Latest / The Breakfast Club / Tony Yayo Talks New Podcast, Hip Hop Rivals, 'Free Yayo' Movement, Stabbing At Sony + More

Transcript

Tony Yayo Talks New Podcast, Hip Hop Rivals, 'Free Yayo' Movement, Stabbing At Sony + More · The Breakfast Club

0:02
Speaker 1: You don't think you think that's gonna be tough for Haney.
0:04
Speaker 1: I don't think hany gonna take that. I mean, let
0:07
Speaker 1: me take this. He's one of those wily veterans, you
0:09
Speaker 1: know what I mean. But I think Haney sho win that.
0:12
Speaker 1: I don't think so, Bro. I think I think morning
0:17
Speaker 1: everybody is DJ m V Charlemagne the guy. We all
0:20
Speaker 1: the breakfast club. We got a special guests in the
0:23
Speaker 1: building to talk in New York right to you. NET
0:28
Speaker 1: had to bring it back right. Whatever you feeling, brother,
0:32
Speaker 1: I'm feeling good man running around one y'all show. I
0:35
Speaker 1: feel like you got a second win, yo, like it's
0:37
Speaker 1: been a second win, third win. Yeah. I mean, you know,
0:41
Speaker 1: I'll see the way fifty work and I'm like, yo
0:43
Speaker 1: when he always be like Yo, y'all are lazy. Y'all
0:45
Speaker 1: are lazy. And I'm just realizing, like I thought I
0:48
Speaker 1: was working when I wasn't. So during the COVID it
0:50
Speaker 1: was just like a tough time, Like I'm sitting back,
0:52
Speaker 1: wasn't those tours. I'm like, y'all gotta figure out other
0:54
Speaker 1: things to do. So I started doing the music and
0:57
Speaker 1: then I started, you know, messing with flash black TV,
1:00
Speaker 1: and I just started realizing when you put your presence
1:03
Speaker 1: out there to all these younger generations, the new kids
1:06
Speaker 1: that really don't know us, they know g Unit or
1:08
Speaker 1: some people do remember, like when I go on tour,
1:11
Speaker 1: it'd be like, yeah, my father used to play or
1:13
Speaker 1: my mom's used to play Unit. So it passed down
1:15
Speaker 1: to that generation. So I'm going on my own tours
1:18
Speaker 1: and you know, I'm just making myself valuable. Man putting
1:20
Speaker 1: that work in that. Did that upset you when you
1:22
Speaker 1: heard you said you're always lazy? Nah? Not even that
1:25
Speaker 1: motivates you, because at a point sometimes you do get lazy.
1:29
Speaker 1: Our careers. We was kind of spoil you think about it.
1:31
Speaker 1: We had fifty where he was doing everything for us
1:34
Speaker 1: so asked for Like when we was coming out, you
1:36
Speaker 1: had the young guns for instance. I remember Holvain saying
1:39
Speaker 1: Jay is not gonna do what fifty does for young guns.
1:42
Speaker 1: He was saying it in front of their face, like
1:44
Speaker 1: I was right there. I think we was at Hovain
1:46
Speaker 1: the whole No, not Horvain. Uh, my man had passed
1:50
Speaker 1: away from interscope at a woman, Harvain, excuse me, Harvain
1:55
Speaker 1: and resu peace Hovoy rest in peace Hovain too, because
1:58
Speaker 1: you know that was bank Sky too before he passed
2:01
Speaker 1: away and let me get back on track. And I
2:05
Speaker 1: remember him saying, like y'all got fifty, Like fifty was
2:07
Speaker 1: you know, help us being the videos second back for
2:10
Speaker 1: that when he dropped he when he showed eleven million records,
2:12
Speaker 1: he dropped bag for mercy. Yeah, you know what I'm saying.
2:14
Speaker 1: I was in jail, you know him, and Eminem was
2:16
Speaker 1: shouting me out. So I always showed my love to him.
2:18
Speaker 1: I know how fifty is he? You know, y'all the
2:20
Speaker 1: same sign, y'all crazy, you know what? Good? It's all good,
2:24
Speaker 1: you know. But it just motivated me to work because
2:26
Speaker 1: I see how he worked. Will be on tour, He'll
2:29
Speaker 1: leave tour to Gonne movie set, go back, go to
2:31
Speaker 1: the gym twice a day. I'm tired, you know. I mean,
2:34
Speaker 1: the free AO movement was a movement within itself, Like
2:37
Speaker 1: I don't think we talked about about that, and if
2:39
Speaker 1: I don't know why. Randomly, I was thinking the other
2:41
Speaker 1: day about when they shouted you out of I think
2:42
Speaker 1: it was the Grand it was Eminem, and that's why
2:44
Speaker 1: I always shot out Eminem. You know what I'm saying
2:46
Speaker 1: because he didn't have to do that. I was on
2:48
Speaker 1: right because islands see seventy three too low? How is that?
2:51
Speaker 1: When when he shouted you out and you on the island,
2:53
Speaker 1: I'm shout that was crazy because you know, I was
2:55
Speaker 1: like yo that day. You know you can get crazy
2:56
Speaker 1: on the island. I'm like, yo, I gotta watch the
2:58
Speaker 1: Grammys today, you know what I'm saying. I was up
3:00
Speaker 1: to dudes in the house like yo, because you know,
3:01
Speaker 1: you get stabbed over TV, newspaper on right, shout to everybody,
3:05
Speaker 1: or right, is it getting crazy? So it was experienced
3:07
Speaker 1: for me like he wore a shirt and I was like,
3:09
Speaker 1: and Shady caught me. It's like, you're something got a
3:11
Speaker 1: surprise for you. Watch the Grammys. I mean Tracy new
3:14
Speaker 1: shout to her and it was a crazy It was
3:16
Speaker 1: crazy for me. It was big. I felt like Tupaca
3:19
Speaker 1: a little Wayne in jail at that point. Now this
3:21
Speaker 1: move right here, this this hand in front of the face.
3:25
Speaker 1: Where did that move come from? Because you know, of
3:26
Speaker 1: course we've known you doing that for years. Where did
3:29
Speaker 1: that come to? That really came because I was on
3:31
Speaker 1: the run, like I was at that point when we
3:33
Speaker 1: was in the club. I was running like fifty was
3:35
Speaker 1: like yo, he said to me, you know we had
3:37
Speaker 1: this judge, Judge Wong and Queen's everybody know no joke
3:40
Speaker 1: and he was like, Yo, what are you gonna do.
3:42
Speaker 1: You're gonna go to court or go on tour and
3:45
Speaker 1: we're blowing up now mixtapes are crazy boots playing us everywhere.
3:48
Speaker 1: I'm like, yo, I'm running. So you know I could
3:54
Speaker 1: say it now because I got convicted for it. The
3:56
Speaker 1: passport fraud. I went in the passport agency and was
3:58
Speaker 1: acting like my brother and him look alike, and I
4:01
Speaker 1: wentn't got a passport, was traveling the world and went
4:03
Speaker 1: to Brazil all these places and I was on the run,
4:06
Speaker 1: you know, and it was it was crazy. But how
4:08
Speaker 1: did they how did they finally catch you? Well, I
4:09
Speaker 1: mean as soon as you come back to New York.
4:15
Speaker 1: We did the Coca Cabanna. We got caught up. We
4:18
Speaker 1: had some security guards with us. We called them gun
4:19
Speaker 1: in the box because they always had the gun in
4:21
Speaker 1: the box. I never understood that, but they had their license.
4:24
Speaker 1: And we got caught up going to the Cocoa Banna
4:26
Speaker 1: hip hop police. You know, they was on there. If
4:28
Speaker 1: my police was like, on fifty crazy, did you ever
4:30
Speaker 1: plan on turning yourself in? I don't know. Nobody want
4:35
Speaker 1: to go to jail, man, like shout to everybody locked up,
4:38
Speaker 1: but everybody asked in jail. Don't want to be in jail.
