Latest / Four Finger Discount (Simpsons Podcast) / American History X-Cellent (S21E17)

Transcript

American History X-Cellent (S21E17) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: Do you really want to leave with these idiots? I'm
• 0:06
  Speaker 1: afraid so. But I cleansed you of your evil. I
• 0:09
  Speaker 1: had a little left between my toes. It quickly multiplied
• 0:13
  Speaker 1: and now I'm a bigger bestard than ever. But I
• 0:15
  Speaker 1: must know what was it about me that made you try?
• 0:18
  Speaker 2: Because I've killed so many rich white men, I thought
• 0:21
  Speaker 2: i'd do right by at least one.
• 0:24
  Speaker 1: We're not so different. You and I get your skinny
• 0:29
  Speaker 1: ass out of here. Four finger discounted to this the
• 0:49
  Speaker 1: podcast where we get curbs on because this is what
• 0:51
  Speaker 1: we hit to review American History accident.
• 0:53
  Speaker 3: I'm Dander and I am god. Oh yeah, thanks for
• 0:55
  Speaker 3: bringing back fond memories of American history. X.
• 0:57
  Speaker 1: We had to do a score report on that movie.
• 1:00
  Speaker 1: We have to watch it at school in year ten,
• 1:02
  Speaker 1: and yeah, it changed me, I imagine.
• 1:05
  Speaker 3: So this is a movie that has not just probably
• 1:07
  Speaker 3: the most brutal and vivid curb stomping and you don't
• 1:10
  Speaker 3: even in actually really see the curb stop here, also
• 1:13
  Speaker 3: has a bunch of prison rape in it.
• 1:15
  Speaker 1: That's uh wow. Stuff to show the year tens, The Simpsons,
• 1:18
  Speaker 1: everybody in American History excellent. There's no curb stomping or
• 1:22
  Speaker 1: a prison rape in this episode. However, No before we
• 1:25
  Speaker 1: get into our review of this episode, THO, I've got
• 1:27
  Speaker 1: some news. I'm no longer married to an English girl.
• 1:29
  Speaker 1: Wait what? No, wait what, I'm married to an English Australian.
• 1:33
  Speaker 1: She did a citizenship. Oh I think it was Australian. Now, well,
• 1:36
  Speaker 1: according to the opposition, she's part of the problem, all
• 1:40
  Speaker 1: the immigrants. Yeah, I knew it was him. Congratulations for
• 1:46
  Speaker 1: being now part of Australian Yeah's. And she says it felt
• 1:49
  Speaker 1: weird because nothing really feels different, but now she has to.
• 1:52
  Speaker 1: It's like that she care about she must vote because
• 1:54
  Speaker 1: in Australia, you must vote. You want to pay the fine.
• 1:56
  Speaker 1: We get a sausage. Yeah, we get a snag. Yeah,
• 1:58
  Speaker 1: of course, democracy sausage. She's also now several jobs that
• 2:01
  Speaker 1: she wanted to go for, but she couldn't go for
• 2:02
  Speaker 1: them because she wasn't the citizens and jobs and so
• 2:05
  Speaker 1: you got me take it more of our Australian money. Yeah,
• 2:10
  Speaker 1: give it a roof over my head, allowing you to.
• 2:13
  Speaker 3: Keep talking about the Simpsons and other fine progrems.
• 2:16
  Speaker 1: First things first, this episode a lot better than last week. Correct, Yes,
• 2:19
  Speaker 1: holy Mully, Oh yeah, if you've listened.
• 2:22
  Speaker 3: To our episode about the Greatest Story ever old, well,
• 2:25
  Speaker 3: you'll know that neither Dando nor I were fans.
• 2:27
  Speaker 1: But American History excellent, look a little better. It's still
• 2:32
  Speaker 1: it's got its problem. Certainly. I've got here an upgrade
• 2:34
  Speaker 1: from last week, not saying much a good point. Yes,
• 2:39
  Speaker 1: anything better than rock Bottom is an improvement, but we're
• 2:43
  Speaker 1: slightly up for rock Bottom here. The thing is, I've
• 2:45
  Speaker 1: done it a lot recently, parroting stuff that is so
• 2:49
  Speaker 1: dated in a sense of like so Parry the Green
• 2:51
  Speaker 1: Mile and the short shat redemption in this right eleven
• 2:54
  Speaker 1: years after Green Mile came out, where people still talking
• 2:57
  Speaker 1: about Green Mile, I feelt maybe the visual of on
• 3:00
  Speaker 1: coffee maybe, but I just don't think people really cared
• 3:03
  Speaker 1: about the Green Mile by twenty ten, not as much.
• 3:06
  Speaker 3: No, No, I mean shaw Shank has really got staying power.
• 3:10
  Speaker 3: The Green Mile, of course, is another Frank Dreblant movie
• 3:13
  Speaker 3: based on the Stephen King book.
• 3:16
  Speaker 1: I think The Green Mile has more staying power than Shawshank,
• 3:18
  Speaker 1: to be completely honest, really yeah, I think everyone. I think,
• 3:21
  Speaker 1: as someone who grew up in the nineties, I have
• 3:24
  Speaker 1: more knowledge of you know, the big dude, what's his name?
• 3:26
  Speaker 1: Michael Clark, Michael Clarke, Duncan from the Green Mile. You know,
• 3:30
  Speaker 1: than I do anything from Shawshank. Really, I love Shawshank,
• 3:33
  Speaker 1: but I don't think as a kid from that era, Okay,
• 3:35
  Speaker 1: I have any sort of that's interesting because yeah, I
• 3:38
  Speaker 1: mean I don't look it up at the rain. That's
• 3:40
  Speaker 1: the visual, sure, but I mean shaw Shank was not
• 3:44
  Speaker 1: hit at the time. It wasn't. No, not all well.
• 3:47
  Speaker 3: I mean it's burned with a fairly sort of unwieldy title.
• 3:49
  Speaker 3: The stars names but not necessarily movie star names. I
• 3:53
  Speaker 3: think it really sort of helped put Morgan Freeman on
• 3:55
  Speaker 3: the map in a lot of way.
• 3:56
  Speaker 1: Really, I was wondering that because I watched Unforgiven for
• 3:59
  Speaker 1: the first time the other day, right that one's best film?
• 4:01
  Speaker 1: Did it? It did? Yeah? How what I liked it?
• 4:06
  Speaker 1: I was just like, oh, this was best film of
• 4:09
  Speaker 1: the year. I don't know. It just felt very by
• 4:12
  Speaker 1: the numbers. I think a lot of it had to
• 4:16
  Speaker 1: be slow and well the dialogue felt clunky. Oh no,
• 4:21
  Speaker 1: not to.
• 4:21
  Speaker 3: Me, And I think to some people, yeah, some people
• 4:24
  Speaker 3: slow as and other people sort of deliberate and measured.
• 4:27
  Speaker 1: I think another thing is it was you know, I'm like,
• 4:30
  Speaker 1: I know where this is going, so can we just
• 4:32
  Speaker 1: get okay? Yeah, I didn't enjoy the journey as as
• 4:35
  Speaker 1: much as I thought I would. It's interesting. I'm a huge,
• 4:38
  Speaker 1: huge fan of Unforgiven. I love it.
• 4:39
  Speaker 3: I think it's I think it's one of the Eastwood's
• 4:41
  Speaker 3: best And it also came to a time when I
• 4:44
  Speaker 3: wouldn't say Eastwood's sort of.
• 4:46
  Speaker 1: Career was on the decline.
• 4:48
  Speaker 3: But he had a rough sort of late eighties even
• 4:52
  Speaker 3: total eighties, and this was regarded as he's going back
• 4:57
  Speaker 3: to the cowboy. Well, but he's viewing it from a
• 4:59
  Speaker 3: different active, and there's a lot of talking about revisionist
• 5:03
  Speaker 3: Westerns when it's kind of like, oh, it used to
• 5:05
  Speaker 3: be all cowboys and in his white hat and black
• 5:06
  Speaker 3: hats and all that, and its kind of like the
• 5:08
  Speaker 3: old West was kind of murky and muddy and morally
• 5:11
  Speaker 3: gray and and pretty violent, and Eastwood was kind of
• 5:17
  Speaker 3: subverting all that kind of stuff.
• 5:18
  Speaker 1: So I think that's why. I don't think that's the
• 5:21
  Speaker 1: only reason they got best picture, but I think it
• 5:22
  Speaker 1: was a bit of a you can borrow my four
• 5:26
  Speaker 1: cave you like, sure, I can have it. It sounds like, oh,
• 5:32
  Speaker 1: why were you talking about I don't think it was
• 5:34
  Speaker 1: sure Shank and just Morgan Morgan, Morgan free My point
• 5:38
  Speaker 1: was I was like, was Morgan Freeman a star when
• 5:41
  Speaker 1: he was younger?
• 5:42
  Speaker 3: No, because he worked for years and years and years. Yes,
• 5:45
  Speaker 3: just as a working actor. He made a movie in
• 5:49
  Speaker 3: the late eighties called Street Smart. This is really interesting
• 5:52
  Speaker 3: because it was a Christopher Reeve sort of movie and
• 5:55
  Speaker 3: he only he only did Superman four. So the company
• 6:00
  Speaker 3: that bankrolled it, he said, you have to also have
• 6:03
  Speaker 3: to make this movie street Smart, where he plays like
• 6:04
  Speaker 3: this this journalist who's written this huge story about Oh,
• 6:09
  Speaker 3: it's about a pimp in the streets, except he made
• 6:11
  Speaker 3: it all up because he couldn't find a pimper. We
• 6:13
  Speaker 3: talked to him and then this real life pimp, his
• 6:17
  Speaker 3: sort of story coincides with it's Morgan Freeman, and he's
• 6:19
  Speaker 3: fantastic and.
