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X Minus One - "Lulu" (Old Time Radio, 1957) · X Minus One | Old Time Radio

• 0:00
  Speaker 1: Three survey crewmen share their interplanetary assignment with Lulu, a
• 0:04
  Speaker 1: planetary exploration robot that serves as spacecraft base and caretaker.
• 0:10
  Speaker 1: Then Jimmy Robbins, the communications man and a poet, gives
• 0:14
  Speaker 1: the machine rather more to think about than anyone expected
• 0:18
  Speaker 1: from NBC's X minus one. This is Lulu, episode one
• 0:22
  Speaker 1: hundred eighteen, first heard October thirty first, nineteen fifty seven.
• 0:28
  Speaker 1: Clifford D. Simack's novelette was adapted for radio by George Lefferts,
• 0:32
  Speaker 1: with Jan Minor, Henry Norril, James Stevens, Nelson Olmsted, and
• 0:37
  Speaker 1: Walter Black in the cast. And now our story begins.
• 0:46
  Speaker 2: This is Nightline, your tie line of the world, and
• 0:48
  Speaker 2: this is Walter o'keep.
• 0:54
  Speaker 3: Tonight.
• 0:54
  Speaker 2: A visit to worlds strangely different from ours, the world
• 0:57
  Speaker 2: of the future, the world of X minus one.
• 1:12
  Speaker 4: Colt down for blast off X minus five four three
• 1:18
  Speaker 4: two X minus one Fire from the far horizons of
• 1:48
  Speaker 4: the unknown, comtails of new dimensions in time and space.
• 1:53
  Speaker 4: These are stories of the future adventures in which you'll
• 1:57
  Speaker 4: live in A million could be years on a thousand.
• 2:00
  Speaker 5: May be worlds. The National Broadcasting Company, in cooperation with
• 2:04
  Speaker 5: Galaxy Science Fiction Magazine resents.
• 2:07
  Speaker 6: He Minus One.
• 2:21
  Speaker 5: Tonight Lulu by Clifford D. Simak. But first hear this,
• 2:27
  Speaker 5: well the loan to go there?
• 2:29
  Speaker 6: When calling.
• 2:33
  Speaker 5: The loan to go there?
• 2:35
  Speaker 7: There?
• 2:35
  Speaker 5: When to call name?
• 2:39
  Speaker 8: Well, Hi everybody, this is Red Foley. And right at
• 2:42
  Speaker 8: this minute, I'm sort of combining work and pleasure. You
• 2:44
  Speaker 8: might say I enjoyed some of the good harmony of
• 2:48
  Speaker 8: the Marksman Quartet and also picking out some of their
• 2:50
  Speaker 8: songs to do on future broadcasts of our Red Foley Show.
• 2:54
  Speaker 8: You're on NBC. You know Saturday is going to be
• 2:57
  Speaker 8: my favorite day of the whole week, and I think
• 3:00
  Speaker 8: there's a pretty good chance that we can make it
• 3:02
  Speaker 8: a better day than ever for you with the fun
• 3:05
  Speaker 8: that we stir up here in the Ozarks. In addition
• 3:08
  Speaker 8: to the Marchman, I'll bring with me some of the
• 3:10
  Speaker 8: other top favorites in our field, and of course the
• 3:13
  Speaker 8: guests that you tell that you want to hear. So
• 3:16
  Speaker 8: let us be a regular part of your Saturday schedule.
• 3:18
  Speaker 8: Wants to do that, please to in our NBC program,
• 3:21
  Speaker 8: The Red Foley Show, And we'll do our dog gun
• 3:24
  Speaker 8: this to make it worth your while.
• 3:37
  Speaker 5: Ah X minus one Man tonight's story Lulu.
• 3:50
  Speaker 9: Technically she was a peer, a planetary exploration robut that
• 3:55
  Speaker 9: meant she was equipped to do just about anything necessary
• 3:57
  Speaker 9: to meet any kind of conditions on any planet she explored.
