Latest / Four Finger Discount (Simpsons Podcast) / Treehouse Of Horror XXXVI (Patreon Exclusive)

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Treehouse Of Horror XXXVI (Patreon Exclusive) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: Hey, everybody, Dando here, hope you all had a happy Halloween,
• 0:03
  Speaker 1: Guy and I we certainly did, and we celebrated by
• 0:06
  Speaker 1: reviewing the latest Halloween special, Treos of Horror, number thirty six,
• 0:10
  Speaker 1: this week for our Patreon supporters. But we don't think
• 0:12
  Speaker 1: it's fair for you all to miss out, so as
• 0:14
  Speaker 1: our way of saying thanks for listening to the show
• 0:16
  Speaker 1: so far this year, we're giving you all a sneak
• 0:18
  Speaker 1: peek of the review, which is available right now in
• 0:21
  Speaker 1: this entirety and add free for our five dollars plus
• 0:23
  Speaker 1: supporters on Patreon. So if you like what you hear
• 0:26
  Speaker 1: and you want access to more than one hundred hours
• 0:28
  Speaker 1: of exclusive content just like this, you can join the
• 0:31
  Speaker 1: family today and we would absolutely love to have you
• 0:33
  Speaker 1: on board. As I said, thank you all for the
• 0:35
  Speaker 1: support so far this year, and I hope you all
• 0:37
  Speaker 1: enjoy our review of Trios of Horror thirty six.
• 0:41
  Speaker 2: Down Stairs Guddy's inside my Body certainly look at Gay
• 0:51
  Speaker 2: Guess Star four finger discount.
• 0:54
  Speaker 1: Dude, Welcome to this very special bonus review of season
• 1:13
  Speaker 1: thirty seven of The Simpsons. We're doing episode three, which
• 1:16
  Speaker 1: turned out to be Trios of Horror thirty six, I'm Dan.
• 1:19
  Speaker 3: And I'm Guy Woo. Welcome to Spooky Sits. Glad you
• 1:22
  Speaker 3: did that. Well, yeah, we'll see how if we get
• 1:27
  Speaker 3: this out in time for Halloween, which was only a
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  Speaker 3: few days away. But knowing your you know, incredible work
• 1:33
  Speaker 3: ethic and razor sharp editing skills, it'll probably be had
• 1:36
  Speaker 3: in time for Halloween.
• 1:37
  Speaker 1: Which is saying that I try using everyone goes just
• 1:40
  Speaker 1: use AI to edit. It saves you so much time.
• 1:42
  Speaker 1: I tried AI and it was shit. It took me
• 1:45
  Speaker 1: the longer to edit with it because I'm going through it.
• 1:47
  Speaker 1: I had to fix the problems a It's just easy
• 1:49
  Speaker 1: for to do it myself, Okay, I Man.
• 1:51
  Speaker 3: We tend to sort of whenever we talk about AI
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  Speaker 3: on this on the show or any of our shows,
• 1:56
  Speaker 3: it tends to be kind of like, ah, we're worried
• 1:58
  Speaker 3: or FAI. And I get the feeling that the tide
• 2:02
  Speaker 3: is turning in a lot of ways. I think a
• 2:05
  Speaker 3: lot of people are kind of like whether it's high
• 2:07
  Speaker 3: up in business, because you know, everyone was like, oh,
• 2:10
  Speaker 3: he's going to take all their jibs now. A lot
• 2:12
  Speaker 3: of people say, oh wait a minute, it costs AI
• 2:15
  Speaker 3: like six times the cost of humans to actually do
• 2:18
  Speaker 3: the same thing, and it'll often hallucinate or break down
• 2:21
  Speaker 3: or just not do it as well. And then you've
• 2:23
  Speaker 3: also got on a ground level or a more human level,
• 2:25
  Speaker 3: people going, well, wait a minute, you know, shouldn't Ai
• 2:28
  Speaker 3: be doing jobs like, you know, sweeping mind fields and
• 2:30
  Speaker 3: that way we can you know, paint pictures or write
• 2:32
  Speaker 3: poems or some shit like that. And so there's a
• 2:35
  Speaker 3: bit of a backlash against it as well, and on
• 2:38
  Speaker 3: the personal front, Dano's against it. But there we go.
• 2:40
  Speaker 3: I tried it. I was like, nah, this is that easy.
• 2:43
  Speaker 3: This is hard, right, Yeah. I mean I saw some
• 2:44
  Speaker 3: video the other night on YouTube or wherever. But it
• 2:47
  Speaker 3: was clearly one of those things where it's like, oh,
• 2:50
  Speaker 3: Ai is going to do the instant subtitles for me,
• 2:53
  Speaker 3: and all the subtitles not they weren't all wrong, but
• 2:55
  Speaker 3: it's like, that's not how you spell that word, and
• 2:57
  Speaker 3: that's not the grammar for that word, and that's not
• 2:59
  Speaker 3: even the word that and said.
• 3:00
  Speaker 1: And sometimes you watch Netflix and you can tell they
• 3:02
  Speaker 1: just used to auto translate. And I said, Nikola, if
• 3:04
  Speaker 1: you're hearing impaired, you would completely be lost on what's
• 3:08
  Speaker 1: going on because that was completely incorrect.
• 3:09
  Speaker 3: Went for Nicholas said, yeah, I work in that industry. Palso,
• 3:13
  Speaker 3: you you're preacher the Court. That's what I said.
• 3:14
  Speaker 1: I'm like, because my grandmother's death and it's like, if
• 3:17
  Speaker 1: she's watching this, that what they just said is wrong.
• 3:19
  Speaker 3: The whole lot is different now. Absolutely, it's like, what
• 3:22
  Speaker 3: the fuck is going on? But horror? Enough about the
• 3:26
  Speaker 3: real world spooking, Yeah, Simpson's spooking.
• 3:28
  Speaker 1: So this is the latest edition of Trios of Horror, obviously,
• 3:31
  Speaker 1: and I always go on excited for Trios of Horror.
• 3:33
  Speaker 3: I don't know about you, but there's.
• 3:34
  Speaker 1: Always this level of this is going to be at
• 3:36
  Speaker 1: least fun, even if it's going to be fun.
• 3:38
  Speaker 3: And I watched this.
• 3:39
  Speaker 1: We get these episodes now on Tuesdays used to be
• 3:41
  Speaker 1: Wednesdays now a day earlier, so Tuesday, which is pretty
• 3:44
  Speaker 1: much just the day after America, which is great on
• 3:46
  Speaker 1: Disney Plus. And I was ample to watch the first
• 3:48
  Speaker 1: thing in the morning last Tuesday, and I was pretty
• 3:51
  Speaker 1: underwhelmed by it when I first watched it. That's disappointing,
• 3:54
  Speaker 1: I thought, Yeah, I thought last year was also very underwhelming.
• 3:56
  Speaker 1: What happened with me was two years ago. I think
• 3:59
  Speaker 1: it was someone wrote a segment called Simpson's World, which
• 4:01
  Speaker 1: is the one where they go into like a m
• 4:04
  Speaker 1: Mister Rowe, but no West World.
• 4:05
  Speaker 3: West World.
• 4:06
  Speaker 1: Oh yeah, it was an altered reality kind of thing,
• 4:08
  Speaker 1: and it was Simpsons fancy and go visit Springfield and
• 4:11
  Speaker 1: it's all the greatest Simpsons moments and that's right. And
• 4:14
  Speaker 1: I also had the anime parody. It was just the
• 4:17
  Speaker 1: Barbara book is how you say Babaduka? But Marge was
• 4:20
  Speaker 1: the It was really really solid trios of horror and
• 4:23
  Speaker 1: last years was really disappointing. They had that venom thing
• 4:25
  Speaker 1: and it just didn't work for me. This one here,
• 4:27
  Speaker 1: I'm going hopefully they can get back to where they
• 4:29
  Speaker 1: were the before. Didn't really like it, and then I
• 4:32
  Speaker 1: rewatched it, taking some notes, and I enjoyed it more
• 4:35
  Speaker 1: the second time, maybe because I knew what was coming up.
• 4:37
  Speaker 1: I can sort of, you know, relax a bit more.
• 4:41
  Speaker 1: It still wasn't that great. It was it was, it was.
• 4:43
  Speaker 1: I'd give it a B at most.
