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128: Are You Ready to Rockula · Movie Meltdown

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  Speaker 1: The following program is a proud member of the Palover
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  Speaker 1: family of podcasts. Check out all the shows over at palover.com.
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  Speaker 3: The following feature has been rated R by the Motion
• 0:15
  Speaker 3: Picture Association of America. It is intended for mature audiences
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  Speaker 3: and parental discretion is advised.
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  Speaker 4: Our nuclear reactor pumping out one million kilowatts of power.
• 0:57
  Speaker 1: What's up and welcome.
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  Speaker 4: To Movie Meltdown. I am Brian. I'm Greg.
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  Speaker 2: I'm Marlena.
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  Speaker 4: And we're back for another fun-filled session. We're also back
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  Speaker 4: in our original studio space here for the first time in,
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  Speaker 4: I don't know, like five months or more. It's been
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  Speaker 4: a long time. We've been traveling from one place to
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  Speaker 4: the other to do a show, so we're back in
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  Speaker 4: our now-painted and officially kick-ass studio space. It's kick-ass. Unexpected decor. See,
• 1:36
  Speaker 4: once again, it shows you who you're dealing with here.
• 1:38
  Speaker 4: Not everybody would decide to decorate a room in their house,
• 1:42
  Speaker 4: to devote an entire room of their house to this
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  Speaker 4: sideshow theme. But, yeah... If someone had to.
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  Speaker 2: Do it, it was going to be you.
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  Speaker 4: Sideshow freaks, it's the way to go. The Odyssey studio,
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  Speaker 4: as it were, is now up and running again. Yep,
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  Speaker 4: pretty awesome. All right, I guess we can head into
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  Speaker 4: the geek activities. This past week, I, again, finally got
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  Speaker 4: around to watching a movie everybody else saw last year.
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  Speaker 4: I watched Regret. Okay.
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  Speaker 2: Okay.
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  Speaker 4: Uh and i have the the only point i want
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  Speaker 4: to make i mean most of it i guess has
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  Speaker 4: been said before but the point that i want to
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  Speaker 4: make is it's all about hayley steinfeld i'm like all
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  Speaker 4: the the praise and attention was was heaped on to
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  Speaker 4: uh freaking lebowski boy there jeff bridges bridges yeah why
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  Speaker 4: why he got all the attention i'm not saying his
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  Speaker 4: performance isn't good it's just it's the showy one you
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  Speaker 4: know it's like And to me, it's almost the one
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  Speaker 4: that you could fall into relatively easy. I mean, he's
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  Speaker 4: got the crazy drunken slur. He's, you know, he's got
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  Speaker 4: the limp. So I'm like, to me, once you're in
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  Speaker 4: that costume, you're in that mode, it would be pretty
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  Speaker 4: easy to do that. You know, it would almost be
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  Speaker 4: pretty easy to fall into that character and do what
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  Speaker 4: he has to do. Whereas like Haley Steinfeld, number one,
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  Speaker 4: is a kid. So, I mean, she's already like, you know,
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  Speaker 4: she doesn't have the 40 plus years of experience that
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  Speaker 4: Jeff Bridges has.
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  Speaker 2: Right.
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  Speaker 4: And to be able to just kind of command the
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  Speaker 4: screen when she's on it. It was, what, 15 minutes
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  Speaker 4: in or so when I got to the scene of
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  Speaker 4: her negotiating with that guy with the horses. And I
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  Speaker 4: was just like, wow. I was like, this kid is awesome.
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  Speaker 4: I'm barely keeping up with what they're talking about as
• 3:29
  Speaker 4: far as this business deal is concerned. This is like,
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  Speaker 4: how many years ago? And she's a 14-year-old and girl
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  Speaker 4: at that time who probably wasn't even encouraged to think
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  Speaker 4: on her own. So the fact that this character, let
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  Speaker 4: alone the actress herself, is doing this good a job
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  Speaker 4: at keeping control of what's going on on the screen
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  Speaker 4: is pretty impressive. And it just continued from there. It's
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  Speaker 4: like everybody she dealt with, she still kind of had
• 3:54
  Speaker 4: to be in charge. Whether she liked it or not,
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  Speaker 4: she was the only one keeping everything on track. So yeah,
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  Speaker 4: it's pretty interesting how well she does Being as young
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  Speaker 4: as she is, and I haven't really seen her in
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  Speaker 4: a lot of other stuff, so it will be interesting
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  Speaker 4: to see where she goes in upcoming roles. I don't know.
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  Speaker 1: Yeah, I always want for the young actors and actresses
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  Speaker 1: to really take a long time and pick, after they've
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  Speaker 1: had a good, solid role, take their time and pick
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  Speaker 1: something new. Not just to get experience or get money
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  Speaker 1: or to cash in on fame, but to really be
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  Speaker 1: proud of everything they do at a slow pace. I mean,
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  Speaker 1: if it comes quickly, sure, but you don't want to
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  Speaker 1: burn out too soon. I think there's a certain amount
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  Speaker 1: of genius... that comes from, you know, being one of
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  Speaker 1: the first times and, you know, that the really good
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  Speaker 1: kids that can tap into that are, are special. Yeah.
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  Speaker 4: Well, we've had such a run lately and especially like
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  Speaker 4: young girls. It's like, you've got the, the Haley Steinfeld,
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  Speaker 4: you've got, um, like Saoirse Ronan, you've got, uh, Chloe Moretz.
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  Speaker 4: It's like all these young girls coming up, just delivering
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  Speaker 4: these like amazing performances.
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  Speaker 1: Right.
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  Speaker 4: Have there been, boys. I'm trying to think why, you know,
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  Speaker 4: I was trying to decide why we've had such a run.
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  Speaker 4: Cause we've always had like the one, usually it's that one,
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  Speaker 4: you know, going back, there's always, you know, you're, you're
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  Speaker 4: Natalie Portman doing a, you're the professional version, you know,
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  Speaker 4: it's like, or even like, um, I was thinking back
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  Speaker 4: when I first saw Kirsten Dunst interview, the vampire, she's amazing.
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  Speaker 2: Sure.
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  Speaker 4: And it's funny. She got more lame as her time
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  Speaker 4: went off. Like when I look at her and stuff now,
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  Speaker 4: I'm just like, Oh, whatever. But, She was so, like, again,
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  Speaker 4: just somebody who just commands the screen. And she was, what,
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  Speaker 4: like 11 tops when she made that? So, I mean,
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  Speaker 4: we went through that, like, one every, you know, couple
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  Speaker 4: of years or so. But lately it seems like we've
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  Speaker 4: had a run of specifically girls that have been really
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  Speaker 4: turning in amazing performances. Yeah, I mean, they try.
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  Speaker 1: I mean, you have, but as far as the boys,
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  Speaker 1: but I can't think of any that have put together that,
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  Speaker 1: performance that you're like where did that come from.
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  Speaker 4: Yeah i can't i can't even think of any.
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  Speaker 1: Hayley joe osmond from six cents was pretty good he's.
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  Speaker 4: Done nothing since that's all yeah it's going back a
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  Speaker 4: long time but yeah he carried that it's just seeing
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  Speaker 4: movies that you kind of like rest the entire thing
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  Speaker 4: on the shoulders of a kid which is kind of
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  Speaker 4: a lot to ask right yeah i was thinking like
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  Speaker 4: henry thomas He carries E.T. Oh, sure. If you want
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  Speaker 4: to go back further and just find child actors, then
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  Speaker 4: we're kind of carrying movies. But, yeah, I was trying
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  Speaker 4: to think of boys that, yeah, we've kind of lost
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  Speaker 4: a lot of that lately, it seems like. Unless I'm
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  Speaker 4: overlooking a few. So if anybody else knows of it, hey,
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  Speaker 4: pass it along. Not Jonah Hill. Is he a child prodigy? No.
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  Speaker 2: Not Jonah Hill? What are you talking about? He's an
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  Speaker 2: amazing child actor.
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  Speaker 1: I could see it wasn't a child, but I'm just
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  Speaker 1: saying that I'm trying to think of young.
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  Speaker 4: I mean, I've heard good things about the Super 8 kids,
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  Speaker 4: but they seem a little older, and they seem like
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  Speaker 4: they're playing a pretty normal, goofy, 12-year-old boy kind of thing.
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  Speaker 4: They don't seem like they're delivering Oscar-caliber performances, which the
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  Speaker 4: girls seem to have stepped up, likely. Will Wheaton.
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  Speaker 2: Will Wheaton.
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  Speaker 4: How far back are you going? Yeah, I'm going way back.
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  Speaker 4: I was like, are you doing Next Generation? You can
• 7:29
  Speaker 4: say like River Phoenix and things like that. Yeah, that's true.
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  Speaker 4: I mean, you say Henry Thomas, but.
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  Speaker 5: Yeah.
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  Speaker 4: It does seem like you have to go back a ways,
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  Speaker 4: but maybe we're just massively overlooking some, but I can't. Offhand, yeah,
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  Speaker 4: I can't think of it.
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  Speaker 6: Culkin.
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  Speaker 7: What?
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  Speaker 4: The fine performance from Uncle Buck. That's right.
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  Speaker 2: Hey, I love Macaulay Culkin. He was a great actor
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  Speaker 2: when he was a child.
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  Speaker 4: I'm staying out of that one.
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  Speaker 1: Okay.
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  Speaker 4: So the only other thing I watched that was going
• 8:02
  Speaker 4: to go into, um, I did watch and I'd been
• 8:04
  Speaker 4: meaning to forever. I've been hearing about it for at
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  Speaker 4: least a year now. And, uh, Solomon Cain, have you, uh, it's,
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  Speaker 4: it's another one. I've not figured out what the problem was.
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  Speaker 4: There's a weird distribution cause it's made like two years ago,
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  Speaker 4: I think, but it's still not officially found its way
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  Speaker 4: to the U S and I don't know what the
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  Speaker 4: issue is. I'd, I didn't bother to go into it.
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  Speaker 4: I just wanted to see it. So it's good that
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  Speaker 4: it started to make its way over here, whatever way
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  Speaker 4: you find it. But it's really pretty well done. I mean,
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  Speaker 4: it's based on the same writer that did Conan, and
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  Speaker 4: it's sort of based. It's not that same universe. It's
• 8:45
  Speaker 4: a little more grounded, I guess. I mean, it's not
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  Speaker 4: so much the.
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  Speaker 4: It's still very sword and sorcery, but it's not so
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  Speaker 4: much the crazy medieval times that Conan is. It's more
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  Speaker 4: like Pilgrims and Pirates. It's that 1600 England kind of time.
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  Speaker 4: So it's still swords, and this is the part that
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  Speaker 4: always threw me off. It's still swordplay through the majority
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  Speaker 4: of the movie, but then he'll pull out a gun
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  Speaker 4: and he'll shoot the.
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  Speaker 4: Big metal ball into somebody. It's that old pirate gun,
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  Speaker 4: you know, action that you get one shot, but it's,
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  Speaker 4: it's so funny watching him pull out a gun and
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  Speaker 4: do like a, you know, a gangsta shooting in the
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  Speaker 4: middle of this, you know, sword fight action. He like,
• 9:25
  Speaker 4: you know, he just pulls out a gun. It's really weird.
• 9:28
  Speaker 4: Solomon Cain, Solomon Cain. And it's, uh, it is one
• 9:32
  Speaker 4: of those. It's, um, I got it. And I told
• 9:35
  Speaker 4: Misty this being as, uh, attached to this title as,
• 9:38
  Speaker 4: as I was as well. I got kind of a
• 9:42
  Speaker 4: resurgence of that feeling I got as a kid watching Beastmaster. Wow.
• 9:48
  Speaker 4: It's not as cheesy. It's played more serious. It's not
• 9:52
  Speaker 4: quite that type of movie, but it is that return
• 9:55
  Speaker 4: to sword and sorcery kind of movie, and it's played
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  Speaker 4: kind of for fun. I mean, it it's got a
• 10:00
  Speaker 4: serious tone to it, but it doesn't get super arty.
• 10:04
  Speaker 4: I mean, something like Valorizing came out and is a
• 10:06
  Speaker 4: lot more arty, you know, in the way that it
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  Speaker 4: approaches it, where this is more for just a fun,
• 10:12
  Speaker 4: you know, kick-ass kind of sword and sorcery movie. So,
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  Speaker 4: And it's pretty well done for something that, again, I
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  Speaker 4: guess didn't get a lot of backing. But, I mean, effects-wise,
• 10:23
  Speaker 4: it's got some creatures they throw in. It's got some
• 10:26
  Speaker 4: other stuff. You know, it looks good on screen. It
• 10:29
  Speaker 4: all looks very well done. And why it didn't make
• 10:32
  Speaker 4: its way out to get a big theatrical release in
• 10:34
  Speaker 4: this country, I don't know why. But, yeah, James Purfoy
• 10:39
  Speaker 4: is the lead character. And I think Rome is probably
• 10:43
  Speaker 4: the biggest thing he's been... He's actually in... I went
• 10:47
  Speaker 4: back trying to figure out why I recognized him. I
• 10:49
  Speaker 4: think he's in A Knight's Tale, if I remember.
• 10:51
  Speaker 2: Oh, wow.
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  Speaker 4: Yeah, it's going back that far. If I remember, he
• 10:54
  Speaker 4: might be, like, the prince. Remember at one point, like,
• 10:57
  Speaker 4: the prince comes in.
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  Speaker 1: The jerk prince?
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  Speaker 4: No, not the jerk one. That's, like, Rufus Seawall or whatever. Oh,
• 11:02
  Speaker 4: that's right. This is the one that was, like, the
• 11:04
  Speaker 4: king's son that would come in and, like, covertly joust
• 11:07
  Speaker 4: guys because he wasn't you know nobody would he was
• 11:09
  Speaker 4: the nice nobody yeah nobody would ever like jousting because
• 11:11
  Speaker 4: when they found out he was royalty so he would
• 11:13
  Speaker 4: come in and like sneak in just because he wanted
• 11:16
  Speaker 4: to be treated like a commoner i think he was
• 11:18
  Speaker 4: that guy if i'm remembering correctly but yeah that's that's
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  Speaker 4: about the only he's been in a ton of stuff
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  Speaker 4: but he's really good he's he's he carries this well
• 11:26
  Speaker 4: he also comes off kind of normal like it's not
• 11:29
  Speaker 4: conan he's not huge he's just kind of like built
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  Speaker 4: like a regular guy but he puts on And again,
• 11:35
  Speaker 4: if ever there was an odd choice, he puts on
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  Speaker 4: the pilgrim attire. He's got like the big black hat
• 11:41
  Speaker 4: and like a big long black coat. But somehow it
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  Speaker 4: becomes badass when he puts it on. And he climbs
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  Speaker 4: on and he carries two swords and he just hacks
• 11:49
  Speaker 4: the hell out of people. And there's some good fight
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  Speaker 4: scenes in it. So it's definitely worth watching. Yeah, I
• 11:57
  Speaker 4: would even, you know, put it on the list, watch
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  Speaker 4: it somewhere down the line for the show because I
• 12:00
  Speaker 4: think it's really entertaining.
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  Speaker 6: Yeah.
• 12:04
  Speaker 4: Those were the two big ones I watched this week.
• 12:06
  Speaker 4: That sounds interesting. That sounds like something I'd really get into.
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  Speaker 4: So I guess it's to me now. Oh, all right.
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  Speaker 4: I watched... I put my things through.
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  Speaker 1: I self-threw movies on purpose sometimes to see what I
• 12:19
  Speaker 1: get out of them.
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  Speaker 4: I think we all do that, especially on this show.
• 12:22
  Speaker 1: And so I watched From Paris with Love.
• 12:27
  Speaker 4: Oh, the John Travolta.
• 12:29
  Speaker 1: Yeah, and Jonathan Rhys-Myers, who should have gotten top billing
• 12:34
  Speaker 1: because he's in every scene.
• 12:35
  Speaker 4: Yeah. It's John Travolta. Well, yeah, he's the vehicle.
• 12:39
  Speaker 1: I think John Travolta had on the jacket from Against
• 12:43
  Speaker 1: the Dark that Steven Seagal was wearing, if anybody catches
• 12:47
  Speaker 1: that reference.
• 12:48
  Speaker 4: You love that movie so much. I do.
• 12:49
  Speaker 1: That's one of my favorite bad movies of all time.
• 12:52
  Speaker 1: I hope everybody sees Steven Seagal's Against the Dark. It's
• 12:58
  Speaker 1: pretty much a straightforward buddy, spy, shoot-em-up movie. The fight
• 13:06
  Speaker 1: scenes are as good as any other fight scene movie.
• 13:09
  Speaker 1: The reason why I watched it is because it had...
• 13:13
  Speaker 1: From the second I saw the preview, I said, this
• 13:15
  Speaker 1: is going to be horrible. I guess it came out
• 13:17
  Speaker 1: early last year, 2010. It looked epic bad.
• 13:19
  Speaker 2: Yeah, and.
• 13:23
  Speaker 4: Critics panned it.
• 13:24
  Speaker 1: It did horribly at the box office.
• 13:26
  Speaker 4: It did, yeah.
• 13:27
  Speaker 1: So that's like the trifecta of you've got to see
• 13:29
  Speaker 1: this movie now. So I put myself to watching it.
• 13:35
  Speaker 1: Like I said, it's pretty much a straightforward buddy shoot-em-up
• 13:38
  Speaker 1: kind of movie. You've got the green young rookie guy
• 13:42
  Speaker 1: and you've got the.
• 13:44
  Speaker 4: He's out of control.
• 13:45
  Speaker 1: Exactly. The out of control. You never know what he's
• 13:48
  Speaker 1: going to do.
• 13:49
  Speaker 4: Maverick!
• 13:50
  Speaker 8: If.
• 13:51
  Speaker 1: If John Travolta had humility about him, like he did
• 13:57
  Speaker 1: in Pulp Fiction, which his career was horrible at the
• 14:00
  Speaker 1: time before Pulp Fiction, and there was a certain amount
• 14:03
  Speaker 1: of humility that he brought to the table, I think
• 14:05
  Speaker 1: it would have been a much better movie.
• 14:08
  Speaker 4: There was a lot of plot issues I had with it, too.
• 14:10
  Speaker 1: I think it was because it was adapted from a book,
• 14:13
  Speaker 1: and I don't think they stayed with the book. I
• 14:17
  Speaker 1: think it was just, how are we going to put
• 14:18
  Speaker 1: them in another scene to shoot up a bunch of people?
• 14:21
  Speaker 1: So it was kind of like a Death Wish, you know,
• 14:24
  Speaker 1: kind of movie anyway. Just puts you in scene after
• 14:26
  Speaker 1: scene of blowing stuff up.
• 14:28
  Speaker 4: Nice. And bad references to other movies, bad.
• 14:36
  Speaker 1: One-liners. But that's what you get with that genre. So,
• 14:39
  Speaker 1: you know, I think they promoted it as it was
• 14:43
  Speaker 1: going to be something epic.
• 14:45
  Speaker 2: Yeah.
• 14:45
  Speaker 4: And it really wasn't. It was.
• 14:47
  Speaker 1: Aside from... Well, we'll say, we've brought this up many times...
• 14:51
  Speaker 1: you've either seen or not seen but everybody's seen the
• 14:55
  Speaker 1: trailer for Taken where that one scene is the best
• 14:58
  Speaker 1: part of the movie and the rest of the movie
• 15:00
  Speaker 1: is just somebody being somewhere else in the world blowing
• 15:03
  Speaker 1: people up that's what this is but John Travolta so
• 15:08
  Speaker 1: it wasn't horrible.
• 15:11
  Speaker 4: It entertained me.
• 15:13
  Speaker 1: While I ate some popcorn the other thing that I
• 15:17
  Speaker 1: saw was and I'm going to recommend this for anyone
• 15:21
  Speaker 1: with my sense of humor, is a movie called The Ten.
• 15:25
  Speaker 1: It's David Wayne, who is the director of most of
• 15:29
  Speaker 1: the state stuff for Red Hot Americans, or Wet Hot
• 15:34
  Speaker 1: American Summer, and Stella, I think, that group.
• 15:38
  Speaker 4: Yeah, yeah. Which are pretty damn entertaining.
• 15:41
  Speaker 7: Right.
• 15:42
  Speaker 1: And he, it's a movie, it's ten shorts, all based
• 15:48
  Speaker 1: on The Ten Commandments. And it's basically like the state
• 15:55
  Speaker 1: does the Ten Commandments is what it is. And it's
• 15:57
  Speaker 1: all in real world story. And I think all of
• 16:00
  Speaker 1: the original members of the state end up in one
• 16:03
  Speaker 1: of the little vignettes.
• 16:06
  Speaker 4: They always still end up working together. Usually just twos
• 16:08
  Speaker 4: and threes. Wait, you mean the state? The state.
• 16:11
  Speaker 2: The sketch comedy on MTV? That's amazing.
• 16:14
  Speaker 4: That's one of the best sketches.
• 16:15
  Speaker 1: Michael Showalter shows up in one scene as a cop
• 16:18
  Speaker 1: that's standing around.
• 16:19
  Speaker 4: You know.
• 16:20
  Speaker 1: There's a shoot-em-up going on, and he's standing around with
• 16:23
  Speaker 1: some other cops smoking and drinking, and he goes, somebody
• 16:26
  Speaker 1: should call the cops. That's his one line of the movie,
• 16:28
  Speaker 1: but he's in there as a little cameo. Nice. And
• 16:32
  Speaker 1: it's very funny. There's stuff that falls on its face,
• 16:36
  Speaker 1: but it's pretty funny. It's got a lot of actors
• 16:39
  Speaker 1: and actresses. Paul Rudd is kind of your main narrator
• 16:43
  Speaker 1: character throughout the movie. It's definitely worth watching. There are
• 16:47
  Speaker 1: some really good laughs in it. There are some that
• 16:51
  Speaker 1: you go, eh, you know. They're hit and miss, but
• 16:55
  Speaker 1: most of.
• 16:56
  Speaker 4: The time it's a hit.
• 16:57
  Speaker 1: And if you like the state at all, it's definitely
• 17:00
  Speaker 1: worth watching.
• 17:02
  Speaker 4: It's funny how underappreciated they were at the time. Now
• 17:06
  Speaker 4: they've become, like in comedy circles, that's sort of like royalty.
• 17:11
  Speaker 4: It's amazing how many people draw from that now. But
• 17:14
  Speaker 4: at the time, there were a few dorks that sat
• 17:17
  Speaker 4: at home watching MTV, like me, that thought it was awesome.
• 17:20
  Speaker 4: And yeah, I loved that show back when it was on,
• 17:22
  Speaker 4: but nobody cared about it at the time.
• 17:25
  Speaker 1: My wife and I were dating at the time in
• 17:27
  Speaker 1: different cities, and we both would record it, and we
• 17:29
  Speaker 1: both would watch it and immediately call and talk to
• 17:31
  Speaker 1: each other like dorks. And at the time, I think
• 17:35
  Speaker 1: I felt like we were the only two people in.
• 17:37
  Speaker 4: The world that watched it.
• 17:38
  Speaker 1: So yeah, it's... it's good stuff. So anyway, that one,
• 17:42
  Speaker 1: that was my definite recommendation. I watched, uh, from Paris
• 17:46
  Speaker 1: with love or two, but whatever it's called, the John
• 17:48
  Speaker 1: Travolta movie, that horrible look of his.
• 17:52
  Speaker 7: Yeah.
• 17:52
  Speaker 1: You don't have to go see that.
• 17:54
  Speaker 6: Why?
• 17:55
  Speaker 4: Just that's what kills me is that look, the, the,
• 17:58
  Speaker 4: the bald head and the goatee and the earring. It's just, Oh,
• 18:01
  Speaker 4: it's terrible.
• 18:02
  Speaker 1: He does have his moments where he's pretty funny. I mean, he,
• 18:05
  Speaker 1: he can be funny. He can be, but, um.
• 18:09
  Speaker 4: It's, yeah, I mean, it was one of those I
• 18:11
  Speaker 4: thought maybe because of the ridiculous, over-the-top nature of it,
• 18:15
  Speaker 4: like it might work on that level of, wow, this
• 18:19
  Speaker 4: movie is so terrible that it's sort of entertaining in
• 18:23
  Speaker 4: its own sad way. It's not as.
• 18:25
  Speaker 1: Bad as, I hoped it was that bad. I wanted
• 18:27
  Speaker 1: it to be that bad and be very entertained by it,
• 18:30
  Speaker 1: but it's just kind of bad. And the worst part
• 18:34
  Speaker 1: of the movie is the fact that his vice, his
• 18:37
  Speaker 1: thing that he um, has to have to eat is
• 18:40
  Speaker 1: a Royale with cheese. And it, it's, it's just, they're
• 18:44
  Speaker 1: going as low as possible to get that referencing joke. So, yes,
• 18:49
  Speaker 1: that's bad.
• 18:49
  Speaker 4: Yep.
• 18:50
  Speaker 1: So that's my referencing your own movies.
• 18:53
  Speaker 4: And yeah.
• 18:55
  Speaker 1: All right.
• 18:56
  Speaker 4: Marlene.
• 18:56
  Speaker 2: Um, I basically just watched a bunch of TV. Although
• 19:01
  Speaker 2: last night I watched triplets of Belleville.
• 19:03
  Speaker 4: Yeah.
• 19:04
  Speaker 2: I'd never seen it before.
• 19:05
  Speaker 4: I've heard it was good.
