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ENKI and the Serpent Knowledge of the Gods · Sky Signal

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They will call me serpent not because I crawled through dust,
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because I moved through what was hidden.
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I brought up what slept beneath the world, water from the deep
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words that could cut through sickness, famine, and fear.
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To them, that was witchcraft. To them, that was forbidden.
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To them, it was power. They wanted gods who only
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punished gods who stayed far away above the clouds beyond
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question. But I was never that kind of
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God. I taught them how to measure the
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land, how to shape clay into form, how to pull metal from
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stone, how to read the sky, how to bind a wound, how to speak a
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name and change what follows. And they saw what happens when
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knowledge enters a world that isn't ready for it.
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It spreads. It multiplies.
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It refuses to stay in its assigned place.
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So they did what people always do when they fear what they
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can't control. They gave it a face.
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They gave it a symbol, a coiled thing in the reeds, a watcher in
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the dark, a whisper that promises more, a serpent.
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Do you refuse it or do you take it and accept the cost?
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If you trace the DNA of ancient Mesopotamian myth, one name
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keeps resurfacing like an underground river.
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Enki, the keeper of the deep, the mind that finds a way around
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the law when the law becomes a cage.
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Enki is the God of solutions, but solutions always come with
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consequences. In the oldest Sumerian world,
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Enki's roots run through a specific place, Eridu, a city
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imagined as ancient even in ancient times, a sacred center,
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a kind of mythic first station of civilization.
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And it's there that Enki becomes what he's most known for the
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power in the waters below the world, the abzu, the deep
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freshwater ocean under the earth source of springs, rivers,
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fertility, life itself. To control water is to control
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life. To understand water is to
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understand systems, and to understand systems is to shape a
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world. He begins as a local power tied
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to a holy city and the abzu. Then he grows into a pan
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Mesopotamian force. Wisdom, magic, craftsmanship,
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order, civilization. Then later, through retellings
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and reinterpretations, he becomes something even larger, a
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symbol for forbidden knowledge, for the gift that changes
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humanity, for the God who helps us and gets blamed for what that
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help unleashes. He bends rules.
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He tricks other gods, He withholds information.
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He gives humanity tools that humanity isn't fully ready for.
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The structure of civilization itself, Kingship, temples,
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crafts, rights, the architecture of daily life.
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You can feel the political gravity of the Mesopotamian
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cosmos. Above is Anu, the distant sky.
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Authority, high kingship, cosmic legitimacy.
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Then there's Enlil, the air in command, law, decree, the force
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that says this is how it must be.
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Enki is the one who says there's another way, that en Lil.
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Enki tension is the engine of so many Mesopotamian narratives.
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It's a philosophical clash. En Lil represents order imposed
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from above. Enki represents adaptation from
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below. En Lil is the system.
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Enki is the exploit in the system, and whenever you see
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myths about humanity being punished, limited, wiped out,
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silenced, some version of N lil's energy is present.
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And whenever you see myths about humanity being preserved,
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warned, helped, upgraded, taut, Enki is near in flood traditions
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tied to Mesopotamia, especially the currents that run through
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Atrahasis and later echoes that ripple outward.
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Enki becomes the God who refuses to let the human experiment end
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even when other powers demand it.
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Perhaps the most important use of clay was in the development
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of writing. Writing was first used as a way
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of keeping track of business in the temples.
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More than half of all ancient history was recorded on clay
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tablets, and this is where it began.
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Cylinder seals were the first form of written communication.
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They were used to identify land ownership and water rights.
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A seal was rolled across a clay tablet, leaving an official
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mark. In this way, Sumerians notarized
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documents. These pictographs soon were
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replaced by cuneiform writing. But even this new method could
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not eliminate disputes. The cities continued to fight
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for centuries. By 2300, BCA people, called the
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Semites, had become dominant in the land of the Sumerians.
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Eventually, the Semites and the Sumerians intermixed.