4:40
Speaker 1: And I tell my young brothers all the time, like, yo, bro,
4:43
Speaker 1: don't get in trouble with cameras everywhere. All the police
4:45
Speaker 1: doing the fence does watch y'all do crimes on camera
4:48
Speaker 1: and the fens come get you later. You the second
4:50
Speaker 1: rapper I heard say that. I remember ghost Face said
4:51
Speaker 1: he was on the run, but he wore the That's
4:53
Speaker 1: why he wore the mask. Yeah. When I heard you
4:54
Speaker 1: say that, I was like, oh, I heard ghost Yeah,
4:56
Speaker 1: I was on the run. I had the passport. So
4:57
Speaker 1: when I was in the club video, I was like,
4:59
Speaker 1: let me just cover my face because this is getting
5:00
Speaker 1: kind of crazy. I'm going to run. I can't really
5:02
Speaker 1: be in videos like that. So when you John Cena,
5:04
Speaker 1: just I guess Jacket John, give you credit. John Cena
5:09
Speaker 1: said his little brother, I believe did it, and and
5:12
Speaker 1: his his little brother did him to do it, and
5:14
Speaker 1: I guess he did it in the match, And it
5:16
Speaker 1: just got crazy when you see rees do it, what
5:18
Speaker 1: did you did? Oh? She made it. She took it
5:20
Speaker 1: to a whole other level. She brought it back, had
5:22
Speaker 1: me trending for shelter. She had me trending for you know,
5:26
Speaker 1: the whole week, and then Kay did it before her, right, Yeah,
5:30
Speaker 1: So it was just like I mean, with that situation
5:32
Speaker 1: was crazy because, like you said, a black girl did
5:34
Speaker 1: it and it was a problem. Then when yeah, it
5:37
Speaker 1: was a problem. So I addressed that, you know what
5:39
Speaker 1: I mean. I talked about that too. That's crazy because
5:42
Speaker 1: when we playing ball in the hood, you know, it's competitive.
5:44
Speaker 1: Whatever you do, when you do your car shows, you're
5:47
Speaker 1: in competition, That's right. I see you go at people here.
5:50
Speaker 1: Y'all got the best car shows in the world. None,
5:52
Speaker 1: y'all commissed with me. I don't know how you're getting
5:53
Speaker 1: all these cars. But I told fifty, you might as
5:58
Speaker 1: well just leave all his calls with you. Brother. You know,
6:00
Speaker 1: Fifth calls me and he'd be like, I want to
6:02
Speaker 1: let me get the call and I'll get him back
6:04
Speaker 1: his call. You know. I used to have his lamb
6:06
Speaker 1: Bow or his Rose Royce and he driving for one
6:09
Speaker 1: day and then it sits and then he loses the
6:10
Speaker 1: key and then I gotta go get it again. I
6:15
Speaker 1: meant to ask too, right, I want to go back right?
6:17
Speaker 1: I know, yeah, y'o A long time. Where do you
6:21
Speaker 1: think in your career happened where you didn't go to
6:23
Speaker 1: that next level? Right? And I asked Fifty that and
6:26
Speaker 1: he said he thinks it was the picking of the
6:28
Speaker 1: wrong single. What do you what do you think it
6:31
Speaker 1: was interesting? I think it was just a lot of
6:33
Speaker 1: drama when Interscope when I came home, you know what
6:35
Speaker 1: I mean? You had fifty he was Curtis from Curtis Interscope, Jackson,
6:39
Speaker 1: you know, and Jimmy Irveen. You know, you had game
6:41
Speaker 1: flipping and like it was just confusing to me because
6:44
Speaker 1: I was on game album and then you know, the
6:48
Speaker 1: game thing happened, and it was like, yo, he's on
6:51
Speaker 1: the same label as us, so why are they not
6:53
Speaker 1: just getting rid of him? You know, fifty so more
6:55
Speaker 1: reconiss than the mode whatever. It was like, it was
6:57
Speaker 1: like it was like a war in our own house
6:59
Speaker 1: because you had you had Yes, I had so saduct
7:04
Speaker 1: don't love I had I know you don't love me
7:05
Speaker 1: and pimping, right, but you gotta remember I came in
7:08
Speaker 1: the midst of the fifty cent in the Scope drama
7:11
Speaker 1: con was Jimmy Ivan. Yeah, I'm my own boss, you
7:14
Speaker 1: know how to you know, get so I think sometimes
7:17
Speaker 1: and at that point we had so many enemies. It
7:20
Speaker 1: was like we wasn't getting a feature or nothing like
7:22
Speaker 1: you wasn't like we came to a point where we
7:25
Speaker 1: never used anybody, like it was just me, Banks and fifty.
7:28
Speaker 1: You know, fifty never looked to do features with nobody,
7:31
Speaker 1: So you know how it is, it felt like everybody
7:34
Speaker 1: was a getting stuff at that point because nobody really
7:36
Speaker 1: messed with fifty in industry like that, I'll mess with us,
7:38
Speaker 1: Let's be serious. Did it feel better now because I
7:40
Speaker 1: saw you out and about the other day and like
7:41
Speaker 1: you and Pistol Pete and Uncle Murder, Yeah, it feel better.
7:44
Speaker 1: It feel it feel good to have no drama with
7:46
Speaker 1: Fat Joe because Fat Joe I was I was always
7:48
Speaker 1: a fan of Fat Joe. Jealous wants to envy, you know,
7:50
Speaker 1: he was a real one. Pistol Pe he cooled. So
7:52
Speaker 1: it's like you get old and a lot of stuff
7:54
Speaker 1: was just just hip hop. And I thought you said
7:56
Speaker 1: that was the realest beef g unit. Yeah fat Joe,
7:59
Speaker 1: yeah job. I guess you call that a compliment, but
8:01
Speaker 1: that's like big compliment. I don't I don't look at
8:04
Speaker 1: the jar Route thing. It's like real. But y'all have
8:07
Speaker 1: screep beef. Get the y'all have beef with Yeah, I
8:10
Speaker 1: look at them. I look at like the prems the world.
8:13
Speaker 1: I look at those kind of guys or like the
8:15
Speaker 1: real beefs, the Jimmy Henchman schools with like the real
8:18
Speaker 1: beefs where it got real with the street guys. But
8:21
Speaker 1: industry wise, you said art squar Yeah, industry wise terrast squard. Okay,
8:25
Speaker 1: why what makes that? What makes it? Because I don't know.
8:28
Speaker 1: It's just a whole bunch of crazy Spanish dudes. Man. Yeah,
8:33
Speaker 1: I'm saying you just know, you just know what it is. Man,
8:36
Speaker 1: Like the Bronx, it get real. I'm Spanish dudes in
8:39
Speaker 1: the Bronx. I told my Dominicans, Puerto Ricans, Ecuadorians, Mexicans,
8:43
Speaker 1: that just get real. Man. It's the crazy story that
8:45
Speaker 1: you was like, we might not make it out of here. Um.
8:50
Speaker 1: I think the Sugar Runnings was always crazy for me,
8:53
Speaker 1: you know what I mean? Because you always heard of
8:54
Speaker 1: Shug Night, but you never got to see him. So
8:56
Speaker 1: I think it was the UM. I wouldn't say we
9:00
Speaker 1: were scared, but I could say it was the Vibe
9:03
Speaker 1: Awards when we see Shook Knight and Earth Gotti and
9:07
Speaker 1: they walked past the trailer. So it is what it is.
9:10
Speaker 1: We in New York, but we in LA. You know
9:12
Speaker 1: what I'm saying. We New York dudes were in LA.
9:14
Speaker 1: You know what I'm saying. So you see Shook Knight.