• 19:06
  Speaker 3: Yeah.
• 19:06
  Speaker 2: Yeah.
• 19:07
  Speaker 4: Yeah.
• 19:09
  Speaker 2: Going into it, the people I was watching it with,
• 19:10
  Speaker 2: they're like, it's kind of weird. You might not like it.
• 19:12
  Speaker 2: I'm like, I like French movies. I like animated movies.
• 19:15
  Speaker 2: I like silent movies, and I like musicals. I don't
• 19:18
  Speaker 2: really think there's going to be a problem here. There wasn't.
• 19:21
  Speaker 4: I loved it.
• 19:21
  Speaker 2: It was really awesome. The animation was different. It was, like, amazing.
• 19:25
  Speaker 4: Have these people ever met you? Like, how is weird
• 19:29
  Speaker 4: going to be something that's going to throw you off?
• 19:32
  Speaker 2: It was my boyfriend's dad.
• 19:34
  Speaker 4: Oh, okay. I guess.
• 19:37
  Speaker 7: But, uh.
• 19:38
  Speaker 2: Yeah, it was awesome.
• 19:39
  Speaker 9: The animation was really good and the music was awesome.
• 19:44
  Speaker 2: Apparently, like, there's parts where they're playing, like, a refrigerator
• 19:47
  Speaker 2: and a bicycle spoke and things like that.
• 19:49
  Speaker 4: Yeah.
• 19:50
  Speaker 2: Cleaner, and, like, in the studio when they're making those sounds,
• 19:52
  Speaker 2: that's what they're really using, which I think is really cool.
• 19:55
  Speaker 2: It took me a while. Like, I was tired when
• 19:58
  Speaker 2: I watched it, so, like, I feel embarrassed for admitting this.
• 20:01
  Speaker 2: I didn't catch on to the story right away.
• 20:04
  Speaker 4: Yeah. I can't say I don't just... you know, go
• 20:09
  Speaker 4: to sleep most of the time. But yeah, there was
• 20:12
  Speaker 4: something lately that has taken many tries.
• 20:16
  Speaker 2: I mean, I felt like that a lot lately with
• 20:18
  Speaker 2: things I'm watching something and I'm like, I think I
• 20:22
  Speaker 2: just zone out for a second. Like I'll get to
• 20:24
  Speaker 2: this later, but the movie that we had to watch for,
• 20:27
  Speaker 2: This week's podcast. I still don't know why the mom
• 20:30
  Speaker 2: did what she did. And I just missed that part completely.
• 20:32
  Speaker 2: I don't know. We'll talk about that more later.
• 20:35
  Speaker 4: I've got one. I just remembered what it was I
• 20:37
  Speaker 4: kept not finishing. If I can interrupt yours for another
• 20:41
  Speaker 4: one that I totally forgot about with good reason. I
• 20:43
  Speaker 4: watched My Soul to Take, that Wes Craven movie. I
• 20:48
  Speaker 4: could not. That's the thing. I fall asleep on movies
• 20:52
  Speaker 4: all the time. That's sort of a given with me.
• 20:54
  Speaker 4: This wasn't that. This was, it was like 20 minutes
• 20:57
  Speaker 4: in and I just went. I don't know what's going
• 21:00
  Speaker 4: on right now and I don't really care. I quit
• 21:02
  Speaker 4: paying attention. And that's not my nature. It's like if
• 21:06
  Speaker 4: I'm watching a movie, I focus on the movie. I
• 21:08
  Speaker 4: pay attention to the movie. I'm not doing other stuff.
• 21:10
  Speaker 4: It's like if I'm watching a movie, I'm watching a movie.
• 21:13
  Speaker 4: And that's what I was doing. I wasn't even doing
• 21:14
  Speaker 4: anything else. I was to the point my mind was
• 21:16
  Speaker 4: wandering while watching this movie. Like to the point, yeah, five,
• 21:20
  Speaker 4: six minutes had gone by and I went, I don't
• 21:22
  Speaker 4: even know what they're talking about right now. And I
• 21:23
  Speaker 4: don't care. So I stopped it. And like the next
• 21:26
  Speaker 4: day I tried to go back and finish watching it.
• 21:28
  Speaker 4: I got about that, I got maybe another 10, 15
• 21:31
  Speaker 4: minutes in and I went, oh my God, I just,
• 21:33
  Speaker 4: I'm going to go take a nap or something. It
• 21:36
  Speaker 4: took me three specific times of not falling asleep, but
• 21:39
  Speaker 4: stopping myself and going, but I was damned and determined
• 21:43
  Speaker 4: to make it all the way through. I watched it.
• 21:46
  Speaker 4: It's terrible. It really is bad as everybody said it was.
• 21:49
  Speaker 2: It's yeah, it's bad. I, I heard it was like
• 21:52
  Speaker 2: a wannabe nightmare on Elm Street or something.
• 21:53
  Speaker 4: No, it's not even that. That's the thing. I mean,
• 21:55
  Speaker 4: it's almost hard to believe this is Wes Craven. Like,
• 21:59
  Speaker 4: I mean, I know he turns in some off movies
• 22:02
  Speaker 4: every once in a while, but I mean, this is just,
• 22:05
  Speaker 4: it's bad. Like, it's just everything about, and that's what's
• 22:08
  Speaker 4: really sad is like, this isn't even like, I mean,
• 22:11
  Speaker 4: his last one, he didn't, you know, scream. He didn't
• 22:13
  Speaker 4: even write that. He's just turning in a directing job.
• 22:16
  Speaker 4: This movie, he wrote it and directed it. And I
• 22:18
  Speaker 4: was just like, Are you really losing it that much that, like,
• 22:22
  Speaker 4: you cannot piece together? Because, I mean, the story's just dumb.
• 22:26
  Speaker 4: The characters say horrible things. Like, it's just bad dialogue.
• 22:30
  Speaker 4: But the plot where they work in the killer character
• 22:34
  Speaker 4: is just dumb. Like, more than anything. It's like, I just...
• 22:37
  Speaker 4: I don't care. And by the end of it, you
• 22:40
  Speaker 4: get sort of pieced together the story. And I'm just like, wow,
• 22:42
  Speaker 4: that was really bad. There's just nothing to it to
• 22:46
  Speaker 4: really make you want to come back to it. It's... Yeah, I.
• 22:49
  Speaker 1: Which.
• 22:50
  Speaker 4: I give myself credit. I was damned and determined to
• 22:52
  Speaker 4: finish it, and I did. I watched it all, but
• 22:55
  Speaker 4: it took me three days to get through it. Okay,
• 22:58
  Speaker 4: I interrupted you.
• 22:59
  Speaker 6: Sorry.
• 22:59
  Speaker 2: I don't know what it is, why I do that.
• 23:02
  Speaker 2: I think it's because I'm so accustomed to reading part
• 23:05
  Speaker 2: of a book, putting it down, reading part of another book,
• 23:08
  Speaker 2: putting it down, reading part of another book, putting it down,
• 23:10
  Speaker 2: picking up the first book. I do that with movies
• 23:13
  Speaker 2: and shows and everything.
• 23:15
  Speaker 4: TV shows, like kind of encourage that, at least in
• 23:18
  Speaker 4: their original run.
• 23:19
  Speaker 2: I'll watch half a TV show, and then go back
• 23:21
  Speaker 2: and watch the other half of it. I think I'm
• 23:23
  Speaker 2: just so used to doing that, it's just like I'll
• 23:25
  Speaker 2: lose focus, like, halfway in, and I'm just like, yeah.
• 23:31
  Speaker 2: But I eventually caught on. It was really good. Actually,
• 23:33
  Speaker 2: someone explained it to me. I'm like, yeah, I thought
• 23:37
  Speaker 2: that's what was going on.
• 23:39
  Speaker 4: Which movie are you talking about? Triplets of Belvedere.
• 23:42
  Speaker 1: That was like us and Hannah completely missing out that it.
• 23:45
  Speaker 4: Was Yeah, I mean, we went and saw that, and
• 23:49
  Speaker 4: we stood in the parking lot and talked about it
• 23:51
  Speaker 4: for like an hour, and never did we really... We
• 23:55
  Speaker 4: had a lot of other stuff. I mean, we came
• 23:57
  Speaker 4: up with a lot of different takes on it, but
• 24:00
  Speaker 4: never got to the fact that... I mean, and even
• 24:03
  Speaker 4: the director himself said it's a veiled fairy tale. Right.
• 24:07
  Speaker 4: And by the end, it's very obvious. I mean, I
• 24:08
  Speaker 4: realized they were playing on that at the very end,
• 24:11
  Speaker 4: but I didn't realize just how specific... It's not even failed.
• 24:15
  Speaker 1: They're hitting you in the face.
• 24:16
  Speaker 10: Oh, yeah.
• 24:16
  Speaker 4: I mean, it's totally up front by the end of it. But,
• 24:20
  Speaker 4: I mean, the entire structure of it is a fairy tale.
• 24:23
  Speaker 4: Everything that goes on is based around the tropes of
• 24:26
  Speaker 4: fairy tales. I mean, it is funny that we just
• 24:29
  Speaker 4: really didn't draw on that at all. It was late.
• 24:31
  Speaker 1: I don't know.
• 24:32
  Speaker 4: Yeah, that's true. It was very late.
• 24:34
  Speaker 1: We're kind of sleepy.
• 24:36
  Speaker 4: Sorry to interrupt you again.
• 24:37
  Speaker 2: It's okay.
• 24:39
  Speaker 4: I mean.
• 24:40
  Speaker 2: I don't really... That's pretty much all I have to
• 24:42
  Speaker 2: say about it. It was awesome. I liked it. Two
• 24:44
  Speaker 2: thumbs up.
• 24:45
  Speaker 4: It was all hand-drawn, if I remember. It's like old-school animation, yeah.
• 24:50
  Speaker 2: Yeah.
• 24:50
  Speaker 4: Which is awesome. All right. Anything else?
• 24:54
  Speaker 2: I've been watching a lot of Hoarders lately. It's not
• 24:56
  Speaker 2: really so much movie-related. But every time I watch Hoarders,
• 25:00
  Speaker 2: it's like an excellent motivational tool. Like I watched Hoarders
• 25:04
  Speaker 2: and then I had to pause it and organize my
• 25:07
  Speaker 2: DVD cabinet.
• 25:09
  Speaker 4: I don't want to be like that.
• 25:11
  Speaker 2: Yeah, I was watching Hoarders yesterday and had to pause
• 25:13
  Speaker 2: it and I cleaned out the trunk of my car.
• 25:15
  Speaker 2: I'm like, hmm, yeah. Because I have Hoarder tendencies for sure.
• 25:20
  Speaker 9: I mean, a lot of us in this podcast, most
• 25:24
  Speaker 9: of them aren't currently here, but a lot of us.
• 25:26
  Speaker 2: Have Hoarder tendencies.
• 25:27
  Speaker 4: I don't know, I'd say all of us in this
• 25:28
  Speaker 4: room still... I'm going to fall into that category. Are
• 25:31
  Speaker 4: you a hoarder too? I had to rent a.
• 25:34
  Speaker 1: Roll-off dumpster, a big one, to clean out my basement.
• 25:39
  Speaker 1: I had so much stuff that we got rid of.
• 25:42
  Speaker 4: And I haven't even gotten the dumpster, so I'm still
• 25:44
  Speaker 4: toting my shit around.
• 25:46
  Speaker 2: I just got rid of most of mine. I'm trying
• 25:48
  Speaker 2: to be an ex-hoarder.
• 25:50
  Speaker 4: I just figure I'll watch the show and I'll be like, well,
• 25:52
  Speaker 4: at least eventually I'll get to be on TV.
• 25:56
  Speaker 2: I just wanted to be for a bunch of stuff
• 25:57
  Speaker 2: and not garbage. Like the one I was watching yesterday.
• 26:00
  Speaker 2: The lady's house was full of garbage. They found like
• 26:02
  Speaker 2: four dead cats in her house.
• 26:04
  Speaker 4: That's not good at all.
• 26:05
  Speaker 2: I know you're like ten years of garbage.
• 26:08
  Speaker 1: The worst one I saw was the bird lady. That
• 26:11
  Speaker 1: everything was just feathers and feces.
• 26:14
  Speaker 4: Somebody was telling me about that.
• 26:16
  Speaker 1: It made me sick to watch it. Like you have
• 26:18
  Speaker 1: to change it because you're so... Disgusted by it.
• 26:22
  Speaker 4: Yeah.
• 26:23
  Speaker 2: I mean, my closet is the only place where it
• 26:26
  Speaker 2: is apparent that I'm a hoarder. And it's like, I
• 26:29
  Speaker 2: have to shove everything in there and close the door
• 26:33
  Speaker 2: really fast and block it with a stool so it
• 26:36
  Speaker 2: doesn't fly open and everything spill out. But it's because
• 26:39
  Speaker 2: I don't have enough shelves. I don't even have a
• 26:43
  Speaker 2: hanging bar in my closet. I have a pull-out, rolling.
• 26:49
  Speaker 2: Clothes rack and it's broken so i just kind of
• 26:51
  Speaker 2: throw everything.
• 26:52
  Speaker 4: In there see i've decided that's what i like i
• 26:55
  Speaker 4: almost prefer that i want just like a storage facility
• 26:58
  Speaker 4: i i don't need everything and i've done that everything's
• 27:02
  Speaker 4: pretty stripped down here but everything's crammed in one area
• 27:05
  Speaker 4: it's like i just need more storage space so i
• 27:08
  Speaker 4: can stockpile it and you know i can hoard it
• 27:11
  Speaker 4: but back there i don't need it around me all
• 27:13
  Speaker 4: the time i don't need access to it constantly i
• 27:15
  Speaker 4: But every once in a while when I need whatever
• 27:17
  Speaker 4: it is I've stored away, I need to be able
• 27:20
  Speaker 4: to go get to it. So I like that. I
• 27:22
  Speaker 4: like the vault scenario, obviously, since I've worked it into
• 27:24
  Speaker 4: the show as well. But I like the idea of
• 27:26
  Speaker 4: being able to have access to everything, but you don't
• 27:29
  Speaker 4: necessarily have to get to it every day. You're just
• 27:31
  Speaker 4: stockpiling it somewhere else out of the way. That's what
• 27:33
  Speaker 4: I need. I just need a giant storage facility behind
• 27:36
  Speaker 4: my house. Anything else for you this week?
• 27:41
  Speaker 7: Nope.
• 27:42
  Speaker 3: All right.
• 27:43
  Speaker 2: That does it. Pretty unexciting week, movie-wise.
• 27:49
  Speaker 4: Do we want to go into our food item this week?
• 27:52
  Speaker 4: I don't know that we're doing an official tie-in, but,
• 27:54
  Speaker 4: you know, as our listeners know, we usually come.
• 27:57
  Speaker 1: Up with nice food.
• 27:58
  Speaker 4: Yeah, to me, it's very normal. Like, I don't know
• 28:01
  Speaker 4: that it... I guess maybe it's one of our weird
• 28:03
  Speaker 4: little things, but to me, it's just like when you're
• 28:06
  Speaker 4: at home. I mean, don't you, like, get together with
• 28:08
  Speaker 4: your friends and eat food and watch a movie? I mean, that's...
• 28:11
  Speaker 4: kind of comes with the territory. So we try to
• 28:14
  Speaker 4: tie that in and make it as normal and real
• 28:16
  Speaker 4: world as it would be otherwise, even if there weren't
• 28:19
  Speaker 4: recorders here.
• 28:21
  Speaker 1: The theme that goes along with the food and movie
• 28:24
  Speaker 1: tie-in for today is that there are layers of cheese
• 28:29
  Speaker 1: within it.
• 28:30
  Speaker 4: Yes. Within both. We're having lasagna tonight. So I think
• 28:35
  Speaker 4: we're going to... We're going to take a break here
• 28:37
  Speaker 4: and go have some lasagna. And we'll be back with
• 28:40
  Speaker 4: this week's Sofa Theater feature, Rockula.
• 28:42
  Speaker 1: La, la, la, la, lasagna.
• 28:47
  Speaker 11: You want the summer lasagna.
• 28:49
  Speaker 4: Magnifico.
• 28:50
  Speaker 11: Or maybe spaghetti. Hey, you suppers are ready. Now where
• 28:55
  Speaker 11: do you go? Mamma mia, bambino. Mamma mia, bambino. Samara, yo.
• 29:02
  Speaker 4: Samara, yo.
• 29:05
  Speaker 3: You'll like our pizza pies, made from a famous Italian recipe.
• 29:09
  Speaker 3: They're waiting for you right now at the concession stand.
• 29:12
  Speaker 3: Enjoy tempting food at its best.
• 29:17
  Speaker 4: What's up?
• 29:17
  Speaker 6: It's Brian again.
• 29:18
  Speaker 4: Just here to tell you it's coming up on one
• 29:20
  Speaker 4: of our favorite times of year here at Movie Meltdown.
• 29:22
  Speaker 4: It's coming up on the Fright Night Film Fest. This
• 29:24
  Speaker 4: will be the seventh annual Fright Night Film Fest. But
• 29:27
  Speaker 4: not only that. This year also kicks off Fandom Fest.
• 29:32
  Speaker 4: an entire second convention.
• 29:34
  Speaker 1: Of geek and pop culture.
• 29:36
  Speaker 4: But wait, you get both awesome shows for the same
• 29:39
  Speaker 4: low price. Now this is no longer just a convention
• 29:42
  Speaker 4: that caters to horror geeks. But it crosses over into
• 29:45
  Speaker 4: a whole new realm where fantasy and sci-fi lovers, as
• 29:48
  Speaker 4: well as comic book collectors, general film lovers... You can
• 29:51
  Speaker 4: hang out with gamers, authors, and artists of all types.
• 29:55
  Speaker 4: It's like Geek Valhalla, only you don't have to die
• 29:57
  Speaker 4: to get there. You just have to get your tickets now.
• 30:00
  Speaker 4: Now the main guest, the legend himself, director John Carpenter. Amazing.
• 30:08
  Speaker 4: One of the most influential directors of our time. Not
• 30:12
  Speaker 4: only that, this list of guests goes on. We've got
• 30:15
  Speaker 4: the Fonz himself, Henry Winkler. That is so awesome. Also,
• 30:20
  Speaker 4: Margot Kidder, Tiffany Shephus, Larry Drake, Jeremy Bullock, Tony Moore,
• 30:25
  Speaker 4: and the stars of The Walking Dead. The stars of
• 30:27
  Speaker 4: Enter the Dragon, Bruce Lee not included. A Karate Kid
• 30:30
  Speaker 4: Cobra Kai reunion. And give us a Revenge of the
• 30:33
  Speaker 4: Nerds reunion. Seriously. Featuring Robert Carradine, Larry B. Scott, Curtis Armstrong,
• 30:40
  Speaker 4: and if booger bean there wasn't enough, Donald Gibb. Ogre,
• 30:44
  Speaker 4: ladies and gentlemen, will be there. There's so many others.
• 30:47
  Speaker 4: I mean, the stars of American Graffiti, Jaws, Phantasm, so
• 30:51
  Speaker 4: many other stars. You'll just have to go look at
• 30:53
  Speaker 4: the list. It's ridiculous how many stars are there. Plus, again,
• 30:56
  Speaker 4: we cross over into all the other activities that are
• 30:59
  Speaker 4: added this year. You've got literary guests and gaming guests
• 31:03
  Speaker 4: and artists. There'll be seminars and workshops going on, movies
• 31:07
  Speaker 4: the entire weekend, live music, a masquerade ball, and the
• 31:11
  Speaker 4: now infamous Georgetown Drive-In event. plus an appearance from your
• 31:16
  Speaker 4: friends at Movie Meltdown. And isn't that really the most
• 31:19
  Speaker 4: impressive thing? And it's all going on July 22nd through
• 31:22
  Speaker 4: the 24th in Louisville, Kentucky. So get your tickets now.
• 31:25
  Speaker 4: You can go to FrightNightFilmFest.com or the site for the
• 31:28
  Speaker 4: new convention, Fandom Fest. That's F-A-N-D-O-M-F-E-S-T dot com. It's going
• 31:34
  Speaker 4: to be one hell of a weekend.
• 31:36
  Speaker 1: The Fright Night Film Fest is my favorite film festival.
• 31:39
  Speaker 4: Hands down.
• 31:47
  Speaker 8: Now I'm asking you to surrender your heart. You made
• 31:55
  Speaker 8: me wait forever.
• 31:57
  Speaker 4: My hope had almost died.
• 31:59
  Speaker 2: You stopped the world from.
• 32:02
  Speaker 8: Turning when you were by my side.
• 32:08
  Speaker 1: One good thing that came out of me cleaning out
• 32:10
  Speaker 1: my basement is I found my VHS copy of Get.
• 32:13
  Speaker 12: Get.
• 32:15
  Speaker 1: And I might have, no one else has ever seen that,
• 32:18
  Speaker 1: that I know of.
• 32:20
  Speaker 4: In the world. Yeah, probably in the world. You're the
• 32:23
  Speaker 4: only one.
• 32:23
  Speaker 1: So anyone that I know, no one else.
• 32:25
  Speaker 4: Has ever seen it.
• 32:26
  Speaker 1: So I'm going to have to at least lend it out.
• 32:30
  Speaker 4: I feel like I need to see it. I don't
• 32:32
  Speaker 4: know that I have been in a big hurry, obviously,
• 32:35
  Speaker 4: because it's been like 15 years.
• 32:36
  Speaker 1: I thought that you would get a copy of it anywhere.
• 32:40
  Speaker 4: So before we're officially back, do you want to go
• 32:42
  Speaker 4: into a moment? Huh?
• 32:46
  Speaker 2: Which one should I go into first?
• 32:48
  Speaker 4: Oh, I don't know. You think about it whilst I
• 32:51
  Speaker 4: give you your announcement.
• 32:52
  Speaker 12: Okay.
• 32:53
  Speaker 4: Announce time from Marlena Moore.
• 32:56
  Speaker 2: Okay, so last week I went to my place of
• 33:01
  Speaker 2: employment to pick up some of my friends that I
• 33:04
  Speaker 2: work with. It was my friend's birthday. We were dressed
• 33:07
  Speaker 2: up to go out and dance and have dinner and
• 33:10
  Speaker 2: stuff like that. And there's this crazy there's this thing
• 33:14
  Speaker 2: happening in the town that I work called jaywalk which
• 33:17
  Speaker 2: is basically where like all these drunk people like ride
• 33:21
  Speaker 2: this big bus and go from bar to bar and
• 33:24
  Speaker 2: just like wear t-shirts and it's just like the dumbest
• 33:27
  Speaker 2: idea ever it's like hey public intoxication is cool and
• 33:31
  Speaker 2: fun and like this is a great idea but anyway
• 33:35
  Speaker 2: so there's this crazy lady hanging out in front of
• 33:37
  Speaker 2: my work and we walk up and she goes what's
• 33:40
  Speaker 2: up jiggles and i was like excuse me she was
• 33:45
  Speaker 2: like she's like i hope you're a bartender with your
• 33:48
  Speaker 2: boobs like that and then she started grabbing her own
• 33:51
  Speaker 2: boobs and she's like i feel you girl i'd like
• 33:54
  Speaker 2: to let mine all hang out but she wasn't she
• 33:56
  Speaker 2: was probably not wearing a bra but she was wearing
• 33:59
  Speaker 2: a button-up polo shirt and i was like uh yeah
• 34:06
  Speaker 2: and uh Then she looked at me and she said,
• 34:09
  Speaker 2: you look nice. She looked at my friend who was
• 34:13
  Speaker 2: her birthday and she goes, you look nice. And then
• 34:15
  Speaker 2: she looked at my friend Sarah and she goes, eh.
• 34:20
  Speaker 4: I think that's my favorite part of the story.
• 34:22
  Speaker 2: And then this lady was just rambling. We were like
• 34:27
  Speaker 2: not inviting her into any conversation whatsoever. And she's like, hey,
• 34:32
  Speaker 2: I have this deaf boyfriend. His name's Stevie. He thinks
• 34:35
  Speaker 2: I'm into girls, but I'm not. She's like, but he's
• 34:37
  Speaker 2: only known me for a week, so he doesn't really
• 34:38
  Speaker 2: know that much about me. And I'm like, okay.
• 34:41
  Speaker 4: Thanks for sharing.
• 34:42
  Speaker 10: Yeah.
• 34:43
  Speaker 2: I'm like, awesome. And she's like, I'm a displaced teacher
• 34:47
  Speaker 2: from Pennsylvania. And, you know, someone was just like, oh, really?
• 34:53
  Speaker 2: You know, just kind of like, whatever, don't care. And
• 34:55
  Speaker 2: she's like, yeah, I taught erotica to special needs children.
• 34:58
  Speaker 4: And we were like.
• 35:01
  Speaker 2: That's probably why you're a displaced teacher.
• 35:03
  Speaker 10: Yeah.
• 35:04
  Speaker 4: There's so many things wrong with that statement.
• 35:06
  Speaker 2: I know. But it's maybe one of the best things
• 35:09
  Speaker 2: I've ever heard in my life. I taught Aaronica to
• 35:12
  Speaker 2: special needs children.
• 35:14
  Speaker 4: First of all, does anybody teach Aaronica? Exactly. You just
• 35:18
  Speaker 4: sort of buy it in a brown paper bag and
• 35:20
  Speaker 4: you take it out real fast and you go read
• 35:22
  Speaker 4: it alone by yourself or with whatever toys that you need. But, yeah,
• 35:26
  Speaker 4: I don't know. If so, it's probably a very high-end
• 35:30
  Speaker 4: class that wouldn't let that crazy bitch teach it. And
• 35:33
  Speaker 4: second of all, do you need to be teaching that
• 35:35
  Speaker 4: to special needs children?
