Latest / The Bridge by Sammy Chand / June 24, 2026 — "Sammy Chand Interviews RMS"

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June 24, 2026 — "Sammy Chand Interviews RMS" · The Bridge by Sammy Chand

• 0:00
  Speaker 1: South Asian music and culture can be.
• 0:02
  Speaker 2: Found around the world.
• 0:05
  Speaker 3: We tracked down the best presented here for you on
• 0:10
  Speaker 3: Ruckus Avenue Radio.
• 0:15
  Speaker 4: Hi, this is Eliza and you're listening to The Bridge
• 0:18
  Speaker 4: with Sammy John.
• 0:19
  Speaker 5: Hi, this is The Sane and you are now listening
• 0:22
  Speaker 5: to Rockus Avenue Radio now on the free iHeart Radio app.
• 0:28
  Speaker 6: Hey, this is Ikey and you're listening to Burkis Avenue Radio.
• 0:34
  Speaker 1: Welcome everybody. I hope you guys are well.
• 0:40
  Speaker 3: Get that.
• 0:43
  Speaker 1: Ah yeah, I'm still kind of piecing together at zero
• 0:50
  Speaker 1: zero tie to Ghana. With all due respect to Alma
• 0:54
  Speaker 1: Ghana and friends. I wasn't expecting that. I hope you
• 1:02
  Speaker 1: guys well and want to thank you all for tuning
• 1:05
  Speaker 1: into a June twenty fourth edition of The Bridge. We've
• 1:11
  Speaker 1: had a fabulous week on this show so far. Want
• 1:14
  Speaker 1: to thank you for joining us on a midweek special here.
• 1:19
  Speaker 1: We've been covering the topic of lyricists and artists this
• 1:24
  Speaker 1: week and we had Unil on the show on Monday,
• 1:30
  Speaker 1: an artist from Putra Khand who is bringing his hip
• 1:33
  Speaker 1: hop player to the planes of India, let's just say.
• 1:39
  Speaker 1: And then yesterday we were joined by who I would
• 1:41
  Speaker 1: consider a veteran, a very seasoned person in media, Nilish
• 1:46
  Speaker 1: misra journalist, filmmaker, interviewer extraordinaire. And he was on the
• 1:56
  Speaker 1: show yesterday and he broke down his art form and
• 2:01
  Speaker 1: specifically writing, and you took away that this element of
• 2:06
  Speaker 1: humanity is really what resonated in Neilish's work, through his
• 2:11
  Speaker 1: work in journalism down to the conversations that he has
• 2:15
  Speaker 1: with artists. Now and today we'll be joined by RMS,
• 2:20
  Speaker 1: a hip hop artist from here in New Jersey who's
• 2:23
  Speaker 1: been doing an excellent job of representing our community but
• 2:27
  Speaker 1: also blending between being a rapper and a singer and
• 2:31
  Speaker 1: producing his own work and a multi hyphen as we say,
• 2:35
  Speaker 1: looking forward to have that conversation today the Rakast Avenue
• 2:39
  Speaker 1: Radio All Stars are in the house and so is
• 2:42
  Speaker 1: Jasmine Sandless, Son.
• 2:45
  Speaker 7: Mandan Mandan, Manjani Man, then Man John and Man John
• 3:02
  Speaker 7: got to.
• 3:06
  Speaker 8: Do after to married, then mayor after Jeelying and Happen
• 3:15
  Speaker 8: the hockey cost the BAlN a honky ruber roll, the
• 3:21
  Speaker 8: lying and happened and Hokyl, don't somebody.
• 3:26
  Speaker 9: Else you suck not love baby so much more? Your
• 4:04
  Speaker 9: touch lady gave the sweet problem. What class that me
• 4:08
  Speaker 9: comes close. We are yes, we can get baby, thank
• 4:12
  Speaker 9: you kill me test my love baby.
• 4:18
  Speaker 3: That my.
• 4:21
  Speaker 10: Program.
• 4:22
  Speaker 7: What test me comes comes till from.
• 4:26
  Speaker 3: Your man.
• 4:31
  Speaker 8: The property to joy.
• 4:37
  Speaker 7: The John him John him and dying.
• 4:50
  Speaker 11: Many Did you mat? Did you person?
• 4:55
  Speaker 7: John Eman, John m John them and dying b Are
• 5:04
  Speaker 7: you married? Did you mad?
• 5:05
  Speaker 3: Would you better?
• 5:06
  Speaker 7: You can ring a hog?
• 5:16
  Speaker 3: Rober room.
• 5:51
  Speaker 1: Shut? What's up to the jasmine sand less to open
• 5:54
  Speaker 1: up the show here on a Wednesday for you man
• 5:57
  Speaker 1: or two looking forward to be joined by our our
• 6:00
  Speaker 1: mass as we continue our conversation around songwriting today. This
• 6:04
  Speaker 1: is Jordan's map.
• 6:08
  Speaker 12: The lady nah got the girl ma pea lady the
• 6:15
  Speaker 12: dah carry girl. Tell us, honey, poo are the buddy.
• 6:19
  Speaker 12: He tell us, honey, po are the buddy. He does
• 6:22
  Speaker 12: he go day many many maybe then.
• 6:51
  Speaker 11: Made Dona Ka go.
• 6:57
  Speaker 13: There.
• 6:58
  Speaker 1: David did not very money. We got.
• 7:03
  Speaker 3: Away.
• 7:04
  Speaker 12: Bucky Man, may do to me put then away, Bucky Man,
• 7:10
  Speaker 12: may you to not put in John he not levall
• 7:28
  Speaker 12: this ho he running up on the lucky already your
• 7:33
  Speaker 12: dream God Pa Chuckway, but day a.
• 7:38
  Speaker 11: Man to the chugging they call it pound a gun away.
• 7:43
  Speaker 12: Bucky Man, may you.
• 7:44
  Speaker 11: To not put there John Away Man.
• 7:49
  Speaker 12: May do to man not put in Jumac with cush
• 8:09
  Speaker 12: he made may maybe John d Jo who he made
• 8:14
  Speaker 12: is in the guy new Mactri Spishumpy made Humpy man
• 8:23
  Speaker 12: Man to.
• 8:32
  Speaker 11: Jo's a great.
• 8:42
  Speaker 1: By Jordan's Sand. The song is called Lucky Me. We'll
• 8:50
  Speaker 1: be joined by Doctor Roy today to r M S
• 8:56
  Speaker 1: as I mentioned to you, and break down the art
• 9:01
  Speaker 1: form of songwriting a little bit today looking forward to this.
• 9:06
  Speaker 1: This is Wizer Boter.
• 9:09
  Speaker 11: Danny Jury, I did it? And good ver he had
• 9:11
  Speaker 11: to Danny Joy did Danny Jury?
• 9:15
  Speaker 1: I did it?
• 9:15
  Speaker 3: And good Veric? He had tod Jo?
• 9:21
  Speaker 1: How come.
• 9:24
  Speaker 11: Jo hour Conn?
• 9:26
  Speaker 3: How about Okay? How come the.
• 9:33
  Speaker 11: Journey? Danny Jelly?
