Well, I'll tell you what. I went on a first
• 18:22
  Speaker 3: date yesterday.
• 18:24
  Speaker 5: That's huge.
• 18:25
  Speaker 3: Yeah, And I tell you what, it felt good. It
• 18:29
  Speaker 3: felt good. So a song today about it?
• 18:32
  Speaker 5: What saying? Is it going to be? Including the song
• 18:35
  Speaker 5: we know? Preamble?
• 18:37
  Speaker 3: How was it?
• 18:38
  Speaker 4: It will be?
• 18:38
  Speaker 2: Or he how to Go.
• 18:42
  Speaker 5: Nineteen sixty?
• 18:43
  Speaker 3: I don't think that the game it's a she. It's
• 18:47
  Speaker 3: always a she. It's guys like us that can't be
• 18:52
  Speaker 3: nothing bad.
• 18:55
  Speaker 4: Really into it.
• 18:56
  Speaker 5: If it's going to be, including this song, let's do
• 18:58
  Speaker 5: it bad?
• 18:59
  Speaker 10: No, No, Christalrystals, gree Roses, Christine and my Son Raws
• 19:16
  Speaker 10: on the Raise of Love.
• 19:21
  Speaker 3: Christal hel La La La La Crystal, La la la
• 19:27
  Speaker 3: la la Chrystal.
• 19:31
  Speaker 5: So what was her name? And what was her name?
• 19:34
  Speaker 5: I couldn't figure it out.
• 19:35
  Speaker 6: We both sing songs about people who've been in a
• 19:37
  Speaker 6: relationship for five years. You meet someone last night, you
• 19:40
  Speaker 6: write the most beautiful song, You give Alba Maria a
• 19:43
  Speaker 6: run for its fucking money.
• 19:45
  Speaker 5: Very specific facts about this girl too. She had green eyes,
• 19:49
  Speaker 5: well anything else specifica now, no.
• 19:53
  Speaker 3: I know that about her and uh, she just really lived.
• 19:58
  Speaker 3: Her name is Tiffany.
• 20:01
  Speaker 4: All.
• 20:01
  Speaker 5: I'm joking with it was Cristal.
• 20:05
  Speaker 1: I swear to God, I'm spitting taken all over the place.
• 20:11
  Speaker 5: Bama, Tony Baba is dead.
• 20:17
  Speaker 4: I'm talking Tony cartilage.
• 20:19
  Speaker 5: All right, Tony can.
• 20:22
  Speaker 1: I famously never comment on my sexuality and less. I'm
• 20:29
  Speaker 1: with a name name Sarah.
• 20:36
  Speaker 4: The battle song I wrote about.
• 20:38
  Speaker 5: The night we met.
• 20:41
  Speaker 4: By the clock.
• 20:44
  Speaker 1: That's the time of the night we met. It's the
• 20:48
  Speaker 1: time I saw.
• 20:51
  Speaker 4: You walk through the bar. Her name is Sarah. That's
• 20:55
  Speaker 4: when I saw you. Sarah. You're the girl my Sarah.
• 21:01
  Speaker 4: Tell me what time many is? My girl?
• 21:05
  Speaker 1: It's five o'clock. It's five o'clock. I feel like dancing
• 21:13
  Speaker 1: when the clock strikes that number.
• 21:16
  Speaker 4: I like to dance.
• 21:18
  Speaker 1: With my girl Sarah because it's not quite six o'clock.
• 21:25
  Speaker 5: You know, always love song. It's Tony. You really circle
• 21:29
  Speaker 5: the dress to get two things. It was five o'clock
• 21:34
  Speaker 5: and then it was Sarah.
• 21:35
  Speaker 3: And that's all.
• 21:36
  Speaker 5: You gotta work with it. You make it work for
• 21:38
  Speaker 5: all and all.
• 21:40
  Speaker 4: The Laddin needs to write a.
• 21:42
  Speaker 5: Song on too Deep Tail.
• 21:46
  Speaker 2: Dance, Tony, what does time mean to you? Time piece?
• 21:50
  Speaker 2: It seems like you're singing more about time than you are.
• 21:53
  Speaker 1: The broad listen the time to me means the time
• 21:56
  Speaker 1: between the birth and the meat, and abroad and a death.
• 22:02
  Speaker 1: And there's nothing more intimate to me than love and
• 22:06
  Speaker 1: the concept of time.
• 22:08
  Speaker 3: That spaghetti.
• 22:11
  Speaker 5: Tony can put back spaghetti.
• 22:13
  Speaker 4: No, I can plow it down.
• 22:16
  Speaker 5: Tony can put back spaghetti. I can put back spaghetti.
• 22:21
  Speaker 3: I can't.
• 22:23
  Speaker 5: Something happens with your stomach with each pasta. I can't.
• 22:27
  Speaker 3: There's something about the noodles that go down the wrong place.
• 22:30
  Speaker 1: That's because I cannot DOWNREGATONI but you can't.
• 22:36
  Speaker 5: Was the wrong play.
• 22:41
  Speaker 1: And we know that Vinny's just sitting there going because
• 22:44
  Speaker 1: he got a lung.
• 22:46
  Speaker 4: Full of spaghetti.
• 22:48
  Speaker 6: I say give him the clam shat of the pasta fuzzu.