• 6:19
  Speaker 1: He's so good it's absolutely terrifying. And he was like, well,
• 6:22
  Speaker 1: this guy's pretty good. That's why they have At the
• 6:24
  Speaker 1: start of Laura order the following story, it's not to
• 6:26
  Speaker 1: picked any actual person. Can I I'm sorry I'm doing
• 6:31
  Speaker 1: stories within stories here, but this just struck me as
• 6:33
  Speaker 1: extremely funny. It's very online, but it was very, very funny.
• 6:37
  Speaker 1: Are you aware of someone called Club Vicula? Are you
• 6:40
  Speaker 1: online enough to know about this person? No, okay, this
• 6:43
  Speaker 1: is someone who's called a look Smaxer's like he's like
• 6:47
  Speaker 1: an influence. He's this young dude.
• 6:48
  Speaker 3: He's like, all I care about is looking hot, and
• 6:50
  Speaker 3: I'll do whatever it takes.
• 6:52
  Speaker 1: He went bored, had fake hair that came off. I
• 6:55
  Speaker 1: don't know that's the guy.
• 6:56
  Speaker 3: No, no, no, he's like to get better cheekbones. Do
• 7:00
  Speaker 3: these things called microfraction. You hit yourself in the in
• 7:02
  Speaker 3: the in the cheek with a hammer and you get
• 7:04
  Speaker 3: these micro refractions. That makes you it makes your even sharper.
• 7:08
  Speaker 1: Now.
• 7:09
  Speaker 3: He recently he recently went to court for something and
• 7:13
  Speaker 3: the judge overseeing his case was this really sort of handsome,
• 7:17
  Speaker 3: middle aged dude.
• 7:18
  Speaker 1: Yeah, where are you going with this? Okay, let me try.
• 7:25
  Speaker 1: Here's clivicular. Yeah, this young dude. Here's the judge who
• 7:28
  Speaker 1: was overseeing. What does you have to do with Morgan Freeman.
• 7:33
  Speaker 1: It has to do with law and order. There was
• 7:35
  Speaker 1: this great tweet that said, in the looks backching justice system,
• 7:37
  Speaker 1: mog Baker fenses are considered especially No, no, it just
• 7:42
  Speaker 1: made me laugh because there's this new tom called mogging.
• 7:44
  Speaker 1: You heard that. I'm trying to keep up to date
• 7:47
  Speaker 1: with the kids. If you mog someone means you sort
• 7:49
  Speaker 1: of overpower them by your own charisma or something like that,
• 7:52
  Speaker 1: or by all your own prowwares. It's like, oh, man,
• 7:54
  Speaker 1: you guy totally moggeddand on that podcast with his knowledge
• 7:57
  Speaker 1: of zeppooned stunted on someone or something like that. Anyway,
• 8:02
  Speaker 1: but yeah, Lauren Order and where we were talking about
• 8:04
  Speaker 1: Lauren Order because I was saying, how oh yeah that
• 8:07
  Speaker 1: depiction especially heinous. Yes, but yeah. Then I think a
• 8:11
  Speaker 1: couple of years after that did Driving Miss Daisy, which
• 8:13
  Speaker 1: turned out to be a huge hit as well, and
• 8:15
  Speaker 1: it was like, we like this Morgan Freeman guy. But
• 8:17
  Speaker 1: it wasn't until the nineties, but I think Shorwhank was
• 8:20
  Speaker 1: one of the one of the first movies that sort
• 8:21
  Speaker 1: of had him above the title as a star. Okay, yeah,
• 8:24
  Speaker 1: I'm begiveven was certainly one of those. Yeah, Morgan Freeman,
• 8:26
  Speaker 1: what a man, what a guy? A man? Indeed Shure Shank, yes,
• 8:30
  Speaker 1: but Shaw Shank was I don't know, sixteen years It's
• 8:33
  Speaker 1: always become a bit of a running gage on the
• 8:35
  Speaker 1: footy record. They would have like profiles of football players
• 8:39
  Speaker 1: and they would have like various questions about what's your
• 8:42
  Speaker 1: favorite food, what's your favorite whatever? And favorite movie? Eight
• 8:44
  Speaker 1: times out of ten was like Shawshank. Really yeah, in
• 8:47
  Speaker 1: the next movie, just a Blokes movie. It's like one
• 8:50
  Speaker 1: of those movies. It's like, so I go, so I
• 8:53
  Speaker 1: got to crime Matus shaw Shank.
• 8:55
  Speaker 3: It's like Tominated too well yeah, or Fiel The Dreams,
• 8:58
  Speaker 3: good Will Hunting I Am.
• 8:59
  Speaker 1: I used to always confuse it with the Castle, so
• 9:02
  Speaker 1: I'm like, oh, James got off. He's not the warden.
• 9:04
  Speaker 1: He's a warden in the Castle. Oh, the Last Castle,
• 9:07
  Speaker 1: Last Castle, the Castle, the Last Castle. Yeah, not telling
• 9:10
  Speaker 1: me his dream And no, no, no, I don't know
• 9:13
  Speaker 1: that he's the warden in that one. Here's here's the way,
• 9:15
  Speaker 1: easy way to distinguish those two. Shawshank. Redemption is a
• 9:19
  Speaker 1: good movie. The Last Castle is a bad movie. Is
• 9:20
  Speaker 1: it really? I don't think it's a good movie.
• 9:21
  Speaker 3: I ever liked it when I was younger. Okay, okay,
• 9:24
  Speaker 3: Greenmand was apparently a huge hit.
• 9:25
  Speaker 1: That's the thing. It's Greenma was a huge hit. Yeah. Yeah,
• 9:28
  Speaker 1: but it's a movie I really really like. I don't know.
• 9:30
  Speaker 1: The thing is, though, I'm watching this, and the story
• 9:33
  Speaker 1: is that Burns goes to prison because for reasons of whatever,
• 9:35
  Speaker 1: he's still stolen art and stuff, right, he goes to prison,
• 9:37
  Speaker 1: So he's in prison. Yeah, this felt like they were
• 9:40
  Speaker 1: more focused on trying to parody prison film films than
• 9:43
  Speaker 1: actually tell a story. That is kind of the case.
• 9:46
  Speaker 3: It's like we're taking a bit from Georghank, we're taking
• 9:48
  Speaker 3: a bit from Green Malin, and we're taking a bit
• 9:49
  Speaker 3: from American History X.
• 9:51
  Speaker 1: It's did I take anything of American History X? Besides
• 9:54
  Speaker 1: the title?
• 9:55
  Speaker 3: I think it was just I'm trying to remember because
• 9:57
  Speaker 3: it's been a while since i've seen it. But I
• 9:58
  Speaker 3: thought that Edward Norton stops being a Nazi because he's
• 10:02
  Speaker 3: befriended by a black guy in prison.
• 10:05
  Speaker 1: That's just a green mile, isn't it not really Coffee?
• 10:10
  Speaker 3: Yeah, Yeah, that's very that's very green mile. And the
• 10:15
  Speaker 3: big black guy is supposed to look like John Coffee
• 10:18
  Speaker 3: played by Michael Clark duncan rest in Peace. I'm pretty
• 10:22
  Speaker 3: sure that American History X has Yeah, he's converted by
• 10:24
  Speaker 3: a black eye.
• 10:25
  Speaker 1: Whether it's to do with religion or Christianity or whatever.
• 10:28
  Speaker 1: I'm not undertentual, but I think that's the reference because
• 10:30
  Speaker 1: I was, Yeah, why would you call it American history
• 10:33
  Speaker 1: excellent when there's no American History X stuff in it?
• 10:36
  Speaker 1: I don't know. I think that's it. But the thing is,
• 10:38
  Speaker 1: there's three there's three stories in this episode, two of
• 10:40
  Speaker 1: which in particular, could have been fully fledged episodes. Right
• 10:43
  Speaker 1: the Smither's becoming the boss of the power plant, that's
• 10:45
  Speaker 1: an episode in itself. Yes, there was so much you
• 10:47
  Speaker 1: could have doved into the prison, Smithers runs the power
• 10:50
  Speaker 1: and you have the side story of Bartley's with the
• 10:52
  Speaker 1: knot cut that out that didn't need to be cut
• 10:54
  Speaker 1: it out entirely. I didn't like it. I did not
• 10:57
  Speaker 1: like it. Yeah, there was something you could have worked
• 10:59
  Speaker 1: with there, but it just wasn't executed very well. Here
• 11:01
  Speaker 1: my theory was with the Bart and Lisa one, you
• 11:04
  Speaker 1: could have done more of it. For example, when it
• 11:06
  Speaker 1: first happens, maybe Bart is not sympathetic towards the ants,
• 11:09
  Speaker 1: and it's a way of Lisa teaching but empathy towards animals.
• 11:13
  Speaker 1: And also maybe you could have had like, you know,
• 11:15
  Speaker 1: they have rival ant farms something like that. Right here,
• 11:18
  Speaker 1: they're just sort of looking after this little ant and
• 11:20
  Speaker 1: then they spend a wholesode looking after it, release it
• 11:22
  Speaker 1: to be free because I was about to die and
• 11:24
  Speaker 1: the doctor just eats it up.
• 11:26
  Speaker 3: They're doing this a bit recently, kind of just humor
• 11:30
  Speaker 3: that if you want to be generous is like, oh,
• 11:32
  Speaker 3: that's a bit dark and subversive.
• 11:34
  Speaker 1: Was like, now, that's just mean spirited. I touched on
• 11:36
  Speaker 1: a little bit in the last episode with the Jerusalem visit,
• 11:40
  Speaker 1: but this one was felt more so. There was just
• 11:42
  Speaker 1: lots of random short scenes right that ended with a
• 11:46
  Speaker 1: random gag that really had nothing to do with the
• 11:48
  Speaker 1: story and didn't progress the story. So I was like,
• 11:50
  Speaker 1: why these gags here? Tell me more. The big one
• 11:52
  Speaker 1: for me was Grandpa. Oh yeah, and he has like
• 11:56
  Speaker 1: the dream of his I'm not in my mind im
• 12:00
  Speaker 1: and then he has a dream of him in a cage,
• 12:02
  Speaker 1: and I was like that didn't further the story. It
• 12:05
  Speaker 1: didn't need to be there. It's like, why are these
• 12:07
  Speaker 1: random things here that they're not They're not, are you?
