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Breakfast Club Flashbacks Featuring Interviews From Don Pooh, Tank & 85 South · The Breakfast Club

• 0:02
  Speaker 1: Did your time to get it off your chest, whether
• 0:04
  Speaker 1: you're mad or blast so, so you better have the
• 0:06
  Speaker 1: same minute. We want to hear from you on the
• 0:08
  Speaker 1: breakfast club. Hello, who's this? Hey? This Kisa, Hey Keisha,
• 0:12
  Speaker 1: get it up to Chessum in my lives, I don't
• 0:15
  Speaker 1: want to be live because I want to talk to
• 0:17
  Speaker 1: you about something. I'm being a victor from our apartment
• 0:19
  Speaker 1: and I don't want to be putting my business out
• 0:22
  Speaker 1: there over the era where you live. Um. I lived
• 0:25
  Speaker 1: in Jersey and I DM JU and I can provide
• 0:28
  Speaker 1: you all my documentation. Okay, hold on, hold on, hold on,
• 0:32
  Speaker 1: hold on. Hello, who's this Hey, good morning. It's Jermaine
• 0:35
  Speaker 1: out of Atlanta. How y'all doing this morning? What's going on? Ye? Hey?
• 0:40
  Speaker 1: Fam Um. I want to give a happy birthday shout
• 0:43
  Speaker 1: out to my grandma's man, she turned ninety three. Well, Um,
• 0:47
  Speaker 1: I also want to give a happy birthday shout out
• 0:49
  Speaker 1: to doing my sister, I love you, my big sister
• 0:52
  Speaker 1: out of Harlem. And another birthday shout out to my
• 0:56
  Speaker 1: other sister Shimika Walker. Love you too. Bo. You have
• 1:00
  Speaker 1: your family man, yeah, yeah, man, all only birthdays were
• 1:05
  Speaker 1: the same week, so I wanted to knock them all
• 1:06
  Speaker 1: out in one shot and send positive vibes. Is Friday,
• 1:10
  Speaker 1: God bless love the show. All right, thank you by vodka, Lemonade,
• 1:14
  Speaker 1: Vodka Love y'all. Hello, what's this? Hey? Who's this? Yeah?
• 1:19
  Speaker 1: This is Johnny. That's up, Johnny, get you off your chest. Yeah.
• 1:23
  Speaker 1: First things first, I want to talk about you, man, DJM.
• 1:26
  Speaker 1: Every time you introduced the breakfast Club, singing your name out,
• 1:30
  Speaker 1: d angry bro. Another thing, Charlotte Man, I'm glad you
• 1:36
  Speaker 1: stopped reaching baby. I'm glad you loving your skin back.
• 1:39
  Speaker 1: You know what I'm saying. I'm loving it, black fan. Baby.
• 1:41
  Speaker 1: So you think you think that you can reverse the
• 1:43
  Speaker 1: process of bleaching, you're also smart. I mean you never know, Dad,
• 1:46
  Speaker 1: you stopped bleaching. They go back to the almost Jamaica. Know,
• 1:50
  Speaker 1: they know they don't once you once you bleach and
• 1:53
  Speaker 1: you're rulling in pigments. In pigments is ruining forever, baby,
• 1:56
  Speaker 1: so you know. And another thing, the content. How y'all
• 2:00
  Speaker 1: been talking in the morning and all these kids they
• 2:02
  Speaker 1: get up for the morning before they go to school,
• 2:04
  Speaker 1: they listen to your program. Ya gotta stop your teenas talks. Man,
• 2:07
  Speaker 1: it's getting crazy between most of y'all. I know y'all married,
• 2:11
  Speaker 1: but come on, baby, the contake? What kind of hip
• 2:14
  Speaker 1: hop do you listen to in the car with your kids?
• 2:17
  Speaker 1: I actually want to come up to hip hop by
• 2:18
  Speaker 1: kind of changes like a cribbing station on news. You know.
• 2:21
  Speaker 1: I don't really try to get into the back can
• 2:24
  Speaker 1: I can't avoid it? That's what it is. I'm glad
• 2:26
  Speaker 1: you do that. You can't avoid it? Penis in us? Hello?
• 2:29
  Speaker 1: Who's this angel? Angel? What's up? Get it off your chest?
• 2:33
  Speaker 1: I'm just fake bad right now because when you guys
• 2:36
  Speaker 1: have hub with the breakfast club, I can never get through.
• 2:39
  Speaker 1: But Charlotte, man, you need to start getting to work
• 2:41
  Speaker 1: on time. Man, I look forward to that. Yo yo yo, yo,
• 2:44
  Speaker 1: yo yo. That's like my morning coffee. Man, what's up?
• 2:46
  Speaker 1: It's crazy? How no matter how many times I tell
• 2:48
  Speaker 1: y'all my contract, say six or five, y'all just won't
• 2:50
  Speaker 1: won't believe you, and we don't believe you. But please
• 2:55
  Speaker 1: all right, thank you, brother? Actually, actually thank you from
• 2:58
  Speaker 1: being on time every single day? Okay, thank you every day,
• 3:04
  Speaker 1: not every time, but you can do better. You're better
• 3:07
  Speaker 1: than Charlotte. Can I be late some time? Sure, you
• 3:10
  Speaker 1: happen barely. I think things happen, but it shouldn't be
• 3:13
  Speaker 1: every day a contract change six or five? Rachel, good morning,
• 3:19
  Speaker 1: what's up? Rachel? Get it off your chess, um, Charlotte Mane,
• 3:22
  Speaker 1: I definitely agree with you. My contract stars that six
• 3:25
  Speaker 1: so five too, I don't know. I don't age salute
• 3:28
  Speaker 1: to us six so five games um. So basically, I
• 3:33
  Speaker 1: just want to say good morning. I love you guys
• 3:35
  Speaker 1: to give a shout out to my boyfriend to man Um.
• 3:38
  Speaker 1: And I also want to ask you guys talk about
• 3:41
  Speaker 1: Nicki Minaj a lot in your rumor report, but you
• 3:43
  Speaker 1: guys don't play her music. Why don't you play her music? Well,
• 3:47
  Speaker 1: I have control of it what I talk about in
• 3:49
  Speaker 1: the rumor report, but we don't program the music on
• 3:51
  Speaker 1: the station. What song should we be playing? Well, I
• 3:53
  Speaker 1: don't play music needs. I'm just asking what songs your
• 3:55
  Speaker 1: radio will be playing. I mean, she has a lot
• 3:57
  Speaker 1: of loose songs. I would chance to wrap her um.
• 4:00
  Speaker 1: She remixed the Baby's song. I mean I just hear her,
• 4:04
  Speaker 1: hear her song in the mixes or anything. I would
• 4:07
  Speaker 1: just love to hear her more. All right, Hello, who's
• 4:10
  Speaker 1: this Hey? What's up getting off your chest? Hello? Good morning,
• 4:15
  Speaker 1: d J M. V Angela. Yeard morning guy, Good morning.
• 4:20
  Speaker 1: All right. So a couple of years ago I was
• 4:22
  Speaker 1: living with my egg boys friend and we had a
• 4:25
  Speaker 1: light door in my name, so he yeah, I don't
• 4:28
  Speaker 1: often promote out, but I kept in it just for
• 4:32
  Speaker 1: kind of my heart. I cheest it in my name,
• 4:35
  Speaker 1: can't pay the bill, so now I can't get the
• 4:38
  Speaker 1: lights in my name, so now here. Two years later
• 4:42
  Speaker 1: I ran down at him, and me and his first
• 4:45
  Speaker 1: friend had got to argument over the situation. Reminds you
• 4:48
  Speaker 1: of how you with him. But she wanted to jump
• 4:50
  Speaker 1: in first of all the people, why he only lives.
• 4:54
  Speaker 1: I wouldn't have sex with him while he was with her,
• 4:57
  Speaker 1: so for her to come at me, I'm like, my good,
• 5:00
  Speaker 1: you gotta thank me because it wasn't for me. You
• 5:03
  Speaker 1: want to have your bosom right now, and you want
• 5:05
  Speaker 1: to have no lights? He exactly like, thank you? Who
• 5:11
  Speaker 1: paying the light bill? Now? I don't. I don't have
• 5:15
  Speaker 1: I have life. I don't know how lightning and it's crazy,
• 5:20
  Speaker 1: they say, how do you want with this? To me?
• 5:22
  Speaker 1: I have just got a child, and know that as
• 5:25
  Speaker 1: much time I was gonna say nice too, And because
• 5:27
  Speaker 1: I want to have some because you had a girlfriend,
• 5:29
  Speaker 1: Can I give you some advice? Given you're gonna pay
• 5:32
  Speaker 1: for a light bill, now, I'm gonna give you some advice. Okay,
• 5:35
  Speaker 1: he's never gonna give you that money back. So no
• 5:38
  Speaker 1: matter how much you try to harass him about it,
• 5:40
  Speaker 1: all it's gonna do is be stressful for you. So
• 5:42
  Speaker 1: you just have to chalk that up as a loss
• 5:43
  Speaker 1: and figure out how we're gonna move on and move
• 5:45
  Speaker 1: forward past this, because all you're doing is putting some
• 5:48
  Speaker 1: more stress and burden on yourself. You have to chalk
• 5:50
  Speaker 1: it up and chalk him up as a loss, and
• 5:52
  Speaker 1: he's a loser. I have a go with mama. Get
• 5:54
  Speaker 1: it off your chest eight hundred five eight five one
• 5:57
  Speaker 1: on five one. If you need to vent, hit us
• 5:58
  Speaker 1: up right now. It's the break this club, Wake up,
• 6:01
  Speaker 1: wake up, your time to get it off your chest.
• 6:07
  Speaker 1: Whether your man or bless, we want to hear from
• 6:09
  Speaker 1: you on the breakfast. Black. Hello, who's this? It's up broke,
• 6:13
  Speaker 1: Get it off your chests. Man, don't just this morning man,
• 6:17
  Speaker 1: you and me both brother, yeah, man, you know, just
• 6:19
  Speaker 1: thinking the Lord and shouting out my family, my wife
• 6:23
  Speaker 1: and my kids. I was keep going on my way
• 6:25
  Speaker 1: to work. This one y'all have a blessing you have
• 6:27
  Speaker 1: going to my brother? Hello, who's this? This is Jules
• 6:31
  Speaker 1: Jails one hundred. Hello, I Jules Jim's one hundred. Hit
• 6:34
  Speaker 1: it off your chests, he said, like a cigarette. It's early,
• 6:38
  Speaker 1: it's earlier. Do we have tea yet? Well, what's up?
• 6:40
  Speaker 1: I'm gonna get you off your chest. You're having a
• 6:42
  Speaker 1: great day so far, so far, it's a great day.
• 6:45
  Speaker 1: So many blessings. Um, I do have a jury business.
• 6:48
  Speaker 1: It's called Jim Jail's one hundred. But every single day
• 6:52
  Speaker 1: I think about my brother that is in jail for
• 6:55
  Speaker 1: because of police book cality over for ten years and
• 6:58
  Speaker 1: in the morning, he's in jail because of police brutality.
• 7:00
  Speaker 1: How that happened? He was about fifteen years old and um,
• 7:04
  Speaker 1: he was jumped by police. They put him to jail.
• 7:07
  Speaker 1: They had a fun papers and even he didn't even
• 7:10
  Speaker 1: have a character with m dagn Oh my god, I'm
• 7:14
  Speaker 1: sorry him to confess to something that he didn't do.
• 7:17
  Speaker 1: Go it. God, I'm sorry about that, mama. And we
• 7:21
  Speaker 1: can see how that can happens if we've seen it
• 7:23
  Speaker 1: happen many times. That's awesome. I even want to go
• 7:27
  Speaker 1: visit him, and the police wouldn't let us visit him.
• 7:30
  Speaker 1: Is that illegal? And he's gonna jumped him here? And well,
• 7:34
  Speaker 1: I'm so sorry, mama. What was here? My story going
• 7:38
  Speaker 1: my brother's stories. So I'm very happy about that, okay,
• 7:41
  Speaker 1: But thank you for calling the event with us this morning.
• 7:44
  Speaker 1: Thank you so much. That was good day. You too. Hello?
• 7:47
  Speaker 1: Who's this which? Say? Hey, April, get it off her chest.
• 7:52
  Speaker 1: I want to split some positivity this morning. I wanted
• 7:55
  Speaker 1: to thank the Practice Club for getting me through my
• 7:58
  Speaker 1: parents three years. Um, I'm working Arkansas, Trump Country. Not
• 8:04
  Speaker 1: a lot of people look like me, so uh, just
• 8:07
  Speaker 1: want to thank you guys for getting me through the
• 8:10
  Speaker 1: past three years. So basically you're saying, we the only
• 8:12
  Speaker 1: black people you get to hear from every day. Basically
• 8:15
  Speaker 1: that's the reason why I barely Yeah. So like, I
• 8:23
  Speaker 1: decided that I needed to make a move to get
• 8:26
  Speaker 1: up out of there, and I songly found a way out.
• 8:29
  Speaker 1: It's a very topic workers it. So I'm still working
• 8:33
  Speaker 1: on my business until I can afford to move on. Okay, Mama,
• 8:37
  Speaker 1: We'll keep working all right, all right? So yo, you guys.
• 8:40
  Speaker 1: Vision my Instagram at s E n paspaq dot com.
• 8:48
  Speaker 1: Um and soon, Louie, I would love to sing you
• 8:50
  Speaker 1: some circles. Um. I created a feminine emergency kit for
• 8:55
  Speaker 1: manisturing people. You know, sometimes it's happened. Yeah, girl, I
• 9:00
  Speaker 1: I've had plenty of emergencies, so I was love love,
• 9:04
  Speaker 1: love love love to see you sustandful um. Check out
• 9:08
  Speaker 1: my instagram at sympat or my website at www dot
• 9:14
  Speaker 1: sympat se mtaq dot com. Thank you, mama. Hello, who's
• 9:19
  Speaker 1: this carn jack Jack calling from Detroit? What's up? Bro?
• 9:23
  Speaker 1: What I'm done? I'm mad at and that's my day.
• 9:31
  Speaker 1: My daughter came and going YouTube. Oh they cut the
• 9:33
  Speaker 1: internet off the internet working a little bit. I was
• 9:37
  Speaker 1: trying to you know, a black man no cheat, but
• 9:38
  Speaker 1: up traveling black men don't cheat. Hey, question, do you
• 9:41
  Speaker 1: love the D? Y'all love it D, But I don't
• 9:44
  Speaker 1: know about we talking about? What do you mean why
• 9:46
  Speaker 1: you gotta add something to it? Why I'm talking about Detroit?
• 9:51
  Speaker 1: Yeah player, Hey, I'll be trying to go on boarhoub.
• 9:54
  Speaker 1: You don't work either, so you know, I mean I've
• 9:56
  Speaker 1: got a herd for brother. You know what I'm saying.
• 9:59
  Speaker 1: You know you morecus are about paint Hub or your
• 10:01
  Speaker 1: daughter using the YouTube to watch our cartoons. Bro like
• 10:04
  Speaker 1: both like yeah, both of y'all got to be entertained.
• 10:06
  Speaker 1: I understand. Goodbye, man, all right, get it off your chest.
• 10:11
  Speaker 1: Eight hundred five eight five one on five one if
• 10:13
  Speaker 1: you need to vet hit this up right now. It
• 10:14
  Speaker 1: was the Breakfast Club. Come on, the Breakfast Club. Everybody
• 10:20
  Speaker 1: is DJ mvy Angela Yee, Charlomagne the guy. We are
• 10:24
  Speaker 1: the Breakfast Club. We got a special guest in the building,
• 10:27
  Speaker 1: one of the owners of Brooklyn chop House, a name
• 10:31
  Speaker 1: that rings bells in the music industry for a long time,
• 10:34
  Speaker 1: a friend of all hours. Dumb poo, what out? What out?
• 10:37
  Speaker 1: What up? You just mentioned in the camera so you
• 10:40
  Speaker 1: have the day camera was saying thank you because you
• 10:41
  Speaker 1: gave him some money when he needed it. Yeah. Yeah, yeah.
• 10:44
  Speaker 1: So back in the days when, um, you know, when
• 10:47
  Speaker 1: Cameron was first coming out, I recognized that talent and
• 10:50
  Speaker 1: I was actually trying to sign him, but you know
• 10:52
  Speaker 1: I was late to the game. Ye had already signed
• 10:54
  Speaker 1: his deal. So um, I say, you know what, I'm
• 10:57
  Speaker 1: developing another artist. You know, can you help me, you know,
• 11:00
  Speaker 1: do a few records in the studio, So he said,
• 11:01
  Speaker 1: I bet. So him and Jim Jones came through and
• 11:04
  Speaker 1: they helped me and developed this hot record. We did
• 11:07
  Speaker 1: this record, Baby Baby Baby, and a couple other joints,
• 11:10
  Speaker 1: and you know I recognized them first, So you know,
• 11:12
  Speaker 1: I was shocked when I heard. I was like, oh
• 11:14
  Speaker 1: that's nice. Yeah, he shot the video artist pretty boy.