• 22:52
  Speaker 6: I don't got time to think if he's choking on
• 22:54
  Speaker 6: a clam or a rigguitar.
• 22:57
  Speaker 5: I don't got time.
• 22:58
  Speaker 4: I got all these beautiful we're.
• 23:00
  Speaker 5: But I gotta know you.
• 23:01
  Speaker 3: I feel like I'm beings and Raspberry City.
• 23:05
  Speaker 1: That's Raspberry City for vine over the time.
• 23:10
  Speaker 5: It's video clock, which means wearing Raspberry City.
• 23:14
  Speaker 4: Oh look at that, my clock goes off its dog.
• 23:19
  Speaker 11: You got video clock, just Raspberry City.
• 23:32
  Speaker 3: Me fucking on.
• 23:39
  Speaker 4: The table, this table is the money maker.
• 23:42
  Speaker 12: Hey, this table makes table is the best piano player
• 23:47
  Speaker 12: I ever met my life.
• 23:49
  Speaker 5: This piano change the arrangement based on who he's working
• 23:52
  Speaker 5: with with the mouse crew.
• 23:53
  Speaker 1: This table knows what he's talking about, and he knows
• 23:57
  Speaker 1: how to give me the best deal.
• 23:58
  Speaker 4: This table is my age. Okay.
• 24:01
  Speaker 1: What I wanted to know is when was the first
• 24:05
  Speaker 1: time you heard a piece of music that said I
• 24:08
  Speaker 1: want to make music? And if it did make you
• 24:11
  Speaker 1: make a certain piece of music, what was that music.
• 24:15
  Speaker 5: I guess we never ever talked about this. This is
• 24:17
  Speaker 5: great to actually ask each other questions that aren't weird
• 24:20
  Speaker 5: pedantic ship that we just come up with because we're
• 24:23
  Speaker 5: drunken high.
• 24:27
  Speaker 12: Yeah, I guess we're actually getting to know each other.
• 24:32
  Speaker 2: I'll tell you this. I'll tell you this, never ask
• 24:35
  Speaker 2: each other question.
• 24:36
  Speaker 6: It's whole inter you felt like just bizarre shit, and
• 24:41
  Speaker 6: then halfway through you asked the question and I said, oh,
• 24:43
  Speaker 6: we're getting to know each to each I'll tell you
• 24:45
  Speaker 6: this my favorite, my favorite thing that set me off
• 24:50
  Speaker 6: into saying I want to be a musician.
• 24:53
  Speaker 2: I want to be a vocalist. Tell us.
• 25:00
  Speaker 6: L take your time, thank you. I'm not used to
• 25:05
  Speaker 6: communicating anything about your no rush.
• 25:08
  Speaker 2: It's hardly communicating by anything.
• 25:10
  Speaker 5: Besides the broad day. This is the first silence we've
• 25:14
  Speaker 5: had for thirty minutes.
• 25:15
  Speaker 4: I think, take a moment of silence for o.
• 25:18
  Speaker 5: The ones we lost.
• 25:21
  Speaker 2: This is for the ones in the lost.
• 25:23
  Speaker 3: Was going to sing there. Usually it's always.
• 25:25
  Speaker 5: Us rady tooth tone looking cigarettes, Oh.
• 25:40
  Speaker 3: Brown, Young cot Tucking, incredible, bing Gun, Oh.
• 25:51
  Speaker 13: So fantastic, Slynnly Pee, Jo Rabbit, sle and big Old
• 26:08
  Speaker 13: Louise Seal Lou.
• 26:11
  Speaker 4: That's a silent night.
• 26:13
  Speaker 3: We're going to miss all those people.
• 26:15
  Speaker 5: All of them died this year. We miss very much
• 26:17
  Speaker 5: all other members of the mouse group.
• 26:19
  Speaker 4: A lot of people died. That Jojo Rabbit, it is.
• 26:23
  Speaker 2: Crazy, resting fucking peace, one of.
• 26:26
  Speaker 5: The best percussionists I've ever met.
• 26:28
  Speaker 2: We don't percussionists.
• 26:30
  Speaker 3: We don't talk about that a lot. We are the
• 26:32
  Speaker 3: Mouse Group. But we used to be about thirty five
• 26:36
  Speaker 3: to forty and then all of them are slowly and
• 26:39
  Speaker 3: the other four and then there.
• 26:40
  Speaker 6: Were five and and and usually we were together Christmas
• 26:46
  Speaker 6: card and then there were four.
• 26:47
  Speaker 2: When we're together.
• 26:48
  Speaker 6: When we're together, we like to sing silent night and
• 26:52
  Speaker 6: end it with and then there were four.
• 26:56
  Speaker 5: So when did you first get into music? Yeah?
• 26:59
  Speaker 2: Well, my love the fell on a piano.
• 27:04
  Speaker 4: What don't you sing about it? My mother.
• 27:09
  Speaker 2: Fell on a piano, that's ride.
• 27:13
  Speaker 6: She was a trappie, sowniss a dime of a broad
• 27:17
  Speaker 6: that's true.
• 27:19
  Speaker 2: And I had I layd a trill on the piano.
• 27:25
  Speaker 5: What they say?
• 27:27
  Speaker 6: And when her skull hit the notes, I started the same.
• 27:34
  Speaker 5: That was great. By the way, Tony, think you for
• 27:37
  Speaker 5: checking out?