• 12:12
  Speaker 1: Like the Parker and the Stony thing. Everything needs to happen,
• 12:14
  Speaker 1: needs to be furthering the story. Sure, why are we
• 12:16
  Speaker 1: just throwing in these random Well, like I said in
• 12:18
  Speaker 1: the previous episode, this is in our previous episode when
• 12:21
  Speaker 1: we were talking about the greatest story of but No,
• 12:23
  Speaker 1: I said that this episode I think has just got
• 12:25
  Speaker 1: a really strong foundation, a really interesting van. Burns in
• 12:28
  Speaker 1: prison could have been a great story. I think, Yeah,
• 12:30
  Speaker 1: him letting the prison life and realize he's being humbled,
• 12:34
  Speaker 1: Smithers being corrupted. Yeah, it almost gives you a bit of
• 12:38
  Speaker 1: pove thought. It's like, what was Burns always bad? Or
• 12:40
  Speaker 1: was he sort of corrupted by power? Why does Smithers?
• 12:43
  Speaker 1: Why do we never have Smithers visiting Burns in prison?
• 12:44
  Speaker 3: That's good point, Like, that's a very good p Yeah.
• 12:48
  Speaker 3: Cut out all the an farm ship so any of that, No, no,
• 12:51
  Speaker 3: and have like Smithers visiting Burns less and less frequently.
• 12:56
  Speaker 3: It's been two weeks. You haven't come up because I'm
• 12:58
  Speaker 3: running the planet, you know, and you see me. He
• 13:00
  Speaker 3: looks a little more flash every time. He's like the
• 13:03
  Speaker 3: last time I see him's like got gog chains or something.
• 13:06
  Speaker 3: I think that could be really interesting.
• 13:08
  Speaker 1: My theory was he could have had Smithers at first
• 13:11
  Speaker 1: being a pushover, and he goes to visit Burns in
• 13:13
  Speaker 1: prison and ask for advice on how do I control
• 13:15
  Speaker 1: these guys? How do I make them fear me that
• 13:17
  Speaker 1: they fear you? And then he gives Smithers the advice,
• 13:19
  Speaker 1: and then all of a sudden, Smithers stopped visiting now
• 13:21
  Speaker 1: because now Smith doesn't need him anymore. Correct the Smither's
• 13:24
  Speaker 1: characters always needed Burns. So if it felt odd to
• 13:27
  Speaker 1: me that from the first, from the get go, he
• 13:28
  Speaker 1: was like, I'm going to be the boss that everyone wanted,
• 13:30
  Speaker 1: not like mister Burns. I'm like, you worship this guy.
• 13:33
  Speaker 1: Your whole character is the fact that you fucking love him.
• 13:35
  Speaker 1: You do it, you die for him. So why are
• 13:37
  Speaker 1: you now now You're the boss? Be everything he wasn't? Well,
• 13:41
  Speaker 1: that's sense, does he he loves mister.
• 13:44
  Speaker 3: Burns, but does he respect mister Burns's way of doing things.
• 13:47
  Speaker 3: It's kind of like, you know, hate the hate the player,
• 13:49
  Speaker 3: not the game, or something along those lines. I mean,
• 13:51
  Speaker 3: I kind of like the idea of like him thinking, oh,
• 13:55
  Speaker 3: there are ways that this could run more efficiently, could
• 13:57
  Speaker 3: run better, you know, we could make money but still
• 13:59
  Speaker 3: be a good work. And then it turns out all
• 14:01
  Speaker 3: these workers are dickheads.
• 14:03
  Speaker 1: Yeah, but we don't see Yeah, that's true. We don't
• 14:05
  Speaker 1: see enough at the power plant of we see one
• 14:08
  Speaker 1: like town meeting of him saying I'm gonna be a
• 14:10
  Speaker 1: better boss, and then it's just them most saying you're
• 14:13
  Speaker 1: a great boss. Smithers. He goes outside for a phone call,
• 14:15
  Speaker 1: which is the most cliche thing ever comes back in
• 14:17
  Speaker 1: over here. Is that Smithers guy? Hey, what he's such
• 14:21
  Speaker 1: a pushover? It's like that is the most basic it
• 14:24
  Speaker 1: really storytelling ever. Yeah, I was. I was a little disappointed, Yeah,
• 14:29
  Speaker 1: which I mean a lot disappointed. Yeah, the Smithers in
• 14:31
  Speaker 1: control of the power plant could work as his own story.
• 14:34
  Speaker 1: Having Burns go for some other reason besides because Burns
• 14:37
  Speaker 1: in Prison should have been a full length episode in itself.
• 14:39
  Speaker 1: Absolutely that you could have had Burns realizing I'm not
• 14:42
  Speaker 1: in control here. I don't have the power. I can't
• 14:44
  Speaker 1: tell people what to do. Yes, the work is way
• 14:46
  Speaker 1: up the chain. And that's when the Michael Clark Dougling
• 14:49
  Speaker 1: Carriacter John Coffee says, I need to stop this guy.
• 14:51
  Speaker 1: He's becoming too evil. That's yeah, Yeah, that's having become
• 14:54
  Speaker 1: the shot caller in the prison, and then and then
• 14:56
  Speaker 1: he tries to save him as opposed to just going
• 14:58
  Speaker 1: because he's not calling any sh that would be I
• 15:01
  Speaker 1: watch a whole Simpsons movie about that it or watching
• 15:04
  Speaker 1: like a two part episode of him going to prison
• 15:06
  Speaker 1: and just make it like Oz yes, and just become
• 15:10
  Speaker 1: there's weedy old man who's just like sheer, cunning and manipulation,
• 15:13
  Speaker 1: becomes the most powerful player in the Jay Yeah. And
• 15:16
  Speaker 1: then but John Coffee is the one guy he can't
• 15:18
  Speaker 1: get to. Yeah, and then John Coffee makes him realize
• 15:22
  Speaker 1: he's been a bad person. Correct, that's wild. That's would
• 15:26
  Speaker 1: you watch that episode? We'd watch it.
• 15:28
  Speaker 3: We should write it, but eventually I pour writing before
• 15:34
  Speaker 3: though I want it's something I want to talk about
• 15:36
  Speaker 3: a little bit. I mean, I've written down here this
• 15:38
  Speaker 3: is poorly written in terms of that scene where it's
• 15:40
  Speaker 3: like I'm a kid, doesn't even have anything or does everything.
• 15:43
  Speaker 1: I'm not going to it. This guy is such a dickhead,
• 15:45
  Speaker 1: such a loser, blah blah blah. That was poor. That
• 15:47
  Speaker 1: was not great.
• 15:48
  Speaker 3: But even at the start of the episode where you're
• 15:52
  Speaker 3: all working at my fourth of July thing, his I've
• 15:55
  Speaker 3: wrote down what is wrong with Burns's villain here. And
• 15:57
  Speaker 3: I'm not saying, hey, what's wrong with It's not all bad.
• 15:59
  Speaker 3: I'm just saying, why is this not sticking? Why is
• 16:02
  Speaker 3: this not landing for me?
• 16:02
  Speaker 1: Is it too overblown?
• 16:04
  Speaker 3: I mean it's degrading enough that he's getting all these
• 16:07
  Speaker 3: people to come work on the fourth of July for
• 16:10
  Speaker 3: no money. You don't have to all put on a
• 16:12
  Speaker 3: show for me, you know, put on this grand musical
• 16:15
  Speaker 3: extravaganza or something. It's just like, just come and do
• 16:18
  Speaker 3: menial labor for me. I think that would resonate with
• 16:21
  Speaker 3: a lot more people, and it would sort of make
• 16:22
  Speaker 3: Burns' villainy more vivid.
• 16:24
  Speaker 1: You know what it is? Because the Burns, the Burns
• 16:27
  Speaker 1: we grew up with, right, the Burns from the Golden era,
• 16:30
  Speaker 1: wanted to spend his list less time with the employees
• 16:32
  Speaker 1: as possible, even hated doing Employee Night of the Year
• 16:36
  Speaker 1: or whatever you didn't want to be there. He would
• 16:38
  Speaker 1: not want to spend his Fourth of July with his
• 16:40
  Speaker 1: employees doing even though doing shit for him. He's like,
• 16:43
  Speaker 1: I want no one here, leave me alone. Yeah, or okay,
• 16:48
  Speaker 1: it's make this a story. It's my turn to host
• 16:51
  Speaker 1: the Fourth of July party for you know, the billionaire
• 16:55
  Speaker 1: Coalition or whatever.
• 16:57
  Speaker 3: Fine, and yeah, you're all coming to work for me,
• 17:00
  Speaker 3: you know, to do it. Make it working stiffs versus
• 17:03
  Speaker 3: one percenters kind of do where it's like people are
• 17:05
  Speaker 3: just throwing food over their shoulder and hitting home in
• 17:08
  Speaker 3: the eye with a half eaten cupcake or some ship
• 17:09
  Speaker 3: like that. I don't know, I'm just thinking of a
• 17:11
  Speaker 3: story here. Have there's an episode where it's Fourth of
• 17:14
  Speaker 3: July and the fireworks abandoned Springfield. I feel like Sheennigan's
• 17:17
  Speaker 3: coming suit with that.
• 17:18
  Speaker 1: Yeah, let's do something about that. The beer baron, but
• 17:20
  Speaker 1: the fireworks baron. Yeah. I'm just watching this going there's
• 17:22
  Speaker 1: too much happening in this one, and nothing's actually being
• 17:25
  Speaker 1: fleshed out. Too much and not enough. Nothing like the
• 17:27
  Speaker 1: whole Burns prison. There's nothing to it. So he goes
• 17:29
  Speaker 1: to prison for a reason. That's because he stole it.
