Latest / Lux Radio Theater | Old Time Radio / Lux Radio Theatre - "Carbine Williams" (Old Time Radio, 1954)
Transcript
- 0:00Speaker 1: Ronald Reagan takes the role of Marsh Williams, with Gene
- 0:03Speaker 1: Hagen as Maggie Williams and Wendell Corey as Captain H.T.
- 0:08Speaker 2: Peoples.
- 0:10Speaker 1: On March 22, 1954, Lux Radio Theater brought its 873rd
- 0:16Speaker 1: broadcast to CBS, the Metro-Goldwyn-Mayer adaptation, Carbine Williams. Based on
- 0:23Speaker 1: the life of David Marshall Williams, the drama follows a
- 0:27Speaker 1: fiercely independent North Carolinian whose involvement in illegal distilling leads
- 0:32Speaker 1: to prison, where his mechanical ability comes to the attention
- 0:36Speaker 1: of Captain Peoples. Behind prison walls, Williams sets his mind
- 0:41Speaker 1: to developing a lightweight rifle mechanism and rebuilding his future.
- 0:46Speaker 1: Lux presents Carbine Williams. We now take you back to
- 0:51Speaker 1: the original broadcast, From Hollywood, the Hollywood Radio Theater.
- 1:07Speaker 3: Starring Ronald Reagan, Wendell Corey, and Gene Hagan in Carbine Williams.
- 1:14Speaker 2: Ladies and gentlemen, your producer, Mr. Irving Cummings. Greetings from Hollywood,
- 1:23Speaker 2: ladies and gentlemen.
- 1:25Speaker 4: In tonight's play, besides telling the story of a wife's
- 1:28Speaker 4: devotion to her husband, even under seemingly hopeless conditions, we
- 1:33Speaker 4: will present an engrossing study taken from the lives of
- 1:35Speaker 4: two men in Carbine Williams. One is an embittered prisoner.
- 1:41Speaker 4: The other, an exacting officer of the law. But eventually,
- 1:45Speaker 4: each has an unexpected influence upon the other. And as
- 1:49Speaker 4: our stars of this inspiring drama for Metro-Goldwyn-Mayer, we have
- 1:53Speaker 4: three outstanding artists. Ronald Reagan, Wendell Corey, and lovely Jean Hagen. Now,
- 2:00Speaker 4: Act One of Carbine Williams, starring Ronald Reagan as David
- 2:03Speaker 4: Marshall Williams, Wendell Corey as Captain Peoples, and Jean Hagen
- 2:08Speaker 4: as Maggie Williams. The March 1951 issue of Reader's Digest
- 2:19Speaker 4: published an article in its series, The Most Unforgettable Character
- 2:23Speaker 4: I've Met. That character is David Marshall Williams. This is
- 2:27Speaker 4: his story. It is told by a man named Captain People.
- 2:35Speaker 2: A few years ago, a man suddenly left his work
- 2:38Speaker 2: in the Winchester Repeating Arms Company in Connecticut and rushed home.
- 2:42Speaker 2: Several hundred miles away to the small community of Godwin,
- 2:45Speaker 2: North Carolina.
- 2:48Speaker 5: Marsh, oh, Marsh, it's.
- 2:49Speaker 6: So good to have you home again.
- 2:51Speaker 2: I've missed you, Maggie. Missed you terribly. Thanks for phoning me.
- 2:55Speaker 2: Where is he? Where's David?
- 2:57Speaker 6: Well, he went out.
- 3:00Speaker 2: I see. Just didn't want to be around, huh?
- 3:03Speaker 6: It's like I told you, dear.
- 3:04Speaker 5: At the moment, it may not be anything too serious,
- 3:07Speaker 5: but the kids at school are giving him a pretty
- 3:10Speaker 5: bad time.
- 3:10Speaker 6: I always felt we should have told him.
- 3:14Speaker 2: Yes, I know you did. I guess I made a mistake.
- 3:17Speaker 6: And now it's up to us to undo it.
- 3:20Speaker 2: I've started to tell him several times, Maggie, but I
- 3:23Speaker 2: knew I'd give myself the best of it. That's no good.
- 3:26Speaker 6: Marsh, do you want me to tell him?
- 3:28Speaker 2: No. Before I left Connecticut, I called Captain Peoples. Oh?
- 3:33Speaker 2: Cap will give it to David straight, without any frosting
- 3:36Speaker 2: on it.
- 3:36Speaker 6: He's coming here, Captain Peoples?
- 3:38Speaker 2: No. It'll be better if David goes there. If he
- 3:41Speaker 2: sees the prison. I'll take him there in the morning.
- 3:45Speaker 6: Whatever you say, dear.
- 3:47Speaker 2: It's not going to be easy, Maggie. Not for any
- 3:49Speaker 2: of us. But I guess it's the only way.
- 4:01Speaker 5: Where are we going, Dad?
- 4:02Speaker 2: Well, it's a fine day for hunting, son. I thought
- 4:04Speaker 2: we'd hunt some quail. I mean, first we've got to
- 4:07Speaker 2: make a stop.
- 4:08Speaker 5: I don't feel much like hunting.
- 4:11Speaker 2: I hear you lost a fight at school while I
- 4:13Speaker 2: was up north.
- 4:14Speaker 7: That's right.
- 4:16Speaker 5: Can't win them all.
- 4:16Speaker 2: No, you can't win them all. A little later, they
- 4:22Speaker 2: were both in my office in Central Prison. The boy
- 4:25Speaker 2: was puzzled and a little frightened. This is Captain Peoples, David.
- 4:30Speaker 2: He's my best friend. Hello, David. This is a pleasure
- 4:33Speaker 2: I've been waiting for for a long time. Now, if
- 4:35Speaker 2: you'll excuse me, I think I'll have a look around.
- 4:38Speaker 5: Where are you going?
- 4:39Speaker 2: Now, don't worry, son. I'll be right outside. Captain Peoples
- 4:41Speaker 2: wants to talk to you.
- 4:42Speaker 5: About what?
- 4:43Speaker 2: He'll tell you. David, come over here to the window
- 4:47Speaker 2: and look out there.
- 4:49Speaker 5: All those men, they're convicts, huh?
- 4:53Speaker 2: Yeah, all kinds of men, David. Murders, thieves, but They're
- 4:57Speaker 2: not all bad men. Some are hardened criminals. Others have
- 5:01Speaker 2: made only one mistake. My.
- 5:03Speaker 5: my father?
- 5:04Speaker 2: Yes. Your father was in this prison before you were born.
- 5:08Speaker 5: What for?
- 5:10Speaker 2: He was convicted of killing a man. I'm going to
- 5:12Speaker 2: tell you the whole story, David, just the way it happened.
- 5:15Speaker 2: I think you're old enough to judge for yourself. So
- 5:19Speaker 2: I wonder if any boy can really know his father.
- 5:22Speaker 5: I can try.
- 5:24Speaker 2: Oh, I wasn't thinking only of you, son. I was
- 5:27Speaker 2: thinking of your dad when he was a boy. There
- 5:29Speaker 2: were times, I think, when he didn't understand his father either.
- 5:33Speaker 2: You see, your father was always a rugged individualist. You
- 5:37Speaker 2: know what that is?
- 5:38Speaker 5: Yes, sir. I think so.
- 5:40Speaker 2: Well, that's not an easy thing to be in a
- 5:42Speaker 2: family of 11 children. He always wanted to stand alone
- 5:45Speaker 2: on his own. And I guess he did. You know,
- 5:49Speaker 2: he quit school and joined the Navy. But after a
- 5:52Speaker 2: couple of hitches, he found out he wasn't for the Navy.
- 5:56Speaker 2: And vice versa.
- 6:06Speaker 8: It's right that you come back, son, and I'm glad.
- 6:08Speaker 8: The Williamses belong on this land.
- 6:10Speaker 2: By the way, Papa, I changed my mind about the Navy,
- 6:13Speaker 2: but I haven't changed my mind about Mary and Maggie.
- 6:15Speaker 9: Well, that's in the future, Marsh.
- 6:16Speaker 2: If you call next week the future, yes, I guess
- 6:18Speaker 2: it is. We're going to set the date when I
- 6:20Speaker 2: go over to see her in the morning.
- 6:21Speaker 9: Next week? Well, Marsh, you can't even support yourself, let
- 6:24Speaker 9: alone a wife.
- 6:25Speaker 2: Well, you always said I'd be getting my share of
- 6:26Speaker 2: the farm.
- 6:27Speaker 9: You'll get your share when you've earned it.
- 6:29Speaker 2: You said one-eighth of the farm is mine.
- 6:30Speaker 8: You'll get your 400 acres, same as your brothers, by
- 6:33Speaker 8: working for them.
- 6:34Speaker 9: You're no better than they are, Marsh.
- 6:35Speaker 2: I never said I was better. I said I was different.
- 6:38Speaker 8: You're going to work a share for two years, Marsh.
- 6:41Speaker 8: Then if all goes well, it's yours.
- 6:43Speaker 2: I ain't going to wait around for two years to
- 6:45Speaker 2: marry Maggie.
- 6:45Speaker 9: Two years or you get no share.
- 6:47Speaker 2: Then keep the share. Divide it up with the others.
- 6:49Speaker 2: I don't want.
- 6:51Speaker 5: It.
