Latest / Crime Night / The Heir of Demons - Fake Magic Scam
Transcript
- 0:00Speaker 1: I want you to close your eyes for a second.
- 0:02Speaker 1: We're going to Alexandria, Egypt. It's twenty fifteen, right, it's
- 0:05Speaker 1: twenty fifteen. You're standing on a street corner in a
- 0:08Speaker 1: really dense residential neighborhood. You can smell the Mediterranean, that
- 0:12Speaker 1: heavy salty humidity that just sticks to your skin.
- 0:16Speaker 2: But you're not looking at the sea.
- 0:18Speaker 1: No, you're looking at an apartment building and it looks
- 0:21Speaker 1: like it looks like every other building on the block,
- 0:25Speaker 1: except for the way people behave when they get near it.
- 0:27Speaker 2: It's subtle at first, but if you watch closely, you
- 0:30Speaker 2: see the pattern break. Yeah, conversation stop, Pedestrians speed up.
- 0:34Speaker 2: They keep their heads down, eyes fixed on the pavement.
- 0:38Speaker 2: They are actively refusing to look up at the windows
- 0:41Speaker 2: on the second floor.
- 0:42Speaker 1: It's almost like a magnetic field of pure avoidance.
- 0:45Speaker 2: Exactly because they know who lives there, or maybe more accurately,
- 0:49Speaker 2: they know what lives there.
- 0:50Speaker 1: We're talking about a man the neighborhood calls Sheik Mohammed.
- 0:53Speaker 1: He's seventy years old. Uh huh, But this isn't your
- 0:56Speaker 1: kindly grandfather sitting on the balcony watching the world go by.
- 0:59Speaker 1: Not at all This is a man who leaves his
- 1:01Speaker 1: home carrying a dark, heavy briefcase. He speaks to absolutely
- 1:06Speaker 1: no one, and then he just vanishes back behind these massive,
- 1:10Speaker 1: reinforced heavy doors.
- 1:11Speaker 2: And behind those doors, it's not a normal living space.
- 1:14Speaker 2: It's a stage set designed for nightmares.
- 1:17Speaker 1: Yeah, the descriptions of this place are wild.
- 1:19Speaker 2: It was a sanctuary of shadows, dim lighting, the smell
- 1:23Speaker 2: of stale incense that had basically seeped into the plaster
- 1:26Speaker 2: over the years. Walls completely covered in incomprehensible drawings.
- 1:31Speaker 1: And the shelves, The.
- 1:32Speaker 2: Shelves groaning under the weight of ancient dusty groomore to
- 1:36Speaker 2: the locals, he wasn't just reckless. They called him the
- 1:39Speaker 2: Air of.
- 1:39Speaker 1: Demons, The Air of Demons. That nickname alone gives me chills.
- 1:43Speaker 2: Oh, it's terrifying.
- 1:44Speaker 1: Today on the Deep Dive, we are unpacking the story
- 1:46Speaker 1: of this man. We're looking at how a guy with
- 1:48Speaker 1: seemingly no past managed to hold an entire community in
- 1:52Speaker 1: a grip of absolute terror for thirty years.
- 1:55Speaker 2: Thirty years.
- 1:56Speaker 1: Yeah, it's an incredible run, and we're going to break
- 1:58Speaker 1: down the dark arts he claimed to master, the police reports,
- 2:01Speaker 1: the witness testimonies.
- 2:02Speaker 2: But Here's the thing we need to be really clear
- 2:04Speaker 2: on right from the jump. This is a story about magic.
- 2:08Speaker 2: If you're looking for actual supernatural events, you are in
- 2:11Speaker 2: the wrong place. This is a masterclass in psychological warfare.
- 2:15Speaker 1: He really is.
- 2:16Speaker 2: It's about how a predator identifies the cracks in a
- 2:20Speaker 2: person's psyche, desperation, grief, fear, and just prize them open.