• 35:38
  Speaker 10: Yeah.
• 35:38
  Speaker 4: I mean, what's something, is this our tax dollars at work?
• 35:42
  Speaker 10: Yeah.
• 35:43
  Speaker 2: I think she's probably, this is probably in her mind
• 35:46
  Speaker 2: that she did this.
• 35:47
  Speaker 4: I hope so.
• 35:48
  Speaker 2: But, and then she looks at my friend Sarah and goes,
• 35:51
  Speaker 2: do you know the difference between erotica and porn? And
• 35:53
  Speaker 2: Sarah's like, yes, I do. But we were all just
• 35:58
  Speaker 2: like staring there in shock and horror like, this crazy
• 36:04
  Speaker 2: woman outside claims to teach erotica to special needs children.
• 36:07
  Speaker 2: She needs to be removed. So I walked in and
• 36:09
  Speaker 2: I told my boss, I was like, there's a really
• 36:11
  Speaker 2: creepy lady outside. She made me feel uncomfortable. So he
• 36:14
  Speaker 2: escorted her away. He like kicked her out. Told her
• 36:19
  Speaker 2: not to come back.
• 36:19
  Speaker 4: That's great. So basically you said, I need an adult.
• 36:22
  Speaker 10: I need an adult.
• 36:22
  Speaker 2: I know. I was like, I need an adult. And
• 36:25
  Speaker 2: I mean, I have to say, she was the creepiest
• 36:27
  Speaker 2: person I've ever met in my life. And it's usually
• 36:30
  Speaker 2: old men that are creepy, but no, she like, Was
• 36:33
  Speaker 2: the creepiest person ever.
• 36:35
  Speaker 4: See, I'm still kind of intrigued. I want to know
• 36:38
  Speaker 4: what her reasoning between, what her difference between erotica and
• 36:42
  Speaker 4: porn was.
• 36:44
  Speaker 2: It doesn't matter. Neither one needs to be taught to
• 36:48
  Speaker 2: special needs children.
• 36:49
  Speaker 4: I want to know where she was going with that.
• 36:51
  Speaker 2: I don't know.
• 36:51
  Speaker 4: I don't know.
• 36:53
  Speaker 1: What do they do once they've learned this?
• 36:56
  Speaker 4: Put it into action. And now, kids, we're going to
• 37:00
  Speaker 4: start the soundtrack.
• 37:03
  Speaker 2: Okay, well, there is this, these videos that someone once
• 37:06
  Speaker 2: directed me to on YouTube, and it's this, like, classful
• 37:10
  Speaker 2: of mentally handicapped children doing slam and beat poetry.
• 37:14
  Speaker 4: Oh, God.
• 37:15
  Speaker 2: And one of them is this, he's mentally handicapped, and
• 37:19
  Speaker 2: he's in a wheelchair. He's very physically handicapped, and his
• 37:23
  Speaker 2: body is shriveled, and his name is, like, Stevie or something,
• 37:26
  Speaker 2: or Steve, or I don't know what his name is.
• 37:29
  Speaker 2: But he wants to be a girl. And he's, like,
• 37:31
  Speaker 2: dressed up like a girl. And his, like, slam poem
• 37:36
  Speaker 2: is about how he wants to be a sexy woman.
• 37:39
  Speaker 2: But he can't be because he's, like, this poor handicapped boy.
• 37:43
  Speaker 1: Yeah.
• 37:44
  Speaker 2: Yeah, it made me think of that.
• 37:45
  Speaker 1: That makes me sad.
• 37:47
  Speaker 4: I mean, I'm really sad for that personally.
• 37:49
  Speaker 13: Mm-hmm.
• 37:50
  Speaker 4: That sounds really depressing, but mostly just because it's slam poetry.
• 37:54
  Speaker 2: There's one I'll have to show you. It's called I'm
• 37:57
  Speaker 2: a Werewolf. It's amazing. If there was one called I'm
• 38:02
  Speaker 2: a Vampire, it could be relevant to this week's episode.
• 38:07
  Speaker 4: So, do we need one shot, or do you have
• 38:10
  Speaker 4: more stories that you want to get out before you
• 38:12
  Speaker 4: forget about them all?
• 38:13
  Speaker 2: What was the other thing that happened?
• 38:14
  Speaker 4: Oh, the in line in front of you.
• 38:17
  Speaker 2: Oh, eh, I can leave that one out.
• 38:21
  Speaker 4: Yeah. It's, once again, just America at its finest.
• 38:23
  Speaker 2: I'll have more because, you know, these things just happen
• 38:27
  Speaker 2: to me. I don't know why, but they do.
• 38:30
  Speaker 4: That's why we try to give you the outlet and
• 38:32
  Speaker 4: took a special Marlena moment break.
• 38:35
  Speaker 2: I mean, I feel like I need to write a
• 38:37
  Speaker 2: book or something.
• 38:40
  Speaker 4: They publish all kinds of stuff, so I can't imagine
• 38:43
  Speaker 4: that not getting published. It's more interesting than most things
• 38:46
  Speaker 4: out there as far as I'm concerned.
• 38:47
  Speaker 10: Yep. Yep.
• 38:50
  Speaker 4: All right, well, then we'll take the rest of this
• 38:52
  Speaker 4: break and come back with a sweet smoke.
• 38:55
  Speaker 8: Your spirit is bent on destruction. Rock you up.
• 39:05
  Speaker 4: Your spirit is bent on.
• 39:21
  Speaker 12: The Rocky Horror Picture Show is a must for all
• 39:24
  Speaker 12: of you. If you don't go and see it, I
• 39:27
  Speaker 12: shall personally come around to your houses.
• 39:29
  Speaker 4: And drag you out by the scruff of the neck.
• 39:33
  Speaker 12: I shall belt you around the mouth and mouth you
• 39:35
  Speaker 12: around the belt. Do you understand what I'm saying? See
• 39:43
  Speaker 12: the Rocky Horror Picture Show. Rated R. Under 17. Not
• 39:47
  Speaker 12: admitted without parent.
• 39:51
  Speaker 6: Tweaked Audio, your source for high-performance, noise-reducing earbuds. Available in
• 39:56
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• 40:00
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• 40:09
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• 40:12
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• 40:15
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• 40:22
  Speaker 4: It's time for Sofa Theater. And this kid is Rockula.
• 40:40
  Speaker 8: Okay, we are back once again, and this time for
• 40:44
  Speaker 8: this week's Sofa Theater Featured.
• 41:09
  Speaker 4: This week's Sofa Theater feature is the aforementioned Rockula.
• 41:13
  Speaker 8: Rockula!
• 41:15
  Speaker 4: The year is 1990. The director, Luca Boccovisi, and if
• 41:20
  Speaker 4: I'm saying that wrong, tough. But he actually is an
• 41:23
  Speaker 4: actor as well, and you would probably recognize him if
• 41:26
  Speaker 4: you saw him. He's been in quite a few movies
• 41:28
  Speaker 4: over the years, and yeah, some cheesy action stuff. Yeah,
• 41:32
  Speaker 4: he's He's very recognizable once you go look him up.
• 41:35
  Speaker 4: He's one of those guys that you see and.
• 41:37
  Speaker 1: Say, oh, that guy.
• 41:38
  Speaker 4: Yeah, he's that guy. He's definitely one you would never
• 41:40
  Speaker 4: know that his name is Luko Berkovich. But yeah, you
• 41:47
  Speaker 4: definitely recognize him once you see him in action.
• 41:49
  Speaker 1: Like Walker Texas Ranger and Criminal Minds or just stuff
• 41:52
  Speaker 1: like that.
• 41:52
  Speaker 4: Tons of TV and weird movies. Yep, definitely. So with that,
• 41:58
  Speaker 4: we'll throw out the spoiler alert, because even the plot here, well,
• 42:01
  Speaker 4: the basic, and once again, we're going to IMDb, like
• 42:04
  Speaker 4: we usually do, but the basic one-sentence one, which is
• 42:06
  Speaker 4: usually the one I prefer, was dumb and wrong, and
• 42:09
  Speaker 4: I was like, all right, fine. So I scrolled down,
• 42:11
  Speaker 4: and we've got a more lengthy one here. This one
• 42:14
  Speaker 4: goes into quite a bit of it, so, you know,
• 42:16
  Speaker 4: spoiler alert, even on the plot synopsis here.
• 42:19
  Speaker 10: Huh.
• 42:20
  Speaker 4: Rockula is about a male vampire who lost his lady
• 42:23
  Speaker 4: love centuries ago. I love letting other people write random synopsis.
• 42:30
  Speaker 4: She was killed by a pirate with a rhinestone pig leg,
• 42:33
  Speaker 4: wielding a large ham bone. Our hero, the vampire, did
• 42:36
  Speaker 4: nothing to save her. So he has now courage to
• 42:39
  Speaker 4: watch her be born again in another life, and then
• 42:42
  Speaker 4: watch her die, strangely enough, by a pirate with a
• 42:45
  Speaker 4: rhinestone pig leg, wielding, you know what. Now, in 1990,
• 42:48
  Speaker 4: he has, he suspects, His last chance to try to
• 42:52
  Speaker 4: save her instead of watching her get clubbed over and
• 42:55
  Speaker 4: over again down through the years. Oh, and he becomes
• 42:58
  Speaker 4: a rock star in the process. Thank you, Shannon, who
• 43:02
  Speaker 4: wrote that for us. That's it. It really is the movie.
• 43:06
  Speaker 4: I mean, I just like the phrasing on most of that.
• 43:09
  Speaker 2: Oh, yeah.
• 43:10
  Speaker 4: Oh, and he becomes a rock star, by the way.
• 43:12
  Speaker 4: Which is pretty much the entire bulk of this movie.
• 43:15
  Speaker 4: Let's see. Before we get into it, it is time
• 43:18
  Speaker 4: for our return to... Once again, we delve into the
• 43:23
  Speaker 4: vaults of an actor and find out what their thoughts
• 43:25
  Speaker 4: were on one of these past movies. And today we
• 43:29
  Speaker 4: go to the archives of Mr. Dean Cameron. So we'll
• 43:32
  Speaker 4: see what Dean has to say about being in Rockula.
• 43:36
  Speaker 4: What do you do when you're given Rockula?
• 43:37
  Speaker 7: Oh. You know, Rockulo was the first movie I carried,
• 43:43
  Speaker 7: and when I moved to L.A., I wanted to be
• 43:47
  Speaker 7: number one on the call sheet and number one on
• 43:49
  Speaker 7: the movie poster, and Rockulo I was, and I got
• 43:52
  Speaker 7: to sing and play guitar, and they gave me money
• 43:54
  Speaker 7: for it. And had it been a different... You know,
• 43:58
  Speaker 7: the studio was going under at the time, so... Had
• 44:02
  Speaker 7: they put money behind it, I think it could have
• 44:04
  Speaker 7: been a bigger movie and.
• 44:05
  Speaker 4: They marketed it right.
• 44:07
  Speaker 7: But I'm proud of it. There's a couple scenes in
• 44:09
  Speaker 7: it where I'm not happy with my work, but I'm
• 44:12
  Speaker 7: happy with the movie.
• 44:13
  Speaker 4: Once again, thank you to Dean for sharing his memories
• 44:16
  Speaker 4: of Rockula. And he actually has a relatively good take
• 44:22
  Speaker 4: on it. He seemed to enjoy the process. I liked
• 44:28
  Speaker 4: you told this earlier, but I thought it would also
• 44:30
  Speaker 4: be a good way to intro into it We'll get
• 44:33
  Speaker 4: to what your thoughts were on the movie, but would
• 44:35
  Speaker 4: you tell us what your wife said about it as she.
• 44:38
  Speaker 1: Well, my wife works from home. She was doing work
• 44:41
  Speaker 1: in the same room that I was watching the movie.
• 44:43
  Speaker 1: And we get to the end of it, and she said.
• 44:46
  Speaker 4: You.
• 44:47
  Speaker 1: Know, she's on her computer for most of the time.
• 44:49
  Speaker 1: And she said, I didn't even watch this movie, and
• 44:53
  Speaker 1: I hate it.
• 44:55
  Speaker 8: And, you know.
• 44:57
  Speaker 4: I think it speaks for a lot of people, actually.
• 45:00
  Speaker 4: That's why I wanted to throw it out there. I
• 45:01
  Speaker 4: was like, there's a big span here of how people
• 45:05
  Speaker 4: are going to feel about this movie. I think it's
• 45:08
  Speaker 4: definitely one of those movies that it's kind of hard
• 45:11
  Speaker 4: to be in the middle. You're going to be on
• 45:12
  Speaker 4: one side or the other, and she definitely fell where
• 45:16
  Speaker 4: a lot of people probably do. She hates most movies,
• 45:18
  Speaker 4: so don't.
• 45:19
  Speaker 1: You know.
• 45:21
  Speaker 4: Oh, especially the kind of stuff we watch. Right.
• 45:24
  Speaker 1: She asked why we watched this kind of stuff. That
• 45:28
  Speaker 1: was her specific words about this.
• 45:30
  Speaker 4: Just to befuddle you, honey. Yeah.
• 45:33
  Speaker 2: To piss you off.
• 45:36
  Speaker 4: To just confuse you. That's probably what the listeners are thinking, too. So,
• 45:41
  Speaker 4: aside from why we watched it, where else would you
• 45:44
  Speaker 4: like to go? You know, it goes back to.
• 45:48
  Speaker 1: Because that's the entire thing of the movie, is that it's...
• 45:52
  Speaker 1: music video kind of just one after another song, not
• 45:55
  Speaker 1: really a musical, but it, it goes back to that
• 46:00
  Speaker 1: thing of, I think of the eighties where someone in
• 46:05
  Speaker 1: a movie could be, say they're in a band and
• 46:08
  Speaker 1: the next day have gigs at big clubs and become
• 46:11
  Speaker 1: a hit. It was like this mythos that you could
• 46:15
  Speaker 1: become in a band and be successful.
• 46:18
  Speaker 4: And it's, You know, I can play music. That isn't
• 46:20
  Speaker 4: how it works.
• 46:21
  Speaker 1: And it just, that is what that time period was.
• 46:27
  Speaker 4: Yeah, you could put a band together. In a montage?
• 46:32
  Speaker 1: It's almost like this movie was the vampire, the cheesy
• 46:37
  Speaker 1: vampire version of Howard the Duck.
• 46:39
  Speaker 4: Yeah, actually, I was going to make a reference to
• 46:42
  Speaker 4: that by the end here. So yeah, I'll come back
• 46:45
  Speaker 4: around to that.
• 46:45
  Speaker 2: All right.
• 46:46
  Speaker 4: Didn't mean to steal your thunder. No, but it definitely
• 46:49
  Speaker 4: ties in on a couple of levels. I thought for
• 46:54
  Speaker 4: a while, when it came up on screen, and.
• 46:58
  Speaker 1: This has nothing to do with the story of the movie,
• 47:02
  Speaker 1: but if someone told me that there was a movie
• 47:05
  Speaker 1: out there that Bo Diddley dressed up in spandex, yellow spandex,
• 47:12
  Speaker 1: and rapped, I would have said, there's no way in hell. Obviously,
• 47:20
  Speaker 1: I was wrong. If you've seen this, you know what
• 47:22
  Speaker 1: I'm talking about.
• 47:23
  Speaker 2: Yeah, that is awesome.
• 47:26
  Speaker 4: You can't not think that's awesome. It's horrible, but it's awesome.
• 47:30
  Speaker 4: I mean, in a way, that almost sums up the
• 47:33
  Speaker 4: entire movie. Because it falls into both categories.
• 47:37
  Speaker 1: Yeah.
• 47:39
  Speaker 4: I guess it takes a certain type of person to
• 47:42
  Speaker 4: recognize the awesomeness involved. Most people will very freely see
• 47:46
  Speaker 4: the horrible end of it, but again, I think it
• 47:50
  Speaker 4: depends on where your taste lies, and I don't know.
• 47:55
  Speaker 4: I think it very heavily plays on, and this is
• 47:59
  Speaker 4: something that over the years has become a thing, and
• 48:02
  Speaker 4: I've seen a lot of movies do this. It's one
• 48:04
  Speaker 4: of those, like, I can almost see somebody going, this
• 48:07
  Speaker 4: is going to be the next Rocky Horror movie. And
• 48:10
  Speaker 4: that movie has gotten... In recent years, it seems like
• 48:13
  Speaker 4: I've heard a lot more people kind of hate on
• 48:15
  Speaker 4: that one. I mean, Rocky has its core group, but
• 48:18
  Speaker 4: as time's going on, I think the novelty's worn off,
• 48:20
  Speaker 4: and a lot of people are just like, oh, fuck
• 48:22
  Speaker 4: that movie, I hate that. And I think sometimes more
• 48:25
  Speaker 4: so because the fans are really obnoxious. And I was one,
• 48:28
  Speaker 4: so I can make fun of you, and I still
• 48:29
  Speaker 4: kind of am one, but I just don't make it
• 48:31
  Speaker 4: out to see it anymore. But I certainly did my
• 48:34
  Speaker 4: time in the theater, but I don't think I ever
• 48:37
  Speaker 4: fell into that category of of the hardcore fans that
• 48:40
  Speaker 4: were around me. I was there every week with them,
• 48:43
  Speaker 4: but I didn't fit, as most places in my life.
• 48:46
  Speaker 4: I didn't fit in there either. So I understand why
• 48:50
  Speaker 4: people are annoyed by those fans and the whole surrounding
• 48:53
  Speaker 4: of that. And this movie feels like it could have
• 48:56
  Speaker 4: very easily been somebody greenlighting it somewhere up the line.
• 49:00
  Speaker 4: They didn't throw a ton of money at it, but
• 49:02
  Speaker 4: they were just enough to be like, this could catch
• 49:04
  Speaker 4: on in its own weird little underground way. It's got
• 49:07
  Speaker 4: just enough weird kitschiness to it that it's like if
• 49:10
  Speaker 4: the right crowd finds it they would fall in love
• 49:13
  Speaker 4: with it they'll go see it every week whereas the
• 49:15
  Speaker 4: rest of the people are going to be like what
• 49:16
  Speaker 4: the hell is this.
• 49:17
  Speaker 2: Not necessarily every week but I'm surprised it's not at
• 49:20
  Speaker 2: the Elvira, Mistress of the Dark, or Little Shop of Horrors.
• 49:24
  Speaker 2: No one's really heard of this movie.
• 49:26
  Speaker 3: Yeah.
• 49:26
  Speaker 4: I mean, recently it's sort of got a resurgence, and
• 49:30
  Speaker 4: I've heard a lot of other shows mention it, but yeah,
• 49:33
  Speaker 4: for a good long span of time there, it just...
• 49:37
  Speaker 4: disappeared off the radar and nobody you know thought about
• 49:40
  Speaker 4: it again.
• 49:40
  Speaker 14: So it's almost not bad enough you know be that
• 49:47
  Speaker 14: right it skates the line it's like there's times when
• 49:50
  Speaker 14: it it is kind of genius in how cheesy it
• 49:53
  Speaker 14: is right and then there's other times when it's just
• 49:55
  Speaker 14: kind of a mediocre 80s movie right right.
• 49:58
  Speaker 1: It goes back and forth but i don't know i
• 50:01
  Speaker 1: i could see a theater full of goofy cult fans
• 50:05
  Speaker 1: watching the rapula scene and just having a ball with
• 50:09
  Speaker 1: it and.
• 50:09
  Speaker 4: It's funny it took me like this time i mean
• 50:12
  Speaker 4: i've seen that scene a few times and i just
• 50:14
  Speaker 4: went oh that's terrible i mean please stop And it's funny,
• 50:19
  Speaker 4: it took me this time to be like, that's almost
• 50:22
  Speaker 4: one of the moments that's kind of genius because they
• 50:25
  Speaker 4: realize how bad it is. I mean, he's wearing like
• 50:28
  Speaker 4: a spandex jumpsuit with like tiny whities over top of it.
• 50:33
  Speaker 4: And he's wearing like sprayed gold records around his neck.
• 50:37
  Speaker 4: I mean, it's ridiculous. It's massively over the top. He
• 50:40
  Speaker 4: knows how stupid... He's being in the process, so it's, like,
• 50:44
  Speaker 4: on that level. Like, if it was just bad and
• 50:46
  Speaker 4: they were unaware of it, I guess that's enjoyable in
• 50:49
  Speaker 4: its own way, too. But this one, I mean, you
• 50:52
  Speaker 4: can't just, like, oh, God, they're terrible. It's, like, they
• 50:54
  Speaker 4: knew in 19... Well, that's a whole other thing. We'll
• 50:57
  Speaker 4: claim 1990 they knew how bad it.
• 50:59
  Speaker 11: Was, but.
• 51:00
  Speaker 4: I mean, it's, yeah, it knows what it is at
• 51:04
  Speaker 4: moments and it kind of revels in that. And then
• 51:06
  Speaker 4: there are other times when I don't, again, I think
• 51:08
  Speaker 4: people just weren't putting enough care in the middle portions. But,
• 51:12
  Speaker 4: I mean, there are those moments that I'm like, this
• 51:14
  Speaker 4: is epic bad. This is like bad, kind of genius
• 51:18
  Speaker 4: bad of how cheesy and ridiculous and over the top
• 51:21
  Speaker 4: and like lavishly produced some of this ridiculous stuff is. Well,
• 51:28
  Speaker 4: it almost is.
• 51:29
  Speaker 1: There almost isn't enough story there for the film because.
• 51:34
  Speaker 4: It's almost like a sitcom plot line. It's got about
• 51:37
  Speaker 4: a half hour worth of plot, and then they just
• 51:40
  Speaker 4: fill it in with a lot of songs. A lot
• 51:41
  Speaker 4: of songs.
• 51:42
  Speaker 1: Yeah, it's... What is it? It comes in under 90 minutes.
• 51:47
  Speaker 4: I think so.
• 51:48
  Speaker 1: And you still have... 12 songs probably in the film.
• 51:53
  Speaker 4: So at least seven or eight full length. I mean,
• 51:57
  Speaker 4: you get a few other little pieces here and there,
• 51:59
  Speaker 4: but I mean, there's, there's several times where it just
• 52:02
  Speaker 4: stops and you get music video sometimes literally as you
• 52:06
  Speaker 4: find out or full on performance and at the club
• 52:10
  Speaker 4: or what, I mean, it really does just stop and become,
• 52:13
  Speaker 4: you know, Okay, here's the song. And, you know, that's
• 52:16
  Speaker 4: a good portion of the movie, actually. Oh, God, Mona.
• 52:19
  Speaker 2: Why don't you watch where you're going?
• 52:21
  Speaker 10: I could have.
• 52:21
  Speaker 1: How did you know my name?
• 52:24
  Speaker 12: I don't know your name.
• 52:26
  Speaker 3: You don't know my name.
• 52:26
  Speaker 2: Just pretend this never happened, okay? This never would have
• 52:30
  Speaker 2: happened if you hadn't jumped out in front of my car.
• 52:33
  Speaker 2: I hope for your sake my gear isn't trashed.
• 52:35
  Speaker 10: Just forget you ever saw me, okay?
• 52:37
  Speaker 9: Because the next thing you know.
• 52:38
  Speaker 13: We're going to go out on a date, we're going
• 52:40
  Speaker 13: to fall in love, and then some crazy pirate's going
• 52:43
  Speaker 13: to peg you with a ham bone.
• 52:45
  Speaker 4: Where do you want to go next? Well, I mean,
• 52:49
  Speaker 4: I'll go back to what I was just saying a
• 52:50
  Speaker 4: minute ago and what Dean brought up earlier.
• 52:54
  Speaker 10: It had.
• 52:55
  Speaker 4: problems getting out. I mean, it was actually from what
• 52:57
  Speaker 4: I heard shot in like 88 and didn't surface until 90.
• 53:02
  Speaker 4: So that's also kind of part of like it missing
• 53:04
  Speaker 4: its window. Like, I mean, number one, like you were saying,
• 53:07
  Speaker 4: just bad marketing, like that the studio didn't get behind it,
• 53:10
  Speaker 4: which granted it is a hard sell, I'd say, but still,
• 53:14
  Speaker 4: I mean, you, if you marketed it right, you could
• 53:16
  Speaker 4: find at least a core group of kids that would
• 53:19
  Speaker 4: probably run out and see it just for the, you know,
• 53:21
  Speaker 4: goofy stuff going on or the people involved. But yeah,
• 53:23
  Speaker 4: They obviously didn't do that, but also somewhere along the way,
• 53:26
  Speaker 4: it got lost in the cracks where one studio was
• 53:30
  Speaker 4: getting bought out or something like that and changing hands.
• 53:33
  Speaker 4: And somewhere along the way, this thing got lost. And
• 53:36
  Speaker 4: in that couple of years, it also kind of loses something.
• 53:40
  Speaker 4: I mean, it is a very 80s movie. So it's
• 53:43
  Speaker 4: funny when you look at it and go, this came
• 53:44
  Speaker 4: out in 90s.
• 53:45
  Speaker 2: I was thinking it seemed like an 80s movie.
• 53:47
  Speaker 4: Yeah, and it technically is. It looks like an 80s movie.