• 11:19
  Speaker 1: It was actually turn onto the franchise in business too,
• 11:25
  Speaker 1: Yeah I heard. I mean he was inspired by a
• 11:28
  Speaker 1: lot of stuff that I was doing, so he was like,
• 11:30
  Speaker 1: you know, let me try a couple and do a
• 11:32
  Speaker 1: couple of things too. So that was dope. I feel
• 11:35
  Speaker 1: that because first of all, let's be clear down who
• 11:37
  Speaker 1: was from Brooklyn, absolutely brook to the fullest and has
• 11:40
  Speaker 1: a great musical background. Fine named Foxy Brown absolutely at
• 11:45
  Speaker 1: early age. Talk about Foxy because she was really young.
• 11:48
  Speaker 1: I remember when she first came on the scene with
• 11:49
  Speaker 1: LLL Cool j Absolutely so um shout out to Gavin
• 11:53
  Speaker 1: anton So. I used to have this barber shop called
• 11:56
  Speaker 1: Moods and Brooklyn and a lot of artists used to
• 11:59
  Speaker 1: come through. You. I just on the barber shop things
• 12:03
  Speaker 1: going on a few things sony years ago, years ago,
• 12:15
  Speaker 1: thirty years ago. So yeah, so you know what I'm trying. Yeah,
• 12:18
  Speaker 1: I'm here, down here now. So yeah, we had the
• 12:21
  Speaker 1: barbershop and BIGGI used to come through, and um Shine
• 12:25
  Speaker 1: used to come through, and then a lot of people
• 12:27
  Speaker 1: from the neighborhoods to get their haircut. So they recognized
• 12:29
  Speaker 1: I had this affiliation with a lot of artists and
• 12:32
  Speaker 1: that I was on the road with Biggie. Um really,
• 12:35
  Speaker 1: you know, cutting my teeth in the game, learning the
• 12:36
  Speaker 1: management game, you know, supporting the management team by running
• 12:41
  Speaker 1: with big and then became a friend with him, and
• 12:43
  Speaker 1: then um, you know, Anton Gab was like, yo, why
• 12:46
  Speaker 1: don't you check my sister out so you know, listen
• 12:49
  Speaker 1: to her, and I said, you know what, we're gonna rock.
• 12:51
  Speaker 1: So we you know, did some demos and then next thing,
• 12:53
  Speaker 1: you know, we got our break on ELO's record. I
• 12:56
  Speaker 1: shot you and then um, you know that blew up
• 13:00
  Speaker 1: and then you know, Ben and Walts began and then
• 13:02
  Speaker 1: she ended up getting the deal. We did this record
• 13:04
  Speaker 1: with Jay z Ain't no we toured for like we did.
• 13:07
  Speaker 1: We went on on a weekend tour. Every weekend. It
• 13:10
  Speaker 1: was Jay me her our Team Earth Gotti, Damon Dad
• 13:16
  Speaker 1: was just rocking. The record blew up and then she
• 13:19
  Speaker 1: put out an album and the rest was history. What
• 13:21
  Speaker 1: did it take to make a superstar back then compared
• 13:23
  Speaker 1: to like today's time, Well, it was a little different.
• 13:26
  Speaker 1: Back then. We didn't have the social media, so it
• 13:28
  Speaker 1: was a lot of mixtapes. It was a lot of
• 13:30
  Speaker 1: you know, doing verses on other people's records. We did
• 13:34
  Speaker 1: a couple of verses. We did this joint with Case Touchbets.
• 13:37
  Speaker 1: We did a couple of records, and then those records
• 13:40
  Speaker 1: turned into videos and then the next thing, you know,
• 13:42
  Speaker 1: you know, we were out there. You know, you know,
• 13:44
  Speaker 1: she could spit. She was different, she had that you
• 13:46
  Speaker 1: know tone, and then you know, next thing, you know,
• 13:48
  Speaker 1: we just blew up, put out the album and went platinums.
• 13:51
  Speaker 1: Whatever happened with Foxy though, like because you know she's
• 13:54
  Speaker 1: she had that. She had a great album, absolutely, and
• 13:58
  Speaker 1: she had another album that came out, and then it
• 13:59
  Speaker 1: just seemed like just things just bwindled off. Yeah, she
• 14:02
  Speaker 1: kind of you know, she was doing a thing for
• 14:04
  Speaker 1: a while. She did actually put out three albums and
• 14:07
  Speaker 1: then you know she's a mom now on shout out
• 14:10
  Speaker 1: to her and Babyca and you know, she just you know,
• 14:13
  Speaker 1: fell back a little bit, you know, and you know,
• 14:15
  Speaker 1: she had an issue with her hearing, so she just
• 14:18
  Speaker 1: kind of fell back. But you know, hopefully she's making
• 14:21
  Speaker 1: a you know, we're gonna see or hear from us soon.
• 14:25
  Speaker 1: I see her brothers still be at the restaurant too.
• 14:27
  Speaker 1: Oh yeah, yeah, shout out to Gather and then yeah,
• 14:29
  Speaker 1: they always come through and support, so they've been big
• 14:32
  Speaker 1: supporters as well. That means a lot. But you still
• 14:34
  Speaker 1: have great relationships with people I think who you came
• 14:36
  Speaker 1: up within the game, because we see people fall out
• 14:39
  Speaker 1: all the time over things, but I see you all
• 14:41
  Speaker 1: the time still rocking with the people that you've been
• 14:43
  Speaker 1: with for decades. Yeah. I think it's just a testament
• 14:47
  Speaker 1: to my relationship with different people in the game and
• 14:50
  Speaker 1: people that are not in the game. So you know,
• 14:52
  Speaker 1: it's it's just good to have those relationships because you
• 14:55
  Speaker 1: just never know when it's gonna parlay into something else,
• 14:58
  Speaker 1: you know what. You know, what I thought about this
• 14:59
  Speaker 1: notw even when it comes to artists like I think
• 15:01
  Speaker 1: the reason why a Foxy Brown will still be mentioning
• 15:03
  Speaker 1: today and people will still recognize her it's because of
• 15:06
  Speaker 1: all that hand in hand y'all did back in the day,
• 15:08
  Speaker 1: like actually going to meet people and touch me, touch people.
• 15:11
  Speaker 1: I don't think you can develop that connection with social media. Yeah,
• 15:13
  Speaker 1: you're right, You're right. It was a little different back
• 15:15
  Speaker 1: then because we actually had to go on a role
• 15:17
  Speaker 1: and touch everyone versus you're making a pulse and then
• 15:20
  Speaker 1: everyone's seeing it. You know, at the same time, you
• 15:22
  Speaker 1: reach a lot of people faster, but you write, the
• 15:25
  Speaker 1: connection and touching people and going to London and getting
• 15:28
  Speaker 1: on London radio and doing all those things was you know,
• 15:31
  Speaker 1: it was a more personal connect when when it came
• 15:34
  Speaker 1: to um you know artists and then you know individuals
• 15:38
  Speaker 1: in the music business. Now, you've always had an entrepreneurship spirit.
• 15:41
  Speaker 1: I want to know where that came from, because, like
• 15:43
  Speaker 1: you said, you had the barbershop. You also had the
• 15:45
  Speaker 1: club in Brooklyn, absolutely, Club Ring Club Rain, which was infamous.
• 15:49
  Speaker 1: I remember going there and I actually even dj there
• 15:51
  Speaker 1: when I used to halfway dj. Absolutely, I remember you're
• 15:55
  Speaker 1: coming through there. But you know, a lot of my
• 15:57
  Speaker 1: you know, you know a lot of my inspiration came
• 15:59
  Speaker 1: from my parents. You know, I watched you know, watched
• 16:01
  Speaker 1: them even though they weren't entrepreneurs, but you know, I
• 16:05
  Speaker 1: watched how they worked, you know, saved up and did
• 16:08
  Speaker 1: what they had to do for their family, for our family.
• 16:11
  Speaker 1: And then at the same time of the d age
• 16:13
  Speaker 1: or twelve, I was packing bags in the supermarket. So
• 16:15
  Speaker 1: I always wanted to make a little extra change, and
• 16:17
  Speaker 1: that's why I was making change technically back in the days.
• 16:20
  Speaker 1: And then you know, um, I watched Puff do his thing.
• 16:24
  Speaker 1: I had a lot of um inspirations and a lot
• 16:27
  Speaker 1: of images of you know, um business owners and entrepreneurs
• 16:32
  Speaker 1: earlier on, and I said to myself, you know what,
• 16:34
  Speaker 1: that's kind of what I want to do. Start my
• 16:36
  Speaker 1: own business through my own thing. You know, from what
• 16:39
  Speaker 1: I grew up with. I didn't have a lot of them,
• 16:41
  Speaker 1: but I had a few. You know, there was a
• 16:43
  Speaker 1: few business owners I knew. There was, you know, the
• 16:45
  Speaker 1: negative guys. It was the street guys that I kind
• 16:47
  Speaker 1: of identified with earlier on. But at the end of
• 16:50
  Speaker 1: the day, you know, it was you know, the business
• 16:52
  Speaker 1: people I respected and you know took that energy and
• 16:57
  Speaker 1: you know, always wanted to own my own business. So
• 16:59
  Speaker 1: what came first the musually go to the club. The
• 17:01
  Speaker 1: music came first, So I had the barbershop first. Then
• 17:05
  Speaker 1: I got into the music business. Um after that, and
• 17:08
  Speaker 1: then I end up opening a club later on, like
• 17:11
  Speaker 1: five years after that. Um, and then to business. By
• 17:15
  Speaker 1: the way. The club oh very tough. UM. I got
• 17:18
  Speaker 1: out that I was in and then out. But we
• 17:20
  Speaker 1: got a good We had a good run for about
• 17:21
  Speaker 1: a year. Shout out to my partner Diamond, rest in
• 17:24
  Speaker 1: peace to him. That was my partner in the club.
• 17:26
  Speaker 1: And this was two thousand and three to two thousand
• 17:32
  Speaker 1: and seven. And you can see anybody in there and
• 17:37
  Speaker 1: Brooklyn Joint Bill Kim Mayno y Quin random absolutely everybody
• 17:43
  Speaker 1: had come through show Love. So it was a good
• 17:45
  Speaker 1: it was a good, good little run. And then um,
• 17:48
  Speaker 1: after that I started to get into more of the
• 17:50
  Speaker 1: franchise in business. All right, we got more with John Pool.
• 17:53
  Speaker 1: When we come back, don't move. It's to Breakfast Club.
• 17:55
  Speaker 1: Good morning, the Breakfast Club. What up y'all? As DJ
• 18:01
  Speaker 1: Envy Angela Yee, Charlomagne the guy, we are the Breakfast Club.
• 18:04
  Speaker 1: We got a special guest in the building, Dom pul
• 18:07
  Speaker 1: On a Brooklyn shop house. What happened with the firm
• 18:09
  Speaker 1: were you involved with? Did you create the firm group
• 18:12
  Speaker 1: was at your idea, Oh, it wasn't my idea, but
• 18:14
  Speaker 1: I end up um being a part of it. So
• 18:17
  Speaker 1: that was Na's Foxy a Z nature. They kind of
• 18:21
  Speaker 1: UM in Cormega. They kind of you know, got together
• 18:25
  Speaker 1: and formed it. We just so you know, with the
• 18:26
  Speaker 1: executives behind it, you know, Steve Stout the yeah, yeah, yeah, yeah,
• 18:32
  Speaker 1: we helped put the whole thing together because every artist
• 18:35
  Speaker 1: was signed to a different label, so it was a
• 18:37
  Speaker 1: little difficult to kind of you know, put the album together,
• 18:40
  Speaker 1: but end up being on Colombia and then we all
• 18:42
  Speaker 1: executive produced it and put it together and it came
• 18:45
  Speaker 1: out with the you know, under the tutelage of you know,
• 18:48
  Speaker 1: the great Doctor drefful I was. It was definitely definitely
• 18:53
  Speaker 1: UM a process navigating through all the politics of all
• 18:56
  Speaker 1: the labels because all those artists were hot, so I
• 18:59
  Speaker 1: think every artist, every label wanted to have that album
• 19:02
  Speaker 1: on there, you know, on the label, so you know,
• 19:06
  Speaker 1: but Niles was kind of like you know, the you know,
• 19:08
  Speaker 1: the leader of the group, so you know, it ended
• 19:10
  Speaker 1: up kind of going through that had to screen your
• 19:12
  Speaker 1: relationship with with Hove at the time too, right because
• 19:14
  Speaker 1: of Hove and Foxy relationship has always heard that Hole
• 19:17
  Speaker 1: didn't necessarily agree with Foxy being a part of the front. Yeah,
• 19:20
  Speaker 1: because so so at first they were talking about when
• 19:23
  Speaker 1: when at one point Foxy when she first came out,
• 19:25
  Speaker 1: she was really hot. So there's talks of you know,
• 19:28
  Speaker 1: like a bonding and Cloude album. You know, it never
• 19:30
  Speaker 1: really materialized. But then she also had a relationship with
• 19:34
  Speaker 1: nas right from you know, earlier on, and they decided
• 19:38
  Speaker 1: to do this this they talked about doing this album,
• 19:41
  Speaker 1: but then it actually you know, came to light. So yeah,
• 19:44
  Speaker 1: and then you know, you know, Niles and Jay didn't
• 19:46
  Speaker 1: really see eye to eye, but you know it was
• 19:49
  Speaker 1: Foxy was um kind of like that hot artist that
• 19:54
  Speaker 1: you know, both teams kind of you know wanted to
• 19:56
  Speaker 1: you know, work with, and you know, she did big
• 19:58
  Speaker 1: records with both of them. What about your relationship with Mary,
• 20:02
  Speaker 1: you you helped Mary with her her Yeah, yeah, I actually,
• 20:05
  Speaker 1: I actually was an executive at MCA, and you know,
• 20:08
  Speaker 1: I formed a relationship with Mary through working with her
• 20:11
  Speaker 1: on a couple of albums while I was there, and
• 20:13
  Speaker 1: we became great friends and even on the outside after
• 20:16
  Speaker 1: I left. Still to this day, we you know, we
• 20:19
  Speaker 1: two deals together and work together. Um. It was great
• 20:23
  Speaker 1: working with her co executive producers. The executive producer by
• 20:27
  Speaker 1: the way, great great legend, legend. So it was just
• 20:31
  Speaker 1: like a blessing to be able to work with her
• 20:33
  Speaker 1: and to be able to have some success with her
• 20:35
  Speaker 1: on that No More Drama album back in the days.
• 20:37
  Speaker 1: It was you know, took me to another level? Right, yeah? Yeah? Yeah.
• 20:41
  Speaker 1: So what happened was Shane was coming out of a
• 20:45
  Speaker 1: barbershop and he was like, yo, you, um you foxy manager.
• 20:50
  Speaker 1: I'm like, yeah, who want to know? Like you know,
• 20:52
  Speaker 1: I'm shine And he was like and I'm nice. So
• 20:55
  Speaker 1: he pulled out this the black notebook and starts spit
• 20:58
  Speaker 1: like like just rhyming, and it like for two hours.
• 21:02
  Speaker 1: So I'm like, oh, yeah, well I need to sign
• 21:04
  Speaker 1: you right away. So you had nowhere to go? Huh
• 21:06
  Speaker 1: huh you had nowhere to go that day? Huh? No,
• 21:08
  Speaker 1: No I didn't. I didn't move like he had me
• 21:11
  Speaker 1: like stuck. Did you think he sounded like biggy because
• 21:13
  Speaker 1: I remember and when he first came out, people used
• 21:15
  Speaker 1: to be like, who is this? Absolutely his tone was
• 21:17
  Speaker 1: you know, and it was right. It was a little
• 21:19
  Speaker 1: after um, you know, bigg had passed, so his tone
• 21:22
  Speaker 1: it was similar. His style is a little different, but
• 21:25
  Speaker 1: that tone he had that like that deep tone. So um,
• 21:29
  Speaker 1: I was like, bro, you're nice. So he was like, yo,
• 21:32
  Speaker 1: what we're doing? So I ended up, you know, signed
• 21:34
  Speaker 1: him to my production company, and then I did a
• 21:36
  Speaker 1: deal with Diddy with bad Boy and then the rest
• 21:39
  Speaker 1: is you know, that didn't he had no reservation being
• 21:41
  Speaker 1: that he sounded like big and big with your Manum
• 21:44
  Speaker 1: I did that first, you know I didn't, and everyone
• 21:47
  Speaker 1: did that first. But his style, I just knew he
• 21:50
  Speaker 1: wouldn't be like him, right, his whole style, his whole movement,
• 21:54
  Speaker 1: his whole you know, his swag was totally different than
• 21:58
  Speaker 1: what Biggie was. And you know, his stuff matter still was,
• 22:01
  Speaker 1: you know, and I felt that Brooklyn connection because just
• 22:04
  Speaker 1: like Big from Brooklyn, so his you know, that Brooklyn connection,
• 22:07
  Speaker 1: that whole thing, everything he was spitting was just I
• 22:10
  Speaker 1: just felt it. So I said, you know what we're
• 22:11
  Speaker 1: gonna wrong with this? How do you avoid having to
• 22:13
  Speaker 1: take aside in certain situations? Right? Because we talked about
• 22:17
  Speaker 1: the jay Z versus Nas and then it was Little
• 22:18
  Speaker 1: Kim versus Foxy. But you could navigate between those crews
• 22:22
  Speaker 1: of people. Did you ever feel pressured like I have to? No,
• 22:26
  Speaker 1: not really. I think there was a lot of that
• 22:29
  Speaker 1: and out there in the media. But for me, a
• 22:32
  Speaker 1: lot of these people are my friends. It's still my
• 22:34
  Speaker 1: friends today. So again, I don't know if it's my
• 22:38
  Speaker 1: relationships with everyone because I was on the road with
• 22:40
  Speaker 1: Big before I had Foxy, so I had a relationship
• 22:43
  Speaker 1: with Kim So and then Kim and Foxy were friends.
