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Episode 260: Sunday (SG-A 3.17) · Get Into Gate: A Stargate Podcast

• 0:25
  Speaker 1: Get into Gate episode two hundred and sixty talking Stargate Atlantis.
• 0:33
  Speaker 1: I'm Mitch, Maddie.
• 0:35
  Speaker 2: H sorry as asleep. You're got to talking in football
• 0:37
  Speaker 2: right before you turn them.
• 0:38
  Speaker 1: Like, hey, man's a lot. We're run a couple of
• 0:40
  Speaker 1: weeks away from the business end of the season. Brendan,
• 0:42
  Speaker 1: Hey mate, we'll keep the footy chet UNTI laughter the show.
• 0:45
  Speaker 1: They're talking Atlantis, we're talking Sunday. I'm a little bit dejected, guys, Like,
• 0:51
  Speaker 1: I was watching this episode and we'll get into it
• 0:53
  Speaker 1: and read the snopsis in a second, I promise, But
• 0:55
  Speaker 1: like I'm watching this and all of a sudden, you know,
• 0:57
  Speaker 1: little fire happens, and I'm like, oh wow, how does
• 1:00
  Speaker 1: he make it.
• 1:00
  Speaker 2: Out of it?
• 1:02
  Speaker 1: How does he make it out of that one? And
• 1:05
  Speaker 1: I just sat there so intently watching this, and like
• 1:10
  Speaker 1: I'm watching I was watching this episode on my laptop,
• 1:12
  Speaker 1: just out in the middle of the kitchen where my
• 1:14
  Speaker 1: kids are getting ready for bed and my wife's trying
• 1:16
  Speaker 1: to do a thousand things, and I I couldn't. I'm like,
• 1:21
  Speaker 1: I was waiting for her to go. I think, like
• 1:24
  Speaker 1: a mainish character, just I wasn't giving this episode Like
• 1:29
  Speaker 1: if I knew that someone was gonna die, I would
• 1:31
  Speaker 1: have what they will. You guys hit it so well.
• 1:37
  Speaker 3: I mentioned some day it subtly, but I mean, you
• 1:41
  Speaker 3: guys are so good.
• 1:42
  Speaker 1: I'm sitting the gun. They've got their own secret chat
• 1:45
  Speaker 1: and they're going to like it's kidd it like as
• 1:49
  Speaker 1: it's going on that last final five minutes. I still
• 1:52
  Speaker 1: haven't got the body snobs as much in a second.
• 1:54
  Speaker 1: I promise I was there getting angry at Maddie and
• 1:57
  Speaker 1: I'm like, Maddie hates Beckett and this happens, Maddie.
• 2:02
  Speaker 2: Do you do you think Beckett collected his own shoes?
• 2:08
  Speaker 3: Hey, hey, while you his dad wanted them.
• 2:12
  Speaker 1: While you, while you read.
• 2:13
  Speaker 2: The synopsis, I've got, I've got, I've got a different
• 2:15
  Speaker 2: music sting for you.
• 2:19
  Speaker 1: I expect them to be sad Okay.
• 2:21
  Speaker 2: Sunday Bloody Sunday.
• 2:25
  Speaker 1: From the Irish band talking about the death of the Scotsman.
• 2:27
  Speaker 1: Here we go, with the entire city order to take
• 2:29
  Speaker 1: a personal day. The team does their best to unwind
• 2:32
  Speaker 1: and enjoy their leisure time. Without warning, a mysterious explosion
• 2:36
  Speaker 1: ripped through the city, killing and injuring unsuspecting citizens, especially
• 2:41
  Speaker 1: if you're a first time watcher. Unsuspecting is the word
• 2:44
  Speaker 1: of the day.
• 2:45
  Speaker 3: Hey, come on, Mitch, I got something to perky.
• 2:46
  Speaker 1: Out another one because that one didn't. That one didn't
• 2:48
  Speaker 1: perk me all right, and another tumor at all.
• 2:56
  Speaker 3: At all at all.
• 2:58
  Speaker 1: That's hilarious, My god, ah wow, why didn't he just.
• 3:04
  Speaker 3: Put it in the big box and then the guy
• 3:06
  Speaker 3: shut it? I feel like it was the handover that I.
• 3:09
  Speaker 1: Know, okay you I didn't hit for wine because as
• 3:13
  Speaker 1: all that sort of process was happening, I was like, sorry,
• 3:16
  Speaker 1: three star, Like I'm like, I know, okay, with the
• 3:19
  Speaker 1: tough part's done. Like he's got it in that thing.
• 3:22
  Speaker 1: The tough part's done.
• 3:24
  Speaker 2: We as an audience have believed that there's such a
• 3:25
  Speaker 2: thing as explosive.
• 3:26
  Speaker 3: Tumors, and we're rolling through this episode. It's ancient technology. Yeah,
• 3:32
  Speaker 3: we can get mind. There was an illustration.
• 3:35
  Speaker 2: It absorbs the explosive components in our body and collects
• 3:38
  Speaker 2: them behind our lungs.
• 3:40
  Speaker 3: Like it's a massive, massive explosion too. It'd be cool
• 3:44
  Speaker 3: if it just exploded their chest open. Yeah yeah, but
• 3:47
  Speaker 3: I guess he wouldn't have died.
• 3:49
  Speaker 1: But yeah, Jesus christ Man, I just and I'm sitting
• 3:53
  Speaker 1: there going it hasn't even been that long, and I'm like,
• 3:56
  Speaker 1: this went like nearing the end of season three. It
• 3:58
  Speaker 1: has been a while. You know what.
• 3:59
  Speaker 3: It reminds me of Halo. In the original Halo, there's
• 4:01
  Speaker 3: these little aliens. No they're not little, but they've got
• 4:05
  Speaker 3: like growths all over them, like giant, disgusting, pussball onion
• 4:09
  Speaker 3: looking things, and you shoot them and they just explode
• 4:12
  Speaker 3: like that.
• 4:13
  Speaker 2: I was thinking, isn't there an alien race in far
• 4:16
  Speaker 2: Escape where like they like they oozed, like pass out
• 4:20
  Speaker 2: of their skin and it's like acid, those good like
• 4:23
  Speaker 2: heats through something.
• 4:24
  Speaker 3: Yeah, they're gross.
• 4:25
  Speaker 1: Yeah, yeah, I think I know why.
• 4:27
  Speaker 3: I mind me of a guy I went to high
• 4:29
  Speaker 3: school with with bad acne.
• 4:30
  Speaker 2: Oh just said that you sucked off behind the bleachers
• 4:32
  Speaker 2: and well got an ulcer. That was.
• 4:37
  Speaker 1: Not according to the video and that I saw.
• 4:42
  Speaker 2: I think I know why Beckett, why that, why that happened,
• 4:46
  Speaker 2: Why he didn't just do the hand off properly. There's
• 4:48
  Speaker 2: a little, a little sneaky line where Beckett says that
• 4:53
  Speaker 2: it's his first day off in a month. The chief
• 4:58
  Speaker 2: medical officer the Atlantis Expedition hasn't had a day off
• 5:04
  Speaker 2: in a medical professional hasn't had a day off in
• 5:07
  Speaker 2: a month, medical negligence.
• 5:11
  Speaker 3: I doubt, Like, it's not really like a hospital er,
• 5:15
  Speaker 3: Like it's it's not like every day he'd be doing
• 5:18
  Speaker 3: hectic shit.
• 5:18
  Speaker 2: Yeah, so take a day off, mate, don't be on
• 5:21
  Speaker 2: the clock every day for a month and get burnt
• 5:24
  Speaker 2: out and then decided to be a fucking hero.
• 5:27
  Speaker 3: Yeah that was a bit odd. It's like, how many
• 5:30
  Speaker 3: people could you have saved if you didn't die? Yeah?
• 5:33
  Speaker 3: And is it it's like kind of the ethical dilemma
• 5:36
  Speaker 3: with the trolley trolley problem? Do I let this guy
• 5:40
  Speaker 3: blow up because it's his own dumb fault for tim
• 5:43
  Speaker 3: and that ancient machine and save thousands of other people's lives?
• 5:47
  Speaker 1: Yeah?
• 5:47
  Speaker 2: Yeah, if he wasn't so burnt out, maybe he would
• 5:49
  Speaker 2: have just followed the rules and know what he needed
• 5:51
  Speaker 2: to do and everyone would have survived.
• 5:54
  Speaker 3: Mm.
• 5:55
  Speaker 2: You know. I do commend them, though, like, this is
• 5:59
  Speaker 2: a really good episode and it's among year episode, so
• 6:02
  Speaker 2: that hurts me to say that it's a really good episode,
• 6:05
  Speaker 2: I think, and this is a big call and I
• 6:07
  Speaker 2: only realized it today because it's something that we speak
• 6:10
  Speaker 2: about a lot, how much we hate the trope, especially
• 6:14
  Speaker 2: in Stargate, of showing the action and then cutting back.
• 6:19
  Speaker 1: See I almost that was going to be my first
• 6:21
  Speaker 1: note from last week's episode when we're in there the
• 6:24
  Speaker 1: ja'far peace summit thing whatever they were doing. Explosion and
• 6:29
  Speaker 1: then it goes to credits come back and Tilk and
• 6:32
  Speaker 1: Bratech hanging around and I'm like, ah, and I'm waiting
• 6:36
  Speaker 1: for the se many hours earlier, many days earlier or something,
• 6:40
  Speaker 1: and it didn't do that. I'm like, oh no, that's
• 6:42
  Speaker 1: I like that because I know that Brennan, you guys
• 6:44
  Speaker 1: a point both pointed out the whole let's show you
• 6:46
  Speaker 1: what happened beforehand, and it's it's not having confidence in
• 6:48
  Speaker 1: your own story. But even worse than that is going, okay,
• 6:51
  Speaker 1: this is the exact amount of time beforehanded this take. Yeah,
• 6:56
  Speaker 1: And it didn't do that. And then it showed Tilk
• 6:59
  Speaker 1: wake up from having a dream a memory about this
• 7:03
  Speaker 1: because he was coming out of a two week homer,
• 7:05
  Speaker 1: and I'm like, oh, okay, so it's kind of that,
• 7:07
  Speaker 1: but it's not okay, that's fine. And then this episode
• 7:11
  Speaker 1: starts exactly the same way, and I'm like, holy shit,
• 7:14
  Speaker 1: Like again, it's not the same show, but the way
• 7:16
  Speaker 1: that we're watching it, I can't believe this has happened
• 7:18
  Speaker 1: two weeks running. And then the fact that it kept happening,
• 7:23
  Speaker 1: I'm like, oh, actually again, even though it not only
• 7:25
  Speaker 1: did that but had the time code. But one was
• 7:28
  Speaker 1: two hours earlier, next one was five hours. Yeah, and
• 7:30
  Speaker 1: it was like you know what we're just gonna.
• 7:32
  Speaker 3: And it wasn't even sixteen hours I think, yeah, anyone.
• 7:36
  Speaker 3: And it wasn't too dressing.
• 7:37
  Speaker 1: Again body like, he wasn't even in the episode until
• 7:41
  Speaker 1: at twenty two minutes. But it was really strange that
• 7:43
  Speaker 1: we kept talking about him, that we never saw David
• 7:45
  Speaker 1: Hewlett pop up until it was his own, his own story.
• 7:48
  Speaker 1: But yeah, it wasn't like one of those not a
• 7:52
  Speaker 1: who done it but for lack of a better term,
• 7:54
  Speaker 1: where we're going to show you Maddie's version of events,
• 7:57
  Speaker 1: it's like, oh, okay, that that is what it is.
• 7:59
  Speaker 1: We're going to show you Brennan's version. And with those
• 8:01
  Speaker 1: two or three times and your storylines intersect, you're like, oh,
• 8:04
  Speaker 1: I can see why Maddie would have thought that based
• 8:07
  Speaker 1: on okay, great, and then you show mine and you
• 8:10
  Speaker 1: really see how all these weaves into connect and you
• 8:12
  Speaker 1: can piece together the story. We didn't. It wasn't It
• 8:15
  Speaker 1: wasn't that, And I kept wondering other than old mate
• 8:18
  Speaker 1: who was really really dressed like a golfer that ended
• 8:21
  Speaker 1: up being the second bloke that had the tumor, him
• 8:23
  Speaker 1: going oh, I've got a little tummy ache, and and
• 8:25
  Speaker 1: he's like, mate, day off, not my problem, bro, you
• 8:30
  Speaker 1: know what makes you? My only piece of advice if
• 8:31
  Speaker 1: you ask again, jump off into the.
• 8:34
  Speaker 2: What's got two thumbs? And doesn't give this guy other.
• 8:38
  Speaker 1: Than that, I'm like, unless he's going to come back
• 8:40
  Speaker 1: and he's going to be something to do with it,
• 8:43
  Speaker 1: I mean. And then the fact that it opened up
• 8:45
  Speaker 1: with weird and I'm sure we're going to get to
• 8:46
  Speaker 1: that with her with her little but it.
• 8:48
  Speaker 3: Didn't open up with weird. That's the problem. I think
• 8:50
  Speaker 3: it should have Oh sure, yea with Taylor with Taylor,
• 8:54
  Speaker 3: and it was the explode, the girl exploded, and then
• 8:57
  Speaker 3: you're like, hours later, we're a thie. It should have
• 9:00
  Speaker 3: started with the weird scene and then you caught up
• 9:02
  Speaker 3: with Taylor a little bit later.
• 9:04
  Speaker 2: No, well you couldn't because because you Taylor wasn't in it,
• 9:08
  Speaker 2: because that was the first explosion. Remember, so Taylor wasn't
• 9:11
  Speaker 2: in it from that point because she was injured. So
• 9:13
  Speaker 2: apparently the structure was basically each act was a different
• 9:17
  Speaker 2: you followed a different character, So act followed Taylor, actor,
• 9:20
  Speaker 2: you followed Weir, actor, you followed Shep.
• 9:22
  Speaker 3: But you know all that kind of thing. Yeah, I
• 9:24
  Speaker 3: think it should have been Taylor last.
• 9:28
  Speaker 2: I don't think it could have been because it's a
• 9:30
  Speaker 2: different explosion. It was the it was the first explosion.