• 9:36
  Speaker 6: I did it?
• 9:37
  Speaker 3: And good Verica?
• 9:38
  Speaker 11: And he had to tell did Danny Jury?
• 9:42
  Speaker 3: I did it? And good Veric? He had tod Je
• 9:45
  Speaker 3: did it? And good.
• 9:50
  Speaker 7: Nicky Honey.
• 10:00
  Speaker 14: Kidney, Bernie.
• 10:05
  Speaker 3: Sugar Caney.
• 10:09
  Speaker 14: Joke again, Very Journy, Dn Cheddy, You're made racouvery govey Charny.
• 10:17
  Speaker 14: I am made Rancouver, Dan Chady, You're made ragouvery gove Charny.
• 10:23
  Speaker 3: I am mad.
• 10:26
  Speaker 15: Pard heyt telling your.
• 10:35
  Speaker 3: Panel.
• 10:37
  Speaker 1: I never got Davy.
• 10:38
  Speaker 11: Dav k Any give god.
• 10:47
  Speaker 10: Anny Chaddy, I Uncle Mcan you had to Jody Danny
• 10:53
  Speaker 10: Chardy that Veran. You had to tell Jody Anny Chaddy
• 10:59
  Speaker 10: that uncle.
• 11:21
  Speaker 1: Wa. There patter everybody, producer, singer, songwriter, rapper. Much like
• 11:29
  Speaker 1: the guest we have coming today, RMS does all those things.
• 11:34
  Speaker 1: What I'm really curious to talk to RMS about today
• 11:37
  Speaker 1: is the process and maybe try to uncover some things
• 11:41
  Speaker 1: for you out there as an audience member that you
• 11:44
  Speaker 1: didn't know about songwritings. We'll get to it today. Here's
• 11:47
  Speaker 1: doctor roy Hey, guys.
• 11:49
  Speaker 16: This is doctor Roy Win.
• 11:50
  Speaker 17: Today's word on the Avenue. In film and TV news,
• 11:53
  Speaker 17: Hollywood star Jason Momoa has showered praise on a Street
• 11:57
  Speaker 17: Fighter co star video with Jamwa, calling the indie action
• 12:00
  Speaker 17: hero one of the most beautiful looking men he's ever seen.
• 12:03
  Speaker 17: Mamoa also applauded Vidyut's talent and martial arts skills, joking
• 12:07
  Speaker 17: that he'd love for him to help land a Bollywood role,
• 12:10
  Speaker 17: making for a memorable Bollywood Hollywood crossover moment. In media news,
• 12:15
  Speaker 17: Priyako Jo Brajonas has confirmed that she is collaborating with
• 12:19
  Speaker 17: Angelina Jolie, describing the Oscar winning actress and humanitarian as inspiring.
• 12:24
  Speaker 17: The announcement has generated excitement among fans, bringing together two
• 12:28
  Speaker 17: influential global figures known for their work and entertainment, advocacy
• 12:32
  Speaker 17: and international impact. In event news, a video of a
• 12:37
  Speaker 17: young woman from Russia dressed as Radharrani and dancing barefoot
• 12:40
  Speaker 17: to Deva Shiganisha is drawing attention online, highlighting the growing
• 12:45
  Speaker 17: global interest in Indian spiritual and Hindu cultural traditions. That's
• 12:50
  Speaker 17: it for today's word on the Avenue.
• 12:51
  Speaker 1: Until next time, Well thank you so much for that,
• 12:54
  Speaker 1: Doctor roy A super Week tomorrow will be joined by
• 12:58
  Speaker 1: the megastar Do Bunti Baghchi, the singer of songs like
• 13:04
  Speaker 1: we am an odd grat. I mean, we're looking forward
• 13:08
  Speaker 1: to it. It's gonna be a big show tomorrow. Make
• 13:10
  Speaker 1: sure you set your alarms for nine a m. Pacific time.
• 13:14
  Speaker 1: This is Arijit saying one of my favorites from him
• 13:16
  Speaker 1: this year.
• 13:17
  Speaker 3: Jeroshian Son herries, Ye, Hello Jack, it's your jacket. Ye
• 13:34
  Speaker 3: mak delu me the jagati.
• 13:40
  Speaker 18: Ki yello hearra to get Jada saveres herivs.
• 13:56
  Speaker 3: Yes, I loves.
• 13:58
  Speaker 11: Son n homed I talks so he lie.
• 14:10
  Speaker 3: You hany in the bed she had on. Yes, Sir
• 14:16
  Speaker 3: Steve musty da John.
• 14:19
  Speaker 19: Ahead too fine lie bye Yi, oh God yah n,
• 14:29
  Speaker 19: I got this.
• 14:31
  Speaker 2: Ya Dandhi to calls the kid and he called bye.
• 14:37
  Speaker 2: I called my job birdy n bandy, I'm sadi.
• 14:44
  Speaker 4: Did I talk yadi homra to him and ya say.
• 14:54
  Speaker 3: Oh God had clean her child? Ho mother, man your
• 15:01
  Speaker 3: copy your cordy.
• 15:05
  Speaker 18: And they chat that your cook from He was soon.
• 15:11
  Speaker 3: A chin from the head. I got a cold guy
• 15:17
  Speaker 3: who say dune the lad. I got a sou guy.
• 15:21
  Speaker 3: I had no support.
• 15:23
  Speaker 2: I got the jove she had those she Li gotta
• 15:30
  Speaker 2: man you go had the mild Jeli got to put
• 15:36
  Speaker 2: you Rashani hug and shied.
• 15:42
  Speaker 3: Tonia hug. He shired go honey to masson.
• 15:49
  Speaker 19: He shied, put your sup hey you move be but
• 15:54
  Speaker 19: he hug he shot.
• 16:00
  Speaker 4: Shot you superhead, you bunny.
• 16:04
  Speaker 3: Huggy shih Yo shan son.
• 16:16
  Speaker 4: The head is minute to get me Hello, se jact me,
• 16:25
  Speaker 4: it's it guess Jack, get me your pook, kidding me,
• 16:34
  Speaker 4: Dello me me the jag got this.
• 16:38
  Speaker 3: Kidding me.
• 16:44
  Speaker 18: Yellow the head to get Jades.
• 16:50
  Speaker 1: I heard what did you saying? In his collaboration with
• 16:53
  Speaker 1: the Great Rhamanser. Make sure you guys tune in to
• 16:59
  Speaker 1: Racist Radio tonight at eight pm Pacific Standard time for
• 17:04
  Speaker 1: the No Gurbani Show. It's hosted by Rohat Badia. And
• 17:09
  Speaker 1: what Rohat does is really does an amazing job of
• 17:13
  Speaker 1: connecting the teachings of the Gurbani to you. Does it
• 17:17
  Speaker 1: in Hindi nonetheless pretty interesting.
• 17:26
  Speaker 11: Holy holy son, come share not the activity.
• 17:36
  Speaker 1: He will came.
• 17:41
  Speaker 16: On you.
• 17:41
  Speaker 11: He will came.