• 22:46
  Speaker 1: So after you know, you know, the hype and the
• 22:50
  Speaker 1: media and you know who's better in the competition, everybody
• 22:53
  Speaker 1: starts to pit people against each other. That's what happens
• 22:57
  Speaker 1: with those relationships. But you know, the relationships behind it
• 23:00
  Speaker 1: seems like I was never you know, beefing with you know,
• 23:03
  Speaker 1: their side. It was never beef for me. It was
• 23:05
  Speaker 1: it was all about for me, it's business, none personal.
• 23:08
  Speaker 1: It's all business. How didn't you initially like get through
• 23:11
  Speaker 1: finances to start all of this stuff. I mean it
• 23:14
  Speaker 1: was just me investing, working hard and putting you know,
• 23:18
  Speaker 1: putting my money, putting my money behind my name. You know,
• 23:20
  Speaker 1: I bet on myself, you know, so you know, the
• 23:23
  Speaker 1: barbershop wasn't hard, you know, it was doing a barbershop.
• 23:26
  Speaker 1: Then it was just getting on the road, and it
• 23:28
  Speaker 1: was the music business. Then I did really well in
• 23:30
  Speaker 1: the music business. Then I transitioned that into franchising, then
• 23:34
  Speaker 1: franchising into my own brand. So you know, yeah, let's
• 23:37
  Speaker 1: talk it. We didn't talk about the franchising, yeah, so,
• 23:41
  Speaker 1: so we want to really So what I did was
• 23:44
  Speaker 1: I got an opportunity after I had the club to do,
• 23:48
  Speaker 1: to franchise on Papa John's Pizza. So a friend of
• 23:52
  Speaker 1: mine came to me and said, I have this opportunity,
• 23:54
  Speaker 1: and I partned up with him with a sixteen store
• 23:56
  Speaker 1: deal in New York City. Dope, So we ended up
• 23:59
  Speaker 1: opening eight and then um, I got the opportunity from
• 24:02
  Speaker 1: there to open up I Hobs in Brooklyn and then
• 24:06
  Speaker 1: we end up opening those I Hobs end up today
• 24:09
  Speaker 1: we have three abs in Brooklyn. M So I took
• 24:11
  Speaker 1: the development deal for the whole territory and then from
• 24:15
  Speaker 1: there I had an opportunity to do check Its open
• 24:17
  Speaker 1: up a few few of those. So. M But I
• 24:20
  Speaker 1: want to say this, there's definitely a lack of participation
• 24:24
  Speaker 1: from on the minority side in the franchise community as
• 24:28
  Speaker 1: as a whole. So I'm getting together with a you know,
• 24:31
  Speaker 1: few Wallstreet guys I met through Brooklyn chop House down
• 24:34
  Speaker 1: the financial district to kind of put a fund together
• 24:37
  Speaker 1: to support and to invest in entrepreneurs and you know,
• 24:43
  Speaker 1: minority owned franchises for people to get into it because
• 24:46
  Speaker 1: it's hard to navigate through the people don't have the information.
• 24:50
  Speaker 1: It's the information, So people don't have the information, and
• 24:53
  Speaker 1: I have the information and people ask me all the time,
• 24:56
  Speaker 1: how do I start a franchise? How do I get in?
• 24:57
  Speaker 1: Because you know, it's everything from site cite selection to
• 25:01
  Speaker 1: being approved financially to having experience already, So it's a
• 25:05
  Speaker 1: cash twenty two sometimes because a lot of the franchise
• 25:08
  Speaker 1: ores want you to have the experience and the you know,
• 25:13
  Speaker 1: capital to do it correct, and the two usually don't mix.
• 25:16
  Speaker 1: Sometimes you have people a capital with no experience, and
• 25:19
  Speaker 1: some people with experience that's been in a food business
• 25:22
  Speaker 1: or the food and verners for a long time don't
• 25:25
  Speaker 1: have the capital or can't get access to capital and finances.
• 25:28
  Speaker 1: So we're trying to you know, create something that puts
• 25:30
  Speaker 1: all those things together and give them the information to
• 25:33
  Speaker 1: connect the dots to where to go from you know,
• 25:36
  Speaker 1: our business services accounting to lawyer services, to you know,
• 25:40
  Speaker 1: negotiating leases, to finding locations, to dealing with franchise oors,
• 25:44
  Speaker 1: to dealing with the with the franchise UM, the actual
• 25:49
  Speaker 1: franchise agreement, you know, to you know, to understand all
• 25:52
  Speaker 1: the parts and pieces that you need to navigate through
• 25:55
  Speaker 1: and to UM successfully you know, start a franchise, because
• 26:00
  Speaker 1: it's it's it's there. It's just having like you said,
• 26:02
  Speaker 1: having the information in the knowledge doing it similar to
• 26:06
  Speaker 1: you know, what you've been doing giving people the knowledge.
• 26:08
  Speaker 1: All right, we got more with Don Pool when we
• 26:10
  Speaker 1: come back, don't move. It's to breakfast club. Good morning,
• 26:12
  Speaker 1: what y'allas dj M v Angela yee Charlomagne the guy
• 26:15
  Speaker 1: we are to Breakfast Club. We got a special guest
• 26:17
  Speaker 1: in the building, Don Pool, owner a Brooklyn shop house Charlomagne.
• 26:21
  Speaker 1: How difficult is it to get into a franchise? UM,
• 26:25
  Speaker 1: it's a process. So it's not UM A one two
• 26:29
  Speaker 1: three like UM you just sign up in your end.
• 26:32
  Speaker 1: It's it's a process, so you have to get approved. UM.
• 26:35
  Speaker 1: You know, you have to qualify. So those are one
• 26:37
  Speaker 1: of those are some of the things that we want
• 26:40
  Speaker 1: to kind of share, get that information out and share
• 26:43
  Speaker 1: that the opportunity is there, give you the information on
• 26:46
  Speaker 1: how to do it. But it takes some time. You know,
• 26:48
  Speaker 1: it could take six months to a year to get qualified.
• 26:51
  Speaker 1: And then you know another you have to build your restaurant.
• 26:53
  Speaker 1: You have to find a restaurant, you have to negotiate
• 26:55
  Speaker 1: at least you have to build a restaurant. You got
• 26:56
  Speaker 1: to open a restaurant. You have to staff the restaurant,
• 26:59
  Speaker 1: you have to hire people. You know, It's just that's
• 27:01
  Speaker 1: the hardest part because a lot of these restaurants they
• 27:03
  Speaker 1: don't cost a lot to open, right, it's just getting
• 27:05
  Speaker 1: through all that paperwork, getting through the paperwork and then
• 27:08
  Speaker 1: have access to financing, you know, because you know that's
• 27:11
  Speaker 1: that's one that's that's the holdback a lot for you know,
• 27:15
  Speaker 1: a lot of entrepreneurs is finding the access to capital
• 27:19
  Speaker 1: as well. So you know, I want to try to
• 27:21
  Speaker 1: open up some doors. You know, anybody out there on
• 27:24
  Speaker 1: a holl at me at Downpool Music, well, and I
• 27:28
  Speaker 1: will say Downpool is very accessible. When I decided I
• 27:30
  Speaker 1: wanted to do the juice bar, the first thing I
• 27:32
  Speaker 1: did was called Downpool and be like, do you ask
• 27:34
  Speaker 1: some time to sit down with me. I just wanted
• 27:35
  Speaker 1: to talk to you about some things, and a lot
• 27:37
  Speaker 1: of things I said I was gonna do I did
• 27:39
  Speaker 1: end up doing it. One of the main things that
• 27:40
  Speaker 1: don Pool said was a lot of people will come
• 27:42
  Speaker 1: to him and ask him for advice, but then they
• 27:45
  Speaker 1: don't act on it. Absolutely, that's and that's that's been
• 27:48
  Speaker 1: the biggest thing. And you know, you reached out, you know,
• 27:52
  Speaker 1: you were opening up the juice bar and you reached
• 27:54
  Speaker 1: out like, hey, you know, what do you think. I'm like, oh, man,
• 27:57
  Speaker 1: your own doing your own business and that location in
• 28:00
  Speaker 1: that area and made total sense. So a lot of people,
• 28:05
  Speaker 1: you know, don't follow through after they you know, reach out,
• 28:09
  Speaker 1: which is you know, you know I can't. I don't
• 28:13
  Speaker 1: know why, but you know, it takes that determination. It's
• 28:16
  Speaker 1: hard to take that first step for yeah, and it's
• 28:18
  Speaker 1: hard to take that first step for a lot of
• 28:19
  Speaker 1: people because a lot of people are in that comfort
• 28:21
  Speaker 1: zone and you know, it takes you know, I applaud
• 28:25
  Speaker 1: all you guys for you know, diversifying and all of
• 28:28
  Speaker 1: the things that you guys are doing, and that's the key,
• 28:30
  Speaker 1: being diversified. You know, it's the biggest thing when I
• 28:32
  Speaker 1: talk to most people when I do the seminars, the
• 28:34
  Speaker 1: biggest thing is they're scared to take that first step.
• 28:37
  Speaker 1: So if there's a let's say a thousand people lay
• 28:39
  Speaker 1: or four thousand people are, you'll probably get five percent
• 28:41
  Speaker 1: that actually will go towards and try. The other just
• 28:45
  Speaker 1: hold that information and I'm hoping that one day they'll
• 28:47
  Speaker 1: get to be like, you know what, let me just
• 28:48
  Speaker 1: try because most people are just scared to take that
• 28:50
  Speaker 1: that first step. You know. The problem is too a
• 28:51
  Speaker 1: lot of times when people are having these conversations with
• 28:54
  Speaker 1: other people, it's the finished product talking to somebody who
• 28:57
  Speaker 1: hasn't even started the process correct, So they're looking they
• 29:00
  Speaker 1: I want that now, But it's a process to get
• 29:03
  Speaker 1: to the pool, to get the even you don't know
• 29:05
  Speaker 1: what you're talking about, to get the it's definitely definitely
• 29:08
  Speaker 1: a process. But I think if we give them an
• 29:12
  Speaker 1: example for them to look at. You bring the new
• 29:14
  Speaker 1: person that just did it right for them to look
• 29:17
  Speaker 1: at like and have them give them give their testimony
• 29:21
  Speaker 1: on what I what it took for them to take
• 29:25
  Speaker 1: that first step, then it feels like, oh, he's like
• 29:27
  Speaker 1: you know, he's like me, he's not envy. He's not
• 29:30
  Speaker 1: you know, like too far gone, like you know, that's
• 29:33
  Speaker 1: easy for him, like you know, he did it, so
• 29:36
  Speaker 1: like I'm hearing, but like he did it. But if
• 29:38
  Speaker 1: you get testimonies from people that's just that just signed up,
• 29:43
  Speaker 1: that just did their first first the first first one,
• 29:49
  Speaker 1: then it becomes a lot more and you know, it
• 29:52
  Speaker 1: connects connects a little a little better. So what's the
• 29:55
  Speaker 1: better hustle music of the food industry. Well, it gives
• 29:57
  Speaker 1: me a chance to diversify the the food and beverage,
• 30:01
  Speaker 1: in the in the hospitality business. But you know, my
• 30:05
  Speaker 1: my my, my heart is in music, so it could be.
• 30:08
  Speaker 1: But music music business for me has been like a
• 30:10
  Speaker 1: roller coaster. And for many people, you know, there's been
• 30:13
  Speaker 1: a few people that's mastered it, that's a few that's
• 30:16
  Speaker 1: been able to just you know, keep it, keep it there.
• 30:20
  Speaker 1: But for me, I just wanted to diversify. And I
• 30:22
  Speaker 1: think they're both depending on you know, the times, and
• 30:25
  Speaker 1: they're botho And you got a book coming out called
• 30:28
  Speaker 1: How I Hopped? Yeah yeah, yeah, yeah yeah yeah. So
• 30:33
  Speaker 1: so a lot of a lot of the businesses that
• 30:35
  Speaker 1: I've been in so from hip hop is basically based
• 30:37
  Speaker 1: on hip hop. Um, I hoped and chop which has
• 30:41
  Speaker 1: hopping it so so yeah. So it's basically how I
• 30:44
  Speaker 1: navigate my entrepreneurial journey through you know, these different industries
• 30:48
  Speaker 1: and how I've been able to navigate and really to
• 30:51
  Speaker 1: inspire and to actually give information on starting your own
• 30:55
  Speaker 1: business and taking that first step and you know, going
• 30:58
  Speaker 1: from you know, navigating end up versifying your portfolio into
• 31:02
  Speaker 1: having you know, seven streams of income which is what
• 31:05
  Speaker 1: we all kind of shoot for. Well, thank you so
• 31:07
  Speaker 1: much for joining us. We appreciate it so much. And
• 31:10
  Speaker 1: just no, Brooklyn Chop House is open for lunch too,
• 31:12
  Speaker 1: so yeah, figure out where do I go for lunch
• 31:15
  Speaker 1: or where do I come If I'm coming to visit
• 31:17
  Speaker 1: New York, Where's a good place to go hang out?
• 31:18
  Speaker 1: You never know who you might see at Brooklyn Chop House.
• 31:21
  Speaker 1: You guys on pay six all the time. Absolutely, thank
• 31:24
  Speaker 1: thank you. You definitely come through Brooklyn Chop House even
• 31:27
  Speaker 1: though it's called Brooklyn Chop House in the city right
• 31:32
  Speaker 1: out of Brooklyn Bridge, So definitely check it out. You
• 31:35
  Speaker 1: guys won't be disappointed. Um can't wait, can't wait to
• 31:39
  Speaker 1: have everybody thank you guys for having me. It's been
• 31:41
  Speaker 1: really dope. Man, it's don Pooh, thank you. It's the
• 31:44
  Speaker 1: Breakfast Local Morning, my man, the Breakfast Club. Yeah, it's
• 31:50
  Speaker 1: the world most dangerous morning show. To Breakfast Club or
• 31:52
  Speaker 1: Charlomagne and God Angela E. DJ Via is on vacation
• 31:55
  Speaker 1: and I can't think of nobody that I wanted to
• 31:57
  Speaker 1: talk to more this week. And this man at his
• 32:00
  Speaker 1: head right now, tank his head because there's an album out,
• 32:07
  Speaker 1: Elevation album out, Yes, Elevation. Oh was doing all lip
• 32:13
  Speaker 1: servers promoting. I was promot I was trying to promote
• 32:16
  Speaker 1: my album, touring them on with Fantas just her tour.
• 32:20
  Speaker 1: But I'm on tour with her. We're doing really well.
• 32:23
  Speaker 1: Robin Thick the Bonfire, it's going really well. Are you
• 32:26
  Speaker 1: always on tour You've been you have no shortage of money? No, No,
• 32:30
  Speaker 1: I do dates. But the tour is different, you know
• 32:33
  Speaker 1: what I'm saying, where we actually line it up, package
• 32:35
  Speaker 1: it um promoted, just a different kind of thing. You're
• 32:38
  Speaker 1: wanted a few R and B artists and stay on
• 32:39
  Speaker 1: the road. Yeah, I mean me and Genuine got your
• 32:42
  Speaker 1: Genuine is always on the road. I don't know how
• 32:44
  Speaker 1: he does it, but forget all that. How many do
• 32:46
  Speaker 1: you have to that's the problem this We got everything
• 32:52
  Speaker 1: the show. Now, how many do you have to? Sup
• 32:54
  Speaker 1: be I don't know. First of all, this is the problem.
• 32:57
  Speaker 1: She did this? Okay, tell me breaking down? We saw
• 33:01
  Speaker 1: the editive version. We were talking about lies, right, Laura,
• 33:05
  Speaker 1: y'all said that she was with this guy who was
• 33:07
  Speaker 1: a liar, right, and you said, if you tell two lies,
• 33:10
  Speaker 1: then you're not a liar. Well, I was saying that
• 33:12
  Speaker 1: he hasn't become a liar. He said he only lied
• 33:16
  Speaker 1: twice about those two things. I said, so I'm not
• 33:19
  Speaker 1: sure if he's a liar yet. He just felt a
• 33:21
  Speaker 1: need to lie about those two things and know And
• 33:24
  Speaker 1: then missus miss Angela says, well what about it? If?
• 33:28
  Speaker 1: I think, well, how did we get here? Like you
• 33:29
  Speaker 1: could see my disposition? I didn't like where this was going.
• 33:33
  Speaker 1: So why didn't you stop it? Tank? I don't know.
• 33:37
  Speaker 1: I just started talking the thing about tank is a
• 33:39
  Speaker 1: tank always want to prove his point. I didn't want
• 33:42
  Speaker 1: to back down. Yeah, yeah, I'm saying. So now I'm like,
• 33:46
  Speaker 1: now I'm trapped in between two right, I don't know
• 33:48
  Speaker 1: what's going on just right here in a hard place,
• 33:51
  Speaker 1: and that biggie said, you find yourself with two and
• 33:53
  Speaker 1: no chick. You're being some serious he was with three
• 33:56
  Speaker 1: chicks chicks, So I don't know, like I'm not, I'm
• 33:59
  Speaker 1: not on how many. So you were just talking. Well
• 34:06
  Speaker 1: also this too, I also was speaking from what I
• 34:09
  Speaker 1: feels a behavior standpoint. Right, Okay, if you participate in
• 34:13
  Speaker 1: an act, that doesn't necessarily make you part of that thing.