• 4:45
  Speaker 3: I think I would probably go B minus or a
• 4:48
  Speaker 3: C plus, mainly because I agree with you, I mean
• 4:53
  Speaker 3: in a lot of ways. But what really struck me
• 4:55
  Speaker 3: as like, you guys are showing off your references here,
• 4:58
  Speaker 3: you're showing off we've seen this, we want to poke
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  Speaker 3: fun at that, that kind of thing, and what is
• 5:03
  Speaker 3: a goot an example? Oh look, I mean all through
• 5:05
  Speaker 3: I mean look last Days of Chris Go. I was like, okay,
• 5:07
  Speaker 3: well this is clearly Jaws, but you've also throwing and
• 5:09
  Speaker 3: stuff from the Blob remake and and even the stuff
• 5:13
  Speaker 3: with a Homer and Bart. It's like, well they're doing
• 5:16
  Speaker 3: characters from Smoking in the Bandit is that what it is? Yeah? Yeah,
• 5:19
  Speaker 3: I was like lost. Yeah, so it's and it's got
• 5:22
  Speaker 3: that whole seventies thing about it, which I get. You know,
• 5:24
  Speaker 3: Jewels are seventy five, and Smoking the bandit is seventies
• 5:26
  Speaker 3: six or seventy seven or whatever. The blobbers in the eighties,
• 5:28
  Speaker 3: but it was eighty eight the reboot, I think. So yeah, yeah,
• 5:32
  Speaker 3: it's like, oh, okay, are you showing off that you've
• 5:34
  Speaker 3: seen these things, which is very sort of like currency
• 5:36
  Speaker 3: on the internet or online or whatever's like I know
• 5:39
  Speaker 3: what you did there, Yeah, I see what you're doing.
• 5:41
  Speaker 3: And it felt like the jokes were kind of third
• 5:45
  Speaker 3: or fourth down the line into instead of like, okay,
• 5:49
  Speaker 3: we're going to make fun of this, or we're going
• 5:50
  Speaker 3: to pay tribute to that. Yeah, write some good jokes
• 5:54
  Speaker 3: in there, please.
• 5:55
  Speaker 1: I think what'stood out to me in particular is this
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  Speaker 1: is the first time where I've seen or a long
• 6:01
  Speaker 1: story based around a character who's voice by someone else. Now, yes,
• 6:05
  Speaker 1: and it was just so off putting is off the
• 6:08
  Speaker 1: right term, but I felt a.
• 6:10
  Speaker 3: Little sort of disconcerted. Desert. Apologies for mispronouncing your name, sir.
• 6:16
  Speaker 3: It's spelled desert as in Sahara desert, but it's got
• 6:18
  Speaker 3: an accent on the yes. Apologies.
• 6:21
  Speaker 1: Yea man from Becker We all know he is now
• 6:23
  Speaker 1: the current voice of Lou, And I'm sorry, but it's
• 6:26
  Speaker 1: just not it, you know. I mean all credit to
• 6:29
  Speaker 1: the guy, but I'm sure there are many African American
• 6:32
  Speaker 1: voice actors out there who could nail the Lou voice
• 6:35
  Speaker 1: more so. And it's a shame that there seems like
• 6:37
  Speaker 1: the unnamed talent out there aren't getting chosen over people.
• 6:42
  Speaker 3: Who are relatively well known.
• 6:43
  Speaker 1: Relatively well known, which is a shame I'm watching this
• 6:45
  Speaker 1: going this is it was distracting because it didn't it
• 6:49
  Speaker 1: didn't even sound like he was trying to be Lou.
• 6:51
  Speaker 1: No and if you're going to take over a character.
• 6:53
  Speaker 1: We spoke to Billy West recently. It's going to be
• 6:54
  Speaker 1: coming out in the podcast very soon. He took how
• 6:57
  Speaker 1: he took over did bugs money in Space Jam, he
• 6:59
  Speaker 1: took a and a Stimby, and how he tried to
• 7:02
  Speaker 1: pay tribute to the divisional but also put his slight
• 7:04
  Speaker 1: little spin on it. But this just feels his responsibility
• 7:07
  Speaker 1: was Yeah, his responsibility was to the character more than
• 7:10
  Speaker 1: anything else. But this just feels like it's just a
• 7:12
  Speaker 1: different voice. I mean, at least put a bit of
• 7:14
  Speaker 1: a deeper Yeah, you.
• 7:16
  Speaker 3: Know, that's the thing. I mean, yeah, I mean Lou's
• 7:19
  Speaker 3: always been kind of a peripheral character. I mean, you
• 7:21
  Speaker 3: wouldn't even call him a supporting character in the way
• 7:23
  Speaker 3: that you call maybe Lenny and Carl supporting.
• 7:25
  Speaker 1: I like the choice, if this was like Golden, I
• 7:27
  Speaker 1: wouldn't have minded Lou being the choice to be the
• 7:29
  Speaker 1: chief Bodie say in this story. But it just the
• 7:32
  Speaker 1: voice just was just felt distracting to me.
• 7:34
  Speaker 3: I guess. So, yeah, I mean, I think something I've
• 7:36
  Speaker 3: always liked about Treehouse of Horror is that, you know,
• 7:38
  Speaker 3: the main characters usually be put into the main character Roles.
• 7:42
  Speaker 3: I mean, I understand where you're coming from in terms
• 7:44
  Speaker 3: of like, oh, okay, well this is unexpected twist that, yeah,
• 7:47
  Speaker 3: I mean, and I do play it for a halfway
• 7:49
  Speaker 3: decent gag. That's with Eddie. Oh no, with the star
• 7:52
  Speaker 3: was yeah. Oh and now in charge it is Luke. Yes.
• 7:55
  Speaker 3: Actually I didn't see that coming.
• 7:57
  Speaker 1: My authority and now he's a new chief Eddie, So
• 8:01
  Speaker 1: I thought that was good. But the violence was also
• 8:03
  Speaker 1: quite good throughout this well yeah, I mean the violence
• 8:05
  Speaker 1: is always good in chance, and it feels like now
• 8:08
  Speaker 1: they're more open to just being more gory because there
• 8:11
  Speaker 1: was always deaths in the early ones, but now their.
• 8:14
  Speaker 3: Gory death well we got the thirty sixth this is
• 8:17
  Speaker 3: it Treehouse of Horror. Yeah, I mean, I you remember
• 8:21
  Speaker 3: in the early ones, you'd have March coming out saying
• 8:23
  Speaker 3: maybe a kid shouldn't be watching this or whatever, or
• 8:25
  Speaker 3: you know, be careful or whatever. Yeah, giving that yeah
• 8:27
  Speaker 3: that morning, because I don't think i'd let the kids
• 8:29
  Speaker 3: watch this. Oh no, it's pretty gruesome, it is. Yeah. Yeah,
• 8:33
  Speaker 3: but that's what your without the gore. No, it's what
• 8:37
  Speaker 3: you're there for now, and it's going to become a yeah,
• 8:40
  Speaker 3: Halloween tradition or a Treehouse of Horror Tradition's like, okay,
• 8:43
  Speaker 3: we're going to get a big gory here. If you
• 8:45
  Speaker 3: see it at the right age or whatever, all the
• 8:47
  Speaker 3: wrong age, you might be like, oh my god, that's
• 8:49
  Speaker 3: that's a ska for life, or that's like, oh my god.
• 8:52
  Speaker 3: I still remember when I saw that when I was
• 8:53
  Speaker 3: a kid. But yeah, I think most people are going
• 8:55
  Speaker 3: to be like, okay, well I paid my ticket, I'll
• 8:57
  Speaker 3: take the ride. Yeah.
• 8:58
  Speaker 1: I feel it was a very sort of and my
• 9:00
  Speaker 1: environmentally friendly mantra to this episode as well.
• 9:03
  Speaker 3: Certainly with the with the book ending episodes go on
• 9:07
  Speaker 3: with Plastic World. Yeah, maybe not the Krusty Halloween Special Quiet.
• 9:10
  Speaker 1: Which was my favorite segment of the three. I talk
• 9:14
  Speaker 1: about that in the moment, but yeah, I just thought
• 9:15
  Speaker 1: I'm definitely watching it going. They're trying to preach a
• 9:17
  Speaker 1: little message a little bit. They did it in a
• 9:19
  Speaker 1: way they didn't feel too in your face. I think
• 9:21
  Speaker 1: kids can sort of watch Plastic World because there's too
• 9:24
  Speaker 1: much gore, skin, his head explodes and whatnot, But take
• 9:27
  Speaker 1: the gory out and I think there's a good message there.