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In 1750 BC, both the Semites and the Sumerians were brought into
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one rule by King Hamurabi. The land became known as
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Babylonia, with its capital at Babylon.
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This is King Hammurabi at his throne.
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Below is written his famous code of laws, inspired by an earlier
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Sumerian code. These laws were publicly
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displayed. Hammurabi built a powerful
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empire which included Mesopotamia, Syria and part of
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Asia Minor. All ancient empires fell and
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this was no exception. About 1400 BC and other people
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had their beginnings around the city of Asur.
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These were the Assyrians. The Assyrians lived in the
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mountains north of Babylonia. They were nomads and herders,
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but mainly hunters. Compared to Babylonia, theirs
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was a primitive society. However, the Assyrians had
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something that enabled them to conquer empires.
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They had the horse. They were the first to use the
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horse for warfare in Mesopotamia.
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Men on horseback must have been a terrifying sight to a people
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accustomed to fighting on foot. They use Shields and design
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Chariots for fighting. The Assyrians established their
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capital at Nineveh and were invincible until the Chaldean
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Empire defeated them around 570 BC.
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It reached its height under King Nebuchadnezzar.
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Power shifted back to Babylon. Under the new king, Babylon
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became one of the most splendid cities in the world.
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Architectural principles developed earlier by the
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Sumerians reached their fullest expression behind these gates
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and through these streets visitors saw the famed Hanging
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Gardens of Babylon. The ziggurats, the temple towers
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were put to further use. From their tops, Kaldi and
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astronomers studied the heavens. The entire history of this
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Middle Eastern area is 1 of conquest and reconquest.
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To an historian, it's quite clear that empires rise and
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empires fall. But to an archaeologist, there's
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an unanswered question. Why are these cities little more
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than dust today? The words of the Lord Enki,
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first born son of Anu, who reigns on Nibiru with heavy
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spirit, I utter laments. Laments that are bitter fill my
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heart. How smitten is the land its
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people delivered to the evil wind, its stables abandoned, its
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sheepfolds emptied? How smitten are the cities,
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their people piled up as dead corpses, afflicted by the evil
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wind? How smitten are the fields their
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vegetation withered, touched by the evil wind?
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How smitten are the rivers? Nothing swims anymore.
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Pure sparkling waters turned into poison.
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In Mesopotamian mythology, Enki's identity was so vast that
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he didn't just have different names across cultures.
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He had specific titles or epithets for every role he
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played, from creator to trickster.
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In the oldest Sumerian traditions, Enki is the son of
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Namu, the primordial mother goddess.
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In many standards, Sumerian and Akkadian lists, Enki is simply
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called the son of Anu, the supreme God of the heavens.
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In the Enuma Elish, Enki discovers that Opsu plans to
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kill the younger gods because they are too noisy.
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Using his magic, Enki puts Opsu into a deep sleep and kills him,
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then builds his home, the Opsu, on top of his father's remains.
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While he is most famously known as Enki, Lord of the Earth in
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Sumerian, he is called IA, House of Water in Acadian.
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When acting as the creator of humanity, he was invoked as
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Noudimud the image fashioner, and his high status and nobility
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were acknowledged with the title Nishiku the Prince.
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As the master of the Abzu, he was called Nagbu the Deep, a
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name that doubled as a metaphor for his bottomless wisdom.
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From poetic aliases like the Stag of the Abzu to his esoteric
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designation by the number 40, Enki's names are a road map of
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his power from primordial God of Water to the Supreme Lord of
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Wisdom and the ultimate exorcist of the ancient world.
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Archaeologically, Eridu is one of the earliest big settlement
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zones in southern Iraq, and excavations there found a long
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sequence of superimposed temple buildings, a sacred spot rebuilt
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again and again across millennia.
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The mid 20th century excavations under Fuad Safar and Seton Lloyd
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are the classic ones people cite for the stacked temple sequence.
