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6ix9ine Interview and more · The Breakfast Club

• 0:01
  Speaker 1: You love this room anywhere else so your friend on
• 0:04
  Speaker 1: Friday to pop, that's the world's most dangerous. Want to
• 0:09
  Speaker 1: show the camera the mother. I agree? What this show
• 0:13
  Speaker 1: is this Listen City south West tej Hanry the captain
• 0:18
  Speaker 1: of this usually eat the only one who can keep
• 0:21
  Speaker 1: these guys in chest. Charlomagne, the gods love morn Boy.
• 0:23
  Speaker 1: This is the reference competition. Good morning usc yo yo
• 0:39
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:40
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:42
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:44
  Speaker 1: yo yo yo yo yo yo yo yo. Good morning
• 0:46
  Speaker 1: Angela Yanna in Charlomagne, the gud piss of the planet.
• 0:50
  Speaker 1: It is Friday, Yes, it's Friday, Friday. Had a long
• 0:56
  Speaker 1: week a lovely can't wait for the weekend. I got
• 1:00
  Speaker 1: to work all weekend anyway, But I'm just happy day
• 1:02
  Speaker 1: I get some sleep. I don't got to wake up
• 1:03
  Speaker 1: early in the morning. Wish my black ass would work
• 1:06
  Speaker 1: on the weekend. But you know what, I wake up
• 1:07
  Speaker 1: early every on the weekend, as early as you do
• 1:10
  Speaker 1: work in the morning. I wake about six am every
• 1:13
  Speaker 1: Saturday Someday, sleeping into me. Yeah, that's not early for us.
• 1:16
  Speaker 1: Brother yet four in the morning. I get him at six.
• 1:19
  Speaker 1: That's actually two extra hours. Waking up four o'clock in
• 1:21
  Speaker 1: the morning every day for the past eight years. Okay,
• 1:25
  Speaker 1: because of the breakfast Club. Six God, you've about six
• 1:27
  Speaker 1: am and then um six am is awesome. It still
• 1:30
  Speaker 1: sucks because the whole house is sleeping and you're the
• 1:31
  Speaker 1: only one up. I don't know. If my body just
• 1:34
  Speaker 1: gets me up at six, I just can't go back
• 1:36
  Speaker 1: to sleep. You gotta pee. I ain't gonna be I
• 1:38
  Speaker 1: just get up at six am. But it allows me
• 1:40
  Speaker 1: to do stuff around the house while everybody's sleeping, because
• 1:42
  Speaker 1: that's sometimes some of the best times everybody's out do
• 1:45
  Speaker 1: whatever you need to do. So that's some of the
• 1:47
  Speaker 1: best time. I do do that on the weekend now though,
• 1:48
  Speaker 1: because I'm working on my second book and that's what
• 1:50
  Speaker 1: I do. I wake up every Saturday morning or like
• 1:53
  Speaker 1: Sunday morning, like real real early, and I get the
• 1:56
  Speaker 1: writing nice yep, when it's nice and quite well. We
• 1:59
  Speaker 1: gotta lot going on this morning, okay, we had a
• 2:01
  Speaker 1: nice balance this morning. Well, first of all, it's going
• 2:04
  Speaker 1: to say Charlotte killed somewhere yesterday. Who do I kill?
• 2:06
  Speaker 1: The founder of toys arrest, but we'll talk about that. No,
• 2:09
  Speaker 1: y'all kill the found toys. The rest of all that
• 2:10
  Speaker 1: online shopping broke that man hard because that company went
• 2:13
  Speaker 1: bankrupt and he was ninety four years old. It was
• 2:15
  Speaker 1: about time for him the clock out. Anyway, my goodness. Well,
• 2:17
  Speaker 1: as I was saying, Takashi six nine will be joining
• 2:20
  Speaker 1: us this morning, Okay, explain to the people who Takasci
• 2:22
  Speaker 1: six nine is. For those who may not know, he's
• 2:25
  Speaker 1: a rapper from Brooklyn. He has rainbow here and he
• 2:27
  Speaker 1: likes to start. Is real tough guy. So I've heard. Well,
• 2:30
  Speaker 1: I was out and about yesterday and everywhere I went
• 2:33
  Speaker 1: people like to I say, you have Takashi six nine
• 2:34
  Speaker 1: on the show tomorrow. So what happened in the interview?
• 2:36
  Speaker 1: What's happening with what's going on? Would he say, what's happen?
• 2:39
  Speaker 1: I don't know what happened? I don't know, but everybody
• 2:41
  Speaker 1: was very interested in that particular interview all that happens
• 2:44
  Speaker 1: next hour, and also Rock saying Sean Tay will be
• 2:47
  Speaker 1: John Gott to balance it out. We got something new
• 2:49
  Speaker 1: with Takasi six nine and something classic with Roxany Shanta,
• 2:52
  Speaker 1: and that movie is on Netflix right now, right now,
• 2:54
  Speaker 1: watch it right now. Rock says not alone. She has
• 2:57
  Speaker 1: the young lady Shanta Adams who plays her in the
• 2:59
  Speaker 1: Rock Sand Rock Man movie on Netflix. She'll be with
• 3:01
  Speaker 1: her as well. So it's a nice balance, perfect balance
• 3:04
  Speaker 1: of ratchetness and righteousness this morning. Okay, all right, well,
• 3:07
  Speaker 1: let's get the show cracking front page news. We'll tell
• 3:09
  Speaker 1: you about the Toys of Russ found the nmore so,
• 3:11
  Speaker 1: don't move. It's to breakfast club. God, morning morning. Everybody
• 3:14
  Speaker 1: is dj Envy Angela yee, Charlemagne the guy we all
• 3:17
  Speaker 1: the breakfast club. Let's get in some front page news. Now,
• 3:21
  Speaker 1: let's talk about the Toys and RUSS founder. Yes, the
• 3:24
  Speaker 1: founder of Toys Rus, Charles Lazarus. He was ninety four
• 3:27
  Speaker 1: years old. He no longer held the stake in the chain.
• 3:29
  Speaker 1: He definitely grew up, but he started the company back
• 3:31
  Speaker 1: in nineteen forty eight when he was only twenty five
• 3:33
  Speaker 1: years old and towards the Rust. Tweeted out, there have
• 3:36
  Speaker 1: been many sad moments for Toys the Rust in recent weeks,
• 3:38
  Speaker 1: and then more heartbreaking than today's news about the passing
• 3:41
  Speaker 1: of our beloved founder, Charles Lazarus. Our thoughts and prayers
• 3:44
  Speaker 1: are with Charles's family and loved one. Online shopping killed
• 3:47
  Speaker 1: that man. Man Online shopping bankrupt the toys of rust
• 3:50
  Speaker 1: which caused that man to die. But he was ninety
• 3:52
  Speaker 1: four years old. He grew up competition from Walmart and
• 3:55
  Speaker 1: Target as well. Don't blame I want to talk off
• 3:58
  Speaker 1: his death and that was a lot of stress. Some show.
• 4:00
  Speaker 1: I'm sure that Walmart and Target out a lot to
• 4:01
  Speaker 1: do with it years old, and also no longer had
• 4:05
  Speaker 1: a stake in the company. Anyway, ninety four, I'm cool.
• 4:07
  Speaker 1: The only way I would want to stick around at
• 4:09
  Speaker 1: ninety four is because I'm like, damn, I might all
• 4:10
  Speaker 1: make it a hunty. That's a knife even hunted call
• 4:12
  Speaker 1: it a day. But just imagine you're ninety four and
• 4:14
  Speaker 1: in you something that you built, this says bankrupt and closing.
• 4:18
  Speaker 1: That might give you a little shit. I don't care
• 4:19
  Speaker 1: about money at that point month time back in the nineties,
• 4:24
  Speaker 1: there grew to an eleven billion dollar business. He has
• 4:26
  Speaker 1: some great years and I'm sure he got some money
• 4:28
  Speaker 1: stacked away. His kids find his grandkids. I'm sure the
• 4:31
  Speaker 1: grandkids find It'll be okay. Now let's talk about Trump, Yes,
• 4:34
  Speaker 1: a former Playboy Playmate of the Year, says that she
• 4:36
  Speaker 1: had a ten month affair with Donald Trump. Now Karen
• 4:39
  Speaker 1: McDougall sat down and did an interview with Anderson Cooper,
• 4:42
  Speaker 1: and she talked about how they first met their tris.
• 4:45
  Speaker 1: They met during the filming of The Apprentice back in
• 4:47
  Speaker 1: June two thousand and six at the Playboy Mansion. She
• 4:49
  Speaker 1: said she had unprotected sex with Donald Trump many dozens
• 4:52
  Speaker 1: of times, and she felt like they were in love.
• 4:55
  Speaker 1: But he did try to pay her for sex, and
• 4:58
  Speaker 1: she was offended. Why he's a billiona check it out.
• 5:00
  Speaker 1: After we had been instant, he tried to pay me.
• 5:04
  Speaker 1: I actually didn't know how to take that. Did he
• 5:06
  Speaker 1: actually try to hand your money? He didn't, I said,
• 5:08
  Speaker 1: I mean, I just had this look of I don't
• 5:10
  Speaker 1: even know how to describe the look in my face.
• 5:12
  Speaker 1: Must have been so sad because I had never been
• 5:15
  Speaker 1: offered money like that before. Number one, bring number two.
• 5:17
  Speaker 1: I thought, does he think that I'm in this for money?
• 5:20
  Speaker 1: Or why I'm here tonight, or is this a normal thing?
• 5:22
  Speaker 1: I didn't know. But I looked at him and I said,
• 5:24
  Speaker 1: that's not me. I'm not that kind of girl. And
• 5:26
  Speaker 1: he said oh, and he said, you're really special. Who
• 5:29
  Speaker 1: is this silly rabbit? Why I was wrong with offering
• 5:33
  Speaker 1: a girl money AFDF sex? Would he had a little change,
• 5:35
  Speaker 1: but you don't say, go by yourself something nice. They
• 5:37
  Speaker 1: were in love. She said. He always told me he
• 5:39
  Speaker 1: loved me, and that he would call her baby and
• 5:41
  Speaker 1: beautiful Karen. And she said that she would book her
• 5:44
  Speaker 1: own flights and hotels in various cities across the country
• 5:46
  Speaker 1: and he would reimburse her so that. She said. She
• 5:50
  Speaker 1: also spent a lot of time with his bodyguard, who
• 5:52
  Speaker 1: would drive her too and from their rendezvous spots, and
• 5:55
  Speaker 1: she met all of his adult children, and he would
• 5:57
  Speaker 1: tell her that she reminded him of a vanka. And
• 6:00
  Speaker 1: she also talked about knowing that he was married. So
• 6:03
  Speaker 1: she actually apologizes to Milania for their affair. Here's what
• 6:08
  Speaker 1: she said. I never brought up as wife. He did once,
• 6:11
  Speaker 1: and that's the only time I can remember when he
• 6:13
  Speaker 1: said she was an intelligent woman. But other than I
• 6:15
  Speaker 1: even never talked about us a wife, and I never
• 6:16
  Speaker 1: brought her up. When I look back where I was
• 6:19
  Speaker 1: back then, I know what's wrong, Like I'm really sorry
• 6:22
  Speaker 1: for that. I know what's a wrong thing to do.
• 6:24
  Speaker 1: You know, when I got with him, there was a
• 6:26
  Speaker 1: real relationship there, There was real there were real feelings
• 6:29
  Speaker 1: between the two of us, not just myself, not just him.
• 6:32
  Speaker 1: And you know, in step inside, I did have a
• 6:34
  Speaker 1: lot of guilt, but I still continue. So you had
• 6:37
  Speaker 1: real feelings for a married man, A married man slept
• 6:40
  Speaker 1: between and tried to give you a little change afterwards,
• 6:42
  Speaker 1: a little hush money, you know what I'm saying, A
• 6:43
  Speaker 1: little you know it, just keep this between us, and
• 6:45
  Speaker 1: you got a problem with it. This is embarrassing. She
• 6:47
  Speaker 1: also says that he would take her to his home
• 6:49
  Speaker 1: at Trump Tower and pointed out Milania's room where she
• 6:53
  Speaker 1: likes to have a lone time. And it was this
• 6:54
  Speaker 1: embarrassing for because it's not embarrassing for Trump, Meissen, it is.
• 6:58
  Speaker 1: It's bembarrassing for Trumps for his wife. Really, Donald Trump
• 7:01
  Speaker 1: is was a reality show star, celebrity playboy, and I'm
• 7:05
  Speaker 1: supposed to be surprised that he had checks with a
• 7:07
  Speaker 1: pountoff's embarress. I think it's embarrassing year old or something
• 7:11
  Speaker 1: like that, a twelve year old his wife that he
• 7:13
  Speaker 1: actually had a house. But you know, I've watched Donald
• 7:16
  Speaker 1: Trump do a lot of more, lot more embarrassing things
• 7:17
  Speaker 1: over the past year. Of course, I wait to talk
• 7:20
  Speaker 1: about this particular situation. All right, this is what we're
• 7:22
  Speaker 1: talking about now, So Karen McDougal, former Playboy model, and
• 7:26
  Speaker 1: of course the White House is denying that this ever
• 7:28
  Speaker 1: took place. Of course, all right, my last front page news.
• 7:32
  Speaker 1: Get it off your chests. Eight hundred five eight five
• 7:34
  Speaker 1: one oh five one. If you're upset, you need to vent.
• 7:36
  Speaker 1: Hit us up right now. Maybe you had a bad night,
• 7:38
  Speaker 1: bad morning, or maybe you just want to spread some positivity.
• 7:41
  Speaker 1: Eight hundred five eight five one oh five one. Hit
• 7:43
  Speaker 1: us up now. It's the breakfast club. Good morning, the
• 7:46
  Speaker 1: breakfast club, kid, pick up the mother mother phone and down.
• 7:52
  Speaker 1: This is your time to get it off your chest.
• 7:54
  Speaker 1: You want to hear from you on the breakfast club,
• 7:58
  Speaker 1: but you better have the same any Hello, who's this?
• 8:02
  Speaker 1: This lexis? How are y'all this morning? Hey, y'all, Oh
• 8:07
  Speaker 1: my god, I'm right to the breast call good morning, lexus.
• 8:10
  Speaker 1: We know what kind of call your mama wanted when
• 8:12
  Speaker 1: she was a kid. We fought. Oh my god, I'm
• 8:17
  Speaker 1: so happy to hear y'all. Hey, Charlomagne. Hey man, Hey Lexus,
• 8:22
  Speaker 1: get it off chess mama? What part aking? Heyking, what's
• 8:27
  Speaker 1: happening out there? Get it off your chess mama? Just
• 8:30
  Speaker 1: calling this spreads some positivity. Y'all. Listen to y'all every morning.
• 8:33
  Speaker 1: I loved y'all. Show y'all doing y'all thing like, keep
• 8:36
  Speaker 1: doing it. We appreciate you. Everybody. A Hello, who's this?
• 8:41
  Speaker 1: You know this? Jeff calling out of seven five seven? Hey, Jeff,
• 8:44
  Speaker 1: get it off her chess bro All right? So I
• 8:45
  Speaker 1: just started his new job, right, so I got this
• 8:48
  Speaker 1: old man. Man he'd be mad, hey, because the boss
• 8:51
  Speaker 1: told me I could leave the team in early. So
• 8:53
  Speaker 1: he'd be mad. So every day he pull up on
• 8:56
  Speaker 1: me like, yeah, you know you ain't supposed to leave
• 8:58
  Speaker 1: the siper clock. I'm like, so, why are you outside?
• 9:01
  Speaker 1: That's one of the man his business man. Let me
• 9:04
  Speaker 1: do me, man, young, I'm trying to get this money man.
• 9:06
  Speaker 1: Won't you tell him that? Won't you be like? Look, man,
• 9:08
  Speaker 1: I'm trying to get this money. Man, leave me alone,
• 9:10
  Speaker 1: because I'm scared you're gonna tell on me. I just
• 9:12
  Speaker 1: started the job. Why do you leave fifteen minutes early? Anyway?
• 9:17
  Speaker 1: The super bris told me I could him doing such
• 9:19
  Speaker 1: a good job. You know what what I'm saying, you can
• 9:21
  Speaker 1: collect out? Fifteen is early? Just okay, okay, Well tell her,
• 9:26
  Speaker 1: tell her? Oh hey, dad, let him know that. You know,
• 9:27
  Speaker 1: you get to leave early because of good behavior. Hello,
• 9:30
  Speaker 1: who's this? What's up to your board? Now from Roxbury?
• 9:33
  Speaker 1: What's up? Broke? Get it off your chest? Man. I'm
• 9:35
  Speaker 1: just glad that no, he said, didn't come down to
• 9:37
  Speaker 1: my way. I'm sick of shoveling, man, you and me both, Man,
• 9:41
  Speaker 1: That snow is disgusting. For real, man, I'm like that.
• 9:44
  Speaker 1: I'm like, I gotta go to work in this. I
• 9:45
  Speaker 1: gotta shovel two cards. It's amazing sidewalking in the driveway.
• 9:49
  Speaker 1: It's amazing to me that people are having figured out
• 9:51
  Speaker 1: that that is harp and it's a weather machine, that
• 9:53
  Speaker 1: they're controlling the weather because you don't know that that
• 9:54
  Speaker 1: it will snow and then the very next day the
• 9:56
  Speaker 1: sun will be out super bright, melting snow exactly. You
• 9:59
  Speaker 1: know what's even funny on my Facebook post? You know
• 10:02
  Speaker 1: he could go back from memories. Yeah, I went back
• 10:04
  Speaker 1: on my memories. In the exact same day, we had
• 10:07
  Speaker 1: the same noise to see. I was like, who they
• 10:11
  Speaker 1: ain't even trying to be surprising no more with the
• 10:13
  Speaker 1: turning of the weather machine. All right, get it off
• 10:15
  Speaker 1: your chests. Eight hundred five, eight five one or five one.