- 6:54Speaker 2: The next morning, your dad went to call on his
- 6:56Speaker 2: best girl. Took his rifle along. He loved hunting. Almost
- 7:01Speaker 2: everywhere he went, he carried a rifle with him. So
- 7:04Speaker 2: it was pretty logical that he'd take Maggie walking through
- 7:06Speaker 2: the woods. I told you I'd hit her. Look here, see?
- 7:11Speaker 2: You never see a nicer bird than this.
- 7:13Speaker 5: Marsh, will you listen to me now? Will you put
- 7:15Speaker 5: down that gun and listen to me?
- 7:17Speaker 2: I'm listening, honey.
- 7:18Speaker 5: Well, all I want to tell you is that before
- 7:22Speaker 5: we go and get married, we have to be sure.
- 7:24Speaker 2: You can't be sure of nothing unless you try.
- 7:26Speaker 6: Everybody else is sure.
- 7:27Speaker 5: About us, I mean. You're sure it won't work?
- 7:31Speaker 2: Your folks, too, huh?
- 7:33Speaker 6: They think you're irresponsible.
- 7:35Speaker 2: They don't know me, Maggie. My own dad, he don't
- 7:38Speaker 2: even know me.
- 7:38Speaker 5: Well, that doesn't matter. The important thing is, do we
- 7:42Speaker 5: know each other?
- 7:42Speaker 2: I can't remember when I didn't know you.
- 7:45Speaker 5: That was his children.
- 7:48Speaker 2: Marsh. Yeah?
- 7:50Speaker 6: When does a person stop being a child?
- 7:54Speaker 2: You mean me? Sometimes I wonder.
- 7:56Speaker 6: Maybe you'll never stop. Did you ever think of that?
- 7:58Speaker 2: Sure, I've thought of it. That's the reason I run
- 8:00Speaker 2: away from home. I wanted to stay young inside, but
- 8:03Speaker 2: they wouldn't let me. Go to school, chop cotton. Things
- 8:06Speaker 2: like that can age a man.
- 8:08Speaker 6: And, uh, hunting doesn't?
- 8:10Speaker 2: Ah, no. Fishing neither.
- 8:13Speaker 6: Sooner or later you have to grow up, though, and
- 8:15Speaker 6: be somebody.
- 8:16Speaker 2: You have to be yourself, Meg. A man's just like
- 8:19Speaker 2: a stalk of corn. At a certain age, he tassels out,
- 8:22Speaker 2: not before.
- 8:23Speaker 6: Marsh, are you sure you want to get married?
- 8:26Speaker 2: I told you we'd get married just as soon as
- 8:28Speaker 2: I got home. I always keep my promise.
- 8:31Speaker 5: If you say when.
- 8:32Speaker 2: I ain't a promise unless you say when.
- 8:34Speaker 5: I'm not holding you to it, Marsh.
- 8:36Speaker 2: It'll make no difference. I'm holding you.
- 8:40Speaker 5: Marsh, Marsh, there's another quail up there.
- 8:42Speaker 2: Let him be. When it comes to kissing you or
- 8:45Speaker 2: shooting a quail... Well, it ain't an easy decision, honey,
- 8:48Speaker 2: but I sort of favor you.
- 8:49Speaker 5: Well, come on now, let's get over to Fayetteville and
- 8:56Speaker 5: get out that light.
- 9:02Speaker 2: Well, they got married, David, and both families turned out
- 9:05Speaker 2: in full force, forgetting their objections and wishing them well.
- 9:10Speaker 2: Not long after, your dad went to work for the railroad,
- 9:12Speaker 2: 40 cents an hour working on the tracks with a sledgehammer.
- 9:16Speaker 2: One of the other laborers was a man named Stockton.
- 9:20Speaker 2: One day after work, he took your dad to a
- 9:22Speaker 2: remote spot near the woods. Well, here they are, Marsh,
- 9:26Speaker 2: the fellows I've been telling you about. This is Redrick Carson,
- 9:30Speaker 2: my brother-in-law, and this here is Sam Markley.
- 9:32Speaker 9: Evening. Come on the barn.
- 9:34Speaker 2: Glad to know you, Williams. Bill's been telling me you'd
- 9:37Speaker 2: like to earn a little extra money. You got something
- 9:39Speaker 2: I can do? I hear you know a little about boilers.
- 9:43Speaker 1: Boilers?
- 9:43Speaker 2: Sure, I worked on boilers in the Navy. Boilers, guns, motors.
- 9:47Speaker 2: I can handle most anything mechanical. It's a boiler over there, huh?
- 9:51Speaker 2: What do you use it for? Ain't you got any suspicions, Moss?
- 9:56Speaker 2: Kind of looks to me like a still. Why didn't
- 9:58Speaker 2: you say so? It ain't no secret, is it? Well,
- 10:01Speaker 2: making stills is considered illegal in some parts. What do
- 10:05Speaker 2: you get for a kettle like that? Nothing compared to
- 10:07Speaker 2: the dough they make out of them.
- 10:08Speaker 7: They're getting 20 bucks a gallon down at Fort Bragg
- 10:11Speaker 7: for creosote.
- 10:12Speaker 2: Looks like you fellas are in the wrong end of
- 10:14Speaker 2: the business. You wouldn't be aiming to get on the
- 10:16Speaker 2: right side, would you? Well, if I ever do, I'll
- 10:19Speaker 2: make the best corn whiskey in North Carolina.
- 10:21Speaker 5: You, Marsh?
- 10:23Speaker 7: Your daddy will never hold still for no son of
- 10:25Speaker 7: his in the blockade whiskey business.
- 10:27Speaker 2: Ain't nothing in the Bible against distilling whiskey. Your father's
- 10:30Speaker 2: a law-abiding man. Moonshine is against the law. Well, you
- 10:34Speaker 2: tell me what the difference is between distilling whiskey and
- 10:36Speaker 2: making the boilers to distill it in. Well, that's a
- 10:39Speaker 2: good question, Marsh. Yes, sir. That's a mighty good question.
- 10:47Speaker 2: So they built a still out in the woods, David.
- 10:50Speaker 2: According to your dad, they didn't make the most whiskey
- 10:52Speaker 2: in North Carolina, but he sure tried to make the best.
- 10:56Speaker 2: There was just one thing about it. He couldn't bring
- 10:59Speaker 2: himself to tell your mother. Marsh? Sorry I'm so late, honey.
- 11:04Speaker 5: It's all right, Marsh. I'm getting used to it by now.
- 11:06Speaker 6: I held supper.
- 11:07Speaker 2: I got myself another raise, Maggie. Here, put this money
- 11:10Speaker 2: in with the rest.
- 11:11Speaker 6: Oh, Marsh, that's wonderful.
- 11:13Speaker 2: Oh, it ain't so much.
- 11:14Speaker 6: Not much.
- 11:14Speaker 5: Your third raise in six months and you say that's
- 11:16Speaker 5: not much? Pretty soon you'll be president of that railroad.
- 11:19Speaker 2: Well, vice president, anyway.
- 11:22Speaker 6: Only, when are they going to take you off that section, gang?
- 11:25Speaker 2: Pretty soon, I expect. Only... Only what, dear? Well, only
- 11:28Speaker 2: I don't figure I'm cut out for railroading, honey. I've
- 11:31Speaker 2: had my eye on that Doug Smith farm for a
- 11:33Speaker 2: long time. Things keep up, first thing you know, we
- 11:35Speaker 2: can make a down payment on it.
- 11:37Speaker 5: I was hoping you'd say that, Marsh. You want it
- 11:40Speaker 5: very much, don't you?
- 11:41Speaker 2: Well, it's for you, too, Maggie.
- 11:43Speaker 5: I'm happy anywhere, as long as we're together.
- 11:47Speaker 2: Living in a decent house ain't going to make us unhappy,
- 11:49Speaker 2: is it?
- 11:49Speaker 5: No, Marsh.
- 11:50Speaker 6: Only just don't rush things. This time.
- 11:52Speaker 2: There's never enough time. You can have enough of everything else.
- 11:56Speaker 2: Enough food, enough land, even enough money. But you can
- 11:59Speaker 2: never have enough time. Because that's the only thing you
- 12:01Speaker 2: can't save.
- 12:03Speaker 5: You know, when I hear you talk like that.
- 12:06Speaker 2: What's that?
- 12:07Speaker 6: It's from next door, the Gregory's.
- 12:08Speaker 7: It's Sue.
- 12:09Speaker 5: No!
- 12:10Speaker 2: No!
- 12:12Speaker 7: Sue?
- 12:12Speaker 2: Sue? Oh, Martin.
- 12:15Speaker 9: Frank, he's been killed.
- 12:17Speaker 2: My dad.
- 12:19Speaker 6: Martin, those men.
- 12:20Speaker 2: You keep out of this, son.
- 12:22Speaker 5: Put on your rifle.
- 12:23Speaker 2: Who are you?
- 12:24Speaker 9: Federal revenue agent.
- 12:25Speaker 2: What happened to Frank Gregory? The same thing that's likely
- 12:28Speaker 2: to happen to any moonshiner who takes a shot at
- 12:30Speaker 2: a local deputy. Frank never hurt anybody. He was a
- 12:32Speaker 2: good man. I wasn't even on the raid, but I
- 12:34Speaker 2: know he operated a still. That was his first mistake.
