Latest / Beyond The Blood: A Horror Movie Commentary Podcast / After Hours - Pick Up's & Community Talk

Transcript

After Hours - Pick Up's & Community Talk · Beyond The Blood: A Horror Movie Commentary Podcast

• 0:01
  Speaker 1: You are now listening to the Someone's Favorite Productions Podcast Network.
• 0:12
  Speaker 2: Hello Filthy movie lovers. My name is Gentry Austin, now
• 0:17
  Speaker 2: on Casey Scott and we're the hosts of the Sin
• 0:19
  Speaker 2: Syndicate Film podcast. For Something Weirdos Anti Criterion Bros. And
• 0:26
  Speaker 2: Joseph Sarno of Ficionados join us semi weekly as we
• 0:30
  Speaker 2: peer into the adults only theaters in sticky floored cinemas
• 0:35
  Speaker 2: of the golden age of sexploitation, when the morals were loose,
• 0:39
  Speaker 2: the laws were murky, and the intercourse was all simulated.
• 0:44
  Speaker 2: Find us now on the Someone's Favorite Productions Podcast Network.
• 1:06
  Speaker 3: Anything for a good Cause.
• 1:10
  Speaker 1: I'm a security gone. I kill people every fucking day.
• 1:14
  Speaker 2: That's right.
• 1:15
  Speaker 3: When I was growing up in Bakersfield, my favorite thing
• 1:18
  Speaker 3: in all the world was to go to the movies
• 1:19
  Speaker 3: on Saturday afternoons for the chapter plays.
• 1:23
  Speaker 1: I know that, mister man.
• 1:25
  Speaker 4: They also call them serials. I'm not stupid, you know.
• 1:29
  Speaker 2: I am the devil and I am here to do
• 1:31
  Speaker 2: the devil's work.
• 1:44
  Speaker 3: Jordan Ryan, welcome back to Beyond the Blood. First time
• 1:48
  Speaker 3: you guys are on here together, but both of you
• 1:50
  Speaker 3: guys have been on before. I know it's a little
• 1:53
  Speaker 3: bit different here. For everyone listening. This is supposed to
• 1:57
  Speaker 3: be a sleepaway Camp commentary episode.
• 2:01
  Speaker 4: Listen.
• 2:02
  Speaker 3: Podcasts are hard. There's so many moving pieces. Things get
• 2:05
  Speaker 3: in the way, things get messed up. We have to
• 2:07
  Speaker 3: do delays, but we still want to get stuff out.
• 2:10
  Speaker 3: So I instantly hit the interwebs and I was like,
• 2:13
  Speaker 3: who can I think to get on to talk about
• 2:16
  Speaker 3: some physical media. You guys were the first to that
• 2:18
  Speaker 3: came to mind. So Ryan Jordan, thank you for coming
• 2:21
  Speaker 3: and hanging out with me today.
• 2:23
  Speaker 5: Thank you.
• 2:24
  Speaker 1: Yeah, thanks thanks for inviting us.
• 2:26
  Speaker 4: Of course, of course.
• 2:26
  Speaker 3: Yeah, It's been quite a year for physical media so far,
• 2:31
  Speaker 3: and I feel like every time we do in after hours,
• 2:33
  Speaker 3: it's almost overwhelming to kind of figure out exactly what
• 2:39
  Speaker 3: to talk about so much all the time, Like Jordan,
• 2:44
  Speaker 3: I know you your hauls are out of control.
• 2:47
  Speaker 1: You're well the last couple, Yeah, yeah, have been. It's
• 2:54
  Speaker 1: funny I tell people I'm physical media broke at the moment.
• 2:57
  Speaker 2: So.
• 2:58
  Speaker 1: There's no more I gotta hold off.
• 3:02
  Speaker 4: I get that. I get that.
• 3:03
  Speaker 1: Ryan.
• 3:03
  Speaker 3: I want to ask you, do you log your physical
• 3:06
  Speaker 3: media stuff, like in like a clz or like a
• 3:08
  Speaker 3: database or anything.
• 3:10
  Speaker 5: I do not always on time, and then I find
• 3:13
  Speaker 5: out later that I missed something. Sadly a lot of
• 3:17
  Speaker 5: the times, that's like nineteen months later when I've double
• 3:21
  Speaker 5: bought something that I could have swore I had, but
• 3:24
  Speaker 5: it's not in the database, so I'll buy it again,
• 3:26
  Speaker 5: and then I go to put it on the shelf
• 3:27
  Speaker 5: or something, it's, oh, there it is, let's just put
• 3:30
  Speaker 5: this in the sell pile. Yes, I use the Blu
• 3:34
  Speaker 5: ray dot Com app I for me, at least. I
• 3:37
  Speaker 5: find it's the best one that has the largest database
• 3:40
  Speaker 5: where I have to input the least and it's free
• 3:43
  Speaker 5: and I can't really argue with that cost.
• 3:46
  Speaker 3: Yeah, I do CLZ just because I like the random pick,
• 3:49
  Speaker 3: like the shake if I shake my phone and randomly
• 3:51
  Speaker 3: pick something from the collection, because I can ever decide anything.
• 3:56
  Speaker 5: And my way of random picking is walking into the
• 3:58
  Speaker 5: movie room accidentally bumping into something and whatever falls down.
• 4:02
  Speaker 5: I try to watch that one.
• 4:05
  Speaker 3: I mean, with the size of your Yeah, with the
• 4:08
  Speaker 3: size of your collection, that seems about the only organized
• 4:10
  Speaker 3: way to go at it at this point.
• 4:12
  Speaker 5: You know, I'm ashamed.
• 4:13
  Speaker 3: Yes, I was actually thinking about I was thinking about
• 4:17
  Speaker 3: you a little earlier because my phone is always on
• 4:19
  Speaker 3: do not disturb, because there's a point here.
• 4:25
  Speaker 4: My phone's always on do not disturb.
• 4:26
  Speaker 3: Because I hate the sound of notifications because there's certain
• 4:30
  Speaker 3: people that I want to answer at certain times, right
• 4:32
  Speaker 3: like not everything is immediate respond and if there's a
• 4:35
  Speaker 3: noise then I get anxious that I have to answer it,
• 4:37
  Speaker 3: and so everything goes and do not disturb.
• 4:40
  Speaker 4: I only have.
• 4:42
  Speaker 3: Post notifications on for like ten pages on Instagram, like Jordan.
• 4:46
  Speaker 4: You're one of them.
• 4:48
  Speaker 3: The movie Room is one, Disconnected is one, and I
• 4:52
  Speaker 3: have to say every single day my evening summary is
• 4:57
  Speaker 3: like just you, but it's like there's forty seven new
• 5:04
  Speaker 3: posts from Disconnected.
• 5:06
  Speaker 5: I giggled at the beginning when you said you have
• 5:08
  Speaker 5: your phone on do not disturb, because I used to
• 5:11
  Speaker 5: have that on do not disturb during some parts of
• 5:13
  Speaker 5: the day. But now my life is like this is
• 5:18
  Speaker 5: going to sound ridiculous, but like sixty one percent responding
• 5:21
  Speaker 5: to notifications. That's genuinely what I do, like with most
• 5:24
  Speaker 5: of my life, whether it's emails to filmmakers or labels
• 5:28
  Speaker 5: or somebody on Facebook that is replying to a Disconnected
• 5:33
  Speaker 5: post saying that something is going to be coming out
• 5:35
  Speaker 5: in eight k next week. I like, I'm constantly responding
• 5:39
  Speaker 5: to things and it's tiring. It really is.
• 5:43
  Speaker 3: Yeah, But I feel like having notifications on would be
• 5:47
  Speaker 3: like I feel like I'd rather if I was in
• 5:49
  Speaker 3: your case, I'd rather check my phone every five minutes,
• 5:51
  Speaker 3: get like a nice summary with no noise, and respond.
• 5:54
  Speaker 4: At all like are you is your is your volume on?
• 5:57
  Speaker 4: Like you're getting like ding ding.
• 5:58
  Speaker 5: Ding ding ding I have I've not had my volume
• 6:01
  Speaker 5: on my phone since two thousand and nine. I think, no,
• 6:06
  Speaker 5: I don't have that on. I try to do. This
• 6:10
  Speaker 5: is going to sound way too nuanced for conversation like this,
• 6:13
  Speaker 5: but like curate my notifications. So my big thing is
• 6:17
  Speaker 5: I also have an Apple Watch, and so my phone
• 6:20
  Speaker 5: gets all of the notifications, but I have curated notifications
• 6:24
  Speaker 5: going to the watch, so I know I need to
• 6:25
  Speaker 5: respond to those ones quickly, and then on the computer
• 6:29
  Speaker 5: and the phone, which I'm inevitably on one of those
• 6:31
  Speaker 5: pretty much every waking mode of my life, I'll see
• 6:34
  Speaker 5: the notifications as they come in.
• 6:35
  Speaker 3: Anyways, you answer when I text you, you answer very fast,
• 6:39
  Speaker 3: So I like to think I'm on the top of
• 6:41
  Speaker 3: the of the curation.
• 6:43
  Speaker 1: You're on the watch.
• 6:44
  Speaker 5: That's how I pride myself.
• 6:46
  Speaker 4: Yeah, I'm on the watch. That's it. No, it's getting Yeah,
• 6:51
  Speaker 4: I'm always on do not disturb man.
• 6:52
  Speaker 3: A lot of times because of work, I don't really
• 6:54
  Speaker 3: want I'm allowed to have my phone at work because
• 6:58
  Speaker 3: of my position, but I also don't want to be
• 7:01
  Speaker 3: I already get enough of the phantom vibrates where I
• 7:04
  Speaker 3: feel like I got a notification and then I you
• 7:06
  Speaker 3: know what I mean. But post notification on Instagram are
• 7:10
  Speaker 3: kind of annoying now because Instagram will send you stuff
• 7:13
  Speaker 3: that like they think like you want their a notification.
• 7:16
  Speaker 3: They're like, oh new reel by so and so based.
• 7:19
  Speaker 4: On your interests. I'm like, I don't want that shit.
• 7:21
  Speaker 4: Get that out of here, man, I don't want that.
• 7:25
  Speaker 3: But yeah, this is so funny, man, because every day
• 7:27
  Speaker 3: I feel like I end my day with a browse
• 7:29
  Speaker 3: of your Instagram page and I don't know how you
• 7:33
  Speaker 3: do it.
• 7:33
  Speaker 5: Yeah, some days are crazier than others to the last,
• 7:36
  Speaker 5: Like this week theoretically overall has been quite light and
• 7:40
  Speaker 5: it's still I don't know, I'm probably gonna have thirty
• 7:43
  Speaker 5: five things to cover on my show this week. But
• 7:46
  Speaker 5: I mean there's some days I prioritize the ones that
• 7:50
  Speaker 5: are important to a lot of people, and I find
• 7:51
  Speaker 5: a lot of smaller ones that I'll just hold off
• 7:53
  Speaker 5: till the end of the day and then at like
• 7:55
  Speaker 5: eight pm, I'll put out a bradge of like nine
• 7:57
  Speaker 5: in a row and yep, it gets pretty rough.
• 8:01
  Speaker 4: Yeah, yeah, it's a lot, man.
• 8:02
  Speaker 3: But it's super cool though, because I love having just
• 8:05
  Speaker 3: like a go to spot where it's not there's a
• 8:08
  Speaker 3: couple of those pages where you know, every third post
• 8:12
  Speaker 3: is like a it's like a guess or like an
• 8:14
  Speaker 3: insider info of what's coming in. I don't like being
• 8:17
  Speaker 3: misled into what I think is coming out. I want
• 8:19
  Speaker 3: to see, like act factual, Okay, this is coming. So
• 8:24
  Speaker 3: I always love going on your page and browsing around,
• 8:27
  Speaker 3: you know, It's one of my favorite pastimes.
• 8:29
  Speaker 5: You know.
• 8:30
  Speaker 3: Just sometimes I just you know, like when I'm stressing out,
• 8:34
  Speaker 3: I just go to disconnected Instagram page and I just
• 8:37
  Speaker 3: scroll for hours, and then I remind myself of what
• 8:39
  Speaker 3: came out in twenty twenty one February.
• 8:43
  Speaker 5: That's a long time to scroll to get back constantly.
• 8:48
  Speaker 4: Here we go, what came out then?
• 8:50
  Speaker 3: H No, It's crazy to me, man, that Umbrella's getting
• 8:53
  Speaker 3: ready to launch or announce February titles like true.
• 8:57
  Speaker 4: Oh my god, man, it's so it's so far, it
• 9:02
  Speaker 4: feels so far away.
• 9:03
  Speaker 3: It's not I hate that I'm already kind of accruing
• 9:08
  Speaker 3: a little bit of a list of what I might
• 9:10
  Speaker 3: want to buy Q one of twenty twenty six and
• 9:13
  Speaker 3: it's only end of October, not even end of October,
• 9:16
  Speaker 3: three quarters of away through.
• 9:17
  Speaker 5: October, and you haven't even hit Black Friday sales yet.
• 9:21
  Speaker 4: Oh my god, dude, I'm not going to participate this year.
• 9:24
  Speaker 4: I don't think. I don't think I'm want to participate
• 9:25
  Speaker 4: in a lot of them. Been on a bit of a.
• 9:28
  Speaker 3: Buying uh not buy buy, buying band, buying freeze, buying freeze. Well,
• 9:37
  Speaker 3: I feel like, all right, maybe we'll get into maybe,
• 9:40
  Speaker 3: let's let's get in this now right. I put out
• 9:42
  Speaker 3: a thing on Instagram where I wanted to essentially fall
• 9:47
  Speaker 3: back in love with my collection because I don't want
• 9:50
  Speaker 3: to be buying as much. And there's this terrible thing
• 9:53
  Speaker 3: that happens where the thing that set this off was
• 9:57
  Speaker 3: I was kind of putting things away in the collection
• 10:00
  Speaker 3: and I came across with the reanimator Ignite Films four
• 10:04
  Speaker 3: K and I picked it up and I was like,
• 10:06
  Speaker 3: remember when this was the entire community at one time,
• 10:10
  Speaker 3: Like everybody was excited or not. Maybe if you weren't
• 10:15
  Speaker 3: excited for it, maybe you were just talking about it.
• 10:17
  Speaker 3: Everyone was getting it in, it was unboxing, there's all
• 10:20
  Speaker 3: this stuff, and then it felt like three days long.
• 10:22
  Speaker 3: That lasted, and then nobody talked about it again. Then
• 10:27
  Speaker 3: second site announces theirs, and now it's just the internet going, oh,
• 10:33
  Speaker 3: should we sell the Ignite one and buy this one instead?
• 10:38
  Speaker 3: And it just feels like this stuff comes and goes
• 10:40
  Speaker 3: so fast, Like you guys, remember when everyone was losing
• 10:42
  Speaker 3: their mind because Grindhouse was gonna put out The Beyond.
• 10:45
  Speaker 1: Oh yeah, Everyone was.
• 10:47
  Speaker 3: Like, dude, it's gonna be in the book. It's like
• 10:48
  Speaker 3: it looks like it's a leather bound there's six discs.
• 10:52
  Speaker 3: And it felt like that lasted for three minutes before
• 10:56
  Speaker 3: we were thinking about something else.
• 10:59
  Speaker 4: I want to stop that.
• 11:01
  Speaker 3: I want to continue the conversation. What I mean, we
• 11:07
  Speaker 3: put this stuff like, I just want to how do
• 11:11
  Speaker 3: I put it?
• 11:12
  Speaker 5: Like?
• 11:13
  Speaker 3: I want to sit down and spend more time with
• 11:16
  Speaker 3: the titles that I have. And when I went through
• 11:19
  Speaker 3: like CELZ, I actually erased my entire database and then
• 11:22
  Speaker 3: I relogged it all back in because what I do,
• 11:26
  Speaker 3: if if everybody can see Ryan's eyes just now, what
• 11:31
  Speaker 3: I do is I put everything in celz is unwatched,
• 11:36
  Speaker 3: and then when I'll watch it, and then I click
• 11:38
  Speaker 3: it as watched. So so far, I've watched ten since
• 11:41
  Speaker 3: I've re databased my entire collection, and I have to
• 11:46
  Speaker 3: tell you, guys, some of the stuff that I've been
• 11:49
  Speaker 3: revisiting I haven't revisited in years. And I am loving
• 11:53
  Speaker 3: the fact that I sat back down with them, watched
• 11:56
  Speaker 3: the bonus features that I didn't watch before because it
• 11:59
  Speaker 3: went at one point in time, it went back on
• 12:01
  Speaker 3: the shelf and it never came back off again. So
• 12:05
  Speaker 3: like I watched Pee Wee's Big Adventure, whichever was a
• 12:09
  Speaker 3: little weird because the Criterion's coming out. I was like,
• 12:11
  Speaker 3: I probably should have held off and waited for the
• 12:13
  Speaker 3: you know, criterion to come out. But today I watched
• 12:18
  Speaker 3: Terrifier two with Damian Leoni's commentary, and I'm like, fuck, dude,
• 12:24
  Speaker 3: this is so good. Like when a Terrifier set came
• 12:26
  Speaker 3: out from Umbrella, everyone was all about that now and
• 12:29
  Speaker 3: then that was done. Right five minutes people talked about that,
• 12:31
  Speaker 3: and then that was that was done.
• 12:35
  Speaker 4: I don't know, do you guys ever feel that way
• 12:36
  Speaker 4: about the stuff that's on your shelves.
• 12:40
  Speaker 1: Yeah, yeah, I've felt that, and I felt that you
• 12:43
  Speaker 1: brought it up the beyond because I remember we were
• 12:46
  Speaker 1: doing a live when that dropped and we all pre
• 12:52
  Speaker 1: ordered it together. But I remember specifically talking about it,
• 12:57
  Speaker 1: and it just it went away so fast, and another one,
• 13:03
  Speaker 1: Oh what was it? There was something else, and it
• 13:05
  Speaker 1: was just I just thought about it. It'll come back
• 13:07
  Speaker 1: to me. But I had waited a little bit of
• 13:10
  Speaker 1: time to really digest and do the special features and
• 13:15
  Speaker 1: everything until I was ready to talk about it. And
• 13:17
  Speaker 1: by that time everyone was past it. They were already
• 13:20
  Speaker 1: on the next three past three releases. And it was
• 13:25
  Speaker 1: just crazy to me that, you know, a lot of
• 13:29
  Speaker 1: collectors they purchased these big additions that have all the
• 13:33
  Speaker 1: special features and halftimes, they don't even watch them. They
• 13:37
  Speaker 1: just they watched the disc and that's about it. Then
• 13:39
  Speaker 1: he gets put up there and I, you know, I'm
• 13:41
  Speaker 1: with you guys, to where it's like, there's so much
• 13:44
  Speaker 1: good stuff in there. You could learn and even gained
• 13:48
  Speaker 1: a new appreciation for the film that you didn't have before,
• 13:50
  Speaker 1: even you know, before seen at that time. But yeah,
• 13:54
  Speaker 1: I can't remember the title it was, but there was
• 13:56
  Speaker 1: a title that I did wait a little bit because
• 13:59
  Speaker 1: I was really researching it and it seemed like everyone
• 14:03
  Speaker 1: was over it at that point.
• 14:06
  Speaker 3: Yeah, yeah, Ryan, I know for you, you know, you're
• 14:09
  Speaker 3: producing Bonus Features pretty much endlessly.
• 14:13
  Speaker 1: Now.
• 14:13
  Speaker 3: You guys are always you guys are always working on something,
• 14:16
  Speaker 3: and I'm sure you have months years of you know,
• 14:22
  Speaker 3: you produce it, it's done, you wait for it to
• 14:24
  Speaker 3: come out, it comes out. You're so excited, right, You're like,
• 14:27
  Speaker 3: oh my god. And then next thing, you know, like
• 14:29
  Speaker 3: you're already three more projects deep. And that's just kind
• 14:32
  Speaker 3: of in the past now.
• 14:34
  Speaker 5: I wish it was only three at this point. I mean,
• 14:36
  Speaker 5: there are times where I post an announcement for something
• 14:41
  Speaker 5: and I have to think and go, I think I
• 14:43
  Speaker 5: turned this in for the Special Features like five months ago,
• 14:47
  Speaker 5: and it feels like like eighteen months ago because just
• 14:51
  Speaker 5: so much has happened since then and the way the
• 14:53
  Speaker 5: industry moves. I mean a lot of people don't understand this,
• 14:57
  Speaker 5: but our first three commentary that we recorded, which were
• 15:01
  Speaker 5: recorded late July or early August of twenty twenty three.
• 15:07
  Speaker 5: None of our first three commentaries have actually been released
• 15:10
  Speaker 5: on disc yet, and it is nearing the end of
• 15:15
  Speaker 5: twenty twenty five and two of those have been announced
• 15:17
  Speaker 5: and will they will be out on disc, hopefully by
• 15:19
  Speaker 5: the end of the year, maybe you know, January of
• 15:22
  Speaker 5: next year. The other one hasn't even been announced yet,
• 15:24
  Speaker 5: and it wasn't even necessarily because of problems. It was
• 15:27
  Speaker 5: because of good things. I believe they found that they
• 15:29
  Speaker 5: can go four K on the title. But I still
• 15:31
  Speaker 5: can't even talk about it. I'm a different person now
• 15:34
  Speaker 5: that thing came out ages ago. My entire feeling on
• 15:38
  Speaker 5: so much of this has evolved about the entire industry
• 15:41
  Speaker 5: has evolved since summer of twenty twenty three, and so yeah,
• 15:46
  Speaker 5: I really do try to give as much as I
• 15:49
  Speaker 5: can for stuff that's coming in, But the reality is
• 15:53
  Speaker 5: I kind of have to binge a lot of these
• 15:57
  Speaker 5: in very short bursts. And so I'll have have, you know,
• 16:01
  Speaker 5: four or five discs that I know I want to
• 16:02
  Speaker 5: watch the special features on that I've seen the movie before,
• 16:05
  Speaker 5: so I'll only put in the disc to watch a
• 16:07
  Speaker 5: special feature or two and then pop it back out
• 16:09
  Speaker 5: and put in the other one sometimes and even that
• 16:12
  Speaker 5: it's so rare. I mean right now, like when I'm
• 16:14
  Speaker 5: doing a visual essay, by the time it's released on disc,
• 16:17
  Speaker 5: I've probably watched the film eate times. Yeah, I'm probably
• 16:20
  Speaker 5: not gonna watch that movie again for a very long time.
• 16:24
  Speaker 4: Yeah.
