Latest / Frightmares / Ep. 146 - Jeepers Creepers (2001)
Transcript
- 0:42Speaker 1: Who the fuck is that supposed to be composer? Um, Nope,
- 0:47Speaker 1: that's his name. That's really weird. All right, whatever, I
- 0:53Speaker 1: was gonna say something, I had a dad joke. It
- 0:55Speaker 1: loaded up and ready to go.
- 0:57Speaker 2: Oh, apparently you shoot blanks there, sir.
- 1:00Speaker 1: Damn, that's gone now, it's gone forever, right like the
- 1:03Speaker 1: wind bulls eye. I do have some some things and
- 1:07Speaker 1: stuff to say if I can talk right and developing
- 1:10Speaker 1: a lisp as we speak, things and stuff to speak
- 1:13Speaker 1: about right off the bat. But before we do that,
- 1:16Speaker 1: my name is Austin Proctor. I'm your host. This is
- 1:18Speaker 1: episode one and forty six, and that is your co host,
- 1:21Speaker 1: Spencer Laferman.
- 1:22Speaker 2: Hi.
- 1:23Speaker 1: I said Corey was going to be here this week.
- 1:26Speaker 1: Last week, but he had some car trouble. Apparently something
- 1:30Speaker 1: is cracking in his car and he had to use
- 1:31Speaker 1: duct tape or something that always works. Sent me pictures.
- 1:34Speaker 1: Looked like it was crazy. So Spencer stepped in to
- 1:38Speaker 1: do a different movie that we didn't even we This
- 1:41Speaker 1: just was just picked.
- 1:42Speaker 2: Yeah.
- 1:42Speaker 1: We went between you had said, what did you say?
- 1:45Speaker 1: You mentioned so many that we had already dig it.
- 1:52Speaker 1: Let me see I can find those, because yeah, you
- 1:53Speaker 1: think I think.
- 1:54Speaker 2: I said the rental or the relic, and then you
- 1:56Speaker 2: mentioned jeeper screepers and I'm like, oh, you have done
- 1:59Speaker 2: that yet. He goes nope, and I'm like, okay, let's
- 2:01Speaker 2: do it.
- 2:02Speaker 1: Yeah, here we go. So you said, oh, do do
- 2:06Speaker 1: do uh? Bride of Chucky already did it, Devil already
- 2:10Speaker 1: did it, Bloodfest already did it. And he's like, you're
- 2:12Speaker 1: like boo, and I was like hush. I was like, ooh,
- 2:14Speaker 1: let me check if we've done hush And apparently we
- 2:16Speaker 1: did it back on episode twenty seven for Flanning and
- 2:19Speaker 1: Flicks and You're like, damn it, Austin. I was like,
- 2:21Speaker 1: and I said, you know, we've done three hundred and
- 2:23Speaker 1: seventy five movies on the show. Unbelievable Babysitter did both
- 2:27Speaker 1: of those. Like what about the rental of the Relic?
- 2:31Speaker 1: I was like, Oh, that might be a good idea,
- 2:33Speaker 1: and then yeah, I was like, I remembered that.
- 2:35Speaker 2: I remember the rental because you just saw it recently,
- 2:37Speaker 2: like maybe a couple months ago, and I'm like.
- 2:38Speaker 1: He did and it was way goode and I haven't
- 2:40Speaker 1: done that one. And I was like, what about jeevers
- 2:42Speaker 1: creepers of the Ring because we had just talked about
- 2:45Speaker 1: the Ring on the.
- 2:45Speaker 2: Last time I said I would have said the Ring
- 2:47Speaker 2: would have been fined. But I just watched it like
- 2:49Speaker 2: a month ago, and it's yeah, it's been about a year.
- 2:51Speaker 2: So I'm like, let's watch that.
- 2:53Speaker 1: It's been a minute for me since I've seen Jeepers.
- 2:55Speaker 1: So we set it on Jeepers Creepers because it's just
- 2:58Speaker 1: a great two thousands horror flick. Ye, despite the shenanigans
- 3:03Speaker 1: with the director that we'll get into, I watch it
- 3:06Speaker 1: for the movie, not for who directed it. We'll get
- 3:10Speaker 1: into that though. But before all of this, as typical
- 3:14Speaker 1: as you know with me and Spencer, there's it's gonna
- 3:16Speaker 1: just go right off the rails immediately. So there's a
- 3:21Speaker 1: couple of things I'd like to say. Number one, the Monsters.
- 3:25Speaker 1: We just got a poster for it featuring Lily and
- 3:32Speaker 1: Grandpa Monster. And then whatever the fuck that guy's name
- 3:35Speaker 1: is Herman? Excuse me? Sorry Herman? Yes, sorry, I don't dude,
- 3:41Speaker 1: I'm listening like I just I don't know. I was
- 3:43Speaker 1: never huge into the I watched the show, but I
- 3:46Speaker 1: can't remember the names. So yeah, Lily Munster, Grandpa Munster.
- 3:53Speaker 1: Is it Herman?
- 3:53Speaker 2: Yes, I don't even see him.
- 3:55Speaker 1: Oh there he is, Herman Monster. Okay, so it's just
- 3:58Speaker 1: them three, and I personally thought it looked awesome because
- 4:04Speaker 1: I think they all look pretty neat, you know, like
- 4:08Speaker 1: I know, I tagged you in it. Sherry Moon Zombie
- 4:11Speaker 1: looked pretty fucking great as Lily. I'm hoping she doesn't,
- 4:16Speaker 1: uh Sherry Moon it up too much?
- 4:18Speaker 2: Yeah, pretty much.
- 4:20Speaker 1: I'm I'm I'm nervous, but I'm hopeful she looks great.
- 4:24Speaker 1: I think Grandpa Munster looks great. I heard a lot
- 4:27Speaker 1: of people saying complaining about his mustache though.
- 4:30Speaker 2: Doesn't he have one? I'm pretty sure he's got one
- 4:32Speaker 2: of the show.
- 4:32Speaker 1: That's what I thought.
- 4:34Speaker 2: I mean, listen, if they're huge fans of the show,
- 4:36Speaker 2: I don't think they're gonna mess up something as small
- 4:37Speaker 2: as that, just because.
- 4:38Speaker 1: Yeah, let me see, let me go back to are
- 4:40Speaker 1: you No he doesn't Okay he doesn't. But yeah, people
- 4:45Speaker 1: were very upset with uh because I you know, I
- 4:48Speaker 1: posted this on social media yesterday and I said the
- 4:51Speaker 1: caption was what do you think? And boy did I get?
- 4:56Speaker 2: No?
- 4:57Speaker 1: I wanted to because I wanted to know I got
- 4:59Speaker 1: things from It's gonna be shit. Everything where Abdombie does
- 5:02Speaker 1: is shit too. I'm so excited, I can't wait, and
- 5:05Speaker 1: everything in between. And I was keeping up with comments
- 5:08Speaker 1: for a while until it blew the fuck up because
- 5:11Speaker 1: I posted it in like seven groups, a couple like
- 5:13Speaker 1: Halloween groups, a couple horror groups. It's reached over like
- 5:17Speaker 1: fifty thousand people. It's been shared a hundred times, so
- 5:22Speaker 1: I just couldn't keep up with the comments. But I
- 5:24Speaker 1: was commenting on some people's you know, like I'm excited, Like, yeah,
- 5:26Speaker 1: I'm nervous, but you know, I'm also excited at the
- 5:30Speaker 1: same time. Someone remember someone's comment was Rob Zombie is
- 5:34Speaker 1: just all rapey vibes and that's all this is gonna be.
- 5:36Speaker 1: And I was like, first of all, this is PG,
- 5:40Speaker 1: so that's not gonna happen. And second of all, Halloween
- 5:43Speaker 1: wasn't rapee until the director's cut. Other than that, there
- 5:47Speaker 1: was no real rapeie vibes in that movie. Besides when
- 5:51Speaker 1: they you know, we've talked about those one hundred times. Yeah,
- 5:54Speaker 1: and I don't think any of his other movies really
- 5:56Speaker 1: have any, like, well, Devil's Rejects isn't really rapie, but
- 5:59Speaker 1: there's some like when Otis is like.
- 6:03Speaker 2: But for his mentality, that's his character. Yeah, he was
- 6:07Speaker 2: playing his character, So yeah, that might have given you vibes.
- 6:11Speaker 2: But like if if, if, if that's your uh you know,
- 6:14Speaker 2: if that's your explanation or your or your one issue,
- 6:18Speaker 2: then like you have an issue with a handful of movies.
- 6:21Speaker 1: Yeah, it's not just rob zombie movies.
- 6:23Speaker 2: It's a lot.
- 6:23Speaker 1: So I explained that it was PG, and I guess
- 6:26Speaker 1: I get a lot of people must not know it's PG,
- 6:28Speaker 1: because I explained it to a few people and they
- 6:30Speaker 1: were like, oh, okay, well I'm slightly more interested now
- 6:34Speaker 1: because you know, he's not gonna zombie it up with
- 6:37Speaker 1: all his grunge, you know, his like dirty hillbilly stuff.
- 6:41Speaker 2: And I mean, you know, a lot of people and
- 6:43Speaker 2: I'm not saying like everybody, but a lot of people
- 6:46Speaker 2: don't really like like for instance, like when you know,
- 6:49Speaker 2: Deadpool and stuff came out, kids were gonna like parents
- 6:51Speaker 2: were taking their kids to be because it said Marvel
- 6:53Speaker 2: on it. They realize it's rare it are because they
- 6:55Speaker 2: don't pay attention.
- 6:56Speaker 1: No one pays attention to shit, like the people that
- 6:57Speaker 1: took their kids to see sausage party, and I.
- 7:00Speaker 2: Was like, what are you doing? Maybe animated, but doesn't mean.
- 7:05Speaker 1: It's for kure, No, it's not. They were swearing and
- 7:07Speaker 1: fucking each other in the first few seconds that family left. Immediately,
- 7:10Speaker 1: I was like, yeah, order what you're doing, Like you
- 7:12Speaker 1: should do your homework.
- 7:14Speaker 2: Yeah, if it says Marvel, if it's animated, it doesn't
- 7:18Speaker 2: necessarily mean it's approfect.
- 7:19Speaker 1: It's appropriate.
- 7:20Speaker 2: I mean even the like you know, uh, the the
- 7:24Speaker 2: Marvel TV shows that were on Netflix, like they weren't
- 7:27Speaker 2: really children appropriately, not that there was like sex and
- 7:29Speaker 2: nudity and all that, but like the adult situations, yes,
- 7:32Speaker 2: but it was very gritty and it was very adult
- 7:35Speaker 2: version of a Marvel TV show where you know, some
- 7:37Speaker 2: kids should be watching that, right, but uh, but no,
- 7:40Speaker 2: it's I mean, if you think about when you hear
- 7:42Speaker 2: Rob Zombie, you don't think PG ever exactly.
- 7:45Speaker 1: And that's so I.
- 7:46Speaker 2: Understand, like I didn't know was PG, which is fair.
- 7:48Speaker 2: But like when it comes to a certain things like that,
- 7:51Speaker 2: do your homework before you open your mouth on social
- 7:53Speaker 2: especially social media, because everyone's going to see that, and
- 7:56Speaker 2: then the people that know you're wrong or going to
- 7:59Speaker 2: some people will be nice to better like you.
- 8:01Speaker 1: Yeah, I'm there doing I'm like.
- 8:03Speaker 2: People are going to literally bite your head off, like
- 8:06Speaker 2: you're the most dumbest fucker in the planet, which is unfortunate,
- 8:09Speaker 2: but that's how social media works.
- 8:10Speaker 1: There was plenty of people that I commented on there,
- 8:13Speaker 1: like everything robbed out Zombie does his shit, this is
- 8:15Speaker 1: gonna be shit, And I'm like, Okay, that's your opinion. Yeah,
- 8:17Speaker 1: I was like, I like him, you know, I'm hopeful
- 8:19Speaker 1: for those, but if you don't like them, I'm not
- 8:20Speaker 1: forcing you to.
- 8:21Speaker 2: Like.
- 8:21Speaker 1: I'm like, I'm very respectful online for the most part,
- 8:23Speaker 1: unless people are just being dicks for no reason.
- 8:26Speaker 2: And out of his catalog of movies, which I don't
- 8:28Speaker 2: know how many he's done, but like we said it before,
- 8:30Speaker 2: like there's only two that I really didn't like, and
- 8:34Speaker 2: it's thirty one and Lord's Salem. Everything else I've I've
- 8:37Speaker 2: I've enjoyed.
- 8:39Speaker 1: Yeah, so for I mean, he's directed twenty six things,
- 8:42Speaker 1: but most of those were like, you know, music video,
- 8:45Speaker 1: a lot of those. Yeah, so you've got House one
- 8:46Speaker 1: thousand Corpses. I enjoy that movie. Devil's Rejects his masterpiece.
- 8:52Speaker 1: Apparently he he's got Grind. Oh did he do a
- 8:56Speaker 1: trailer for Grind? Now he did a trailer, that's right.
- 8:59Speaker 1: Then Halloween another masterpiece. Halloween two, Okay, Halloween Two's okay. Yeah,
- 9:05Speaker 1: I wouldn't say I.
- 9:06Speaker 2: Hate it, it's it's okay, great, but it's okay.
- 9:08Speaker 1: It's better than Halloween Kills, the Haunted World of l
- 9:12Speaker 1: Superbisto that was like a animated thing that apparently he
- 9:17Speaker 1: directed one episode of c S I Miami, Yes he did.
- 9:20Speaker 2: Which was in that episode his wife of course.
- 9:25Speaker 1: More other you know, music videos, Lords of Salem, which
- 9:29Speaker 1: was okay, like yeah, yeah, I didn't love it, thirty one,
- 9:33Speaker 1: and Free from House. So yeah, I mean it's like
- 9:36Speaker 1: seven out of the ten movies he's made I like same.
- 9:40Speaker 1: So yeah, I'm I'm excited for the monsters, but you know,
- 9:43Speaker 1: I've already expressed my concerns with I'm.
- 9:45Speaker 2: More interested than excited.
- 9:47Speaker 1: Yeah, I'm interested because he's definitely doing a fan service,
- 9:51Speaker 1: it seems, with building the entire neighborhood. You know, I
- 9:56Speaker 1: think the people look pretty accurate. The only question I
- 9:58Speaker 1: have is where are the where again? I don't know
- 10:01Speaker 1: their fucking names, but where's the little boy?
- 10:04Speaker 2: Ernie?
- 10:05Speaker 1: And in Maryland I think was another one. Let me see,
- 10:09Speaker 1: But yeah, there's there's a couple of people missing that
- 10:11Speaker 1: I don't see credits, and everyone was commenting, where are
- 10:15Speaker 1: these people? And I'm like, that's a good question, because.
- 10:18Speaker 2: Maybe there's the reason why the movie is so long,
- 10:21Speaker 2: or reportedly so long.
- 10:23Speaker 1: Yeah, Eddie and Maryland. Eddie and Marylyn are yeah, apparently
- 10:28Speaker 1: just missing. So I'm like, I don't know, maybe they
- 10:32Speaker 1: I don't know. Maybe they I don't know. So those
- 10:34Speaker 1: are the only you know, I got questions like that,
- 10:36Speaker 1: And I was like, I was wondering where they were
- 10:37Speaker 1: as well, because, like I said, I wasn't sure in
- 10:39Speaker 1: their names, but I knew that there was two other
- 10:41Speaker 1: members of the family.
- 10:42Speaker 2: Or maybe it's a maybe he's putting his own little
- 10:45Speaker 2: spin on it in a way, and he doesn't want
- 10:46Speaker 2: to ruin any type of surprises, so he's keeping things.
- 10:48Speaker 1: That's true. Yeah, I mean that is true. I mean
- 10:50Speaker 1: that happens all the time, like what happened Spider Man
- 10:53Speaker 1: No Way Home. They didn't put you know, those names
- 10:56Speaker 1: in there for quite some time.