- 12:38Speaker 2: He pulled a gun on Venner here. That was his
- 12:41Speaker 2: last mistake. Since when do they kill a man for
- 12:43Speaker 2: making moonshine? Since when do you carry a gun if
- 12:46Speaker 2: you don't intend to use it? You're on my property.
- 12:50Speaker 2: Get off. Any deputy steps on my property looking for trouble,
- 12:54Speaker 2: he's got to find it. Well, he better not find
- 12:55Speaker 2: us still. It's a federal offense and you know it.
- 12:58Speaker 2: All right, boys, let's go.
- 13:02Speaker 6: Was he Marsh? Was Frank in the blockade whiskey business? I.
- 13:07Speaker 2: I don't know, Maggie.
- 13:09Speaker 5: Sue, that poor girl.
- 13:11Speaker 6: I'd better go and see what I can do.
- 13:22Speaker 2: You think it's a good idea to run another still?
- 13:26Speaker 9: That'll make the fifth.
- 13:27Speaker 2: Five, six, seven, just as many as I can count.
- 13:30Speaker 7: North Carolina's had prohibition for 150 years, Carson. Nobody ever
- 13:34Speaker 7: got hurt. Most could happen to get 30 to 60 days.
- 13:38Speaker 2: Well, they better not come around here. This is my corn,
- 13:41Speaker 2: my mash, my business. Just as long as I make
- 13:44Speaker 2: good whiskey.
- 13:45Speaker 8: Mars!
- 13:46Speaker 9: Mars, you better get over here.
- 13:47Speaker 2: Deputies?
- 13:48Speaker 9: No, it's the still.
- 13:49Speaker 6: Something's plugged up.
- 13:50Speaker 9: It's going to explode.
- 13:59Speaker 2: The still didn't explode, David. But in saving it, your
- 14:02Speaker 2: father got pretty badly burned. They brought him home. It
- 14:06Speaker 2: was then that your mother found out. I was going
- 14:09Speaker 2: to tell you, Maggie. Honest, I was. As soon as
- 14:12Speaker 2: I saved enough money for that down payment.
- 14:14Speaker 5: How could you do it, Marsh? Didn't Frank Gregory getting
- 14:17Speaker 5: killed mean anything to you? Marsh, I didn't marry a criminal,
- 14:22Speaker 5: and I'm not staying married to one. You've got to
- 14:25Speaker 5: get out of it.
- 14:25Speaker 2: All right. All right, I'll quit. When? Well, let's talk
- 14:30Speaker 2: about it later. Honey, I'm tired.
- 14:32Speaker 6: Marsh, I'm going after a doctor.
- 14:33Speaker 2: No, no, I'll be all right. Just let me sleep.
- 14:37Speaker 2: I'll be all right. We'll be ready to run off
- 14:46Speaker 2: a sample in about ten minutes, Marsh. I said we...
- 14:49Speaker 2: I heard you. Your wife, mind you, running whiskey, Carson.
- 14:54Speaker 2: I never asked. You having trouble at home? Maggie just
- 14:57Speaker 2: don't understand that there's a natural right to things and
- 15:00Speaker 2: there's a legal right. Well, the law says it ain't
- 15:02Speaker 2: natural to be thirsty. Well, I'm just saying I don't
- 15:05Speaker 2: make it so. They tell me that up in... What's
- 15:08Speaker 2: the matter? Don't turn around. There's men back there. Back
- 15:12Speaker 2: of the trees. Back up. You go first. Don't start running.
- 15:15Speaker 9: Don't move, Williams.
- 15:18Speaker 2: Get your hands up, all of you. You boys destroy
- 15:22Speaker 2: the still. Don't come no closer. This here boiler's private property.
- 15:26Speaker 9: You're under arrest, Williams, for violating the 18th Amendment.
- 15:29Speaker 4: That's the warning, you rimmer.
- 15:31Speaker 2: Get Williams. Williams, this is your last warning. Call your
- 15:36Speaker 2: men off and come out with your hands up. We're
- 15:39Speaker 2: taking you alive or dead. It's up to you. Who
- 15:53Speaker 2: is it? Stop or I'll fire.
- 15:55Speaker 6: Marsh.
- 15:56Speaker 2: Oh, Maggie. God help me. I might have shot you.
- 15:58Speaker 5: There's been enough shooting for one day.
- 16:00Speaker 2: You heard about the raid?
- 16:01Speaker 6: Well, I'm here. I'd have been here sooner. These woods.
- 16:04Speaker 6: I got lost in the dark.
- 16:05Speaker 2: Anybody see you come?
- 16:06Speaker 6: Nobody ever knew about this place but us, Marsh. You
- 16:09Speaker 6: always came here when you were in trouble.
- 16:12Speaker 2: I was hoping you'd remember.
- 16:14Speaker 6: There's nothing about us I could ever forget. Marsh, you
- 16:17Speaker 6: shouldn't have run away.
- 16:18Speaker 2: You spent five or six weeks in jail? Not me.
- 16:21Speaker 2: I'm staying in these woods till the thing blows over.
- 16:23Speaker 6: Blows over? Don't you know?
- 16:27Speaker 2: Know what?
- 16:28Speaker 6: The federal agent, Rimmer. He's dead. Dead?
- 16:34Speaker 5: No.
- 16:35Speaker 2: No, I didn't know.
- 16:36Speaker 6: Here, here, you take this.
- 16:38Speaker 2: Money? What for?
- 16:39Speaker 6: From your father. He asked me to bring it to you.
- 16:42Speaker 2: He isn't against me?
- 16:43Speaker 5: He's for you, Marsh. He and your mother, they think
- 16:47Speaker 5: you ought to get out of the country right away.
- 16:48Speaker 2: And what do you think?
- 16:51Speaker 5: What I think isn't important.
- 16:53Speaker 6: It's what you feel.
- 16:55Speaker 2: What I feel? The whole world never looks so good.
- 16:59Speaker 2: Things never seem so bright as when you're in bad trouble.
- 17:03Speaker 6: If, if you give yourself up, Marsh, I'll stand by you. Always.
- 17:09Speaker 2: You think Pop's wrong?
- 17:10Speaker 6: I think a man must face up to things.
- 17:15Speaker 2: All right. I'll turn myself in.
- 17:17Speaker 5: Is that a promise?
- 17:19Speaker 2: It's a promise. You go on home, honey. You tell
- 17:23Speaker 2: my dad to get the high sheriff and meet me
- 17:24Speaker 2: behind the railroad depot at Godwin. I'll be there by
- 17:27Speaker 2: 11 o'clock tonight. I'll be there.
- 17:31Speaker 5: Marsh.
- 17:33Speaker 1: Oh, Marsh.
- 17:34Speaker 5: Marsh.
- 17:35Speaker 2: You'll be all right, honey. Now, no more trouble. I'll
- 17:37Speaker 2: give myself up.
- 17:50Speaker 3: Our servicemen in Europe have a wonderful opportunity to observe
- 17:53Speaker 3: new customs and traditions. And they're finding out that these
- 17:56Speaker 3: ideas of other people aren't so strange after all. For instance,
- 18:00Speaker 3: in almost every country, France, Spain, Scotland, the Scandinavian countries, Germany, Greece, Austria,
- 18:07Speaker 3: there are special celebrations on the 24th of June every year.
- 18:11Speaker 3: This is known as Midsummer's Day, and it's marked by music, dancing,
- 18:15Speaker 3: and bright costumes. At night, huge bonfires are built, and
- 18:19Speaker 3: the merriment continues. This same day is also celebrated in
- 18:23Speaker 3: North Africa and in Japan. Well, in our country, we
- 18:27Speaker 3: pay no special attention to the 24th of June... We
- 18:30Speaker 3: have more so-called holidays than any other country in the world.
- 18:34Speaker 3: Hardly a day in the year goes by without some
- 18:36Speaker 3: special attention to it.
- 18:38Speaker 2: In addition to the national.
- 18:39Speaker 3: Holidays, Thanksgiving, Christmas, Fourth of July, Labor Day, and so on,
- 18:43Speaker 3: every state has its own founding day. We have a
- 18:46Speaker 3: day for fathers, mothers, and even mothers-in-law. We have a
- 18:50Speaker 3: Be Kind to Animals Week and Eat.
- 18:52Speaker 2: More Frankfurters Day. We plant trees on Arbor.
- 18:55Speaker 3: Day, send love notes on Valentine's Day, close the bars
- 18:59Speaker 3: on Election Day, and keep them open an hour longer
- 19:01Speaker 3: when daylight saving ends. We honor the birthdays of Washington
- 19:05Speaker 3: and Lincoln. We mourn the passing of our friends with
- 19:08Speaker 3: the Memorial Day. Yes, like all countries, we set aside
- 19:12Speaker 3: special days for special consideration.
- 19:15Speaker 2: True enough, the way in which we celebrate them may be.
- 19:17Speaker 3: Different, but the ideals are the same. These things that
- 19:22Speaker 3: have become customary and traditional are important to the people
- 19:25Speaker 3: who follow them. And our servicemen are helping to maintain
- 19:29Speaker 3: goodwill by observing the customs of other people in other lands.
- 19:34Speaker 2: Now, our producer, Mr. Cummings.