• 9:33
  Speaker 3: They're all the first explosion.
• 9:34
  Speaker 2: Well no, I mean there was the explosion, then you
• 9:36
  Speaker 2: know the explosion later that kills Beckett.
• 9:41
  Speaker 3: I know, but like from everyone's point of view, it
• 9:43
  Speaker 3: was always the first explosion.
• 9:45
  Speaker 4: Yeah.
• 9:45
  Speaker 2: Yeah, but it's like, well her story went for a
• 9:47
  Speaker 2: minute and a half. Yeah, whereas everyone other story everyone else,
• 9:50
  Speaker 2: So that was the teaser. Where is everyone else's stories? Yeah,
• 9:53
  Speaker 2: but that needed more airtime. It's like what we've seen
• 9:57
  Speaker 2: Taylor and that girl practice sing their stick fighting for
• 10:01
  Speaker 2: fifteen minutes.
• 10:03
  Speaker 3: You know, Like, no, that's what I'm saying. I don't
• 10:06
  Speaker 3: think we're just talking about how they show an explosion
• 10:10
  Speaker 3: or something exciting then go yeah, three hours earlier, and
• 10:12
  Speaker 3: you're like, whereas if I think if they had have
• 10:15
  Speaker 3: started it at the weird one, it would have built
• 10:18
  Speaker 3: up this tension because they're going to see what everyone
• 10:21
  Speaker 3: was doing, and then you hear a bang, and then
• 10:24
  Speaker 3: the bang is the woman exploding, and then you're like,
• 10:26
  Speaker 3: holy shit.
• 10:28
  Speaker 1: I think where it worked for me having.
• 10:29
  Speaker 3: The best one, and that was what I felt watching it.
• 10:32
  Speaker 2: Well, I was gonna say this episode for me, it's
• 10:34
  Speaker 2: a big call because it's a martin Europe. So but
• 10:36
  Speaker 2: I think this is the most successful nonlinear storytelling Stargates
• 10:40
  Speaker 2: ever done and never has done, just in terms of
• 10:43
  Speaker 2: any any of the stories where they've tried to do
• 10:44
  Speaker 2: that five hours later to whatever it is.
• 10:47
  Speaker 1: Because I like the fact that we.
• 10:50
  Speaker 2: That it wasn't just that we're going to show you
• 10:52
  Speaker 2: the money shot at the start of the show, show
• 10:54
  Speaker 2: you the opening credits, and then go two days earlier.
• 10:56
  Speaker 2: The fact that we kept doing the cycle. It was
• 10:59
  Speaker 2: kind of like it was a groundhog day, a butterfly
• 11:02
  Speaker 2: effect almost kind.
• 11:03
  Speaker 3: Of situation getting bigger.
• 11:05
  Speaker 2: Yeah, we're going back and each story is getting a
• 11:07
  Speaker 2: little bit longer and a little bit bit and a
• 11:09
  Speaker 2: little more context is going through.
• 11:11
  Speaker 3: Yeah.
• 11:11
  Speaker 2: I really enjoyed it as far as that element is concerned.
• 11:14
  Speaker 3: No notes, Yeah, I mean that was just minuscule that
• 11:18
  Speaker 3: I thought that at the start, but watching it as
• 11:20
  Speaker 3: a whole can probably I'm fine with it.
• 11:24
  Speaker 2: You just wanted less weird screen time, you want a
• 11:26
  Speaker 2: more tailor screen time.
• 11:27
  Speaker 1: Was actually I think where the weird one works having
• 11:32
  Speaker 1: it if it was going to be between the two,
• 11:34
  Speaker 1: either first or second. Where it worked being second was
• 11:36
  Speaker 1: as soon as we went back and it was a
• 11:39
  Speaker 1: before and the fact that there is an explosion that
• 11:41
  Speaker 1: you would assume is got sinister doings behind it. That
• 11:47
  Speaker 1: and we go back and I'm like, oh, it's going
• 11:49
  Speaker 1: to be one of these ones we just saw Taylor,
• 11:50
  Speaker 1: but now we're seeing we or at least even if
• 11:52
  Speaker 1: it wasn't a different character. I didn't really know that
• 11:54
  Speaker 1: until the third storyline. The fact that we're seeing it,
• 11:57
  Speaker 1: at least this stage from a different point of view.
• 12:00
  Speaker 1: Have I got to start piecing together a story because
• 12:02
  Speaker 1: like those episodes, those shows that have referred to five
• 12:04
  Speaker 1: minutes ago, the fact that this bloke who we've never seen,
• 12:07
  Speaker 1: we've never seen him before, right, yeah, No, he walks
• 12:09
  Speaker 1: in and just shows so much interest in not only
• 12:13
  Speaker 1: we are as a character, but in the boss as
• 12:16
  Speaker 1: someone who is older than him and is at a
• 12:19
  Speaker 1: higher level of authority.
• 12:22
  Speaker 3: But now let's get the word incorrectly for Brendan.
• 12:25
  Speaker 5: I'm your boss, well you're my boss's boss actually still
• 12:30
  Speaker 5: however indirectly yeah, but with that thinking, everyone on this
• 12:34
  Speaker 5: entire planet works for you.
• 12:36
  Speaker 2: Yes, he's putting that on the record, just putting that
• 12:38
  Speaker 2: on the record.
• 12:39
  Speaker 1: So like the idea that he comes in and he's
• 12:41
  Speaker 1: so confident he's talking to the boss, he's talking to
• 12:43
  Speaker 1: the boss of the base, and he's I'm not saying
• 12:47
  Speaker 1: that he's like the lowly janitor or something of the place,
• 12:50
  Speaker 1: but still we've never seen him before, and I'm like, okay, you're.
• 12:53
  Speaker 3: Being spoiler alert, never see him again.
• 12:54
  Speaker 1: Yeah, ultimately being too charming and too forthcoming with your
• 12:58
  Speaker 1: attraction to Weir and borderline inappropriate. When she's already said
• 13:02
  Speaker 1: thank you, but no thank you, like not today, thank
• 13:05
  Speaker 1: you bye. He keeps pushing it, and then he makes
• 13:08
  Speaker 1: a point about the fact that he keeps pushing it
• 13:10
  Speaker 1: and that if he didn't push it, then he wouldn't
• 13:11
  Speaker 1: be able to keep pushing it.
• 13:12
  Speaker 3: In the like, it just kept going and I'm like,
• 13:14
  Speaker 3: he's lucky, handsome.
• 13:16
  Speaker 1: Yeah.
• 13:17
  Speaker 2: I have a question for those those listening who who
• 13:20
  Speaker 2: were attracted to men, whatever, however you self identify, if
• 13:24
  Speaker 2: you're attracted to the male species, is he more appealing than.
• 13:28
  Speaker 1: The wall I'm not attracted to men, but I'm looking
• 13:33
  Speaker 1: at the going I could probably see.
• 13:35
  Speaker 3: Yeah, I could see. One is handsome.
• 13:37
  Speaker 1: And he's younger than her too, like a younger bloke,
• 13:39
  Speaker 1: a little bit rugged, you know, in the sense like
• 13:41
  Speaker 1: he's getting around a beard. I'm like, but it was
• 13:42
  Speaker 1: a bit fit of a scruffy sort of look, you know.
• 13:45
  Speaker 1: I can see why she was charmed by him, and
• 13:49
  Speaker 1: that was why me as an audience member, was immediately looking, well,
• 13:53
  Speaker 1: obviously you've got something to do with this look I
• 13:55
  Speaker 1: will didn't have, which was not the case. That's what
• 13:59
  Speaker 1: I felt like that there only well, in hindsight, that
• 14:02
  Speaker 1: was only there to start me thinking about the fact
• 14:05
  Speaker 1: that maybe he was in on it, and then every
• 14:07
  Speaker 1: other storyline that.
• 14:08
  Speaker 2: Got well, given that it's given that it's sci fi.
• 14:12
  Speaker 1: Right now, given that it's.
• 14:13
  Speaker 2: Sci fi, I was almost expecting it to be kind
• 14:16
  Speaker 2: of like The Fifth Man, where it's like all our
• 14:19
  Speaker 2: memories have been altered and everyone thinks they've known this
• 14:23
  Speaker 2: was Mike did he by no idea war guy? Everyone
• 14:28
  Speaker 2: thought they knew all guy. But it turns out, yeah,
• 14:31
  Speaker 2: he was actually partner Fairy was so they check that
• 14:34
  Speaker 2: blew up.
• 14:34
  Speaker 1: That was with Taylor. We've never seen her before either.
• 14:37
  Speaker 1: It could have been like everyone at that point run
• 14:39
  Speaker 1: in the episode for five minutes. Everyone that was new
• 14:42
  Speaker 1: along with a very seasoned cast member was someone we'd
• 14:45
  Speaker 1: never seen before, So very much could have been a
• 14:46
  Speaker 1: fifth minute.
• 14:48
  Speaker 3: Yeah.
• 14:48
  Speaker 2: Yeah, yeah, but I will admit as much as I
• 14:50
  Speaker 2: found him extremely off putting in the opening scene, by
• 14:54
  Speaker 2: the time they got to the lunch he was.
• 14:57
  Speaker 3: A little more appealing. Yeah.
• 15:00
  Speaker 2: Yeah, but just that initial scene in her office, I
• 15:03
  Speaker 2: was like, no, I'll take the wall.
• 15:04
  Speaker 1: Thanks. Yeah, he didn't use up all of his charm
• 15:06
  Speaker 1: in the opening scene to get her there, like he
• 15:08
  Speaker 1: actually had some game once they sat.
• 15:10
  Speaker 3: The thing is right, we didn't see how she was
• 15:13
  Speaker 3: given him eyes for the whole week before he went
• 15:15
  Speaker 3: up there. Like true, he's a handsome dude. He's gone
• 15:19
  Speaker 3: through a few people chess squads, and he knows if
• 15:23
  Speaker 3: someone's given him the eyes.
• 15:25
  Speaker 1: Yeah.
• 15:25
  Speaker 2: It turns out turns out the tumor is actually an
• 15:27
  Speaker 2: STD and that's how damn the other woman blew up.
• 15:31
  Speaker 1: She had already been with Mike Wheir was.
• 15:32
  Speaker 3: Next to he and the other guy.
• 15:34
  Speaker 1: Yeah, obviously, keep Polo on tucked in, obviously because this.
• 15:40
  Speaker 2: Cooper doesn't work on this show very much. So if
• 15:42
  Speaker 2: you get away with that kind of shu. There was
• 15:44
  Speaker 2: a line he gave Whither at lunch though, that felt
• 15:46
  Speaker 2: like he was channeling Brendan quite a lot. This is basically,
• 15:49
  Speaker 2: this is basically anytime Weir speaks, this is Brendan.
• 15:52
  Speaker 5: You believe that, yes, truly and in your heart you
• 15:55
  Speaker 5: believe that.
• 15:56
  Speaker 1: I do.
• 15:58
  Speaker 5: What. I just don't know that I can ever respect you.
• 16:03
  Speaker 3: She was saying emancipation was good.
• 16:11
  Speaker 1: I do like I do love that. They were talking
• 16:13
  Speaker 1: about a film, like obviously before that reveal where he's
• 16:16
  Speaker 1: just like, yeah, I don't know if I can ever
• 16:17
  Speaker 1: respect him. Like, dude, you were throwing a lot of
• 16:19
  Speaker 1: shade yea and inappropriate comments to me in the Boss.
• 16:23
  Speaker 1: It's like about a movie, your boss.
• 16:25
  Speaker 2: Who's a woman in her what late thirties at this
• 16:27
  Speaker 2: point in two thousand and seven, you don't think she's
• 16:31
  Speaker 2: gonna love when Harry met Sally likes Old Time for that,
• 16:34
  Speaker 2: that is like, that's an iconic film.
• 16:36
  Speaker 3: Like, but I mean, Ghiro, can we do better than
• 16:40
  Speaker 3: Harry Sally and Annie Hall?
• 16:43
  Speaker 1: Yeah yeah, I mean that's at at that stage you
• 16:45
  Speaker 1: could have don.
• 16:46
  Speaker 3: Know what Annie Hall is.
• 16:47
  Speaker 1: You know, it could have been a recent reference. You
• 16:48
  Speaker 1: could have don like a love actually meets yeah you
• 16:51
  Speaker 1: love actually Actually it was that year, wasn't it two
• 16:53
  Speaker 1: thousand and three? Because I wasn't. Yeah, it was a
• 16:56
  Speaker 1: twenty year anniversary last year. And the argument comes at
• 16:59
  Speaker 1: that it's actually a disgusting film.
• 17:02
  Speaker 3: I was going to say, can I say the.
• 17:05
  Speaker 2: One of the most overrated films of all time? I've
• 17:07
  Speaker 2: actually love, actually actually and actually love it The Notebook.
• 17:13
  Speaker 2: If everyone just kind of actually looked at that McAdam,
• 17:19
  Speaker 2: that's fine. I just mean the actual story just a
• 17:24
  Speaker 2: bunch of toxic relationships. But in both films, oh yeah,
• 17:29
  Speaker 2: that's not a friend's wife, not a single love story
• 17:33
  Speaker 2: in there. The most story in that is the couple
• 17:38
  Speaker 2: doing porn. Yeah yeah, no, because the kids creepy, because
• 17:41
  Speaker 2: well he's stalking that little girl. He's going to turn
• 17:44
  Speaker 2: into a sexual predator when he's but he's got to
• 17:47
  Speaker 2: do that, learn to be a sexual predator. I just
• 17:50
  Speaker 2: know so far. But if he did something inappropriate, he's.
• 17:55
  Speaker 1: The most.
• 17:56
  Speaker 2: The most wholesome consensual relationship in that entire film is
• 17:59
  Speaker 2: the two horn actors who are already inside of each other.
• 18:02
  Speaker 3: Bill bo what about Bill? No, No, not Bill.
• 18:05
  Speaker 2: He's a creepy man, but he had love for his
• 18:08
  Speaker 2: manager mate and he loved his christ that's inappropriate workplace organization.