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In later written tradition, his temple there is the E AB Zoo,
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House of the abzu or aquifer, the shrine conceptually tied to
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the underground freshwater deep. By the third Millennium BC, the
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written record thickens. Enki's profile expands.
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He becomes one of the major powers of the wider pantheon,
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especially as Mesopotamian religion consolidated, and
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standardizes Enki as one of the three most powerful gods in the
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Mesopotamian system. This is also where the Enki IA
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double identity becomes important.
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Sumerian speakers say Enki, Akkadian speakers say IA, but
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they're talking about the same being.
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Visually, he is recognizable in a way that few Mesopotamian gods
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are. The famous water streams with
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fish motif shows up clearly in the Akkadian period on the add a
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seal in the British Museum shown with streams of water and fish
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flowing from his shoulders, standing near the rising sun God
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with his two faced attendant behind him.
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Later art shows the same idea. Sometimes he's holding a vase
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pouring water, sometimes the water flows from his body.
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Alongside that imagery, certain symbols become his.
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The goatfish and the ram headed staff show up as emblems tied to
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him in scholarly cataloguing of Mesopotamian deities.
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He has consistent branding in the religious imagination
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recognizable across centuries. In Enki and Nin MA we see the
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famous creation theme where humans are assigned fates.
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Enki in the role of shaper and engineer of outcomes.
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The Sumerian stories aren't the beginning, they're the last
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readable layer. What we call Sumerian gods may
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be the final evolution of something much older, something
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that started as memory and ended as religion.
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A long game of telephone stretched across thousands of
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years, across collapses, migrations, floods, droughts,
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wars, city fires and broken languages, until what remains
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isn't a transcript of events but a myth shaped fossil of them.
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Imagine prehistoric people witnessing a force they don't
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have words for. A presence that arrives, that
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organizes, that measures, that builds, that extracts.
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A presence that can do things no tribe can do.
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If that happened once or repeatedly, what would survive?
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Names, roles, warnings, rituals, places, lineages.
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Taboos do this. Not that they came from there.
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They demand this, they punish that.
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They taught us this. Over time, the story hardens
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into a pattern. Then it becomes legend.
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Then it becomes law. Then it becomes worship.
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And at the end of that process you have gods.
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Myth can be the final container for something that once felt
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real enough to never forget. If this is a telephone game from
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prehistoric times, then the Sumerian stage is only one stop.
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After summer, those gods get translated, adopted, and
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reinterpreted by Akkad, Babylon, Assyria, the Levant, the Greeks,
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the Romans, and onward. One God becomes many.
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Many gods collapse into one. A council becomes angels, a
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divine rebel becomes a devil, a civilizer becomes a trickster.
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A sky king becomes God. Religion isn't a separate
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category from history. In the ancient world, an Enki,
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whether you see him as deity, archetype, or encoded history,
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is the kind of figure that would emerge at the end of that
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process. A God shaped like a technician,
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preserved inside a religion, walking around in the clothes of
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myth, the final form the story could take and still survive.
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In 1976, a researcher named Zachariah Sitchin published The
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12th Planet. In it, he offered an
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interpretation of Mesopotamian creation material, particularly
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the Babylonian epic and Numa Elish.
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In it, he argued that what later readers treated as myth was
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actually a coded historical account of real events and real
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beings. The foundation for everything
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that follows is that he portrays the gods of Mesopotamia as a
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technologically advanced human like race called the Anunnaki.
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These beings have lifespans that extend into the 10s of thousands
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of years, and he claims that their home world is Nibiru, a
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planet on a long, highly elliptical orbit that returns
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into the inner solar system on a cycle he links to roughly 3600
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years. From there, he tells a full
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origin story. In the beginning, the solar
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system was the stage for a catastrophic event.
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A primordial body called Tiamat, located between Mars and Jupiter
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and Nibiru, enters the system as a captured rogue planet.
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Nibiru and its moons collide with Tiamat, shattering it.