• 17:32
  Speaker 1: Apparently that's a real thing. Apparently that art was actually
• 17:33
  Speaker 1: stolen from the Boston Museum and lud just randomly knew that.
• 17:36
  Speaker 1: But they went there to arrest the three guys for
• 17:38
  Speaker 1: ruining his house. And they don't arrest the three guys
• 17:40
  Speaker 1: for ruining his house that has arrest burns. He gets
• 17:42
  Speaker 1: taken to prison, and then he immediately is like, I'm
• 17:45
  Speaker 1: going to pick my sorority because apparently he's a oblivious idiot,
• 17:48
  Speaker 1: he doesn't understand that prison has the gangs. Which sorority
• 17:51
  Speaker 1: would I choose? And then and then John Coffee is
• 17:54
  Speaker 1: like he's mine. I'm like, why damn? What is going
• 17:57
  Speaker 1: on here? Why? And then by the end of it
• 18:00
  Speaker 1: is like, no, I still had some evil in between
• 18:02
  Speaker 1: my toes, so I'm still an evil bastard. And I'm like, so,
• 18:06
  Speaker 1: what was the point of any of this? There was none.
• 18:09
  Speaker 1: There was none. And it ends with John Coffee with
• 18:10
  Speaker 1: fat Tony you were mentioning dark gags. I thought it
• 18:14
  Speaker 1: was going to end with him going the delightful guy
• 18:16
  Speaker 1: back in prison, right, and him going telling a story
• 18:19
  Speaker 1: and pans out and he's actually sitting on the electric
• 18:21
  Speaker 1: chair about to be ax. I thought that's where they
• 18:23
  Speaker 1: were going, you know, that's the Green Mile. Actually it
• 18:25
  Speaker 1: is I'm Afraid of the Dark.
• 18:27
  Speaker 2: Boss.
• 18:27
  Speaker 1: Is that when he says I'm afraid the dark? The Dark? Heartbreaking?
• 18:30
  Speaker 1: Yes it is. Yeah, it was a really good movie. Yeah,
• 18:33
  Speaker 1: but yeah, this one here seems to be a recurring thing,
• 18:37
  Speaker 1: lots lots of potential untapped. Correct, he my favorite. Did
• 18:44
  Speaker 1: you have any favorite moments from the episode?
• 18:46
  Speaker 3: Look, there were one or two lines in here that
• 18:48
  Speaker 3: were reminiscent, as we like to say, reminiscent of classic Simpsons.
• 18:52
  Speaker 3: I liked when they had initially where they're having the
• 18:54
  Speaker 3: first meeting or whatever. Yeah, and are saying, oh, we
• 18:57
  Speaker 3: regret the death of so and so who died from
• 18:59
  Speaker 3: common aplications due to union organizing.
• 19:02
  Speaker 1: That feels like old school burns.
• 19:04
  Speaker 3: Yeah, he's like, don't just speakable person, don't try and
• 19:08
  Speaker 3: unionize now you'll get bumped off.
• 19:09
  Speaker 1: Yeah.
• 19:11
  Speaker 3: You mentioned before about the painting that burns out, the
• 19:14
  Speaker 3: whole thing that sort of gets him sent to Printon.
• 19:16
  Speaker 3: I don't approve his motivation, but I like it from
• 19:17
  Speaker 3: a storytelling sense, like why should all these paupers get
• 19:21
  Speaker 3: to look at priceless works of art?
• 19:23
  Speaker 1: No, it's it's for me. I did write my notes.
• 19:26
  Speaker 3: He's not wrong, So I like his motivation that regard.
• 19:29
  Speaker 3: I find that really interesting. H And, as I said,
• 19:32
  Speaker 3: the interesting idea of the veteran too. I see slash
• 19:34
  Speaker 3: assistant being given the seat of power and becoming corrupted
• 19:38
  Speaker 3: by it.
• 19:39
  Speaker 1: And someone like I don't know if he'd be really
• 19:42
  Speaker 1: seen of Smith's. But he never gets corrupted. That's the problem. Yeah,
• 19:45
  Speaker 1: he's a nice guy who these dickheads take advantage advantage
• 19:49
  Speaker 1: of and then were supposed to feel smpathy from here's
• 19:51
  Speaker 1: my other grit. Right, So the whole premise is we
• 19:54
  Speaker 1: find out the episode starts with Burns being taken by
• 19:57
  Speaker 1: guards in prison. But you wonder how I got here
• 20:00
  Speaker 1: a week earlier whatever, Right, And it turns out the
• 20:02
  Speaker 1: guys are like, how can we get rid of Smithers?
• 20:04
  Speaker 1: We want Burns back. I know, we'll just break into
• 20:06
  Speaker 1: the prison by putting on prison guard outfits and just
• 20:08
  Speaker 1: walking him out the door. Now, they don't even showed
• 20:10
  Speaker 1: them how they got in there the correct Yeah, and
• 20:13
  Speaker 1: I must have been I was thinking all that time.
• 20:15
  Speaker 1: So he's just going to break him out and then
• 20:18
  Speaker 1: he's going to resume his normal life. Order they do
• 20:20
  Speaker 1: try to get themselves an escape hatch with like men of.
• 20:23
  Speaker 3: Wealth can beat the system. Now it's like, okay, that's
• 20:25
  Speaker 3: not unfunny. Yeah, and Home has got his bit about
• 20:29
  Speaker 3: Yeah the past never had a chance.
• 20:30
  Speaker 1: Man.
• 20:31
  Speaker 3: I thought that was kind of funny, but again that's
• 20:34
  Speaker 3: it's kind of sloppy as well.
• 20:36
  Speaker 1: I like the they thought it had the best insulation
• 20:40
  Speaker 1: and it was the best asbestos and then not the
• 20:42
  Speaker 1: best asbestos. Yeah, I don't mind. That is all right.
• 20:45
  Speaker 1: They did it in the first Trains of Horror with
• 20:47
  Speaker 1: the how to Cook for forty Humans. Correct. I didn't
• 20:50
  Speaker 1: mind the various heads that were on the wall and
• 20:52
  Speaker 1: a suber tooth tiger t extent trespasser just passay.
• 20:56
  Speaker 3: Speaking, which what did I just lend you on Blu
• 20:58
  Speaker 3: Ray oh Man. We talked about this on a previous episode.
• 21:02
  Speaker 3: I wait to watch it, and I didn't mind. Someone
• 21:07
  Speaker 3: you'll see from in Trespass is William Sadler.
• 21:10
  Speaker 1: He is Death from Bill and Ted's Burgers Journey.
• 21:12
  Speaker 3: You'll also see him in The Green Mile and Redemption.
• 21:16
  Speaker 3: He's a he's a Frank Darabont regular, like that guy.
• 21:19
  Speaker 1: And my final favorite moment here was I know you
• 21:21
  Speaker 1: didn't like the Barton Lisa story, but it just felt
• 21:24
  Speaker 1: very kiddish. So he's like your eight legs and this
• 21:27
  Speaker 1: is like they got six leagus. I thank god, I
• 21:29
  Speaker 1: thought I broke to off. Yeah, actually that's pretty good. Yeah,
• 21:31
  Speaker 1: I didn't mind that. I have one more favorite moment.
• 21:32
  Speaker 3: Okay, yep, A shout out to a man, Joe Montagna.
• 21:36
  Speaker 3: His dedication to being fat Tony is unparalleled.
• 21:39
  Speaker 1: Shows up for one line. What a guy. I wonder
• 21:41
  Speaker 1: if he just says, give me all the fat Tony
• 21:43
  Speaker 1: lines for the season and I'll record them all at
• 21:46
  Speaker 1: once and he doesn't crusty style throwing cards over and oppressional.
• 21:54
  Speaker 1: What a guy? Yeah? I know, right, yeah, use your
• 21:57
  Speaker 1: dark magic. You've got so Manyson's staffers on to talk to.
• 22:02
  Speaker 1: We should get Joe on. I've already had Joe on,
• 22:04
  Speaker 1: Well get him, get him back on, Mitch, I need
• 22:08
  Speaker 1: to speak so you see, he's got criminal minds, money. Now,
• 22:10
  Speaker 1: I just care about us. Joe Montagnure doesn't care about
• 22:17
  Speaker 1: four Finger discussed to be Baby's day out and Godfather three.
• 22:20
  Speaker 1: Now it's he's got Father three, wasn't he He's got
• 22:24
  Speaker 1: Father three? Joey Zasa? Yeah, all right, what am I
• 22:27
  Speaker 1: gonna do it?
• 22:27
  Speaker 2: This?
• 22:28
  Speaker 1: Gay? Next question? You there eating the paste trivia time?
• 22:32
  Speaker 1: My first question is how many puzzle pieces worth? The
• 22:36
  Speaker 1: old Man? What is it going to be Old man
• 22:37
  Speaker 1: or something?
• 22:38
  Speaker 3: Oh that's what I was going to ask you, and
• 22:39
  Speaker 3: the answer is five hundred in the Scared Old Man
• 22:41
  Speaker 3: Jigsaw puzzle. You would like that kind of thing. You're
• 22:43
  Speaker 3: a big fan of jigsaws.
• 22:45
  Speaker 1: You know what it is, though, is because my name Marlene,
• 22:48
  Speaker 1: God bless her. She passed six years this month. Yeah,
• 22:51
  Speaker 1: six it's actually six years tomorrow she passed, right. She
• 22:54
  Speaker 1: used to do jigsaws all the time. So school holidays
• 22:56
  Speaker 1: were saying at NaN's house doing jigsaw puzzles were there.
• 22:59
  Speaker 1: I was always when she let you do the last piece.
• 23:02
  Speaker 1: Oh that's very nice. I'm a fan of Jigsaw, but
• 23:04
  Speaker 1: by which I mean the killer from the Saw movies. Yes,
• 23:08
  Speaker 1: there is no a movie called Jigsaw. There is. I
• 23:10
  Speaker 1: keep I keep trying to bring Saw back. After the
• 23:13
  Speaker 1: third one, I was like, I think I think I'm done.