• 27:40
  Speaker 4: I want okay, I like that.
• 27:42
  Speaker 5: We're gonna do duets tonight.
• 27:44
  Speaker 1: I was looking it up on my newspaper just to
• 27:47
  Speaker 1: make it sure everything and checked out. I always looked,
• 27:54
  Speaker 1: and let me say, I was looking it up on
• 27:56
  Speaker 1: the newspaper and I was pretty fast with it.
• 27:59
  Speaker 6: Okay, tell us when you got into music, and I'm
• 28:03
  Speaker 6: sure you gotta do it?
• 28:04
  Speaker 5: Oh yeah, yeah, yeah, yeah, what do you think?
• 28:07
  Speaker 3: Well? I got into music when I was sixteen years old.
• 28:11
  Speaker 3: I was pop woken by some girl and sitting over
• 28:15
  Speaker 3: on Love is laying all by myself, all the cause
• 28:17
  Speaker 3: of rocking but mine and I'm sitting there in Austria.
• 28:25
  Speaker 3: I understand. I moved around a lot.
• 28:29
  Speaker 5: I love about my Vinnie at it, don't just talk
• 28:32
  Speaker 5: you let it out.
• 28:35
  Speaker 4: The lone legal.
• 28:39
  Speaker 10: He's the lonely guy.
• 28:42
  Speaker 3: Where should he go?
• 28:45
  Speaker 5: But where he used to be? He's the lord.
• 28:52
  Speaker 4: God. I checked it. That's true.
• 28:58
  Speaker 2: I wish the listeners could see.
• 28:59
  Speaker 6: But home he's got about fifty stacks of newspapers and
• 29:03
  Speaker 6: when someone starts singing, he's just going through it like
• 29:05
  Speaker 6: a drama.
• 29:06
  Speaker 5: Turk, very specific words like for this one, I think
• 29:09
  Speaker 5: he was holy.
• 29:11
  Speaker 4: Can you guys start going? I gotta go really fast.
• 29:15
  Speaker 3: And Joey mentioned someone I wanted to bring up. Can
• 29:17
  Speaker 3: we give a little love to the drama turks.
• 29:23
  Speaker 1: That's the unspoken reple members of the Mouse group, all
• 29:27
  Speaker 1: the drama turks.
• 29:30
  Speaker 2: Can we shout out all the dramas are going to
• 29:32
  Speaker 2: all with us.
• 29:33
  Speaker 4: Let's shout out to all the drama turks.
• 29:35
  Speaker 5: Sweet sixty seven, Hey Will Night, Catherine Sight, Joe All
• 29:53
  Speaker 5: is right. Wow, what a lovely.
• 29:57
  Speaker 4: Dramatic drama turks.
• 30:00
  Speaker 5: Lovely erasure of that song was silent night on repeat,
• 30:06
  Speaker 5: almost like, uh, what you're doing? Row row row your
• 30:09
  Speaker 5: boat in the round, like two men.
• 30:12
  Speaker 4: Who didn't really want to be singing.
• 30:14
  Speaker 5: Together while you guys were also singing the name in
• 30:18
  Speaker 5: a completely different key, including including the name of we're
• 30:22
  Speaker 5: going to miss group.
• 30:23
  Speaker 1: I have one note for the group, and it's when
• 30:25
  Speaker 1: I don't always know when we're singing Silent Night or
• 30:28
  Speaker 1: when we're.
• 30:29
  Speaker 5: Free Stylis say, this is what I'll say. We never
• 30:31
  Speaker 5: worked together, we never work together. We all have different
• 30:35
  Speaker 5: and we meet the party together.
• 30:38
  Speaker 6: Speaking of work together, I want to hear this song
• 30:41
  Speaker 6: that got you into music?
• 30:42
  Speaker 3: Can I just say, before we get into another song,
• 30:45
  Speaker 3: how how sad I am that my favorite dramatic Marissa
• 30:49
  Speaker 3: told me pass.
• 30:53
  Speaker 5: For me it was Catherine's Ada jokes.
• 30:57
  Speaker 4: It's so sad.
• 30:58
  Speaker 1: Drama turns done because they come up and they tell us, hey,
• 31:02
  Speaker 1: what you're doing is pretty prectant, and then.
• 31:05
  Speaker 4: We say, oh wow, we have nobody here.
• 31:09
  Speaker 6: A lot of people come up to me and say, hey,
• 31:11
  Speaker 6: you're a cabaret artist. Why do you need fucking five
• 31:15
  Speaker 6: drama turks on staff? And I'll tell you why any
• 31:18
  Speaker 6: fucking fire drama turks on staff.
• 31:20
  Speaker 12: For the facts, it's Christmas busy, and I would to
• 31:24
  Speaker 12: pick up that all the drama turks were women, and
• 31:26
  Speaker 12: that's the way we like.
• 31:27
  Speaker 3: To do it.
• 31:28
  Speaker 1: And that's what to say, because I am never gonna
• 31:31
  Speaker 1: hire a drama tug who is a no looker.
• 31:34
  Speaker 5: No way. Here's the thing.
• 31:36
  Speaker 2: I'm not interested.
• 31:37
  Speaker 6: I don't know what the future holds, but I'm not
• 31:39
  Speaker 6: interested in any fake ton of facts, fake news.
• 31:44
  Speaker 2: So here's the thing.