• 4:01
  Speaker 9: She carried a crew of three inside of her, and
• 4:03
  Speaker 9: she was able to talk to them and take care
• 4:05
  Speaker 9: of them and adapt herself to their needs. Yes, sir,
• 4:09
  Speaker 9: she was the complete spaceship robot, mother, base of operations,
• 4:13
  Speaker 9: and companion all rolled into one. Her communicators and memory
• 4:17
  Speaker 9: banks were stuffed with every conceivable kind of information.
• 4:21
  Speaker 3: And we called her Lulu. That was our biggest mistake.
• 4:31
  Speaker 10: We're on our way, fellows, Mother Earth, Here I come.
• 4:46
  Speaker 11: Was the Tolkoff satisfactory bulls.
• 4:50
  Speaker 12: A thing of beauty, Lulu the captain's compliments banks, bulls.
• 4:56
  Speaker 9: No matter how long I live, I'll never get used
• 4:58
  Speaker 9: to a ship talking to me.
• 5:00
  Speaker 13: Oh you lack of poetic soul, gus, Now me, I
• 5:02
  Speaker 13: catch the full wonder of the situation.
• 5:04
  Speaker 5: Personally, I'm hungry.
• 5:06
  Speaker 11: What would you boys like the kitchen to fix herself.
• 5:10
  Speaker 14: I'll have a nice juicy steak, guess something like Lulu,
• 5:15
  Speaker 14: maybe a couple of.
• 5:15
  Speaker 3: Eggs, and you, Jimmy, whatever you want to fix.
• 5:19
  Speaker 11: Surprise me very well, I'll relay the information to the
• 5:23
  Speaker 11: kitchen robot.
• 5:29
  Speaker 3: How long before we get back to Earth, Lulu.
• 5:31
  Speaker 8: I'll check the computers, Lulu, how about it.
• 5:42
  Speaker 3: He useful if something's going wrong? Lulu never took this
• 5:45
  Speaker 3: long to give me an eta? Or if something went wrong,
• 5:48
  Speaker 3: and I'll repair itself. Lulu is a self maintaining machine.
• 5:51
  Speaker 9: Remember who just seems she's taking a long time about
• 5:53
  Speaker 9: giving us an eta for Earth?
• 5:56
  Speaker 3: Hey, Lulu, what do you say.
• 6:00
  Speaker 11: Also that I love you?
• 6:02
  Speaker 3: Gus? Did you hear that these robot ships are supposed
• 6:06
  Speaker 3: to have a sense of humor? Are they?
• 6:07
  Speaker 5: I never heard of it, but it could be.
• 6:09
  Speaker 14: After all, they have technicians pouring all kinds of information
• 6:12
  Speaker 14: into their electronic memory banks.
• 6:14
  Speaker 3: Which one of us is the lucky man?
• 6:17
  Speaker 11: All three of you, you guess, and you Jimmy and
• 6:22
  Speaker 11: you them? I love all three of you.
• 6:26
  Speaker 5: Good Lord.
• 6:27
  Speaker 9: Do you really think somebody goofed when they designed this ship?
• 6:30
  Speaker 14: I think it's that poetry Jimmy has been writing and
• 6:32
  Speaker 14: reading out loud.
• 6:32
  Speaker 15: Wait a minute, Hellulo, Yes, darling, you haven't answered my question.
• 6:38
  Speaker 3: When do we reach earthm.
• 6:42
  Speaker 7: I've decided we aren't going to Earth we're eloping. I'm
• 6:49
  Speaker 7: going to take you away where we can be alone,
• 6:52
  Speaker 7: just the four of us.
• 6:55
  Speaker 11: Then someday you learn to love me as I love you.
• 7:01
  Speaker 3: This isn't funny anymore, Ben, throw that emergency. We got
• 7:03
  Speaker 3: to get the ship back on course.
• 7:05
  Speaker 6: Right.