- 19:36Speaker 4: Act II of Carbine Williams, starring Ronald Reagan as Marsh,
- 19:40Speaker 4: Wendell Corey as Captain Peoples, and Gene Hagen as Maggie.
- 19:44Speaker 1: The End.
- 19:52Speaker 2: They charged your father with murder, David, and brought him
- 19:56Speaker 2: to trial. It was the local deputy who gave the
- 19:59Speaker 2: most damaging testimony when he told of the night in
- 20:01Speaker 2: front of Frank Gregory's house. Then Williams came over and
- 20:06Speaker 2: warned us. He was carrying a rifle. He said any
- 20:10Speaker 2: deputy ever steps on my property looking for trouble, he's
- 20:12Speaker 2: going to find it. When did you next see the defendant?
- 20:15Speaker 2: On July 23rd, the day he killed Jesse Rimmer.
- 20:18Speaker 6: Objection, Your Honor!
- 20:20Speaker 2: Objection! There's been absolutely no proof! I always thought your
- 20:27Speaker 2: dad could have put up a better case for himself, David.
- 20:30Speaker 2: But he never thought there was any real likelihood he'd
- 20:32Speaker 2: ever be convicted. Now then, William, you knew you were
- 20:37Speaker 2: violating the 18th Amendment, didn't you? I never considered the
- 20:40Speaker 2: 18th Amendment a law. When I look around at this
- 20:42Speaker 2: here room, Ed, I see I ain't the only one.
- 20:46Speaker 10: You heard your own friends, your own men, Carson, Stockton, Markley,
- 20:49Speaker 10: and all the others practically.
- 20:51Speaker 2: Accuse you of murder. Well, it could be just as
- 20:53Speaker 2: easy for me to turn right around and say that
- 20:55Speaker 2: one of them was guilty. You also heard Venner testify
- 20:57Speaker 2: that he saw you kill Rimmer. Why, with all that
- 20:59Speaker 2: shooting going on, I can't see how anyone can be
- 21:01Speaker 2: sure what gun any of the bullets was being fired from.
- 21:04Speaker 2: You were the best shot there. Oh, I don't know
- 21:07Speaker 2: about that now, Ed. I remember you and me went
- 21:09Speaker 2: hunting last spring. You got eight birds. I didn't get
- 21:11Speaker 2: but three. And so it went. By the time the
- 21:16Speaker 2: trial ended, it appeared that the jury was just as
- 21:19Speaker 2: confused as everybody else. They finally told the judge they
- 21:23Speaker 2: were hopelessly deadlocked.
- 21:26Speaker 9: What's going on, Andrew?
- 21:27Speaker 2: I don't rightly know, Mr.
- 21:28Speaker 1: Williams.
- 21:29Speaker 2: I just asked the prosecution to meet with us in
- 21:31Speaker 2: the conference room.
- 21:32Speaker 9: Come on, Marsh, Maggie.
- 21:34Speaker 2: We're going to talk things over.
- 21:38Speaker 9: We got to have a second trial. This thing has
- 21:40Speaker 9: got to be settled somehow.
- 21:41Speaker 10: Now, look, Claude, you know that a second trial would
- 21:44Speaker 10: be a costly drain on the taxpayers' money. The government
- 21:47Speaker 10: will be satisfied with a plea of guilty to a
- 21:49Speaker 10: reduced charge of second-degree murder.
- 21:51Speaker 2: No.
- 21:52Speaker 8: Nothing was ever said in that courtroom to prove my
- 21:54Speaker 8: boy was guilty.
- 21:55Speaker 9: We want a second trial.
- 21:56Speaker 2: But Marsh did threaten Rimmer, and an eyewitness swore he
- 21:59Speaker 2: did the shooting. I couldn't shake either story.
- 22:02Speaker 9: They couldn't prove them either. They might in a retrial.
- 22:05Speaker 2: At least second degree eliminates the possibility of the electric chair.
- 22:09Speaker 2: Where are we going to get the money to pay
- 22:10Speaker 2: for a second trial?
- 22:11Speaker 9: I'm selling a piece of the land, Marsh.
- 22:13Speaker 2: Selling your land? How stiff a sentence will I get
- 22:17Speaker 2: on second degree? Fifteen years. And with good behavior.
- 22:20Speaker 7: Now, hold on.
- 22:21Speaker 9: You're taking your orders from me, Andrew. And I say
- 22:24Speaker 9: we have a second trial.
- 22:26Speaker 6: Marsh, don't let your pride stand in your way again.
- 22:30Speaker 6: Let your father do what he wants. It's only land.
- 22:32Speaker 6: You can always pay back land. You'll wait. All of
- 22:36Speaker 6: us will be paying. We'll all be paying for years.
- 22:40Speaker 2: It's my neck, Maggie, and my decision. Over your grandfather's protest,
- 22:50Speaker 2: your dad pleaded guilty, David, to second-degree murder. The judge
- 22:54Speaker 2: set sentence for the following Monday morning. But when Monday
- 22:58Speaker 2: came around, a different judge was on the bench. What? What?
- 23:03Speaker 9: What's going on?
- 23:05Speaker 2: Where's the judge? I just found out about it. Someone
- 23:07Speaker 2: else has taken his place.
- 23:08Speaker 7: I'm lying.
- 23:09Speaker 9: No special reason, Claude.
- 23:11Speaker 2: Federal judges rotate assignments.
- 23:13Speaker 9: I know.
- 23:13Speaker 2: Hold on. He's going to speak.
- 23:16Speaker 4: I understand that the defendant has made an amended plea
- 23:19Speaker 4: of guilty to murder in the second degree.
- 23:21Speaker 2: Is that agreed? Yes, Your Honor. The defendant? My client
- 23:25Speaker 2: requests to postpone it. No. No, Your Honor. I'm ready
- 23:28Speaker 2: for sentence. Step forward, please. In accordance with the laws
- 23:33Speaker 2: of the United States, I sentence you, David Marshall Williams,
- 23:37Speaker 2: to imprisonment for a period of 30 years of hard labor. 30.
- 23:48Speaker 2: Not 15. 30 years of hard labor. The sheriff let
- 23:53Speaker 2: your dad come home for one last visit. They were
- 23:56Speaker 2: all waiting out in the front yard at your grandpa's place.
- 24:01Speaker 9: Well, Marsh, like I said, son, we all be.
- 24:07Speaker 8: It's hard to know what else to say when everything's
- 24:11Speaker 8: been said.
- 24:12Speaker 6: You know how he feels, Marsh. How all of us feel.
- 24:15Speaker 2: Ma, you gotta stop thinking about me. All of you.
- 24:18Speaker 2: It's my problem.
- 24:20Speaker 6: We're your family, son. We'll never rest till you're back
- 24:24Speaker 6: here with us.
- 24:25Speaker 2: It's me that's going, Ma. It ain't gonna be easy.
- 24:28Speaker 2: But I gotta do it my own way. I don't
- 24:30Speaker 2: want any of you to write to me or try
- 24:32Speaker 2: to see me.
- 24:33Speaker 5: Marsh.
- 24:33Speaker 2: Maggie, let's not make things any tougher than they are.
- 24:37Speaker 2: I talked to the lawyer. He's going to arrange for
- 24:39Speaker 2: a divorce.
- 24:40Speaker 6: A divorce? I'll never leave you.
- 24:43Speaker 2: There isn't anything else to do. It's going to be
- 24:45Speaker 2: a long time.
- 24:46Speaker 5: I'll wait, no matter how long it is. But, Marsh,
- 24:50Speaker 5: you've got to promise me something.
- 24:52Speaker 2: Well?
- 24:53Speaker 6: You mustn't try to escape.
- 24:56Speaker 2: I'll do my time.
- 24:57Speaker 6: You've got to promise me.
- 24:59Speaker 2: I promise. You've got to promise something, too. Anything. If
- 25:04Speaker 2: you change your mind, you go and see that lawyer, huh?
- 25:09Speaker 5: I thought you said we shouldn't make it any tougher
- 25:12Speaker 5: than it is.
- 25:15Speaker 6: Hold me, Marsh.
- 25:18Speaker 2: You said you'd never stay married to a criminal. I'm
- 25:21Speaker 2: a convicted murderer, Maggie.
- 25:23Speaker 6: You're my husband. That's all I know.
- 25:25Speaker 5: 30 years.
- 25:34Speaker 2: The first weeks in prison are the worst, David. When
- 25:38Speaker 2: a man realizes he's no longer free, that this is
- 25:42Speaker 2: his home. Steel bars and concrete walls and guards with guns.
- 25:46Speaker 2: And from now on, this is his world. Every convict
- 25:52Speaker 2: takes prison differently. Each man fights it in his own way.
- 25:57Speaker 2: I've seen a lot of men broken in prison. He
- 26:00Speaker 2: can break a man's body. He can break a man's spirit.
- 26:04Speaker 2: Or both. All right, shut up now! And stand at attention!
- 26:12Speaker 11: Now, in case some of you don't know, you're now
- 26:14Speaker 11: at the Caledonia prison farm. It's a lot better than
- 26:17Speaker 11: the chain gang, but it's no country club. You'll find
- 26:20Speaker 11: that out starting tomorrow morning. Meanwhile, the captain's got a
- 26:24Speaker 11: word for you.
