Latest / What's Your (Least) Favorite Scary Movie? / #233: Requiem for a Scream (2022) - Tubi or Not to Be

Transcript

#233: Requiem for a Scream (2022) - Tubi or Not to Be · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello, what's your least favorite scary movie?
• 0:10
  I am aligned as fuck. More like you're doing lines as
• 0:14
  fuck. Welcome to What's Your Least
• 0:16
  Favorite Scary Movie? The podcast where we talk about
• 0:18
  the good, the bad, the ugly and the absurd and all of our
• 0:21
  favorite. And least favorite?
• 0:22
  Scary movies. Because we believe every horror
• 0:24
  movie rightfully, as is fanbase. Even if we don't always get it.
• 0:28
  My name is Travis. My name is Jesse and welcome
• 0:30
  back to our monthly bonus feature.
• 0:33
  To. Be or not to be.
• 0:35
  When we look. At low budget, under seen
• 0:39
  underrated gems found on free streaming services such as Tubi.
• 0:45
  Yes, yes, it's it's Jesse's. Pick this.
• 0:48
  Yes, and we are coming at you live unedited and mostly
• 0:53
  undrawn. So be ready for all of the
• 0:55
  nonsense that comes with this, because let me tell ya, I'm full
• 0:58
  of nonsense today. Travis can attest to this.
• 1:01
  We were in the grocery store and I said it's done for some beans
• 1:05
  in front of other human beings. Yeah.
• 1:07
  So yeah, you had to apologize, and Zoe's not having it either.
• 1:10
  Zoe's not having it either. She had her Chapel Rowan moment
• 1:13
  earlier. She feels like she's even more
• 1:16
  the start of the show than normal so.
• 1:18
  Yeah, she's feeling. A lot going on, yeah.
• 1:20
  All right, So what are we, what are we talking about today,
• 1:23
  Jesse? Today we are talking actually
• 1:25
  about her to the original. Yeah, that's true.
• 1:28
  It's called Requiem for a Scream and I picked it because it is
• 1:34
  Teams in a cabin in the woods and it is starring Cassandra
• 1:39
  Scarabo, who many people may know from Sharknado, which we
• 1:43
  will eventually cover on the podcast.
• 1:45
  But if you are a longtime listener of our show, you will
• 1:47
  also know from one of my birthday episodes a couple years
• 1:50
  ago. Truth or dare.
• 1:51
  The sci-fi version. The superior version.
• 1:55
  Which character is she and. She's on one of the final ones.
• 1:58
  You know, it's like the two besties at the end.
• 2:00
  Oh yeah, you're right. OK I don't remember her from
• 2:03
  Sharknado but. She was like the bartender, I
• 2:05
  think. OK, there's a lot of weird
• 2:08
  actors in that movie. Yeah, every time you watch
• 2:11
  Sharknado, it's like, oh, hey, I forgot that this person's in it.
• 2:13
  I forgot this person's in it. I remember Tara Reid was in it.
• 2:16
  Yeah. And to be fair.
• 2:17
  Everything Tara Reid's ever been.
• 2:18
  I've only watched that movie one time so.
• 2:20
  That's true. Yeah.
• 2:21
  So. All right, cool.
• 2:23
  Yeah, that's where we're at and that's the main reason, OK.
• 2:26
  Yeah, why have an uncopy? Yep, that's we got that out of
• 2:29
  the way early. There we go.
• 2:30
  Virus and threat protection. We are protected.
• 2:33
  No, we are not. Well, it's fine.
• 2:36
  I do not have any of that shit on here.
• 2:38
  It's fine. We don't have any viruses.
• 2:40
  We. Have the browsers here for you?
• 2:42
  OK, let's we're getting. We need to get on topic here.
• 2:46
  OK, ready for some background on this movie?
• 2:49
  Yeah, I am OK Requiem for a screen.
• 2:52
  It released August 25th, 2022. Obviously it went straight to
• 2:56
  Doobie because it's their their premiere thing.
• 2:59
  Well sometimes these movies I imagine have like their own
• 3:01
  premiere and then maybe Toby could snag the rights to them
• 3:04
  for streaming I think. You said it was A to be original
• 3:07
  though, wasn't it? Yeah, but Netflix does the same
• 3:10
  thing. They acquire movies and they
• 3:12
  brand it as an original. Yeah.
• 3:14
  And I know Hulu does the same thing too with their.
• 3:16
  They all do their. Dreamlight.
• 3:17
  Spotlight. I mean, we're about to record in
• 3:20
  a violent nature and it was the same deal with that.
• 3:22
  So true. Yeah, OK.
• 3:24
  You can watch it on TV. That's the only place where you
• 3:26
  can currently stream it, and it is for free.
• 3:28
  So if the sounds of this movie tickle your fancy, go ahead and
• 3:32
  do that. Yeah.
• 3:33
  Written by Andre Pucci and Jordan Robinson, directed by Ben
• 3:38
  Meyerson. There was not, like, a dedicated
• 3:40
  composer. So I don't have original music
• 3:43
  by Wow. Really.
• 3:44
  I know. I feel like there was a lot of
• 3:45
  music in it. And considering the whole plot
• 3:47
  is music based, it's kind of ironic.
• 3:50
  I wonder if they went with royalty free stuff.
• 3:53
  I feel like they had to. Yeah, they probably didn't hire
• 3:56
  anybody. They just, like, fixed it.
• 3:57
  Yeah, that's got to be what it was.
• 3:59
  And in terms of special effects makeup, there wasn't actually a
• 4:01
  dedicated special effects makeup.
• 4:03
  There was just two makeup artists.
• 4:05
  So I have to assume that they also did the special effects
• 4:08
  stuff. You would think.
• 4:10
  So those people were Alexandra Bayless and Ashley Stansbury.
• 4:14
  So good job because those were like, you know, several like
• 4:17
  neck slashing prosthetics. That and the face stab.
• 4:21
  Yeah, they do pretty well, yeah. They did they did a decent job
• 4:25
  starring Cassandra Scarabo as Artemis, Georgia Leva as Shira,
• 4:30
  Zachary Ruzen as Declan, India McGee as Alex, Brandon Santana
• 4:35
  as Theo, David James Lewis as Thomas and Michael X summers as
• 4:39
  Caleb. Nice Travis.
• 4:41
  Time for our favorite game budget or bugtad and this game
• 4:48
  just for those of you that are new listeners.
• 4:49
  Thank you. Did have this question come up
• 4:51
  Budget or bugtad is throwback to an episode a couple of years
• 4:55
  ago. Neither of us can remember
• 4:57
  exactly which movie it was. If you listener out there, do
• 5:00
  you remember? Please tell us.
• 5:02
  Yeah, we read a review for a movie and it was an IMDb review
• 5:08
  and the person said you can tell that this is low budget except
• 5:10
  they like transposed the letters and you said you can tell this
• 5:13
  is low bug Ted. And we loved that as a way to
• 5:17
  denote when something is very low budget.
• 5:19
  Yeah, just calling it bug Ted and.
• 5:20
  It just kind of stuck it. Kind of stuck.
• 5:22
  You know, we've been been doing it for so long that I forget
• 5:24
  that people probably don't understand that sometimes.
• 5:26
  Every now and then we do a refresh.
• 5:28
  Yes, I think we do a refresh of that like every like maybe 50
• 5:31
  episodes. Yeah, it's.
• 5:32
  Gonna say you're six months or so.
• 5:33
  Yeah. So that's where that comes from.
• 5:36
  It's just we really enjoyed the typo.
• 5:39
  I'm queen of typos, so it's a fun thing for me to see those
• 5:42
  out in the wild and adjust them into my own lexicon.
• 5:44
  Just having fun, you know, having her own little running
• 5:47
  jokes in the show here. That way, you know, we're all
• 5:49
  part of a crew here. We're all group everybody here.
• 5:52
  OK, so I'm gonna say that this is bug Ted.
• 5:56
  Yes. In fact, it is the category of
• 5:58
  bug Ted that I don't actually have the financials for it.
• 6:01
  Yeah, that makes sense. Yeah, which?
• 6:02
  Also means I don't have box office.
• 6:04
  That makes sense. Because it went straight to
• 6:06
  streaming. Yeah, to a free streaming store.
• 6:09
  Straight to 2B, yeah. I do have an IMDb score though.
• 6:13
  OK, as of today it is a 4.0 out of 10.
• 6:16
  Yeah, so. That's that's where that's at.
• 6:19
  I did pull 3 movies from 2022. Alright, I'm curious on the
• 6:23
  theme here. So I didn't actually get a
• 6:25
  theme. So 2022 was like an absolute
• 6:29
  fucking banger. It was an all time like.
• 6:32
  That's going to be that's the year to beat this decade, yes,
• 6:35
  so far. So I literally like instead of
• 6:38
  Googling 2022 horror movies because I knew it was going to
• 6:40
  pop up, I googled 2022 low budget horror movies and I was
• 6:44
  trying to think of the things that went like either had a
• 6:47
  limited theatrical release or went straight to streaming.
• 6:50
  So that's what I did with this. OK, so it's not my most
• 6:53
  inventive theme, I understand, but 2022 is stacked and it just
• 6:59
  didn't seem fair to pull it against all of those other
• 7:02
  movies. You know, but to be fair, I feel
• 7:04
  like most of the movies that we loved from that year were low
• 7:08
  budget. That is true because Terrifier 2
• 7:10
  was like one of the ones. That it was like 6.
• 7:12
  Movies that popped up as low budget and Terrifier 2 was one
• 7:15
  of them and I was like. No, you.
• 7:17
  Can't do that. Yep.
• 7:19
  OK, what you got? OK, so the first one is actually
• 7:23
  one that we've seen dead stream. OK, OK, yeah, that one came out
• 7:27
  on Shudder. So you know, Daddy Shudder.
• 7:31
  I fucking love that movie. Man, that movie is so good.
• 7:35
  I didn't expect it to be as good as it was.
• 7:38
  He really captured the essence of, like, family friendly,
• 7:41
  spooky YouTube. Yeah, so well.
• 7:45
  And it had twists and turns in ways that, like, you kind of
• 7:48
  expected what was coming. But also, we're still caught off
• 7:50
  guard. Well, not only that, I just love
• 7:53
  the concept. You know what, no, the idea of
• 7:56
  it being a streamer, like that's that's been done plenty of
• 7:59
  times, but I like the idea of it being a streamer that had an
• 8:03
  incident and he's on the like he's kind of gain everybody
• 8:06
  back. So he's doing like a big event.
• 8:08
  You know, that's that's a cool way to do that.
• 8:10
  Yes, absolutely. So that released October 6th,
• 8:14
  2022. I don't have a budget for it,
• 8:16
  but I do have a worldwide gross. I want a release in theaters.
• 8:20
  I don't know if it released in theaters or if this is like a
• 8:22
  home media gross because I do think.
• 8:24
  It went straight to shutter. I know it went straight to
• 8:26
  shutter, but I do think that there were some like it did.
• 8:29
  Have. Yeah.
• 8:29
  Yeah, it did have. Hobbies, but I actually, I have
• 8:32
  a $1 million gross for it. Wow, Good for them.
• 8:35
  Yeah, I'm very happy for them because that movie is good.
• 8:38
  If you haven't seen it, definitely check it out.
• 8:40
  I absolutely recommend that that's I mean, it's a fucking
• 8:43
  fantastic. Movie.
• 8:44
  Yeah, it's a, it's a, it's just fucking fun, you know, And it's
• 8:48
  done by the same people who did one of the bits in VHS 94 or is
• 8:53
  it 84? 94 because I don't think we
• 8:56
  watched 84. Yet OK, I couldn't remember
• 8:58
  which one was which. It was the same one with Bitch
• 8:59
  Cat the. Same one with rap.
• 9:02
  Nah. And rap.
• 9:02
  Nah, yeah. Rap, yeah, yeah.
• 9:05
  So they did a bit in that one. Their bit was going.
• 9:10
  To hell yeah, honestly. I think if you want and watch
• 9:14
  this movie, that one was fine, but this movie is really.
• 9:17
  Yeah, I think the concept of deadstream I enjoyed a little
• 9:21
  bit more, but you can definitely feel the same sense of humor.
• 9:24
  I get it. Yeah, They have the same stuff.
• 9:26
  You can tell it's the same people.
• 9:27
  Yeah, and it has a 6.4 out of 10 on IMDb and.
• 9:31
  That's a very pleasant, yeah. Surprise well learned.
• 9:34
  Yeah, I like that. OK, what's #2?
• 9:36
  And #2 is a movie that you and I have both discussed that we're
• 9:39
  probably never going to watch just because of everything we've
• 9:41
  heard about it. We don't want to sink the amount
• 9:43
  of time into it. Skin and marine, yes.
• 9:47
  Yeah. So and like we've heard that
• 9:50
  it's like very experimental, which we're into, but we've also
• 9:52
  heard that this could have been a short and there's just, yeah,
• 9:55
  there's something about it that. Never say never.
• 9:59
  I don't know if I'll ever not watch it because there might be
• 10:02
  a night where I'm like, you know what, fuck it, let's try it.
• 10:04
  But just like, I love the idea, the concept, and I saw the
• 10:10
  runtime and then knowing the concept, I'm like, well, that I
• 10:14
  don't know how you're gonna do that.
• 10:17
  Yeah, that's, that's crazy. My thing is how long it is with
• 10:20
  how there's no dialogue and no faces.
• 10:24
  I don't know if there's no dialogue, but there's like, no,
• 10:27
  I don't know. We haven't.
• 10:28
  Yeah. To be fair, we haven't seen it,
• 10:29
  so we can't really speak on it. But a lot of people have really
• 10:33
  loved it and it sounds like it's really great for a lot of
• 10:36
  people. We're just saying this is.
• 10:37
  It doesn't seem like the type of thing that's for.
• 10:40
  Us. It's incredibly divisive.
• 10:41
  We're not yanking anyone's Yum. We're just, you know, not our
• 10:45
  thing. So that released July 25th, 2022
• 10:50
  at the Fantasia International Film Festival.
• 10:52
  It was on a budget of 15,000 Canadian dollars.
• 10:56
  A OK. A OK.
• 11:03
  It had a worldwide gross of 2.1 million, so.
• 11:06
  That had that one. I remember really about that.
• 11:09
  It went viral on TikTok. Yeah, the the little phone thing
• 11:14
  from it, Yeah, that was a big thing for people.
• 11:17
  For a lot, and I remember the hype whenever it released in
• 11:19
  theaters, I remember we had a bunch of friends that went out
• 11:21
  to go see it. That yeah, we were very
• 11:23
  potentially interested in seeing it at first until we heard more
• 11:26
  about it and I'm really. That well, that was one.
• 11:28
  I always felt like I'm just gonna wait for shutter.
• 11:30
  Yeah, yeah, that has a 4.8 out of 10 on IMDb.
• 11:35
  Which really kind? Of highlights the divisiveness
• 11:37
  of it, I think. Yeah, almost right.
• 11:39
  That with a slight edge to. Bad.
• 11:42
  It's funny, but yeah, no, that one is super divisive from all
• 11:46
  I've heard. And then the third one, I'm
• 11:48
  gonna say we haven't watched it, but in a way we have, because
• 11:53
  the description and the cover art are very, very similar to a
• 11:57
  much beloved movie in our house. It's called Final Cut and it's a
• 12:04
  movie about a production company on a shoestring budget trying to
• 12:08
  make a zombie movie when they experience a real life zombie
• 12:10
  outbreak. Does that sound any little bit
• 12:14
  familiar? To you, is that a remake of One
• 12:16
  Cut of the Dead? It sounds like it, doesn't it?
• 12:18
  Is an American. I don't know, I didn't read too
• 12:21
  much into it. I was just a little bit like
• 12:24
  this. Is that's the exact.
• 12:25
  Premise. That's the exact premise.
• 12:27
  And if you haven't seen one cut of the Dead, first of all, watch
• 12:30
  it. Second of all, if you have
• 12:31
  Shudder, watch the Joe Bob version of it because he gives
• 12:33
  one of his like best motivational speeches.
• 12:36
  And like, honest to God, every time I'm sitting here struggling
• 12:39
  about like my artistic aspirations, I just hear Joe Bob
• 12:42
  in my head. I said fuck aspiring.