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One part becomes the asteroid belt, the other becomes the
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Earth, pushed into a new orbit. The first figure we meet is
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named Alalu, King on Nibiru. By this time, the planet's
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crisis is already in motion. The atmosphere is failing and
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pressure is building inside the ruling class.
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Anu is the challenger, with a legitimate claim to the throne
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strong enough to rally support and make a direct bid for power.
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The conflict isn't settled by vote.
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It comes down to a personal contest between the two, a
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direct confrontation for kingship.
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They fight. Allalu doesn't get executed.
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He's deposed and forced out and survives long enough to become a
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problem again. He escapes Nibiru in a celestial
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craft. He's cut off from the political
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center, cut off from the throne, and now he needs leverage,
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something that can force Anu to deal with him instead of erasing
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him from history. As he drifts through the solar
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system, he finds a blue, watery planet Earth.
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And on Earth, a Lalu discovers something that changes
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everything Gold. After the collision with Tiamat,
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Nibiru was facing an atmospheric crisis.
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The sky is literally failing. Their survival requires
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immediate intervention. Their scientists determine gold
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to be that solution, a material capable of stabilizing the
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atmosphere by injecting billions of nanoparticles into it.
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Earth contains gold in abundance.
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He transmits the discovery back to Nibiru and demands
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recognition. Anu, now king and senior
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authority of the planet, responds and authorizes a full
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expedition to Earth. This is the arrival of the
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Anunnaki. Anu has two sons, Enki and
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Enlil, half brothers. Enlil, the legitimate son and
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the heir to Anu's throne, and Enki, the son of Anu's consort
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and the chief science engineer for the royal family.
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Their rivalry will shape the destiny of mankind for all
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coming time. Enlil is appointed the commander
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of the Earth operation. Enki is the technical
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specialist, the engineer and the planner.
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The first phase is reconnaissance and
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infrastructure. They established landing sites.
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A staging zone is created in a protected region.
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This would become the Garden of Eden Way.
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Stations are set up on Mars and the Moon between Earth and
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Nibiru to transport the gold. They also establish outposts
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beyond Earth as part of the system with the Agigi, lower
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ranking beings in servitude of the Anunnaki assigned to orbital
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duties. The mission is divided into
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domains. Enlil holds authority over the
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administrative center. Enki is assigned the Abzu deep
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extraction zone in Southern Africa, where the mining
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operation becomes permanent. For eons, the junior Anunnaki,
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the Igigi, labored in the deep mines of Southeast Africa, but
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the work was grueling and the toll was high.
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Eventually, the gold mines became a theater of mutiny.
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The workers threw down their tools and surrounded the
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habitation of Enlil, the high commander of the Earth Mission.
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To prevent a civil war among the gods.
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The council turned to Enki, the master scientist and Lord of the
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waters. Enki proposed a solution that
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would change the cosmos forever. We shall create a Lulu, he
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declared. A primitive worker.
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He shall bear the yoke of the Anunnaki.
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Enki did not create life from nothing.
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Instead, he looked to the wild hominids already roaming the
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African plains, Homo erectus. He realized that these creatures
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already carried a spark of Earth's evolution, but they lack
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the intelligence to operate the God's machinery.
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In a biological laboratory known as the House of Shimthi, Enki
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and the birth goddess Ninhersag began a series of genetic
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experiments. They sought to bind the image of
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the gods, their own DNA, onto the earth.
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Evolved primates. After many tragic failures, they
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finally produced a prototype, Adapa, the model man.
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The new workers were brought to the Mesopotamian headquarters,
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the Eden. Here, in a lush, controlled
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environment, the humans served their masters.
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But there was a flaw in the design.
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These first humans were clones. They were sterile, unable to
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multiply. Every new worker had to be born
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in a lab, a process that was slow and taxing for the Anunnaki
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birth goddesses. Enki, who had grown to love his
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children, watched them with a mix of pity and pride.