• 9:29
  Speaker 3: Oh yeah, we are drowning the planet in plastic.
• 9:31
  Speaker 1: But it's not an original concept. I mean, we've seen
• 9:33
  Speaker 1: Walley Wallly is the same thing.
• 9:34
  Speaker 3: Oh yeah, very much.
• 9:35
  Speaker 1: So yeah, but I really liked this second segment. So
• 9:39
  Speaker 1: what was it called the.
• 9:40
  Speaker 3: Rusty Halloween Special?
• 9:41
  Speaker 1: So it's called the clown Knight with the Devil, which
• 9:43
  Speaker 1: is a takeoff of the Late.
• 9:45
  Speaker 3: Really, I didn't see that title at all.
• 9:48
  Speaker 1: Yeah, I'm not sure if the title was there, but
• 9:50
  Speaker 1: as Cord clown up with the Devil, that's just what
• 9:52
  Speaker 1: they called it.
• 9:53
  Speaker 3: Okay, Yeah, because I just saw the Crusty Halloween Special
• 9:55
  Speaker 3: and in like a sign because with last Days a Crisco,
• 9:59
  Speaker 3: they had it on the Cinema Marquee and that, and
• 10:01
  Speaker 3: so when I saw that, I thought, oh is this
• 10:04
  Speaker 3: the tail? And yeah, so not that interesting.
• 10:06
  Speaker 1: But it's called clown Night with the Devil, which is
• 10:08
  Speaker 1: I take off Late Night Devil. That's what I've never
• 10:10
  Speaker 1: seen Late Night in the Devil. It's been recommended to me.
• 10:13
  Speaker 1: But it's a similar kind of concept to this.
• 10:15
  Speaker 3: Right, and it is indeed, and it's the physical media
• 10:18
  Speaker 3: release is brought to you from our friends at Umbrella Entertainment.
• 10:20
  Speaker 3: Is it a good movie?
• 10:21
  Speaker 1: It's not a bad movie. Yeah, yeah, and it's pretty good.
• 10:24
  Speaker 1: Is this a Australian mate? Is this a parody of
• 10:27
  Speaker 1: that concept?
• 10:28
  Speaker 3: It is?
• 10:28
  Speaker 1: Yeah, it's very similar from beginning to end. That's pretty
• 10:33
  Speaker 1: much pretty much.
• 10:33
  Speaker 3: Yeah. Yeah. The concept of Late Night with the Devil
• 10:36
  Speaker 3: is it's a live late night talk show hosted by
• 10:40
  Speaker 3: this guy whose career is kind of on the skids
• 10:42
  Speaker 3: a little bit. He's like, Okay, we're having a Halloween special.
• 10:45
  Speaker 3: I'm gonna have a seance live on air. I'm gonna
• 10:46
  Speaker 3: have all manner of spooky stuff. But it's also like
• 10:49
  Speaker 3: found footage of like we found footage from behind the
• 10:52
  Speaker 3: scenes of that Fateful night on that talk show whatever.
• 10:55
  Speaker 1: Kinde of my favorite moments. It's just al but as
• 10:57
  Speaker 1: the voice of Satan, going found footage into the Netflix always.
• 11:01
  Speaker 3: Good when you've got interest doing voice was Yes, we're a.
• 11:04
  Speaker 1: Stringer bell as Satan. I thought was great. Now we're
• 11:06
  Speaker 1: discussing off air. There was one guest voice, because it
• 11:09
  Speaker 1: was all the guest voice in this one that stood
• 11:10
  Speaker 1: out to me. I think it's just because I watched
• 11:12
  Speaker 1: A House of Dynamite and it's just maybe he's just
• 11:13
  Speaker 1: in my mind. It's just I was always on my mind.
• 11:15
  Speaker 1: But misinter was going, is.
• 11:17
  Speaker 3: That Elber it is? It is? Yeah, I think for me.
• 11:21
  Speaker 1: For me, what I like the most about that second
• 11:23
  Speaker 1: segment Clanut with the Devil was just the animation, the
• 11:26
  Speaker 1: way they obviously playing on a nostalge for kids whorew
• 11:28
  Speaker 1: up in the nineties. But you're watching it and you go,
• 11:30
  Speaker 1: if you took this out of this Triosa of Horror
• 11:32
  Speaker 1: and just put this in Trios of Horror at nine,
• 11:35
  Speaker 1: it would feel the way they captured the nineteen ninety
• 11:39
  Speaker 1: five vibe I thought was really cool.
• 11:40
  Speaker 3: No, they did a good job with that. Absolutely, and again,
• 11:43
  Speaker 3: like last day as at Chrisco, it's more than a
• 11:46
  Speaker 3: Late Night with the Devil. Have you seen the movie? Nope?
• 11:49
  Speaker 3: Do you know that one by I know the movie
• 11:51
  Speaker 3: you haven't. Yeah, all the stuff with I guess it's
• 11:54
  Speaker 3: mister Teeney and there's some him going a bit a
• 11:56
  Speaker 3: bit wild, Yeah, ripping off faces. Yeah, that's directly lifted
• 11:59
  Speaker 3: from my only face, directly lifted from No. But it's like, oh,
• 12:04
  Speaker 3: chimps running wild. I mean I've said there's many times,
• 12:07
  Speaker 3: like several nightmares I can tell Oh, yeah, they don't
• 12:09
  Speaker 3: play fair, they fight dirty. So yeah, there's a.
• 12:13
  Speaker 1: Bit of that, and then rough Wigan obviously becomes He's
• 12:16
  Speaker 1: just sort of like a vessel, isn't in the end
• 12:18
  Speaker 1: do anything?
• 12:18
  Speaker 3: It just gets killed.
• 12:20
  Speaker 1: Yeah, but a good twist at the end as well
• 12:22
  Speaker 1: with I like that from him and it points to
• 12:25
  Speaker 1: the manager managers like I only made the deal with
• 12:28
  Speaker 1: the TV special no him, and it burns a circle
• 12:30
  Speaker 1: and it's great reveal of it being But I just
• 12:32
  Speaker 1: really enjoyed the second segment, and the third one was
• 12:34
  Speaker 1: obviously the Plastic World, which is the story of that
• 12:37
  Speaker 1: is essentially we're ruining the world with plastic as a
• 12:40
  Speaker 1: mad Max.
• 12:41
  Speaker 3: It's a bit of a yeah you mentioned Wally before.
• 12:43
  Speaker 3: It's a bit of a horror take or a bit
• 12:45
  Speaker 3: of a post apocalyptic, a mash up of say Furiosa
• 12:48
  Speaker 3: or Fury Road.
• 12:49
  Speaker 1: And Wally apparently water World as well on a bit
• 12:52
  Speaker 1: of water World in this. I've never seen water World.
• 12:53
  Speaker 1: I've been told not to bother with water World.
• 12:55
  Speaker 3: What's fine?
• 12:56
  Speaker 1: Really isn't the movie that ruined Kemocrossas Simpsons told me
• 13:00
  Speaker 1: across his career.
• 13:01
  Speaker 3: Costa was really flying high in the early nineties, could
• 13:04
  Speaker 3: do nothing wrong. Ah, this is post that Tin Cup
• 13:07
  Speaker 3: was after was after Water War? Really yeah. Yeah, but
• 13:10
  Speaker 3: say let's go from eighty nine Wolves. Yeah you got
• 13:13
  Speaker 3: Field of Dreams, dancing with Wolves, Robin to Prince at
• 13:15
  Speaker 3: Thee and the Bodyguard, which was a huge hit. Of
• 13:19
  Speaker 3: course if the Bodyguard, Yeah, and there's something else in there,
• 13:22
  Speaker 3: I'm sure. But then it's like, oh know, okay, I'm
• 13:25
  Speaker 3: gonna make this post apocalyptic action movie. Set it on
• 13:28
  Speaker 3: the water, and making movies on waters not easy. And
• 13:32
  Speaker 3: he's like, no, it's gonna be great. It gonna be great.
• 13:35
  Speaker 3: And the budget just sort of went up when up
• 13:37
  Speaker 3: went up, and it was just a perfectly okay action movie.
• 13:41
  Speaker 3: And yeah, but everyone was like, oh, Kevin, you flew
• 13:43
  Speaker 3: too close the sun, buddy, and you blew all there's money,
• 13:47
  Speaker 3: and look, I think it's made its money back over
• 13:49
  Speaker 3: the time. And it's yeah, it's certainly not terrible.