• 53:50
  Speaker 4: It's shot as an 80s movie. It's an 80s movie
• 53:53
  Speaker 4: that didn't make its way out until the 90s. So,
• 53:55
  Speaker 4: I mean, yeah, I think that also helps it feel
• 53:58
  Speaker 4: a little out of place. You know, it definitely feels
• 54:01
  Speaker 4: more so now, but now I guess you even get
• 54:03
  Speaker 4: a little cheesy nostalgia out of it.
• 54:06
  Speaker 1: The whole thing's kind of out of place because it
• 54:07
  Speaker 1: has blues and it has... you know, 80s pop, and
• 54:12
  Speaker 1: it has, like I said, rap, and it's just kind
• 54:16
  Speaker 1: of a hodgepodge of everything.
• 54:20
  Speaker 4: And that time period was kind of like that anyway. Yeah,
• 54:22
  Speaker 4: the 80s definitely.
• 54:22
  Speaker 1: You've had the dying out of some styles of rock
• 54:25
  Speaker 1: and the emergence of others. Like the one when they're
• 54:28
  Speaker 1: doing the montage, and there's, you know, the rockers that
• 54:32
  Speaker 1: are on the street that he goes and talks to,
• 54:34
  Speaker 1: and they have the teased hair and look like they're from...
• 54:37
  Speaker 1: Cinderella or something like that and the dude's got on
• 54:39
  Speaker 1: a red hot chili pepper shirt which in 88 would
• 54:43
  Speaker 1: have been yeah that's you're on the cusp of what's
• 54:46
  Speaker 1: new you know and not anything of what.
• 54:49
  Speaker 4: And nothing at all yeah.
• 54:50
  Speaker 1: Motley Crue would look like or anything and so.
• 54:53
  Speaker 4: I decided they looked like enough is enough there's there's
• 54:56
  Speaker 4: an odd reference for you yeah but I was like
• 54:58
  Speaker 4: I think some of those guys might actually be from the.
• 55:01
  Speaker 1: Band right and so yeah it's like and and think
• 55:05
  Speaker 1: Music and movies didn't really know what they were at
• 55:08
  Speaker 1: that time.
• 55:09
  Speaker 4: And that's kind of what this was. It's just everything
• 55:11
  Speaker 4: was thrown in. Yeah, I think that's what it is.
• 55:13
  Speaker 4: It's like get everything that's sort of kind of popular
• 55:16
  Speaker 4: and just throw it and see what sticks kind of idea.
• 55:18
  Speaker 4: I mean, the 80s was really like that. I mean,
• 55:21
  Speaker 4: you look at music and movies and stuff. It really
• 55:23
  Speaker 4: was just kind of like. here's a lot of stuff, and,
• 55:26
  Speaker 4: you know, especially once they started making those cheap knockoff
• 55:29
  Speaker 4: kind of movies and music that was tapping into those
• 55:32
  Speaker 4: kind of markets that were just like, okay, let's just
• 55:35
  Speaker 4: go with what's popular and get it out there. I mean, granted,
• 55:37
  Speaker 4: they've been marketing like that, you know, for years. It's
• 55:40
  Speaker 4: always kind of like, okay, quick, you know, jump on
• 55:43
  Speaker 4: this little hot property and get it out there, but
• 55:45
  Speaker 4: the 80s definitely, like, found that and went with it
• 55:48
  Speaker 4: pretty heavy, so this falls into that category.
• 55:53
  Speaker 1: I also wonder how they got I mean, Thomas Dolby,
• 55:57
  Speaker 1: who might be the best part of the movie.
• 55:59
  Speaker 4: Or worst. I can't decide. It's like there's times when
• 56:02
  Speaker 4: I'm like, he's really good, but he's also so annoying
• 56:05
  Speaker 4: that it's almost too good, which makes it annoying and bad.
• 56:10
  Speaker 4: And I really can't make up my mind how I
• 56:11
  Speaker 4: feel about it. I don't know, the commercial?
• 56:12
  Speaker 1: The commercial's genius.
• 56:15
  Speaker 2: I love those commercials.
• 56:16
  Speaker 1: Those were awesome.
• 56:17
  Speaker 4: Those were the moments I was just like, see, they
• 56:19
  Speaker 4: know what they're doing at times. It's like they're really
• 56:22
  Speaker 4: being kind of smart, and they're writing this stuff that, again,
• 56:26
  Speaker 4: could almost just be taken out and put in something else.
• 56:28
  Speaker 4: It doesn't have to be in this movie. It's a
• 56:31
  Speaker 4: clever little bit, and they worked it in. Because, I mean,
• 56:34
  Speaker 4: other than that, does he ever– Other than those commercials,
• 56:37
  Speaker 4: does the fact that he runs that business ever come
• 56:40
  Speaker 4: into play? Other than the cryogenic freezing. At the very end,
• 56:45
  Speaker 4: they need a weird tie-in. But, I mean, really, you
• 56:47
  Speaker 4: could have thrown that in there any number of ways.
• 56:49
  Speaker 4: It's not like you have to be super illogical in
• 56:51
  Speaker 4: this movie anyway. So, I mean... Well, his mother.
• 56:57
  Speaker 2: That dance sequence was just, like, terrible.
• 57:00
  Speaker 4: But, again, that's another one of those that I was like,
• 57:02
  Speaker 4: this is awesomely bad. Like, it's bad... But it's so
• 57:07
  Speaker 4: ridiculous and, like, that's the one, like, throwing in types
• 57:11
  Speaker 4: of music. I mean, this was sort of pre-Goth. I mean,
• 57:14
  Speaker 4: when they work in her whole little number. That was
• 57:17
  Speaker 4: a pre-Goth.
• 57:17
  Speaker 2: Goth happened in the 80s. I mean, like, pre-modern Goth.
• 57:21
  Speaker 4: Well, I mean, of the kids that tapped into it.
• 57:22
  Speaker 4: I mean, you didn't have that little run of kids, like,
• 57:25
  Speaker 4: the Hot Topic kids until mid-90s.
• 57:27
  Speaker 2: Yeah, but, I mean, you had, like, the Cure kids and, like,
• 57:30
  Speaker 2: all the 80s Goth.
• 57:33
  Speaker 4: But to me, that's taking itself really seriously, where this
• 57:37
  Speaker 4: is more of that cheesy, like, when everybody threw a
• 57:41
  Speaker 4: goth character in. It became more of that watered-down mainstream version,
• 57:45
  Speaker 4: which is what this little dance number is just like.
• 57:47
  Speaker 4: It's trying to play on the horror theme, but at
• 57:49
  Speaker 4: the same time, it's tapping into cheesy 80s music.
• 57:52
  Speaker 2: I think it's a lot more like an Elvira kind
• 57:54
  Speaker 2: of thing.
• 57:55
  Speaker 4: Kind of. More than anything.
• 57:56
  Speaker 1: Yeah.
• 57:57
  Speaker 4: But again, that's just a whole other type of music
• 57:59
  Speaker 4: they threw in there. Right. Just throwing more stuff in
• 58:02
  Speaker 4: the middle of this.
• 58:04
  Speaker 1: And I understood that she got her scene in the house.
• 58:07
  Speaker 1: I don't know why she would be dancing in front
• 58:09
  Speaker 1: of them. That's very weird. But the one when she
• 58:12
  Speaker 1: goes to the club and they just stop the movie
• 58:15
  Speaker 1: and her and the other guy do a little dance
• 58:17
  Speaker 1: number at the club. I'm like... It's almost like she
• 58:20
  Speaker 1: was contracted to have so much dance time in the movie.
• 58:24
  Speaker 4: She's Tony Basil. I know. Again, you get these names,
• 58:27
  Speaker 4: you have to kind of make use of them.
• 58:28
  Speaker 2: I thought she was so adorable in that movie. She
• 58:31
  Speaker 2: was just so cute. I mean, like, she was kind
• 58:35
  Speaker 2: of annoying, but in a cute way.
• 58:37
  Speaker 4: I mean, that's the thing. You have to look.
• 58:39
  Speaker 2: best of your mother she was just so dramatic and
• 58:43
  Speaker 2: it was adorable just.
• 58:44
  Speaker 4: The names that they brought in I mean you know
• 58:47
  Speaker 4: and sometimes don't do anything with Bo Diddley I mean
• 58:50
  Speaker 4: why would you buy and that was at the point
• 58:52
  Speaker 4: where he was really popular again I mean he'd gone
• 58:54
  Speaker 4: through that you know disappearance and nobody paid any attention
• 58:57
  Speaker 4: to him in pop culture and then like he hit
• 59:00
  Speaker 4: that like 80s you know Bo knows thing and like
• 59:03
  Speaker 4: came back with a vengeance and everybody knew who he
• 59:05
  Speaker 4: was again so if you were going to do something
• 59:07
  Speaker 4: with him Why would it be this? And if you
• 59:10
  Speaker 4: were going to put him in something, why would you
• 59:12
  Speaker 4: just make him sit in the background and have almost
• 59:14
  Speaker 4: no lines, have nothing to do except be background in
• 59:18
  Speaker 4: most of the scenes that he's in? I'm just like,
• 59:20
  Speaker 4: you could get anybody to do that. Why would you
• 59:22
  Speaker 4: get Bo Denley? And also, they never really, I mean,
• 59:26
  Speaker 4: once or twice he sort of plucks the guitar. I'm
• 59:28
  Speaker 4: just like, he's holding a guitar half the time. Let
• 59:31
  Speaker 4: that dude play guitar. I'm like, why? It's so frustrating
• 59:35
  Speaker 4: with him. At least they make use of Tony Basil
• 59:38
  Speaker 4: and I mean, they're sometimes in bad ways, but they
• 59:42
  Speaker 4: at least make use of them, where he just was
• 59:44
  Speaker 4: so wasted. It's a shame. Man, that dude sure got
• 59:48
  Speaker 4: the blues.
• 59:54
  Speaker 2: What's the name of the lady who is the bartender?
• 59:58
  Speaker 4: That's the one I was going to ask if you knew.
• 1:00:00
  Speaker 4: She's Crybaby. Chuck the bartender. That's right. It's Susan Tyrell,
• 1:00:04
  Speaker 4: but do you know who else she is? I mean,
• 1:00:09
  Speaker 4: I do, but I.
• 1:00:10
  Speaker 2: Can't think of what it is right now. I know
• 1:00:12
  Speaker 2: she's the lady in Cry Baby, and there's something else
• 1:00:14
  Speaker 2: that I realized recently.
• 1:00:14
  Speaker 4: That's the other big, yeah, because I'd forgotten Cry Baby,
• 1:00:18
  Speaker 4: but I was sitting there going, I know I know her,
• 1:00:20
  Speaker 4: and why?
• 1:00:21
  Speaker 2: I feel like I discovered this recently, and now I
• 1:00:23
  Speaker 2: can't think of what it is.
• 1:00:24
  Speaker 4: Yeah, she is the queen in Forbidden Zone.
• 1:00:27
  Speaker 2: Yeah, that's what it is.
• 1:00:29
  Speaker 7: Wow.
• 1:00:29
  Speaker 15: Yeah.
• 1:00:30
  Speaker 4: Which is like huge for, you know, the few geeks
• 1:00:32
  Speaker 4: that love that movie and where most of us are here.
• 1:00:35
  Speaker 4: But yeah, I mean, I, it, that movie is amazing. So,
• 1:00:38
  Speaker 4: and she's one of the main roles in it basically.
• 1:00:41
  Speaker 4: So yeah, as soon as I saw her, that's what
• 1:00:43
  Speaker 4: I was tapping into. And in a way, again, that's
• 1:00:45
  Speaker 4: sort of. that crowd it's like finding that weird midnight
• 1:00:50
  Speaker 4: and putting all these people putting her and tony basil
• 1:00:52
  Speaker 4: and thomas dolby in a movie it's like and bo
• 1:00:55
  Speaker 4: did it's like this is i mean that's definitely tapping
• 1:00:58
  Speaker 4: into that weird little niche out.
• 1:01:00
  Speaker 2: There that's what i'm saying it's like this movie is
• 1:01:03
  Speaker 2: so everything that you know people who are fans of
• 1:01:08
  Speaker 2: these weird musicals like Or, you know, it's just so
• 1:01:11
  Speaker 2: many genres, like weird campy horror movies from the 80s
• 1:01:14
  Speaker 2: or weird campy musicals. You know, it's like that's what
• 1:01:18
  Speaker 2: this movie is and no one knows what it is.
• 1:01:20
  Speaker 2: It's just like it was just poorly marketed.
• 1:01:22
  Speaker 4: Right.
• 1:01:23
  Speaker 1: It's like the biggest firework you could have that you
• 1:01:26
  Speaker 1: get from the store and it being a dud. Kind of.
• 1:01:30
  Speaker 4: It pays off sometimes. It's got a few sparks and stuff.
• 1:01:33
  Speaker 7: Yeah.
• 1:01:33
  Speaker 1: There are some duds that you're like, oh, that could
• 1:01:36
  Speaker 1: have gone so much better, you know?
• 1:01:37
  Speaker 2: Yeah.
• 1:01:38
  Speaker 4: Yeah, by the end, that's right.
• 1:01:40
  Speaker 10: Yeah.
• 1:01:40
  Speaker 1: But there's, again, there's really good reasons to watch it, too.
• 1:01:44
  Speaker 4: There's some payoffs.
• 1:01:46
  Speaker 2: I mean, the other movies that we've mentioned are definitely better,
• 1:01:50
  Speaker 2: but it's not, like, a huge disappointment. Like, where you're
• 1:01:54
  Speaker 2: just like, this movie should be way more awesome than
• 1:01:56
  Speaker 2: it is. Or like, wrist cutters, where you're like, this
• 1:01:59
  Speaker 2: movie should be way more awesome than it is. I
• 1:02:02
  Speaker 2: didn't feel like that at the end of this movie.
• 1:02:03
  Speaker 2: I mean, it was like, it wasn't a fantastic movie,
• 1:02:06
  Speaker 2: but it was good. You know, it was good enough.
• 1:02:08
  Speaker 4: I think I, and again, mostly in the last few years,
• 1:02:11
  Speaker 4: like as it sort of resurfaced in at least the
• 1:02:14
  Speaker 4: geek crowd that we are, I mean, it definitely got
• 1:02:18
  Speaker 4: so much attention. flack it's like it got such a
• 1:02:21
  Speaker 4: bad reputation right off the bat and not that it
• 1:02:23
  Speaker 4: probably didn't earn one back in the day but when
• 1:02:26
  Speaker 4: it resurfaced I heard so many people talk so bad
• 1:02:29
  Speaker 4: about it that I went in like expecting just horrible
• 1:02:33
  Speaker 4: and I'm like okay there's times when it's delivering a
• 1:02:35
  Speaker 4: pretty bad movie and then like I said there's other
• 1:02:38
  Speaker 4: scenes and I'm like this is kind of one of
• 1:02:40
  Speaker 4: those movies that I mean there are those movies that
• 1:02:43
  Speaker 4: like this is epic bad and this is kind of
• 1:02:45
  Speaker 4: genius and how ridiculous it is and it's got those moments.
• 1:02:49
  Speaker 4: It's certainly not all the way through. It's not a
• 1:02:52
  Speaker 4: perfect mixture, but yeah, to me, I was expecting worse
• 1:02:55
  Speaker 4: going in and was kind of had fun with what
• 1:02:58
  Speaker 4: was there more or less.
• 1:03:01
  Speaker 1: Yeah. It's one of those that if you lower your expectations,
• 1:03:06
  Speaker 1: you can have, I mean, it can, it's just fine.
• 1:03:09
  Speaker 1: You know, if you know that it's a late night movie, it's,
• 1:03:12
  Speaker 1: it's a good, I mean, I'm not going to say
• 1:03:14
  Speaker 1: good movie.
• 1:03:15
  Speaker 4: It's a fun movie. It's a fun movie. It's funny
• 1:03:18
  Speaker 4: that you said almost exactly like I found that in
• 1:03:20
  Speaker 4: one of the IMDb little rundowns, somebody said, and this
• 1:03:24
  Speaker 4: is their quote, watch it with low expectations and you
• 1:03:26
  Speaker 4: might be entertained with an ultra cheesy movie. That's like
• 1:03:30
  Speaker 4: everything we said, including the cheesy food earlier. So, yeah,
• 1:03:34
  Speaker 4: I was like that. That's kind of how you have
• 1:03:36
  Speaker 4: to approach it. Normally, I think that's a cop out.
• 1:03:39
  Speaker 4: Like I usually hate when people are like, oh, what
• 1:03:42
  Speaker 4: were we expecting? A big, you know, Oscar. Like sometimes
• 1:03:45
  Speaker 4: I'm like, well, you can make comedies and you can
• 1:03:49
  Speaker 4: make like lower brow stuff that's not stupid. You know,
• 1:03:52
  Speaker 4: I mean, you can make. cheesy stuff that's not stupid.
• 1:03:55
  Speaker 4: There's a way to make those as well-made movies and
• 1:03:59
  Speaker 4: smart movies and still tap into the market you're going for.
• 1:04:02
  Speaker 4: I think it's usually a cop-out to be like, well,
• 1:04:05
  Speaker 4: just don't expect much. And so I'm like, no, I
• 1:04:07
  Speaker 4: kind of want to set the bar a little higher
• 1:04:09
  Speaker 4: with any movie. It's like, I kind of want them to,
• 1:04:12
  Speaker 4: to strive to be a better movie. But there are
• 1:04:16
  Speaker 4: times when you can just turn that off and be like, well, Let's,
• 1:04:19
  Speaker 4: you know, just enjoy what is here. And this has
• 1:04:22
  Speaker 4: definitely got those moments in.
• 1:04:23
  Speaker 2: You're going to have to explain to me why Tony
• 1:04:25
  Speaker 2: Basil dressed up like a gypsy.
• 1:04:29
  Speaker 4: The sneaky plot going on. I think that was only
• 1:04:32
  Speaker 4: to confuse us. I just, and that's the thing. There
• 1:04:36
  Speaker 4: is no scene explained. Because I assumed I knew the
• 1:04:39
  Speaker 4: answer all along. And I kept waiting for the scene
• 1:04:41
  Speaker 4: where she then reveals this.
• 1:04:43
  Speaker 10: Mm-hmm.
• 1:04:44
  Speaker 4: I thought it was her perpetuating this so that, you know,
• 1:04:47
  Speaker 4: he doesn't end up with the girl and go off
• 1:04:49
  Speaker 4: and leave her. I thought she's, she's a mom. She
• 1:04:52
  Speaker 4: wants to, I mean, how many hundreds of years has
• 1:04:54
  Speaker 4: she been playing mom to this kid? And she didn't want,
• 1:04:57
  Speaker 4: and as long as this scenario keeps going, he's going
• 1:04:59
  Speaker 4: to have to wait for her next time. And he's just,
• 1:05:01
  Speaker 4: he's the same dorky kid. So he's not going to
• 1:05:03
  Speaker 4: go anywhere on his own. But if he falls in
• 1:05:05
  Speaker 4: love with this girl, he might go off and leave
• 1:05:07
  Speaker 4: her and get his own place with her. And she's,
• 1:05:10
  Speaker 4: trapped by herself for all eternity.
• 1:05:11
  Speaker 2: So.
• 1:05:12
  Speaker 1: I think she does say that. She said, I'm your
• 1:05:14
  Speaker 1: mom and I don't want.
• 1:05:15
  Speaker 4: Kind of, but I mean, usually, especially in a movie
• 1:05:17
  Speaker 4: like this, you expect them to just read it out
• 1:05:19
  Speaker 4: to you.
• 1:05:20
  Speaker 15: Right, right.
• 1:05:20
  Speaker 4: Word for word, what we were thinking in this, you know, plot.
• 1:05:24
  Speaker 4: But they don't ever really do that. They just sort
• 1:05:25
  Speaker 4: of like, oh, time for the movie to be over,
• 1:05:27
  Speaker 4: so hurry up and start singing.
• 1:05:28
  Speaker 2: Yeah, because at the end, he's like, she's a traitor.
• 1:05:31
  Speaker 2: And then she says something, I didn't catch it.
• 1:05:34
  Speaker 4: I'm your mother.
• 1:05:35
  Speaker 6: Whatever.
• 1:05:36
  Speaker 4: And he instantly forgives her.
• 1:05:37
  Speaker 3: Yeah, I know. It was.
• 1:05:39
  Speaker 4: I was like, you've been killing this girl for how
• 1:05:41
  Speaker 4: many generations now? And, ah, whatever.
• 1:05:44
  Speaker 2: Yeah, I didn't get that at all.
• 1:05:45
  Speaker 4: Yeah, that seemed, again, like a very.
• 1:05:47
  Speaker 2: I think they're like, we're at studio time, wrap it up.
• 1:05:49
  Speaker 4: Yeah, that seemed like a very convenient little plot point of, eh, whatever,
• 1:05:52
  Speaker 4: just make it work. Keep it up.
• 1:05:54
  Speaker 2: I was very confused about that. I'm glad it wasn't
• 1:05:57
  Speaker 2: explained because I felt really stupid for not getting it.
• 1:06:01
  Speaker 4: No, they really do kind of skim over that whole
• 1:06:03
  Speaker 4: little area.
• 1:06:03
  Speaker 2: It's like, that's a huge part of the plot. Like,
• 1:06:06
  Speaker 2: and they're just like.
• 1:06:08
  Speaker 4: Well, and even involving Thomas Dolby as the one, I mean, that's...
• 1:06:13
  Speaker 4: You kind of get that, but they really don't go
• 1:06:15
  Speaker 4: into it. Again, maybe this is where they needed more
• 1:06:17
  Speaker 4: of all that story. It's like, one time he says,
• 1:06:21
  Speaker 4: she's my ex-girlfriend, but they never really go into that.
• 1:06:23
  Speaker 4: When you meet them, they're just two random people, and
• 1:06:25
  Speaker 4: he's showing his commercial, and you really don't get what
• 1:06:28
  Speaker 4: they are as a relationship.
• 1:06:31
  Speaker 1: And why does he even think that he has to
• 1:06:34
  Speaker 1: kill her to... It doesn't make.
• 1:06:36
  Speaker 4: you know yeah that doesn't make any sense that didn't
• 1:06:40
  Speaker 4: work for me really because it's like well why and
• 1:06:43
  Speaker 4: he also didn't seem like he was that into her
• 1:06:45
  Speaker 4: like it'd be different if oh i love her i
• 1:06:47
  Speaker 4: must make her mine or that would almost be motivation
• 1:06:50
  Speaker 4: to go through some sort of elaborate plot and dealing
• 1:06:53
  Speaker 4: with this mysterious gypsy or whatever the hell's going on
• 1:06:56
  Speaker 4: right but it's like we never really got that like
• 1:06:58
  Speaker 4: they didn't seem like they even liked each other most
• 1:06:59
  Speaker 4: of the time Ever. Like, it's not even like it's
• 1:07:02
  Speaker 4: a former thing. Like, it just seemed like they had
• 1:07:04
  Speaker 4: no chemistry ever, and now, for some reason, he's going
• 1:07:07
  Speaker 4: through this elaborate plot to then kill her, which makes
• 1:07:10
  Speaker 4: even less sense, really.
• 1:07:11
  Speaker 2: Because, you know, what I gathered from the first of
• 1:07:14
  Speaker 2: the movie, she was, like, accidentally killed. He was, like,
• 1:07:16
  Speaker 2: fighting for her, and she was accidentally killed.
• 1:07:18
  Speaker 4: Yeah.
• 1:07:19
  Speaker 2: Then it was just like, yeah, I'm just going to
• 1:07:20
  Speaker 2: cryogenically freeze her.
• 1:07:22
  Speaker 4: Okay.
• 1:07:23
  Speaker 2: Because when she wakes up in a hundred years, she'll
• 1:07:25
  Speaker 2: want me then. Yeah.
• 1:07:27
  Speaker 4: Again, convenient plot points that make no... Let's just... Move
• 1:07:30
  Speaker 4: on to the next scene.
• 1:07:31
  Speaker 2: Whatever.
• 1:07:31
  Speaker 4: Just say some words here. Very strange.
• 1:07:34
  Speaker 10: Oh yeah.
• 1:07:35
  Speaker 2: Definitely had a lot of loose ends.
• 1:07:38
  Speaker 10: Yeah.
• 1:07:39
  Speaker 4: Yeah. Kind of.
• 1:07:40
  Speaker 1: Well, when you have a, you know, a sword fight
• 1:07:44
  Speaker 1: between a guy with a hand bone and a guy
• 1:07:46
  Speaker 1: with a peg leg, a sparkly, a spark, a rhinestone,
• 1:07:50
  Speaker 1: it's going to be, you know.
• 1:07:52
  Speaker 4: Uh, you're dealing with a very special kind of movie.
• 1:07:57
  Speaker 1: It was poorly done.
• 1:07:59
  Speaker 4: That's okay. Um, Yeah, I mean, that was, like, even, like,
• 1:08:02
  Speaker 4: a bad production of a stage play. Like, most high
• 1:08:06
  Speaker 4: school levels would be better this little sword play going
• 1:08:09
  Speaker 4: on here. Yeah, they wrapped up that.
• 1:08:12
  Speaker 1: Whole end sequence in, like, a half a day.
• 1:08:16
  Speaker 2: Yeah.
• 1:08:16
  Speaker 4: They're like, okay, two takes, we're done. This, this, this. No,
• 1:08:19
  Speaker 4: don't ask questions of why we're doing it.