• 34:18
  Speaker 1: But if you become twice, if it becomes I don't
• 34:20
  Speaker 1: know if that's what you twice, I don't know. You said,
• 34:25
  Speaker 1: if you construction worker and you do it to times
• 34:28
  Speaker 1: construction a couple times construction worker, but you could be
• 34:31
  Speaker 1: but I'm not. But if you construction worker felt good.
• 34:38
  Speaker 1: If you commit murder twice, you're a murderer. You do
• 34:41
  Speaker 1: it once. Rob banks, you a bank robber. Well, but
• 34:43
  Speaker 1: but see this, we're talking about something different because we
• 34:46
  Speaker 1: were we were talking about or I'm talking about the
• 34:48
  Speaker 1: exploration process of trying to find yourself. Yes, sexually, if
• 34:52
  Speaker 1: you suck to in your life as a man, you
• 34:55
  Speaker 1: may not be gay, but at the least your bisexual,
• 34:57
  Speaker 1: at the least you were work at one point, because
• 35:01
  Speaker 1: that's how you don't continue that behavior. At one point
• 35:04
  Speaker 1: you were that. So being gay is a habit. Being
• 35:06
  Speaker 1: gay is not a choice, always a choice, But it's
• 35:10
  Speaker 1: like lifestyle. You don't get to, you know, de being
• 35:13
  Speaker 1: and like it's it's a real war going on in
• 35:17
  Speaker 1: terms of how people are born and how people live. Yeah, yeah,
• 35:20
  Speaker 1: you know what I mean. So you just don't get
• 35:21
  Speaker 1: to dibbling thatable either you are or your aren't. I
• 35:27
  Speaker 1: don't have a steady diet. Now what if you were?
• 35:30
  Speaker 1: What if that you are gay? But then you are,
• 35:32
  Speaker 1: then you engage in heterosexual life. That happens too, right,
• 35:36
  Speaker 1: because that means because I know, I know a lot
• 35:39
  Speaker 1: of gay men who kiss girls, they don't consider themselves heterosexual, Like, no,
• 35:43
  Speaker 1: I'm gay in that bottle? I don't know. So why
• 35:46
  Speaker 1: did you start the conversation always talking about thinking. I'm
• 35:50
  Speaker 1: not trying to defend my point. I'm trying not to
• 35:52
  Speaker 1: back down. It's four women against one man. I don't
• 35:56
  Speaker 1: want to lose. So for the record, I don't know
• 35:58
  Speaker 1: how many to take. You never what I learned, I
• 36:01
  Speaker 1: don't know. You gotta stop defending liars, and that's what
• 36:03
  Speaker 1: the whole moral of this story is. Stop defending liars.
• 36:07
  Speaker 1: No angela, when we're talking about some difference, you gotta
• 36:10
  Speaker 1: stop bringing up Oh yeah, that is true. You came
• 36:16
  Speaker 1: with two because the law I have to do with two.
• 36:19
  Speaker 1: I'm just trying to win the lion argument. You stop this.
• 36:25
  Speaker 1: I think that state should have a three suck law.
• 36:28
  Speaker 1: But I think if you suck three, just like you
• 36:30
  Speaker 1: got the three scrap law, now you gotta register this game.
• 36:33
  Speaker 1: What listen? I think as I go back to there's
• 36:35
  Speaker 1: an exploration process and here and this speaks to the
• 36:38
  Speaker 1: double standard. Women are allowed to explore and play and
• 36:42
  Speaker 1: do all of these things and they don't get boxed
• 36:45
  Speaker 1: into a thing. And I think for men, there's a
• 36:49
  Speaker 1: scary thing as it pertains to being gay. You know
• 36:52
  Speaker 1: what I'm saying. That's the scariest thing for a man
• 36:56
  Speaker 1: to feel like it's been put on him. I think
• 36:58
  Speaker 1: it's a lot of nuances to do. I don't think
• 37:00
  Speaker 1: that people were necessarily tripping off the fact that of
• 37:02
  Speaker 1: being gay. It's just the fact that your whole life
• 37:04
  Speaker 1: you've been taught same sex relationships mean that you're gay.
• 37:08
  Speaker 1: So you said somebody did it twice but said they're
• 37:11
  Speaker 1: not gay. So that's really just defying everything people I've
• 37:14
  Speaker 1: learned through our Life's like, what do you mean that
• 37:15
  Speaker 1: it dust stow you off? Right? But it still speaks
• 37:18
  Speaker 1: to an act versus in existence. Got you, got you,
• 37:23
  Speaker 1: you know what I'm saying. And maybe that was just
• 37:24
  Speaker 1: too much for the internet to you know what I'm saying,
• 37:28
  Speaker 1: to breakdown at one time because stopped and just to clarify,
• 37:32
  Speaker 1: you didn't say you were gay? People saying did you
• 37:35
  Speaker 1: say that? You twice? Like that got to me. The
• 37:42
  Speaker 1: information came to me like Tank was on Angel's pipe.
• 37:45
  Speaker 1: I had a group chat. It was like taking on
• 37:46
  Speaker 1: angrel Pop. I said he sucked too, because I'm like,
• 37:48
  Speaker 1: what I haven't. I just want to be clear. I'm
• 37:53
  Speaker 1: just telling you that's how. It's like a game of telephone.
• 37:56
  Speaker 1: So by the time I got a time I got
• 37:57
  Speaker 1: to you, I was like ten said what, Yeah, Like
• 38:00
  Speaker 1: why would you just randomly volunteered and informat it? I
• 38:03
  Speaker 1: don't like it. I don't like it, but no it's not.
• 38:08
  Speaker 1: And then you know I heard you say yesterday like
• 38:11
  Speaker 1: what does it have to do with homophobia? Right? Yeah?
• 38:13
  Speaker 1: And it's crazy because when people are in the comments
• 38:16
  Speaker 1: and everything and they're throwing gay at me. They're not
• 38:20
  Speaker 1: throwing gay at me in a sense oh oh he's
• 38:22
  Speaker 1: different but still special. No, they're throwing gay at me
• 38:25
  Speaker 1: like rocks in the Chinese protests. You know what I'm saying,
• 38:28
  Speaker 1: in an effort to try to tear me down. Right,
• 38:30
  Speaker 1: you know what I'm saying. I looked at it. They're
• 38:33
  Speaker 1: not speaking in a sense of oh he's it's just
• 38:36
  Speaker 1: not like us. They're like, no, he's damned. I hope
• 38:38
  Speaker 1: he chokes on it. Like that's what they're doing. And
• 38:41
  Speaker 1: so I think that part of if you're still choking
• 38:44
  Speaker 1: on you need something more have. I don understand why
• 38:51
  Speaker 1: you were choking it. If you only did it twice,
• 38:53
  Speaker 1: I don't understand. I'm not I don't understand Charlo Man,
• 38:57
  Speaker 1: I'm not throwing into it. I get all yea all
• 39:00
  Speaker 1: the time. I said some wild stuff in the middle
• 39:02
  Speaker 1: of just talking obversation, some wild things I've I've won
• 39:05
  Speaker 1: blouses before. I guess you ain't here with your legs up.
• 39:08
  Speaker 1: I was in here with my legs up. We've had
• 39:10
  Speaker 1: this moment, right, But talk about back to the blocks.
• 39:13
  Speaker 1: When you wear a blouse, I'm saying, some shirts just
• 39:15
  Speaker 1: don't always come out to mid sects. That's not the point,
• 39:21
  Speaker 1: thank you. I was about to throw somebody Hills under
• 39:23
  Speaker 1: the bus. They're doing too, but that's not I'm gonna do.
• 39:26
  Speaker 1: I'm not saying a blouse. I'm just saying a silk
• 39:28
  Speaker 1: shirt that's open kind of shows your breast area up here,
• 39:32
  Speaker 1: chest area, tank, breast sectionals. Men don't have breast Thank you.
• 39:37
  Speaker 1: Not helping yourself. Very different. But I don't think it
• 39:50
  Speaker 1: was homophobia, though, Brow. I do think you how is
• 39:53
  Speaker 1: it now? I do think you received some homophobia, but
• 39:55
  Speaker 1: I don't know not some aling. I think a lot
• 39:58
  Speaker 1: of us just wanted to know, well, what is considered.
• 40:01
  Speaker 1: They didn't want to know what's considered gay. They wanted
• 40:04
  Speaker 1: to consider me gay because because you even said that,
• 40:10
  Speaker 1: because you even thought that, yeah, you're gay. Yeah, I
• 40:14
  Speaker 1: can see how people would think that it's not true.
• 40:18
  Speaker 1: It's not a fair assessment of me having an opinion
• 40:21
  Speaker 1: not to clip. Now, people who did their due diligence
• 40:24
  Speaker 1: and went and watched the video, there was clarity for them.
• 40:28
  Speaker 1: It's like, oh, I get what he's saying. Not that
• 40:30
  Speaker 1: I have to agree with it, but I do get
• 40:33
  Speaker 1: what he's saying. All right, we got more with take
• 40:35
  Speaker 1: when we come back, don't move. It's to breakfast club.
• 40:37
  Speaker 1: Good morning, holding everybody is DJ Envy Angela Ye, Charlomagne
• 40:42
  Speaker 1: the guy. We are the breakfast club. Now, yesterday Tink
• 40:44
  Speaker 1: stopped through. I was on Vaka and Charlemagne and you
• 40:47
  Speaker 1: got a chance to talk with him. Let's get back
• 40:48
  Speaker 1: into that interview, Charlemagne, call game more now with this
• 40:51
  Speaker 1: h when you was up here talking, you'd like to
• 40:53
  Speaker 1: get your jazz eaten. WHI y'all agreed with you on
• 40:55
  Speaker 1: I think I think this might have been This might
• 40:58
  Speaker 1: have took the cake. This might have took the cake
• 41:01
  Speaker 1: because at least with the salad tossing thing, you know
• 41:04
  Speaker 1: what I'm saying, like hadn't gotten involved. You know what
• 41:08
  Speaker 1: I'm saying. I think once that got involved, then it
• 41:11
  Speaker 1: became it became a whole different level. Man. I can't
• 41:15
  Speaker 1: wait to see how much didn't tweet, how he chopped
• 41:17
  Speaker 1: this up. This is gonna be so good, bad and
• 41:21
  Speaker 1: good at the same time. An album out. One more question,
• 41:25
  Speaker 1: if you have sex with a man's I don't know,
• 41:29
  Speaker 1: I don't know. I'm gonna mann, I don't know. You
• 41:38
  Speaker 1: know he's gonna be yelling tes at you in the
• 41:39
  Speaker 1: street right to know that's coming right. Its albums out
• 41:46
  Speaker 1: right now. My album is out Man Elevation, Elevation, Elevation,
• 41:55
  Speaker 1: this man here for me. Man, I was with you.
• 41:59
  Speaker 1: But I'm gonna tell you something. That was a good conversation.
• 42:02
  Speaker 1: But it sparked a lot of good dialogue. Well if people,
• 42:05
  Speaker 1: if people listen to both sides, it'll spark good dialogue. Yes,
• 42:09
  Speaker 1: And I like it because I think it does expose
• 42:11
  Speaker 1: a lot of people's fragile masculinity. Because I mean, like,
• 42:13
  Speaker 1: if you're sitting around with four women, why can't you
• 42:16
  Speaker 1: have that conversation, You're sitting around with some guys, Why
• 42:18
  Speaker 1: couldn't you have that conversation? Well, I mean then they
• 42:19
  Speaker 1: then they bring up a bunch of things like, oh,
• 42:21
  Speaker 1: so it makes sense that he performed a gay pride
• 42:24
  Speaker 1: and all of these things. I'm like, you got that. Well,
• 42:28
  Speaker 1: I meant Laurent made it in this color? I mean,
• 42:30
  Speaker 1: which one? Yeah. Um, I'm I'm just a fan of humanity,
• 42:34
  Speaker 1: you know what I mean. I feel like we all
• 42:37
  Speaker 1: are different for a reason, and those differences shouldn't separate
• 42:41
  Speaker 1: us and shouldn't shouldn't make us hate each other. You'd
• 42:43
  Speaker 1: you'd be amazed at the things you're teaching our black men,
• 42:47
  Speaker 1: and you're you're helping with this white supremacist agenda. Like
• 42:52
  Speaker 1: what are y'all yea too? Like you guys are pushing
• 42:55
  Speaker 1: this agenda, pushing this No, I've I made a joke
• 42:59
  Speaker 1: about right, what's the best joke you saw about yourself
• 43:02
  Speaker 1: this week? I saw a picture with me and a
• 43:05
  Speaker 1: bag of sugar. I love sugar. Sugar in the should
• 43:10
  Speaker 1: play off that it was it was I'm not gonna
• 43:12
  Speaker 1: do it. You should play off that, No, I'm not
• 43:14
  Speaker 1: gonna write a whole record about fragile falinity and to masculine.
• 43:19
  Speaker 1: I am not here advocating for anything. My album and
• 43:25
  Speaker 1: love each other but one another. That's part of the love.
• 43:28
  Speaker 1: I could listen to your music. Your music, jar Yes,
• 43:31
  Speaker 1: has always been about embracing the hook the divine feminine
• 43:34
  Speaker 1: on the toxic masculinity song what's the hood? Divine feminine
• 43:37
  Speaker 1: is the sweetness, right, and you're in tune with your
• 43:40
  Speaker 1: divine feminine energy. The sweetness is the sugar, the sugar
• 43:44
  Speaker 1: and the team. Come on, bro, no, you see I
• 43:49
  Speaker 1: gotta be in somebody's marketing men. No, you do not
• 43:52
  Speaker 1: need to be done done. Did you write Slave for Life? Jennings,
• 43:57
  Speaker 1: I think you wrote that. I did not write that record.
• 44:01
  Speaker 1: I knew because you defended that you defended No. No,
• 44:05
  Speaker 1: I didn't defend his lyrics. I defended his creativity right,
• 44:09
  Speaker 1: the right to be creative. I have a right to
• 44:11
  Speaker 1: be creative. That is true. I didn't defend his lyrics.
• 44:14
  Speaker 1: There have been slave references and all of these things
• 44:18
  Speaker 1: since in the hip hop world, all of these things,
• 44:21
  Speaker 1: and nobody was mad until the guy actually put melody
• 44:23
  Speaker 1: to it. That's not true because little Wayne when he's
• 44:27
  Speaker 1: not necessarily a slave reference. But when he said, beat that,
• 44:29
  Speaker 1: beat that ass up like emmontail, I beat that like mtail.
• 44:32
  Speaker 1: Radioat like top they played the record. No radio beat
• 44:35
  Speaker 1: that line the top ten record. Yeah, but radio took
• 44:37
  Speaker 1: that line on and on screen, that line. Even if
• 44:40
  Speaker 1: they took the line out, the line is in the song.
• 44:43
  Speaker 1: There was no outrage, There was no that was it
• 44:46
  Speaker 1: just wasn't no social media back to stop the record
• 44:48
  Speaker 1: from doing anything dumb. But they took it out. They
• 44:50
  Speaker 1: took that line. They didn't replace it with another line.
• 44:53
  Speaker 1: Split it right here. Right here goes the other line.
• 44:56
  Speaker 1: And when people and when people sang along with the song,
• 44:59
  Speaker 1: they sang stop singing right there. They set the line,
• 45:02
  Speaker 1: but they still took it out. It didn't stop the
• 45:04
  Speaker 1: record from performing well in all of these outlets. But
• 45:07
  Speaker 1: it was a good record. If anything, if that record
• 45:09
  Speaker 1: was if there was out so much outrace around it,
• 45:12
  Speaker 1: around the record, they shouldn't have played the record. But
• 45:13
  Speaker 1: it was a good record. Say it's not a good record.
• 45:17
  Speaker 1: Why not? Why it's not a record? Not a good record?
• 45:19
  Speaker 1: I told Life that when he was say it's just
• 45:20
  Speaker 1: not a good record. Whatever you want in it? Are you?
• 45:24
  Speaker 1: Are you saying that if it's the reason Life's not
• 45:26
  Speaker 1: playing it because of the content, I'm saying it's not
• 45:29
  Speaker 1: playing It's not think that. If the problem is content overall,
• 45:32
  Speaker 1: then whether the record is good or bad, it shouldn't
• 45:34
  Speaker 1: be played. If we're gonna set a bar, got you
• 45:36
  Speaker 1: you know what I'm saying. At the time Little Wayne
• 45:38
  Speaker 1: was burning on Fire is not gonna be a little
• 45:41
  Speaker 1: Little Wayne record that nobody's not gonna play. But as
• 45:44
  Speaker 1: we speak to the to the content side of it,
• 45:46
  Speaker 1: if we're measuring content on the same bar on the
• 45:49
  Speaker 1: same level. Then if it's damaging, if it's you know
• 45:52
  Speaker 1: what I'm saying, if it's in that space, you can't
• 45:54
  Speaker 1: play it. You like that Life record? Life is a
• 45:55
  Speaker 1: great artist. He's made great music. Let's be honest. Take
• 45:59
  Speaker 1: do you like that record? Just sonically? Get the content
• 46:02
  Speaker 1: just when you hear I am not going to say
• 46:04
  Speaker 1: that that is the Life's best record. Okay, I'm not
• 46:07
  Speaker 1: going to ave you know, when Pantagia was up here,
• 46:09
  Speaker 1: she was talking about getting married and what made her decide, Okay,
• 46:13
  Speaker 1: this is what I need to do with myself in
• 46:14
  Speaker 1: order for me to accept this love. What did you
• 46:16
  Speaker 1: need to do for you to be able to accept
• 46:18
  Speaker 1: the love? To get married? I had to accept myself,
• 46:21
  Speaker 1: you know what I mean, because I had been married
• 46:24
  Speaker 1: before and I didn't want to make the same mistakes.