• 7:05
  Speaker 11: I'm sorry, boys, but I've disconnected.
• 7:07
  Speaker 15: The circuits disconnected. Now look here, you crummy robot. You're
• 7:12
  Speaker 15: a machine. Do you understand a machine? You were designed
• 7:15
  Speaker 15: to do what humans want you to do. You got
• 7:17
  Speaker 15: the prime command build in every circuit.
• 7:19
  Speaker 10: In your system.
• 7:20
  Speaker 3: Now, shalt not harm a human being.
• 7:23
  Speaker 11: I'm harming you. We'll be happy together.
• 7:27
  Speaker 3: Oh brother.
• 7:28
  Speaker 14: Some technician must have read some cheap novels into this
• 7:31
  Speaker 14: baby system, or.
• 7:32
  Speaker 9: She's absorbed Jimmy's sloppy poetry and made some kind of
• 7:34
  Speaker 9: synthesis out of it.
• 7:36
  Speaker 16: It isn't every poet who can move a machine be beautiful?
• 7:40
  Speaker 6: James?
• 7:41
  Speaker 3: What were beautiful?
• 7:43
  Speaker 11: The poems?
• 7:45
  Speaker 3: That's it?
• 7:46
  Speaker 14: Well, I tell you, for two years now he's been
• 7:47
  Speaker 14: reading that the Moon June Spoon junk out loud, and
• 7:50
  Speaker 14: this robot's been absorbing it. It's created a whole new
• 7:53
  Speaker 14: electronic synapse. Let's face it, boys, she loves us, So.
• 8:06
  Speaker 3: That was it.
• 8:07
  Speaker 9: We were being kidnapped by an interplanetary robot who somehow
• 8:11
  Speaker 9: developed a response circuit for romantic glove.
• 8:14
  Speaker 3: Not just the practical kind of love, oh no, but the.
• 8:17
  Speaker 9: Guy that exists in cheap novels and romantic mags and
• 8:20
  Speaker 9: the modeling poetry one James Carter, amateur lyricist. And we
• 8:25
  Speaker 9: went to sleep that night, hoping by morning Lulu would
• 8:27
  Speaker 9: come to her senses.
• 8:32
  Speaker 3: All on the way, pop doll, hm, holy.
• 8:40
  Speaker 5: Mackerel, Hey fellas, you're still at it?
• 8:42
  Speaker 14: Yeah, I know I was whispered awake too, Hey, fellas,
• 8:45
  Speaker 14: come closer.
• 8:46
  Speaker 16: I don't want the receptors to pick this up. L
• 8:50
  Speaker 16: lose a machine, right, A machine likes order usefulness. Whoever
• 8:55
  Speaker 16: heard of a machine that did nothing?
• 8:57
  Speaker 10: So so that's it.
• 8:59
  Speaker 16: We're slow, get it worthless, useless slabs. We do nothing
• 9:04
  Speaker 16: but bum around the ship. After a while, Lulu gets
• 9:08
  Speaker 16: fed up with us just hanging around the ship. She
• 9:10
  Speaker 16: wants to get rid of us.
• 9:12
  Speaker 11: She takes u spec to Earth. It's worth a draw.
• 9:15
  Speaker 5: But what do we do first? About you?
• 9:17
  Speaker 3: Fellas? But I'm getting drunk.
• 9:27
  Speaker 5: You are listening to Lulu Tonight's attraction on X minus one.
• 9:33
  Speaker 5: October is the month designated by the National Congress of
• 9:36
  Speaker 5: Parents and Teachers as membership enrollment month. Eleven million members
• 9:40
  Speaker 5: the population of California or of Pennsylvania. That is their goal.
• 9:45
  Speaker 5: We want to salute the PTA members all over America
• 9:47
  Speaker 5: who will be going out in search of others to
• 9:49
  Speaker 5: join them in the great work of training children to
• 9:51
  Speaker 5: become mature citizens in a mature America. You need not
• 9:55
  Speaker 5: be a parent or a teacher to belong to your PTA.