• 10:18
  Speaker 1: If you're upset, you need to vent hit us up
• 10:19
  Speaker 1: now was the breakfast club? Good morning, the breakfast club?
• 10:25
  Speaker 1: Wake up, wake up, wake y'all. This is your time
• 10:29
  Speaker 1: to get it off your chat with your man or blast.
• 10:32
  Speaker 1: We want to hear from you on the breakfast block. Hello.
• 10:35
  Speaker 1: Who's this man? This is jee from a break city. Gee.
• 10:38
  Speaker 1: What's up? Yeah? Man, I'm calling because I'm mine, Because
• 10:42
  Speaker 1: you know, I remember there was a time when solom
• 10:45
  Speaker 1: man with Royal and he would say nothing negative about
• 10:48
  Speaker 1: Wednesday Williams for the fact that she put him off.
• 10:51
  Speaker 1: But I was since he's been getting a little money
• 10:53
  Speaker 1: and he's successful every chance he gets, it's like he's
• 10:56
  Speaker 1: giving a little blows to damn been ready to snatch
• 10:58
  Speaker 1: the wig right off her head. What low blows, sir?
• 11:01
  Speaker 1: Give me an example. The other day you said she
• 11:04
  Speaker 1: was on drugs. That's not that's that's not verified she
• 11:07
  Speaker 1: was gonna drug I didn't say she was. I did,
• 11:09
  Speaker 1: I didn't say she was on drugs. I said that
• 11:11
  Speaker 1: it looks like she's on drugs. You said me a
• 11:13
  Speaker 1: comment about it, because it's the weather for her. You
• 11:15
  Speaker 1: would beat on fat flipping burgers and working on a
• 11:18
  Speaker 1: cotton film. How you know she's not God? I think God.
• 11:22
  Speaker 1: I think God had a plan for me, sir, regardless,
• 11:24
  Speaker 1: But you're in tight of the opinion. I don't think
• 11:26
  Speaker 1: he'd be working on the cotton field though, yes he would.
• 11:29
  Speaker 1: Rag man, you will you get into your fast food
• 11:32
  Speaker 1: restaurant this morning and you make sure then burgers flipped
• 11:34
  Speaker 1: righting and fried and fried hard. Okay, Hello, who's this?
• 11:37
  Speaker 1: This kid from Brooklyn? I'm gonna tell you where I'm bless.
• 11:40
  Speaker 1: I'm just happy to be alive this morning. Okay, that's it.
• 11:44
  Speaker 1: Ever turns away, all right, all right, we're happy, fatday,
• 11:47
  Speaker 1: glad your hair in black? Many words? Hello, who's this?
• 11:50
  Speaker 1: It is? How you doing the morning? What's up? Brother?
• 11:52
  Speaker 1: Get it off your chests? Yeah, I just want to
• 11:54
  Speaker 1: get off my chest about the mouth. The violence in
• 11:56
  Speaker 1: this country with law force and man, you got these
• 11:58
  Speaker 1: people that are shooting up school was an apports. They
• 12:01
  Speaker 1: want to arrest them, but you commit a small crowd
• 12:03
  Speaker 1: to the snickers of a call one and they want
• 12:05
  Speaker 1: to shoot your dead twenty times? You know what I mean. Unbelievable.
• 12:08
  Speaker 1: I was saying. I was saying that yesterday. Man, these
• 12:11
  Speaker 1: kids can, these white kids can shoot up in school
• 12:13
  Speaker 1: and get arrested with no incident. But you break a
• 12:16
  Speaker 1: call window in America, you get shot at twenty times
• 12:18
  Speaker 1: if you're black. Yep, you know, keep doing y'all thing. Man,
• 12:21
  Speaker 1: y'all have a good morning. Hello. Who's this? What's some
• 12:25
  Speaker 1: trash from one queen to another? God? Hey, Hi, Trav,
• 12:31
  Speaker 1: how you doing? I'm doing good? Hey, Charlomagne? What up? Since?
• 12:34
  Speaker 1: What was happening? I'm shilling. I'm chilling. I just called
• 12:37
  Speaker 1: it saying, oh, I'm blessed this morning because you know,
• 12:40
  Speaker 1: I was sitting on my death yesterday and just trying
• 12:42
  Speaker 1: to like find some new music to listening to and
• 12:45
  Speaker 1: at some of the cross Snoop Dog Gospel album like
• 12:51
  Speaker 1: really really really really really good, really okay, yeah that
• 12:55
  Speaker 1: this weekend? Thank you? T Are you saying that just
• 12:57
  Speaker 1: because it's a gospel album. It's not like anybody else
• 13:00
  Speaker 1: says gospel is whack? Who you ever heard say that
• 13:02
  Speaker 1: gospel song? Is whack. Oh no, no, no, this is
• 13:04
  Speaker 1: actually like I was pleasantly surprised, Like he even has
• 13:07
  Speaker 1: like a John p Key, Mary j Blood not Mary
• 13:10
  Speaker 1: j blis Mary Mary. And there's like a bunch of
• 13:13
  Speaker 1: different like gospel artists that I enjoyed, and it's like
• 13:15
  Speaker 1: a pleasantly surprise on album. I'm gonna check it out,
• 13:17
  Speaker 1: Man Salutor Snoop dog I gotta get Snoop Doggs some
• 13:20
  Speaker 1: AACA clothing. I saw him talking about it on his
• 13:22
  Speaker 1: GGN show. I gotta get him some of that. But
• 13:24
  Speaker 1: thank you for that musical advice and review for us
• 13:28
  Speaker 1: this morning. Thank you, Traff. But I want y'all to
• 13:30
  Speaker 1: have a great, great, great weekend, except the barbs because
• 13:33
  Speaker 1: Nicki Minaj's released some trash the other day. Won't shooters
• 13:36
  Speaker 1: have a great day? Yeah, you go, all right, get
• 13:40
  Speaker 1: it off your chests. Eight hundred five eight five one
• 13:42
  Speaker 1: oh five one. We got rooms on the way. Yes,
• 13:44
  Speaker 1: we are going to talk about a hip hop artist
• 13:46
  Speaker 1: who's pretty legendary and he's gonna be retiring, and then
• 13:49
  Speaker 1: we'll tell you about a new biography that's being announced
• 13:52
  Speaker 1: by another artist. Okay, we'll get into all that when
• 13:54
  Speaker 1: we come back, keep it locked. As to Breakfast Club,
• 13:56
  Speaker 1: Good Morning, the Breakfast Club Morning, everybody is DJ Envy,
• 14:03
  Speaker 1: Angela Yee, Charlomagne, the guy. We all the Breakfast Club Happy,
• 14:06
  Speaker 1: goddamn Friday. What was happening? Let's get to these rumors
• 14:08
  Speaker 1: find out which rapper is about to retire. This is
• 14:15
  Speaker 1: the Rumor Report with Angela Yee on the Breakfast Club.
• 14:21
  Speaker 1: Well Jeez has said that his next album will be
• 14:24
  Speaker 1: his last album. He went on Twitter and said, as
• 14:27
  Speaker 1: the Cold Summer Tour comes to an end, it was
• 14:29
  Speaker 1: inspiring seeing my day one fans since my first album
• 14:33
  Speaker 1: in Class, Doug Motivation, one of one come out every night.
• 14:36
  Speaker 1: Now Class is coming to an end. It's time for graduation.
• 14:39
  Speaker 1: My last album and final Class Dog Motivation one off
• 14:43
  Speaker 1: for a trust your process. Have a top seven favorite
• 14:45
  Speaker 1: rappers of all time. Geez is definitely on that top seven.
• 14:48
  Speaker 1: But I don't believe no rapper when they say that
• 14:50
  Speaker 1: every time. Now, I don't think he's gonna retire. No,
• 14:51
  Speaker 1: I don't even know why they say things. I'm gonna
• 14:53
  Speaker 1: do a Geezy mix this morning, though, I have no
• 14:55
  Speaker 1: problem with a Geez mixed. I told you he's one
• 14:56
  Speaker 1: of my top seven favorite rappers of all time. But
• 14:58
  Speaker 1: however he gonna retire, He's not retired. No, wow, Well
• 15:01
  Speaker 1: we'll see what happens. I mean, or you know when
• 15:03
  Speaker 1: people say that, maybe it's just his last album because
• 15:07
  Speaker 1: people don't have to put out full Yeah, they can
• 15:09
  Speaker 1: put out saying put out Lucy's yeah, yeah, yeah, yeah.
• 15:11
  Speaker 1: I think the forecast will always call for snow. Let's
• 15:14
  Speaker 1: call Byron Allan since he just brought the Weather Channel,
• 15:15
  Speaker 1: he could tell us that if if snows in the
• 15:17
  Speaker 1: fore right, let's talk about that, because Byron Allen did
• 15:19
  Speaker 1: buy the Weather Channel for three hundred million dollars Bob
• 15:23
  Speaker 1: for Barron Allan. Byron been out here balling though, if
• 15:25
  Speaker 1: you know, you know, like he'd been out here ball
• 15:27
  Speaker 1: and been out here executive producing a bunch of television shows.
• 15:30
  Speaker 1: He's got a huge production company. Like he'd been out
• 15:32
  Speaker 1: here getting money. Yeah, so FYI that's what they are
• 15:36
  Speaker 1: saying that. I mean, what can you say? I guess
• 15:39
  Speaker 1: he's not what y'all call hot. He's not necessarily hot
• 15:42
  Speaker 1: now Instagram because they are going to fix the worst
• 15:45
  Speaker 1: thing about its algorithm. You know how you hate on
• 15:47
  Speaker 1: Instagram when you go and look on there and stuff
• 15:49
  Speaker 1: pops up from three days ago, and you're like, why
• 15:52
  Speaker 1: is this showing up on my feed? First? Like it's
• 15:54
  Speaker 1: recent news. People were very upset about it. But yesterday
• 15:57
  Speaker 1: they did announced they're putting new changes to the algor rhythm,
• 16:00
  Speaker 1: so it's going to prioritize newer posts in your feed,
• 16:02
  Speaker 1: So the number of old posted a pair when you
• 16:04
  Speaker 1: open up the app won't show up anymore. That really
• 16:06
  Speaker 1: does bother me. Is there any such thing as an
• 16:08
  Speaker 1: old post on Instagram? I mean, I know there's an
• 16:10
  Speaker 1: old post, you know, based on when you post it,
• 16:13
  Speaker 1: But what if you've never seen it before? Because I
• 16:15
  Speaker 1: know I'd be seeing the stuff that I haven't seen.
• 16:17
  Speaker 1: Sometimes you rather see something that's more recent, Like you
• 16:20
  Speaker 1: see something from three days ago. I like, I like
• 16:22
  Speaker 1: it actually because, like I said, I missed a lot
• 16:24
  Speaker 1: of stuff and it'd been like this was twenty two
• 16:26
  Speaker 1: hours ago. I'm like, oh, I just like good content.
• 16:27
  Speaker 1: You could go back and look on that. I'd rather
• 16:31
  Speaker 1: see what's more recent. That's aweso. I'm glad that they're
• 16:33
  Speaker 1: doing that because it kind of feels like the feed
• 16:35
  Speaker 1: should show what's the most recent thing, all right, Kendrick
• 16:38
  Speaker 1: Lamar is going to be having a book out of biography.
• 16:42
  Speaker 1: It's called The Butterfly Effect. The Butterfly Effect, How Kendrick
• 16:45
  Speaker 1: Lamar ignited the soul of Black America. And it's written
• 16:48
  Speaker 1: by Pitchfork contributor Marcus J. Moore. Now he posted some
• 16:51
  Speaker 1: big news I've been eager to share. I've signed with
• 16:54
  Speaker 1: Touchtone Books to write the cultural biography of Ken Jack Lamar.
• 16:57
  Speaker 1: So it's going to detail his rise to wrap super stardom.
• 17:00
  Speaker 1: Dropping a clue bumps for Touchdown damn it. That's the
• 17:03
  Speaker 1: book label that pays me. Now, I'm hoping that Kendrick
• 17:06
  Speaker 1: is going to actually participate in this biography because he
• 17:09
  Speaker 1: doesn't have to usually people write a book, so hopefully
• 17:13
  Speaker 1: he's involved and it as well. That always makes it better.
• 17:16
  Speaker 1: I want to read that because Pimple Butterfly is an
• 17:18
  Speaker 1: album that I liked when it came out, but I
• 17:20
  Speaker 1: really really really fell in love with it last year
• 17:23
  Speaker 1: and always say that that album is what sparked the
• 17:25
  Speaker 1: new Black consciousness in music. That's what me me personally,
• 17:28
  Speaker 1: That's what I believe all right. Now, amber Rose is
• 17:30
  Speaker 1: gonna be on Big Boys Neighborhood this morning, big Boy
• 17:34
  Speaker 1: ye dropping on a clues bumps with big Boy. Damn it,
• 17:36
  Speaker 1: it's my guy. And you know she's besties with Black China,
• 17:39
  Speaker 1: so she has to defend her best friend, right, and
• 17:42
  Speaker 1: it is freaky freaky Friday. So check out what she
• 17:44
  Speaker 1: had to say about Black China and that sex tape
• 17:47
  Speaker 1: that came out. If you think Black China don't know
• 17:49
  Speaker 1: how to suck it, you got her all the way
• 17:52
  Speaker 1: out oral. You know, sometimes it's a cute little you
• 17:56
  Speaker 1: know nothing nothing od and sometimes you od on it. Right,
• 18:00
  Speaker 1: you think that she really is incapable of going ham
• 18:04
  Speaker 1: on a d whoa and were talking like her in
• 18:07
  Speaker 1: Black China than tag teams to somebody's meet together together
• 18:11
  Speaker 1: either da, they've been in the room with each other
• 18:12
  Speaker 1: while they was both getting it in. And you can't
• 18:14
  Speaker 1: speak on somebody's filatio game with that much confidence unless
• 18:17
  Speaker 1: you're seeing her in action. So I Vamma says Black
• 18:18
  Speaker 1: China can suck them earn us. I believe her alright,
• 18:22
  Speaker 1: and that is your listen. Friends, don't let friends give
• 18:25
  Speaker 1: whack filatio. That's a friend. Ladies, don't waste my time
• 18:28
  Speaker 1: with yours. Will whack filatio? Please, we all got better
• 18:30
  Speaker 1: things to do with our time. That is to you,
• 18:33
  Speaker 1: what woman giving whack flatio? I got a wife, you know,
• 18:37
  Speaker 1: I know that. And then ain't no days off none?
• 18:42
  Speaker 1: All right, I can't take no days off. I gotta
• 18:45
  Speaker 1: be not there with my jaw hurting getting squirted on
• 18:47
  Speaker 1: in the chest. All right, So hey, those are the
• 18:49
  Speaker 1: great things like hey, man, I love it, alright, alright, alright,
• 18:52
  Speaker 1: I haven't had breakfast yet. Now when we come back
• 18:54
  Speaker 1: to Kashi's six nine, will be joining us explaining to
• 18:59
  Speaker 1: the people who Kashi six nine, I really don't know who.
• 19:02
  Speaker 1: He's a rapper from Brooklyn. You're probably see him me
• 19:04
  Speaker 1: as rainbow Head. He's always beefing online and we're gonna
• 19:07
  Speaker 1: talk to him next. It's the Breakfast Club. Good morning morning.
• 19:10
  Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne the guy. We
• 19:14
  Speaker 1: all the Breakfast Club. We got a special guest in
• 19:16
  Speaker 1: the building to Kashi six nine, Young ka, Kashi six nine,
• 19:19
  Speaker 1: what's happening to my brother? How are you feeling this morning?
• 19:22
  Speaker 1: The real gum I'm tired of you know, take care
• 19:24
  Speaker 1: of some business. But you know what I'm saying, man
• 19:26
  Speaker 1: made it? How do we get the name to Kashi
• 19:28
  Speaker 1: six nine. Let's start from there. I don't want to
• 19:29
  Speaker 1: start there. I want to I want to start. I
• 19:31
  Speaker 1: want to start somewhere else. Went jump right into want
• 19:33
  Speaker 1: jump right into the well. There's been a lot of issues,
• 19:35
  Speaker 1: Like we said, and you said, the hip hop police
• 19:37
  Speaker 1: have been bothering you. We've been seeing a lot of
• 19:39
  Speaker 1: things with you online. Why are you calling all these
• 19:41
  Speaker 1: problems for yourself, sir, cause no problem. Ain't know what
• 19:44
  Speaker 1: I'm saying. I address him. That's me. I'm the hottest
• 19:47
  Speaker 1: artist in the city. Not hot in the Cardi B
• 19:49
  Speaker 1: now Cardy B, Cardy Be doing. How you know what
• 19:51
  Speaker 1: I'm saying? She Cardy Be is different. Shout out crdy B,
• 19:54
  Speaker 1: Cardi b um um what she got the bod yellow
• 19:57
  Speaker 1: soon Ye, no record in the country, I'm three top
• 20:00
  Speaker 1: tens one, I'm not. I'm not hardest artist in the city.
• 20:06
  Speaker 1: I'm definitely the hardest artist in the city. All right,
• 20:08
  Speaker 1: But let's talk about the credentials and why you say
• 20:10
  Speaker 1: that every song I put out makes Billboard Top one hundred.
• 20:13
  Speaker 1: I don't get no co songs. I an't got no
• 20:15
  Speaker 1: g zy cos on, I don't got no offset cos on.
• 20:18
  Speaker 1: You know what I'm saying, where like I'm I'm self made.