- 10:57Speaker 2: But we do, oh yeah, we did, we know?
- 11:00Speaker 1: And then and then I spoiled it for myself the
- 11:02Speaker 1: day out because I just wanted to fucking know. So, yeah,
- 11:06Speaker 1: I mean it's listed as a comedy, family, fantasy, horror,
- 11:09Speaker 1: sci fi. I really think he's gonna lean into kind
- 11:11Speaker 1: of like the cheesy humor I think. I mean that's
- 11:14Speaker 1: simple brand and it's funny because you know, if someone
- 11:17Speaker 1: was like, does he even know how to do humor,
- 11:19Speaker 1: I'm like, I find some there's some stuff in his
- 11:21Speaker 1: movies that are that are funny.
- 11:22Speaker 2: But but then again, you know his movies are straight
- 11:24Speaker 2: Horror's true.
- 11:26Speaker 1: Yeah, I don't know, can he do family comedy We're
- 11:29Speaker 1: about to see I guess.
- 11:30Speaker 2: I mean the fact that he hit Him and his
- 11:33Speaker 2: wife are huge, huge fans. I bet you they probably
- 11:36Speaker 2: rewatched the series multiple times so they know.
- 11:39Speaker 1: I mean, he has a whole Monster's room from what
- 11:41Speaker 1: I've heard, like an entire room dedicated to this show.
- 11:45Speaker 2: So I, like I said, I'm hopeful just because he's
- 11:49Speaker 2: a huge monster like fan and like, he's not gonna
- 11:51Speaker 2: screw over his own fandom. He's not. He's not gonna
- 11:53Speaker 2: make a ship movie that he's gonna regret later on.
- 11:56Speaker 1: Yeah, I agree.
- 11:58Speaker 2: But but it is brand for him to make a
- 12:01Speaker 2: family movie really is like, that's completely like one eighty
- 12:04Speaker 2: of Rob Zombie.
- 12:05Speaker 1: But hey, I mean that happens with a lot of
- 12:07Speaker 1: horror directors. There's a plenty of horror directors who do
- 12:11Speaker 1: like Adam Wingard did a bunch of horror movies and
- 12:13Speaker 1: then he did Fucking Godsli Versus Kong.
- 12:15Speaker 2: Yeah. I mean so it's like and even Martin Scorsese
- 12:19Speaker 2: has done a couple well, we'll like like Bringing Out
- 12:21Speaker 2: the Dead with Nicholas Cage and Shutter Outland are they're
- 12:23Speaker 2: more psychological thrillers. Yeah, but you know when you hear Scorsese,
- 12:28Speaker 2: you think of good Fellows because you think you think
- 12:31Speaker 2: the Irishman, you think gangster stuff. But yeah, but some
- 12:34Speaker 2: people out there do that, like, for instance, Steven Spielberg,
- 12:37Speaker 2: when you hear that, you think Durress Park, Jaws, But
- 12:39Speaker 2: he just directed a musical, uh West Side Story.
- 12:42Speaker 1: West Side Story, yeah killed. Yeah, so it it can
- 12:44Speaker 1: be done. And I mean, yes, I know you're probably
- 12:47Speaker 1: like some people are rolling their eyes how we're comparing
- 12:50Speaker 1: Zombie to Scorsese and spielb.
- 12:51Speaker 2: Which I'm not. I'm just going off of directors that
- 12:54Speaker 2: I've done that have gone off their formula. Those are
- 12:57Speaker 2: there's a two top of my head.
- 12:59Speaker 1: So we're not comparing then, we're just saying it is
- 13:01Speaker 1: it is possible for someone to stray away from their
- 13:03Speaker 1: niche and do something just as good because uh, I mean, like,
- 13:07Speaker 1: like I said, I'm going back to wind Guard because
- 13:10Speaker 1: he did like your next vhs, the Guests, you know,
- 13:14Speaker 1: those were all great horror movies.
- 13:16Speaker 2: I guess some some like Dark Humor, Into It Too.
- 13:19Speaker 1: Yeah, and Death Note and Blair Witch, so those are
- 13:21Speaker 1: all horror. I mean, the Guests really wasn't horror, but
- 13:23Speaker 1: all those other ones are horror movies and the Yeah,
- 13:24Speaker 1: and then he did a big blockbuster of Godzilla, so like,
- 13:27Speaker 1: and that was an awesome dude, I love Godzilla versus
- 13:30Speaker 1: Call Yeah, that was pretty good. So yeah, and I
- 13:33Speaker 1: don't I don't know do we know when this is.
- 13:35Speaker 1: It's it's supposed to.
- 13:36Speaker 2: Be this supposed to be this year Halloween.
- 13:39Speaker 1: It says pre production though, so it's like this is
- 13:42Speaker 1: maybe it's next year, maybe it's next year. All I
- 13:45Speaker 1: know though, is that I'm really excited to see Cassandra Peterson.
- 13:48Speaker 1: She's playing someone named Barbara Carr in this.
- 13:51Speaker 2: So and she's also playing Elvira, So is she I
- 13:54Speaker 2: I mean, I was heart I read Elvira is returning,
- 13:57Speaker 2: and if anybody else plays on a Vira, that's stupid. Okay,
- 14:01Speaker 2: because she also played I believe she played in the
- 14:02Speaker 2: original TV show or or something. I'm sure she had
- 14:06Speaker 2: something to do with that. See, I mean because Calondra
- 14:08Speaker 2: Peterson's in her seventies, so that would make sense if
- 14:11Speaker 2: she was in the Munsters.
- 14:13Speaker 1: I don't see her listed here.
- 14:15Speaker 2: I mean I read she was. They didn't say Cassandra Peterson.
- 14:18Speaker 2: They said Elvira, but everybody knows Elvira, knows Cassandra Peterson.
- 14:21Speaker 1: Yeah, they may maybe they just said Elvira, so that
- 14:24Speaker 1: way people knew who talking about.
- 14:27Speaker 2: She's playing two different parts.
- 14:29Speaker 1: That's true, all Yeah, all I know is that she's
- 14:31Speaker 1: she's top building. She's going to be in it. So
- 14:34Speaker 1: I'm not saying that's just gonna make the movie instantly
- 14:37Speaker 1: a hit. But I mean, if she's signed on, she
- 14:39Speaker 1: obviously liked. You know, she's not going to sign on
- 14:41Speaker 1: to a script that she doesn't like. I would assume,
- 14:44Speaker 1: like you know what I mean, I mean, well.
- 14:46Speaker 2: These days, like it's not like she needs the money
- 14:48Speaker 2: or anything, No, of course not. Sometimes they just want
- 14:50Speaker 2: to have some fun. And honestly, I bet you on
- 14:52Speaker 2: the set of any robs On maybe it's going to
- 14:54Speaker 2: be fun.
- 14:54Speaker 1: Yeah. So if she's a mean and she's top build,
- 14:56Speaker 1: so I assume she's probably going to be a major player. Maybe.
- 15:00Speaker 1: But either way, you know, I mean, you've got a
- 15:02Speaker 1: good cast. This one guy who I know, that's the
- 15:05Speaker 1: one guy from lostje Jorge Garcia.
- 15:10Speaker 2: This guy I haven't seen him a while.
- 15:11Speaker 1: Yeah, he's playing someone in this movie called Floop. I'm
- 15:15Speaker 1: not sure who that is. Yeah. Then you've got Daniel
- 15:18Speaker 1: Roebuck his grandpa Monster, Hendry Drake as doctor Henry Augustus
- 15:23Speaker 1: Start start Richard Brake.
- 15:25Speaker 2: There we got I honestly, I really like him.
- 15:28Speaker 1: Yeah. He was in three from Hell and thirty one
- 15:30Speaker 1: and I like him. He's great. And then you have
- 15:32Speaker 1: Jeff Daniel Phillips playing Herman Monster. Jeff Daniel Phillips was
- 15:35Speaker 1: in West World also.
- 15:38Speaker 2: He was also in a three from Hell. He played
- 15:39Speaker 2: the Warden did he? I believe that's they actually played
- 15:42Speaker 2: the Warden.
- 15:43Speaker 1: The Wadden Brave from Hell Let's see, Yeah, yeah, Warden
- 15:47Speaker 1: vigil Harper. Oh yeah, and he was also in Satanic Panic. Okay, cool, Yeah,
- 15:51Speaker 1: so yeah, I mean it's not his typical cast, although
- 15:54Speaker 1: he is using people he's used before, and of course
- 15:57Speaker 1: you know his wife is in there. It would have
- 15:59Speaker 1: been nice to see uh Bill Moseley in some capacity.
- 16:05Speaker 1: That would have been.
- 16:05Speaker 2: Maybe we still will maybe we don't know.
- 16:07Speaker 1: That would be great. I'd love even if it's just
- 16:09Speaker 1: a cameo.
- 16:11Speaker 2: The Kid movie is almost weirder than I know. I know,
- 16:14Speaker 2: but it's almost weirder.
- 16:16Speaker 1: Bill is the fucking man.
- 16:19Speaker 2: Also, he's been busy with film and other stuff, so
- 16:21Speaker 2: like he is.
- 16:21Speaker 1: A busy man. He's a busy guy. But uh yeah,
- 16:25Speaker 1: so this should be quite interesting. Obviously, we're gonna keep
- 16:29Speaker 1: you posted on what's going on. I saw something about
- 16:33Speaker 1: Halloween Ends today. What was it?
- 16:37Speaker 2: I heard John Carpenter says it's weird. Yeahs out from
- 16:40Speaker 2: the other one.
- 16:41Speaker 1: Yes, Carpenter is on record saying it is intriguing or
- 16:45Speaker 1: something like that, and or is it's different or something.
- 16:48Speaker 1: And I'm like, I don't know if I like that
- 16:51Speaker 1: car wasn't too different because it was definitely different. As
- 16:56Speaker 1: long as I mean, let me see, as long as
- 16:58Speaker 1: fucking Tommy's not back, then I'll be happy. Okay, I
- 17:02Speaker 1: don't see him credit Wait Tommy, well spoilers, didn't he die?
- 17:07Speaker 2: I don't remember. I don't. I remember. There was a
- 17:11Speaker 2: good like a lot of people died at the like
- 17:14Speaker 2: right this scene. I couldn't keep track of whoo who
- 17:17Speaker 2: all died. I want to say he did, but I
- 17:18Speaker 2: don't know. I'd have to rewind.
- 17:20Speaker 1: Well, I'm gonna fucking look it up because I need
- 17:22Speaker 1: to know, and because I just can't.
- 17:24Speaker 2: I know the trailer is gonna be coming soon.
- 17:27Speaker 1: Yeah he was, Okay, think, Oh that's right. Yeah, that's right.
- 17:29Speaker 1: That's why I remember, because I remember when we were
- 17:31Speaker 1: watching it, Me and you were just arms crosses, shaking
- 17:34Speaker 1: our head and then he dud.
- 17:35Speaker 2: We were both on the verge of walking.
- 17:37Speaker 1: Dude. If we weren't there with other people, I would
- 17:39Speaker 1: have walked out, followed you. I would have walked out,
- 17:43Speaker 1: which makes me so sad, because like, I wanted to
- 17:46Speaker 1: love that movie. But yeah, I remember being happy that
- 17:49Speaker 1: he died because I'm like, thank god you won't be
- 17:52Speaker 1: in the next one, because I could. He was my
- 17:54Speaker 1: least favorite character in Halloween Kills, So thank god you're
- 17:57Speaker 1: not gonna be there. I'm hoping Lori or not Loristroe
- 18:00Speaker 1: Jesus Jamie the Curtis has a bigger role in this
- 18:03Speaker 1: because she she felt like side character and in the
- 18:06Speaker 1: in the second one, I.
- 18:07Speaker 2: Would hope she has a bigger role in this one.
- 18:09Speaker 2: It's the last one I know, at least for her.
- 18:12Speaker 1: Well, yeah, she says that again, here we go again,
- 18:17Speaker 1: because yeah, it was. It was kind of it kind
- 18:19Speaker 1: of vibed like Hallow the original Halloween two with how
- 18:21Speaker 1: she was in the hospital and stuff like that. But
- 18:23Speaker 1: she just felt underutilized and I'm like, and the only
- 18:26Speaker 1: reason to have her in this movie was because Will
- 18:31Speaker 1: Patton's character was in the hospital. If he wasn't in
- 18:33Speaker 1: the hospital, then there would have been like no reason
- 18:35Speaker 1: for her to be in there. So she just felt
- 18:37Speaker 1: very side character in that movie, which is odd because
- 18:39Speaker 1: it's pretty much directly about her. And then of course
- 18:43Speaker 1: they fucking kill off one of my favorite new people
- 18:45Speaker 1: in the in the show and in the movies. I'm like,
- 18:49Speaker 1: I gotta do that, right, why do you gotta do that?
- 18:51Speaker 2: Also, this movie time jump, so I'm curious on how
- 18:54Speaker 2: long and I think it's four years.
- 18:56Speaker 1: I could have I think it kills time jumps. No
- 19:00Speaker 1: end time jumps.
- 19:02Speaker 2: No from kills.
- 19:04Speaker 1: Oh I'm getting my ship backwards.
- 19:05Speaker 2: Sry. Yeah. So Halloween ends time jumps. I think four
- 19:08Speaker 2: years from ends. Definitely time jumps. I don't remember the
- 19:12Speaker 2: actual time. I believe it was four years.
- 19:14Speaker 1: I believe get we need to get one after Halloween
- 19:16Speaker 1: kill is called Halloween waiting, where it's just Mike Myers
- 19:19Speaker 1: just doing shit for four years, standing places, creepily making
- 19:23Speaker 1: eggs with his knife. You know what I mean? I
- 19:27Speaker 1: know right? Oh man, now we're off on a subject.
- 19:30Speaker 1: Thanks for bringing that up. Oh baby, So, if you
- 19:33Speaker 1: are an avid screen factory purchaser like we are, you
- 19:37Speaker 1: know that they did the four k's of Halloween one
- 19:39Speaker 1: through five last year.
- 19:41Speaker 2: I believe yep.
- 19:43Speaker 1: Actually yeah, I think it was last July because I
- 19:45Speaker 1: remember buying them on vacation with Gabby and I was like,
- 19:48Speaker 1: just fucking sons of bitches. Oh spam risk Yeah, let
- 19:51Speaker 1: me answer that. So it's been rumored that we're supposed
- 19:56Speaker 1: to be getting six, seven, and eight because I don't
- 19:58Speaker 1: know what. I don't to the knowledge with the rab
- 20:01Speaker 1: Nambie ones, what is it? Why would we get those?
- 20:03Speaker 1: They are mirror max or something.
- 20:05Speaker 2: They are. Yeah, they are mirror Max, which basically paramount
- 20:08Speaker 2: outsides of pail, which basically the same reason why we're
- 20:11Speaker 2: never gonna get the missed like just rights and all
- 20:14Speaker 2: that stuff.
- 20:14Speaker 1: But uh, the same reason why we're not getting an
- 20:17Speaker 1: adjacent until whenever because of rights.
- 20:20Speaker 2: Well that's more illegal thing.
- 20:22Speaker 1: I know. I'm just still I'm still mad about it.
- 20:24Speaker 2: It's different.
- 20:24Speaker 1: I'm still so angry.
- 20:26Speaker 2: Yeah, but it's from all the Weinsteins did it?
- 20:30Speaker 1: Oh yeah, and there's the whole debacle going on with that. Yeah.
- 20:34Speaker 1: So the rumor is what we've heard, and i've you know,
- 20:37Speaker 1: we've seen you know, quote unquote concept art of it
- 20:40Speaker 1: for six, seven and eight. So that would be H
- 20:43Speaker 1: two O, which Curse, Curse, which are arguably some of
- 20:50Speaker 1: the worst ones. But I loved H two No, I
- 20:53Speaker 1: do too, except I do, except.
- 20:55Speaker 2: Like that don't even make sense anymore because she has
- 20:59Speaker 2: a sudden that one I know, and she has a
- 21:01Speaker 2: daughter in the new ones and like.