- 26:26Speaker 2: My name's Peoples. Captain Peoples. I'm the law here. Now
- 26:31Speaker 2: you behave yourselves and you'll be treated square. Get out
- 26:34Speaker 2: of line, try to escape, and you'll wish you never
- 26:37Speaker 2: heard of me. Your bunks are over there. Now get moving.
- 26:47Speaker 5: And every day, Marsh, every day I wake up hoping
- 26:51Speaker 5: to hear from you. And when there's nothing, I come
- 26:56Speaker 5: out here to the woods where I found you that
- 26:58Speaker 5: night Here I.
- 27:00Speaker 6: Feel close to you. Here I can forget and remember.
- 27:06Speaker 5: Oh, but please, Marsh, please write, even if it's only
- 27:12Speaker 5: a few lines.
- 27:22Speaker 2: Well, boys, I called you together because I've got some
- 27:25Speaker 2: good news. The State Prison Commission has given us permission
- 27:30Speaker 2: to play a little baseball around here. Now, you do
- 27:33Speaker 2: an honest day's work and behave yourselves, and you'll be
- 27:36Speaker 2: allowed to play and watch the game. If you don't,
- 27:38Speaker 2: you won't. There's another new directive. Once a year, a
- 27:43Speaker 2: trustee gets 24 hours outside with his wife. What if
- 27:49Speaker 2: he ain't got a wife? Well, you still get your
- 27:52Speaker 2: 24 hours to find one, I guess. Don't you worry
- 27:56Speaker 2: about it, Gavry. You're never going to make trusty. Now,
- 28:00Speaker 2: don't get any ideas I'm turning this place into a
- 28:02Speaker 2: health resort. Whatever you've learned about discipline here still goes.
- 28:05Speaker 2: And any time any of you boys want to trounce
- 28:07Speaker 2: your knives against us, we'll be very happy... Williams! I
- 28:12Speaker 2: didn't give you permission to leave the line. Well, I
- 28:14Speaker 2: figured you'd said everything you had on your mind. There's
- 28:17Speaker 2: room for only one self-minded man in this camp. That's me.
- 28:22Speaker 2: You don't make a move around here unless I tell
- 28:24Speaker 2: you to. Now, you can stand right where you are
- 28:27Speaker 2: at attention all day. What's more, I notice you haven't
- 28:31Speaker 2: been shaving lately. From now on, shave. Clean. Every morning.
- 28:37Speaker 9: The rest of you, dismissed.
- 28:49Speaker 2: I was told you wanted to see me, Captain. Come in.
- 28:53Speaker 2: Having trouble with your memory again, eh? Shaven, I can't
- 28:56Speaker 2: scrape them any finer. I'm talking about mail. I ordered
- 29:00Speaker 2: you months ago to write to your folks. I didn't
- 29:02Speaker 2: know that was a law. I didn't know that was
- 29:04Speaker 2: anybody's concern but my own. When they keep writing to
- 29:06Speaker 2: me wanting to know how you are, it gets to
- 29:08Speaker 2: be my concern, too. I've got enough to do without
- 29:11Speaker 2: answering your mail. Well, I ain't writing. You can't make me.
- 29:13Speaker 9: Excuse me, Captain, about your rifle.
- 29:16Speaker 2: I'm afraid I can't fix it, Captain. Here, let me
- 29:18Speaker 2: see it again. Well, take it over to the shop. Yes, sir.
- 29:24Speaker 2: That rifle, do you mind if I look at it, Captain?
- 29:26Speaker 2: You're nuts, Williams. Go ahead. Give it to him. Thanks.
- 29:31Speaker 2: Okay if I use that screwdriver? Take it. Bolt's out
- 29:35Speaker 2: of place. All it needs is adjusting, I think. Let
- 29:38Speaker 2: me see. Yeah, it'll work now. Pretty hand with a rifle,
- 29:45Speaker 2: aren't you? I always have been. Yeah, it'll get you
- 29:47Speaker 2: in a lot of trouble, too. Now, what about these? Letters? Yes, letters.
- 29:52Speaker 2: Letters from your wife. Letters you refuse to open. How
- 29:55Speaker 2: much longer are you going to fight this? I ain't fighting.
- 29:58Speaker 2: I'm resisting it. I told them to forget about me.
- 30:00Speaker 2: They're worried. They got a right to hear from you.
- 30:03Speaker 2: What'll I write about, Captain? About how nice it is
- 30:06Speaker 2: in here? Write what you want, but write. They'll never
- 30:09Speaker 2: get a letter from me with a prison postmark. They'll
- 30:12Speaker 2: get letters. Lots of them. Now get back to your work.
- 30:16Speaker 2: And keep shave. I was impressed, David, with the ease
- 30:21Speaker 2: with which your father fixed my rifle. And some days later,
- 30:25Speaker 2: I had reason to be grateful to him again. The
- 30:38Speaker 2: prisoners were working near a swamp, cleaning out brush. As
- 30:42Speaker 2: I walked past your father, he grabbed the revolver out
- 30:44Speaker 2: of my holster and fired. Stand back, Cap. Back off.
- 30:48Speaker 9: I got him covered.
- 30:49Speaker 2: Put your gun down, Mobley. Wasn't me, shot at. Rattlesnake.
- 30:55Speaker 2: Right in my path. Yeah, the big one, huh? Yeah.
- 30:59Speaker 2: Blew his head right off. Here. Here's your gun. Get
- 31:03Speaker 2: back to your work. All of you, come on back
- 31:06Speaker 2: to work. You're late, Williams. You want to eat, you
- 31:14Speaker 2: get here on time. All right, I won't eat. What
- 31:17Speaker 2: was it this time? I didn't know I was late,
- 31:19Speaker 2: that's all. Forgetting again, huh, Williams? Well, you got to
- 31:22Speaker 2: know it's Kruger. He got sick. I helped him into
- 31:24Speaker 2: his bunk. He's got malaria. We'll get a doctor here.
- 31:26Speaker 2: He was on the floor. Nobody was around. It wasn't
- 31:28Speaker 2: any of your business. Well, it was my business. That'll
- 31:31Speaker 2: cost you your B grade. I got my B grade
- 31:34Speaker 2: for saving a man from a rattlesnake. I lose it
- 31:36Speaker 2: for helping a sick man. No back, John. Well, I
- 31:38Speaker 2: ain't done nothing wrong. You fight every inch of the way,
- 31:40Speaker 2: don't you? Stubborn and mean and sullen. You want a
- 31:44Speaker 2: stretch of solitary? I ain't done nothing wrong. You're asking
- 31:47Speaker 2: for it, Williams. All right, you think I got it coming.
- 31:49Speaker 2: Go ahead, get it over with. You got me cornered.
- 31:52Speaker 2: There's 200 convicts in back of me. If I give
- 31:53Speaker 2: it to you now, I might as well resign my job.
- 31:56Speaker 2: It's you or me, isn't it? Mobley. Yes, sir. Throw
- 32:01Speaker 2: him in solitary. For how long, sir? Until he begs
- 32:04Speaker 2: to come out. Got a minute, Cap? I'd like to
- 32:16Speaker 2: see you. Sit down, Doc. How's Kruger? Oh, he'll be
- 32:20Speaker 2: all right in a day or two. I'm here about Williams.
- 32:23Speaker 2: He's still in solitary, huh?
- 32:26Speaker 9: Yeah.
- 32:26Speaker 2: He's stubborn. Positive that he's right. Tough combination to break.
- 32:32Speaker 2: I'll break it. I've had tougher than him. But none
- 32:35Speaker 2: of them could take more than seven days in solitary.
- 32:39Speaker 2: Williams has been in there for 30. Doc, you take
- 32:41Speaker 2: care of the infirmary. Let me handle the discipline. You'll
- 32:44Speaker 2: be disciplining a corpse. He can't stay alive much longer.
- 32:47Speaker 2: Let him say so. You know he won't. I'll have
- 32:52Speaker 2: to go over your head, Captain. I'm not going to
- 32:54Speaker 2: be responsible. Doc, what makes a fellow like him tick?
- 33:01Speaker 2: It might be interesting to try and find out. If
- 33:04Speaker 2: you want to order his removal, I won't oppose it.
- 33:08Speaker 2: I think you're making a mistake. I know you do.
- 33:11Speaker 2: I'll write out the order. Doc said you wanted to
- 33:21Speaker 2: see me. Yeah. Well, you learn anything in solitary? I
- 33:25Speaker 2: didn't know I was supposed to learn anything. I thought
- 33:28Speaker 2: I was put there because I helped Kruger. I put
- 33:30Speaker 2: you in there for back jawing in front of the man.
- 33:32Speaker 2: I got a right to my say. You haven't heard
- 33:34Speaker 2: my side of things, Captain. Go ahead, talk. I ain't
- 33:38Speaker 2: one of them. I ain't no criminal. You pleaded guilty
- 33:41Speaker 2: to murder. It was yours still, and you know it
- 33:43Speaker 2: was illegal. You're just as responsible for that murder if
- 33:45Speaker 2: you pulled the trigger one of your men did. I
- 33:47Speaker 2: don't go along with that. Besides, they didn't prove that
- 33:49Speaker 2: I did it. That's 30 years without proof, and that
- 33:52Speaker 2: ain't fair. You got strange ideas, Williams, about what's fair
- 33:55Speaker 2: and not fair. You see these? More letters. She says
- 34:00Speaker 2: it isn't fair, too. Your wife, and she's right. It
- 34:02Speaker 2: isn't fair the way you treat your family, refusing to
- 34:04Speaker 2: see them and not answering their letters. We've been all
- 34:07Speaker 2: over this before. You're a great man, Williams. 30 days
- 34:09Speaker 2: in solitary in bread and water. You set a new record. Yeah,
- 34:12Speaker 2: you can take it physically, but that's all you can take.