• 23:15
  Speaker 3: I'm tapped out. So I'm asking you a question. There's
• 23:19
  Speaker 3: a two parter if you like. Where was the concert
• 23:23
  Speaker 3: by the Mere stolen from?
• 23:25
  Speaker 1: And in what year? And that's the Boston Boston Museum
• 23:28
  Speaker 1: of some kind.
• 23:29
  Speaker 3: Okay, well it was in Boston, but yeah, the name
• 23:31
  Speaker 3: of the museum, I don't know. The Isabella Stewart Gardener
• 23:34
  Speaker 3: Museum was.
• 23:35
  Speaker 1: In ninety three. It was ninety ninety. All right. My
• 23:40
  Speaker 1: next question, final question for you is sorry, no second question.
• 23:45
  Speaker 1: Lenny gives mister Burns what type of meal and what
• 23:49
  Speaker 1: is your request in exchange? At the he serves him something. Oh, well,
• 23:53
  Speaker 1: here are your spear ribs and he wants strike ribs,
• 23:59
  Speaker 1: strike bowling reference. Oh yeah, that's right here. Wow, they
• 24:05
  Speaker 1: can't all be winners. Um. Burns has a cell mate
• 24:09
  Speaker 1: when he first gets to prison. Yeah, Dartmouth.
• 24:13
  Speaker 3: Yeah, but no, but he got his masters from somewhere
• 24:15
  Speaker 3: else and it's called the public IVY according to this gentleman.
• 24:18
  Speaker 1: Okay, don't know. That was the University of Virginia. Alrighty.
• 24:21
  Speaker 1: My final question for you is Burns has a movie
• 24:23
  Speaker 1: stub from which film? From nineteen fourteen? Oh?
• 24:27
  Speaker 3: I can see it in my head from the subtitles,
• 24:29
  Speaker 3: and I can't remember, like it's three words. Yeah, I know,
• 24:33
  Speaker 3: And I want to say, like the tarnished something, Tilly's something,
• 24:36
  Speaker 3: Tilly's punctured lung, punctured romance, romance.
• 24:41
  Speaker 1: Till He's puncured lung. Yeah, let's starring Jigsaw.
• 24:45
  Speaker 3: One last question for you, I don't want to me Okay, uh,
• 24:48
  Speaker 3: what magazine is snake reading in the laundering.
• 24:51
  Speaker 1: I don't know, so I looked down to write type
• 24:54
  Speaker 1: notes out looked up and SHO, Bob's in a dryer.
• 24:57
  Speaker 1: What happened there?
• 24:58
  Speaker 3: He was in the washer and then he was in
• 24:59
  Speaker 3: the dry Why prison torture? He's reading pe Pole Pole?
• 25:04
  Speaker 1: Okay, now it's off for some stonecutter shoutouts. Do you reckon?
• 25:16
  Speaker 1: Katie Jeez have been to prison? If she did, she'd
• 25:19
  Speaker 1: be like the shot caller being delightful. Oh yeah, yeah.
• 25:23
  Speaker 1: What's she charge of you for being a legend? You're
• 25:26
  Speaker 1: getting there. You're getting five to ten for just being awesome. Yes.
• 25:30
  Speaker 1: Also the following people are also awesome. We've got Glenn Gomez,
• 25:33
  Speaker 1: Justin Parker, Zach Prut, Shannimcher, Elliott j O'Neil, Isabella Murphy,
• 25:38
  Speaker 1: Rach Beasley, Stephen Roberts, Sean d V, Pete Anderson, Timothy Bearlson,
• 25:42
  Speaker 1: Andrew Davis, Kevin Dental, Planned Flood, Bello, Window Bank, Jack McFadden, Heath, Appleby,
• 25:47
  Speaker 1: Adrick McCleod, March Eleven Ginger and Pickle, Preston, Murray, Tullia, Enriquez,
• 25:52
  Speaker 1: Declan Phoenix, Brian McCoy, Logan b James Shephard, Joe Reading, Sec,
• 25:57
  Speaker 1: Dave Pretzels, McNally, Gavin Lang, damn you Miller, Charlie Joe,
• 26:00
  Speaker 1: Abigail b Sharpkata, and Craig Alti smash globsster time up
• 26:05
  Speaker 1: for good behavior for those guys. Yes they're still gone
• 26:09
  Speaker 1: to prison though, Oh yeah, are you doing time? I
• 26:11
  Speaker 1: didn't get enough. No, no, but thank you guys for
• 26:13
  Speaker 1: all of your support. All right, let's get into a review,
• 26:15
  Speaker 1: shall we? Of American History excellent. The original edit of
• 26:19
  Speaker 1: this episode was April eleventh, twenty ten. We wanted to
• 26:22
  Speaker 1: correct something last week when we did a review of
• 26:24
  Speaker 1: the Greatest Story Ever doed, I did the top three
• 26:26
  Speaker 1: films from May twenty eighth, not March twenty eight. Got
• 26:30
  Speaker 1: ahead of yourself, So I will do the March twenty
• 26:33
  Speaker 1: eighth movies when we get to the May twenty eighth. Okay,
• 26:36
  Speaker 1: oh man, And here's the thing I think I was
• 26:39
  Speaker 1: all like, oh unified theory of four thing? A discut
• 26:41
  Speaker 1: comes through again because a lot of these movies take
• 26:42
  Speaker 1: plays in the desert in the Holy Land, So oh no,
• 26:45
  Speaker 1: no one cared enough to actually go back in movies
• 26:47
  Speaker 1: of that shit. But number three is How To Train
• 26:49
  Speaker 1: Your Dragon. Number two is Date Night and number one
• 26:51
  Speaker 1: is Clash of the Titan. Still at number one, nice
• 26:54
  Speaker 1: Starry Amen, Sam Worthington, right, oh, mate, Sam Worthington, Yeah,
• 26:58
  Speaker 1: this yeah all time. Yeah, trying to watch accent. Yeah,
• 27:04
  Speaker 1: I'm trub watch avatarpe the other day and I was like,
• 27:05
  Speaker 1: I just can't do this. You mean, like, go back
• 27:07
  Speaker 1: to the first one. I was like, I'm gonna watch
• 27:09
  Speaker 1: the first one again so i can watch the new ones.
• 27:10
  Speaker 3: And I was like, apparently Far and Ash is it
• 27:12
  Speaker 3: on Disney Plus at the moment is now because as
• 27:16
  Speaker 3: I've said before, I tapped out halfway through a Way
• 27:17
  Speaker 3: of Water. Even though everyone loves Pire, can.
• 27:21
  Speaker 1: The Big Whale?
• 27:22
  Speaker 3: See James Cameron's like, everyone's like, he's going to do it,
• 27:26
  Speaker 3: isn't he? The whole way is gonna be a big
• 27:28
  Speaker 3: Jim is saying, it's like, yeah, I can make for
• 27:30
  Speaker 3: and fire for like you.
• 27:31
  Speaker 1: Know, half the cost. Yeah, if he does it, it's over.
• 27:35
  Speaker 1: It's game over. Yeah. Yeah, it's funny.
• 27:40
  Speaker 3: It comes film Come film FIRSTIV is on at the moment,
• 27:43
  Speaker 3: and you know a lot of people are sort of
• 27:45
  Speaker 3: being asked about AI. I think, to me, Moore was
• 27:47
  Speaker 3: kind of like, you know, you've got to work with it,
• 27:48
  Speaker 3: and Peter Jackson was like it's a tool like everything else.
• 27:52
  Speaker 1: All these people like, oh no, there accepting it. The
• 27:55
  Speaker 1: walls are crumbling. Yeah. Yeah, it's just because, like I
• 27:58
  Speaker 1: talked about in the podcast, should Star Wars ones on
• 28:01
  Speaker 1: YouTube and it's like this ship ain't perfect, but it's
• 28:03
  Speaker 1: close enough, well good enough. It's like for someone watching
• 28:10
  Speaker 1: on YouTube, oh sure, I've paid nothing for this and
• 28:13
  Speaker 1: a story and it's better storyteller than Disney correct see
• 28:18
  Speaker 1: the man Lauren and Grogan in So, I haven't seen it.
• 28:23
  Speaker 1: I did see a funny tweet that was like Grogu
• 28:25
  Speaker 1: on the red carpet doing something, so I was like,
• 28:27
  Speaker 1: I should be tired as the fun but I'm just not.
• 28:28
  Speaker 1: He's still got He's got the still got it. Imagine
• 28:36
  Speaker 1: if someone went up and shot him Jack Jack Ruby style,
• 28:47
  Speaker 1: actual living being. We've been full this whole time. It's
• 28:54
  Speaker 1: a puppet someone, it's a brows motherfucker. You do you
• 29:01
  Speaker 1: usually call him Grogan? Do you still go like baby yo,
• 29:03
  Speaker 1: baby Yoda. It's pretty cute. The funck is still got
• 29:08
  Speaker 1: it as opposed a bet you were just sending me
• 29:13
  Speaker 1: all these means what is he doing? Like? Just go
• 29:15
  Speaker 1: wait now, mate, I said. We went from.
• 29:20
  Speaker 2: Willis and Stallone and Swartzenegger and Letterman to fucking past
• 29:27
  Speaker 2: kissing each other. What the hell is can you imagine
• 29:29
  Speaker 2: principels ever say hey, let him, let's let's smooch.
• 29:32
  Speaker 1: Look what are we doing. There's nothing wrong with two
• 29:34
  Speaker 1: guys kissing. But what the fuck did they have to
• 29:35
  Speaker 1: do with anything? He was mid mid interview and Pasco's goes.
• 29:39
  Speaker 1: He's like, what do you do? He's like, kiss me?
• 29:41
  Speaker 1: And I'm like, what the hell is going on? Why
• 29:44
  Speaker 1: are you doing that? Because you know why? Because it
• 29:46
  Speaker 1: creates a clip for social media? Of course it does.