• 20:20
  Speaker 1: I started it. You know, I didn't have that in
• 20:22
  Speaker 1: the beginning though. She had her two mixtapes out and
• 20:24
  Speaker 1: then bold that Yellow was a song by herself. That's why,
• 20:26
  Speaker 1: that's why it was such a big deal when she
• 20:27
  Speaker 1: was number one. Two mixtapes. My first project was top
• 20:33
  Speaker 1: five Billboard debut mixtape, her second, my first one. Like
• 20:39
  Speaker 1: I said, shout out Cardi B I'm the hardest artist
• 20:41
  Speaker 1: in the City's supposed to feel that way though, you
• 20:43
  Speaker 1: definitely supposed supposed to. I know, I know I am.
• 20:46
  Speaker 1: That's nobody gonna take that from me. That's why I'm
• 20:48
  Speaker 1: I feel like I'm most hated. You know what I'm saying.
• 20:50
  Speaker 1: Everyone wants to come for me. How many people came
• 20:52
  Speaker 1: for me? How many people? A lot? Why? Because I'm
• 20:54
  Speaker 1: the hardest artist and nobody ever gonna take you. Don't
• 20:56
  Speaker 1: they telling people to second go online got anything to
• 20:58
  Speaker 1: do with it? Do No? I suck my every day,
• 21:01
  Speaker 1: you know. You know, you know my father used to
• 21:02
  Speaker 1: always say, if you tell somebody sucky, man, you gotta
• 21:04
  Speaker 1: be ready to either kill or die. And I'm ready
• 21:07
  Speaker 1: to die and I'm ready to Christ. That's not what
• 21:09
  Speaker 1: we want to go. Listen to me, Listen to me.
• 21:11
  Speaker 1: My thing is right. Look, if I could walk around
• 21:13
  Speaker 1: say I'm the King of New York, didn't you think
• 21:15
  Speaker 1: somebody would do something about give it some time? Give
• 21:17
  Speaker 1: some I don't know, but I don't think that is
• 21:21
  Speaker 1: a lifetime. I don't think you should be bringing that
• 21:22
  Speaker 1: kind of energy on yourself. But listen, I'm gangster. I
• 21:24
  Speaker 1: know I'm gainster. I know I tell everybody all the time.
• 21:27
  Speaker 1: Test my gangster, right, Oh god, My message is to
• 21:31
  Speaker 1: be yourself. Listen, I'm gonna kill with rainbow here, right,
• 21:34
  Speaker 1: I'm a kid with rainbow teeth. How am I shaking
• 21:37
  Speaker 1: up the industry like I am? Man's not supposed to happen.
• 21:40
  Speaker 1: You really get to know me, I have a conversation
• 21:42
  Speaker 1: with me. I'm a very humble, genuine dude. And it
• 21:45
  Speaker 1: seems like you don't want people to like you. Nah,
• 21:48
  Speaker 1: why you say that? Because it seems like certain situations
• 21:51
  Speaker 1: get blown out of proportion and you take it from one.
• 21:54
  Speaker 1: Let's bring a situational, all right, Like, let's talk about okay,
• 21:59
  Speaker 1: you Prince the Jay, Prince Junior's birthday party. He's just saying, look,
• 22:04
  Speaker 1: I don't even know you. I don't have no issue.
• 22:06
  Speaker 1: I just know things that I heard, but you do
• 22:08
  Speaker 1: have to check in and at least like show some respect.
• 22:11
  Speaker 1: That's not a bad thing. What happened in that situation
• 22:13
  Speaker 1: with j Prince. I don't know the homie. I remember
• 22:15
  Speaker 1: we was in a sneaker store and the dude comes
• 22:18
  Speaker 1: up to me, the dude with the sneakers, and it's
• 22:20
  Speaker 1: just like yo, like, um, do you know who's Jay Prince?
• 22:23
  Speaker 1: And I'm like I heard the name, Like you know
• 22:25
  Speaker 1: what I'm saying. You're like, yeah, well he's coming up.
• 22:27
  Speaker 1: So at this time, it's just me and my you know,
• 22:31
  Speaker 1: my mom, my friends. We in the sneak store. I
• 22:33
  Speaker 1: see this dude walk in. When he woke in, I
• 22:35
  Speaker 1: dress it, you know what I'm saying, because he come
• 22:37
  Speaker 1: in with a marble people. It's something J Prince Jior,
• 22:39
  Speaker 1: not the yeah, not the father, the son. You know
• 22:41
  Speaker 1: what I'm saying. And my thing is I dressed, my
• 22:45
  Speaker 1: get up. I say, yo, spopping. So the dudes like yo,
• 22:47
  Speaker 1: what's up? Like you know what I'm saying, Like he
• 22:49
  Speaker 1: took my energy coming off, Like yo, this kid like
• 22:52
  Speaker 1: he just came up to me. You don't come with
• 22:54
  Speaker 1: his head down, bound down like you're regular. Do you
• 22:57
  Speaker 1: breathe like I breathe. You know what I'm saying, something
• 22:59
  Speaker 1: like you're spopping. But the energy wasn't The energy wasn't
• 23:02
  Speaker 1: on something like oh, it wasn't like was good like
• 23:06
  Speaker 1: it was just like it was like it was good,
• 23:09
  Speaker 1: but it was just like I didn't feel no static
• 23:11
  Speaker 1: between us. I didn't feel no Yeah, it wasn't nothing.
• 23:15
  Speaker 1: He didn't addressed nothing. I God strike me. That made
• 23:18
  Speaker 1: me swallow my tongue when I'm talking me all my daughter,
• 23:20
  Speaker 1: O my daughter. He was in the room for like
• 23:22
  Speaker 1: what thirty minutes and didn't buy a Sunday and buy
• 23:24
  Speaker 1: no sneakers, didn't get nothing. He was just there. Any
• 23:28
  Speaker 1: problem he had he could have addressed. They was a
• 23:32
  Speaker 1: mall blood and it was strapped in the sneak stool.
• 23:35
  Speaker 1: I'm just there, you know, being myself like I always inn't. Now.
• 23:40
  Speaker 1: That was Saturday, right right next Sunday, he had his
• 23:43
  Speaker 1: birthday party with Youngster. So he texts. He texts us
• 23:46
  Speaker 1: like my man shouting, He's like, yo, come to the
• 23:49
  Speaker 1: come to my birthday party twelve fifteen, No later, I
• 23:52
  Speaker 1: guess when we get to the door, he said twel fifteen,
• 23:55
  Speaker 1: oh later, you know what I'm saying. But we texted
• 23:57
  Speaker 1: him like yo, we didn't making that at twelve fifteen.
• 23:59
  Speaker 1: So I guess it was a situation where he was like, nah, like,
• 24:02
  Speaker 1: there's a situation we gotta address in private before we
• 24:05
  Speaker 1: make it public. So you wanted to have a conversation
• 24:07
  Speaker 1: with you before you was in the club and take pictures. Blood.
• 24:09
  Speaker 1: We could have had the conversation in the sneak store.
• 24:11
  Speaker 1: We could have had the conversation something. I don't know
• 24:16
  Speaker 1: what he what, yo, Blood Like, I'm uh, I'm human,
• 24:20
  Speaker 1: Blood Like yeah, if I came up to you right
• 24:22
  Speaker 1: and I say, yo, what's good? And you told me
• 24:24
  Speaker 1: what's good? And from all these people, Blood addressed the
• 24:28
  Speaker 1: situation you got with me. Blood, don't wait till this
• 24:30
  Speaker 1: is all your people here for you to get the
• 24:32
  Speaker 1: battery in your back to be tough, like you know
• 24:34
  Speaker 1: what I'm saying right up? Like, So, I guess we
• 24:36
  Speaker 1: showed up to his party sunset like yo, like, now,
• 24:39
  Speaker 1: let let's address it. Boom. Everyone knows that that happened
• 24:43
  Speaker 1: on Sunday, if you go back and tracking on the internet,
• 24:45
  Speaker 1: it was posted to the Wednesday three days later. That's
• 24:48
  Speaker 1: cloud chasing blood. Like you know what I'm saying, no
• 24:50
  Speaker 1: way into that blood. Like you're grown ass man with kids.
• 24:53
  Speaker 1: Why why didn't you show up to your show? So
• 24:57
  Speaker 1: I showed up? I showed up. Let's think like power House, right,
• 25:01
  Speaker 1: you book a Helina, which is like what future something? Say?
• 25:05
  Speaker 1: You book in future? Right? You book future? But he's
• 25:07
  Speaker 1: your Helina? Correct? At the World Star Seawan Austin, I'm
• 25:10
  Speaker 1: the Helena. I'm the main event like this T Grizzly, Risk,
• 25:13
  Speaker 1: the kid, wife and Rollo, all of that was the lineup.
• 25:18
  Speaker 1: I'm the Helena. You book show at Powerhouse right? Future
• 25:22
  Speaker 1: is your Helena? Right? Are you gonna make sure your
• 25:25
  Speaker 1: main event is safe? Like for them to perform and
• 25:27
  Speaker 1: give the crowd what they want? Absolutely? So me, I'm
• 25:30
  Speaker 1: not dumb, and let me address this. When I travel
• 25:33
  Speaker 1: out of town, I don't travel with a hundred people.
• 25:36
  Speaker 1: I don't travel you know who. I travel with two
• 25:39
  Speaker 1: three people. When I went to LA for All Star Weekend,
• 25:42
  Speaker 1: I'm with two people. I don't walk around while because
• 25:45
  Speaker 1: I let my thing like kind of contradicting yourself though,
• 25:48
  Speaker 1: because you say that if you got if somebody got
• 25:50
  Speaker 1: an issue with you, don't wait until they got a
• 25:51
  Speaker 1: hundred people with them to address you. So if you're
• 25:54
  Speaker 1: walking around proclaiming to be this big gangs to this
• 25:56
  Speaker 1: big tough guy, you gotta show up, even if it's
• 25:58
  Speaker 1: just you and two people. Now listen to this, right,
• 25:59
  Speaker 1: So world Stars like, Yo, we we made sure we
• 26:02
  Speaker 1: got you security. Because I don't. I'm like, yo, listen,
• 26:04
  Speaker 1: it's just me, Like you know what I'm saying. There's
• 26:06
  Speaker 1: grown ass men marching the streets looking for a kid
• 26:10
  Speaker 1: with rainbow head like, how stupid could you look? Like?
• 26:12
  Speaker 1: You know what I'm saying. Bottom line, Jay, that that
• 26:15
  Speaker 1: runs World Star, Right He's like, yo U. Jay's like, Yo, listen,
• 26:20
  Speaker 1: you're about to go on that one time, make king
• 26:21
  Speaker 1: making sure one time I got security here, I'll make
• 26:25
  Speaker 1: it there. So the show comes Shoddy called me, he said, Yo,
• 26:28
  Speaker 1: be safe. I love you. But take a look on
• 26:31
  Speaker 1: the internet. Everyone's sagging me. So I'll go on the
• 26:33
  Speaker 1: internet that Jay. Prince Dude is on the stage. Rollo
• 26:37
  Speaker 1: set is on the stage for m Wife, fence set
• 26:41
  Speaker 1: for a Little Baby, set for rister kids set T
• 26:44
  Speaker 1: Grizzly set something like I called jay back. I'm like, yo,
• 26:48
  Speaker 1: blood like you you got these dudes that's ready to
• 26:51
  Speaker 1: you know what I'm saying, play with me and play
• 26:53
  Speaker 1: with my money on the stage. He's like, nah, but
• 26:55
  Speaker 1: I'm gonna clarion. It just started looking like a setup
• 26:57
  Speaker 1: to me. You know what I'm saying. I say, Yo,
• 26:59
  Speaker 1: what's up with the security? Like they allowing that like
• 27:01
  Speaker 1: for them to be How am I supposed to give
• 27:03
  Speaker 1: you your venue, your crowd a good performance and I'm
• 27:07
  Speaker 1: supposed to be looking over my background performance. You know
• 27:10
  Speaker 1: what I'm saying, I'm not about to get world stared
• 27:11
  Speaker 1: on the world star stage. Now, going back to what
• 27:14
  Speaker 1: you said, right, he said, I'm contradicting myself. There's a
• 27:17
  Speaker 1: difference between being gangster and being stupid. No no, no, no no,
• 27:22
  Speaker 1: no no no. I let my team right, but in
• 27:26
  Speaker 1: my gun go against a hundred is that want to
• 27:28
  Speaker 1: get me or be the smartest person and be like stupid.
• 27:31
  Speaker 1: I'm not gonna let you get the chance to world
• 27:34
  Speaker 1: star on me and violate me when I could be
• 27:37
  Speaker 1: the bigger person to be like. You know what, y'all
• 27:38
  Speaker 1: couldn't guarantee my safety. Y'all know that I showed up Jay. No,
• 27:42
  Speaker 1: I showed up Jay's Like, Yo, there's no security here
• 27:45
  Speaker 1: for you, Like they don't even want to. I said,
• 27:47
  Speaker 1: what you mean, I guess the security there was from
• 27:51
  Speaker 1: fifth Ward and yeah, and they said they were scared
• 27:55
  Speaker 1: to even tell them to get off stage. Like that
• 27:57
  Speaker 1: wasn't professional at all. Blood, That was like, that's what's
• 28:00
  Speaker 1: so sketchy, behine, Are you absolutely right but you're not.
• 28:03
  Speaker 1: So you're absolutely writing what you're saying, but you're not
• 28:05
  Speaker 1: professional when you online antagonizing these people. They're not just
• 28:09
  Speaker 1: showing up for no reason. They don't. They don't just
• 28:10
  Speaker 1: hate you because you hot and you got I could
• 28:13
  Speaker 1: say what up, I could say whatever I want online,
• 28:15
  Speaker 1: like you know what I'm saying now I do it
• 28:18
  Speaker 1: and and and like I said, like I don't feel
• 28:20
  Speaker 1: like I ain't taking no loss. I made it back home.
• 28:22
  Speaker 1: I got paid, Like you know what I'm saying. You
• 28:24
  Speaker 1: still get paid for that even Yeah, I showed up up, Blood,
• 28:27
  Speaker 1: I showed up. You got your back, look back and everything.
• 28:31
  Speaker 1: I'll show up. You pay me. I waste my time.
• 28:34
  Speaker 1: I don't move. We have more with Takashi six nine.
• 28:36
  Speaker 1: When we come back, it's the Breakfast Club. Good morning,
• 28:39
  Speaker 1: the Breakfast Club. More than everybody is DJ Envy, Angela Yee,
• 28:46
  Speaker 1: Charlotage and the guy. We all the Breakfast Club. We
• 28:48
  Speaker 1: have Takashi six nine in the building. Ye. So what
• 28:51
  Speaker 1: about being a crip and then becoming a blood? What's
• 28:54
  Speaker 1: the situation with that? Yeah, I show pictures not yet.
• 28:58
  Speaker 1: So basically, you know what I'm saying. When I started
• 29:00
  Speaker 1: making music and I heard that you, um are cool
• 29:03
  Speaker 1: with scum game from black Bush, academics said that you
• 29:08
  Speaker 1: was cool with actually game, Um, I wouldn't give a name.
• 29:15
  Speaker 1: You know, there is some some group that ran with
• 29:18
  Speaker 1: They called me one night and it was like yo,
• 29:19
  Speaker 1: I got all this information on six nine with them.
• 29:22
  Speaker 1: But anyway, listen to so this is dude scum from
• 29:27
  Speaker 1: Flatbush right. I used to run with them, but nobody
• 29:30
  Speaker 1: could say who who I'm crip hunter? Like who who
• 29:33
  Speaker 1: was our crip under? Like? You know what I'm saying,
• 29:35
  Speaker 1: I would live on eighteen locus blood. You know when
• 29:37
  Speaker 1: I say yo six nine and six nine that it's
• 29:40
  Speaker 1: on my you know my yack, it's looking for me.
• 29:43
  Speaker 1: You can hit my Jack, I don't drop my address,
• 29:44
  Speaker 1: you know with six nine, I really dropped my address.
• 29:47
  Speaker 1: That's what I said. It's really not hard to find
• 29:49
  Speaker 1: me Blood Like like you know what I'm saying. I'm
• 29:51
  Speaker 1: always outside and the hood I live in is crips
• 29:54
  Speaker 1: and blood. So if I'm with crips and I'm with bloods, yo,
• 29:58
  Speaker 1: I didn't come home to this year, Like you know
• 30:00
  Speaker 1: what I'm saying. So if people like Yo, you wanted
• 30:02
  Speaker 1: to crips, I'm running with crips. If you people say
• 30:04
  Speaker 1: you're running with blood, I'm running blood and I'm running
• 30:06
  Speaker 1: with both. I'm running with both. Like they both my homies.
• 30:08
  Speaker 1: You know what I'm saying. Was I ever? Was I ever? Jack?
• 30:13
  Speaker 1: And Yo? Oh um G Stone or I'm G s
• 30:16
  Speaker 1: Nan or I'm you know what I'm saying. I was
• 30:18
  Speaker 1: just like, Yo, these are my homies. These are my homies.
• 30:20
  Speaker 1: I've never been in your homies videos, Like you know
• 30:22
  Speaker 1: what I'm saying. I don't know this now now you
• 30:26
  Speaker 1: don't want to get caught like I had to be
• 30:32
  Speaker 1: in Danny, you know what I'm saying. But when they
• 30:34
  Speaker 1: posted picts like who am I under? Like name Coney?