• 1:08:20
  Speaker 6: No, no, no, no, no.
• 1:08:21
  Speaker 4: Just move on. Just get to the end.
• 1:08:24
  Speaker 2: Maybe that was maybe they finished the movie right when
• 1:08:27
  Speaker 2: they were having problems with the studio and they were
• 1:08:29
  Speaker 2: just kind of like eh fuck it let's finish it just.
• 1:08:31
  Speaker 4: To finish it it might have been or it might
• 1:08:33
  Speaker 4: have been they pulled the money out at that point
• 1:08:34
  Speaker 4: and went well you make it work you got a
• 1:08:36
  Speaker 4: day left in the studio and go down they.
• 1:08:39
  Speaker 1: Could have shot all the videos first and had everything
• 1:08:42
  Speaker 1: done and then okay how are we going to do this.
• 1:08:44
  Speaker 4: Because that's where most of the money looks like I
• 1:08:46
  Speaker 4: mean the bigger production of everything in this is all
• 1:08:50
  Speaker 4: like everything else is just him standing there you know
• 1:08:53
  Speaker 4: it's like There's not anything else that's elaborate other than
• 1:08:56
  Speaker 4: the dream sequences, some of which are still worked into
• 1:08:58
  Speaker 4: the song.
• 1:08:59
  Speaker 1: So yeah they.
• 1:09:00
  Speaker 4: Could have shot all of that in one shot while
• 1:09:02
  Speaker 4: they still had money to me because it just.
• 1:09:06
  Speaker 2: Felt really rushed and like unfinished.
• 1:09:08
  Speaker 1: Yeah kind of where everything worked the most was when
• 1:09:12
  Speaker 1: he was having conversations with himself what do you.
• 1:09:14
  Speaker 4: Want come here and talk to me.
• 1:09:22
  Speaker 10: How's it hanging?
• 1:09:23
  Speaker 4: Is that all you wanted?
• 1:09:23
  Speaker 2: To ask me how's it hanging?
• 1:09:27
  Speaker 1: Come on, Ralphie, I'm worried about you.
• 1:09:29
  Speaker 4: A couple of hours, it's going to be Friday the 13th.
• 1:09:33
  Speaker 4: Let me guess, you have a headache, right?
• 1:09:36
  Speaker 3: Right, and a sore throat, too.
• 1:09:37
  Speaker 13: And you think you're coming down with the flu or
• 1:09:39
  Speaker 13: something really serious, right?
• 1:09:41
  Speaker 8: Right, I just can't go through with this again.
• 1:09:43
  Speaker 4: Let me see your tongue.
• 1:09:44
  Speaker 7: Come on.
• 1:09:46
  Speaker 1: That doesn't look too bad.
• 1:09:47
  Speaker 4: Is that in your retainer?
• 1:09:49
  Speaker 1: Yeah, it hurts like heck.
• 1:09:52
  Speaker 10: I'm sorry.
• 1:09:53
  Speaker 1: I know this legend thing is tough.
• 1:09:55
  Speaker 7: Let's take a moment and reflect.
• 1:09:59
  Speaker 1: Reflect!
• 1:10:00
  Speaker 4: Get it? Mirror, reflect! God, I killed myself! I was
• 1:10:04
  Speaker 4: going to address that. I was like, what? Again, with
• 1:10:08
  Speaker 4: weird plot points. Why is a vampire who doesn't have
• 1:10:13
  Speaker 4: a reflection talking to his reflection?
• 1:10:17
  Speaker 1: It's a twist i.
• 1:10:18
  Speaker 4: Mean it is it's clever i mean it's something i
• 1:10:20
  Speaker 4: haven't seen before but at the same time it also
• 1:10:23
  Speaker 4: doesn't make any sense right well i mean it would
• 1:10:27
  Speaker 4: almost make more sense if he were a normal character
• 1:10:29
  Speaker 4: and his reflection just started talking back to him and
• 1:10:31
  Speaker 4: it's part of his weird you know brain but this
• 1:10:34
  Speaker 4: makes even less sense since he is a vampire they've
• 1:10:37
  Speaker 4: proven it's not Like, he just thinks he's a vampire.
• 1:10:40
  Speaker 4: He is a vampire. Right. But yet, he's talking to
• 1:10:42
  Speaker 4: his reflection.
• 1:10:43
  Speaker 2: And that's not even consistent in all vampire movies or
• 1:10:47
  Speaker 2: mythology or whatever. A vampire can or can't have a reflection, whatever.
• 1:10:51
  Speaker 2: But they made it a point for his mom to
• 1:10:54
  Speaker 2: walk in front of him and be like, oh, I forgot.
• 1:10:55
  Speaker 10: Yeah.
• 1:10:56
  Speaker 4: That's what I was going to say. I was like, yeah,
• 1:10:57
  Speaker 4: it's not like we never saw it used at any
• 1:10:59
  Speaker 4: other point. Maybe they do, but no, she's specifically like, ah, so... Well,
• 1:11:04
  Speaker 4: and it could.
• 1:11:05
  Speaker 1: Be because she says that she doesn't have a reflection.
• 1:11:08
  Speaker 2: Yeah.
• 1:11:08
  Speaker 1: It could be that that is not the vampire part
• 1:11:11
  Speaker 1: of him, but the... he's messed up in the head
• 1:11:14
  Speaker 1: part of him. And it's just a manifestation because he
• 1:11:18
  Speaker 1: doesn't have a reflection if he's a vampire.
• 1:11:19
  Speaker 4: So it's just him, you know, messing with his brain.
• 1:11:22
  Speaker 10: Yeah.
• 1:11:23
  Speaker 4: I mean, I assumed there's a part of it that's
• 1:11:25
  Speaker 4: sort of his like schizophrenia of the other half of
• 1:11:28
  Speaker 4: his brain. That's telling him to do all these things
• 1:11:30
  Speaker 4: that are, and it's usually the, the salacious version of him,
• 1:11:34
  Speaker 4: or it's the, you know, the evil quote unquote version
• 1:11:36
  Speaker 4: of him.
• 1:11:37
  Speaker 2: So, or maybe like, I don't know if this is
• 1:11:40
  Speaker 2: a stretch, but like, Maybe in the supernatural world, vampires,
• 1:11:44
  Speaker 2: since they don't have reflections, there's this weird.
• 1:11:48
  Speaker 4: Other... Schism.
• 1:11:50
  Speaker 2: Other, like, supernatural being that comes and is their reflection
• 1:11:55
  Speaker 2: because they don't have one. And it's just like this,
• 1:11:57
  Speaker 2: like you're a team, like you're psychic. Like your reflection
• 1:12:00
  Speaker 2: is your psychic.
• 1:12:01
  Speaker 1: Right.
• 1:12:02
  Speaker 4: It certainly was for him.
• 1:12:03
  Speaker 10: Yeah.
• 1:12:04
  Speaker 1: I love how they address the sunblock. And that was it. Yeah,
• 1:12:08
  Speaker 1: we're going to handle that and move on.
• 1:12:09
  Speaker 4: Well, that's what I was going to say. Like, this
• 1:12:12
  Speaker 4: is so, like, let's pretend to be a horror movie,
• 1:12:15
  Speaker 4: but anything horror related is so glossed over and, like.
• 1:12:19
  Speaker 4: done for laughs at best if they bothered to address it.
• 1:12:22
  Speaker 4: But yeah, like the mirror thing doesn't follow through with
• 1:12:25
  Speaker 4: any horror. Yeah, go out in the sunlight, which again,
• 1:12:29
  Speaker 4: in some versions of the story, they aren't all that.
• 1:12:32
  Speaker 4: Maybe they're sensitive to light, but they won't burst into flames.
• 1:12:35
  Speaker 4: This one, they will burst into flames. Maybe he'll just sparkle.
• 1:12:38
  Speaker 4: Maybe he'll sparkle. But no, he just pulls a blade
• 1:12:41
  Speaker 4: and he's, yep, yep, sunblock, I'm cool. I can go
• 1:12:43
  Speaker 4: stand out in the middle of the bright, shiny day
• 1:12:46
  Speaker 4: and it won't hurt me a bit.
• 1:12:47
  Speaker 7: Or a.
• 1:12:48
  Speaker 5: what was the oh the garlic yeah i like garlic
• 1:12:50
  Speaker 5: yeah i love like again everything like that should be
• 1:12:53
  Speaker 5: they're totally going against but almost not in a like
• 1:12:56
  Speaker 5: defiance i'm going to change the horror genre way in
• 1:12:59
  Speaker 5: a like almost in a twilight way of wait what's
• 1:13:02
  Speaker 5: supposed to happen in horror oh fuck it we.
• 1:13:03
  Speaker 4: Don't want to do that no i like garlic and
• 1:13:06
  Speaker 4: yeah the cross the cross he's like which was sort
• 1:13:09
  Speaker 4: of a funny little joke there um what else When
• 1:13:12
  Speaker 4: he said, what about one of these?
• 1:13:15
  Speaker 1: Have you ever seen one of these?
• 1:13:16
  Speaker 4: And holds it in his face.
• 1:13:17
  Speaker 10: 18th century?
• 1:13:17
  Speaker 4: That's nice. And he grabs it out of his hand.
• 1:13:22
  Speaker 4: Or like the ultimate, blood. He's creeped out by blood.
• 1:13:26
  Speaker 4: In a way, they're just playing with the normal horror
• 1:13:29
  Speaker 4: movie themes. But it is funny that everything across the board,
• 1:13:32
  Speaker 4: anything that would make him a vampire doesn't match up
• 1:13:35
  Speaker 4: in this movie at all.
• 1:13:36
  Speaker 1: You know, it almost doesn't need to even be a...
• 1:13:39
  Speaker 1: a Dracula at all movie at all.
• 1:13:42
  Speaker 2: Yeah.
• 1:13:42
  Speaker 4: I mean, it could be anything. I mean, he could
• 1:13:45
  Speaker 4: be werewolf rockstar, you know, he could be like anything really.
• 1:13:50
  Speaker 1: I mean, it could, how long after Teen Wolf did this?
• 1:13:53
  Speaker 4: Teen Wolf's pretty, it's like 86. Well, I think it's
• 1:13:57
  Speaker 4: another one of those that got made earlier. Cause I
• 1:13:59
  Speaker 4: think that was made before back to the future and
• 1:14:02
  Speaker 4: then sat on the shelf till, Oh my God, this
• 1:14:04
  Speaker 4: guy's a, you know, multi-million dollar movie star and, And
• 1:14:07
  Speaker 4: then they put it out. So I think it was
• 1:14:08
  Speaker 4: released 86, but if I remember it was shot well
• 1:14:11
  Speaker 4: before Back to the Future was made. But do you
• 1:14:13
  Speaker 4: think they said, let's do a Teen Wolf? Kind of.
• 1:14:15
  Speaker 4: And we'll make, instead of basketball, it's Rockstar. And instead of,
• 1:14:19
  Speaker 4: you know. That could have been part of the marketing.
• 1:14:21
  Speaker 1: Where Wolf is Vampire.
• 1:14:23
  Speaker 4: But Teen Wolf has no song. So they're like, well,
• 1:14:25
  Speaker 4: let's tap into this. You know, these big musical things
• 1:14:29
  Speaker 4: have a weird following. Let's get in there. They do
• 1:14:30
  Speaker 4: have a lot of basketball, so. I mean, that's more
• 1:14:33
  Speaker 4: a basketball movie than it is a werewolf movie. It
• 1:14:35
  Speaker 4: really is, actually. It's a very basketball-heavy movie. And you're like,
• 1:14:39
  Speaker 4: I hate basketball. Let's turn this off. I love werewolves,
• 1:14:44
  Speaker 4: but I hate basketball.
• 1:14:46
  Speaker 1: It's all about style. What was the other one?
• 1:14:48
  Speaker 4: A wrestling movie or something like that? Yeah, I think
• 1:14:50
  Speaker 4: he's like a wrestler. Team Wolf 2.
• 1:14:52
  Speaker 2: Oh, I didn't even know there was a movie.
• 1:14:53
  Speaker 4: Jason Bateman. Jason Bateman.
• 1:14:55
  Speaker 2: Yeah.
• 1:14:56
  Speaker 10: Wow.
• 1:14:56
  Speaker 2: That's a bad one. I'm going to have to watch that.
• 1:14:58
  Speaker 2: I wonder if it's on Netflix.
• 1:14:59
  Speaker 4: I mean, the first one's bad, but I like it. Right.
• 1:15:02
  Speaker 4: The second one's just, yeah, didn't need to be made. Oh,
• 1:15:07
  Speaker 4: Jason Bateman. Oh, man.
• 1:15:09
  Speaker 2: What did Jason Bateman start in?
• 1:15:10
  Speaker 8: What was it?
• 1:15:11
  Speaker 1: Silver Spoons.
• 1:15:13
  Speaker 4: He was a jackass on Silver Spoons.
• 1:15:16
  Speaker 1: And then he had the one show with... He was
• 1:15:19
  Speaker 1: the older brother.
• 1:15:20
  Speaker 4: What was that? Well, take your pick. It started off
• 1:15:22
  Speaker 4: as Valerie. That's right. And then what do you do
• 1:15:25
  Speaker 4: when you have a show built around a main character
• 1:15:27
  Speaker 4: and the character leaves?
• 1:15:29
  Speaker 1: Sandy Duncan comes in with her wife.
• 1:15:31
  Speaker 4: Yeah, then it becomes basically two and a half men
• 1:15:34
  Speaker 4: at this point. It's like, oh, well, we need something
• 1:15:36
  Speaker 4: to keep this damn thing going. So, yeah, then it
• 1:15:39
  Speaker 4: became Valerie's family for a season or so. And then
• 1:15:44
  Speaker 4: eventually once everybody forgot Valerie was ever on there, it
• 1:15:47
  Speaker 4: was the Hogan family.
• 1:15:48
  Speaker 1: You know, that was the same house as that one
• 1:15:54
  Speaker 1: Brady kind of movie or show that Suzanne.
• 1:15:58
  Speaker 4: Somers was in. Oh, the Step by Step? Step by Step.
• 1:16:01
  Speaker 1: It was the exact same house.
• 1:16:02
  Speaker 4: It's sad that I know it because I hated that
• 1:16:04
  Speaker 4: damn show.
• 1:16:04
  Speaker 2: I loved Step by Step, but I was like eight.
• 1:16:07
  Speaker 4: Yeah, it was terrible.
• 1:16:09
  Speaker 1: Well, picture that house with Jason Bateman in it. That's
• 1:16:12
  Speaker 1: what that show was.
• 1:16:15
  Speaker 2: I always like when you notice that they've reused a house.
• 1:16:18
  Speaker 4: I love that.
• 1:16:19
  Speaker 2: I'm like, oh my god, it's the Brady house or something.
• 1:16:22
  Speaker 2: I don't know.
• 1:16:23
  Speaker 4: No, you couldn't redo the Brady house. No, it was
• 1:16:25
  Speaker 4: so iconic and so 70s. Yeah, weird. It didn't match
• 1:16:29
  Speaker 4: any other sitcom. He was an architect. Yeah, I know.
• 1:16:31
  Speaker 4: That's why they could do that. They had license then. Alright,
• 1:16:35
  Speaker 4: we veer away from vampires.
• 1:16:37
  Speaker 1: Anyway, where it started though was I really did, I
• 1:16:41
  Speaker 1: think he played well with himself that sounds.
• 1:16:46
  Speaker 4: Really gross okay kids it's not that kind of movie
• 1:16:51
  Speaker 4: although there is one reference to him whipping it out
• 1:16:54
  Speaker 4: yeah in the fun mirror yeah that was that was
• 1:16:58
  Speaker 4: a low that was a low I was just like
• 1:17:00
  Speaker 4: well you know you would probably have to check just
• 1:17:03
  Speaker 4: out of general curiosity but I thought those were some
• 1:17:07
  Speaker 4: of the more entertaining interactions in the movie with him
• 1:17:10
  Speaker 4: with Talking to himself. Yeah.
• 1:17:12
  Speaker 2: His other self was hilarious.
• 1:17:14
  Speaker 4: And a jerk. And a jerk. And a jerk. Yeah,
• 1:17:18
  Speaker 4: pretty much.
• 1:17:21
  Speaker 1: Smooth. No, but then when he breaks out of the
• 1:17:25
  Speaker 1: wall and into the.
• 1:17:32
  Speaker 1: It's like Nicolas Cage in an Elvis costume is what
• 1:17:35
  Speaker 1: he's playing.
• 1:17:36
  Speaker 10: You know what I mean?
• 1:17:37
  Speaker 4: Yeah, yeah.
• 1:17:38
  Speaker 1: It's not an Elvis impersonation. It's Nicolas Cage impersonating Elvis. Sadly, yeah.
• 1:17:43
  Speaker 4: I don't know who the three ladies were supposed to
• 1:17:44
  Speaker 4: be that came with him.
• 1:17:45
  Speaker 1: I'm not sure if it was the Pointer Sisters or
• 1:17:49
  Speaker 1: En Vogue, but it was one of the two. And, yeah,
• 1:17:53
  Speaker 1: that part was pretty bad. That song.
• 1:17:56
  Speaker 4: It was like the second Rockula song. If you don't
• 1:18:00
  Speaker 4: count Rapula, because then there's three.
• 1:18:01
  Speaker 2: Right.
• 1:18:02
  Speaker 4: No, Rapula is in a class of... It's its own category. Yeah,
• 1:18:05
  Speaker 4: above all the rest. Oh, man. Do we want to
• 1:18:08
  Speaker 4: address the individual songs? I mean... I can't even remember.
• 1:18:13
  Speaker 2: Other than, like, I'm not the DJ, I'm the vampire.
• 1:18:16
  Speaker 4: It's, again.
• 1:18:17
  Speaker 1: That was awesome.
• 1:18:18
  Speaker 4: I mean, it's terrible, but by, like, that third or
• 1:18:21
  Speaker 4: fourth time, I'm like... With the exception of the weird
• 1:18:24
  Speaker 4: little voice that he keeps talking to, but I'm like,
• 1:18:26
  Speaker 4: some of the other stuff is so bad... That is
• 1:18:29
  Speaker 4: kind of hilarious.
• 1:18:30
  Speaker 10: I know.
• 1:18:30
  Speaker 2: Yeah, that's what I was thinking. Life is so bad
• 1:18:32
  Speaker 2: that it's good.
• 1:18:34
  Speaker 1: The bat rockula guitar was pretty cool.
• 1:18:37
  Speaker 10: That's true.
• 1:18:38
  Speaker 4: The bat signal looking bat. That was pretty awesome. The
• 1:18:41
  Speaker 4: letters on the outfit, not so awesome. It just looked
• 1:18:44
  Speaker 4: bad when he tried. And he only did it like
• 1:18:46
  Speaker 4: one time. I'm like, is that worth sewing all those
• 1:18:48
  Speaker 4: letters on that outfit? That looked ridiculous.
• 1:18:50
  Speaker 12: Homemade.
• 1:18:50
  Speaker 4: Yeah, it did. Again, that was probably after they pulled
• 1:18:53
  Speaker 4: the budget out from under this movie. Oh, I don't know.
• 1:18:58
  Speaker 4: I mean, they.
• 1:19:00
  Speaker 1: Again, you have Bo Diddley in the background.
• 1:19:02
  Speaker 4: Not doing anything. Performing, but not playing the guitar.
• 1:19:06
  Speaker 10: Right.
• 1:19:06
  Speaker 4: It's so damn frustrating.
• 1:19:07
  Speaker 10: Mm-hmm.
• 1:19:09
  Speaker 4: I mean, most of them fall into that category of
• 1:19:10
  Speaker 4: just cheesy and for the sake of this movie. I mean,
• 1:19:13
  Speaker 4: half of them use rockula or vampire terms in the
• 1:19:17
  Speaker 4: middle of everything. So, I mean, you can't do anything.
• 1:19:20
  Speaker 4: There's one or two, like the cheesy one with the
• 1:19:22
  Speaker 4: two of them, the little romance song.
• 1:19:24
  Speaker 1: Yeah, the music video.
• 1:19:25
  Speaker 4: That was probably the better. I mean, that was almost,
• 1:19:28
  Speaker 4: you could almost pull that out and use it as
• 1:19:30
  Speaker 4: like a cheesy romance song. It was like, if there
• 1:19:32
  Speaker 4: was one that was more acceptable as a song....
• 1:19:37
  Speaker 1: And her performance, the one where she's... I was not
• 1:19:40
  Speaker 1: big on her.
• 1:19:41
  Speaker 4: No, it wasn't.
• 1:19:41
  Speaker 2: Her voice was terrible. Can I just say her voice
• 1:19:44
  Speaker 2: was terrible?
• 1:19:44
  Speaker 4: But it's funny how timely, like it really... And again,
• 1:19:48
  Speaker 4: it's almost very specific. Like as she was performing, I'm like...
• 1:19:51
  Speaker 4: I was trying to decide who they were tapping into.
• 1:19:53
  Speaker 4: I got a very Sheena Easton vibe.
• 1:19:56
  Speaker 1: Exactly. I even said that out loud watching it.
• 1:19:59
  Speaker 4: I was like... I mean, there's a lot of ways
• 1:20:01
  Speaker 4: you could go further down the line. But like at
• 1:20:03
  Speaker 4: that point... I was getting a heavy sheen at this time.
• 1:20:06
  Speaker 1: With the bars and the.
• 1:20:08
  Speaker 2: You know who I really loved in that movie? Her
• 1:20:11
  Speaker 2: little friend with the glasses.
• 1:20:12
  Speaker 4: I was going to bring her up. Oh, I fell
• 1:20:14
  Speaker 4: in love with her the second I saw her. She
• 1:20:15
  Speaker 4: was so cute. I was like, once again, back to the, like,
• 1:20:18
  Speaker 4: most of these kind of movies, it's like the main girl, like, eh,
• 1:20:22
  Speaker 4: she's all right. But her dorky friend, it was like
• 1:20:25
  Speaker 4: Last American Virgin. I was like, the dorky friend's always
• 1:20:28
  Speaker 4: kind of a little cooler in my mind.
• 1:20:29
  Speaker 6: Yeah.
• 1:20:30
  Speaker 1: And she was very dorky, except for the song that
• 1:20:33
  Speaker 1: she did.
• 1:20:34
  Speaker 4: Was scary. Yeah, it was pretty bad. I was happy
• 1:20:38
  Speaker 4: that they cut that off. She is, what, Nancy Ferguson?
• 1:20:44
  Speaker 4: Has she ever been in anything else? Ever?
• 1:20:48
  Speaker 1: Not that you could tell with the black hair and glasses.
• 1:20:50
  Speaker 4: Yeah, no, I'm sure that was so heavily different than
• 1:20:53
  Speaker 4: what she probably really looks like. She barely had any lines. Yeah,
• 1:20:57
  Speaker 4: she just sort of was there to be the sidekick
• 1:21:00
  Speaker 4: and play with all the equipment. She was the one
• 1:21:02
  Speaker 4: actually making all the music, so it seemed and The
• 1:21:05
  Speaker 4: Wizard of Speed and Time, which I assumed I was
• 1:21:08
  Speaker 4: the only one who's ever seen that. Yeah, I've never
• 1:21:10
  Speaker 4: seen that. Yeah, it's really bad. She was on Veronica's Closet.
• 1:21:15
  Speaker 1: Wow, Veronica's Closet. That was the Kirstie Alley and Kathy
• 1:21:20
  Speaker 1: Najimy TV show.
• 1:21:21
  Speaker 10: Unfortunately.
• 1:21:23
  Speaker 4: Mystery Men. Again, she's a singer in Mystery Men. So
• 1:21:26
  Speaker 4: she didn't have a part in it. None of these
• 1:21:28
  Speaker 4: are big, yeah. I mean, even like Permanent Midnight's actually
• 1:21:30
  Speaker 4: a good movie, but she's Nurse. So, I mean, she's
• 1:21:32
  Speaker 4: always kind of a little side character.
• 1:21:34
  Speaker 1: As soon as you said Mystery Men, I thought, well,
• 1:21:36
  Speaker 1: maybe she's in that segment where they introduce all the
• 1:21:41
  Speaker 1: homemade superheroes that are trying out. That's about my favorite
• 1:21:45
  Speaker 1: part of that movie.
• 1:21:45
  Speaker 4: The knockoff Janine Garofalo, because she was kind of tapping
• 1:21:48
  Speaker 4: into that, too. I was like, yeah, I was on
• 1:21:51
  Speaker 4: board for Janine.
• 1:21:52
  Speaker 1: Mystery Man is a lot better movie than people get
• 1:21:54
  Speaker 1: credit for, by the way. I could laugh at that
• 1:21:57
  Speaker 1: movie watching it again right now.
• 1:21:59
  Speaker 4: I haven't ever seen it. Pee Wee Herman is... It's
• 1:22:04
  Speaker 4: got its moments. It just seems like it's... To me,
• 1:22:07
  Speaker 4: it was so uneven at the time. But yeah, well...
• 1:22:10
  Speaker 4: We'll go back into that some other time. And Hank Azaria.
• 1:22:13
  Speaker 1: He is pretty funny, but he's always funny. Yeah, just
• 1:22:16
  Speaker 1: to watch it for those two is worth it. Ben
• 1:22:21
  Speaker 1: Stiller before he was Ben Stiller.
• 1:22:23
  Speaker 4: Yeah, yeah.
• 1:22:24
  Speaker 1: Anyway, back to this movie.