- 2:26Speaker 1: So let's peel back the layers here. The neighbors in
- 2:29Speaker 1: Alexandria said he appeared out of nowhere. One account literally
- 2:33Speaker 1: called him a satanic planting, like he just sprouted from
- 2:37Speaker 1: the ground one day.
- 2:37Speaker 2: Nobody's born a seventy year old sorcerer.
- 2:39Speaker 1: No, everyone has an origin story.
- 2:41Speaker 2: And he starts way back, decades before he ever set
- 2:44Speaker 2: foot in Alexandria. We have to look at Mohammed as
- 2:47Speaker 2: a young man fresh out of high school. Okay, he's
- 2:49Speaker 2: standing at a crossroads that a lot of young people face.
- 2:52Speaker 2: He sees the traditional path university, a low level government job,
- 2:56Speaker 2: a modest salary, a quiet life, and he looks at
- 2:59Speaker 2: that with total disdain.
- 3:01Speaker 1: He didn't just want a job, he wanted status.
- 3:04Speaker 2: He wanted power. There's a distinct narcissism in his profile.
- 3:08Speaker 2: Even back then, he realized that traditional education wouldn't give
- 3:11Speaker 2: him the kind of control he craved, so he pivoted.
- 3:14Speaker 1: He became an autodidact right, but not.
- 3:17Speaker 2: Of history or science. He started obsessively reading the works
- 3:21Speaker 2: of a man named Abdel Fata Eltuki.
- 3:23Speaker 1: I went down a bit of a rabbit hole on
- 3:25Speaker 1: Eltuki while crepping for this. He's known as the Heir
- 3:28Speaker 1: of Iblis, the Air of Satan. His books are basically
- 3:32Speaker 1: the textbooks for this kind of red magic in the
- 3:34Speaker 1: region right exactly.
- 3:36Speaker 2: Eltuki wrote extensive guides on how to contact the gin now.
- 3:40Speaker 2: For context, in Islamic cosmology, gin aren't just fairy tales
- 3:44Speaker 2: or genies.
- 3:44Speaker 1: In a lamp, right, They're not granting three wishes.
- 3:47Speaker 2: No, they are beings created from smokeless fire. They coexist
- 3:51Speaker 2: with humans, and they possess free will. They can be good, bad,
- 3:54Speaker 2: or indifferent. Eltuki's writings claim to teach you how to
- 3:58Speaker 2: bind these entities to your will.
- 4:00Speaker 1: So young Muhammad isn't just reading these for fun. He's
- 4:03Speaker 1: treating it like a PhD program.
- 4:04Speaker 2: He was incredibly disciplined about it. He enrolled in the
- 4:08Speaker 2: Al Shark Institute to study Altuki's methods. Formally, he even
- 4:12Speaker 2: took correspondence courses with the EBRIS Institute for Astronomical Sciences.
- 4:16Speaker 1: Called on correspondence courses like mail order Wizardry.
- 4:21Speaker 2: It sounds ridiculous to us now, but think about the era.
- 4:25Speaker 2: This was his way of building credentials. He was gathering
- 4:28Speaker 2: paper to prove he knew things other people didn't. That
- 4:31Speaker 2: makes sense, but here's the real twist. While he was
- 4:34Speaker 2: studying the magic, he was actually learning something much more practical.
- 4:38Speaker 2: He was learning the cold.
- 4:39Speaker 1: Read weaponized empathy.
- 4:41Speaker 2: Precisely, he was learning how to look at a stranger
- 4:44Speaker 2: and spot their insecurity before they even open their mouth.
- 4:48Speaker 2: He learned that if you tell someone exactly what they fear,
- 4:51Speaker 2: they will completely believe you have the power to fix it.
- 4:54Speaker 1: So fast forward a bit. He's armed with these psychological
- 4:57Speaker 1: tricks and a stack of creepy books. He's in his
- 4:59Speaker 1: twent he's living in Cairo, and this is where the
- 5:02Speaker 1: story shifts from a biography to a domestic thriller.
- 5:04Speaker 2: Because he's leading a double life.
- 5:06Speaker 1: Right to the outside world, he's a humble factory worker.