• 18:14
  Speaker 2: And all the women around him dancing like he's like
• 18:16
  Speaker 2: he's that guy from that old, that old eighties film clip.
• 18:19
  Speaker 3: What's that one? If you really love Christmas? So ridiculous?
• 18:24
  Speaker 3: Work mad as well?
• 18:26
  Speaker 1: They said you're addicted to Like there's a knockoff of that.
• 18:28
  Speaker 2: Yeah, yeah, no, very problematic.
• 18:31
  Speaker 1: This is what I'm saying. I understand why people say that,
• 18:34
  Speaker 1: but I do. I do love it. Yeah, Rick, Like
• 18:36
  Speaker 1: his best mate just shows up, I love you so
• 18:40
  Speaker 1: much and she's like, oh my god, let me kiss
• 18:41
  Speaker 1: you while he's upstairs and won't tell anyone. Isn't this gorgeous? No?
• 18:45
  Speaker 3: But actually, this is what I'm saying.
• 18:47
  Speaker 1: This is the this is the conversation they could have had, Like,
• 18:48
  Speaker 1: I don't know if I can respect you because she
• 18:50
  Speaker 1: could love love actually, and he as a man could go,
• 18:53
  Speaker 1: I think it's problematic to relationships. You know, that could
• 18:55
  Speaker 1: have been a timely discussion five years, four years after this,
• 18:59
  Speaker 1: after the film's come out, So there you go.
• 19:01
  Speaker 2: Yeah, I think that guy that likes the original over
• 19:03
  Speaker 2: the over the remix, that's what it is. You know,
• 19:06
  Speaker 2: he's just saying, harrimet Sally is a modern telling.
• 19:08
  Speaker 1: Of of what do you say? Any hall or whatever?
• 19:10
  Speaker 1: Was like, that's what movies do.
• 19:14
  Speaker 3: How many of them?
• 19:15
  Speaker 2: How many stars borns do they've been? You know what
• 19:16
  Speaker 2: I mean? And they didn't even change the title. They
• 19:18
  Speaker 2: just dude, it's like five, yeah.
• 19:22
  Speaker 1: It's four, but yeah, maybe five. Yeah, they'll make another
• 19:25
  Speaker 1: one to cover the barbar Streis.
• 19:26
  Speaker 2: And there's a Judy Garland, the Lady Gaga and.
• 19:29
  Speaker 1: Then Away from Way Back Yeah, yea yeah, yeah.
• 19:32
  Speaker 2: So.
• 19:34
  Speaker 1: Yeah, it's not a tu.
• 19:35
  Speaker 3: The thing I like the most about Elizabeth was that
• 19:39
  Speaker 3: top was the trying to get mad.
• 19:44
  Speaker 1: Lord you're a simple creature.
• 19:50
  Speaker 2: It's okay, anyone listening, Just I'll play I'll play some
• 19:53
  Speaker 2: of her best acting she's ever done. After after Brendan,
• 19:58
  Speaker 2: you know, trivializes her, angles, her figure.
• 20:01
  Speaker 1: I've got that audio, mate, Yeah, joking, dude, she was
• 20:08
  Speaker 1: so wet.
• 20:10
  Speaker 3: Get out of the way, John, Get out of the way.
• 20:12
  Speaker 6: Get out of the way, John.
• 20:14
  Speaker 3: This guy last way, he's a start.
• 20:16
  Speaker 1: So up until this one, she's obsessed with John in
• 20:18
  Speaker 1: the matter war.
• 20:19
  Speaker 2: But this one guy who's less boring than a wall
• 20:22
  Speaker 2: take a lunch, and now she's pushing John out of
• 20:24
  Speaker 2: the way.
• 20:25
  Speaker 3: My problem.
• 20:26
  Speaker 1: That is basic high school sign and it's straight sexism.
• 20:30
  Speaker 3: Actually, yeah, we'll listen to this. She invites Taylor invites
• 20:35
  Speaker 3: her to lunch. She accepts. This guy invites her lunch.
• 20:39
  Speaker 3: She says, got to work. Also, not going to bang
• 20:42
  Speaker 3: you on the first date. He's like, didn't ask you to.
• 20:44
  Speaker 2: That's establishing boundaries.
• 20:46
  Speaker 3: So that's didn't ask you to. I just said lunch.
• 20:48
  Speaker 3: Do you eat? Yeah? Together, that's it. Yeah, But you
• 20:51
  Speaker 3: know what it was? You know what he was trying
• 20:53
  Speaker 3: to eat?
• 20:53
  Speaker 1: That was? That was that was a load of Ea.
• 20:55
  Speaker 3: What didn't Why didn't she just assumed Taylor wanted to
• 20:57
  Speaker 3: eat as well?
• 20:59
  Speaker 2: Pussy because they probably already have friends for this guy.
• 21:04
  Speaker 2: Probably they showed up on the Dedalus last week and
• 21:07
  Speaker 2: he's already throwing, throwing, eyes at her.
• 21:10
  Speaker 3: Oh, that would have been She was like, I don't
• 21:13
  Speaker 3: want to split my time. I'm like, that's not always
• 21:15
  Speaker 3: going to split Jesus Christ, that's that's sexist. I want
• 21:22
  Speaker 3: to talk about talking about hairs.
• 21:24
  Speaker 1: Oh, okay, sure you were.
• 21:26
  Speaker 2: I want to talk about what I think is probably
• 21:28
  Speaker 2: one of the greatest line deliveries that Tory Higginson has
• 21:31
  Speaker 2: given given on this show and one of the reasons
• 21:33
  Speaker 2: why I love the character so much. Unfortunately, it comes
• 21:36
  Speaker 2: right after one of the most obtuse character lines she's
• 21:40
  Speaker 2: ever delivered. It's all part of Carson's eulogy. So he
• 21:45
  Speaker 2: is he is the weird that I thought you would
• 21:48
  Speaker 2: go in hard on Brendan, just because it just seemed
• 21:50
  Speaker 2: like a really passive, aggressive way to remind everybody that
• 21:53
  Speaker 2: she's the one in charge.
• 21:55
  Speaker 4: I can't remember anyone coming to me with a complaint
• 21:58
  Speaker 4: against him.
• 22:01
  Speaker 2: That's weird. That's a weird line to me. But what
• 22:04
  Speaker 2: saved it And just listen to her for just the
• 22:09
  Speaker 2: way that she's able to have this this softness, this sorrow.
• 22:13
  Speaker 2: There's also like this defiance in her voice when she
• 22:16
  Speaker 2: says this quote, and just strength in her voice that
• 22:20
  Speaker 2: I just really really appreciate.
• 22:21
  Speaker 4: As you two watch football, George Fabrica said, who death
• 22:26
  Speaker 4: comes to us all but great achievements. They build a
• 22:33
  Speaker 4: monument which shall endure until the sun grows cold. Every
• 22:39
  Speaker 4: single life Carson saved, there's a monument to him, and
• 22:48
  Speaker 4: that gives me a great comfort.
• 22:51
  Speaker 3: I love that.
• 22:52
  Speaker 1: Yeah, and it really worked for me, especially that first time,
• 22:55
  Speaker 1: because the death caught me of God really and then
• 22:59
  Speaker 1: so and I thought it was going to be one
• 23:01
  Speaker 1: of those fake ads, like we saw the fire just
• 23:03
  Speaker 1: engulfing and then it fades to black or whatever.
• 23:06
  Speaker 2: He had a force field tumor. Yeah, he was fine.
• 23:09
  Speaker 1: And then we go to Rodney going through stuff. He's
• 23:13
  Speaker 1: clearly dressed for something and then he's looking at the
• 23:15
  Speaker 1: photo and I'm like, Okay.
• 23:19
  Speaker 3: Who took that photo?
• 23:20
  Speaker 1: I know what you're trying to make us think. I
• 23:23
  Speaker 1: thought the same thing that was that was from Duet.
• 23:25
  Speaker 1: That was the episode where they did the body the
• 23:27
  Speaker 1: body thing or whatever. Yeah, they were out in the field,
• 23:30
  Speaker 1: we saw that scene. The camera is what took that photo,
• 23:35
  Speaker 1: Like the camera filling the episode took that photo. And
• 23:40
  Speaker 1: they just kept saying he every person that anyone spoke to,
• 23:44
  Speaker 1: like whether it was Taylor and john or it was
• 23:47
  Speaker 1: Rodney and Zelenka or weird whatever it was just he
• 23:51
  Speaker 1: he he, I'm going to miss him and all this
• 23:54
  Speaker 1: other stuff. And I'm like, I see what you're doing.
• 23:58
  Speaker 3: To be the guy with the sort humming from earlier.
• 24:00
  Speaker 1: Yep yep, yep, and for summer, and then they kept
• 24:02
  Speaker 1: sort of the importance and then we get to Johnny's
• 24:05
  Speaker 1: like it hasn't sunk in yet and I don't I'm
• 24:08
  Speaker 1: not looking forward to when it does, and like you
• 24:10
  Speaker 1: seem to be trying to make me think you care
• 24:12
  Speaker 1: a lot about someone that we've only just met this
• 24:14
  Speaker 1: episode that I'm sure is the one you're actually talking about.
• 24:17
  Speaker 1: And then when they cut to the wide shot from
• 24:18
  Speaker 1: above and the coffin has a Scottish flag ever it,
• 24:21
  Speaker 1: I'm like, yeah, it's crazy there was another Scotsman on
• 24:24
  Speaker 1: this base.
• 24:26
  Speaker 3: I didn't know that bull goes.
• 24:28
  Speaker 1: I can't I can't wait until until what's old love
• 24:33
  Speaker 1: from God? What's the chick that eventually comes into it?
• 24:36
  Speaker 3: That duel states, Yeah, I.
• 24:40
  Speaker 1: Can't wait until Carson shows back up next episode and
• 24:44
  Speaker 1: the duell state who was the monster looking one has
• 24:47
  Speaker 1: eventually turned into jewel state human just like I'd always
• 24:50
  Speaker 1: predicted what happened because I wasn't prepared for any of
• 24:52
  Speaker 1: the deaths man like, so that when that speech and
• 24:55
  Speaker 1: there are moments in that audio that you just play
• 24:57
  Speaker 1: where you can hear between lines the yeah, like just
• 25:01
  Speaker 1: not overly done. What I just did was tenfold what
• 25:04
  Speaker 1: she did. It was just very light and it really
• 25:06
  Speaker 1: sold it for me because I was sitting there, like
• 25:08
  Speaker 1: in front of my laptop, just like my hand, my
• 25:11
  Speaker 1: head in my hands, just like, what what the this is?
• 25:14
  Speaker 1: This is too They're not just gonna send this coffin
• 25:18
  Speaker 1: into the into the stargate and then Beckett walk in
• 25:21
  Speaker 1: and go, it's really quite beauty for that day.
• 25:25
  Speaker 3: Did someone get his shoes?
• 25:27
  Speaker 1: You know? I'm like, this is way too serious and
• 25:29
  Speaker 1: sad now to be paid off as some type of
• 25:32
  Speaker 1: punchline now, and that's not what they're doing. But nothing
• 25:36
  Speaker 1: about this episode, up until the moment where he dies
• 25:39
  Speaker 1: or even revealed really but even up until the moment
• 25:43
  Speaker 1: where that flame takes him, nothing about this episode felt
• 25:46
  Speaker 1: like it was going And maybe it wasn't on a
• 25:49
  Speaker 1: very specials the thing maybe the advertising around at the
• 25:52
  Speaker 1: time was one of your favorites, no die, but like,
• 25:55
  Speaker 1: nothing about it get to that, And we've seen episodes
• 25:58
  Speaker 1: like that where we were watching live at the time,
• 26:01
  Speaker 1: and then you watch the episode as its own piece
• 26:03
  Speaker 1: of art, away from any of the advertising, the hype
• 26:06
  Speaker 1: around it, anything, start to finish its its own story
• 26:09
  Speaker 1: nothing else before it, where you can feel that's what
• 26:12
  Speaker 1: the episode is going for. We would have seen him
• 26:14
  Speaker 1: in SG one with the amount of people that have
• 26:16
  Speaker 1: died in that show, you can feel that it's about
• 26:18
  Speaker 1: like even when Daniel died, you could feel that it
• 26:21
  Speaker 1: was working up toward that. Now it's Daniel. But at
• 26:25
  Speaker 1: the same time, if you're watching it cold from the
• 26:27
  Speaker 1: piled episode until that stage and season.
• 26:31
  Speaker 3: Five, where does Sam come in with the healing thing, Yeah,
• 26:33
  Speaker 3: he's when you're thinking, you're they're.
• 26:35
  Speaker 1: Going, okay, this is really feeling like he's going to die.
• 26:38
  Speaker 1: But what's going to happen Where it's four minutes left,
• 26:42
  Speaker 1: nothing felt like, Oh, someone's dead and we're just going
• 26:45
  Speaker 1: to find out who it was. Hey, there's an explosion,
• 26:47
  Speaker 1: but I missed nobody died, and then generic Eric is
• 26:51
  Speaker 1: also going to blow up, Like nothing about it felt
• 26:54
  Speaker 1: like it was going to be the goodbye to anybody meaningful,
• 26:57
  Speaker 1: let alone one of the main characters. And so when
• 27:01
  Speaker 1: it happened and then that pops up that line, I'm like, yeah,
• 27:04
  Speaker 1: this is all working for me.
• 27:05
  Speaker 2: Yeah, yeah, specifically the line where she says, where the
• 27:08
  Speaker 2: sun grows till the sun grows cold. You can hear
• 27:10
  Speaker 2: this defiance and a voice too. Basically to me is
• 27:13
  Speaker 2: like telling death to get.
• 27:14
  Speaker 1: Yeah, just on on that.
• 27:17
  Speaker 2: The marketing for this they didn't have to do because
• 27:21
  Speaker 2: some piece of shit ruined the episode. And so he
• 27:26
  Speaker 2: was and if you're listening, you know you're a piece
• 27:28
  Speaker 2: of shit and the entire phantom hates you. He was
• 27:30
  Speaker 2: an extra working on set, and he took a photo
• 27:34
  Speaker 2: of the memorial with the giant flag over a coffin
• 27:38
  Speaker 2: and posted it online.