• 29:49
  Speaker 1: Oh my god, Oh you look. You don't want to
• 29:51
  Speaker 1: you don't want to get me sat on this. I
• 29:52
  Speaker 1: had a whole rant would do for the movie guy. Yeah,
• 29:58
  Speaker 1: it's not about that. It's just about how.
• 30:00
  Speaker 3: This is not my This is not a new philosophy.
• 30:02
  Speaker 3: It's probably not even my philosophy. But everything is k
• 30:05
  Speaker 3: fave now, yeah, everything is k fave. Everything is soap
• 30:08
  Speaker 3: op bro.
• 30:09
  Speaker 1: Yeah, yeah, I'll tell you about it off camera. Liberty
• 30:14
  Speaker 1: time here times of But it kicks off at the prison,
• 30:19
  Speaker 1: but you want to do the whole? Yes? Sorryeh? Originally
• 30:22
  Speaker 1: Every Eleventh twenty ten, written by Michael Price, directed by
• 30:25
  Speaker 1: Bob Anderson, guest starring Joe Montagna as Fat Tony and
• 30:28
  Speaker 1: Kevin Michael Richardson, who is now the voice of doctor Hibbertt.
• 30:30
  Speaker 3: Okay then, but yes, I'm assuming he was the John
• 30:33
  Speaker 3: Coffee esque character character even have a name, No, just
• 30:37
  Speaker 3: says salm mate burns a sal mate?
• 30:38
  Speaker 1: Yeah again laziness. Yeah, I know, at least call them
• 30:42
  Speaker 1: what John T or something? Just something stare or yeah,
• 30:46
  Speaker 1: Johnny T. But the chortboard gay hot dogs are not bookmarks.
• 30:51
  Speaker 1: And the couch gave the family sits on the couch,
• 30:52
  Speaker 1: which is the front lawn in front of the house,
• 30:54
  Speaker 1: falls down around them, similar to a cash gave from
• 30:56
  Speaker 1: Buster Keaton's Steamboat Bill Junior. That is correct. Actually didn't
• 30:59
  Speaker 1: mind the cash game for this one.
• 31:00
  Speaker 3: That's pretty good. I mean, when you think about actually
• 31:04
  Speaker 3: doing that, that could have killed the bust the balls
• 31:07
  Speaker 3: on that manager to sit there, Buster, he put.
• 31:10
  Speaker 1: Himself through Helen back for hour entertainment. Shout out to
• 31:12
  Speaker 1: Buster Keaton. Also billboard gag? What's the billboard gag for?
• 31:15
  Speaker 3: This billboard gag was duff two hundred, nothing but booze.
• 31:19
  Speaker 3: You could try a little harder with that.
• 31:20
  Speaker 1: You also have in the.
• 31:22
  Speaker 3: Flying through the air thing during Lucyimton's I think it
• 31:25
  Speaker 3: was the it was a Texas billionaire, as like evil
• 31:27
  Speaker 3: can eat.
• 31:27
  Speaker 1: The rich Texan? What do we call it? Just the Lurdock?
• 31:32
  Speaker 1: What's his name? Lets murder? Is the daredevil that's firing
• 31:37
  Speaker 1: the guns? Yeah it was Lance Murdock. Yeah, is Lance
• 31:40
  Speaker 1: Murdock the the rich Texan? No, it wasn't the rich Textan.
• 31:44
  Speaker 1: It was evil and evil?
• 31:45
  Speaker 3: Oh okay, but yeah, as evil can evil though, but
• 31:47
  Speaker 3: it was like, yeah, no it was it was him.
• 31:50
  Speaker 3: It was oh okay, then was a Lance Murder. It
• 31:52
  Speaker 3: was LANs Murdock.
• 31:52
  Speaker 1: Okay, well I'm okay with that.
• 31:54
  Speaker 3: There is that right there, There is Lands Murdock. That's
• 31:57
  Speaker 3: this actual screenshot, So it is, wow, welcome to guy
• 32:02
  Speaker 3: didn't do his research. Yes, it did a better research,
• 32:05
  Speaker 3: it's just not.
• 32:06
  Speaker 1: That aut The prison and birds is in there and
• 32:09
  Speaker 1: we have his voiceover. He's saying he's going to explain
• 32:11
  Speaker 1: how we're gonna You suppose I suppose you're wondering, how
• 32:13
  Speaker 1: do you I don't mind that. Sometimes sometimes it works.
• 32:17
  Speaker 1: It's become a bit of a cliche, but you wondering
• 32:19
  Speaker 1: how this has happened. I've been doing it a lot
• 32:20
  Speaker 1: on Law and Order, where things are happening and it's
• 32:22
  Speaker 1: like thirty six hours early and I'm like, come on, man,
• 32:26
  Speaker 1: was it on Rick and Morty? Did you ever see that?
• 32:28
  Speaker 1: Watch like two seasons maybe? And then I was like,
• 32:31
  Speaker 1: I'm done. They had there's nine seasons now, Oh no, yeah,
• 32:35
  Speaker 1: I forgot when I tapped out. But yeah, the most
• 32:38
  Speaker 1: animated shows now like Family Guy, American Dad's like season
• 32:41
  Speaker 1: twenty something. You're like, how how is this happening? But
• 32:44
  Speaker 1: they had an episode where Morty had to went to
• 32:48
  Speaker 1: a lighthouse or something and the lighthouse keeper had to
• 32:51
  Speaker 1: help me with something. He said, for me to help you,
• 32:52
  Speaker 1: you have to listen to me read my screenplay, reads
• 32:56
  Speaker 1: the screenplay to him, and it's only like thirty six
• 33:00
  Speaker 1: hours earlier. Look, it was pretty good. I just don't
• 33:03
  Speaker 1: like stories that you know they should start at the start,
• 33:05
  Speaker 1: and got really pissed off it. Anyway, Yeah, that's how
• 33:09
  Speaker 1: I usually felt after watching Rick and Morty pretty much.
• 33:13
  Speaker 1: It was good to begin with. Yeah, like so many things. Yes, indeed,
• 33:16
  Speaker 1: then this is where we have a week earlier and
• 33:18
  Speaker 1: mister Burns is explaining Roger Ducett. I think it's the
• 33:22
  Speaker 1: farewell party for him, basically, isn't it like his funeral
• 33:24
  Speaker 1: or whatever it was? He was going to be employeed
• 33:27
  Speaker 1: the month but he tragically dies due to complications from
• 33:29
  Speaker 1: union organizing. Correct.
• 33:31
  Speaker 3: I think it's just a staff meeting and they're sort
• 33:32
  Speaker 3: of various things. He's passed away in all hands.
• 33:34
  Speaker 1: He's announced that there's a company picnic and it's going
• 33:37
  Speaker 1: to be only him who's invited because they are going
• 33:39
  Speaker 1: to be there working and getting no pay. I'm not
• 33:42
  Speaker 1: sure he has the power to do that. I don't
• 33:43
  Speaker 1: think that's the care logical. But anyway, it's the fourth
• 33:47
  Speaker 1: of July. Yeah, that's doesn't make any sense why they're there.
• 33:50
  Speaker 1: It's a day off. Writing can be tough, so I
• 33:53
  Speaker 1: don't want to say this is lazy writing on the part. Yeah, no,
• 33:55
  Speaker 1: he can't say it's lazy writing. But it doesn't make
• 33:57
  Speaker 1: any say that if it's something so simple, Just give
• 34:00
  Speaker 1: a reason why they have to work, or show that
• 34:03
  Speaker 1: Burns is a master manipulated by saying you don't have
• 34:06
  Speaker 1: to show up to this, but here are six reasons why,
• 34:09
  Speaker 1: and they'll all be bad for you if you don't
• 34:11
  Speaker 1: show up, or you just go. Lenny saying, hey, it's
• 34:14
  Speaker 1: that day off. It's a fourth for July, and you
• 34:16
  Speaker 1: say was a day off, and then Quimby with money bags,
• 34:19
  Speaker 1: He's like, I've changed a law, so you have to
• 34:21
  Speaker 1: work easy. There you go, man, God damn, just give
• 34:25
  Speaker 1: me a I don't care if the reason is I logical,
• 34:29
  Speaker 1: just acknowledge it. Give me a reason. Just give me something.
• 34:33
  Speaker 1: But it's fourth of July and they're all there working.
• 34:36
  Speaker 1: Independence Day is now these sixth of July in the
• 34:39
  Speaker 1: Springfield area. Yeah, that's it. I just wanted to do
• 34:43
  Speaker 1: a Quimby Lenny gives him spare rivers. He wants strike ribs.
• 34:46
  Speaker 1: He tells Carl to go ask the doctor why he
• 34:48
  Speaker 1: would ask for something so crazy. Then Smith suggests maybe
• 34:51
  Speaker 1: they should have the rest of the day. So I
• 34:52
  Speaker 1: guess this is planning to see the psmith's being a
• 34:53
  Speaker 1: nicer boss. Yeah, maybe you should have the rest of
• 34:55
  Speaker 1: the day off, and he says he wants them to
• 34:57
  Speaker 1: first perform his play Burns Blessed America tells him to
• 35:00
  Speaker 1: break a leg. Guy pulls it a hammer and brace
• 35:02
  Speaker 1: his own leg and then it was a bigerous peach,
• 35:05
  Speaker 1: you idiot, No, you're even more fired or something. And
• 35:07
  Speaker 1: they perform the show, do a good job, and he
• 35:10
  Speaker 1: Tells Smithers to clap his hands sarcastically, and Homo suggests
• 35:13
  Speaker 1: a party in Burns's wine cellar. They go downstairs, just.
• 35:17
  Speaker 3: A ship replay of like the people of Australia have
• 35:21
  Speaker 3: joined hands? Is a happy birthday, mister Burns.
• 35:23
  Speaker 1: Look at it leader.
• 35:24
  Speaker 2: Yeah.