• 17:53
  Speaker 20: To work Kathira hi din not to ma to work
• 18:01
  Speaker 20: ta people for ta hi CoA.
• 18:07
  Speaker 3: Ha la.
• 18:10
  Speaker 11: Really go to proof, really going to proof.
• 18:15
  Speaker 3: He do worry because.
• 18:18
  Speaker 21: Not getting and attack it the miss smart day maybe
• 18:21
  Speaker 21: charmant girl at your kitting attack it the miss smart
• 18:26
  Speaker 21: gay mane charpantacli at your give about your back.
• 18:33
  Speaker 11: Your doul put a little und a cartoon.
• 18:37
  Speaker 22: Then my daughter Nakari born. Then on you he Bello
• 18:49
  Speaker 22: came to go tell this.
• 18:53
  Speaker 11: Down on you deepen o Camel Sadari to go this jo.
• 19:04
  Speaker 7: I know in elevated, I'm.
• 19:13
  Speaker 21: Sunlista de poto Okittingataksmarty Many, Jarlia, the luck kitten Aataks
• 19:37
  Speaker 21: smarting Many jarmand Golia you luck it.
• 19:40
  Speaker 1: Come the song is called Haji Mustan, Jim Away and
• 19:50
  Speaker 1: Gus Do. And of course tomorrow's interview is with Madhu
• 19:55
  Speaker 1: Banti Bachi and very interesting detail about Madhubanti. She's a
• 20:01
  Speaker 1: big Lincoln Park fan and so I'm gonna ask her
• 20:06
  Speaker 1: about this. I'm gonna ask her how does a classically
• 20:11
  Speaker 1: trained singer, you know, from the from the Grana classical school,
• 20:18
  Speaker 1: how does one from that kind of a background fall
• 20:21
  Speaker 1: in love with Lincoln Park. And now that I've told
• 20:24
  Speaker 1: you that you can hear it in her voice, here's
• 20:27
  Speaker 1: her song called wam you John.
• 20:51
  Speaker 23: Uam Ma Himmar Liam, Mama Guy.
• 20:57
  Speaker 3: Liam, Mom, Liam Mom. We are Ma, we are.
• 21:03
  Speaker 24: March Louisa hidden here. We are making a video.
• 21:07
  Speaker 3: Than we are Ma. We are Ma, Are we are Ma.
• 21:46
  Speaker 23: I'm a Tomorrow Guy, we are Mama to Kara Guy.
• 21:50
  Speaker 24: We are Mom, Wi Mom, We are Ma. We are
• 21:56
  Speaker 24: March Louisa hidden Ya. We are making.
• 22:01
  Speaker 3: Where your mom, your ma.
• 22:04
  Speaker 13: Am.
• 22:18
  Speaker 23: Sjoy Coca, your tig Joe tag.
• 22:24
  Speaker 7: Why don't hear Sanna happy?
• 22:27
  Speaker 23: He said tonight, said Mary, I had did Ayanna is
• 22:36
  Speaker 23: the cut the letter Yucket But again to give sipk
• 22:46
  Speaker 23: you with any better sip. But we are mah am
• 22:53
  Speaker 23: at Tomata. Guy, will your mama gived of?
• 22:56
  Speaker 3: Guy?
• 22:57
  Speaker 7: Will your ma?
• 22:58
  Speaker 3: Will your mom? Well?
• 23:02
  Speaker 24: We are not to rem hidden me a we all
• 23:05
  Speaker 24: lock on the body of about a dress.
• 23:07
  Speaker 7: We are will you wa.
• 23:45
  Speaker 3: Wea my wea my wea w a.
• 23:56
  Speaker 6: Stree streight.
• 24:02
  Speaker 1: Her voice reminds me of a luxury sadan, a lot
• 24:06
  Speaker 1: of power and still very elegant, And that song we
• 24:10
  Speaker 1: Ama certainly displaying both of those virtues right there for you.
• 24:15
  Speaker 1: This song is called Nah push you there sign.
• 24:18
  Speaker 16: V for the.
• 24:24
  Speaker 25: Plasma, Jamney Pigeonna Gardani have Albart, Jamney pijenna for Ghani,
• 24:54
  Speaker 25: have albart, the Jamney pigonna.
• 24:58
  Speaker 11: For that is the man who laug.
• 25:16
  Speaker 25: But like it don't.
• 25:19
  Speaker 11: No, I can tell like a young.
• 25:21
  Speaker 25: The garden, the car, crack the car, say the Johnny
• 25:30
  Speaker 25: per they whilst I lakda those a crown villa, Johnny
• 25:38
  Speaker 25: pichonnapach Danish arbor.
• 25:47
  Speaker 11: A ground WILLI Johnny.
• 25:48
  Speaker 25: Pigeonnapisher women There too many garbage.
• 26:01
  Speaker 11: Very shot.
• 26:02
  Speaker 25: Imagine the curricage go to Maka pagajam.
• 26:09
  Speaker 11: Is a head and Adama Corzi to.
• 26:19
  Speaker 25: Damny pitch enough for the shotlivich Gangarbar.
• 26:29
  Speaker 11: Damny pitch up for the shot.
• 26:34
  Speaker 1: We were talking about songwriting all week here on the show.
• 26:38
  Speaker 1: That song leans a little bit more on the folks
• 26:41
  Speaker 1: side of things right there. Signed b for the is
• 26:43
  Speaker 1: the artist as we make way for hip hop Superstar,
• 26:46
  Speaker 1: I mean wait. Bantai one of the more seasoned songwriters
• 26:51
  Speaker 1: in his space, and this song is his latest. It's
• 26:54
  Speaker 1: called Primo.
• 26:58
  Speaker 3: I'm driving a shot.
• 27:02
  Speaker 5: Aboo to be a hero, A click like load, to
• 27:09
  Speaker 5: fill the cancer and dream many a short tram Limo,
• 27:14
  Speaker 5: Rapp got Father, al Pacino, poker Face, No Casino, Smoke
• 27:18
  Speaker 5: to Lagad, Piro to Desert and No Cairo is a
• 27:22
  Speaker 5: beef Tobago Amigo Anamool neighbor Hero Samander the Bucket Vigo,
• 27:37
  Speaker 5: Rico Man John Struggle Primo, I'm driven a shot too
• 27:57
  Speaker 5: Abom Bauer to be a hero, m I b M
• 28:06
  Speaker 5: Courage your brand Requestedium Independent Artists of Nineium Pum.
• 28:13
  Speaker 3: Skills.
• 28:13
  Speaker 5: When I bought my body smoked the Smoking Kills our
• 28:19
  Speaker 5: one guy those you give me Duman jun pass work
• 28:28
  Speaker 5: there label running back Independent Almighty Primo, I'm driven a
• 28:48
  Speaker 5: shock to Okay bow just to be a hero, click
• 28:57
  Speaker 5: like load, ktos finished self, I'm banda your own fines
• 29:07
  Speaker 5: back to back factor fact in it to get a
• 29:10
  Speaker 5: copy paste on mantel.
• 29:13
  Speaker 3: Finish dal I'm driving a shock.