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He saw that without the ability to reproduce, humanity would
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always be a fragile, temporary tool.
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Enki decided to act without the permission of his brother.
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Taking on his role as the Serpent of Wisdom, a title
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derived from his association with the Medical Sciences and
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the symbol of the entwined snakes, Enki performed a second
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genetic upgrade. He modified the human genome to
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allow for sexual reproduction. In the shade of the Eden, the
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humans became aware. They realized they were
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different from the gods who walked among them.
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They felt the first stirrings of self identity and shame covering
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themselves with leaves as they recognize their vulnerability.
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When Enlil discovered what had happened, he was outraged.
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To him, humans were never meant to be a race, They were meant to
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be a workforce. By giving them the ability to
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breed, Enki had created a population that could eventually
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outnumber the gods themselves. Behold, Enlil warned the
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Council, The Adam has become is one of us to no good and evil.
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And now, lest he put forth his hand and take also of the tree
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of life longevity, and eat and live forever.
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To prevent humans from living as long as the Anunnaki Enlil
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ordered the great expulsion, the humans were driven out of the
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protected Eden and into the harsh wilderness.
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They were forced to toil in the soil for their own food and
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suffer the pains of childbirth, but they were finally free, a
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species with its own destiny, carrying the DNA of the stars in
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their veins. When the first of you opened
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your eyes, something happened that none of my kind wanted to
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face. You looked back.
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You learned. You remembered.
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That was the beginning of the curse, a species that would
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eventually question its masters. Enlil saw only disorder.
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He wanted limits. He wanted silence.
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But I could not bring myself to erase you because I had already
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done something irreversible. I had given you the one thing
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the gods do not forgive. Potential.
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When Enlil finally convinced the Assembly of the Anunnaki to
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swear a blood oath to wipe the slate clean with a global
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deluge, Enki stood as the lone dissenter.
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Bound by the same oath not to speak to any human, Enki
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utilized the Ultimate Serpent's loophole.
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He travelled to the Reed Hut of the priest King Ziusudra, and
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instead of speaking to the man, he whispered his warnings to the
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Reed wall of the structure. By speaking to the wall, Enki
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technically kept his vow of silence while ensuring the
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message reached Ziosudra's ears. He commanded him to tear down
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his house and build a vessel, but the hidden detail often
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missed is the specific geometry. The original Sumerian tablets
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describe the arc not as a boat, but as a perfect cube, a Magur
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vessel symbolizing a microcosmic representation of the Abzoo
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itself. While the literalist view
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focuses on wood and pitch, the more esoteric genetic vault
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theory suggests the Ark was actually a biological
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repository. In this version, the animals
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taken on board we're not physical beasts, but the me, the
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divine blueprints or digital like files containing the
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genetic codes of all life on Earth.
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Enki, the master of the House of the Water, was essentially
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preserving the Earth's biodiversity in a pressurized,
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light shielded vault to protect the DNA from the radiation and
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tectonic shifts of the coming catastrophe.
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This preserved seed ensured that once the waters receded, the
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biological and intellectual library of the planet could be
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rebooted. As the waters subsided and the
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Annunaki returned to the surface, the narrative of this
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savior serpent began to fragment and move across the continents
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in the West. Enki's spirit was mirrored in
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Prometheus, the Titan who stole the fire of the gods to give to
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man. Just as Enki suffered the wrath
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of Enlil for his theft of knowledge, Prometheus was
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chained to the rocks, his liver the seat of emotion and life in
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ancient thought, eternally pecked at by an eagle, a bird
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frequently associated with the sky God Enlil, this archetypal
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sacrifice of the Creator God for his creation is a thread that
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leads directly to the Americas. There, the plumed serpent
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Quetzalcoatl was also remembered as a bearded, light skinned
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visitor who opposed human sacrifice and brought the
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knowledge of the Arts and Sciences to the people of
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Mesoamerica. Like Enki, Quetzalcoatl was said
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to have descended into the underworld to retrieve the bones
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of past generations, drenching them in his own blood to give
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them new life, a strange but striking parallel to Enki's role
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in the original creation of the Lulu.