• 12:45
  Yeah. That's true.
• 12:47
  I wanna paint that on a canvas and put it up on our walls.
• 12:50
  So that way, like every time I'm down on myself, I look up and
• 12:52
  I'm like, no, fuck aspiring. Yeah, and that's a legendary
• 12:55
  speech. And that's a legendary movie.
• 12:58
  That's a great movie. The movie itself is amazing and
• 13:00
  we do have it on DVD as well. Yeah, that's funny.
• 13:03
  Well, I guess that's almost you almost had a theme of all
• 13:07
  Shutter movies here. If you would've done that movie,
• 13:10
  but it didn't come. Out yeah it wasn't 2022 so yeah
• 13:14
  but yeah so that premiered May 17th 2022.
• 13:18
  I don't have a budget or a ghost for it but it is a 6.4 out of 10
• 13:22
  on IMDb. OK but yes I do.
• 13:25
  I am kind of curious to look more into it to see if it is
• 13:28
  meant to be like a remake. Kind of like how they did speak
• 13:30
  no evil like less than two years after the non American one came
• 13:37
  out. I'm sorry, I'm laughing because
• 13:39
  I peeked over at your sheet and I just saw the tagline section.
• 13:42
  It's just a little frowny face. Yeah, there it's.
• 13:47
  The the worst thing about the two of your originals is there
• 13:49
  are no taglines. I don't know.
• 13:51
  Is that is that like a true thing for all of them so far?
• 13:54
  Yeah, Yeah. We've only talked about one
• 13:57
  other one so far and it was the meet the parents, right?
• 14:00
  There was that one and there was, it's like.
• 14:02
  The not meet the parents. No, it was like meet the
• 14:05
  parents, kind of. Killer.
• 14:07
  Parents. Yeah, meet the killer parents.
• 14:08
  That's it, yeah. Yeah, and there was also the
• 14:10
  final rose. Oh, shit, Yeah, we just talked
• 14:13
  about that. Did we?
• 14:14
  Yeah, yeah. Yeah, so I, I generally like the
• 14:16
  Toby movies. I don't like their lack of tag
• 14:18
  lines. It's bullshit.
• 14:20
  Toby, hit me up if you need somebody to write, listen.
• 14:22
  We have a whole segment, baby. We'll write one for you this
• 14:25
  episode. Write.
• 14:26
  One, we don't normally do that for Toby movies, but because
• 14:29
  this is an original Toby, we will.
• 14:31
  We'll do it for you. OK, hit us up.
• 14:33
  Give us a brief, but or you know, you could just give us
• 14:36
  screeners too. We can do that also.
• 14:39
  But you know, hit us up, we'll give you some taglines.
• 14:41
  Throw that shit on your posters. It's great, it's fun.
• 14:44
  Everybody loves a good tagline. I've already got one in my mind
• 14:48
  right now all. Right.
• 14:49
  Cool. That makes sense.
• 14:50
  Do you want to let's do the tagline now.
• 14:51
  Let's do it now because we don't have any to talk about.
• 14:54
  Go ahead, go for it. Well, it's really stupid and it
• 14:58
  would never fly, but it's I feel the need, the need for Scream.
• 15:04
  OK, OK, I'll take it. My mine is You're a little
• 15:10
  pitchy, You're a little pitchy. You're a.
• 15:16
  Little pitchy, OK. OK.
• 15:20
  So yeah, are we ready? Cuz this is to be or not to be.
• 15:23
  We don't have all of the background stuff.
• 15:25
  Yeah, we're on into discussion. So we're on into discussion.
• 15:29
  It is your turn to kick it off. What is your good for this
• 15:32
  movie? All right, please.
• 15:34
  Tell me one of them is the mask. I was dying to ask you how you
• 15:37
  feel about the mask. You're such a mask person.
• 15:39
  I really do like the mask. This is actually one of the
• 15:42
  movies that I've actually come close to picking it for A to be
• 15:45
  or not to be for us, but I I've just always found something else
• 15:49
  that. That it's been on our list,
• 15:52
  honestly for probably like a year.
• 15:53
  Since it came out, I'd say yeah. And year and a half then yeah,
• 15:57
  like it's so, yeah, the mass is cool.
• 16:00
  So that is a good thing. And I really like the idea of
• 16:07
  somebody taking their victims and getting them in a recording
• 16:12
  booth and getting them to scream and like die and like using that
• 16:17
  for their compositions. It's so deranged.
• 16:20
  It's a really cool idea, Yeah. So that's my good.
• 16:23
  OK, this movie, when we refer to to be trash or just trash movies
• 16:33
  in general, this is the kind of shit I think about.
• 16:35
  Yeah. Like, this could be.
• 16:38
  If you told me this was a new Vista movie, I wouldn't be
• 16:41
  surprised. Mar Vista.
• 16:42
  Mar Vista, Yeah. I thought new Vista.
• 16:45
  I don't that's a whole other thing.
• 16:47
  That's like a Disney thing, I think.
• 16:49
  No, New Vista is a local thing in town.
• 16:52
  Oh, really? Oh well, whatever.
• 16:54
  No, it I was honestly expecting to see the logo for that.
• 16:58
  Yes, if you told me this was a Mara Vista movie, I would not be
• 17:02
  surprised. And I mean that as a genuine
• 17:04
  compliment, because from Thanksgiving to Christmas, we
• 17:09
  like a healthy dose of our movie watching is Mara Vista.
• 17:13
  Yep, and they have a handful of horror movies.
• 17:16
  Because The thing is these movies, and it's a compliment.
• 17:18
  It is such a compliment, but they're, they're goofy.
• 17:22
  They're they're good bad or bad good or whatever you want to
• 17:25
  talk about. They're and they're good.
• 17:26
  Bad is the right. Way.
• 17:28
  Yeah, because they yes, technically there is a story in
• 17:33
  a plot. The acting levels are mixed.
• 17:37
  The way scenes connect to each other sometimes makes sense.
• 17:43
  It's just it's one of those that like, you watch and you're like,
• 17:47
  this makes no sense. But whatever, I'm here and I'm
• 17:49
  enjoying the goddamn ride. And not in the same way as like
• 17:51
  other movies where it's like a suspension of disbelief.
• 17:54
  You're just like dude, this is made on a shoestring budget with
• 17:56
  a dream. All you got, like all you got to
• 17:59
  do if you need to picture this in your head, is have you ever
• 18:02
  tuned into the Lifetime or Hallmark Channel?
• 18:07
  If yes, think of one of those movies.
• 18:09
  And that's exactly the type of production you get with this.
• 18:12
  And that's The thing is that Mara Vista does do does do
• 18:17
  horror movies. Yeah, they've done a few.
• 18:19
  Yeah, and it it feel this feels like it could fit right into it.
• 18:23
  And we have fun with those and I just, I enjoy them.
• 18:26
  I don't think that like objectively, like it's not gonna
• 18:29
  win awards. You know what I'm?
• 18:30
  Yeah. But like, I didn't, I didn't get
• 18:34
  bored watching it. You know what I mean?
• 18:36
  Like it's one of those that like, it's silly fun.
• 18:39
  And I think that it it had some good moments, like some good
• 18:42
  effects, like some scary moments, like the thing with the
• 18:45
  they reveal with the walkie-talkie and then them
• 18:48
  using that to like, blow out his eardrum.
• 18:50
  Like, that's really solid. Yeah.
• 18:52
  And the mask is honestly, it is really creepy.
• 18:56
  Yeah. He looks like that one villager,
• 18:59
  an Animal Crossing the rabbit with the like hollow eyes and a
• 19:03
  malice. That creeps.
• 19:04
  Me out. Yeah, he's kind of like the
• 19:07
  gyroid. Yeah, and the gyroids freak me
• 19:10
  out, too. Yeah.
• 19:11
  Yeah. Like, it's just, it's, it's
• 19:14
  good. Yeah.
• 19:15
  Yeah, yeah. So those are the things that I
• 19:17
  like and I like what they were able to do with the budget that
• 19:20
  they clearly didn't have, you know what I mean, like.
• 19:23
  Yeah, OK, so bad. So all right, here's my thing
• 19:31
  with this movie. So I like the premise.
• 19:35
  Like I said, I like the idea of that.
• 19:37
  However, I feel like they totally squandered it because
• 19:41
  they set it up right in the opening scene in like, we get it
• 19:47
  one more time in the end, yes, and then that's it.
• 19:51
  I would have loved for him to have been taking all of his
• 19:56
  victims to the little recording booth that he has and, you know,
• 20:00
  using them all. And you know, that's just such a
• 20:03
  cool concept, I don't understand why you would waste it like they
• 20:08
  do in this movie. What it ends up becoming is the
• 20:13
  most generic of slashers. And I love me a generic slasher.
• 20:17
  That's fine. But it does brought me a little
• 20:20
  bit wrong. Whenever you have that cool
• 20:24
  premise right there and you're already showing me what it can
• 20:27
  be, and then you're just like, but we're not gonna do that.
• 20:30
  Yeah. Instead, he's gonna be outside
• 20:32
  and he's just gonna be walkie talking them and he's got his RV
• 20:37
  out there and you know, he's just like doing very standard
• 20:41
  slasher fare kills. And then that's, that's that.
• 20:44
  And then we get to the end and it's like, here it is again.
• 20:47
  But you know, we're still not really gonna do it.
• 20:51
  And then it just it goes to waste and that frustrates me.
• 20:56
  Yes, it definitely based on that opening scene, I was expecting
• 21:01
  something much more like, I mean, not to scare bow it up too
• 21:05
  much, but like it does feel a little bit like it could have
• 21:08
  been a setup for like, OK, they're all set up.
• 21:10
  They have to play this game but match the notes.
• 21:12
  That's what I thought it was going to be like.
• 21:14
  They all, like all of his victims he brings there.
• 21:16
  And he's like, all right, hit this note, and then if you don't
• 21:18
  hit it, you die. Yeah.
• 21:20
  Which clearly is not not the case once.
• 21:23
  But eventually the whole thing builds up to you dying anyways
• 21:25
  and he gets the scream of your or the sound of your death and
• 21:30
  incorporates it into music. He composes based off of
• 21:34
  people's yes sounds. Yes.
• 21:37
  And that's so fucking cool. And they could have explored
• 21:40
  that and had they could have had the soundtrack be all kinds of
• 21:44
  shit like that. If they got like a composer and
• 21:47
  like, like compose some weird fucking music with these things
• 21:51
  here. And then that would have been a
• 21:53
  really good way to get like an uncomfortable feeling because
• 21:57
  when you listen to the music here, it's really creepy.
• 21:59
  We get shots of him listening to the music he has composed in his
• 22:02
  RV and I'm like, that's pretty upsetting stuff right there.
• 22:06
  I would like to have more of this.
• 22:07
  Absolutely. And sorry, one more.
• 22:10
  The only other thing is, and this is kind of going into what
• 22:13
  you were saying before, but like, you know, the performances
• 22:16
  and the writing are a little bit soapy.
• 22:18
  Yes, they're, yeah, they're very soapy.
• 22:20
  Yeah, they're very soapy. So, but that's that's not bad.
• 22:24
  I agree with that. And I'm just gonna add to it
• 22:27
  that I think the ending feels a little bit unearned because he.
• 22:32
  And here's The thing is that this movie tries to kind of like
• 22:34
  blink, nudge, nudge at horror trips.
• 22:37
  Like at the beginning when Shira is like Haiti when I stop and
• 22:41
  get a couple of 40s and art is like, oh, what?
• 22:45
  So that way the local hillbilly can tell us about the current
• 22:48
  urban legend. Yeah.
• 22:50
  And like, that was kind of fun. And then at the end when Caleb
• 22:53
  is like, oh, is it because of my strange relationship with my
• 22:59
  father? Is it because you took the land
• 23:01
  that my house was built on? Or is it just because I'm a
• 23:03
  psychopath that likes to listen to the sound of his victims?
• 23:06
  Yeah, We never. Really explored that whenever
• 23:09
  they he brings us up and like, OK, that's got to be like a
• 23:11
  really important thing here. But they didn't know.
• 23:13
  It's just like, yeah, they must have like taken his land at some
• 23:15
  point and it's just kind of whatever, yeah.
• 23:17
  And so. Like the ending of everything
• 23:18
  just kind of feels like unearned.
• 23:21
  It's like they. Put too many things in the end,
• 23:23
  yeah, Like, here are too many motivations for me to be mad at
• 23:27
  your family. And I'm not gonna pick either of
• 23:29
  them. Yeah, and it would be.
• 23:31
  Something if there was a hint that maybe he was responsible
• 23:34
  for Emilyn death too because she was also a.
• 23:37
  Singer, she's also. A member of the family they
• 23:38
  kept. Putting her in the story and
• 23:42
  bringing her up over and over again that I thought that he was
• 23:45
  gonna have some kind of relation to her.
• 23:47
  And if you don't do that, that's fine, but at least, you know,
• 23:50
  make it. Yeah, kind of have, like, tie it
• 23:54
  in somehow. Yeah.
• 23:56
  It doesn't have to be related to the killer.
• 23:58
  But like, really the only thing with Emily's like, they're there
• 24:01
  to spread her ashes. And her dad is there because
• 24:04
  he's, like, wanting her, his other daughter, to be his dead
• 24:09
  daughter. And it's, I don't know, very
• 24:12
  much like a golden. Child kind of situation which
• 24:14
  gets magnified with the death of that child.
• 24:17
  That's the same. That's the cool.
• 24:18
  I mean, OK, that's the thing about this movie.
• 24:20
  It had so many cool ideas. Yeah.
• 24:22
  It just didn't know what to do with any of them.
• 24:25
  And here's the thing. Is that we always say don't make
• 24:27
  the movie any longer than it needs to be.
• 24:29
  This is one of those movies that I think it needed to actually be
• 24:31
  a little longer maybe. Like, yeah, hey.
• 24:34
  It is a short. Movie, a little bit of time.
• 24:36
  To like flesh out some of these ideas or to cut out some of the
• 24:39
  ideas it needed to do one or the other, I think.
• 24:42
  If you made it a little bit longer, I don't know what they
• 24:44
  would do. They didn't know what they were
• 24:45
  going to do. They they never wanted to pick a
• 24:47
  lane. That's their thing.
• 24:49
  Like, I don't know. I don't know if it would have
• 24:52
  benefited from that or not. I really don't think it would
• 24:54
  have because they seemed really indecisive with the writing in
• 24:56
  this. OK.
• 24:58
  What's your ugly my? Ugly is the very controlling dad
• 25:04
  in this movie. He is really fucking shitty.
• 25:07
  He's just, he's writing his daughter about her singing
• 25:11
  career. She is an adult at this point.
• 25:13
  Like she shouldn't be having her life controlled by her dad to
• 25:18
  the extent that she is. And he is just so fucking
• 25:22
  furious with her that she's not doing what he wants her to do.
• 25:26
  And it's just, it's just not cool.
• 25:29
  Yeah. Well, and there's also the added
• 25:31
  element of her sister, who died in a crash, may or may not have
• 25:37
  been intoxicated. Substances.
• 25:40
  Involved, yeah, which I really thought that clip was going to
• 25:44
  go somewhere that like maybe he was responsible for the death
• 25:46
  but we never got anything with that.
• 25:48
  There was thread. Yeah.
• 25:51
  Like that added element to it, it's just, it's such a fucking
• 25:55
  heartbreaking thing. And then add on to it.
• 25:57
  Like, God, they're all fucking adults and there's still so much
• 26:03
  petty high school drama. Yeah, bullshit.
• 26:05
  Going on. That's the soapiness.
• 26:06
  Right there for me, Jesus Christ.
• 26:09
  Like you can have. That in horror movies and I'm
• 26:11
  totally on board but like to the way that they did it here don't
• 26:15
  make them full grown. Adults make them like college.
• 26:18
  Sophomores. Maybe I don't, yeah.
• 26:20
  I like do something something like that.
• 26:22
  Because like for Shearer to still be butt hurt that Declan
• 26:25
  dumped her right before prom. Like girl, you are at least 22
• 26:29
  years old. Who the fuck is so?
• 26:30
  Upset about that, yeah, You know what I mean?