9:15
Speaker 1: You always heard about this guy, you know TV magazines,
9:18
Speaker 1: but you know I never had in the club was
9:20
Speaker 1: the first running, but this was the second. So he
9:23
Speaker 1: walks past the trailer with Earth and fifty. Just look
9:28
Speaker 1: at um, James Cruise. James Cruise, you know, shout out
9:30
Speaker 1: to him. He was a little James Cruise is always
9:32
Speaker 1: in a situation industry guy. He got to run around
9:34
Speaker 1: with fifty bullerpoof fesses. You know how Chris Lighty was
9:37
Speaker 1: in the trenches. It's crazy. So he just tapped James
9:40
Speaker 1: Cruise and say, yo, go by twenty knobs, go by
9:44
Speaker 1: twenty knobs. Yeah, just go to the hardware store. I'm like,
9:47
Speaker 1: because what we're gonna do just seem you know, it
9:50
Speaker 1: might get crazy. It was about twenty to fifteen or
9:54
Speaker 1: something like that, so he's like, yo, go by twenty
9:57
Speaker 1: knobs something like that. So James Cruise goes to Hallway
10:00
Speaker 1: store by twenty knives. He gives the bags fifty handing
10:04
Speaker 1: them out, and then you know, when we got there,
10:07
Speaker 1: we had beef with Fat Joe at that point, we
10:09
Speaker 1: had beef with we Doctor Dre's there, so you know
10:12
Speaker 1: that's obviously a beef with Sugar Knights. Sugar Knight got
10:16
Speaker 1: like some crazy looking Compton looking dudes with him, you
10:19
Speaker 1: know what I'm saying. So it just you felt the
10:21
Speaker 1: energy to where we had our chairs like this, like
10:23
Speaker 1: we had the chairs like this watching everything wasn't like
10:28
Speaker 1: watching like this. You felt the energy like you felt
10:33
Speaker 1: someone's gonna go down. And that's when you know one
10:36
Speaker 1: of the dudes hit. There wasn't no we wasn't taking
10:39
Speaker 1: pictures back then, so I guess he has Dre for
10:41
Speaker 1: the autograph pops on Dre. Dre falls, but he already
10:44
Speaker 1: might have to get up start popping on him, and
10:47
Speaker 1: it just got crazy. Nab started coming from everywhere, and
10:49
Speaker 1: that's when you know one of the dudes got stabbed.
10:51
Speaker 1: So my question is if there was twenty knives, I'll
10:53
Speaker 1: come only young Buck didn't stabbing. Yep, Now that that
10:55
Speaker 1: dude got stabbed in the chest, Young Bucks stabbed him
10:57
Speaker 1: with a funk. I don't know where that came. I
11:01
Speaker 1: don't know where you just came with the fault. Nobody
11:04
Speaker 1: gave Buck a knife. Nah, but no, that's why I
11:08
Speaker 1: was tripping. I know I had one. Anybody else, did
11:11
Speaker 1: you know what I'm saying? But Buck, a matter of fact,
11:13
Speaker 1: him in Banks was backstage, it was about to perform,
11:16
Speaker 1: and he just came with the fun as soon as
11:19
Speaker 1: they started talking that time, when they started, we went
11:22
Speaker 1: back to the mansion after that happened because the kid
11:24
Speaker 1: got stabbed in the chest. He collapsed everything. The funk
11:27
Speaker 1: wasn't nothing. And we got back to the mansion and
11:30
Speaker 1: it was on the news. It was like attempted murder
11:32
Speaker 1: young Buck. Young Buck was like, I didn't do that.
11:34
Speaker 1: Mite switch up when that time, That's why I'll be
11:40
Speaker 1: staying out of truck. Was like, I didn't do that, mate,
11:44
Speaker 1: Because y'all Buck hit him with the fuck. He ain't
11:46
Speaker 1: stabbed him in the chest. He kind of ran with
11:50
Speaker 1: the story though, didn't. I mean, you know, come on, man,
11:53
Speaker 1: rapp us man the story. You know. The thing that
11:55
Speaker 1: gets lost in that the fact that Dre had hands.
11:58
Speaker 1: No Dre was pound Tray was like he was He's
12:02
Speaker 1: a big dude. So he was just boot boop boo
12:03
Speaker 1: tagging him up because dude violated. He had his wife there.
12:06
Speaker 1: You know what I'm saying, he violated in New York,
12:08
Speaker 1: jumped on and we rap packed them boom. Do you
12:10
Speaker 1: sleep good meeting? I mean, I know you're doing well
12:13
Speaker 1: in life, but do you feel like, okay, none of
12:15
Speaker 1: that old beef forever come back to Hume? Nah? I
12:17
Speaker 1: always look over my back. I mean I just feel
12:19
Speaker 1: like I feel like, you know, once your public property
12:22
Speaker 1: because fifty when we signed that deals, he says, you
12:23
Speaker 1: know your public property. And you know what, I can
12:25
Speaker 1: say what they want to say. You know, get out
12:27
Speaker 1: of here. You watch whatever your public property, and you
12:30
Speaker 1: will target. I believe we all target most people. See
12:34
Speaker 1: you know what I mean? You know how this You
12:35
Speaker 1: just gotta move militant out here because it's crazy out here.
12:39
Speaker 1: Like I like the jury, but I don't I don't
12:41
Speaker 1: wear it all the time like I ain't gonna go
12:43
Speaker 1: to the middle of Compton, or or the middle or
12:46
Speaker 1: the BX with a whole bunch of jury on and
12:48
Speaker 1: Merry Christmas. You know what I mean. I'm moved militant
12:51
Speaker 1: because we had somebody around us that, you know, Fifth
12:55
Speaker 1: told us like, yo, when you know somebody kill you
12:56
Speaker 1: for that? Watch right? You see it every day people
13:00
Speaker 1: getting killed over nothing, man, nothing out here? Whatever? What
13:05
Speaker 1: for people that don't know there was a time when
13:07
Speaker 1: when y'all were all strained right, unit wasn't talking to
13:10
Speaker 1: fifty fifty. Wasn't talking to what happened during that time
13:12
Speaker 1: and then what got your back together? I'm always talking
13:15
Speaker 1: to fifty fifty. Just I'm used to fifties character because
13:18
Speaker 1: he's he's a crazy cancer like Charlotte Magne, so I'm
13:21
Speaker 1: used to him. He used to be on the block,
13:23
Speaker 1: you know. I remember one day fifty Willian he fell
13:25
Speaker 1: off his bike and told yo. He was like yo,
13:28
Speaker 1: nobody better laugh. Everybody started laughing. Nobody been laughing me.
13:31
Speaker 1: I'm punch yall on your face. So I know, being
13:34
Speaker 1: on the block, I don't know him better than anybody
13:37
Speaker 1: from Queens. Come on, man, you from Queens, you know
13:40
Speaker 1: what it is, bro, You was outside, so it's like
13:42
Speaker 1: legendary queens, Like I know Fifth better than anybody was
13:45
Speaker 1: on the block together. Banks is a little younger, so
13:48
Speaker 1: Banks was, you know, high school. He went to August Marten.
13:51
Speaker 1: Buck is from Cashville and Game is from la. But
13:56
Speaker 1: once money and ego get involved, you know how dude
13:59
Speaker 1: start acting, you know, boo boo. Yeah, So it used
14:02
Speaker 1: to be like, Yo, this is team Lloyd Banks team.
14:05
Speaker 1: This is Hunger for More team, this is the thoughts
14:07
Speaker 1: of a predicate team, this is Buck got the cash
14:10
Speaker 1: real team. Everybody's their own boss in the way and
14:13
Speaker 1: sometimes to get to their head. For me, it was different.
14:15
Speaker 1: I got out of jail and I'm like, you're all
14:17
Speaker 1: live in Battery Park. I could see the statue Liberty,
14:20
Speaker 1: so I'm open. I'm like, wow, Ranker's allen to this.
14:23
Speaker 1: Thanks Fifth. Because a lot of artists couldn't afford to
14:26
Speaker 1: give that kind of money to somebody to move them
14:28
Speaker 1: out the hood. That's why they got killed in the hood.
14:32
Speaker 1: So I always had that loyalty because I'm coming fresh
14:34
Speaker 1: out of jail, like yo, we we blew up. You
14:37
Speaker 1: also never seem to have a sensive entitlement. Nah, I don't.
14:41
Speaker 1: I'm like, I'm good. I got a couple of houses,
14:43
Speaker 1: I made some good money, I traveled the world. I'm
14:45
Speaker 1: like on my fourth fifth passport, I'm humble. You know,
14:48
Speaker 1: I ain't got as much cause as envy, but I
14:50
Speaker 1: got a few and that a few, you know. But
14:53
Speaker 1: but for me, I'm like, yo, we all make money.
14:55
Speaker 1: I didn't seem fifth like, for instance, I don't want
14:58
Speaker 1: to say too many names, but you know, like I'm
15:00
Speaker 1: gonna say it, buck like Buckle go on tour. You
15:04
Speaker 1: know what I'm saying. We wasn't familiar with money, how
15:06
Speaker 1: to save money with black dudes from from the hood.