• 29:30
  Speaker 1: To fay Bantai. The song is called Primo and after
• 29:40
  Speaker 1: this next song will be joined by R. M S,
• 29:44
  Speaker 1: a hip hop artist, and we'll talk to him about
• 29:47
  Speaker 1: the songwriting process specifically, we'll get into his work as well.
• 29:53
  Speaker 1: Very excited about this conversation. This song is called no
• 29:57
  Speaker 1: Topi The Evil and Tandem.
• 30:01
  Speaker 26: Lata pass me a card as the Americ glassmile was
• 30:06
  Speaker 26: sub America. Cast your card as the Americ glass, Mai
• 30:09
  Speaker 26: chadigihead sastly your card a the Ameri glass, jamdani Ardea
• 30:17
  Speaker 26: Charsley your card ameried.
• 30:18
  Speaker 1: Class Gasa taste.
• 30:22
  Speaker 26: Gambila the America a submera pylo sub langoti tom sebat
• 30:28
  Speaker 26: in logos any hotel liking but amazing in Cosna Intlaska
• 30:34
  Speaker 26: bi Lena and I too roo rose but a little
• 30:37
  Speaker 26: chow then a ros then at cho malumne Salak is
• 30:44
  Speaker 26: a dumper garden l forty four la garden fields jad
• 30:52
  Speaker 26: and go colinae. The Maja gardener does the two millena
• 30:57
  Speaker 26: hat Mager joined the Chen Lena Lata pass me a
• 31:03
  Speaker 26: card as the Americ lass Ramile was sub Americasti a
• 31:08
  Speaker 26: card as the Americ classman. Jasy Hog Sasly You card
• 31:14
  Speaker 26: the am Red last Night, Jamdani Aru Charsley, You card
• 31:19
  Speaker 26: all the Americ classmate Y short in Tako baby Bulling,
• 31:27
  Speaker 26: Banaga bi Co Chabbi Ing to Nanny by many, Chal
• 31:34
  Speaker 26: term This, lissal the girl bor Sali ful Auli maj
• 31:39
  Speaker 26: just like She and a fool. Uli plays for the
• 31:45
  Speaker 26: Metroplea the BHD, Carlo Paris, the play the Appla, John
• 31:57
  Speaker 26: Marta del.
• 32:05
  Speaker 3: Amri Lasmith.
• 32:10
  Speaker 1: Ladies and gentlemen, it's time for us to bring in
• 32:12
  Speaker 1: my brother RMS to the show. What's up, Rms, Jamie,
• 32:16
  Speaker 1: my brother doing well?
• 32:17
  Speaker 6: Man?
• 32:17
  Speaker 3: How are you good?
• 32:19
  Speaker 1: Great to have you. This week's conversation centers around the wordsmith,
• 32:25
  Speaker 1: and I went looking through my brain thinking of the
• 32:28
  Speaker 1: perfect wordsmith to bring into this conversation, and I was like,
• 32:32
  Speaker 1: it's got to be our mess. Let's bring him in.
• 32:34
  Speaker 1: So we we wanted to have this conversation with you,
• 32:38
  Speaker 1: not only from the perspective of the work that you do,
• 32:40
  Speaker 1: but just as a general craftsman when it comes to
• 32:43
  Speaker 1: writing lyrics, putting together the song. Let's talk about this.
• 32:49
  Speaker 1: My first question to you is what is it that
• 32:52
  Speaker 1: people don't see in the craft of writing a song
• 32:56
  Speaker 1: that you think people really need to understand.
• 33:01
  Speaker 16: I think that one thing that comes to mind is
• 33:04
  Speaker 16: that there's layers, two levels of complexity that allows people
• 33:10
  Speaker 16: to then enjoy and.
• 33:12
  Speaker 1: Rock with a song.
• 33:13
  Speaker 16: What I mean by that is like, on on level one,
• 33:16
  Speaker 16: right on the most basic level, when it comes to
• 33:18
  Speaker 16: rapping and putting together rhymes, we're looking at like rhyme
• 33:21
  Speaker 16: schemes and complexity of syllables that work together in a
• 33:24
  Speaker 16: certain way and patterns, right, because that's the cloth of
• 33:29
  Speaker 16: hip hop that you and I you know, know and love.
• 33:32
  Speaker 16: But that's what that's at a most fundamental level. I
• 33:36
  Speaker 16: think that that's something that maybe doesn't register for all
• 33:38
  Speaker 16: people that that's so important for it to feel like
• 33:41
  Speaker 16: it sounds good in your ear, you know, So just
• 33:44
  Speaker 16: rhyme patterns and schemes. And then level two is the
• 33:50
  Speaker 16: wordplay and the cleverness, right, like, how how interesting can
• 33:54
  Speaker 16: you say something in a way that packs a certain punch,
• 33:58
  Speaker 16: right with a setup and a punch there's always some
• 34:00
  Speaker 16: level of like satisfaction after you hear the intentionality behind
• 34:04
  Speaker 16: each bar. So these are just like wrap hip hop fundamentals.
• 34:08
  Speaker 16: But I think that what's amazing when you hear people
• 34:12
  Speaker 16: who are just an expert at what they do is
• 34:15
  Speaker 16: it sounds effortless, but it's a product of like years
• 34:17
  Speaker 16: and years of sharpening your pen and being able to
• 34:19
  Speaker 16: do that. And then level three, the final level, to me,
• 34:22
  Speaker 16: is like how good of a storyteller are you?
• 34:25
  Speaker 2: You know?
• 34:26
  Speaker 16: And to be able to use these tools to tell
• 34:29
  Speaker 16: stories and thread the needle of your own life and
• 34:32
  Speaker 16: have that be an impact, impactful moment for for people
• 34:36
  Speaker 16: to consume. I think that when you combine these three
• 34:38
  Speaker 16: levels and to get good all three of these things
• 34:41
  Speaker 16: takes years and years and years of practice. That's that
• 34:45
  Speaker 16: to me is like the behind the scenes behind anyone
• 34:47
  Speaker 16: saw as the products of the decade work you.
• 34:49
  Speaker 1: Know very well put. I think my next question then
• 34:54
  Speaker 1: is what's the longest amount of time you've thought about
• 34:58
  Speaker 1: a song before you ever wrote it?
• 35:02
  Speaker 16: So speaking of a decade, I think there's one song
• 35:07
  Speaker 16: that I wrote really recently that I think is from
• 35:11
  Speaker 16: a story point of view, it really took me a
• 35:14
  Speaker 16: decade to write because it's a response track to a
• 35:18
  Speaker 16: song I made ten years ago. And that song I
• 35:22
  Speaker 16: made I was I was like seventeen at the time,
• 35:25
  Speaker 16: and it's amazing listening to it now. It's a true
• 35:29
  Speaker 16: audio journal because it's just me not knowing what the
• 35:32
  Speaker 16: future holds, and that song, that freestyle was just a
• 35:36
  Speaker 16: reflection of those fears, like, hey, I'm you know, five
• 35:40
  Speaker 16: years in the future seems like so far from now.