• 16:25
  Speaker 3: I just did that with The Frighteners, So that came
• 16:28
  Speaker 3: up as like one of the first when I kind
• 16:30
  Speaker 3: of restarted when I started this project, and The Frighteners
• 16:33
  Speaker 3: came up and I watched it, and then I realized
• 16:36
  Speaker 3: that I had a four hour making of documentary. And
• 16:39
  Speaker 3: I'm like, I'm like, I love this, like I love
• 16:42
  Speaker 3: you Peter Jackson, and I love that it's broken up
• 16:45
  Speaker 3: into chapters. But yeah, two days later, I had to
• 16:48
  Speaker 3: reput the disc in to kind of go through, and
• 16:51
  Speaker 3: I think I got through, you know, maybe half of it.
• 16:54
  Speaker 3: So now I gotta, you know, go back and put
• 16:56
  Speaker 3: it in again. It's crazy, man, sometimes how extensive they are.
• 17:00
  Speaker 3: Today I watched Halloween two and then I was gonna
• 17:04
  Speaker 3: watch the Screen Factory, the making of and then I
• 17:08
  Speaker 3: realized it's like an hour and fifteen minutes long, and
• 17:11
  Speaker 3: I was like, I gotta try that another day. So
• 17:13
  Speaker 3: I like mental note, Like what I'll do is if
• 17:15
  Speaker 3: I don't feel like watching a movie, I'll go into
• 17:19
  Speaker 3: my watch on Celz and see which ones I've watched
• 17:21
  Speaker 3: I haven't watched the bonus features for, and then I'll
• 17:23
  Speaker 3: kind of go back and retouch on it. But sometimes
• 17:26
  Speaker 3: it's really hard man like blessed to have releases with
• 17:30
  Speaker 3: very cohesive bonus features. But then also sometimes after you
• 17:34
  Speaker 3: sit down for a movie, a two hour movie, and
• 17:37
  Speaker 3: then you have two hours of interviews to watch, it's
• 17:39
  Speaker 3: a little bit like an endurance tests, you kind of
• 17:43
  Speaker 3: got to take a break, and you know, you know,
• 17:47
  Speaker 3: It's how I feel like with everything. Like I remember
• 17:50
  Speaker 3: when I was diving through the Severn's Black and Manuel set,
• 17:53
  Speaker 3: I'm like, my god, this thing is so comprehensive. I'm
• 17:56
  Speaker 3: like to even get through half the set. I'm like,
• 18:00
  Speaker 3: there's no way there's people reviewing this set six months
• 18:03
  Speaker 3: after it comes out. There's more than six months worth
• 18:05
  Speaker 3: of material on here. And then you have the book
• 18:08
  Speaker 3: and then the commentaries and then like it's it's education.
• 18:13
  Speaker 4: In a box.
• 18:15
  Speaker 3: And I think that's gonna be kind of one of
• 18:18
  Speaker 3: our big things with next year on this show is
• 18:23
  Speaker 3: we really want to preach that physical media is education,
• 18:27
  Speaker 3: and it's sort of like a hard it's it's sort
• 18:29
  Speaker 3: of a hard thing for a lot of people to
• 18:31
  Speaker 3: understand because most people are buying studio releases that are
• 18:35
  Speaker 3: not trying to educate you. They just want you to
• 18:38
  Speaker 3: buy the movie, you know, the ePK extras that they
• 18:42
  Speaker 3: cut out of it and then move on. So it's
• 18:44
  Speaker 3: really only for more the boutique releases that are and
• 18:48
  Speaker 3: not even all of them. I'd say there's even a
• 18:50
  Speaker 3: smaller percentage of boutiques that are really focused on, you know, education.
• 18:55
  Speaker 3: But I really want to find a way to do
• 18:57
  Speaker 3: that more because you learn so much. Man, Like it's
• 19:00
  Speaker 3: all there, Like you can have like behind you, Jordan
• 19:03
  Speaker 3: behind you, Ryan behind me, Like there's a very interesting
• 19:07
  Speaker 3: film school there, you know what I mean.
• 19:10
  Speaker 5: Yeah, yeah, specific titles are immense in what they share.
• 19:17
  Speaker 5: I mean, there are lots of people nowadays that are saying, like,
• 19:21
  Speaker 5: if you grew up on some of these things, there's
• 19:23
  Speaker 5: not really a reason to go to film school. You've
• 19:25
  Speaker 5: learned a lot of it through the commentaries and stuff.
• 19:29
  Speaker 5: It is a level where if you're curated properly, and
• 19:33
  Speaker 5: you're not just like ingesting the titles that are there
• 19:38
  Speaker 5: for like, I don't know, get high and watch on
• 19:41
  Speaker 5: a couch time, which many of these are, and I
• 19:44
  Speaker 5: will happily admit that, and I've worked on many of
• 19:46
  Speaker 5: those myself. If you're choosing the right ones, it is
• 19:49
  Speaker 5: enough to like not only inspire but like give you
• 19:54
  Speaker 5: the tools to actually go out and make choices that
• 19:57
  Speaker 5: are creative and new and interrupting things. And now the
• 20:01
  Speaker 5: tools that you have in your pocket are better than
• 20:04
  Speaker 5: many of those filmmakers had, And that alone is crazy.
• 20:08
  Speaker 5: You can be not for super cheap, but for fairly
• 20:11
  Speaker 5: inexpensive compared to four years that NYU, you can be
• 20:16
  Speaker 5: pretty fully equipped to go make a feature length film.
• 20:20
  Speaker 3: Yeah, and the exposures there man. You know, recently, I've
• 20:23
  Speaker 3: been listening to a lot of let me pull up
• 20:27
  Speaker 3: what this podcast is? I think I know it in
• 20:30
  Speaker 3: my head, but then I'm like, I don't want to
• 20:32
  Speaker 3: mess up this name here Perverse Permission, which is Sam
• 20:37
  Speaker 3: Degan's podcast with Oscar Bait pod. I was listening to
• 20:41
  Speaker 3: their show, which I think is incredible, but one of
• 20:48
  Speaker 3: the first couple episodes were covering pink films, which I
• 20:51
  Speaker 3: knew nothing about, right I listening to them and I
• 20:55
  Speaker 3: knew nothing about anything they were talking about. So what
• 20:58
  Speaker 3: that did was that kind of got me re searching
• 21:00
  Speaker 3: a little bit more. And then it just so happened
• 21:02
  Speaker 3: that Vinegar Syndrome announced the first title in their pink line,
• 21:06
  Speaker 3: which is in which I didn't get yet because of
• 21:10
  Speaker 3: that delay, but I ordered it and I'm very excited
• 21:13
  Speaker 3: to get into that. So sometimes going into this stuff
• 21:16
  Speaker 3: like you can learn, you know what I mean a
• 21:19
  Speaker 3: lot by just kind of blindly diving into something and
• 21:21
  Speaker 3: we'll kind of see, I'm interested to see kind of what.
• 21:26
  Speaker 4: Well. I hope it doesn't become like a new fascination
• 21:28
  Speaker 4: of mine already have enough. But like, for for example,
• 21:32
  Speaker 4: Ryan Jordan here, I don't know if he was planning
• 21:36
  Speaker 4: on talking about these later, but he picked up a
• 21:39
  Speaker 4: couple of genrell On titles which would be his first exposure.
• 21:44
  Speaker 1: Yeah, I did. And actually I have, Chris, I have
• 21:48
  Speaker 1: you to think because you've you've talked about Genrelan an
• 21:53
  Speaker 1: immense amount of times about how much you love his stuff,
• 21:56
  Speaker 1: and I just kept hearing about it, hearing about it,
• 21:58
  Speaker 1: and I think it was maybe a week or so ago.
• 22:04
  Speaker 1: I hit him up, said, Hey, if I was to
• 22:06
  Speaker 1: dive into gen Rowland, where do I start? And yours?
• 22:10
  Speaker 1: You said Fascination in the two or vampires, and I
• 22:15
  Speaker 1: actually I do have those coming, by the way, I
• 22:16
  Speaker 1: haven't told you good but that is coming probably by
• 22:20
  Speaker 1: the end of the week. But anyways, I grabbed these
• 22:23
  Speaker 1: two because they were readily available. But the Escapees and
• 22:28
  Speaker 1: Requiem for a Vampire. Now, I watched the trailer for
• 22:33
  Speaker 1: both of these and they look like a trip. And
• 22:36
  Speaker 1: from what I'm hearing from you, Chris, is that it's
• 22:39
  Speaker 1: very I think you said artsy. Well, that's, for lack
• 22:46
  Speaker 1: of a better term, I don't know. I get that.
• 22:49
  Speaker 3: I don't really know how to explain most of his work.
• 22:55
  Speaker 3: There's just like a very I mean, Ryan, I don't
• 23:00
  Speaker 3: know if you're a fan of his, but how would
• 23:03
  Speaker 3: you explain what it's like watching a John Rowland film? Genre?
• 23:08
  Speaker 2: Lan?
• 23:09
  Speaker 5: Right, it's genre, Lan. Yeah, it is very dreamy and
• 23:15
  Speaker 5: fascination is the right entry point because it's accessible and
• 23:19
  Speaker 5: Brigitte le Haye is beautiful in it and all that,
• 23:22
  Speaker 5: but it is not super dreamy compared to a lot
• 23:26
  Speaker 5: of the other ones, and so it's bordering on Hey,
• 23:29
  Speaker 5: this kind of makes sense, which is helpful. But yeah,
• 23:34
  Speaker 5: it's it's kind of this interesting blend of not quite
• 23:38
  Speaker 5: experimental filmmaking, but more like ethereal filmmaking, Like everything is
• 23:43
  Speaker 5: coming with a presence behind it, and you can feel
• 23:47
  Speaker 5: that through the filmmaking.
• 23:48
  Speaker 1: Would you say, because like another recommendation from Chris was
• 23:53
  Speaker 1: Santa Sandre. So I loved that movie. I thought it
• 23:58
  Speaker 1: was great. So from what I hear, I don't know
• 24:00
  Speaker 1: if it's similar or if it's in that vein of filmmaking.
• 24:07
  Speaker 5: No, there's a couple scenes in Santa Soanra that I
• 24:12
  Speaker 5: would say almost nail the feeling of some of the genre,
• 24:16
  Speaker 5: but Santa Songre is its own beast entirely. Yeah. God,
• 24:20
  Speaker 5: that's that's a magnificent movie.
• 24:21
  Speaker 1: I'm glad you like that one, Dude, that that film
• 24:23
  Speaker 1: was incredible.
• 24:25
  Speaker 3: You have to you have to when you put on
• 24:28
  Speaker 3: like Recoion for a Vampire or The Escapees, you have
• 24:30
  Speaker 3: to kind of give yourself over to it. Don't try
• 24:35
  Speaker 3: to think about where you're at in the plot or
• 24:39
  Speaker 3: think about just give yourself over. And for me, his
• 24:43
  Speaker 3: films are such a visual practice, like he's so purposeful
• 24:49
  Speaker 3: in every image. Like the books for those Indicator releases
• 24:53
  Speaker 3: are incredible because they're not like any other like labels books.
• 24:59
  Speaker 3: The they interview people who are sometimes so loosely involved
• 25:04
  Speaker 3: but were like inspiration somehow in his life. So they
• 25:07
  Speaker 3: kind of will give you a little bit more of
• 25:10
  Speaker 3: kind of like this very this education that's kind of
• 25:14
  Speaker 3: around the movie more than it is about the movie,
• 25:18
  Speaker 3: Like in I think it's either Nude Vampire or I
• 25:25
  Speaker 3: think it was a nude Vampire or Shiver the Vampire.
• 25:29
  Speaker 3: Half the book is about an artist that genre was
• 25:33
  Speaker 3: inspired by, so it had nothing to do Two of
• 25:35
  Speaker 3: the write ups had nothing to do with the movie,
• 25:37
  Speaker 3: but it was about the artists who inspired some of
• 25:39
  Speaker 3: the imagery that inspired like you know what I mean, Yeah,
• 25:43
  Speaker 3: it's kind of interesting. Fascination is the best starting point
• 25:48
  Speaker 3: because it's much more straightforward and it's storytelling than most
• 25:54
  Speaker 3: of his other movies are.
• 25:57
  Speaker 4: But you're gonna do a lot of like all right,
• 25:59
  Speaker 4: what's going on? Like what do we just give yourself
• 26:02
  Speaker 4: over to it?
• 26:03
  Speaker 1: I'm excited. Yeah, I've been you, Chris. You've introduced me
• 26:07
  Speaker 1: to some a lot of stuff that well, now Genreland
• 26:12
  Speaker 1: or genre Lan. Yeah, and it's not a songwriter. And
• 26:16
  Speaker 1: even Von Treyer, I mean that that guy just I'm
• 26:21
  Speaker 1: every time I see his movies, I am amazed that
• 26:25
  Speaker 1: I never thought a film could look more beautiful than
• 26:27
  Speaker 1: it already is, or that film could be. And I'm
• 26:30
  Speaker 1: just just the Like even the opening shot to Antichrist,
• 26:35
  Speaker 1: I'm like, oh, this is gorgeous.
• 26:37
  Speaker 4: Yeah, it's crazy disturbed, but it looks good.
• 26:42
  Speaker 3: I love it there, dude, I love like I used
• 26:46
  Speaker 3: to kind of try to hide it, but like I
• 26:49
  Speaker 3: give in now to Like I mean, I'm pretty much
• 26:52
  Speaker 3: into some.
• 26:52
  Speaker 4: Like like six Ship, like I love you know, like
• 26:57
  Speaker 4: I love the variety of our collection. You know.
• 27:01
  Speaker 3: It's like when I was cataloging, I actually had to
• 27:06
  Speaker 3: go into the Celz settings and activate the adult movies
• 27:11
  Speaker 3: option because some movies crossover, you know what I mean.
• 27:14
  Speaker 3: Where It's like like when I was cataloging Severin, I
• 27:17
  Speaker 3: couldn't catalog the the three ed Wood films in the
• 27:20
  Speaker 3: Hardwood set without without turning that on. There's just some
• 27:26
  Speaker 3: stuff that when I actually have a couple of like
• 27:28
  Speaker 3: the Vinegar syndrome, like Pono Theater DVDs where it's like
• 27:34
  Speaker 3: an all night marathon of adult I had to I
• 27:36
  Speaker 3: had to turn that off to get those logged into collection.
• 27:42
  Speaker 3: You know, dude, I don't. Sometimes my wife walks out,
• 27:45
  Speaker 3: She's like, what the fuck are you watching now?
• 27:48
  Speaker 4: I don't know. It's just gonna keep going.
• 27:49
  Speaker 3: And honestly, sometimes genre on gets there like it'll well.
• 27:55
  Speaker 1: I was. I was skimming through the booklet uh, mainly
• 27:59
  Speaker 1: for Requiem for a Vampire before we came on, and
• 28:01
  Speaker 1: I was like, okay, I I I after you explain that,
• 28:05
  Speaker 1: I could see that.
• 28:07
  Speaker 4: It was girls without cause my wife walked in on
• 28:10
  Speaker 4: or aka schoolgirl Hitchhikers, not a I don't think that.
• 28:14
  Speaker 3: Oh yeah, it is a genre on film, but yeah
• 28:16
  Speaker 3: that when that came out from Indicator, I couldn't find
• 28:19
  Speaker 3: any information about it on the internet, and through it
• 28:23
  Speaker 3: on one night, I'm like, let me just watch this,
• 28:25
  Speaker 3: and yeah, it.
• 28:27
  Speaker 4: Went pretty you know.
• 28:28
  Speaker 3: And sometimes man, like you know, back into seventies, they
• 28:30
  Speaker 3: weren't worried about piecing, you know, so like you're just
• 28:34
  Speaker 3: stuck on one frame for four minutes and nothing's happening
• 28:39
  Speaker 3: and nothing's changing, and you're just going and you're like, God,
• 28:42
  Speaker 3: this is an eighteen minute long soft core scene and
• 28:46
  Speaker 3: oh my god, yeah it gets there.
• 28:52
  Speaker 5: If I can. I know that this is hard because
• 28:54
  Speaker 5: you've already talked about seeing some of the genre On
• 28:57
  Speaker 5: stuff but a couple of years ago, and I don't
• 28:59
  Speaker 5: know if you know who she is, but Kat Ellinger,
• 29:01
  Speaker 5: who was a frequent contributor to many of these releases,
• 29:04
  Speaker 5: she directed a document or co directed a documentary called
• 29:07
  Speaker 5: Orchestrator of Storms that is all about genre On's films
• 29:12
  Speaker 5: and it is truly like the best entry point to
• 29:15
  Speaker 5: him as a filmmaker. They don't really spoil any of
• 29:18
  Speaker 5: the films, but it does give you the overall feeling
• 29:21
  Speaker 5: for what you're going to get. And she dives into
• 29:24
  Speaker 5: the idea of a genre called the fantastique and how
• 29:28
  Speaker 5: it's like this mix of you know, experimental cinema and
• 29:34
  Speaker 5: erotica and dreary sort of ethereal mood films that have
• 29:41
  Speaker 5: no plot sometimes and it's a really well made documentary.
• 29:46
  Speaker 5: I'm not even sure if it's available right now, so
• 29:48
  Speaker 5: I'm sorry if you go to look this up after
• 29:50
  Speaker 5: and you can't find it. But well, it was never
• 29:54
  Speaker 5: released on disk. As far as I know, I think
• 29:56
  Speaker 5: it was digital only. I think it was theoretically being
• 29:59
  Speaker 5: worked on be put on disc, and I don't know
• 30:01
  Speaker 5: what's happened since then, so try to find it.
• 30:04
  Speaker 4: I wonder if if I if I've talked I've talked.
• 30:07
  Speaker 3: To her a couple of times just on Instagram. I
• 30:08
  Speaker 3: wonder if I reach out to her if she might
• 30:10
  Speaker 3: have access to it.
• 30:12
  Speaker 5: She absolutely has a link because she sent it to me.
• 30:16
  Speaker 5: That's I watched it.
• 30:17
  Speaker 4: Okay, you're I'll reach out to her and ask her.
• 30:19
  Speaker 1: Yeah, yeah, I'd love to check that out.
• 30:21
  Speaker 4: Well.
• 30:21
  Speaker 3: She I actually spent like a half hour watching something
• 30:25
  Speaker 3: like hers last night because last night I watched Killer
• 30:27
  Speaker 3: None and she has an incredible nonspolitation visual essay on
• 30:34
  Speaker 3: that era release of Killer None, and it's pretty, you know,
• 30:38
  Speaker 3: it's it's amazing, man, like when you when you go
• 30:41
  Speaker 3: down the rabbit hole, the places you'll go, Man, it really,
• 30:46
  Speaker 3: you know, opens your eyes. I've been on a little
• 30:47
  Speaker 3: bit of a nonsplolitation kick because I finally saw Ken
• 30:51
  Speaker 3: Russell's The Devils UH for the first time, and then
• 30:54
  Speaker 3: I started with The Devils and then I went into.
• 30:58
  Speaker 4: I can never say his name right man, Willarium Border
• 31:03
  Speaker 4: Chick right, is that.
• 31:05
  Speaker 5: It was like this that's close. Yeah, I think it's brochick,
• 31:09
  Speaker 5: but something like that.
• 31:11
  Speaker 3: Okay, Yeah, so I got into I watched Behind Convent
• 31:15
  Speaker 3: Walls and then I watched uh le merge them, uh
• 31:22
  Speaker 3: what is his movie called, and just kind of started
• 31:28
  Speaker 3: going down rabbit holes. I was working like an hour
• 31:30
  Speaker 3: away one day that I was kind of doing some
• 31:34
  Speaker 3: research on it, and I found a podcast.
• 31:35
  Speaker 4: It was the Oh my god, I'm gonna I'm gonna
• 31:39
  Speaker 4: forget what's called.
• 31:40
  Speaker 3: But it was like a four hour podcast with Sam
• 31:42
  Speaker 3: Degan about this one movie and it I was. I
• 31:47
  Speaker 3: was in it, man, I was making mental notes and yeah.
• 31:52
  Speaker 3: Then I the other night I was like, I haven't
• 31:54
  Speaker 3: watched anything nun Spolitation in a while and Killer None,
• 31:58
  Speaker 3: which is which is fantastic. I don't know if either
• 31:59
  Speaker 3: of you gus I've seen that, but uh, that's a
• 32:02
  Speaker 3: great one.
• 32:03
  Speaker 5: It's not a while ago, it's it's it's one of
• 32:05
  Speaker 5: the better n exploitations for me at least.
• 32:08
  Speaker 4: What's your thoughts on Behind Convent Walls.
• 32:11
  Speaker 5: It's sleazier in a couple of weird ways. It's certainly
• 32:15
  Speaker 5: not a favorite, but it's worth watching.
• 32:18
  Speaker 3: Yeah, Yeah, it's I didn't. I don't know if I
• 32:24
  Speaker 3: loved it. I didn't love it. I didn't really love
• 32:27
  Speaker 3: it until I finished it and I went onto letterbox
• 32:30
  Speaker 3: and I read a Simon Baker review of it where
• 32:34
  Speaker 3: he mentioned, like, watch it as a comedy, you know,
• 32:38
  Speaker 3: just as like a little bit of a shock of
• 32:40
  Speaker 3: seeing nuns doing this sort of stuff. He's like, and
• 32:43
  Speaker 3: it's a much better experience. And then once I kind
• 32:45
  Speaker 3: of reframed it and gave it like seventy two hours,
• 32:47
  Speaker 3: in my mind, I.
• 32:49
  Speaker 4: Liked it a little bit more. But I didn't go
• 32:50
  Speaker 4: out and buy the Arrow Blu Ray if that says
• 32:52
  Speaker 4: anything about my.
• 32:55
  Speaker 3: Continued thoughts on that. But yeah, Jordan, you're gonna have fun.
• 33:00
  Speaker 3: Getting anothers Man Indicator has been a little bit of
• 33:04
  Speaker 3: a weakness of mine. Like I love everything. I just
• 33:06
  Speaker 3: I ordered a little bit ago. I as a committed
• 33:08
  Speaker 3: yet but I got a death Carry's a Cane, which
• 33:11
  Speaker 3: I'm very excited.
• 33:12
  Speaker 1: Man.
• 33:12
  Speaker 4: I love how slim their releases are, how well they
• 33:14
  Speaker 4: fit also, like they do.
• 33:17
  Speaker 3: They put out a lot of good stuff from like honestly,
• 33:21
  Speaker 3: from General On Knight, the Hunted or the Demoniacs or
• 33:25
  Speaker 3: demon Domaniacs, I don't know how to say that that title,
• 33:28
  Speaker 3: but those are also great, you know, So.