15:09
Speaker 1: You know, like you're going toward your spend two fifty, right,
15:13
Speaker 1: and then later on you have that grace period because
15:15
Speaker 1: you're in another tax bracket, right, so you'll be you
15:17
Speaker 1: out to pay that with maybe a year and a half,
15:19
Speaker 1: maybe two years later that money and I might not
15:21
Speaker 1: be there. Your fifth cant ball to fifty. I got
15:24
Speaker 1: a tax problem. But how many times you think a
15:27
Speaker 1: person's gonna do that for you? Guys? Now I've seen
15:29
Speaker 1: Fifth saved a lot of people, and not just I
15:32
Speaker 1: could just imagine when people for let Me Ball quarter millions.
15:36
Speaker 1: I've seen fifth Sage DJ's regular people artists, like movie people, actors,
15:42
Speaker 1: and it's funny that people you know see him as
15:44
Speaker 1: a mean guy. But I'm like, if y'all really knew
15:46
Speaker 1: that how much he's helped people, you'd be surprised. And
15:50
Speaker 1: the people that you think got it, that you feel
15:52
Speaker 1: got it, they don't really got it. All of them
15:55
Speaker 1: actors on Power Rappers, us me Banks, Buck Game Game
15:59
Speaker 1: put game in a lovely game had the best situation
16:01
Speaker 1: because he had Dre right there on deck. Yea, we
16:04
Speaker 1: need a West Coast dude. Now, what you think when
16:06
Speaker 1: in the studio we got a New Year doctor Dre
16:08
Speaker 1: blowing up a New York dude. What you think? Um
16:11
Speaker 1: them dudes in the studio saying West Coast the best
16:13
Speaker 1: coast because we need we need, we need the West
16:16
Speaker 1: Coast dude. So game was in a perfect situation because
16:20
Speaker 1: Dre had to do that. You had to blow up
16:22
Speaker 1: a West Coast dude. Now. I always wonder how people
16:24
Speaker 1: around y'all felt about that, like especially people from New York,
16:26
Speaker 1: Like because Bucks from the Stuth Games from the West,
16:29
Speaker 1: y'all was red hot. They didn't feel like yallhould have
16:31
Speaker 1: been leaning in the more New York artist at the time. Well,
16:33
Speaker 1: Buck came because I went to jail and he had
16:36
Speaker 1: you know, he had a situation where he was around Fifth,
16:38
Speaker 1: you know, because of Juvie and a couple of other things.
16:40
Speaker 1: You know what I'm saying. He was really really around
16:43
Speaker 1: like that, like Fifth rocked with him, you know what
16:44
Speaker 1: I'm saying, where they even did the record Blood How
16:46
Speaker 1: Bucker is a talented artist. I love Buck, but at
16:49
Speaker 1: that point he came. The only reason why Buck came
16:51
Speaker 1: along because I went to jail, Fifth snatched him up. Yeah,
16:54
Speaker 1: come on, Buck, come with us because he lied a
16:55
Speaker 1: liking to him. But the people around y'all, how did
16:57
Speaker 1: they feel about that? Seeing y'all put energy into those
17:00
Speaker 1: other guys. At that point, nobody wanted to be a rapper.
17:02
Speaker 1: Everybody wanted to be a gangster. Now everybody wanted to
17:06
Speaker 1: be a rapper, like a lot of people, and that
17:08
Speaker 1: was in our entourage or like rappers now. So at
17:11
Speaker 1: that point, I ain't no rapper about ain't no rapper
17:14
Speaker 1: who wanted to be the street dude in the background
17:16
Speaker 1: with the name. But now the game changed everybody rapped.
17:18
Speaker 1: Now it's like, all ain't cool. The one thing I
17:21
Speaker 1: think Fifty dropping the ball with you? Yeah, it was
17:23
Speaker 1: why you ain't in none of these TV shows. Man,
17:26
Speaker 1: you just got that natural personality. You know what. No,
17:30
Speaker 1: I want to do it, but I looked at it
17:32
Speaker 1: like this. If he put all his friends in power,
17:34
Speaker 1: it wouldn't be Yeah, all right, cool? Good? Let yeah
17:39
Speaker 1: see watch this? Fifth put me in something? Yeah? Have
17:43
Speaker 1: you ever asked? No? No, I don't be pressing fifty.
17:45
Speaker 1: Done enough for me? You know what I'm saying, Like,
17:49
Speaker 1: i'n't going to fifth year. I need a half a million, Bro,
17:52
Speaker 1: I got you quarter a million, bron, got you? Come on, bro,
17:56
Speaker 1: I can't keep pressing them half a million? Yeah, if
18:00
Speaker 1: I need a half a man, Bro, I've seen him
18:02
Speaker 1: do it for Buck too. You're Buck. I need I
18:04
Speaker 1: need a quarter you Yeah, man, I got it? Got you?
18:08
Speaker 1: What's your relationship with Banks? Banks is my brother? I
18:11
Speaker 1: talk to him the other day. Are they ever gonna
18:13
Speaker 1: mend that I'll stay, I'll stay honest used to it
18:17
Speaker 1: because Fifth is you know, Fifth is Fifth? Fifth is crazy.
18:19
Speaker 1: I just know how to deal with him, you know
18:21
Speaker 1: what I'm saying, from South Jamaica. He'd been like that,
18:23
Speaker 1: like you gotta think, on a block, twelve years old,
18:26
Speaker 1: never knew who his father was. Mom's got killed. He's
18:29
Speaker 1: selling drugs with all the dudes twice his age, these
18:33
Speaker 1: dudes like eighteen nineteen. You know what I'm saying. So
18:36
Speaker 1: he came up different. I had a mother and father.
18:38
Speaker 1: You know, I was supposed to be a good kid. Actually,
18:40
Speaker 1: but you know the streets, my neighborhood, every there was
18:43
Speaker 1: no role models. Everybody so drugs. I mean that's how
18:46
Speaker 1: you got the name. Yeah, being on a block. My
18:49
Speaker 1: father used to chase me off the block. Haitian parents,
18:51
Speaker 1: you know, don't play Island parents don't play chase me
18:53
Speaker 1: off the plot. I always wanted his Fifty gets so
18:55
Speaker 1: mad at them because he got such a big heart,
18:57
Speaker 1: and he's you know, he's cancer the overly loyal. So
19:00
Speaker 1: when they feel like they've been slighted in anyway, it's
19:03
Speaker 1: you're listen, man. People think Fifth is a bad guy,
19:05
Speaker 1: like you said Omari Ghosts. Remember he said I didn't
19:11
Speaker 1: get paid enough. Fifty made you a star. Brother. Everybody
19:14
Speaker 1: on that show, from Real Timmy to Michael Rainey Gianni,
19:17
Speaker 1: they all stars. Now little Meach took him put them
19:20
Speaker 1: in the acting school, I believe at eighteen, you know.
19:23
Speaker 1: And there's a lot of behind the scenes stuff that
19:25
Speaker 1: people don't know about. Fifty help people with lawyers in situations.
19:29
Speaker 1: A lot of people, some people that are not even
19:32
Speaker 1: really June it affiliate, helped them with lawyers, helped them
19:34
Speaker 1: get their money right, like he helps a lot of people.
19:37
Speaker 1: Bro Shan Money, Like Shan Money had eighteen cars, two houses,
19:42
Speaker 1: Like I'm quite sure he was getting like probably over
19:45
Speaker 1: half a million a year working at Unit and you know,
19:47
Speaker 1: we were smoking blunts in the office. Brother, We was working,
19:50
Speaker 1: but we could have worked more. And now sometimes I
19:54
Speaker 1: understand what he's saying, and I'm not saying he's not crazy. Sometimes,
19:57
Speaker 1: you know, fifty he gets crazy crazy. But at this
20:00
Speaker 1: end of the day, he helped everybody from game to
20:03
Speaker 1: buck to meet Thanks everybody, Did you really want to rap?