• 27:40
  Speaker 1: How hard do you have I mean, okay, what are
• 27:41
  Speaker 1: you talking two thousand and seven? How hard are you
• 27:44
  Speaker 1: working to get like Motorolla V what shitty quality phones cameras?
• 27:53
  Speaker 2: In the commentary they said, you know, in hindsight, what
• 27:55
  Speaker 2: they would have should have done is basically the flag
• 27:58
  Speaker 2: within a green screen. They would just put a green corn.
• 27:59
  Speaker 1: Yeah over there. Well, okay, compare that to and by
• 28:03
  Speaker 1: this stage it's been out for two and a half weeks,
• 28:06
  Speaker 1: but I won't go into details. But Deadpool and Wolverine,
• 28:10
  Speaker 1: we go into that movie knowing there's going to be
• 28:11
  Speaker 1: some cameos. There's a lot that were rumored. There were
• 28:14
  Speaker 1: other ones that were rumored to be one thing but
• 28:16
  Speaker 1: turned out to be another. And then there were ones
• 28:18
  Speaker 1: that absolutely came out of nowhere that would never and
• 28:22
  Speaker 1: one in particular, I don't know how the person who
• 28:26
  Speaker 1: spent that much time on set was able to do
• 28:29
  Speaker 1: that with so many other extras around, yeah, or crew
• 28:35
  Speaker 1: filming it and recording sound and anything. That person coming
• 28:40
  Speaker 1: back to a franchise was able to do what they
• 28:43
  Speaker 1: did for as long as they did in that film,
• 28:46
  Speaker 1: and it never made it out. And that's on a
• 28:48
  Speaker 1: film as big as this, as part of a franchise
• 28:51
  Speaker 1: that's as big as what this is, and a movie
• 28:53
  Speaker 1: that has anticipated for a number of reasons. Whereas we
• 28:57
  Speaker 1: get this episode whatever of season three back in two
• 29:01
  Speaker 1: thousand and seven, where someone's got a piece of shit
• 29:03
  Speaker 1: camera that's an extra in the background, and that was
• 29:06
  Speaker 1: able to get out. That can suck.
• 29:08
  Speaker 3: I didn't ruin it for me because I didn't read that.
• 29:12
  Speaker 1: Yeah, me.
• 29:12
  Speaker 2: Neither there was you know, it's for all the people
• 29:14
  Speaker 2: who are on the forums and stuff.
• 29:15
  Speaker 1: O me, I'm watching this going have I not seen him?
• 29:19
  Speaker 1: And in like the DVD cases, I've season four and
• 29:22
  Speaker 1: five like I'm their wonder because this I'm watching it
• 29:25
  Speaker 1: for the first time. He was fifteen, sixteen years ago
• 29:27
  Speaker 1: and I still didn't know to this point. I will
• 29:30
  Speaker 1: see God, what's his name the actual actor behind Beckett anyway,
• 29:35
  Speaker 1: Paul mcgillion. Yeah, I see him on Twitter or whatever
• 29:38
  Speaker 1: pictures of him at CONNS and I'm like, yeah, man, God,
• 29:42
  Speaker 1: I hope they bring back some type of stargetter or
• 29:44
  Speaker 1: in Atlanta something. It'd be so good to see him
• 29:46
  Speaker 1: come back as Beckett, you know, in the revideal.
• 29:48
  Speaker 2: With his weird full of grown turtles.
• 29:50
  Speaker 1: Not knowing that you know, he can't do that. And
• 29:53
  Speaker 1: all of a sudden, I found the other day my computer.
• 29:55
  Speaker 1: I know I've used it on the on the on
• 29:57
  Speaker 1: the podcast before when it was timely, but I I said,
• 30:00
  Speaker 1: I'm going to keep this to put on my wall
• 30:01
  Speaker 1: from my soundbites the and this episode finishes, I'm not
• 30:07
  Speaker 1: going to be able to use that anymore. Like not
• 30:09
  Speaker 1: not as with as much fun.
• 30:11
  Speaker 2: So wow, you mentioned Deadpool there, which is the whole
• 30:15
  Speaker 2: Marvel MCU thing, which is a great segue into this
• 30:19
  Speaker 2: little bit.
• 30:20
  Speaker 3: I can do this all day, just quite one of
• 30:23
  Speaker 3: the great.
• 30:24
  Speaker 2: However, Ronan's a cheaterh He cheated in that game when
• 30:31
  Speaker 2: you get to round three and he's got one arm
• 30:34
  Speaker 2: behind his back and he's on one leg and he
• 30:37
  Speaker 2: attacks Shepherd and spins around him. He elbows him with
• 30:43
  Speaker 2: the arm that's supposed to be out of bounce mother cheated,
• 30:48
  Speaker 2: bite back, That's what he said.
• 30:53
  Speaker 3: No penalties.
• 30:54
  Speaker 1: That mean. I was watching this and I thought, I
• 30:58
  Speaker 1: want to ask Maddie, like, of the options that were
• 31:01
  Speaker 1: thrown out for them to do go fishing, play golf,
• 31:07
  Speaker 1: what was the other one? Was there a third one?
• 31:08
  Speaker 1: Or even just the two.
• 31:09
  Speaker 3: Like botany buttany painting with.
• 31:14
  Speaker 1: Must have been the two the two activities that I
• 31:17
  Speaker 1: would definitely go for then, the golf or the fishing.
• 31:20
  Speaker 1: I'm like, all right, Maddie, if you had to spend
• 31:22
  Speaker 1: an entire day doing one of them, which one of you.
• 31:24
  Speaker 3: Take the explosive tumor instead of hanging out with weird
• 31:30
  Speaker 3: Actually you know what, she wasn't either. I would go
• 31:33
  Speaker 3: on a date with Weir. You chose to die.
• 31:37
  Speaker 1: You didn't give me the.
• 31:37
  Speaker 3: Option for lunch.
• 31:38
  Speaker 1: She gave me the option of gold for.
• 31:39
  Speaker 3: Fishing the activity.
• 31:41
  Speaker 1: Yeah, I feel like you would go and do paperwork
• 31:43
  Speaker 1: with Yeah, those.
• 31:44
  Speaker 2: You said gold for fishing. That was the only options
• 31:46
  Speaker 2: you gave me. Are you still chosen Yeah, if you
• 31:49
  Speaker 2: give you the option that lunch with Weir, which probably
• 31:51
  Speaker 2: would have its own fishy smell. According to Brandon, I would.
• 31:54
  Speaker 1: Say that, Wow, that's sexist.
• 31:56
  Speaker 3: I we totally would have got to hang out with Yeah.
• 31:59
  Speaker 1: No, I actually thought it was a brave line. First
• 32:03
  Speaker 1: for any you know pundits that you know are mad
• 32:05
  Speaker 1: golfers where Ronan says, oh, this is a sport and
• 32:11
  Speaker 1: John correct him goes, no, it's a game. And I
• 32:14
  Speaker 1: was like, oh shit, Like because I know that if
• 32:17
  Speaker 1: you're someone who is a golfer, you would consider that
• 32:19
  Speaker 1: a sport. And I only hear like the is it
• 32:22
  Speaker 1: one or the other from listening to Bill Burr's podcast,
• 32:25
  Speaker 1: He's like, it's not a sport, it's it is a
• 32:28
  Speaker 1: game that's played very competitively on the professional level. He said,
• 32:32
  Speaker 1: it can't be a sport when you can be as
• 32:35
  Speaker 1: unfit as some of those like late fifty early sixty
• 32:38
  Speaker 1: year old big fat Americans that sit there smoking and
• 32:41
  Speaker 1: drinking midway through a game, who can play, who can
• 32:44
  Speaker 1: play just as well as like a really fit, young
• 32:48
  Speaker 1: twenty something you.
• 32:49
  Speaker 3: Know, change that.
• 32:51
  Speaker 1: Yeah, But so the fact that you can look at
• 32:54
  Speaker 1: it as someone on the outside. But then like on
• 32:56
  Speaker 1: that show, he's like, no, no, no, he's really passionate about golf,
• 32:59
  Speaker 1: and he still goes, no, no, it's not a sport.
• 33:01
  Speaker 3: It's just yeah, well, I think why they can use
• 33:03
  Speaker 3: it as a verb.
• 33:05
  Speaker 1: Yeah, maybe I'm golfing. I would actually credit that.
• 33:09
  Speaker 2: I would credit that to Brad Right because in the
• 33:11
  Speaker 2: auto commentary, Martin Gira says he's one of the only
• 33:13
  Speaker 2: writers on staff that doesn't play golf, so he wrote
• 33:17
  Speaker 2: that scene and Brad went, I'm going to rewrite that
• 33:20
  Speaker 2: with the correct terminologies, and I'm just going to refresh
• 33:23
  Speaker 2: that for you. So I wouldn't be surprised it was
• 33:25
  Speaker 2: Brad Right who had the correction of going, it's not
• 33:28
  Speaker 2: a sport, it's a game, because yeah, he's he's a
• 33:30
  Speaker 2: hardcore golf.
• 33:32
  Speaker 1: I think I'd go for the fishing because I love
• 33:35
  Speaker 1: like Brindana with golfed with golfing before, and it's been fun.
• 33:41
  Speaker 2: But like I've golfed and fished and absolutely not wherever
• 33:46
  Speaker 2: you can drink, Yeah, that's and that's the yeah.
• 33:49
  Speaker 3: But that's the thing I have walking.
• 33:51
  Speaker 2: If you need to drink to enjoy whatever you're doing,
• 33:54
  Speaker 2: you're going to drink, but you can you're enjoying the drinking.
• 33:57
  Speaker 2: You're you're doing a thing to disguise the that you're drinking.
• 34:01
  Speaker 1: Yeah.
• 34:01
  Speaker 3: I wouldn't fish and I wouldn't play golf if there
• 34:03
  Speaker 3: was no booze.
• 34:05
  Speaker 2: Yeah, so you're you enjoy the booze. That's what I'm saying.
• 34:07
  Speaker 2: You don't actually enjoy going boozing. You don't enjoy golf
• 34:10
  Speaker 2: for fishing. Yeah, and you probably don't enjoy going to
• 34:13
  Speaker 2: football games because have you been to a football game
• 34:15
  Speaker 2: where you haven't had.
• 34:16
  Speaker 3: A drink When I was thirteen, You go, what I'm.
• 34:21
  Speaker 2: Saying, if you need alcohol to enjoy the activity, guys.
• 34:24
  Speaker 3: Maybe it's not the activity. Sure enhances it.
• 34:28
  Speaker 1: I can hang out with with friends sober and it'd
• 34:32
  Speaker 1: be a great time. I can hang out with those
• 34:34
  Speaker 1: same friends with six beers and it enhances it in
• 34:38
  Speaker 1: a different way.
• 34:39
  Speaker 3: Not like, oh, it makes you get looser, Yeah, quicker,
• 34:41
  Speaker 3: you get looser, quicker.
• 34:42
  Speaker 1: Yeah, it's enjoyable in a different way. And same with football.
• 34:46
  Speaker 1: Like I generally speaking, I work at football games, so
• 34:49
  Speaker 1: I don't drink. But on the old occasion where I
• 34:52
  Speaker 1: do go to a game and can have a beer,
• 34:54
  Speaker 1: yeah that is fun on earth. That's fine.
• 34:56
  Speaker 3: That's fine.
• 34:56
  Speaker 2: But I'm saying if you if you can't go to
• 34:59
  Speaker 2: a football game without drinking, maybe it's the drinking that
• 35:02
  Speaker 2: you're actually enjoying and.
• 35:03
  Speaker 3: Not so much.
• 35:05
  Speaker 1: Oh no, I think okay for golfing, I think.
• 35:11
  Speaker 3: We were just watching it while you were talking on
• 35:13
  Speaker 3: the screen and we're not drunk.
• 35:15
  Speaker 2: Yeah, yeah, no, I totally get that. I think watching
• 35:17
  Speaker 2: it on TV is very different.
• 35:18
  Speaker 3: Animal.
• 35:19
  Speaker 1: I'm the opposite.
• 35:20
  Speaker 2: So I had an I season tickets to the Brisbane Bullets,
• 35:22
  Speaker 2: the basketball team, for three seasons, and I was sitting
• 35:25
  Speaker 2: right behind the Bullets the dugout or whatever it is. No,
• 35:29
  Speaker 2: I could watch that. I still couldn't tell you a
• 35:31
  Speaker 2: single rule in basketball except for travel, and I still
• 35:34
  Speaker 2: don't particularly know how you quantify that. But I sat
• 35:39
  Speaker 2: there quite enjoyably for like three seasons watching that. I
• 35:43
  Speaker 2: went to a bar with some friends when we were
• 35:45
  Speaker 2: down in Sydney and we watched one of the games
• 35:47
  Speaker 2: that I would have been at if I wasn't in Sydney.
• 35:49
  Speaker 2: Bought out of my mind. It was actually was actually
• 35:52
  Speaker 2: the live, crowded atmosphere, sitting right behind the players and
• 35:55
  Speaker 2: stuff like that that I actually found enjoyable.
• 35:57
  Speaker 1: I couldn't watch it on TV.
• 35:59
  Speaker 3: Yeah, you can get into the refs and the touchies.
• 36:04
  Speaker 2: Did I tell you guys that story? Sitting right behind
• 36:07
  Speaker 2: the home team. The ref made a really bad call.
• 36:11
  Speaker 2: So I was like, guys, watch this and what I
• 36:14
  Speaker 2: meant to yell out was those who can't play ref.
• 36:20
  Speaker 2: That was my sledge brilliant, top tier for me, you know,
• 36:26
  Speaker 2: my third sports game ever. Unfortunately, what I yelled out was.
• 36:35
  Speaker 3: Those that can't play coach.
• 36:38
  Speaker 1: Oh wow, it wasn't even like you messed up the words.
• 36:41
  Speaker 1: You replaced a word.
• 36:44
  Speaker 3: There, the silence.