• 33:31
  Speaker 1: Two with Indicator is the price. I think they're priced
• 33:35
  Speaker 1: so well for what you're getting. I think they are,
• 33:39
  Speaker 1: and I mean compared to a lot of the other releases,
• 33:41
  Speaker 1: and the stuff you're getting I think is really good.
• 33:44
  Speaker 3: I just got black Magic Rights from them, and it
• 33:46
  Speaker 3: was like eighteen dollars for the deluxe edition.
• 33:50
  Speaker 4: I was like shocked that how cheap that?
• 33:52
  Speaker 3: Well, actually, right now, there's a bunch on say, I
• 33:54
  Speaker 3: think the two Mexican Vampire Film Collection. I forget the
• 33:57
  Speaker 3: name of the collection that's on sale right now. I know,
• 34:03
  Speaker 3: uh the uh, there's like there's a couple I think,
• 34:07
  Speaker 3: my god, why is it every time I click record
• 34:10
  Speaker 3: on a podcast I forget everything I ever knew.
• 34:14
  Speaker 5: Well, I'll take this moment to say their sight wide
• 34:17
  Speaker 5: sale is about to launch, so you don't even need
• 34:19
  Speaker 5: to think of titles. Everything will be on sale pretty
• 34:22
  Speaker 5: much unless it's released in like the last few months.
• 34:25
  Speaker 5: I think, but uh, that should be launching here. I
• 34:29
  Speaker 5: think the twenty seventh, twenty six, twenty seven, something like that.
• 34:32
  Speaker 4: Couple day, A couple days.
• 34:33
  Speaker 3: I wish, I wish, I had Ryan like a almost
• 34:35
  Speaker 3: like Siri on my phone. Yeah, I can just like,
• 34:38
  Speaker 3: hey Rock, double tap my phone Like.
• 34:42
  Speaker 5: You have no idea how many people use me like that?
• 34:44
  Speaker 5: Already ask you.
• 34:46
  Speaker 4: A question real quick like my chat GPT. I'll just
• 34:50
  Speaker 4: set up as a run You'll.
• 34:52
  Speaker 1: Just it'd be his name in your in your phone.
• 34:57
  Speaker 3: Well, how about we get into to some pickups. I mean, Jordan,
• 35:02
  Speaker 3: I don't know where you want to. I don't know
• 35:05
  Speaker 3: if you want to consider those two Roland titles. Is
• 35:08
  Speaker 3: part of your pickups or do you have some other stuff?
• 35:10
  Speaker 1: Well you know what's funny as they were, So we'll
• 35:12
  Speaker 1: just count that as those two because I was going
• 35:15
  Speaker 1: to talk about those because those literally showed up today
• 35:18
  Speaker 1: along with Gretel and Hansel I got on sale and
• 35:22
  Speaker 1: I didn't I didn't have it. But that's that's not
• 35:25
  Speaker 1: part of this. The first you got to get.
• 35:26
  Speaker 4: You gotta get that before they shut down.
• 35:28
  Speaker 1: I forgot about yeah right, not not new management or anything.
• 35:33
  Speaker 1: They're they're going under. But I picked this up. I'm
• 35:39
  Speaker 1: I'm so happy that this finally showed up. Uh from
• 35:43
  Speaker 1: Terror Vision and Invader. When when this got announced and
• 35:48
  Speaker 1: I checked that trailer and I think it was just
• 35:50
  Speaker 1: a teaser where the guy just walks into the house.
• 35:52
  Speaker 1: I was like, oh man, I'm I'm picking that up.
• 35:55
  Speaker 1: So that was like an immediate, immediate pre order. So
• 35:58
  Speaker 1: glad it finally showed up. And that's a thing.
• 36:00
  Speaker 2: You know.
• 36:00
  Speaker 1: I've heard a lot of people complain about Terror Vision
• 36:02
  Speaker 1: and the wait times, but look, I always tell them
• 36:05
  Speaker 1: it's worth it every time. I don't even complain. You're
• 36:08
  Speaker 1: gonna you're gonna love it.
• 36:09
  Speaker 3: Listen, and Ryan is the complaints department for Terror Vision.
• 36:13
  Speaker 3: There you go, redirect all complaints to.
• 36:17
  Speaker 1: I'll send in my letters to Ryan R.
• 36:19
  Speaker 5: Do you get a thirty seven notifications in the last
• 36:21
  Speaker 5: twelve seconds.
• 36:23
  Speaker 1: All from me?
• 36:25
  Speaker 5: I mean, I don't get a ton of that, but
• 36:27
  Speaker 5: funny enough, I do get a lot of that. And
• 36:32
  Speaker 5: the sad thing is it's not just Terror Vision. I'll
• 36:34
  Speaker 5: have people I'll get dms on the Facebook account that'll
• 36:38
  Speaker 5: say like, hey, I bought this like six months ago.
• 36:40
  Speaker 5: Should I email them? And it's not just TerrorVision. It's
• 36:43
  Speaker 5: like some some some company in the UK. And I'm like,
• 36:46
  Speaker 5: I'm some dude living in Kansas City, Missouri, having nothing
• 36:49
  Speaker 5: to do with that label. And you're asking me sure,
• 36:52
  Speaker 5: email them please, yeah, Ryan, tell them I'll beat them
• 36:59
  Speaker 5: up for their lunch money.
• 37:00
  Speaker 3: Yeah, flip them upside down, get those pennies out. Did
• 37:03
  Speaker 3: you did you, Ryan have any hand or anything on
• 37:06
  Speaker 3: the Invader release?
• 37:08
  Speaker 5: Literally nothing. I don't think I may have. No. I
• 37:11
  Speaker 5: did not do the booklet on this one. This year,
• 37:14
  Speaker 5: I've been doing booklet layouts for some of them, and
• 37:16
  Speaker 5: I don't think I did that one. It's been a blur.
• 37:19
  Speaker 5: I feel like January first was like thirty seven lifetimes ago.
• 37:25
  Speaker 4: Well, I always want to when I have you on,
• 37:26
  Speaker 4: I always want to ask because I want to make
• 37:28
  Speaker 4: sure that we spotlight if you did so.
• 37:32
  Speaker 1: Yeah, Well, well how about this because this one it
• 37:34
  Speaker 1: came in the other day a Sledgehammer. Did you do
• 37:36
  Speaker 1: anything with that one?
• 37:37
  Speaker 5: I did? Yeah, we I've worked quite a bit on
• 37:40
  Speaker 5: this one. Did the booklet for this one, but also
• 37:42
  Speaker 5: where my company did the Joe Bob Briggs interview, and
• 37:45
  Speaker 5: that's it's a special one. I mean to get him
• 37:48
  Speaker 5: to talk to to talk new content on a film
• 37:51
  Speaker 5: like Sledgehammer is not a common occurrence, and we were
• 37:54
  Speaker 5: able to essentially wrangle him at a convention, take him
• 37:59
  Speaker 5: outside to a bar and shot him for just a
• 38:01
  Speaker 5: little bit of time. And I think the interview turned
• 38:04
  Speaker 5: out great. I think it's one of the betest things
• 38:07
  Speaker 5: on the disc. Myself. I like the movie. I don't
• 38:10
  Speaker 5: love the movie, but to get this guy that has
• 38:14
  Speaker 5: been sharing a love of films like this for so long,
• 38:16
  Speaker 5: to just give a part of his day to once
• 38:20
  Speaker 5: again like advocating for it, that's rare and I just
• 38:23
  Speaker 5: love that we could do it.
• 38:25
  Speaker 4: And did Will do that interview?
• 38:27
  Speaker 5: He did? Yeah? Will and John Daily they were both
• 38:30
  Speaker 5: in person for it.
• 38:31
  Speaker 3: Okay, Okay, yeah, I didn't get I. I was such
• 38:34
  Speaker 3: a mixed bag when it comes to what I buy
• 38:36
  Speaker 3: from Terror Vision. Well, I haven't been buying much of
• 38:38
  Speaker 3: anything lately, but like, there's so much stuff that I
• 38:40
  Speaker 3: that I want and then I kind of just like
• 38:43
  Speaker 3: it just moves by so fast.
• 38:45
  Speaker 5: You know.
• 38:45
  Speaker 3: I actually have a TerrorVision title in my pickup stack
• 38:49
  Speaker 3: that came out a while ago, because that's how late.
• 38:53
  Speaker 3: That's that's the latest new thing that I've bought, you
• 38:55
  Speaker 3: know what I mean?
• 38:56
  Speaker 5: Right?
• 38:57
  Speaker 1: So, yeah, and too terror Vision with all their Hallen announcements,
• 39:01
  Speaker 1: it's there's so many. I mean, I've got a list
• 39:04
  Speaker 1: and I but luckily I grab that secret one, so
• 39:09
  Speaker 1: I'm good with that.
• 39:10
  Speaker 4: Oh yeah, yeah that The only one I got so
• 39:14
  Speaker 4: far is Hide and Go shriek.
• 39:16
  Speaker 3: I still need to get proud of that one. Yeah yeah,
• 39:19
  Speaker 3: total blind by for me, So we'll see. The secret
• 39:22
  Speaker 3: title though, was nice, was like, what fifteen bucks?
• 39:25
  Speaker 5: Fifteen bucks and it's a full release. We're talking, full
• 39:28
  Speaker 5: slate of special features, blu ray, slipcover everything, like no
• 39:33
  Speaker 5: other company is brand new releasing a disc high quality
• 39:36
  Speaker 5: like that.
• 39:37
  Speaker 4: Geez man, hey Jordan, let me know what it is.
• 39:40
  Speaker 1: Man, Oh dude, I can't wait, I'm telling you. And
• 39:45
  Speaker 1: then the last one I have here is from Second
• 39:48
  Speaker 1: Site Florida Project. Sean Bakers, Florida Project. Really excited to
• 39:52
  Speaker 1: dive into this. I can't wait. I mean, this is like,
• 39:56
  Speaker 1: it looks like a behemoth of a release from Second Site.
• 39:59
  Speaker 1: So I always love second stuff and most of the
• 40:02
  Speaker 1: time their special features are really well done. So I'm
• 40:04
  Speaker 1: excited to dive into that. So that that's as far
• 40:07
  Speaker 1: as pickups fairly recently. Those are the kind of the
• 40:11
  Speaker 1: four that I was going to talk about, dude, Second
• 40:13
  Speaker 1: Site is.
• 40:16
  Speaker 3: It's kind of one of those companies that I'm pretty
• 40:18
  Speaker 3: good at just like buying instantly almost except like I'm
• 40:21
  Speaker 3: not gonna get Reanimator because I already have, you know,
• 40:24
  Speaker 3: the Ignite film's release. I know there is a new
• 40:27
  Speaker 3: commentary on the second site, but I recently got the
• 40:30
  Speaker 3: Putscher Trilogy from them because I didn't have the original
• 40:34
  Speaker 3: release that came out of it. I'm still in defense
• 40:38
  Speaker 3: about Pearl and Maxine, just because I don't know if
• 40:41
  Speaker 3: I don't know if my OCD can handle missing missing X.
• 40:45
  Speaker 3: I understand why I'm not gonna say. I'm not going
• 40:47
  Speaker 3: to complain that they didn't do X. I know why
• 40:48
  Speaker 3: they didn't, but uh, you know, my OCD with that
• 40:52
  Speaker 3: is going to be a little a little wild. Do
• 40:55
  Speaker 3: I also want to pay one hundred dollars for that
• 40:57
  Speaker 3: A twenty four set, no to.
• 40:59
  Speaker 5: Be fair the retail price, because you you can get
• 41:03
  Speaker 5: it on the twenty four site or pretty much anywhere
• 41:05
  Speaker 5: else nowadays, because they're selling it anywhere. The four K
• 41:08
  Speaker 5: version is down to eighty five, and you'll probably be
• 41:10
  Speaker 5: able to get it on sale as part of something
• 41:12
  Speaker 5: here soon. So yeah, it's it's feeling a lot better
• 41:16
  Speaker 5: after that.
• 41:17
  Speaker 4: I it felt better.
• 41:19
  Speaker 3: I have a Triple A twenty four with them, so
• 41:21
  Speaker 3: that saves me, you know, ten bucks on it. Then also, yeah,
• 41:25
  Speaker 3: they're doing their raffle now for like the lottery ticket
• 41:28
  Speaker 3: for Triple A twenty four, so I got a twenty
• 41:31
  Speaker 3: I want a twenty five dollars gift card from that,
• 41:32
  Speaker 3: and then I also have I think twenty dollars in
• 41:34
  Speaker 3: site credit, so I just have to get on and
• 41:36
  Speaker 3: and there are new commentaries on those that I'm excited.
• 41:39
  Speaker 5: To check out as well well. And if I could
• 41:42
  Speaker 5: remind you Black Friday, they do a thirty percent off sale,
• 41:46
  Speaker 5: so you can stack all of that up with that.
• 41:48
  Speaker 5: If you're a Triple A twenty four, you get thirty
• 41:50
  Speaker 5: percent off for Black Friday.
• 41:52
  Speaker 4: H My first Black Friday is Triple A twenty four,
• 41:55
  Speaker 4: So thank you for that information.
• 41:57
  Speaker 1: I did not know that.
• 41:58
  Speaker 3: I also need to get the Maxine not because it's
• 42:00
  Speaker 3: the only one I'm missing and it drives me nuts.
• 42:02
  Speaker 3: So that's the only one I was missing of that
• 42:05
  Speaker 3: of that little collection there.
• 42:06
  Speaker 1: So I think it's safe to say you're going A
• 42:08
  Speaker 1: twenty four for the the ex.
• 42:10
  Speaker 4: Trilogy, Yeah, I think so.
• 42:13
  Speaker 3: I mean, I'm not the biggest fan of those big
• 42:16
  Speaker 3: Giant Collectors additions that they do. But I do like
• 42:21
  Speaker 3: the look of that edition, kind of like with the
• 42:24
  Speaker 3: clear I don't know if it's a slip or whatever's
• 42:27
  Speaker 3: over it, and it fits the vibe of the of
• 42:29
  Speaker 3: the movies really well or more of Maxine very well.
• 42:32
  Speaker 4: It fits. That's probably what I what I'll do.
• 42:38
  Speaker 3: I don't know, man, It's such a conundrum all the
• 42:40
  Speaker 3: time of figuring out exactly what to do, you know,
• 42:44
  Speaker 3: do I even like I always question, I'm like do
• 42:46
  Speaker 3: I even do I need those on four K?
• 42:48
  Speaker 4: I'm like, already have them on Blue? Like do I
• 42:50
  Speaker 4: you know?
• 42:51
  Speaker 3: This is just the stuff that I because it's like
• 42:54
  Speaker 3: sometimes you know, like they're they did the same exact
• 42:57
  Speaker 3: release on Blu Ray and it's like fifteen dollars cheaper,
• 43:00
  Speaker 3: So I'm like, do I need these on four K?
• 43:04
  Speaker 4: Like I'm really.
• 43:04
  Speaker 3: Only concerned about the bonus features and you know what
• 43:07
  Speaker 3: I mean that kind of stuff. So these are kind
• 43:09
  Speaker 3: of the things that I think about too much, you know,
• 43:14
  Speaker 3: like sometimes it's just cheaper a lot of the Indicator releases, man,
• 43:18
  Speaker 3: Like I have the Blu Ray versions because they were
• 43:20
  Speaker 3: like ten dollars cheaper, you know what I mean like
• 43:23
  Speaker 3: they were still four K restorations, so they still look
• 43:26
  Speaker 3: yea magnificent.
• 43:29
  Speaker 4: So yeah, I don't know.
• 43:30
  Speaker 3: I'm always kind of you know me, man, we're we
• 43:32
  Speaker 3: in our group chat, you guys will post four k's,
• 43:35
  Speaker 3: I'm like, yeah, don't need it.
• 43:37
  Speaker 1: Well, what I I crack up is what we'll post
• 43:40
  Speaker 1: something like you just see this announcement. Oh, here's why
• 43:42
  Speaker 1: you don't need it, and then there's like your bullet
• 43:44
  Speaker 1: points just like that.
• 43:47
  Speaker 3: A lot of times you guys don't know, that's actually
• 43:49
  Speaker 3: me talking myself out of it. I'm just conveying it
• 43:51
  Speaker 3: onto you guys as victims, you know what I mean?
• 43:53
  Speaker 1: Yeah?
• 43:54
  Speaker 5: Right, Ryan? What about you? Man?
• 43:57
  Speaker 4: What have you been picking up? I'm really curious about
• 43:59
  Speaker 4: what you uh, well, you brought the show us.
• 44:02
  Speaker 5: Sure, well, a couple of weeks ago I had sent you,
• 44:06
  Speaker 5: I texted you a picture that your podcast episode on
• 44:09
  Speaker 5: The Devil's Rejects made me buy that book and wanted
• 44:12
  Speaker 5: to tie that in with the Steel book that just
• 44:14
  Speaker 5: came out. So I wanted to talk about that tonight.
• 44:17
  Speaker 5: This is one of those things that I'm fairly like you.
• 44:21
  Speaker 5: There's a lot of times I don't feel the need
• 44:24
  Speaker 5: to upgrade to something to four K. But The Devil's
• 44:28
  Speaker 5: Rejects and overall most of Rob Zombie's filmography is just
• 44:35
  Speaker 5: so special to me that I will not necessarily upgrade everything,
• 44:39
  Speaker 5: but I want definitive editions of some of them. And
• 44:42
  Speaker 5: to me, this looks like the best release of this,
• 44:44
  Speaker 5: and my old release of The Devil's Rejects is it's
• 44:47
  Speaker 5: seen better days. I'll say that it's been played so
• 44:50
  Speaker 5: many times that it's just an old, flimsy, fallen apart
• 44:53
  Speaker 5: blue ray case. So the steel book looked nice here.
• 44:56
  Speaker 5: And I love that you were talking about having a
• 44:57
  Speaker 5: variety of tastes because that is exactly how I curated
• 45:00
  Speaker 5: this to talk tonight, because after The Devil's Rejects, I
• 45:04
  Speaker 5: wanted to talk about the Peanuts TV special collection that
• 45:08
  Speaker 5: just came out through Warner Brothers. I literally have a
• 45:10
  Speaker 5: Peanuts tattoo on my leg and I love the Peanuts
• 45:13
  Speaker 5: ever since I was a kid. Not to get super sappy.
• 45:17
  Speaker 5: My wife calls me Snoopy and I call her Woodstock.
• 45:20
  Speaker 5: It's been that important for us, and to have a
• 45:23
  Speaker 5: release like this together for the first time ever is
• 45:27
  Speaker 5: pretty legendary. Like all of the TV specials are on
• 45:29
  Speaker 5: here except for five, and they're never going to be
• 45:31
  Speaker 5: able to license those because one of them is like
• 45:34
  Speaker 5: Charlie Brand with the Super Bowl or whatever, and the
• 45:36
  Speaker 5: NFL is like, fuck you, We're never doing it, and
• 45:38
  Speaker 5: then a handful of others that just won't be possible, sadly.
• 45:42
  Speaker 5: But to get all of that in one collection is
• 45:45
  Speaker 5: kind of mind blowing for something that's been around for
• 45:48
  Speaker 5: like sixty seventy years. I mean, it's a seventy fifth
• 45:50
  Speaker 5: anniversary and to compile all that takes a ton of work.
• 45:55
  Speaker 5: The other thing is another one that you've talked about before.
• 45:58
  Speaker 5: I just got in a t which I try to
• 46:00
  Speaker 5: do as much as I can because I've got stuff
• 46:02
  Speaker 5: going out, may as well get decent stuff for it
• 46:04
  Speaker 5: that i'd appreciate better. I finally got the New Extremity
• 46:08
  Speaker 5: collection from Umbrella. This is volume one. I've got volume
• 46:12
  Speaker 5: two or it's on the way one of the two.
• 46:14
  Speaker 5: I like these films. I am one of the crazy
• 46:17
  Speaker 5: ones that like New French Extremity. That being said, I
• 46:21
  Speaker 5: know that we already have a better release of Martyrs,
• 46:23
  Speaker 5: No big deal. I already have a better release of
• 46:26
  Speaker 5: I Attention, No big Deal Frontiers. There's actually another release
• 46:29
  Speaker 5: of this coming out in the next couple of years.
• 46:30
  Speaker 5: From what I hear, no big deal. This feels like
• 46:33
  Speaker 5: a really great release of this, and I love the books,
• 46:36
  Speaker 5: and a lot of those other ones don't have the
• 46:38
  Speaker 5: writing that this does. So the cut you off?
• 46:42
  Speaker 4: Are you in a Natomy of health fan?
• 46:45
  Speaker 5: I am somebody that's not seen it in a long time.
• 46:50
  Speaker 5: I think it's out of like the entire genre of
• 46:53
  Speaker 5: New French extremity. I think it was like one of
• 46:55
  Speaker 5: the first three I saw. I remember mostly enjoying it,
• 46:59
  Speaker 5: but again, like I was a very different person then,
• 47:02
  Speaker 5: I feel like I would get a lot more out
• 47:03
  Speaker 5: of it nowadays, So that's what I'm eager to see again. Sadly,
• 47:08
  Speaker 5: it's not one that has been either readily available or
• 47:11
  Speaker 5: easy for me to see for a long time. So yeah,
• 47:14
  Speaker 5: glad to have a disc.
• 47:15
  Speaker 4: Yeah, I watched that movie. Jordan knows who I talked
• 47:17
  Speaker 4: about in a group, Chad.
• 47:18
  Speaker 3: I watched that movie three times in forty eight hours
• 47:22
  Speaker 3: because I watched it and then I watched it with
• 47:24
  Speaker 3: both commentary tracks that are on that release right there,
• 47:28
  Speaker 3: and the movie is worse when somebody's talking over it,
• 47:31
  Speaker 3: like the subject matter gets more intense when there's no context,
• 47:36
  Speaker 3: there's just a voice over it. You know, because a
• 47:41
  Speaker 3: lot of times with commentaries, this thing happens when you're
• 47:46
  Speaker 3: watching them, where I'll either get I'll really focus in
• 47:48
  Speaker 3: on the visual of the movie real quick, and then
• 47:51
  Speaker 3: the commentary will kind of drop behind, or I get
• 47:53
  Speaker 3: really focused on the commentary and the visuals kind of
• 47:56
  Speaker 3: drift away. It's kind of depending on my focus. During
• 48:00
  Speaker 3: Anatomy of a Hell of an Anatomy of Hell, every
• 48:03
  Speaker 3: time they're like scenes with certain scenes would happen and
• 48:08
  Speaker 3: I be like, hold on, I got to go back
• 48:09
  Speaker 3: and listen to what they said in a commentary again
• 48:12
  Speaker 3: because I got so.