20:06
Speaker 1: That was he saw he saw working for Fifty's like,
20:08
Speaker 1: you know, I'm gonna try. Yeah, you know, I mean
20:10
Speaker 1: I was on the block and you know I used
20:12
Speaker 1: to be in the parties with my man Fat Shot
20:14
Speaker 1: DJ Roughhans and we used to go, you know, freaky
20:17
Speaker 1: tiers from my hood. So we used to always get
20:19
Speaker 1: on the mic and play around in freestyle in my
20:21
Speaker 1: man basement, and you know, I just started rapping. But
20:24
Speaker 1: you know, I never thought fifty was gonna sell eleven
20:26
Speaker 1: million records. We be in the house listening to get Richard.
20:29
Speaker 1: I trying, dude, just like you know what I was like,
20:32
Speaker 1: But I always seen a vision. I'm like, no, this
20:34
Speaker 1: is five fifties the next one. You know, I'm I'm
20:37
Speaker 1: a music guy. Like I used to go to the
20:38
Speaker 1: as and buy Envy tapes, Clue tapes, Dog Tim Griendmaster Vic,
20:43
Speaker 1: all of it because cleans his music. People really used
20:45
Speaker 1: to buy MV tapes. Yes, okay, don't even I don't
20:49
Speaker 1: even do that. Don't even don legend. No, people were
20:56
Speaker 1: hot Wax. He know. We used to go to Hot
20:58
Speaker 1: Wax get the tapes. He don't know. You know, because
21:00
Speaker 1: you gotta remember, Clue and Envy went from it went
21:03
Speaker 1: from blends because we used to every it used to
21:05
Speaker 1: be all about Blends, Grimaster, Victor Time, Dirty Harry, and
21:08
Speaker 1: then they just went it went to playing exclusives and
21:12
Speaker 1: that was you and Clue. That's how they changed the game.
21:14
Speaker 1: Him and Clue played exclusive records like a NADS freestyle
21:17
Speaker 1: or this freestyle that you ever got mad at them
21:19
Speaker 1: for leaking in the yall records? Nah, because the bootleggers
21:22
Speaker 1: made us at that point, the DJs made us because
21:25
Speaker 1: we was getting played everywhere we go to bootleggers. You know,
21:28
Speaker 1: sometimes dudes, I want to beat up the bootleggers and
21:30
Speaker 1: fifty be like, Nah, why are you doing that? It
21:32
Speaker 1: spread in the world. We had mixtapes everywhere you go,
21:35
Speaker 1: mixtapes everywhere. You know, the conversation nobody asked. You know,
21:39
Speaker 1: we know what Dirty Harry and all of them did,
21:41
Speaker 1: and we know what y'all did, but the artist like
21:43
Speaker 1: what gun It did, and they were the first hip
21:46
Speaker 1: did in the locks. They took the mixtape game to
21:48
Speaker 1: another level. What y'all started doing mixtapes right, But we
21:51
Speaker 1: wasn't stopping. We just we had a mixtape every week.
21:54
Speaker 1: Remember I remember when Ja Rule dissed us and we
21:57
Speaker 1: was an eminem studio and we just send me automatic
22:00
Speaker 1: gunfire and that like that, like killed Jaw that that tape,
22:03
Speaker 1: whole tape killing Jar shout out to jau killed him,
22:06
Speaker 1: still killing him and um he still kill him. And
22:11
Speaker 1: have you ever ran in the job Nah? Never Nah,
22:13
Speaker 1: only only when you know the situation in the studio
22:17
Speaker 1: that was that way back and I had like a
22:18
Speaker 1: cut on my head. I was like years ago to me,
22:22
Speaker 1: to me, you gotta understand when you think of queens,
22:25
Speaker 1: like I was in the streets for real, like I'm
22:28
Speaker 1: gonna keep it real, Like I don't know what Jaw
22:30
Speaker 1: was doing. I'm not from his neighborhood. My baby moms
22:33
Speaker 1: just from his neighborhood. Pop over there in um Woodhall, right,
22:37
Speaker 1: But as for like seeing Niles come to the block
22:41
Speaker 1: with black just um e money bags coming through, Like
22:44
Speaker 1: my block was legendary one three four on Guy Bru.
22:47
Speaker 1: It was legendary where everybody was outside. I never really
22:51
Speaker 1: I was outside, so I never They said IRV Gotti
22:53
Speaker 1: was a DJ, but I never been to a party
22:55
Speaker 1: where he DJ. I know the Rockaway Twins, I know
22:58
Speaker 1: gold Fingers, tape master that brings the system everywhere, um
23:04
Speaker 1: friend Master Vic. Like I've never seen earth Like do
23:10
Speaker 1: a party, and I haven't been the parties on the
23:12
Speaker 1: North Side, south Side everywhere. I've never really seen them outside.
23:16
Speaker 1: Like Jahru wasn't known as a figure in the neighborhood,
23:21
Speaker 1: in any neighborhood, no disrespect. But now I want to ask,
23:24
Speaker 1: you know, they've been trying to beat me up here
23:27
Speaker 1: the last two three weeks right in fifty and Wayne
23:32
Speaker 1: didn't ask him. You gonna ask Tony Yo that he
23:36
Speaker 1: gonna have an objective opinion on it. I think I
23:38
Speaker 1: think it's gonna be good. But I mean, you know,
23:41
Speaker 1: Wayne got a catalog to and Fifth got a catalog.
23:44
Speaker 1: See now, I will say this, so a lot of
23:46
Speaker 1: records that they both have, So I mean it'll be
23:48
Speaker 1: a dog fight. It'll be good. Say that, y'all don't
23:51
Speaker 1: say he said catalog. I find disrespectful if they say
23:54
Speaker 1: get rich or just take out Wayne's whole cat we
23:58
Speaker 1: gotta go back. I played eight songs off just I
24:03
Speaker 1: can't play eight songs off get rich to trying because
24:05
Speaker 1: because Wayne does have a lot of songs. Way, Wayne
24:08
Speaker 1: is nice, He's dead nice, He's a legend, he's a
24:10
Speaker 1: Goud'm gonna telling people what you say behind the scenes
24:11
Speaker 1: if you don't stop this stupid ship. But I always
24:14
Speaker 1: say no, you can say I say Wayne is a
24:17
Speaker 1: bigger artist when it comes to a rapper. Way, it's
24:20
Speaker 1: been doing it since. But when it comes to cultural influence,
24:25
Speaker 1: you can't bigger than art. I don't think. I don't
24:28
Speaker 1: think nothing was bigger than un Eminem and Doctor Dreke.
24:33
Speaker 1: But but you gotta understand the element of everything was crazy.
24:35
Speaker 1: It was crazy, like we have video games that was selling.
24:39
Speaker 1: We had clothes that was selling. Right, do we have Syreal, Adam,
24:42
Speaker 1: do we have Syrial? I think we had Syrial. Lot
24:44
Speaker 1: was selling. We had everything, socks like, everything was selling.
24:48
Speaker 1: And Eminem was what at so sixty million, fifty so
24:53
Speaker 1: eleven million. It was crazy. Like I don't think that
24:56
Speaker 1: one thing is Wayne has the Nicki Minas, he has
24:58
Speaker 1: the Drakes, he has the young money, he has a
25:01
Speaker 1: huge kid Drake and d But when it comes to
25:06
Speaker 1: those cultural hits, I don't think there's nothing bigger than
25:10
Speaker 1: the record that that that you played for fifthy. Like
25:12
Speaker 1: I said, you could pick any Wayne record and I
25:14
Speaker 1: will destroy that one record with the record. Pick one record.
25:17
Speaker 1: We had the street. We had the street. You gotta
25:20
Speaker 1: know I'm talking about I'm talking about the mixtape where
25:22
Speaker 1: every nothing was playing. But Jane no, I understand, yeah,
25:27
Speaker 1: act like Wayne didn't have this, But I'm just saying
25:29
Speaker 1: that when it comes to that cultural influence of how
25:32
Speaker 1: a record feels, I don't. I don't. I don't, I don't.
25:35
Speaker 1: I don't think we had kids win bulletproof vests in
25:38
Speaker 1: the suburbs, man, Wayne, kids wearing the rock star jeans
25:42
Speaker 1: and mis right, it's right, the dress. Wayne is the legend.