- 21:04Speaker 1: What you can't expect to be you can't expect to
- 21:07Speaker 1: be Saw? Okay, no one everyone wants to be Saw
- 21:10Speaker 1: and have such a good storyline like they do. But
- 21:14Speaker 1: they just can't. You can't aspire to be something that good.
- 21:17Speaker 1: Saw is the o I will. We know this Saw
- 21:19Speaker 1: is like literally one of the best story storylines with
- 21:23Speaker 1: with very little plot holes like if not okay, I
- 21:26Speaker 1: can't even think of any right now. I'm sure there
- 21:28Speaker 1: probably are, excluding Jigsaw in Spiral one through seven or like,
- 21:33Speaker 1: they're like nearly flawless. So yeah, I love the Halloween franchise,
- 21:37Speaker 1: and even Friday the Thirteen kind of falls victim to
- 21:39Speaker 1: some you know where Jason ends up at the end
- 21:42Speaker 1: of some movies you're like that he wasn't like.
- 21:44Speaker 2: That before, but not all you know, that all happens
- 21:47Speaker 2: when when when you're like, okay, we're gonna stop here,
- 21:49Speaker 2: and then you realize it makes a ship ton more money,
- 21:52Speaker 2: and then you're like, okay, well we're going to continue,
- 21:54Speaker 2: I guess, but now we have to make them a
- 21:55Speaker 2: whole new storyline because this is how we endit it.
- 21:57Speaker 1: I think I think that I think the franchise a
- 22:00Speaker 1: Friday franchise is my favorite for that because you have
- 22:02Speaker 1: the final chapter, which is four, and then you have
- 22:04Speaker 1: a new beginnings because we're we we got to start again, yep.
- 22:08Speaker 1: And then you have a new Blood which is seven
- 22:11Speaker 1: or the new Blood or whatever. And then it's like,
- 22:13Speaker 1: all right, Jason goes to Hell. Final Friday, just kidding,
- 22:16Speaker 1: we're going We're going to space.
- 22:19Speaker 2: Like kids. He goes to Hell, but apparently Hell's in space.
- 22:22Speaker 1: Yeah, the Final Friday goes to Hell. That comes back.
- 22:25Speaker 1: They like they rebooted it, like three different two or
- 22:28Speaker 1: three different stuff. You're like, Jesus, guys, So yeah, that
- 22:31Speaker 1: does happen with Halloween. Uh the story the storyline is
- 22:33Speaker 1: pretty pretty messy, so you do have to look past that.
- 22:36Speaker 1: But it would be nice to be able to complete
- 22:38Speaker 1: the four k's with at least six, seven and eight
- 22:41Speaker 1: original like rob Zombies. It's fine whatever, I own them.
- 22:45Speaker 1: I owned the theatrical cut, and then I own the
- 22:46Speaker 1: ones in the box. I don't necessarily need four k's,
- 22:49Speaker 1: but it would be nice to have, you know, the
- 22:51Speaker 1: I say originals, but just like one through eight, that
- 22:53Speaker 1: would be nice to And they better fucking do them
- 22:55Speaker 1: in those hard hardcovers. If they don't do them like that,
- 22:59Speaker 1: I know, but like what so weird watch them do that? Though,
- 23:02Speaker 1: just like fuck you you get regular slip covers. I
- 23:03Speaker 1: won't buy them. Then I'll just keep one through five.
- 23:06Speaker 1: I won't buy them. Oh yeah, I know, I'm I'm
- 23:10Speaker 1: gonna buy them. Just I just I just what did
- 23:13Speaker 1: I just buy today? I just doubled dip the fog.
- 23:18Speaker 1: Fucking God. These bastards, these fucking bastards. They just released
- 23:22Speaker 1: Child's Play one, two, and three with two alternate slips,
- 23:25Speaker 1: five posters, a fucking neca last month and there's one
- 23:28Speaker 1: hundred and seventy one dollars. Cool, fucking take my money.
- 23:31Speaker 1: And then, uh, three days ago, they're like, oh, we're
- 23:34Speaker 1: doing the Fog four K and I'm like, cool, I
- 23:36Speaker 1: already have it's right here. I already have the fucking
- 23:40Speaker 1: Fog right here. I just got that recently. So they're
- 23:44Speaker 1: doing the Fog four K with a seven inch vinyl
- 23:48Speaker 1: and a Neka and I'm like, yeah, I can't wait
- 23:50Speaker 1: to buy. I can wait to buy Evil Dead an
- 23:52Speaker 1: Army of Darkness because because I don't care about the posters.
- 23:54Speaker 1: Well I might, I might want the Evil Dead one,
- 23:56Speaker 1: but I'm like, I can wait to get those because
- 23:58Speaker 1: the posters rarely sell out. But I'm like, I just
- 24:00Speaker 1: had to drop another one hundred dollars because you're releasing
- 24:02Speaker 1: all this.
- 24:03Speaker 2: Fucking special shit, right that goes quick.
- 24:06Speaker 1: Dude, those neckas go. I was gonna just buy the
- 24:08Speaker 1: necka for Chucky and get the other ship later because
- 24:12Speaker 1: I was like, I just can't afford this right now.
- 24:14Speaker 1: And I went to go buy the neck and I
- 24:16Speaker 1: was like, this is sold out. We'll notify you when
- 24:17Speaker 1: it's in, and I'm like, okay. So I went to
- 24:19Speaker 1: go to the bundle and it let me buy the
- 24:21Speaker 1: bundle and I was like, thanks, guys, Hey, appreciate all
- 24:24Speaker 1: your time you've given me, but I need them to
- 24:26Speaker 1: start releasing actual Blu rays and new Thank god they've
- 24:30Speaker 1: released Evil Dead. That was one new thing we got
- 24:32Speaker 1: because this year has been like entirely four k's of
- 24:35Speaker 1: ship that they've already released, Species, Funhouse, Fucking Where Kness,
- 24:42Speaker 1: Army of Darkness, Escape from New York, Candy Man, the
- 24:45Speaker 1: Howling Dog Soldiers. I'm like, guys, please just start releasing
- 24:49Speaker 1: new four Caves.
- 24:50Speaker 2: Just cheaper to I mean cheaper because they already have
- 24:54Speaker 2: the rights.
- 24:54Speaker 1: I know, but it's just like, come on, man, we
- 24:56Speaker 1: released some new ship. I am excited to see Evil
- 25:00Speaker 1: that though, because I do love that unrated cut. And
- 25:03Speaker 1: you said you believe you said it comes with both
- 25:05Speaker 1: both cuts, right.
- 25:06Speaker 2: According to their website, it does.
- 25:08Speaker 1: Ooh yeah, and I love that cover. Oh that's why
- 25:11Speaker 1: I want that poster. But yeah, these goddamn bastards keep
- 25:14Speaker 1: releasing all this shit. They're ten years coming up on
- 25:16Speaker 1: September eighteenth of this year. I'm hoping for that Nightmare box.
- 25:22Speaker 2: Man. I think we already got their their thing, I
- 25:24Speaker 2: think because in September.
- 25:26Speaker 1: No, but they're gonna do something. They have to do
- 25:29Speaker 1: something to like release, like like we're we're dropping something
- 25:33Speaker 1: on our ten year anniversary, you know what I mean?
- 25:35Speaker 2: You would think they'd announced it already there if they
- 25:37Speaker 2: announced it, like like the ones we were just talking
- 25:39Speaker 2: about all come out in September.
- 25:40Speaker 1: I know, but those are like that's nothing special though,
- 25:43Speaker 1: I don't know.
- 25:45Speaker 2: I don't work there if I did. If I did,
- 25:48Speaker 2: it'd probably be way cheaper to get those movies, right.
- 25:51Speaker 2: I bet you have an issue too?
- 25:54Speaker 1: What nothing yet? Not that I'm not. Oh the new
- 25:57Speaker 1: ones coming out?
- 25:58Speaker 2: Yeah?
- 25:58Speaker 1: Oh yeah, because what's it called? Got push back? Funhouse
- 26:01Speaker 1: and Dog Soldiers got pushed back to like.
- 26:06Speaker 2: Rights issues. Yeah, but there was one four K they recently.
- 26:10Speaker 2: Oh they recently released that had audio issues that you
- 26:13Speaker 2: had to get replaced.
- 26:14Speaker 1: Which one I forgot, Well I got them all right here,
- 26:18Speaker 1: the Craft.
- 26:19Speaker 2: I think it was the Craft. Those were the Craft
- 26:21Speaker 2: was having audio issues.
- 26:24Speaker 1: Those were Those were two other I didn't see those, Yeah,
- 26:27Speaker 1: those were two other four k's the double dipped on.
- 26:29Speaker 1: And they also had some some issue with the Army
- 26:32Speaker 1: of Darkness bundles where they had to refund people's moneys
- 26:34Speaker 1: because they put wrong prices on it. And it's like
- 26:37Speaker 1: it's like, hmm, I feel like you should honor those
- 26:40Speaker 1: prices to people that pre ordered that.
- 26:42Speaker 2: But I mean, well what they did is they gave
- 26:44Speaker 2: they gave refunds back.
- 26:45Speaker 1: Well they gave refunds back and they gave like a
- 26:47Speaker 1: five dollars coupon or whatever. So it's like all right,
- 26:49Speaker 1: but yeah, it's kind of like that's kind of a
- 26:50Speaker 1: big oof. They have a lot of oofs. I love them,
- 26:53Speaker 1: but they got to they have a lot of major
- 26:55Speaker 1: oofs with some of the stuff that they put out. Yeah,
- 26:57Speaker 1: I mean, I mean, I mean it's expected. It's a
- 26:59Speaker 1: small company, know what I mean.
- 27:00Speaker 2: Like, I mean, honestly, like with the if they have
- 27:02Speaker 2: their dude, the Nightmary and Elvis Street. I can almost
- 27:05Speaker 2: guarantee you they're going to have an issue with with
- 27:07Speaker 2: a disc or two say that.
- 27:08Speaker 1: I know they had three issues with the Friday the
- 27:11Speaker 1: Thirteenth podcast, the three D Part and three, the sleeping
- 27:15Speaker 1: bag scene and X and then the wrist snap and
- 27:18Speaker 1: Goes to Hell.
- 27:19Speaker 2: Luckily, luckily uh knightmar Ol Street doesn't have any underrated issues,
- 27:22Speaker 2: any special editions, just as is, and they all are
- 27:25Speaker 2: all on Blu rays Is right now. But like that
- 27:28Speaker 2: doesn't mean they're gonna they can mess it up with
- 27:29Speaker 2: the South somehow.
- 27:30Speaker 1: I don't care what anybody says. And I know Jason
- 27:32Speaker 1: Goes to Hell is a terrible movie. I fucking love
- 27:34Speaker 1: that movie though, I really do.
- 27:37Speaker 2: It's so just the director's cut.
- 27:39Speaker 1: It's yeah, yeah, yeah, of course. And I even put
- 27:41Speaker 1: that in my review because I usually don't review horror movies.
- 27:43Speaker 1: I just say go listen to my podcasts because I
- 27:45Speaker 1: shamelessly plug it. But I was like, director's cut, you know,
- 27:48Speaker 1: greater than YEP, because yeah, that risk snap scene is
- 27:51Speaker 1: literally that was like a half star extra. I was like, fuck,
- 27:53Speaker 1: yeah that was awesome.
- 27:54Speaker 2: Oh yeah that uh the sleeping bag scene in that
- 27:58Speaker 2: one too with the like I was one of the
- 28:00Speaker 2: best kills where the two are having sexually just like
- 28:03Speaker 2: splits her.
- 28:03Speaker 1: Oh yeah, that was amazing. Cuts through the tent, just
- 28:05Speaker 1: splits her and half dude. Yes. So it's a terrible movie,
- 28:10Speaker 1: but it has some really awesome shit in it. I
- 28:12Speaker 1: will die on that hill. All right, I've got some
- 28:15Speaker 1: more shit I bought because I can't control myself.
- 28:17Speaker 2: Classic, I know.
- 28:18Speaker 1: I said I was done buying things that I bought
- 28:20Speaker 1: four o oh, I bought three new things and then
- 28:22Speaker 1: this was a pre order, so alright, fair, Yeah, I
- 28:25Speaker 1: pre ordered everything everywhere, all the time, everywhere at once.
- 28:29Speaker 1: Came with a slip cover, which is pretty tight. I
- 28:31Speaker 1: like that. I haven't seen this one yet. Me and
- 28:33Speaker 1: Gaby are gonna watch it. Yeah, it's probably gonna be
- 28:36Speaker 1: a movie of the year. It's got a four point
- 28:38Speaker 1: five out of five on letter Box, which is like
- 28:40Speaker 1: parasite level. Uh so I'm excited to watch that. And yeah,
- 28:44Speaker 1: because like we didn't get couldn't go see this in
- 28:47Speaker 1: theaters because it's two twenty and I just can't sit
- 28:49Speaker 1: in those seats.
- 28:50Speaker 2: Funny, what it's still in theaters?
- 28:53Speaker 1: Is it really?
- 28:53Speaker 2: Yeah? It went down to now one show.
- 28:55Speaker 1: Oh my god, it was in Dobey for like the
- 28:57Speaker 1: first weekend. I just but I just could not make
- 28:59Speaker 1: it out.
- 28:59Speaker 2: It's a it's a twenty four's most profitable movie. It's
- 29:04Speaker 2: almost not one hundred million.
- 29:06Speaker 1: Wow. Yeah, I mean so I'm I'm really excited to
- 29:08Speaker 1: watch this tomorrow.
- 29:09Speaker 2: Did you get the Blue ray of the four K?
- 29:10Speaker 1: I just got the Blu ray because well, when I
- 29:12Speaker 1: pre ordered it, the Blu ray was like twenty two
- 29:15Speaker 1: and the four K was like thirty six, and I'm like,
- 29:17Speaker 1: it's not gonna it's gonna.
- 29:18Speaker 2: Be Now I went down the Blu ray is actually
- 29:20Speaker 2: fifteen thirty.
- 29:22Speaker 1: This is still an at most and they're both. Yeah,
- 29:25Speaker 1: so I mean whatever.
- 29:27Speaker 2: I mean, there are some scenes that would look better
- 29:29Speaker 2: in four K, but like like for sound reasons, it's yeah.
- 29:33Speaker 1: Once, like I said, when I pre ordered it, the
- 29:34Speaker 1: four K was so actually it was either more expensive
- 29:36Speaker 1: or it wasn't available. So it's like I'll just get
- 29:38Speaker 1: the blue whatever.
- 29:39Speaker 2: That's Oh dude, it's so good.
- 29:41Speaker 1: I'm so ready. Yeah. So yeah, like I said, I
- 29:43Speaker 1: just got the fog because I realized they didn't have that.
- 29:46Speaker 1: Oh no, is it what's wrong with it? Oh, it's
- 29:49Speaker 1: got a little bit of stuff there. Oh well, I
- 29:52Speaker 1: got the fog On Blu Ray because I literally have
- 29:54Speaker 1: at this point, I have six left that I need
- 29:58Speaker 1: to get, and I all the collector's editions, and then
- 30:01Speaker 1: like a couple extra slips. So I bought the fog
- 30:04Speaker 1: On four K and the fog On Blue rad in
- 30:06Speaker 1: the same day because I just don't make sense at all. Ever,
- 30:10Speaker 1: and that's a good one. That's John Carboner one. And
- 30:12Speaker 1: then and then this is a fucking crazy story. I
- 30:15Speaker 1: was just I was picking up some random ones that
- 30:18Speaker 1: I that I had left on my list, and Raising
- 30:19Speaker 1: Caine was one of them. So I bought the slip
- 30:23Speaker 1: cover on eBay for like eight dollars because I was like,
- 30:26Speaker 1: it's an out of print slipcover. And then I fucking
- 30:29Speaker 1: get the Blue ray from Amazon and it comes with.
- 30:31Speaker 2: A fucking slip cover in classic.