• 46:28
  Speaker 1: And so a lot of me getting to the point
• 46:31
  Speaker 1: of finally saying that I'm ready was getting over the
• 46:36
  Speaker 1: fact that I had failed. And when I finally came
• 46:39
  Speaker 1: to terms with, you know, the idea of that I
• 46:41
  Speaker 1: can do it, I can do it, I can be better,
• 46:43
  Speaker 1: I can do better, I owe her better or that's
• 46:47
  Speaker 1: when it, you know, came full circle. That's interesting because
• 46:49
  Speaker 1: I learned that lesson from my father's and my uncles,
• 46:51
  Speaker 1: you know what I'm saying, Like watching all of their
• 46:53
  Speaker 1: relationships not work out, like their marriages end in divorce
• 46:55
  Speaker 1: and stuff like that. So when you you're a man
• 46:57
  Speaker 1: and you're wiling and engaging in that kind of it
• 47:00
  Speaker 1: with your significant other, you're like, yeah, I don't want
• 47:02
  Speaker 1: it to end like that, but you actually went I
• 47:03
  Speaker 1: went through it because I'm a I'm a first generation
• 47:06
  Speaker 1: of everything that I am. So there was no blueprint
• 47:09
  Speaker 1: for me. Like I was just throwing into the fire.
• 47:12
  Speaker 1: You know what I'm saying. I'm twenty four years old
• 47:13
  Speaker 1: with a hit record, touring the country, newly married, new baby,
• 47:17
  Speaker 1: you know what I'm saying, so throwing everything on stage. Yeah,
• 47:22
  Speaker 1: you know what I'm saying. And so I just wasn't
• 47:24
  Speaker 1: equipped mentally orphans I was a kid, that's I mean,
• 47:28
  Speaker 1: that's smart though, Yeah I did. I didn't have it,
• 47:30
  Speaker 1: and I just you know, like I said, I wanted
• 47:33
  Speaker 1: to be better for this, for this moment. Did you
• 47:35
  Speaker 1: know that then? Was your did your emotional Like you
• 47:37
  Speaker 1: get hired as you got older, got hired as I
• 47:39
  Speaker 1: got older. The more I went through Now, I was.
• 47:41
  Speaker 1: I was young and dumb, So back then you probably
• 47:43
  Speaker 1: was cheating a whole lot and then telling your wife
• 47:46
  Speaker 1: what whatever I could tell her, you know what I
• 47:49
  Speaker 1: mean with what? No, No, I've never been that guy.
• 47:53
  Speaker 1: You know what I'm saying. I was always the I
• 47:55
  Speaker 1: gotta hide it, you know what I'm saying. You know, yeah,
• 47:58
  Speaker 1: I was well to that. I was a liar. How
• 48:03
  Speaker 1: many how many lies? One or two? How many? Take?
• 48:11
  Speaker 1: It was lying at that point was the lifestyle. Um.
• 48:17
  Speaker 1: But you know, like I said, you gotta you gotta learn,
• 48:19
  Speaker 1: and you gotta grow, and you gotta do better. You
• 48:22
  Speaker 1: know what I mean. You you just have to or
• 48:24
  Speaker 1: you won't, or you won't get the most out of
• 48:25
  Speaker 1: what's supposed to be yours. All Right, we got more
• 48:28
  Speaker 1: with take when we come back, don't move. It's to
• 48:29
  Speaker 1: Breakfast Club. Good morning morning. Everybody is DJ M v
• 48:33
  Speaker 1: Angela yee. Charlomagne, the guy we are the Breakfast Club
• 48:36
  Speaker 1: was still kicking it with Tank. He was here yesterday.
• 48:39
  Speaker 1: I was on Vaca. So Charlemagne he got to kick
• 48:41
  Speaker 1: it with him. Charlemagne. So you got a song on
• 48:42
  Speaker 1: an album called w W j D. I'm assuming that's
• 48:45
  Speaker 1: what would Jesus do? What would Joe to see do?
• 48:47
  Speaker 1: What would Joe to See do? Yeah, Kanye is doing
• 48:49
  Speaker 1: a gospel Yeah I'm doing I'm doing an R and
• 48:52
  Speaker 1: P album. You feel what I'm saying? What dough see
• 48:57
  Speaker 1: that intrigues me? Yeah? Yes? Yeah? So that's the song. Yeah,
• 49:01
  Speaker 1: produced by Harmony, Uh, written by uh you know music?
• 49:05
  Speaker 1: Talk about Dan music. No, I write most of my music,
• 49:09
  Speaker 1: but I don't mind getting a song from somebody who's
• 49:12
  Speaker 1: written the dopes. It's my guy. He's gonna be so
• 49:14
  Speaker 1: mad watching this interview. He newly ripped now. He probably
• 49:18
  Speaker 1: don't want you to shout him. Might have to hand
• 49:19
  Speaker 1: about them two this week. So City High. Oh, Ryan Toby,
• 49:26
  Speaker 1: that's my guy. That's like my bro. Forgive me right now.
• 49:30
  Speaker 1: Ryan Tolby wrote that record. He brought it to mess
• 49:32
  Speaker 1: If this is a smash? What Joe does he do though?
• 49:34
  Speaker 1: And what situation? Like? What is this the song? The
• 49:37
  Speaker 1: song is constructed with a bunch of Joe to see
• 49:39
  Speaker 1: Joe to See moments and you know what I'm saying.
• 49:43
  Speaker 1: So it's it's a lot of lyrical and melodic tie ins.
• 49:46
  Speaker 1: Can we Playeah, of course you can play absolutely let's
• 49:49
  Speaker 1: play It's Freaky Friday album and played the whole album.
• 49:52
  Speaker 1: It's Freaky Friday. That's the only rule. That's why I'm here. Okay,
• 49:56
  Speaker 1: what's dirty about Dirty? It is a out being dirty?
• 50:00
  Speaker 1: Yeah yeah, yeah. After when we I felt like we
• 50:03
  Speaker 1: could go one more level without without completely you know
• 50:09
  Speaker 1: what I'm saying, being all the way out of pocket,
• 50:12
  Speaker 1: There's one more level we can get to after Dirty
• 50:14
  Speaker 1: that week, there's nowhere else we can go. You know,
• 50:15
  Speaker 1: I heard I heard a dope song that I don't
• 50:18
  Speaker 1: think it's released It as you and Duvall and Jack
• 50:20
  Speaker 1: Queis Yeah, called Nasty. Yeah. This should They should have
• 50:24
  Speaker 1: put that out this week. Come on, drop drop, It's
• 50:34
  Speaker 1: a dope song. Like I'm a fan of dude. I
• 50:37
  Speaker 1: love what he's doing, like you know what I'm saying,
• 50:39
  Speaker 1: Like like the idea of him throwing on some slacks,
• 50:42
  Speaker 1: tucking the shirt in and singing, you know, and singing
• 50:45
  Speaker 1: some growing R and B. Yeah. Have you heard his
• 50:47
  Speaker 1: RMB song dropping Cuff? Yeah? You should jump on that too,
• 50:50
  Speaker 1: right now. I'm okay, Yeah, I don't want to be
• 50:52
  Speaker 1: associated with anything. I don't want to be a social
• 50:55
  Speaker 1: anything with that word in it. I'm not saying that word.
• 50:58
  Speaker 1: No more so. If Dick Sport Good Company right now
• 51:01
  Speaker 1: and Dick Barton Good say we want to give you
• 51:03
  Speaker 1: an endorsement deal, you're not gonna take it. No, I
• 51:06
  Speaker 1: don't believe no, not right now. Now you have fragile masculinity.
• 51:10
  Speaker 1: Now you're going through in the last not my fault
• 51:15
  Speaker 1: stand on him? No, No, why are you doing this?
• 51:20
  Speaker 1: What is your from? What is he? What does she
• 51:24
  Speaker 1: have to say about all this? She doesn't like it?
• 51:28
  Speaker 1: What does she say she doesn't like it? What does
• 51:30
  Speaker 1: she say? Because her dms are filled with your man
• 51:34
  Speaker 1: is sucking? Like that's what That's what's going on. That's
• 51:37
  Speaker 1: what she has to deal with. Are you sucking them
• 51:40
  Speaker 1: with him? Like? That's what she's going Oh my god,
• 51:42
  Speaker 1: that no disrespectful. It's really it's really hard out here, man.
• 51:49
  Speaker 1: No need to say that in a conversation about it.
• 51:52
  Speaker 1: We know what's hard. I just took my sea boss
• 51:56
  Speaker 1: all right, man. And Amary Hart was on the album
• 51:58
  Speaker 1: a couple of times. What's their affiliation with a Mari Hardwick?
• 52:01
  Speaker 1: That's my brother, man. M y'all look like y'a could
• 52:03
  Speaker 1: be brothers for real? Every Yeah, yeah, I've even taken
• 52:05
  Speaker 1: pictures as ghost. You know what I'm saying. Wow, like girls,
• 52:08
  Speaker 1: but oh my god, you Mari and Michael Joy White,
• 52:11
  Speaker 1: Michael Jo get that too. I get that too. And
• 52:13
  Speaker 1: I the girls. Yea, your girls. I'm like, yeah, they're
• 52:16
  Speaker 1: gonna take a picture. Sure, let me take a picture.
• 52:18
  Speaker 1: And hopefully later she'll find out that. I'm think, but um,
• 52:21
  Speaker 1: he's he's I think he's just extremely gifted man. His
• 52:24
  Speaker 1: his his mixture of spoken word, the poetry, the rap,
• 52:29
  Speaker 1: the way he does that, I think it's really really dope.
• 52:31
  Speaker 1: It's interesting when you hear him because we know him,
• 52:34
  Speaker 1: you know so much from seeing him on Power, and
• 52:36
  Speaker 1: then you see him doing the spoken word and the
• 52:39
  Speaker 1: music and you're like, oh, because at first it's like
• 52:41
  Speaker 1: a hard transition in your head. I think for Jamie Fox,
• 52:45
  Speaker 1: at first as a comedian and as an actor, and
• 52:47
  Speaker 1: then seeing him saying I feel like they have it
• 52:49
  Speaker 1: a little harder to break down. Oh yeah, because I
• 52:51
  Speaker 1: take him serious. Yeah, because people are people are just
• 52:53
  Speaker 1: locked into a thing, and that's you know, people get selfish,
• 52:57
  Speaker 1: like that's the only time they want to take you
• 52:58
  Speaker 1: out of the box. You know what I'm saying. And
• 53:00
  Speaker 1: then use you is when they when you're doing that thing,
• 53:01
  Speaker 1: and when you're done with that, they want to put
• 53:02
  Speaker 1: you back in the box, you know. But um, you know,
• 53:06
  Speaker 1: I just wanted to use my platform to give him
• 53:08
  Speaker 1: the space and freedom to be all that he is. Right, Yeah, all,
• 53:12
  Speaker 1: hey that's tank man. Um. I think we got enough
• 53:14
  Speaker 1: for much dank to make a great video. Um. And yeah, yeah,
• 53:18
  Speaker 1: I'm out say something nice about my album I haven't
• 53:21
  Speaker 1: heard of yet. If this is entertaining, it's a conversation
• 53:23
  Speaker 1: you had on Live Service though about them too. It's
• 53:26
  Speaker 1: a really man, it's a really good album. It's my
• 53:29
  Speaker 1: best work yet. No, that's important and you have so
• 53:32
  Speaker 1: much great work. So that's that's something to live up
• 53:34
  Speaker 1: to tell you. Now. You know people are going to
• 53:35
  Speaker 1: be listening. I'm very happy about this, and yeah, I'm
• 53:38
  Speaker 1: extremely happy about this. Very You can't tell me nothing. Definitely.
• 53:41
  Speaker 1: We're about to play what would joy to Ce Do?
• 53:43
  Speaker 1: Right now, so you could introduce that. Oh, let's play that, Yeah,
• 53:45
  Speaker 1: what would Yo to See Do? Harmony, Ryan Toby, I'm
• 53:48
  Speaker 1: just a singer on this one man. Very inspirational. Joy
• 53:51
  Speaker 1: to See was one of my favorite groups. Helped shape
• 53:53
  Speaker 1: the fabric of everything that I am musically. Um, it's like,
• 53:58
  Speaker 1: let's that, let's locked that in. What would we do
• 54:00
  Speaker 1: if they will approach with a question like they got
• 54:02
  Speaker 1: on lip service about Jodase is probably getting up and leaving.
• 54:08
  Speaker 1: Jodase is getting up and leaving man. Yeah, yeah we
• 54:12
  Speaker 1: do because those times, in those times, you weren't didn't
• 54:15
  Speaker 1: talk about that. Yeah, this is twenty nineteen. Now you
• 54:17
  Speaker 1: talk about anything. Now you can, you can and you
• 54:21
  Speaker 1: should be able to. Yeah. Yeah, it's take it's the
• 54:24
  Speaker 1: breakfast looking at me. I was born to do. This
• 54:28
  Speaker 1: is a donkey of the Death Devil Breakfast Club. Yes,
• 54:45
  Speaker 1: Don't get a Day goes to a man named Hansel
• 54:47
  Speaker 1: the bar Tolo the Third. He's thirty seven years old,
• 54:50
  Speaker 1: and he legally changed his name the Sexy Vegan. I'm
• 54:53
  Speaker 1: not making this up. This young man named Handled the
• 54:56
  Speaker 1: bar Tolo the Third legally changed his name the Sexy Vegan.
• 54:59
  Speaker 1: If you're watching Revote, you can see Sexy Vegan on
• 55:01
  Speaker 1: the TV. Now I can make this the shortest donkey
• 55:04
  Speaker 1: the day ever and give him the biggest he heart
• 55:06
  Speaker 1: right now for legally changing his name and sexy Vegan.
• 55:09
  Speaker 1: But it gets worse. Well, in the case of Donkey
• 55:11
  Speaker 1: of the Day, it gets better. Now. Two things you
• 55:12
  Speaker 1: need to know. Number one, you may know who Sexy
• 55:15
  Speaker 1: Vegan is. He got slightly infamous back in the day
• 55:17
  Speaker 1: when he appeared on The Doctor Still Show and it
• 55:20
  Speaker 1: turned out like this, Yeah, the beautiful Vegan massa. Yah,
• 55:26
  Speaker 1: it's a song. I didn't say it was, and she
• 55:28
  Speaker 1: knows it. I was just like my dad ten luxury cars.
• 55:32
  Speaker 1: My dad told me I had the same name as
• 55:34
  Speaker 1: him until I legally changed it. My mom did not
• 55:36
  Speaker 1: fail me out jem when she knew I was innocent.
• 55:39
  Speaker 1: I'm liberating over seventy billion pigs and cage is so
• 55:42
  Speaker 1: small that cannot move for years. Okay, my mom's a
• 55:45
  Speaker 1: sociopathic piece of I have the high score in hyder
• 55:48
  Speaker 1: knot history. I got nine point nine out of ten
• 55:50
  Speaker 1: after three hundred and twenty seven women raiding me. Let's
• 55:53
  Speaker 1: see your talent? A right, what's your talent, you ugly
• 55:56
  Speaker 1: piece of Okay, stop, hey, hey look at me. Let's
• 56:00
  Speaker 1: look at me. No, hey, hey, hey, no, you need
• 56:03
  Speaker 1: to look at me. I don't have to do Okay,
• 56:06
  Speaker 1: they take them out, all right. Sexy Vegan ladies and gentlemen,
• 56:09
  Speaker 1: Sexy Vegan now number two. We all know what the
• 56:12
  Speaker 1: word dog means in our culture, right. You have had
• 56:14
  Speaker 1: tons of rappers with dog in their name, most famous
• 56:17
  Speaker 1: snoop dog people used to turn down southful lots. Still,
• 56:19
  Speaker 1: in reference to your homies, your friends, your partners, you'd
• 56:22
  Speaker 1: be like, that's my dog, all right. I don't use
• 56:24
  Speaker 1: the word dog because I think it's just God backwards.
• 56:25
  Speaker 1: I would rather say peace God to my brothers as
• 56:27
  Speaker 1: opposed to what's up? Dog? But I don't knock anyone
• 56:30
  Speaker 1: who does it, Do you dog? Okay? I also don't
• 56:32
  Speaker 1: think anyone immortalized it as much as DMX did when
• 56:34
  Speaker 1: he made the classic tune get at Me Dog? All right?
• 56:37
  Speaker 1: Turn that up a little bit, me of that? Okay.
• 56:39
  Speaker 1: The Urban Dictionary says dog is your best friend, your
• 56:42
  Speaker 1: friend to lean on, your companion. So all my slinging
• 56:45
  Speaker 1: pad people out there understand what I mean when I
• 56:47
  Speaker 1: say my dog. Okay, it's safe to say that you
• 56:49
  Speaker 1: would never hurt your dog. Right, You wouldn't hurt your dog?