25:46
Speaker 1: He started right. But you gotta remember this. We was
25:50
Speaker 1: on a little Wayne tour back in the days. We started.
25:53
Speaker 1: He started way ahead of us. And that's what I said,
25:55
Speaker 1: Wayne started to start started. If they be people forget
25:58
Speaker 1: about that way the I pitching your vitamin water or
26:01
Speaker 1: something like, Oh yeah, I remember that one. They cool?
26:03
Speaker 1: Now though, what about that stabbing when you talk you
26:06
Speaker 1: mentioned it briefly though. Oh and Sony, yeah, was it
26:09
Speaker 1: a real stabbing? Um? It was a really was It
26:13
Speaker 1: was a real stabbing. I'm gonna tell you what happened. Man.
26:16
Speaker 1: We was in the studio and that was that Sony. Right,
26:19
Speaker 1: Sony remember they had the one across the street and
26:22
Speaker 1: they had the big building, big builders where that everybody
26:24
Speaker 1: would say Michael Jackson would take all the rooms, right right.
26:26
Speaker 1: So we um walking in and at that time, UM,
26:30
Speaker 1: I think we've seen y Cleff and you know, I
26:32
Speaker 1: think I think Scooter was there. I think was Haitian
26:36
Speaker 1: Shack there, Haitian Jack. We see them in the lobby.
26:39
Speaker 1: It's just me and fifty. Yeah, you know back Yeah,
26:43
Speaker 1: they was all in the lobby with Cleff. We've seen
26:45
Speaker 1: Cleff and um I think Priswell was there too or whatever.
26:49
Speaker 1: So you know, we go upstairs, but we're not worried
26:51
Speaker 1: about Fifth. I Swart fifth guy. I don't got nothing
26:54
Speaker 1: on me, fifth out of four fifth, no safety on them.
26:57
Speaker 1: We go upstairs. We got a session. So Clark Kent
27:01
Speaker 1: his nephew end up being a DJ GIDS. But Gigs
27:05
Speaker 1: was not really a street dude. He was just a
27:07
Speaker 1: cool dude, you know, shout out the Clark Kent. He
27:09
Speaker 1: was just like, yo, here, fifty, I got a DJ
27:11
Speaker 1: for you. Right. So we go in the studio we're
27:14
Speaker 1: supposed to record. Now, the studio is small. It's a
27:17
Speaker 1: small room and it's a small hallway. So in the
27:20
Speaker 1: next room is um toning poked. They're working on beats
27:24
Speaker 1: and me fifteen Gigs is in the room with the engineer.
27:27
Speaker 1: Forgot what fifty was working on, So I guess I'm
27:31
Speaker 1: gonna keep it real. I don't signing, Sony. I think
27:35
Speaker 1: in my mind, I think prize Well said something like
27:38
Speaker 1: I don't know why, like he must you know what
27:41
Speaker 1: we he I think he said something to keep it real.
27:43
Speaker 1: I don't think he was trust me. That was the
27:47
Speaker 1: information that was you know what I mean that prize
27:50
Speaker 1: Well said something to jah ruined him. So we're in
27:54
Speaker 1: the room. You just hear boo boo boo commotion. These
27:57
Speaker 1: dudes come in like it's a movie, like what's up?
28:00
Speaker 1: But they ain't. It's no guns, nothing, it's nothing. Really.
28:03
Speaker 1: All you see is crutches and like like stuff picked
28:06
Speaker 1: up from the studio. And I guess one of them
28:08
Speaker 1: had like a kitchen knight. So it was was Earth
28:11
Speaker 1: there and it was Earth brother, it was I think
28:14
Speaker 1: it was black Chat at that point, Ji, I think
28:20
Speaker 1: somebody else. But so we started to get it on.
28:24
Speaker 1: Nobody turned off the light while we're getting it on.
28:26
Speaker 1: The light like turn off because you know, somebody bumping
28:30
Speaker 1: to the switch. So we're fighting. Everything is dark. You
28:32
Speaker 1: don't know what's going on. You just hit Melee, so
28:35
Speaker 1: all your get the gun. You know, Fifth bluffed them
28:38
Speaker 1: because the gun was in the other room. That's why
28:39
Speaker 1: I say JA ruined. He wouldn't even be here. He
28:42
Speaker 1: would have been gone, Like our careers would have been
28:45
Speaker 1: totally different if that gun was in that room. And
28:47
Speaker 1: I swear on my dad father, like, I'm telling you
28:49
Speaker 1: the truth. The gun was in the other room. I've
28:52
Speaker 1: seen it. I'm seeing with my own two eyes. They
28:55
Speaker 1: come in, we get it on boom boom boom, and
28:57
Speaker 1: get the gun. They run out fifth to or speak
28:59
Speaker 1: at one of them. Niggas. Don't know if it was
29:00
Speaker 1: Earth brother or whoever. I see him through speaking get
29:03
Speaker 1: the gun. Once they heard get the gun, everybody started
29:06
Speaker 1: running out. But the gun was in the other room,
29:08
Speaker 1: and that was it. Fifty had to scratch on his
29:10
Speaker 1: back right and I got stabbed in my hands and
29:13
Speaker 1: my finger was like cut right head. So look it
29:15
Speaker 1: looked crazy because it was hanging a little bit, but
29:18
Speaker 1: look this is all I got that and that that
29:21
Speaker 1: was it. The way that wasn't every When they started
29:23
Speaker 1: trying to say that, you know you had all the protection,
29:25
Speaker 1: and bro, come on, bro, people are always gonna make
29:29
Speaker 1: up stuff. Yo. They snitches, they rats. When you number
29:31
Speaker 1: one and you on top, people gonna make up stuff.
29:33
Speaker 1: Where's the paperwork. Where's the paperwork? And now people go
29:37
Speaker 1: to the point where they go on YouTube and make
29:39
Speaker 1: fake paperwork about you. Yeah, and the paperwork they had
29:41
Speaker 1: was fake. That was proven twenty times, you know, and
29:47
Speaker 1: we end up getting the chain laid on. It was
29:48
Speaker 1: always just a long thing with y'all. Rue. I didn't
29:50
Speaker 1: even know the guy. Yeah. When people talk about y'all ever,
29:53
Speaker 1: you know, squashing that beef, I'm like, I think too
29:55
Speaker 1: much violence happened. I don't think beef never gets squashed.
29:59
Speaker 1: I think it get old. M Now, y'all squashed the
30:03
Speaker 1: beef fat? I mean fat Joe's differently fat fat Joe.
30:06
Speaker 1: That was more of a Chris Lightdy thing. When you
30:10
Speaker 1: look at the Henchman thing, people look at oh he
30:12
Speaker 1: slapped the kid. No, Henchman didn't like Chris Ldy. That's
30:16
Speaker 1: what it came down to. Chris Leighty was more successful
30:19
Speaker 1: than Jimmy Henchman, and Jimmy Henchman wanted to move on
30:21
Speaker 1: the same block as him, and he wanted all the
30:23
Speaker 1: artists and he wanted problems. Why because he didn't like
30:26
Speaker 1: Chris Leightdy. That's where that came from. I never start
30:29
Speaker 1: like I'm never, I don't know jo rule, I justification
30:32
Speaker 1: to slap the kid though you know I didn't. But
30:33
Speaker 1: I didn't slap the kids. See I didn't. I didn't
30:37
Speaker 1: slapped the kids. Somebody else did. And that person got
30:40
Speaker 1: shot at the day before. We got my car got
30:43
Speaker 1: shot up the day before. So people look at things
30:45
Speaker 1: in one way. You know what I'm saying now, Now
30:48
Speaker 1: when you look at the Jimmy Henchman, and I don't
30:50
Speaker 1: like to talk bad about nobody in jail, but like
30:52
Speaker 1: I don't care, but you know, and when you look
30:54
Speaker 1: at that situation, Chris Lighty lived on was on twenty fifth,
30:58
Speaker 1: Jimmy Henchman came to twenty fifth. Chris Ldy had um fifty,
31:03
Speaker 1: I gotta get game? Where do you think on? The
31:05
Speaker 1: drama came from Henchman because fifty had come in the
31:10
Speaker 1: room like these guys be super street ogs. But fifty
31:13
Speaker 1: had come in the room and be like, I don't
31:15
Speaker 1: get who he is. And they didn't like that because
31:19
Speaker 1: sometimes you know, a lot of artists friendly extortion, like
31:22
Speaker 1: when you look at Ja ruined prem come on, bro,
31:24
Speaker 1: dudes was in their pockets. But you had movies, movies,
31:27
Speaker 1: what was that movie? Black Gangster. It never came out
31:30
Speaker 1: right then prem with somebody get like a half a million,
31:34
Speaker 1: then gets they got some money. The movie never came
31:37
Speaker 1: out Black Gangster. It's like it was, oh, we seem
31:39
Speaker 1: friendly extortion early, bro, come on, we around you, Come on,
31:42
Speaker 1: You've been in this game for a long time. Now
31:44
Speaker 1: you can't do it. Dudes gonna call the cops, call
31:46
Speaker 1: the cops, get them away from me. That's it, or
31:48
Speaker 1: dudes can't do it's not gonna work. I never understood.