• 36:47
  Speaker 2: I was sitting in the whole area behind the bench
• 36:51
  Speaker 2: of the home team that were all the hardcore season
• 36:54
  Speaker 2: to get holders, next to my two mates who were
• 36:57
  Speaker 2: also hardcore basketball fans. I even got a couple of
• 37:00
  Speaker 2: side eyes from like, you know, like the first year
• 37:02
  Speaker 2: apprentice basketball players that would They're like, they're like the
• 37:07
  Speaker 2: if twelve other players all get injured, they might get
• 37:11
  Speaker 2: a minute of court time.
• 37:12
  Speaker 1: Even those guys.
• 37:13
  Speaker 2: Were shooting side eye at me, and I didn't realize
• 37:16
  Speaker 2: my mistake until a while.
• 37:19
  Speaker 1: You don't get to games anymore.
• 37:20
  Speaker 3: You say I gave you liked? What was wrong with that?
• 37:23
  Speaker 3: That was gold.
• 37:24
  Speaker 1: I was talking about our coach, obviously.
• 37:28
  Speaker 2: Unfortunately he was the only one in at the time.
• 37:32
  Speaker 3: I'm you know, I think the best choice about this
• 37:38
  Speaker 3: episode was actually Ronan going to check in on Rodney
• 37:42
  Speaker 3: when Rodney was packing up Beckett's gear. Yeah, just a
• 37:47
  Speaker 3: nice little scene, very very subtle, just he's like, why
• 37:51
  Speaker 3: didn't I just go fishing? He's like, don't.
• 37:55
  Speaker 1: There was a couple like one or two shots where
• 37:58
  Speaker 1: it kind of looked like I was holding back just
• 38:01
  Speaker 1: a slight like a whisper of a smile, And that's
• 38:04
  Speaker 1: what I'm like, Yeah, with us here, this isn't real.
• 38:08
  Speaker 1: But like what Elett was working that scene, he was like,
• 38:12
  Speaker 1: it was Rodney going without without an ounce of Rodney
• 38:16
  Speaker 1: is going. I'm I'm an If I would have been
• 38:21
  Speaker 1: selfish that day, this guy wouldn't have been around to
• 38:23
  Speaker 1: die and all this other stuff, and he was really
• 38:25
  Speaker 1: taking it personally. He was feeling responsible and all that,
• 38:28
  Speaker 1: and then rod and Ron is, yeah, that's that's not
• 38:32
  Speaker 1: your fault. I don't do that.
• 38:36
  Speaker 3: I've lost one friend.
• 38:37
  Speaker 2: I yeah, I did like it because yeah, yeah, that's
• 38:40
  Speaker 2: what I think the subtext was is I feel like
• 38:42
  Speaker 2: if anyone Ronan's had the most amount of loss, and
• 38:45
  Speaker 2: I feel like it's probably a little bit cliche for
• 38:47
  Speaker 2: like Rodney and Shepherd to have had that concession.
• 38:50
  Speaker 3: You know, Mitch, did you.
• 38:52
  Speaker 2: Have just a little bit of hope when ghost Rodney
• 38:54
  Speaker 2: showed up at the end.
• 38:56
  Speaker 1: No, But yet I found myself like, because that scene, oh,
• 39:01
  Speaker 1: I feel like he's standing somewhere we haven't. It's the
• 39:05
  Speaker 1: beer right.
• 39:06
  Speaker 2: Where the right on the outskirts the ship lands right
• 39:09
  Speaker 2: or you know, even further out than that, right.
• 39:10
  Speaker 1: Yeah, and so oh this is new. And then it
• 39:12
  Speaker 1: cuts to underneath looking you know, with the sky behind Rodney,
• 39:16
  Speaker 1: and I'm like, green screen is crazy. And then all
• 39:21
  Speaker 1: of a sudden, Becketts there and I'm like, oh, I
• 39:23
  Speaker 1: guess we can get I guess we can get away
• 39:26
  Speaker 1: with it looking so badly green screen, because because it's
• 39:31
  Speaker 1: almost like it's a dreamscape, and it's that I don't
• 39:34
  Speaker 1: know how to take that, whether that was a dream
• 39:36
  Speaker 1: or he's out there and he's just imagining it whatever.
• 39:38
  Speaker 3: Yeah, imagining you know.
• 39:40
  Speaker 2: Someone actually I read I can't take credit for this,
• 39:41
  Speaker 2: but I read a little bit of trivia and what
• 39:43
  Speaker 2: someone sort of connected the dots is they said, this
• 39:47
  Speaker 2: kind of set sets up. I don't think we see
• 39:49
  Speaker 2: it again, but it's at least two instances now where
• 39:53
  Speaker 2: McKay has a tendency tendency to hallucinate during times of
• 39:57
  Speaker 2: extreme emotional stress.
• 39:59
  Speaker 3: Being trapped in the jumper underwater.
• 40:01
  Speaker 2: And imagining Sam, yeah, and now having lost his best
• 40:04
  Speaker 2: friend and having an imaginary conversation with full blown it's
• 40:10
  Speaker 2: like on the spectrum, just a little bit, a little
• 40:12
  Speaker 2: bit acoustic.
• 40:13
  Speaker 3: Yeah, just yeah.
• 40:14
  Speaker 1: This episode really like it started dropping information about these
• 40:19
  Speaker 1: characters that I felt like I had slept through somehow,
• 40:23
  Speaker 1: Like where Rodney's there chatting up the botanist and I'm like,
• 40:27
  Speaker 1: he's kind of being a bit forwed and not even appropriate.
• 40:31
  Speaker 1: I just feel like he's, dude, calm down a little bit.
• 40:34
  Speaker 1: And then when he's sort of, you know, saying sorry
• 40:37
  Speaker 1: to Beckett for like I'm sorry, I've got a ditch
• 40:40
  Speaker 1: and you it just you know, it's her thing, and
• 40:41
  Speaker 1: she's been you know, on my back about not hanging
• 40:43
  Speaker 1: out with it. I'm like, oh, so this is this
• 40:45
  Speaker 1: is a thing. And then when she reminded me that
• 40:48
  Speaker 1: she's been there since the body swap.
• 40:50
  Speaker 2: And which, to be fair, is the last time we
• 40:53
  Speaker 2: saw her, which is like episode four of season two.
• 40:56
  Speaker 3: Right, yeah, like it's been a minute.
• 40:58
  Speaker 1: Yeah. So I'm like, oh, so you're telling me now,
• 41:01
  Speaker 1: I've never seen it, but you're telling me now that
• 41:02
  Speaker 1: you guys have kind of been a thing since then,
• 41:05
  Speaker 1: or at least somewhere between then and now, have become
• 41:08
  Speaker 1: a thing. And even jokes, oh, we can't even really,
• 41:11
  Speaker 1: we could barely call us as a couple. And I'm like,
• 41:13
  Speaker 1: you almost couldn't at all, No, because this is the
• 41:16
  Speaker 1: first time hearing of it. And then with Shepherd, you know,
• 41:19
  Speaker 1: they're hanging out with Ronan and he's like, oh, so
• 41:22
  Speaker 1: you're seeing anyways, I'm not ready to date, he is,
• 41:23
  Speaker 1: what about you? When are you getting married? Just like
• 41:25
  Speaker 1: straight to marriage, not even like when you get up
• 41:27
  Speaker 1: with somebody, when you get to talk to a girl
• 41:29
  Speaker 1: that's not Weird or Taylor, and he's like, when are
• 41:31
  Speaker 1: you getting married? The old shagger and he's like, oh no,
• 41:34
  Speaker 1: I've been there, done that wasn't very good. And I'm like,
• 41:37
  Speaker 1: you were married, bitch, Like yeah, Nancy.
• 41:40
  Speaker 3: Life, Nancy was almost married.
• 41:48
  Speaker 2: We kind of knew that she was someone who he said,
• 41:52
  Speaker 2: close enough.
• 41:53
  Speaker 3: Yeah, we saw her die though in the flashback in
• 41:57
  Speaker 3: the hospital.
• 42:00
  Speaker 1: Yeah, I thought it was his wife. When he goes
• 42:02
  Speaker 1: close enough and I'm like, dude, don't try and get
• 42:04
  Speaker 1: away from it that much. She's dead. She's not coming
• 42:06
  Speaker 1: after you.
• 42:06
  Speaker 3: Well, like I'm sure you would have noticed. Every time
• 42:09
  Speaker 3: they get something really juicy, the explosion happens, Weird and
• 42:14
  Speaker 3: Beardo Wallface kiss that Grizzly Adams motherfucker hat and then
• 42:22
  Speaker 3: they're like, oh, why can't we be together? You know,
• 42:24
  Speaker 3: I can't split my time. Boom doctor Weird to the
• 42:29
  Speaker 3: whatever they call embarkation room, and then it's Taylor. He's like,
• 42:33
  Speaker 3: I thought you'd be hook up with Taylor Shepherd and
• 42:35
  Speaker 3: then boom explosion, then Rodney the same and then Taylor
• 42:39
  Speaker 3: was going to go to lunch with that girl she
• 42:41
  Speaker 3: didn't actually like her. She's like, oh, I forgot a
• 42:43
  Speaker 3: bag or something back then, and then boom.
• 42:45
  Speaker 2: Her bend Hoss Rods, which is the name they dropped
• 42:49
  Speaker 2: in this episode for her fighting sticks.
• 42:50
  Speaker 3: Well there you go, and she always keeps in the
• 42:53
  Speaker 3: fighting room anyway, so she didn't actually forget them. She
• 42:56
  Speaker 3: just doesn't like that and she's glad she's dead.
• 42:58
  Speaker 1: Now. We never heard the like the fact that we
• 43:01
  Speaker 1: kept jumping back and again we'd already done Taylor, that's fine,
• 43:05
  Speaker 1: but I thought maybe we would hear The beginnings of
• 43:09
  Speaker 1: the conversation started off the episode where her and blown
• 43:13
  Speaker 1: up Chick talking like, oh he you should definitely oh no,
• 43:16
  Speaker 1: my culture, but you should make are you talking about?
• 43:20
  Speaker 1: Are you talking about? And then when we get.
• 43:22
  Speaker 3: You'll find out maybe next season okay, cool, very like disappointing.
• 43:28
  Speaker 1: Right right right, because like then we get the Ronan
• 43:30
  Speaker 1: thing and I'm like, well, it would be such a
• 43:32
  Speaker 1: you know, Ross and Rachel O'Neill and Carter thing for
• 43:36
  Speaker 1: it to be Taylor and Shepherd. But then when we
• 43:39
  Speaker 1: get the Ronan Shepherd scene where he's like, I just
• 43:42
  Speaker 1: always thought you and Taylor were totally bum bugglies, you know,
• 43:45
  Speaker 1: And I'm like, okay, so this this part of the
• 43:48
  Speaker 1: storyline is teasing that it is related to what we
• 43:52
  Speaker 1: saw at the start, but then we get no payoff
• 43:55
  Speaker 1: with revealing what they were talking about. But there you go,
• 43:58
  Speaker 1: you guys.
• 43:59
  Speaker 2: I don't have a problem though, and it's it's a
• 44:00
  Speaker 2: it's a larger issue of you know, writing in you
• 44:04
  Speaker 2: know the two thousands, where when it's a group of
• 44:08
  Speaker 2: men in a writing room writing women, they feel the
• 44:11
  Speaker 2: need to partner them up, like they only seem to
• 44:14
  Speaker 2: validate these women by putting them with the man.
• 44:17
  Speaker 1: Let's put them in there are to sail the Bechdel tests. Yeah, yeah,
• 44:21
  Speaker 1: let's kick off the episode.
• 44:23
  Speaker 2: Oh the Bechdel test is going to get thrown out
• 44:24
  Speaker 2: the window next week?
• 44:26
  Speaker 3: What next?
• 44:27
  Speaker 1: Next? SU one.
• 44:30
  Speaker 3: Daddy issues?
• 44:31
  Speaker 1: Yeah.
• 44:32
  Speaker 2: What I did want to commiment this episode on in
• 44:35
  Speaker 2: its twenty twenty four noess is maybe maybe Cooper took
• 44:40
  Speaker 2: the week off, Maybe he was too busy off watching
• 44:42
  Speaker 2: his daughter get filmed.
• 44:44
  Speaker 3: That came out wrong?
• 44:45
  Speaker 1: Yes it did last week, Brendan turn out Mike, except
• 44:50
  Speaker 1: for a second, just you just reset. Yeah.
• 44:53
  Speaker 2: The views expressed bitch many do not reflect those of
• 44:56
  Speaker 2: getting to gate LLC and it's affiliates. What I would
• 45:01
  Speaker 2: like to compliment this episode on is this is probably
• 45:05
  Speaker 2: the most progressive and non homophobic.
• 45:07
  Speaker 1: It's bin in this one line, Oh no, indeed, anyway,
• 45:13
  Speaker 1: you're like a woman or a man?
• 45:17
  Speaker 3: No, no, like John.
• 45:19
  Speaker 1: John was very open minded being like or a man.
• 45:22
  Speaker 3: I don't know, you can do whatever you want.
• 45:24
  Speaker 2: But the derisive sort of like no, come yeah, he's like,
• 45:29
  Speaker 2: this isn't I'm not wasting this on another like that.
• 45:31
  Speaker 1: But it wasn't like they lingered on him going like
• 45:34
  Speaker 1: no or anything.
• 45:35
  Speaker 3: He wasn't disgusted.
• 45:36
  Speaker 1: Yeah, it wasn't. It wasn't ninety ninety seven, two thousand
• 45:40
  Speaker 1: and seven type things. So yeah, the other week, so
• 45:45
  Speaker 1: we're almost at like a simple because we got kids
• 45:47
  Speaker 1: that are growing up. Like I got one boy who's
• 45:49
  Speaker 1: just about to turn twelve, and say, you know, god,
• 45:51
  Speaker 1: when I was I'm thinking of the first crush overhead
• 45:54
  Speaker 1: and a girl at school. I was probably eight, you know,
• 45:56
  Speaker 1: seven or eight or something. So the fact that he's
• 45:58
  Speaker 1: going to a you know, a boy and girls school
• 46:01
  Speaker 1: and he's eleven, like, as if he hasn't got a crush,
• 46:04
  Speaker 1: surely by now he's at least had a crush on somebody,
• 46:07
  Speaker 1: just at.