• 48:13
  Speaker 4: Focused on.
• 48:16
  Speaker 3: This image that that movie is riddled with extreme images. Yeah,
• 48:22
  Speaker 3: so I kind of had a rough couple of days
• 48:24
  Speaker 3: with that, and.
• 48:26
  Speaker 5: That's I mean, one of the things about that is
• 48:28
  Speaker 5: why I'm so excited that def Crocodile, one of the
• 48:31
  Speaker 5: other companies I work with, they are allowing me to
• 48:34
  Speaker 5: release their on disc commentaries as podcast episodes, So if
• 48:39
  Speaker 5: you're on the go, you can listen to the commentary
• 48:41
  Speaker 5: and you don't have to be set in front of
• 48:43
  Speaker 5: the film, and for many people, honestly, for many commentary tracks,
• 48:47
  Speaker 5: it's not even super important. I would hope that you
• 48:51
  Speaker 5: had seen the film before listening to the commentary so
• 48:53
  Speaker 5: you can at least envision what they're talking about. But
• 48:56
  Speaker 5: quite often it's mostly just like contextual things and so
• 48:59
  Speaker 5: base on that. Don't I don't need to see the
• 49:01
  Speaker 5: guy acting in I could do this one moment in
• 49:03
  Speaker 5: the lawn and it helps.
• 49:05
  Speaker 4: Yeah.
• 49:05
  Speaker 5: Yeah that.
• 49:06
  Speaker 3: Today when I was watching Terrifier too and I had
• 49:08
  Speaker 3: on the director's commentary, he actually kind of had me
• 49:12
  Speaker 3: laughing in bits because he's like, oh my god, He's like,
• 49:14
  Speaker 3: things are moving so fast. I have so much I
• 49:15
  Speaker 3: want to say. He's like, but like, scenes are moving
• 49:18
  Speaker 3: and moving, and yeah, it happens, man, especially depending on
• 49:22
  Speaker 3: the commentary, And some of them are so.
• 49:25
  Speaker 4: Some are like they.
• 49:26
  Speaker 3: Never touch on what you're watching at the moment. It's
• 49:29
  Speaker 3: all very you know, very broad. And then some are
• 49:33
  Speaker 3: like seen by scene.
• 49:34
  Speaker 4: When I watched when I was starting the Screen Factory,
• 49:38
  Speaker 4: Bavia set a couple of the commentaries on Kill Baby, Kill,
• 49:42
  Speaker 4: where one was like scene by scene that I enjoyed,
• 49:46
  Speaker 4: and one was a little bit more broad, so it
• 49:47
  Speaker 4: was nice to kind of have both to, you know,
• 49:50
  Speaker 4: back to back like I did it.
• 49:53
  Speaker 3: Sometimes it's easier, sometimes are harder. Some commentaries like never
• 49:57
  Speaker 3: touch on what you're taught. What's happening?
• 50:00
  Speaker 5: Right?
• 50:01
  Speaker 3: They spend forty five minutes on pre production and you're like,
• 50:04
  Speaker 3: this could have been released as a interview with a
• 50:07
  Speaker 3: moderator and I would have been I would have been fine.
• 50:10
  Speaker 3: So yeah, you know any other pickups there?
• 50:13
  Speaker 5: Man? Yeah? The last thing I bought is or not bought,
• 50:16
  Speaker 5: last thing I brought. I actually traded for this one
• 50:19
  Speaker 5: as well through one of the Facebook groups. This is
• 50:21
  Speaker 5: something that until a couple weeks ago, I think I
• 50:25
  Speaker 5: had never heard that this had even existed. I am
• 50:28
  Speaker 5: a giant fan of short films, a giant fan of
• 50:31
  Speaker 5: like mid length films. I really feel like we have
• 50:35
  Speaker 5: lost appreciation for them because they play some festivals and
• 50:38
  Speaker 5: then they're never available again until twenty five years later
• 50:43
  Speaker 5: when somebody's doing a retrospective on their work and throws
• 50:45
  Speaker 5: it on a disc as a bonus feature, and tons
• 50:47
  Speaker 5: of people never give it the do that it's worth.
• 50:50
  Speaker 5: And for many of these filmmakers, it crafted the features
• 50:53
  Speaker 5: that we love and you can see a lot of
• 50:55
  Speaker 5: that same flavor in the shorts. So I had found
• 50:59
  Speaker 5: out that Bloody Disgusting had worked together with Watch filmmakers
• 51:03
  Speaker 5: to put out their web series on disc, and this
• 51:05
  Speaker 5: is called World of Death.
• 51:07
  Speaker 3: I saw one, I think I saw the posts about those.
• 51:12
  Speaker 3: I think it was on that Facebook page that we're
• 51:16
  Speaker 3: on together, and I was like, what are these?
• 51:18
  Speaker 5: So I got all four of them from him, and
• 51:20
  Speaker 5: they like they're not short either, Like the first one
• 51:23
  Speaker 5: has thirty one shorts on it, the next one, the
• 51:28
  Speaker 5: shortest one, has twenty eight shorts. So this is a
• 51:31
  Speaker 5: lot of stuff. These were web series, I think in
• 51:34
  Speaker 5: a way where they were hosting it elsewhere, but that's
• 51:36
  Speaker 5: not guaranteed ever, So sure some of these you might
• 51:39
  Speaker 5: be able to see on YouTube, you're not gonna be
• 51:40
  Speaker 5: able to see all of these. This is almost one
• 51:42
  Speaker 5: hundred and twenty different short films, all in cults, genre, cinema,
• 51:47
  Speaker 5: whatever that you call it, and that is incredible to
• 51:51
  Speaker 5: give them an opportunity to live on a desk on
• 51:53
  Speaker 5: a disk like this.
• 51:55
  Speaker 4: Are they, I guess?
• 51:56
  Speaker 3: Are they a little hard to find now because it's
• 51:57
  Speaker 3: the first time I've ever seen them.
• 52:00
  Speaker 2: Not.
• 52:00
  Speaker 5: I found out there's seven volumes and you could go
• 52:03
  Speaker 5: buy a pack of all seven right now for one
• 52:04
  Speaker 5: hundred and seventy five bucks, which it sounds like a lot,
• 52:07
  Speaker 5: but to me that's not terrible. I think each one
• 52:09
  Speaker 5: is like twenty five dollars. That's yeah, that's the math,
• 52:13
  Speaker 5: and it's you can get him. I think it's one
• 52:15
  Speaker 5: hundred and seventy five shipped even I think it's just
• 52:18
  Speaker 5: through the shop on the Bloody Disgusting cider. It links
• 52:21
  Speaker 5: you somewhere over there. But yeah, I'm I'm very curious
• 52:24
  Speaker 5: to get the last three probably as well, and hopefully
• 52:27
  Speaker 5: they keep doing it.
• 52:28
  Speaker 4: Yeah, I saw I can't remember, I was doing something.
• 52:30
  Speaker 3: I was in the car when I saw that post,
• 52:33
  Speaker 3: because I think he originally listed them for sale, and
• 52:37
  Speaker 3: I was like.
• 52:37
  Speaker 4: What are these?
• 52:39
  Speaker 5: Yeah, I do the same thing.
• 52:40
  Speaker 4: Yeah, that was.
• 52:41
  Speaker 3: It's always interesting when you find stuff like that because
• 52:43
  Speaker 3: you never know, because then you kind of question, like are.
• 52:45
  Speaker 4: These reels as a boot? Like is this like what
• 52:47
  Speaker 4: is Yep?
• 52:48
  Speaker 3: That was when I discovered the Hunger TV show. That's
• 52:55
  Speaker 3: to me, I think like a hidden gem that I discovered.
• 52:59
  Speaker 3: I found them on Amazon on their mod discs, But like,
• 53:03
  Speaker 3: that show is incredible I mean, you have David Bowie
• 53:06
  Speaker 3: hosting or introducing one season of them, like, and they're
• 53:10
  Speaker 3: just extremely like gruesome, thought provoking, like sexy our episodes
• 53:21
  Speaker 3: of television, you know what I mean. And I got
• 53:23
  Speaker 3: through the first season, I'm like, dude, this is great.
• 53:25
  Speaker 3: I throw in season two, I'm like, holy shit, and
• 53:27
  Speaker 3: it's all in the nineties, you know.
• 53:28
  Speaker 4: There.
• 53:29
  Speaker 3: It has that certain aesthetic, that certain style, and it's amazing.
• 53:33
  Speaker 3: Like I never heard anybody talking about them. I just
• 53:35
  Speaker 3: happened to like wind up on them on Amazon somehow,
• 53:40
  Speaker 3: and I love coming across that stuff.
• 53:43
  Speaker 4: But yeah, a couple so I have some pickups.
• 53:48
  Speaker 3: And then I have a story that I want to
• 53:51
  Speaker 3: tell if you guys want to, if you guys don't
• 53:52
  Speaker 3: mind listening listening to my story. First up, the other
• 53:56
  Speaker 3: day yesterday, I was kind of running around for work
• 53:59
  Speaker 3: and I was like, when me swing by this Barnes
• 54:00
  Speaker 3: and Noble, and I grabbed.
• 54:02
  Speaker 4: A creep show two on four K.
• 54:06
  Speaker 3: I was not anticipating upgrading this, but I just happened
• 54:10
  Speaker 3: to walk in and they were like, it was behind
• 54:12
  Speaker 3: the counter, and I asked the girl and she gave
• 54:14
  Speaker 3: it to me, and I had a fifty hours.
• 54:15
  Speaker 4: Price tag on. I'm like, well, I'm not paying that.
• 54:17
  Speaker 3: And she's like, oh, I think it's like forty percent off,
• 54:20
  Speaker 3: so it's like twenty nine to ninety nine. I'm like, oh, well,
• 54:22
  Speaker 3: then I'll I have some bare bones Blu Ray of it.
• 54:28
  Speaker 4: I don't know who put it out. I don't even
• 54:29
  Speaker 4: know if I has subtitles. Oh yeah, with the event.
• 54:33
  Speaker 4: It's so bare, so I was happy to upgrade that.
• 54:38
  Speaker 4: It's a I don't know, maybe you guys have different thoughts.
• 54:42
  Speaker 4: It's a little annoying that they.
• 54:45
  Speaker 3: Just kind of copy and pasted the Blu Ray release
• 54:47
  Speaker 3: and then you know that's what they put out again.
• 54:51
  Speaker 4: But if it's not broke, don't fix it. I guess
• 54:56
  Speaker 4: to a.
• 54:56
  Speaker 5: Point, I do agree. I think the art should be changed,
• 54:59
  Speaker 5: and I think there should be at least one feature
• 55:01
  Speaker 5: added it.
• 55:03
  Speaker 3: At least do like a different color, you know, like
• 55:05
  Speaker 3: I like the box art on this, but like, let's
• 55:07
  Speaker 3: do something like anything at all. They just kind of
• 55:10
  Speaker 3: literally I was like, all right, here's a new transfer here.
• 55:13
  Speaker 3: Everything else is exactly the same.
• 55:16
  Speaker 5: But before you announced the second one, maybe to irritate
• 55:19
  Speaker 5: you ever so slightly, that a forty percent off horror
• 55:22
  Speaker 5: sale if you go back to Barnes and Noble tomorrow
• 55:24
  Speaker 5: and they have the A twenty four X trilogy that
• 55:27
  Speaker 5: is forty percent off in store right now as well.
• 55:29
  Speaker 4: Hey, you know what, man, you don't want to Yeah,
• 55:35
  Speaker 4: I can't keep up anymore.
• 55:38
  Speaker 3: You know the other day, I wasn't at a barn
• 55:40
  Speaker 3: When I was at a Barnes and Noble for my
• 55:41
  Speaker 3: birthday last week, we went out and got lunch. We
• 55:45
  Speaker 3: went to a Barnes and Noble and they had then
• 55:48
  Speaker 3: they had like a you know all the Barnes and
• 55:50
  Speaker 3: Nobles in the media sections have like that checkout area
• 55:53
  Speaker 3: that nobody's ever in, you know, where they used to
• 55:56
  Speaker 3: bring people out. And they had a stack of disc
• 55:58
  Speaker 3: They had a stack of movie sitting there and I
• 56:00
  Speaker 3: kind of like reached my hand ever so slightly behind
• 56:02
  Speaker 3: to get them, and I was like, what are these?
• 56:05
  Speaker 3: And they were the Upcoming like it was a History
• 56:07
  Speaker 3: of Violence, Altered States, the Shrouds and then Rampage by Kino,
• 56:12
  Speaker 3: And I was like, well, they're not when a scandy's
• 56:14
  Speaker 3: into system, that's gonna tell them they can't sell them.
• 56:16
  Speaker 3: I was like, so I'm not even gonna try, but
• 56:18
  Speaker 3: I was like, man, cool to see these, very excited.
• 56:22
  Speaker 3: And then I get home, I'm like, you know, on Amazon,
• 56:26
  Speaker 3: I'm like, I'm thinking about getting History of Violence, and
• 56:28
  Speaker 3: then you post Criterion Flashel. I'm like, great, God, now
• 56:32
  Speaker 3: I have to like, I either buy them now or
• 56:34
  Speaker 3: I wait a week and I go buy them a
• 56:36
  Speaker 3: Barnes and Noble again. Anyway during the November swe you know, yeah,
• 56:42
  Speaker 3: it's always something. Man, Well, I'll listen, I'll get that.
• 56:44
  Speaker 3: I'll get that A twenty five. I'm not paying full price.
• 56:47
  Speaker 5: Well, well, if it's forty percent off, sixty bucks is
• 56:50
  Speaker 5: pretty decent for that.
• 56:51
  Speaker 3: I did did when did it officially come out? Because
• 56:53
  Speaker 3: I did not see it there yesterday?
• 56:56
  Speaker 5: Uh, like two weeks ago, I think. Okay, but the
• 57:00
  Speaker 5: better thing for them is you can order it online
• 57:02
  Speaker 5: to ship to the store and then pay in the store,
• 57:05
  Speaker 5: because right now this sale is only for in store items,
• 57:09
  Speaker 5: and so if you wait to pay, your price will
• 57:11
  Speaker 5: actually go down nice.
• 57:13
  Speaker 4: Okay, all right, we'll go in to Barnesnoble dot com
• 57:16
  Speaker 4: right now.
• 57:16
  Speaker 5: On the button I'm revealing all the secrets.
• 57:20
  Speaker 4: Jordan's already bought it.
• 57:22
  Speaker 1: You know, I'm not I'm not gonna. I won't lie
• 57:25
  Speaker 1: if I didn't say. I already pulled up the Barnes
• 57:26
  Speaker 1: and Noble. He is looking at it right now.
• 57:32
  Speaker 3: So I wanted to show this next pickup because I
• 57:38
  Speaker 3: know what this release means to Ryan. So I wanted
• 57:40
  Speaker 3: to shout this out because I did finally get suddenly in.
• 57:44
  Speaker 5: The dark from I don't even know that yet.
• 57:48
  Speaker 3: Yep, finally finally got my hands on this. I've heard
• 57:51
  Speaker 3: nothing but the most incredible things from you on various
• 57:55
  Speaker 3: podcasts or live streams with you, because I feel like
• 57:59
  Speaker 3: this has been coming up conversation for so long, because
• 58:02
  Speaker 3: it's been yeah, step back after step back. I think
• 58:05
  Speaker 3: it was Brad who called it during the Halloween announcements.
• 58:09
  Speaker 4: It was like the cursed object of terror.
• 58:11
  Speaker 5: It is absolutely is.
• 58:12
  Speaker 3: Yeah, So I I you know, it's when it came in,
• 58:17
  Speaker 3: I was like, I kind of looked at it and
• 58:18
  Speaker 3: I was like, I hope, I hope nothing happens now
• 58:21
  Speaker 3: that I have this, like fast on them.
• 58:23
  Speaker 5: Well, you still need a replacement four K disc. That's
• 58:26
  Speaker 5: the funny thing.
• 58:27
  Speaker 4: Wait, it came with it.
• 58:30
  Speaker 5: No, it came with the replacement Blu ray disc, not
• 58:32
  Speaker 5: a replacement four K disc. God, this is how cursed
• 58:36
  Speaker 5: it is. We still don't have replacement four K discs
• 58:39
  Speaker 5: for it.
• 58:39
  Speaker 4: What's wrong with the first fore.
• 58:41
  Speaker 5: K It dumped all of the color and we can't
• 58:44
  Speaker 5: figure out why when when the disc was authored, it
• 58:46
  Speaker 5: lost all of it. So if you watch it, it
• 58:48
  Speaker 5: looks like it's washed out. It looks the color in
• 58:51
  Speaker 5: the four K looks worse than the Blu ray.
• 58:53
  Speaker 4: I was gonna joke and say, I wonder why I
• 58:55
  Speaker 4: was in black and white, but I didn't watch it.
• 58:59
  Speaker 5: Listen.
• 59:00
  Speaker 4: It's a gorgeous release physically, like what I have in
• 59:04
  Speaker 4: my hand is very good looking.
• 59:06
  Speaker 5: Yeah, yeah, that thing we I think we announced that
• 59:09
  Speaker 5: thing in January if.
• 59:11
  Speaker 4: I remember right, that might have ordered it.
• 59:13
  Speaker 5: Are just now getting it, and we still need replacement
• 59:17
  Speaker 5: four K discs.
• 59:19
  Speaker 4: One day, you know, one day it'll be completed and hopefully.
• 59:26
  Speaker 3: So last two I'm going to talk about. This is
• 59:28
  Speaker 3: the story. So the first one i'll talk about.
• 59:32
  Speaker 5: So I ordered.
• 59:32
  Speaker 4: I'll tell you guys what I ordered.
• 59:34
  Speaker 3: I ordered MS forty five from the Movie Room, right.
• 59:38
  Speaker 3: This was as soon as Arrow did. That's late of announcements.
• 59:41
  Speaker 3: I ordered this, ordered Return of Living Dead, ordered into
• 59:43
  Speaker 3: Mouth of madness. So the Movie Room sent me m
• 59:47
  Speaker 3: S forty five to kind of talk about and dive into,
• 59:50
  Speaker 3: and it chipped. So I got a shipping notification with
• 59:54
  Speaker 3: the invoice. Super excited, right, So I had a crazy
• 59:59
  Speaker 3: work day the day that this arrived.
• 1:00:01
  Speaker 4: I had like a twelve hour shift.
• 1:00:03
  Speaker 3: I was like, at one point I had to I
• 1:00:05
  Speaker 3: had to drive to three different locations of our company.
• 1:00:09
  Speaker 4: It was out of control. So it was having a
• 1:00:11
  Speaker 4: rough day.
• 1:00:12
  Speaker 3: When I get home, there's this big box on my
• 1:00:16
  Speaker 3: dining room table from the Movie Room, and I'm like, wait,
• 1:00:21
  Speaker 3: there's no way they sent that box, like like they're
• 1:00:23
  Speaker 3: not Amazon, you know what I mean. I'm like, they
• 1:00:25
  Speaker 3: didn't send that box for an arrow title. So I
• 1:00:28
  Speaker 3: sit down and I open it. And one cool thing
• 1:00:31
  Speaker 3: about the Movie Room is the pack they package really well,
• 1:00:33
  Speaker 3: like excessively overwhel It's like this uh kind of like
• 1:00:38
  Speaker 3: wrapping of like a like shredded paper and then you
• 1:00:42
  Speaker 3: have bubble wrap. So it does make your releases look
• 1:00:45
  Speaker 3: about double the width when you're taking them out because
• 1:00:47
  Speaker 3: they're so packaged together. So when I opened a box,
• 1:00:51
  Speaker 3: there's two compartments, like I could see two different packaging
• 1:00:56
  Speaker 3: things going on. Inside the box, the left one was smaller,
• 1:00:59
  Speaker 3: so I pulled out It's MS forty five. I'm like, wow,
• 1:01:02
  Speaker 3: I'm like super gady to have this. We're very happy
• 1:01:04
  Speaker 3: to have this. I don't know what's on this other
• 1:01:07
  Speaker 3: side of the box, and I'm sitting there with my
• 1:01:10
  Speaker 3: wife and I'm like, what is this? So I pull
• 1:01:13
  Speaker 3: it out and I start opening it and I'll tell
• 1:01:17
  Speaker 3: you guys what it was. In a moment, Jordan you
• 1:01:19
  Speaker 3: already know, but Ryan, I'll tell you. I started questioning
• 1:01:26
  Speaker 3: myself because I was like, there's no way I bought this.
• 1:01:30
  Speaker 3: It was like, because I can't afford this. Right now,
• 1:01:33
  Speaker 3: I'm trying to figure out what I did here. I'm like,
• 1:01:35
  Speaker 3: did I accidentally buy something? I'm like on the verge
• 1:01:38
  Speaker 3: of checking my bank records, like to make sure I
• 1:01:40
  Speaker 3: didn't mess up or anything. And inside the box was
• 1:01:43
  Speaker 3: a note from Mike and deb over at the movie
• 1:01:46
  Speaker 3: room that basically said, you know, happy birthday. We know
• 1:01:50
  Speaker 3: you've been wanting this. We know you're gonna enjoy and
• 1:01:53
  Speaker 3: you're gonna love it. And I have to tell you, guys,
• 1:01:55
  Speaker 3: when it comes to gifts, I will cry right.
• 1:01:58
  Speaker 4: I don't.
• 1:02:00
  Speaker 3: I'm not someone who's used to getting stuff. When people
• 1:02:03
  Speaker 3: do give me stuff, even my wife, I want to
• 1:02:06
  Speaker 3: break down because I'm just so appreciative that somebody would
• 1:02:09
  Speaker 3: even think of, like, oh, here's something I know that
• 1:02:12
  Speaker 3: you want, and I'll give it to you.
• 1:02:15
  Speaker 4: The Movie Room sent me the Curson Michael Hennikey said.
• 1:02:23
  Speaker 5: Damn tell him it was my birthday, dude.
• 1:02:28
  Speaker 4: We should have say birthday.
• 1:02:29
  Speaker 3: We should have said this is my first curzon in release.
• 1:02:39
  Speaker 3: Holy shit, dude, this thing is incredible. Like I love
• 1:02:47
  Speaker 3: the texture of the outside of the box, the attention
• 1:02:51
  Speaker 3: to detail. I mean, you want to talk about physical
• 1:02:56
  Speaker 3: media is education? This right here is film school in
• 1:03:02
  Speaker 3: a box. Like I've only seen two Michael Hanneke films.