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Perhaps the most controversial and profound extension of this
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idea is the connection to Jesus. In the Gnostic traditions, the
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serpent of the tree and the Christ are often seen as the
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same logos or messenger of light.
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Both figures act as intermediaries between a remote,
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often harsh demiurge and a humanity seeking liberation.
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Just as Enki offered the fruit of knowledge to break the chains
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of ignorance in the garden, Jesus is depicted as offering
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the living water to break the chains of the material world.
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Both are fishermen of men, Enki with his fish garbed priests,
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the Apkalu and Jesus with his apostles.
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They both represent the descent of the Word into the abyss of
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human suffering to provide a ladder for the soul's ascent.
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In this cosmic retelling, the serpent is not the deceiver but
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the eternal protector of the spark, the deity who chooses to
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dwell in the deep waters of the human subconscious, waiting for
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the moment when the seeds he saved from the flood are finally
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ready to bloom into full divinity.
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While many are familiar with the broad strokes of the inky
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serpent narrative, there are deeper, more obscure threads
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that weave him into the very fabric of our reality, physics,
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and even our everyday language, in ways that are rarely
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discussed in mainstream circles. In Sumerian texts, Enki is the
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keeper of the me, described as divine decrees or cultural
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objects. But a closer look at the Anana
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and Enki myths reveals something more technical.
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The ME were portable, programmable, and could be
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loaded into a city to change its entire social and physical
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reality. Modern researchers and
31:37
occultists have pointed out that the ME behave less like laws and
31:41
more like quantum algorithms or software packages.
31:45
When Enki programmed the world, he was essentially installing
31:48
the operating system of civilization.
31:51
The fact that they could be stolen, as Anana did, suggests
31:55
they were physical data storage devices, what some might call
31:58
the black boxes of the Anunnaki. In the Mesopotamian sexojesimal
32:03
system, every God was assigned a sacred number, and Lil was 50,
32:08
the rank of king. But Enki's number was 40.
32:12
This is not a random digit. It is the number of incubation
32:16
and testing that appears throughout history.
32:19
The 40 days and nights of the flood, the 40 years the
32:23
Israelites wandered in the desert, the 40 days Jesus spent
32:26
in the wilderness. Even the word quarantine comes
32:30
from Quoranta 40. This 40 is Enki's signature on
32:36
the physical world, representing the duration required for a
32:39
biological or spiritual recoding to take hold.
32:44
Whenever you see the number 40 in a transformative context, you
32:48
are looking at the footprint of the Lord of the Abzu.
32:52
While the Nomo of the Dogon tribe in Mali are famous in
32:55
ancient astronaut circles, their direct link to Enki is often
32:59
glossed over. The Dogon described the nomo as
33:03
amphibious beings from the serious system who brought
33:06
civilization. This is a perfect mirror of the
33:09
Oans, the Fishman who rose from the Persian Gulf to teach the
33:13
Sumerians. In the oldest texts, Oans is
33:17
described as an avatar or servant of IA Enki.
33:23
This suggests that Enki's serpent slash fish influence
33:26
wasn't just a local Mesopotamian event, but a global civilizing
33:31
mission that left its mark from the cliffs of Mali to the
33:34
temples of Eridu. In very obscure incantations,
33:39
Enki is referred to as the Lord of the Eye.
33:43
This isn't just about sight, it refers to the Eye of the Deep.
33:48
In alchemy, this became the All Seeing Eye, or the Eye of
33:52
Providence. While usually associated with
33:55
modern secret societies, its origin lies in Enki's ability to
34:00
see into the abzu, the unconscious slash, the void.
34:05
He was the God who could see the patterns in the water before
34:08
they manifested into physical reality.