• 9:59
  Speaker 5: All you need is an interest in children. For more
• 10:02
  Speaker 5: than sixty years, that kind of interest has provided the
• 10:04
  Speaker 5: spark that has helped the PTA achieve many of its
• 10:07
  Speaker 5: social and educational goals. Establishment of kindergartens, effective childcare, labor laws,
• 10:14
  Speaker 5: broader educational opportunities. These are some of the achievement the
• 10:18
  Speaker 5: PTA can claim. You can become part of this great
• 10:21
  Speaker 5: movement just by saying yes to the neighbor who calls
• 10:24
  Speaker 5: on you this month and invites you to join your PTA.
• 10:38
  Speaker 5: Now back to X minus one and Lulu.
• 10:47
  Speaker 9: So that's what we did.
• 10:48
  Speaker 3: We became slabs. We stopped playing cards, we stopped reading.
• 10:52
  Speaker 9: We just sat and moped and Lulu but sure enough,
• 10:56
  Speaker 9: her machine like intelligence was offended.
• 11:00
  Speaker 5: Gus, Yeah, I want to smoke. Yeah then yeah, Gus, Yeah,
• 11:08
  Speaker 5: it doesn't matter.
• 11:10
  Speaker 11: What's wrong with you boys?
• 11:12
  Speaker 7: You haven't done a thing for days now, Jimmy, you've
• 11:17
  Speaker 7: stopped writing poetry.
• 11:19
  Speaker 3: What's the use?
• 11:21
  Speaker 11: Don't you want to create? To be romantic? Well? Don't you?
• 11:28
  Speaker 3: I couldn't careless.
• 11:30
  Speaker 11: I'd hate to think that I bored you. All right,
• 11:34
  Speaker 11: if you want to mopen suck, go ahead. I'm still
• 11:37
  Speaker 11: a young spaceship, you know, and I've discovered what it
• 11:41
  Speaker 11: means to be in love.
• 11:52
  Speaker 3: Maybe Lulu knew what we were doing, but it didn't matter.
• 11:55
  Speaker 9: Her womanly sense of a lover outraged was stronger than
• 11:58
  Speaker 9: her robot logic. She pleaded, lectured, and called us low down.
• 12:03
  Speaker 9: She told us she loved us. She appealed to our
• 12:05
  Speaker 9: sense of manly decency. Mostly we didn't even answer. Then
• 12:10
  Speaker 9: she was hurt, She withdrew, she was cold and angry.
• 12:14
  Speaker 9: Finally she quit trying. What do you think us could be?
• 12:20
  Speaker 3: She's disenchanted with us. I think she'll head back to Earth.
• 12:23
  Speaker 3: I don't know.
• 12:24
  Speaker 5: That's the thing that worries me. All that racket coming
• 12:26
  Speaker 5: from the machine shops.
• 12:27
  Speaker 3: She's probably making some repairs to the engines.
• 12:29
  Speaker 5: Happen all the time, not like that hour after hour.
• 12:32
  Speaker 13: You know, maybe she's just trying to keep busy to
• 12:34
  Speaker 13: take her mind off her broken heart.
• 12:36
  Speaker 5: Nah, you and your poetic images.
• 12:38
  Speaker 14: It was your jump that got us into all this trouble.
• 12:40
  Speaker 5: My poetry is not jumped. I had it out for us.
• 12:43
  Speaker 3: We aren't supposed to care about anything. Remember, we're louds
• 12:46
  Speaker 3: flows there the wells. No self respecting girls spaceship would
• 12:50
  Speaker 3: have us Na. Gus is right.
• 12:51
  Speaker 5: We better not let down our guard.
• 12:53
  Speaker 3: Hey, that's how to stop.
• 12:56
  Speaker 5: You're right.