- 30:33Speaker 1: God damn it, thank you, but son of a bitch.
- 30:36Speaker 1: So then I was like, all right, fine, I'm not
- 30:38Speaker 1: gonna do slips before I get movies. I'm gonna try
- 30:40Speaker 1: this again. And I got Cyborg, but the fucking slip
- 30:43Speaker 1: to another out of print slip and I'm like, what
- 30:45Speaker 1: the fuck is happening? Yeah, so two from two from
- 30:51Speaker 1: Amazon in a week with slips that are out of
- 30:55Speaker 1: fucking print. So I'm like, I'm just gonna.
- 30:56Speaker 2: Start Huh that one looks like it's from Canada.
- 31:00Speaker 1: Oh weird. I mean it's still the same region, but.
- 31:04Speaker 2: I know, I'm just saying like maybe it's oh.
- 31:06Speaker 1: Yeah, that was weird Canadian home video whatever, So yeah,
- 31:12Speaker 1: that's just weird. I'm like, I guess I'll just start
- 31:15Speaker 1: trying to buy them on Amazon first, so I don't
- 31:17Speaker 1: waste money on slips because now I got to try
- 31:18Speaker 1: to sell that raising cane slip in the group pastards
- 31:22Speaker 1: sounds a bit of speaking of movies with nice slips,
- 31:25Speaker 1: This is like one of my prize possessions, cheaper scrapers.
- 31:29Speaker 1: It's so pretty. I paid way too much for these movies,
- 31:32Speaker 1: probably not proud of it. Well, because not only are
- 31:35Speaker 1: the slips out of print you know or you know,
- 31:37Speaker 1: op whatever, the blu raysor are as well one and two,
- 31:42Speaker 1: and they go for insane amounts of money on eBay.
- 31:46Speaker 1: I've seen them upwards of like one hundred dollars apiece,
- 31:49Speaker 1: which is just ludicrous. And people, people pay for that.
- 31:51Speaker 1: I think. I'm pretty sure I got the deuce. I
- 31:54Speaker 1: got the pair for one twenty I believe, so sixty
- 31:57Speaker 1: apiece something like that. It was either one hundred or
- 31:59Speaker 1: one hundred and twenty, which was a great deal because
- 32:00Speaker 1: it was and it was from the same person, which
- 32:02Speaker 1: I wanted to do. I didn't want to buy one
- 32:04Speaker 1: from one on one from another, and they're both in
- 32:06Speaker 1: fantastic condition. But yeah, I paid way too much for those,
- 32:09Speaker 1: But I mean, what am I supposed to do. It's
- 32:11Speaker 1: better than eighty five apiece. You've seen have you seen
- 32:14Speaker 1: them in the group? Sometimes? Like it's like eighty five
- 32:16Speaker 1: ninety bucks and people buy that shit, just like Return
- 32:18Speaker 1: of the Living Dead. Not me. Well yeah, I know,
- 32:20Speaker 1: I know, I know, but it's just crazy how how
- 32:22Speaker 1: much some people will pay. Like that was like my limit.
- 32:24Speaker 1: Like Return of the Living Dead, I bought separately. I
- 32:27Speaker 1: got the slip for like twenty five, and then I
- 32:28Speaker 1: got the Blu Ray by itself for like sixty, which
- 32:30Speaker 1: is still eighty five fucking dollars. And I'm like, I
- 32:33Speaker 1: don't know why I do this to myself. It's it's
- 32:34Speaker 1: incredible how people just make up these prices. You know
- 32:39Speaker 1: what I mean. Like, I've seen sold listings for Return
- 32:42Speaker 1: of the Living Dead with the slipcover sealed for like
- 32:44Speaker 1: one hundred and fifty dollars, and I'm like, holy shit, Like,
- 32:47Speaker 1: I mean, that's a lot of money. I just I'll
- 32:50Speaker 1: pay a certain amount, but I like, there's a there's
- 32:52Speaker 1: a limit I have for paying for stuff. I think
- 32:54Speaker 1: the most I ever spent on one was, uh no, it's
- 32:57Speaker 1: probably Return of the Living Dead, because I was like eighty
- 32:59Speaker 1: five bucks. Terrible, horrible, But at least I have all
- 33:03Speaker 1: of the out of print shit. That's good. That's good.
- 33:05Speaker 1: Same thing with like a lawnmower man and what's that
- 33:08Speaker 1: other one Man Hunter that's another one that's like one
- 33:10Speaker 1: hundred and twenty dollars easy on eBay.
- 33:13Speaker 2: Terrible, terrible, terrible.
- 33:15Speaker 1: That's why I just buy all the shit now, so
- 33:17Speaker 1: that way it doesn't go out of print before I can.
- 33:19Speaker 1: I just need to catch up so I can so
- 33:21Speaker 1: I can stay current and not have to worry about
- 33:23Speaker 1: things going out of print. Actually, and I and I
- 33:25Speaker 1: preemptively bought an Alligator and an Alligator two because I
- 33:28Speaker 1: figured those who go out of print really quickly and
- 33:30Speaker 1: I could sell those later for a lot of money.
- 33:31Speaker 2: That's funny. The sequels seem to go out of print
- 33:33Speaker 2: a lot more, a lot easier than that.
- 33:35Speaker 1: Yet first Pumpkinhead two, spec Species two, Howling two, those
- 33:39Speaker 1: are all out of print. It's so it's so weird.
- 33:42Speaker 1: I don't know why why, And they're not typically the
- 33:44Speaker 1: better of the movie. No, no, I mean especially Howling
- 33:48Speaker 1: two and even Howling three. I've heard those just aren't
- 33:51Speaker 1: that great at all. So I just did that preemptively
- 33:54Speaker 1: because that was like the first time on a four K,
- 33:56Speaker 1: and I'd even think of Blu Ray for Alligator. So
- 33:58Speaker 1: I was like, I'm gonna just get two of them,
- 34:00Speaker 1: and they're still in print, and I'm like, maybe one
- 34:02Speaker 1: day they'll be out of print and I could sell
- 34:03Speaker 1: them for stupid amounts of money. So now I have
- 34:06Speaker 1: two copies of those, and uh, two copies of these
- 34:10Speaker 1: two because I don't know, I never heard of them.
- 34:14Speaker 1: Fuck you, Mike Myers. They were limited editions to like
- 34:18Speaker 1: a thousand copies, and one of them is called Bury
- 34:21Speaker 1: me An Angel and the other one is called Angels
- 34:23Speaker 1: as hard as they come. They're like both about biker
- 34:25Speaker 1: chick movies. So I was like, oh, these are limited
- 34:27Speaker 1: to one thousand, I'll buy two of those. Yeah, those
- 34:28Speaker 1: aren't out of print yet. Where you go when will I?
- 34:31Speaker 1: Lauren Spencer?
- 34:32Speaker 2: Probably never.
- 34:33Speaker 1: It's just hard. It's hard to know, like what's gonna
- 34:35Speaker 1: go out of print? What can I buy now?
- 34:37Speaker 2: So it's funny that you say that because because you know,
- 34:40Speaker 2: usually typically when the Steel books go in the pre order,
- 34:42Speaker 2: I get those because usually they're they'll be gone. So
- 34:47Speaker 2: I found out, well, not found out, but you know,
- 34:50Speaker 2: some still still in your some don't.
- 34:52Speaker 1: Yeah.
- 34:52Speaker 2: I thought maybe you know, the Last Fast and of
- 34:54Speaker 2: Years maybe would be gone. Yeah, like that, No is
- 34:57Speaker 2: now thirteen ninety nine Steel But can I paid thirty
- 34:59Speaker 2: for that? Like god damn, it should just wait because
- 35:01Speaker 2: that movie is not worth thirty. It's worth thirteen for real.
- 35:04Speaker 1: But it's so hard to know what is going to
- 35:06Speaker 1: go fast and what's not.
- 35:07Speaker 2: Especially with limited stuff. So with Steel Books, yeah, I
- 35:09Speaker 2: keep on that ship right away no matter what, because
- 35:11Speaker 2: I have been screwed in.
- 35:12Speaker 1: The past, like that one you get with the James
- 35:14Speaker 1: Bond one where it's like they canceled it or something they.
- 35:17Speaker 2: Lords and I still got it though, thank god, Like
- 35:21Speaker 2: because I was looking every day like I looked like
- 35:23Speaker 2: I pre ordered that a month before it came out,
- 35:25Speaker 2: and then all of a sudden, like they canceled it because.
- 35:27Speaker 1: We don't have stocked.
- 35:28Speaker 2: They ran out of it. Best Buy is notorious. This
- 35:32Speaker 2: is a warning for everybody to buy Steel books. Best
- 35:35Speaker 2: Buy is notorious for running out of pre orders. I
- 35:40Speaker 2: don't get how you sell out.
- 35:41Speaker 1: Of pre order. It's a pre order.
- 35:43Speaker 2: Last time I checked pre means before. So if I'm
- 35:47Speaker 2: if I'm buying a movie before it's out, you make
- 35:50Speaker 2: that fucking movie.
- 35:51Speaker 1: It's like game stop. When you pre order games, they
- 35:53Speaker 1: set aside a game for you. Then you know they
- 35:55Speaker 1: got your name on it. You go tell them your name.
- 35:57Speaker 2: It happened to me only three times. But so those
- 36:00Speaker 2: three times, like steal books, aren't she.
- 36:03Speaker 1: Because get together.
- 36:04Speaker 2: Because once that is the only your only hope is
- 36:07Speaker 2: eBay or hopefully Target does steal bug sometimes they do
- 36:12Speaker 2: like it's it's and you know with Marvel movies, a
- 36:15Speaker 2: lot like those are big, big, you know, tempole titles,
- 36:18Speaker 2: So like those are gonna go like that, So like
- 36:20Speaker 2: I got you gotta jump on those marbles before anything.
- 36:22Speaker 2: And one of the Marvel ones happened to before Record
- 36:25Speaker 2: Rock for me, and that was my first one there,
- 36:27Speaker 2: like I pre ordered like too much in advance, and
- 36:29Speaker 2: usually what to do is like right before they charge
- 36:31Speaker 2: your card or or you know, or right before it's
- 36:34Speaker 2: getting ready to ship to like make sure your information
- 36:36Speaker 2: is still current because you know, you pre order something
- 36:38Speaker 2: too much and then you know you might move could either.
- 36:41Speaker 2: I mean, I mean, I'm glad that they give you
- 36:43Speaker 2: that that little like hey, is this still where you're
- 36:45Speaker 2: living and is this still your card?
- 36:46Speaker 1: But they were like this one was like this one.
- 36:49Speaker 2: Is literally like oh yeah, like out of stock. I'm
- 36:51Speaker 2: like pre orders out of stock? Fucking hello what so
- 36:55Speaker 2: come again?
- 36:56Speaker 1: What that's what she said?
- 36:57Speaker 2: Yeah for real, Like so, so buyers beware for best
- 37:02Speaker 2: buy sometimes they'll do that to you. You just have
- 37:04Speaker 2: to like just have to keep an eye on that shit.
- 37:06Speaker 1: Best buyers beware. Uh yeah, because I actually did that
- 37:10Speaker 1: with actually happened to me. Or I ordered one of
- 37:13Speaker 1: the because I think I have a quiet I have
- 37:14Speaker 1: one of the quiet places on steel books. So I
- 37:16Speaker 1: was buying the other one that I happened to find
- 37:18Speaker 1: and then they just canceled my order, so I bought
- 37:20Speaker 1: it again, and then they canceled it again. I'm like, oh,
- 37:22Speaker 1: fuck you, I guess I'll just won't get it. Then
- 37:24Speaker 1: I was like, I don't know why you're letting me
- 37:25Speaker 1: sell sell this, You're letting me buy this and then
- 37:28Speaker 1: canceling it, but whatever, So I gave up on that.
- 37:30Speaker 1: So Best Buy, I don't know. You're dead to me.
- 37:32Speaker 1: Probably maybe I'll see you in five years when I
- 37:34Speaker 1: need a new TV. All right, let's do this shit.
- 37:38Speaker 1: We managed to kill thirty seven minutes as always, classic
- 37:41Speaker 1: classic US. So let's get into this. I need to
- 37:44Speaker 1: get my phone because I've forgot to write down what
- 37:46Speaker 1: it's rated for silly me. I know I forgot something
- 37:50Speaker 1: and then I just forgot to check. So I'm just
- 37:51Speaker 1: a chaotic mess today. But I mean that's not different
- 37:53Speaker 1: than any day.
- 37:54Speaker 2: So you're consistent.
- 37:56Speaker 1: At least I'm consistent and I have admitted my problem.
- 38:00Speaker 1: Where is there it is? Oh I just don't see
- 38:03Speaker 1: y all. There we go, Okay, so Jeebers Creepers. This
- 38:07Speaker 1: is movies from two thousand and one and released on
- 38:09Speaker 1: August thirty first of that year in the US. Rated
- 38:13Speaker 1: R for mild sex and nudity, severe violence, and gore,
- 38:20Speaker 1: moderate profanity, no alcohol, drugs you're drinking huh? Interesting, severe,
- 38:26Speaker 1: frightening and intense scenes and that is it. A runtime
- 38:29Speaker 1: of an hour and a half minutes and a half minutes,
- 38:33Speaker 1: one hour and thirty minutes. Fucking Christ listed as a
- 38:37Speaker 1: horror thriller directed by Victor Salva who has thirteen directing credits,
- 38:42Speaker 1: who also did Jeepers Creepers two and three, and also
- 38:44Speaker 1: written by the same man who has twelve writing credits
- 38:47Speaker 1: and he credits, and he also did two and three. Now,
- 38:49Speaker 1: the problem with this man is that he molested like
- 38:53Speaker 1: a twelve year old in nineteen eighty eight, and like
- 38:54Speaker 1: no one found out about it until I swear like
- 38:57Speaker 1: the time Jeepers Creepers three came around, yep, because I
- 39:00Speaker 1: didn't find out about it until around that time. And
- 39:03Speaker 1: I remember trying to watch Jeepers Creepers three and thought
- 39:06Speaker 1: it was so bad that me and Gabby just turned
- 39:08Speaker 1: it off. And then I found out about all that stuff.
- 39:11Speaker 1: So I will not you know, I don't. I don't
- 39:12Speaker 1: support this anymore, but you know this, this is a
- 39:15Speaker 1: movie I grew up watching, so I do like it.
- 39:18Speaker 1: I don't like the man and what he's done because
- 39:20Speaker 1: he only starved fifteen months as well, which is absolutely disgusting.
- 39:24Speaker 1: From molesting a twelve year old, that is, that's gross.
- 39:26Speaker 1: So I don't support him and what he does. But
- 39:29Speaker 1: like you know, like I said, this is a movie.
- 39:30Speaker 1: I grew up this, so I like the movie for
- 39:32Speaker 1: what it is, not who is behind the movie, because
- 39:35Speaker 1: that guy is a piece of shit. So let me
- 39:36Speaker 1: just state that now. Not supporting this man currently anymore
- 39:41Speaker 1: because of what he's done. I just enjoy Cheepers Creepers
- 39:44Speaker 1: one and two, So not watching it for his director
- 39:47Speaker 1: or his directing style or who's behind this movie, just
- 39:51Speaker 1: like the movies himself. Composed by a man named Bennett Salve,
- 39:55Speaker 1: which is almost like Salva just with a hy that
- 39:59Speaker 1: was thought. That was very weird. He has fifty composer
- 40:02Speaker 1: credits and also did it Geebers Creepers two and also
- 40:04Speaker 1: composed the music for just about every episode of Full
- 40:08Speaker 1: House and Family Matters. What a weird. Yeah, he did
- 40:12Speaker 1: that in the nineties and then it was like I'm
- 40:13Speaker 1: gonna do Geebers Creepers one and two. All right, very weird.