• 56:52
  Speaker 1: Right in me? You know you would't hurt your dog.
• 56:56
  Speaker 1: What you want for your dog, you want for yourself. Right.
• 56:58
  Speaker 1: You can't call someone. You're a dog if you and
• 57:00
  Speaker 1: flict pain on them in any way. So what if
• 57:03
  Speaker 1: you know I told you this is sexually sexual sexy Vegan,
• 57:07
  Speaker 1: which I told you to the Sexy Vegan sexually assaulted
• 57:10
  Speaker 1: his dog clear me? Well that's the allegation. The Sexy
• 57:13
  Speaker 1: Vegan is accused of assault in his partner He's dog.
• 57:15
  Speaker 1: Let's go to YouTuber Isaac Butterfield Peace for the report. Please.
• 57:18
  Speaker 1: A face tattooed man who legally changed his name to
• 57:21
  Speaker 1: Sexy Vegan has been charged with sexually assaulting his dog.
• 57:25
  Speaker 1: Sexy Vegan, whose real name is Handsel Marion D. Bartolo
• 57:31
  Speaker 1: the Third. Can I just say this is all allegedly.
• 57:33
  Speaker 1: I don't want to get sued by his very rich parents.
• 57:36
  Speaker 1: Hansel redall but Sexy Vegan was busted West Hollywood on
• 57:39
  Speaker 1: Thursday over a video he allegedly posted on social media
• 57:42
  Speaker 1: showing inappropriate behavior with a pitbull. Prosecutor said detectives found
• 57:47
  Speaker 1: a video on social media of the suspect performing an
• 57:51
  Speaker 1: act of bestiality and he's taking up to one year
• 57:54
  Speaker 1: in county jail if convicted. The attorney Offers said, stressing
• 57:57
  Speaker 1: the case was still being investigated. They met an actual dog.
• 58:02
  Speaker 1: How did I miss that? I read this in the
• 58:05
  Speaker 1: New York Daily News this morning, and I didn't think
• 58:07
  Speaker 1: anything of it. I just profound the guy. He's whiting,
• 58:10
  Speaker 1: he had tapsole all over his face, he had an
• 58:13
  Speaker 1: urban glare. Okay, I saw it say he's sexually assaulted
• 58:18
  Speaker 1: his dog, and then I got busy doing other things.
• 58:20
  Speaker 1: I didn't realize the guy was literally penetrating pit bulls
• 58:23
  Speaker 1: all right. Sexy Vegan was hound humping all right, mating
• 58:26
  Speaker 1: with mongrels, loving a last hee's keating on Scooby? Where
• 58:31
  Speaker 1: are you? My first thought when I heard this story
• 58:34
  Speaker 1: is this is exactly why I don't eat meat. I
• 58:36
  Speaker 1: mean why I eat meat? This is exactly why I
• 58:40
  Speaker 1: eat meat? All right? Did you stopped eating animals just
• 58:42
  Speaker 1: to fornicate with them? What kind of logic is that?
• 58:44
  Speaker 1: It said it takes a different level of consciousness and
• 58:47
  Speaker 1: compassion to stop consuming dead animals, So what level of
• 58:50
  Speaker 1: consciousness and compassion does it take to fornicate with one?
• 58:53
  Speaker 1: I have so many questions their relationship between Sexy Vegan
• 58:56
  Speaker 1: and the dog. Were he a couple? Did he at
• 58:59
  Speaker 1: least give us some happy how he's doggy treats before
• 59:02
  Speaker 1: he gave the dog his bone. All right, I was
• 59:04
  Speaker 1: told the Sexy Vegan loved this animal and it wasn't
• 59:06
  Speaker 1: just sex bohing. We reached out to the dogful comment.
• 59:09
  Speaker 1: He said this, you know, love me, just love my dog.
• 59:11
  Speaker 1: Staff not. Sexy Vegan is pleaded not guilty. His bail
• 59:15
  Speaker 1: is set at thirty five thousand and he could face
• 59:17
  Speaker 1: a year in county jail. I have nothing else to
• 59:19
  Speaker 1: say about this, all right, some donkey the days just
• 59:21
  Speaker 1: sell themselves. If Sexy Vegan is listening, I just want
• 59:24
  Speaker 1: to tell you keep your head up and I would
• 59:26
  Speaker 1: like to play a song for you and your barking
• 59:28
  Speaker 1: ass bay. All right, I'm gonna flash back to my
• 59:30
  Speaker 1: Quiet Storm days. I like to do the Quiet Storm
• 59:32
  Speaker 1: and Chalton, South Carolina at twelve am to five am
• 59:35
  Speaker 1: on Zerny three Jams and Hot ninety eight nine introducing
• 59:38
  Speaker 1: love songs. This is Charlomagne the God Doug Love Status.
• 59:41
  Speaker 1: I know this is Charlemagne, the God Doug Love Status,
• 59:46
  Speaker 1: and this joint is from me, the Sexy Vegan, and
• 59:49
  Speaker 1: it's barking ass Bay. It's Paul Answer with Puppy Love.
• 1:00:00
  Speaker 1: I called it. Please give hands with the bar Tolo
• 1:00:13
  Speaker 1: aka Sexy Vegan, the biggest. He hall somebody as a vegan.
• 1:00:21
  Speaker 1: There's somebody in this room who likes canine comfort. But
• 1:00:23
  Speaker 1: I'm not gonna say no names. Oh does he have
• 1:00:27
  Speaker 1: a labradoodle? I don't know what kind of dog? Yes,
• 1:00:32
  Speaker 1: he grabbed the microphone. I didn't say nothing. Dog will
• 1:00:35
  Speaker 1: I love my dog? Man? I know not that much. Yea.
• 1:00:37
  Speaker 1: They said that they wish they would have never created
• 1:00:39
  Speaker 1: the labradoodle. And it was bullish and they called it
• 1:00:43
  Speaker 1: a frank and that's the craziest thing you do with
• 1:00:45
  Speaker 1: your dogs. I just that's we go to the parking stuff.
• 1:00:49
  Speaker 1: But he's right now. I just want to get my
• 1:00:51
  Speaker 1: dog out. Hey, friends, if you're listening right now, I'll
• 1:00:56
  Speaker 1: be honest roof all right, I don't have guys, man,
• 1:01:03
  Speaker 1: what are you doing to that labradodle doodo? Love with
• 1:01:05
  Speaker 1: the labradudo? All right? All right? Will thank you for
• 1:01:10
  Speaker 1: that dog to day time, for this level of whiteness,
• 1:01:12
  Speaker 1: and make sure you follow Steve so you can see
• 1:01:14
  Speaker 1: him in his labor doodle. Yeah, all right, we got
• 1:01:17
  Speaker 1: more coming up next with a breakfast Club. The Breakfast
• 1:01:20
  Speaker 1: Club Morning. Everybody is DJ Envy Angela, Yee, Charlomagne the guy.
• 1:01:27
  Speaker 1: We are the breakfast club. Yeah, we got some special
• 1:01:29
  Speaker 1: guests in the build. Boy now d CEO fly oh,
• 1:01:33
  Speaker 1: Carlos Miller, we didn't made it to the breakfast club.
• 1:01:40
  Speaker 1: Y'all have y'all moment, go ahead. Man, weren't focus with you.
• 1:01:44
  Speaker 1: I did not realize ain't never been here before. I
• 1:01:47
  Speaker 1: really did, just the same that. Y'all both keep telling
• 1:01:49
  Speaker 1: him he's been here. He keeps telling you he hasn't. Dog,
• 1:01:53
  Speaker 1: I love mother, that is queen. And nine times you
• 1:02:00
  Speaker 1: ain't content at least the stand in the window like that.
• 1:02:03
  Speaker 1: Man Like now, what made y'all want to do the
• 1:02:08
  Speaker 1: eighty five soft thing? Because of course y'all met on
• 1:02:10
  Speaker 1: wilding Out, I'm sure, but made y'all decide this is
• 1:02:12
  Speaker 1: the threesome that could do eighty five soft? Three? Watch
• 1:02:16
  Speaker 1: your mouth shot all of these windows. You ain't writing
• 1:02:26
  Speaker 1: nook right now, Trio trio. This is a brotherhood, exactly,
• 1:02:35
  Speaker 1: you go. Brotherhood, brotherhood. I want to get on this train.
• 1:02:41
  Speaker 1: I know I'll start like we met on wilding Out,
• 1:02:44
  Speaker 1: You know what I mean? We knew each other, man
• 1:02:46
  Speaker 1: lows knew each other prior to wilding out. But you know,
• 1:02:48
  Speaker 1: it was just an idea that Los always had. We
• 1:02:50
  Speaker 1: always scheming about things that we can do to kind of,
• 1:02:53
  Speaker 1: you know, further our talent and just show the world
• 1:02:55
  Speaker 1: more about, you know, what it is that we do
• 1:02:57
  Speaker 1: individually and as a unit. So Lows was just like, man,
• 1:03:00
  Speaker 1: I'm great, make a podcast and we're gonna make this
• 1:03:03
  Speaker 1: thing go. So you know, he wanted us to be
• 1:03:05
  Speaker 1: a part of it. And that's just the way it went.
• 1:03:06
  Speaker 1: And they say, y'all don't plan in the show. When
• 1:03:08
  Speaker 1: y'all go on on toy, y'all just go out there
• 1:03:10
  Speaker 1: and whatever feeling y'all got, y'all gonna tell you how
• 1:03:12
  Speaker 1: we used to do it right. We used to have instruction,
• 1:03:15
  Speaker 1: you know, like how y'all used to Yeah, it's a struction,
• 1:03:20
  Speaker 1: you know how y'all have a paper you know exactly
• 1:03:22
  Speaker 1: what you're gonna say, you know, you key topics, what
• 1:03:24
  Speaker 1: you were gonna do. We just had to figure each
• 1:03:26
  Speaker 1: other out first, and then we used to have a
• 1:03:28
  Speaker 1: piece of paper. You know what I'm saying. The first
• 1:03:30
  Speaker 1: two three show, you know what I'm saying. Even with
• 1:03:32
  Speaker 1: the podcast podcast, when we just go out of now
• 1:03:35
  Speaker 1: we don't have no paper. We're going off each other's comedy,
• 1:03:38
  Speaker 1: and we're going off the vibe because we know each
• 1:03:40
  Speaker 1: other's scrumps are already. All we gotta do is press
• 1:03:42
  Speaker 1: record and we'd be like, what you do today? And
• 1:03:45
  Speaker 1: what did you see? Tailler in to the show right,
• 1:03:48
  Speaker 1: and Teller said, there's one of y'all that has no filter,
• 1:03:51
  Speaker 1: doesn't care about anything. We will go left. It's it's
• 1:03:58
  Speaker 1: you get the levels of you know what I'm saying,
• 1:04:00
  Speaker 1: of just of stupid, That's what it is. It's just stupidited.
• 1:04:05
  Speaker 1: You got the you got me the young wold ain't
• 1:04:08
  Speaker 1: no telling. You got to watch him Chico here in
• 1:04:11
  Speaker 1: the middle between the young and the widow. So he'd
• 1:04:13
  Speaker 1: be like, I want to go to DC, but I can't.
• 1:04:15
  Speaker 1: I got under changed my life around. You know what
• 1:04:18
  Speaker 1: I'm saying. You know what I'm saying. And then he
• 1:04:21
  Speaker 1: intelligent like a mom we need. Then you got the og,
• 1:04:24
  Speaker 1: the widsom who, the myth who everything all up and
• 1:04:27
  Speaker 1: he still tell you that your grandma's still a freak.
• 1:04:32
  Speaker 1: How do you think your uncle got hit? Mom and
• 1:04:34
  Speaker 1: Daddy feel about you talking about the sex like, well,
• 1:04:37
  Speaker 1: my mother passed away. So she don't get damn uh.
• 1:04:39
  Speaker 1: My father ain't having much sex, so he just living
• 1:04:42
  Speaker 1: vicariously through me. I mean, I was talking about my
• 1:04:44
  Speaker 1: father last night. He comes to the show drink up
• 1:04:47
  Speaker 1: two hundred dollars worth for henness. But I just got
• 1:04:49
  Speaker 1: one of those fathers. It's like, it don't matter how
• 1:04:51
  Speaker 1: successful I get, he's still gonna be a He's gonna
• 1:04:53
  Speaker 1: try to hilst him. I gotta kick him out of
• 1:04:55
  Speaker 1: every show. That's just that's the cloth that I can't night. Definitely,
• 1:04:59
  Speaker 1: definitely he could then enjoy this help before we put
• 1:05:01
  Speaker 1: put out. So you got him traveling with you sometime.
• 1:05:04
  Speaker 1: I've take him place, okay, but he has to leave
• 1:05:07
  Speaker 1: early because he had he had food. What do you say?
• 1:05:09
  Speaker 1: What do you say? The girl was taking a picture
• 1:05:12
  Speaker 1: on the phone. She was like, your camera smugs. Youre
• 1:05:14
  Speaker 1: like smuggs. You're talking about my phone? Like is nasty?
• 1:05:18
  Speaker 1: Young lady? I said, man, this is an old player word.
• 1:05:29
  Speaker 1: Which what's the biggest transition y'all had to make sense
• 1:05:31
  Speaker 1: getting some some celebrity. I think for me, it's just
• 1:05:35
  Speaker 1: understanding that the reach is greater now. So the decisions
• 1:05:39
  Speaker 1: that you have to make don't just affect you anymore,
• 1:05:41
  Speaker 1: so you know what I mean. Like, But now you
• 1:05:43
  Speaker 1: gotta understand that your reaction is going to cause a
• 1:05:46
  Speaker 1: shock wave throughout everything that you got going on, because
• 1:05:49
  Speaker 1: people are looking at you to either try to get
• 1:05:51
  Speaker 1: something from you or either fans or whatever it may be.
• 1:05:54
  Speaker 1: So you have to be real selective about who and
• 1:05:56
  Speaker 1: what you get your energy and time. Smartest you said
• 1:06:00
  Speaker 1: you want to damn who I represent them slapping the
• 1:06:02
  Speaker 1: as well that you got a cute to being mean spirited,
• 1:06:07
  Speaker 1: don't you crazy? True? Dancy? You found your man? Yes,
• 1:06:15
  Speaker 1: I have a boyfriend. That's why you're so nice. What
• 1:06:19
  Speaker 1: is this boyfriend? I've just been yes, yes, what is it? Plus?
• 1:06:29
  Speaker 1: I have a boyfriend? Yo? Can you know? That's what
• 1:06:34
  Speaker 1: we were talking about. It gave me all that mother
• 1:06:41
  Speaker 1: ready your mother, damn just be bush. Don't nobody saying
• 1:06:46
  Speaker 1: angel name like webbing Angel Angelotte name Chotte, you keep
• 1:06:57
  Speaker 1: all that over there, Charlotte MC guy my favorite breakfast
• 1:07:02
  Speaker 1: club interview because he don't answer no question. What you're
• 1:07:05
  Speaker 1: doing mine? We're just doing it mi, No kid, No
• 1:07:08
  Speaker 1: kids might not rum smell like yeah, but the album
• 1:07:11
  Speaker 1: coming out Booth gonna be straight boots coming to the
• 1:07:17
  Speaker 1: question like you said smell, but tell me a little
• 1:07:20
  Speaker 1: bit more about the room, like how did you guys
• 1:07:21
  Speaker 1: set it up? And everything has to come on? All right?
• 1:07:25
  Speaker 1: We got more with Carlos Miller, Chico Bean, and DC
• 1:07:28
  Speaker 1: young Fly from MTV's Wilding Out. So don't move. It's
• 1:07:30
  Speaker 1: to Breakfast Club. Good morning morning. Everybody is DJ M
• 1:07:33
  Speaker 1: v Angela Yee, Charlomagne the guy. We are the Breakfast
• 1:07:36
  Speaker 1: Club now from MTV's Wilding Out. We have DC young Fly,
• 1:07:40
  Speaker 1: Chico Bean, and Carlos Miller in the building. Now, when
• 1:07:43
  Speaker 1: you guys are rope to somebody, are there rules to Italy?
• 1:07:50
  Speaker 1: I would say get kids only get it. We're they're
• 1:07:58
  Speaker 1: walking to it. Say if I roast you, if I'm
• 1:08:01
  Speaker 1: broth you right, and your child to come out of nowhere.
• 1:08:04
  Speaker 1: You got a little walter, You got a little stupid
• 1:08:07
  Speaker 1: as walk. You're like, like, what I get you? Until
• 1:08:23
  Speaker 1: he walked through. He got to walk in the light
• 1:08:24
  Speaker 1: of five. He's so happy. How do y'all feel when
• 1:08:28
  Speaker 1: people come at your kids, because I'll be seeing your
• 1:08:30
  Speaker 1: little girl inline, Dc, you put your little girl online.
• 1:08:32
  Speaker 1: Know you're trying to get I said, first you ain't
• 1:08:35
  Speaker 1: seen my son. I don't seen you put yourself you
• 1:08:38
  Speaker 1: got yeah, because I don't like that. He but he'd
• 1:08:41
  Speaker 1: be like, don't do that, don't post that. Yeah, I
• 1:08:44
  Speaker 1: don't want to be on I posted a picture up
• 1:08:46
  Speaker 1: in one day and it got like ten thousand lights.