• 35:43
  Speaker 16: I wonder, well, I'll be out at twenty three, you know,
• 35:45
  Speaker 16: worried about money and job and like what am I
• 35:48
  Speaker 16: doing in school and all these different things. And to
• 35:51
  Speaker 16: hear those fears at that age is so fascinating. But
• 35:54
  Speaker 16: even then I had this conviction that like, yo, we're
• 35:56
  Speaker 16: going to take the music thing all the way and
• 35:58
  Speaker 16: that's I don't know how, but we're going to get there. Yeah,
• 36:02
  Speaker 16: And ten years later, to listen to that and to
• 36:05
  Speaker 16: respond to it is a fascinating thing because it's like, wow,
• 36:09
  Speaker 16: you know, it's yeah, you needed that time to be
• 36:14
  Speaker 16: able to reflect on it, to experience so much life
• 36:18
  Speaker 16: in between, and to be where we're at now, where
• 36:20
  Speaker 16: we are, you know, voting all of ourselves to music
• 36:25
  Speaker 16: and to the craft and the passion and the dream
• 36:27
  Speaker 16: still same condition. And it's interesting to analyze those fears too,
• 36:30
  Speaker 16: because some of them persist, and then some of them
• 36:33
  Speaker 16: are completely different and the scale of it is completely different.
• 36:36
  Speaker 16: Where now I'm like far more concerned and worried about
• 36:40
  Speaker 16: just being happy, you know, and like taking care of
• 36:42
  Speaker 16: my parents as they get older, and all these different
• 36:45
  Speaker 16: things that wasn't even on my mind at that time.
• 36:47
  Speaker 16: So that reflection process took that long, and you had
• 36:50
  Speaker 16: to just let it simmer for that period of time.
• 36:54
  Speaker 1: This is interesting, you're referring to the ten years of
• 36:58
  Speaker 1: life here. What is time taught you about songwriting?
• 37:03
  Speaker 27: You know?
• 37:03
  Speaker 1: Besides the obvious, I think that one can go down
• 37:06
  Speaker 1: the very easy list of well, Sammy, I have more
• 37:09
  Speaker 1: experiences to pull from. I think that's very simple to say.
• 37:13
  Speaker 1: What is beyond that? What is beyond that the time
• 37:16
  Speaker 1: has taught you about your songwriting?
• 37:21
  Speaker 16: I think it taught me that complexity is a tool
• 37:26
  Speaker 16: rather than a you know, a requirement to boucherr ego.
• 37:33
  Speaker 16: You know, I think that there's value in simplicity when
• 37:36
  Speaker 16: you're trying to communicate certain things, because effective communication isn't
• 37:40
  Speaker 16: always the most complicated words or the most complicated communication.
• 37:45
  Speaker 16: And I think that took some time for me to
• 37:46
  Speaker 16: learn because me being just such a nerd for words
• 37:50
  Speaker 16: and rap and like, you know, at a fundamental level
• 37:53
  Speaker 16: of being obsessed with that. I think it was an
• 37:55
  Speaker 16: important skill to develop to be able to, you know,
• 37:58
  Speaker 16: take these insane rhyme patterns and wrap them super fast
• 38:01
  Speaker 16: and do all these different things. It's like a cool
• 38:04
  Speaker 16: way to flex your abilities and your skills. But that
• 38:07
  Speaker 16: is not always a recipe for effective and impactful songwriting,
• 38:12
  Speaker 16: especially if you graduate from just a rapper to a storyteller.
• 38:17
  Speaker 25: Right.
• 38:18
  Speaker 16: And I think as they've gotten older, I've learned how
• 38:21
  Speaker 16: to kind of use a technical ability to showcase an
• 38:26
  Speaker 16: emotion rather than use the technical ability to just show
• 38:30
  Speaker 16: off how well I can wrap, you know what I mean.
• 38:32
  Speaker 1: Yeah, yesterday we had Nilish Misra on the show. Who's
• 38:37
  Speaker 1: a journalist dates back to the mid nineties as being
• 38:41
  Speaker 1: in front of India and reporting on some of the
• 38:44
  Speaker 1: most consequential news moments in Indian history at that time.
• 38:49
  Speaker 1: And I had him on the air here yesterday and
• 38:54
  Speaker 1: he had this long career in front of the camera
• 38:58
  Speaker 1: and then an even longer behind the microphone in radio,
• 39:02
  Speaker 1: and now he's hosting video podcasts. And there was something
• 39:07
  Speaker 1: that I noticed as soon as he started to talk,
• 39:10
  Speaker 1: which was how much command he had over his cadence
• 39:14
  Speaker 1: of how he delivered his sentences. It was remarkable to watch,
• 39:19
  Speaker 1: especially for me, where I do this daily show like this,
• 39:22
  Speaker 1: and I hear all kinds of different people and talk
• 39:24
  Speaker 1: to different people. But as soon as he came on
• 39:27
  Speaker 1: the air with me, you're like, oh, you felt it
• 39:29
  Speaker 1: right away. And what really moved me about him was
• 39:33
  Speaker 1: not what he was saying. Yes, amazing stuff, and our
• 39:37
  Speaker 1: rader to the highest degree knew his words, all that
• 39:40
  Speaker 1: stuff that comes with somebody that is so seasoned like him,
• 39:44
  Speaker 1: but our mess it was the pauses. It was the
• 39:48
  Speaker 1: space he gave what he was saying that really sold
• 39:52
  Speaker 1: what he does so well. And as soon as I
• 39:55
  Speaker 1: got the phone, I was like, oh my goodness, you
• 39:57
  Speaker 1: know here I am. You know, we do this show.
• 39:59
  Speaker 1: It's an hour long. Everything moves so fast, And what
• 40:02
  Speaker 1: Neeleish really taught me was the pause, the space. And
• 40:07
  Speaker 1: I think that that's same when it comes to songwriting.
• 40:11
  Speaker 1: There's something about simplicity as well, which I think that
• 40:15
  Speaker 1: you're clearly articulating here. You know, you do something phenomenal
• 40:20
  Speaker 1: that I really love, which is you skate between genres
• 40:24
  Speaker 1: in your vocal delivery. You do it effortlessly. What is
• 40:29
  Speaker 1: it that hip hop gives you space to do? What
• 40:32
  Speaker 1: is it that the singing side gives you space to do?
• 40:36
  Speaker 1: Obviously words being the very simple thing, right and answering that,
• 40:39
  Speaker 1: but I think that there are places emotionally that you
• 40:41
  Speaker 1: can go in these two disciplines that are mutually exclusive.
• 40:47
  Speaker 1: What is that like?
• 40:49
  Speaker 16: Yeah, man, exactly that exactly that. I think that for
• 40:53
  Speaker 16: me when it comes to the hip hop and the
• 40:56
  Speaker 16: rap side of it, I being able to achieve a
• 41:02
  Speaker 16: lot of depth, you know, like paint a very specific picture,
• 41:06
  Speaker 16: and when you only have a few words. Of course,
• 41:08
  Speaker 16: the mark of a good songwriter is to be able
• 41:10
  Speaker 16: to use a few words to do a lot. So
• 41:12
  Speaker 16: there's value again in the simplicity. But the nature of
• 41:15
  Speaker 16: hip hop, especially the nature of hip hop that I
• 41:17
  Speaker 16: participate in, it gives me words to play with, and
• 41:21
  Speaker 16: I can really really paint a picture, you know, really
• 41:25
  Speaker 16: get specific with a setup and an impact, like you're
• 41:28
  Speaker 16: doing a punchline, but across the story, right, set up
• 41:32
  Speaker 16: a story a certain way, punch it a certain way.