- 40:17Speaker 1: That's why I love reading these because you always get
- 40:20Speaker 1: just some fun information about who's behind these movies. Then
- 40:23Speaker 1: we have cinematography by Don E. Font Leroy. Sorry if
- 40:28Speaker 1: I butchered your name, dude. He has sixty nine Giggoty
- 40:31Speaker 1: cinematographer credits and also did Geebers Creepers two and three,
- 40:35Speaker 1: So it seems like Salva has a very particular group
- 40:38Speaker 1: of people he likes to work with. We've got Gina
- 40:41Speaker 1: Phillips as Trish, who has forty nine acting credits and
- 40:44Speaker 1: was also in Dead and Breakfast and Jeepers Creepers three.
- 40:48Speaker 1: Nothing much else that I notice, which is sad because
- 40:50Speaker 1: I like her. She's very good actress. Yeah, I haven't
- 40:53Speaker 1: the only thing I've other. I've seen her INB I've
- 40:55Speaker 1: seen Dead and Breakfast. I didn't watch Cheepers Creepers three,
- 40:58Speaker 1: but yeah, I'd like to.
- 40:59Speaker 2: Look she cameo did that one she was.
- 41:02Speaker 1: There's just like a one off she was.
- 41:03Speaker 2: So they were real quick. So she cameoed in three
- 41:07Speaker 2: because they were supposed to keep going with it and
- 41:09Speaker 2: she was supposed to return ah type of scenario, like
- 41:12Speaker 2: she was supposed to be like, ah, I'm out for
- 41:14Speaker 2: my brother's killer type of thing.
- 41:15Speaker 1: Well, good news too. The uh Jeebers Craper's Reborn is
- 41:18Speaker 1: not involved Victor Seal, so I will be checking that
- 41:21Speaker 1: one out because it's supposed to be out this year
- 41:22Speaker 1: or next year, so we shall see. We have Justin
- 41:26Speaker 1: Long as Dary, who has one hundred and six acting
- 41:29Speaker 1: credits and was in movies like Galaxy Quests, which fun fact,
- 41:33Speaker 1: was his very first acting credit ever that makes sense,
- 41:36Speaker 1: and Jeebers Creepers was his third, so he was off
- 41:39Speaker 1: to a just instant success, which is crazy because that's
- 41:42Speaker 1: not how it works. You usually have to do some
- 41:44Speaker 1: shitty TV shows or something first. Also in Dodgeball Dragged
- 41:48Speaker 1: Me to Hell, and one of my favorite performances is
- 41:51Speaker 1: him as a gay man and Zach and Mary mattin
- 41:53Speaker 1: Porno fantastic, fucking hilarious, great little like cameo in that movie.
- 41:59Speaker 1: He's so funny. He's also in a movie called Tusk,
- 42:02Speaker 1: which is a crazy a twenty four movie. If you've
- 42:04Speaker 1: never seen that, very Strange Wilderness. It's Strange Wilderness, one
- 42:09Speaker 1: of the most god awful movies in existence, and I
- 42:12Speaker 1: love it.
- 42:14Speaker 2: I Remember you and watched and we died.
- 42:18Speaker 1: Steve's On is a is a comedy. God, Oh my goodness,
- 42:26Speaker 1: h yes, that is justin long. Then we have Jonathan
- 42:29Speaker 1: Brick as the Creeper who has oh shit, let me
- 42:32Speaker 1: scroll back up, who has thirty four acting credits and
- 42:35Speaker 1: was also in Jeebers, Creepers two and three, and Spike
- 42:37Speaker 1: Kids four, which I didn't even know existed, called All
- 42:41Speaker 1: the Time in the World as Wilbur's boss, So there
- 42:43Speaker 1: was four of those. Did not know that. And we've
- 42:46Speaker 1: got Patricia Belcher as Giselle Hay gizl Hay Hartman. Yeah, wait, no,
- 42:52Speaker 1: I think it was Gay Hartman, not Hey, I don't know.
- 42:55Speaker 1: I messed that one up. She has one hundred and
- 42:59Speaker 1: fifty nine acting credits. Was also in Five hundred Days
- 43:01Speaker 1: of Summer. But it's really just like that lady in
- 43:04Speaker 1: TV shows that you see just like I know you. Yeah.
- 43:08Speaker 1: For example, she was I believe she was the judge
- 43:11Speaker 1: in one of the episodes of Sunny and Philadelphia. So
- 43:14Speaker 1: it just stuff like that because I was, like, I
- 43:16Speaker 1: recognized her from besides this movie. So yeah, she just
- 43:18Speaker 1: had little little roles here and there, but a lot
- 43:21Speaker 1: of fucking credits. And then we have Brandon Smith as
- 43:24Speaker 1: Sergeant Davis Tubbs, who had seventy four acting credits and
- 43:27Speaker 1: was also in RoboCup two, with a smaller role in
- 43:29Speaker 1: Jeepers Creepers three, and it's it's really funny because well
- 43:33Speaker 1: you will tell you why. Well all these people are
- 43:36Speaker 1: just with yeah with one and three because yeah, we'll
- 43:39Speaker 1: tell you why in a little bit. It's very weird.
- 43:41Speaker 1: This had an estimated budget of ten million, grossing fifty
- 43:45Speaker 1: nine point four million, So that's pretty damn good. And
- 43:47Speaker 1: you know you made about six times what you what
- 43:50Speaker 1: you spent. And this is where it's gonna get crazy,
- 43:52Speaker 1: so just strap in for this one. This movie was
- 43:55Speaker 1: filmed in Okalla, Wildwood, Danellan, Bushnell Lake and Marion County
- 44:00Speaker 1: of Sumter County, and Lake pannasoft Key, all in Florida.
- 44:05Speaker 1: And they actually give you like specific locations, which this
- 44:08Speaker 1: would be really cool to do, like because O'calla is
- 44:10Speaker 1: right fucking there. Yeah, we could literally drive past this
- 44:12Speaker 1: because this is old and let's do.
- 44:15Speaker 2: That road trips.
- 44:17Speaker 1: Looking I will, I will save this. Uh so the church.
- 44:20Speaker 1: The former location of the church is thirty six oh
- 44:22Speaker 1: two Southwest one hundred and tenth Street Avenue in O'calla, Florida.
- 44:26Speaker 1: The driving scenes were on Southwest one eightieth Ave Danell
- 44:31Speaker 1: in Florida. The police station at the end of the
- 44:33Speaker 1: movie was at one five one five zero Northwest Gainesville
- 44:38Speaker 1: Road and Reddick, Florida. And the gas station was at
- 44:41Speaker 1: four six two nine State High State Highway fourteen, Lake Penoffs.
- 44:45Speaker 1: I don't know where Lake Pannas off Key is. Yeah,
- 44:48Speaker 1: and the final scene was on three hundred Northeast fourteenth
- 44:51Speaker 1: Street in o' Calla, Florida. So yeah, everywhere. I would
- 44:55Speaker 1: love to do a little road trip and be like, hey,
- 44:57Speaker 1: that's where this was filmed because we live. I'm in Sandford,
- 45:00Speaker 1: you're in Altamont Springs, you know, but we're in the
- 45:02Speaker 1: greater Orlando area. Yeah, so that would be really cool.
- 45:05Speaker 1: I wanted to get specific just because it's close to home.
- 45:08Speaker 1: I was like, this is pretty cool, right. You can
- 45:11Speaker 1: only rent this from what I found on Voodoo for
- 45:14Speaker 1: three ninety nine. You cannot rent this on Amazon. Oh interesting,
- 45:17Speaker 1: Yeah it is. It is available. It is unavailable two
- 45:19Speaker 1: times because there's two little title cards for it, both unavailable,
- 45:23Speaker 1: So three ninety nine for that on Voodoo, or you
- 45:26Speaker 1: can get the double feature, the the non screen Factory
- 45:29Speaker 1: double feature for thirteen. That's what I have Yeah and
- 45:31Speaker 1: then because the first and second one are out of
- 45:33Speaker 1: print from Show Factory. But then you can also get
- 45:35Speaker 1: the double feature of Scream Factory for fifteen Bucks. Movies
- 45:40Speaker 1: that came out around the same time. Oh Boy, we
- 45:43Speaker 1: got Rush Hour too, American Pie two, Session nine k
- 45:47Speaker 1: Pax rat Race, Bubble Boy, John Carpenter's Ghost of Mars,
- 45:52Speaker 1: Jane's Silent Bob, Strike Back, and fucking we just got
- 45:55Speaker 1: that trailer for Clerks three, Yesterday Books So Ready, Hardball
- 45:59Speaker 1: and Zoolander. Hardball is one of the most underrated Keanu
- 46:03Speaker 1: Reeves movies. If you've never seen Hardball, it will make
- 46:06Speaker 1: you cry every fucking so go watch it. No, it's
- 46:10Speaker 1: actually a really I know it is. It's a very
- 46:14Speaker 1: different Keanu Reeves movie. I really love Hardball. I don't
- 46:18Speaker 1: even remember how I came across that, but it's a
- 46:20Speaker 1: really good one about him being a like a fill
- 46:22Speaker 1: in coach for a baseball team in the in the
- 46:25Speaker 1: Bronx specific horror momentous did you have one that's that's
- 46:30Speaker 1: not like a spoiler? I mean, well, what is it?
- 46:35Speaker 1: Just just say it with like okay, I could say,
- 46:37Speaker 1: just say with no context. Okay, does it involve a
- 46:43Speaker 1: hole in a policeman.
- 46:45Speaker 2: No, no, no, it involves the first time we see
- 46:52Speaker 2: the labor underneath the church.
- 46:55Speaker 1: That's not really a spoiler.
- 46:57Speaker 2: Oh okay, so we're going to go into that. Okay,
- 46:59Speaker 2: I wasn't sure. Okay, So so my expensive horror moment
- 47:02Speaker 2: is when uh so Justin Long's character goes down into
- 47:06Speaker 2: this whole area and when he when he gets up
- 47:10Speaker 2: and looks around, it's it's, as he describes it, the
- 47:13Speaker 2: Assistine Chapel for a cycle path, Like it's just like
- 47:18Speaker 2: like tied naked bodies, like dead bodies just everywhere. And
- 47:21Speaker 2: it's super horrifying because because at first you see close
- 47:24Speaker 2: ups of like this this, you know, naked man and
- 47:27Speaker 2: a woman holding a hand, like sewed together, and then
- 47:30Speaker 2: you get the wide shot of them fucking everywhere, and
- 47:32Speaker 2: it's it's horrifying as hell.
- 47:34Speaker 1: Yeah. I remember seeing that for the first time. I
- 47:36Speaker 1: being like, oh God, there's people on the wall and
- 47:38Speaker 1: they're not alive. I'm scared.
- 47:39Speaker 2: Yeah. That was that was That was that was horrifying moment.
- 47:42Speaker 1: I liked the moment when he ate the guy's tongue
- 47:46Speaker 1: and ripped it just in like it was like a
- 47:48Speaker 1: fucking laughy taff Oh yeah, just like ooh right brody, Oh,
- 47:53Speaker 1: let me just play sh it on my phone. Uh
- 47:55Speaker 1: favorite kill? Did you have a favorite killed?
- 47:59Speaker 2: Favorit it would be more kills because it's a sequence,
- 48:03Speaker 2: but it's the sequence with with the cops.
- 48:04Speaker 1: Okay, Yeah, that's pretty good. Uh, even though we didn't
- 48:07Speaker 1: see it. I liked the beheading the cop and throwing
- 48:10Speaker 1: it at Tricia's car because I got a laugh out
- 48:12Speaker 1: of that. But it was also super fucking awesome.
- 48:15Speaker 2: That whole scene. That's actually my favorite sequence. With that
- 48:18Speaker 2: whole scene, like them fighting in the ya. So Tricia
- 48:21Speaker 2: and dari are fighting in the car and and you
- 48:22Speaker 2: just see behind you the creeper on the fucking cops
- 48:24Speaker 2: car and just they have no idea what's going on.
- 48:27Speaker 2: It is because they're supposed to be driving in front
- 48:29Speaker 2: of them and whatnot. There's bickering like brother and sister, which,
- 48:31Speaker 2: by the way, the chemistry with them as brother and
- 48:33Speaker 2: sisters fantastic, very good. Yeah, yes, and uh yeah, so
- 48:37Speaker 2: that whole the whole scene I thought was really cool.
- 48:39Speaker 2: But that's my favorite. I guess kills.
- 48:41Speaker 1: Yeah, plural, that's fine, that's fine. Uh, did you have
- 48:44Speaker 1: a favorite line?
- 48:46Speaker 2: Uh? Yeah, one because it's funny. So uh so the
- 48:50Speaker 2: first time the creeper like comes up on their on
- 48:52Speaker 2: their car and then drives away and then just along
- 48:54Speaker 2: because other out of his car and just yells one
- 48:57Speaker 2: word in red.
- 48:58Speaker 1: Oh that was fine. Yeah, yes, yeah, it's just like
- 49:03Speaker 1: we're in breeding or is it a he? Uh when
- 49:05Speaker 1: so when they first see him and they're doing that
- 49:07Speaker 1: whole montage of him swerving training to get out of
- 49:09Speaker 1: the way, and he finally goes past and Trish is like,
- 49:12Speaker 1: what's with that guy?
- 49:13Speaker 2: He's like my guess in reading, Yeah, just was so
- 49:17Speaker 2: like you got it was cards yell like he was
- 49:19Speaker 2: gonna hear it. It was so funny.
- 49:20Speaker 1: Another one that was really good that I liked was
- 49:23Speaker 1: when they're about to go into the hole on the
- 49:25Speaker 1: ground and Tric is like, you know that that moment
- 49:27Speaker 1: in a move in a horror movie when someone's about
- 49:29Speaker 1: to make a really stupid idea and everybody hates them
- 49:31Speaker 1: for it. This is that moment. I was like, you're
- 49:33Speaker 1: fucking smart, You're fucking smart. Uh favorite character? Did you
- 49:37Speaker 1: have a favorite character?
- 49:39Speaker 2: Not really?
- 49:40Speaker 1: Trish is my favorite character because she was the level headed, hey,
- 49:43Speaker 1: we should probably not because every time Derrek's like we
- 49:45Speaker 1: need to go back, we need to like help them,
- 49:47Speaker 1: She's like she's like, no Scott, how about no Scott?
- 49:51Speaker 2: So she I did, like, I didn't hate any characters,
- 49:54Speaker 2: just have a specific character that was like, you know what,
- 49:56Speaker 2: You're the best part of this movie. But Trish was
- 49:58Speaker 2: like if I had to like the head Trish because
- 50:01Speaker 2: even you know, even when she she ran over him
- 50:03Speaker 2: multiple times, She's like, no, fucking not done yet, and
- 50:05Speaker 2: he's like whoa.
- 50:06Speaker 1: Like whoa easy? Killer?
- 50:09Speaker 2: Easy?
- 50:09Speaker 1: Uh My. Lee's favorite character was pretty much every cop
- 50:13Speaker 1: when they were trying to stop that psychic lady from helping, like,
- 50:16Speaker 1: just let her fucking help. So what if she's crazy,
- 50:18Speaker 1: Just let her fucking help. Man. So those two cops
- 50:21Speaker 1: that were like good around of here, I'm like, fuck
- 50:22Speaker 1: you guys, yeah, fucking cops. Everyone else was cool. I
- 50:26Speaker 1: don't like you guys.
- 50:28Speaker 2: You you're cool, and fuck you.
- 50:30Speaker 1: I'm out fucking Hamburger to the face.
- 50:33Speaker 2: Uh.
- 50:33Speaker 1: IMDb summary, We've got a brother and sister driving home
- 50:36Speaker 1: through isolated countryside for spring break and counter a flesh
- 50:39Speaker 1: eating creature which which is in the midst of a
- 50:42Speaker 1: ritualistic eating spree. Hmmm, pump pum pum, so as that
- 50:47Speaker 1: just said.
- 50:48Speaker 2: Uh.