• 26:32
  Like that's just like you get over that after you graduate
• 26:36
  college, you know, or like even if you don't go to college when
• 26:39
  you're at that age, like that should be a thing of the past
• 26:42
  over it because. Like you mature and you're like,
• 26:44
  holy shit, I was a dumb teenager too.
• 26:47
  And like this ultimately doesn't matter.
• 26:50
  You know it. Just like I was like, girl, are
• 26:53
  you really this mad over this? And like also you can be this
• 26:56
  mad over being dumped before prom but then you're going to go
• 26:59
  do several lines of cocaine Like you need to pick a lane like
• 27:04
  you. Need to decide.
• 27:05
  What your maturity level is Because I feel like a cocaine is
• 27:07
  an adult drug and you're not acting like an adult.
• 27:10
  That's true. Yeah.
• 27:13
  OK, Hey. I'm also sorry, we left The
• 27:15
  Hunger Games outside on and we turned the volume down, but
• 27:18
  apparently The Hunger Games decided that they also wanted to
• 27:21
  go hard. So if you're picking that up on
• 27:22
  the mics here, I'm sorry, she's trying.
• 27:25
  To go get presidents now and like, Finnick is probably dead
• 27:28
  by now. Sorry, spoiler if you haven't
• 27:30
  watched that movie in the 10 years since it's been out.
• 27:33
  Yeah, actually. I'm going to pause real quick
• 27:34
  and I'm going to like turn it down real quick.
• 27:36
  I'll be right back. Update Finnick is in fact, dead.
• 27:40
  I knew the sounds of the appropriate explosions.
• 27:42
  Not because I've watched the movies multiple, I mean I've
• 27:44
  watched the movies multiple times.
• 27:45
  But I read the books every year. I've watched the movies.
• 27:48
  Exactly one time and all I saw was somebody with a cat face out
• 27:51
  there and. It's not.
• 27:53
  Katniss. It's Tigris.
• 27:56
  OK. So did you have your ugly or?
• 28:01
  Were you riffing with me? I was riffing.
• 28:03
  Off of your ugly, but I do think I wanna kind of like add the
• 28:06
  whole like just like the toxicity of this friend group.
• 28:11
  It's a really shitty friend group.
• 28:12
  Yeah, there's like a. Lot of elements going on because
• 28:14
  it seems like Artemis and Emily were really close and it's kind
• 28:20
  of 1 and I get this because I've been in a similar thing where
• 28:23
  like siblings friends become your friends and like that all
• 28:27
  happens but you know there's their friends that are really
• 28:29
  friends with the like 1 sibling versus the other.
• 28:34
  So like, there's there's a lot of like in these types of friend
• 28:38
  groups, especially when you go through a certain formative age
• 28:40
  with one another, because become very entangled in ways that are
• 28:45
  not always super healthy. And unfortunately, because of
• 28:48
  the events of this movie, they don't really get to work through
• 28:50
  that stuff together in a functional way.
• 28:54
  Yeah. OK.
• 28:56
  Absurd. I thought that was the.
• 28:59
  Oh no, that was still the ugly. OK, absurd.
• 29:01
  You, you go. So my absurd is so we're getting
• 29:07
  into a point of the movie here, but the dad has a suspicion that
• 29:14
  his daughter may have taken his daughter's ashes with her to
• 29:20
  this trip to the cabin. So in order for him to know for
• 29:23
  sure, he takes his finger, dips it in the little vase of ashes
• 29:29
  and then licks it. And he's lucky that it's
• 29:35
  actually brownie mix, but Can you imagine if this dude fucking
• 29:41
  licked his dead daughter's ashes like that?
• 29:44
  How many times? Has he smelled the ashes?
• 29:46
  How many times has? He licked them.
• 29:49
  Does he have a? Baseline, I think that's
• 29:50
  definitely ashes. That's definitely her ashes.
• 29:55
  Has he licked a brownie mix before?
• 29:57
  Like raw brownie mix? How does he know this stuff?
• 30:03
  It's absurd. What the fuck is this mean?
• 30:06
  No it. Absolutely is.
• 30:07
  And I'm gonna add to that that like there was definitely still
• 30:10
  his daughter's ashes in that urn because I don't think yeah.
• 30:13
  You're. Right it out.
• 30:15
  He probably. Still had some like and.
• 30:18
  Also, I'm gonna say Emily's ashes were gonna be scattered
• 30:20
  with like some Folgers too with a little bit of.
• 30:23
  Coffee which like for. Sure how I wanna go.
• 30:26
  Like yeah, he scatter me with coffee, but not Folgers.
• 30:30
  Yeah, like, but it's funny though.
• 30:32
  Man like cuz. Hashes are typically put into
• 30:35
  very sterile containers and in the fact, like if they're being
• 30:39
  split up, you can even see them in like pill bottles and stuff.
• 30:42
  If you were to do like same keepsake, like jewelry, yeah,
• 30:46
  there's a lot of things. You can do with Familia, but
• 30:48
  yeah that like. Even goes into like pill bottle
• 30:50
  type stuff. Yeah, but you never.
• 30:52
  Want to stick your finger in and that's like.
• 30:55
  That's just such a gamble. You know what I mean?
• 30:57
  I want everybody. Listening to understand that we
• 30:59
  were watching this in horror, but not the kind of horror you
• 31:02
  want when you're watching horror and.
• 31:05
  We're like he. Is not.
• 31:07
  Like I mean. What if he's wrong, right He he
• 31:10
  runs the risk of that happening. Like here's the.
• 31:13
  Thing, I eat a lot of fucking brownies and my mom ate brownies
• 31:16
  when she was pregnant with me and it's like a tradition that
• 31:18
  I've continued since utero, you know what I mean?
• 31:21
  Yeah. I hope my.
• 31:24
  Ashes would smell like brownies and I hope that you wouldn't
• 31:27
  sniff them and decide that I'd been replaced with brownie mix.
• 31:31
  And just like I, just I. Just don't.
• 31:33
  I don't even know how you know what brownie mix tastes like.
• 31:36
  It doesn't probably taste like brownies because it's just
• 31:38
  powder at that point. Yeah, it's like.
• 31:40
  Overly sweet. It does taste chocolatey, but it
• 31:44
  doesn't. Like, you're not like, man, this
• 31:45
  is Betty Crocker. Yes, I used to work in a food
• 31:47
  factory. We made brownie mix.
• 31:49
  There were actually, because it's in the fucking air, dude.
• 31:53
  You come home covered in that shit.
• 31:55
  And I used to have to get into the equipment.
• 31:56
  It was called a chocolate clean down because you have to like
• 31:58
  clean the equipment very thoroughly before you can go
• 32:01
  back to doing non chocolate products.
• 32:03
  And I would have to get into the equipment to clean the stuff
• 32:05
  out. I'm concerned.
• 32:06
  About the amount of brownie mix you may have inhaled a lot
• 32:10
  which. Is why my ashes will probably
• 32:12
  smell like brownie mix and I don't want you to stick your
• 32:15
  finger in them and lick them when I die.
• 32:18
  The temptation. 'S there.
• 32:21
  Maybe his dad or her dad had the same thing.
• 32:25
  She worked in the factory. What a brownie.
• 32:28
  Mix in there maybe I'm smelling the ashes right now.
• 32:32
  I'm getting a hand, but it's not it's inconclusive.
• 32:35
  I think I'm imagining. It like a wine tasting like
• 32:37
  there's notes of brownie and is that and in fact it is walnut.
• 32:42
  Perhaps this is a trutal brownie?
• 32:45
  And then? OK.
• 32:47
  Did you have any other absurd? No, that was.
• 32:49
  That's the absurd. It truly is.
• 32:51
  You can't top it in this movie. Yeah, there's no.
• 32:54
  Other moment that's I, I'd say like the next like, but it's
• 32:57
  asked here, right? I don't think we even have like
• 33:00
  an A tier below that. Like the next one would be the
• 33:04
  guy in the car, which this was clearly done in multiple takes.
• 33:07
  And whoever edited it wasn't paying attention because the
• 33:11
  like that random couple that just gets killed in the back of
• 33:13
  the RV because like, I can't wait to show you this place,
• 33:15
  babe. And she goes, yeah, I'm really
• 33:16
  excited. And then when they pull up and
• 33:18
  they're getting out of the RV, he goes, I can't wait to show
• 33:20
  you this place, babe. And she goes, yeah, I'm really
• 33:22
  excited. I.
• 33:27
  Know I want that to be the entire car, right?
• 33:32
  He's like, I can't wait to show you this place, babe.
• 33:34
  I know, I can't wait to see it. Babe, I can't wait to show you
• 33:37
  this. Place, babe, I can't wait.
• 33:42
  Oh my God. I.
• 33:43
  Hope that was their entire ride. They.
• 33:48
  Up until they actually see it. Except they never.
• 33:51
  Do because they die. Also, where were they going?
• 33:54
  Because it's implied that the Crane House is the only house
• 33:57
  out there that's so. Fucking stupid.
• 34:00
  Oh my God, I didn't even catch that.
• 34:02
  Yeah. It's like this conversation just
• 34:06
  happened. That's hilarious.
• 34:10
  Oh fuck this movie. On that note, what?
• 34:15
  Are you rating it? You might not like me for this,
• 34:19
  but I'm I'm giving it a three. A three.
• 34:21
  Yeah, I'm giving it a 6.5. OK, so that's a 4.75 average.
• 34:30
  That's actually right. Online with IMDb.
• 34:33
  Yeah, yeah, I like I said, I think it's just one of those
• 34:37
  like the perfect encapsulation of like what we look for with to
• 34:40
  be trash for me, like, yeah, really, it's easy watching
• 34:43
  because it's interesting the whole way through, but it's God
• 34:46
  damn silly and makes no sense. Oh yeah.
• 34:48
  It's not objectively. Good, but it's subjectively fun.
• 34:53
  For me. Yeah, OK.
• 34:55
  Yeah. All right.
• 34:55
  Well then let's let's talk about it.
• 34:57
  Let's let's get this thing started, OK?
• 35:00
  All right. So we start off with the masked
• 35:04
  person. He has a woman.
• 35:06
  He's a tie down keyboard too. This isn't even a full Casio.
• 35:10
  It's kind of sad, yeah. Yeah, I wish she had like one of
• 35:13
  the like little like weird things where you like has like
• 35:16
  the little tube you have to blow in in order for it to play
• 35:19
  melodica. No.
• 35:21
  That's like the little like they're shaped like music notes.
• 35:24
  Oh. Well, it.
• 35:26
  Might be the same thing, actually.
• 35:28
  Yeah, actually, it might be what it's called.
• 35:30
  Yeah. No, my friend actually had one.
• 35:32
  Yeah, I know. What?
• 35:33
  You're thinking of the little music note thing.
• 35:36
  Yeah, he. Like, we used to fuck around
• 35:39
  with it all the time. It would make like, you know,
• 35:40
  like fun, little interesting. Yeah.
• 35:43
  That has the. Yeah, I, you know, I think it
• 35:45
  would be hilarious if he had like, a little melodica here.
• 35:47
  But yeah, yeah. He's got a little tiny keyboard
• 35:49
  setup. Yeah, got her tied down with
• 35:52
  barbed wire and he's hitting a note and she's having to hit the
• 35:55
  note. Yeah.
• 35:56
  And he eventually gets to a note that she can't hit, and she is
• 36:01
  reluctant to try. And then she eventually does and
• 36:05
  she fucks it up. So she goes over to the guy and
• 36:09
  Oh yeah, there's a guy across the yeah from her, too.
• 36:11
  This gay has no stakes. Because like it's like as soon
• 36:14
  as you get a wrong note, it's like dead.
• 36:16
  Like why aren't we? Like I don't even.
• 36:18
  Think it's a game cuz I think the end goal is dead yeah I.
• 36:21
  Get that? But I don't know if he was
• 36:23
  really trying to make his magnum opus or whatever, wouldn't he, I
• 36:27
  don't know, pull some fingernails or clip some toes
• 36:31
  off? You know what I mean?
• 36:33
  Draw out the torture. I'm not.
• 36:35
  Isn't it a sadist? I just, I watched a lot of
• 36:38
  horror movies from this particular subgenre.
• 36:41
  A lot more thought into this than the fucking serial killer
• 36:45
  did. That's telling right there.
• 36:48
  But you're correct, that would be the best way to go about
• 36:51
  this. But yeah, he doesn't.
• 36:53
  So if you hit the wrong no. And if the other person screams,
• 36:57
  that means that the person across from them gets cut.
• 37:01
  And then. So that's what he does.
• 37:03
  He goes over to the guy. He cuts him a few times, and
• 37:05
  then he slashes his throat. Yeah.
• 37:06
  And he records his sound of death and his screams.
• 37:10
  And that's what he's going to use to compose later.
• 37:11
  And then he does the same to the woman over there.
• 37:13
  She gets killed. And their names are Harper.
• 37:16
  And Will, because this is A to be original, they know the
• 37:18
  characters names when they're doing the closed captioning.
• 37:21
  So it's like Harper screams and I'm like, who the fuck is
• 37:23
  Harper? Yeah.
• 37:24
  And. We almost had this.
• 37:26
  So it it gave us the name of the killer.
• 37:28
  Caleb. Yeah.
• 37:29
  And we didn't. Know that, but we got like him
• 37:31
  laughing or like, you know, composing like sounds of him
• 37:34
  like Caleb. Slashes or whatever, and we're
• 37:36
  like, dude, I hope Caleb's not like one of those yeah, friends
• 37:39
  or something. Yeah, like B, it's really it's.
• 37:44
  They don't spoil anything, thankfully.
• 37:46
  But yeah, it's still a little bit annoying that I knew that
• 37:48
  little nugget of information. Here's the.
• 37:50
  Other thing too is that like, I'm grateful they didn't spoil
• 37:52
  anything, but now it's like anytime we watch it to be
• 37:54
  original, if it doesn't name the killer part of me, it's going to
• 37:57
  be like, OK, well then it's somebody in our main cast, you
• 38:00
  know what I mean? Maybe, maybe they'll still.
• 38:01
  Do it. That's awesome.
• 38:02
  I don't. Know maybe they'll fuck it up OK
• 38:05
  so then we cut to like we have our title card yeah our.
• 38:12
  Title card. Yeah.
• 38:13
  And we get a little drunk shot of car driving on the road in
• 38:18
  the wilderness. It's Artemis and Shira, and
• 38:23
  they're talking about all kinds of exposition.
• 38:25
  And when I say. Artemis and Shira.
• 38:27
  I picture Artemis from It's Always Sunny and Shira.
• 38:34
  What a combo. I know wouldn't.
• 38:35
  You want to be on that road trip?
• 38:37
  No, I don't want to be anywhere. Near Artemis and It's Always
• 38:42
  Sunny. She is a weird fucking person.
• 38:45
  I she's. One of those that like would I
• 38:48
  want to be on a road trip? No Would I definitely do a few
• 38:51
  shots and maybe like dance with her at a bar?
• 38:56
  No. Yes.
• 38:57
  No, I am staying far. Away from that.
• 39:01
  So. They're giving all kinds of
• 39:03
  exposition here. Artemis has some auditions for
• 39:07
  some kind of singing gig and she's ditching them, and Shira
• 39:11
  has some kind of interview for some kind of comic book comic.
• 39:15
  Yeah. But she just ditched it and you
• 39:18
  know, they're both not really pursuing what they had career
• 39:21
  wise going on. Yes, they're.
• 39:23
  Both very much like avoiding. They're like avoiding,
• 39:27
  basically. For Shira it's avoiding
• 39:30
  rejection for something that she's wanted for so long, and
• 39:32
  for Artemis it's like both avoiding rejection because it
• 39:36
  sounds like she's been rejected, but also avoiding being turned
• 39:39
  into her dead sister that she's literally never going to be able
• 39:42
  to live up to at this point. Avoiding doing the.
• 39:44
  Thing that she doesn't really want to do with her life, Yeah,
• 39:47
  she says. She wants to quit it and that it
• 39:49
  was her dad and Emily's dreams, not hers.
• 39:52
  Yeah. So the dad calls in to check.
• 39:55
  Yeah, he thinks that. She's going to an audition and
• 39:58
  he's like, you should be auditioning for a National
• 40:00
  Opera. Are there national operas?