• 46:07
  Speaker 2: Least notice somebody. Oh, I like that aesthetic of whoever
• 46:10
  Speaker 2: that is.
• 46:11
  Speaker 1: Yeah, And you know, we try to play it pretty open,
• 46:13
  Speaker 1: my wife and I and we'll say, you know, like
• 46:16
  Speaker 1: joke about a girlfriend or you know, joke about a
• 46:18
  Speaker 1: boyfriend or something, or is there anyone.
• 46:19
  Speaker 2: That I think your Your wife famously calls us your
• 46:22
  Speaker 2: boyfriends short.
• 46:23
  Speaker 1: Every time you guys message me, it's like, when do
• 46:25
  Speaker 1: we want to record tonight?
• 46:26
  Speaker 4: Oh?
• 46:26
  Speaker 1: What are your boyfriend's saying? And I'm like, it's not
• 46:28
  Speaker 1: just we don't get naked into we're there, shut up,
• 46:30
  Speaker 1: And we try and keep it pretty open because you know, Rhodos,
• 46:34
  Speaker 1: we don't know what he's into.
• 46:36
  Speaker 2: It's fine, that's what you got to normalize that. It's like,
• 46:38
  Speaker 2: it's not do you have a girlfriend.
• 46:39
  Speaker 1: Or we're only going to ask girlfriend to make you
• 46:42
  Speaker 1: feel awkward, to admit that it's a boy until you're
• 46:44
  Speaker 1: far later when you should have known earlier. Whatever. Whatever.
• 46:47
  Speaker 1: But he had to get some surgery the other week,
• 46:49
  Speaker 1: So give me.
• 46:50
  Speaker 3: The kids at the school these days being you're gay,
• 46:53
  Speaker 3: like we.
• 46:53
  Speaker 1: Used to know, right, And he's about to go to
• 46:56
  Speaker 1: an all boys school next year for high school, so
• 46:59
  Speaker 1: like that will be happening you know, and you can't
• 47:03
  Speaker 1: stop that, you know. Hopefully the viciousness is out of it,
• 47:06
  Speaker 1: but it is going to be. It is going to
• 47:07
  Speaker 1: be there and all boys school, that's where the gay
• 47:10
  Speaker 1: stuff happens. Yeah, exactly why yeah, yeah, god, I mean
• 47:12
  Speaker 1: Brendan and I went to a coed school where you
• 47:14
  Speaker 1: just heard stories, all the stories we have heard.
• 47:16
  Speaker 2: Oh, I caught it with your mom today and heard
• 47:18
  Speaker 2: a lot of schoolly stories. So we'll talk about that later.
• 47:20
  Speaker 1: That's a Patreon special all over that.
• 47:23
  Speaker 2: But yeah, oh, apparently Mitch's mum got a phone call
• 47:27
  Speaker 2: at nine pm because there was a girl in his
• 47:29
  Speaker 2: room at school. Is at nine pm, And it's the
• 47:31
  Speaker 2: most boring story. Yeah, yeah, yeah, it's a Leisha. Nothing
• 47:35
  Speaker 2: would have happened.
• 47:36
  Speaker 1: Yeah, and nothing did happen, not for another nine months.
• 47:39
  Speaker 1: Let me tell you, so, four hours sitting, he had
• 47:46
  Speaker 1: to go in for some surgery under anesthetic. So he
• 47:48
  Speaker 1: gets knocked out and he comes back and we're we're
• 47:50
  Speaker 1: going to have some fun, you know, like my little
• 47:51
  Speaker 1: six year old he'd had the same surgery the same day.
• 47:54
  Speaker 1: He comes out and we're like, you know, Sarah's again,
• 47:56
  Speaker 1: who's your favorite? You know? He just he ranked the
• 47:58
  Speaker 1: family members like vish sleep with no question, told us yeah, yeah, yeah,
• 48:03
  Speaker 1: well because when he was under here, when he's on,
• 48:05
  Speaker 1: he's coming out and so obviously clearly loves Mum the most,
• 48:09
  Speaker 1: Denny's sister. Then it's me, Thank god, I got to start.
• 48:12
  Speaker 1: And then it was like which one of his brothers
• 48:14
  Speaker 1: that he likes the most, and a few other things,
• 48:15
  Speaker 1: blah blah blah. Then the eleven year old comes out, Well,
• 48:17
  Speaker 1: let's have a bit of fun with him, and he
• 48:19
  Speaker 1: was quite upset, and I think he knew that we
• 48:21
  Speaker 1: were having fun with him though that he would remember it,
• 48:22
  Speaker 1: but he didn't like the idea of how he was feeling,
• 48:25
  Speaker 1: and that he was confused and dopey and whatever. And
• 48:27
  Speaker 1: then it sort of, you know, he went to sleep
• 48:29
  Speaker 1: a little bit, woke back up, and Sarah's like this,
• 48:31
  Speaker 1: this is our moment. Hey, James, have you got a girlfriend?
• 48:35
  Speaker 1: You know?
• 48:36
  Speaker 3: Or what you know?
• 48:36
  Speaker 1: What's your girlfriend's name? I don't have a girlfriend? Okay,
• 48:40
  Speaker 1: good he passed the test, Like we couldn't fool him
• 48:42
  Speaker 1: into that one, Like okay, that's fine, that's okay. What's
• 48:46
  Speaker 1: your do you have a boyfriend? I'm not good just
• 48:52
  Speaker 1: not even like I don't have a boyfriend. It was
• 48:54
  Speaker 1: just so like so that's where I said, oh, this
• 48:57
  Speaker 1: is what kids they're talking about it. And but it
• 48:59
  Speaker 1: wasn't even like, oh, I'm not gay, that's gross, because
• 49:01
  Speaker 1: I get my sister's gay, and we've got you know,
• 49:04
  Speaker 1: we're very you know, from very early on, it was
• 49:06
  Speaker 1: such a great environment to grow up in. They've got
• 49:08
  Speaker 1: and Arnie who's in the same sex thing that she plays,
• 49:10
  Speaker 1: you know, essentially a male dominated sport. They grow up
• 49:13
  Speaker 1: in a world where, you know, gay people can get
• 49:15
  Speaker 1: married in our country, which is great that's happened in
• 49:17
  Speaker 1: their time. They're watching women play.
• 49:19
  Speaker 2: Your sister is the sportiest and the like, the the
• 49:23
  Speaker 2: most confident when it comes to like construction and building and.
• 49:25
  Speaker 1: The yeah, trading. I borrowed tools for the other week
• 49:27
  Speaker 1: to you know, to do some stuff at home, so
• 49:29
  Speaker 1: all that sort of stuff. But he just still says,
• 49:31
  Speaker 1: so clearly, just come out as I'm not go like okay,
• 49:35
  Speaker 1: And we're sitting there laughing, like in absolute silence. It's
• 49:38
  Speaker 1: like like violently shaking with laughter. And we'll remind him
• 49:41
  Speaker 1: of that eventually because he doesn't remember it now. So
• 49:43
  Speaker 1: like to watch this episode only like days after that happened,
• 49:46
  Speaker 1: and I was just like, holy shit, like Jason Mowa
• 49:49
  Speaker 1: just did the exact same thing my eleven year old later.
• 49:52
  Speaker 3: No, not there's anything wrong.
• 49:57
  Speaker 2: Yeah, Royan's father's gay.
• 50:03
  Speaker 3: My father's gay. Where the did that piper come from?
• 50:08
  Speaker 2: Oh? The bagpiper? Or they shipped him in from the SGC.
• 50:12
  Speaker 2: He's just been there the whole time, the whole time
• 50:15
  Speaker 2: that that was his one luxury We need a piper.
• 50:19
  Speaker 2: His one luxury item was his bagpipes and his kilt. Yeah,
• 50:23
  Speaker 2: his day office. He was actually on like he was.
• 50:25
  Speaker 2: He was on the north northwest pr far away as
• 50:30
  Speaker 2: far as he's could playing.
• 50:31
  Speaker 1: Oh Danny boy. I just liked the idea that they're
• 50:34
  Speaker 1: going through the books.
• 50:35
  Speaker 3: That Irish I just bagpipes. Oh yeah, I don't know.
• 50:40
  Speaker 3: I'm asking pretty sure that was into trouble.
• 50:44
  Speaker 2: But something you guys know me my Irish and Scottish
• 50:46
  Speaker 2: accents for exactly the same.
• 50:47
  Speaker 3: They're impeccable.
• 50:49
  Speaker 2: I don't see borders, guys, exactly, you see oceans.
• 50:56
  Speaker 1: They're sitting there at the accounts guy and they're going
• 50:58
  Speaker 1: through with how much it costs to turn the bloody
• 51:00
  Speaker 1: thing on and whether they've had to.
• 51:02
  Speaker 7: Steal the uh them from the ship to chuck into
• 51:08
  Speaker 7: the things just so that they can send a bagpipe
• 51:10
  Speaker 7: play it through and the gum.
• 51:12
  Speaker 1: Through the paper?
• 51:13
  Speaker 3: Yeah what what?
• 51:15
  Speaker 1: Sorry? What was this? On May twenty five one? We
• 51:19
  Speaker 1: switched it on for one person to travel tog It's
• 51:21
  Speaker 1: just like, yeah, he was dead, he took he took
• 51:24
  Speaker 1: no bags. We had a bagpipe. Yeah, sorry, what was that?
• 51:28
  Speaker 5: Well?
• 51:28
  Speaker 1: Someone dies, like people die all the time. Yeah, why,
• 51:32
  Speaker 1: it's like he's a main character saying oh well no,
• 51:34
  Speaker 1: never mind, he was the doctor.
• 51:35
  Speaker 2: Like, let's just raise the questions the doctor, sir, you
• 51:38
  Speaker 2: said no bags? Is a bagpipe?
• 51:40
  Speaker 3: A bag? What did he smuggle in with that bagpipe?
• 51:46
  Speaker 2: Interesting?
• 51:46
  Speaker 3: Not all bags and bagpipes, bagpipes of bag true? Yeah,
• 51:52
  Speaker 3: what the laundry's going? Why can't we do this on Earth?
• 51:55
  Speaker 1: Yeah?
• 51:56
  Speaker 2: Well that's and that's the thing is they do, because
• 51:58
  Speaker 2: then they turned stag It on and they all walked
• 52:00
  Speaker 2: back at through the stargates taking.
• 52:03
  Speaker 3: Just like I guess he's pretty fresh, isn't he? Like
• 52:08
  Speaker 3: he they wouldn't have done all the.
• 52:10
  Speaker 2: Oh yeah, that that's why. That's why the coffin was
• 52:13
  Speaker 2: metal because it was in the fridge. Yeah, yeah, well
• 52:16
  Speaker 2: it would.
• 52:17
  Speaker 3: Have been cool. I had have just released him into
• 52:19
  Speaker 3: the gate to go back to Earth. How they've done
• 52:23
  Speaker 3: that before then?
• 52:23
  Speaker 2: I remember, you remember it was an explosion, So I
• 52:26
  Speaker 2: don't know if he would have gone back in a
• 52:28
  Speaker 2: whole piece.
• 52:30
  Speaker 3: I thought he just died of like third degree burns.
• 52:33
  Speaker 2: He was holding an explosive tumor.
• 52:36
  Speaker 3: He gave it to the you're right, You're right.
• 52:38
  Speaker 2: Yeah, he was brushed in the dusty and except was
• 52:42
  Speaker 2: a little bit further away, he got enveloped.
• 52:45
  Speaker 3: I don't he should have ran.
• 52:46
  Speaker 2: I think either he went back in several pieces, or
• 52:49
  Speaker 2: that entire gate trim smelled like bacon.
• 52:51
  Speaker 1: Yeah, Scottish bacon.
• 52:54
  Speaker 3: Yeahs as he's just a blood sausage that yeah, cooked blood.
• 53:01
  Speaker 1: Brendan, Since you were kind I got to bring this
• 53:05
  Speaker 1: out again on January twenty four.
• 53:08
  Speaker 2: Brendan, since you were kind of not as hard on
• 53:10
  Speaker 2: where as I thought you were going to be this episode.
• 53:12
  Speaker 3: You put words in my mouth. I've always been a gentleman.
• 53:16
  Speaker 1: Now you put words in.
• 53:17
  Speaker 2: Your own mouth. People say a lot of things about
• 53:21
  Speaker 2: you gentlemen. Is never one of them. I have a
• 53:26
  Speaker 2: little bit of a present for you.
• 53:29
  Speaker 3: Better not be a Jonas Quinn dole.
• 53:33
  Speaker 2: Better better Now it's quite well established in this room.
• 53:37
  Speaker 3: Can you just give me, just give me your best
• 53:40
  Speaker 3: Robert C. Cooper impersonation. Just give me a m I
• 53:45
  Speaker 3: don't like geze. Yeah, okay, so that's perfect. That's perfect.
• 53:49
  Speaker 2: Now if that impression was it was like an amplifier
• 53:52
  Speaker 2: dial and that's that's like a nine.
• 53:55
  Speaker 3: Turn it down. Turn the not the wording, just turn.
• 53:58
  Speaker 2: The impression down to like a three for me, like
• 54:03
  Speaker 2: the accent of the yeah yeah, yeah, the accent, just
• 54:06
  Speaker 2: the impression, like the voice.
• 54:09
  Speaker 3: I don't like gaze perfect.
• 54:12
  Speaker 2: Let me play you something from the audio commentary from
• 54:17
  Speaker 2: One Mountain Hero.
• 54:18
  Speaker 6: It's weird because like I showed this episode to Robert
• 54:20
  Speaker 6: Cooper and he's like, they're gonna hate this episode. And
• 54:24
  Speaker 6: I was like really, and he was, of course talking
• 54:26
  Speaker 6: about the Beckett thing, and I was like, he was like, no,
• 54:29
  Speaker 6: they're gonna hate it because you're gonna fool them into
• 54:31
  Speaker 6: this is gonna be their favorite episode.
• 54:34
  Speaker 1: He's putting on.
• 54:37
  Speaker 2: So he's basically putting on, like I said, what we
• 54:39
  Speaker 2: do as a nine or ten. He's doing it A three.