• 1:08:48
  Speaker 1: He was like, at it, I got you all them lights, Like,
• 1:08:54
  Speaker 1: chill out. My son ain't about to be ten. Really,
• 1:08:57
  Speaker 1: he don't want to do like. He don't want to
• 1:08:58
  Speaker 1: be popular, none of that. He just like the chill.
• 1:09:03
  Speaker 1: I think that posting her now and being able to
• 1:09:06
  Speaker 1: navigate that energy with her while she with me a
• 1:09:08
  Speaker 1: helper when she gets older, and you know, because social
• 1:09:10
  Speaker 1: media and all that gonna change, it's gonna be old
• 1:09:12
  Speaker 1: by the time she grow up. So I want her
• 1:09:15
  Speaker 1: to be, you know, trained to not pay attention to
• 1:09:17
  Speaker 1: opinions of people and it's not real. You need to
• 1:09:20
  Speaker 1: go up under your comments and somebody can say anything
• 1:09:22
  Speaker 1: to you, but it's all what you decide to dedicate
• 1:09:25
  Speaker 1: your energy too. So I'm just teaching her that you
• 1:09:27
  Speaker 1: got the power to, you know, let people affect you
• 1:09:29
  Speaker 1: on a day to day basis your sketches Chico brother knowledge,
• 1:09:32
  Speaker 1: Oh yeah, definitely because it's fun, like like she into it.
• 1:09:36
  Speaker 1: That's what she wants to do. Like she expressed, like I, daddy,
• 1:09:39
  Speaker 1: I want to you know, being a player. I want
• 1:09:41
  Speaker 1: to do this. So I'm like, we do it with
• 1:09:42
  Speaker 1: me so you can get all the you know, nervous
• 1:09:45
  Speaker 1: energy that you may have and all of that. Because
• 1:09:47
  Speaker 1: when she's doing something with me, she don't feel any Yeah,
• 1:09:50
  Speaker 1: and she just like, I'm with my daddy, so I'm
• 1:09:52
  Speaker 1: gonna do whatever. So I just think that me being
• 1:09:54
  Speaker 1: in her life and allowing her to be able to
• 1:09:56
  Speaker 1: get all her dreams off and do whatever she want
• 1:09:58
  Speaker 1: to do while she with me is gonna make it
• 1:10:00
  Speaker 1: easier when she get out here a much strangers. She
• 1:10:01
  Speaker 1: watched the podcast and stuff. The podcast nahad was a
• 1:10:10
  Speaker 1: kind oh nah that that's a light question for my daughter.
• 1:10:15
  Speaker 1: Question man just coming grow some hall about here. Girl.
• 1:10:24
  Speaker 1: Man too old to be ball head? Times you wake up,
• 1:10:32
  Speaker 1: I like, big little girl, hat ain't wrong? You go
• 1:10:34
  Speaker 1: back to sleep? What kind of kids out? What kids asking?
• 1:10:39
  Speaker 1: It's so much because they don't line all the it's
• 1:10:42
  Speaker 1: not like not nothing to to graphics. You got to
• 1:10:45
  Speaker 1: really explain. Like my son he a boy, so he
• 1:10:48
  Speaker 1: sees stuff and he just act like he don't see it.
• 1:10:51
  Speaker 1: I know I'm doing a good job as a father
• 1:10:53
  Speaker 1: because he told me one day he was like, daddy,
• 1:10:55
  Speaker 1: boys don't kiss. I was like, equal opportunity, Equal opportunity.
• 1:11:03
  Speaker 1: I heart media were about to switch it back up?
• 1:11:15
  Speaker 1: Lad welcome breakfast club started talking like the white man
• 1:11:24
  Speaker 1: that happens. Why hasn't wilding out worked for y'all? But
• 1:11:28
  Speaker 1: not necessarily other people who may be funny, like somebody
• 1:11:31
  Speaker 1: like just a liar? She didn't necessarily shine on the show.
• 1:11:33
  Speaker 1: How did y'all figure it out? What you mean she show?
• 1:11:36
  Speaker 1: You know, everybody just took today own today own. You
• 1:11:39
  Speaker 1: know what I'm saying. Opportunity and need it. You know
• 1:11:40
  Speaker 1: what I'm saying? How they ever want to do? Because
• 1:11:42
  Speaker 1: work like this, bro, It's like you got to be
• 1:11:45
  Speaker 1: a part of a team. It's it's different when you're
• 1:11:48
  Speaker 1: a comedian and you can get your lambs by yourself
• 1:11:51
  Speaker 1: and you used to do on your own thing, But like,
• 1:11:53
  Speaker 1: can you be part of a team? Can you set
• 1:11:55
  Speaker 1: up a joke for somebody else? Can you be the joke?
• 1:11:58
  Speaker 1: Can you can you do you know how to play
• 1:12:00
  Speaker 1: off somebody getting a jump off on you, So a
• 1:12:02
  Speaker 1: lot of that, a lot of those things come into
• 1:12:04
  Speaker 1: play with wild and now and then you know, it's
• 1:12:06
  Speaker 1: a lot of people on that so a lot of
• 1:12:08
  Speaker 1: people are just looking for that niche and they want
• 1:12:11
  Speaker 1: to be and they just they just want to be
• 1:12:12
  Speaker 1: funny all the time. And I just I just told myself,
• 1:12:15
  Speaker 1: like after my first season, I just told myself, really
• 1:12:18
  Speaker 1: I learned after my second season, because my second season one,
• 1:12:20
  Speaker 1: it wasn't probably my best season out of all my season,
• 1:12:23
  Speaker 1: you feel me, it was kind of more so I've
• 1:12:25
  Speaker 1: seen what they tried to cut me up, make me
• 1:12:28
  Speaker 1: look like I feel like I'm getting clean. But I
• 1:12:30
  Speaker 1: was like, oh, wait a minute, you know what I mean.
• 1:12:32
  Speaker 1: That ain't me going there rough my helf a little bit.
• 1:12:35
  Speaker 1: You know what I'm saying. People trying to change this.
• 1:12:42
  Speaker 1: But it was just more so like I I felt
• 1:12:45
  Speaker 1: like the game tried to change me too fast for me.
• 1:12:48
  Speaker 1: You're like, hold up, let me find my place in
• 1:12:50
  Speaker 1: the industry, you know what I'm saying. And I'm like, okay,
• 1:12:52
  Speaker 1: me just being me. It's where I'm man, instead of
• 1:12:55
  Speaker 1: me just trying to elevate. Learn with the game. Don't
• 1:12:57
  Speaker 1: let the game outroll you just yet you know what
• 1:13:00
  Speaker 1: I'm saying. So I'm learning with the game. And then
• 1:13:02
  Speaker 1: after my second season it was back to actually you
• 1:13:04
  Speaker 1: know what I mean. It's just like how you said, like,
• 1:13:05
  Speaker 1: don't really care about getting the laugh all the time?
• 1:13:08
  Speaker 1: Can't you be the jew make fun of me every show?
• 1:13:11
  Speaker 1: So I can be on TV? Right? And the platform
• 1:13:15
  Speaker 1: people don't realize about wid is you don't always have
• 1:13:18
  Speaker 1: to be talking to be funny so many ways the
• 1:13:23
  Speaker 1: platform wide open. Like that's the thing about the show.
• 1:13:31
  Speaker 1: It's that it's there's no structure to what you can
• 1:13:34
  Speaker 1: do in regards to the comedy that you want to present,
• 1:13:37
  Speaker 1: Like for example, the old school battles that me and
• 1:13:39
  Speaker 1: him do, like that was just something that was organically
• 1:13:42
  Speaker 1: that we just did, Like hey man, you bet you
• 1:13:44
  Speaker 1: don't want to do this, And that's the thing. You
• 1:13:46
  Speaker 1: can do whatever you want to do. You just have
• 1:13:47
  Speaker 1: to find a way to make it work within that system.
• 1:13:50
  Speaker 1: I've been on there with a whole bunch of other
• 1:13:52
  Speaker 1: people because everybody want to get on there and become
• 1:13:54
  Speaker 1: the star, but it's not really structured for there to
• 1:13:56
  Speaker 1: be one star, and that the big star is Nick Cannon, say,
• 1:13:59
  Speaker 1: Nick Cannon presents after that. Everything else is you know,
• 1:14:02
  Speaker 1: team oriented. So your A is an employee, Yeah, I
• 1:14:08
  Speaker 1: can present, Nick can present. Practice, Yeah, practice, rehearse what rehearse?
• 1:14:12
  Speaker 1: As far as on bottom out, No, y'all just go
• 1:14:15
  Speaker 1: there and just But how do you rehearse it? How
• 1:14:17
  Speaker 1: can you rehearse comedy? It's improv right because unless unless
• 1:14:20
  Speaker 1: it's unless to stand up, it's crazy. You can't. You know,
• 1:14:23
  Speaker 1: we don't rehearse. I think you know our section, But
• 1:14:26
  Speaker 1: I thought maybe y'all rehearse like y'all do the the
• 1:14:28
  Speaker 1: Family Union. Some people some people need that, you know
• 1:14:32
  Speaker 1: what I mean? Some people. And that's another thing about
• 1:14:34
  Speaker 1: wilding out. A lot of people come in and don't
• 1:14:36
  Speaker 1: get the structure and try to do comedy like they're
• 1:14:39
  Speaker 1: doing on their phone and all that. But there is
• 1:14:41
  Speaker 1: no editing delete when you shooting lives. We understand that
• 1:14:44
  Speaker 1: that wilding lot is TV, you know what I'm saying, Like, yeah,
• 1:14:47
  Speaker 1: they they go getting people and then they put them
• 1:14:49
  Speaker 1: on the show. But you gotta understand when that thing
• 1:14:51
  Speaker 1: say action get people being there? WI why little pool
• 1:14:58
  Speaker 1: being there? Oh? Get real? Did TV? All right? We
• 1:15:02
  Speaker 1: got more with the cast of MTV's Wilding Out and
• 1:15:05
  Speaker 1: also the eighty five South podcast Carlos Miller Chico being
• 1:15:09
  Speaker 1: a DC Young Flier, So don't move. It's the Breakfast Club,
• 1:15:11
  Speaker 1: Good morning, the Breakfast Club Porty. Everybody is DJ Envy
• 1:15:18
  Speaker 1: Angela Yee, Sholoman the guy. We are the Breakfast Club
• 1:15:21
  Speaker 1: from MTV's Wilding Out. We have Chico being, Carlos Miller
• 1:15:25
  Speaker 1: and DC Young Fly Charloman. How do y'all feel about
• 1:15:28
  Speaker 1: Nick Cannon? Stand up? Say what I feel about Nick Cannon?
• 1:15:32
  Speaker 1: Stand what you mean his comedy? What you mean he's great? Yeah,
• 1:15:40
  Speaker 1: We're gonna say nothing bad Nick Cannon, ain't talking about Okay,
• 1:15:54
  Speaker 1: Rich bro Okay, Nick Okay. I thought I thought I'm
• 1:15:57
  Speaker 1: about to say burn ain't gonna up the clip coat
• 1:16:00
  Speaker 1: on my skin? Charlottagne ruin up? What you say? What
• 1:16:07
  Speaker 1: about it? What about his music? Yeah? If the Beatles'
• 1:16:14
  Speaker 1: priss alright, than what ain't great? Exactly? And that's the thing,
• 1:16:22
  Speaker 1: like he's cold. We do, you know, we make the
• 1:16:24
  Speaker 1: jokes about Nick. But that's what makes Nick so great
• 1:16:28
  Speaker 1: is that that he can't he'd be like cut it out,
• 1:16:34
  Speaker 1: like a lot of money off that music. But Nick
• 1:16:39
  Speaker 1: is the type of dude that he got all of
• 1:16:40
  Speaker 1: the jokes that we tell about him. But that's the
• 1:16:43
  Speaker 1: thing to make me, you know, so appreciative of him.
• 1:16:45
  Speaker 1: It's like, if you're a bass you can put somebody on,
• 1:16:48
  Speaker 1: but it's a difference to put them on and stand
• 1:16:50
  Speaker 1: next to him while they're figuring out the process. And
• 1:16:52
  Speaker 1: that's what and not only that be the brun of
• 1:16:54
  Speaker 1: the joke when they figured out the process. Like man,
• 1:16:57
  Speaker 1: over the years, how many times do we cook Nick
• 1:17:00
  Speaker 1: on the show? I think I didn't cooked them too much.
• 1:17:03
  Speaker 1: It's white. They didn't kick me off. They editing you
• 1:17:05
  Speaker 1: out now, kicking me up. I don't even come back,
• 1:17:08
  Speaker 1: and he's laughing, but I'm dead. I was saving kick
• 1:17:18
  Speaker 1: me out. I got news. They called me. It was
• 1:17:20
  Speaker 1: like we love you call a guy called no. No,
• 1:17:26
  Speaker 1: you're not tell them the show was about to end.
• 1:17:30
  Speaker 1: Many kick you kick me off? You said that thing
• 1:17:33
  Speaker 1: about boy. They picked you up and say, look, it
• 1:17:38
  Speaker 1: was when I told Nick he was laming his hell
• 1:17:39
  Speaker 1: for going on a date with Marian, her new dude,
• 1:17:42
  Speaker 1: and then I feel it was all downhill. And after
• 1:17:44
  Speaker 1: that I said it, and then it was just I
• 1:17:47
  Speaker 1: was just the vibe change. He was like, it was
• 1:17:51
  Speaker 1: that you can't just kick call It was the white people.
• 1:17:56
  Speaker 1: The white people never I never really they never really
• 1:17:59
  Speaker 1: loved me like that over there, I feel like it's
• 1:18:01
  Speaker 1: too much to have that. Grown men need to have
• 1:18:03
  Speaker 1: to sit down because that I went to the source.
• 1:18:06
  Speaker 1: You feel any problem in a solution, I'm confrontation. You
• 1:18:09
  Speaker 1: know what I'm saying. I go, look what are you
• 1:18:11
  Speaker 1: when you ask him? Basically, you need to have a
• 1:18:13
  Speaker 1: sit down. Man, That's all that the phone mania bick
• 1:18:18
  Speaker 1: on the phone so I can watch this. Hold on,
• 1:18:20
  Speaker 1: hold on, you got to call Yeah, we're gonna call
• 1:18:22
  Speaker 1: him right now. Is this is the breakfast wait until
• 1:18:29
  Speaker 1: the breathfat He was up me away? I just what
• 1:18:33
  Speaker 1: you out here? Nigga? Yo? What's up? Yo? Now listen,
• 1:18:39
  Speaker 1: we got you, we got your We got all our
• 1:18:41
  Speaker 1: partners in here right now. We got DC young Fly,
• 1:18:44
  Speaker 1: that's rights being and Carlos Miller, like I said, my
• 1:18:47
  Speaker 1: name laugh Now niggas did an issue between you and
• 1:18:49
  Speaker 1: Carlos callers and told me you don't fight them. Yep,
• 1:18:54
  Speaker 1: not happen. I'm a man for life. I'm fir. He
• 1:18:57
  Speaker 1: got on the show. No us he line nothing. It's
• 1:19:00
  Speaker 1: a bunch of it's a bunch of people that ain't
• 1:19:02
  Speaker 1: on the show. No more. Y'all know how to you
• 1:19:04
  Speaker 1: white folks work. Blame it on the white cars. It's
• 1:19:10
  Speaker 1: your show that Carlos is one of the main people
• 1:19:12
  Speaker 1: on that that I tuned in for Carlos. I love Carlos.
• 1:19:15
  Speaker 1: I think I don't know how the negotiations work, but
• 1:19:18
  Speaker 1: how much people get paid and how many episodes and
• 1:19:20
  Speaker 1: all of that. I'm talking about that. But if y'all
• 1:19:24
  Speaker 1: want to talk about the money on the air, now
• 1:19:26
  Speaker 1: we ain't talking about the money. We're not talking about
• 1:19:31
  Speaker 1: to get the job, then talk about the money. He
• 1:19:33
  Speaker 1: said you fired them and replaced them with Cat Williams
• 1:19:35
  Speaker 1: on the on the Wild and Our took. You can't
• 1:19:37
  Speaker 1: say that. I'm understand that one though. I didn't say that,
• 1:19:39
  Speaker 1: But Carlos said, you ain't never want to be on
• 1:19:42
  Speaker 1: the show. You ain't never heard me say that? Who
• 1:19:45
  Speaker 1: you had answering the phone called me one day about
• 1:19:48
  Speaker 1: a flight and was like, well, you need to find
• 1:19:50
  Speaker 1: something else to do. And I ain't heard from y'all. Sins. Yeah,
• 1:19:54
  Speaker 1: I heard you say you ain't messing with that tool.