• 30:37
  Speaker 1: But who was I under like you know what I'm saying,
• 30:39
  Speaker 1: Like these always jack and old, he's this, he's that,
• 30:42
  Speaker 1: Like you know what I'm saying, So pull up on
• 30:44
  Speaker 1: me like I haven't met when I one brave soul
• 30:46
  Speaker 1: that came up to me and was like, Yo, you fool,
• 30:49
  Speaker 1: you're a fake ass gangster, you're a rapist, you are
• 30:52
  Speaker 1: this that? And the third nobody got the post come
• 30:54
  Speaker 1: up to me and do that blood like nobody got
• 30:56
  Speaker 1: you know what I'm saying, it's all the internet and
• 30:58
  Speaker 1: it's old list and no nobody us. They did call
• 31:01
  Speaker 1: my phone one night and I said I don't care,
• 31:03
  Speaker 1: and I actually gave them academics number. I said, I'm
• 31:05
  Speaker 1: too old for this call academics. No academic said you
• 31:08
  Speaker 1: called him a lion? As I get you answering answering
• 31:15
  Speaker 1: to your question, right, it's not. I was never that
• 31:18
  Speaker 1: interning blood. I was never under nobody. I was never
• 31:21
  Speaker 1: those all my homies. I'm right on Locust, push sweet, borderline,
• 31:24
  Speaker 1: best style, right on the murder Avenue right there, that's
• 31:27
  Speaker 1: my hut sum. The nah hunted all them to wrap
• 31:30
  Speaker 1: them up. Can you go from wearing blue and didn't
• 31:33
  Speaker 1: switch over the red? I mean I don't think you
• 31:35
  Speaker 1: could do it if you actually a crip number, like
• 31:37
  Speaker 1: you know what I'm saying. But I was never crip,
• 31:39
  Speaker 1: you know what I'm saying. Never crip like you said Elia, Like, yeah, homies,
• 31:43
  Speaker 1: they stopped blood, you know them at all? I wouldn't
• 31:48
  Speaker 1: know if they walked into study, don't know them. If
• 31:50
  Speaker 1: I was, if I was actually down with his homies, nah,
• 31:53
  Speaker 1: I wouldn't be able. But I was never down with nobody.
• 31:55
  Speaker 1: What I'm saying. I walk around with a lime green
• 31:58
  Speaker 1: flag and be like, oh, I'm bought there. I'm not
• 32:01
  Speaker 1: bought there around with a um Land King flag and
• 32:04
  Speaker 1: I'm like, isn't that faking though, isn't that false flagging? Yeah?
• 32:07
  Speaker 1: But I was never checking it blood like. I was
• 32:09
  Speaker 1: never like yo, I'm cheese stone like I'm you know
• 32:12
  Speaker 1: what I'm saying. Half the people that was in these
• 32:14
  Speaker 1: um videos that came from La no blood and it
• 32:19
  Speaker 1: was in the um whose that came at me um game,
• 32:23
  Speaker 1: not the other dude, the dude that was hot Mad
• 32:27
  Speaker 1: Longo that came out um y G yeah long ago,
• 32:33
  Speaker 1: and he came up with the tutor in Buddhist song Like,
• 32:40
  Speaker 1: but you have to admit that the culture for on
• 32:43
  Speaker 1: the West Coast is different than it is in Brooklyn
• 32:46
  Speaker 1: and Brooklyn we actually changed these talking about Yo, he
• 32:49
  Speaker 1: banned from La, Ben from La. I'm ending out of
• 32:51
  Speaker 1: the West Coast. Blood like not happening to me because
• 32:53
  Speaker 1: I think there is a certain type of respect you
• 32:55
  Speaker 1: have to have people not happening me like I'm out,
• 32:59
  Speaker 1: I'm ending out LA. I'm in and out Texas, I'm
• 33:02
  Speaker 1: in and out Arizona, and I showed nine Beloved is
• 33:04
  Speaker 1: just brought in Cloud chases that I want to bring
• 33:06
  Speaker 1: the mind. You know, when you're the hottest in the game.
• 33:08
  Speaker 1: You mentioned my name is cloud like this dude, what
• 33:11
  Speaker 1: was the dude name? The planner of apes? Dude, the
• 33:16
  Speaker 1: dude right we seen yo, Bloods Listen, I'm so hot
• 33:22
  Speaker 1: right with the record that he put out. You know
• 33:25
  Speaker 1: what he did for a marketing scheme. He put my
• 33:28
  Speaker 1: name in the title of the song. I don't know
• 33:30
  Speaker 1: if this still happens, Yo. If you type in six
• 33:33
  Speaker 1: nine on YouTube, his video pops up. That was the
• 33:36
  Speaker 1: smartest thing he could have a different career. Let's talk
• 33:38
  Speaker 1: about you as a person. You know what I'm saying.
• 33:40
  Speaker 1: You Mexican right straight up. Okay, I'm my dad Puerto Ricano.
• 33:44
  Speaker 1: Your dad Puerto rican and he was born and raised
• 33:46
  Speaker 1: in Brooklyn. Yeah, I was born Raisin, Brooklyn. Were you
• 33:49
  Speaker 1: influenced by Onyx at all? Nah? I heard their music
• 33:53
  Speaker 1: them a lot, but nah more of a like Dmax.
• 33:57
  Speaker 1: I don't think you know that I following me and
• 34:00
  Speaker 1: following me back. So what so what happened with the game? Bro?
• 34:12
  Speaker 1: I don't know. Bro. This man is he got a family.
• 34:15
  Speaker 1: He got kids, right, not ten kids? Kids and yo
• 34:18
  Speaker 1: blood he kids yo. Now I'm saying like yo blood.
• 34:21
  Speaker 1: He worried about the wrong things like yo yo. His
• 34:24
  Speaker 1: career like is like he trying to spark like you know,
• 34:27
  Speaker 1: like an old marriage. He trying to spark it up
• 34:31
  Speaker 1: like it's over blood, Like hang it up? Are you
• 34:33
  Speaker 1: are you ready to sex offenders? No? I'm not. Um,
• 34:37
  Speaker 1: I mean no, I'm not. You could actually look it up.
• 34:39
  Speaker 1: You got a computer right then? Yeah? I did. That's
• 34:42
  Speaker 1: what I asked, because you can't believe nothing you see
• 34:44
  Speaker 1: on Somebody sent a letter up here actually about you,
• 34:48
  Speaker 1: right with charges against you, and I guess it was
• 34:50
  Speaker 1: something with you were eighteen years old. Yeah, I'm twenty
• 34:53
  Speaker 1: one three years ago. Right. You know what I'm saying.
• 34:55
  Speaker 1: I had an underage girl in the video, right, and
• 34:58
  Speaker 1: you know happens, you know what I'm You know, girls
• 35:00
  Speaker 1: lie about ages. Everyone knows this, right. A lot of
• 35:03
  Speaker 1: people get caught up in this, right, Yeah, this is
• 35:05
  Speaker 1: how nasty the media is. This how nasty, and the
• 35:09
  Speaker 1: media tries to paint a picture and violate. Now I'm
• 35:13
  Speaker 1: an eighteen year old kid right with my life in
• 35:15
  Speaker 1: front of me. Of course, Like if I didn't rapping, right,
• 35:18
  Speaker 1: and none of it wouldn't matter. But now that I
• 35:20
  Speaker 1: do rapping, I'm actually like somebody when the child just
• 35:24
  Speaker 1: come up, it's like, oh my god, he's a monster.
• 35:26
  Speaker 1: But paint it to where the people don't see, like, yo,
• 35:29
  Speaker 1: the kid with the kid is a kid, like you
• 35:31
  Speaker 1: know what I'm saying. At the end of the day,
• 35:32
  Speaker 1: and got caught up in some there was no sexual
• 35:35
  Speaker 1: intercourse between me and the female at all. It's just
• 35:38
  Speaker 1: I got arrested for being in the situation. Did you
• 35:41
  Speaker 1: play guilty, You play guilty? I play guilty like this quick, blood.
• 35:44
  Speaker 1: I was scared. Blood. I didn't have no money, I
• 35:46
  Speaker 1: was poor, like this is three year I wasn't rapping
• 35:49
  Speaker 1: like I was. I wasn't. I wasn't on some like hots.
• 35:53
  Speaker 1: It was like, yo, you know this girl was missing
• 35:55
  Speaker 1: and and and she's this age and she's enforced to
• 35:59
  Speaker 1: kid and and and her family trying to finda When
• 36:03
  Speaker 1: I'm hearing this, my heart is sinking to my stomach
• 36:06
  Speaker 1: and I'm like, my my girl's pregnant at the time,
• 36:08
  Speaker 1: and they was like talking fifteen years and smashed blood.
• 36:12
  Speaker 1: I don't have no money for an attorney. I didn't
• 36:15
  Speaker 1: have nothing. I was scared blood. I was like, I
• 36:18
  Speaker 1: was like, yo, I'm taking the trial and fighting. They said, yo,
• 36:21
  Speaker 1: if you blow trials, no more blood. Like she was
• 36:26
  Speaker 1: dancing on video or something. Yeah. She It was just
• 36:28
  Speaker 1: like yo, I don't know if you ever saw a
• 36:30
  Speaker 1: video of me back in the day when I when
• 36:32
  Speaker 1: like I pedigreed this girl and you never seen that,
• 36:35
  Speaker 1: Like I did this wrestling move on this girl. That
• 36:38
  Speaker 1: was back in the day when I was going, yeah
• 36:42
  Speaker 1: a girl, I don't know. I was doing viral. I
• 36:44
  Speaker 1: was like I was literally now, I was obviously playing
• 36:48
  Speaker 1: it when viral it was on World Star and like
• 36:50
  Speaker 1: you know what I'm saying, I felt like um when
• 36:53
  Speaker 1: I played guilty. I was just scared. It was me
• 36:56
  Speaker 1: going through a jet system for the first time and
• 36:57
  Speaker 1: it was just like, yo, life changed, like this. Does
• 37:01
  Speaker 1: that make you a registered sex offender now because you
• 37:03
  Speaker 1: did pretty guilty? No, I'm I was a I got
• 37:07
  Speaker 1: a you. No, I'm not signing bay so that yeah, yeah,
• 37:13
  Speaker 1: blind like I'll be, I'll be. You see how I
• 37:16
  Speaker 1: get under his skin? You know I'm under his skin,
• 37:21
  Speaker 1: but you see like I probably rub off on to
• 37:24
  Speaker 1: you him and write a lot of people. But at
• 37:27
  Speaker 1: the end of the day, it's my job to get
• 37:30
  Speaker 1: under people's skin. But it wasn't. You're not under my skin.
• 37:32
  Speaker 1: But I just be concerned because you're a young man,
• 37:34
  Speaker 1: you're making money. People like your music. I don't understand
• 37:36
  Speaker 1: why you have to do all of the other to
• 37:39
  Speaker 1: do it. But I address situations like name one situation
• 37:42
  Speaker 1: I started. I don't know what it feel like. Name
• 37:45
  Speaker 1: one situation and the Houston situation. I feel like I
• 37:47
  Speaker 1: got start you escalator? How did I start escalating? No? No No,
• 37:51
  Speaker 1: my question right now is name one situation I started.
• 37:53
  Speaker 1: I just want to hear one situation I started. If
• 37:55
  Speaker 1: y'all could give me one. No, I can't think of
• 37:57
  Speaker 1: I don't. I really don't know some situations, you continued,
• 38:00
  Speaker 1: everyone exactly you know why. But you know while right,
• 38:04
  Speaker 1: because I don't let nobody play with my name. Yo,
• 38:07
  Speaker 1: if I was such a big bad pedophile rapist, you
• 38:10
  Speaker 1: think I'll be sitting in this chair right now. Blood.
• 38:12
  Speaker 1: Imagine if I didn't have all the hate. Imagine if
• 38:15
  Speaker 1: I didn't come out with all the hate. It's a
• 38:19
  Speaker 1: way to stop it. This is the way I'm doing it.
• 38:21
  Speaker 1: A lot of people can say a lot about me,
• 38:23
  Speaker 1: but a lot of people not putting up the numbers
• 38:25
  Speaker 1: I put up. All Right, we got more with Takashi
• 38:27
  Speaker 1: when we come back. Let's get into his joint. It's Gomo,
• 38:29
  Speaker 1: It's the breakfast club. Good morning. It's DJ Envy Angela
• 38:33
  Speaker 1: Yee Sholomne the guy. We are the breakfast club, takash
• 38:35
  Speaker 1: she's in the building. Ye. Do you think sometimes about
• 38:38
  Speaker 1: your daughter and like what she sees and what she
• 38:40
  Speaker 1: might think? A yeah, blood, Like you think she's not
• 38:43
  Speaker 1: gonna watch this interview and like when she gets older
• 38:46
  Speaker 1: and she's gonna sit him and watch that camera recorded
• 38:49
  Speaker 1: me and then him like saying like, Yo, aren't you
• 38:52
  Speaker 1: a sex offender? You know what I'm saying, Like I know,
• 38:54
  Speaker 1: like this is all gonna fa back to me. You
• 38:56
  Speaker 1: know what I'm saying. She can see that on the internet. Now,
• 38:58
  Speaker 1: she's gonna see that everywhere. Yeh what I'm saying, that's
• 39:00
  Speaker 1: why she need to hear from you what really happened.
• 39:02
  Speaker 1: But I'm well every day, like you know what I'm saying,
• 39:04
  Speaker 1: Like she's gonna know, she's gonna know like like I'm
• 39:07
  Speaker 1: gonna fall that them day. I'm who's her? Like, you
• 39:09
  Speaker 1: know what I'm saying, I'm there for her. I make
• 39:10
  Speaker 1: sure I could provide for her. You think I'm gonna
• 39:13
  Speaker 1: let people stop me from that that it makes me
• 39:16
  Speaker 1: produce a hit. Every time he hit his loss with
• 39:19
  Speaker 1: the boot. It's not lost, it is where's the loss
• 39:22
  Speaker 1: from the charts? Man? Where When I said, when you
• 39:29
  Speaker 1: when you say it's lost, when you say it's lost,
• 39:32
  Speaker 1: the only way I can't find it. I don't know
• 39:34
  Speaker 1: if it's number fifty on the charts, if it's number
• 39:36
  Speaker 1: twenty on the charts. That's what you say. When somebody
• 39:39
  Speaker 1: says to Coss, he ain't that he makes dope records?
• 39:41
  Speaker 1: Is he's in the b forget That's the first thing
• 39:43
  Speaker 1: that comes out of person hand, And it shouldn't be
• 39:45
  Speaker 1: that way. It should be that he is independent and
• 39:47
  Speaker 1: he has records on the charts. That should be the first.
• 39:49
  Speaker 1: You know, every song I put out since come on,
• 39:51
  Speaker 1: it's charted. No matter how much I'm hating, nobody's doing
• 39:54
  Speaker 1: what I'm doing. Yeah, I took it and I passed it,
• 39:57
  Speaker 1: and I wanted to save it. Tells the video that
• 40:00
  Speaker 1: I'm about to drop is actually called day six, non
• 40:02
  Speaker 1: graduation day, and I passed it. So he'd say, congratulations, congratulations,
• 40:07
  Speaker 1: thank you. I'm happy for I did pass it, And yeah,
• 40:15
  Speaker 1: what happened to the boy? You choked? They're allegedly choking
• 40:17
  Speaker 1: Houston his video. There's a video not a kid just
• 40:20
  Speaker 1: try to make a name for himself, like like twelve time. Yeah,
• 40:23
  Speaker 1: So he came up to me to the phone, saying
• 40:25
  Speaker 1: calling me all the type of names. I grabbed him
• 40:27
  Speaker 1: by a jacket, never touched his skin, never like his
• 40:29
  Speaker 1: jack was probably saying that choked him. But you know
• 40:32
  Speaker 1: what I'm saying, I guess he tried to do something
• 40:34
  Speaker 1: and it was just like, but that's what you gotta
• 40:35
  Speaker 1: be worried about. Everybody trying But don't you do the
• 40:38
  Speaker 1: same thing though, Yeah, but I don't put my hands
• 40:40
  Speaker 1: on people. You know what I'm saying at the end
• 40:41
  Speaker 1: of the day, my messages, Right, there's these people I
• 40:45
  Speaker 1: want to make an example, the reason for the rainbow Head,
• 40:48
  Speaker 1: the reason for the Rainbow Team. I'm the kid that
• 40:50
  Speaker 1: literally was not supposed to like, I'm literally showing the
• 40:53
  Speaker 1: industry that all I fake gangsters cut it out, block.
• 40:56
  Speaker 1: Look how stupid I look right now? I got a
• 40:58
  Speaker 1: big as six line on my face. Right, rainbow Head,
• 41:01
  Speaker 1: I'm literally saying he took me in and talking about
• 41:03
  Speaker 1: all these people want to be for me and all
• 41:04
  Speaker 1: these people calling me out. How stupid do they look? Like?
• 41:07
  Speaker 1: I'm literally the one to get it under their skin
• 41:10
  Speaker 1: and making them act out of character because gangsters. Yeah,
• 41:14
  Speaker 1: but look, gangster is not supposed to be. Gangsters. Don't
• 41:16
  Speaker 1: even say what they're gonna do. They do it. There's
• 41:18
  Speaker 1: gangsters all over the world. Blood you know what I'm saying.
• 41:21
  Speaker 1: And I'm not saying that we tougher than them or
• 41:23
  Speaker 1: they're tougher than us. We're gonna hold our own like,
• 41:25
  Speaker 1: you know what I'm saying, ain't nothing. I never took
• 41:27
  Speaker 1: nothing away from La. You can't pull up one video
• 41:29
  Speaker 1: right now saying that I took something away from La
• 41:31
  Speaker 1: because I've never did it what you do and could
• 41:33
  Speaker 1: get you killed. And I think that's part of what
• 41:35
  Speaker 1: everybody's saying that anybody that same footstep, I mean famous
• 41:41
  Speaker 1: last words are I can't be touched. I mean, well,
• 41:43
  Speaker 1: this is this is what I'm gonna saying to you,
• 41:45
  Speaker 1: charlom Man, tell that day I'm a laugh because I
• 41:48
  Speaker 1: know when that day comes, everyone's gonna laugh. So right now,
• 41:51
  Speaker 1: to prevent that day is what we're trying to tell you.