• 1:22:25
  Speaker 4: So, okay, let's talk about when we're in the middle
• 1:22:28
  Speaker 4: of that little dream sequence song. That's sort of the introduction,
• 1:22:31
  Speaker 4: and then they come back into play later.
• 1:22:33
  Speaker 2: Hobo Kids.
• 1:22:33
  Speaker 4: Hobo Kids. Oh, the hobo kids. They were just dirty.
• 1:22:36
  Speaker 4: What the hell is going on with those hobo kids?
• 1:22:40
  Speaker 2: And then there were the backup singers.
• 1:22:42
  Speaker 4: I was so confused.
• 1:22:43
  Speaker 1: The three creepy girls that, yeah. I'm like, where did
• 1:22:47
  Speaker 1: all these hobos all of a sudden come from?
• 1:22:49
  Speaker 4: Well, yeah, I don't know what the storyline in this
• 1:22:52
  Speaker 4: music video was because it made no damn sense. The
• 1:22:55
  Speaker 4: sad part is there is the, and you'll see them
• 1:22:57
  Speaker 4: in the credits, they're credited as the visiting kids. I
• 1:23:01
  Speaker 4: don't know that they were. And this is completely unconfirmed.
• 1:23:05
  Speaker 4: It was from some random thing I read on the website,
• 1:23:07
  Speaker 4: which even in that they said was unconfirmed. But it
• 1:23:10
  Speaker 4: was supposedly rumored that they were all Devo Kids. They
• 1:23:14
  Speaker 4: were all kids of some members of Devo. And I
• 1:23:18
  Speaker 4: don't know if then they were supposed to be a band.
• 1:23:21
  Speaker 4: I mean, they never really did anything. Well, that song
• 1:23:24
  Speaker 4: that she does is kind of... Which, again, tapping to
• 1:23:27
  Speaker 4: another 80s music reference that is thrown in the middle
• 1:23:30
  Speaker 4: of this. I mean, there's moments that have got little
• 1:23:32
  Speaker 4: Devo touches to it in this thing.
• 1:23:35
  Speaker 1: Yeah, that very possibly.
• 1:23:38
  Speaker 4: Could be.
• 1:23:38
  Speaker 2: Yeah.
• 1:23:39
  Speaker 4: But yeah, I thought that was the visiting kids. I
• 1:23:42
  Speaker 4: don't know, some weird kids group that never happened, never
• 1:23:45
  Speaker 4: quite materialized the way they wanted it to. But yeah,
• 1:23:48
  Speaker 4: those creepy hobo kids. I don't know what the hell
• 1:23:50
  Speaker 4: was going on there.
• 1:23:52
  Speaker 1: And then the one hobo that they both came up to...
• 1:23:55
  Speaker 1: like next to the fire, you know, the 55-gallon drum
• 1:23:59
  Speaker 1: fire thing. And he just looked like he was pissed
• 1:24:03
  Speaker 1: off and like, get away from me.
• 1:24:05
  Speaker 4: He was probably a real hobo. It just showed up
• 1:24:08
  Speaker 4: with a camera. He was an extra.
• 1:24:10
  Speaker 1: It was like, I can't believe I'm an extra in
• 1:24:12
  Speaker 1: this video. At the end of that video when Thomas
• 1:24:19
  Speaker 1: Doley's character is playing his new commercial, what gets her
• 1:24:23
  Speaker 1: so upset? I.
• 1:24:25
  Speaker 1: All of a sudden she made him turn it off
• 1:24:27
  Speaker 1: and got very upset and they left and he's asking her,
• 1:24:31
  Speaker 1: are you okay? Did you catch that? Yeah, I remember that.
• 1:24:35
  Speaker 1: And she's like, this is about me and it's my
• 1:24:38
  Speaker 1: night and it's my video. And she just, she gets
• 1:24:41
  Speaker 1: very upset.
• 1:24:42
  Speaker 4: Yeah.
• 1:24:43
  Speaker 1: And you, they almost act as like she's hurt by
• 1:24:46
  Speaker 1: something and I didn't catch.
• 1:24:48
  Speaker 4: Again, that's part of this whole like, no story at all.
• 1:24:52
  Speaker 2: Right.
• 1:24:52
  Speaker 4: Like, it's missing these big chunks of, like, what was
• 1:24:55
  Speaker 4: up with that relationship, because none of it made any sense.
• 1:24:58
  Speaker 3: Right.
• 1:24:58
  Speaker 4: It's like, nothing between the two of them fit, really.
• 1:25:01
  Speaker 4: I don't know.
• 1:25:03
  Speaker 1: He could have been so much more out there as
• 1:25:06
  Speaker 1: a character.
• 1:25:06
  Speaker 2: Yeah.
• 1:25:07
  Speaker 4: It would have made more sense. Or just, yeah, given
• 1:25:10
  Speaker 4: him more to be, really. Because, I mean, he's just
• 1:25:13
  Speaker 4: sort of there. They ran out of time. Too much music.
• 1:25:16
  Speaker 4: I suppose so.
• 1:25:17
  Speaker 2: I guess.
• 1:25:17
  Speaker 10: Which, again.
• 1:25:18
  Speaker 4: why didn't he have more science? Thomas Dolby, for God's sake.
• 1:25:21
  Speaker 4: It's like, why didn't he do a couple of big numbers?
• 1:25:24
  Speaker 1: Or at least when he's just explaining his cryogenics, didn't
• 1:25:29
  Speaker 1: he say science? That would have been awesome.
• 1:25:32
  Speaker 4: And again, it seems like a very cheesy joke that
• 1:25:34
  Speaker 4: they would have done in this movie.
• 1:25:36
  Speaker 1: I kept expecting it. I was like, oh, they're going
• 1:25:38
  Speaker 1: to do it.
• 1:25:38
  Speaker 4: They're going to do it. They're going to do it. Yeah,
• 1:25:41
  Speaker 4: we don't get it.
• 1:25:42
  Speaker 1: Just like Bo Diddley never plays his guitar?
• 1:25:44
  Speaker 4: No, I mean, yeah. They missed so many opportunities here.
• 1:25:48
  Speaker 4: There are those moments that are, like, so odd that, again,
• 1:25:52
  Speaker 4: that's those, like, once we get into the scene with
• 1:25:55
  Speaker 4: Mom sort of gothy rapping or whatever the hell she's doing,
• 1:26:00
  Speaker 4: when we enter into Boom Boom... that your bald-headed guy
• 1:26:05
  Speaker 4: in a sequins sleeveless shirt and a kilt that guy
• 1:26:09
  Speaker 4: is like again that's one of those moments i'm like
• 1:26:11
  Speaker 4: okay this isn't by accident i mean the stuff going
• 1:26:14
  Speaker 4: on in this scene right now is very deliberate right
• 1:26:17
  Speaker 4: i don't know that it makes sense to anybody but
• 1:26:19
  Speaker 4: i mean it's all purposefully put there right and him
• 1:26:22
  Speaker 4: yeah just like that's just so weird and he is
• 1:26:28
  Speaker 4: yeah he's He was like a wrestler. He's the main guy.
• 1:26:31
  Speaker 4: He arm wrestles it over the top. That's right. That
• 1:26:34
  Speaker 4: guy turns up in a ton of stuff back.
• 1:26:36
  Speaker 1: In the day.
• 1:26:37
  Speaker 4: But yeah, that was just such a weird scene.
• 1:26:42
  Speaker 1: It's almost like somebody promised a bunch of people, I'll
• 1:26:45
  Speaker 1: put you in a movie. And you're like, fuck, what
• 1:26:48
  Speaker 1: do I do now? Well, will you wear a kilt
• 1:26:51
  Speaker 1: and a see-through shirt and then a frilly.
• 1:26:59
  Speaker 4: what do you call them uh what did he have
• 1:27:03
  Speaker 4: i can't even remember he had on one of those uh.
• 1:27:07
  Speaker 1: An apron a frilly like chick's apron smoking a cigar
• 1:27:11
  Speaker 1: and then to in order to work in that he's
• 1:27:13
  Speaker 1: going to scratch the record he had to bump the
• 1:27:16
  Speaker 1: record player well you know and then while he's fixing
• 1:27:19
  Speaker 1: it he's scratching it but he's lifting the needle.
• 1:27:22
  Speaker 4: Doing it i mean It's the 80s. You had to
• 1:27:24
  Speaker 4: have some scratch in you. I thought he was like
• 1:27:26
  Speaker 4: a wrestler or something like that.
• 1:27:27
  Speaker 3: Oh, he was.
• 1:27:27
  Speaker 4: That was one of his many endeavors in this life. Well,
• 1:27:32
  Speaker 4: the other of random people. Oh, we got to get
• 1:27:34
  Speaker 4: you in a movie. Tony Cox. That's right. All of
• 1:27:37
  Speaker 4: a sudden, in the middle of a bathtub scene. Does
• 1:27:40
  Speaker 4: he ever age? I don't think so. But he looked
• 1:27:42
  Speaker 4: the old Ben. I was like, that was 88, but
• 1:27:45
  Speaker 4: he looks exactly the same as like in.
• 1:27:47
  Speaker 1: Bad Santa.
• 1:27:48
  Speaker 4: Bad Santa, yeah. It's like he looks exactly the same.
• 1:27:50
  Speaker 2: Oh yeah, I forgot about him.
• 1:27:51
  Speaker 4: Yeah, he looks exactly the same age. I'm like, well,
• 1:27:54
  Speaker 4: he's not getting any older, but at the same time,
• 1:27:56
  Speaker 4: he started out like 40. Right. I'm not sure which
• 1:27:59
  Speaker 4: is worse. Oh, man. I don't know. I mean, there's
• 1:28:03
  Speaker 4: just those weird... surreal moments you get the dream sequences
• 1:28:07
  Speaker 4: you get like her on the plank walking the plank
• 1:28:11
  Speaker 4: on this pirate ship with stuffed animals filing off in
• 1:28:14
  Speaker 4: front of what what the hell is going on like
• 1:28:17
  Speaker 4: there's some weird moments that are just like Again, you
• 1:28:20
  Speaker 4: give them credit for being imaginative and bothering to put
• 1:28:24
  Speaker 4: together this whole elaborate dream sequence, but in the end,
• 1:28:27
  Speaker 4: it's like, I'm not sure that it's for anything other
• 1:28:29
  Speaker 4: than them being kind of weird.
• 1:28:31
  Speaker 1: They could have skipped that dream sequence stuff and actually,
• 1:28:35
  Speaker 1: instead of telling you what happened in the 17th century
• 1:28:39
  Speaker 1: or whatever, show it to you yeah get a few
• 1:28:41
  Speaker 1: costumes show it happening they had a pirate ship they
• 1:28:44
  Speaker 1: had pirate costumes just do it and you wouldn't have
• 1:28:48
  Speaker 1: to spend five minutes explaining.
• 1:28:50
  Speaker 4: It in the bar Or take all that out and
• 1:28:53
  Speaker 4: instead invest that time into actual development of characters and
• 1:28:57
  Speaker 4: write a few scenes of dialogue so that things make
• 1:28:59
  Speaker 4: sense again. But, again, we're striving a little above and
• 1:29:05
  Speaker 4: beyond where they were going on this one.
• 1:29:07
  Speaker 1: Why 22 years? And why, when he goes into the
• 1:29:12
  Speaker 1: math of it's been 400 years, which puts.
• 1:29:15
  Speaker 4: It at 14.5 times. I'm like, how can you do
• 1:29:18
  Speaker 4: this 14.5 times?
• 1:29:19
  Speaker 1: Half a girl. It doesn't... You know, even by your
• 1:29:25
  Speaker 1: own math, this shouldn't be happening now.
• 1:29:29
  Speaker 4: One of the times she was born quadriplegic. What? It's
• 1:29:35
  Speaker 4: half a girl.
• 1:29:36
  Speaker 2: But I mean, it was 88.
• 1:29:40
  Speaker 4: Just doing the math.
• 1:29:40
  Speaker 2: Is the math better?
• 1:29:41
  Speaker 4: I don't know. 88? I don't know. I don't know.
• 1:29:45
  Speaker 4: When did they say it started?
• 1:29:46
  Speaker 2: I don't know.
• 1:29:47
  Speaker 1: He said 400 years, and then he said 22... times
• 1:29:53
  Speaker 1: or every 22 years it happens which puts it at
• 1:29:55
  Speaker 1: exactly 14.5 times like don't don't put the. 5 in
• 1:30:00
  Speaker 1: there and then he goes this has happened to me
• 1:30:03
  Speaker 1: 14 or 15.
• 1:30:03
  Speaker 4: Times like.
• 1:30:05
  Speaker 1: Dude, if a girl died that you were in love with,
• 1:30:08
  Speaker 1: you'd know it was 15 times, not half of it.
• 1:30:12
  Speaker 4: Or, well, I mean, and you're wondering why the 22 years,
• 1:30:16
  Speaker 4: so she gets hot. Right. You don't want her to
• 1:30:18
  Speaker 4: not get, you know.
• 1:30:19
  Speaker 2: So she gets legal.
• 1:30:20
  Speaker 4: Yeah, you want her to be legal, you want her
• 1:30:22
  Speaker 4: to be hot, you don't want her to be old.
• 1:30:23
  Speaker 4: You know, you've got to hit right in the middle there.
• 1:30:25
  Speaker 4: So it conveniently, 22 years. 22, it was great age. Mm-hmm,
• 1:30:30
  Speaker 4: there you go.
• 1:30:31
  Speaker 2: I went bye to that a long time ago.
• 1:30:33
  Speaker 4: Whatever, old mate.
• 1:30:35
  Speaker 2: Oh, I don't know.
• 1:30:41
  Speaker 4: But I mean, there's times when it is, again, when
• 1:30:45
  Speaker 4: it hits moments where I'm like, somebody kind of did
• 1:30:48
  Speaker 4: something clever or knew what they were doing. The shot
• 1:30:51
  Speaker 4: when he's coming down the hallway to go on stage is...
• 1:30:54
  Speaker 4: is really well done and all talking to him yeah
• 1:30:57
  Speaker 4: it's and they were they returned to it at the
• 1:30:59
  Speaker 4: end there but that first shot is like it's really
• 1:31:02
  Speaker 4: well shot the way it's coming down the hallway it's
• 1:31:04
  Speaker 4: got all these people set up and coming into frame
• 1:31:06
  Speaker 4: and these weird characters and they're all just rattling off
• 1:31:08
  Speaker 4: their line and he keeps going and just the way
• 1:31:10
  Speaker 4: that that's put together is actually really well done and
• 1:31:13
  Speaker 4: again it's sometimes these things seem out of place in
• 1:31:16
  Speaker 4: this movie but Just like every once in a while,
• 1:31:18
  Speaker 4: I'll look at that moment where I'm like, see, that
• 1:31:20
  Speaker 4: was good. Like, if the whole movie had that much
• 1:31:23
  Speaker 4: time and care put into it, it's like, this really
• 1:31:26
  Speaker 4: could be that, you know, genius, crazy, you know, ridiculous,
• 1:31:29
  Speaker 4: you know, cult film that it never quite lives up to, really.
• 1:31:35
  Speaker 1: Yeah, that's almost, that scene of them going, reminds me of, like,
• 1:31:40
  Speaker 1: Spinal Tap or something like that.
• 1:31:41
  Speaker 4: The dude, can you move your gear? Yeah.
• 1:31:44
  Speaker 1: Yeah, it's a, that was a good scene. And they
• 1:31:48
  Speaker 1: had a little callback to it later on, even.
• 1:31:50
  Speaker 2: Yeah.
• 1:31:52
  Speaker 1: With the Pointer Sisters or Envogue or whoever that was.
• 1:31:55
  Speaker 4: Envogue had one extra, especially at that point in time.
• 1:31:58
  Speaker 2: Right.
• 1:31:58
  Speaker 4: Eventually, they dropped one. Pointer Sisters would have been too old.
• 1:32:01
  Speaker 4: Pointer Sisters. But it was, I guess, a better reference.
• 1:32:04
  Speaker 10: Right.
• 1:32:05
  Speaker 4: They were the go-to trio of women at that point.
• 1:32:10
  Speaker 4: I guess.
• 1:32:10
  Speaker 2: And they're matching, but not matching outfits.
• 1:32:12
  Speaker 4: Yeah.
• 1:32:13
  Speaker 2: Right.
• 1:32:13
  Speaker 4: As long as they're sort of sparkly in the same way, then.
• 1:32:16
  Speaker 2: No, they all had the same print, but they were
• 1:32:18
  Speaker 2: different cuts.
• 1:32:19
  Speaker 1: Different cuts.
• 1:32:20
  Speaker 4: They all had the same. But they always, yeah, the
• 1:32:22
  Speaker 4: Poynter sisters used to do that.
• 1:32:23
  Speaker 2: I know that point is houndstooth, but my friend Andrew
• 1:32:25
  Speaker 2: has referred to it as joust for so long. I
• 1:32:28
  Speaker 2: don't know why it's like, I've got these pants that
• 1:32:31
  Speaker 2: have joust print on them. And I'm like, what is
• 1:32:34
  Speaker 2: joust print?
• 1:32:34
  Speaker 4: Do you ride ostriches when wearing this? Man, I can
• 1:32:38
  Speaker 4: play some joust. We all establish that. And you can
• 1:32:40
  Speaker 4: tell us about playing some joust from what I hear.
• 1:32:43
  Speaker 2: But now every time I see a houndstooth pattern, I think, oh,
• 1:32:46
  Speaker 2: joust print.
• 1:32:47
  Speaker 1: I'm going to forever refer.
• 1:32:51
  Speaker 4: To it as joust print. Wow. So, I don't know.
• 1:32:58
  Speaker 4: Is there anything else we haven't covered in this? We've
• 1:33:00
  Speaker 4: certainly gone to town on Rockula. I still enjoyed it.
• 1:33:05
  Speaker 2: Yeah, I liked it.
• 1:33:08
  Speaker 1: There's just a lot of people that aren't going to
• 1:33:10
  Speaker 1: enjoy it. Yeah, yeah.
• 1:33:11
  Speaker 4: And again, if there's anything that carries it, I mean,
• 1:33:15
  Speaker 4: as he said, this is his first lead role. I mean,
• 1:33:17
  Speaker 4: Dean is so likable that, I mean, it's a shame
• 1:33:20
  Speaker 4: he never really found aside from Chainsaw, it's like he
• 1:33:24
  Speaker 4: never got a signature role that really carried him. You know,
• 1:33:27
  Speaker 4: it's like he ended up doing a couple of leads
• 1:33:30
  Speaker 4: and then getting a few more character roles. And then
• 1:33:33
  Speaker 4: as time went on, I think even he saw it, okay,
• 1:33:35
  Speaker 4: it's not going to work. And like he said, you know, he's,
• 1:33:37
  Speaker 4: he's retired more or less from acting at this point.
• 1:33:40
  Speaker 4: Cause he knows he missed that window. And it's like,
• 1:33:42
  Speaker 4: this was the era when he could have caught on
• 1:33:45
  Speaker 4: and could have been like the funny leading man of,
• 1:33:47
  Speaker 4: of that, you know, time period. And, To me, I
• 1:33:50
  Speaker 4: think he's charismatic enough. I mean, he's definitely funny enough.
• 1:33:54
  Speaker 4: It's like I don't know what it was missing because
• 1:33:57
  Speaker 4: I don't know. I mean, he is– I.
• 1:33:59
  Speaker 2: Think there were just too many others at the time.
• 1:34:01
  Speaker 4: Maybe so. But, I mean, he could have been like
• 1:34:03
  Speaker 4: the John Cusack and broke out and gone on and
• 1:34:06
  Speaker 4: gotten big roles. But he– I mean, because that's pretty
• 1:34:09
  Speaker 4: much around the same time, a little earlier. But, I mean,
• 1:34:12
  Speaker 4: he was doing that same kind of thing of like
• 1:34:14
  Speaker 4: his first few movies of him being a lead. he
• 1:34:16
  Speaker 4: was kind of silly and he's doing this kind of comedy.
• 1:34:19
  Speaker 4: And like, he broke out and became like a big
• 1:34:21
  Speaker 4: leading man.
• 1:34:21
  Speaker 2: So I think like there was just, there was already
• 1:34:24
  Speaker 2: a Michael J.
• 1:34:25
  Speaker 7: Fox.
• 1:34:25
  Speaker 2: There was already a John Cusack. You know, there was,
• 1:34:28
  Speaker 2: there were a lot of leading men at that time.
• 1:34:30
  Speaker 2: A lot of leading, funny, quirky teen movie guys going
• 1:34:34
  Speaker 2: on to more serious roles.
• 1:34:36
  Speaker 1: But yeah, he definitely has the ability and definitely had,
• 1:34:39
  Speaker 1: I mean, almost everything I've ever, well, everything I've ever
• 1:34:42
  Speaker 1: seen him in, even the, what's the, the.
• 1:34:45
  Speaker 4: Beach, Oh, Miracle Beach.
• 1:34:48
  Speaker 1: Miracle Beach, even in that.
• 1:34:50
  Speaker 4: His least favorite movie.
• 1:34:51
  Speaker 1: Yeah, he's still.
• 1:34:54
  Speaker 4: He's funny. He's likable and funny.
• 1:34:56
  Speaker 1: Everything else sucks about that movie.
• 1:34:58
  Speaker 4: Well, both of them mean she's likable and funny. Between
• 1:35:01
  Speaker 4: the two of them, you could have had a really
• 1:35:03
  Speaker 4: fun little romantic comedy, and instead that movie's kind of terrible,
• 1:35:07
  Speaker 4: but it's all the rest of the stuff that comes
• 1:35:09
  Speaker 4: into play. I mean, it just proves he can carry
• 1:35:12
  Speaker 4: a movie... It's just they never really gave him that movie.
• 1:35:16
  Speaker 4: I mean, his biggest moment is really Chainsaw. And he's
• 1:35:20
  Speaker 4: not even lead. I mean, he steals the show. But
• 1:35:22
  Speaker 4: one of the best parts of that movie. He's definitely, yeah,
• 1:35:25
  Speaker 4: one of the best parts of that movie. But, I mean,
• 1:35:27
  Speaker 4: he's not at all the main character in that. So,
• 1:35:30
  Speaker 4: I mean, he never really got that moment of just
• 1:35:34
  Speaker 4: carrying a movie.
• 1:35:35
  Speaker 12: I don't know.
• 1:35:35
  Speaker 4: Did he happen to.
• 1:35:36
  Speaker 2: Tell you what he does for a living nowadays? Someone's
• 1:35:39
  Speaker 2: kind of wondered that. Like, what do you... What do
• 1:35:41
  Speaker 2: people do after they're, like, kind of famous actors and
• 1:35:44
  Speaker 2: then they're not?
• 1:35:44
  Speaker 4: Well, I mean, now, as he says, he's playing guitar
• 1:35:47
  Speaker 4: and singing. I mean, he has a band.
• 1:35:49
  Speaker 10: I mean, he.
• 1:35:50
  Speaker 2: Well, that will make you, like, $ 20 a month, so.
• 1:35:53
  Speaker 4: Well, I mean, he has.
• 1:35:54
  Speaker 1: I'm sure he gets royalties.
• 1:35:55
  Speaker 4: He's also, yeah, he's written... Well, he's also written a
• 1:35:58
  Speaker 4: song that somebody else covered and he gets... I think
• 1:36:01
  Speaker 4: he's getting royalties from that now because they're... What is
• 1:36:04
  Speaker 4: that cheesy metal, like, super metal wannabe band that started
• 1:36:07
  Speaker 4: a couple years ago with giant hair that, like... What
• 1:36:10
  Speaker 4: the hell was that thing called? Darkness? Yeah, I think
• 1:36:13
  Speaker 4: it was. Oh, really? It was them or wasn't there
• 1:36:16
  Speaker 4: another one that was kind of a knockoff of them
• 1:36:18
  Speaker 4: that was even more ridiculous than Darkness? What was the
• 1:36:21
  Speaker 4: one with the giant hair? There was like a joke
• 1:36:23
  Speaker 4: version of it.
• 1:36:24
  Speaker 2: Darkness was kind of a joke.
• 1:36:26
  Speaker 4: Yeah, but he wasn't like, he was just, the singing
• 1:36:29
  Speaker 4: was the joke in that one.
• 1:36:30
  Speaker 2: Like what era of metal.
• 1:36:33
  Speaker 4: Like, giant hair.
• 1:36:34
  Speaker 2: I don't know.
• 1:36:35
  Speaker 10: I don't know.
• 1:36:36
  Speaker 4: I don't know what you're talking about. They just were, like,
• 1:36:39
  Speaker 4: a couple of years ago. They had, like, a... And
• 1:36:41
  Speaker 4: they were all video-based, but... He's... I mean, he has
• 1:36:44
  Speaker 4: written songs that other people have covered. He's in that...
• 1:36:47
  Speaker 4: As he mentioned back when we talked to him months ago,
• 1:36:50
  Speaker 4: it's like he's in, like, almost like a... a live
• 1:36:54
  Speaker 4: karaoke band. Like you go, like they know like 500
• 1:36:57
  Speaker 4: songs or whatever, you know, number he said. And like
• 1:36:59
  Speaker 4: you go and pick from that. And instead of playing
• 1:37:02
  Speaker 4: to a cheesy background, you play to a live band
• 1:37:05
  Speaker 4: and sing to it. So he does that kind of stuff.