• 54:42
  Speaker 2: But he said, he goes, are going to hate this.
• 54:43
  Speaker 1: That's what he does. Listen very careful.
• 54:46
  Speaker 6: It's weird because like I showed this episode to Robert
• 54:48
  Speaker 6: Cooper and he's like, they're gonna hate this episode. And
• 54:52
  Speaker 6: was like, and he was, of course talking about the
• 54:54
  Speaker 6: Beckett thing, and I was like, he was like, no,
• 54:56
  Speaker 6: they're gonna hate it because you're gonna fool them into
• 54:58
  Speaker 6: thinking this is going to be their favorite An episode
• 55:01
  Speaker 6: until the end and then sure enough they got to
• 55:03
  Speaker 6: hate it.
• 55:04
  Speaker 3: Wow, they're going to hate it. So everyone has the
• 55:08
  Speaker 3: same personation of Cooper. It's hilarious and.
• 55:11
  Speaker 1: I knows him well and Brennan who's never met him,
• 55:13
  Speaker 1: and they're both coming to the same conclusion. I love it.
• 55:16
  Speaker 3: He's not gonna like it.
• 55:18
  Speaker 1: I've never paid for a meal.
• 55:22
  Speaker 3: I thought you were going to pay me about out
• 55:24
  Speaker 3: about my impression or something, because no, it's spotless.
• 55:28
  Speaker 5: We have this.
• 55:28
  Speaker 2: We have.
• 55:31
  Speaker 1: We have the.
• 55:35
  Speaker 3: Oh Canada. Me and my kids have this thing where
• 55:38
  Speaker 3: we press Syrian tell it like to do stupid things.
• 55:42
  Speaker 3: I play, my son goes play poo poop bum bumb peep,
• 55:46
  Speaker 3: and then this song comes on and then my kids
• 55:48
  Speaker 3: are like, did you make that? So this is the song?
• 55:51
  Speaker 3: I didn't make it, but they think They still go dad,
• 55:54
  Speaker 3: did you make this? Derek? And this is me like
• 55:58
  Speaker 3: this to be six baby, that's.
• 56:02
  Speaker 1: No baby poo.
• 56:05
  Speaker 3: Sticky sticky pool bum ba hey stinky.
• 56:09
  Speaker 1: Booooo bum bum poo.
• 56:19
  Speaker 2: That's just a reconvinced that's just a ricking morty song
• 56:21
  Speaker 2: at that point. That is I think I think you
• 56:24
  Speaker 2: got so drunk one night your alter ego to go over. Yeah,
• 56:29
  Speaker 2: you took over recorded that and you have no no
• 56:33
  Speaker 2: record of that bumbo? Do you know?
• 56:35
  Speaker 1: Just on Alexis though?
• 56:36
  Speaker 2: Did you know that?
• 56:37
  Speaker 1: If you whisper to your Alexa?
• 56:40
  Speaker 3: She whispers back, that's great. I need I don't have
• 56:43
  Speaker 3: one because I'm too creeped out.
• 56:44
  Speaker 1: You guys need to do that, you know, I don't know.
• 56:45
  Speaker 3: I haven't gonna let know. This is Siri in the car.
• 56:47
  Speaker 1: Oh okay, we'll try. Seriously.
• 56:49
  Speaker 3: If she does it sucks bro okay, if only well
• 56:53
  Speaker 3: I changed I changed my Siri to a South African
• 56:57
  Speaker 3: man like ba excellent though doesn't sound like bar like
• 57:01
  Speaker 3: what's my name today? Siri? This is how much serious?
• 57:10
  Speaker 3: So yeah, let's play.
• 57:10
  Speaker 1: Let's play mock the floor technology. I'll ask, hey, Siri,
• 57:17
  Speaker 1: what's the weather and Brisbane At the moment, it's currently
• 57:21
  Speaker 1: clear boring. Just when you said that your kids thought
• 57:27
  Speaker 1: that you you wrote that, and you made that it
• 57:29
  Speaker 1: reminded me of something. I'm sure you remember it, and
• 57:31
  Speaker 1: I'm so sorry, Maddie.
• 57:33
  Speaker 3: I just have to make reference to alpen it for carmel.
• 57:40
  Speaker 2: We do.
• 57:40
  Speaker 1: Actually, yeah, little maybe you can play vitamin C for
• 57:43
  Speaker 1: friends for are the instrumental It means it's a camel
• 57:48
  Speaker 1: background with you guys talk No, Brendan got up background.
• 57:53
  Speaker 1: We were really talented, Maddie, and we did singing okay,
• 57:57
  Speaker 1: because our voices, especially age fifteen to seventeen, we were like,
• 58:03
  Speaker 1: we're like a prodigy. We were the voice of a generation.
• 58:06
  Speaker 1: And Brendan and another mate of ours got up and
• 58:10
  Speaker 1: had to sing. I'm not sure what for, but they
• 58:12
  Speaker 1: sung this song.
• 58:15
  Speaker 5: Man.
• 58:18
  Speaker 1: I'm not sure what for, but Brendan, I would say,
• 58:21
  Speaker 1: Brodie got up and sung Man in the Mirror.
• 58:24
  Speaker 3: Yeah.
• 58:25
  Speaker 1: And then I remember you coming up to me at
• 58:27
  Speaker 1: the end and saying people came up to you and said,
• 58:30
  Speaker 1: did you write that?
• 58:31
  Speaker 4: Yeah?
• 58:31
  Speaker 3: They did, Jackson and and Brodie goes yeah. I was like, okay, yeah,
• 58:36
  Speaker 3: we'll go with this. It was about thirty grade twelve
• 58:39
  Speaker 3: girls asking us if we wrote.
• 58:40
  Speaker 1: Oh we scrage twelve girls. Absolutely they wrote it now
• 58:44
  Speaker 1: in fairness to those other idiots, and the teachers were like, no,
• 58:49
  Speaker 1: who had grown up with my mom loving the king
• 58:52
  Speaker 1: of pop Michael Jackson. I had never heard that song
• 58:56
  Speaker 1: up until that moment when you're singing.
• 58:58
  Speaker 3: It, because the reason I heard it was because of
• 59:01
  Speaker 3: the history that you lent me.
• 59:02
  Speaker 1: I would.
• 59:03
  Speaker 3: Yeah.
• 59:03
  Speaker 1: I clearly didn't go back and listens. I probably hit
• 59:06
  Speaker 1: up disc one through the end and just heard like
• 59:08
  Speaker 1: the sixth one of the best, one of his best. Yeah,
• 59:11
  Speaker 1: and now I love that. I do love that song,
• 59:13
  Speaker 1: but I'd never heard it before you guys sung it
• 59:15
  Speaker 1: that day. And then you come up because people ask
• 59:18
  Speaker 1: whether I wrote it, I'm like, who would? But then
• 59:23
  Speaker 1: you very quickly follow that up.
• 59:24
  Speaker 2: With like idiots and like, I know, right, ironically John
• 59:28
  Speaker 2: Lennon's it's not him.
• 59:31
  Speaker 1: Ironically.
• 59:31
  Speaker 2: I had one little last piece of audio here that
• 59:33
  Speaker 2: I wasn't sure how to set up without making it
• 59:34
  Speaker 2: a downer. But you've you've really just set up perfectly
• 59:37
  Speaker 2: there where I go hearing that story. I'm very much
• 59:40
  Speaker 2: feeling how Taylor felt.
• 59:42
  Speaker 3: Taylor Swift.
• 59:45
  Speaker 2: I feel a great sadness. I feel a great.
• 59:52
  Speaker 3: Sernce that is good.
• 59:54
  Speaker 1: Every time I hear a camel chat it just I
• 59:57
  Speaker 1: have great sadness.
• 59:58
  Speaker 2: I feel like it makes feel like you guys were
• 59:59
  Speaker 2: educated in the US, now just the Redlands.
• 1:00:09
  Speaker 3: I mean, people in our school did get OP ones.
• 1:00:13
  Speaker 3: It's not Yeah, but isn't it rated on a curve
• 1:00:14
  Speaker 3: or whatever? Yeah? So they got ones?
• 1:00:17
  Speaker 2: Yeah, but but I'm saying, like, isn't that like on
• 1:00:20
  Speaker 2: a curve of just your school, not the entire thing?
• 1:00:23
  Speaker 1: I think? Isn't that how they graded it back in
• 1:00:25
  Speaker 1: the day.
• 1:00:26
  Speaker 2: Maybe, So it's like they just they just got an
• 1:00:28
  Speaker 2: OP one because that everyone else they were the smartest
• 1:00:31
  Speaker 2: monkey at the zoo kind of thing.
• 1:00:33
  Speaker 3: You know what I mean, they didn't throw ship at
• 1:00:36
  Speaker 3: the teacher.
• 1:00:36
  Speaker 1: Yeah one at the time. Yeah, I mean even relationship,
• 1:00:41
  Speaker 1: it was like in a solid twelve because she was
• 1:00:44
  Speaker 1: and I was twenty one.
• 1:00:45
  Speaker 3: She was chat GPT You're like, can you write me one?
• 1:00:51
  Speaker 3: You know, based on mine diligence? Yeah, you don't know
• 1:00:55
  Speaker 3: how You've done.
• 1:00:55
  Speaker 1: That assignment three weeks before it's due you've got so
• 1:00:58
  Speaker 1: much time to write it, like an idiot would. Oh
• 1:01:02
  Speaker 1: my god, ocause otherwise Brendan and I are going to
• 1:01:05
  Speaker 1: get together the night before pretend we're going to do it.
• 1:01:07
  Speaker 1: We had to end up, I don't know, dress like
• 1:01:09
  Speaker 1: our teachers making a fun video walking to school and
• 1:01:11
  Speaker 1: writing it on paper.
• 1:01:12
  Speaker 3: Well we did that. We watched the movie Rebecca and
• 1:01:15
  Speaker 3: pretended we read the book. How did that with Congo
• 1:01:17
  Speaker 3: in grade nine?
• 1:01:18
  Speaker 1: Yeah, it was a great movie.
• 1:01:20
  Speaker 2: The ironic thing is I picked the book because it
• 1:01:22
  Speaker 2: was the book based on the movie. But then I
• 1:01:25
  Speaker 2: still didn't read the book. I just won't watch the movie.
• 1:01:27
  Speaker 2: Oh yeah, that's what you do, stupid bird.
• 1:01:31
  Speaker 3: That was the word. Yes, supposed to be a great
• 1:01:35
  Speaker 3: American writing I got.
• 1:01:38
  Speaker 2: You know how like some teachers they like they get
• 1:01:39
  Speaker 2: in their in their vibe and they give you like
• 1:01:41
  Speaker 2: a little certificate at the end of the year, like
• 1:01:43
  Speaker 2: most you know, suck up or whatever. My English teacher
• 1:01:47
  Speaker 2: gave gave one to like one for each of the class,
• 1:01:50
  Speaker 2: like you were the one that you know did this,
• 1:01:52
  Speaker 2: you would one that did this. I got two in
• 1:01:54
  Speaker 2: my final year because I can't remember the name of
• 1:01:56
  Speaker 2: the book. But to her, it was one of the
• 1:01:58
  Speaker 2: most traumatic stories about like spousal abuse and all that
• 1:02:03
  Speaker 2: kind of stuff. And we were doing like a class
• 1:02:05
  Speaker 2: reading and at one point, and which is one of
• 1:02:08
  Speaker 2: the most traumatic parts for her, was when the husband
• 1:02:11
  Speaker 2: calls his wife a rhino and I just pissed out laugh. Yeah,
• 1:02:17
  Speaker 2: it was something like that. It was just one of
• 1:02:19
  Speaker 2: the most petty It was like saying you're a stinky head.
• 1:02:21
  Speaker 2: Basically I laughed at just the sheer ludicrousness of the fact,
• 1:02:28
  Speaker 2: like just like, this man's not threatening, he's a child
• 1:02:31
  Speaker 2: like And she'd never actually seen that interpretation before. Really
• 1:02:35
  Speaker 2: it's stuck with her ever since then. So she like
• 1:02:37
  Speaker 2: she gave me a normal certificate and then gave me
• 1:02:38
  Speaker 2: another one for going for showing me that this man's
• 1:02:41
  Speaker 2: actually a man child. This traumatic character that she'd held
• 1:02:45
  Speaker 2: on to, like since she read the book when she
• 1:02:47
  Speaker 2: was our age.
• 1:02:50
  Speaker 1: Was one of the worst.
• 1:02:51
  Speaker 3: Like he was just he was a monster.
• 1:02:53
  Speaker 2: He was He made what's his name from a street
• 1:02:56
  Speaker 2: car named Desire look desirable, you know what I mean,
• 1:02:58
  Speaker 2: a Stanley. He made Standley look like a stand up guy.
• 1:03:01
  Speaker 2: And she never realized that just the ludicrousness and ridiculousness
• 1:03:04
  Speaker 2: of the fact that you know, this guy called his
• 1:03:06
  Speaker 2: wife a rhino and he thought that was the the
• 1:03:09
  Speaker 2: harshest thing you ever say to her, So I guess
• 1:03:13
  Speaker 2: he didn't call her.
• 1:03:17
  Speaker 1: Remember the first time we got like, we're getting shown
• 1:03:19
  Speaker 1: a movie and I thought we were going to have
• 1:03:20
  Speaker 1: to read the book. And it was like, no, we're
• 1:03:23
  Speaker 1: going to watch the movie. We're talk about it.
• 1:03:25
  Speaker 3: What's eating Gilbert Grape?
• 1:03:26
  Speaker 1: No, we did The Power of One, the Bryce Courtney novel.
• 1:03:30
  Speaker 1: Would you look at that novel?
• 1:03:31
  Speaker 3: And that is.
• 1:03:33
  Speaker 1: I just had. I'm like, surely it's a four hour movie.
• 1:03:35
  Speaker 1: It's two hours and seven.
• 1:03:36
  Speaker 3: See it on the curriculum. And they're like, my kids
• 1:03:38
  Speaker 3: aren't going.
• 1:03:39
  Speaker 1: To read that, and they would, they would be watching it. Okay,
• 1:03:43
  Speaker 1: this is this is me. I'm going to play the
• 1:03:45
  Speaker 1: movie and then pause it as often as she would Okay,
• 1:03:48
  Speaker 1: here's okay, we're just going to watch the scene and.