• 31:45
  Speaker 6: We may be singers, we may be singers, but I
• 31:47
  Speaker 6: want to fact check everything, and I may pay full
• 31:50
  Speaker 6: time salaries for six women and ex a beautiful.
• 31:55
  Speaker 1: Drama turks definitely noting up and a beautiful.
• 32:01
  Speaker 4: I think a thing about it.
• 32:03
  Speaker 2: I think one of them was nominated for an Oscar.
• 32:08
  Speaker 14: Okay, here we go and above say about with the
• 32:12
  Speaker 14: five six, seven, eight, six beautiful drama tugs in New
• 32:19
  Speaker 14: York City, Six beautiful dramatists sitting in the big Old
• 32:27
  Speaker 14: Apple till we die, Six beautiful drama tists, the telling
• 32:33
  Speaker 14: weh me something is break well?
• 32:36
  Speaker 2: What's crazy about that song?
• 32:37
  Speaker 6: Was Catherine in the dressing room pulled me over and
• 32:40
  Speaker 6: she said, I don't want to do this till I die.
• 32:43
  Speaker 2: In the song, it says I gotta do this till
• 32:45
  Speaker 2: I die.
• 32:45
  Speaker 4: And that's a binding contract. That song we make.
• 32:48
  Speaker 5: We play the songs for the drama. Tis you do
• 32:52
  Speaker 5: this till you die?
• 32:54
  Speaker 12: Sit in the Apple Till You Die and the the
• 32:57
  Speaker 12: Big Apple and meeting the fact chicks. You'll know when
• 33:03
  Speaker 12: we need facts.
• 33:04
  Speaker 5: Sitting in an office in the Big Apple, you'll know
• 33:07
  Speaker 5: what we need facts about it.
• 33:09
  Speaker 1: So, okay, let's let's rain it in. When did you
• 33:19
  Speaker 1: want to get into music?
• 33:21
  Speaker 5: When'd you get into music? The song? Okay, when you
• 33:24
  Speaker 5: want me to sing the song of when I got
• 33:26
  Speaker 5: into music? God, I gotta got it. So when I
• 33:28
  Speaker 5: was about twelve, my dad comes home drunk as all hell,
• 33:31
  Speaker 5: and he's not saying, hey, Tony Tuba, Sorry, Tommy Tuba,
• 33:36
  Speaker 5: I just went to the best show I've ever gosh
• 33:38
  Speaker 5: don scene and I go, Daddy, what are you talking about?
• 33:41
  Speaker 5: Bobby Danny, what the fucking shit are you talking about?
• 33:45
  Speaker 5: He grabs me by the scruff of my neck and
• 33:47
  Speaker 5: he drags me outside. We walked for four blocks straight,
• 33:51
  Speaker 5: past all the pizza shops, past all the all open shops,
• 33:55
  Speaker 5: and he drags me into this jazz body. He says,
• 33:57
  Speaker 5: you listen to this and you like it, And the
• 34:00
  Speaker 5: song goes a little bit like this, So what about
• 34:09
  Speaker 5: good about good? It's jazz. It's jazz. Well playing jazz.
• 34:24
  Speaker 5: We're up there playing jazz. What are you a kid
• 34:29
  Speaker 5: doing here in jazz?
• 34:32
  Speaker 4: Like the jazz singers were really going.
• 34:35
  Speaker 5: They were improvising right there. They saw a little twelve
• 34:38
  Speaker 5: year old boy walking to a bar about two am,
• 34:41
  Speaker 5: and they said, oh, we gotta ad this.
• 34:43
  Speaker 1: We gotta make eye contact with the twelve year old
• 34:45
  Speaker 1: and we got a round and the eye contact was deep,
• 34:48
  Speaker 1: and I was hooked ever since.
• 34:49
  Speaker 5: I went back to that jazz bar every fucking night
• 34:51
  Speaker 5: of my life until they met you. Broad faces.
• 34:55
  Speaker 3: Aces work my man. Yeah.
• 34:59
  Speaker 5: The bar was called yeah, Yeah, no, thank you.
• 35:04
  Speaker 1: Tell me when you fell in love with When did
• 35:07
  Speaker 1: Tony Cartilage fall in love with music?
• 35:10
  Speaker 5: Well?
• 35:11
  Speaker 4: When did I fall in love with?
• 35:13
  Speaker 1: A girl named soprano? I'll tell you what. She walked
• 35:18
  Speaker 1: into a bar and she said, I know how to sing.
• 35:23
  Speaker 1: Tell me what she you're gonna bring to the table
• 35:29
  Speaker 1: a love? And I said, I don't got time for
• 35:34
  Speaker 1: a broad like you. She said, when you're gonna bring
• 35:39
  Speaker 1: something to the table, it's five o'clock.
• 35:45
  Speaker 5: Somewhere, and that somewhere is me.
• 35:49
  Speaker 6: It's crazy you invented that. And I'll say this, I'm sorry,
• 35:52
  Speaker 6: I'm sorry. I sang on that you sang throughout my
• 35:55
  Speaker 6: entire song. When I got asked this question.
• 36:01
  Speaker 5: Interjected with facts, that.
• 36:03
  Speaker 2: Was the whole time.
• 36:05
  Speaker 5: I try to know.