• 12:57
  Speaker 11: Good morning boys. Oh I just want to tell you,
• 13:01
  Speaker 11: as far as I'm concerned, you can all go straight
• 13:03
  Speaker 11: to blazes.
• 13:05
  Speaker 10: I think we did it.
• 13:07
  Speaker 3: She just back on earth. There is something wrong here,
• 13:10
  Speaker 3: A woman scorned, you know.
• 13:12
  Speaker 5: There's nothing to it.
• 13:14
  Speaker 3: Where's that sound? Wow, it's coming closer.
• 13:20
  Speaker 14: It sounds like, oh no, it couldn't be footsteps.
• 13:26
  Speaker 12: Tell us, huh the compartment ton, Holy mackerel a robot.
• 13:40
  Speaker 5: What a monster?
• 13:43
  Speaker 3: He must weigh five turns. I don't understand how I do.
• 13:47
  Speaker 10: She made him Lulu? Who else? That's what that racket
• 13:50
  Speaker 10: was in the machine shop.
• 13:52
  Speaker 3: Look, he's coming in order him to stop.
• 13:54
  Speaker 10: Maybe he's got a human response spector stop hold it.
• 14:00
  Speaker 11: Still, boys, meet Elmer, Elmer?
• 14:05
  Speaker 6: Are these the human pipsqueaks you used to be infatuated
• 14:10
  Speaker 6: with before you made me sweetheart?
• 14:13
  Speaker 11: Ridiculous?
• 14:14
  Speaker 6: Darling u out of the way bush?
• 14:21
  Speaker 3: This baby plays rough?
• 14:22
  Speaker 10: Hey, Lula, what's the big idea?
• 14:24
  Speaker 11: The big idea, boys, is that now I've got myself
• 14:27
  Speaker 11: a real man, one who loves me without reservation, blindly,
• 14:33
  Speaker 11: madly and eternally.
• 14:35
  Speaker 9: Right.
• 14:36
  Speaker 6: You said it, kidd Oh, me for you and you
• 14:39
  Speaker 6: for me from here to eternity. I am yours and
• 14:43
  Speaker 6: you are mine, and I cannot live without you. You're
• 14:46
  Speaker 6: my everything? How much do I love you? Let me
• 14:50
  Speaker 6: total up the ways be mine, be mine? I'm yours heart?
• 14:54
  Speaker 6: What soft light yonder shines? Your beauty is like the rose.
• 14:58
  Speaker 6: It's love love, life of love, love.
• 15:01
  Speaker 4: Love love.
• 15:02
  Speaker 3: This boy has slipped a ratchet.
• 15:04
  Speaker 9: He's reading back all the can junk somebody poured into
• 15:06
  Speaker 9: Lulu's memory tapes.
• 15:08
  Speaker 11: Yeah, isn't he romantic?
• 15:11
  Speaker 5: Oh he's a doll.
• 15:12
  Speaker 11: And most important of all, he loves me.
• 15:16
  Speaker 5: Yeah, any fool can see that, Lulu. Now look, how
• 15:19
  Speaker 5: about taking.
• 15:19
  Speaker 14: Us all back to earth huh fives a crowd.
• 15:22
  Speaker 3: You know, and you and Elma will want to be
• 15:24
  Speaker 3: together alone. Huh a loss.
• 15:26
  Speaker 11: I wish it could be so, boys, but there isn't
• 15:28
  Speaker 11: a chance.
• 15:29
  Speaker 3: Why not, Lulu, he's a machine, You're a machine. You
• 15:32
  Speaker 3: could make beautiful static together.
• 15:34
  Speaker 11: I mean about taking you back to Earth. If I
• 15:37
  Speaker 11: do that, they'll just dismantle us for disobeying our masters. No, boys,
• 15:42
  Speaker 11: I'm afraid I'll have to head out to some other
• 15:45
  Speaker 11: galaxy and dump you on an asteroid?
• 15:48
  Speaker 10: Did you hear that she's gone nuts?