• 35:24
  Speaker 1: Homer finds their sixty thousand dollar bottle, which is his
• 35:27
  Speaker 1: annual salary. Apparently he drinks it or he spills it,
• 35:31
  Speaker 1: does whatever. They drinks a lot of He drinks his
• 35:33
  Speaker 1: share and he spills. He spills his text because then
• 35:36
  Speaker 1: he says he's going to be taxed on it. Yeah,
• 35:38
  Speaker 1: just ruining Burns's house. Kyl is in that the Diver's suit.
• 35:41
  Speaker 1: Then Burns comes in and says call. He says call
• 35:44
  Speaker 1: the police like an old timey way. I think he says,
• 35:46
  Speaker 1: wake the beatle. Yes, indeed, which a beatle is like
• 35:49
  Speaker 1: an official or a sheriff in olden times. Okay, so
• 35:53
  Speaker 1: they're playing twister of all the various iconic paintings like
• 35:56
  Speaker 1: ren Brand and whatnot, and then Lou the Officer's Walk
• 36:00
  Speaker 1: in Lou realizes that the stolen painting from Boston's Isabella
• 36:03
  Speaker 1: Stuart Garden the Museum is there. And as Ben says
• 36:06
  Speaker 1: here you're mentioned earlier, is it a crime to want
• 36:08
  Speaker 1: nice things and then steal them from a public museum
• 36:10
  Speaker 1: where any gum chewing monkey in a toughest university jacket
• 36:13
  Speaker 1: can gork with them? I think not. It's anti human, yes,
• 36:16
  Speaker 1: But at the same time, anyone who anyone with a
• 36:19
  Speaker 1: sizeable another ego would probably go, oh, these guys looking
• 36:22
  Speaker 1: at him, Yeah, I shouldn't belong to everyone, and half
• 36:25
  Speaker 1: these people are appreciating it. Correct, yes, but his burns appreciated.
• 36:28
  Speaker 1: I'm not sure that probably not. But they they cuff him,
• 36:31
  Speaker 1: not around his wrists, around his waist because you know
• 36:33
  Speaker 1: he's mister says twenty one. Yeah. Then he has a
• 36:37
  Speaker 1: public humiliation, so they put him in a cage and
• 36:39
  Speaker 1: people throwing to what, don't get it, just throwing to
• 36:44
  Speaker 1: was selling veggies Millhouse wants to rot one because they're
• 36:47
  Speaker 1: but they're two dollars. And then I don't like he's
• 36:49
  Speaker 1: like why would I do that? You're not like you're
• 36:51
  Speaker 1: going to hit him anyway, because Millhouse is not good
• 36:52
  Speaker 1: at throwing. But since his birthday buys them. The rotten
• 36:54
  Speaker 1: tomatoes marches the Homer and but aren't allowed to hurl
• 36:57
  Speaker 1: anything at mister Burns. And then she makes ate the
• 37:00
  Speaker 1: rotten pumpkin. What a petting in this episode more than
• 37:04
  Speaker 1: I thought? And then and then mister burn says. They
• 37:07
  Speaker 1: continue for some time until and then ar going back
• 37:11
  Speaker 1: and forth. I'm not gonna eat it, Yes, you are
• 37:13
  Speaker 1: gonna eat it? Whatever, and then he eats the rotten pumpkin.
• 37:16
  Speaker 1: Margin goes shopping because the mall is always deserted during
• 37:18
  Speaker 1: a riot.
• 37:20
  Speaker 3: But it wasn't right though, well when when my was
• 37:26
  Speaker 3: selling his rotten vegetables and stuff, it was like turn.
• 37:29
  Speaker 1: This gathering into a riot something there? Who knows? And
• 37:32
  Speaker 1: just what might that be? This is my lunch, really, okay,
• 37:38
  Speaker 1: eat your lunch, but you set it your lunch, eat it,
• 37:41
  Speaker 1: eat my lunch, yes, and joy okay I will, He
• 37:46
  Speaker 1: continued for some time in this vein. Until you don't
• 37:49
  Speaker 1: think I'm going to I don't see any chilling, okay,
• 37:52
  Speaker 1: not air bites, real bites she says, go play with Lisa.
• 37:57
  Speaker 1: He says, you don't play with Lisa. You played despite her,
• 38:00
  Speaker 1: and Lisa says they might need each other for organ
• 38:02
  Speaker 1: transplants it one day, so maybe we should be nice
• 38:04
  Speaker 1: to each other. She offers to show him the ant farm,
• 38:07
  Speaker 1: and they bicker over it because they don't like each
• 38:09
  Speaker 1: other anymore. No one likes anyone. Margin doesn't like home.
• 38:12
  Speaker 1: She makes me the rotten pumpkin. Bart doesn't like Lease.
• 38:14
  Speaker 1: Lisa doesn't like Bart. Where's Maggie? Second episode straight, Where's Maggie? Wow?
• 38:18
  Speaker 1: Called DHS Yeah. Burns Now arrives at prison and he
• 38:23
  Speaker 1: says to Smith's you're now running the power plant and
• 38:25
  Speaker 1: he says, well, since I'm telling the story, I'm gonna
• 38:28
  Speaker 1: make it rain. And he said that's not traumatic enough,
• 38:30
  Speaker 1: and he makes it start snowing, and then frostbite took
• 38:33
  Speaker 1: his nose. Excellent. That's the voice over speaking, by the way,
• 38:37
  Speaker 1: now where in the prison he's giving up his items.
• 38:40
  Speaker 1: I've always thought this is interesting. So people get arrested, right,
• 38:43
  Speaker 1: and they get you know, pat down by the cops,
• 38:45
  Speaker 1: but they get to prison. The voice still got ship
• 38:46
  Speaker 1: their pockets. Give me your stuff. It's like you got this,
• 38:50
  Speaker 1: you got that, and like actually happened. Yeah.
• 38:53
  Speaker 3: I think if I was going to prison, I'd just
• 38:55
  Speaker 3: be having I'd be carrying very little.
• 38:56
  Speaker 1: Yeah. So he's got one movie stuff from Chilli's Punctured
• 38:59
  Speaker 1: Romance and Mark bribe which is empty. Well it had
• 39:03
  Speaker 1: a bribe in it. Oh yeah yeah, but he took
• 39:05
  Speaker 1: it out, it says, yeah empty. Yeah. Then the social
• 39:09
  Speaker 1: Security card, which he says is not a social Security card,
• 39:11
  Speaker 1: is something else. Here's the thing.
• 39:12
  Speaker 3: I thought this could have been better. I thought this
• 39:14
  Speaker 3: could have been a pretty funny Gaga in terms of
• 39:17
  Speaker 3: like one social Security card that's not social Security. You
• 39:21
  Speaker 3: cut to the card that's got s S on it.
• 39:23
  Speaker 1: Oh, he is a napty. I didn't say it was
• 39:26
  Speaker 1: going to be a great gig, but it could have
• 39:27
  Speaker 1: been better. A yes. Then the blackmails that's very it's
• 39:32
  Speaker 1: very reverse Blues Brothers this as well. You know the
• 39:34
  Speaker 1: start with frank Gosh with frank O's one one proofh
• 39:39
  Speaker 1: electic one swilled, then the black and then he tries
• 39:43
  Speaker 1: to blackmail the warden with potential info that he hasn't
• 39:46
  Speaker 1: quite got yet, and it says he's addicted to something
• 39:48
  Speaker 1: that starts with age, which he says, hams, I no,
• 39:51
  Speaker 1: he's got more than three letters, and he kicks him
• 39:53
  Speaker 1: out and it turns out he's addicted to heal helium.
• 39:56
  Speaker 1: Is that a thing from Last Last Castle? Think it's
• 39:59
  Speaker 1: just prick, wasn't he in Shawshank in the Last Castle?
• 40:03
  Speaker 1: In the Last Well?
• 40:04
  Speaker 3: In Last Castle? Because it's Robert Redford is this war
• 40:06
  Speaker 3: hero has been sent to the stockade. James Ganelfini is
• 40:10
  Speaker 3: the warden, and he really admires Robert Redvord, and Robert
• 40:12
  Speaker 3: Redford's like, now, this guy's a chump. The guy, this guy,
• 40:16
  Speaker 3: this warden is a dead ringer for the Shawshank. Okay, yeah,
• 40:20
  Speaker 3: in terms of his look and his glasses and everything
• 40:22
  Speaker 3: like that.
• 40:22
  Speaker 1: Has he did it to it? He's not addicted to
• 40:23
  Speaker 1: anything except fraudulent schemes that make him money.
• 40:27
  Speaker 3: With the help of Tim Robbins, Shaw Shanks good movie.
• 40:30
  Speaker 3: I'm going to petition Leonard Moulton and say, hey, let's
• 40:34
  Speaker 3: do the Shawshank Redemption.
• 40:35
  Speaker 1: When did it come out? What year ninety four? I believe?
• 40:37
  Speaker 1: So Tim Robinson, Anything Soon, Morgan Freeman's Anything Soon not
• 40:43
  Speaker 1: really just a good movie. It's just a good movie.
• 40:47
  Speaker 1: Sometimes you just need a good movie. That's correct. You
• 40:49
  Speaker 1: get to be our motto. He gets hosed down in
• 40:51
  Speaker 1: the shower and the mugshot takes the photo and the
• 40:54
  Speaker 1: flash sends him back and shoots him back as well.
• 40:56
  Speaker 1: It's time for a cavity search. She says he hasn't
• 40:58
  Speaker 1: had one in forty years. I wasn't talking to your teeth,
• 41:00
  Speaker 1: and he says, nor was I not completely unfunny. No,
• 41:05
  Speaker 1: Then he meets his roommate and it's a guy from
• 41:08
  Speaker 1: Dartmouth and he wants out immediately because he's a snob. Yes.
• 41:12
  Speaker 1: Then Lisa is admiring the ants and she realizes they're
• 41:15
  Speaker 1: not eating anything. It's because Bart has already fed them
• 41:17
  Speaker 1: a pop tart, which wasn't locally farmed or sourced. And
• 41:21
  Speaker 1: Bart says, I'm so glad I'm not your kid. If
• 41:23
  Speaker 1: I was in your tummy, i'd pooh in your throat.