- 50:49Speaker 1: The movie opens with Justin Long and whatever her face is,
- 50:52Speaker 1: Gina Phillips, uh jinks, buy me some coke. Uh. So
- 50:58Speaker 1: they're driving down the road and like I said, it's
- 51:00Speaker 1: coming back from spring break. We learned that they're taking
- 51:02Speaker 1: the long way home because I guess Trisha is like
- 51:06Speaker 1: kind of avoiding going back to talk to like her boyfriend,
- 51:09Speaker 1: but it's assumed that they're like broken up or whatever.
- 51:13Speaker 1: They passed this RV and it's so funny because they
- 51:15Speaker 1: play this license plate game where they have to try
- 51:18Speaker 1: to make words out of the license plate, and so
- 51:21Speaker 1: it's like six' FOUR evr And Justin long is, like
- 51:25Speaker 1: it's it's. Gay it's gay. Forever and then she's, like,
- 51:27Speaker 1: no that's a that's a, six that's AN. S that's
- 51:30Speaker 1: sexy forever or something like. That so that's a fun
- 51:32Speaker 1: game they, play WHICH i thought was. Hilarious and then
- 51:35Speaker 1: they they passed THE rv and the people in THE,
- 51:38Speaker 1: rv it's funny how they passed. Them do you remember
- 51:40Speaker 1: how they pass? Them they just they drive up to
- 51:41Speaker 1: them real slow and then just look over and they're, like,
- 51:44Speaker 1: oh we should get out of, here like that's not
- 51:45Speaker 1: you fucking pass, people and then enter the crazy you
- 51:50Speaker 1: know guy and the gelopy or whatever the hell that
- 51:53Speaker 1: car is that is that An is that a slang
- 51:55Speaker 1: for a for a shitty car gelopy or DID i
- 51:57Speaker 1: just say in like a slur against someone that ship
- 52:01Speaker 1: don't say? It, Okay, GOD i HOPE i just didn't
- 52:04Speaker 1: spend a SLUR. Gelopi oh, yeah there we. Go, yeah, Okay,
- 52:10Speaker 1: god WHO i should have really fucking made sure that Wasn't, yes,
- 52:14Speaker 1: YES jelopi is a decredit. Car so that this car
- 52:16Speaker 1: comes fucking flying up on them with the most upsetting
- 52:20Speaker 1: Horn i've ever heard in my. Life it's like air
- 52:23Speaker 1: horns on. Cracks it's. Horrible and they have that whole
- 52:27Speaker 1: interaction where he's trying to, pass trying to. Pass darry is,
- 52:31Speaker 1: like holy, shit what's going? On and then eventually he
- 52:34Speaker 1: moves over to oncoming traffic and the vat and the
- 52:36Speaker 1: van goes by and the license plate says beating you
- 52:40Speaker 1: or you, know it SAYS B E A T n G.
- 52:42Speaker 1: U yeah so, yeah exactly, so and then justin after
- 52:49Speaker 1: a while is like oh beating. You, yeah that's that's
- 52:52Speaker 1: that's you, know three five and she was, like you
- 52:53Speaker 1: can't do. That, now you gotta do. That in the,
- 52:55Speaker 1: moment he was, LIKE i would just like shot. Shot
- 52:58Speaker 1: what do you? Mean what are we making new? Rules great,
- 53:01Speaker 1: Times but Then tris mentions that that encounter reminded her
- 53:05Speaker 1: Of kenny And, darla who went. MISSING i guess got
- 53:09Speaker 1: in an. Accident the only thing that was found was their,
- 53:11Speaker 1: car not their. Bodies And darry was, like, ah that's
- 53:15Speaker 1: just a generational cautionary tale for drinking and. Driving But
- 53:18Speaker 1: tricia's still, LIKE i don't, know, MAN i feel like
- 53:20Speaker 1: that was a true. Thing excuse. Me and then she
- 53:26Speaker 1: says she Tells darry that when she first heard that,
- 53:29Speaker 1: story she thought she would die on this. Highway And i'm, like, oh,
- 53:31Speaker 1: man that's really fucking, morbid really fucking. Morbid and then
- 53:36Speaker 1: they stopped to take a. Pee fun fact that is
- 53:39Speaker 1: justin long actually. Peeing that is not. Fake, yeah he
- 53:42Speaker 1: really peed and they start going again and they noticed the,
- 53:47Speaker 1: van you, know parked by this old decrepit, church and
- 53:51Speaker 1: they slowly pass him and they see that it's just this,
- 53:53Speaker 1: crazy weird looking guy with a big dark brimmed hat
- 53:56Speaker 1: and like a leather trench. Coat he's just fucking thrown
- 54:00Speaker 1: in this blood wrapped body looking thing down a. Hole,
- 54:03Speaker 1: yep that's pretty, standard, right that's A saturday. Ritual. Right
- 54:09Speaker 1: so they're, like, yeah it's time to get the fuck
- 54:11Speaker 1: out of. Here and then that's when the car guy
- 54:14Speaker 1: gets in his car and follows them, again and of
- 54:16Speaker 1: course we have the cell phone. Trope it's not you,
- 54:19Speaker 1: know it's there's no there's no, juice can't call. Anybody
- 54:22Speaker 1: and then the van just comes right up behind, them
- 54:25Speaker 1: smashing them a few times and then finally running them
- 54:29Speaker 1: off the road and, uh you, know they pull off
- 54:32Speaker 1: and he kind of fixes her trunk and then this
- 54:34Speaker 1: is what this. Is then this is when the dumbest decision.
- 54:36Speaker 1: Happens what Happens spencer the Dry he's, like there could
- 54:45Speaker 1: be someone that needs help back.
- 54:46Speaker 2: There that's why guys don't live longer than, women which
- 54:49Speaker 2: is which is actually dialogue in the, moves like this
- 54:52Speaker 2: is why you guys don't live.
- 54:53Speaker 1: Longer, yeah it's exactly. True So darry is, like, not
- 54:57Speaker 1: we have to. Go there could be on one in
- 55:00Speaker 1: danger and we have to try to help, them so
- 55:02Speaker 1: they go to the church approach the. Pipe he claims
- 55:05Speaker 1: he hears something so he wants to like climb into the.
- 55:08Speaker 1: Pipe she holds his legs and that's when she says
- 55:10Speaker 1: that this is the horror horror movie. Moment and then
- 55:14Speaker 1: he uses his flashlight sees a rat gets, spooked falls
- 55:17Speaker 1: down this fucking long metal, pipe but it doesn't make
- 55:22Speaker 1: sense because he falls forward and then there's a shot
- 55:24Speaker 1: of him landing on his, back so that was kind
- 55:25Speaker 1: of like a continuity error right. There and then he
- 55:29Speaker 1: sees the blood silk, bag which is kind of weird
- 55:33Speaker 1: because it should be right where he, landed so it's
- 55:35Speaker 1: another continuity. Thing there's a lot of continuity issues with
- 55:39Speaker 1: this whole scene right here because those that should have
- 55:42Speaker 1: been right where he, landed but it was off to the.
- 55:43Speaker 1: Side and he goes and like kind of kicks it
- 55:46Speaker 1: a little bit and then it just grabs his. Leg
- 55:49Speaker 1: so he rips open the sheet and it's like a
- 55:52Speaker 1: guy his age and he's mumbling about his chest. Area
- 55:55Speaker 1: so he opens that. Up what do you think he
- 55:57Speaker 1: did with, this because like he guy has clearly been
- 56:02Speaker 1: cut open and sewn back. Together was he just eating
- 56:04Speaker 1: a part of his. Organs, yeah because don't go into
- 56:08Speaker 1: the lore THOUGH.
- 56:09Speaker 2: I, won't but like that's WHAT i got from, it
- 56:12Speaker 2: WAS i, MEAN i mean, yeah because like maybe not
- 56:15Speaker 2: like all his, orders maybe like just a liver or
- 56:17Speaker 2: something in that.
- 56:18Speaker 1: Area, yeah because he's clearly gone through some. Shit and,
- 56:22Speaker 1: uh he leans because he's trying to say something. Too
- 56:25Speaker 1: So darrey leans in AND i think he's saying like
- 56:27Speaker 1: like runaway or something like. That but then the boy
- 56:29Speaker 1: just dies and then he yells up To, trash go get,
- 56:33Speaker 1: help like LIKE i gotta get out of. Here he's
- 56:35Speaker 1: gonna try to find a way, out but go get the.
- 56:37Speaker 1: Cops and that's when he comes into the room with
- 56:40Speaker 1: all the bodies his.
- 56:42Speaker 2: KISS i, mean, honestly it is a cathedral of.
- 56:44Speaker 1: Death it is a yet what did you say The Sistine.
- 56:46Speaker 2: Chapel well that's actually What Justin long says in the.
- 56:49Speaker 2: Movie later, on he, says, well when he first talks
- 56:51Speaker 2: to the cops when they're in the, rest he's, like,
- 56:53Speaker 2: yeah it was like if the six Sixteen chapel was
- 56:55Speaker 2: made with like dead. Bodies, yeah BASICALLY i was just
- 56:58Speaker 2: using the same.
- 56:58Speaker 1: Dialogue, Okay, COOL i didn't REALLY i must have missed,
- 57:00Speaker 1: that but.
- 57:01Speaker 2: But it is an actually accurate description if he really
- 57:04Speaker 2: wanted to. Go the best description to get it is
- 57:06Speaker 2: anybody visually is this is like the Sixteenth chapel with
- 57:11Speaker 2: just dead.
- 57:11Speaker 1: Bodies, yeah because he's kind of looking. Around there's a
- 57:14Speaker 1: bunch of weird instruments and bottles, everywhere and then he
- 57:17Speaker 1: ties his shoe and something drips from the, ceiling so
- 57:20Speaker 1: he looks up and then he shines his flashlight over
- 57:22Speaker 1: and his bodies fucking, Everywhere so of course he's he's freaked.
- 57:27Speaker 1: Out and then he eventually finds like an opening to
- 57:30Speaker 1: escape out of because you, know there has to be
- 57:32Speaker 1: access because the, creeper you, know throws all the shit down.
- 57:35Speaker 1: There he's got to be able to get out. Somehow
- 57:37Speaker 1: so he finds a way. Out but on his way,
- 57:39Speaker 1: out he finds two bodies that were sewn, together a
- 57:41Speaker 1: man and a. Woman and a man he notices on
- 57:45Speaker 1: the man's ring a high school high school ring that
- 57:50Speaker 1: Says Wheaton, valley and that's Where kenny And darla went to.
- 57:53Speaker 1: School so that's fucking them right. There you can clearly tell.
- 57:56Speaker 1: It she also had lost her head as, well because
- 57:59Speaker 1: that was so back. On so he finds them, there
- 58:02Speaker 1: and of course now he's just fucking shell shocked at this,
- 58:04Speaker 1: point just freaking the fuck. Out and this is When
- 58:07Speaker 1: trisha's waiting on the road for someone to come, by
- 58:10Speaker 1: but it's the fucking, country so no one's coming, by
- 58:13Speaker 1: and she thinks she sees The derrells car coming in the,
- 58:16Speaker 1: distance so she tries to get the fuck out of,
- 58:18Speaker 1: there but then it passes and it just turns out
- 58:20Speaker 1: to be a similar looking car with like hey on the.
- 58:22Speaker 1: Back and then this is when we get a great
- 58:23Speaker 1: jump scare Of Justin long just like smacking his whole
- 58:28Speaker 1: entire body up against the window and looking just completely like,
- 58:31Speaker 1: emotionless ye terrified of what he just. Saw and of
- 58:34Speaker 1: course he's not talking about it, either because how do
- 58:37Speaker 1: you how do you describe it to someone who's gonna believe.
- 58:40Speaker 2: That he's definitely he's definitely like he's definitely still trying
- 58:44Speaker 2: to compress what he's what he, Saw.
- 58:46Speaker 1: Yeah because it's not like he just had a cell
- 58:47Speaker 1: phone down, there BECAUSE i would have been like snap snap,
- 58:49Speaker 1: Snapstam like that's that's kind of how this, movie, uh you,
- 58:54Speaker 1: know they get away with it because it's only two
- 58:56Speaker 1: thousand and. One cell phones weren't REALLY i mean they,
- 58:58Speaker 1: were they were obviously a, thing but they pick you,
- 59:00Speaker 1: know nothing like. That they're just they're used for calling
- 59:03Speaker 1: dead and, yeah and it was dead. Anyways so they
- 59:06Speaker 1: go down the road and they need to stop for
- 59:08Speaker 1: gas and, uh they get out to like get this
- 59:11Speaker 1: diner to to go get some gas and some food
- 59:13Speaker 1: and get some. Help and then the fucking dude fucking
- 59:16Speaker 1: passes them and the beating you, van he's going back
- 59:19Speaker 1: to the scene of the, crime and they go in
- 59:21Speaker 1: and ask for, help AND i love how everyone in
- 59:23Speaker 1: there is just like looking at them like they're, crazy, like,
- 59:25Speaker 1: no don't help me or. Anything, Right it's, fine it's.
- 59:28Speaker 1: Fine i'm, SAYING i need the. Cops please don't just
- 59:30Speaker 1: don't don't, rush no one to rush all at. Once
- 59:33Speaker 1: and then this is where you get a really interesting
- 59:35Speaker 1: moment Because i'm not gonna explain this BECAUSE i you,
- 59:38Speaker 1: know WE i typically we don't. Spoil we're gonna change
- 59:41Speaker 1: that rule next year, though BECAUSE i want to start spoiling. Shit,
- 59:44Speaker 1: well because like WE'RE i think next year we're. Spoil,
- 59:48Speaker 1: Yeah we're gonna do a rule a minimum of, Ten
- 59:50Speaker 1: so if something came out more than ten years, ago
- 59:52Speaker 1: we're gonna go into spoilers because then then we're able
- 59:55Speaker 1: to talk about it a lot, more you know WHAT i.
- 59:57Speaker 1: Mean so they get there's a payphone that in the
- 1:00:00Speaker 1: diner and they pick it up and this woman is
- 1:00:02Speaker 1: asking about have you seen the cats? Yet the woman
- 1:00:05Speaker 1: explains that she'd seen her And darry with lots of,
- 1:00:08Speaker 1: cats And tricia's, like what the fuck are you talking? About?
- 1:00:12Speaker 1: Darry it takes the, Phone he's, like what do? You
- 1:00:14Speaker 1: can you please explain what's, happening and then she starts
- 1:00:17Speaker 1: describing who he, is like the cut on his, hand
- 1:00:19Speaker 1: the bloody torn, shirt the rose tattoo on his, stomach
- 1:00:22Speaker 1: and she's, like you found that house of, pain didn't?
- 1:00:24Speaker 1: You she's, like and then she says she's. Going she
- 1:00:27Speaker 1: explains that it's that it's hungry and it will not
- 1:00:29Speaker 1: stop coming after them or anyone else that it. Wants
- 1:00:32Speaker 1: so once it has its scent on, you it's not
- 1:00:36Speaker 1: gonna stop until it has whatever it wants from. You
- 1:00:40Speaker 1: and then that's when they, Notice, oh she asked about
- 1:00:43Speaker 1: the awful truck, too about the beating, you and she's.
- 1:00:46Speaker 1: Like she was, like, no, no, no think about. It
- 1:00:47Speaker 1: it's something. Else it's be eating. You, yeah not beating.
- 1:00:51Speaker 1: You Be, no that's. Fine, no, no, no, dude you're. Fine you're, fine.
- 1:00:55Speaker 1: Dude we were gonna talk about. It so she's like,
- 1:00:58Speaker 1: yeah and then she tells him to listen to this
- 1:01:00Speaker 1: song on the. Radio It's Jeepers creepers obviously you know
- 1:01:03Speaker 1: the name of the. Movie she. Said she tells darry
- 1:01:06Speaker 1: when you hear that, song run because it's it means
- 1:01:08Speaker 1: something terrible is coming for. You it's. Over so then
- 1:01:11Speaker 1: she Hanged Then darryl's like fucking or darry hangs. Up he's,
- 1:01:14Speaker 1: like fuck, this fuck, That i'm over. That so then
- 1:01:17Speaker 1: he tells the cops what. Happens of, course they don't believe.