- 5:09Speaker 1: He gets married. His wife thinks she's starting a normal life,
- 5:13Speaker 1: but once the door closes.
- 5:15Speaker 2: The mask comes off.
- 5:16Speaker 1: Imagine being that wife. You come home expecting dinner or
- 5:19Speaker 1: just a normal conversation, and instead you find papers covered
- 5:23Speaker 1: in bizarre symbols, scattered on the floor. Talismans, Yeah, talismans.
- 5:27Speaker 1: You find your husband sitting alone in a dark room
- 5:30Speaker 1: whispering to empty corners.
- 5:32Speaker 2: It's a textbook campaign of terror. She realized pretty quickly.
- 5:36Speaker 2: He wasn't working at a factory. The whispering, the symbols,
- 5:40Speaker 2: this was his actual trade.
- 5:42Speaker 1: And when she finally gathered the courage to confront him
- 5:45Speaker 1: to ask for a divorce, he didn't argue like a
- 5:47Speaker 1: normal spouse.
- 5:48Speaker 2: No, he attacked her reality.
- 5:50Speaker 1: He told her he had cast a lower work on her.
- 5:53Speaker 2: That's black magic, right, yes, magic with the intent to harm.
- 5:57Speaker 2: He told her she would never marry again, that her
- 5:59Speaker 2: life would be absolute ruin. And then he manages you
- 6:02Speaker 2: to something truly terrifying.
- 6:04Speaker 1: She started hallucinating.
- 6:05Speaker 2: She reported seeing the drawings on the walls actually moving.
- 6:08Speaker 1: That is the part that's stuck with me the most.
- 6:11Speaker 1: How do you do that? How do you make someone
- 6:13Speaker 1: see moving walls without drugs?
- 6:15Speaker 2: It's the power of suggestion amplified by extreme stress. If
- 6:19Speaker 2: you keep someone in a state of sleep deprivation, constant anxiety,
- 6:23Speaker 2: and fear, their brain becomes highly suggestible.
- 6:26Speaker 1: Like a waking nightmare.
- 6:27Speaker 2: Exactly if an authority figure, which he was to her, says, look,
- 6:31Speaker 2: the wall is moving, the brain struggles to process the
- 6:35Speaker 2: visual data and can actually manufacture that movement to align
- 6:39Speaker 2: with the expectation. Wow, it's gaslighting escalated to literal psychological torture.
- 6:45Speaker 1: She was living in a horror movie.
- 6:46Speaker 2: She was, but she's also the first hero of this
- 6:48Speaker 2: story because she didn't go to another sorcerer to break
- 6:51Speaker 2: the spell. She didn't buy into his framework.
- 6:54Speaker 1: She went to do a psychiatrist.
- 6:55Speaker 2: She chose science over the supernatural.
- 6:57Speaker 1: She realized I am not cursed being abused. Yeah, she
- 7:01Speaker 1: got the divorce, she escaped, and that loss of control
- 7:04Speaker 1: seemed to spook him because right after the divorce, Mohammed
- 7:07Speaker 1: vanished from Cairo.
- 7:08Speaker 2: Completely, which brings us back to where we started Alexandria.
- 7:12Speaker 1: He resurfaces now forty years old. The factory worker persona
- 7:16Speaker 1: is dead, the young apprentice is gone. He arives as
- 7:21Speaker 1: a blank slate.
- 7:22Speaker 2: He has absolutely no history in this neighborhood, and he
- 7:25Speaker 2: spends the next thirty years building an empire, and he.
- 7:28Speaker 1: Was patient about it. He didn't start by putting up
- 7:31Speaker 1: a billboard.
- 7:31Speaker 2: No, he started by integrating. He bought a supermarket, then
- 7:35Speaker 2: a laundromat. He remarried, had children. He looked like a
- 7:38Speaker 2: pillar of the community. But he let the rumors do
- 7:41Speaker 2: the work for him, the whispers.
- 7:43Speaker 1: He can fix things, he can cure illness, he can break.