• 41:53
  Speaker 1: Then that's what I've been doing. Blood like, But you
• 41:55
  Speaker 1: mean like I've been preventing. Can't tell somebody sucking and
• 41:58
  Speaker 1: then don't show up right you know what I'm saying.
• 42:01
  Speaker 1: Up I showed up like you saying I didn't show up.
• 42:04
  Speaker 1: Oh we don't know if you showed up. You said
• 42:05
  Speaker 1: you did, but we didn't see you. Want to call
• 42:07
  Speaker 1: Jay right now? Let me come on, okays that have
• 42:15
  Speaker 1: been helping you out at all. I don't look up
• 42:17
  Speaker 1: to nobody. I sweat. I'll come on grown up though
• 42:21
  Speaker 1: I'm saying. I'm saying no, you just your question was
• 42:24
  Speaker 1: like is there any mental that you look up to
• 42:26
  Speaker 1: that let me these old arts, anybody has embraced you,
• 42:29
  Speaker 1: reached out to you, like, Yo, we in New York
• 42:32
  Speaker 1: ran that I name one co Sign got name one? Yo?
• 42:37
  Speaker 1: This is crazy right The numbers that I've put up
• 42:42
  Speaker 1: is what I don't know co Sign, Like, this is
• 42:44
  Speaker 1: why I'm saying, like, Yo, hopefully I'm making song with
• 42:47
  Speaker 1: Cardi B. Like I love Cardi B. Like I'm I'm
• 42:49
  Speaker 1: a fan of Cardi B. But understand that I'm really
• 42:52
  Speaker 1: like no one could sit here and tell me that
• 42:54
  Speaker 1: I'm not self made, like like I made everything that
• 42:58
  Speaker 1: I got for me, Like you know what I'm I'm saying,
• 43:00
  Speaker 1: like everything that I've done my career is straight off
• 43:04
  Speaker 1: the strength of me and my team. Yeah, you know
• 43:07
  Speaker 1: you know you don't blood like I don't act blood
• 43:11
  Speaker 1: like you gonna like, Yo, remember the interview I did
• 43:13
  Speaker 1: with um. I forgot who it was. I invite you
• 43:17
  Speaker 1: to test my gangster. Somebody gonna come somebody that day.
• 43:23
  Speaker 1: Till that day, it's gonna be one of your people
• 43:25
  Speaker 1: that that's holding you dad part and gonna let something
• 43:28
  Speaker 1: more off. And now his whole life is you ain't
• 43:30
  Speaker 1: gonna be the one shooting over. You ain't gonna be
• 43:32
  Speaker 1: the one fight. I'm not the one pop. I'm not
• 43:34
  Speaker 1: the one supposed to be shooting blood. That is gang coach.
• 43:37
  Speaker 1: That is gang coaches. But but he don't have to
• 43:39
  Speaker 1: beat it. It don't had to be that way. But listen, listen, listen.
• 43:42
  Speaker 1: This is my thing. Like but listen to your business.
• 43:45
  Speaker 1: Listen to me. Nobody wants this problem. Like I'm telling
• 43:48
  Speaker 1: you right now, y'all interviews so many rappers. If I
• 43:51
  Speaker 1: say I'm the King of New York for the five
• 43:53
  Speaker 1: hundred time and someone didn't like it, something could have
• 43:57
  Speaker 1: easily happened the garden. I'm the king. I'm the kingdo
• 44:02
  Speaker 1: I struggle for? It's nothing you could tell me. I
• 44:04
  Speaker 1: hope you have a long career. But let's see if
• 44:06
  Speaker 1: you're around next year. Call the past. Didn't here to
• 44:08
  Speaker 1: pray for the young gun. I can't talk to this.
• 44:11
  Speaker 1: Don't you just want to be able to say, you know,
• 44:15
  Speaker 1: evan to Cody Island and not have to look behind
• 44:18
  Speaker 1: my back and make sure that you're good. Yeah, you know,
• 44:20
  Speaker 1: every time I'm in the city, I don't look behind
• 44:23
  Speaker 1: my back. This is really my city. Like, no one
• 44:25
  Speaker 1: ever tried. Yo, you can't find one video of someone
• 44:28
  Speaker 1: testing me in my own city. Because this is really
• 44:30
  Speaker 1: my city. No one will dare put a hand on me.
• 44:32
  Speaker 1: Like you know what I'm saying, have mercy, famous last words. Know,
• 44:38
  Speaker 1: we're gonna pray. I'm gonna say praying for you. I'm
• 44:40
  Speaker 1: gonna show you how much I'm gonna show you. This
• 44:45
  Speaker 1: is a young brother, and I listen, I never got touched. Right,
• 44:51
  Speaker 1: there's a video of him getting touched. Yes it is.
• 44:53
  Speaker 1: It was another video too. It's two videos of another
• 44:56
  Speaker 1: incident out of a guy, but I've never seen that one.
• 44:59
  Speaker 1: I don't because I don't care about I have to
• 45:05
  Speaker 1: please play for this young man, because I feel like
• 45:08
  Speaker 1: you don't pray for my first let me, I'll pray together.
• 45:14
  Speaker 1: You running from God? You do, You're gonna be dead
• 45:18
  Speaker 1: in the year if you don't get this. You know what?
• 45:20
  Speaker 1: You know what's crazy? When I went to school, when
• 45:22
  Speaker 1: I before the prayer starts, when I went to school, right,
• 45:25
  Speaker 1: he reminds me a lot of my teachers. When I
• 45:27
  Speaker 1: went to school. Um, i'd stopped going to school in
• 45:30
  Speaker 1: middle school and I had seventy one I did go
• 45:32
  Speaker 1: to high school for like only orientation. But then my
• 45:34
  Speaker 1: dad passed away that summer, so I just stopped going
• 45:37
  Speaker 1: to school. But there was teachers that always tells me yo,
• 45:40
  Speaker 1: like I was a specialized straight up for my behavior,
• 45:43
  Speaker 1: like I've always been me too, Like yeah, but that
• 45:47
  Speaker 1: was man long ago five five look five to ten.
• 45:52
  Speaker 1: They was like, YEO, where do you see your something
• 45:53
  Speaker 1: five for ten years? Right? And I said, I don't know,
• 45:56
  Speaker 1: because you know what I'm saying, I really am know.
• 45:58
  Speaker 1: I was just a Mexican kid, would pay less shoes,
• 46:00
  Speaker 1: like straight up like one therapist for me. You you're
• 46:02
  Speaker 1: gonna be cleaning my car like a therapist for me.
• 46:05
  Speaker 1: And the teachers were like, yo, what the mouth you have? Yeah?
• 46:08
  Speaker 1: They said, what the mouf you have? You'll be dead
• 46:10
  Speaker 1: in jail. And that just stuck with me. And you see,
• 46:13
  Speaker 1: he said like yo, like what the mouf you have?
• 46:15
  Speaker 1: You'll be dead next year and five ten years, I
• 46:17
  Speaker 1: have five platinum records, right, that's coming, five billboard hits
• 46:22
  Speaker 1: right and knowing will ever take that away from me?
• 46:25
  Speaker 1: Three hundred thousand dollars around my neck, my beautiful daughter
• 46:29
  Speaker 1: able to get back to my community, the kids, the
• 46:31
  Speaker 1: kid that I was back in the day. I don't
• 46:33
  Speaker 1: have a person coming to school and give it five thousand,
• 46:36
  Speaker 1: ten thousand and one thousand. I'll make sure I do
• 46:38
  Speaker 1: that in my community. And that's why I'm a king
• 46:40
  Speaker 1: in my city. But let's start this praying. Yeah, you
• 46:45
  Speaker 1: want me to pray, right, Holy his hand too. Please,
• 46:53
  Speaker 1: they're gonna meet this. Okay, this is gonna be me. Father.
• 46:57
  Speaker 1: I'm just so grateful for the chance, right Prafit Coach
• 47:00
  Speaker 1: sixty nine. Thank you for what's on his life. Thank you,
• 47:03
  Speaker 1: Lord for the gift and the talent you've given him.
• 47:05
  Speaker 1: Thank you Father that he has a life that can
• 47:08
  Speaker 1: make a huge difference for a lot of people. Lord,
• 47:10
  Speaker 1: I pray you'll keep him well, You'll keep him strong,
• 47:13
  Speaker 1: You'll keep him healthy, helping him make wise and the
• 47:15
  Speaker 1: good decisions so that he can fulfill all of that
• 47:18
  Speaker 1: potential that you've given him. Lord, I just asked right
• 47:21
  Speaker 1: now for those who he loves as little girl, Father,
• 47:25
  Speaker 1: people in this world, that you will also bless them.
• 47:28
  Speaker 1: And we pray for Charlemagne. We thank you for him,
• 47:30
  Speaker 1: and thank you Father for all you're doing in and
• 47:33
  Speaker 1: through his life as well. In Jesus name. Amen, Amen,
• 47:37
  Speaker 1: there you have it. You're living up to your full potential.
• 47:42
  Speaker 1: I'll probably retire this year. I ain't gonna because I
• 47:45
  Speaker 1: literally came in a game this yet, and I'm gonna
• 47:47
  Speaker 1: try to come out and remember, I'll put a channel.
• 47:49
  Speaker 1: I'm gonna be around. I'll be out to two times one.
• 47:53
  Speaker 1: When when Bobby's murder come back, I'll just give it.
• 47:56
  Speaker 1: I'll give everything. Example, Yo, take it back. You know
• 47:58
  Speaker 1: what I'm saying, Trey wish Man. And when you and
• 48:00
  Speaker 1: when you get touched, just make sure to hit me up.
• 48:02
  Speaker 1: And when you get touched, I swear to God, when
• 48:03
  Speaker 1: you get touched, I swear why you swear to guard Man?
• 48:09
  Speaker 1: Now I didn't say sweater gone, Yes you did. I
• 48:11
  Speaker 1: said it. Yeah you said. I swear they don't. Due
• 48:15
  Speaker 1: to Charlemagne that I would make sure you the first
• 48:18
  Speaker 1: person I calling out like Yo, I'll let you him.
• 48:21
  Speaker 1: And I'm gonna say it happens. Now you're gonna change
• 48:23
  Speaker 1: your ways. But trust me, is never gonna happen. And
• 48:25
  Speaker 1: everyone in this room guarantee is never gonna happen. You
• 48:27
  Speaker 1: ever seen lean on me? Not in ship. That's Matt
• 48:29
  Speaker 1: long Ago Man asked you that Joe Clarks said, Joe
• 48:34
  Speaker 1: Clark said, if you don't change your ways, you'd be
• 48:36
  Speaker 1: dead in the year. So all right, well I'm here
• 48:37
  Speaker 1: to stay like you see me in two thousand and
• 48:39
  Speaker 1: sixty nine. Man like I'm here, man, all right? Six nine,
• 48:43
  Speaker 1: it's the Breakfast Cloggle Morning, the Breakfast Club wanted. Everybody
• 48:49
  Speaker 1: is DJ en Vy, Angela Yee, Charlomagne the guy. We
• 48:53
  Speaker 1: are the Breakfast Club. And listen, man, I'm too old
• 48:55
  Speaker 1: for a lot of the nonsense that happens in the
• 48:57
  Speaker 1: world today. Okay, so every boy said prayer for Takachi
• 49:01
  Speaker 1: six nine. He did hope for the best form, But um,
• 49:06
  Speaker 1: I think you'd be dead in the year nat say that.
• 49:09
  Speaker 1: And he's a genuinely nice guy. He is a nice guy.
• 49:12
  Speaker 1: If you meet him, he's actually a genuinely nice guy.
• 49:14
  Speaker 1: He's got good energy, you know what I'm saying. So
• 49:17
  Speaker 1: but all of that trolling, why why get hurt? Overtrolling? Yeah,
• 49:21
  Speaker 1: let's not put death in the atmos I put a
• 49:22
  Speaker 1: definite atmosphere. I'm just telling you what what could happen?
• 49:25
  Speaker 1: I think it's this generation of social media. They think
• 49:27
  Speaker 1: it's cool. There's no repercussions. Nobody is being held accountable
• 49:30
  Speaker 1: for their action. I'm trying to tell you something. The
• 49:32
  Speaker 1: things that happen online will affect your life offline. All right, well,
• 49:36
  Speaker 1: let's get to the rumors. Let's talk R and B
• 49:37
  Speaker 1: Singer Kevin McCallen just oh got the Breakfast Club? Well,
• 49:50
  Speaker 1: Kevin McCall was posting on Instagram. He must people don't
• 49:53
  Speaker 1: know that he's not crazy, and he doesn't want to
• 49:55
  Speaker 1: do anything that might reflect that. He said, he's one
• 49:57
  Speaker 1: of the nicest people on earth, but when you get to,
• 50:00
  Speaker 1: I say, with people's children, it's boundaries. Now. He goes
• 50:03
  Speaker 1: on to say that he is a ticking time by
• 50:06
  Speaker 1: and listen to what he said Eva Marsil picture. I'm
• 50:09
  Speaker 1: sorry y'll dumped you. I'm sorry y'all left you and
• 50:12
  Speaker 1: I kept the forebadroom apartment, and when I got evicted,
• 50:15
  Speaker 1: you got sued as well. I'm sorry you were meaning
• 50:17
  Speaker 1: my daughter Genesis and I left you. But don't lie
• 50:19
  Speaker 1: on me, please. He also said, I keep trying to
• 50:22
  Speaker 1: warn y'all about my mental stability as it pertains to
• 50:25
  Speaker 1: my children being legally kidnapped. They are keeping my children
• 50:28
  Speaker 1: from me and I can't do anything in court without
• 50:30
  Speaker 1: paying at least two thousand bucks to various groups that
• 50:33
  Speaker 1: provide assistance. After a while, somebody gonna just get hurt
• 50:36
  Speaker 1: because my babies are hurting without me, and vice versa.
• 50:39
  Speaker 1: Here's more of what he had to say about being
• 50:41
  Speaker 1: in fair for everything I say yesterday, And I just
• 50:44
  Speaker 1: want to say, Man, I'm meant daughter, I'm not playing,
• 50:47
  Speaker 1: you know what I'm saying. I got people every day
• 50:49
  Speaker 1: when I walk around the street, people, and I'm a
• 50:51
  Speaker 1: woman beating. I'm in fear of my life, so he said,
• 50:54
  Speaker 1: he's in fear of his life right now, and he's
• 50:56
  Speaker 1: telling Eva Marcia, please come clean for the world. I'm
• 50:59
  Speaker 1: begging you to tell the truth. We can do this
• 51:01
  Speaker 1: court ish too, but why waste any more time and
• 51:04
  Speaker 1: money than you already have. Queen knocked this ish off.
• 51:06
  Speaker 1: I'm done with this game. My baby damn near five
• 51:09
  Speaker 1: years old? What is wrong with you? Yeah? I mean,
• 51:10
  Speaker 1: kid need both parents, unless, of course one of the
• 51:12
  Speaker 1: parents is unstable. But other than that, kid need both parents. Right.
• 51:15
  Speaker 1: He says that the media has been manipulating against him.
• 51:19
  Speaker 1: I don't know what the real story is. No, I
• 51:21
  Speaker 1: don't think anybody knows. And Kevin McColl usually text me
• 51:24
  Speaker 1: around this time to ask me something. But I mean,
• 51:27
  Speaker 1: I don't know, I don't know. I hope they work
• 51:29
  Speaker 1: it out though. For the kid. Listen, the kid has
• 51:31
  Speaker 1: to be top priority. Your daughter has to be the
• 51:33
  Speaker 1: number one priority. Forget how y'all feel about each other.
• 51:36
  Speaker 1: You gotta do what's best, all right, French Montana, this
• 51:40
  Speaker 1: is some good news. He talked about his journey after
• 51:42
  Speaker 1: going to Uganda in March of twenty seventeen. He said,
• 51:46
  Speaker 1: after some personal setbacks, he lost the motivation to make
• 51:50
  Speaker 1: music and he was looking for something to fill that void,
• 51:53
  Speaker 1: and he found it while shooting the video for Unforgetable
• 51:55
  Speaker 1: with Suli. Here's what he had to say. When I
• 51:57
  Speaker 1: went to Uganda, I was looking for some motivations and
• 52:00
  Speaker 1: just saw how happy the people is and Uganda would
• 52:03
  Speaker 1: you know, probably not even a quarter where we have here.
• 52:05
  Speaker 1: It just made me realize that happiness is would then
• 52:07
  Speaker 1: you'll never be rich unless you're rich in hart I
• 52:10
  Speaker 1: went to this hospital, Soldi hospital. You know, they had
• 52:13
  Speaker 1: two rooms in that from three hundred thousand people. God
• 52:16
  Speaker 1: was giving me signs that I did I have to
• 52:18
  Speaker 1: do something to help these people. We got with Mama
• 52:20
  Speaker 1: hope and global citizen. And now they building and they're
• 52:23
  Speaker 1: about to have like a full hospital, and I just
• 52:25
  Speaker 1: feel proud that, you know, I saved myself and saved
• 52:28
  Speaker 1: a lot of people that stop trouble to clues. Bump
• 52:30
  Speaker 1: for French Montana damage shout the French really really awesome.
• 52:34
  Speaker 1: So he raised up a five hundred thousand dollars to
• 52:38
  Speaker 1: benefit the health center and he broke ground on his
• 52:40
  Speaker 1: hospital as a well. No, French has come a long way, man.
• 52:43
  Speaker 1: I remember when French just used to be a dirty
• 52:44
  Speaker 1: bronx negro in Dame Greece studio out there in Yanka's
• 52:48
  Speaker 1: Wyo area. That's an nath to carry gun on me
• 52:51
  Speaker 1: back in no place I was stupid. Well let me
• 52:54
  Speaker 1: angela yea, And that is your all right, thank you,
• 52:57
  Speaker 1: missie Charlemage, who are giving your down coat. Donkey of
• 53:00
  Speaker 1: the day is going to a young lady named Brianna Lofton.