• 13:51
  Speaker 1: It's a great stunt show. I believe it somewhere it
• 13:54
  Speaker 1: does a sun show. Apparently it's still awesome to this day.
• 13:56
  Speaker 3: Yeah. But because it wasn't an automatic hit on the
• 14:00
  Speaker 3: in the vein of everything else that he had done before,
• 14:01
  Speaker 3: it's like, oh, he's lost it.
• 14:03
  Speaker 1: Okay, they do make the joke on The Simpsons where
• 14:05
  Speaker 1: he's playing the water World game it takes two steps.
• 14:07
  Speaker 1: It's like insert more quarters. It's like, yeah, the budget,
• 14:09
  Speaker 1: that's Itah. But yeah, so I would give this. I'd
• 14:11
  Speaker 1: give it a B. I think I just I really
• 14:13
  Speaker 1: like the second segment after rewatching it. The first time
• 14:15
  Speaker 1: I watched it, I was like, I don't know what
• 14:17
  Speaker 1: you're going for here, and then learning about it being
• 14:20
  Speaker 1: a parody of Late Night with the Devil or something,
• 14:22
  Speaker 1: I was like, Okay, at least appreciate what you're going
• 14:24
  Speaker 1: for there. Plus, the world was fine, it just felt
• 14:27
  Speaker 1: very I don't know what would you call.
• 14:29
  Speaker 3: It just felt there.
• 14:32
  Speaker 1: Yeah, the animation was kind of weird as well, so
• 14:34
  Speaker 1: it's basically like two D animation on.
• 14:36
  Speaker 3: With a bit of three D. Three D. Yeah. Well,
• 14:38
  Speaker 3: I admired the looks of these more than it. I
• 14:40
  Speaker 3: thought they were all very well put together, and Simpsons
• 14:44
  Speaker 3: looks the best it's ever looked. Now. Sure, Yeah, I
• 14:46
  Speaker 3: think I really admired or really appreciated everything that sort
• 14:49
  Speaker 3: of went int themes like Okay, oh we're gonna throw
• 14:51
  Speaker 3: in a bit of this and a bit of that.
• 14:52
  Speaker 3: It's going to look fantastic. It's like I would have
• 14:55
  Speaker 3: traded maybe thirty percent of that for thirty percent more
• 14:57
  Speaker 3: just cool jokes or fucking joke or yeah. I mean,
• 15:02
  Speaker 3: it just felt more like you get this as opposed
• 15:05
  Speaker 3: to boom. Yeah, the wait Zinger is here, no, no,
• 15:10
  Speaker 3: but as what you said about Plastic World being just there.
• 15:13
  Speaker 3: I mean, I've taken I know, notes lots of points
• 15:17
  Speaker 3: about the first two, not many about Plastic World. It's like,
• 15:21
  Speaker 3: what can you really say about this?
• 15:23
  Speaker 2: He my favorite?
• 15:25
  Speaker 3: All right, well, do you have any favorite moments in episode? Yeah? Well,
• 15:28
  Speaker 3: I mean from Last Days of Chris. I just I
• 15:30
  Speaker 3: think it's really the first indication that they're doing Jaws
• 15:32
  Speaker 3: is when you see Quimby for the first time. He's
• 15:34
  Speaker 3: wearing May of Vaughan's anchor suit. I thought that was
• 15:36
  Speaker 3: pretty funny. Are you also MOA's quint in this that's right?
• 15:40
  Speaker 3: Calling him a turd Monger's like, that's pretty ballsy. Also,
• 15:45
  Speaker 3: there's a that famous shot in Jaws where they zoom
• 15:48
  Speaker 3: in but dolly out. Yeah, dolly zoom that's bad. So yeah,
• 15:56
  Speaker 3: like that very much. What do you think of the wife?
• 15:59
  Speaker 1: I didn't the wife her occurring bit the Buttle last
• 16:03
  Speaker 1: mile was like, you're trying to make this something.
• 16:05
  Speaker 3: Yeah, okay, you're making a payoff. But it's like when
• 16:10
  Speaker 3: you're at the Earth Casino, I was like, oh, I
• 16:11
  Speaker 3: didn't get the jack, but I got like maybe like
• 16:14
  Speaker 3: five coin. Yeah, it's not not a huge payoff.
• 16:17
  Speaker 1: So are they trying with that joke? Is she the
• 16:20
  Speaker 1: writer of that segment? I will say her name now
• 16:23
  Speaker 1: because she deserves to be mentioned. It is Brotie Gupter,
• 16:26
  Speaker 1: Brodie Gupter. Is she trying to take the mickey out
• 16:29
  Speaker 1: of Chief Brodie's.
• 16:30
  Speaker 3: Wife in Jaws? She doesn't seem nonchalant about the you know,
• 16:34
  Speaker 3: she's all well when she sort of sees the in Jaws,
• 16:37
  Speaker 3: when she sees the book and sees the sharking like
• 16:39
  Speaker 3: get out of the water.
• 16:39
  Speaker 1: Now, yeah, yeah, No, I mean she's very like I
• 16:42
  Speaker 1: guess she is like my spirit animal. She's just like
• 16:45
  Speaker 1: want to get drunk and fall around. I'm like, what
• 16:46
  Speaker 1: a woman, Oh.
• 16:48
  Speaker 3: What a leader. I guess she's meant to be more
• 16:51
  Speaker 3: like the traditional sort of your traditional CoP's wife is
• 16:55
  Speaker 3: like you work too hard? You know that bit in
• 16:57
  Speaker 3: South Poker, you're a good cop. Parison yeats or something
• 16:59
  Speaker 3: like that. Maybe I didn't really sort of add up
• 17:02
  Speaker 3: too much. Yeah, I've written down in my Last days
• 17:05
  Speaker 3: of Christ. Didn't get it. I wonder if that's what
• 17:08
  Speaker 3: I'm talking about when I say that I normally am
• 17:10
  Speaker 3: a big sucker, as you know, for horrified children in
• 17:14
  Speaker 3: you know, and particularly when I would say none to
• 17:16
  Speaker 3: the kindergarten stup. But he's already dummy you love, isn't it.
• 17:21
  Speaker 3: And what does Krusty call his It's alphons, right, yeah,
• 17:26
  Speaker 3: and gets kicked into the smashed in heads. It's that
• 17:30
  Speaker 3: moving to the side. Yeah, so I've written the man
• 17:35
  Speaker 3: I'm generally not. I'm normally all for horrified kids, And
• 17:38
  Speaker 3: in this one it's going like, oh, they're okay, but
• 17:39
  Speaker 3: the little girls saying, well the face go to heaven.
• 17:42
  Speaker 3: I thought that was funny. I was like always sad.
• 17:46
  Speaker 3: So they're probably my favorite moments out.
• 17:48
  Speaker 1: Of this episode. Yeah, so you've had a couple of mine.
• 17:50
  Speaker 1: I like the dolly zoom bit from the second segment.
• 17:53
  Speaker 3: I liked that.
• 17:54
  Speaker 1: I also liked my mom mentioned it before my face
• 17:56
  Speaker 1: my old face, and from the last one wasn't really
• 18:00
  Speaker 1: too much, but I did like a background gag and
• 18:02
  Speaker 1: it said sugar was on the shelf for Hinder and
• 18:05
  Speaker 1: then next to it said it's sugar Comma free donuts
• 18:08
  Speaker 1: as opposed to.
• 18:11
  Speaker 3: No money. Dawn.
• 18:12
  Speaker 2: Next question, you there eating the beast.
• 18:15
  Speaker 1: All right, trivia time. My first question for you is
• 18:18
  Speaker 1: what brand of Greece I can see you've already got it.
• 18:22
  Speaker 3: Grandma Slicks makes the first appearance in the last as
• 18:25
  Speaker 3: a Crisco. It makes a cameo appearance in Plastic World.
• 18:27
  Speaker 3: It does.
• 18:28
  Speaker 1: Yes, Grandma Slicks pure frying lard. What's your next question?
• 18:31
  Speaker 3: Who is the maker of the Texas Hatsmacker and where
• 18:34
  Speaker 3: are they located? I knew you're going to ask that.
• 18:36
  Speaker 3: It says on the side of it when they make
• 18:37
  Speaker 3: it New Hampshire. Uh No, it is made by Hattapolt
• 18:42
  Speaker 3: Industries in Trenton, New Jersey.
• 18:44
  Speaker 1: New Jersey. Damn new something. My next question for you
• 18:47
  Speaker 1: is what does Herman's Military now have his antique store
• 18:50
  Speaker 1: now have in the seventies?