• 36:06
  Speaker 4: It's my bad, it's my bad, but I'm bury into facts.
• 36:10
  Speaker 5: What you get. I gotta question.
• 36:12
  Speaker 2: We hire Catherine and Marissa.
• 36:14
  Speaker 4: For that, I know, but I don't trust that they're women.
• 36:18
  Speaker 3: Remember they're dead.
• 36:21
  Speaker 5: They're women, and they're worse than a woman.
• 36:23
  Speaker 4: They're a dead woman, a woman, dead woman.
• 36:28
  Speaker 3: Yeah, you get really sad when of your women die. So, yeah,
• 36:32
  Speaker 3: that is worse than a woman, is much worse dead woman.
• 36:36
  Speaker 4: Think that's my favorite song of yours, Vinny, what's worse.
• 36:39
  Speaker 5: Than a woman? A dead woman?
• 36:41
  Speaker 4: Can you sing?
• 36:42
  Speaker 5: Just just sad, so sad?
• 36:46
  Speaker 3: What's worse than a woman? What's worse than the thing?
• 36:53
  Speaker 3: Than usual? What's worse than a woman? A dead woman?
• 37:03
  Speaker 5: And that's the whole song.
• 37:04
  Speaker 3: Yeah.
• 37:07
  Speaker 5: Can I ask you guys a question? And it's been
• 37:09
  Speaker 5: it's really since we open up the gateway of asking
• 37:11
  Speaker 5: each other real questions. What's your favorite thing about being
• 37:16
  Speaker 5: in the mouse group? What do you think it is?
• 37:18
  Speaker 5: Got the mouse group? Yeah, that's a group.
• 37:22
  Speaker 4: Yeah, godda.
• 37:24
  Speaker 5: I like walking.
• 37:26
  Speaker 3: I love walking down Las Vegas Boulevard past the Sahara
• 37:30
  Speaker 3: Past sixcaliber. I love walking with my boys, and we're
• 37:35
  Speaker 3: walking tight. We're wearing nice suits. We're going down to
• 37:39
  Speaker 3: the area.
• 37:41
  Speaker 5: We're reformation. We're going down.
• 37:44
  Speaker 3: No, no, no, we're going down to the Gold Nugget.
• 37:47
  Speaker 3: We're gonna drink a couple of gimlets away.
• 37:53
  Speaker 5: Nothing better than sitting around a big poka table with
• 37:56
  Speaker 5: my boys, just wondering what cause they have.
• 38:00
  Speaker 13: Down in gimblets one after enough down right, it's pocket
• 38:05
  Speaker 13: as pocket kings.
• 38:09
  Speaker 2: What do you what do you show?
• 38:10
  Speaker 1: What's your favorite My favorite thing about being in the
• 38:13
  Speaker 1: mouse grew Yeah, oh, my favorite thing is the cup links.
• 38:18
  Speaker 1: You boys always know what to give me for my birthday,
• 38:20
  Speaker 1: and it's always couplings.
• 38:22
  Speaker 5: We get this broad, we get this guy couplings. No,
• 38:26
  Speaker 5: you call me a broad.
• 38:27
  Speaker 1: Rasby Raspberry, It's Raspberry Raspberry City.
• 38:32
  Speaker 4: I'm the mad.
• 38:35
  Speaker 5: Please take We ain't gonna take univers City. We're not
• 38:44
  Speaker 5: thinking Rasberry, but I want it. We know we never
• 38:49
  Speaker 5: want to give it to you, but it's just not
• 38:51
  Speaker 5: as fun for you. Yeah, when you really beg for
• 38:56
  Speaker 5: uncomfortable man, it's best is you all over our best pianist,
• 39:01
  Speaker 5: this table to your favorite thing is the couplings we
• 39:05
  Speaker 5: get you in it's your birthday.
• 39:06
  Speaker 3: And also we always got to keep buying your couplings
• 39:12
  Speaker 3: because you run through them. You bust through them so fast.
• 39:15
  Speaker 4: I'm through coupling like it's nobody's business.
• 39:19
  Speaker 5: Vinny. It's like cash to you. You throw it out. Okay, guys,
• 39:23
  Speaker 5: let's not tink of a raspberry city. Let's go. Yeah,
• 39:27
  Speaker 5: this is what he wants.
• 39:30
  Speaker 4: Cy looks like I'm the bayer of rassberry.
• 39:35
  Speaker 5: Raspberry City. What do you love about the rat group?
• 39:41
  Speaker 4: Dumb mouse?
• 39:42
  Speaker 3: Hey, what are you talk about?
• 39:44
  Speaker 15: Group?
• 39:45
  Speaker 5: Fuging me?
• 39:45
  Speaker 2: What do you love about the mouse group?
• 39:47
  Speaker 5: Nothing? I love more about the mouse group than when
• 39:49
  Speaker 5: we get to the beaches of Coubana. Oh how about
• 39:54
  Speaker 5: that on the beaches of Cobana, stay on the beaches
• 39:59
  Speaker 5: on the said the beaches, what stays happened? And that's
• 40:04
  Speaker 5: crazy that you invented that. I love that you invented that.
• 40:07
  Speaker 5: One time we were on the beach of Havana, Cobana,
• 40:11
  Speaker 5: and mister Joe turns to me and says, you know what,
• 40:14
  Speaker 5: what stays on the beaches of Cobana happened? And I said, yes, logically,
• 40:23
  Speaker 5: that makes sense. He walked away. We didn't speak the
• 40:27
  Speaker 5: rest of the nights.