• 53:02
  Speaker 1: You know, we're talking about kids not being held accountable
• 53:06
  Speaker 1: for their actions. We're talking about you know, the things
• 53:08
  Speaker 1: kids do online not affecting them in real life offline,
• 53:12
  Speaker 1: and that's why they keep doing them. Well, Brianna got
• 53:14
  Speaker 1: some consequences to her actions and we'll talk about them
• 53:16
  Speaker 1: for after the hour. All right, that's next keeping lot.
• 53:18
  Speaker 1: Also let them know Rock Shan Shantag gonna be hit
• 53:21
  Speaker 1: next goddamn show. We'll kicking with Rocks and Shanty next
• 53:26
  Speaker 1: as well. So the Brekfast Club for morning, charlt Mayne
• 53:29
  Speaker 1: say the gang don't get the shape man, you are
• 53:33
  Speaker 1: a donkey today does not discriminate. I might not have
• 53:40
  Speaker 1: the song of today, but I got the donkey that day.
• 53:42
  Speaker 1: So if you ever feel I need to be a
• 53:44
  Speaker 1: donkey man, hit it with the Breakfast Club. Bitches. They
• 53:48
  Speaker 1: just don't kive today today, Well donkey today for Friday.
• 53:52
  Speaker 1: In March twenty third goes to a twenty year old
• 53:54
  Speaker 1: woman from Rileygh, North Carolina named Brihanna a shanty lofting Now.
• 53:59
  Speaker 1: Brihanna is one of these people who still doesn't realize
• 54:01
  Speaker 1: that the internet is the real world. Why do y'all
• 54:04
  Speaker 1: keep back and like what you do online doesn't affect
• 54:06
  Speaker 1: your life online. It's just beyond me. Why y'all don't
• 54:09
  Speaker 1: understand it? To see what I'm realizing about these kids.
• 54:12
  Speaker 1: They don't realize what they do on the internet is
• 54:13
  Speaker 1: the cause. Okay, and the consequence of they experienced because
• 54:17
  Speaker 1: of what they did online is the effect, all right.
• 54:19
  Speaker 1: Brihanna Shanty Lofton is twenty years old and she just
• 54:22
  Speaker 1: recently learned that the hardaway. See. Brianna is the latest person,
• 54:25
  Speaker 1: but certainly not the last, to snitch on herself via
• 54:28
  Speaker 1: social media. Brianna was doing something she absolutely had no
• 54:30
  Speaker 1: business doing. And you know how when you own social
• 54:33
  Speaker 1: media and you see somebody doing something super incriminating and
• 54:36
  Speaker 1: you say to yourself, damno, which the police would come
• 54:39
  Speaker 1: lock their dumb ass up. Well, for those of us
• 54:41
  Speaker 1: who have ever uttered those words ourselves, Brianna made our
• 54:43
  Speaker 1: dreams come true. Let's go to wt d D ABC
• 54:46
  Speaker 1: eleven for the report place RPD posting that big thank
• 54:50
  Speaker 1: you to all those Facebook crime solvers out there who
• 54:52
  Speaker 1: helped lead them to that apartment in Northeast Raleigh where
• 54:56
  Speaker 1: mom was allegedly introducing her one year old baby to
• 55:00
  Speaker 1: weed smoking. Police say it's twenty year old Brianna Lofton's
• 55:03
  Speaker 1: hand in this video appearing to put a lit marijuana
• 55:06
  Speaker 1: blunt into her one year old baby's mouth and Northeast Raleigh.
• 55:10
  Speaker 1: The video going viral when a man in Rochester, New
• 55:13
  Speaker 1: York shared it on his page, urging police to get involved.
• 55:17
  Speaker 1: Just hours later, Lofton was arrested by Raleigh police, booked
• 55:20
  Speaker 1: on two counts of felony child abuse forcing her baby
• 55:24
  Speaker 1: just smoke pot. The baby, by the way, is now
• 55:26
  Speaker 1: in the custody of Child Protected Services. Now, I bet
• 55:29
  Speaker 1: any amount of money twenty year old Rihanna is telling
• 55:32
  Speaker 1: her friends that somebody in Rochester snitched on her. Never
• 55:35
  Speaker 1: mind the fact she let her one year old child
• 55:37
  Speaker 1: smoke weed on video. Don't even worry about that part.
• 55:40
  Speaker 1: That's perfectly normal. The problem isn't that she let her
• 55:42
  Speaker 1: one year old child smoke weed. The problem is that
• 55:45
  Speaker 1: somebody shared the video. I guarantee you she is telling
• 55:48
  Speaker 1: her people that she got snitched on because these kids
• 55:51
  Speaker 1: nowadays don't believe in consequences and repercussions for their actions.
• 55:54
  Speaker 1: What it those nobody has held accountable for their actions
• 55:58
  Speaker 1: in this era. And I am all four cyber crime stopping,
• 56:00
  Speaker 1: by the way, social media snitch and drop on the
• 56:02
  Speaker 1: clues bombs for that. All right? If you see something,
• 56:06
  Speaker 1: share something, what's your local authorities? All right? It's in
• 56:09
  Speaker 1: it right today, Facebook page? All right, we are not
• 56:11
  Speaker 1: gonna make the world a better place if we dismiss
• 56:14
  Speaker 1: the bs we see in the world just because it's
• 56:16
  Speaker 1: via the internet. I truly think we see so much
• 56:19
  Speaker 1: nonsense online that's normalized, you know, but it's not normal.
• 56:23
  Speaker 1: So when I see people like Brihanna get locked up
• 56:25
  Speaker 1: for letting that one year old smoke weed, it warms
• 56:27
  Speaker 1: my cold heart. I love it. The only sad part
• 56:31
  Speaker 1: is Brihanna is in the Waite County Detention Center. That's
• 56:34
  Speaker 1: not the sad part. That's what she needs to be.
• 56:35
  Speaker 1: The only sad part is the baby has been placed
• 56:38
  Speaker 1: with Waite County Child Protective Services. Another young black child
• 56:42
  Speaker 1: is now in this system because his mama wanted likes, retweets,
• 56:47
  Speaker 1: comments and clout. Please let rem Mark give Brianna a
• 56:52
  Speaker 1: shanty loft in the biggest he had place. Heeha heh.
• 56:56
  Speaker 1: You stupid mother, are you? I keep trying to tell
• 56:59
  Speaker 1: y'all the things you do online gonna get you messed
• 57:01
  Speaker 1: up offline. That's all we was trying to tell Takashi
• 57:04
  Speaker 1: six nine all more nine, She don't need to have
• 57:07
  Speaker 1: a child. How old is that child? Again? What that child? Try?
• 57:11
  Speaker 1: Want to clusee bond for me. The white white people
• 57:17
  Speaker 1: with white people will always blow him Black people of rhyme. Yeah,
• 57:20
  Speaker 1: the kid was one one year, one years old and
• 57:23
  Speaker 1: she got him pumping in Helen. She don't need to
• 57:25
  Speaker 1: have marijuana. Take that child away forever, all right, that's
• 57:28
  Speaker 1: the sad boy. They're all gonna take a little kid
• 57:30
  Speaker 1: away from but they should in that situation. They should.
• 57:32
  Speaker 1: That wasn't a mistake and that kid looked like he
• 57:34
  Speaker 1: knew how to smoke it before. That system ain't gonna
• 57:37
  Speaker 1: do nothing for him. But I'm watching she she she
• 57:40
  Speaker 1: all right, well, thank you for that dog. Kay to day.
• 57:42
  Speaker 1: When we come back, let's clear everything else, sims in
• 57:45
  Speaker 1: or whatever we need to do. Flew to Pastor Brian
• 57:47
  Speaker 1: Houston a Hillsong for coming in hand, praying for Takashi
• 57:49
  Speaker 1: six nine too. Yeah, we had to keep the energy right,
• 57:52
  Speaker 1: you know. We try all right now when we come back,
• 57:55
  Speaker 1: Rocks and Seantay be joining us. She has a new
• 58:00
  Speaker 1: commentary on her life that Mimi valdesn't Farrell and Forrest
• 58:05
  Speaker 1: Whitacre produce. Right right. She's from Queens, New York, one
• 58:09
  Speaker 1: of the first female rappers out there. We're gonna kick
• 58:11
  Speaker 1: it with her when we come back to Don't Move,
• 58:13
  Speaker 1: and she's got the young lady who plays her in
• 58:14
  Speaker 1: the movie, Shanta Adams with her. Okay, Breakfast Club, Good Morning,
• 58:18
  Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy, Angela Yee,
• 58:26
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. We got
• 58:28
  Speaker 1: some special guests in the building. First, a legend Yes
• 58:32
  Speaker 1: Royalty rapper absolutely from Queens, New York. Rock said Seante, Yes,
• 58:37
  Speaker 1: please believe it. Absolutely, And we have a young lady
• 58:40
  Speaker 1: who played rock sand Shante and the new flick Shante Adams. No,
• 58:44
  Speaker 1: but I've been so excited. We've been talking about the
• 58:46
  Speaker 1: movie coming out on Netflix mark twenty three, Roxanne Roxanne,
• 58:49
  Speaker 1: which I think is great that you guys decided to do.
• 58:51
  Speaker 1: I don't know Farrell is one of the producers. So
• 58:54
  Speaker 1: how did that come about? Well, actually, um, I met
• 58:59
  Speaker 1: Mimi Valdez and Nina bon Jovi and they approached me
• 59:02
  Speaker 1: and we were at an event and I was hosting
• 59:04
  Speaker 1: an event, and they were like, look, we want to
• 59:07
  Speaker 1: make a movie. You know, and I host quite a
• 59:09
  Speaker 1: few eventions. You know, I still work every weekend, so
• 59:10
  Speaker 1: I do a lot of hosting and so you know,
• 59:12
  Speaker 1: some of the places you go, people will say things
• 59:14
  Speaker 1: and I was like, wow, you know, this must be
• 59:16
  Speaker 1: some really strong alcohol here, because like they're talking about, yeah,
• 59:19
  Speaker 1: we're gonna make a movie, and I'm like, yeah, sure,
• 59:21
  Speaker 1: we're gonna make a movie. Let's do it. So I
• 59:22
  Speaker 1: said he would take my number, because there was something
• 59:25
  Speaker 1: about that spiritual connection when you automatically meet with someone.
• 59:28
  Speaker 1: And you know how it is when you're in the
• 59:30
  Speaker 1: industry and you meet with people. Sometimes you could tell
• 59:32
  Speaker 1: this is gonna go through and it sometimes you could
• 59:34
  Speaker 1: tell when it's not. And that feeling that I got
• 59:36
  Speaker 1: from them from the very first time they said it
• 59:38
  Speaker 1: out their mouth, I knew it was gonna happen. Made me.
• 59:40
  Speaker 1: That's but hidden figures too. Yes, yes, and so Y'allso
• 59:43
  Speaker 1: I remember her if I'm an editor in chief of
• 59:45
  Speaker 1: Vibe magazine. So that was your first time meeting Memi. No,
• 59:48
  Speaker 1: I had actually met Mimi before then, you know, of course,
• 59:50
  Speaker 1: because you're in a hip hop you know world, it's
• 59:52
  Speaker 1: very small, a certain level of it, it's very small.
• 59:54
  Speaker 1: So we meet each other, we cross paths. But when
• 59:56
  Speaker 1: I seen her again and she was discussing the whole
• 59:58
  Speaker 1: fact of the movie with me. Then next morning we
• 1:00:01
  Speaker 1: actually met, had breakfast, and then it just went on
• 1:00:03
  Speaker 1: from there. Wow. And I mean when I say that
• 1:00:05
  Speaker 1: it went on from there, we're seeing eighteen months we're here.
• 1:00:09
  Speaker 1: I was gonna say, I always looked up to you
• 1:00:11
  Speaker 1: when I was growing up, and I was trying to
• 1:00:13
  Speaker 1: think about it when I found out this movie was happening.
• 1:00:15
  Speaker 1: Has there ever been like a beef between where a
• 1:00:18
  Speaker 1: woman responds to a man that tries to play her,
• 1:00:21
  Speaker 1: like with Roxanne Roxanne with the UTFO crew when they
• 1:00:24
  Speaker 1: first did the Roxanne song and then you responded. And
• 1:00:26
  Speaker 1: I'm trying to think in history has that happened where
• 1:00:29
  Speaker 1: a woman does like a disrecord back to the guy
• 1:00:31
  Speaker 1: that's talking is well, you know what I'm not. I
• 1:00:34
  Speaker 1: can't think one. I'm sure Remy Mall has done one before.
• 1:00:37
  Speaker 1: I mean, Queen Latiffo was talking about some guys who
• 1:00:39
  Speaker 1: didn't know did like response to a disrecord from men.
• 1:00:44
  Speaker 1: It wasn't really heard of until Roxanne's Revenge where everyone
• 1:00:49
  Speaker 1: could really just be able to identify with the young
• 1:00:52
  Speaker 1: girl walking down the street. You know, if you're in
• 1:00:54
  Speaker 1: the projects and you're dealing with that on a day
• 1:00:56
  Speaker 1: to day basis and being able to just respond like that.
• 1:00:59
  Speaker 1: Everyone put themselves in a position to be rock scene
• 1:01:01
  Speaker 1: right now, Shane, did you have to do a crash
• 1:01:03
  Speaker 1: course on all this stuff? Did you ask anybody around you,
• 1:01:05
  Speaker 1: like your parents? Yes, I'm the youngest of four and
• 1:01:08
  Speaker 1: I have two older siblings who are hardcore hip hop
• 1:01:11
  Speaker 1: fans and from that era, and so my oldest brother
• 1:01:14
  Speaker 1: and older sister, they were the people I called immediately
• 1:01:16
  Speaker 1: and was like, hey, what do you know about rock?
• 1:01:18
  Speaker 1: San Shanta? And my sister, she's the oldest and she's
• 1:01:20
  Speaker 1: like I remember being in the mirror and like hearing
• 1:01:22
  Speaker 1: this little girl in the radio for the first time
• 1:01:23
  Speaker 1: and learning all these words and being like I'm a
• 1:01:26
  Speaker 1: rapper and I'm a girl and then being such a
• 1:01:28
  Speaker 1: big thing for the eighties. So yeah, they were like
• 1:01:32
  Speaker 1: they were. They were my sources that I went to.
• 1:01:34
  Speaker 1: It's interesting how God worked, though, because we're just in
• 1:01:36
  Speaker 1: this time of like woman empowerment, especially women of color,
• 1:01:40
  Speaker 1: and that story. Your story has always been in a
• 1:01:42
  Speaker 1: woman's empowerment and story. Why do you think it happened now?
• 1:01:44
  Speaker 1: I think the universal lined up like that. Well, you
• 1:01:46
  Speaker 1: know what, I think what it is is that a
• 1:01:47
  Speaker 1: lot of times, certain messages need to have a certain
• 1:01:50
  Speaker 1: push behind them, and when you throw certain things out
• 1:01:52
  Speaker 1: into the universe, you're gonna find that those things come
• 1:01:54
  Speaker 1: back just at the perfect time. Because people would say
• 1:01:57
  Speaker 1: all the time, I'm like, okay, well you know what,
• 1:01:59
  Speaker 1: you haven't made a record thirty years, No secret, you
• 1:02:01
  Speaker 1: still tour, but you still you know, you do venues
• 1:02:04
  Speaker 1: and your hostings and everything like that. What would make
• 1:02:06
  Speaker 1: a rock scene and shines? Hey, movie come out now?
• 1:02:09
  Speaker 1: And the thing about it is, it's because it's the
• 1:02:11
  Speaker 1: woman's time now. And though it has always been the
• 1:02:14
  Speaker 1: woman's time, it's time to come into the forefront. Time
• 1:02:17
  Speaker 1: to show the strength, time to show what we're made up.
• 1:02:19
  Speaker 1: Also to have that story told, and now you have
• 1:02:22
  Speaker 1: women of strength in order to be the voice for
• 1:02:24
  Speaker 1: some women who feel they can't speak up. So this
• 1:02:26
  Speaker 1: movie will serve that purpose where they can sit back
• 1:02:29
  Speaker 1: and say, Okay, you know what, I was that little
• 1:02:30
  Speaker 1: girl in the group home. I was that little girl
• 1:02:32
  Speaker 1: who went through that I was that little girl who
• 1:02:34
  Speaker 1: had daddy issues, or I was that woman who went
• 1:02:37
  Speaker 1: through depression and went through a heartache or heartbreak. So
• 1:02:39
  Speaker 1: it's a time for us to be able to see
• 1:02:41
  Speaker 1: that story being told, not just told to each other,
• 1:02:44
  Speaker 1: because we always tell each other the story, right, you know,
• 1:02:46
  Speaker 1: as women we sit here, girl, let me tell you
• 1:02:48
  Speaker 1: what happened to me today, or sister, let me have
• 1:02:50
  Speaker 1: one of these sister talks with you. But now it
• 1:02:52
  Speaker 1: was just time to let the world know. And so
• 1:02:54
  Speaker 1: I think this is one of the time it came
• 1:02:55
  Speaker 1: about what made you give up hip hop because you
• 1:02:58
  Speaker 1: would short lived with recording? What made you say, you
• 1:03:00
  Speaker 1: know what, this is not for me. It was not
• 1:03:03
  Speaker 1: financially benefitial for me at the time, at the time, right,
• 1:03:06
  Speaker 1: it is good. Now, let me take that back. Let
• 1:03:12
  Speaker 1: me make sure that one man, but no. One of
• 1:03:14
  Speaker 1: the things about it is that at that time it
• 1:03:16
  Speaker 1: was not financially beneficial for me, and I had a
• 1:03:18
  Speaker 1: lot of responsibility. I you know, not only was I
• 1:03:20
  Speaker 1: already a parent, already had my son, but I was
• 1:03:23
  Speaker 1: responsible for my sisters. So being responsible for family members,
• 1:03:27
  Speaker 1: you know, I needed things that were financially lucrative for me,
• 1:03:29
  Speaker 1: and at that time it wasn't. I was a battle rapper,
• 1:03:32
  Speaker 1: I had no intentions of making records. It just so
• 1:03:35
  Speaker 1: happens that Molly Mallow happened to be one of the
• 1:03:37
  Speaker 1: greatest hip hop producers, lived across the street right above
• 1:03:40
  Speaker 1: the laundry. Matt and I was going to do laundry
• 1:03:42
  Speaker 1: and he was like, listen, come and do a freestyle
• 1:03:44
  Speaker 1: for me. And that's how this came about. There was
• 1:03:46
  Speaker 1: no demo, there was no looking around for record companies.