• 40:03
  I understand. Like, I get it, we live in
• 40:06
  Kentucky and we're probably uncultured, but like are like
• 40:09
  operas a thing that we have a fucking.
• 40:11
  Opera House in our town and we've never seen an.
• 40:13
  Opera in at Travis. That's true.
• 40:15
  We. Saw Goblin there.
• 40:16
  Yeah, exactly. Yeah, we we saw Italian prog
• 40:20
  rock. Yeah.
• 40:21
  Accompanying de Monet, De Monet, yeah.
• 40:25
  Which is even funnier because it's not like Argento doesn't
• 40:28
  have a fucking movie called. Opera, you're right.
• 40:32
  Yeah, but he didn't compose that.
• 40:36
  I don't know if. No, I don't think that they did
• 40:37
  that. Yeah, I really don't know.
• 40:39
  Yeah. Right.
• 40:40
  So anyways, yeah, he he scolds her about that and it's like,
• 40:44
  make sure you hit your. Vibrata and the final movement
• 40:47
  or whatever, yeah. So they.
• 40:50
  Arrive at the place they're going to, like the little summer
• 40:53
  cabin that the families have back in the day.
• 40:55
  Yeah, and the signal. Is lost, which is important
• 40:58
  because like the dad comes out into the kitchen and asks the
• 41:01
  mom like, hey, did we lose a signal when we were at like in
• 41:06
  South Carolina for that wedding? And she's like, what the fuck?
• 41:08
  Why would you? Ask me that and he's like, well,
• 41:10
  I was just, I was. Talking to art, Art about her
• 41:13
  audition. And she goes, I hope you didn't
• 41:14
  write her about the Barbarotto. And he was like just looking out
• 41:18
  for her. And she was like, she's not
• 41:19
  Emily. And he was like, because she
• 41:21
  doesn't apply herself. And she goes, Emily's dead and
• 41:24
  they have like marital problems. Yeah, Well, he's.
• 41:26
  Like, yeah, like you didn't write her as hard as you wrote
• 41:29
  Emily. And he's like, whoa, look, all
• 41:31
  that's are not for her or no you're writing.
• 41:33
  Her harder than you wrote Emily Oh yeah, yeah, and.
• 41:35
  Then that's what he said and she goes unbelievable.
• 41:39
  I just I didn't mean that he says a lot of things that he
• 41:42
  supposedly doesn't mean in this movie.
• 41:43
  He does that and then. Every single time he does that,
• 41:45
  he goes over to the little case and he looks at the.
• 41:48
  Shrine of Emily and he's like he.
• 41:52
  Just that's like, his whole life, I think.
• 41:53
  Yeah. Like, he's like, when he gets
• 41:55
  home from work, like, he just, like, puts his bags on the
• 41:57
  counter and just goes over there and just looks at it.
• 42:00
  And maybe he's like, I wonder what the mash tastes like?
• 42:03
  It is a beautiful shrine and I get it because it's not like I
• 42:06
  don't have like my own areas like that, but like.
• 42:11
  Also. Yeah.
• 42:13
  Yeah, it's it's it's nice, but, you know, like it's a little bit
• 42:16
  weird. I imagine at this point.
• 42:18
  It's been there for years at this.
• 42:20
  Well, here's the thing. It's.
• 42:22
  Death is something that you never get over, and I can't even
• 42:24
  begin to conceptualize the death of a child.
• 42:28
  Yeah, I'm. Not saying that, I'm just saying
• 42:31
  I wouldn't stand at the thing 24/7 and then you know, bitch at
• 42:35
  like my loved ones about the whole thing.
• 42:38
  Yes, there's also. A point where you have to like
• 42:40
  assess how much your grief is impacting your day-to-day life
• 42:44
  and be like, do I need therapy? I went that route.
• 42:47
  I was like, hey, this has been a really hard time.
• 42:50
  Maybe I should talk to somebody because I'm kind of taking it
• 42:52
  out on the people around me and I feel like Thomas needs to get
• 42:57
  to that point. They seem kind of really fucking
• 42:59
  loaded, given that they have two homes and both of their
• 43:02
  daughters went to, like, prestigious arts private
• 43:06
  colleges. Yeah, that.
• 43:08
  And they don't even like it sounds like they haven't been to
• 43:11
  this place in a long. Yeah, like.
• 43:12
  They can just have a house that they don't even go to.
• 43:15
  Yeah. Must be like, so yeah, they
• 43:19
  arrived there and then we get a shot of this random couple that
• 43:23
  I can't wait to. Show you this place, yeah.
• 43:27
  And. She can't wait to see it.
• 43:31
  And they? They pull up at a fork in a road
• 43:35
  and they like park and they start to get out.
• 43:37
  I don't know, fucks over. Anybody else who might need to
• 43:40
  go down that particular road? Right, Yeah.
• 43:42
  And like, there's also. Like an RV parked here too and
• 43:46
  they're like whatever, I guess this is the parking spot.
• 43:48
  There's no way. Suspicious of this?
• 43:49
  You should always be suspicious of an RVI.
• 43:52
  Don't care. I don't care if you're in an RV
• 43:54
  campground on like an RV festival.
• 43:57
  Always be suspicious of a fucking RV.
• 43:59
  Always. Yeah, that's a good.
• 44:01
  Yeah, that's a good little bit like a negative information life
• 44:04
  to suggest. Yeah.
• 44:06
  Because in this case, we get this dude, He's just chilling
• 44:09
  and they're listening to music that he's composed of people,
• 44:11
  screams. You know what this is?
• 44:13
  Another good tagline. Always be suspicious of RV's.
• 44:16
  That's true too. That's a good one.
• 44:17
  Yeah. And we just cut from there.
• 44:20
  We don't see what happens here. So they are back at the cabin
• 44:26
  there. Art and Cher.
• 44:27
  As they're walking there, they're kind of looking around.
• 44:32
  Artemis has this moment where she goes upstairs and looks at
• 44:34
  all of Emily's stuff and it's really sad.
• 44:36
  She's having a hard time with it as.
• 44:39
  Obviously would and. Then she decides she's going to
• 44:41
  take Shira to their tree house and on the way they find a bear
• 44:45
  trap. And she goes, this is private
• 44:47
  property, used to be like a a trailer park and then some
• 44:52
  development company bought it and like, turned it into like a
• 44:55
  submarine area for rich white people.
• 44:58
  Yeah, well. Also, I think before then even
• 45:02
  they had like a little montage where they were cleaning.
• 45:06
  Yeah, we. Did have a cleaning montage,
• 45:07
  yeah. And then when they.
• 45:08
  Do that they find a memory card and they put it into the laptop
• 45:13
  and they try to access it, but it's encoded or encrypted, so
• 45:17
  they can't get in because they don't know the password.
• 45:19
  Yeah, and they also mentioned Alex is coming and what's her
• 45:25
  face? What's the fucking lead's name?
• 45:28
  Artemis. Artemis Yeah, yeah.
• 45:29
  She's not thrilled about it. She's like.
• 45:31
  Promise me you won't do any hard stuff.
• 45:33
  This is, you know, we're here to spread Emily's ashes.
• 45:36
  This is what she wanted. This is what she asked me to do
• 45:37
  before she died. Which also is kind of confusing
• 45:40
  because it implies that she had, like, some terminal disease and
• 45:43
  knew she was going to die. Yeah.
• 45:45
  And instead she died in like a random accident, Yeah, but that.
• 45:49
  People say shit like that, you know I'm true.
• 45:52
  Yeah, It's. True.
• 45:53
  I've told you what I want you to do with my remains.
• 45:56
  Exactly. Yeah, you've.
• 45:57
  Told me so. I know exactly that.
• 45:59
  I'm in the same boat. Yeah.
• 46:00
  You know, so. Yeah.
• 46:02
  OK, so that. And then they go to the tree
• 46:04
  house. Yes.
• 46:06
  Then we cut back to Thomas looking at Emily's memorial
• 46:10
  again. And then the mom comes out and
• 46:12
  she's like, oh, by the way, Artemis is quitting singing, and
• 46:15
  she's not actually in her audition.
• 46:16
  And he's like, you knew this. I don't even.
• 46:19
  Know what prompted her to bring this up and then?
• 46:23
  He's like, where is she in? Because she's visiting Shira in
• 46:26
  the city. What city?
• 46:29
  The. City Well doesn't she mention
• 46:32
  being in LA? She moved to LA is what she said
• 46:34
  she does, but they. Don't seem like they're in
• 46:36
  California. And also this audition was
• 46:39
  supposedly in South Carolina and they surely were not driving
• 46:41
  from California to South Carolina.
• 46:44
  That's. True.
• 46:45
  Yeah, Dad would have put. Her on business class for this
• 46:47
  audition. You know what I mean?
• 46:48
  Like, yeah. All right, so well, he's not
• 46:52
  paying for the trip there. He would have paid to a trip in
• 46:54
  another place, but that's what I'm.
• 46:56
  Saying, is that like if you thought she was really going to
• 46:58
  this audition, I'd be like, I bought you a business class
• 47:00
  ticket. No.
• 47:00
  Yeah, True. OK.
• 47:01
  You'd really call me? From the plane.
• 47:05
  OK, so they are. We get more shots of the killer
• 47:09
  doing some editing and show like that.
• 47:11
  And then like the dad storms off.
• 47:13
  He's like gonna go figure out where she is and he's trying to
• 47:16
  call her. So we cut.
• 47:19
  To the cabin, and Theo and Declan arrived.
• 47:22
  Yeah. These guys, Theo brought his.
• 47:25
  Mobile satellite. He's got a start up with his
• 47:28
  husband. They do tech stuff.
• 47:32
  It's. Just so little thing here for
• 47:35
  the plot, and they make it so obvious because he's like, he
• 47:38
  gets up there and he sets it up later on and he's like, I'm
• 47:41
  going to need this thing's going to go in and out every few
• 47:43
  hours. Yeah, he's like I'm going to.
• 47:44
  Have to reconfigure it every couple of hours and I wrote that
• 47:47
  down because I was like, this is going to be important later.
• 47:50
  It's so. Obvious, but also man if that's
• 47:53
  how you're all companies fucking running, you all aren't going to
• 47:57
  do too good. Did say it was still.
• 47:58
  Like in beta or whatever. Yeah, so still and Alex also
• 48:03
  arrives. Shira is excited to see her.
• 48:05
  Artemis and Declan are not. Declan is also anti Alex.
• 48:09
  Yeah, there's like a. History between Declan and
• 48:11
  Artemis here they used to go out I guess.
• 48:13
  No Declan used. To go out with Shira.
• 48:15
  So I think Alex maybe doesn't like Declan after the breakup,
• 48:19
  OK. That's a weird thing.
• 48:21
  You would think it would be the other way around.
• 48:23
  Here's The thing is. The way that, like, Declan is
• 48:26
  portrayed as this, like, naive little sweet Angel baby that,
• 48:30
  like, has never seen the outside world, you know what I mean?
• 48:33
  But then it's the background is that he dumped Shira right
• 48:36
  before prom so he could date college chicks.
• 48:40
  Yeah, their terminology, not mine.
• 48:44
  And that just doesn't seem like his character.
• 48:47
  You want to know what I thought? I thought that he was maybe
• 48:50
  named after Declan O'Brien. I love that.
• 48:54
  Yeah, I love that head cannon. I hope that's the.
• 48:57
  Case. I hope that is the case.
• 48:58
  Actually, I love it. Like, it's not uncommon for
• 49:01
  horror writers and directors to name their characters after
• 49:04
  other horror people. Exactly, that's what.
• 49:07
  I thought, and you know, he he put a stamp out there.
• 49:09
  He did, yeah. Declan O'Brien O'Connor missed
• 49:12
  throvia to you. What if we had?
• 49:14
  Like a requiem for a hoot. Requiem.
• 49:17
  Requiem and then the sequel is Requiem.
• 49:20
  For a holler. I love that Declan.
• 49:24
  O'Brien O'Connor we miss you, And for those that.
• 49:27
  Aren't aware we're talking about the wrong turn movies that he
• 49:29
  did which involves I Ride 3. Yeah, which?
• 49:33
  Involves a lot of hooten and holler a lot of hooten and.
• 49:35
  Holler in in several other explicit things, yeah, so.
• 49:40
  OK. They have busted out the
• 49:42
  satellite at this point. He's put it up on the roof and
• 49:44
  then they're going to start drinking and having fun.
• 49:47
  Yeah. And.
• 49:48
  Everybody's like, sorry I missed Emily's funeral.
• 49:49
  Sorry I missed Emily's funeral, sorry I missed Emily's funeral.
• 49:52
  Some of the excuses seem genuine because feels like, yeah, just,
• 49:56
  you know, between starting a brand new tech company and my
• 49:59
  mom's back surgery where she needed me to help her recover,
• 50:03
  seems like. Too many excuses.
• 50:05
  I pick one because if you're giving me like all kinds of
• 50:08
  reasons, I'm going to be like you say, Mom's back sort.
• 50:11
  Of be like, I get it, Yeah, I get that, yeah.
• 50:13
  And then Alex. Is like, yeah, I was just so
• 50:15
  busy with my Etsy store and arts like really, what's your Etsy
• 50:18
  store selling Alex? And she goes chakra bracelets.
• 50:21
  Oh my God. Yeah, Alex, they.
• 50:24
  They do a good job setting her up as like, a person that you
• 50:26
  should hate. But if she's obnoxious, yeah,
• 50:29
  like. I'm like, dude, I want, I want
• 50:31
  to like her because I feel like they're sitting her up for some
• 50:36
  sort of a redemption arc and it never comes.
• 50:39
  I never got that. Impression I feel like.
• 50:41
  I've been conditioned by movies to be like, OK, she is clearly
• 50:44
  the bad, like the bad friend. Whatever.
• 50:47
  Some bad history there. We're going to get some big
• 50:50
  revelation and she's going to have a moment where she
• 50:52
  sacrifices herself. It never fucking comes, sorry,
• 50:55
  in slash movies. Every group of friends has the
• 50:58
  shit friend and they set her up to be the shit friend.
• 51:01
  Yep, And that's exactly what she was.
• 51:03
  Yep. Yeah, then they take some
• 51:05
  drinks, they go outside. Artemis is on a giant fucking
• 51:08
  swing. And when I say it's a giant
• 51:10
  swing, I mean like three of them could have sat side by side on
• 51:14
  it. Yeah, Yeah, they have like a
• 51:16
  little. Moment her and Declan and he's
• 51:19
  like get your ass in the swing over here.
• 51:22
  Literally. Yeah, it's like very aggressive
• 51:27
  and uncomfortable flirting between them.
• 51:29
  Yeah, it's. It's really strange and she is
• 51:32
  watching. And it's unclear if she's angry
• 51:34
  at Declan or Artemis. And then Alex is like, hey, do
• 51:37
  you want to go do some blow? And Theo is just doing his own
• 51:41
  thing, kind of in the background.
• 51:43
  Yeah. So they go in there and they, so
• 51:47
  she comes back later and then she catches them, like kind of
• 51:50
  doing it. But she's like, what's up with
• 51:52
  you guys? Oh, nothing.
• 51:53
  We're just saying, you know? Yeah, we did.
• 51:55
  Have a quick cutaway to Caleb realizing that one of his memory
• 51:57
  cards is missing. Oh yeah, yeah.
• 51:59
  That's the catalyst right there for him to go over there and be
• 52:01
  like, I need my memory card. Yes, we did.
• 52:04
  See, like a brief moment when they found the memory card
• 52:06
  earlier, we saw a flashback to the beginning when Harper had
• 52:09
  like, knocked over the equipment and the memory card scattered.
• 52:12
  Yeah, that's true. Yeah, so we do.
• 52:14
  Know that this was the house that they were killed in.
• 52:16
  He did. He did a very good job cleaning.
• 52:18
  He did. Which is also kind of weird
• 52:20
  because we had their whole cleaning montage with the dust
• 52:22
  and everything. That's true, yeah.
• 52:24
  There's double cleaning right there.
• 52:25
  Yeah. All right.
• 52:26
  So Declan finds a karaoke machine, so he's gonna go bust
• 52:29
  that shit out because that's a good thing to do.