• 1:03:06
  Speaker 3: I've seen The Piano Teacher, and I've seen the US
• 1:03:08
  Speaker 3: Funny Games. But he's somebody who almost like Bergmann is
• 1:03:13
  Speaker 3: kind of like the like, one day I will muster
• 1:03:17
  Speaker 3: up the strength to like work my way through and learn.
• 1:03:22
  Speaker 3: I am so excited to have this thing. Man like commentaries,
• 1:03:27
  Speaker 3: new interviews.
• 1:03:29
  Speaker 4: This thing is loathed to guild.
• 1:03:31
  Speaker 3: The booklet just speechless, speechless on a podcast, which is
• 1:03:38
  Speaker 3: you know, perfect the way to be?
• 1:03:40
  Speaker 4: Are you guys Michael Hannekee fans.
• 1:03:45
  Speaker 1: Well, uh hmm, I hadn't seen very many Handikee films either,
• 1:03:50
  Speaker 1: and I'm I was in the same boat as as
• 1:03:51
  Speaker 1: Chris and Michael and Deb Actually know they didn't send
• 1:03:54
  Speaker 1: it to me, but.
• 1:03:56
  Speaker 4: Shorge's birthday.
• 1:03:59
  Speaker 1: Now, I do you have that set though? That actually
• 1:04:02
  Speaker 1: it was a review copy, so I do have to
• 1:04:05
  Speaker 1: dive into is That's going to be a while, But
• 1:04:07
  Speaker 1: that was my introduction to Hannikey was through that. I
• 1:04:10
  Speaker 1: watched the original Happy Games, Funny Funny Game. I keep saying,
• 1:04:16
  Speaker 1: Happy funny Games, Game, funny Games, and wow, that movie
• 1:04:23
  Speaker 1: is is pretty good. I do enjoy it, but that
• 1:04:28
  Speaker 1: that's really the only Handikey film that I have personally
• 1:04:30
  Speaker 1: seen is the original Funny Games. It's funny enough. Piano
• 1:04:34
  Speaker 1: Teacher was the next one I planned to watch out
• 1:04:36
  Speaker 1: of that set.
• 1:04:37
  Speaker 4: Yeah, yeah, Ryan, what about you?
• 1:04:40
  Speaker 5: I've seen slightly more, Hannica. I've seen four, I think,
• 1:04:45
  Speaker 5: and I think two of them are funny Games. I
• 1:04:49
  Speaker 5: think the US Funny Games was my intro and immediately
• 1:04:53
  Speaker 5: went to find a copy of it. Found that it's
• 1:04:55
  Speaker 5: not super easy to get in the US, so I
• 1:04:57
  Speaker 5: went and found the original from Criteria and watched that
• 1:04:59
  Speaker 5: immediately loved it, just the same seen Seeing the Piano Teacher,
• 1:05:05
  Speaker 5: seen one more. I'm not remembering offhand. I went the
• 1:05:09
  Speaker 5: other route. I actually have the Umbrella release of that one,
• 1:05:12
  Speaker 5: and I do wish it had the US Funny Games
• 1:05:16
  Speaker 5: in HD in there. But it's kind of crazy because
• 1:05:20
  Speaker 5: we have two very closely in quality competing releases here.
• 1:05:26
  Speaker 5: The Umbrellas was cheaper, it was missing one film, but
• 1:05:30
  Speaker 5: they both have a litany of exclusive special features, one
• 1:05:33
  Speaker 5: compared to the other one. And honestly, no matter which
• 1:05:37
  Speaker 5: way you go here, you're you're kind of winning. Both
• 1:05:39
  Speaker 5: of these are really great, great choices.
• 1:05:42
  Speaker 3: Yeah, yeah, this one was on the Movie Room's website.
• 1:05:44
  Speaker 3: It's one ninety nine and I talked about in the intro.
• 1:05:50
  Speaker 3: But code bear to ten gets you ten percent off,
• 1:05:52
  Speaker 3: so twenty bucks, you know, let's say, take off of it.
• 1:05:56
  Speaker 3: It was I was going to buy it. I actually
• 1:05:59
  Speaker 3: had them put it on hold for me. But sometimes
• 1:06:02
  Speaker 3: it's really hard to just find two hundred dollars, you know,
• 1:06:05
  Speaker 3: laying around, which is why there's always yeah, which is
• 1:06:08
  Speaker 3: why there's a lot of stuff I don't have. Like
• 1:06:12
  Speaker 3: I still hate the fact that I was holding the
• 1:06:15
  Speaker 3: Criterion Bergmann set in a used media store and it
• 1:06:19
  Speaker 3: was one hundred dollars and I passed up on it. Okay,
• 1:06:23
  Speaker 3: so you know, I know it goes for like one
• 1:06:25
  Speaker 3: forty during the you know, I mean, or one during
• 1:06:28
  Speaker 3: the half off sale. But still, you know, for that price,
• 1:06:30
  Speaker 3: I probably should have it was brand new, I mean,
• 1:06:33
  Speaker 3: you know, but yeah, it's you know, I think Ryan,
• 1:06:40
  Speaker 3: we talked before about how I've been getting into Criterion Channel,
• 1:06:46
  Speaker 3: which you know clearly we're talking physical media, so I
• 1:06:48
  Speaker 3: hate to be like, hey, streaming Criterion Channel has opened
• 1:06:53
  Speaker 3: up so many avenues for me to watch things that
• 1:06:56
  Speaker 3: I don't have to put out ridiculous money to buy
• 1:06:58
  Speaker 3: it on physical media, to take it chance with.
• 1:07:01
  Speaker 4: Yeah, you know.
• 1:07:02
  Speaker 3: I watched John Wu's The Killer on Criterion Channel, was
• 1:07:05
  Speaker 3: part of their new John Wu collection curation that went up,
• 1:07:09
  Speaker 3: and I loved it, Like, to me, probably my favorite
• 1:07:14
  Speaker 3: John Wu film. I'm still not going to pay the
• 1:07:17
  Speaker 3: sixty dollars for the Shout one yet, but you know,
• 1:07:20
  Speaker 3: that's that's on the list. I know they always have
• 1:07:24
  Speaker 3: a bunch of how do you say, is it hannikah?
• 1:07:27
  Speaker 5: That's how I've always heard it yet.
• 1:07:28
  Speaker 3: Okay, Okay, they have a bunch of Hannika on there,
• 1:07:32
  Speaker 3: so it kind of allows me to dabble in different
• 1:07:35
  Speaker 3: things without having to pay or take a risk on
• 1:07:38
  Speaker 3: it in a different way. But I do know I've
• 1:07:42
  Speaker 3: done some research, like just kind of went on YouTube
• 1:07:46
  Speaker 3: and looked up like, you know, Hannikey filmography, and some
• 1:07:49
  Speaker 3: people kind of talk about it. And I know Keith
• 1:07:53
  Speaker 3: over in our group chat High Volume Video, he pretty
• 1:07:57
  Speaker 3: much told us that every single movie he has the
• 1:08:00
  Speaker 3: umbrella release and he's trying to make his way through it.
• 1:08:03
  Speaker 3: He's like, but dude, I'm so depressed after every single movie.
• 1:08:06
  Speaker 4: It's hard to muster up the strength to just throw
• 1:08:10
  Speaker 4: one another one.
• 1:08:12
  Speaker 5: Well, and it's like that for lots of these box sets,
• 1:08:15
  Speaker 5: And I kind of felt it when you were talking
• 1:08:17
  Speaker 5: about Black Emmanuel earlier. There's so many of these that
• 1:08:19
  Speaker 5: are not They're not made for binging, like somebody's filmography
• 1:08:24
  Speaker 5: took a lifetime to make. It's not something that is
• 1:08:28
  Speaker 5: meant to be played in a series of two weeks
• 1:08:30
  Speaker 5: so that you can put a quick review up on YouTube,
• 1:08:32
  Speaker 5: Like these are meant to hang over your head for
• 1:08:34
  Speaker 5: a few days. These are meant to live with you
• 1:08:37
  Speaker 5: and haunt you for a couple of months while you go, well, shit, yeah,
• 1:08:41
  Speaker 5: the choices that he made that movie killed that woman
• 1:08:43
  Speaker 5: or whatever, Like, there's a lot in these that are
• 1:08:45
  Speaker 5: deeper than that and Black Emmanuel, You're not meant to
• 1:08:48
  Speaker 5: watch eighteen of those movies in the span of three
• 1:08:51
  Speaker 5: weeks and go what did I just do with my life?
• 1:08:55
  Speaker 4: I don't know if I can.
• 1:08:57
  Speaker 3: I remember diving in it that set, and when I
• 1:08:59
  Speaker 3: got to and Manuel in the Last Cannibals, that's when
• 1:09:02
  Speaker 3: I was like, whoa, I got it.
• 1:09:04
  Speaker 4: I need a break, like I need to chill out.
• 1:09:09
  Speaker 3: It really like takes a toll on you eventually. Yeah,
• 1:09:13
  Speaker 3: I mean the box sets are really hard, and I'm
• 1:09:17
  Speaker 3: very excited for you.
• 1:09:18
  Speaker 1: Guys.
• 1:09:18
  Speaker 3: Know, I love Severn. I think actually, Ryan, you called
• 1:09:22
  Speaker 3: me a Severn fanboy. Uh in one interaction that you
• 1:09:26
  Speaker 3: sent to me with somebody from Severn. I was like, yep,
• 1:09:28
  Speaker 3: I don't know if that's a good thing or.
• 1:09:30
  Speaker 4: A bad thing, but.
• 1:09:33
  Speaker 3: Very excited for the probably gonna put you in the
• 1:09:37
  Speaker 3: name the Extra Sismo box set, Very very excited for that,
• 1:09:43
  Speaker 3: very excited for the Right the Manuel box set, the
• 1:09:46
  Speaker 3: New Saga Erotica box set. But it's so intimidating to
• 1:09:52
  Speaker 3: get into because you're just opening up a can of
• 1:09:55
  Speaker 3: worms and you really have to figure out how to
• 1:09:58
  Speaker 3: get through it all and how to make make sure
• 1:10:00
  Speaker 3: you sit back.
• 1:10:01
  Speaker 4: And that's why I.
• 1:10:02
  Speaker 3: Never I can't watch something and then immediately go on
• 1:10:07
  Speaker 3: letterbox and talk about it, because you gotta let things soak,
• 1:10:10
  Speaker 3: you know. So it wasn't on physical But today I
• 1:10:16
  Speaker 3: watched the new I Know What You Did Last Summer?
• 1:10:21
  Speaker 5: How do you?
• 1:10:22
  Speaker 3: I know Jordan doesn't like that movie? I didn't like it, right, Ryan?
• 1:10:26
  Speaker 3: Did you see it in theaters?
• 1:10:27
  Speaker 5: I did see it. I was entertained, but thought it
• 1:10:31
  Speaker 5: was by far one of the worst movies of the year.
• 1:10:34
  Speaker 3: Okay, okay, okay, yeah, I all right. My thoughts are
• 1:10:39
  Speaker 3: so mixed. I don't know how to say it. I
• 1:10:42
  Speaker 3: am not a fan of any of these movies. I'm
• 1:10:45
  Speaker 3: not an original I Know You Did Last Summer fan.
• 1:10:47
  Speaker 3: I was more of an urban legend scream you know kids,
• 1:10:51
  Speaker 3: So I was exposed to very late. I watched I
• 1:10:55
  Speaker 3: Still Know What You Did Last Summer. I was like, God,
• 1:10:57
  Speaker 3: this is like hot garbage, Like we've really went over
• 1:11:00
  Speaker 3: and you know, and then attempted to watch I'll Always Know, and.
• 1:11:04
  Speaker 4: I was like, whoa, We're like really over it now.
• 1:11:10
  Speaker 3: So going into this new one, clearly I did not
• 1:11:13
  Speaker 3: have very high, you know, expectations. But my wife watched
• 1:11:18
  Speaker 3: it last night while I was at work, and she
• 1:11:21
  Speaker 3: was like, hey, you know, I didn't mind it, you
• 1:11:23
  Speaker 3: should watch it. So I threw it on this morning
• 1:11:26
  Speaker 3: and was entertained by it. Like you said, Ryan, I
• 1:11:31
  Speaker 3: think that there's some merit there. I think it's well directed.
• 1:11:33
  Speaker 4: It looks good. Some of the kill scenes are gruesome,
• 1:11:38
  Speaker 4: the dialogue is awful.
• 1:11:42
  Speaker 3: Like, clearly they're trying to appeal to a generation younger
• 1:11:47
  Speaker 3: than me, because in the first ten minutes.
• 1:11:49
  Speaker 4: Of movie they say Queen, they use Daddy, they say Sleigh.
• 1:11:54
  Speaker 3: One character goes, oh, yeah, that book is fire. I'm like,
• 1:11:57
  Speaker 3: what is this? This this a movie? Like, I don't know
• 1:12:00
  Speaker 3: what I'm watching. So when a movie was over, which,
• 1:12:04
  Speaker 3: by the way, that nearly two hour movie took me
• 1:12:08
  Speaker 3: four hours to watch, it felt like because it just
• 1:12:10
  Speaker 3: kept going and going and going. I'm like, this is
• 1:12:13
  Speaker 3: the longest movie I've ever seen in my life. As
• 1:12:18
  Speaker 3: soon as it was over, I went to my wife,
• 1:12:20
  Speaker 3: and I was like, that was stupid, you know, like
• 1:12:23
  Speaker 3: that was dumb. And then I sat there and I
• 1:12:26
  Speaker 3: was kind of playing on my phone. I was thinking
• 1:12:28
  Speaker 3: and I was thinking, and then I came back to
• 1:12:31
  Speaker 3: my wife and I was like, I was like, you know,
• 1:12:33
  Speaker 3: that's probably the most entertained I've been watching one of
• 1:12:36
  Speaker 3: these movies. Like I'd like one of the I know
• 1:12:37
  Speaker 3: what you did Last Summer movies, and now I'm kind
• 1:12:40
  Speaker 3: of like, I think it's my favorite of that franchise,
• 1:12:44
  Speaker 3: but like a franchise where the best one is like
• 1:12:46
  Speaker 3: a two point five out of five, you know, So
• 1:12:53
  Speaker 3: that that's kind of what happens sometimes when you let
• 1:12:55
  Speaker 3: things just sit and you just kind of let it,
• 1:12:59
  Speaker 3: you know, you think about it. Yeah, my god, I
• 1:13:02
  Speaker 3: didn't hate that as much as I thought, oh my god.
• 1:13:05
  Speaker 3: So yeah, that's why I know we did Last Summer's Story,
• 1:13:08
  Speaker 3: which fuck everything about most.
• 1:13:11
  Speaker 1: Of that movie though, like it's real bad dude, it's
• 1:13:14
  Speaker 1: not good, not good.
• 1:13:17
  Speaker 4: Take away this, listen, bro, I think I said in
• 1:13:21
  Speaker 4: my letterbox notes. I think I said like or no.
• 1:13:24
  Speaker 3: On Instagram, I think I said, like, if you take
• 1:13:26
  Speaker 3: away the dialogue, take away the legacy characters, take away
• 1:13:29
  Speaker 3: the final twist.
• 1:13:30
  Speaker 4: There's there's some right there.
• 1:13:32
  Speaker 5: I thought, No, the plot itself is ruined from the
• 1:13:35
  Speaker 5: very beginning, like they give away who the quote killer
• 1:13:38
  Speaker 5: is very early. But also the worst part about this
• 1:13:41
  Speaker 5: film is that there's no stakes the whole original situation.
• 1:13:45
  Speaker 5: They didn't kill anybody like the original movie. There was
• 1:13:48
  Speaker 5: nothing to hide, They didn't do anything that they needed
• 1:13:51
  Speaker 5: to worry about. Probably stupid.
• 1:13:53
  Speaker 3: I didn't give a shit about anybody, and that there
• 1:13:55
  Speaker 3: was not a single no character felt real enough for
• 1:13:58
  Speaker 3: me to care about. This situation didn't feel real enough
• 1:14:01
  Speaker 3: for me to care about. Like I'm like, wait all
• 1:14:04
  Speaker 3: of this because he's still in the road and a
• 1:14:06
  Speaker 3: truck turned its headlights on late and then drove off
• 1:14:08
  Speaker 3: the road, and now it's like we're back to the
• 1:14:10
  Speaker 3: original I'm.
• 1:14:11
  Speaker 4: Like, what is the original cast even doing in this?
• 1:14:13
  Speaker 5: Like they what are they?
• 1:14:16
  Speaker 1: Like?
• 1:14:17
  Speaker 3: None of it was, you know, but like I had
• 1:14:19
  Speaker 3: these very surface level, this very surface level fun with it.
• 1:14:25
  Speaker 3: But it's kind of like scream I in the past,
• 1:14:29
  Speaker 3: excuse me in the past year. I'm gonna thank Kevin Williamson,
• 1:14:33
  Speaker 3: who I've never spoken to in my life. But Ashley
• 1:14:36
  Speaker 3: Collins wrote an incredible kind of retrospective behind the scenes
• 1:14:40
  Speaker 3: on the screen franchise called your favorite Scary movie and
• 1:14:44
  Speaker 3: it was incredible read and Kevin Williamson in there says
• 1:14:47
  Speaker 3: that Scream six is his favorite Scream movie besides the original.
• 1:14:52
  Speaker 3: And I thought, ballzy, what an interesting choice. And then
• 1:14:57
  Speaker 3: I rewat.
• 1:14:57
  Speaker 5: I thought wrong, but yes, and.
• 1:15:05
  Speaker 4: Then I watched it.
• 1:15:05
  Speaker 3: Again and I was like, I actually kind of agree,
• 1:15:09
  Speaker 3: even though Ryan's gonna tell me I was wrong.
• 1:15:11
  Speaker 4: So I love Scream six.
• 1:15:13
  Speaker 5: It's good. I don't think there is a single bad
• 1:15:15
  Speaker 5: Scream movie. Even Scream three is good. Dude.
• 1:15:18
  Speaker 3: I watched Scream three more as a kid than I
• 1:15:21
  Speaker 3: did the first movie. Like I enjoy Scream three.
• 1:15:24
  Speaker 5: I just wish they went with the original ending where
• 1:15:26
  Speaker 5: it was supposed to be two different characters as the killers,
• 1:15:29
  Speaker 5: because it would have made a lot of that plot
• 1:15:31
  Speaker 5: make a lot more sense.
• 1:15:32
  Speaker 4: Yes, yes, it would have. It would have.
• 1:15:35
  Speaker 3: I want to bring something up to you guys. I
• 1:15:37
  Speaker 3: know I asked you guys to kind of bring four
• 1:15:41
  Speaker 3: titles that you've been watching, but I kind of because
• 1:15:43
  Speaker 3: I have Jordan, who's heavily involved on the YouTube side
• 1:15:48
  Speaker 3: of things, and Ryan, because I have you, which you
• 1:15:49
  Speaker 3: know I always have you, but now I can see
• 1:15:51
  Speaker 3: you and we're live, so you know, I can take
• 1:15:54
  Speaker 3: advantage of this. We're going into twenty twenty six, more
• 1:16:02
  Speaker 3: and more, there's more people on YouTube talking physical media.
• 1:16:05
  Speaker 3: They're popping up on my YouTube all the time. I
• 1:16:08
  Speaker 3: watch them. You know, I guess the conversation that I
• 1:16:15
  Speaker 3: want to have is more what we can do as
• 1:16:19
  Speaker 3: a community next year to continue driving everything in a
• 1:16:25
  Speaker 3: positive way, because over the last this past year, for
• 1:16:32
  Speaker 3: as many great things have happened in this industry that
• 1:16:35
  Speaker 3: we all love and that we put so much money into,
• 1:16:37
  Speaker 3: I feel like there's been just as much bullshit coming
• 1:16:40
  Speaker 3: from the community side of things, as far as like
• 1:16:43
  Speaker 3: how we treat news or how we treat rumors, or
• 1:16:48
  Speaker 3: how we treat each other for the things that we
• 1:16:50
  Speaker 3: like or the things we don't like, or the shit
• 1:16:53
  Speaker 3: that we give labels or whatever the chance am I
• 1:16:57
  Speaker 3: like in left field here or you guys feel this too.
• 1:17:01
  Speaker 1: I mean I see it, and I see it. I
• 1:17:03
  Speaker 1: mean I'm not naming names or anything, but I definitely
• 1:17:06
  Speaker 1: I see it out there, and I see certain certain
• 1:17:10
  Speaker 1: channels like to capitalize on that sort of stuff. I'm
• 1:17:15
  Speaker 1: not a fan of it. I know, Chris, you personally
• 1:17:18
  Speaker 1: know what I'm talking about. Yeah, I agree. I think
• 1:17:24
  Speaker 1: it's out there, and I think it's a way for
• 1:17:26
  Speaker 1: people and these YouTubers to garner clicks. I think that's
• 1:17:29
  Speaker 1: the biggest the reason they do it.
• 1:17:33
  Speaker 3: Yeah, Ryan, what about I know you're not in the
• 1:17:35
  Speaker 3: YouTube space like that, but I know you're very passionate
• 1:17:38
  Speaker 3: about this, and I'm just wondering if you have seen
• 1:17:42
  Speaker 3: from your perspective the same thing that I'm kind of mentioning.
• 1:17:47
  Speaker 5: I don't think you're going far enough here. This is
• 1:17:51
  Speaker 5: one of the things I'm quite upset about very often,
• 1:17:55
  Speaker 5: and this week is kind of the perfect example of it.
• 1:17:59
  Speaker 5: I will just say right now, if you are a
• 1:18:02
  Speaker 5: YouTuber that has put out a video in the last
• 1:18:04
  Speaker 5: three days with a logo from screen Factory, a YouTube
• 1:18:07
  Speaker 5: face thumbnail and a question of closing shop or shutting
• 1:18:12
  Speaker 5: down or out of business or whatever, you are harming
• 1:18:16
  Speaker 5: everything about physic physical media and the people that are
• 1:18:19
  Speaker 5: following you for drama. Clicks are an embarrassment to this community.