• 41:35
  Speaker 16: And I think with a song like like keep Your Cool,
• 41:37
  Speaker 16: it's a good example of that because we're I'm introducing
• 41:41
  Speaker 16: this concept of like, Okay, I'm a kid, I'm being
• 41:44
  Speaker 16: bullied for eating lemon rice, and like, you know, talking
• 41:48
  Speaker 16: about how that experience shapes how I see culture and
• 41:52
  Speaker 16: identity growing up in the States. But to be able
• 41:55
  Speaker 16: to then transfer that at the end of the story
• 41:58
  Speaker 16: to like, oh, you see concepts about acceptance and cultural
• 42:02
  Speaker 16: acceptance but also self acceptance still apply as an adult
• 42:07
  Speaker 16: now kind of extrapolating that to dynamics of the industry
• 42:10
  Speaker 16: or dynamics of music and as it creative and to
• 42:13
  Speaker 16: create that kind of that bridge. I think hip hop
• 42:16
  Speaker 16: is such an effective tool for that. When it comes
• 42:19
  Speaker 16: to the melodies, I think that it's amazing to be
• 42:25
  Speaker 16: able to communicate emotion just with sounds, even if there
• 42:30
  Speaker 16: is no word. You know, like in hip hop, the
• 42:33
  Speaker 16: words are communicating the emotion. Your delivery is important, but
• 42:36
  Speaker 16: like there's emphasis on words, whereas with melodies, you're creating
• 42:41
  Speaker 16: something that you know communicates emotion that way and also
• 42:47
  Speaker 16: creates just a level of like stickiness and a lot
• 42:49
  Speaker 16: of times with the way I weave between genres. It's
• 42:52
  Speaker 16: not because it's hyper calculated. It's honestly just because this
• 42:57
  Speaker 16: is what I would want to hear, you know, Like
• 43:00
  Speaker 16: I love catchy hooks and gray bars, and I am
• 43:04
  Speaker 16: surprised sometimes when my favorite artists who I know can
• 43:07
  Speaker 16: do both don't do both on the same song, you know.
• 43:11
  Speaker 16: So that's that's kind of the approach.
• 43:14
  Speaker 1: Let's talk about keep your Cool. I will point at
• 43:18
  Speaker 1: it because it to me tells the story of who
• 43:24
  Speaker 1: you are as an artist. So clearly, sure, let's talk
• 43:27
  Speaker 1: about the immigrant story. Yeah, that's one way, but I'm
• 43:29
  Speaker 1: going to take a even a step back and talk
• 43:33
  Speaker 1: about how visually you take that side very serious. And two,
• 43:40
  Speaker 1: you have done a remarkable job of marrying what you
• 43:44
  Speaker 1: do as a words myth, and you've brought the visual
• 43:47
  Speaker 1: capacity into that as well, and the two play so
• 43:51
  Speaker 1: well together. And keep your Cool. Here's a music video
• 43:54
  Speaker 1: of you want to very what looks to be like
• 43:58
  Speaker 1: New York City in the background and you're sailing away
• 44:00
  Speaker 1: from it. But it's an interesting story that you tell
• 44:04
  Speaker 1: as you do that, And there's a reason behind you
• 44:06
  Speaker 1: picking that visual storytelling doesn't. I think for you just
• 44:11
  Speaker 1: end at the words. It's going into this new dynamic
• 44:14
  Speaker 1: and into this new world a visual storytelling, and you've
• 44:19
  Speaker 1: become so good at it. Explain that journey to us
• 44:22
  Speaker 1: and how is it that? Where was the moment that
• 44:25
  Speaker 1: you're like, hey man, the visuals I got to catch
• 44:27
  Speaker 1: up with the lyrics here?
• 44:30
  Speaker 16: Definitely? Definitely, yeah, man, visuals are a big, big part
• 44:33
  Speaker 16: of who I am. So I actually started making short
• 44:38
  Speaker 16: films just for fine as a kid, even before I
• 44:40
  Speaker 16: started rapping. So the love for film and photography predated
• 44:46
  Speaker 16: me rapping, like the Order and Operations was like, I
• 44:48
  Speaker 16: fell in love with music production. Then I fell in
• 44:52
  Speaker 16: love with movies and making films, and I was composing
• 44:54
  Speaker 16: my own soundtracks for those films, and then I fell
• 44:57
  Speaker 16: in love with hip hop, and I'm merging in there
• 45:00
  Speaker 16: being all these different, you know, passions of mine, and
• 45:03
  Speaker 16: in terms of you know, fast forwarding to now, I
• 45:06
  Speaker 16: think that I do believe in like craft and mastery.
• 45:10
  Speaker 16: So sometimes there's just seasons of life where you have
• 45:14
  Speaker 16: to dedicate yourself to one thing and become very very
• 45:16
  Speaker 16: good at it. And I made sure that that main
• 45:21
  Speaker 16: central focus for me for a while was just the
• 45:23
  Speaker 16: music and being a wordsmith. But I always identified as
• 45:27
  Speaker 16: a filmmaker even before I started, you know, producing and
• 45:32
  Speaker 16: coming up with visuals and directing visuals that that match
• 45:35
  Speaker 16: that vision. It's funny, but you can you can predate
• 45:37
  Speaker 16: it back to like my Instagram bio from like years
• 45:41
  Speaker 16: and years ago, where I always said like, hey, I
• 45:43
  Speaker 16: wrap and make films. And it's funny because I'm looking
• 45:46
  Speaker 16: I can scroll back to my feet and be like,
• 45:48
  Speaker 16: at that time, there's no evidence of that, you know,
• 45:50
  Speaker 16: It's just it's just something I knew in my head.
• 45:53
  Speaker 16: The vision was there, and I was like, Okay, I
• 45:55
  Speaker 16: trust with the right timing, the right resources, the right
• 45:59
  Speaker 16: you know, ability and time to dedicate to it, I
• 46:02
  Speaker 16: can bring that side of things to life. And it's
• 46:05
  Speaker 16: nice to see time catch up. But as most creatives feel,
• 46:09
  Speaker 16: you know, your mind is always many years ahead, right,
• 46:12
  Speaker 16: Your mind is always many years ahead. Reality takes a
• 46:14
  Speaker 16: little while to catch up. So to see that now,
• 46:18
  Speaker 16: you know, for other people, to share with other people,
• 46:21
  Speaker 16: that visual world is amazing because even when I'm writing songs,
• 46:25
  Speaker 16: I'm imagining visuals. You know, that's incredible.