• 52:32
  And this is also a movie about making music, so fuck it.
• 52:35
  That's that feels appropriate. Yeah.
• 52:37
  Theo sees Alex and Shira doing their drugs and Alex is like,
• 52:43
  hey, the movie stopped, which means the signals probably out.
• 52:45
  Can you go fix the satellite? I don't feel like this is.
• 52:47
  I've never been around I say that.
• 52:50
  I've never. Been around people that I know
• 52:52
  have just done cocaine, but I feel like this is more people
• 52:56
  that are very. Have you known?
• 52:59
  Some cocaine I'm. Saying that, I've never been
• 53:02
  around people that I know have just done cocaine.
• 53:05
  OK, but you've been? Around people that you know,
• 53:07
  that did cocaine, that's something around, yes, at some
• 53:11
  point wise, OK, I'm saying like people.
• 53:12
  That I know, like just did it OK.
• 53:15
  But. Like their portrayal seems more
• 53:17
  like they just like smoked weed and are like super giggly.
• 53:21
  I don't know, they almost kind of play it as like super drunk
• 53:26
  or that. Yeah, like either way, it
• 53:28
  doesn't feel like what you think of when you think of like high
• 53:31
  on coke. No, Coke is.
• 53:32
  Supposed to be super like, energetic and yeah, you know.
• 53:35
  You're going you. Know what I mean?
• 53:37
  Yeah, you're amped up, but that's not what they are.
• 53:39
  They're like giggly. Yeah.
• 53:40
  And like we do. Know for a fact it's cocaine
• 53:42
  because a, we see them like literally snore and B, they make
• 53:45
  a Scarface reference. Yeah, and.
• 53:47
  They are safe. Like it's blow.
• 53:49
  Yeah, so. Oh, and also, so while all this
• 53:52
  is happening, Artemis gets a call from dad and he because
• 53:58
  like Theo fixed the satellite, so she's got service and she's
• 54:01
  able to get the call now. Yeah.
• 54:03
  And they're. Like arguing and she's like, I'm
• 54:04
  not Emily. And he was like I didn't see you
• 54:06
  were. And then the cuckoo clock, the
• 54:09
  smoking gun cuckoo clock goes off in the background and that's
• 54:12
  like something that his dad made and apparently it's tacky and
• 54:16
  everybody hates it except for him.
• 54:17
  Can you imagine though? If she was just in a place that
• 54:19
  also had one and he drove all the way out there, it's like,
• 54:22
  fuck yeah. Like, and he's just going around
• 54:25
  like a completely dark and empty house, and he's going art a
• 54:27
  mess, yeah. Art a mess, yeah.
• 54:30
  I tasted them brownies because that's exactly what happens
• 54:34
  here. This is like he gets off the
• 54:35
  phone after scolding her and he's like, I'm going to go taste
• 54:37
  some brown. That's because I think she might
• 54:38
  have left over there. He knew the dying wish of her
• 54:42
  sister, his daughter. And here's the thing too.
• 54:44
  He goes, he drags the urn, he questionably tastes what's
• 54:48
  inside of it, and then he dumps their trash can onto their
• 54:51
  dining room table. What the?
• 54:54
  Fuck is wrong with this guy? A lot of.
• 54:56
  Things Remember what I said earlier about therapy?
• 54:59
  Yeah, yeah, If I. Were the wife in the situation?
• 55:02
  Like I would just leave a note after he got back saying I'm
• 55:05
  leaving. Yeah, like.
• 55:07
  We're not even together for the kids anymore, you know what I
• 55:10
  mean? Like, why am I still here?
• 55:12
  Yeah, you went over. There.
• 55:13
  And you ate brownies out of the urn.
• 55:16
  You ate our. Daughter, you ate.
• 55:19
  Brownies out of there and then you dumped trash on the fucking
• 55:24
  table. I'm through.
• 55:26
  Left her to clean. It up.
• 55:27
  Yeah, he did. Didn't he?
• 55:29
  This fucking guy sucks. Fuck this.
• 55:33
  Guy oh man, that would be so gone all right.
• 55:37
  So yeah, I guess he, we don't know it, but yeah, this is.
• 55:40
  I will say though. I like this shot because, like,
• 55:42
  as he's driving off, she's going Thomas, Thomas.
• 55:45
  And then it, like, transitions into the sound of, like, the
• 55:47
  screams from Caleb editing this stuff.
• 55:50
  That's cool. Yeah.
• 55:52
  And then the. Couple is tied up in the back of
• 55:54
  the RV and he he is like peeking in on Artemis and her friends
• 56:00
  and he decides he doesn't want anything to do with this couple,
• 56:03
  so he just bashes them with hammers.
• 56:04
  He's like, I'm not gonna record. Your all shit yeah because you
• 56:07
  see some singing karaoke like yeah he's like the.
• 56:08
  Chops. Yeah, he's like, they can
• 56:10
  actually do it well. That's here's the thing, Caleb,
• 56:13
  not because you do karaoke does not mean you know how to sing.
• 56:17
  You do karaoke because it's fun. They have the music.
• 56:19
  Playing over top and whatever they're actually singing are the
• 56:25
  same words as the song, but not happening at the same time as
• 56:28
  the actual words of the song. And it's just such a weird
• 56:31
  choice to, like, make that so obvious.
• 56:33
  Yeah, yeah. It was a well, that's the theme
• 56:37
  of this movie. Weird decisions.
• 56:39
  I don't know what you were thinking, but you all did it.
• 56:42
  Yeah. All right.
• 56:44
  So yeah, he sees that and he's he bashes them and he's like,
• 56:47
  all right, I'm gonna go in there.
• 56:48
  Yeah, we'll get them. Then we cut to the.
• 56:50
  Friends plane. Never have I ever.
• 56:52
  Shira is fucking trashed. She is.
• 56:55
  Yeah, she's fucked up. Yeah, she is over there, like
• 57:00
  swearing and knocking shit over. One of them is like never.
• 57:03
  Have I ever made out with a girl or whatever?
• 57:07
  And Artemis takes a drink and Cher's like, no, you haven't.
• 57:12
  And she goes, yeah, I know. Is it Jimmy Robinson's birthday
• 57:14
  party? And she's like, no, I wasn't
• 57:16
  there. That didn't happen.
• 57:17
  And it was like, yeah, it did. Everybody's like I remember.
• 57:20
  Depp was like Cher. We were all there.
• 57:23
  What? The fuck are you talking about?
• 57:25
  And. And Artemis goes, are you high?
• 57:28
  And like, cuz that's her best friend and she knows her and
• 57:30
  she's like the one promise, the one promise you made and like,
• 57:32
  they're trying to like take the drinks away from her.
• 57:34
  She stands up, she goes over to the mantle.
• 57:36
  She knocks over the can that has the in it, which of course,
• 57:41
  Emily freaks out. And Alex is like, it's not that
• 57:43
  big a deal. She goes, it is.
• 57:44
  It's got Emily's ashes in it, which Sheeran in.
• 57:47
  Yeah. And so they're all just, like,
• 57:49
  basically arguing with each other.
• 57:50
  And this is where we get the line.
• 57:52
  We're like sheer strums. Off and then she gets mad at
• 57:57
  Alex for pressuring her into doing cocaine and she's like,
• 58:00
  just like you did. With Emily, she goes.
• 58:03
  Maybe if you hadn't been so busy with your fucking chalker
• 58:05
  bracelets, you could have come to Emily's funeral.
• 58:08
  Maybe you need them so you can be a line and she goes I'm a
• 58:10
  line as fuck bits and she goes more like you're doing lines as
• 58:12
  fuck. Bitch.
• 58:13
  This is a good. Yeah.
• 58:14
  You were like, that was good, yeah.
• 58:17
  You're like, that was solid. Yeah, you.
• 58:19
  Can't come back from that one right there.
• 58:22
  Yeah, that was. Like all of the riding efforts
• 58:24
  for this movie when it's like he had that.
• 58:27
  Line. It's like, how do I write a
• 58:29
  movie around this? Around this?
• 58:31
  Exchange SO. Outside, Shira is smoking, and
• 58:39
  Caleb sneaks up behind her and slices her throat.
• 58:43
  Isn't it weird that he. Goes immediately to that, yeah.
• 58:46
  It's like. Like he's not doing his thing,
• 58:51
  yeah. Like I feel like there are
• 58:54
  probably more creative ways he could have gone.
• 58:56
  He went straight to like, chase a splash.
• 58:58
  In her throat. Yeah.
• 58:59
  Yeah, he. He like.
• 59:02
  It's fine every. Bridge.
• 59:03
  See, that's the. I mean, it's.
• 59:05
  Fine, if that's what you want to do with your slasher villain,
• 59:09
  but like his whole yeah, he had a thing before.
• 59:11
  Like hear their screams. Yeah, he.
• 59:12
  Had a thing like keep running with that thing man.
• 59:15
  But that's not what they do. But then it seems like.
• 59:17
  Maybe he's just doing it like for people that are singers.
• 59:20
  I don't know. The whole thing is very
• 59:22
  confusing. They don't.
• 59:23
  Establish that. Yeah, they really.
• 59:25
  Don't. I don't.
• 59:26
  Know all right, I mean. They did on like the files, it
• 59:29
  said. Like Will Tenor somebody else,
• 59:33
  soprano somebody else also? I thought he was.
• 59:35
  Rating them based off of how they actually sing.
• 59:38
  So like what? Their vocal?
• 59:40
  Range. Yeah, she was.
• 59:40
  Hitting Soprano, he was hitting Tinder.
• 59:43
  Yeah, that's that's how I took it at least.
• 59:45
  OK, but. I could be wrong.
• 59:47
  Yeah, I. Mean even if you're not a good
• 59:48
  singer, you're still gonna have like, you're gonna have a range.
• 59:51
  Yeah. All right.
• 59:53
  Anyways, so. They, they're all still arguing
• 59:57
  inside and everybody's like trying to like.
• 1:00:00
  You know, calm this shit down. And then they hear like a slap
• 1:00:04
  on the bottom of the patio door and it's Shira and they freak
• 1:00:08
  out. They get her inside and they're
• 1:00:09
  like trying to apply pressure and they're trying to call the
• 1:00:11
  cops, but the satellites down and they don't know what did
• 1:00:14
  this. And at first they do that like
• 1:00:16
  maybe it's an animal. I can't believe they.
• 1:00:18
  Went to What fucking animal is going to slit a throat like that
• 1:00:21
  right other than. The sloth from Slaughterhouse
• 1:00:23
  Alpha. True.
• 1:00:25
  Yeah. But that she would do it, yeah.
• 1:00:27
  Where's you in first? Yeah, yeah, because she's.
• 1:00:30
  Cute. Sorry, Jen, I'm.
• 1:00:31
  Cute. So yeah, so there's like, trying
• 1:00:35
  to apply pressure. They can't make a call.
• 1:00:36
  They can't go outside to fix the satellite because they don't
• 1:00:39
  know what did this. And then Shira ends up dying.
• 1:00:43
  And this is. Very traumatic.
• 1:00:45
  They have her covered up in a blanket and on the couch, which
• 1:00:48
  like cool, respectful of the body, but also standing the
• 1:00:52
  couch, standing the couch and now where are they going to sit?
• 1:00:56
  They all sit on the floor where she.
• 1:00:59
  Died she's. Dead man, put it.
• 1:01:03
  Just leave her on the floor, you know?
• 1:01:04
  Yeah, like. It's fine.
• 1:01:05
  Yeah. She would want you guys to be on
• 1:01:07
  the couch and to not have Thomas mad that you stay in the the
• 1:01:10
  couch. All right, So they're all like,
• 1:01:13
  wondering what the fuck kind of animal could have done that.
• 1:01:16
  And then as they're kind of questioning that, they get this
• 1:01:19
  like, they hear the killer. Yeah, there's like.
• 1:01:22
  A sound of a walk talkie talkie and it's in Shira's pocket,
• 1:01:25
  which we didn't see him like shove anything in her pocket, no
• 1:01:29
  and. Also, she's a.
• 1:01:30
  Tiny lady that was a jumpsuit we would have seen like a bulge she
• 1:01:34
  did have. A jumpsuit?
• 1:01:35
  Yeah, she didn't have pants. And again, women just don't have
• 1:01:38
  pockets. So yeah.
• 1:01:40
  How did they fit? How did they fit that
• 1:01:42
  walkie-talkie? He might.
• 1:01:43
  Just put it down in here like jumpsuit like.
• 1:01:46
  She's. Dead.
• 1:01:46
  I feel really uncomfortable. Her jumpsuit.
• 1:01:51
  But. He's radioing through.
• 1:01:53
  It's like, is she dead yet? And they're like, what?
• 1:01:55
  Who is this? And he's like, you have
• 1:01:58
  something go by and they're like, what?
• 1:02:00
  And he goes a memory card. So we didn't have to play any
• 1:02:03
  guessing game. I like that.
• 1:02:05
  We cut straight to the chase. And they're like, what memory
• 1:02:08
  card? And Artemis is like, oh, I know
• 1:02:10
  exactly where it is. And they're like, where is it?
• 1:02:12
  And my computer? So they go and get it.
• 1:02:14
  Yeah. And then Theo, apparently.
• 1:02:16
  Is this like tech quiz? Who is?
• 1:02:18
  Well, he's got a text, right? Yeah, which means.
• 1:02:21
  He's able to hack something. Yeah, they they laid that out
• 1:02:24
  very clearly. So he gets in.
• 1:02:27
  Immediately and then they start listening to the files well and
• 1:02:30
  like. As he's trying to get in, Declan
• 1:02:32
  and Artemis go to look for weapons, and I like how Artemis
• 1:02:35
  is surprised about the fact that there are tools in her own
• 1:02:38
  garage, I. Maybe he put them there because
• 1:02:42
  he's been living at the house, I guess so maybe.
• 1:02:45
  Where did you find these and he? Goes in the garage.
• 1:02:47
  She's like show me. And he goes.
• 1:02:49
  I brought the whole box here, bitch.
• 1:02:52
  Yeah. All right, so now they're
• 1:02:54
  they're all in there around the computer and they're listening
• 1:02:57
  to the files and they're just like songs composed of screams
• 1:03:00
  and shit. They're like this shit is.
• 1:03:01
  Not fire, no. No, not, not.
• 1:03:04
  Too great, dude. So Caleb tells them to look out
• 1:03:07
  the window and then he's like, hi.
• 1:03:09
  Just waving from the trees. Out here like a nice.
• 1:03:12
  Dramatic entrance. I need to have a side note for a
• 1:03:16
  second because the other day we let Talia in from going outside
• 1:03:19
  and she, like, ran in and we're like, hi, Talia.
• 1:03:21
  But like, it wasn't a big fanfare.
• 1:03:23
  Yeah, yeah. So she runs down the hall.
• 1:03:26
  We hear her like, and we hear her stop and we kind of hear a
• 1:03:30
  little shuffle as she turns around and then she runs back
• 1:03:33
  out and we're like. Yeah, that's.
• 1:03:35
  All she wanted, she just wanted like a big grand entrance.
• 1:03:37
  She wants fanfare. Yeah.
• 1:03:38
  And that's that's. What cable's doing, it's like,
• 1:03:41
  please applause, like I am, I am here.
• 1:03:43
  I mean, Caleb, do you think he could have?
• 1:03:45
  Like they could have. Gotten themselves out of this
• 1:03:47
  and they're like wow, this is awesome He's like do you really
• 1:03:49
  think so? Yeah, I think I'm.
• 1:03:51
  Like dude, you should put yourself on band camp.
• 1:03:53
  People who totally download it. I'm a producer.
• 1:03:56
  I can get you in the fucking studio with this shit.
• 1:03:59
  We're. Rich, do you wanna?
• 1:04:00
  Sign to my label. Yeah, yeah.
• 1:04:03
  Shit, yeah, they don't play the. Cards right there.
• 1:04:07
  Yeah, he's like. Upstairs there's a jewelry box
• 1:04:10
  with a ring. Take the ring out, put the
• 1:04:12
  memory card in and throw it out. And she's like, how do you know
• 1:04:15
  what's in here? And this is my house.
• 1:04:17
  And he goes, EU just occupy the space.