• 40:29
  Speaker 6: Causation human it's the love of drama tags and me
• 40:34
  Speaker 6: to say that what happened here is happening.
• 40:38
  Speaker 5: Yes, Joe, you tells me your favorite thing is come on,
• 40:43
  Speaker 5: you know, let us in.
• 40:45
  Speaker 7: My favorite thing.
• 40:49
  Speaker 2: Is when we're on the planes and we got those peanuts.
• 40:54
  Speaker 5: That's that is a big per everybody gets.
• 40:58
  Speaker 3: Everybody gets that on times, I feel like we.
• 41:01
  Speaker 5: Just get up.
• 41:02
  Speaker 2: It feels like we just get them.
• 41:04
  Speaker 5: You never noticed when a when a stewardess, one of
• 41:07
  Speaker 5: those hot sky broads.
• 41:12
  Speaker 4: Shot, you never knew what to call them.
• 41:18
  Speaker 3: The sky Well, ugly stewardess is like an oxymoron like
• 41:23
  Speaker 3: that pretty ugly.
• 41:25
  Speaker 4: It's like a cat barkain. Don't make no sense, Give
• 41:30
  Speaker 4: me a sky bron.
• 41:31
  Speaker 5: So these sky bros you have, guys, noticed that they
• 41:34
  Speaker 5: look you right in the say hear your nuts.
• 41:38
  Speaker 4: It gets me off.
• 41:41
  Speaker 5: And you know what they're saying. They're saying, please take
• 41:44
  Speaker 5: me to church. Please, I am unholy up here, take
• 41:48
  Speaker 5: me to take me. Can talk about our religious views
• 41:53
  Speaker 5: real quick.
• 41:53
  Speaker 6: I'm so loved that.
• 41:55
  Speaker 5: I believe you're episcopalian, right, Vinny?
• 41:59
  Speaker 3: If the Ocharius fits.
• 42:04
  Speaker 5: I believe that, Oh Jay didn't do it En sixty
• 42:08
  Speaker 5: nighteen sixty eight, nineteen sixty nine. The glove don't fit,
• 42:15
  Speaker 5: don't quit, don't aquit.
• 42:18
  Speaker 4: If the glove don't fit, don't not quit, it.
• 42:22
  Speaker 5: Means he's guilty. Ninety sixty eight. We went to the
• 42:27
  Speaker 5: moon exactly seven years ago, seven years.
• 42:31
  Speaker 4: Ago, and what a day it was. I remember the
• 42:33
  Speaker 4: song I wrote on that.
• 42:35
  Speaker 5: Day, Oh za first, Tony Cottlage sing about it.
• 42:40
  Speaker 16: He goes step in foot on the moon, sail my
• 42:46
  Speaker 16: breath up to the stars so that I may kiss
• 42:51
  Speaker 16: the moon boots.
• 42:53
  Speaker 1: It's five o'clock down here on Earth, pot on the moon?
• 42:58
  Speaker 4: Who knows?
• 42:59
  Speaker 3: Who know?
• 43:01
  Speaker 4: Can I sing?
• 43:02
  Speaker 2: Can I sing a song I wrote that day?
• 43:03
  Speaker 5: We all wrote different moon songs.
• 43:05
  Speaker 6: I remember this, the song he wrote that day, Bride is.
• 43:10
  Speaker 6: The moon is Marsha clock, Marsha clock. Who defended the people?
• 43:17
  Speaker 6: Voices all day? The people voices all dight.
• 43:22
  Speaker 4: And the year is nineteen sixty eight?
• 43:25
  Speaker 5: What'd you write that day?
• 43:28
  Speaker 4: Blue Moon?
• 43:30
  Speaker 5: There's a little man on you, maybe three the blue moon.
• 43:37
  Speaker 5: Why do you look so happy? Because you got a
• 43:41
  Speaker 5: rocket chip on you?
• 43:45
  Speaker 15: It's Scooby the black Blue Moon.
• 43:48
  Speaker 6: Due it's called the Blue Man Group that song.
• 43:52
  Speaker 5: That song is called the Blue Man Group nineteen sixty.
• 43:58
  Speaker 4: What are you being?
• 43:59
  Speaker 5: Bring us such a sad song? It was such a
• 44:01
  Speaker 5: sad said said, sad song. It's such a sad song.
• 44:05
  Speaker 3: I got what if they died up there? What if
• 44:10
  Speaker 3: we watched them die on TV? What have they died
• 44:14
  Speaker 3: up there? Then we'd be looking at the moon And no,
• 44:18
  Speaker 3: it's a graveyard.
• 44:20
  Speaker 5: And I love all your songs are that long in
• 44:22
  Speaker 5: this thousands of them on every record you put really quick.
• 44:26
  Speaker 1: Listen, I want to be vulnerable for a second. I
• 44:29
  Speaker 1: love to workshop a song that I'm working on. Please
• 44:32
  Speaker 1: be honest. If it's ship, please tell me.
• 44:36
  Speaker 5: Okay, okay, here it is.
• 44:40
  Speaker 1: Blimey to the moon. Let me sway among the stars.
• 44:47
  Speaker 1: Let me see what life is like gown Jupiter and Mars.