31:51
Speaker 1: I don't want to say allowd but how was Jimmy
31:54
Speaker 1: has been managing Game and Game was signed to gield it.
31:57
Speaker 1: That just seemed like a negative negative, That's what I'm
32:00
Speaker 1: saying because and that's where all the whole drama comes from.
32:04
Speaker 1: Chris Lighty and Jimmy Henchman, y'all got fifty all right, y'all?
32:08
Speaker 1: Game he got in game here, Yo, you don't need him.
32:10
Speaker 1: You're bigger than him. June was here, you're here he started.
32:14
Speaker 1: That's where all the poison started coming from a competition.
32:18
Speaker 1: And then I looked that game like, Yo, this dude
32:20
Speaker 1: set up pot. You're from the West Coast. You got
32:22
Speaker 1: two pots tattered on you why you even care to
32:25
Speaker 1: even be with him. But at that point game was young,
32:27
Speaker 1: and I understand, and you know, Henchman had a name,
32:30
Speaker 1: but that was the poison that messed up a lot
32:32
Speaker 1: of money. I'd rather game what has been signed with
32:36
Speaker 1: Chris Ldy then then he's in games, so way won't
32:40
Speaker 1: records than me. I was on his first album, like
32:42
Speaker 1: I know, bad Blood in my Body towards Nobody in Junior.
32:45
Speaker 1: We made history together. But what I'm saying to you
32:48
Speaker 1: is I wish he would have signed with Chris Lighty
32:50
Speaker 1: or somebody else then Henchman, because I was the poison Henchman.
32:54
Speaker 1: Never liked Chris Lydy. Bro never never inrest in peace
32:57
Speaker 1: to Chris Lydy because that was somebody that I looked
32:59
Speaker 1: up to and always looked up to me. And I
33:01
Speaker 1: know what he did as for the company too, he
33:04
Speaker 1: did with fifty and how he blew, how he had
33:05
Speaker 1: Foxy And we used to be there, you see State Property,
33:10
Speaker 1: Miss Kate Slay. We go to this office. So that's
33:13
Speaker 1: that's what I knew, you know, James cruising there, Claudine
33:19
Speaker 1: Mona Scott. Yeah, this is what I knew. I was
33:21
Speaker 1: learning from me watching these people, and I was like, Yo,
33:24
Speaker 1: this is crazy. This violated thing is crazy. What do
33:26
Speaker 1: you want to think about how blessed y'all are? Because
33:28
Speaker 1: I think about all the violence y'all escape, because well,
33:30
Speaker 1: I ain't never even heard about the shooting that happened
33:33
Speaker 1: before the young man got slapped, right, No, but it's
33:36
Speaker 1: after that in your motherhouse. Yeah, yeah, it's cool. But
33:38
Speaker 1: I always looked at it like this, bro, if I
33:40
Speaker 1: slapped your kid or your kid, what are you gonna
33:43
Speaker 1: You're gonna you got the right, it's all gloves off
33:45
Speaker 1: and it's all good. But then y'all unit officers got
33:48
Speaker 1: shot up before. Yes, y'all missed a lot of bullets,
33:50
Speaker 1: is what I'm saying. You know, it's crazy. And I
33:55
Speaker 1: always think God, like I always see my prayers before
33:57
Speaker 1: I left the house, because I remember one day I
33:59
Speaker 1: had a plaque and people won't even bleed his story
34:01
Speaker 1: and a bullet fell out of it and my father
34:04
Speaker 1: found it. He was staying with me at the time,
34:06
Speaker 1: And the next day my mom's crib got shot up,
34:09
Speaker 1: or could have been the same day, like when my
34:11
Speaker 1: mom's crib got shot up. So I mean, you know,
34:12
Speaker 1: God is good brouet a bullet Like I had a
34:15
Speaker 1: fifty cent plaque and it got bullets in it and
34:18
Speaker 1: it's above my door, and my father found it. He's like,
34:21
Speaker 1: if somebody shot the house up, and I'm like, Noah
34:22
Speaker 1: to fell off the plaque. And the next day my
34:26
Speaker 1: mom's crib got shot up. So you get signs, you know,
34:28
Speaker 1: to be low and you gotta move right, because one
34:30
Speaker 1: thing about us is we knew how to move, Like,
34:32
Speaker 1: all right, cool, if it's hot, cool, I'm good. Like
34:36
Speaker 1: when my mom's crib got shot up, I went out
34:37
Speaker 1: there and was looking to do stuff in fifty called
34:40
Speaker 1: me like, yo, bro, you're outside, you got something more
34:43
Speaker 1: on you? You're bugging out, bro use your brain. Bro,
34:46
Speaker 1: it's chest, not checkers. And every time we have money
34:49
Speaker 1: on our head, I always respect fifth because he'll laugh
34:51
Speaker 1: about it. Yeah, they got twenty on your head, they
34:54
Speaker 1: got eighty on my head. I don't even worry about it. Man,
34:57
Speaker 1: It ain't because we know how to move. We got
34:58
Speaker 1: the bulletproofs. We moved low. We're moving militant. Is there
35:01
Speaker 1: anything you ever let go? Like when that's happened to
35:03
Speaker 1: your mom's out, you said, you know, I'm gonna let
35:05
Speaker 1: that go because because of what happened, I know, I
35:07
Speaker 1: know what caused that. Yeah, definitely it humbles you. It's
35:10
Speaker 1: real out here, like playing with this Internet and playing
35:13
Speaker 1: you know whatever in music and whatever. It gets real.
35:16
Speaker 1: It's real. And now then it was back then, like
35:19
Speaker 1: you see how these kids a get knocked up every day.
35:22
Speaker 1: That's why I say, you know, it must have been
35:24
Speaker 1: like seven eight years ago to see you in fifty
35:27
Speaker 1: enjoying what ya didn't have before. I mean, because they
35:31
Speaker 1: couldn't go to the clubs and experienced the records like
35:33
Speaker 1: y'all should have. That couldn't go to these events and
35:36
Speaker 1: go to these things. And it wasn't because of the rappers.
35:38
Speaker 1: It was mainly because of the hip hop police. Because
35:39
Speaker 1: there was times whatever be like no genue, no dip
35:42
Speaker 1: set in the clubs, all the clubs in Manhattan. So
35:45
Speaker 1: hip hop police. You remember Curley Top, he's retired. Now
35:48
Speaker 1: hip hop police, they all retired. There's all new ones
35:50
Speaker 1: now for dudes that will follow TJ and all these
35:53
Speaker 1: dudes in the city and all the young dudes now.
35:56
Speaker 1: But all them dudes are retired. But them dudes, you
35:59
Speaker 1: should tell us you can't come to this club. You
36:01
Speaker 1: know how much money we missed out on. It's good.
36:04
Speaker 1: It's definitely good to see that. Man. Yeah yeah, it
36:07
Speaker 1: could grat on the Welcome to the Coach. I've seen
36:12
Speaker 1: you in you screaming on math Ho for what what
36:14
Speaker 1: happened with that? No? Ho for them is good. I
36:16
Speaker 1: just feel like sometimes like when you go online and
36:18
Speaker 1: just be like it just felt like clickbait, Like you
36:21
Speaker 1: asking me, can I pick up the phone? If for
36:24
Speaker 1: banks and fifties around they're both my friends. I'm a
36:26
Speaker 1: grown ass, you know, man, what are you talking about?