• 1:04:20
  OK, OK. Yep.
• 1:04:22
  So they're trying to come up with like a plan.
• 1:04:27
  She. Mentioned Artemis mentions that
• 1:04:28
  there's a flare in the tree house and that there was a cop
• 1:04:31
  station that they passed on their way in that's like 2 miles
• 1:04:34
  away or something. 5 miles. 5 miles and she's like, I'm not
• 1:04:37
  suggesting we run for it again. This movie is like trying to
• 1:04:39
  recognize the tropes and like get on again.
• 1:04:41
  He's like, I'm not recognizing that we run for it, but there's
• 1:04:45
  a flare gun in the tree house. They'll be able to see it.
• 1:04:47
  Why is there a flare gun in your children's tree house?
• 1:04:50
  That is a great. Question maybe it's for the dad
• 1:04:53
  like if you are in trouble flare me I'm.
• 1:04:56
  Sorry, but think about any of our nieces or nephews.
• 1:04:59
  Would you no tell them OK, exactly never.
• 1:05:03
  Exactly. You guys are not.
• 1:05:05
  Having anything? No, I can see.
• 1:05:08
  Any one of them being like, I'm just gonna test it out.
• 1:05:12
  Yeah, no. Good point.
• 1:05:16
  All right, so. So the plane.
• 1:05:17
  Is twofold. They're going to try and make a
• 1:05:19
  distraction so that way Theo can go up on the roof and fix the
• 1:05:23
  satellite and Artemis can run for the tree house for the flare
• 1:05:26
  gun. I have a question.
• 1:05:28
  Though, so they're planning this to do that, and the way that
• 1:05:32
  they go about doing that is by playing Night of the Living
• 1:05:36
  Dead, which, how are they playing?
• 1:05:37
  It because we've established that when they don't have a
• 1:05:39
  signal, they can't watch Night of the Living Dead you that is
• 1:05:41
  my. Question.
• 1:05:42
  Yes, how did that even happen? I don't know if it's.
• 1:05:45
  One of those things because it is from like an earlier part
• 1:05:47
  that it art they'd already watched.
• 1:05:49
  I wonder if it was like already buffered?
• 1:05:51
  Yeah, could be. That's my.
• 1:05:53
  Only guess but also I feel like Alex is the type of bitch that
• 1:05:58
  like closes out her windows you know what I mean?
• 1:06:01
  Her chakras are aligned. They can't be aligned if you've
• 1:06:04
  got like 78 open windows on your phone.
• 1:06:06
  That's a good point. She's also chaotic and coked up,
• 1:06:09
  yeah. Like, and she might be one of
• 1:06:11
  those, you know, the, the episode of American Dad, that
• 1:06:14
  Charlie Day guest voice on where he's like the meth addict, but
• 1:06:18
  he's also like, he needs all of his receipts for like his
• 1:06:20
  Sudafed and stuff. Yeah.
• 1:06:22
  I feel like that's. Alex.
• 1:06:25
  He might be onto something here. Either way, that's their plan.
• 1:06:28
  So they toss out the phone? Yeah.
• 1:06:31
  Theo kisses Declan right before he goes out because Declan is
• 1:06:34
  supposed to be holding the rope for him.
• 1:06:35
  This fault line came from out of nowhere and Declan, like I
• 1:06:37
  always knew you would have to do that.
• 1:06:40
  No, it was weird because like he just kisses him because like,
• 1:06:44
  Theo's gay and like they've established this.
• 1:06:46
  They were talking about like past sexual experiences it
• 1:06:48
  sounds like. He was married and.
• 1:06:50
  Declan is straight from all that we know from his character up to
• 1:06:54
  this point, and he's. Just been flirting hardcore with
• 1:06:57
  Artemis. It's just.
• 1:06:58
  It's weird that Theo would do this.
• 1:07:01
  Yeah, the whole thing. Feels very like like.
• 1:07:04
  It's just. Like I that right there is just
• 1:07:07
  really putting your friendship in jeopardy and it really feels
• 1:07:09
  like they're trying to. Give Theo this like, dramatic
• 1:07:11
  moment before he dies because he's like trying to acknowledge
• 1:07:14
  that he's worried he's going to die.
• 1:07:15
  It doesn't work. It would it would work if Declan
• 1:07:18
  was like by or closeted or some shit like that.
• 1:07:21
  But like hadn't mentioned. Theo being married.
• 1:07:24
  Yeah. And like, we'd seen any kind of,
• 1:07:26
  like, romantic spark between them.
• 1:07:28
  No, there were just phrases. Before there was.
• 1:07:30
  No chemistry beyond like there was no non platonic chemistry
• 1:07:34
  between them. Honestly, it's kind of fucking.
• 1:07:35
  Like weird to do that, to just like randomly kiss somebody like
• 1:07:39
  that. Yeah, You know what I mean.
• 1:07:40
  It like it would be. Weird if it was like a same sex
• 1:07:42
  couple too. Like if it was like the same.
• 1:07:44
  Kind of dynamic or I. Say same sex different.
• 1:07:47
  Like no, Yeah. Any type.
• 1:07:49
  Any type? Yeah, like if.
• 1:07:50
  You if it was like if you were. Like a friendship, you know what
• 1:07:53
  I mean? Like yeah, somebody like.
• 1:07:54
  Reaches over and kisses you like that, and you're like that.
• 1:07:58
  Like, not the vibe, man, that I've been putting down.
• 1:08:00
  We've just been friends, yeah, but I.
• 1:08:02
  Might die and I'm really sorry because this is really awkward
• 1:08:05
  because you feel like I've friend zoned you and now I kind
• 1:08:08
  of feel like you fuck zoned me. I don't know what to I don't
• 1:08:10
  know where to go from here and like maybe it's almost kind of a
• 1:08:13
  relief when Theo dies. He's like, I don't have to.
• 1:08:16
  Address that one. Yeah, like, yeah, like.
• 1:08:18
  Afterwards declan's like, I didn't want to say this, yeah.
• 1:08:23
  That was Theo kissed me. And I was very uncomfortable
• 1:08:26
  with it. And I'm glad that we just don't
• 1:08:27
  have to. Yeah.
• 1:08:28
  We're just not going to cross that bridge.
• 1:08:31
  Yeah. Which is a shame because I.
• 1:08:32
  Generally have liked Theo as a character because he's been the
• 1:08:34
  very level headed smart one for the most part and then for this
• 1:08:38
  like random turn right before he dies just sucks.
• 1:08:41
  It was just. A weird riding choice honestly.
• 1:08:43
  It really feels like. They were trying to like, have
• 1:08:45
  this impactful moment before he died and it just like it's a
• 1:08:47
  swing and a miss because they just shoehorned it in.
• 1:08:50
  Yeah, there was no. Chemistry.
• 1:08:51
  If there were, if there were little seeds dropped along the
• 1:08:55
  way, I'd be totally fine with it.
• 1:08:56
  But there was nothing. Yeah, there was nothing.
• 1:08:58
  A single thing. Nothing that land.
• 1:08:59
  Was barren, yeah. All right, so they tie like a
• 1:09:03
  rope around each other. So, like, he has a rope tied
• 1:09:06
  around him, and if the rope gets tugged, that means Declan knows
• 1:09:11
  that Theo's in trouble. Yeah, it feels very.
• 1:09:13
  Much like this is the end where Kurt's like, how are you gonna
• 1:09:15
  know to pull me? Because I'll scream.
• 1:09:16
  OK, let's practice. I know I.
• 1:09:21
  This is off topic, but the thing from that is whenever Craig is
• 1:09:25
  like all right, so if I'm in trouble, like I'm gonna pull and
• 1:09:28
  you guys pull me back and 10 was like okay, we'll try man like.
• 1:09:31
  What the fuck do you mean like? Oh no, you're a big dude.
• 1:09:34
  Like we can't guarantee we can pull you.
• 1:09:38
  Oh man. OK, so yeah, he goes up there
• 1:09:41
  and he fixes the satellite when he gets serviced and Alex is
• 1:09:44
  making. A call and then all of a sudden
• 1:09:46
  the call was interrupted and we cut to the Declan trying to pull
• 1:09:49
  the rope back but it comes back empty and he like runs
• 1:09:52
  downstairs and I'm like, well, we kind of made a call but it
• 1:09:54
  got dropped and he goes no, Theo's kind guys and they're
• 1:09:57
  like Oh no. And Artemis is like trying to
• 1:09:59
  run out and everybody's like, no, don't do that.
• 1:10:00
  And she goes, we can't leave him out there alone.
• 1:10:02
  And when they open the door, Theo's hanging there upside down
• 1:10:05
  and there's like a full microphone on a mic stand.
• 1:10:08
  When did Caleb pull this out? Because I can tell you this, if
• 1:10:13
  I was trying to hypothetically, I'm not planning this at all,
• 1:10:18
  like go on a murder spree. Like if I was going to have a
• 1:10:20
  mic for somebody, this wouldn't, it wouldn't be a quick setup,
• 1:10:23
  you know what I mean? I wouldn't be able to go from
• 1:10:25
  like out in the yard behind a tree with nothing in my hands to
• 1:10:29
  up on this deck that's multiple stories in the air with this
• 1:10:33
  person hanging from a rope and just have like a microphone in
• 1:10:36
  front of them. Also, what is the microphone
• 1:10:37
  plugged into? His phone maybe, I don't know.
• 1:10:42
  We've got like. Bluetooth mics questions.
• 1:10:44
  Yeah, but the Bluetooth mics aren't this.
• 1:10:47
  Our Bluetooth mics are like, you know, they get lost in my bra,
• 1:10:50
  you know what I mean? Like that's because we bought
• 1:10:52
  that. Type, Yeah.
• 1:10:54
  True, but still all right. In the weeds again, yes, But
• 1:10:58
  yeah, yeah, he, he. These are important.
• 1:11:01
  Weeds, though, they're relevant weeds, they are, yeah.
• 1:11:04
  Anyways, he dies. Yeah, he gets gutted.
• 1:11:07
  Yeah, and I guess the reason. He has that.
• 1:11:09
  There is so he can record his scream.
• 1:11:10
  So yeah. He doesn't really scream that
• 1:11:12
  much. Also, again, we just have two
• 1:11:15
  makeup people and they do a decent job with these intestines
• 1:11:18
  filling out. Yeah, no the.
• 1:11:20
  Effects are pretty solid, yeah. I'm really impressed with
• 1:11:23
  Alexandra and Ashley. Yeah, good job, all right.
• 1:11:26
  So yeah, Theo's dead, and Declan now is giving Artemis a pep
• 1:11:31
  talk. Yeah, because Artemis.
• 1:11:32
  Is like just completely shut down.
• 1:11:34
  She takes, she takes Emily's ashes and goes upstairs and is
• 1:11:37
  crying and panicking and she's like, my whole life doesn't
• 1:11:40
  matter. My dad's about to lose both of
• 1:11:42
  his daughters. And he's like, OK, listen, we're
• 1:11:44
  going to get through this together.
• 1:11:45
  Yeah. So.
• 1:11:46
  They go downstairs and then they catch Alex doing more cocaine.
• 1:11:49
  Yeah, She's like, no. Ice crashing guys trust me you
• 1:11:51
  you want me to do this so. The killer radio is back in.
• 1:11:56
  Or Caleb, I guess, and he's got a 2 minute warning.
• 1:11:59
  He's like, all right, you guys got 2 minutes.
• 1:12:01
  Yeah. And this is when they realize
• 1:12:03
  that the walkie-talkie is bugged because.
• 1:12:06
  Artemis, like, is arguing with him and then she goes guys.
• 1:12:11
  Guys, I never hit. The talk button.
• 1:12:13
  Oh. Yeah.
• 1:12:15
  And then we cut. To Caleb's POV, and he's hearing
• 1:12:17
  them say, OK, so we're just going to throw it out there to
• 1:12:21
  him now. And, like, this is very obvious,
• 1:12:22
  like, they're planning to, like, fake him out.
• 1:12:24
  Yeah. I love how they get him twice
• 1:12:26
  with this stuff yes, so funny because like I love the shots
• 1:12:29
  where they throw it out there and then he always goes over
• 1:12:32
  there and he just throws like a little teacher like God, guys,
• 1:12:35
  it's like. My dog growing up, like, oh, she
• 1:12:38
  was the bestest German shepherd. She's very sweet, very smart.
• 1:12:42
  She loved the snow and we would occasionally throw snowballs to
• 1:12:47
  her and then it would land in a snowdrift and she would run to
• 1:12:50
  try and fetch them and because it was snow, it just dispersed
• 1:12:54
  within itself and she could never find it and she was always
• 1:12:57
  confounded. Poor Poppy.
• 1:12:58
  Poor Poppy. All right, somewhere in doggy
• 1:13:02
  heaven she's hearing that going son of a bitch.
• 1:13:05
  She already knew. She she knew.
• 1:13:08
  That's. What they're doing to Caleb,
• 1:13:09
  that guy took her to his. Side like by the way, like I
• 1:13:12
  just. Need you to know.
• 1:13:13
  Don't worry man, we. Got clouds all right, so.
• 1:13:17
  Anyways, Caleb's pissed off about it and he is.
• 1:13:21
  He's not going to go get them. Yeah, yeah.
• 1:13:23
  And at this time, like Artemis has made a run for it.
• 1:13:26
  And Alex is like looks to Douglas.
• 1:13:28
  She's like, OK, cool, so now what's our plan?
• 1:13:30
  And he's like, OK, they're. They've used the radios for
• 1:13:33
  feedback. Yes, they, yeah, they put the
• 1:13:35
  radios together. So that way we go, Yeah.
• 1:13:38
  And. It's really fucking up Caleb's
• 1:13:40
  ears cuz he's. Got like a like a, an earpiece
• 1:13:43
  and that's how he's talking to them.
• 1:13:45
  So yeah. Artemis has run off now and
• 1:13:48
  then. Yeah, Alex is like, all right,
• 1:13:50
  so now that we agreed to the plan of her running away, this
• 1:13:53
  is our time to go and leave her. And Declan's like you're.
• 1:13:56
  Sociopath. Yeah, he's like what the?
• 1:13:58
  Fuck are you talking about? She's like, that's why we both
• 1:13:59
  agreed to do this, right? She's like, no.
• 1:14:02
  Absolutely not. Yeah, so they're kind of having
• 1:14:07
  their moment. And meanwhile, Artemis has
• 1:14:08
  gotten lost outside. Yeah, because it's dork.
• 1:14:12
  Yeah, she trips. And then as she is getting up,
• 1:14:15
  she sees the RV and she goes inside and in there she finds
• 1:14:19
  all these files on Caleb and she doesn't know who this guy is,
• 1:14:22
  but she now has information on them which who just has.
• 1:14:25
  Their like registration just sitting on their dashboard like
• 1:14:28
  that. At the very least it's in your
• 1:14:30
  glove compartment. Serial killer shit.
• 1:14:33
  I guess. I guess.
• 1:14:34
  But. Also here's the other thing is
• 1:14:36
  that all of the other files have like coffee spilled all over
• 1:14:39
  them. But these DMV notes are very
• 1:14:41
  clear. I wonder if maybe just some PA
• 1:14:45
  was like setting up and accidentally knocked over a cup
• 1:14:48
  of coffee and they're like whatever, he's a serial color.
• 1:14:51
  Sloppy he would be. Yeah, this guy's, Yeah, except
• 1:14:54
  his DMV. Registration is pristine well.
• 1:14:59
  That's the thing he cares about anyways.
• 1:15:01
  So she's like, she sees him coming in.
• 1:15:04
  She's he's approaching the RV by the way, she.
• 1:15:06
  Sees the registration, but she also finds files on her whole
• 1:15:09
  family. Yeah, true.
• 1:15:10
  Yeah. And a few other people,
• 1:15:11
  apparently. All right, so she hides and he
• 1:15:15
  is in there and he just, like, puts on his mask again or
• 1:15:19
  whatever. I don't know.
• 1:15:19
  He just needs to catch his breath.
• 1:15:20
  Yeah, he needed. To he needed to become a gyroid
• 1:15:23
  and get spooky again. Yeah, I guess.