• 1:03:49
  Speaker 1: You know, everything literally came to me the same way
• 1:03:52
  Speaker 1: how the movie came. So it's just about the things
• 1:03:54
  Speaker 1: that go take place in the universe, you know, being
• 1:03:56
  Speaker 1: in the in the music career, that you would never
• 1:03:58
  Speaker 1: appreciate it like you should have been like something like
• 1:04:00
  Speaker 1: you know, you look at hip hopping. That's they don't
• 1:04:03
  Speaker 1: mention you that much as they should. I mean, for me,
• 1:04:06
  Speaker 1: I go back to Salt and Pepper when I think
• 1:04:08
  Speaker 1: female rappers, right, And that's a problem. I mean, I'm
• 1:04:10
  Speaker 1: very familiar. I'm think when people talk about female rap
• 1:04:13
  Speaker 1: it don't seem to go back no father than Salton Pepper, right,
• 1:04:16
  Speaker 1: Well do I No? Why not? And the reason why
• 1:04:20
  Speaker 1: is because you know, Roxey and Charontey has never looked
• 1:04:24
  Speaker 1: or searched for the accolades from others. You know, I've
• 1:04:27
  Speaker 1: been very confident with that I've always walked with a
• 1:04:29
  Speaker 1: certain confidence, so I didn't need anyone to validate me.
• 1:04:31
  Speaker 1: I validate myself every morning, so I didn't need validation
• 1:04:34
  Speaker 1: from anyone, So I didn't need anyone to say, Okay,
• 1:04:36
  Speaker 1: well you know Roxey and Chantey started this. If you
• 1:04:39
  Speaker 1: know that you've started something, then there's no need for
• 1:04:41
  Speaker 1: anyone to tell you what you've started to see a
• 1:04:42
  Speaker 1: lot of people need that validation, but I was blessed
• 1:04:45
  Speaker 1: to already have that within myself, so I didn't need that.
• 1:04:48
  Speaker 1: So when people say, oh, you know, they're doing this
• 1:04:50
  Speaker 1: hip hop show, and I'm like, okay, that's great. And
• 1:04:52
  Speaker 1: I've never been angry. See, and that's where the blessings
• 1:04:55
  Speaker 1: come in because I've never been an angry person. So
• 1:04:58
  Speaker 1: I don't see others who have achieve certain things and say, Okay,
• 1:05:01
  Speaker 1: well you know what, that should have been mine, That
• 1:05:02
  Speaker 1: should have been mine, that should have been mine, because
• 1:05:05
  Speaker 1: that is really a horrible statement that they have on
• 1:05:08
  Speaker 1: old school artists, that they feel like we're all angry
• 1:05:11
  Speaker 1: or we're all hungry, or we're all angry or mad,
• 1:05:14
  Speaker 1: and we're not. So when you have ones like me,
• 1:05:16
  Speaker 1: that's when opportunities like a movie comes along out of nowhere,
• 1:05:19
  Speaker 1: a Netflix deal comes along out of nowhere, and people say, well,
• 1:05:21
  Speaker 1: how did that happen? And you say, well, you know,
• 1:05:23
  Speaker 1: how could it not? Because I've always been able to
• 1:05:26
  Speaker 1: wait my turn and understand that when it's time for
• 1:05:28
  Speaker 1: rock sand Schantay, it's time for rock sand Shantay, And
• 1:05:31
  Speaker 1: when it's time for others, it's time for me to
• 1:05:33
  Speaker 1: be supportive and be supportive of others. And so that's
• 1:05:35
  Speaker 1: what I do, and that's how I live. Like. We
• 1:05:40
  Speaker 1: want history to be accurate, absolutely, and that's the reason
• 1:05:42
  Speaker 1: why we must tell our own stories, but we don't
• 1:05:44
  Speaker 1: get the opportunity to do so. So. And you know,
• 1:05:47
  Speaker 1: if you feel that, sometimes hip hop they'll say, well,
• 1:05:49
  Speaker 1: females and hip hop started with so In Pepper, and
• 1:05:52
  Speaker 1: honestly the plateau that they took hip hop too, you
• 1:05:55
  Speaker 1: must understand I took you. Okay, before me, there was
• 1:05:57
  Speaker 1: shy Rock. So let's say shy Rock had it in
• 1:05:59
  Speaker 1: the heart, right then I took it from the park
• 1:06:01
  Speaker 1: and I put it on wax, right then I took
• 1:06:03
  Speaker 1: it from um. Then with me putting it on wax,
• 1:06:05
  Speaker 1: so on Pepper took it to the stadiums, and then
• 1:06:08
  Speaker 1: from the stadiums, you know, Nicky took it to a
• 1:06:11
  Speaker 1: certain arenas, and then from arenas, let's just say Remy
• 1:06:16
  Speaker 1: took it to merchandizing and branding, and then you know,
• 1:06:19
  Speaker 1: Cardie took it to you know, pop charts. In this way,
• 1:06:22
  Speaker 1: so everyone comes in and makes their contribution, and you
• 1:06:24
  Speaker 1: need to understand where you are your contributor, where you
• 1:06:27
  Speaker 1: contribute the most. So if mine was the beginning, if
• 1:06:30
  Speaker 1: it was my job to hold the door open, somebody
• 1:06:32
  Speaker 1: else's job to walk in, somebody else's job to sit
• 1:06:35
  Speaker 1: at the desk, and the other person's job to make
• 1:06:37
  Speaker 1: the deal, then so be it. It's when you come
• 1:06:39
  Speaker 1: out of that, you know, that's when the problem starts.
• 1:06:41
  Speaker 1: When everybody gets celebrated, we want to make sure you
• 1:06:43
  Speaker 1: do as well, you know, Ni Fox, All right, we
• 1:06:51
  Speaker 1: got more with Roxande Sean Tay when we come back.
• 1:06:53
  Speaker 1: Matter of fact, let's get her joint on right now.
• 1:06:56
  Speaker 1: It's rock Sands Revenge, Rock Sands in the building, It's
• 1:06:58
  Speaker 1: the breakfast club. The morning that was rock Sand's revenge sales.
• 1:07:02
  Speaker 1: Good to hear that on the radio morning everybody is
• 1:07:04
  Speaker 1: DJ Envy, Angela Yee Charlemagne, the guy we are the
• 1:07:07
  Speaker 1: Breakfast Club Rocks and Shanta's in the building. Yee. I definitely,
• 1:07:12
  Speaker 1: Like I said, I grew up listening to Rock Sand,
• 1:07:14
  Speaker 1: Shanta and the whole UTFO crew. So for people who
• 1:07:16
  Speaker 1: don't know the story right, how did the this record
• 1:07:19
  Speaker 1: come about? Because in my eyes as a child, I
• 1:07:22
  Speaker 1: thought you really was going at them. I didn't know
• 1:07:24
  Speaker 1: it was like an orchestrated type of thing where they knew.
• 1:07:27
  Speaker 1: They explain it now, So can you talk about how
• 1:07:32
  Speaker 1: it actually came about and what happened? Okay? Oh DJ
• 1:07:35
  Speaker 1: mally Mall, who happened to be when of the greatest producers,
• 1:07:37
  Speaker 1: lived above the laundry. So I was going to do
• 1:07:39
  Speaker 1: my laundry. One day he called out the window. He
• 1:07:41
  Speaker 1: was like, listen, Shanny, I heard that you you know,
• 1:07:43
  Speaker 1: a great battle rapper. Come up here. I got this beat.
• 1:07:45
  Speaker 1: I want to hear you spit. Some morning when I
• 1:07:47
  Speaker 1: came to his house, he was playing the big beat,
• 1:07:49
  Speaker 1: which was boom boom baboo. So I said, um, He's like, yeah,
• 1:07:53
  Speaker 1: you heard that new Rock Sand record. And I was
• 1:07:55
  Speaker 1: like yeah, it's like listen, spit something for me real quick.
• 1:07:57
  Speaker 1: I said, Okay, well, my name is Rock sand don't
• 1:07:59
  Speaker 1: you know. So it was a complete freestyle, seven minute
• 1:08:01
  Speaker 1: freestyle because I was known to be very well at
• 1:08:04
  Speaker 1: telling stories that made sense, right, So he was like, okay,
• 1:08:06
  Speaker 1: we gave her a subject. The subject was roxand she
• 1:08:09
  Speaker 1: created roxand I left it alone. The next day, in
• 1:08:12
  Speaker 1: the middle of the night, rather, someone had called me
• 1:08:15
  Speaker 1: because he was on another radio station at the time
• 1:08:17
  Speaker 1: and he had played the record on the radio, and
• 1:08:19
  Speaker 1: they called my house in the middle of the night.
• 1:08:21
  Speaker 1: Now you know, I come from a time when there
• 1:08:22
  Speaker 1: was only one one phone and that was and that
• 1:08:25
  Speaker 1: was like by the kitchen with that long hord that
• 1:08:29
  Speaker 1: rang really loud. So you know, I'm racing to the
• 1:08:31
  Speaker 1: phone because it's like I'm hoping nobody's crank calling or
• 1:08:33
  Speaker 1: anything like that, because you know, me and my mom's
• 1:08:35
  Speaker 1: it was like one of those moments at the time.
• 1:08:37
  Speaker 1: So I grabbed the phone here like are you on
• 1:08:39
  Speaker 1: the radio? And hung up And I remember that whole
• 1:08:41
  Speaker 1: entire night, sitting there by the phone to make sure
• 1:08:44
  Speaker 1: because you had to pinch it out to make sure
• 1:08:45
  Speaker 1: it didn't ring. Yeah, because you know, if you can't
• 1:08:50
  Speaker 1: pitch it, you don't still it was still gonna ring,
• 1:08:54
  Speaker 1: so you had to just pinch it out and you know,
• 1:08:56
  Speaker 1: no slide, no lever. So and I pinched it out,
• 1:08:58
  Speaker 1: and I'm standing there and I was saying till myself like,
• 1:09:01
  Speaker 1: I wonder what I sound like on the radio. The
• 1:09:04
  Speaker 1: next day when I walked out of my building, I
• 1:09:06
  Speaker 1: was rock say shant wow that fast right. No, he
• 1:09:11
  Speaker 1: was on w HBI where you had to have the
• 1:09:13
  Speaker 1: hangar and put the hangar in the window and try
• 1:09:15
  Speaker 1: to tune the radio stations. So it was one of
• 1:09:17
  Speaker 1: those radio stations that, um, I guess, one of the
• 1:09:20
  Speaker 1: late night after midnight type stations. But you would stay
• 1:09:23
  Speaker 1: up because this was the love of hip hop. Everyone
• 1:09:25
  Speaker 1: would stay up late at night and you would have
• 1:09:28
  Speaker 1: the radio turned down so low so that you could
• 1:09:31
  Speaker 1: record the show because you couldn't play a loud that's
• 1:09:33
  Speaker 1: respectful for homes. It's like back in the days when
• 1:09:35
  Speaker 1: you couldn't play your radio as loud as you wanted
• 1:09:37
  Speaker 1: to right the time at night. So everyone would record
• 1:09:40
  Speaker 1: it and they recorded it that night and the next
• 1:09:42
  Speaker 1: day people would play it on their radio. And that's
• 1:09:45
  Speaker 1: how it s equivalent of trending. Now. Yeah, now you
• 1:09:53
  Speaker 1: said you didn't get money back then? Was it because
• 1:09:55
  Speaker 1: people didn't just didn't know the music business? You know what,
• 1:09:58
  Speaker 1: people take full advantage of what you don't know, especially
• 1:10:01
  Speaker 1: when you come into the industry and they and you know,
• 1:10:03
  Speaker 1: I went into the industry with blinders one literally just
• 1:10:06
  Speaker 1: not knowing. But it was also a blessing for me.
• 1:10:09
  Speaker 1: You know, people say, well, aren't you angry at the
• 1:10:11
  Speaker 1: fact that they didn't pay you or they didn't give
• 1:10:13
  Speaker 1: you the things that you were supposed to get. Honestly, no,
• 1:10:16
  Speaker 1: I'm not because fourteen years old, I was making enough
• 1:10:19
  Speaker 1: money to buy cheapskins for everybody, everybody to shop on
• 1:10:22
  Speaker 1: the land. See, everybody had brand new sneakers. My rent
• 1:10:24
  Speaker 1: was paid and the kids had food. So I didn't
• 1:10:26
  Speaker 1: have enough money left over to get high use drugs
• 1:10:29
  Speaker 1: and do those things. So, you know, sometimes some things
• 1:10:31
  Speaker 1: are blessing in disguise, and that happened to be one
• 1:10:34
  Speaker 1: of them. That record is sold though, Yeah, that was
• 1:10:37
  Speaker 1: it hard for you to watch some of the things
• 1:10:38
  Speaker 1: that you had to relive doing this movie. It was.
• 1:10:41
  Speaker 1: It was very difficult, but it was also very therapeutic.
• 1:10:44
  Speaker 1: It was because it allowed me to relive some things
• 1:10:48
  Speaker 1: that I didn't want to relive, but also allowed me
• 1:10:51
  Speaker 1: to embrace and enjoy the fact of surviving it. What
• 1:10:56
  Speaker 1: was your hip hop pedigree before this? What were you into?
• 1:10:59
  Speaker 1: I mean, I was just a lover of rap music.
• 1:11:02
  Speaker 1: Sean of course, that's you know, that's like family, even
• 1:11:07
  Speaker 1: though I don't really know him like that. But you know,
• 1:11:09
  Speaker 1: you come from the same school, the same place, the
• 1:11:11
  Speaker 1: same neighborhood. Almost you feel connected. I was just a
• 1:11:14
  Speaker 1: lover of rap music for real, and that's kind of um.
• 1:11:17
  Speaker 1: What helped me get the role was driving back and
• 1:11:20
  Speaker 1: forth from school. I would listen to rap albums with
• 1:11:22
  Speaker 1: Nicky Drake, and I would try to match their voices.
• 1:11:24
  Speaker 1: Did you rap? Did you rap? I mean, I don't
• 1:11:26
  Speaker 1: really call myself a rapper? You know? Did you try to?
• 1:11:34
  Speaker 1: Do you want to hear? Rac Sands were vans? Of course?
• 1:11:37
  Speaker 1: Well my name is Rock Sande, don't you know? I
• 1:11:39
  Speaker 1: just a code Racke PARTTI and I do this show? Wow,
• 1:11:44
  Speaker 1: What did you learn about the culture doing this? Because
• 1:11:46
  Speaker 1: that's what I'm very intrigued by. What What are the
• 1:11:48
  Speaker 1: kids gonna learn from watching this film? I think they're
• 1:11:51
  Speaker 1: gonna learn their history or their her story about you know,
• 1:11:54
  Speaker 1: females in the rap game. I hope that female rappers
• 1:11:57
  Speaker 1: of my generation who are my age look at this
• 1:12:00
  Speaker 1: rock sand Shanta's story and know that they aren't alone,
• 1:12:03
  Speaker 1: that you know, whatever they're going through, they can they
• 1:12:06
  Speaker 1: can overcome in and I think that's what she represents,
• 1:12:09
  Speaker 1: and just for women in general too, and not just
• 1:12:12
  Speaker 1: the female rappers. But I'm really excited for my generation
• 1:12:15
  Speaker 1: to be able to see this movie too, so that
• 1:12:17
  Speaker 1: they can know about her and know about the music
• 1:12:20
  Speaker 1: that they love, where their inspiration comes down. Everything we're
• 1:12:23
  Speaker 1: seeing in the industry now. As far as to me too,
• 1:12:25
  Speaker 1: in times of movement, I'm sure that was happening then,
• 1:12:28
  Speaker 1: Oh yes, absolutely absolutely. I mean when you look at
• 1:12:31
  Speaker 1: my story, just look at the fact that I'm fourteen
• 1:12:33
  Speaker 1: years old and every man that I would meet, whether
• 1:12:35
  Speaker 1: they were eight years old or eighty years old, the
• 1:12:37
  Speaker 1: whole line was roxy and roxy and I want to
• 1:12:39
  Speaker 1: be your man. And then you're being told that you
• 1:12:42
  Speaker 1: must smile and you and then you're in an industry
• 1:12:44
  Speaker 1: where people are drinking and people are taking drugs, so
• 1:12:47
  Speaker 1: sometimes their behavior, you know, because the first thing somebody
• 1:12:50
  Speaker 1: will say to you, the next one is, oh I
• 1:12:52
  Speaker 1: was so sorry about that. You know, I was drinking
• 1:12:54
  Speaker 1: so and then you you're fourteen years old and you
• 1:12:56
  Speaker 1: have to adjust and mentally learn how to deal with
• 1:12:58
  Speaker 1: that and see the signs of certain things before they happened,
• 1:13:02
  Speaker 1: Like okay, listen, I could tell that this is getting
• 1:13:04
  Speaker 1: ready to be an issue. I need to get up
• 1:13:05
  Speaker 1: from this table. But I don't go on till two
• 1:13:07
  Speaker 1: o'clock in the morning. So where am I going to
• 1:13:09
  Speaker 1: go to try to avoid this circumstance? What do you
• 1:13:12
  Speaker 1: think about it? In this industry, it seems like women
• 1:13:14
  Speaker 1: are always being pitted against each other as far as
• 1:13:17
  Speaker 1: hip hop. You see with Little Kim and Foxee. You
• 1:13:19
  Speaker 1: see people are always starting these beefs with women and
• 1:13:22
  Speaker 1: are artists. Yeah, and it happens all the time. And
• 1:13:25
  Speaker 1: obviously it happened with you, yes, with the rail rock
• 1:13:28
  Speaker 1: sand and rocks and chantey. What do you think about that?