• 18:51
  Speaker 3: Oh gosh, that's a really good question.
• 18:53
  Speaker 1: At the start of the first segment, he's discussed who's
• 18:56
  Speaker 1: riding bus and his.
• 18:57
  Speaker 3: Roller skates or bades? Okay, well, stuff to do with Vietnam.
• 19:01
  Speaker 3: I'm guessing yeah, Vietnam War. So plus that was really lucky. Guess.
• 19:07
  Speaker 3: I really only one more question because you stole gram
• 19:09
  Speaker 3: must lick from me, that's all right? Mel, was with
• 19:14
  Speaker 3: which improv group?
• 19:16
  Speaker 1: Groundings? Yeah, we have a Groundlings Sunday. I thought there
• 19:21
  Speaker 1: was only one Groundings. I just I was like, I
• 19:24
  Speaker 1: missed it. I was like, Groundings will do?
• 19:27
  Speaker 3: It was Groundings Sunday Company.
• 19:29
  Speaker 1: Sunday Company. My final question for you is sideshow Mel
• 19:31
  Speaker 1: as well. What was the segment called that he was
• 19:35
  Speaker 1: maimed in?
• 19:36
  Speaker 3: Oh? Was it the Juxtus arrect? Yes, and it's like
• 19:39
  Speaker 3: they're poor chimp on green pies that they bought chim.
• 19:42
  Speaker 1: I also didn't mind, but did I do that? Which
• 19:46
  Speaker 1: is a reference that kids today would have no idea
• 19:48
  Speaker 1: what's going on? That's just disappeared that show. Really, it's
• 19:51
  Speaker 1: not on any streaming services.
• 19:54
  Speaker 3: Shall we say it's name outloud? What is it? Oracle?
• 19:57
  Speaker 3: Like Oracle? But the thing is call is not mentioned
• 20:01
  Speaker 3: anywhere anymore? Right? Not really? No? I mean Juliel White,
• 20:04
  Speaker 3: the actor who played it well occasionally sort of pop up.
• 20:06
  Speaker 3: He's a grown man.
• 20:07
  Speaker 1: It was the voice of Sonic the Hedghog in the
• 20:09
  Speaker 1: animated series.
• 20:10
  Speaker 3: Really hopefully he's, you know, as I like to say,
• 20:14
  Speaker 3: sitting on a beach, early twenty percent between Sonic money
• 20:16
  Speaker 3: and Erkle money. I don't think he's probably be no
• 20:19
  Speaker 3: Erkle moneycause there's no there's no no residual. Yeah, Jiliel White,
• 20:25
  Speaker 3: what is he doing now? I'm sure he's going on Instagram?
• 20:27
  Speaker 3: Everyone's going on Instagram? Right, yeah? Or did he? He's
• 20:30
  Speaker 3: got nearly a million follows on Instagram? Go ahead, good
• 20:33
  Speaker 3: for you, Juliel. Yeah, did he start his own brand
• 20:36
  Speaker 3: of something? It was either like he's got a podcast
• 20:39
  Speaker 3: I want to take get out of here, Julia, you
• 20:42
  Speaker 3: got take back some of the nice things I said
• 20:44
  Speaker 3: about it.
• 20:45
  Speaker 1: He started out now new podcast alert everybody likes it's called.
• 20:49
  Speaker 3: Can he start his own weed brand or something? Did he?
• 20:51
  Speaker 3: I mean probably? I remember reading something like Erkle's starting that.
• 20:55
  Speaker 3: Good for him.
• 20:56
  Speaker 1: So it's just yeah, him talking this a podcast. He's
• 20:59
  Speaker 1: with Gene Wilder there, Oh, then his daughter. I'm assuming
• 21:02
  Speaker 1: I'm assuming this was a while back with it. It
• 21:04
  Speaker 1: was with gen Wilder. His daughter just turned sixteen. All right,
• 21:09
  Speaker 1: it's just chat living his life. He's living his best,
• 21:12
  Speaker 1: living his bestly. It looks like his podcast is doing
• 21:14
  Speaker 1: really well. He's got some pretty big names on that.
• 21:17
  Speaker 3: He is OK after all, Julia, if you want to
• 21:19
  Speaker 3: come on one of the full finger discountancy what he says, yeah, absolutely,
• 21:23
  Speaker 3: or he want us to appear on your show. This
• 21:24
  Speaker 3: is the thing. The worst I can say is just
• 21:26
  Speaker 3: no or just who dis Oh yeah, but you know,
• 21:30
  Speaker 3: did I take that personally? I did not take it personally.
• 21:32
  Speaker 1: All right, let's get into our review, shall we of
• 21:35
  Speaker 1: Triosphara thirty seven Oh my God, that originally aired last
• 21:38
  Speaker 1: week As we record this Octoban nineteenth, twenty twenty five,
• 21:41
  Speaker 1: production code three six A B F one five, written
• 21:45
  Speaker 1: by the first segment of the Last Days of Chris Go
• 21:47
  Speaker 1: Brodie Gupta, the second seventh clown Knight with the Devil
• 21:49
  Speaker 1: by Michael Price, our man Michael Price, and third was
• 21:52
  Speaker 1: Plastic World by Dan Grainey, who's been with the show
• 21:55
  Speaker 1: since like season seven.
• 21:56
  Speaker 3: I believe Wow.
• 21:57
  Speaker 1: I think he left for a while then he came back.
• 21:59
  Speaker 1: But the guests include so Wayne the Grip who was
• 22:01
  Speaker 1: Wayne the Grip.
• 22:03
  Speaker 3: He's the one who said I better get a smoke
• 22:04
  Speaker 3: break for this. I think he's the one who shot
• 22:06
  Speaker 3: mister teeney Ah, that's Ike Baron Baronholks who he is
• 22:11
  Speaker 3: on Speaks Panicles. Yeah, he's on nobody wants Oh, I know, No,
• 22:17
  Speaker 3: I'm thinking I'm thinking of another actor entirely forget I
• 22:19
  Speaker 3: said that. Okay, but I Baron Holt's been a bunch
• 22:21
  Speaker 3: of that. He was in those The Neighbors movies, the
• 22:24
  Speaker 3: Bad Neighbors movies. I am seth Rogen. Yeah, hey, I
• 22:27
  Speaker 3: believe he is currently filming a movie where he's playing
• 22:30
  Speaker 3: Elon Musk and he sort of looks a bit of elonish. Yeah.
• 22:34
  Speaker 1: Viral Davis was in Plastic World. She was the narrator
• 22:36
  Speaker 1: and the plastic Maggie Simpson. It is alb as we
• 22:38
  Speaker 1: mentioned earlier, was the Devil. Matt Groening, as himself in
• 22:41
  Speaker 1: the opening said we were talking about in just a
• 22:42
  Speaker 1: moment now, Michael Keaton was hol Julian. Who was Hal Julian.
• 22:47
  Speaker 3: When I was looking this up, I was like, first
• 22:49
  Speaker 3: of all, I did not know Michael Keaton was in
• 22:50
  Speaker 3: this episode, and secondly, like, you who is Hel Julian?
• 22:53
  Speaker 3: Hel Jillian is the agent of Krusty? Ah it did?
• 22:58
  Speaker 3: I mean? I guess Michael Kitten's got a kind of
• 23:00
  Speaker 3: distinctive voice, although generally it's it's how Julian in any
• 23:04
  Speaker 3: other episode, No, that's the only one that to look
• 23:06
  Speaker 3: it up. To the JYM, they said that Michael Keaton
• 23:08
  Speaker 3: hasn't of course, appeared on The Simpsons before in pokem Mom.
• 23:12
  Speaker 3: I believe it is the title of the episode, but
• 23:13
  Speaker 3: this is his second time, but yet playing a different character.
• 23:15
  Speaker 3: I don't think how Julian has been on the sentence
• 23:17
  Speaker 3: before and certainly not voiced by Michael Keaton.
• 23:19
  Speaker 1: One thing I will say about all this, besides the
• 23:21
  Speaker 1: viol Davis obviously, I like that they're getting big name
• 23:24
  Speaker 1: guest does on again and not just having them play themselves.
• 23:27
  Speaker 1: It's like they've realized, oh, we don't need to try
• 23:29
  Speaker 1: and tell you who this person is anymore. Well, we
• 23:31
  Speaker 1: can get a guest star on and just have wanted
• 23:34
  Speaker 1: to do a play a character.