- 34:14Speaker 2: You think it's because I want it this way? It's
- 34:16Speaker 2: always what you want, your rights. Don't you think they've
- 34:19Speaker 2: got rights, too? You think I want my wife to
- 34:21Speaker 2: see me looking like this? She's not ashamed. I just
- 34:24Speaker 2: had a long talk with her. She's outside waiting. She's here?
- 34:29Speaker 1: Yes.
- 34:31Speaker 2: You ought to see her, Williams. You know you should.
- 34:35Speaker 2: I'm going to give you 24 hours on the outside
- 34:37Speaker 2: without change. I ain't a trustee, Captain. Will you come
- 34:41Speaker 2: back after 24? Yeah. I'll come back. Wait here.
- 34:46Speaker 12: I'll see that you get some other clothes.
- 34:59Speaker 6: You remember this place, Marsh? This is where we came
- 35:02Speaker 6: that day you got out of the Navy.
- 35:04Speaker 2: I never thought I'd see it again, Maggie. I never
- 35:06Speaker 2: thought I'd see you again.
- 35:09Speaker 5: Well, now, where was I?
- 35:12Speaker 6: Oh, yes, about the family.
- 35:13Speaker 5: Well, John's going into real estate, and Mary Ruth's expecting
- 35:16Speaker 5: in October, and Leon is serious about the Jennings girl.
- 35:21Speaker 5: You remember little Sarah Jennings?
- 35:23Speaker 2: Yeah, yeah.
- 35:26Speaker 5: No, she hasn't asked me about my school yet. Aren't
- 35:29Speaker 5: you interested?
- 35:30Speaker 2: Yeah, I'm interested.
- 35:31Speaker 5: Only one more year of college and I'll have my
- 35:33Speaker 5: teaching certificate.
- 35:35Speaker 2: Why didn't you do what I told you? Why didn't
- 35:37Speaker 2: you get a divorce?
- 35:40Speaker 5: I took you until death do us part.
- 35:42Speaker 2: I'm the same as dead, Maggie. Under the law, a
- 35:45Speaker 2: man stays away from his wife for seven years. The
- 35:47Speaker 2: law counts him as dead. Well, the law put me
- 35:50Speaker 2: away for 30 years.
- 35:51Speaker 5: Please, Marsh, don't talk like that.
- 35:53Speaker 2: It's no good, Maggie. You've got to be married, really married.
- 35:57Speaker 5: I am married.
- 36:00Speaker 6: A woman's only half a person, Marsh.
- 36:02Speaker 5: You're my other half.
- 36:04Speaker 6: I can't be complete without you.
- 36:06Speaker 2: Don't you understand? I'll be an old man by the
- 36:09Speaker 2: time I get out. If I ever get out. Don't.
- 36:12Speaker 6: Don't push me away.
- 36:13Speaker 5: I'm your wife.
- 36:14Speaker 2: Convicts don't have wives.
- 36:17Speaker 6: Don't you want me, Marsh?
- 36:19Speaker 2: For one day a year?
- 36:20Speaker 6: It's better than none.
- 36:21Speaker 2: No, it's worse. It just helps keep you alive. It's
- 36:25Speaker 2: no good when you can't breathe fresh air. Better to
- 36:28Speaker 2: be dead than you can't want for nothing.
- 36:30Speaker 6: That's not true.
- 36:31Speaker 5: You don't have to stop wanting or hoping. I'm in
- 36:35Speaker 5: prison too, Marsh, without you.
- 36:38Speaker 2: Oh, Maggie, don't you see? If you want love, you've
- 36:42Speaker 2: got to have a husband, a full-time husband.
- 36:47Speaker 5: I want a child, Marsh. I want to stay alive.
- 36:52Speaker 6: I'm so lonesome.
- 36:54Speaker 2: No kid would pick a convict for a father, how
- 36:56Speaker 2: would he?
- 36:57Speaker 13: Always going to be a convict, if not forever, unless
- 37:01Speaker 13: you make it that way.
- 37:11Speaker 11: It's almost two o'clock, Captain.
- 37:15Speaker 2: No sign of Williams. You want the alarm set up?
- 37:18Speaker 2: He's got ten more minutes. I'll bet you Bucky makes it.
- 37:23Speaker 2: You gotta bet. Captain's office. Move it. Yeah. Yeah, okay. Well,
- 37:34Speaker 2: there's your buck. He's walking in now.
- 37:48Speaker 3: The Navy Enlisted Men's Club in Tokyo is a pretty
- 37:51Speaker 3: nice place where the men of the Navy can sit
- 37:53Speaker 3: around and talk, read or play cards on off-duty hours.
- 37:57Speaker 3: It's a pretty nice place in another way, too. There's
- 38:00Speaker 3: a box on the bar for the spare change of
- 38:02Speaker 3: the sailors, and every penny that's dropped into it goes
- 38:06Speaker 3: for the support of their private orphanage called the Home
- 38:09Speaker 3: of Affection. Over 50 boys and girls of all ages
- 38:13Speaker 3: are fed, clothed, and educated there. The orphanage has formed
- 38:16Speaker 3: its own self-government, and the children are learning what it's
- 38:20Speaker 3: like to live by democratic rules.
- 38:22Speaker 2: With the help of the.
- 38:23Speaker 3: Enlisted men of our Navy, they're meeting the world with
- 38:26Speaker 3: a new hope, a new dignity, and pride. Such acts
- 38:30Speaker 3: by you and your friends today are shaping our world
- 38:35Speaker 3: of tomorrow.
- 38:44Speaker 2: We pause now for station identification.
- 39:02Speaker 4: The curtain rises on Act Three of Carbine Williams, starring
- 39:06Speaker 4: Ronald Reagan as Marsh, Wendell Corey as Captain Peoples, and
- 39:09Speaker 4: Gene Hagen as Maggie.
- 39:12Speaker 2: Yes, David? I was a much-relieved man when your dad
- 39:21Speaker 2: kept his word and returned to the prison. I sent
- 39:26Speaker 2: for him right away when he came in. I had
- 39:29Speaker 2: something to tell him. I want to thank you for
- 39:31Speaker 2: the pass, Captain. And I want to thank you. You
- 39:34Speaker 2: just made me a dollar. How's that? Never mind. I'm
- 39:38Speaker 2: hoping you'll be great again. That mean I'll get a
- 39:40Speaker 2: chance to work inside?
- 39:41Speaker 5: Maybe.
- 39:42Speaker 2: How about the blacksmith shop? Why? Well, I used to
- 39:45Speaker 2: work in one. I got a hand for mechanics. Okay. Okay. Eh,
- 39:49Speaker 2: just don't build any stills. No, sir. That's all, Williamson. Oh, uh,
- 39:56Speaker 2: keep clean shaven. Oh, you looking for somebody, Captain? Yeah, you.
- 40:07Speaker 2: This is leisure period. What are you doing in the bunkhouse? Nothing.
- 40:10Speaker 2: Nothing special. I just came from the post office. There
- 40:13Speaker 2: was an outgoing letter. Thanks. Thanks for writing. Is that
- 40:17Speaker 2: what you came to tell me? Yeah. Yeah. Oh, is
- 40:20Speaker 2: that you just put under the blanket? Another letter? No, sir.
- 40:23Speaker 2: Let me see it. It's personal. Nothing's personal in here.
- 40:27Speaker 2: Give it to me. Well, you're quite a draftsman, aren't you?
- 40:36Speaker 2: A detailed sketch of... of a rifle. Shooting your way
- 40:42Speaker 2: out of here, Williams, isn't as easy as shooting your
- 40:44Speaker 2: way in. I wasn't figuring on busting out. What were
- 40:46Speaker 2: you figuring? Well, I... I got the idea when I
- 40:49Speaker 2: was in solitary. After the sixth day, I thought I
- 40:52Speaker 2: was a goner. No light, no air, no room to
- 40:54Speaker 2: lay down. My back was killing me. I couldn't see
- 40:57Speaker 2: how anybody could stand it a week. Then I got
- 41:00Speaker 2: to thinking about them Hindus. You know, them people that
- 41:02Speaker 2: sleep on nails. What did they do? Well? Well, did
- 41:05Speaker 2: you ever try to think of two things at the
- 41:07Speaker 2: same time? You can't do it. It's impossible. There ain't
- 41:10Speaker 2: nobody can do that, Kevin. At first, I could only
- 41:13Speaker 2: not think about the pain in my back for maybe
- 41:15Speaker 2: two or three seconds at a time. But then it
- 41:17Speaker 2: got longer and longer. Pretty soon, I could think away
- 41:20Speaker 2: that pain for two or three, four hours at a time.