- 1:01:19Speaker 1: Him they think he's a psycho. Lunatic he's telling them
- 1:01:21Speaker 1: that they he found bodies on the. Walls. YEAH i,
- 1:01:24Speaker 1: mean IF i was a, cop i'd want to believe,
- 1:01:26Speaker 1: you but i'd also be, LIKE i don't, know maybe
- 1:01:29Speaker 1: take me there and show. Me but ALSO i don't
- 1:01:31Speaker 1: really want to go.
- 1:01:32Speaker 2: There, RIGHT i don't believe, you but ALSO i don't
- 1:01:35Speaker 2: want to believe.
- 1:01:36Speaker 1: You so maybe just skite, Me, oh it's two thousand,
- 1:01:41Speaker 1: one damn. It, Yeah, amy get back to you in
- 1:01:46Speaker 1: five to six business. Days uh so. Yeah and then
- 1:01:49Speaker 1: he also tells them About kenny And, darla and the guy's, like,
- 1:01:52Speaker 1: yeah but then those like twenty years, ago they'd be
- 1:01:54Speaker 1: bones and, dusts but they look and you, know he
- 1:01:58Speaker 1: says something about he's preserved, them like they look, embalmed
- 1:02:01Speaker 1: like they look like they were just, alive but they
- 1:02:03Speaker 1: look look like they like mummified, almost so like perfectly.
- 1:02:06Speaker 1: Preserved so they don't believe. Him and then this is
- 1:02:09Speaker 1: when the waitress is, like, hey is that your car out?
- 1:02:11Speaker 1: There so they run outside and it's been. Ransacked there's
- 1:02:14Speaker 1: there's clothes all over the, floors and they're, like, yeah
- 1:02:16Speaker 1: some guy was sniffing all of your. Clothes some weirdo
- 1:02:20Speaker 1: guy was sniffing. Them so you, Know darry goes over
- 1:02:24Speaker 1: there and it picks up all his clothes and he's, like,
- 1:02:26Speaker 1: great he's got you, know he's got my. Scent he
- 1:02:28Speaker 1: knows my name now because his name was on his.
- 1:02:29Speaker 1: Underwear that was kind of a funny. Scene he's, like
- 1:02:31Speaker 1: he knows my name, now and then like it's all.
- 1:02:33Speaker 1: ANGRY i thought that was kind of. Funny then he
- 1:02:35Speaker 1: notices a handprint on the door that was quite described
- 1:02:39Speaker 1: as ASHY i could, say so you, know he's, like,
- 1:02:43Speaker 1: hey maybe you could try to get a print off.
- 1:02:45Speaker 1: That and then this is a really really subtle thing
- 1:02:48Speaker 1: that if you blink for a second you'll miss it
- 1:02:50Speaker 1: because As trisha's looking at the, print you see a
- 1:02:53Speaker 1: very brief shadow over the door and one wing flap,
- 1:02:57Speaker 1: Yep and it's very brief if you if, seriously if
- 1:03:00Speaker 1: you are not paying attention for half a, second you miss.
- 1:03:02Speaker 1: It but it's a very, subtle very subtle detail that you, Realize,
- 1:03:05Speaker 1: okay this is obviously some sort of winged, creature because
- 1:03:09Speaker 1: why else would that be in. There you gotta be
- 1:03:11Speaker 1: you gotta make sure you're paying attention, though uh she
- 1:03:13Speaker 1: looks up and sees. Nothing so at this point you're, Like,
- 1:03:15Speaker 1: okay some crazy shit is going, on and, uh a
- 1:03:18Speaker 1: little bit more here and then we'll leave it BECAUSE
- 1:03:20Speaker 1: i don't want to give away too much because it
- 1:03:22Speaker 1: is a really good. Movie this is your favorite. Scene,
- 1:03:25Speaker 1: yeah when they're back on the road and there you,
- 1:03:27Speaker 1: know they got two cops like escorting them or not two,
- 1:03:29Speaker 1: cops but two cops in one car and they're like,
- 1:03:33Speaker 1: questioning how is he able to get from the church
- 1:03:35Speaker 1: to the diners so quick and? Back?
- 1:03:37Speaker 2: Yeah and then oh, okay, yeah and then, yeah as
- 1:03:40Speaker 2: they're doing, that like uh on the uh you, know
- 1:03:43Speaker 2: it's going back and forth from car to, car you
- 1:03:45Speaker 2: got uh the brother and, sister you, know bakering back and.
- 1:03:47Speaker 2: Forth and then they're folks more in the car and
- 1:03:49Speaker 2: you hear on the seat on the. Radio so it
- 1:03:51Speaker 2: comes back with the uh the, fingerprints oh, yeah mentioning
- 1:03:56Speaker 2: how uh how they basically were, uh oh, my what's the, Word,
- 1:04:02Speaker 2: LIKE i mean their, fingerprints but they basically.
- 1:04:03Speaker 1: Were, like it's just like dust like.
- 1:04:05Speaker 2: Dust like basically basically they're, saying this guy is like
- 1:04:08Speaker 2: this person's like dead. Dust and then and then they're
- 1:04:11Speaker 2: like they're, like are you sure you're not scoring a
- 1:04:13Speaker 2: bunch of pirate maniac because because then you Hear oliver
- 1:04:16Speaker 2: the radio that the church is burning down or burnt,
- 1:04:20Speaker 2: down so like obviously the creeper is like covering my,
- 1:04:23Speaker 2: tracks which is very interesting for this kind of, Thing
- 1:04:26Speaker 2: like was this like LIKE i would personally love a
- 1:04:30Speaker 2: prequel of the origin of this person other than specific
- 1:04:33Speaker 2: things we already know about because like he's clearly it's
- 1:04:37Speaker 2: like he's just LIKE i, mean obviously in the movie
- 1:04:39Speaker 2: he's a guy in the, costume but it feels like
- 1:04:42Speaker 2: he was a person at one point and he you,
- 1:04:45Speaker 2: know turned into like somebody else turned him into not
- 1:04:47Speaker 2: necessarily a, vampire but in that way that like a
- 1:04:50Speaker 2: vampire can turn a human something like was turned into.
- 1:04:52Speaker 1: Him, yeah it's it's it's like a like a werewolf for,
- 1:04:55Speaker 1: vampire this.
- 1:04:56Speaker 2: Creature so LIKE i would love to see like a
- 1:05:00Speaker 2: more backstory like of of him or or. It then
- 1:05:04Speaker 2: we already do know from from these.
- 1:05:06Speaker 1: Movies.
- 1:05:07Speaker 2: Cool, so so, anyway the cop is like like you,
- 1:05:11Speaker 2: know like come. Again and then all of a sudden
- 1:05:14Speaker 2: you hear like a like a something on the roof
- 1:05:16Speaker 2: and it's, like, hey i'll call you. Back the sky's,
- 1:05:18Speaker 2: falling and the girl cop sticks her head out to
- 1:05:21Speaker 2: see what's going on the roof and she see first
- 1:05:23Speaker 2: you see the big old like boots and you see
- 1:05:26Speaker 2: half of his body clear there's there's somebody. There, yeah
- 1:05:30Speaker 2: and then he starts all the carnage and then like
- 1:05:32Speaker 2: like killing them and the window out the window and then.
- 1:05:37Speaker 1: But he like busts through the top of the roof
- 1:05:38Speaker 1: and just yanks the cops head out and just beheads,
- 1:05:41Speaker 1: them chucks it At tricia Or tricia's And Darius. Carr you're, like.
- 1:05:46Speaker 2: Yeah then all of a sudden it goes back To
- 1:05:47Speaker 2: Trician dairy driving uh from behind them, styles so you
- 1:05:51Speaker 2: see everything that that that they, see and then a
- 1:05:53Speaker 2: sudden you see this this, head just the severed head
- 1:05:56Speaker 2: just hit their the front of the, car so they
- 1:05:58Speaker 2: stop and all. That but WHAT i really liked about
- 1:06:00Speaker 2: this scene the most is while this is going, on
- 1:06:04Speaker 2: like while they go why the creeper is attacking the,
- 1:06:07Speaker 2: cops you go to back to the, Car Actrician uh
- 1:06:11Speaker 2: And dairy, bickering and you see everything, happening yeah to
- 1:06:14Speaker 2: the cops and, so but you hear the bickering and
- 1:06:18Speaker 2: you see the, cartage AND i just the way it's
- 1:06:20Speaker 2: shot and, everything because they're totally like oblivious to what's going,
- 1:06:23Speaker 2: on and you're, like, oh, well there's some shit going
- 1:06:24Speaker 2: on behind. YOU i thought, That like that's just, honestly
- 1:06:27Speaker 2: that's just my favorite scene in general the whole.
- 1:06:28Speaker 1: Movie it's very well, shot very. Good you get to
- 1:06:30Speaker 1: see it from two, angles and one oblivious angle and
- 1:06:33Speaker 1: one angle that they know what's happening because it's.
- 1:06:35Speaker 2: Happening it's a shame the director is who he, is
- 1:06:38Speaker 2: BECAUSE i would love to SEE i would have loved
- 1:06:41Speaker 2: to see other movies he does because of the way he.
- 1:06:43Speaker 1: DOES i, mean and this because this was two thousand
- 1:06:45Speaker 1: and one and there was it was just some very
- 1:06:47Speaker 1: well done shot say With jeepercrusper.
- 1:06:49Speaker 2: Too there are some really cool shots like you're, like oh, shit,
- 1:06:52Speaker 2: okay but then you, realize, yeah this guy's.
- 1:06:54Speaker 1: Who's kind of a dick. Bag so, yeah after that,
- 1:06:58Speaker 1: happens when and then both cars are, Stopped trish gets
- 1:07:00Speaker 1: out of the car because she she thinks she sees
- 1:07:03Speaker 1: someone in the cop car, still so she goes over,
- 1:07:06Speaker 1: there but it turns out it's it's the fucking it's
- 1:07:07Speaker 1: the creepers. Guy so she runs back to the car
- 1:07:12Speaker 1: and did did You i'm going past myself. There hold on.
- 1:07:17Speaker 2: Also the white way you look for her get your stuff,
- 1:07:19Speaker 2: together AS i was, saying like like even his, mannerisms
- 1:07:22Speaker 2: The creeper's mannerisms are very, human like like the way
- 1:07:25Speaker 2: he walks back and, forth the way like he, runs
- 1:07:28Speaker 2: just what he does just feels like he's a just
- 1:07:31Speaker 2: a superhuman or you, know like LIKE i, said like
- 1:07:35Speaker 2: like a vampire. Type so, Like i'm very. Curious on the,
- 1:07:38Speaker 2: back we probably will never get a, legit which WHICH i,
- 1:07:42Speaker 2: Mean i'm not fine, with But i'm fine with at this,
- 1:07:43Speaker 2: Point i've come to. Terms BUT i would LOVE i
- 1:07:48Speaker 2: would love to know who this person, Is like was
- 1:07:50Speaker 2: he a person in the past? Life like what what
- 1:07:53Speaker 2: is is? He? Actually was he a person who died
- 1:07:55Speaker 2: and they did like crow, style like brought him back to?
- 1:07:57Speaker 2: Life like what?
- 1:07:58Speaker 1: Happened, yeah it's it's very reminiscent Of Penny. Wise and
- 1:08:02Speaker 1: that's Where i'll leave it.
- 1:08:03Speaker 2: For.
- 1:08:03Speaker 1: Yeahah, so So trisa gets out walking to the, car
- 1:08:07Speaker 1: but then she sees the severed head of the. Cop
- 1:08:09Speaker 1: that's why she runs. Back and Then creeper gets out
- 1:08:12Speaker 1: of the car whistling The Cheepers creeper, song and then
- 1:08:15Speaker 1: they both watch as he eats the guy's, tongue so
- 1:08:17Speaker 1: they're like fuck. This they, leave even Though tricia's car
- 1:08:21Speaker 1: this whole time has been giving her.
- 1:08:22Speaker 2: Issues also a little subtle. Humor while he's eating the,
- 1:08:26Speaker 2: tongue the billboard behind him like where his, oh, yeah tastes.
- 1:08:29Speaker 1: Good, yes something tastes.
- 1:08:31Speaker 2: Good, yeah that's funny because he's, yeah silly.
- 1:08:34Speaker 1: Gooses so they get the fuck out of. There creeper
- 1:08:38Speaker 1: throws the cops in the back of his, van and
- 1:08:41Speaker 1: then this is where they. Stop Trica darius like insisting
- 1:08:44Speaker 1: for her to slow, down but she just stops and
- 1:08:46Speaker 1: notices this, house which she's, like, cool let's go get
- 1:08:48Speaker 1: a fucking. Phone let's just let's just Let's and this
- 1:08:50Speaker 1: is the time where she's making the bad, decision.
- 1:08:52Speaker 2: Like, no just, leave just just.
- 1:08:53Speaker 1: Leave so they're greeted by an old. Woman they asked
- 1:08:56Speaker 1: her use a. Phone she's, LIKE i don't fucking have a.
- 1:08:57Speaker 1: Phone she's like AND i AND i don't want to
- 1:09:00Speaker 1: call on the cops BECAUSE i don't want them here
- 1:09:02Speaker 1: because they're trying to make me get rid of some,
- 1:09:03Speaker 1: cats which a rude, uh and be just let the
- 1:09:06Speaker 1: woman have her. Cats so once she mentioned, It tris
- 1:09:09Speaker 1: mentions that someone's been. Killed she turns on the light
- 1:09:12Speaker 1: and concerned it's one of her, cats but it's, not of,
- 1:09:14Speaker 1: course it's the. Cops so she's, Uh she's, like did
- 1:09:20Speaker 1: you bring someone else with? You because they look over
- 1:09:22Speaker 1: to their, right and it's the creeper on the scarecrow,
- 1:09:25Speaker 1: thing which, yeah which was not there. Before so she
- 1:09:28Speaker 1: goes and grabs a fucking Sod off shotgun like a,
- 1:09:31Speaker 1: badass and it's, like you got ten seconds BEFORE i
- 1:09:34Speaker 1: start firing shots or, whatever so she fires. Missus the
- 1:09:37Speaker 1: creeper completely annihilates the.
- 1:09:40Speaker 2: Scarecrow the scucrow like.
- 1:09:42Speaker 1: Explodes that was, awesome and then the creeper then jumps
- 1:09:46Speaker 1: to the, house goes down through the house and you
- 1:09:49Speaker 1: hear a couple more shots and the woman you just
- 1:09:52Speaker 1: see the woman like standing in the doorway and they're, like,
- 1:09:54Speaker 1: hello everything, Okay and then you realize that the creeper
- 1:09:59Speaker 1: has just is just propping her up and she's either
- 1:10:02Speaker 1: dead or about to, DIE i can't. Remember and then
- 1:10:05Speaker 1: that's when SHE i think he throws.
- 1:10:08Speaker 2: Her she's not dead, yet she will.
- 1:10:10Speaker 1: Yeah yeats her opens the screen, door and then you
- 1:10:13Speaker 1: finally see his full face and it's like predator esque
- 1:10:17Speaker 1: with like crazy sharp teeth and it's very rugged and
- 1:10:22Speaker 1: jagged and it's just it is fucking. Metal so they
- 1:10:27Speaker 1: try to run to their, car but creeper, follows and
- 1:10:30Speaker 1: this is Where trish just runs this motherfucker over three
- 1:10:34Speaker 1: to four times and like back and, forth And darryl's like, okay,
- 1:10:39Speaker 1: okay like let's, go and then they see his wing
- 1:10:42Speaker 1: pop out in an attempt to fly, away but it's too.
- 1:10:45Speaker 2: Damaged what's interesting about that scene, too is they do
- 1:10:48Speaker 2: close up of his quote unquote dead body and there
- 1:10:52Speaker 2: are no bones or. Anything it's just all the crushed
- 1:10:54Speaker 2: areas were just like dust and they're kind of just.