- 7:47Speaker 2: Curses exactly, And once the reputation was firmly established, he
- 7:51Speaker 2: introduced the product line. Let's talk about the.
- 7:53Speaker 1: Rings, the spiritual rings. This part feels like a modern
- 7:56Speaker 1: tech scam, just with medieval coat of paint.
- 7:59Speaker 2: It was essentially a subscription service. He sold these metal bands,
- 8:03Speaker 2: claiming they had a servant or a gin attached to them.
- 8:06Speaker 2: An entry level ring was about four hundred Egyptian.
- 8:08Speaker 1: Pounds, expensive but attainable.
- 8:10Speaker 2: But if he sensed you had money, or if he
- 8:12Speaker 2: sensed you were desperate enough to borrow it, he had
- 8:15Speaker 2: the premium tier.
- 8:16Speaker 1: We're talking rings selling for four hundred thousand pounds. That's
- 8:20Speaker 1: a house. That's a life.
- 8:21Speaker 2: Savings it is, And the brilliance of the scam was
- 8:24Speaker 2: the recharging mechanism. He told them the ring's energy would fade,
- 8:28Speaker 2: so they had to come back to him to replenish it.
- 8:30Speaker 1: He created a dependency loop.
- 8:32Speaker 2: He also used a categorization system called the metals.
- 8:35Speaker 1: This is the gold, silver tin thing right right.
- 8:39Speaker 2: He would take a person's name and birth date, use
- 8:41Speaker 2: a system called objod numerals to turn the letters into
- 8:44Speaker 2: numbers and calculate their spiritual metal.
- 8:47Speaker 1: It gave the whole thing of veneer of mathematical legitimacy.
- 8:51Speaker 2: But really it was a credit check. If you were tin,
- 8:54Speaker 2: he knew you were low value. If your gold, he
- 8:57Speaker 2: knew he could bleed you dry.
- 8:58Speaker 1: Let's walk through a specif of a case, because the
- 9:01Speaker 1: abstraction hides how cruel this really was. There's the case
- 9:05Speaker 1: of the woman, let's call it the gold woman, who
- 9:08Speaker 1: came to him because she couldn't get married.
- 9:10Speaker 2: This is a classic example, and her social context remaining
- 9:13Speaker 2: unmarried was a source of massive pressure. She's incredibly vulnerable.
- 9:17Speaker 2: She walks into that dimly lit apartment. He does the
- 9:19Speaker 2: cold read.
- 9:20Speaker 1: He asks her name, scribbles some fake.
- 9:22Speaker 2: Math, and he looks her in the eye and he
- 9:25Speaker 2: validates her worst fear. He says, you're right, there is
- 9:29Speaker 2: a powerful block on.
- 9:30Speaker 1: You that moment must be intoxicating for the victim. Finally
- 9:34Speaker 1: someone sees the problem.
- 9:36Speaker 2: Relief is the trap. Once she accepts the diagnosis, she
- 9:39Speaker 2: has to accept the cure. He tells her that because
- 9:42Speaker 2: her metal is gold, the gin will only accept payment
- 9:45Speaker 2: in gold. Convenient, incredibly, but then he escalates. He demands
- 9:49Speaker 2: specific incense, which he sells at a massive markup, and
- 9:53Speaker 2: then he demands a piece of her underwear.
- 9:55Speaker 1: Why, I mean, beyond the obvious creepiness, how did you
- 9:59Speaker 1: justify that?
- 10:00Speaker 2: He claimed the curse was attached to her clothing, so
- 10:02Speaker 2: he needed the clothing to break it. But psychologically, this
- 10:05Speaker 2: is about breaking boundaries.
- 10:06Speaker 1: It's a grooming technique.
- 10:08Speaker 2: If I can get you to hand over something that
- 10:09Speaker 2: intimate I own you, you are now complicit. You feel shame,
- 10:13Speaker 2: and shame keeps you silent.
- 10:14Speaker 1: And did he cure her?
- 10:16Speaker 2: Of course not. He performed a ritual, probably used some
- 10:19Speaker 2: ventriloquism to throw his voice, made the lights flicker, and
- 10:22Speaker 2: then gave her a vague description of her enemy.