• 46:29
  Speaker 1: RMS, we had a lot of fun having this conversation
• 46:33
  Speaker 1: with you today, for us to hear the story of
• 46:37
  Speaker 1: what a songwriter does, how they approach a song, for
• 46:42
  Speaker 1: you to be so open about it. We wanted to
• 46:44
  Speaker 1: thank you here and for spending time with us here
• 46:46
  Speaker 1: on the bridge today. While we're here and we're at
• 46:50
  Speaker 1: this song, we've been talking about it here to our audience.
• 46:53
  Speaker 1: It only makes sense that we introduce it and get
• 46:55
  Speaker 1: it going for everybody here. So if you don't mind, brother,
• 46:58
  Speaker 1: please introduce this song Keep your Cool for everybody.
• 47:02
  Speaker 16: Definitely, man, No, I appreciate you. Keep your Cool is
• 47:05
  Speaker 16: a song about rejecting other people's definition of cool. So
• 47:09
  Speaker 16: typically when you hear the phrase keep you cool, it
• 47:11
  Speaker 16: means like, oh, keep your calm, but we kind of
• 47:13
  Speaker 16: flip that phrase and it means like, keep your cool
• 47:16
  Speaker 16: as in, keep your definition of cool to yourself because
• 47:20
  Speaker 16: we're good as we are. We accept ourselves and love
• 47:22
  Speaker 16: ourselves culturally, personally, emotionally, all of that. That's what keep
• 47:27
  Speaker 16: your Cool stands.
• 47:28
  Speaker 1: Amazing stuff. Well here's the track RMS, thank you, I
• 47:32
  Speaker 1: appreciate you.
• 47:34
  Speaker 27: Never fit in with a coolcase, might a leg goodbyes,
• 47:37
  Speaker 27: So sheet at the table never been a smoothish. Stop
• 47:41
  Speaker 27: you chipping overhead with the words I say to you,
• 47:44
  Speaker 27: Get you a cool cake, get you We won't be
• 47:46
  Speaker 27: be friends with me?
• 47:48
  Speaker 3: No, that's too bad. Ain't who be cool?
• 47:51
  Speaker 11: Could be so damn name?
• 47:52
  Speaker 3: Hey your cool?
• 47:56
  Speaker 11: Let me keep that shit from me.
• 47:58
  Speaker 15: Don't need your cool, I flee, don't need your keep
• 48:02
  Speaker 15: your cool, I mean keep that ship from me. Don't
• 48:07
  Speaker 15: need your cup, don't.
• 48:10
  Speaker 3: Need jo.
• 48:29
  Speaker 27: Second raise lunchtime. Someone try and pick a fun left
• 48:31
  Speaker 27: and at my lunch saying that color looking terrify life.
• 48:34
  Speaker 27: Gave my all my lemons and I should give me lemon, right,
• 48:36
  Speaker 27: But how can I be sad that you scared of
• 48:37
  Speaker 27: a little spice?
• 48:38
  Speaker 11: Yikes, that's chilli ice.
• 48:40
  Speaker 27: Call they got said about my name like e rosie
• 48:43
  Speaker 27: double oh no, l on my life since I since
• 48:45
  Speaker 27: they've been trading letters like tight bo. Now it's trying
• 48:48
  Speaker 27: to rewrite the wolves a bit. Back then, it was
• 48:51
  Speaker 27: not the bully in school with it. Now it's the
• 48:52
  Speaker 27: bonk keeper of the music. That's not the culture telling
• 48:55
  Speaker 27: me what I should do with it, telling me to
• 48:57
  Speaker 27: do this that and the third get that shit hurt
• 49:00
  Speaker 27: being bad word and that being back your words.
• 49:02
  Speaker 11: Then maybe you'll be cool enough to eat with us.
• 49:04
  Speaker 7: I'd rather make my own meal than eat scrapsy y.
• 49:10
  Speaker 16: I've uh been through more than half of you, he said.
• 49:13
  Speaker 27: It don't matter what they saying, he said, go poost
• 49:16
  Speaker 27: aw He's gonna, he said, praying, shoot until you make it.
• 49:19
  Speaker 3: So I keep on doing what I do.
• 49:22
  Speaker 11: Never been too cool to go for drinks.
• 49:24
  Speaker 27: I ain't even trying to look at you, But now
• 49:26
  Speaker 27: he's wanna be cool.
• 49:27
  Speaker 11: Kids wanna be me?
• 49:29
  Speaker 27: Never fit in with her cool kids might have laughing
• 49:31
  Speaker 27: my half for a sheet at the tables. Never been
• 49:34
  Speaker 27: as smooth.
• 49:34
  Speaker 11: Agg stop be tripping over.
• 49:36
  Speaker 3: Half for the words I say to you. Get you
• 49:39
  Speaker 3: a cool cad because you ain't wanna be She ain't
• 49:41
  Speaker 3: bee friends with me. You know that's too bad.
• 49:44
  Speaker 27: I ain't e who know being cool could be so
• 49:46
  Speaker 27: damn name her. Keep your cool, I mean, keep that
• 49:51
  Speaker 27: shit from me.
• 49:52
  Speaker 15: Don't need y'all poor, I freeze dog.
• 49:54
  Speaker 11: Don't need y'all cool.
• 49:56
  Speaker 15: Keep your cool, I mean keep from me. No doni
• 50:02
  Speaker 15: jola doni.
• 50:04
  Speaker 1: Jo big shout out to RMS. I've been watching rms's
• 50:20
  Speaker 1: story here for I would say since the beginning, incredibly
• 50:25
  Speaker 1: proud of the achievements that he has made and the
• 50:28
  Speaker 1: progress and he was a great guest today, so big
• 50:31
  Speaker 1: shout out to him. Here's doaa.
• 50:34
  Speaker 13: Thanks Sammy, here every want. This is your Rukasavna radio
• 50:38
  Speaker 13: music correspondent back with some fun facts about your favorite artists.
• 50:42
  Speaker 3: Today.
• 50:42
  Speaker 13: You were talking about one of the biggest names in
• 50:44
  Speaker 13: Punjabi music right now, shub Born in India, based in Canada,
• 50:48
  Speaker 13: Ship has been making waves globally with his unique sound
• 50:51
  Speaker 13: and killer tracks. He first caught her attention with this
• 50:54
  Speaker 13: breakout single we Rolling, which wrapped up over one twenty
• 50:56
  Speaker 13: five million views on YouTube talk about the debut. Since then,
• 51:00
  Speaker 13: he's kept the hits coming with sun favorites like Elevated
• 51:03
  Speaker 13: and Nola's and now he's taking things to a whole
• 51:06
  Speaker 13: new level with the second studio album, Cikario, featuring ten
• 51:09
  Speaker 13: incredible tracks. This album proves why Shup is one of
• 51:12
  Speaker 13: the most exciting artists in the game right now. Well
• 51:15
  Speaker 13: that's all for me, now back to you, Sammy.
• 51:18
  Speaker 1: Thank you so much. Duta. I'm gonna flip the script
• 51:21
  Speaker 1: here instead of playing something from the Sicario album, I'm
• 51:26
  Speaker 1: gonna play something from the Chapter four album and I'll
• 51:30
  Speaker 1: be back here before the end of the show to
• 51:32
  Speaker 1: share my closing remarks on this episode. This song is
• 51:37
  Speaker 1: called Bounce.