- 1:10:56Speaker 1: Gone well they kind Of i'll tell, you, Yeah i'll
- 1:10:58Speaker 1: explain that off air because it's kind of a. Spoiler
- 1:11:02Speaker 1: but so, yeah.
- 1:11:03Speaker 2: WELL i MEAN i, know oh, YEAH i was just
- 1:11:05Speaker 2: saying viewer, wise LIKE i thought that was really, Cool
- 1:11:07Speaker 2: like they didn't have to do, that but like they
- 1:11:08Speaker 2: went into like some more detail. Stuff, yeah like And i'm, like,
- 1:11:11Speaker 2: oh that's kind of like WHEN i first watched, THIS
- 1:11:13Speaker 2: i was totally. Confused like years, ago WHEN i first watched,
- 1:11:16Speaker 2: THIS i was totally. Confused but now THAT i know
- 1:11:18Speaker 2: about this And i've seen, it, yeah like this is
- 1:11:20Speaker 2: really cool how they did.
- 1:11:21Speaker 1: That it's way. Good so after they run over and
- 1:11:24Speaker 1: one more, time they head off to this police station
- 1:11:26Speaker 1: and that's Where i'll leave it because after that it
- 1:11:28Speaker 1: just gets fucking bananas and it's got such a bleak ending.
- 1:11:30Speaker 1: Too holy. Shit, yeah So Jeevers crews is. Amazing there
- 1:11:35Speaker 1: is a very very very quick post credit. Scene it
- 1:11:39Speaker 1: is very. Quick it is about a second and a
- 1:11:41Speaker 1: half at the very, end but it is pretty. COOL
- 1:11:44Speaker 1: i won't say what it, is but it's. There Taglines
- 1:11:47Speaker 1: we've Got fear takes a road trip on this road
- 1:11:51Speaker 1: in the middle of. Nowhere evil has found the perfect
- 1:11:53Speaker 1: place to. Hide it has a, face it has a,
- 1:11:56Speaker 1: home and worst of all IT i know you'll never
- 1:12:00Speaker 1: close your eyes. AGAIN i, mean BUT i don't get
- 1:12:05Speaker 1: what This so this one is what's eating? You but
- 1:12:07Speaker 1: the at and eat are are, Capitalized so what? Eating
- 1:12:12Speaker 1: you don't?
- 1:12:12Speaker 2: KNOW i don't.
- 1:12:13Speaker 1: KNOW i don't know what that. Is evils right behind,
- 1:12:16Speaker 1: you a night a nightmare cloaked in, rags and my favorite,
- 1:12:23Speaker 1: one you are not what you?
- 1:12:25Speaker 2: EAT i, mean is it? All it's pretty? Generic all?
- 1:12:29Speaker 1: Right trivia real quick Here we've Got. Victor salva wrote
- 1:12:33Speaker 1: the main characters as brother and sister in order to
- 1:12:35Speaker 1: eliminate any sexual attention and keep them focused on escaping the,
- 1:12:38Speaker 1: creeper WHICH i.
- 1:12:39Speaker 2: Thought was a. Brilliant, yeah because they have great brothers
- 1:12:42Speaker 2: and sister. Chemistry they really.
- 1:12:43Speaker 1: Do they fight just like real. Siblings. Uh Victor salva
- 1:12:46Speaker 1: has always said the creeper legend is complete. Fiction but
- 1:12:48Speaker 1: the scene Where trisha And dairy witnessed the creeper dumping
- 1:12:51Speaker 1: a body down a well buy an abandoned church was
- 1:12:54Speaker 1: inspired by the case Of Dennis, depew a Former michigan property,
- 1:12:58Speaker 1: assessor who murdered his wife and was seen by witnesses
- 1:13:02Speaker 1: near an old schoolhouse with a bloody. Sheet two witnesses
- 1:13:05Speaker 1: also called a, few speeding past them in a van
- 1:13:07Speaker 1: and eventually tailing them and writing their bumper for several.
- 1:13:10Speaker 1: Miles this case was also profiled on a nineteen ninety
- 1:13:13Speaker 1: episode Of Unsolved. Mysteries how fucking cool was that? Interesting
- 1:13:17Speaker 1: The creepers single line of dialogue was cut from the,
- 1:13:20Speaker 1: Film thank GOD i. WAS i was kind of even
- 1:13:22Speaker 1: mad that he. WHISTLED i was like, THAT i don't
- 1:13:24Speaker 1: think you need to do, anything.
- 1:13:25Speaker 2: But that's why that's WHERE i get the human part
- 1:13:28Speaker 2: of it.
- 1:13:29Speaker 1: All but the whistle was. Creepy SAW i will allow.
- 1:13:32Speaker 1: It at the time of its, release it was the
- 1:13:34Speaker 1: highest grossing film to ever be released during Labor Day.
- 1:13:36Speaker 1: Weekend the record would subsequently be broken by its own,
- 1:13:39Speaker 1: Sequels creepers two in two thousand and three AND i
- 1:13:44Speaker 1: love when they do, this just like what they did
- 1:13:45Speaker 1: In The Stranger things With. Vecna Gina phillips And Justin
- 1:13:48Speaker 1: long were not allowed to Meet Jonathan breck before filming
- 1:13:51Speaker 1: in order to get a true reaction from them when
- 1:13:53Speaker 1: they actually did see him with this full cost of in.
- 1:13:55Speaker 1: Makeup nor did they see the beating you truck before
- 1:13:59Speaker 1: the opening. Scene was When phillips saw the, truck or
- 1:14:01Speaker 1: When phillips saw the truck she said something to the,
- 1:14:04Speaker 1: effective is that the Truck? Jeepers that's. CREEPY i already
- 1:14:09Speaker 1: said the thing about the P When Victor stala arrived In,
- 1:14:12Speaker 1: florida he discovered that one million dollars worth of his
- 1:14:15Speaker 1: financing and to fallen through and was forced to cut
- 1:14:17Speaker 1: twenty something pages of script from the end of the. Film,
- 1:14:21Speaker 1: yeah there would have been a fiery climax Where day
- 1:14:24Speaker 1: manages to get behind the wheel of The creeper's truck
- 1:14:26Speaker 1: and drive it into an oncoming, train and a suicidal
- 1:14:29Speaker 1: attempt to destroy the. Creature that would have been fucking. Amazing,
- 1:14:33Speaker 1: yeah the roadside diner was actually built for the. Film
- 1:14:37Speaker 1: it looked real enough though that passers by would try
- 1:14:39Speaker 1: to stop and get gas and. Food. Nice i'm not gonna.
- 1:14:45Speaker 1: Say i'm not gonna say. That one with the kind of
- 1:14:46Speaker 1: spoilery cameo Is Jonathan, breck who plays a creeper without.
- 1:14:49Speaker 1: Makeup appears as a policeman at one hour and eleven.
- 1:14:52Speaker 1: Minutes Tim, sullivan horror film actor and, director appears on
- 1:14:56Speaker 1: a wanted poster in the police. Station a nod from
- 1:14:58Speaker 1: a Friend Brad, parker who were in the art department
- 1:15:00Speaker 1: of this. Movie And Victor salva was the body in
- 1:15:04Speaker 1: the creeper's house of. Pain oh, yeah got some goofs.
- 1:15:09Speaker 1: Here these are all things involving the pipe pretty much
- 1:15:11Speaker 1: LIKE i. Said When darry slides down the, pipe he
- 1:15:15Speaker 1: is encircled by light which would have had been shining
- 1:15:17Speaker 1: directly down the pipe seconds before he went. In he
- 1:15:19Speaker 1: was staring into total. Blackness When darry slips into the,
- 1:15:22Speaker 1: pipe he should have landed on two of the packages
- 1:15:25Speaker 1: that the creeper already threw down the. Pipe instand he
- 1:15:27Speaker 1: led lands on the background with no packages in sight
- 1:15:30Speaker 1: from the outside of the. Pipe That dari And trice
- 1:15:32Speaker 1: are looking at into is fixed at a very steep,
- 1:15:34Speaker 1: incline but it appears pretty level from the. Inside and
- 1:15:38Speaker 1: same thing with. This When dary falls down the, pipe
- 1:15:40Speaker 1: he's falling head, first hit lands flat on his. Back
- 1:15:43Speaker 1: so there you. Go towards the end of the, movie the.
- 1:15:48Speaker 1: Police the police bring in a prisoner Named roach played
- 1:15:51Speaker 1: By Tom terror And tiny and the Second Gievers creamers,
- 1:15:55Speaker 1: Movie oh. Sorry in the Second Geevers creamers, movie the
- 1:15:58Speaker 1: completely different Character Coach Dwayne barnes is also played by,
- 1:16:02Speaker 1: him even though the movies take place days. Apart, yeah,
- 1:16:06Speaker 1: weird weird. Shit two more things Than we're done. Here
- 1:16:09Speaker 1: As patricia And darry drive by the house and the,
- 1:16:12Speaker 1: creeper as you see the creeper dumping bodies as he
- 1:16:14Speaker 1: tears out onto the road to chase, them you can
- 1:16:16Speaker 1: clearly see a truck with its headlights on down the
- 1:16:19Speaker 1: road behind the creeper vehicle as it cuts across the
- 1:16:21Speaker 1: grass to enter the. Road probably a shot that they
- 1:16:24Speaker 1: didn't use throughout the. Movie so this is this is
- 1:16:28Speaker 1: just one of the kind of plot holes in the.
- 1:16:30Speaker 1: Movie throughout the Movie Jeepers creepers drives an enormous truck
- 1:16:34Speaker 1: in which he chases potential, victims transported, bodies et. Cetera
- 1:16:37Speaker 1: so when he needs to fill at the gas, thing
- 1:16:39Speaker 1: does he siphon gas from victim's? Car does he just
- 1:16:41Speaker 1: use his? Visa not to mention his truck is an
- 1:16:43Speaker 1: excellent mechanical, condition which leads to three possible. Options he's
- 1:16:47Speaker 1: either a highly skilled mechanic and all aspects of, automobiles
- 1:16:50Speaker 1: he's never been to the same mechanic, twice or his
- 1:16:52Speaker 1: usual mechanic has some very heavy brass. Balls on that,
- 1:16:56Speaker 1: note how did he how does he power the lights
- 1:17:00Speaker 1: and music players in his house and? Pain is he
- 1:17:02Speaker 1: on the grid paying his utility, bills taxes or in everything?
- 1:17:04Speaker 1: Else or has he again astounded us and managed to
- 1:17:07Speaker 1: produce his own power for as long as he's been
- 1:17:09Speaker 1: around killing all these stupid.
- 1:17:10Speaker 2: Kids, WELL i mean, so it's just like he's got
- 1:17:14Speaker 2: to be skilled in an autopsy, TOO i. Know, so,
- 1:17:17Speaker 2: Yeah it's LIKE i, said there's so much left on
- 1:17:19Speaker 2: the table THAT i would like to know about.
- 1:17:21Speaker 1: Him it's it's just LIKE i don't care about, it
- 1:17:23Speaker 1: but it is. Funny it's, like how does he do all?
- 1:17:25Speaker 1: This how does he manage to.
- 1:17:26Speaker 2: Do a lot more things because you mentioned you were
- 1:17:28Speaker 2: going to say it later earlier of the timeline with the,
- 1:17:30Speaker 2: movies what about, it we didn't go into you said
- 1:17:33Speaker 2: you were gonna do it, later SO i thought we'd
- 1:17:35Speaker 2: get into it at the.
- 1:17:35Speaker 1: End oh we real. QUICK i GUESS i THOUGHT i
- 1:17:39Speaker 1: had it in A i. THOUGHT i GUESS i THOUGHT
- 1:17:41Speaker 1: i had some trivia on, it BUT i GUESS i.
- 1:17:42Speaker 2: Didn't so, Anyway so There's Jeeper Skeeepers, Dreepers Cheaper screepers,
- 1:17:46Speaker 2: Two Cheeper screepers, three and then this new one coming
- 1:17:48Speaker 2: out Called Cheaper Screepers reborn timeline one and, two you,
- 1:17:53Speaker 2: know or one and two for some, Reason Jeeper scoopers
- 1:17:56Speaker 2: three is after the first, one Before Cheeper scooper. Two
- 1:18:01Speaker 2: Cheaper Screepers. Reborn the new one that is now out
- 1:18:03Speaker 2: yet is an actual sequel For Cheaper screepers.
- 1:18:06Speaker 1: Two, okay so it's.
- 1:18:09Speaker 2: It's technically, one one, Two, yes Good, christ that's what
- 1:18:13Speaker 2: it's basically, is WHICH i, mean don't Watch Cheaper screapers
- 1:18:16Speaker 2: three though it's.
- 1:18:16Speaker 1: Garbage it's, garbage AND i. DON'T i don't want to
- 1:18:18Speaker 1: support him. ANYMORE i will Watch reborn because he's not
- 1:18:20Speaker 1: a part of it. Though rated six point two out
- 1:18:22Speaker 1: of ten On IMDb and three point three point er
- 1:18:24Speaker 1: out of five One. LETTERBOX i was very generous with this,
- 1:18:28Speaker 1: movie probably BECAUSE i grew up with it and it's
- 1:18:30Speaker 1: just a lot of nostalgia behind, it AND i Just
- 1:18:32Speaker 1: i'm a sucker for. Anything justin long THAN i gave it,
- 1:18:34Speaker 1: FOUR i go to. Four, YEAH i give it.
- 1:18:36Speaker 2: Four that was.
- 1:18:37Speaker 1: Great thought is a fucking awesome. Movie, again despite who
- 1:18:40Speaker 1: is behind. IT i, LIKE i like this. MOVIE i
- 1:18:43Speaker 1: don't like who directed. IT i feel like that should be.
- 1:18:45Speaker 1: ALLOWED i don't you, KNOW i don't support this man
- 1:18:47Speaker 1: in any, way and LIKE i, said that's Why i'll
- 1:18:48Speaker 1: never watch the third. One but since this new one
- 1:18:51Speaker 1: is not being directed by him and he's not involved
- 1:18:53Speaker 1: in any, way one hundred percent on board ready to
- 1:18:56Speaker 1: go see that whenever it comes, out BECAUSE i do
- 1:18:58Speaker 1: you know the first two one And I'M i, THINK
- 1:19:00Speaker 1: i don't. KNOW i kind of want to watch the
- 1:19:01Speaker 1: second one. Tonight i'm thinking about watching this second one.
- 1:19:03Speaker 1: TONIGHT i don't. KNOW i haven't seen two fucking.
- 1:19:06Speaker 2: FOREVER i usually double features of a third TIME i watch, THEM.
- 1:19:08Speaker 1: I might have to do, that might have to do
- 1:19:09Speaker 1: a virtual time or did you already did you already
- 1:19:13Speaker 1: do him back to? Back?
- 1:19:14Speaker 2: OH i usually usually.
- 1:19:16Speaker 1: Yes, yeah that's pretty much, it so. Uh follow us
- 1:19:21Speaker 1: On facebook at Fright maares And instagram and Slasher app
- 1:19:23Speaker 1: at Fright maar's, Podcast twitter at Fright Maar's Underscore. POD
- 1:19:27Speaker 1: i Am Doctor procter On letterbox you Are Slackerman slaferman and.
- 1:19:33Speaker 1: Uh next week ideally will be me And corey doing
- 1:19:36Speaker 1: The Helen hunt and horror. MOVIE i think his. CARS
- 1:19:40Speaker 1: i think he's got parts for his car coming in this,
- 1:19:41Speaker 1: week so he should be. There if, not it will
- 1:19:43Speaker 1: probably be me And gabby doing, uh whatever we're doing.
- 1:19:46Speaker 1: Next and then episode one fifty is actually going to
- 1:19:49Speaker 1: be a double feature we're doing with me And gabby
- 1:19:51Speaker 1: of two god awful. Movies so look forward to that
- 1:19:54Speaker 1: because that is only a few episodes. Away so, yeah until, then,
- 1:19:57Speaker 1: guys stay tuned and stay ookie