• 23:35
  Speaker 3: Or if you're like me, though, he will have to
• 23:36
  Speaker 3: get onto Wikipedia. Michael Keaton was in there.
• 23:38
  Speaker 1: That's a good thing though, right it is. I mean,
• 23:41
  Speaker 1: would you have known that Dustin Hoffman was in the
• 23:44
  Speaker 1: Mister Bergham episode back in the day, because he didn't
• 23:46
  Speaker 1: even come up as miss as dust I think.
• 23:48
  Speaker 3: I would have because I think his delivery of lines
• 23:52
  Speaker 3: is very distinctive and his voice is pretty distinctive. Yeah,
• 23:54
  Speaker 3: and Michael Keaton's usually is as well, but for some reason,
• 23:57
  Speaker 3: I just didn't tweak this time.
• 23:58
  Speaker 1: This is a good performance, really, I guess, So yeah, yeah, yeah.
• 24:01
  Speaker 1: This show is brought to you by the four Finger
• 24:02
  Speaker 1: Discount Patreon, where you'll find over one hundred hours of
• 24:06
  Speaker 1: bonus podcasts, including exclusive Simpsons reviews and commentaries, as well
• 24:10
  Speaker 1: as exclusive episodes of Going Down to South Park, Tales
• 24:13
  Speaker 1: of Futurama, Bob's Pods, Speaking of the Hill, Talking Sifould,
• 24:18
  Speaker 1: the One About Friends, and so much more. So go
• 24:20
  Speaker 1: ahead and join the family today at patreon dot com
• 24:24
  Speaker 1: slash four Finger Discount. All right, so yeah, that is
• 24:27
  Speaker 1: the guest stars. Now the episode kicks off with the
• 24:31
  Speaker 1: catch game, a guest couch gag. Right, it's called America
• 24:34
  Speaker 1: the Beautiful? What is actually called? And it was by
• 24:37
  Speaker 1: Stan Kelly of The Onion.
• 24:38
  Speaker 3: Yes, you know, Stan cut has become well known mainly,
• 24:42
  Speaker 3: and I guess the animation style that's presented in this
• 24:46
  Speaker 3: opening has become well known mainly because of one frame
• 24:49
  Speaker 3: or that something that's been sort of repurposed as a meme,
• 24:51
  Speaker 3: which is you've got the person that wein no going yes, yes,
• 24:54
  Speaker 3: and it's like he's got so anytime. As a name
• 24:59
  Speaker 3: for it's from twenty fifteen. Yeah, yeah, it's called painful
• 25:04
  Speaker 3: Procepure Yeah. Yeah, where it's basically conservative people sitting inside
• 25:09
  Speaker 3: it's like, oh my god, everything on TV is like
• 25:11
  Speaker 3: shocking and terrible, all this perversions coming into everything, and
• 25:14
  Speaker 3: you've got people outside going yeah that's right, Oh no,
• 25:16
  Speaker 3: no no. But in that it's it says, are you
• 25:19
  Speaker 3: talking about painful procedure or the thing on the the
• 25:22
  Speaker 3: paid for procedure?
• 25:23
  Speaker 1: Yeah, because in painful procedure, what actually happens is they're
• 25:26
  Speaker 1: looking at the TV and the Cops Show says the
• 25:29
  Speaker 1: tagline is if drugs were legalized, Oh that's right, and
• 25:32
  Speaker 1: the Cops Show is just like sorry, guys, no more
• 25:34
  Speaker 1: show anymore. So like these people have no more network
• 25:36
  Speaker 1: TV because drugs are legalized.
• 25:37
  Speaker 3: Yeah, so it's a bit different, sorry, ma, stafy time.
• 25:40
  Speaker 1: Yeah, but here this one here is just a patriotic
• 25:43
  Speaker 1: family says, because what's I say. In the original one,
• 25:45
  Speaker 1: it says says like honest family stuff on their shirts.
• 25:47
  Speaker 3: What does it say honest viewers, honest viewers, innocent Kidsah yeah, yeah,
• 25:52
  Speaker 3: well this one here says on the dad's shirt says
• 25:54
  Speaker 3: on a citizens, loving parents, innocent kids. And they gets
• 25:57
  Speaker 3: it's also got the statue of Liberty crying.
• 25:59
  Speaker 1: As okay, yeah, we'll get scared by the Ghuls coming
• 26:02
  Speaker 1: from the woods and they are trade wars pronouns, which
• 26:04
  Speaker 1: I thought was Conny and the Measles outbreak. They run
• 26:06
  Speaker 1: in to watch America's only safe space network television. They
• 26:09
  Speaker 1: turn the TV to show The Simpsons, which is referred
• 26:11
  Speaker 1: to as a thirty seven year old TV show with
• 26:13
  Speaker 1: Matt Groenie outside in the window with the network, I
• 26:16
  Speaker 1: think we'll create a sickos on the honey shirt playing
• 26:19
  Speaker 1: up that that onion bit. Yeah, as you're saying, if
• 26:22
  Speaker 1: you know what it is, it's not bad, it's pretty Yeah.
• 26:24
  Speaker 3: I mean, as we've said when we have very treous
• 26:27
  Speaker 3: of horrory though, I mean it's the horror again. Like
• 26:30
  Speaker 3: I said, it's a lot of like we're up to date, guys.
• 26:33
  Speaker 3: You know, we're keeping keeping pace with the zard guys.
• 26:36
  Speaker 3: We said that about the I guess the first episode
• 26:39
  Speaker 3: of season thirty seven as well, it's like, well, this
• 26:41
  Speaker 3: feels like, you know, the Simpsons in modern times, and
• 26:45
  Speaker 3: I think we really appreciated that. So I mean, you've
• 26:47
  Speaker 3: got to give them a shout out for this. It's like, Okay,
• 26:50
  Speaker 3: this is what the kids are into. Well, this is
• 26:51
  Speaker 3: what is in you know, the current sort of consciousness
• 26:55
  Speaker 3: that Sickos meme is everywhere. Yeah, yeah, I mean that's
• 26:57
  Speaker 3: always used when it's like, really shouldn't be liking this,
• 27:01
  Speaker 3: but I do. For the Sickos. Yeah, I was like,
• 27:03
  Speaker 3: I approve.
• 27:06
  Speaker 1: I really wish that one year though, they just go
• 27:08
  Speaker 1: back to that classic Treouse of Horror opening theme and
• 27:11
  Speaker 1: just going through the graveyard because it used to be
• 27:12
  Speaker 1: on the gravestones.
• 27:13
  Speaker 3: Sure.
• 27:14
  Speaker 1: Yeah, it would say things that are dying. I remember
• 27:17
  Speaker 1: it said TV violence brought holes, blood polls out there.
• 27:19
  Speaker 1: So I'd love for want to go back just for
• 27:21
  Speaker 1: a bit of a nostalgia there. But the first act
• 27:23
  Speaker 1: is called the Last Day of Crisco. Indeed, it's in
• 27:26
  Speaker 1: the seventies disco. Stu is loving life. He's on his
• 27:28
  Speaker 1: roller skates, He's riding past the ASSEC Theater which is
• 27:31
  Speaker 1: showing us at the title of the of the segment
• 27:33
  Speaker 1: isn't it.
• 27:33
  Speaker 3: Yeah. Yeah, again, Sorry I'm putting my movie Nerd Hatter
• 27:36
  Speaker 3: here on here, but I mean that whole thing is
• 27:38
  Speaker 3: kind of a play on Boogie Nights as well. Boogie
• 27:40
  Speaker 3: Nights opens with yeah with the title of the movie
• 27:43
  Speaker 3: on a cinema marquee, and there's a bit of a
• 27:45
  Speaker 3: one shot through and set the seventies. Yeah, and set
• 27:47
  Speaker 3: in the seventies and roller skates as well.
• 27:49
  Speaker 1: So yeah, they're like with disco stew wasn't nude like
• 27:51
  Speaker 1: other Graham correct, but oh god, but he's riding past
• 27:58
  Speaker 1: doors like just lava lamps. As we were saying earlier,
• 28:00
  Speaker 1: Herman's Military Antiques now has sour plus from Vietnam War. Now,
• 28:04
  Speaker 1: note here this is the first time that we see
• 28:06
  Speaker 1: Sophia Mussolini, which is Luanne van Holton's mother, the younger
• 28:09
  Speaker 1: version of her in Springfielduse we've seen her in Italy
• 28:11
  Speaker 1: when she's older, but she's walking here with Luyen van Holton,
• 28:16
  Speaker 1: not Van Luen. Yeah, Missolini, yes, which is younger. The
• 28:19
  Speaker 1: thing is, though, the timelinees all over the joint because
• 28:22
  Speaker 1: Jimbo and and Seanna are like right next to her.