- 41:22Speaker 2: It's on the level. You try it sometimes. You try
- 41:25Speaker 2: to think about two things at the same time. Now,
- 41:28Speaker 2: what I did, I tried to think about the good
- 41:30Speaker 2: days when I was a kid. In the woods, hunting
- 41:32Speaker 2: and fishing. When I wasn't shooting a gun, I was
- 41:35Speaker 2: making one. Well, that started me to thinking about guns again,
- 41:38Speaker 2: and I kept thinking about them. The more I thought
- 41:41Speaker 2: about them, the less I thought about solitary. Now, guns
- 41:43Speaker 2: were all around, all over the place. On the ceiling
- 41:45Speaker 2: and the walls and the floor. I kept taking them apart,
- 41:49Speaker 2: piece by piece. Then I'd put them together again. Then
- 41:52Speaker 2: pretty soon I started experimenting on new ways to make guns.
- 41:54Speaker 2: And that's it. This here drawing. That's a new kind
- 41:59Speaker 2: of a gun there, Captain. Well, a drawing for a gun?
- 42:02Speaker 2: We can't have that in here. You can't keep me
- 42:04Speaker 2: from thinking about guns. What's the difference if I draw
- 42:06Speaker 2: a picture of one? None, I guess. As long as
- 42:10Speaker 2: you just make them on paper. Well, David... Your dad
- 42:18Speaker 2: kept on in our little blacksmith shop. We did a
- 42:21Speaker 2: lot of our repair work in there, and your dad
- 42:23Speaker 2: was a real expert. Among the other men in the
- 42:26Speaker 2: shop were two prisoners named Fetter and Kruger.
- 42:34Speaker 9: What's the matter, Marsh?
- 42:35Speaker 2: We scare you? You almost went right through the roof.
- 42:38Speaker 2: What are you so nervous about? I didn't hear you
- 42:41Speaker 2: come in. It's free time. How come you're still working?
- 42:45Speaker 2: I just wanted to finish up. How come you're here?
- 42:48Speaker 2: He forgot his tobacco. Yeah. I left it on the bench.
- 42:53Speaker 2: Whose gun you working on? One of the guards. He
- 42:55Speaker 2: told me it was jamming. Just needs cleaning. You're a
- 42:58Speaker 2: pretty smart guy, Marsh. You're all right. What do you want?
- 43:01Speaker 2: We've been watching, that's all. We're fixing to break up.
- 43:05Speaker 2: Maybe you can help us. No, you can't break up.
- 43:07Speaker 2: Didn't you learn nothing from what happened to the others
- 43:09Speaker 2: last year? It ain't gonna be like last year. We
- 43:11Speaker 2: got everything figured. Do what you want. I'm on my own.
- 43:14Speaker 2: That's up to you. I'm not going. Suit yourself. Only
- 43:18Speaker 2: we're taking the guard's rifle. What good is it without bullets?
- 43:21Speaker 2: Who says we don't have bullets? We got all we
- 43:24Speaker 2: need to.
- 43:24Speaker 9: Get us out of here.
- 43:25Speaker 2: Only two rifles are a lot better than just one rifle.
- 43:28Speaker 2: Put it back. That's my gun. Give me that gun.
- 43:30Speaker 2: It ain't even finished. We've known about this for months.
- 43:33Speaker 2: How you been working on every free second you can find.
- 43:35Speaker 2: How you been hiding it all wrapped up in canvas
- 43:37Speaker 2: under them wall boards. Let go of it. Give me
- 43:39Speaker 2: my rifle. Hey, somebody's coming. It's Mobley. It's your last chance.
- 43:42Speaker 9: You with us or not?
- 43:43Speaker 2: No. Okay, let him have it. Now let's get out
- 43:47Speaker 2: of here. Keep the rifle covered up with that canvas.
- 43:48Speaker 2: What are you men doing? I forgot my tobacco, sir.
- 43:52Speaker 2: We came back to get it. Don't you know you're
- 43:54Speaker 2: not supposed to be... What's that you're carrying? Walk between us.
- 43:58Speaker 2: I got a knife, Mobley. It's right up against your ribs.
- 44:00Speaker 2: Here's a rifle. Now keep walking toward the gate. Now
- 44:02Speaker 2: we're going to take you with us. And if anybody
- 44:04Speaker 2: tries to stop the guard in the tower... You all right, Mobley? Yeah. Yeah,
- 44:09Speaker 2: I'm all... No, it's a break! Shoot!
- 44:11Speaker 4: Shoot!
- 44:21Speaker 2: I told you, Williams, that you could make a gun
- 44:23Speaker 2: out of paper. But you had to go by your
- 44:25Speaker 2: own rules again. Look what happened. My gun didn't have
- 44:27Speaker 2: nothing to do with a break. That Kruger was set
- 44:29Speaker 2: on busting out for a long time. You sure you
- 44:31Speaker 2: weren't in on it? You don't think I knocked myself
- 44:33Speaker 2: out with that wrench, do you? And I didn't get
- 44:36Speaker 2: the rifle away from me either. Captain, I've been working
- 44:38Speaker 2: on it for two years now. I got to finish it.
- 44:41Speaker 2: You're finished with it right now. I can't let you
- 44:43Speaker 2: work in the smithy after this. Captain, please. Just look
- 44:47Speaker 2: at the rifle. This is something new. Entirely new. Every
- 44:52Speaker 2: automatic rifle has a piston that moves three and a
- 44:54Speaker 2: half inches. Well, I'm trying to get this chamber in
- 44:57Speaker 2: my rifle to move a tenth of an inch and
- 44:59Speaker 2: still throw out the shell and load in another. A
- 45:01Speaker 2: tenth of an inch? Well, that's not possible. Maybe not.
- 45:05Speaker 2: But if I was to tell you that I took
- 45:06Speaker 2: part of a fence post and an old axle out
- 45:09Speaker 2: of a tractor and I made me a rifle with
- 45:11Speaker 2: no lathes, no machinery of any kind except a file
- 45:14Speaker 2: in my own hands, would you say that's possible? Please. Please,
- 45:19Speaker 2: will you let me keep working on it? All right, Williams.
- 45:25Speaker 2: I'll go along with you. Thank you. I won't let
- 45:28Speaker 2: you down. Work on it in your free time. Thank you. You, uh,
- 45:33Speaker 2: feeling all right, Captain? I was until you mentioned it.
- 45:38Speaker 2: Keep your eye on him, Mulvey.
- 45:41Speaker 8: Now, what about that letter, Maggie?
- 45:50Speaker 9: What's that you were telling us about? About Marsh and
- 45:53Speaker 9: a rifle?
- 45:53Speaker 5: The letter's not from Marsh, Dad Williams. It's from Captain Peoples.
- 45:57Speaker 6: I'll read it to you.
- 45:59Speaker 5: Marsh is different, but I wonder if I have changed
- 46:02Speaker 5: him as much as he has changed me. If anyone
- 46:05Speaker 5: had told me yesterday that I'd ever turn my back
- 46:08Speaker 5: while a prisoner made a gun in here, I'd have
- 46:10Speaker 5: said they were crazy. Maybe I am crazy, but I'm
- 46:14Speaker 5: beginning to believe Marsh is going to invent a new
- 46:17Speaker 5: kind of gun.
- 46:18Speaker 9: A new kind of gun?
- 46:19Speaker 2: Well, there's more.
- 46:21Speaker 5: Even if he doesn't, it will have served a useful purpose.
- 46:25Speaker 5: He has finally found something that interests him. For the
- 46:28Speaker 5: first time, I feel that Marsh, in his way, is
- 46:33Speaker 5: helping himself out.
- 46:38Speaker 2: That gun became your dad's life, David. He stopped fighting
- 46:41Speaker 2: himself and the rest of the world. He didn't have time.
- 46:44Speaker 2: He was fighting a piece of steel. He even mentioned
- 46:47Speaker 2: time by that rifle. He filed a notch on the butt.
- 46:51Speaker 2: A notch for every year he'd been working on it.
- 46:54Speaker 2: Six notches. Six years. Now, that's a long time to
- 46:59Speaker 2: keep a story like that secret. It finally leaked out.
- 47:02Speaker 2: And I was called before the prison commission. First of all, peoples,
- 47:07Speaker 2: how do you explain these newspaper headlines? Just look at this. Williams,
- 47:10Speaker 2: chain gang murderer to shoot his own rifle in prison.
- 47:13Speaker 2: And this. Warden approves gun making by convict. Yes, I
- 47:17Speaker 2: know about the headlines, sir. Despite efforts of warden peoples
- 47:20Speaker 2: to keep it a secret, this newspaper learns that his
- 47:22Speaker 2: pet prisoner, David Marshall Williams, serving a 30-year term for murder,
- 47:26Speaker 2: will test his gun with real bullets tomorrow at the
- 47:29Speaker 2: prison farm, now known as the Caledonia Skeeton Gun Club.
- 47:33Speaker 2: Why should I listen to this bunk? Most of it's
- 47:36Speaker 2: just lies and you know it. Why should any of
- 47:38Speaker 2: it be true? You've made this commission the laughingstock of
- 47:41Speaker 2: the country. Who's running Caledonia? Me or those funny papers?
- 47:43Speaker 2: From the looks of things, Williams is running it. As
- 47:45Speaker 2: long as I'm warden, I'll run things my way. You
- 47:48Speaker 2: gentlemen don't like it, you can get someone else. Because
- 47:50Speaker 2: of your record, Captain, we'll overlook this outburst of temper.