• 44:52
  Speaker 5: What do you think so far? It just didn't mention
• 44:54
  Speaker 5: five o'clock for me? And that's why I.
• 44:57
  Speaker 1: I thin.
• 45:00
  Speaker 3: These notes just notes right here?
• 45:02
  Speaker 5: You have the lyrics. Yeah, I'm gonnap this up.
• 45:03
  Speaker 3: And I'm gonna throw this in the trash.
• 45:05
  Speaker 4: That's good.
• 45:05
  Speaker 2: Oh that trash coincidentally's on fire.
• 45:09
  Speaker 4: That's a good mouse that's gone.
• 45:11
  Speaker 5: It's good.
• 45:12
  Speaker 2: That's a good mouse group.
• 45:13
  Speaker 5: I will also say it sounds a lot like every
• 45:15
  Speaker 5: other song you sang tonight, which is great and at
• 45:18
  Speaker 5: least you're keeping closed to the wheel.
• 45:20
  Speaker 6: Yeah, anybody else want a song? They want to workshop?
• 45:23
  Speaker 6: I love that you took a risk.
• 45:24
  Speaker 2: Anybody want to song?
• 45:25
  Speaker 5: They want to work?
• 45:26
  Speaker 2: Shop?
• 45:26
  Speaker 5: You got one right, you were telling me in the
• 45:28
  Speaker 5: car right over here.
• 45:29
  Speaker 6: I'm scared to sing this because I shouldn't sing this
• 45:33
  Speaker 6: with my range while I'm drinking.
• 45:35
  Speaker 5: But go ahead, go ahead, a why not swing from
• 45:41
  Speaker 5: the Shanley.
• 45:44
  Speaker 4: From measure?
• 45:46
  Speaker 2: I just don't know.
• 45:46
  Speaker 4: I'm gonna stop right there.
• 45:48
  Speaker 5: That's crazy. That's anything like.
• 45:52
  Speaker 4: This nineteen sixty eight voice.
• 45:55
  Speaker 6: Man, I'll throw it away. I'll throw it away back
• 45:57
  Speaker 6: in the trash can on fire.
• 45:59
  Speaker 2: Who's next?
• 46:01
  Speaker 5: This is another one I wrote about the moon, and
• 46:03
  Speaker 5: I was too scared to show it to you guys,
• 46:06
  Speaker 5: So be gentle, but not too I.
• 46:07
  Speaker 6: Was about the moon, by the way, Yeah, yeah, we
• 46:10
  Speaker 6: got that.
• 46:13
  Speaker 5: In the living room.
• 46:14
  Speaker 4: It's the living room is space. I got it.
• 46:18
  Speaker 5: I got it.
• 46:19
  Speaker 15: Moon River wider than a mound, you know, fickle and
• 46:28
  Speaker 15: your sound?
• 46:31
  Speaker 5: Okay, I'm gonna stop you right there. That sounds crazy.
• 46:33
  Speaker 4: Really yeah, I think you gotta throw it out.
• 46:36
  Speaker 5: What I don't like.
• 46:37
  Speaker 2: What I don't like about it is this sincerity.
• 46:41
  Speaker 5: Yeah, I can't be that sincere, otherwise I'll be beat
• 46:44
  Speaker 5: the ship up on the streets.
• 46:46
  Speaker 2: Vinnie, what do you got?
• 46:47
  Speaker 3: Well, I got this one, but I don't know if
• 46:50
  Speaker 3: this is anything. She's a very freaky girl. She don't
• 46:55
  Speaker 3: take home to mother. She will never let your spirit
• 47:00
  Speaker 3: fall what you get her on the streets. The girls
• 47:04
  Speaker 3: are super freak. I love she's all right, She's all right,
• 47:09
  Speaker 3: that's not.
• 47:09
  Speaker 4: About it makes me want to join the church and
• 47:12
  Speaker 4: never have sex again.
• 47:13
  Speaker 5: I love that. You should keep that. Maybe change your name.
• 47:16
  Speaker 3: Oh what the name? Super freak? Yeah?
• 47:19
  Speaker 5: No, I love the name. Maybe just change your name
• 47:21
  Speaker 5: from Vinnie to something like something else, someone else.
• 47:24
  Speaker 3: Okay, Okay, we'll see.
• 47:28
  Speaker 6: God, I can't tell you what it means to sit
• 47:31
  Speaker 6: down and not be at a cabaret drinking and smoking cigaretts.
• 47:36
  Speaker 2: It feels good to talk about process.
• 47:38
  Speaker 3: If I sit here one more second, I want to
• 47:40
  Speaker 3: throw up.
• 47:41
  Speaker 5: No, I think head out, Vinnie, Really yeah, I don't
• 47:45
  Speaker 5: feel a little bit of tidbits. What is the secret?
• 47:48
  Speaker 5: You guys can tell you.
• 47:49
  Speaker 2: I don't want to do secrets.
• 47:50
  Speaker 5: If he's gonna bos.
• 47:53
  Speaker 2: My secret is?
• 47:54
  Speaker 5: My secret is I slept with Reagan?
• 47:57
  Speaker 4: What nineteen said?
• 48:02
  Speaker 5: Who's next? Who is Reagan? Jack was the last name six?
• 48:09
  Speaker 5: The governor of California? My dan sexed.