• 28:26
  Speaker 3: What is going on here?
• 28:28
  Speaker 1: But he goes to Lad Lad Donuts, which is also
• 28:31
  Speaker 1: dressed like the seventies. He's got syeburns and whatnot, very
• 28:34
  Speaker 1: much like what say season six of mad Men? When
• 28:37
  Speaker 1: do they get the big sideburns in mad Men at
• 28:39
  Speaker 1: the end, wasn't it?
• 28:40
  Speaker 3: It was? Yeah, they were a rock approach in the seventies.
• 28:43
  Speaker 3: He can we could not rock those sideburns. He looked horrific.
• 28:46
  Speaker 3: I got to give a shout out to either. I'd
• 28:49
  Speaker 3: like to think that the act of it's been some cathars. Alright,
• 28:51
  Speaker 3: who played Pete Campbell? I think so, I think that's
• 28:54
  Speaker 3: you interview him, didn't hed no, no, But when I
• 28:57
  Speaker 3: interviewed Matthew, Matthew Winer, that's w Yeah. It was saying
• 29:00
  Speaker 3: it's like I thought I was being very deep, saying,
• 29:02
  Speaker 3: you know, we all think we're don Draper. Were all
• 29:04
  Speaker 3: really Pete? Oh yeah, we all are. Yeah. Yeah. But
• 29:08
  Speaker 3: whether he is an actor said I think we should
• 29:10
  Speaker 3: go this way with Pete or the people behind the
• 29:12
  Speaker 3: scenes said we're going this way with Pete. Yeah. The bolding, yeah,
• 29:16
  Speaker 3: the balding thing and just yeah, putting a little bit
• 29:18
  Speaker 3: of extra weight. It's like this is probably what this
• 29:19
  Speaker 3: guy would do I mean not necessarily, not necessarily that
• 29:24
  Speaker 3: his hair would fall out, but it's like this is
• 29:26
  Speaker 3: the way things will go. I mean, Don Draper stays
• 29:28
  Speaker 3: Don Draper from episode one to episode end. But other
• 29:33
  Speaker 3: people's like, yeah, he put on a little weight, hairline receipt.
• 29:36
  Speaker 3: It doesn't know how good he's really got at arme
• 29:37
  Speaker 3: happens for the best of it. Mary Alison Brie. What
• 29:40
  Speaker 3: a lord? That guy on the show. He's married to
• 29:45
  Speaker 3: Alison Bree. In real life he was married to Rory Gilmore. Really,
• 29:49
  Speaker 3: let's split it now.
• 29:50
  Speaker 1: We've been watching with watching it now, we've sort of
• 29:53
  Speaker 1: got a bit over it. Body of Proof Oh yeah,
• 29:56
  Speaker 1: and it got the with Dina Deleni. Yeah, but it's
• 29:58
  Speaker 1: like the wee be like science guy with the glasses.
• 30:01
  Speaker 1: He was married to the redhead from mad Men.
• 30:03
  Speaker 3: Oh my gosh, oh yeah that's right. Was like, what
• 30:06
  Speaker 3: the fuck?
• 30:07
  Speaker 1: Oh, because she guest starred on on Body of Proof
• 30:09
  Speaker 1: and Nicholas like, man, those guys are just a mismatch.
• 30:12
  Speaker 1: There's no way he's The joke is this guy could
• 30:14
  Speaker 1: ever have her? And I was like, I know, right,
• 30:15
  Speaker 1: who was she married to?
• 30:17
  Speaker 3: What? What the fucking Mallace I'm pretty sure when mad
• 30:21
  Speaker 3: Man was out inside, everyone was like, oh, everybody loves
• 30:24
  Speaker 3: Joan Holloway. Oh what does she single? Then, guy like,
• 30:30
  Speaker 3: what is going on?
• 30:31
  Speaker 1: Gives us all hope, right, gave us I've got my
• 30:34
  Speaker 1: my red head, but gave us all.
• 30:38
  Speaker 3: How we're going onto this? Oh that's right there.
• 30:40
  Speaker 1: But Wigan was investigating the theft of the grease. Didn't
• 30:44
  Speaker 1: take anything else but the grease that they cooked the
• 30:46
  Speaker 1: donuts in. He tastes the primo stuff out of the drain.
• 30:48
  Speaker 1: We can hear there's something down the drain and it's
• 30:51
  Speaker 1: the fat bird and it drags him down the drain,
• 30:53
  Speaker 1: doesn't quite pull him in, thinks the crisis is over
• 30:54
  Speaker 1: and gets the plunger and plunges him down.
• 30:56
  Speaker 3: That's straight out of the blob, so it is correct.
• 30:59
  Speaker 1: Yeah, now, fat bird, that burg's a real baby apparently.
• 31:02
  Speaker 1: So yeah, living in the.
• 31:03
  Speaker 3: Sewers, about living the sewers really just making life unpleasant
• 31:09
  Speaker 3: for the sewers because yeah, I mean you'll down the
• 31:12
  Speaker 3: drain and I'm like, it would look horrific down there,
• 31:14
  Speaker 3: Oh my god. Yeah, but yeah, I think the tabloids
• 31:18
  Speaker 3: really used to run with it. You know, they're like, oh,
• 31:20
  Speaker 3: why is our infrastructure so bad? You know, why the
• 31:23
  Speaker 3: sinks were blocked up or whatever? And yeah, some would
• 31:24
  Speaker 3: go down to the sewers like, holy shit, you won't
• 31:27
  Speaker 3: believe what we saw. You don't want to down there,
• 31:29
  Speaker 3: because yeah, even the best of us have occasionally been
• 31:32
  Speaker 3: a bit lazy. It's like I've only a little bit
• 31:33
  Speaker 3: of oil, you know, straight down, bit of bacon grease
• 31:36
  Speaker 3: left in the pan.
• 31:37
  Speaker 1: But I rate when she caught me doing it, it.
• 31:42
  Speaker 3: Was slidifying blot the drains. I'm like, yeah, it's tomorrow,
• 31:45
  Speaker 3: Brennon probably. Then yeah, it's been tomorrow, Guy's probably, And
• 31:50
  Speaker 3: I've had to go on and then David over it's
• 31:52
  Speaker 3: like things are blocking up. He goes, oh, it could
• 31:55
  Speaker 3: be could be tree roots, but yeah, it could be
• 31:57
  Speaker 3: grease of baking it as the Davis's. No, but fatburgs
• 32:09
  Speaker 3: were a very real deal and they grow to monstrous sizes.
• 32:13
  Speaker 1: Yes, apparently, so Quimby announced that they're never replacing the
• 32:16
  Speaker 1: irreplaceable Wigham with Lou.
• 32:18
  Speaker 3: No last thing. Apparently, it's just Lou. It's just Lou.
• 32:21
  Speaker 1: And he says he'll do what it takes to find
• 32:23
  Speaker 1: out what did this to our chief and your removes
• 32:25
  Speaker 1: a blanket and we've got Wigham's nose his hat, and
• 32:27
  Speaker 1: I believe he's lad.
• 32:29
  Speaker 3: That's yes.
• 32:30
  Speaker 1: How many's when we want tribut questions? How many stamps
• 32:32
  Speaker 1: did he have? For how many?
• 32:33
  Speaker 3: It was five? There? Yeah he had four, but one
• 32:36
  Speaker 3: was a different color. It was three or five? Where
• 32:38
  Speaker 3: marked out? Yes? Do you do do those?
• 32:40
  Speaker 1: When you have like cards, like every time you come
• 32:42
  Speaker 1: you get an extra stamp, have a little subway all
• 32:45
  Speaker 1: the time.
• 32:45
  Speaker 3: But nowhere really does it anymore that I that I
• 32:47
  Speaker 3: go to the one place that I do because I
• 32:50
  Speaker 3: used to have cards for a lot of different places,
• 32:52
  Speaker 3: coffee shops whatever, Yeah, carbs. The only place I really
• 32:58
  Speaker 3: do it now is Zambre, the Mexican joint do it
• 33:01
  Speaker 3: was every tenth, every ten, every time you get free burrito.