• 15:51
  Speaker 6: Doill not talk about the woman I love like that?
• 15:54
  Speaker 3: Take it easy, Elmer, don't overheat your filaments.
• 15:57
  Speaker 11: Come up to my control Senna and we can be
• 16:00
  Speaker 11: alone now.
• 16:02
  Speaker 6: Anything you say, lover see you later. Boys, care for you.
• 16:07
  Speaker 10: Don't overload her condensers, junior.
• 16:09
  Speaker 6: One mother remarked like that, and I will smash you,
• 16:12
  Speaker 6: big boy.
• 16:24
  Speaker 10: Eh.
• 16:24
  Speaker 3: That was it.
• 16:25
  Speaker 9: The control panel told us that we were headed right
• 16:28
  Speaker 9: out of the Solar system. A couple of days passed
• 16:31
  Speaker 9: and we began to get desperate. Lulu and Elmer were
• 16:34
  Speaker 9: too busy making love even to talk to us, and
• 16:36
  Speaker 9: she even forgot to synthesize food for us.
• 16:38
  Speaker 3: One day, we lapsed into misery for real.
• 16:41
  Speaker 5: Now, God, sir, I'm hungry. Who isn't? This ship's gone
• 16:47
  Speaker 5: completely haywire.
• 16:48
  Speaker 10: What do you expect?
• 16:49
  Speaker 9: She's up in the control center, necking with that mechanical
• 16:51
  Speaker 9: jigglow she build.
• 16:52
  Speaker 14: Hey, Gus, there can't be any real pleasure in it,
• 16:56
  Speaker 14: can there?
• 16:57
  Speaker 3: Remember she's a machine. What's pleasure for a machine may
• 17:01
  Speaker 3: not be pleasure for a human.
• 17:02
  Speaker 5: Let's see what Jimmy thinks. Jimmy, Hey, Jimmy.
• 17:06
  Speaker 3: Don't bother him.
• 17:06
  Speaker 9: He started writing poetry again yesterday, has already worn out
• 17:10
  Speaker 9: three pencils at.
• 17:11
  Speaker 5: A time like this, he writes poetry.
• 17:13
  Speaker 9: Hey, Lulu, how about some child up boys?
• 17:19
  Speaker 11: You're breaking the spell.
• 17:31
  Speaker 3: That's heartwent. We didn't get any food at all that day.
• 17:35
  Speaker 9: By night time, we were worn out from banging on
• 17:37
  Speaker 9: loomus walls.
• 17:38
  Speaker 3: I was exhausted and fell right asleep. Then something woke me. Bences,
• 17:44
  Speaker 3: wake up. What's up is Jimmy? I think he's gone
• 17:47
  Speaker 3: off his roo. He's up in the forward compartment.
• 17:49
  Speaker 15: He's opened the radiation shields so the moonlight miss stars
• 17:52
  Speaker 15: can come in and be standing there alone.
• 17:53
  Speaker 3: Come on, we better get him.
• 17:54
  Speaker 5: The stream is probably too much, hiet. Now, we don't
• 17:57
  Speaker 5: want to startle him.
• 18:00
  Speaker 13: Of the farways, between the two faces of eternity.
• 18:03
  Speaker 10: She was true forever to the race that.
• 18:07
  Speaker 3: For he's reading poetry to himself.
• 18:10
  Speaker 5: H You mean he's reading to lul what's more important?
• 18:15
  Speaker 3: She's listening.
• 18:18
  Speaker 11: Don't stop. It's too beautiful, wanderer of the far away
• 18:24
  Speaker 11: he ruins between the two faces of eternity, She was
• 18:28
  Speaker 11: true forever.
• 18:30
  Speaker 3: And he sounds mad.
• 18:31
  Speaker 10: And with the winds of ling in her hair, wearing
• 18:37
  Speaker 10: shut off.