• 1:37:08
  Speaker 4: And it's just him having fun with his friends on
• 1:37:10
  Speaker 4: the weekend. He wrote, he may have written a lot
• 1:37:11
  Speaker 4: of stuff. He wrote a lot of the stuff in
• 1:37:13
  Speaker 4: this movie.
• 1:37:14
  Speaker 1: And that's one of those things where you never know
• 1:37:18
  Speaker 1: what some guys bring it in for royalties.
• 1:37:20
  Speaker 4: And yeah, Yeah, and what catches on, and some of
• 1:37:24
  Speaker 4: that stuff could have led him to other things.
• 1:37:26
  Speaker 6: Who knows?
• 1:37:26
  Speaker 4: But yeah, I think now he does that kind of stuff,
• 1:37:30
  Speaker 4: and he did that really cool stage play idea. It
• 1:37:34
  Speaker 4: was almost performance art stage play, and then raising a kid. Obviously,
• 1:37:41
  Speaker 4: he did well enough with these projects in the 80s
• 1:37:44
  Speaker 4: and 90s that He doesn't have to worry too much.
• 1:37:47
  Speaker 4: He's doing more than I'm doing. He's doing more than
• 1:37:49
  Speaker 4: I'm doing, so I'm not going to knock him.
• 1:37:51
  Speaker 2: I always think about that. These people at conventions that
• 1:37:56
  Speaker 2: are just mainly doing the conventions, it's like, if that's
• 1:37:59
  Speaker 2: not enough money, what do they do? Do you think
• 1:38:00
  Speaker 2: they do data entry for a big company? What do
• 1:38:04
  Speaker 2: you do with your life after you're not an actor anymore?
• 1:38:06
  Speaker 4: I don't know. Some of those conventions, they... Some of
• 1:38:09
  Speaker 4: them ride that. You see it every time. You're like, hey.
• 1:38:13
  Speaker 4: He's not one of those because he rarely had done it.
• 1:38:16
  Speaker 4: I think that was actually one of the first ones
• 1:38:18
  Speaker 4: he had done ever, I think. But, yeah, some of
• 1:38:22
  Speaker 4: them really that becomes their job is just to go
• 1:38:25
  Speaker 4: around and be that person.
• 1:38:26
  Speaker 2: Well, I mean, of course, like Bill mosley and said
• 1:38:28
  Speaker 2: hey that's like that's their job.
• 1:38:30
  Speaker 4: Occasionally they make movies but for the most part their
• 1:38:33
  Speaker 4: money is made on the convention.
• 1:38:34
  Speaker 2: Circuit hotter and stuff like that that's what they do
• 1:38:37
  Speaker 2: of course because they're doing that constantly but you know
• 1:38:39
  Speaker 2: like other people i don't i don't mean like convention
• 1:38:42
  Speaker 2: circuit actors i just mean like.
• 1:38:44
  Speaker 4: Just people that were big.
• 1:38:45
  Speaker 2: Regular actors who were big and now they're not.
• 1:38:47
  Speaker 4: Some of them really do get, you know, regular jobs.
• 1:38:50
  Speaker 4: You see, I'm like, they're your real estate agent now.
• 1:38:53
  Speaker 2: You know, like I saw on this, like, where are
• 1:38:55
  Speaker 2: they now thing. That's why I love that Sean VH1,
• 1:38:57
  Speaker 2: where are they now? But, like, Charlie from Willy Wonka
• 1:39:01
  Speaker 2: and the Chocolate Factory, he's like a veterinarian.
• 1:39:03
  Speaker 4: Yeah. You know? Sometimes it was just a phase you
• 1:39:06
  Speaker 4: went through and you go get a job. Like Danica
• 1:39:08
  Speaker 4: Patrick became, like, a math teacher.
• 1:39:09
  Speaker 2: Or not Danica. Danica. Danica. What the fuck is that
• 1:39:12
  Speaker 2: chick's name?
• 1:39:12
  Speaker 4: I think it's Danica. It's Danica, but Patrick's the gray sky.
• 1:39:15
  Speaker 2: Yeah, Danica McKellen.
• 1:39:17
  Speaker 1: Yeah, McKellen.
• 1:39:18
  Speaker 4: Something like that.
• 1:39:19
  Speaker 2: McKeller? McKellen?
• 1:39:21
  Speaker 1: We're sucking at being geeks right now.
• 1:39:23
  Speaker 4: Are you talking about Winnie? Yeah. Just call her Winnie.
• 1:39:27
  Speaker 4: That's all I've ever called her.
• 1:39:28
  Speaker 10: Winnie.
• 1:39:29
  Speaker 4: Winnie's a math nerd.
• 1:39:30
  Speaker 1: We know.
• 1:39:30
  Speaker 8: Yeah, I know.
• 1:39:31
  Speaker 2: I saw her book at the thrift store the other day.
• 1:39:33
  Speaker 2: I almost got it from Brian, but I didn't. I
• 1:39:35
  Speaker 2: didn't know if you'd really want it.
• 1:39:37
  Speaker 1: Hot chicks writing math books.
• 1:39:38
  Speaker 4: Yeah. Again, I don't know that I was as into
• 1:39:41
  Speaker 4: her back in the day. I think it's kind of
• 1:39:43
  Speaker 4: cooler now that she's a math nerd, actually. Which is like,
• 1:39:46
  Speaker 4: that's sort of awesome.
• 1:39:47
  Speaker 10: Yeah.
• 1:39:48
  Speaker 4: So yeah, you never know where it's going to go
• 1:39:49
  Speaker 4: once you get out of the quote-unquote big famous Hollywood scene.
• 1:39:55
  Speaker 4: Sometimes you just end up having a regular life and
• 1:39:57
  Speaker 4: probably enjoy that even more.
• 1:39:59
  Speaker 2: You know, speaking of her winning, I remember, I think
• 1:40:03
  Speaker 2: I watched The Wonder Years every night when I was
• 1:40:05
  Speaker 2: little because it came on Nick at night. And I
• 1:40:07
  Speaker 2: remember being bored but still liking it.
• 1:40:11
  Speaker 4: Well, it could be worse. Greg was scarred by it.
• 1:40:14
  Speaker 1: No, I became uncomfortable so many times where he would
• 1:40:19
  Speaker 1: be in a situation that.
• 1:40:23
  Speaker 1: You know, I was the same age as he was
• 1:40:26
  Speaker 1: when that was being shown on television.
• 1:40:28
  Speaker 4: And it just... I could.
• 1:40:31
  Speaker 1: internalize it too much and I would change the channel
• 1:40:35
  Speaker 1: because I would be like you can't this can't happen
• 1:40:36
  Speaker 1: this can't happen change the channel and like okay that's
• 1:40:39
  Speaker 1: done and then I'd go back and I'd get more
• 1:40:41
  Speaker 1: and I'd get more uncomfortable and so yeah I.
• 1:40:44
  Speaker 4: Was it's too close to home I.
• 1:40:46
  Speaker 1: Was a loser I can't do it.
• 1:40:50
  Speaker 4: And you still like.
• 1:40:50
  Speaker 1: Winnie so yeah I don't know if I would like
• 1:40:54
  Speaker 1: her but it's definitely hot that she writes.
• 1:40:56
  Speaker 4: Math books so that was way cooler to find that
• 1:41:00
  Speaker 4: out over the years so All right. Anything else on Rockula?
• 1:41:04
  Speaker 2: Nope.
• 1:41:06
  Speaker 4: I think it'd be more fun in a group. Probably. Again,
• 1:41:10
  Speaker 4: I think you've just got to be the right person. Yeah.
• 1:41:12
  Speaker 4: You know, it's like, it's got to fall on your, where, yeah,
• 1:41:18
  Speaker 4: where you find things entertaining, what you're amused by. It's like,
• 1:41:22
  Speaker 4: it's definitely got moments that are funny, but it's not
• 1:41:25
  Speaker 4: going to hit everybody. Again, like we said, I mean,
• 1:41:27
  Speaker 4: comedy is pretty hit and miss. So it's like, This
• 1:41:30
  Speaker 4: even more than most is like, it also falls into
• 1:41:33
  Speaker 4: that weird cult movie thing where you get it or
• 1:41:35
  Speaker 4: you don't. And if you don't get this, you're just
• 1:41:37
  Speaker 4: going to think it's really stupid.
• 1:41:40
  Speaker 1: I don't see why it's not a cult movie. There
• 1:41:43
  Speaker 1: are so many bad cult movies. This one seems like,
• 1:41:47
  Speaker 1: you know, everything from like when he's walking down the
• 1:41:50
  Speaker 1: street in a rainstorm and he says, it's raining cats
• 1:41:53
  Speaker 1: and dogs. Oops, I just stepped in a poodle. That's
• 1:41:55
  Speaker 1: exactly what cult movies do. they key off on it.
• 1:41:58
  Speaker 4: That was so terrible.
• 1:41:59
  Speaker 1: And they say those lines as they watch it because
• 1:42:02
  Speaker 1: they know it's so bad.
• 1:42:04
  Speaker 4: It was really bad.
• 1:42:05
  Speaker 2: I mean, I like the opening, the, the cartoons.
• 1:42:08
  Speaker 4: That, that's what I was going to say.
• 1:42:10
  Speaker 10: Yeah.
• 1:42:10
  Speaker 4: I specifically wrote down, I was like, this is one
• 1:42:12
  Speaker 4: of the best opening sequences. And, and I like those cheesy,
• 1:42:16
  Speaker 4: I mean, they, the 80s was populated with those animated
• 1:42:19
  Speaker 4: opening sequences. And I always liked those anyway, but like,
• 1:42:22
  Speaker 4: this is like, again, cause I like horror more than
• 1:42:25
  Speaker 4: even the other stuff. It's like, The horror version of
• 1:42:28
  Speaker 4: those cheesy animated opening sequences. I mean, this, yeah, the
• 1:42:31
  Speaker 4: opening sequence is awesome.
• 1:42:32
  Speaker 1: That one really sets up the movie.
• 1:42:34
  Speaker 4: It does.
• 1:42:35
  Speaker 1: You're like, oh, this is going to be good.
• 1:42:37
  Speaker 4: Yeah, right into it, I was like, this is at least,
• 1:42:39
  Speaker 4: it sets the tone for what you're getting yourself into.
• 1:42:42
  Speaker 4: It kind of, you know, it almost should have been
• 1:42:44
  Speaker 4: as solid as the opening sequence, because the opening sequence
• 1:42:47
  Speaker 4: stays pretty damn fun the whole way through. But, yeah,
• 1:42:52
  Speaker 4: I mean, it's hit and miss. It's not as bad
• 1:42:54
  Speaker 4: as I went in expecting, but... It's certainly not for everyone. Yeah.
• 1:42:59
  Speaker 1: It's a name like broccoli, though.
• 1:43:01
  Speaker 4: I mean, really. How much do you expect? You should
• 1:43:03
  Speaker 4: have known going in.
• 1:43:04
  Speaker 2: Is it banana split.
• 1:43:10
  Speaker 1: Time?
• 1:43:10
  Speaker 4: So as your dessert, did you come up with a tie-in.
• 1:43:13
  Speaker 2: For banana splits? No, no tie-in.
• 1:43:15
  Speaker 8: All right, well. Banana split time!
• 1:43:18
  Speaker 4: All right, then we will take a break, and we
• 1:43:20
  Speaker 4: will have our banana splits, and we'll come back and
• 1:43:21
  Speaker 4: wrap up the show.
• 1:43:22
  Speaker 10: Nice.
• 1:43:23
  Speaker 1: Where you can.
• 1:43:25
  Speaker 15: Say that the night belongs to no.
• 1:43:39
  Speaker 8: One And you can pray that the night will soon
• 1:43:47
  Speaker 8: be over.
• 1:43:53
  Speaker 15: As the shadows fall And the daylight slips away To
• 1:43:57
  Speaker 15: the night, the night that lasts forever The night that
• 1:44:09
  Speaker 15: is your friend A friend of pain and.
• 1:44:17
  Speaker 3: Pleasure Hungry, but the ordinary things don't seem to appeal?
• 1:44:34
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• 1:44:45
  Speaker 3: gang a taste dividend. Select the frozen treat that pleases you.
• 1:44:49
  Speaker 1: If you're enjoying this podcast, perhaps you'd be interested in GleeCast.
• 1:44:52
  Speaker 2: You watch your tone, young lady.
• 1:44:54
  Speaker 4: Hey, we're not forcing you to download the internet's best,
• 1:44:57
  Speaker 4: or at least most booze-filled podcast about Glee.
• 1:45:00
  Speaker 2: You want to be me.
• 1:45:02
  Speaker 4: Who doesn't, Sue? But we know we can't be.
• 1:45:04
  Speaker 2: Instead, Erica and Emily.
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  Speaker 4: Uh, Emily and Erica.
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  Speaker 1: Who am I?
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  Speaker 2: I just don't know anymore.
• 1:45:08
  Speaker 4: I'd love to stay in chat, but I got a
• 1:45:09
  Speaker 4: satellite interview.
• 1:45:11
  Speaker 5: Sorry, we get off topic a lot.
• 1:45:12
  Speaker 1: The point is, listen to Glee Cast following every new
• 1:45:14
  Speaker 1: episode of Glee.
• 1:45:15
  Speaker 4: Plus our sporadic bonus content on some of the greatest
• 1:45:18
  Speaker 4: bad cinema that incorporates musical theater or sweet dance moves.
• 1:45:21
  Speaker 1: I'm going to ask you to smell your armpits.
• 1:45:23
  Speaker 2: The right or the left?
• 1:45:24
  Speaker 4: I don't know.
• 1:45:25
  Speaker 2: That's the smell of failure. Failure smells like dove?
• 1:45:28
  Speaker 1: Mine has a pleasant lady speed stick scent. Kind of
• 1:45:30
  Speaker 1: makes me think of candy canes.
• 1:45:31
  Speaker 2: Your resentment is delicious.
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  Speaker 1: Visit gleecast.podomatic.com or search for us in the iTunes store.
• 1:45:37
  Speaker 4: That's Glee Cast with a K, part of the palaver.com family.
• 1:45:40
  Speaker 9: That's P-A-L-A-V-R dot com.
• 1:45:42
  Speaker 2: Boy, the only thing missing from this place is a
• 1:45:44
  Speaker 2: couple dozen bodies limed and rotting in shallow graves under
• 1:45:47
  Speaker 2: the floorboards.
• 1:45:48
  Speaker 4: We're working on that. You're listening.
• 1:45:54
  Speaker 15: Are you listening to Movie Meltdown?
• 1:45:56
  Speaker 2: I'm Amanda Burse.
• 1:45:57
  Speaker 4: I hope so. Love and marriage, love and marriage.
• 1:46:07
  Speaker 3: It's part of your problem, you know.
• 1:46:10
  Speaker 6: You haven't seen enough movies.
• 1:46:12
  Speaker 9: All of life's riddles.
• 1:46:13
  Speaker 4: Are answered in the movies.
• 1:46:16
  Speaker 3: And now, on with the show.
• 1:46:17
  Speaker 4: Chicken! Whoa, that was loud. What a weird guy. There
• 1:46:31
  Speaker 4: was this girl named Mina. She wanted my wiener.
• 1:46:34
  Speaker 13: She was singing back and forth, Ike and Tina.
• 1:46:36
  Speaker 4: I liked her bangs. She liked my fangs.
• 1:46:38
  Speaker 13: So we decided to do the Crazy Rapula thing. Now,
• 1:46:41
  Speaker 13: her father didn't like it, so he called me a pick.
• 1:46:44
  Speaker 4: I said, Dr.
• 1:46:45
  Speaker 13: Van, it helps to hear something you'll dig. We can
• 1:46:47
  Speaker 13: sing Kumbaya around the campfire.
• 1:46:49
  Speaker 11: Are you the DJ?
• 1:46:50
  Speaker 4: No, I'm the band.
• 1:47:13
  Speaker 1: No, what was the dude that she dropped her suitcase
• 1:47:18
  Speaker 1: in the street? And he took something.
• 1:47:21
  Speaker 2: Out of a suitcase?
• 1:47:22
  Speaker 4: What the hell was that? And who was that guy?
• 1:47:24
  Speaker 4: He sounded like Pee Wee Ruben. Well, but I looked
• 1:47:26
  Speaker 4: at him and I was like, that's not him. It's
• 1:47:29
  Speaker 4: not Paul Reubens even doing a character. It's some other
• 1:47:32
  Speaker 4: weird looking dude. And yeah, he stops. He delivers this
• 1:47:36
  Speaker 4: very cheesy line. And over the top version. I mean,
• 1:47:40
  Speaker 4: it's not even like the line is cheesy. His performance
• 1:47:43
  Speaker 4: is very character driven. It's like he came up with
• 1:47:47
  Speaker 4: this wacky character and he's going to get his one
• 1:47:49
  Speaker 4: line in, damn it. and then steals something and then
• 1:47:52
  Speaker 4: moves on.
• 1:47:53
  Speaker 1: Never mention it at all.
• 1:47:54
  Speaker 4: That's a lot of ice cream.
• 1:47:57
  Speaker 15: I don't think I'm going.
• 1:48:03
  Speaker 2: To be able to eat all this. But there's a
• 1:48:06
  Speaker 2: banana on it, so it's healthy.
• 1:48:08
  Speaker 4: Well, there's fruit.
• 1:48:09
  Speaker 1: Look, there's pineapple and cherries and bananas and strawberries and pecans.
• 1:48:15
  Speaker 2: I went to the library this morning and got some
• 1:48:17
  Speaker 2: ice cream recipe books, but.
• 1:48:19
  Speaker 4: My best.
• 1:48:20
  Speaker 2: Ice creams are the custard-based ones, and this is just, like,
• 1:48:22
  Speaker 2: this is, like, so easy, I couldn't even believe it was, like,
• 1:48:26
  Speaker 2: gonna work. Because it was just, like, four cups of.
• 1:48:33
  Speaker 1: We're doing an ice cream podcast right now, and we're
• 1:48:35
  Speaker 1: talking about different brands.
• 1:48:37
  Speaker 3: Yeah.
• 1:48:38
  Speaker 4: Flavors. Well, you know what kind of ice cream I
• 1:48:40
  Speaker 4: always appreciated. Sad is that there's podcasts out there exactly
• 1:48:45
  Speaker 4: like this.
• 1:48:45
  Speaker 2: I'm sure it does.
• 1:48:47
  Speaker 1: While we eat ice cream, we're going to talk about
• 1:48:49
  Speaker 1: different ice creams. You ought to put it out as
• 1:48:52
  Speaker 1: a little extra episode.
• 1:48:54
  Speaker 2: The ice cream special.
• 1:48:57
  Speaker 4: Dude, we should just have that every week. Hi, welcome
• 1:49:00
  Speaker 4: to the ice cream social. This week we're having homemade
• 1:49:03
  Speaker 4: vanilla with bananas.
• 1:49:04
  Speaker 1: It would be more popular than doing Meltdown in one episode.
• 1:49:07
  Speaker 2: Bastards.
• 1:49:11
  Speaker 4: Back from our little ice cream social. That's what we
• 1:49:13
  Speaker 4: decided it was.
• 1:49:14
  Speaker 1: The ice cream podcast.
• 1:49:16
  Speaker 4: No, wait. I like that you came up with a
• 1:49:18
  Speaker 4: reason why the ice cream fit. Now go ahead and
• 1:49:20
  Speaker 4: explain how it ties into today's movie. Well, we had.
• 1:49:23
  Speaker 1: Marlena brought everything from her refrigerator. There was pineapple and
• 1:49:28
  Speaker 1: peanut butter and... Cherries.
• 1:49:31
  Speaker 4: Cherries. Strawberry jam. Marshmallow fluff.
• 1:49:34
  Speaker 2: Chocolate syrup.
• 1:49:35
  Speaker 1: And I said, it's like they take everything good... And
• 1:49:37
  Speaker 1: just throw it in the pile and see what happens.
• 1:49:40
  Speaker 1: Make it, see if it's good. And that's Rock Hill.
• 1:49:43
  Speaker 4: That's Rock Hill. Except, I don't know if it ever
• 1:49:45
  Speaker 4: turned out quite. Bo Diddley with the spandex. Yeah, you
• 1:49:48
  Speaker 4: get odd things like that. If we really would have thrown,
• 1:49:50
  Speaker 4: you know, the, you know, snap peas and carrots in
• 1:49:53
  Speaker 4: that you would. He's like, what else did you bring
• 1:49:55
  Speaker 4: with you? God, if you really would have thrown everything
• 1:49:58
  Speaker 4: in your refrigerator, it would have been probably a little
• 1:50:01
  Speaker 4: closer to Dracula. Mushrooms, I'll do it. That was delicious.
• 1:50:07
  Speaker 4: You would have hit that one bite of like, what
• 1:50:09
  Speaker 4: is this, beets? What the fuck?
• 1:50:11
  Speaker 2: You know, you laugh, but for breakfast I drank this juice.
• 1:50:14
  Speaker 2: It was like called super juice or something.
• 1:50:17
  Speaker 10: Superfood?
• 1:50:18
  Speaker 2: Superfood. It was like green and it tasted really good,
• 1:50:21
  Speaker 2: but it had like wheat.
• 1:50:23
  Speaker 4: Germ and other spirits.
• 1:50:25
  Speaker 2: And stuff in it. And I was like, it's so ugly,
• 1:50:28
  Speaker 2: but it tastes so good.
• 1:50:29
  Speaker 4: I'm not sold on that. I've seen that, and I'm
• 1:50:31
  Speaker 4: just kind of creeped out by it. It looks like
• 1:50:33
  Speaker 4: hippie juice to me.
• 1:50:34
  Speaker 2: It is hippie juice, but someone goaded me into drinking it,
• 1:50:37
  Speaker 2: and it was delicious. It was better carrot juice.
• 1:50:40
  Speaker 4: Yeah, I don't bet either.
• 1:50:41
  Speaker 2: I mean, I figured go with the one that's probably
• 1:50:44
  Speaker 2: going to taste like fruit.
• 1:50:46
  Speaker 4: I guess. It was really good.
• 1:50:49
  Speaker 2: Yeah.
• 1:50:51
  Speaker 4: All right, well, we are back, and we've got feedback. Now,
• 1:50:55
  Speaker 4: we've actually got quite a bit, but of the weirder ones,
• 1:50:59
  Speaker 4: I was trying to wait until we had the whole,
• 1:51:01
  Speaker 4: you know, core group of geeks together, and that never
• 1:51:04
  Speaker 4: happens anymore. So there's still a couple of, like, epically ridiculous.
• 1:51:11
  Speaker 2: Are they from Randy?
• 1:51:12
  Speaker 4: No, none of this is from Randy, actually. Try to
• 1:51:16
  Speaker 4: control yourself. So, yeah, these are actually from many other people's.
• 1:51:22
  Speaker 4: The other ones, I just, yeah, I feel like they should, like,
• 1:51:26
  Speaker 4: be there for those. So I'm going to try to
• 1:51:28
  Speaker 4: hang on until whenever we can all get together. But,
• 1:51:31
  Speaker 4: you know, if you've sent one in, all but, okay,
• 1:51:33
  Speaker 4: there was one that got lost. But I'm even going
• 1:51:35
  Speaker 4: to try to describe that one later because I don't
• 1:51:37
  Speaker 4: know what the hell happened. But now there's a new
• 1:51:38
  Speaker 4: setup where they shouldn't. be getting lost anymore the thing
• 1:51:41
  Speaker 4: that the company should have been the way that I
• 1:51:45
  Speaker 4: should have been able to get to my messages for
• 1:51:47
  Speaker 4: the last year that I haven't been able to is
• 1:51:49
  Speaker 4: finally fixed now due to that one getting deleted so
• 1:51:53
  Speaker 4: yeah somewhere along the way we lost one but again
• 1:51:55
  Speaker 4: I heard it so I'm going to try to recreate
• 1:51:58
  Speaker 4: it somewhere down the line when we do the other
• 1:51:59
  Speaker 4: weird ones but this one we had one that I
• 1:52:01
  Speaker 4: did want to pass.
• 1:52:02
  Speaker 2: Along could you reenact it in an Isabella Rossellini.
• 1:52:06
  Speaker 4: Accent oh god I'll try to work on that between
• 1:52:10
  Speaker 4: now and then.
• 1:52:10
  Speaker 2: Will you dress up like a field mouse?
• 1:52:12
  Speaker 4: In the meantime, we'll just listen to Metal Mikey.
• 1:52:16
  Speaker 10: Howdy, Movie Meltdown crew. Long time, no talk, at least
• 1:52:20
  Speaker 10: for some of you. Because, you know, I was amongst
• 1:52:23
  Speaker 10: you in person in Indianapolis. And I still have my
• 1:52:28
  Speaker 10: much-treasured picture of Marlena and Misty on my cell phone.
• 1:52:33
  Speaker 10: This would happen to be Metal Mikey of the Action
• 1:52:36
  Speaker 10: Attraction Podcast. And finally, finally, I sat down and I said, no,
• 1:52:40
  Speaker 10: I've got to leave feedback to Movie Meltdown. I just
• 1:52:43
  Speaker 10: can't leave them in the dark any longer. So this
• 1:52:47
  Speaker 10: is sort of like for your kind of varied subject episode,
• 1:52:53
  Speaker 10: also known as the Pee-Wee's Big Adventure episode, I guess.
• 1:52:57
  Speaker 7: And.