• 33:04
  Speaker 3: That's pretty awesome, why sister b I never had him before.
• 33:08
  Speaker 3: My sister got nicola one and she opened it. I
• 33:10
  Speaker 3: was like, what fucking guys?
• 33:13
  Speaker 1: There was this massive what you kind of like half
• 33:15
  Speaker 1: of it was like more than a meal, that's right, baby.
• 33:17
  Speaker 3: I couldn't believe it. So it was jam packed usually
• 33:21
  Speaker 3: when when usually we're no free clout. But having said that,
• 33:25
  Speaker 3: shout out to Zambrero.
• 33:26
  Speaker 1: I was like, I cannot believe how stuffed this thing is. Yeah,
• 33:29
  Speaker 1: because take that in one with it.
• 33:33
  Speaker 3: Lou contact the other night, not Lou from the Simpsons,
• 33:36
  Speaker 3: but lovely Louise. I said, what do you want for dinner?
• 33:41
  Speaker 3: I'll pick you up something. He goes, yeah, I'm pretty beat.
• 33:44
  Speaker 3: How about we just watched some TV. You can pick
• 33:46
  Speaker 3: us up some guzmand and Gomez. What is that Mexican
• 33:49
  Speaker 3: it is? Ok? I was like, zambre you just sent
• 33:54
  Speaker 3: it in a major e a suit like you money's
• 33:58
  Speaker 3: too tight for zambre have me said that it's a bargain. Yeah, no,
• 34:04
  Speaker 3: free ads but stuff. I was like, okay, I'll pick
• 34:07
  Speaker 3: you up some G and G or whatever. So she
• 34:09
  Speaker 3: says she's going to get you. No, no, she was like,
• 34:11
  Speaker 3: how about you pick us up there? And I'm not staying.
• 34:16
  Speaker 3: You don't text it, you filmed yourself. Go. Yeah. I
• 34:21
  Speaker 3: picked her up some G and gen. Everyone everyone was happy.
• 34:24
  Speaker 3: I didn't need zambreros. Oh she had that Zambreros. No, No,
• 34:27
  Speaker 3: I got because wind going both of us. It's okay,
• 34:31
  Speaker 3: I yeah, you drive the way. I'll be back. I
• 34:38
  Speaker 3: was like Tom Hanks and cars.
• 34:41
  Speaker 2: I'm sorry, I'm sorry.
• 34:47
  Speaker 3: Guys usually here by God, that's sad. There will be
• 34:51
  Speaker 3: no business, and I don't tell the children that's so
• 34:53
  Speaker 3: sad in Cars Away, don't spoil it for anybody's watch.
• 34:57
  Speaker 3: It started as a twenty year old film. Thirty year
• 34:58
  Speaker 3: old film? How old is that movie? Do thousand? Two
• 35:00
  Speaker 3: thousand and one, two thousand? Holy ship?
• 35:04
  Speaker 1: Yeah you did it on the check it on the
• 35:06
  Speaker 1: movie tho. Yeah, it is Tom Hanks sensational in that movie,
• 35:08
  Speaker 1: very good Man movie. Yes, but you're right, it's very
• 35:11
  Speaker 1: very sad, very slight that. How did we get to that?
• 35:14
  Speaker 3: Uh? Fatburg Charizo? No, you you've got a Dembrero's you got,
• 35:19
  Speaker 3: But why do you mention Sambrero's. I can't remember cards?
• 35:22
  Speaker 1: Cards, yes, yeah, yes, cards, yes, loyal car we got there.
• 35:29
  Speaker 1: Someone I said, I'm talking about these brains. Keep them
• 35:32
  Speaker 1: going my memory, mate.
• 35:35
  Speaker 3: You realize that I've got twenty years of great now.
• 35:38
  Speaker 3: I forgot what I had the cards about the cards.
• 35:42
  Speaker 3: I don't know if I've ever said this on one
• 35:44
  Speaker 3: of our podcasts, but it's like the closest we have
• 35:46
  Speaker 3: to being a ghost is listening to a podcast and
• 35:51
  Speaker 3: it's like no, it's like you'll be able to walk
• 35:55
  Speaker 3: or listening in your car or whatever and someone gets
• 35:56
  Speaker 3: something wrong and no, you don't understand. It's actually you
• 36:00
  Speaker 3: say where they.
• 36:01
  Speaker 1: Don't go back and correct themselves. That's now you have
• 36:04
  Speaker 1: to email you.
• 36:05
  Speaker 3: Well, I'm wonder if I should save this for the
• 36:08
  Speaker 3: movie guy, because it's probably the only thing that this
• 36:09
  Speaker 3: guy listens to. But we recently covered hurt Locker and
• 36:12
  Speaker 3: House of Dynamite and I mentioned a couple of things
• 36:14
  Speaker 3: on it, and there's this one guy on Twitter. I'll mention,
• 36:17
  Speaker 3: I'll mention my name on the movie guy. But it's
• 36:20
  Speaker 3: never like, hey Lennon guy, I love the show. You're
• 36:22
  Speaker 3: doing great. It's always you said this. You mean this
• 36:28
  Speaker 3: because he's your corrector Oh very much so. But we
• 36:32
  Speaker 3: were talking about hurt Locker and I said, oh, yeah,
• 36:34
  Speaker 3: Captain Biggielow and I don't know if I said she's
• 36:36
  Speaker 3: the only woman who have ever won an Oscar for
• 36:38
  Speaker 3: Best Director or maybe yea. And since then it's been
• 36:42
  Speaker 3: Jane Campion one one and so did Chloe jo for
• 36:45
  Speaker 3: Nomad Land and he's put Jane. I'm not going to
• 36:48
  Speaker 3: give him. Comic book Guy've always, although you do deserve it, dude.
• 36:52
  Speaker 1: I remember when you said, I was like, oh really,
• 36:54
  Speaker 1: well only one ever? Well it sounds like Hollywood.
• 36:58
  Speaker 3: I just kept editing. But then there's a uh yeah,
• 37:01
  Speaker 3: this gentleman numb right. And also these guys here so offended.
• 37:05
  Speaker 3: But but he's all done that more than one so,
• 37:07
  Speaker 3: which means I've made more than one mistake. Yeah, you
• 37:11
  Speaker 3: guys said we were talking about that ghosts Gods cards
• 37:15
  Speaker 3: were returning to God. We now returned to the last
• 37:17
  Speaker 3: as a Chrisco from Treehouse Fodor thirty six already in price.
• 37:20
  Speaker 1: At least sid He's gonna try and solve this problem.
• 37:23
  Speaker 1: Here did that end?
• 37:24
  Speaker 3: I brought in a local expert in all things having
• 37:27
  Speaker 3: to do with sewers, sewage and human waste. Yeah, how
• 37:31
  Speaker 3: you doing?
• 37:31
  Speaker 2: I spent my life in them pipes, panning for subway
• 37:34
  Speaker 2: tokens and lose filings, and over the years, loose people
• 37:38
  Speaker 2: have turned my beautiful sewer into a cesspool or your
• 37:41
  Speaker 2: cooking glease and your animal fats down the drain, and
• 37:45
  Speaker 2: over time that clopping cook stuck together and coagulated into
• 37:49
  Speaker 2: what the legends call.
• 37:50
  Speaker 3: A fat burg.
• 37:54
  Speaker 2: I'm just a simple tird manga, But there is only
• 37:56
  Speaker 2: one explanation. Got fat bird got so big, It's got
• 38:00
  Speaker 2: a feat and it's on the hunt for more grease,
• 38:03
  Speaker 2: and it's going to eat this whole lard, Love and City.
• 38:07
  Speaker 3: If you don't do something alright.
• 38:10
  Speaker 1: I hope you all enjoyed that sneak peak of our
• 38:12
  Speaker 1: review of Trioso Horror thirty six. Remember the full review,
• 38:15
  Speaker 1: plus over one hundred hours of exclusive podcasts, are available
• 38:18
  Speaker 1: right now for our five dollars plus supporters on our
• 38:21
  Speaker 1: Patreon channel. So what are you waiting for? Join the
• 38:24
  Speaker 1: four fingeriscamp family today. It is a hell of a
• 38:26
  Speaker 1: good time now. Later this week you'll also be getting
• 38:29
  Speaker 1: a review of Hamid Smithers with Ozzie comedian Daniel Kanal,
• 38:33
  Speaker 1: so look out for that one in your feeds. But
• 38:35
  Speaker 1: until then, take care and remember keep watching the Skis.