- 10:24Speaker 1: The person who chrised you is a woman short.
- 10:27Speaker 2: With dark hair, which is basically describing half the population.
- 10:30Speaker 2: So she goes home. She looks at her cousin or
- 10:32Speaker 2: her neighbor who fits that description, and she thinks it
- 10:36Speaker 2: was her.
- 10:36Speaker 1: He successfully redirected her anger away from him and toward
- 10:40Speaker 1: her own community.
- 10:41Speaker 2: He did this for thirty years. He had assistance, he
- 10:44Speaker 2: even had social media pages. Later on, he felt completely untouchable.
- 10:49Speaker 1: But every predator eventually gets careless. Twenty fifteen the final case.
- 10:55Speaker 2: This is where the story turns. A new victim arrives
- 10:58Speaker 2: from outside Alexandria. Her problem is heartbreakingly common in these cases, infertility.
- 11:04Speaker 1: She had tried doctors, she had tried everything. She was
- 11:06Speaker 1: at the end of a rope.
- 11:07Speaker 2: Mohammed sees this woman, sees the desperation, and he gets greedy.
- 11:11Speaker 2: He overplayed his hand. He told her the standard ring
- 11:13Speaker 2: wouldn't work.
- 11:14Speaker 1: He bumped the price from five thy to twelve thousand
- 11:17Speaker 1: pounds immediately, But.
- 11:18Speaker 2: Then he dropped the bomb. He told her that money
- 11:21Speaker 2: wasn't enough.
- 11:22Speaker 1: He claimed the gin had a specific physical demand.
- 11:25Speaker 2: He told her that to break the curse, he had
- 11:27Speaker 2: to channel the gin and have sexual intercourse with her.
- 11:29Speaker 1: It's sickening, it's sexual assault wrapped in a medical treatment.
- 11:33Speaker 2: It is the ultimate predation. But he miscalculated this woman.
- 11:38Speaker 2: She didn't crumble. She was horrified, yes, but her survival
- 11:41Speaker 2: instinct kicked in. She realized she was in a room
- 11:44Speaker 2: with a monster and she needed to get out, so
- 11:46Speaker 2: she lied. She improvised. She told him she couldn't do
- 11:50Speaker 2: it there and his apartment his temple. She convinced him
- 11:53Speaker 2: that for the ritual to work, he had to come
- 11:55Speaker 2: to her location. She gave him an address, and his.
- 11:58Speaker 1: Ego was so inflated after thirty years of control, that
- 12:01Speaker 1: he actually bought it.
- 12:02Speaker 2: He packed his famous black bag, the one the neighbors
- 12:05Speaker 2: always feared, and he left his sanctuary. He traveled to
- 12:08Speaker 2: the meeting spot. He gets there, he sees the woman
- 12:11Speaker 2: waiting on the corner. He approaches, thinking he's about to
- 12:14Speaker 2: claim another victim. Instead, the trap snaps shut. It wasn't
- 12:18Speaker 2: a rendezvous. It was a sting operation. Police officers swarm him,
- 12:22Speaker 2: the handcuff, the air of demons right there on the street.
- 12:25Speaker 1: And the neighbor, the people who had walked past his
- 12:27Speaker 1: door in terror for decades, they watched him get dragged
- 12:31Speaker 1: away like a common thief.
- 12:32Speaker 2: And this is where the story takes a twist that
- 12:34Speaker 2: really changes how we view those thirty years, because they
- 12:38Speaker 2: take him to the station. They run his fingerprints, and
- 12:41Speaker 2: the mystery of his origins suddenly clears up. The Air
- 12:44Speaker 2: of Demons had a record, and suddenly those missing years,
- 12:47Speaker 2: the time between his divorce and Cairo and his appearance
- 12:50Speaker 2: in Alexandria make perfect sense. He hadn't vanished into the ether.