• 1:03:51
  Speaker 4: George fabricas now.
• 1:03:52
  Speaker 1: We'll stop it there. And the way that it's like
• 1:03:55
  Speaker 1: the YouTube reactor, and honestly, she'd speak for seven minutes
• 1:03:58
  Speaker 1: about one particular shot. Okay, now look at what they've
• 1:04:02
  Speaker 1: done that, And I'm like, oh my God, Honestly, it
• 1:04:04
  Speaker 1: took us a two hour period to watch I think
• 1:04:07
  Speaker 1: a three minute scene, and the fact that I was
• 1:04:10
  Speaker 1: interested in filmmaking after that, yeah, is mind blower miraculous.
• 1:04:15
  Speaker 2: We had a similar experience with do you ever see
• 1:04:17
  Speaker 2: the film is the Glenn Close movie Paradise Road about
• 1:04:20
  Speaker 2: a bunch of like pompous British women stuck in like
• 1:04:23
  Speaker 2: a Japanese internment camp, like person of prisoner of war
• 1:04:26
  Speaker 2: camp circa World War two or whatever it was. Yeah, yeah,
• 1:04:30
  Speaker 2: that was her version of that. We must have watched
• 1:04:32
  Speaker 2: that four times in one term. And yeah, she would
• 1:04:35
  Speaker 2: do that. She would pause it and then like they
• 1:04:37
  Speaker 2: have three lines and pause it and we talk about
• 1:04:39
  Speaker 2: fifteen minutes and then that was Yeah, that was her
• 1:04:43
  Speaker 2: her apocalypse.
• 1:04:44
  Speaker 3: Now kids, I was.
• 1:04:49
  Speaker 2: Saying to Mitchell the other day, like, I think it's
• 1:04:51
  Speaker 2: got a lot to do with nowadaysy with internet culture,
• 1:04:53
  Speaker 2: in that we all analyze and overanalyze every single piece
• 1:04:57
  Speaker 2: of pop culture and the subtext of what it could
• 1:04:59
  Speaker 2: all be. Because we're all the generation where we were
• 1:05:02
  Speaker 2: taught to do that. The way to trick us into
• 1:05:04
  Speaker 2: doing our homework and running our reports is like, well,
• 1:05:06
  Speaker 2: instead of making them read Shakespeare. We'll let them watch
• 1:05:09
  Speaker 2: Congo and write a book report on that, on the
• 1:05:12
  Speaker 2: subtext of Congo. Yeah, and now we're all, you know,
• 1:05:16
  Speaker 2: ripping the rewards of that cluster.
• 1:05:18
  Speaker 3: Yeah, we're all freaking self aware and have rigid anxiety ADHD. Yeah.
• 1:05:25
  Speaker 1: And the worst thing about some of those takes where
• 1:05:26
  Speaker 1: you're watch them looking for subtexts is that a lot
• 1:05:28
  Speaker 1: of it makes sense, but most of it they're going,
• 1:05:33
  Speaker 1: I don't think they meant that, Like it's it's amazing
• 1:05:36
  Speaker 1: that you can make that up as a viewer, and
• 1:05:39
  Speaker 1: it'd be right from a certain point of view, but
• 1:05:43
  Speaker 1: you could almost know with absolute certainty that the director
• 1:05:47
  Speaker 1: and writer and performers and editors did not intend for that.
• 1:05:50
  Speaker 1: Just like the Bible. It was a fun story. People
• 1:05:55
  Speaker 1: took it out of. Hey, we've got to some bloody
• 1:06:00
  Speaker 1: great people to shout out to you before before we
• 1:06:04
  Speaker 1: tap out.
• 1:06:04
  Speaker 2: Some shout outs, some shout outs before we tap out.
• 1:06:08
  Speaker 1: For people that you have joined the bagpipe Jesus, let's
• 1:06:13
  Speaker 1: just see you in my system. We've got some bagpipes
• 1:06:15
  Speaker 1: because this is going to be a very unique Patreon shout.
• 1:06:19
  Speaker 3: Just the opening, the opening to your the voice hang
• 1:06:23
  Speaker 3: on bagpipes.
• 1:06:24
  Speaker 1: Uh, perfect paper, shut it, Okay, Zora with an X,
• 1:06:34
  Speaker 1: it's Xorra or but I'm gonna call you x X
• 1:06:39
  Speaker 1: and you single handedly are going to get us sponsored
• 1:06:42
  Speaker 1: by Elon Musk for the future. Zora, thank you very much. Oh,
• 1:06:46
  Speaker 1: this is one of the great names, Santa. Yes. Yes,
• 1:06:54
  Speaker 1: A lot of these names that come through. We try
• 1:06:56
  Speaker 1: to come up with nicknames and shorten them as far
• 1:06:59
  Speaker 1: as Zorra four letters. I showed you to to one.
• 1:07:03
  Speaker 1: I will never refer to Santiago without saying Santiago. It
• 1:07:09
  Speaker 1: is such a great name.
• 1:07:10
  Speaker 3: Killing my father. Okay, I don't know what we're gonna
• 1:07:15
  Speaker 3: do with this guy.
• 1:07:16
  Speaker 1: Aaron Kochman, Aaron Jesus doesn't doesn't lend itself to a.
• 1:07:23
  Speaker 3: Run of nickname, does it. I can't think of anything.
• 1:07:26
  Speaker 2: Ron Nora, Aaron Backwards, Norman, Iran ship.
• 1:07:32
  Speaker 1: I've actually got that somewhere. I should use that.
• 1:07:35
  Speaker 3: Damn it.
• 1:07:36
  Speaker 1: I'll get that going. Why is it not on my wall?
• 1:07:39
  Speaker 1: It's a cock the only one I've got ready for
• 1:07:41
  Speaker 1: the That's not you, Iran Megan Parker, Meg, Meg.
• 1:07:51
  Speaker 2: Said the bagpipe an awkward moment, the old shagger, Hey,
• 1:07:55
  Speaker 2: hang on, then we've got an S.
• 1:07:56
  Speaker 1: Parker who has also joined a.
• 1:08:00
  Speaker 3: Little bit of cuck action going on, but it was sparky.
• 1:08:03
  Speaker 2: They joined a day apart, So I mean, I feel
• 1:08:07
  Speaker 2: like that's some that's some spousal pressure, right there.
• 1:08:11
  Speaker 3: Great people.
• 1:08:11
  Speaker 1: Although I'm not going to read out amounts that they've
• 1:08:14
  Speaker 1: pledged to support us on Patreon. One is well, they're
• 1:08:17
  Speaker 1: vastly different from one another, so unless it's like, hey,
• 1:08:19
  Speaker 1: let's go in and just support them independently off our
• 1:08:21
  Speaker 1: own little you know, private single you know, individual credit cards,
• 1:08:24
  Speaker 1: and someone went, I'm actually a bigger fan than you are.
• 1:08:26
  Speaker 3: Watched there's nothing worse than like a boomer couple sharing
• 1:08:31
  Speaker 3: a Facebook page. Yeah, shas and lend.
• 1:08:35
  Speaker 1: Yeah at hotmail dot com. Shut up, grow up and
• 1:08:39
  Speaker 1: get your own frigging email addresses.
• 1:08:41
  Speaker 3: Yeah, get a email and get all your data style
• 1:08:44
  Speaker 3: like a real person.
• 1:08:45
  Speaker 2: It just it just screamed. It screams trust as well,
• 1:08:48
  Speaker 2: doesn't it. That's like, yeah, you can have your Instagram agown.
• 1:08:51
  Speaker 1: Of course you know he won't cheat on me because
• 1:08:52
  Speaker 1: where she had the same email address?
• 1:08:54
  Speaker 3: Or is that what he told you? Yeah?
• 1:08:56
  Speaker 1: Is that what he told you?
• 1:08:57
  Speaker 3: So this this bag pupe is it sucks. Can we
• 1:09:00
  Speaker 3: play instead YouTube?
• 1:09:04
  Speaker 1: You got it?
• 1:09:05
  Speaker 3: I'm saying on YouTube?
• 1:09:06
  Speaker 1: On YouTube? Yeah, because actually the only other thing that
• 1:09:08
  Speaker 1: I've got is a bagpipe cover of Sign of the
• 1:09:12
  Speaker 1: Times by Harry Styles.
• 1:09:16
  Speaker 3: Where's the bagpipe? Hopefully that's the keyboard?
• 1:09:20
  Speaker 1: Yep?
• 1:09:21
  Speaker 3: Yeah, come on now, come on Harry Style on big Meal.
• 1:09:26
  Speaker 3: There we go. That dude want passion of the cast
• 1:09:28
  Speaker 3: to bring back the Lord Jesus.
• 1:09:31
  Speaker 2: I mean, this is perfect that it's Harry because do
• 1:09:33
  Speaker 2: we think do we think the Parkers are maybe cracking
• 1:09:36
  Speaker 2: on a session while we're playing in the background, like
• 1:09:38
  Speaker 2: potentially could they be?
• 1:09:40
  Speaker 1: Or is someone else in there?
• 1:09:42
  Speaker 2: And one of the Parkers is in the cut chair
• 1:09:43
  Speaker 2: in the corner while the other Parker is we're going
• 1:09:46
  Speaker 2: up with maybe Zora, you know what I mean.
• 1:09:48
  Speaker 3: Your son's Iago is maybe they're both just parking their
• 1:09:51
  Speaker 3: hotp clap of it. Yeah, they're both Barkers, good Parkers.
• 1:09:56
  Speaker 4: Yeah.
• 1:09:58
  Speaker 8: Jason Ellis or so joining us something on the page.
• 1:10:02
  Speaker 8: Ellis Ellis, tell them you don't know me, Ellis Ellis,
• 1:10:06
  Speaker 8: Ellis this one. I'm gonna say, this is not your
• 1:10:11
  Speaker 8: given name, person, Hibernation pod.
• 1:10:14
  Speaker 1: Are we getting are we getting.
• 1:10:15
  Speaker 2: Sponsored by that sounds like some kind of grilla marketing.
• 1:10:18
  Speaker 2: They wanted to shout out. They just wanted to shout
• 1:10:20
  Speaker 2: out on our podcast.
• 1:10:23
  Speaker 3: They do have hibernation pods in Stargate.
• 1:10:27
  Speaker 2: Oh he's the gamekeeper. That's his nickname game or their
• 1:10:30
  Speaker 2: nickname Gamekeeper.
• 1:10:34
  Speaker 1: Oh my god, that this is.
• 1:10:35
  Speaker 3: One of the rings.
• 1:10:36
  Speaker 1: Bar does sound a little bit like the Rohan theme
• 1:10:40
  Speaker 1: Rohan Lord. This this tune always makes me cry.
• 1:10:45
  Speaker 3: This is brilliant. You've pained with the colors of whim.
• 1:10:51
  Speaker 1: I'm playing this off YouTube. In fairness, they had a
• 1:10:53
  Speaker 1: Scottish flag and so I mentioned, now it's a Scottish terrier,
• 1:10:56
  Speaker 1: isn't the screen.
• 1:10:58
  Speaker 3: Chunky car of it?
• 1:11:06
  Speaker 1: Definitely watching Outland.
• 1:11:08
  Speaker 3: I can't wait for.
• 1:11:13
  Speaker 1: Really falling off. I've watched it when Sarah was watching
• 1:11:15
  Speaker 1: it in season one, and now she's watching she just
• 1:11:17
  Speaker 1: finished season seven, and I'm like, there seems a lot
• 1:11:19
  Speaker 1: of stuff that's going on. Now we're back in the
• 1:11:21
  Speaker 1: Scottish flag.
• 1:11:22
  Speaker 3: I thought you meant the new one with co mate Outland.
• 1:11:28
  Speaker 3: Oh so I thought you meant Highland.
• 1:11:31
  Speaker 1: This is all going great, isn't it, Henry Henry.
• 1:11:37
  Speaker 3: I wonder if it's called a Shetland. I have watched
• 1:11:40
  Speaker 3: Outland first three seasons excellent, take your word for it.
• 1:11:45
  Speaker 1: It's a period not watching it.
• 1:11:47
  Speaker 2: Craig spent the last week trying to get me into
• 1:11:48
  Speaker 2: the Rookie starring Nathan Pilly, and that's never gonna happen.
• 1:11:51
  Speaker 3: As much as I love Nathan Fillion, anymal shoutouts.
• 1:11:54
  Speaker 1: Is that, yeah, we got one more good. Yeah, someone
• 1:11:56
  Speaker 1: who doesn't We.
• 1:11:57
  Speaker 3: Got to do it in the act.
• 1:11:58
  Speaker 2: We've gotta got a Shetland and get some uh some tablet,
• 1:12:03
  Speaker 2: some tablet, some tablet.
• 1:12:05
  Speaker 1: We got sucking into making a Patreon shout out for
• 1:12:07
  Speaker 1: another podcast there you just said, haven't got any more
• 1:12:10
  Speaker 1: shout outs this one Sam shouting, Hey Shore shooting.
• 1:12:18
  Speaker 3: I got pieces of corn in my clock.
• 1:12:19
  Speaker 1: Bigger than you the other.
• 1:12:24
  Speaker 2: Wait, meat, I eat because I'm unhappy, and I'm unhappy
• 1:12:28
  Speaker 2: because I eat.
• 1:12:29
  Speaker 1: You know what I'm unhappy? You know what I'm happy.
• 1:12:33
  Speaker 9: Becket car sun my boots. I'm so sorry for everything
• 1:12:40
  Speaker 9: mad he said about you. I'm not your piece of shape.
• 1:12:44
  Speaker 9: I finally got burnt boots. That's what they've been missing.
• 1:12:48
  Speaker 1: Burning Hell, you're already halfway there.
• 1:12:50
  Speaker 3: Christy Stick, Come on.
• 1:13:00
  Speaker 5: The arts, get into.
• 1:13:04
  Speaker 1: Gig, get into Gate, get into Gate Stargate podcast. Get
• 1:13:12
  Speaker 1: into it now before it's too late.