36:29
Speaker 1: And then you asked me about like six nine and
36:31
Speaker 1: I don't want to. You know, I know dudes that
36:33
Speaker 1: got locked up over that, so I'm just like, I
36:36
Speaker 1: don't want to. Just felt like clickbait. And you know
36:39
Speaker 1: we was drinking it. You know how I get why
36:43
Speaker 1: you got bit by a dog? Man? Why you got um?
36:46
Speaker 1: You know, I love dogs. I got pit bows and
36:49
Speaker 1: my man, I'm about to get one of them dogs.
36:50
Speaker 1: And UM, I just was like, yo, let me try it.
36:52
Speaker 1: He was like, Yo, it's not that bad. I was
36:56
Speaker 1: like to put I put the suit on. So I
36:59
Speaker 1: wanted to sit out with it because I know you
37:01
Speaker 1: gotta gonna do it again. You wanna come out my cravy.
37:03
Speaker 1: I'm good with your dog. I never do it again. Bro,
37:05
Speaker 1: I thought it was I didn't think it was got
37:06
Speaker 1: a punk as dog. Nah, man, his dog is crazy.
37:08
Speaker 1: I've seen his dog on line. Man. I had a
37:11
Speaker 1: German just like that and ethic, but she passed away.
37:13
Speaker 1: Now I gotta pit. I gotta train that dog. But
37:15
Speaker 1: why why you had to get bit? I don't know.
37:18
Speaker 1: I just wanted to try. I didn't think it was
37:19
Speaker 1: gonna be that bad. They like, put the suit on,
37:21
Speaker 1: they ain't gonna be bad. My man, city do it
37:23
Speaker 1: all the time, you know. So I was just like,
37:25
Speaker 1: all right, cool, I put it on. I ain't gone
37:28
Speaker 1: I want to job one time too. But then when
37:30
Speaker 1: when the lady took off the dude took off the suit,
37:32
Speaker 1: I see his arm. I'm like, nah, I thought, I
37:34
Speaker 1: ain't think it was gonna be like that. Trust me,
37:36
Speaker 1: Charlott Man, I ain't think that you don't want to
37:38
Speaker 1: do music. Yeah, I just dropped the mixtape. Layer dropped
37:42
Speaker 1: what do you want to do it? Because I feel
37:44
Speaker 1: like your personality it's so big. You probably can make
37:47
Speaker 1: this money doing that now. Yeah, I mean I do
37:50
Speaker 1: like talking to people. I do. I do like I
37:52
Speaker 1: do like what like what what you do? You know?
37:55
Speaker 1: And what Envy do? And the breakfast club do. So
37:58
Speaker 1: I mean I think now the game is changing, Like
38:00
Speaker 1: these podcasts be fun, like you see podcast radio shows
38:03
Speaker 1: like it's going to YouTube now. People want to you
38:05
Speaker 1: know know, they want to know my personality. They want
38:08
Speaker 1: to know your personality. I'm like a sponge. I just
38:11
Speaker 1: like to I watch your guys all the time and
38:13
Speaker 1: just soak up game, you know what I mean? Like
38:15
Speaker 1: how you got the books, if you got the car shows.
38:17
Speaker 1: It's all a hustle for me, you know what I mean?
38:19
Speaker 1: Like I see y'all hustling. You got about three shows, man,
38:22
Speaker 1: Yeah we're working three four shows. This guy got about
38:25
Speaker 1: three four shows going on. Car show, got the reality show,
38:29
Speaker 1: got the the house show, right the real estate. So
38:32
Speaker 1: it's just I don't know, it's just like a hustle
38:33
Speaker 1: for me. I just want to hustle music podcast like
38:37
Speaker 1: Welcome to the Coach. I'm gonna will go crazy with
38:39
Speaker 1: the production this year. Um, I got the Passport to
38:42
Speaker 1: the future. I'm trying to do things for the kids.
38:44
Speaker 1: This year. Um, I got the clothes of course on
38:47
Speaker 1: passport boys dot com. What else I got going on
38:50
Speaker 1: Sony Theater on the twenty six UM and more tours coming. Man,
38:54
Speaker 1: shout out the fifty, shout the Banks. Yeah, back on
38:58
Speaker 1: the road. Noah, not Banks. Shout uncle murder. Murder. Shout
39:03
Speaker 1: the murder. Yeah, shout uncle murder. No disrespected Banks. But
39:07
Speaker 1: you know, you know fifty is crazy, isn't that? You
39:09
Speaker 1: know that's something that Banks got up. You know, workout me.
39:11
Speaker 1: I just know fifty for a long time off the
39:14
Speaker 1: block before Banks, So I'm kind of note. You know,
39:17
Speaker 1: he might say something crazy and it's just like you.
39:21
Speaker 1: I heard him say some crazy stuff in life. Bro. Now,
39:23
Speaker 1: we used to hit them stories with fifty with swing
39:25
Speaker 1: on wool Kid and Swing on Kid. I think one
39:31
Speaker 1: time was the craziest store was we backstage? This is
39:34
Speaker 1: the craziest one though, And I hope nobody getting mad
39:36
Speaker 1: about this. Um and fifty said to James Cruise because
39:40
Speaker 1: he always messed always so this day, I don't know why,
39:43
Speaker 1: but he said to James Cruise, we Mayweather. It's the
39:46
Speaker 1: may Weather. I don't know, we mayweather mad people's back
39:49
Speaker 1: then he goes Yo, man, that man fifty Like, I'm like, Yo,
39:54
Speaker 1: in front of people, did he touch your butt? I
40:01
Speaker 1: was like, no, disrespect to them, but I was like, Yo,
40:04
Speaker 1: this dude is crazy crazy, So I know why everybody
40:07
Speaker 1: hate me. I understand, man, but that's my guy, bro. Crazy.
40:10
Speaker 1: What did everybody stay when? Yo? The whole room just
40:12
Speaker 1: stopped like, man, man, man Chip, you know what I'm saying.
40:18
Speaker 1: James Crew, he was no, he's a cool dude. That's
40:21
Speaker 1: my guy. You never know what he gonna say. Man,
40:25
Speaker 1: So while we're on the road, I stay away from
40:26
Speaker 1: I give him a space. Man. I get with you
40:29
Speaker 1: later on the showtime bro fifth it's crazy man, jesus.
40:32
Speaker 1: Oh right, well, we appreciate you for joining us. Check
40:34
Speaker 1: out the podcast podcast It's Tony Ao. You made it,
40:39
Speaker 1: MoMA the Breakfast Club. He've been up here before, yeah,
40:42
Speaker 1: but I'm by myself now. It's the Breakfast Club. Good morning,
40:50
Speaker 1: old him in the room. Everybody just got quiet. I'm like, oh, man, oh,
40:56
Speaker 1: that's funny that when you say, I don't know, we
41:04
Speaker 1: gonna do it over head, Okay, let's go. We gotta
41:18
Speaker 1: do it one of these one time, first thing, first
41:28
Speaker 1: one whenever you're ready, okay, all right, keep it going.
41:36
Speaker 1: All right, we'll one. We're doing the same things, all right, one, two, three.
41:45
Speaker 1: You're not getting on the comment, Sibney, I don't know
41:47
Speaker 1: what you want to sit? Are we gonna get in now?
41:50
Speaker 1: She wants us to do something on the TikTok, but
41:52
Speaker 1: I don't get it because I'm I don't do this.
41:56
Speaker 1: Let's do so we gotta Yeah. So there's there's just
42:00
Speaker 1: basically where like I took it up and all you
42:03
Speaker 1: do was this, this is all you why you're doing that? Shock? Thanks?
42:10
Speaker 1: Oh thank you picture. I'm so sorry. I didn't know
42:23
Speaker 1: what was the behind his surprise, and I was so
42:28
Speaker 1: I thought it was like a planned thing. So when
42:30
Speaker 1: she said to one, I'm like, no, Nala got in
42:35
Speaker 1: you get me? Thank you, okay, thank you. I mean
42:43
Speaker 1: it was a good I know it did surprise perfect