• 1:52:57
  Speaker 10: You did say that the showing opened up with a
• 1:53:00
  Speaker 10: screening of Ernest Goes to Jail. I'm going to go
• 1:53:04
  Speaker 10: so far as to say, hands down, the best Ernest
• 1:53:06
  Speaker 10: movie out of the entire cycle is Ernest Saves Christmas.
• 1:53:10
  Speaker 10: To me, that one always holds a special, dear place
• 1:53:13
  Speaker 10: in my heart. And I'm not sure if it's any good.
• 1:53:17
  Speaker 10: I haven't seen it in a few years. But I
• 1:53:19
  Speaker 10: just get this impression that out of all the ones
• 1:53:22
  Speaker 10: that were released, that was probably my favorite. And I
• 1:53:26
  Speaker 10: must thank your show. Because it solved the mystery that
• 1:53:30
  Speaker 10: I wasn't quite getting the answers to, and now I
• 1:53:33
  Speaker 10: have the answers. Thank you for explaining to me what
• 1:53:36
  Speaker 10: dad jeans were all about. I never even knew up
• 1:53:39
  Speaker 10: to this point what exactly dad jeans were, except it's
• 1:53:42
  Speaker 10: a term that's being thrown around and bandied about. And
• 1:53:47
  Speaker 10: Pee Wee's Big Adventure, as for that movie itself, it
• 1:53:51
  Speaker 10: does have one of the greatest cinematic moments that an
• 1:53:54
  Speaker 10: 80s metalhead like myself could aspire to, which is one
• 1:53:57
  Speaker 10: of the most inspired cameos by Twisted Sister in a
• 1:54:01
  Speaker 10: motion picture ever. And the topic of Terminator as a
• 1:54:05
  Speaker 10: franchise was brought up, and the possibility of a Terminator 5.
• 1:54:08
  Speaker 4: Well, yeah.
• 1:54:09
  Speaker 10: Well, let's see first if that happens after Arnie's made
• 1:54:12
  Speaker 10: a few more love childs. Oh, or children. Oh, did
• 1:54:15
  Speaker 10: I say that? Whoops. Well, I did say that because
• 1:54:18
  Speaker 10: I fucked up the grammar completely, but oh well. As
• 1:54:22
  Speaker 10: for Terminator 3 as part of the franchise, well... Yeah,
• 1:54:26
  Speaker 10: you are right that it is basically a redo of
• 1:54:29
  Speaker 10: Part 2, but I didn't hate it. I strangely found
• 1:54:34
  Speaker 10: myself liking Part 3 more than I did Part 4
• 1:54:37
  Speaker 10: of the series. Not even Christian Bale could really save
• 1:54:41
  Speaker 10: it for me. But then again, I think that was
• 1:54:42
  Speaker 10: kind of when Christian Bale was sort of operating on
• 1:54:45
  Speaker 10: sleep mode, where it's just sort of like, well, I
• 1:54:47
  Speaker 10: did so great on Dark Knight, then I'm basically going
• 1:54:51
  Speaker 10: to act like Batman through every other acting role that
• 1:54:54
  Speaker 10: I get. And the topic of vibrating female chests was
• 1:54:58
  Speaker 10: brought up due to Marlena's magical bra storage capabilities.
• 1:55:04
  Speaker 4: You know what?
• 1:55:05
  Speaker 10: I think I probably have just as much luck with
• 1:55:07
  Speaker 10: vibrating female chests as I do just plain out stationary breasts,
• 1:55:12
  Speaker 10: which is to say I have zilch luck at all. But,
• 1:55:15
  Speaker 10: you know, that's what the Internet's made for, I guess.
• 1:55:18
  Speaker 10: As always, an enjoyable listen, you all. Take it easy.
• 1:55:23
  Speaker 10: And I, of course, look forward to talking to you again,
• 1:55:25
  Speaker 10: hopefully sooner rather than the long-ass time it took me
• 1:55:29
  Speaker 10: to actually send us. So take it easy, everybody. Talk
• 1:55:32
  Speaker 10: to you later.
• 1:55:32
  Speaker 2: Bye.
• 1:55:34
  Speaker 4: Oh, Mikey.
• 1:55:35
  Speaker 10: Nice.
• 1:55:37
  Speaker 2: See, I have this problem where people will bring up
• 1:55:39
  Speaker 2: things that I said or quote me, and I'm like,
• 1:55:41
  Speaker 2: what are you talking about?
• 1:55:43
  Speaker 4: Luckily, we all remember the crazy shit that you say,
• 1:55:46
  Speaker 4: so we're here to back up the other stories.
• 1:55:47
  Speaker 2: Greg had to just fill me in on, I'm like,
• 1:55:49
  Speaker 2: vibrating chest.
• 1:55:50
  Speaker 4: When was my chest vibrated?
• 1:55:52
  Speaker 2: Dirty.
• 1:55:52
  Speaker 4: And then you were like, oh, that day.
• 1:55:56
  Speaker 12: Oh, yeah.
• 1:55:57
  Speaker 4: Yeah, my chest vibrated. We were all there for that one.
• 1:56:00
  Speaker 4: I mean, yeah.
• 1:56:01
  Speaker 2: I mean, I don't keep my phone between my boobs
• 1:56:03
  Speaker 2: unless I'm at the gym. I mean, I just keep
• 1:56:06
  Speaker 2: it at the top of my bra so I'm running
• 1:56:07
  Speaker 2: my shoulders.
• 1:56:07
  Speaker 4: They don't call you Jiggles for nothing.
• 1:56:09
  Speaker 8: That's right.
• 1:56:10
  Speaker 4: Did you have your phone there, Jiggles? Maybe.
• 1:56:14
  Speaker 2: Yeah, I think I did have it right there. I
• 1:56:17
  Speaker 2: just keep it there.
• 1:56:17
  Speaker 1: Maybe you just saw that you were getting a phone
• 1:56:20
  Speaker 1: call coming in.
• 1:56:21
  Speaker 2: That's all.
• 1:56:22
  Speaker 4: Oh, wow. So, yeah, let's see what else. Oh, it
• 1:56:27
  Speaker 4: was funny that he mentioned his photo that you guys took.
• 1:56:30
  Speaker 4: And then did you see on Facebook he posted something
• 1:56:33
  Speaker 4: about the photo again? And then I was like, well,
• 1:56:36
  Speaker 4: he said because Misty's like half in it.
• 1:56:38
  Speaker 2: No, I'm half in it.
• 1:56:39
  Speaker 1: Or you're half in it.
• 1:56:40
  Speaker 4: So, yeah, I was like, well, next time we'll just
• 1:56:42
  Speaker 4: have to get there early and we'll make a little
• 1:56:43
  Speaker 4: run to the Sears Portrait Studio. I want to see
• 1:56:46
  Speaker 4: like us and Metal Mikey standing in front of like
• 1:56:48
  Speaker 4: a backdrop of a barn or a tree scenario or
• 1:56:53
  Speaker 4: some sort of crazy background.
• 1:56:55
  Speaker 2: I really love that, actually.
• 1:56:56
  Speaker 3: Yeah.
• 1:56:56
  Speaker 2: I just want those pictures like of myself. For fun. Actually,
• 1:57:00
  Speaker 2: I'm going to go home and I'm going to recreate
• 1:57:02
  Speaker 2: that with my tripod and some type of weird background.
• 1:57:05
  Speaker 2: I'm going to do that.
• 1:57:06
  Speaker 1: Let's do a group photo at Glamour Shots.
• 1:57:08
  Speaker 4: Yay! I get the feather boa.
• 1:57:11
  Speaker 2: I think that would be amazing.
• 1:57:14
  Speaker 10: Yeah.
• 1:57:14
  Speaker 2: We really have to do this.
• 1:57:16
  Speaker 4: Somebody start sending some funding for that because I'm sure
• 1:57:19
  Speaker 4: that's not going to be changed.
• 1:57:20
  Speaker 2: And the leather jacket that everyone has and they've got
• 1:57:22
  Speaker 2: the collar.
• 1:57:23
  Speaker 4: And it's popped. Pop the collar. Start the petition now
• 1:57:30
  Speaker 4: and include a big chunk of cash with every one
• 1:57:33
  Speaker 4: of them.
• 1:57:33
  Speaker 2: Speaking of photo things, glamour shots, things like that. So
• 1:57:37
  Speaker 2: yesterday I was with my best friend and I was
• 1:57:39
  Speaker 2: talking about Instagram, which is this really cool app on iPhone.
• 1:57:42
  Speaker 2: She has an Android and she's like, Instagram's not on here,
• 1:57:49
  Speaker 2: but there's this really similar program called Vignette. And I
• 1:57:52
  Speaker 2: was like, oh, okay. And I just didn't think much
• 1:57:55
  Speaker 2: about it. I'm like, that's a stupid name for something.
• 1:57:57
  Speaker 2: And then, you know, we were talking about it. We
• 1:57:59
  Speaker 2: were like comparing. I was like, what's it called again?
• 1:58:02
  Speaker 2: She's like Vignette. And I was like, how do you
• 1:58:04
  Speaker 2: spell that? She's like V-I-G-N-E-T-T-E. I said Vignette. And she's like.
• 1:58:10
  Speaker 2: I don't fucking know. I don't speak French.
• 1:58:16
  Speaker 4: She's special.
• 1:58:18
  Speaker 2: And then we were talking about the time my mom,
• 1:58:21
  Speaker 2: I was using her computer. She's like, there's something wrong
• 1:58:23
  Speaker 2: with my email. Whenever I open it up, it says
• 1:58:24
  Speaker 2: it's been compromised. And I was like, What? She's like,
• 1:58:29
  Speaker 2: my email's been compromised. And I was like, compromised?
• 1:58:33
  Speaker 4: She's like, whatever.
• 1:58:34
  Speaker 2: People get so defensive when you correct their hilarious... Whatever,
• 1:58:39
  Speaker 2: I don't speak English.
• 1:58:44
  Speaker 4: Whatever. I ain't got time for that bullshit. Just make
• 1:58:47
  Speaker 4: my email work.
• 1:58:47
  Speaker 1: I don't like this compound word shit.
• 1:58:52
  Speaker 4: I'm all like, no, that is dumb. Yeah.
• 1:58:56
  Speaker 10: Wow.
• 1:58:57
  Speaker 1: I'll promise.
• 1:58:58
  Speaker 2: I'll promise. Vignette.
• 1:59:01
  Speaker 4: Vignette.
• 1:59:01
  Speaker 2: I was like, I have to call it that on Facebook.
• 1:59:03
  Speaker 2: She said, no, you'll make me sound like an idiot.
• 1:59:06
  Speaker 4: Well, now we've passed that right along.
• 1:59:08
  Speaker 2: I know.
• 1:59:08
  Speaker 3: I know.
• 1:59:09
  Speaker 4: And I think.
• 1:59:10
  Speaker 2: She hasn't listened to the podcast, so she'll never know
• 1:59:13
  Speaker 2: that I'm totally Vignette.
• 1:59:13
  Speaker 4: Until we all start using it. And I think you
• 1:59:16
  Speaker 4: need to refer to it. It should be like a derogatory. Damn, Vignette. Vignette.
• 1:59:21
  Speaker 4: please everyone start using that you may very well get
• 1:59:24
  Speaker 4: your ass kicked in the process but don't tell them
• 1:59:27
  Speaker 4: i told you to say that damn big nets so
• 1:59:31
  Speaker 4: we could get in trouble for that one yeah more than.
• 1:59:33
  Speaker 1: Likely there's a shocker.
• 1:59:35
  Speaker 4: So my question to mikey is if you didn't know
• 1:59:37
  Speaker 4: what dad jeans were are you wearing them did you
• 1:59:41
  Speaker 4: accidentally end up in dad jeans and you're like Man.
• 1:59:45
  Speaker 4: I think so. Maybe that's why you're not getting that
• 1:59:47
  Speaker 4: stationary boob action. I don't know. Wait a minute. Maybe
• 1:59:53
  Speaker 4: I've figured out my problem.
• 1:59:55
  Speaker 1: Well, yeah.
• 1:59:55
  Speaker 4: He approaches women like, well, he's clearly a dad. I
• 1:59:58
  Speaker 4: don't want to be around him. I don't want to
• 1:59:59
  Speaker 4: hook up with dad.
• 2:00:00
  Speaker 1: I'm not going out with my dad.
• 2:00:04
  Speaker 10: All right.
• 2:00:04
  Speaker 1: I'm buying new jeans.
• 2:00:05
  Speaker 4: That's all there is to it.
• 2:00:08
  Speaker 2: I mean, do they have a pleat front?
• 2:00:11
  Speaker 4: Ooh, see, that's trouble.
• 2:00:11
  Speaker 2: Are they, like, lighter than, like, very light-washed in them?
• 2:00:17
  Speaker 4: I can't handle pleats.
• 2:00:18
  Speaker 1: I'm sorry. That's crossing a line for me.
• 2:00:20
  Speaker 2: You can probably Google it. It'll probably let you know.
• 2:00:23
  Speaker 1: Pleats and elastic waist.
• 2:00:26
  Speaker 4: Sends a belt. Oh, that would be awesome. Oh, yeah, so.
• 2:00:32
  Speaker 4: And I agree, Twisted Sister is awesome. Well, specifically that song.
• 2:00:35
  Speaker 4: It's funny that they didn't even work in their hits.
• 2:00:37
  Speaker 10: Right.
• 2:00:38
  Speaker 4: Because to me, that's possibly the best song on the album.
• 2:00:41
  Speaker 4: Burning Hill is awesome. So, yeah, it's just kind of
• 2:00:44
  Speaker 4: cool that they worked that random B-side into the movie.
• 2:00:48
  Speaker 4: Just for a moment.
• 2:00:50
  Speaker 2: Yeah.
• 2:00:51
  Speaker 1: It is pretty damn entertaining.
• 2:00:52
  Speaker 10: Great movie.
• 2:00:53
  Speaker 4: I wonder if Dee Snider hangs out.
• 2:00:54
  Speaker 1: With Paul Reumann.
• 2:00:57
  Speaker 4: It kind of seems like they would hang out.
• 2:00:59
  Speaker 1: Together in the real world.
• 2:01:01
  Speaker 4: They're both kind of weird. All right. So yes, thank you, Mikey. Uh, we,
• 2:01:06
  Speaker 4: we definitely appreciate it. Um, I know you've still got
• 2:01:09
  Speaker 4: the photo on your phone. My question is, do you
• 2:01:12
  Speaker 4: still have the frilly.
• 2:01:13
  Speaker 1: Hannah Montana bag?
• 2:01:14
  Speaker 4: Cause that, I was a little more taken with that
• 2:01:16
  Speaker 4: that day, but I hope you're carrying that around every day.
• 2:01:20
  Speaker 2: What was the Hannah Montana bag from?
• 2:01:22
  Speaker 4: He was just carrying it around during the convention. It
• 2:01:25
  Speaker 4: had a frilly handle and it had a big picture
• 2:01:27
  Speaker 4: of Hannah Montana and he was toting it around the
• 2:01:30
  Speaker 4: whole time. And, I was kind of taken with that. So,
• 2:01:32
  Speaker 4: you know, it's quite a look he had going on.
• 2:01:35
  Speaker 2: I mean, if you were accidentally wearing dad jeans and
• 2:01:43
  Speaker 2: carrying a Hannah Montana... Bag, people would just assume you
• 2:01:46
  Speaker 2: had a small daughter somewhere that you'd misplaced.
• 2:01:49
  Speaker 4: Right. You're a dad, but you're also kind of a
• 2:01:51
  Speaker 4: bad dad because you've lost your child.
• 2:01:55
  Speaker 1: Or a cool dad that he knows that, well, I've
• 2:01:57
  Speaker 1: got to be here with her at this, but I'm
• 2:01:58
  Speaker 1: going to leave her alone to be with her friends.
• 2:02:00
  Speaker 4: I'll let her go hang out with Bill Moseley.
• 2:02:03
  Speaker 1: That's fine. Any dad like that deserves some vibrating boo.
• 2:02:07
  Speaker 4: If you can hook that up.
• 2:02:08
  Speaker 2: I mean, in order to be a dad, you would
• 2:02:10
  Speaker 2: have had to gotten some vibrating boob in the first place.
• 2:02:13
  Speaker 4: Somewhere 20, 30 years ago. That didn't count. Once it's
• 2:02:20
  Speaker 4: that far gone, now it's at knee level, it doesn't
• 2:02:23
  Speaker 4: count anymore.
• 2:02:24
  Speaker 1: If it's for procreation purposes, it's not real.
• 2:02:29
  Speaker 4: Oh, that's just sad, really. All right, so, yep, that
• 2:02:33
  Speaker 4: pretty much wraps up. Again, we've got more coming, so
• 2:02:36
  Speaker 4: keep the weird and entertaining feedback coming in because, yeah,
• 2:02:41
  Speaker 4: we're working them in as we get around to it.
• 2:02:43
  Speaker 4: So thank you very much, Metal Mike. Thank you. Okay, kids,
• 2:02:47
  Speaker 4: get out your decoder pins.
• 2:02:49
  Speaker 2: Dun-dun-dun.
• 2:02:52
  Speaker 4: It is time for the Movie Outdown Secret Circle reveal
• 2:02:54
  Speaker 4: of an upcoming exciting feature. Hell, we don't even know
• 2:02:57
  Speaker 4: what we're doing.
• 2:02:57
  Speaker 2: For you members of the Secret Circle.
• 2:02:59
  Speaker 4: I believe next week we're going to attempt to put together,
• 2:03:03
  Speaker 4: and this has actually been kind of popular lately. I
• 2:03:06
  Speaker 4: got a specific request or at least an excitement over
• 2:03:11
  Speaker 4: every time they turn it on and they hear it's
• 2:03:13
  Speaker 4: a caffeinated movie geek episode. Yeah. So I think we're
• 2:03:16
  Speaker 4: going to try to put together another caffeinated movie geek episode.
• 2:03:19
  Speaker 4: It's the Fred Factor. Yeah, everybody kind of loves the
• 2:03:22
  Speaker 4: Fred Factor.
• 2:03:22
  Speaker 10: I love Fred.
• 2:03:23
  Speaker 4: You can't go wrong with that.
• 2:03:25
  Speaker 2: Oh, yeah, that reminds me. I also, this is like
• 2:03:27
  Speaker 2: way past it, but I also happened to accidentally watch
• 2:03:31
  Speaker 2: this Robert Mitchum movie last week. I don't know how
• 2:03:34
  Speaker 2: I forgot that, but yeah.
• 2:03:36
  Speaker 10: Mitchum.
• 2:03:36
  Speaker 4: Which one was it?
• 2:03:37
  Speaker 2: It was about Ireland.
• 2:03:37
  Speaker 4: Ireland. The Quiet Mitchum? Yeah.
• 2:03:45
  Speaker 1: That would be a ruined actor.
• 2:03:49
  Speaker 4: No, I said Mitchum.
• 2:03:50
  Speaker 2: No.
• 2:03:52
  Speaker 4: I was combining. Was Catherine O'Hara in that?
• 2:03:54
  Speaker 1: I don't know.
• 2:03:57
  Speaker 2: It was called Ryan's Daughter, I think. Hmm. It was
• 2:04:01
  Speaker 2: Ryan Mitchum.
• 2:04:02
  Speaker 4: All right. If you say so.
• 2:04:05
  Speaker 2: It was very long and very boring. It's probably why
• 2:04:08
  Speaker 2: I forgot to mention it.
• 2:04:10
  Speaker 4: You are selling us on it?
• 2:04:11
  Speaker 2: It was like about, like it was filmed in Doolin,
• 2:04:13
  Speaker 2: so it was really beautiful.
• 2:04:16
  Speaker 4: Okay, anything else to pass along this week?
• 2:04:19
  Speaker 2: Nope.
• 2:04:20
  Speaker 4: All right. Is there one favorite? I'm trying to decide.
• 2:04:25
  Speaker 4: Do we go out with the big finale song of Dracula?
• 2:04:29
  Speaker 4: I mean, it is the triumphant song. I don't know
• 2:04:32
  Speaker 4: if that's how we should.
• 2:04:34
  Speaker 1: Are we going to listen to Rapula during the episode?
• 2:04:36
  Speaker 4: I mean, we'll definitely, obviously, we've gotten Rapula in already. Okay.
• 2:04:40
  Speaker 4: But what do we, yeah, I mean, do we want
• 2:04:43
  Speaker 4: to go out on the big finale? Because as we
• 2:04:46
  Speaker 4: were saying, I told you we'd get it back around.
• 2:04:48
  Speaker 4: That's exactly what I thought of as I watched this.
• 2:04:50
  Speaker 4: I was like, you know, you kind of got to like.
• 2:04:52
  Speaker 4: Or possibly hate, depending on your personality. But I was like,
• 2:04:55
  Speaker 4: you gotta like that when the credits, the final credits
• 2:04:59
  Speaker 4: kick in and it's in the middle of the musical number,
• 2:05:01
  Speaker 4: which is actually being played by your character. And it
• 2:05:05
  Speaker 4: is some sort of crazy, well, this one was sort
• 2:05:07
  Speaker 4: of a crazy dream sequence. It didn't make any sense.
• 2:05:09
  Speaker 4: But I mean, the whole rest of the time they
• 2:05:11
  Speaker 4: had a band, they were at a club, it all
• 2:05:13
  Speaker 4: sort of made sense in a way. But I was like,
• 2:05:15
  Speaker 4: there was that era. The 80s was definitely that where
• 2:05:18
  Speaker 4: you had like, you know, Howard the Duck rap stuff
• 2:05:21
  Speaker 4: like that. But even like Purple Rain rap stuff like that.
• 2:05:24
  Speaker 4: It's like there's so many of them. And it's like,
• 2:05:25
  Speaker 4: all right, here come the credits. And you just finish
• 2:05:28
  Speaker 4: it out with a whole big song. So it doesn't
• 2:05:31
  Speaker 4: need to be the thing.
• 2:05:32
  Speaker 1: If that's how we have to finish it, that works.
• 2:05:34
  Speaker 4: In honor of, you know, the 80s and or slash 1990,
• 2:05:38
  Speaker 4: how do you round it out this kind of a
• 2:05:40
  Speaker 4: movie and or episode? I guess that's how we should go.
• 2:05:43
  Speaker 4: Dean Canlan playing... Nicholas Cage playing Elvis with the Pointer
• 2:05:49
  Speaker 4: Sisters backing him up. Picture that in your mind as
• 2:05:54
  Speaker 4: we play it out. Otherwise, that about does it. We
• 2:05:57
  Speaker 4: will return next week. Same geek time, same geek feed.
• 2:06:00
  Speaker 4: Thanks for listening. Well, there's a party in my pants
• 2:06:54
  Speaker 4: Would you like to take a gander? And there's a
• 2:06:58
  Speaker 4: rocket in my pocket Like a handsome commander If a
• 2:07:00
  Speaker 4: diamond rings.
• 2:07:03
  Speaker 1: Is it something that you'd like?
• 2:07:04
  Speaker 10: Well, don't worry, babe Because the key's.
• 2:07:10
  Speaker 2: Back I got a love in my tummy There's something
• 2:07:17
  Speaker 2: cool around.
• 2:07:21
  Speaker 4: Rockin' them down to the bogey sound, baby.
• 2:07:23
  Speaker 1: My name is Rockula, and I'm a ticket cool prisoner.
• 2:07:33
  Speaker 8: Later today, I.
• 2:07:34
  Speaker 4: Got nothing to do.
• 2:07:37
  Speaker 1: I'm gonna buy me a.
• 2:07:39
  Speaker 4: Car, maybe I'll buy you one too, baby.
• 2:07:43
  Speaker 1: If you need money, baby, I got a stack.
• 2:07:48
  Speaker 7: I just tell all your friends that the key's back.
• 2:07:55
  Speaker 7: I got love, I got money, there's just enough to
• 2:07:57
  Speaker 7: throw around the hall.
• 2:08:01
  Speaker 4: You down to the boat in the sound. My name
• 2:08:08
  Speaker 4: is Rockilla. I'm going to play my thing right now.
• 2:08:34
  Speaker 4: I was like a.
• 2:08:35
  Speaker 1: Sing-along kid, just for me.
• 2:08:39
  Speaker 2: Say, yadda yadda do.
• 2:08:41
  Speaker 4: Say, I was Uncle Barry a lot. Say, kiki kiki kai.
• 2:08:48
  Speaker 8: Say, a girl like us like a dog.
• 2:08:51
  Speaker 15: .
• 2:08:59
  Speaker 3: .
• 2:09:11
  Speaker 4: .
• 2:09:16
  Speaker 7: .
• 2:09:17
  Speaker 4: .
• 2:09:20
  Speaker 8: .
• 2:09:22
  Speaker 4: .
• 2:09:32
  Speaker 8: .
• 2:09:39
  Speaker 4: How'd you like.
• 2:09:51
  Speaker 9: That, baby?
• 2:09:57
  Speaker 12: Typical.
• 2:09:57
  Speaker 4: What's typical?
• 2:09:59
  Speaker 7: That the damsel's in distress and you're caught sleeping at
• 2:10:01
  Speaker 7: the gate behind the eight ball a day late and
• 2:10:03
  Speaker 7: a dime short.
• 2:10:04
  Speaker 6: This show is a production of Movie Meltdown, produced and
• 2:10:06
  Speaker 6: edited by Brian Renfro. with opening music performed by the Empires.
• 2:10:10
  Speaker 6: To help support the show, email producer at moviemeltdown.com for
• 2:10:13
  Speaker 6: ways that you can contribute or advertise with us.