• 1:18:24
  Speaker 5: I have so many worse things that I felt in
• 1:18:26
  Speaker 5: the last year and could say, but a lot of
• 1:18:28
  Speaker 5: it is just stuff that I should keep to myself,
• 1:18:31
  Speaker 5: so I will, but I will say the main reason
• 1:18:34
  Speaker 5: that I'm only doing a live video on YouTube once
• 1:18:37
  Speaker 5: a week and then putting up my interviews is because
• 1:18:39
  Speaker 5: of the terrible reputation that so many other creators in
• 1:18:44
  Speaker 5: the space have given to this space and the amount
• 1:18:48
  Speaker 5: of drama that they want to stir up so that
• 1:18:51
  Speaker 5: they can get their ten thousand clicks in the first
• 1:18:53
  Speaker 5: three hours, so that they make their money. And I've
• 1:18:56
  Speaker 5: never been about that. I will always be a small creator,
• 1:18:59
  Speaker 5: if I even stay a creator for all that long,
• 1:19:02
  Speaker 5: I am just like third hand embarrassment for what you're doing.
• 1:19:08
  Speaker 5: I don't understand how you go to sleep at night
• 1:19:10
  Speaker 5: feeling good about that. And it's not to sound condescending
• 1:19:13
  Speaker 5: or high and mighty or anything like that, but it's
• 1:19:16
  Speaker 5: this is like actual art that we're all talking about loving,
• 1:19:20
  Speaker 5: and you're spending your time like getting people riled up
• 1:19:25
  Speaker 5: over something that if you spend twelve seconds googling, you
• 1:19:28
  Speaker 5: never would have even needed to make the video and
• 1:19:31
  Speaker 5: it all would have been fine, and everybody would have
• 1:19:33
  Speaker 5: been cool, just living their normal life. That's not what
• 1:19:37
  Speaker 5: you wanted. You wanted to make your money for the day,
• 1:19:39
  Speaker 5: and congrats you did, and your fan base is there,
• 1:19:42
  Speaker 5: But man, I just for me, that's not a fan
• 1:19:45
  Speaker 5: base that I would ever want to have.
• 1:19:48
  Speaker 3: Well, I think a lot of people try to pass
• 1:19:50
  Speaker 3: it on as a source of Like, I'm not making
• 1:19:56
  Speaker 3: this video for clicks. I'm making this video because I
• 1:19:58
  Speaker 3: want to educate my audience on what's happening. But the
• 1:20:01
  Speaker 3: way that you present that and talking about things in
• 1:20:04
  Speaker 3: the way that you are is actually doing the It's
• 1:20:07
  Speaker 3: benefiting you because you're hitting the hot topic, you know.
• 1:20:11
  Speaker 5: And what are what are you educating? You're educating with
• 1:20:13
  Speaker 5: bad information of which you literally have no source, or
• 1:20:17
  Speaker 5: you're literally making up a source in a live video.
• 1:20:21
  Speaker 5: And we've seen that this year and now everybody's going
• 1:20:23
  Speaker 5: to know who I'm talking about. But like it's a
• 1:20:25
  Speaker 5: joke that this is happening. You are harming everything about
• 1:20:30
  Speaker 5: this industry and literally getting people riled up over something
• 1:20:34
  Speaker 5: that didn't exist. How embarrassing for you? Yeah?
• 1:20:38
  Speaker 3: Yeah, Well, I want to frame this podcast episode as
• 1:20:42
  Speaker 3: obviously talk about pickups, but I also want to frame
• 1:20:44
  Speaker 3: this is kind of around a what can we do
• 1:20:47
  Speaker 3: to be better? You know, in the next year at
• 1:20:49
  Speaker 3: least and I know, you know, we average I don't know,
• 1:20:53
  Speaker 3: a couple hundred views or a couple one hundred listens
• 1:20:56
  Speaker 3: an episode, as far as like metrics that I can track,
• 1:20:59
  Speaker 3: and I hope that we can reach somebody who maybe
• 1:21:02
  Speaker 3: has been spreading some false info or jumping on things
• 1:21:06
  Speaker 3: to get attention or doing things. I'm hoping that we
• 1:21:08
  Speaker 3: reach somebody and kind of maybe get in their head
• 1:21:11
  Speaker 3: that like, hey, maybe you should not do that. Because
• 1:21:16
  Speaker 3: I'm very very passionate about this, and I know in
• 1:21:19
  Speaker 3: the group chat Jordan, I actually sometimes feel bad for
• 1:21:25
  Speaker 3: how I react to things, because I will react very
• 1:21:31
  Speaker 3: hastily and angrily about something I don't agree with that's
• 1:21:35
  Speaker 3: happening in the space, and because I know it's what
• 1:21:39
  Speaker 3: it's hurting, and I know why people are doing it,
• 1:21:43
  Speaker 3: like you're doing it for clicks, You're doing it for
• 1:21:46
  Speaker 3: the attention. And sometimes I feel bad because I feel
• 1:21:50
  Speaker 3: like my reactions.
• 1:21:50
  Speaker 4: Are so hasty. But I actually feel better knowing that Ryan,
• 1:21:54
  Speaker 4: you said I didn't go far enough in what I
• 1:21:58
  Speaker 4: was saying.
• 1:22:00
  Speaker 1: I think we need to let Ryan off the leash
• 1:22:01
  Speaker 1: a little now.
• 1:22:03
  Speaker 4: I don't want it to be you know, I clearly
• 1:22:10
  Speaker 4: don't want to be a call outside. I don't want
• 1:22:12
  Speaker 4: any of that. I just want to how do we?
• 1:22:15
  Speaker 4: How do we?
• 1:22:16
  Speaker 3: So like we have three different representatives here of of
• 1:22:20
  Speaker 3: the space. You know, Jordan, you're on YouTube, right, that's
• 1:22:22
  Speaker 3: what you do. Ryan, You're on product. You're on the
• 1:22:25
  Speaker 3: production side. You know, you're very much insider side of it,
• 1:22:29
  Speaker 3: but still social media forward with the Reconnected show and
• 1:22:33
  Speaker 3: everything that you do on the Disconnected page even though
• 1:22:35
  Speaker 3: you kind of high like you're not the face of it.
• 1:22:37
  Speaker 3: That disconnected is known as disconnected. And then I kind
• 1:22:41
  Speaker 3: of find myself in the middle where like I'm lucky
• 1:22:44
  Speaker 3: enough to to have garnered a bit of an insta
• 1:22:48
  Speaker 3: like a bit of a social media following and a
• 1:22:50
  Speaker 3: bit of uh spread on platforms, through podcasts and through
• 1:22:54
  Speaker 3: like old YouTube videos and stuff, and you know, amazed,
• 1:22:59
  Speaker 3: like such incredible, Like Ryan, you were on Jake's podcast
• 1:23:04
  Speaker 3: your book Obsessed.
• 1:23:05
  Speaker 4: You know that guy.
• 1:23:06
  Speaker 3: I love what he does, man, I was just talking
• 1:23:08
  Speaker 3: to him today. Love what he does. He's a guy
• 1:23:12
  Speaker 3: that I root for, you know what I mean. I
• 1:23:14
  Speaker 3: want to see him do great. I know that he
• 1:23:16
  Speaker 3: can positively impact in all ways. He does every time.
• 1:23:21
  Speaker 3: His stuff's very positive He shines a great light on
• 1:23:24
  Speaker 3: the companies that work with him, love what he does.
• 1:23:27
  Speaker 3: But for every Jake, actually for one Jake, there's ten
• 1:23:32
  Speaker 3: that get that attention but don't use it the way
• 1:23:35
  Speaker 3: that he does.
• 1:23:37
  Speaker 5: Can you name those ten just so we can get.
• 1:23:42
  Speaker 4: We're gonna start rattling them off. I'm going my YouTube
• 1:23:44
  Speaker 4: real quick. Hold on yah on a bunch of different fronts,
• 1:23:50
  Speaker 4: right one. I like we so weird.
• 1:23:55
  Speaker 3: He talked about it, like, you know, I think review
• 1:23:59
  Speaker 3: culture kind of hurts more things than the benefits. And uh,
• 1:24:03
  Speaker 3: I think because there's never enough time given to fully
• 1:24:09
  Speaker 3: If I was to say, hey, I'm gonna review this
• 1:24:12
  Speaker 3: hennicky set, do you just get through me six months?
• 1:24:15
  Speaker 3: And by the time that six months is done, they're
• 1:24:17
  Speaker 3: gonna be announcing four hays of these guys and like nobody's
• 1:24:20
  Speaker 3: gonna give a shit, you know what I mean, Like
• 1:24:23
  Speaker 3: like nobody's gonna care, or like, how do you sit down?
• 1:24:27
  Speaker 5: Jordan?
• 1:24:28
  Speaker 3: You and I talked about you doing that. You were
• 1:24:30
  Speaker 3: you were collecting the Hammer line, the new line they're
• 1:24:33
  Speaker 3: putting out those super deluxe editions. How somebody twenty four
• 1:24:38
  Speaker 3: hours after those land at a doorstep. How somebody puts up.
• 1:24:41
  Speaker 1: A review of those you you can't.
• 1:24:43
  Speaker 4: You can't.
• 1:24:44
  Speaker 5: How do you do that?
• 1:24:45
  Speaker 4: You can't?
• 1:24:45
  Speaker 1: Well to do to do a thorough and honest review
• 1:24:48
  Speaker 1: of how your thoughts are you?
• 1:24:51
  Speaker 5: You?
• 1:24:51
  Speaker 1: Really, it's hard to do that. And unless look, unless
• 1:24:54
  Speaker 1: you don't do anything except set and don't go to
• 1:24:59
  Speaker 1: the baroom, you don't eat, and you just sit and
• 1:25:02
  Speaker 1: watch it for forty eight hours straight. Maybe, but even
• 1:25:06
  Speaker 1: then you're not letting things digest. You're not. I mean
• 1:25:11
  Speaker 1: even I've done this before too, when I had to
• 1:25:14
  Speaker 1: do a review of a title. I'll even sometimes to
• 1:25:18
  Speaker 1: do that review, I'll go other sources as well, right,
• 1:25:21
  Speaker 1: not just out of at least just to get a
• 1:25:23
  Speaker 1: whole complete understanding of the film, but to answer your question,
• 1:25:33
  Speaker 1: to do a good if you're gonna do a review
• 1:25:35
  Speaker 1: of a film like like I have this one here,
• 1:25:37
  Speaker 1: the Curse of Frankenstein, which an amazing release from Hammer.
• 1:25:41
  Speaker 1: I think what Hammer's doing is is like an encyclopedia
• 1:25:45
  Speaker 1: of each of their releases. I think it's incredible. But
• 1:25:48
  Speaker 1: to be able to get this like say I got
• 1:25:51
  Speaker 1: this tonight, I watched it and review comes up the
• 1:25:53
  Speaker 1: next the next day. Well, one if you watch those
• 1:25:57
  Speaker 1: nine times out of ten, they're just talking about the
• 1:25:59
  Speaker 1: film and that's I mean, and what they liked. But
• 1:26:03
  Speaker 1: they they're not talking about the audio comic Chary that
• 1:26:06
  Speaker 1: it comes in. They're not talking about hey hammer got
• 1:26:09
  Speaker 1: uh you know, the three new special features or even
• 1:26:12
  Speaker 1: within the Mount of Madness, they they brought back some
• 1:26:15
  Speaker 1: of the producers, they brought back the actor who played
• 1:26:18
  Speaker 1: Cedar Kane, what they talked about, their experiences and all
• 1:26:22
  Speaker 1: the old how all the old Screen Factory special features
• 1:26:24
  Speaker 1: came back and rewatched those even if you had the
• 1:26:26
  Speaker 1: old in the Mount of Madness. So you're not getting
• 1:26:28
  Speaker 1: that a lot, it seems like, and I noticed this
• 1:26:31
  Speaker 1: with YouTube. It's a very quick turnaround and they try
• 1:26:35
  Speaker 1: and it's we talked about it. It's to garner clicks.
• 1:26:37
  Speaker 1: They want to stay relevant. And uh, I don't think
• 1:26:41
  Speaker 1: these films as much blood, sweat and tears as these
• 1:26:45
  Speaker 1: uh the the uh people who wrote and direct the film,
• 1:26:48
  Speaker 1: the people who curated all these stuff to put these
• 1:26:50
  Speaker 1: releases together. You're not giving them the time of day.
• 1:26:53
  Speaker 1: And I think the respect that these these people, all
• 1:26:56
  Speaker 1: these people that were involved in these releases, the credit
• 1:26:59
  Speaker 1: they deserve because like I think Ryan has talked about
• 1:27:03
  Speaker 1: there's audio commentaries that you have put together that back
• 1:27:07
  Speaker 1: would you say twenty eighteen?
• 1:27:10
  Speaker 5: That might three?
• 1:27:11
  Speaker 1: Oh okay, see I'm over, but still my you know,
• 1:27:15
  Speaker 1: my stamous little stands that I just it's unfortunate and
• 1:27:19
  Speaker 1: I see it all the time, and I've talked to
• 1:27:21
  Speaker 1: my wife and it makes me mad. And it's funny
• 1:27:26
  Speaker 1: because I can sometimes get her going too about the
• 1:27:28
  Speaker 1: same topic and she's not even in the you'll watch
• 1:27:31
  Speaker 1: movies like that, she doesn't even end the YouTube space,
• 1:27:34
  Speaker 1: and but she notices it, and it irritates her because
• 1:27:39
  Speaker 1: she'll see I will dive into something days and days
• 1:27:45
  Speaker 1: at a time, just researching, studying. I feel like I'm
• 1:27:48
  Speaker 1: ready to do a video and I put it up.
• 1:27:50
  Speaker 1: Someone else put it up, you know, watched it one
• 1:27:53
  Speaker 1: time and they got these massive amount of clicks, and
• 1:27:56
  Speaker 1: she's like, you know, it irritates her. You know, hey,
• 1:28:01
  Speaker 1: I'd rather not get those clicks and feel good and
• 1:28:04
  Speaker 1: honest to myself rather than kind of feel fake because
• 1:28:09
  Speaker 1: I've thrown something out there for people to just Okay, next, cool,
• 1:28:14
  Speaker 1: we got that, let's move on. Well that makes any sense.
• 1:28:18
  Speaker 1: I kind of rambled a little bit. But that's that's
• 1:28:19
  Speaker 1: kind of my take on it.
• 1:28:21
  Speaker 4: No, you're good.
• 1:28:21
  Speaker 3: But I think it's also like the expectation. And I
• 1:28:24
  Speaker 3: get it because people can say, hey, there's so much
• 1:28:26
  Speaker 3: coming out studio or these companies are just concerned about
• 1:28:30
  Speaker 3: the numbers that are selling.
• 1:28:31
  Speaker 4: Right.
• 1:28:32
  Speaker 3: So if you have if you have ten thousand subs
• 1:28:35
  Speaker 3: on YouTube, right, and you they send you a copy, right,
• 1:28:39
  Speaker 3: you're exposing that to your following right of ten thousand.
• 1:28:43
  Speaker 3: It doesn't matter if you're doing it by like, hey,
• 1:28:45
  Speaker 3: I watch it. This is the average four K review, right, Yeah,
• 1:28:49
  Speaker 3: the four K looks really good, the movie sharp, it's
• 1:28:52
  Speaker 3: got good grain structure and yeah, good sound. You know,
• 1:28:56
  Speaker 3: my Doby atmost was going because this has at most
• 1:28:59
  Speaker 3: and uh and yeah, that's that is the shortened version
• 1:29:02
  Speaker 3: of most four K reviews that I come across online.
• 1:29:06
  Speaker 3: And then they go they read the back of the box.
• 1:29:08
  Speaker 3: Now it's got all these bonus features. Yeah, I recommend this,
• 1:29:11
  Speaker 3: and companies go, hey, that's good enough. As long as
• 1:29:14
  Speaker 3: your audience of ten thousand saw that, you know, now
• 1:29:18
  Speaker 3: they can.
• 1:29:18
  Speaker 4: Go and buy it.
• 1:29:19
  Speaker 3: But I think companies need to start holding people who
• 1:29:22
  Speaker 3: are getting their releases to a higher standard and you
• 1:29:27
  Speaker 3: put I mean, I don't know, maybe I'm wrong. If
• 1:29:31
  Speaker 3: Severn Severn puts out a release years go into it.
• 1:29:35
  Speaker 3: I mean, we on your show alone, Ryan, you've had
• 1:29:39
  Speaker 3: I forget his name, who was the who does QC?
• 1:29:43
  Speaker 5: Blake Monaghan, Well, he talks about.
• 1:29:46
  Speaker 3: How like weeks and weeks and weeks of analyzing every
• 1:29:51
  Speaker 3: single clickable option on a disc, making.
• 1:29:54
  Speaker 5: People have no clue. Like he just not to swing
• 1:29:57
  Speaker 5: the subject, but just kudos to the people that do
• 1:29:59
  Speaker 5: proper QC. He just had to QC the Kena Laber
• 1:30:02
  Speaker 5: disc that's about to release of the The George Lucas
• 1:30:06
  Speaker 5: Talk Show, which is like just a famous podcast that's
• 1:30:09
  Speaker 5: gotten big, and they got a whole disc for it.
• 1:30:11
  Speaker 5: That thing has thirty audio commentaries. He had to QC
• 1:30:15
  Speaker 5: every single one, not kidding at all.
• 1:30:19
  Speaker 3: So if you're a company owner, right, and you obviously
• 1:30:23
  Speaker 3: Blake got paid for that, right he put in the time,
• 1:30:26
  Speaker 3: you have every other piece of it, artwork, manufacturing, other
• 1:30:30
  Speaker 3: bonus features that were produced and commissioned out and hired
• 1:30:34
  Speaker 3: for great, great packaging, slipcover. You have all this, right,
• 1:30:40
  Speaker 3: and then you release it to the world, and then
• 1:30:42
  Speaker 3: you got some guy on YouTube going, yeah, looked good.
• 1:30:48
  Speaker 3: I didn't watch any of the bonus features because I
• 1:30:50
  Speaker 3: don't have time and four K hold it held up well,
• 1:30:53
  Speaker 3: and like you mean to tell me that company's okay
• 1:30:56
  Speaker 3: with that, They're going, all right? That was worth me
• 1:30:58
  Speaker 3: giving you my six dollar product for that was I
• 1:31:04
  Speaker 3: don't understand it, man, I genuinely don't, and I don't.
• 1:31:09
  Speaker 3: I don't receive review copies from companies outside the movie room,
• 1:31:12
  Speaker 3: you know they and that's not even coming from an
• 1:31:14
  Speaker 3: independent label. I'm not interested in receiving review copies from
• 1:31:18
  Speaker 3: companies because I know for a fact that it's going
• 1:31:20
  Speaker 3: to take me a lot longer than the time that
• 1:31:24
  Speaker 3: most other people are gonna be able to get it out.
• 1:31:26
  Speaker 3: So I don't want that pressure on me, and me
• 1:31:30
  Speaker 3: as a company owner, I would not be happy with that.
• 1:31:34
  Speaker 4: I wouldn't.
• 1:31:35
  Speaker 3: But I don't know Ryan, if you had any exposure
• 1:31:36
  Speaker 3: hearing anything like that, or if companies are okay with saying, hey,
• 1:31:40
  Speaker 3: we just wanted to be shown.
• 1:31:42
  Speaker 5: Oh. I've heard a lot of things about this, A
• 1:31:45
  Speaker 5: lot of people not not happy with it, a lot
• 1:31:47
  Speaker 5: of people that don't know how to fix it, a
• 1:31:49
  Speaker 5: lot of people that have pulled people off of their
• 1:31:51
  Speaker 5: list from getting free stuff because they just stop reviewing
• 1:31:54
  Speaker 5: copies for like seven months and think that people won't
• 1:31:57
  Speaker 5: notice because there's so much coming out there is I
• 1:32:01
  Speaker 5: don't know, Like you mentioned review culture, I think the
• 1:32:03
  Speaker 5: bigger problem here is the pickup culture that feeds the
• 1:32:07
  Speaker 5: review culture. I mean some many of these people that
• 1:32:09
  Speaker 5: are making literally a living, literally just posting on Instagram
• 1:32:15
  Speaker 5: and Facebook saying, look at the packages I got in today,
• 1:32:18
  Speaker 5: here's how you can buy them, and their Amazon affiliate
• 1:32:21
  Speaker 5: link is there, and they make a pretty decent wage
• 1:32:25
  Speaker 5: that can support like a single person. You can make
• 1:32:29
  Speaker 5: more than the poverty line just from those affiliate links
• 1:32:32
  Speaker 5: for a lot of people. It's wild. I have a
• 1:32:38
  Speaker 5: lot I could say here, but as somebody that has
• 1:32:40
  Speaker 5: been running a production company for a little over two
• 1:32:44
  Speaker 5: years now, I would say, in that amount of time,
• 1:32:47
  Speaker 5: the amount of reviews that have come out that have
• 1:32:50
  Speaker 5: mentioned something that I've appreciated about my special features and
• 1:32:54
  Speaker 5: that could be critical as well. I'm not saying just like, hey,
• 1:32:57
  Speaker 5: you did good, but something actually meaning is less than
• 1:33:01
  Speaker 5: the number of fingers I have on my left hand.
• 1:33:03
  Speaker 5: It is absolutely astonishing how little like I went into
• 1:33:08
  Speaker 5: this thinking that we were gonna be able to share reviews.
• 1:33:11
  Speaker 5: Most of the reviews just mentioned what the special features are.
• 1:33:14
  Speaker 5: What does that mean? People know how to buy the
• 1:33:16
  Speaker 5: disc and look at the stuff themselves. They don't need
• 1:33:19
  Speaker 5: you to say that in a review. That's not a review.
• 1:33:24
  Speaker 1: Most people can read, right, Yeah.
• 1:33:27
  Speaker 3: Yeah, that's I'll be honest with you, bro, not just
• 1:33:30
  Speaker 3: because you're my friend, but like that pisses me off,
• 1:33:32
  Speaker 3: that makes me, That makes me.
• 1:33:35
  Speaker 1: That.
• 1:33:35
  Speaker 3: That's why I don't think I interact with a lot
• 1:33:39
  Speaker 3: of people that do that, because you're not like what
• 1:33:42
  Speaker 3: are you doing? I don't you're not doing much. I
• 1:33:45
  Speaker 3: even questioned sometimes like maybe it's wrong, but I've been questioned.
• 1:33:48
  Speaker 3: I'm like, how did you get to this point? Like
• 1:33:50
  Speaker 3: how did you how did you manage to.
• 1:33:52
  Speaker 4: Get to this this.
• 1:33:54
  Speaker 3: Point in whatever that you do by not talking in
• 1:33:59
  Speaker 3: any sort of good way about anything and not diving
• 1:34:04
  Speaker 3: into anything, not doing any work like people like I've
• 1:34:08
  Speaker 3: talked to people who have been like, yeah, man, I've
• 1:34:10
  Speaker 3: never watched I've never listened to audio commentary in my life.