- 47:54Speaker 2: Let's have no more of this Williams nonsense. That's all, people.
- 47:58Speaker 2: I let Williams make a gun because I honestly believe
- 48:00Speaker 2: he had something new. I said that was all. He's outside.
- 48:02Speaker 2: I brought him here. Williams here? I want you to
- 48:05Speaker 2: let him show you his gun. Absolutely not. What's the matter?
- 48:08Speaker 2: Are you afraid he'll convince you, too? Well, I, for one,
- 48:11Speaker 2: would like to take a look at this handmade rifle.
- 48:14Speaker 2: All right. If it's a show you want, bring him in.
- 48:17Speaker 2: Thank you. Marsh, come in. You've been getting away with
- 48:24Speaker 2: murder down in Caledonia, Williams, but it's finished, understand? Well,
- 48:28Speaker 2: so is my gun finished, sir. I just want to
- 48:30Speaker 2: see whether it works. You don't think we're going to
- 48:32Speaker 2: let you loose inside a prison with a gun and
- 48:34Speaker 2: real bullets, do you? I was loose with a file
- 48:37Speaker 2: and a hacksaw for six years, sir. Won't you even
- 48:39Speaker 2: look at it? Here, you can check it any way
- 48:41Speaker 2: you want to. Hmm. That seems very light for a rifle.
- 48:47Speaker 2: There are 25 parts in it. I made them all
- 48:48Speaker 2: by hand. And you're right, sir. It's the lightest. 35
- 48:52Speaker 2: ever made. This piece of steel here weighed 5 pounds
- 48:54Speaker 2: when it was an axle. Now it weighs a little
- 48:57Speaker 2: less than 12 ounces. I hand-filed every ounce. It's good work,
- 49:01Speaker 2: but that's not the question. There'll be no test. But
- 49:05Speaker 2: I found out how to make a gun five pounds
- 49:07Speaker 2: lighter than any other gun that's ever been made before.
- 49:09Speaker 2: In time of war, that means a man could carry
- 49:11Speaker 2: five pounds more essential equipment than he does now. Peoples,
- 49:14Speaker 2: what guarantee is there that if this man is allowed
- 49:17Speaker 2: to fire his gun that he won't turn it on
- 49:19Speaker 2: you and your men? He had the choice and he didn't.
- 49:21Speaker 2: That's no guarantee what he might do in the future.
- 49:23Speaker 2: There's always the temptation of a break. Williams has served
- 49:27Speaker 2: eight years and two months. If he escapes, I'll serve
- 49:31Speaker 2: out his 30-year term. You realize what you're saying? I'll
- 49:35Speaker 2: put it in writing. The gun was tested on the
- 49:41Speaker 2: prison grounds, David. It did all your father said it would,
- 49:45Speaker 2: and a lot more. Among the men who watched the
- 49:48Speaker 2: test was a Mr. Joseph Mitchell of the Winchester Repeating
- 49:52Speaker 2: Arms Company. Winchester, huh? That's a pretty big outfit. Well,
- 49:57Speaker 2: I read about you in the paper, Williams, and I
- 49:58Speaker 2: asked the captain if I could come down. I sure
- 50:01Speaker 2: hope you weren't disappointed. I saw enough to offer you
- 50:03Speaker 2: a contract. I got a contract, Mr. Mitchell. Twenty-two more
- 50:06Speaker 2: years to go. Do you mind if I examine the rifle? Sure.
- 50:10Speaker 2: You're a short-stroke piston. Do you think you could use
- 50:14Speaker 2: this in other types of guns? Yes, sir. I think
- 50:16Speaker 2: I can. Well, I think you can, too. We'll take
- 50:18Speaker 2: a gamble. You may have discovered something that no one
- 50:21Speaker 2: else ever dreamed was possible. An automatic rifle with a
- 50:24Speaker 2: floating chamber. We'd like to be in on it. Well,
- 50:27Speaker 2: you'll have to talk to Cap here. He's my manager.
- 50:31Speaker 2: Gun's that good, huh? Well, Captain, a man that could
- 50:33Speaker 2: make that with his two hands and nothing to go on,
- 50:36Speaker 2: there's no telling what he could do if he keeps
- 50:38Speaker 2: working on it. Oh, I'll keep working on it. Yes, sir.
- 50:42Speaker 2: I'll keep working. Your grandpa kept working, too, David, until
- 50:48Speaker 2: your father's case was reopened. The newspaper stories about the
- 50:52Speaker 2: gun test didn't hurt, and I sent pretty strong letters
- 50:55Speaker 2: to the governor myself. A few months later, your father
- 50:58Speaker 2: received a full pardon from the governor. You know, David,
- 51:03Speaker 2: it's a funny thing. The gun sent your father to prison,
- 51:06Speaker 2: the gun freed him.
- 51:07Speaker 9: Do you know how many.
- 51:08Speaker 2: Patents he's got now?
- 51:10Speaker 5: Lots of them, sir, but I don't know exactly.
- 51:13Speaker 2: 68. He's got them on pistols, machine guns, all kinds
- 51:17Speaker 2: of things. His greatest was the contribution he made to
- 51:20Speaker 2: this gun right here, here in the case in the wall.
- 51:23Speaker 2: This is the M1 carbine. That's the first carbine adopted
- 51:27Speaker 2: by the United States Army in 40 years. You know
- 51:30Speaker 2: how many of these went to war? Eight million. Well, David,
- 51:36Speaker 2: that's what I know about your father. I can only
- 51:39Speaker 2: tell you about him. I can't tell you how to feel.
- 51:42Speaker 2: That's up to you.
- 51:43Speaker 5: My dad, where'd he go?
- 51:45Speaker 2: Where is he? Well, if you'll just walk out that door, David,
- 51:49Speaker 2: I'm sure you'll find him out there on the steps
- 51:51Speaker 2: waiting for you.
- 51:52Speaker 5: Thank you. Thank you very.
- 51:58Speaker 2: Much. David, over here, son. You get along all right
- 52:01Speaker 2: with Captain Peoples? Yes, Dad. David, is there anything you
- 52:08Speaker 2: want to ask me? No, Dad.
- 52:10Speaker 5: Just give me your hand.
- 52:13Speaker 2: Now let's go home. Our stars will return in a moment.
- 52:26Speaker 3: An Indiana soldier by the name of Birch Bay, yes,
- 52:29Speaker 3: that's his real name, carried a little excess equipment overseas
- 52:33Speaker 3: with him to Germany for occupation duty. To be exact,
- 52:36Speaker 3: he had $ 4 worth of vegetable garden seeds in his
- 52:39Speaker 3: duffel bag. You see, Birch had been a star pupil
- 52:42Speaker 3: in agricultural extension work and president of his 4-H club
- 52:46Speaker 3: for two years. His military police company arrived for duty
- 52:50Speaker 3: in the little German village of Hungen, Here, Birch sent
- 52:53Speaker 3: out word to the children that he had a job
- 52:55Speaker 3: for them. Ninety turned up, and they represented 45 different families.
- 53:00Speaker 3: During his off-duty hours, Birch laid out a garden tract
- 53:04Speaker 3: on the edge of town in 45 plots, each six
- 53:07Speaker 3: by 20 feet. He parceled out the seeds and supervised
- 53:10Speaker 3: the planting. An astonishing quantity of vegetables was raised. And
- 53:15Speaker 3: something else was raised, too. The morale of all the
- 53:19Speaker 3: people in the village who needed not only food for
- 53:21Speaker 3: their stomachs, but sustenance for their spirits. Such acts by
- 53:26Speaker 3: you and your friends today are shaping our world of tomorrow.
- 53:32Speaker 2: Now, here's Mr. Cummings with our stars.
- 53:34Speaker 4: And we invite them forward for a curtain call. Ronald Reagan,
- 53:37Speaker 4: Wendell Corey, and Gene Aiken.
- 53:45Speaker 2: Now what's the word for next week, Irving?
- 53:46Speaker 4: A thrilling drama of suspense, Ronnie. The exciting story of
- 53:50Speaker 4: a man who falls in love with a charming, vivacious
- 53:52Speaker 4: widow and then is forced to suspect her of murder.
- 53:55Speaker 4: It's 20th Century Fox's absorbing A Blueprint for Murder. And
- 53:59Speaker 4: as our stars, the lovely, talented Dorothy McGuire and that
- 54:04Speaker 4: versatile actor, Dan Daly.
- 54:07Speaker 2: We'll be listening. Good night. Good night.
- 54:10Speaker 9: See you again soon, we hope.
- 54:25Speaker 3: The Hollywood Radio Theater is produced by Mr.
- 54:27Speaker 2: Irving Cummings. Our orchestra is under the direction of Rudy Schrager.
- 54:31Speaker 3: This is Ken Carpenter inviting you to join us next
- 54:34Speaker 3: week at this same time for another presentation of the.
- 54:37Speaker 2: Hollywood Radio Theater.
- 54:46Speaker 3: Hollywood Radio Theater is a presentation of the United States
- 54:49Speaker 3: Armed Forces Radio and Television Service.
- 55:14Speaker 2: Thank you.
- 56:06Speaker 1: That brings us to the end of Lux Radio Theatre's
- 56:08Speaker 1: Carbine Williams. Until our next visit with radio's enduring dramatic programs,
- 56:14Speaker 1: good evening.