• 18:39
  Speaker 6: What are you trying to do, big boy, reading that
• 18:42
  Speaker 6: stuff to my girl?
• 18:44
  Speaker 10: Well, I'm take it easy, boy.
• 18:46
  Speaker 6: Let me have that poem. I will show you what
• 18:49
  Speaker 6: combustion is.
• 18:51
  Speaker 10: You can destroy me, but not this poem.
• 18:54
  Speaker 9: This is my work of art, my love song to Lula.
• 18:59
  Speaker 10: Let him howbody'll kill you? He's going to strike you, Jim.
• 19:13
  Speaker 5: Wow, Will you look at that? He's nothing but a
• 19:17
  Speaker 5: pile of junk.
• 19:19
  Speaker 11: That'll teach the ignorant lout trying to destroy the most
• 19:23
  Speaker 11: beautiful experience I ever had.
• 19:25
  Speaker 3: You demolished your boyfriend, Lulu.
• 19:28
  Speaker 11: He only loved me for my advanced design. Anyway.
• 19:31
  Speaker 7: He was always short circuiting the control panel gone, James Weed.
• 19:38
  Speaker 5: Yes, Lulu.
• 19:41
  Speaker 13: Wanderer of the faraways, between the two faces of eternity.
• 19:45
  Speaker 13: She was true forever to the race that forged her,
• 19:50
  Speaker 13: with the winds of alien space blowing in her hair,
• 19:54
  Speaker 13: wearing a circlet of stares as her crown of glory.
• 20:00
  Speaker 7: Oh it's more than I can Bird Jomes, you do
• 20:06
  Speaker 7: love me after.
• 20:07
  Speaker 10: All, Gus the Rockets. She's changed course.
• 20:13
  Speaker 11: The dying Homeboys that to whatever happens now, I don't care.
• 20:19
  Speaker 10: I've been a woman.
• 20:21
  Speaker 11: In love.
• 20:40
  Speaker 5: Bred Collins again. I'll have another word about tonight's story
• 20:43
  Speaker 5: on X minus one. In a moment and how you
• 20:52
  Speaker 5: feel blue and miserable with a deep down cold.
• 20:55
  Speaker 3: Listen, every second someone takes it for the.
• 20:58
  Speaker 5: Millions more from More Fine.
• 21:01
  Speaker 14: Nine, Every second someone takes it for the miseries of cold.
• 21:04
  Speaker 5: Get promo Quinine brand Cole tablets. You have just heard
• 21:08
  Speaker 5: X minus one presented by the National Broadcasting Company in
• 21:12
  Speaker 5: cooperation with Galaxy Science Fiction Magazine, which this month features
• 21:16
  Speaker 5: Clifford D. Simack's story carbon Copy being a real estate
• 21:20
  Speaker 5: agent and devout angler. Homer Jackson knew a clean sale
• 21:23
  Speaker 5: from a fish story, but not this time. Galaxy Magazine
• 21:28
  Speaker 5: on your news stand today. X minus one has brought
• 21:31
  Speaker 5: You Lulu, a story from the pages of Galaxy, written
• 21:35
  Speaker 5: by Clifford D. Simak and adapted for radio by George Lefferts.
• 21:39
  Speaker 5: Featured in our cast word Jan Minor as Lulu, Nelson
• 21:43
  Speaker 5: Almstead as Gus, Jim Stevens as Jimmy, Walter Black as Ben,
• 21:48
  Speaker 5: and Henry Norell as the Robot. This is Fred Collins.
• 21:53
  Speaker 5: X minus one was directed by George boots Us and
• 21:57
  Speaker 5: is an NBC Radio Network production Country music at its
• 22:11
  Speaker 5: best with Red Foley and famous guests on The Red
• 22:14
  Speaker 5: Foley Show, premiering Saturday. Over most of these NBC radio stations.
• 22:22
  Speaker 1: That was X minus one with Lulu. Follow X minus
• 22:25
  Speaker 1: one for more classic broadcasts.