• 1:15:25
  Yeah. Sometimes you just need a
• 1:15:27
  minute. You go to your grounding space,
• 1:15:30
  you take your deep meditative breaths, and then you go, Yeah.
• 1:15:34
  And like, we just like cut to them both back outside.
• 1:15:36
  I don't even know what the fuck happens here.
• 1:15:38
  Well. He ran out and then she saw that
• 1:15:39
  he ran out and she ran out also, and that's what happened.
• 1:15:42
  Yeah. OK, nothing deeper.
• 1:15:43
  Yeah. Well then, she.
• 1:15:44
  Gets stuck in a bear trap. Yep, and it causes her to scream
• 1:15:47
  and then they notifies him. Appreciate.
• 1:15:50
  Her efforts to not scream like the sound of the bear trap gave
• 1:15:54
  her away in the 1st place and she was going.
• 1:15:57
  She just like she caves in pretty much immediately.
• 1:16:00
  She did. Do her best to try and hold it
• 1:16:02
  in though. Yeah, I think.
• 1:16:04
  All right, so. He finds her and then he just
• 1:16:07
  releases. Her.
• 1:16:08
  Yeah. And she takes the opportunity to
• 1:16:11
  kick him in the balls, which is what you do.
• 1:16:13
  Yeah. Smart.
• 1:16:14
  And then she runs for the tree house and he and she can't find
• 1:16:16
  the flare gun and he pops up. Yeah.
• 1:16:19
  So we got back to the cabin and then the dad arrives.
• 1:16:24
  Yeah. And Thomas doesn't believe
• 1:16:27
  Declan when he was like, no, listen, there's somebody trying
• 1:16:29
  to kill us. And he goes, oh, Alex is here.
• 1:16:31
  What kind of drugs are you guys on?
• 1:16:33
  Because the whole thing was because Alex gave this really
• 1:16:36
  awkward I'll timed apology to Artemis saying like, we were
• 1:16:40
  just so excited that your parents were out of town.
• 1:16:43
  I didn't realize that her audition was the next day.
• 1:16:46
  And Artemis is like, it's fine. Emily killed it the way she
• 1:16:48
  normally does. Like 'cause their whole thing
• 1:16:49
  was that like Alex almost ruined her future, but she didn't.
• 1:16:52
  So exposition. The more you know.
• 1:16:58
  All right, And then we get a cop.
• 1:16:59
  Knock on the door and we all know it's Caleb because we got a
• 1:17:02
  glimpse of his face when he was changing his mask in the RV.
• 1:17:05
  Yeah, also he. Just he's, he's sloppy looking.
• 1:17:08
  He is? Yeah.
• 1:17:08
  Little. Cops can be, especially in I
• 1:17:10
  mean. Rural.
• 1:17:12
  It is true. But he's sloppy looking and he's
• 1:17:15
  got like the tiniest tin foil star like on his chest, so he's.
• 1:17:20
  Like, all right, tell me what's going on here.
• 1:17:22
  And then they show the body of Shira.
• 1:17:25
  Well, at first. Thomas is like, I want these two
• 1:17:27
  arrested. And then he sees the body that's
• 1:17:29
  on his couch that he somehow hasn't noticed before, and then
• 1:17:31
  he goes, Oh my God, Shira said. Declan, you were right.
• 1:17:34
  I'm so sorry, officer, there's a killer here.
• 1:17:36
  And he goes, no, I'm going to need some evidence.
• 1:17:39
  I'm calling for backup. You guys can't leave because
• 1:17:41
  this is a crime scene. Because I'm not a murderer,
• 1:17:45
  Thomas. Nobody said you were.
• 1:17:47
  That's really fucking suspicious, bro.
• 1:17:49
  It's also funny. Because Dec was like, yeah, and
• 1:17:51
  we found this memory card with really shitty music.
• 1:17:53
  And then he's like, what did you see about that music, son?
• 1:17:56
  Yeah. And then?
• 1:17:57
  Basically because of that, Declan and Alex.
• 1:17:59
  Really. Oh, this is the guy.
• 1:18:01
  Yeah, I think he's really sensitive about it.
• 1:18:03
  So Declan sneaks. Over and grabs a little fire
• 1:18:05
  poker and then attacks him with it and like.
• 1:18:08
  Thomas is like, son, what are you doing?
• 1:18:10
  Yeah. He's so confused in this
• 1:18:12
  situation so he attacks. Alex runs out the door.
• 1:18:17
  Shitty till the end, basically. Yep, she's a terrible person.
• 1:18:21
  Yeah. Caleb stabs Thomas and then
• 1:18:24
  Declan shoots Caleb with the nail gun and then Caleb stabs
• 1:18:28
  Declan in the eyeball brain. It's a good kill.
• 1:18:31
  And then kicks Thomas in the head.
• 1:18:32
  Yeah. So Artemis wakes up, and she is
• 1:18:35
  tied to a chair across from Thomas, much like the opening
• 1:18:37
  shot with Harper. And.
• 1:18:38
  Well, and Caleb says that he grew up on this land before the
• 1:18:42
  development company came in, and they bought their land there and
• 1:18:45
  everything. He has stalked the family.
• 1:18:47
  He's like, I feel like I'm part of the family.
• 1:18:49
  And let me, Thomas, introduce you to your second daughter, the
• 1:18:54
  forgotten daughter. And Thomas goes Oh my God, I
• 1:18:57
  forgot all about. You, Artemis.
• 1:19:00
  Why did I give you such a name? Yeah.
• 1:19:03
  So he does this like. Typical bad guy speech, like why
• 1:19:06
  do I do this? And then it's really just like,
• 1:19:09
  I just like watching people die and I he.
• 1:19:12
  Does the thing where he makes Artemis sing and hit the no sais
• 1:19:14
  plane on the keyboard and look for her to be built up to be
• 1:19:18
  this amazing singer singer with all of this potential.
• 1:19:20
  The actor cannot fucking hit a note to save her goddamn life
• 1:19:25
  here. Because we have.
• 1:19:26
  Watched Cassandra Scarabo in several things and I was like,
• 1:19:29
  she has never once struck me in somebody who could sing.
• 1:19:31
  She's a fine actor, but. She cannot sing and I was very.
• 1:19:35
  Interested to see how this was gonna go because they've avoided
• 1:19:38
  having her actually sing at any point.
• 1:19:40
  Yeah, and it's not good, guys. This almost feels.
• 1:19:43
  Like parody movie type territory right here where they build up
• 1:19:47
  this character. You're a great singer.
• 1:19:49
  Now it's your chance like oh, OK, this is what she But they
• 1:19:55
  are like, Oh my God, pitch perfect.
• 1:19:57
  You're doing a great. Job I see and by hi see I mean
• 1:20:01
  they don't mean the. Dream.
• 1:20:04
  Yeah. Whenever he said that, I was
• 1:20:06
  like, oh man, I'd take a hit of hi.
• 1:20:08
  See right now. Oh man.
• 1:20:11
  That she was. Good hi see from.
• 1:20:13
  McDonald's, Yeah, my sister used.
• 1:20:15
  To get That was her favorite. Yeah.
• 1:20:17
  All right, So that's something about the McDonald's.
• 1:20:19
  Side of machines just hit different.
• 1:20:21
  Yes, there's whole. System, yeah.
• 1:20:24
  OK, so yeah, she, he is like recording all of this.
• 1:20:29
  And then he's like, oh, memory card's full.
• 1:20:31
  And when they he goes out and Thomas is like, you have to
• 1:20:33
  scream. And she's like, what?
• 1:20:35
  And he goes just do it, just scream.
• 1:20:37
  So how did he figure? This out like if she screams he
• 1:20:40
  like gets cut or something well because it already.
• 1:20:42
  Happened once because the first time when he was like he just
• 1:20:44
  hits the button and expects her to know and she's like what the
• 1:20:47
  fuck what are you doing? Just wrong answer.
• 1:20:50
  So Thomas figured it out and so when he comes back in puts the
• 1:20:53
  memory card in, they start anew and she screams and he goes no.
• 1:20:58
  So he goes to slice Thomas, and Thomas head butts him, which
• 1:21:03
  seems like it's really smart. But neither of them has really
• 1:21:06
  gotten loose. And all we're seeing is like,
• 1:21:09
  like, shake the chair a lot. And then we see Caleb smash
• 1:21:14
  Thomas's face in a ton. Yeah, it was a pretty.
• 1:21:16
  Brutal beating, yeah. I wish we would have seen in the
• 1:21:18
  aftermath of that, yeah. So she gets.
• 1:21:21
  Free. Yeah, she does get.
• 1:21:22
  Free. She runs out, but Caleb catches
• 1:21:25
  up to her, knocks her down and stabs her right in the thorax.
• 1:21:30
  Yeah, and then leaves her. I guess because he thinks that
• 1:21:33
  she's subbed and he's back in the RV and she did shoot.
• 1:21:36
  A flare? Yeah, she did.
• 1:21:38
  Yeah. Cuz.
• 1:21:39
  She found it as she was running. She found Alex's dead body in
• 1:21:44
  the flare gun. Yeah, she got.
• 1:21:45
  Caught by, like, I guess, like, spikes out there.
• 1:21:47
  Yeah. Yeah.
• 1:21:49
  All right. So we're back in the RV and
• 1:21:51
  he's, like, editing the fucking music.
• 1:21:52
  And then the cops roll by and he's nervous.
• 1:21:55
  And then Alex, they just drive right past.
• 1:21:56
  And he's like OK, cool. And then Artemis pops out of the
• 1:22:01
  RV bedroom with a shotgun. Where the fuck?
• 1:22:03
  She get that? Shotguns.
• 1:22:06
  Don't seem like Caleb style I. Just this ending fucking sucks
• 1:22:12
  and she goes you. Hit a high sea bitch and then
• 1:22:15
  choose them and then it cuts to credits with like aggressive
• 1:22:18
  rock music which doesn't fit the.
• 1:22:24
  That's John Crane Ray's new. Metal band.
• 1:22:28
  Yeah. This inning sucks.
• 1:22:31
  OK? I'm just going to be real with
• 1:22:33
  you here. Like it.
• 1:22:33
  Just like I felt like they didn't know what to do.
• 1:22:37
  Yeah. Yeah.
• 1:22:38
  But here's the thing. This feels like all of the
• 1:22:40
  cheesy, stupid, nonsensical Christmas movies we love, but in
• 1:22:44
  a horror movie form, and I love it for that.
• 1:22:47
  I don't need every horror movie to be amazing and to be able to
• 1:22:50
  write a thesis on it. I just sometimes want to enjoy
• 1:22:53
  the stupid and I enjoy it, so I'm keeping it at a 6 1/2.
• 1:22:58
  All right, I. Feel it.
• 1:23:00
  I'm feeling it, Mr. Krabs. I'm keeping mine at a.
• 1:23:02
  Three, And normally I agree with you on that stuff, but I feel
• 1:23:06
  like for it to work, it still has to have that charm.
• 1:23:09
  And this movie does not have that charm.
• 1:23:12
  It just pisses me off because I know what it could have been.
• 1:23:14
  You know what I mean? Yeah And then also that ending
• 1:23:17
  fucking sucks. Yeah, that.
• 1:23:19
  Ending is kind of a let down. It's just, it's so.
• 1:23:22
  Bad man, Oh my God, but now her and her.
• 1:23:25
  Mom can like move on from their toxic family dynamic maybe, I
• 1:23:30
  don't know. How do you come?
• 1:23:33
  Back from watching your husband. What like eat brownie makes out
• 1:23:37
  of a fucking nerd? Eat your brownie.
• 1:23:39
  Baby. Yeah, well.
• 1:23:41
  Whatever. All right, so and that's that.
• 1:23:45
  Do you have? Oh wait, Who'd you relate to?
• 1:23:50
  I guess I probably relate to like Artemis or Shira, like the
• 1:23:53
  whole fear of like rejection from like a thing I'm really
• 1:23:58
  into. OK.
• 1:24:00
  I would relate to Shira for like, being interested in the
• 1:24:03
  comic thing. It's like an illustrative thing.
• 1:24:06
  Yeah, I like that career path that she was interested in.
• 1:24:09
  I'd be into that same type of thing.
• 1:24:12
  What was Scout's favorite part, you say?
• 1:24:16
  Travis, no, you don't get to do this.
• 1:24:17
  You have to go first. I I see what you're doing here
• 1:24:22
  and I'm not allowing it, I think Scout.
• 1:24:25
  'S favorite part is when they hit the really they do the
• 1:24:29
  karaoke because Scout loves it whenever you sing and she comes
• 1:24:32
  over and like, hangs out with you whenever that happens, no.
• 1:24:37
  Obviously Scouts favorite part is when they hack into the
• 1:24:41
  computer and they make the music play because Scout knows how to
• 1:24:44
  do that on our laptops. Even when my computer, my laptop
• 1:24:48
  died senior year of college and the screen wouldn't turn on,
• 1:24:51
  nothing would happen. Scout figured out how to step on
• 1:24:53
  the right combination of keys to get music to play.
• 1:24:55
  This is true. I was there.
• 1:24:56
  That's true story, yeah. That's an interesting.
• 1:24:59
  Thing. Yeah, OK, I can accept that.
• 1:25:02
  OK. All right.
• 1:25:05
  Dream Sequel. Dream Sequel.
• 1:25:08
  Well, Caleb's dead. He got the high C.
• 1:25:13
  So I don't. He's not coming back.
• 1:25:19
  Maybe the dad? Survived.
• 1:25:24
  Do we think he was hit in the head like a lot?
• 1:25:28
  I like we don't see exactly so like what if he got his vocal
• 1:25:33
  cords fucked and he Can't Sing anymore?
• 1:25:35
  That's true. Because we also saw he was
• 1:25:38
  really bad at slashing throats. Like, Artemis should have been
• 1:25:40
  dead right away. And she not Artemis.
• 1:25:43
  Yeah, Yeah. But like.
• 1:25:45
  Yeah, and he like, what if he just got the vocal cord and he
• 1:25:47
  Can't Sing and like singing? What's his passion?
• 1:25:50
  He was driving with his daughter, the.
• 1:25:52
  The brain damage like took away his hearing or something so now
• 1:25:55
  he can't hear music. Oh.
• 1:25:57
  That would drive him crazy. Yeah, you're right.
• 1:26:00
  Like maybe he goes. Crazy.
• 1:26:01
  And he becomes a killer. Yeah, he.
• 1:26:03
  Like picks up the mask, Yeah. And he's like, all right, I'll
• 1:26:06
  be. Thomas.
• 1:26:07
  OK. Is that Thomas?
• 1:26:08
  Caleb. I'll be Caleb.
• 1:26:09
  Yeah, Thomas is. The dad, Caleb's the killer.
• 1:26:12
  He says that. So I'll be Thomas.
• 1:26:14
  I'll be Thomas. So Thomas does to.
• 1:26:17
  Himself, everybody. When he wakes up anyway, I'll be
• 1:26:20
  Thomas. I can't wait to show you this
• 1:26:24
  place, babe. I can't wait to be.
• 1:26:26
  Thomas, Babe? Where's Thomas Babe?
• 1:26:31
  That would actually be another great tackle.
• 1:26:33
  I can't wait to show you this movie, babe.
• 1:26:38
  Can't wait to. Watch this movie, babe.
• 1:26:39
  Do you wanna listen to my? Demo tape, babe.
• 1:26:44
  Man, OK. Do you have the review then?
• 1:26:48
  Because I mean, we've done our other shit.
• 1:26:49
  So you didn't pull a review, did you?
• 1:26:51
  No, I forgot. Hold on, pause.
• 1:26:54
  OK. So as is tradition with our to
• 1:26:57
  be or not to be, we've got a high rating and a low rating.
• 1:27:00
  I'm going to start with the low rating so I can discuss my
• 1:27:03
  thoughts on it and then I will read the high rating so you can
• 1:27:05
  discuss yours, OK. So the.
• 1:27:08
  Low rating is a three-point O out of 10.
• 1:27:11
  I'm not going to read the whole thing because some of it's just
• 1:27:12
  like recap, but the last couple of paragraphs are important.
• 1:27:16
  This is one of those almost good movies.
• 1:27:18
  There was a unique concept for the slasher flick and a good
• 1:27:21
  setup of characters and circumstances.