• 1:13:31
  Speaker 1: It makes it seem like there can only be one
• 1:13:33
  Speaker 1: at a time. Well, I think what it is is
• 1:13:35
  Speaker 1: the fact that for back in the days, and I
• 1:13:37
  Speaker 1: don't think it still stands today, so today it's really
• 1:13:40
  Speaker 1: not needed. But back in the days, the reason why
• 1:13:43
  Speaker 1: they did that is because so that we would not
• 1:13:45
  Speaker 1: educate each other. See if you made ten thousand dollars
• 1:13:48
  Speaker 1: a show and they were stealing for me and I
• 1:13:50
  Speaker 1: was only getting two thousand dollars a show, I wouldn't
• 1:13:53
  Speaker 1: know that unless I got a chance to talk to you.
• 1:13:55
  Speaker 1: So if they keep us separated, I'll never know. You'll
• 1:13:58
  Speaker 1: never I'll never know what's what's publishing, I'll never know
• 1:14:01
  Speaker 1: what's writers. I'll never know who how to register? Would
• 1:14:04
  Speaker 1: ask cap because see, your company is doing those things
• 1:14:07
  Speaker 1: for you, So they need to keep me from having
• 1:14:10
  Speaker 1: that one lunch with you because all it takes is
• 1:14:12
  Speaker 1: one n One lunch is all you need to be educated.
• 1:14:15
  Speaker 1: One lunch with the right person. One lunch will do
• 1:14:17
  Speaker 1: it for you. So if we say, okay, you know what,
• 1:14:19
  Speaker 1: let's meet up, let's do lunch, all of a sudden,
• 1:14:22
  Speaker 1: everyone will get in a full panic. Can't let them
• 1:14:24
  Speaker 1: do lunch. Don't don't let them do If they are
• 1:14:26
  Speaker 1: going to do lunch, send somebody with them, and then
• 1:14:29
  Speaker 1: send somebody with them to make sure that they can't
• 1:14:31
  Speaker 1: do lunch. Come on, come on, we gotta go. Oh yeah,
• 1:14:32
  Speaker 1: listen she don't like you, or listen she don't want
• 1:14:35
  Speaker 1: the same way. Then that doesn't just take place in
• 1:14:37
  Speaker 1: the industry. That takes place in life. Yes, yes, in life.
• 1:14:41
  Speaker 1: So that's not just the industry lesson, that's a life
• 1:14:44
  Speaker 1: lesson that people will want to make sure that you
• 1:14:46
  Speaker 1: are no longer attached to those who will educate you.
• 1:14:48
  Speaker 1: It's like getting in a bad relationship and they don't
• 1:14:50
  Speaker 1: want you attached to your family any longer, not because
• 1:14:53
  Speaker 1: they don't understand that that's your blood and that's your relationship,
• 1:14:56
  Speaker 1: but because your family might see something that you don't
• 1:14:59
  Speaker 1: want to see and they're gonna be the ones to
• 1:15:00
  Speaker 1: tell you. So that's the same thing that was taking
• 1:15:02
  Speaker 1: place in the industry now today that's not necessary because
• 1:15:06
  Speaker 1: as the women that you see in hip hop today,
• 1:15:08
  Speaker 1: first of all, your contracts are so lucrative. If you're smart,
• 1:15:12
  Speaker 1: you're still on top of your game with your lawyers.
• 1:15:15
  Speaker 1: You know, you have no excuse for it to be
• 1:15:17
  Speaker 1: the way it was with roxand Shanta. You know, before
• 1:15:20
  Speaker 1: it was the three sixty deal. There was the roxand
• 1:15:22
  Speaker 1: Shanta deal, which meant I had the three sixty before
• 1:15:24
  Speaker 1: they even thought about getting a name to it. You know,
• 1:15:26
  Speaker 1: it was like, look, we can't call it the Rock
• 1:15:28
  Speaker 1: Sanddale you know, we'll just call it the three sixty,
• 1:15:30
  Speaker 1: you know, but in all reality, this is where we're
• 1:15:32
  Speaker 1: going to say that. You know, it came from where
• 1:15:34
  Speaker 1: your management, your management, and your accounting are best friends.
• 1:15:39
  Speaker 1: Then your lawyer and your manager went to school together.
• 1:15:42
  Speaker 1: And then your manager is your manager but owns a
• 1:15:44
  Speaker 1: record company. You know, there's no need for that now.
• 1:15:48
  Speaker 1: The Internet is no need for that. Even if you
• 1:15:50
  Speaker 1: go on the Internet just look up anything. You know,
• 1:15:52
  Speaker 1: we didn't have any of that. So that's the reason
• 1:15:55
  Speaker 1: why they tried to keep the women so separated, is
• 1:15:57
  Speaker 1: the fact that because we educate and empowered each other
• 1:16:00
  Speaker 1: when we're together, and they just don't want that on
• 1:16:04
  Speaker 1: just some strictly hip hops just that's a fan of
• 1:16:07
  Speaker 1: the culture. Were you disappointed when Nikki didn't reply back
• 1:16:10
  Speaker 1: to remy as a battle rapper, I'm going to say that,
• 1:16:15
  Speaker 1: you know, I love my sisters. I love all of them,
• 1:16:18
  Speaker 1: and as with my real sisters, when my hip hop
• 1:16:20
  Speaker 1: sisters fight, I don't necessarily they get you know, because
• 1:16:24
  Speaker 1: I want to see them unified. I want to see
• 1:16:25
  Speaker 1: them get together because I know how much they can
• 1:16:28
  Speaker 1: do for the culture together, you know. But as with
• 1:16:30
  Speaker 1: my real sisters. Some sisters win, some sisters lose. You know,
• 1:16:34
  Speaker 1: there's been times when one of my sisters happened to
• 1:16:36
  Speaker 1: get on top of the other and he's like, oh,
• 1:16:38
  Speaker 1: why are you on to? Okay, now we gotta break
• 1:16:40
  Speaker 1: it up because mommy's Mommy's getting ready come, so I
• 1:16:43
  Speaker 1: gotta break it up right now. But when mommy leave,
• 1:16:45
  Speaker 1: y'all can go back at it because you gotta make
• 1:16:47
  Speaker 1: sure you get back on her because you know, and
• 1:16:49
  Speaker 1: as a battle rapper, you know, I was sitting there like, okay, so,
• 1:16:52
  Speaker 1: now what happens next because we know that in the household,
• 1:16:55
  Speaker 1: we're gonna say that Remy is very strong in the household,
• 1:16:59
  Speaker 1: so you would be like my strongest sister, which would
• 1:17:02
  Speaker 1: be like me, so and then we'll have um, we'll
• 1:17:06
  Speaker 1: say okay, well, you know what, when it comes to Nikki,
• 1:17:10
  Speaker 1: you want to be able to say, okay, look, get
• 1:17:11
  Speaker 1: your creativity, what's the matter? Get back in here? What
• 1:17:14
  Speaker 1: are you doing? You know? And that's just as a
• 1:17:16
  Speaker 1: battle rapper, right but as a female rapper and a
• 1:17:20
  Speaker 1: lover of my sisters, you know, I don't like to
• 1:17:23
  Speaker 1: see them go at it at all. I don't. All Right, Well,
• 1:17:27
  Speaker 1: we look forward to seeing this Netflix what I'm doing
• 1:17:30
  Speaker 1: this weekend. You got to work with me along on
• 1:17:39
  Speaker 1: your first feature aslutely that's amazing. Yeah, but I couldn't
• 1:17:46
  Speaker 1: have asked for a better cast, right, bigger and better
• 1:17:49
  Speaker 1: things for you, Well not better, but bigger, big things
• 1:17:52
  Speaker 1: for you. Thank you, Rock and Shante and Seante Adams,
• 1:17:55
  Speaker 1: thank you, thank you. Please believe the baby. It's the
• 1:17:58
  Speaker 1: Breakfast Club. Good morning, the Breakfast Club morning. Everybody is
• 1:18:05
  Speaker 1: Djilman that God. We are the Breakfast Club. All right,
• 1:18:11
  Speaker 1: let's get to the rumors. Let's talk Jack Quis. This
• 1:18:15
  Speaker 1: is the rumor report with Angela Ye Breast. So Jack
• 1:18:25
  Speaker 1: Quis got into it with the cops on South Beach.
• 1:18:27
  Speaker 1: Now it was spring breakup course, so a lot of
• 1:18:29
  Speaker 1: people were outside watching. He ended up getting arrested for
• 1:18:32
  Speaker 1: allegedly driving without a seat belt. Now here's what he
• 1:18:35
  Speaker 1: had to say. Because he did refuse to show his license.
• 1:18:37
  Speaker 1: The officer told him get out the car. He did that,
• 1:18:39
  Speaker 1: but he wouldn't walk with the officer to the sidewalk,
• 1:18:42
  Speaker 1: and they said he was yelling, do not touch me.
• 1:18:44
  Speaker 1: They man handled the is shadow him, Yes they did.
• 1:18:46
  Speaker 1: So here's what he said. We did, Jack Queiss, and
• 1:18:48
  Speaker 1: I'm just hitting at all my fans and people who
• 1:18:50
  Speaker 1: supported me, not that I am physically and mentally Okay.
• 1:18:53
  Speaker 1: The cecil force used during my arrist for not wearing
• 1:18:55
  Speaker 1: my seatbelt was ridiculous. However, at this time I have
• 1:18:58
  Speaker 1: been advised not to speak on the situation and to
• 1:19:00
  Speaker 1: allow my legal representatives to look at the situation and
• 1:19:04
  Speaker 1: just handle it however they feel it's necessary. Wow. He
• 1:19:06
  Speaker 1: read that verbatim dropping the clue queis he did not
• 1:19:09
  Speaker 1: get take one eye off that scrip, and his lawyer
• 1:19:12
  Speaker 1: wrote that, well, absolutely, he read that verbatim the up
• 1:19:15
  Speaker 1: serving call from back up and yanked his arm pretty
• 1:19:18
  Speaker 1: hard to get you guys, you can't you can't do that.
• 1:19:20
  Speaker 1: I don't know if he could sue, but that officers
• 1:19:21
  Speaker 1: should definitely be written up. You can't just pop. He
• 1:19:24
  Speaker 1: is gearing up for a lawsuit now, potential lawsuits. He
• 1:19:27
  Speaker 1: said the officer to get rough with him during the
• 1:19:29
  Speaker 1: traffic stop, and he was craising. Yeah. So the sad
• 1:19:32
  Speaker 1: part about this situation, I'm sitting there thinking to myself,
• 1:19:35
  Speaker 1: you know, in light of everything that we see in
• 1:19:37
  Speaker 1: this country, it's good that he only got man handled.
• 1:19:41
  Speaker 1: You know what I'm saying, like, I shouldn't be thinking that.
• 1:19:43
  Speaker 1: We're thinking like, yeah, he could have got shot, Yeah,
• 1:19:45
  Speaker 1: but I shouldn't be thinking that way. He shouldn't even
• 1:19:47
  Speaker 1: have been manhandled. And I'm be like, well, okay, he
• 1:19:48
  Speaker 1: just got man hand defined because he was in coughs.
• 1:19:50
  Speaker 1: It wasn't like he had to be man And there
• 1:19:52
  Speaker 1: was a lot of spring breakers watching all of the
• 1:19:54
  Speaker 1: activity on South Beach. All right, now, let's talk about
• 1:19:57
  Speaker 1: Bill Cosby. The judge who was overseeing Bill Cosby's sex
• 1:20:00
  Speaker 1: assault case has ruled that people cannot wear anything or
• 1:20:04
  Speaker 1: display anything that would be interpreted as sighting either with
• 1:20:06
  Speaker 1: him or against him. So they said, persons attending the
• 1:20:10
  Speaker 1: proceedings are not permitted to wear a possess or display
• 1:20:12
  Speaker 1: anything that would demonstrate support for or opposition to either
• 1:20:15
  Speaker 1: side of the pursuers. I couldn't wear a Cosby show
• 1:20:17
  Speaker 1: Dad had or a different world Dad had. Now you
• 1:20:19
  Speaker 1: cannot like my man Tolento mix. Oh wow, yeah, you
• 1:20:23
  Speaker 1: can't wear any of those. Can I eat jello in
• 1:20:25
  Speaker 1: the courtroom? Um? No, No, you can't need a pudding
• 1:20:30
  Speaker 1: pop and then it dripped? Shut up? Why all right?
• 1:20:37
  Speaker 1: Spike Lee is launching his first online filmmaking class, So
• 1:20:41
  Speaker 1: if you're interested in making movies, you can go online
• 1:20:44
  Speaker 1: and sign up for his class he's been teaching. He's
• 1:20:46
  Speaker 1: been teaching filmmaking in regular classrooms for nearly thirty years,
• 1:20:50
  Speaker 1: so now he's opening it up to everybody now. He said,
• 1:20:52
  Speaker 1: there are no absolute truths in filmmaking and no one
• 1:20:55
  Speaker 1: way to be a filmmaker. I've learned in thirty years
• 1:20:57
  Speaker 1: things that I can give back. I'm teaching this master
• 1:21:00
  Speaker 1: class because very few people get to sit in my
• 1:21:01
  Speaker 1: classes at NYU, So this is an opportunity for me
• 1:21:04
  Speaker 1: to share what I've learned with as many students as possible,
• 1:21:07
  Speaker 1: no matter where they are in their film career. That's
• 1:21:09
  Speaker 1: nice and it's the best. Dropping a clothes box was
• 1:21:11
  Speaker 1: Spike clean Man. And if you pre register the online class,
• 1:21:15
  Speaker 1: it's ninety dollars for lifetime access. Oh, I can't wait
• 1:21:19
  Speaker 1: till therapy at three o'clock. I can't wait. Why because
• 1:21:21
  Speaker 1: people are texting me about the six nine. Somebody just
• 1:21:24
  Speaker 1: text the talk I don't know who number this is,
• 1:21:25
  Speaker 1: and they say I got DMS trying to prove that
• 1:21:27
  Speaker 1: this N word was trying his hardest to be a crip?
• 1:21:30
  Speaker 1: What I text back? What I text back? You said,
• 1:21:32
  Speaker 1: send them through? What back? I don't care in capital letters,
• 1:21:38
  Speaker 1: I am old, I'm father, husband, I don't care about kids,
• 1:21:43
  Speaker 1: not trying to be a crip. Last thing I have
• 1:21:46
  Speaker 1: to say, because this is good news and I want
• 1:21:48
  Speaker 1: to end it on a high note. Okay, Gucci and
• 1:21:50
  Speaker 1: Beyonce are bringing clean water to Africa. Dropping a clue
• 1:21:54
  Speaker 1: box for Gucci man and be Upciuccio. Yes, oh, all right.
• 1:22:01
  Speaker 1: Stead of doing this alongside UNICEF their campaign Chime for Change,
• 1:22:06
  Speaker 1: they're pledging one million dollars for Beyonce. She's trying to
• 1:22:11
  Speaker 1: provide the East Affriston country, East African country a Burundi
• 1:22:14
  Speaker 1: with more than one hundred freshwater wells for up to
• 1:22:16
  Speaker 1: three hundred and sixty six thousand women and children by
• 1:22:19
  Speaker 1: twenty two. Normal pick it's me four and three knows
• 1:22:21
  Speaker 1: cards to drop on the clues bombs should be honest,
• 1:22:23
  Speaker 1: the best stop. All right, let's go. I got therapy
• 1:22:25
  Speaker 1: at three o'clock this afternoon, and I ain't got time
• 1:22:26
  Speaker 1: for you know what I'm saying. I just want to
• 1:22:28
  Speaker 1: write my books, and you know you can't do my
• 1:22:30
  Speaker 1: nationally syndicated radio show, executive produce these TV shows. All right, everybody, DM, Charloagne,
• 1:22:35
  Speaker 1: DM mean nothing about send it to the young boys. Everybody,
• 1:22:41
  Speaker 1: put don't do that to me. Don't do that to me.
• 1:22:47
  Speaker 1: Put a rainbow right now. That's right. I'll do that.
• 1:22:49
  Speaker 1: I'll accept rainbow from the LGBT community. That's about it
• 1:22:51
  Speaker 1: rains here, but that Agne's right, I'm gonna set it off.
• 1:22:56
  Speaker 1: Don't do that, all right? That is your room report. Now. Earlier,
• 1:22:58
  Speaker 1: ANGELI said that Jeezy announced that he is retiring. That's
• 1:23:02
  Speaker 1: my error. Dropping the clues bombs one of my top
• 1:23:05
  Speaker 1: seven all time. What we're gonna do is, we're gonna
• 1:23:09
  Speaker 1: do a Gee we Go. That's what I like. Now
• 1:23:12
  Speaker 1: I'm gonna celebrate like Jeezy. Here we go five eight
• 1:23:15
  Speaker 1: five one on five one. But before we're gonna start
• 1:23:17
  Speaker 1: off with a Takashi record. You're such a pan I'm
• 1:23:20
  Speaker 1: this kid, I was just messing with you don't even
• 1:23:23
  Speaker 1: know the word. Oh jeez. Let me know your favorite
• 1:23:25
  Speaker 1: Jeezy joint right now with the Breakfast Club. Good morning,