• 1:34:12
  Speaker 3: I'm like, wait, what you have forty thousand YouTube subs
• 1:34:16
  Speaker 3: for doing reviews and you've never listened to an audio commentary,
• 1:34:20
  Speaker 3: and OK, yeah, people aren't interested in hearing about that.
• 1:34:23
  Speaker 3: I'm like, no, you've just acquired the audience. You've acquired
• 1:34:26
  Speaker 3: the audience that doesn't care about that. I don't know, man, Maybe.
• 1:34:35
  Speaker 4: I don't know. I guess I guess what I'm what
• 1:34:38
  Speaker 4: I'm trying to figure out is like, what can we
• 1:34:40
  Speaker 4: do better?
• 1:34:42
  Speaker 1: You know?
• 1:34:42
  Speaker 4: Next year? Is it?
• 1:34:44
  Speaker 3: How do we begin to make a little bit of
• 1:34:46
  Speaker 3: positive movement in changing the way that this.
• 1:34:50
  Speaker 4: Is brought forward?
• 1:34:51
  Speaker 3: I mean, I know, I did a whole YouTube series
• 1:34:54
  Speaker 3: when Aero released The Inside of the Mind of Coffin
• 1:34:57
  Speaker 3: Joe box Set, where I dove in to every single
• 1:35:01
  Speaker 3: movie in that box at and I did a video
• 1:35:04
  Speaker 3: on it and I talked about all the bonus features.
• 1:35:06
  Speaker 3: I talked about everything, and I got like maybe thirty
• 1:35:13
  Speaker 3: consistent viewers, you know what I mean, because it's such
• 1:35:16
  Speaker 3: a niche thing. And at the time that I did that,
• 1:35:22
  Speaker 3: I was more interested in trying to, I feel like,
• 1:35:24
  Speaker 3: get the attention of Arrow because I was trying to
• 1:35:28
  Speaker 3: go that route of doing reviews and stuff and failedus
• 1:35:32
  Speaker 3: miraculously at it. And meanwhile, thirty people around me managed
• 1:35:39
  Speaker 3: to acquire relationships and all this other stuff. You know
• 1:35:41
  Speaker 3: what I mean by like not doing one tenth of
• 1:35:44
  Speaker 3: what I was putting into it. So I don't know,
• 1:35:48
  Speaker 3: Maybe it's a funny thing. Maybe I'm going off track,
• 1:35:50
  Speaker 3: maybe I'm losing my mind.
• 1:35:52
  Speaker 5: I mean, I've got a response for that, and I
• 1:35:55
  Speaker 5: don't mean to. Like I've said a lot of negative
• 1:35:59
  Speaker 5: things on this episode, I've never planned to. One of
• 1:36:02
  Speaker 5: the things that I would say is in desperate need
• 1:36:05
  Speaker 5: right now is for people to just stop making videos
• 1:36:09
  Speaker 5: about the titles that have been released eighty four times, Like,
• 1:36:12
  Speaker 5: we don't need you to make a special announcement video
• 1:36:15
  Speaker 5: that second Side is putting out Reanimator. Everybody, everybody under
• 1:36:19
  Speaker 5: the goddamn son knows that they're putting out Reanimator. What
• 1:36:23
  Speaker 5: we need is like with Terror Vision, I mean, everybody
• 1:36:27
  Speaker 5: gets excited about, Oh, we're putting out Student Bodies on
• 1:36:30
  Speaker 5: four K. Yeah, that's great. Do you want to know
• 1:36:32
  Speaker 5: why we're putting out Student Bodies on four K? Not
• 1:36:34
  Speaker 5: only is it a good movie, but it's because so
• 1:36:36
  Speaker 5: many people will buy Student Bodies that we can take
• 1:36:39
  Speaker 5: a chance on a couple other smaller movies that nobody
• 1:36:42
  Speaker 5: will buy I mean we put out we put out
• 1:36:45
  Speaker 5: Gushing Prayer earlier this year as part of the Gray
• 1:36:47
  Speaker 5: Face line, a title that I worked on, a title
• 1:36:49
  Speaker 5: that I think is great, and it sold like just shit,
• 1:36:55
  Speaker 5: Like I don't even know. I can't sugarcoat it, like
• 1:36:57
  Speaker 5: nobody bought that movie. And I don't get it, because
• 1:37:02
  Speaker 5: everybody's going insane right now because ooh, Vinegar Syndrome is
• 1:37:05
  Speaker 5: putting out pink films. Sure, and I worked on two
• 1:37:08
  Speaker 5: pink films at DEF, Crocodile and Tevision earlier this year
• 1:37:11
  Speaker 5: that hardly anybody has purchased. So is it literally just
• 1:37:15
  Speaker 5: because it's Vinegar Syndrome? What are we doing? If we
• 1:37:18
  Speaker 5: cover smaller films from smaller labels, you're actually helping in
• 1:37:23
  Speaker 5: a way that will make somebody's like year change. If
• 1:37:28
  Speaker 5: one of these small companies sold one title as well
• 1:37:31
  Speaker 5: as Vinegar Syndrome does, it could pay for like five
• 1:37:36
  Speaker 5: months worth of titles that are coming out. Literally, and
• 1:37:39
  Speaker 5: yet we're getting eighteen hundred videos about the Nightmare on
• 1:37:43
  Speaker 5: Elm Street box set. Why we've all seen all of them.
• 1:37:47
  Speaker 5: We all bought the same box set. We all are
• 1:37:50
  Speaker 5: just drooling over it together. We don't need you to
• 1:37:53
  Speaker 5: tell us, we need somebody to tell us about this
• 1:37:57
  Speaker 5: dreamy Lithuanian musical that somebody's putting out. Like that stuff
• 1:38:00
  Speaker 5: is not getting covered by anyone, So I do.
• 1:38:04
  Speaker 3: Want to set and one hundred percent agree. Sometimes there
• 1:38:08
  Speaker 3: is moments with like because I talked about the Vinegar Syndrome,
• 1:38:11
  Speaker 3: you know pink.
• 1:38:13
  Speaker 4: Right, I I own, I own.
• 1:38:15
  Speaker 3: I think the one pink title that def Crocodile did
• 1:38:17
  Speaker 3: put out, I did, but it was yeah, yeah, which
• 1:38:23
  Speaker 3: I own. I bought, I talked to you guys about it,
• 1:38:26
  Speaker 3: loved it, posted about it. Nobody, No, there was not
• 1:38:30
  Speaker 3: a single person that was like, hey, I love this movie.
• 1:38:32
  Speaker 3: I was like, clearly, you know, nobody knows about this
• 1:38:37
  Speaker 3: that I honestly at the time that I bought that
• 1:38:39
  Speaker 3: had still when I pulled the trigger on that had
• 1:38:42
  Speaker 3: never heard of the term pink films. I only knew
• 1:38:45
  Speaker 3: of that title because of hearing you and Will talk
• 1:38:51
  Speaker 3: about it. So then when I happened to kind of
• 1:38:54
  Speaker 3: start that transition and listening to Sam's podcast, then I
• 1:38:59
  Speaker 3: started hearing it and then I went back and I
• 1:39:01
  Speaker 3: actually have the terror I forget what what's the terrvision title?
• 1:39:05
  Speaker 5: The gushing prayer.
• 1:39:06
  Speaker 3: Gushing prayer. I remember screenshotting that because I was like, hey,
• 1:39:09
  Speaker 3: here's another one that I can get in the future.
• 1:39:12
  Speaker 3: But I do want to say I'm proud with Jordan
• 1:39:16
  Speaker 3: because of you Ryan to own what podcast listens are
• 1:39:19
  Speaker 3: going to be?
• 1:39:19
  Speaker 4: Like, what the hell petroglyph.
• 1:39:22
  Speaker 1: I was wondering if you're I thought that's what you
• 1:39:24
  Speaker 1: went back there to grab.
• 1:39:25
  Speaker 3: Yeah, yeah, uh listen to your interview and bought this
• 1:39:30
  Speaker 3: right away.
• 1:39:31
  Speaker 4: And dude, I'm.
• 1:39:34
  Speaker 3: Shocked nobody has talked about this, like and I went
• 1:39:39
  Speaker 3: into the group chat that we're in and I was like, guys,
• 1:39:43
  Speaker 3: go buy this, like please buy this, and Jordan did.
• 1:39:47
  Speaker 3: I don't know if anybody else did, but I know
• 1:39:48
  Speaker 3: for a fact that Jordan did.
• 1:39:49
  Speaker 1: I mean, even even on the fact that you're supporting
• 1:39:53
  Speaker 1: this guy who's doing this these releases out of his bedroom,
• 1:39:57
  Speaker 1: you know what I mean, Like that alone is in
• 1:39:59
  Speaker 1: a massive support for the community for film in general.
• 1:40:04
  Speaker 1: So that's I mean, if you're not gonna watch it,
• 1:40:06
  Speaker 1: I mean, it's not that expensive. At least support the
• 1:40:08
  Speaker 1: guy because if you want to see him succeed. I
• 1:40:12
  Speaker 1: think Chris, you were telling me or I might have
• 1:40:14
  Speaker 1: heard Ryan talk about it that it's not gonna he
• 1:40:16
  Speaker 1: can't he's not going to move on to the next
• 1:40:18
  Speaker 1: title until all these cell.
• 1:40:20
  Speaker 3: Right, Yeah, and that's I think I'm pretty sure he said,
• 1:40:24
  Speaker 3: like that's what he told his wife, like once all
• 1:40:26
  Speaker 3: these cell then we'll do another. And at that time,
• 1:40:29
  Speaker 3: I think he was still sitting on like like a
• 1:40:32
  Speaker 3: thousand I think.
• 1:40:32
  Speaker 5: At that something like that, and they've they've slowed down
• 1:40:35
  Speaker 5: even since then because I'm posting about all these new things.
• 1:40:39
  Speaker 5: So in a way, I'm hypocritical, I guess, because I
• 1:40:42
  Speaker 5: don't cover all of these things three weeks down the
• 1:40:44
  Speaker 5: line after I cover them once, because I would literally
• 1:40:48
  Speaker 5: go insane if I did. But at the other hand,
• 1:40:51
  Speaker 5: like i'm interviewing him, I'm sharing that I'm doing everything
• 1:40:54
  Speaker 5: I can to get the word out on that, and
• 1:40:56
  Speaker 5: I can say like I've spoken to him multiple times
• 1:40:59
  Speaker 5: since that inner, and he he's got a lot of
• 1:41:02
  Speaker 5: grand ideas. And if you literally get ten of your
• 1:41:06
  Speaker 5: friends to purchase this disc, you could change this man's month,
• 1:41:09
  Speaker 5: because it literally could could be the one sale where
• 1:41:13
  Speaker 5: somebody actually watches and goes, damn, like this is amazing.
• 1:41:16
  Speaker 5: Let me go talk about it. Let me say, hey,
• 1:41:19
  Speaker 5: Triangulo delro is my new favorite film and get people
• 1:41:22
  Speaker 5: to actually discuss that and saying that title. Most people
• 1:41:26
  Speaker 5: that are gonna watch this video is gonna go or
• 1:41:27
  Speaker 5: watch listen to the podcast is gonna go, what the
• 1:41:29
  Speaker 5: hell is Triangulo Deloro? They've never heard of that? Because
• 1:41:32
  Speaker 5: no one else is covering this. I will say the
• 1:41:36
  Speaker 5: Trash Mechs podcast covered it first before me. I appreciate
• 1:41:40
  Speaker 5: those guys immensely for putting them on there because it
• 1:41:42
  Speaker 5: was super important and they had a really great conversation.
• 1:41:46
  Speaker 5: It's like a complimentary one to ours because I try
• 1:41:48
  Speaker 5: not to cover if I'm interviewing somebody, I try to
• 1:41:51
  Speaker 5: go listen to what they've interviewed before and give props
• 1:41:53
  Speaker 5: to those and not just cover the same exact space.
• 1:41:56
  Speaker 5: So yeah, go listen to them both. He deserves full support.
• 1:42:00
  Speaker 4: Yeah, no, he one hundred percent does.
• 1:42:01
  Speaker 3: And here's the thing, man, Like, if you're really you know,
• 1:42:04
  Speaker 3: I know some collectors are shallow, but like this is
• 1:42:06
  Speaker 3: a vinegar syndrome slip cover, you know what I mean.
• 1:42:08
  Speaker 3: This is thick, it's embossed, it's got texture, it looks beautiful,
• 1:42:13
  Speaker 3: it's it's you know what I mean, Like if that,
• 1:42:15
  Speaker 3: if you're a person who's like, oh, what's the quality,
• 1:42:17
  Speaker 3: Like it's here, like it looks really nice on the shelf.
• 1:42:20
  Speaker 3: It's a double feature, so it's got the two posters
• 1:42:22
  Speaker 3: front and back. A lot of attention put in. These
• 1:42:25
  Speaker 3: movies are great. I didn't have as much. I can
• 1:42:30
  Speaker 3: never say what was the title Triglo?
• 1:42:33
  Speaker 1: Yeah, I was impressed.
• 1:42:36
  Speaker 3: Yes, yes, I had a much grander time with Funeral
• 1:42:40
  Speaker 3: Siniestro Siniestro. That was more up my alley.
• 1:42:44
  Speaker 5: Well, I agree, but I I that one's my favorite too.
• 1:42:47
  Speaker 5: But hardly anybody ever watches the B side to hear
• 1:42:50
  Speaker 5: everybody watches Funeral siney Estro and then forgets that there's
• 1:42:53
  Speaker 5: a second film. They're both worth watching. The second one
• 1:42:55
  Speaker 5: is like Indiana Jones with the Cyclops, like yeah, you
• 1:42:58
  Speaker 5: gotta watch this movie.
• 1:42:59
  Speaker 3: It's a lot of yeah, yeah, that's you know. I
• 1:43:03
  Speaker 3: just saw another company and I know they're I talked
• 1:43:07
  Speaker 3: to them today because I was trying to figure out
• 1:43:09
  Speaker 3: how to buy from them because they put out some
• 1:43:10
  Speaker 3: titles that I wanted. Last Slate Video yep, you know,
• 1:43:15
  Speaker 3: they put out these cool looking releases of Laid the
• 1:43:17
  Speaker 3: Rest one and two and I hit them up today
• 1:43:20
  Speaker 3: and I was like, hey, do you guys have any
• 1:43:22
  Speaker 3: like ability for like us shipping? Like I don't know
• 1:43:25
  Speaker 3: if you guys are working with anybody to get that.
• 1:43:27
  Speaker 3: I was like, because these releases look awesome, great artwork,
• 1:43:31
  Speaker 3: theaid the rest one to two are like like some
• 1:43:33
  Speaker 3: of my favorites, Like I call them like my my
• 1:43:35
  Speaker 3: like well kept secret because like nobody knew about them
• 1:43:37
  Speaker 3: for the longest time.
• 1:43:39
  Speaker 5: The first one's never been released in HD in the States.
• 1:43:41
  Speaker 4: Yeah. Yeah.
• 1:43:42
  Speaker 3: So I hit him up and I was like, hey,
• 1:43:43
  Speaker 3: is there any way and they were like, hey, we're
• 1:43:45
  Speaker 3: working on it, but as of right now, you know,
• 1:43:47
  Speaker 3: we'll keep you informed. I'm like, okay, how do we
• 1:43:50
  Speaker 3: get this over here? Like how do we You know
• 1:43:52
  Speaker 3: they're great price. I think the conversion on their website
• 1:43:55
  Speaker 3: was like twenty five bucks apiece and they come with
• 1:43:57
  Speaker 3: art cards, a slipcover. You know, I'll pay fifty bucks
• 1:44:01
  Speaker 3: to own to two of those on blue ray from
• 1:44:02
  Speaker 3: a small label like that.
• 1:44:04
  Speaker 4: You know that's not I'm not I'm not worried about that.
• 1:44:08
  Speaker 3: So I guess all of this to kind of wrap
• 1:44:10
  Speaker 3: around again and just figure out, like do we keep
• 1:44:15
  Speaker 3: on the path that we're on and and just keep
• 1:44:19
  Speaker 3: keep trying, or like, what what can we like, what
• 1:44:23
  Speaker 3: can we do from an insider perspective, Ryan, what can
• 1:44:26
  Speaker 3: we do? What conversations can we start that aren't happening?
• 1:44:30
  Speaker 3: What are some things we can really start pushing on
• 1:44:32
  Speaker 3: that you think will help drive things better for next year?
• 1:44:38
  Speaker 5: I mean, start a podcast talking about horror commentaries that
• 1:44:41
  Speaker 5: would probably be very helpful.
• 1:44:43
  Speaker 4: Yeah, it's a great idea for anybody who wants to do.
• 1:44:48
  Speaker 5: No, the reality is kind of what I just said
• 1:44:51
  Speaker 5: a minute ago, like when I don't know, like I
• 1:44:54
  Speaker 5: don't want to dive too deep into this anymore. But
• 1:44:57
  Speaker 5: like if if Clueless gets announced on four coming from
• 1:45:00
  Speaker 5: paramount that gets eight hundred pickup videos, reviews, it gets
• 1:45:05
  Speaker 5: mentioned on top of the year list, and yet there
• 1:45:08
  Speaker 5: are companies that worked seven months to put together a
• 1:45:12
  Speaker 5: better looking four K in better packaging, with better special features,
• 1:45:16
  Speaker 5: and you're not even going to know about it because
• 1:45:18
  Speaker 5: anybody that you listen to on podcast and on YouTube
• 1:45:21
  Speaker 5: and all that only wanted to talk to you about
• 1:45:24
  Speaker 5: the stuff that they got sent for free. And these
• 1:45:26
  Speaker 5: small companies cannot afford to send things out for free,
• 1:45:29
  Speaker 5: and based on that, they don't get reviews. And so
• 1:45:32
  Speaker 5: if you are bored or excited about physical media and
• 1:45:36
  Speaker 5: you're looking into some of these, go look at the
• 1:45:38
  Speaker 5: Disconnected And I'm not just trying to pitch myself, but literally,
• 1:45:41
  Speaker 5: it's the only site on the Internet that I know
• 1:45:44
  Speaker 5: of that covers every single English friendly release worldwide. The
• 1:45:48
  Speaker 5: other people that do this, and I'll say the name
• 1:45:51
  Speaker 5: right now, you should not be following Donna the discs.
• 1:45:53
  Speaker 5: He is somebody that the labels do not respect. He
• 1:45:56
  Speaker 5: is somebody that has repeatedly shown to just put things
• 1:45:59
  Speaker 5: out there for clicks. You should be following somebody that's
• 1:46:02
  Speaker 5: not going to do that. And so go look at
• 1:46:03
  Speaker 5: the don the Wow almost look at the Disconnected feed.
• 1:46:08
  Speaker 5: Go look at the Disconnected feed until you find either
• 1:46:11
  Speaker 5: a company or a film that you have never heard of.
• 1:46:15
  Speaker 5: Go buy that film instead of your eighteenth copy of
• 1:46:19
  Speaker 5: Georgia Merrow's Day of the Dead, instead of your seventeenth
• 1:46:22
  Speaker 5: copy of you know, fucking Texas Chainsaw Masker. Like, yeah,
• 1:46:27
  Speaker 5: we get it that it's had amazing releases throughout the
• 1:46:30
  Speaker 5: years on every format, like nine times. That's hardly even exaggerating.
• 1:46:36
  Speaker 5: That's the problem. Yeah, you need to put more time
• 1:46:38
  Speaker 5: into some of these smaller companies. And this is the
• 1:46:40
  Speaker 5: Royal you not not Chris and Jordan, but you know
• 1:46:44
  Speaker 5: some of these Like we just saw Tron and Tron
• 1:46:47
  Speaker 5: Legacy sell out on every website when it was released
• 1:46:50
  Speaker 5: on four KSE deal book in the US within a
• 1:46:52
  Speaker 5: span of like an hour and a half. Imagine how
• 1:46:56
  Speaker 5: you could change literally the owner of a company that
• 1:47:00
  Speaker 5: is running the company by himself if you did that
• 1:47:02
  Speaker 5: for some of these smaller companies. One of my best
• 1:47:06
  Speaker 5: examples that I always share for this is Third Window
• 1:47:08
  Speaker 5: Films in the UK. I get it the UK, It's
• 1:47:11
  Speaker 5: Region B. So many people that are going to hear
• 1:47:13
  Speaker 5: this or only Region A. Just imagine for a second.
• 1:47:16
  Speaker 5: Third Window Films in the UK is run by one
• 1:47:18
  Speaker 5: gentleman named Adam, and Adam puts his heart and soul
• 1:47:22
  Speaker 5: into every single title. He is the graphic designer. He
• 1:47:26
  Speaker 5: authors the discs, he does special features, he does the subtitling.
• 1:47:30
  Speaker 5: He acquired the film in the first place. He helps
• 1:47:33
  Speaker 5: facilitate recording of the special features. He q sees his
• 1:47:36
  Speaker 5: own disc, he checks the packaging, He does all of
• 1:47:39
  Speaker 5: that stuff and then goes and markets it to the
• 1:47:42
  Speaker 5: world and nobody purchases them. Yeah, what are we doing?
• 1:47:47
  Speaker 5: Like that guy is giving his life to keep this
• 1:47:50
  Speaker 5: company going, And there's been multiple times that Adam has
• 1:47:52
  Speaker 5: been on the verge of hanging it up because stuff
• 1:47:54
  Speaker 5: is not selling.
• 1:47:57
  Speaker 3: I do want to say pink films there one of
• 1:48:00
  Speaker 3: the one of the leaders and putting them out Third
• 1:48:03
  Speaker 3: Window Films, they were kind of at least out there,
• 1:48:09
  Speaker 3: you know what I mean, Like.
• 1:48:10
  Speaker 5: They have not done many pink films in the way
• 1:48:12
  Speaker 5: that you're alluding to. They put out two pink film
• 1:48:14
  Speaker 5: collections four or five years ago that both had to
• 1:48:16
  Speaker 5: go out of print very quickly, and then this year
• 1:48:19
  Speaker 5: they've done a couple that you might be able to
• 1:48:21
  Speaker 5: call pink films. Some people probably even wouldn't call those
• 1:48:24
  Speaker 5: pink films. And I didn't mean to come off as
• 1:48:29
  Speaker 5: kind of like that, but yeah, I'll stop there, but yeah,
• 1:48:34
  Speaker 5: support Third Window Films.
• 1:48:36
  Speaker 3: Yeah, okay, yeah, I mean that's I think that's really
• 1:48:39
  Speaker 3: like the best that we can we can continue to
• 1:48:42
  Speaker 3: do is just keep talking about things and keep spreading
• 1:48:46
  Speaker 3: the word and just keep sharing.