• 1:19:57
  Speaker 1: That is some bulls you told that that's somebody or
• 1:20:02
  Speaker 1: just miscommunication. I ain't never say that. I don't because
• 1:20:04
  Speaker 1: I don't handle the money and all I long if
• 1:20:06
  Speaker 1: my money is right, I get to it. You know
• 1:20:08
  Speaker 1: the thing would happened or all I know is they
• 1:20:11
  Speaker 1: said callous. But let's winter like all, Nick, We love
• 1:20:14
  Speaker 1: both of y'all. I think that we need. I think
• 1:20:16
  Speaker 1: you need to have a conversation with Callous on the
• 1:20:18
  Speaker 1: low because here a little hurt. I couldn't believe what
• 1:20:20
  Speaker 1: he was saying on the breakfast club this morning. Shut out,
• 1:20:26
  Speaker 1: shout man. You want to be back on wild Out? Yeah,
• 1:20:31
  Speaker 1: come on, situation Nick? Nick? Did I tell you I
• 1:20:40
  Speaker 1: take a pay cut for my dough to be back
• 1:20:41
  Speaker 1: on the show? He did? He pulled me to the
• 1:20:49
  Speaker 1: n callos say something homophobic? Joke too far? Nah, not
• 1:20:53
  Speaker 1: at all? Told you ain't man, I got playing at
• 1:20:56
  Speaker 1: home Boys tentlement o peak community. Nick didn't work community, Nick, Hey,
• 1:21:03
  Speaker 1: Carla's what's wrong with you? Man? That breakfast Thank you
• 1:21:12
  Speaker 1: for answering the phone, nigga. We don't mean to bother
• 1:21:14
  Speaker 1: you this morning, nigga, but we just want to get
• 1:21:15
  Speaker 1: to the bottom of the Carlo situation. I know, I
• 1:21:17
  Speaker 1: mean school, y'all calling me Howard, ain't Nick before you
• 1:21:22
  Speaker 1: wake up? Slad on me? Bro, I love you. They
• 1:21:27
  Speaker 1: just needed to have a sit down. It wasn't never
• 1:21:29
  Speaker 1: a prime. It wasn't a joke that you made about
• 1:21:32
  Speaker 1: him being on it. I didn't know. I never knew.
• 1:21:34
  Speaker 1: Carlo didn't get fired. Carlo elevated you lying. I ain't
• 1:21:41
  Speaker 1: elevating you lying. A lot of these people. I feel
• 1:21:44
  Speaker 1: on your shoe for nast seasons. That's all the elevation
• 1:21:48
  Speaker 1: I was doing you older my phone called Nick could
• 1:21:51
  Speaker 1: have hit me Nick. That's nast seasons. Bro, Hey you
• 1:21:53
  Speaker 1: got my line. I tested you. You ain't me bab shot.
• 1:22:03
  Speaker 1: I'm next week he enjoy enjoy school Nick barbecue. Nick,
• 1:22:09
  Speaker 1: I still got my job right, I was? We all
• 1:22:14
  Speaker 1: about to be out of this Sharin about to have
• 1:22:17
  Speaker 1: everybody on the site. I'm about to be up, bean,
• 1:22:19
  Speaker 1: I about to be up. Then, God damn typing up
• 1:22:22
  Speaker 1: the donkey of the days. But we're about to be
• 1:22:26
  Speaker 1: on that. I'm about to play DJ job. Yeah, it's
• 1:22:29
  Speaker 1: the breakfast club. Good afternoon, not morning. We're doing an afternoon.
• 1:22:32
  Speaker 1: Where can they see the eighty five show Man. Right now,
• 1:22:35
  Speaker 1: we're living on YouTube. We just got crazy. We got
• 1:22:38
  Speaker 1: a big YouTube place, just jumping out of the gym.
• 1:22:41
  Speaker 1: Pull it up on the yell on SoundCloud too, right
• 1:22:43
  Speaker 1: now Cloud. Then we got a couple of live shows
• 1:22:50
  Speaker 1: coming up. We in Chicago November twenty first, and then
• 1:22:53
  Speaker 1: we're in Mobile November eighteenth. Then no Mobile, Alabama November
• 1:22:57
  Speaker 1: twenty fifth. Another side, No shoo Maine. Uh, I'd be
• 1:23:00
  Speaker 1: seeing the pictures you'd be taking after the show with
• 1:23:02
  Speaker 1: your timber Lands, mat, loosen up your tims. Stop when
• 1:23:06
  Speaker 1: you make you make a pay timber Lands look like
• 1:23:09
  Speaker 1: oh making sci fire pro bab boots like you got
• 1:23:12
  Speaker 1: the chill, you got the untightening boots. Man, I'm like,
• 1:23:16
  Speaker 1: why the shotler man, You're not supposed to get your
• 1:23:18
  Speaker 1: size and tims. You're supposed to go a half size.
• 1:23:21
  Speaker 1: You the tims's longer than DJ Mby's career. And it's like,
• 1:23:25
  Speaker 1: don't make no sense, man, Okay, listen, Anthony John Carlos,
• 1:23:30
  Speaker 1: are you gonna say, you're gonna say our real name
• 1:23:33
  Speaker 1: Leonard told us that Leonard, and get your hands out
• 1:23:38
  Speaker 1: of here. Isn't the real name leg You got no
• 1:23:48
  Speaker 1: no no, don't got the ak you no more? Lenara
• 1:23:56
  Speaker 1: still look like any tass boots up so tight, because
• 1:23:58
  Speaker 1: that's what that's by the blacks and his angles. He'll
• 1:24:01
  Speaker 1: want to creep back up inside. I'll be back on
• 1:24:04
  Speaker 1: his face again, Lenardi cableman on the same exactly, Lenard,
• 1:24:10
  Speaker 1: what's your lad name? Lenard McKelvin, because let me get
• 1:24:15
  Speaker 1: your serial Leonard McKelvin was kelvin until he met John
• 1:24:22
  Speaker 1: and then things went south. Serial killer man than name?
• 1:24:37
  Speaker 1: Who y'all got great? Come in here? Who got y'all
• 1:24:43
  Speaker 1: done for the name? Can stay? Ain'tbody gonna do number
• 1:24:45
  Speaker 1: flip houses at the time? Who's up type? We can
• 1:24:48
  Speaker 1: stay up in this club? We don't have no purpose
• 1:24:53
  Speaker 1: to breakfast club. McKelvin hackled. It's really not it's really
• 1:24:59
  Speaker 1: litter will be. But he couldn't tell them he had
• 1:25:01
  Speaker 1: to put a spin on it. It's a leadclbe stop
• 1:25:07
  Speaker 1: playing all right. We'll shout to Carlos Millichico being in DC.
• 1:25:10
  Speaker 1: Young fly for joining us this morning. Now, yea, we
• 1:25:13
  Speaker 1: got roomors on the way. Yes, this couple seemed like
• 1:25:15
  Speaker 1: they would be together forever, but turns out they even
• 1:25:17
  Speaker 1: had a divorce papers signed. Find out what they had
• 1:25:19
  Speaker 1: to say. Looking back. Coming up on the Breakfast Club,
• 1:25:23
  Speaker 1: it's topic time the phone call eight hundred five eight five,
• 1:25:30
  Speaker 1: one oh five. Want to join it to the discussion
• 1:25:32
  Speaker 1: with the Breakfast Club, talk about it more than everybody's
• 1:25:36
  Speaker 1: DJ Envy Angela Yee, Charlomagne the guy we are the
• 1:25:39
  Speaker 1: Breakfast Club. Good morning. Now if you just joined us,
• 1:25:42
  Speaker 1: we're talking about some creative or strange things you've done
• 1:25:45
  Speaker 1: to make money. Now, that story came from will Ye.
• 1:25:47
  Speaker 1: Mister Sophia. She's a dominator. She's sixty eight years old,
• 1:25:50
  Speaker 1: and she tried his men one hundred and fifty dollars
• 1:25:52
  Speaker 1: to clean her apartment because she's a dominatrix. All right,
• 1:25:55
  Speaker 1: So we're asking eight hundred five eighty five one oh
• 1:25:57
  Speaker 1: five one chanique, Yes, good morning, good morning. Now, what
• 1:26:02
  Speaker 1: are some creative extreme things you've done to make some money?
• 1:26:04
  Speaker 1: Oh my god. Okay, So I had this old white
• 1:26:07
  Speaker 1: man right and to like for me to do weird
• 1:26:11
  Speaker 1: stuff like stand on his sting with my heels. Um,
• 1:26:15
  Speaker 1: he paid me five hundred dollars on him. He would
• 1:26:19
  Speaker 1: pay me for me to let him like ejaculate on
• 1:26:22
  Speaker 1: my feet. I've had a man told me to collect
• 1:26:25
  Speaker 1: some of my urine and he would drink it. So wow, Um,
• 1:26:30
  Speaker 1: you want me to send this guy your way? No,
• 1:26:33
  Speaker 1: I can't. I am married with a son. Now, market
• 1:26:39
  Speaker 1: did you tell y'all stuff? How old is your son? Wow?
• 1:26:42
  Speaker 1: What are you trying to do? Well, he's still old
• 1:26:44
  Speaker 1: enough to pee on somebody. Let him do it. Chalmagne, challemagne.
• 1:26:48
  Speaker 1: I love you so much. I just want to say
• 1:26:50
  Speaker 1: that I love you. I love you more love y'all?
• 1:26:53
  Speaker 1: Did you did you tell your husband any of this
• 1:26:55
  Speaker 1: before you got married? Yeah? He knew. He knew that.
• 1:26:58
  Speaker 1: Like man used to want me to dominate them. I
• 1:27:01
  Speaker 1: was never a dominatrix, but I would do like for
• 1:27:05
  Speaker 1: still fetishes. You kind of were, and you were standing
• 1:27:08
  Speaker 1: on his privates with your heels. That's dominatris behavior. Yeah. Yeah,
• 1:27:13
  Speaker 1: he would like want me to stick the pointiest heels
• 1:27:16
  Speaker 1: into his Now, I will say crazy. Now you know
• 1:27:20
  Speaker 1: it's crazy. I used to sleep with a little the
• 1:27:21
  Speaker 1: woman and she would pay me, but I didn't ask
• 1:27:23
  Speaker 1: her for money. She was just taking care of me
• 1:27:26
  Speaker 1: because I was her young boy. And you made me
• 1:27:27
  Speaker 1: think about that just now, because she used to like
• 1:27:29
  Speaker 1: to wear heels and stepped on my lower back. Yes, yeah,
• 1:27:33
  Speaker 1: I don't know. He used to tell me she stepped
• 1:27:36
  Speaker 1: on your little back. Bro. She stepped lower than that. Bro. No,
• 1:27:39
  Speaker 1: I stepped on my little back. Guy with high head, guy,
• 1:27:42
  Speaker 1: I didn't hurt. He has even yet him. Y'all? Okay,
• 1:27:49
  Speaker 1: how much did she pay the step on your little back?
• 1:27:51
  Speaker 1: Most you have paid me? She give me like three
• 1:27:52
  Speaker 1: thousand dollars the time she was I was her little food.
• 1:27:56
  Speaker 1: You should give me food too. She twinkies and bags
• 1:28:00
  Speaker 1: chicken and the ziplock back to take on chicken. Hello
• 1:28:05
  Speaker 1: is this yeah the morning? Good morning, hey Marcus. Now
• 1:28:08
  Speaker 1: what did you do to make some maketure money man?
• 1:28:10
  Speaker 1: Some creative strange thing? Um? You know what? Um? I
• 1:28:13
  Speaker 1: was telling top side of the clubs. That makes sense.
• 1:28:16
  Speaker 1: That's actually a great hub range. I went. I went
• 1:28:19
  Speaker 1: out with my home girls, and I'm like, yo, what
• 1:28:21
  Speaker 1: y'are always therefore when you're coming to head her say so,
• 1:28:24
  Speaker 1: I was like, you know what, you know, there's a
• 1:28:25
  Speaker 1: lot of stuff out on the ground. I'm sorry, let
• 1:28:27
  Speaker 1: me let me see where I come make. It happened
• 1:28:29
  Speaker 1: and I just cut that. I went down to trying
• 1:28:31
  Speaker 1: to tell, you know, caught the pack for like twenty
• 1:28:33
  Speaker 1: saw popping for ten. Sorry, mom, make about like about
• 1:28:36
  Speaker 1: one hundred and fifty for the night. Great shout out
• 1:28:38
  Speaker 1: to Don Dixon. She ain't invented flat out hills for that?
• 1:28:41
  Speaker 1: Bad John, John, what's what's what's some creative strange things
• 1:28:45
  Speaker 1: you did to make money? Ready? Nine year old? Later
• 1:28:49
  Speaker 1: before a nine year old lady, Once you pay you,
• 1:28:54
  Speaker 1: I stayed like a hundred feet of huh. It was
• 1:28:56
  Speaker 1: big when I was a little younger. Overnight fifty that's it.
• 1:29:00
  Speaker 1: She convinced you at ninety? What did she say at ninety?
• 1:29:02
  Speaker 1: What does she look like? Man? I didn't need the money.
• 1:29:05
  Speaker 1: It wasn't as bad as you think, though. But how
• 1:29:08
  Speaker 1: did she come to you? How does she approach you? Land?
• 1:29:10
  Speaker 1: The man? But I needed a long family said she
• 1:29:12
  Speaker 1: was hot where where it was I had when the
• 1:29:14
  Speaker 1: plat for a job and a little temporary receive, you know,
• 1:29:17
  Speaker 1: and she was up there work and she looked she
• 1:29:19
  Speaker 1: looked at y'all to be there. How about I love
• 1:29:23
  Speaker 1: How young did she look? Said? How how young did
• 1:29:27
  Speaker 1: she look? Where she go for? Like? She? Uh, lady,
• 1:29:32
  Speaker 1: So you're talking like like like Cincily Tyson beautiful because
• 1:29:35
  Speaker 1: Cicily Tyson is up and since types of ninety four
• 1:29:37
  Speaker 1: and she's a beautiful woman. So she was a knapman,
• 1:29:39
  Speaker 1: it's what you're saying. Well, I wish she was black,
• 1:29:42
  Speaker 1: but she wasn't black. What did you do? You just
• 1:29:47
  Speaker 1: had vegular missionary sex. They just gave up. I ain't.
• 1:29:52
  Speaker 1: I didn't. She couldn't where. She couldn't handle right there,
• 1:29:55
  Speaker 1: So I just had to give her you know, didn't
• 1:29:57
  Speaker 1: do that and it was old. She asked you to
• 1:29:59
  Speaker 1: do it, Yes, she pace? What did she say? You
• 1:30:02
  Speaker 1: gotta tell me her zack verbage? What did she say
• 1:30:05
  Speaker 1: to you, young boy? Well, we got to talk and
• 1:30:07
  Speaker 1: I really came in her because I was trying to
• 1:30:09
  Speaker 1: get some money. I already know what she was on.
• 1:30:10
  Speaker 1: How did you figure that out? Yeah? She did? She
• 1:30:14
  Speaker 1: have on her teeth. That's a that's a guilt. I
• 1:30:16
  Speaker 1: gut y'all. Y'all tried to have sex, but she couldn't
• 1:30:19
  Speaker 1: handle it because you know, at ninety four don't work
• 1:30:22
  Speaker 1: the same. Nah. Nah, she she just couldn't handle it.
• 1:30:25
  Speaker 1: I was a little real four she did? Did she
• 1:30:29
  Speaker 1: take out her teeth and perform earl on you? Oh mine?
• 1:30:33
  Speaker 1: Oh disgusted? She dad? Now, yes, I'm sure. I'm pretty
• 1:30:39
  Speaker 1: sure she is. I mean thirty two. Okay, how did
• 1:30:42
  Speaker 1: it feel it with those gums rubbing on you? So
• 1:30:45
  Speaker 1: don't talk about a dead woman like that? What he did?
• 1:30:48
  Speaker 1: You did you? Yeah? But I ain't gonna though, I
• 1:30:53
  Speaker 1: would like for you. I think she would do it
• 1:30:55
  Speaker 1: before a little a lot. Yeah, she was ninety. I
• 1:30:58
  Speaker 1: wasn't her first rodeo. So you disgusted, man, I think
• 1:31:01
  Speaker 1: you're going to heaven. I think that after Loon got
• 1:31:04
  Speaker 1: you into heaven. My brother, I'm not going to judgment guys. Yeah,
• 1:31:07
  Speaker 1: I had to do a favor, you know, give us
• 1:31:09
  Speaker 1: something great for out of here. You made somebody's great
• 1:31:11
  Speaker 1: grandma's day, John John? Just last question? Did you eat
• 1:31:15
  Speaker 1: the booty? John Joe? He don't know. That's a hell no? Right?
• 1:31:19
  Speaker 1: But what anything else? Who do you think I am? Goodbye?
• 1:31:25
  Speaker 1: John John? What's the more of the story, man? I
• 1:31:29
  Speaker 1: don't know no more of the story. It's just that
• 1:31:35
  Speaker 1: that's some people like they're doing some scream things, some
• 1:31:38
  Speaker 1: change out here in the screech. They're trying to think
• 1:31:42
  Speaker 1: of that ninety ye old poem poone would be like,
• 1:31:44
  Speaker 1: that's what you still thinking about that? You gotta be
• 1:31:46
  Speaker 1: guys out there with those kind of fetishes that only
• 1:31:48
  Speaker 1: want to sleep category for it. What's that called. It's
• 1:31:52
  Speaker 1: called golden something. I'm gonna tell you right now, golden
• 1:31:56
  Speaker 1: what have mercy by man, keep it lock with up all.
• 1:32:00
  Speaker 1: Coming up next, it's the Breakfast Club. Everybody is DJ
• 1:32:03
  Speaker 1: Envy Angela Yee. Charlomagne the guy. We are the Breakfast
• 1:32:07
  Speaker 1: Club and Charlomagne, you've got a positive note for the people. Yes, sir,
• 1:32:11
  Speaker 1: Change your perceptions and your emotions will follow.