• 1:27:23
  The opening scene was good even if the kill could have been
• 1:27:25
  executed better. The acting was solid and the
• 1:27:27
  circumstances felt realistic. There's a good throat slash in
• 1:27:30
  this, but not enough good kill scenes to make this worthwhile.
• 1:27:34
  The killer reveal at the end was disappointing too.
• 1:27:36
  Overall, this is below average addition to the horror genre
• 1:27:39
  that had a solid concept and poor execution.
• 1:27:42
  I would score this a 3.5 out of 10 and recommend skipping it.
• 1:27:45
  Damn. Did I write that?
• 1:27:49
  Like they're .5 higher than me? But they hit all that shit
• 1:27:53
  perfect, I think for. Me, I agree.
• 1:27:57
  It's a unique concept. I kind of disagree on the acting
• 1:28:01
  because I feel like it's a little bit more mixed.
• 1:28:02
  The acting was OK. Yeah, the acting was fine.
• 1:28:04
  There, I don't think Thomas's actor did that good a job.
• 1:28:08
  Oh yeah, Thomas. Sucked yeah he didn't do great
• 1:28:10
  but everything every like the group of friends were OK like.
• 1:28:14
  I I'm not expecting like. A tear acting here, you know
• 1:28:18
  what I mean? I knew what I was getting into
• 1:28:20
  and I love that type of shit. However, I.
• 1:28:24
  Did say at the beginning that I do feel like the ending was
• 1:28:26
  undis served and the reveal of the killer wasn't like.
• 1:28:31
  Yeah, there was nothing. Like amazing about it.
• 1:28:34
  See, here's the. Thing like, why did he feel
• 1:28:36
  compelled to keep the mask off at the end?
• 1:28:39
  You know what I mean? Yeah, that's one of my biggest
• 1:28:41
  pet peeves with flash. Yeah, like, you like, OK, we
• 1:28:44
  know you now. So you feel like you like are
• 1:28:47
  personal and you're taking your mask off.
• 1:28:49
  No, dude, like the whole thing is like an intimidation thing.
• 1:28:51
  Like, you know, someday we're gonna cover.
• 1:28:53
  Hush. So that way everybody can hear
• 1:28:54
  Travis's feelings on that, I don't know, screen.
• 1:28:57
  Factors in a 4K for that I know. But yeah.
• 1:29:03
  So like, I can see why this would be disappointing for some
• 1:29:06
  people because it's it's a lot of build up to not a lot of
• 1:29:10
  resolution. It just doesn't.
• 1:29:12
  Live up to its concepts, OK, and that's.
• 1:29:15
  Fair. That's the.
• 1:29:15
  Frustrating thing about it, like it's potential.
• 1:29:19
  OK. All right.
• 1:29:20
  What's the good one? OK, this is a 7.
• 1:29:22
  Out of 10. OK, once again it's the wannabe
• 1:29:25
  movie reviewers comparing B movies to A movies.
• 1:29:28
  Well screen was a solid comedy, this one was not.
• 1:29:31
  This kept me glued to the screen, wondering who was who
• 1:29:34
  was next. Oh, I guess who was going to be
• 1:29:36
  killed next. Yeah, the killer was demented
• 1:29:38
  SOB as usual. There were several times where
• 1:29:41
  he could have been stopped in the real world, but I guess I
• 1:29:43
  wouldn't make for good cinema. Hopefully you never read any of
• 1:29:46
  my other views because here's where the part where they all
• 1:29:48
  sound the same. Forget about the naysayers and
• 1:29:51
  give it a watch and decide for yourself.
• 1:29:52
  Remember, it's AB flick. The action is good, some
• 1:29:56
  believable, some not. Yeah.
• 1:29:58
  Here's the thing buddy, I am approaching this from a love and
• 1:30:04
  from a place of knowing it's AB flick and I don't compare B
• 1:30:08
  movies say it's Oh my God, Zoe, Jesus Christ, Zoe has.
• 1:30:13
  Opinions. Yeah, OK.
• 1:30:16
  I'm not approaching it from that.
• 1:30:18
  I'm judging it based on it being that right there.
• 1:30:22
  You don't have to go and be a fucking masterpiece of a movie
• 1:30:26
  for me to appreciate it and enjoy it.
• 1:30:29
  Like you need to just be a good movie.
• 1:30:32
  You need to like, take what you have and actually execute it.
• 1:30:36
  And goddamn, this movie just does not.
• 1:30:39
  Here's my thought on. This though, it's not a matter
• 1:30:41
  of A movie or B movie. It's a matter of like, to me,
• 1:30:45
  this feels like a Mara Vista movie because when we think
• 1:30:48
  about captivated by a touch to to pay, remember how they had
• 1:30:52
  like a whole like a year of dating, but it's really been
• 1:30:55
  like a night on the pier. Like that's.
• 1:30:58
  Amazing we. Watch that shit.
• 1:31:00
  Three times every December. I love it.
• 1:31:03
  It's amazing, It's stupid, it's fun.
• 1:31:06
  I'm not saying it's objectively. Good, but.
• 1:31:08
  I'm saying like it's fun to watch on TV and laugh at, and
• 1:31:12
  I'm OK with that in a movie. I think those movies mean to
• 1:31:15
  exist and not in like a mean ha ha ha and bullying you way, but
• 1:31:19
  in a like sometimes art is just silly in its own right kind of
• 1:31:23
  way if you're gonna do. That though, just be basic, man,
• 1:31:27
  you know, like don't try and do something interesting and then
• 1:31:30
  just don't follow through. Those movies are basic and
• 1:31:34
  they're so upfront with how basic they are.
• 1:31:36
  Like we know what this shit is. This one was not being.
• 1:31:39
  Basic on itself though? I really don't.
• 1:31:41
  I think it was. It became basic.
• 1:31:43
  It was basic as fuck, but then there's like, but hey, this is
• 1:31:47
  what we can do. Just so you know, if we were
• 1:31:50
  really trying with this thing, we could be really like, cool
• 1:31:54
  with how we're going to do this shit, but Nah.
• 1:31:58
  He's going to stand. Outside and he's just going to
• 1:32:00
  cut and then it's going to be like fooled several times.
• 1:32:04
  This person is skidded off 5 fucking times in this
• 1:32:07
  cul-de-sac. What are you all doing out there
• 1:32:10
  like? This is a residential
• 1:32:12
  neighborhood dude I'm so close to.
• 1:32:13
  Being the guy that just goes out into my porch, we have a.
• 1:32:16
  Blind children playing sign. We do.
• 1:32:19
  You are not supposed to peel out that way.
• 1:32:21
  All right, so. We got our reviews, we've said
• 1:32:24
  our piece, we've said. Our piece It's time for.
• 1:32:27
  A to be or not to be the titular.
• 1:32:29
  Question. Titular question.
• 1:32:30
  For me it's. Definitely A to be.
• 1:32:32
  I would for sure watch this again and have fun with it,
• 1:32:37
  yeah. So here's the thing.
• 1:32:38
  It's to be or not to be me recommending like you should
• 1:32:42
  watch it or is it? Would I watch it again?
• 1:32:44
  It's would you? Watch it again because I think
• 1:32:46
  we always generally say like, that's the thing.
• 1:32:48
  Yeah, I. I recommend everybody to watch
• 1:32:50
  it and. Make your own opinion, because
• 1:32:52
  our whole thing on this show is that like, everybody's got their
• 1:32:55
  own taste. I was gonna say like I would.
• 1:32:56
  Say like any like of course like you know make form your own
• 1:33:00
  opinions on this, but if it were up to me I would not this is a
• 1:33:04
  no. Right, OK.
• 1:33:06
  Yeah. All right.
• 1:33:07
  Well, we're split. Yeah, we're split on.
• 1:33:09
  This one but. It happens every now and it.
• 1:33:12
  Does classic format on the show here?
• 1:33:14
  It does, yeah, but it's OK. Because we saw plenty of movies
• 1:33:18
  we enjoy together and I respect I.
• 1:33:20
  Respect your like for it. I see where you're coming from
• 1:33:23
  and I see where the other people are coming from.
• 1:33:25
  I respect your. Dislike for it, I understand.
• 1:33:28
  Why you're frustrated, I understand.
• 1:33:30
  I understand that we've seen enough good movies with a
• 1:33:33
  similar premise. Why you wanted this to be better
• 1:33:36
  than what it is? I've not.
• 1:33:37
  Seen one with that premise before.
• 1:33:40
  That's the thing I I want to kind of set.
• 1:33:42
  Up. You know what I mean there?
• 1:33:44
  Yeah, there's. One out there that kind of
• 1:33:46
  reminds me of this. It's very much based off of
• 1:33:49
  sound. I can't remember.
• 1:33:51
  It's like Barbarians, like a sound something I don't fuck.
• 1:33:54
  Oh, I know what you're. I know which one you're talking
• 1:33:56
  it sounds. Like, it could be interesting,
• 1:33:58
  but yeah, it's just. Yeah, yeah.
• 1:34:01
  Well, whatever. You all check it out, make your
• 1:34:04
  own opinions. Yeah.
• 1:34:05
  So. All right, that's a.
• 1:34:07
  For our TV, yeah, be sure to. Come back on Thursday.
• 1:34:11
  We're gonna be covering In a Violent Nature, which just came
• 1:34:13
  to Shatter. Yeah, it was in theaters not
• 1:34:16
  that long ago, back in May. Yeah, so.
• 1:34:18
  It's we're gonna have a lot to say about it.
• 1:34:21
  I don't want to spoil it, but just be sure to check it out.
• 1:34:24
  Yeah, absolutely. Go check out the movie.
• 1:34:26
  Itself, but also check out our episode.
• 1:34:27
  It's on Shutter. And that's the only place you
• 1:34:30
  can stream it. Jesse, of course, has other
• 1:34:32
  places, like if you subscribe through shutter to others.
• 1:34:35
  Yeah, if you shutter like. If you've got like an AMC Plus
• 1:34:38
  or like a Prime, like premium subscription that includes AMC
• 1:34:41
  Plus, yeah, it'll have that. You can also rent it from
• 1:34:44
  YouTube or Google Play. It's not only $6.
• 1:34:47
  Rental, which is not a good. Rental for a new movie movie and
• 1:34:50
  honestly this movie itself but it's worth it you know what
• 1:34:53
  I'll. Say it's spooky season and you
• 1:34:56
  know what? A month of shutter costs 699.
• 1:34:59
  Yeah, go just rent a fucking subscription to for the cost do
• 1:35:02
  a trial a. Movie.
• 1:35:03
  Yeah, like. Rent a whole.
• 1:35:05
  Spooky movie service, and there's all kinds.
• 1:35:08
  Of shit on there. That's what I say, Daddy.
• 1:35:10
  Shudder. Daddy shudder is.
• 1:35:11
  Plugging in. Give us a fucking sponsorship,
• 1:35:13
  alright? Stop teasing us.
• 1:35:16
  Why are you doing this? To us, Daddy.
• 1:35:19
  All right. All right, we're.
• 1:35:21
  Gonna leave on that note. We're we're being.
• 1:35:22
  Theo, in this situation here, yeah, we are.
• 1:35:26
  Shutter's. Expressed no interest but we're
• 1:35:27
  like we all know we're just friends.
• 1:35:30
  We're like. Shutter, we know the camera.
• 1:35:32
  She's been there. Yeah, we're, we're that.
• 1:35:34
  Couple from like across the bar being like so you look like you
• 1:35:37
  like to have a good time. We're, we're, we're.
• 1:35:41
  Jordan pill like all right, shutter come get your slap ass.
• 1:35:46
  Stop playing with me. Yeah.
• 1:35:48
  All right, That's so, yeah. We want to give a shout out to
• 1:35:52
  our bubbies over on the Patreon that support the show.
• 1:35:55
  We have Joe Freitatron. As is his.
• 1:35:58
  Name Amber Michael Ward, zombie Tyler and Chad.
• 1:36:03
  Thank you guys. So.
• 1:36:05
  Much you keep our website running, you help us get new
• 1:36:07
  equipment, you make us feel really special.
• 1:36:11
  You leave nice little comments on our bonus episodes.
• 1:36:13
  You vote in our polls, and these are the the features that you,
• 1:36:18
  if you're not one of those names, could enjoy if you were
• 1:36:21
  to subscribe to our our Patreon, which is the very bottom of
• 1:36:25
  these show notes. It's the very last thing there's
• 1:36:27
  a link to it. Y'all are our.
• 1:36:28
  Community and I appreciate you guys being here.
• 1:36:31
  You guys are our OG's. Absolutely.
• 1:36:35
  Thank you guys so much for being part of the show.
• 1:36:36
  It's really, really appreciate. It if you don't want to.
• 1:36:40
  Yeah, be a subscriber then that's totally cool.
• 1:36:42
  But Patreon's not everybody's. Thing we get it, we have a lot
• 1:36:45
  of. Ways you can support the show.
• 1:36:46
  You can rate US on whatever platform you listen on.
• 1:36:49
  You can subscribe to us on whatever platform and drop a
• 1:36:52
  review. Yeah, all three of those things
• 1:36:54
  do wonders for our show. And they're free.
• 1:36:57
  And they're free. And be, you know, be cool with
• 1:37:00
  us and give us like a 5 or something.
• 1:37:02
  You know, if you want to give us a four, whatever, it's fine.
• 1:37:05
  I'm OK, it's not fine. Give us the best.
• 1:37:07
  Or you can on whatever you're. Listening on look man, I don't
• 1:37:09
  want to be the. Best, but you know a positive
• 1:37:12
  rating does more than a -1 so listen if they are.
• 1:37:16
  If they are here through the end of all of this bullshit, then
• 1:37:20
  they care about us and they're either going to completely
• 1:37:22
  ignore it or they're going to give us the best rating.
• 1:37:25
  If you're nobody's going to listen to all of this and give
• 1:37:27
  us a fucking three if you're a hate.
• 1:37:28
  Listen. You still listen.
• 1:37:31
  Motherfucker, you still give us a 5, Still gave us those
• 1:37:33
  numbers. Yeah, give us a 5.
• 1:37:35
  And say I hated this shit, but I listened all the way through, so
• 1:37:37
  I guess they're doing something right.
• 1:37:39
  Yeah. You listen to Requiem.
• 1:37:40
  For a scream on here, what the? Fuck are you doing?
• 1:37:43
  Yeah, you listen to. Me hit my high C.
• 1:37:46
  Yeah, I'm thirsty now. We went hard all.
• 1:37:48
  Right. A little too hard.
• 1:37:50
  We're gonna go. Fuck social media, Instagram and
• 1:37:54
  threads. Least favorite scary movie
• 1:37:55
  podcast, Twitter and blue ski Least fav pod websites.
• 1:37:58
  What's released to favoritescarymovie.com?
• 1:38:00
  You can e-mail us at least favorite scarymovie@gmail.com
• 1:38:02
  and please do please do because we like.
• 1:38:03
  Hearing from you guys, we don't. Like all this spam shit we get.
• 1:38:06
  Hey, do you want us to just transcribe your notes?
• 1:38:08
  No, this is a. This is a unless.
• 1:38:12
  You're a Bobby paste. E-mail.
• 1:38:13
  If you're a person, you. Say that that's cool, but if
• 1:38:16
  you're like a like a spam e-mail, Yeah, if I get it.
• 1:38:19
  From like rat daddy four O 5 like, hey, I want to transcribe
• 1:38:22
  your podcast. I'd be like this is weird, but
• 1:38:24
  let's I'm going to be like this is.
• 1:38:25
  Cool, I want rat daddy to transcribe.
• 1:38:28
  Can I see your rats? Please, I'm assuming it's
• 1:38:30
  multiple. If you made your entire e-mail
• 1:38:32
  rat daddy, you know what I mean. Hail rat daddy.
• 1:38:35
  God, we're going. Too weird here we need to go.
• 1:38:37
  We need to, OK, we're going to go record it in a violent
• 1:38:40
  nature. If you thought this something
• 1:38:41
  was weird, we'll just wait till Thursday.
• 1:38:44
  Yeah, because we're in. The same vibe right now we're
• 1:38:46
  talking about a weird movie. So all right, I got to cut this
• 1:38:49
  before we keep rambling, so bye.