• 51:37
  Speaker 28: That's by Shobypa like God dampening a bag you Poka
• 52:07
  Speaker 28: Nakada back in a bagony.
• 52:09
  Speaker 3: I'm gonna pay Locu.
• 52:11
  Speaker 29: You can ageloma a Jackda big Brrect, big Fla, David.
• 52:26
  Speaker 11: Lesa, Harry Me and a Mania.
• 52:43
  Speaker 29: Shot Balabala actually jak in a tall table.
• 52:51
  Speaker 11: Now, no hold dark way, no cartods.
• 52:55
  Speaker 3: Be played for the game.
• 52:57
  Speaker 29: Just now the Coneys.
• 53:07
  Speaker 11: Friendly bucket.
• 53:24
  Speaker 1: I'll be back after this next song with some closing
• 53:26
  Speaker 1: remarks that shub The song is called Bounce, and this
• 53:35
  Speaker 1: next song we've got for you another one of our
• 53:38
  Speaker 1: friends here in hip hop space, folks. It's fat Ay do.
• 53:43
  Speaker 1: He collaborates with Mickey saying, Hi, John.
• 53:47
  Speaker 6: Buddy gets your Hogty but Gianna hockey but Gianna Sutoria
• 54:00
  Speaker 6: normally kill.
• 54:02
  Speaker 1: Man Helly Sonia.
• 54:05
  Speaker 27: I don't know.
• 54:05
  Speaker 6: I'mally killed joh do Betty not done it. That's some
• 54:10
  Speaker 6: man who gets to kill John Doop Betty not do it.
• 54:15
  Speaker 6: That's a man gets.
• 54:16
  Speaker 3: Kill like that. Diamond.
• 54:18
  Speaker 30: I got you, baby girl, You're flowerless recutting noisy even
• 54:22
  Speaker 30: when it gets the hardest.
• 54:23
  Speaker 11: That's a jay.
• 54:24
  Speaker 7: Hi.
• 54:24
  Speaker 3: Then I made you my target.
• 54:28
  Speaker 30: Rabba Dama sugar got roast the vegan like can I do?
• 54:32
  Speaker 11: Tell the baby here? You get take it the type
• 54:34
  Speaker 11: of love and I'm gonna give you you can never
• 54:36
  Speaker 11: fake it.
• 54:36
  Speaker 30: Salt ad hoyot hold.
• 54:43
  Speaker 11: J I O godless don the child? Maybe yes, he
• 54:47
  Speaker 11: I got do nothing that you know me?
• 54:49
  Speaker 1: Hi he donna body get bad?
• 54:52
  Speaker 6: Ask you okay shaddaya but you're not greet but'll know
• 54:57
  Speaker 6: so look for baby.
• 54:59
  Speaker 3: Ca day soon.
• 55:02
  Speaker 6: He normally kill hit Bay Somonian He no normally kill
• 55:11
  Speaker 6: John Doom.
• 55:11
  Speaker 3: Gotta not do.
• 55:13
  Speaker 6: That's a man gets k John Doom gotting not doing.
• 55:18
  Speaker 6: That's some men get to k when I'm off balance.
• 55:22
  Speaker 30: You give me on my toes Skli who sworded them
• 55:26
  Speaker 30: though after Nacawama while we're watching all our shows, you
• 55:31
  Speaker 30: know me Cana dow going laking, Gollady gun in the
• 55:35
  Speaker 30: gag and Gaddy I'm taking they.
• 55:37
  Speaker 3: Didn't have a dama every dollar.
• 55:39
  Speaker 1: Then I'll make it.
• 55:46
  Speaker 10: J regardless on the job maybe real us and we
• 55:50
  Speaker 10: got nothing that you know?
• 55:52
  Speaker 6: Hi, johnath do body get bas okay shady, But you're
• 55:59
  Speaker 6: not but Dion noko.
• 56:19
  Speaker 3: Ja do.
• 56:23
  Speaker 30: Everybody, it's your boy and you're listening to The Bridge
• 56:27
  Speaker 30: hosted by Sammy Juhn on Ruckus Avenue Radio.
• 56:30
  Speaker 3: Shout out to.
• 56:32
  Speaker 1: And shout out to Mickey sing. The song is called
• 56:34
  Speaker 1: Jadu a shout out to RMS. Let me tell you
• 56:39
  Speaker 1: guys what you heard today. What strikes me about RMS
• 56:43
  Speaker 1: is his honesty. He's a wordsmith, but listen to him
• 56:47
  Speaker 1: talk about songwriting and you realize he thinks like a builder.
• 56:52
  Speaker 1: The hip hop writing, the song, chorus, the production, the
• 56:56
  Speaker 1: video that comes after it. To him, those were never
• 57:00
  Speaker 1: separate steps, their ingredients. Each one carries its own weight,
• 57:07
  Speaker 1: and he understands that every one of them already lives
• 57:10
  Speaker 1: inside of him. Here's the part I keep coming back
• 57:14
  Speaker 1: to when it comes to RMS. RMS figured out that
• 57:17
  Speaker 1: a Lamborghini doesn't have to hit four hundred to prove
• 57:21
  Speaker 1: it's a Lamborghini. A quick rev and then a slow
• 57:24
  Speaker 1: roll at ten miles an hour so that everyone can
• 57:27
  Speaker 1: actually see you go by. He learned that about his words.
• 57:32
  Speaker 1: He learned to pull back to let you catch every
• 57:36
  Speaker 1: single one of his words. And then he found another
• 57:39
  Speaker 1: gear entirely a singing layer that reveals a deeper part
• 57:44
  Speaker 1: of who he is, the part that only his voice
• 57:47
  Speaker 1: could say out loud. And that's not an accident. That's
• 57:50
  Speaker 1: a man who respects his art form. RMS has integrity.
• 57:55
  Speaker 1: He honors the music the right way by handing you
• 57:58
  Speaker 1: a complete, can considered piece of work, not just bars.
• 58:03
  Speaker 1: Meanings behind every one of them. He's paying homage to
• 58:08
  Speaker 1: the craft. And let me tell you something, the music
• 58:11
  Speaker 1: gods notice when you do it right. He's got the words.
• 58:15
  Speaker 1: He's always had the words. He just cares too much
• 58:19
  Speaker 1: to let them leave his mouth without weight. So do
• 58:23
  Speaker 1: yourself a favor. When r MASS speaks, listen to what
• 58:27
  Speaker 1: he's actually saying, because his time is coming. And you
• 58:31
  Speaker 1: heard it here on the bridge. This song is called
• 58:34
  Speaker 1: very very It's by d have a great day, everybody,
• 58:38
  Speaker 1: I see tomorrow.
• 59:00
  Speaker 3: Under the put In song, you gayda very are the.
• 59:20
  Speaker 31: Very very very very very very very very very very
• 59:26
  Speaker 31: very very very very very very bare very very very
• 59:33
  Speaker 31: very very very far really.
• 59:39
  Speaker 3: Hard. Yeah I mean us save it.
• 59:48
  Speaker 31: By Golla, I want to kill me