- 12:54Speaker 2: He had been in prison for charlatanism and sorcery. He
- 12:58Speaker 2: had been arrested in Cairo thirty two, two years prior
- 13:00Speaker 2: for the exact same scams.
- 13:02Speaker 1: So prison didn't stop him, They refined him.
- 13:04Speaker 2: Prison was his graduate school. He realized that in Cairo
- 13:07Speaker 2: he had been too loud, too reckless. He learned that
- 13:10Speaker 2: to succeed he needed to be quieter, more exclusive, scarier.
- 13:14Speaker 1: That explains the heavy doors, the absolute silence, the refusal
- 13:18Speaker 1: to mingle with neighbors. He wasn't being mysterious for the
- 13:21Speaker 1: sake of magic. He was being careful to avoid going
- 13:24Speaker 1: back to jail.
- 13:25Speaker 2: Precisely, he crafted the Air of Demon's persona specifically to
- 13:30Speaker 2: keep people away. If people fear you, they don't report you,
- 13:33Speaker 2: they don't gossip about you to the police. They just
- 13:35Speaker 2: look away.
- 13:35Speaker 1: It's a brilliant, if totally evil defense mechanism, and in
- 13:40Speaker 1: the interrogation, the facade just crumbled, didn't it.
- 13:43Speaker 2: Immediately he confessed to all of it. He admitted it
- 13:46Speaker 2: was all a business. The magic, the jin, the talismans.
- 13:49Speaker 2: It was just theater, a way to exploit the week
- 13:52Speaker 2: for money and pleasure.
- 13:53Speaker 1: It's cragic to think about the neighbors. They spend thirty
- 13:56Speaker 1: years terrified of a man they thought had supernatural powers,
- 14:00Speaker 1: but he was just an ex khan with a grift.
- 14:02Speaker 2: It really forces us to look at the nature of belief.
- 14:04Speaker 2: Mohammed had zero magical ability none. He couldn't summon a
- 14:08Speaker 2: fly let alone a demon. Yet he controlled community for
- 14:12Speaker 2: three decades. Why because the community believe he could.
- 14:16Speaker 1: His power didn't come from the books on his shelf.
- 14:19Speaker 1: It came from the minds of the people looking at him.
- 14:21Speaker 1: We gave him that power.
- 14:22Speaker 2: That is the most chilling takeaway here. The air of
- 14:25Speaker 2: Demons was a co creation. It was built by his greed, sure,
- 14:29Speaker 2: but it was sustained by our collective need for easy
- 14:31Speaker 2: answers to impossible problems. We want to believe there's a
- 14:35Speaker 2: magical solution to infertility or loneliness or poverty.
- 14:39Speaker 1: And as long as we have that desire, there will
- 14:41Speaker 1: be men like Mohammed waiting in the shadows to sell
- 14:45Speaker 1: it to.
- 14:45Speaker 2: Us, waiting for that next desperate knock on the door.
- 14:48Speaker 1: It makes you wonder about the modern equivalents too. I mean,
- 14:50Speaker 1: we don't always walk down to the scary apartment at
- 14:52Speaker 1: the end of the block anymore. Today. The cold reading
- 14:56Speaker 1: is done by algorithms.
- 14:57Speaker 2: Oh, that's a fascinating point, right.
- 15:00Speaker 1: Your phone knows when you're desperate, when you're lonely, when
- 15:03Speaker 1: you're sick. It reads your data instead of your star sign,
- 15:07Speaker 1: and then it feeds you exactly the cure you want
- 15:09Speaker 1: to see, whether it's a fake illness supplement or a
- 15:11Speaker 1: financial scam. The medium changed, but the predation is exactly
- 15:17Speaker 1: the same.
- 15:17Speaker 2: The digital air of demons.
- 15:19Speaker 1: That is a thought that's going to keep me looking
- 15:20Speaker 1: over my shoulder, both on the street and online. Thank
- 15:24Speaker 1: you for joining us on this deep dive into the
- 15:26Speaker 1: air of demons. Stay curious, stay skeptical, and we'll catch
- 15:30Speaker 1: you on the next one.