34:10
Essentially the first remote viewer, Enki is also linked to
34:15
the constellation Hydra, the longest constellation in the
34:18
sky. In Babylonian astronomy this was
34:21
the Mushkushu, A winged snake like dragon with the front legs
34:26
of a lion. This 7 headed serpent motif,
34:29
later seen in the seven headed Dragon of Revelation, is
34:33
actually an Enki signature. The seven heads represent the
34:37
seven me or the seven energy centers of the human body.
34:41
When Enlil's hero like Gilgamesh or Heracles battles the multi
34:46
headed serpent, it is a symbolic retelling of the order Enlil
34:50
trying to suppress the chaotic and fluid evolution.
34:54
The Sumerian word for serpent is mush.
34:58
This route appears in many words related to shining or anointed.
35:02
In the esoteric view, the anointing isn't with oil, but
35:05
with the serpent's fire, the fluid of Enki.
35:09
This creates the Enki Christ bridge.
35:12
The Messiah is one who has fully integrated the Moosh energy,
35:15
becoming a Shining 1, the Elohim Anunnaki term for those who have
35:19
achieved a certain level of light density.
35:22
Enki was often called the Lord of the Net.
35:26
This refers to his role as a fisherman, the Owan's Fishman
35:29
connection, but in a deeper sense it refers to the
35:33
information grid of the planet. Ancient texts describe Enki
35:37
casting a net over the world to catch the hearts of men.
35:41
In modern terms, this is often equated to the new sphere or the
35:45
planetary consciousness grid. Enki, as the serpent who winds
35:50
through the Abzu, is the one who wires the planet for telepathy
35:53
and collective memory, a spiritual Internet that Enlil
35:57
has spent millennia trying to firewall.
36:10
In the final accounting of our history, the Serpent of the Deep
36:13
remains the most misunderstood architect of the human
36:16
condition. Enki, moving through the shadows
36:20
of the Abzu and the currents of our own DNA, represents the
36:25
eternal refusal to let the spark of consciousness be extinguished
36:29
by the winds of order. Whether we recognize him in the
36:33
whispered warnings at the Reed Wall, the fire stolen by
36:37
Prometheus, or the living water promised to the thirsty soul,
36:42
his narrative is 1 of unwavering advocacy for our potential.
36:48
He is the guardian of the loophole, the master of the me,
36:52
and the silent designer of the vault that carries our essence
36:55
through every flood and fire. As we stand on the threshold of
37:00
reclaiming our own divinity, we find that the trail of the
37:04
serpent has never been leading us away from God, but rather
37:08
inward toward the realization that the Kingdom he preserved
37:13
has been flowing through our veins all along.
37:16
As we trace the winding path of the serpent back from the
37:20
starlit temples of Erie Dew to the modern double Helix of our
37:23
own DNA, the ultimate question remains, why does this story
37:29
persist? We have seen Enki as the master
37:33
of the deep, the cunning geneticist, the rebel in the
37:36
garden, and the silent architect of the Ark.
37:41
But beyond the clay and the cosmic drama, Enki represents
37:45
something far more intimate. He is the personification of the
37:49
unauthorized spark within us. He is the symbol of that
37:53
relentless human drive to know, to quest, and to evolve, even
37:59
when the gods of the status quo demand silence and obedience.
38:04
If we are indeed the children of the Abzu, carrying the me of the
38:09
Anunnaki within our very marrow, then our history is not just a
38:13
record of what happened, but a blueprint for what is coming.
38:18
The flood of our era may not be 1 of water, but of information,
38:23
and the ark we must build is 1 of consciousness.
38:27
As the waters of the old world recede, we are left with the
38:31
legacy of the Great Dissenter, a reminder that we were never
38:35
meant to be mere servants of the Earth, but stewards of the
38:39
stars. The serpent hasn't left us.
38:42
He simply retreated into the fluid depths of our
38:45
subconscious, waiting for the moment we finally choose to wake
38:49
up and claim the inheritance he risked everything to save.
40:36
The. Music.