• 48:14
  Speaker 4: I got a secret.
• 48:17
  Speaker 5: One of my fingernails is fake.
• 48:20
  Speaker 3: What is it? The black one?
• 48:22
  Speaker 2: Yes, the one can talent's one.
• 48:25
  Speaker 6: I'm so glad you said something, because we've been staring
• 48:28
  Speaker 6: at you.
• 48:29
  Speaker 5: Can't. I think my finger off of that giant black finger.
• 48:33
  Speaker 4: It looks like if you.
• 48:35
  Speaker 2: Took if you took, I don't know. Maybe I don't know.
• 48:40
  Speaker 5: Paint neither.
• 48:41
  Speaker 4: It ain't paint me neither. It's a piece of rod
• 48:44
  Speaker 4: iron steel. My man's in my my father's a.
• 48:48
  Speaker 1: Union man, and so I took a little tiny chunk
• 48:52
  Speaker 1: of steel and I put it on my fingernail. Oh,
• 48:56
  Speaker 1: I got blown off in a sort of mining cab.
• 49:01
  Speaker 5: Related I told you what the guy said, don't do
• 49:04
  Speaker 5: that mining cabration hit the mine, all the miners to be.
• 49:14
  Speaker 4: Nice for the mine.
• 49:18
  Speaker 5: Union man?
• 49:19
  Speaker 2: All right, what about you?
• 49:21
  Speaker 13: Not me?
• 49:21
  Speaker 5: You go Vinnie?
• 49:23
  Speaker 16: Uh.
• 49:24
  Speaker 3: The only secret I have is that I love too much.
• 49:28
  Speaker 6: And that's crazy because if people heard this, if people
• 49:31
  Speaker 6: are listening right now, Vinnie is hardcore. Vinnie is as
• 49:35
  Speaker 6: hard as a fucking rock. So for Vinnie to say
• 49:38
  Speaker 6: he loves too much means a fucking lie.
• 49:40
  Speaker 5: Yeah.
• 49:40
  Speaker 4: Can we get a fact check from the drama turgs?
• 49:43
  Speaker 3: No, they're all dead.
• 49:46
  Speaker 6: I wish we had Catherine Zada fucking Jones to fact
• 49:49
  Speaker 6: check that, but we don't.
• 49:51
  Speaker 5: She died of the measles sixty eight. Well, I never
• 49:56
  Speaker 5: told anybody in the rack back before this, but you
• 49:58
  Speaker 5: know the red scared. I'm part of it. I'm a communist,
• 50:04
  Speaker 5: no joking, no joking. I love the free market.
• 50:08
  Speaker 4: I you kids, you love the free market?
• 50:11
  Speaker 5: The communists? No, no, no, I like it when? Oh
• 50:15
  Speaker 5: you like it? How many the free market?
• 50:18
  Speaker 6: If Marissa Toma was here, she fact checked that ship
• 50:22
  Speaker 6: out you had tits.
• 50:25
  Speaker 4: I missed the drama turks. Well, why don't we close on.
• 50:28
  Speaker 1: A song about our favorite girls on Planet Earth.
• 50:32
  Speaker 5: One lining the good gals the drama tics?
• 50:36
  Speaker 3: Alright, because someone can be right home after this?
• 50:39
  Speaker 5: Can somebody get me right homes? You don't bother in
• 50:42
  Speaker 5: my back seat? Wa you guys going after this.
• 50:44
  Speaker 6: Really, I'm going to the motel upstairs because I can't
• 50:47
  Speaker 6: move here.
• 50:47
  Speaker 1: We go five six, five, six seven eight. Dram they're
• 50:56
  Speaker 1: the girls who tell me stuff. Oh what I say?
• 51:02
  Speaker 1: Oh yeah, the girls who tell me what I'm saying wrong.
• 51:08
  Speaker 1: Historically I did tell me what I'm saying wrong. Contextually,
• 51:15
  Speaker 1: they're the girls who say you're right and you're wrong.
• 51:20
  Speaker 4: It's the drama t.
• 51:23
  Speaker 5: That was a lovely song from all of us.
• 51:27
  Speaker 3: This has been artist Artists on artistaid artists answer the question. Now,
• 51:30
  Speaker 3: that's what they call it. Drama turns Hi.
• 51:33
  Speaker 4: I'm Angela Jertana.
• 51:34
  Speaker 5: I'm Jeremy Colhayne, I'm Patrick McDonald's, and.
• 51:37
  Speaker 4: I'm Kylie Brakman.
• 51:38
  Speaker 1: Artists on Artists on Artists on Artists is an improvised
• 51:41
  Speaker 1: Hollywood roundtable podcast available on iTunes and Spotify.
• 51:44
  Speaker 5: You can follow us at aoao aoa pod on Twitter
• 51:48
  Speaker 5: and Instagram.
• 51:49
  Speaker 3: That's right, four a's with three o's in between. Then.
• 51:52
  Speaker 5: Pod music for this week's episode was provided by Gabriel
• 51:55
  Speaker 5: Pontan Stars.
• 51:57
  Speaker 1: They're just like us and if you like this episode,
• 51:59
  Speaker 1: you can can give us five of them by rating
• 52:02
  Speaker 1: and reviewing us.
• 52:03
  Speaker 4: On Apple podcasts. That's all for now, good Night Hollywood,