• 1:48:49
  Speaker 5: You know.
• 1:48:49
  Speaker 4: It's kind of like I think sometimes.
• 1:48:53
  Speaker 3: We all undermine the reach that we have, you know,
• 1:48:57
  Speaker 3: and simply like the power of just the share button.
• 1:49:00
  Speaker 3: I know, like my Instagram alone, I have I average
• 1:49:03
  Speaker 3: like one hundred and seventy thousand interactions a month on
• 1:49:07
  Speaker 3: my page because I share like a motherfucker.
• 1:49:09
  Speaker 4: But also, but you know, but.
• 1:49:11
  Speaker 3: Like I, sometimes you don't realize the impact that that
• 1:49:14
  Speaker 3: has to just click the share button or click the
• 1:49:17
  Speaker 3: repost button or do anything like that. So I think
• 1:49:22
  Speaker 3: we need to just focus more on on doing that
• 1:49:25
  Speaker 3: and focus more on the conversation that you know, that
• 1:49:28
  Speaker 3: we're having. You know, it's I don't know, man, I
• 1:49:33
  Speaker 3: hope next year is uh, I hope, I hope better
• 1:49:38
  Speaker 3: because there was a lot of bullshit this year, man,
• 1:49:41
  Speaker 3: Like there was so much, you know, it's like Day
• 1:49:46
  Speaker 3: of the Dead you brought up. I feel like the
• 1:49:48
  Speaker 3: only person in the world who's not going to buy
• 1:49:50
  Speaker 3: that four K, just saying.
• 1:49:54
  Speaker 4: Not interested.
• 1:49:55
  Speaker 3: Unless there's some incredible, brand new bonus features. I don't
• 1:50:00
  Speaker 3: need it. I don't need to talk about it. I
• 1:50:03
  Speaker 3: don't need to post a review about it. If there's
• 1:50:06
  Speaker 3: a couple of new commentaries and that intrigues me enough
• 1:50:09
  Speaker 3: to you know, potentially cover them on this show one day,
• 1:50:13
  Speaker 3: you know, that's cool, and that might be, that might
• 1:50:15
  Speaker 3: be worth the dollars. But if it's it's gonna come
• 1:50:17
  Speaker 3: out with no new bonus features and it's just a
• 1:50:20
  Speaker 3: new four K restoration. It's not getting my money.
• 1:50:23
  Speaker 4: Sorry, I'm not. You know, there are four K restorations
• 1:50:29
  Speaker 4: I'm very excited for. I think one.
• 1:50:32
  Speaker 3: It's been teased heavily is Grindhouse doing a you know,
• 1:50:36
  Speaker 3: much more extravagant release Accounibal Holocaust. But I one of
• 1:50:41
  Speaker 3: my favorite movies of all time. Ryan, before you shake
• 1:50:43
  Speaker 3: your head of.
• 1:50:44
  Speaker 5: Well, what I'm getting at is it's already been put
• 1:50:46
  Speaker 5: out on four K by eighty eight films.
• 1:50:48
  Speaker 4: No, I know, but I don't own that.
• 1:50:51
  Speaker 5: Cool and I get it. I like, I don't. I
• 1:50:54
  Speaker 5: don't know. I don't own it either. I I don't know.
• 1:50:58
  Speaker 5: I don't. I don't mean to shoot on this, but
• 1:50:59
  Speaker 5: there's like so many things coming out that's not something
• 1:51:02
  Speaker 5: like Campibell. Holocaust has been released like eleven times and
• 1:51:06
  Speaker 5: that's just by Anchor Bay between two thousand and two
• 1:51:08
  Speaker 5: to two thousand and five, Like what are we doing?
• 1:51:11
  Speaker 5: Like I again, I don't. I upgrade a lot of
• 1:51:13
  Speaker 5: stuff too, I double dip on a lot of stuff too.
• 1:51:15
  Speaker 5: I don't mean to shit on that, but the attention
• 1:51:18
  Speaker 5: should be on stuff that is this is the first
• 1:51:21
  Speaker 5: time it's ever been released. This is the first time
• 1:51:24
  Speaker 5: that it's been on discs since DVD in two thousand
• 1:51:27
  Speaker 5: and one. This is the first time it's been on
• 1:51:29
  Speaker 5: HD in the States or something like that. Those are
• 1:51:32
  Speaker 5: what excites me, and that's what is going to make
• 1:51:35
  Speaker 5: an impact on the industry.
• 1:51:36
  Speaker 3: I did a video this past year on my YouTube
• 1:51:38
  Speaker 3: about when Grindhouse released Hollywood nine two eight.
• 1:51:41
  Speaker 5: It's a big deal, you.
• 1:51:42
  Speaker 4: Know, that was incredible.
• 1:51:43
  Speaker 3: That's actually like, if you go on my letterbox right now,
• 1:51:45
  Speaker 3: it's in my top four favorites that movie is. It's
• 1:51:48
  Speaker 3: a great movie, incredible, And then when you get into
• 1:51:50
  Speaker 3: the bonus features and you learn that the whole entire
• 1:51:53
  Speaker 3: movie had to be adr because they lost all the audio,
• 1:51:56
  Speaker 3: and you realize the amount of work and stress that
• 1:51:58
  Speaker 3: went into not only that movie existing, but then for
• 1:52:02
  Speaker 3: it to get a four K release with all these
• 1:52:04
  Speaker 3: new bonus features and all this new stuff. You know,
• 1:52:07
  Speaker 3: that's incredible. One movie this past year that I think
• 1:52:09
  Speaker 3: everyone kind of passed over. Maybe people weren't the biggest fan,
• 1:52:13
  Speaker 3: but you know, and I know that this company gets
• 1:52:15
  Speaker 3: a little bit of a rep but like I was
• 1:52:17
  Speaker 3: a big fan of Dark Sky putting out Blackout the
• 1:52:19
  Speaker 3: Larry Fastenden are a Werewolf movie, you.
• 1:52:23
  Speaker 5: Know, I was.
• 1:52:24
  Speaker 3: I kind of felt like I was alone in a stadium,
• 1:52:26
  Speaker 3: you know, cheering for my favorite team, and everybody else
• 1:52:29
  Speaker 3: was on.
• 1:52:29
  Speaker 4: The other side.
• 1:52:31
  Speaker 3: Like I'm like, please like this, Like I you know, hey,
• 1:52:34
  Speaker 3: Dark Sky, they're putting out a Chainsaw Texas Chainsaw Maska release.
• 1:52:37
  Speaker 3: How about take twenty bucks by Blackout. It's really good,
• 1:52:40
  Speaker 3: I promise you guys, And nobody gave a shit, so uh,
• 1:52:47
  Speaker 3: I don't know. I know this podcast has been a
• 1:52:48
  Speaker 3: little all over the place, but I love this like
• 1:52:52
  Speaker 3: I love this. This has been This has been an
• 1:52:55
  Speaker 3: awesome time. So I can't thank you guys enough, you know,
• 1:52:59
  Speaker 3: for coming on and doing this. Ryan, especially you know
• 1:53:03
  Speaker 3: you coming on as always. I appreciate We have.
• 1:53:09
  Speaker 4: So much.
• 1:53:10
  Speaker 3: It's been hectic, and I know it's annoying with delays
• 1:53:15
  Speaker 3: and stuff like that on things, but you know, I
• 1:53:18
  Speaker 3: promise everybody listening we have been hard at work. We
• 1:53:21
  Speaker 3: have sleep Away Camp we teamed up with in Psycho
• 1:53:24
  Speaker 3: Apocalypse publications to not just talk about the sleep Away
• 1:53:28
  Speaker 3: Camp commentary, but also the new novelization written by b. R. Flynn,
• 1:53:32
  Speaker 3: which is incredible. I highly recommend everybody go spend the
• 1:53:37
  Speaker 3: fifteen dollars to support Encsycopocalypse, but also get that novelization.
• 1:53:41
  Speaker 4: It's really really good.
• 1:53:43
  Speaker 3: We actually haven't this this will be I guess the
• 1:53:47
  Speaker 3: official announcement. We recorded a podcast episode with almost the
• 1:53:53
  Speaker 3: entire main cast of sleep Away Camp, so we it's recorded,
• 1:53:58
  Speaker 3: it's getting ready to come out. It will an incredible time,
• 1:54:01
  Speaker 3: some great stories, I think more what was most impactful
• 1:54:05
  Speaker 3: about that is just having this cast back together again.
• 1:54:10
  Speaker 3: It turned into more of a reunion, which felt so
• 1:54:14
  Speaker 3: good to have, you know, and I think that episode
• 1:54:17
  Speaker 3: is just gonna be a great companion piece. We recently
• 1:54:21
  Speaker 3: put out an interview with Anthony Cousins, director of Frogman
• 1:54:24
  Speaker 3: and the upcoming Frogman Returns, which just had its premiere.
• 1:54:28
  Speaker 3: He was incredible. We went on for over two hours
• 1:54:33
  Speaker 3: with him about Frogman and genre film and all kinds
• 1:54:36
  Speaker 3: of stuff, a lot of insight into Frogman Returns and
• 1:54:41
  Speaker 3: just really cool stuff.
• 1:54:43
  Speaker 1: You know.
• 1:54:43
  Speaker 3: For the rest of the year, we're dropping a commentary
• 1:54:47
  Speaker 3: episode on ELI Roth's Thanksgiving to celebrate Turkey Day. Next month,
• 1:54:53
  Speaker 3: we have our episode dropping on popcorn at the beginning
• 1:54:57
  Speaker 3: of November, the most underrate did nineties horror film ever
• 1:55:02
  Speaker 3: in my opinion.
• 1:55:03
  Speaker 4: I love that movie to death.
• 1:55:05
  Speaker 3: And then we're covering Uh Misery in December, which is
• 1:55:09
  Speaker 3: gonna be a big deal. Very excited about that. And
• 1:55:13
  Speaker 3: then next year, yeah, we have our season three, which
• 1:55:17
  Speaker 3: kicks off in January. Is gonna be all Shallows. So
• 1:55:20
  Speaker 3: we're gonna be covering a bunch of stuff, a whole
• 1:55:24
  Speaker 3: bunch of stuff from Celluloid Dreams. We're actually going to
• 1:55:27
  Speaker 3: be covering three of their releases and three of their
• 1:55:30
  Speaker 3: commentary tracks. Damn Yeah, which is a which is a
• 1:55:35
  Speaker 3: big deal because that's a company that we really want
• 1:55:37
  Speaker 3: to champion, and you know, we know that they're pretty
• 1:55:41
  Speaker 3: much a two man team and they're doing incredible stuff.
• 1:55:45
  Speaker 3: So we're gonna be covering the commentary for Case of
• 1:55:47
  Speaker 3: Bloody or Case of Bloody Iris. We're gonna be covering
• 1:55:50
  Speaker 3: the commentary for.
• 1:55:53
  Speaker 4: I Tell you, I keep blaking, like forgetting.
• 1:55:56
  Speaker 3: Having Short Night of Glass Dolls. And then if we
• 1:55:59
  Speaker 3: get it in time, I would love to cover hyenend
• 1:56:01
  Speaker 3: in the Safe which is getting ready to come out. Ye,
• 1:56:06
  Speaker 3: so lots of big stuff on the way, and I'm
• 1:56:09
  Speaker 3: very excited to, uh, you know, expose everybody to our goods.
• 1:56:21
  Speaker 5: I love that you realize what you said the moment
• 1:56:23
  Speaker 5: you finished seeing.
• 1:56:25
  Speaker 4: No, it was ass I just had to keep a
• 1:56:27
  Speaker 4: committed and then I had to you know, he had
• 1:56:29
  Speaker 4: to planned out, he was.
• 1:56:33
  Speaker 5: I had to finish what.
• 1:56:35
  Speaker 3: Here we go, like the Spider Man meme, We're all
• 1:56:39
  Speaker 3: like pointed way as always before we go. Please make
• 1:56:44
  Speaker 3: sure to go down in the description click the link
• 1:56:46
  Speaker 3: to our networks someone's favorite productions. Tons of incredible podcasts
• 1:56:52
  Speaker 3: on there. Please go check them out. I know I've
• 1:56:56
  Speaker 3: been a huge fan recently of The Sin Syndicate. It's
• 1:56:59
  Speaker 3: become one of my favorite shows on our network. For
• 1:57:02
  Speaker 3: those who don't know, Uh, Ryan is I guess what.
• 1:57:06
  Speaker 5: Do we do?
• 1:57:06
  Speaker 4: We call you a producer? What do we call you?
• 1:57:10
  Speaker 5: I don't know? Call you sure? Sure.
• 1:57:14
  Speaker 3: Ryan is one of our producers for the show, and
• 1:57:19
  Speaker 3: he has cataloged an incredible batch of not even batching
• 1:57:24
  Speaker 3: the entire network of shows that are educational. They're all
• 1:57:28
  Speaker 3: incredibly unique. Everybody involved is doing absolutely incredible work and
• 1:57:32
  Speaker 3: We're so honored to be kind of paired up alongside them.
• 1:57:35
  Speaker 3: It's actually kind of nerve wracking because like we have
• 1:57:37
  Speaker 3: such good stuff, you know, around us, we got to
• 1:57:40
  Speaker 3: try to keep up and uh yeah, but Jordan let
• 1:57:45
  Speaker 3: people know where they can find you, man.
• 1:57:48
  Speaker 1: Yeah, you know He's we talked about earlier in the podcast.
• 1:57:52
  Speaker 1: But you know the movie dn uh YouTube Instagram is
• 1:57:55
  Speaker 1: kind of my main main area. Yeah, just talking about
• 1:58:02
  Speaker 1: love of film and mainly the horror genre. But I
• 1:58:05
  Speaker 1: I dabble, I dabble into some other stuff. Some stuff
• 1:58:09
  Speaker 1: coming up next week. Well, well I don't know. Whenever
• 1:58:12
  Speaker 1: this podcast drops, I'm.
• 1:58:14
  Speaker 3: Just dropping whats today Wednesday, dropping on this is dropping
• 1:58:19
  Speaker 3: on Friday.
• 1:58:20
  Speaker 1: Perfect, so then this will be relevant starting uh next week.
• 1:58:24
  Speaker 1: We have a planned was to be a lot bigger,
• 1:58:28
  Speaker 1: but you know, things happen and uh so we're gonna
• 1:58:31
  Speaker 1: be covering some Halloween films for the week of Halloween
• 1:58:35
  Speaker 1: and we got a few lives going on. I know, Chris,
• 1:58:38
  Speaker 1: you're gonna be joining us for uh season of the Witch.
• 1:58:42
  Speaker 4: Yeah, so that's gonna be fun. Well we'll talk.
• 1:58:47
  Speaker 1: About that one. We covered that one and it's a
• 1:58:49
  Speaker 1: great one. Do I love that movie, but also normally
• 1:58:54
  Speaker 1: so it's Wednesday Thursday. Usually, we had planned to do
• 1:58:58
  Speaker 1: our year by year nineteen eighty one episode of here
• 1:59:01
  Speaker 1: Very Year. That's gonna get postponed until next month, so
• 1:59:06
  Speaker 1: that is when we'll be covering our six seven, eight,
• 1:59:09
  Speaker 1: how many titles we decided on to covering the year
• 1:59:13
  Speaker 1: of nineteen eighty one and Horror, So stay tuned for that.
• 1:59:15
  Speaker 1: That is coming. Just a couple of speed bumps, but
• 1:59:18
  Speaker 1: that's all right. We'll we'll still have a lot of
• 1:59:21
  Speaker 1: fun with all the stuff we're gonna be putting out.
• 1:59:23
  Speaker 1: And I'm excited. And Chris, thank you so much for
• 1:59:26
  Speaker 1: asking me to come on. I had a good time.
• 1:59:28
  Speaker 1: Love it as always. And Ryan, it's fun tonight. It's
• 1:59:32
  Speaker 1: nice to finally meet you in person, face to face.
• 1:59:35
  Speaker 4: You too.
• 1:59:36
  Speaker 1: Sorry I listen to your Disconnected I did. It was
• 1:59:41
  Speaker 1: funny listen I do through the podcast so it's like
• 1:59:43
  Speaker 1: where I'm driving for and stuff. And I might have
• 1:59:47
  Speaker 1: told Chris, but it's so funny because it's on Fridays,
• 1:59:49
  Speaker 1: I'll listen to it and every Friday I get nervous
• 1:59:52
  Speaker 1: because I know that there's gonna be a couple of
• 1:59:55
  Speaker 1: new titles added to my car that I am just
• 1:59:57
  Speaker 1: oh okay, and it's all it just grows every so.
• 2:00:00
  Speaker 1: But thank you for doing that. Ryan, that's awesome. And yeah,
• 2:00:04
  Speaker 1: guys had a lot of fun.
• 2:00:05
  Speaker 4: Yeah dude, I appreciate you man so much.
• 2:00:07
  Speaker 3: I don't consider this episode negative more than I can
• 2:00:10
  Speaker 3: more than I consider it constructive, you know what I mean,
• 2:00:13
  Speaker 3: Because in order to in order to get better, you
• 2:00:16
  Speaker 3: have to highlight what's not working, you know what I mean.
• 2:00:19
  Speaker 3: And I don't want people to be like, oh man,
• 2:00:21
  Speaker 3: this was just them shitting on the computerity on the community.
• 2:00:25
  Speaker 3: It's like, no, we have to highlight what's not working
• 2:00:27
  Speaker 3: to begin to move forward on what is going to
• 2:00:29
  Speaker 3: work and what we can do. So I don't consider
• 2:00:34
  Speaker 3: this you know, at least I didn't perceive any of
• 2:00:37
  Speaker 3: it as negative.
• 2:00:37
  Speaker 4: I'm sure our audience will let us know, but you know,
• 2:00:41
  Speaker 4: we gotta do we do.
• 2:00:43
  Speaker 3: I think these are important conversations that have They're awkward
• 2:00:45
  Speaker 3: to have because you don't want to. You don't want
• 2:00:48
  Speaker 3: to be the asshole that's like calling people out and
• 2:00:49
  Speaker 3: saying what's wrong and was right. But somebody's also got
• 2:00:52
  Speaker 3: to just point it out and say it. You know
• 2:00:54
  Speaker 3: what I mean, So, Ryan, anything that you want to
• 2:00:58
  Speaker 3: shout out, anything you want to you know, plug before
• 2:01:00
  Speaker 3: we head out.
• 2:01:01
  Speaker 5: Sure, I mean yeah, Like I said, everywhere under the
• 2:01:05
  Speaker 5: name that disconnected highlight to something coming up soon. I
• 2:01:09
  Speaker 5: just recently sat down for an interview with Steven Morowitz,
• 2:01:12
  Speaker 5: who is the guy running speaking of adult films, the
• 2:01:15
  Speaker 5: entire Miliu scene side of the Vinegar Syndrome site. I
• 2:01:20
  Speaker 5: genuinely get excited for most of my interviews, but this
• 2:01:23
  Speaker 5: one is incredibly compelling. Steven's dad, For those that have
• 2:01:25
  Speaker 5: never heard the name before, he was known as the
• 2:01:28
  Speaker 5: godfather of physical media for a long time. He started
• 2:01:32
  Speaker 5: so much of what you've probably seen throughout the years.
• 2:01:36
  Speaker 5: It is a hell of a conversation. We literally spent
• 2:01:39
  Speaker 5: five hours together on a call. Four hours of it
• 2:01:42
  Speaker 5: was recorded. It'll be chopped down quite a bit, but man,
• 2:01:46
  Speaker 5: it's a just fascinating conversation. For those that don't know,
• 2:01:50
  Speaker 5: I put out a physical media and film focused magazine
• 2:01:53
  Speaker 5: as well, which is not something that most people, you know,
• 2:01:56
  Speaker 5: expect to see in twenty twenty five. You can find
• 2:01:59
  Speaker 5: that on Amazon or in a bunch of break and
• 2:02:01
  Speaker 5: mortar stores as well. It's called the Physical Media Advocate,
• 2:02:04
  Speaker 5: and check that out there. And then finally, I don't
• 2:02:08
  Speaker 5: like teasing things too much because I think that trying
• 2:02:11
  Speaker 5: to live up to something that we can't always live
• 2:02:13
  Speaker 5: up to. But I will say and I also don't
• 2:02:16
  Speaker 5: really pitch my Patreon all that much, but I've started
• 2:02:19
  Speaker 5: teasing some bits and bobs of a major project that
• 2:02:23
  Speaker 5: I've been working on for I'm not exaggerating here at
• 2:02:27
  Speaker 5: least eighteen months, and it's not going to be fully
• 2:02:31
  Speaker 5: public until probably just after the new year. But there
• 2:02:34
  Speaker 5: is some incredible things coming in twenty twenty six. And
• 2:02:38
  Speaker 5: if you want some behind the scenes access to stuff
• 2:02:41
  Speaker 5: that no one else will be able to see, check
• 2:02:44
  Speaker 5: out the Patreon. We would love to have you and
• 2:02:45
  Speaker 5: get access to my discord which I hate to like
• 2:02:50
  Speaker 5: use superlatives, but I think it's one of the best
• 2:02:52
  Speaker 5: physical media communities on the Internet. There's no bashing. We
• 2:02:56
  Speaker 5: all really try not to give in de fomo and
• 2:02:58
  Speaker 5: help each other out. There's a lot of just education
• 2:03:01
  Speaker 5: and sharing of things that people are after a title
• 2:03:04
  Speaker 5: and somebody finds it somewhere like people remember, and it's
• 2:03:06
  Speaker 5: not just a small community like we have over one
• 2:03:08
  Speaker 5: hundred people on the discord and people remember to tag
• 2:03:11
  Speaker 5: somebody because something is back in stock, and like, you
• 2:03:14
  Speaker 5: don't get that kind of service anywhere else. It's pretty
• 2:03:16
  Speaker 5: damn incredible, so check it out. We'd love to have you.
• 2:03:19
  Speaker 3: Yeah, well incredible, man, dude, thank you, Thank both of
• 2:03:23
  Speaker 3: you guys so much. I know it's been chaotic, but honestly,
• 2:03:26
  Speaker 3: I wouldn't have it any other way.
• 2:03:27
  Speaker 4: Wouldn't change a thing. So we'll catch everybody next time
• 2:03:31
  Speaker 4: on Beyond the Blood. Take care.
• 2:03:40
  Speaker 5: Thank you for listening.
• 2:03:41
  Speaker 1: To hear more shows from the Someone's Favorite Productions podcast network.
• 2:03:45
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