• 41:25
  Speaker 1: I was like, what is going on here? Under different circumstances,
• 41:30
  Speaker 1: I could think Throatah, it's a it's a fun, gross
• 41:35
  Speaker 1: kid gag that you would make to someone to gross
• 41:38
  Speaker 1: them out. And it's like, oh, well, yeah, when I
• 41:41
  Speaker 1: was When I was I was taking dumps all the
• 41:44
  Speaker 1: times like, oh, that's gross. There would always be a
• 41:47
  Speaker 1: kid at school who would probably say something that was
• 41:49
  Speaker 1: like when you were a baby, you know you were
• 41:50
  Speaker 1: sitting in your mum's tummy.
• 41:54
  Speaker 3: Well, no, no, what happened to you're going to drink it?
• 41:57
  Speaker 3: You were swimming around your own piss. There was always
• 42:03
  Speaker 3: some kid who had the ability for that, who had
• 42:05
  Speaker 3: the ability to come up with just like the worst
• 42:07
  Speaker 3: off color stuff.
• 42:07
  Speaker 1: And he's always the one that ruins ruined Christmas for you.
• 42:10
  Speaker 1: Oh but then they fight over the farm and they
• 42:14
  Speaker 1: splits open. The dog eats up all the ants except
• 42:16
  Speaker 1: for one. Lessa rescues him or her. I should say,
• 42:19
  Speaker 1: who knows it's an end? And then Bart says, I
• 42:23
  Speaker 1: will never forgive you for this, says or how but
• 42:25
  Speaker 1: licks his face. Ah. Then Lisa says the same to Bart,
• 42:27
  Speaker 1: and Bart licks her face, but not to forgiveness, just
• 42:30
  Speaker 1: to annoy her. Sure Spinners then moves into mister Burns's office.
• 42:34
  Speaker 1: They never wanted this job, but I've got it, and
• 42:36
  Speaker 1: he sees it. It's a chance to be an employee
• 42:38
  Speaker 1: friendly boss. So he hosts he hos a worker meeting.
• 42:42
  Speaker 1: He says he's going have a better health plan and
• 42:44
  Speaker 1: a suggestion box with no gill a team, which I
• 42:45
  Speaker 1: thought was quite funny because he says something. He says,
• 42:49
  Speaker 1: productive workers are happy workers. Now you could have lappy
• 42:52
  Speaker 1: workers are productive workers? Yeah, yeah, sorry, God, they're back, yes.
• 42:57
  Speaker 3: But you lay the seeds for that little early when
• 43:00
  Speaker 3: all the employees are sort of milling around at the
• 43:03
  Speaker 3: Fourth of July parties like, oh, well they're not. They
• 43:05
  Speaker 3: hate being here, so they're not doing anything.
• 43:08
  Speaker 1: You know.
• 43:09
  Speaker 3: It's like, well, maybe the opposite, that's true, you know,
• 43:11
  Speaker 3: if if they if they're happy, they'll work there.
• 43:13
  Speaker 1: I want to be here. Yeah, I don't know. It's
• 43:16
  Speaker 1: not necessarily something that is going to be a laugh
• 43:20
  Speaker 1: a minute or something like that, but it's just a
• 43:21
  Speaker 1: nice little thing. At the start. Your brain would get
• 43:23
  Speaker 1: it again, though, this should have been an entire episode,
• 43:25
  Speaker 1: should have Smith's turning to the dark side. Do you
• 43:27
  Speaker 1: think happy workers are productive workers? I think so. Yeah. Well,
• 43:30
  Speaker 1: if you want to be then you feel like you
• 43:32
  Speaker 1: respected career. Why a lot of us aren't working in
• 43:34
  Speaker 1: certain places anymore anyway. So Lisa now has Annie the
• 43:37
  Speaker 1: aunt in a bag because little orphan Annie, it's the
• 43:39
  Speaker 1: only ant left Homer thinks that she said though, because
• 43:42
  Speaker 1: she says the butt you kill all the ants, and
• 43:44
  Speaker 1: she he thought that she said aunts. And he thinks
• 43:47
  Speaker 1: Patty and Summer are dead. He celebrates and then he
• 43:50
  Speaker 1: sees them and screams and runs away. Even this with
• 43:55
  Speaker 1: Homer just being so happy about the death of Patty
• 43:59
  Speaker 1: and so, I mean, no, they don't get along and
• 44:01
  Speaker 1: all that, But just the way it's phrasing this, it's like, wow,
• 44:04
  Speaker 1: you're kind of me Well, why that doesn't work anymore?
• 44:07
  Speaker 1: It's because we've had episodes where Homer like genuinely helps
• 44:10
  Speaker 1: like some get a baby, and it's just it doesn't
• 44:13
  Speaker 1: work anymore. It worked in the beginning. It's just the
• 44:16
  Speaker 1: OLDEO stereotypical the in laws and the sisters that don't
• 44:20
  Speaker 1: like Homeorkay anything. He's good enough for March. But it's
• 44:21
  Speaker 1: just like they've had we've had stories now where they've
• 44:25
  Speaker 1: not smooth things over but being nice to each other. Sure,
• 44:28
  Speaker 1: who cares that, it's just season twenty one Simpsons whatever.
• 44:32
  Speaker 1: We're out back at the prison yard and burn Burns
• 44:34
  Speaker 1: is trying to choose which sorority wants to join the Shiners.
• 44:37
  Speaker 1: Who's the ROTC Shriners.
• 44:41
  Speaker 3: The rt C is it's like the military cadets. I think,
• 44:45
  Speaker 3: look I forgot what it actually stands for.
• 44:47
  Speaker 1: Or google ROTC is, see what comes up. Reserve Officers
• 44:51
  Speaker 1: Training Corps. Yeah, yeah, it's basically the college version of
• 44:54
  Speaker 1: military cadets. The Sunday Funnies, I think. He says, well,
• 44:57
  Speaker 1: they've all got tats all over them, so yeah. Yeah,
• 45:00
  Speaker 1: and then John Coffee I guess who it is, yeah,
• 45:01
  Speaker 1: grabs him and says he's mine, and he screams out
• 45:04
  Speaker 1: to the warden to help him. But the warden is high,
• 45:07
  Speaker 1: literally on helium on helium now at Mose and the
• 45:11
  Speaker 1: guys are just really happy with Smithers. They think he's
• 45:13
  Speaker 1: the best boss ever. But we haven't seen any of it.
• 45:15
  Speaker 1: You just said, you guys, you know, I think a
• 45:17
  Speaker 1: happy workers of productive workers. But we don't see him
• 45:20
  Speaker 1: being nice, and there's none of it. It's just cutting
• 45:22
  Speaker 1: to them going, you're a great boss, Mithers. And then
• 45:25
  Speaker 1: Homer flushes his man boobs at him. Yeah.
• 45:27
  Speaker 3: Cut out, as I said, cut out all the Leisa
• 45:31
  Speaker 3: stuff and flesh out the existing stuff. I mean what
• 45:34
  Speaker 3: you were saying, what we were talking about, just a
• 45:36
  Speaker 3: minute ago with which gang?
• 45:38
  Speaker 1: Shall I joint?
• 45:39
  Speaker 3: Have a scene where he's like hanging with all of them,
• 45:43
  Speaker 3: you know, have a scene where he's like in a
• 45:45
  Speaker 3: do rag and he's joined the Latino. Okay, and you
• 45:47
  Speaker 3: hear Lowrider on the soundtrack or something. You know, you
• 45:50
  Speaker 3: got money, give it to the w A I have
• 45:52
  Speaker 3: a low Rider or you know, have him shave he says, oh,
• 45:55
  Speaker 3: not a good look.
• 45:56
  Speaker 1: Get a tattoo or something. Yeah, yeah, get like some.
• 46:00
  Speaker 3: Awful tattoo that he's yeah, good to have to have
• 46:04
  Speaker 3: that fixed or something like, I don't anything, yeah but something.
• 46:08
  Speaker 3: But these could all be fun little gags, you know,
• 46:11
  Speaker 3: just trying all these different gangs on his eyes. Or
• 46:14
  Speaker 3: he's so racist that even the NATS is like kicking
• 46:16
  Speaker 3: him out.
• 46:19
  Speaker 1: I did it. But somehow it becomes the guy leading
• 46:24
  Speaker 1: the prison yard essentially. Yes, he becomes the shot caller,
• 46:27
  Speaker 1: and then it's him versus the warden.
• 46:29
  Speaker 3: Sure, yeah and yeah, and then John Cos has to
• 46:32
  Speaker 3: step in. Yeah you know, no, this jar works on
• 46:35
  Speaker 3: a certain set of rules, and you're breaking all those rules.
• 46:38
  Speaker 3: So I've got to Yeah, I've got to fix you.
• 46:40
  Speaker 1: Yeah, there's a whole story there which they just decided
• 46:42
  Speaker 1: not to do, and see we got this wet d.
• 46:45
  Speaker 1: So they all love Smithers r. Most. Then he has
• 46:48
  Speaker 1: to They ask if he can leave earlier the next day,
• 46:50
  Speaker 1: because Homer says, my kid has a thing, and then
• 46:52
  Speaker 1: Karl says, I've got to do something as well. They
• 46:54
  Speaker 1: all basically we want to leave work early tomorrow, so
• 46:56
  Speaker 1: there's a grease. Lets him do it. I think, gets
• 46:58
  Speaker 1: a phone call from I think it's a mechanic, Yes, yeah,
• 47:01
  Speaker 1: saying can you rate my performance as your mechanic or whatever? Anyway,
• 47:05
  Speaker 1: and even then he's like five five four five, actually
• 47:08
  Speaker 1: go back four or five, then comes back in and
• 47:10
  Speaker 1: overhears him just being an absolute yeah prick to Smithers, smit,
• 47:15
  Speaker 1: it's what a marshmallow. I don't have a thing with
• 47:18
  Speaker 1: my kid tomorrow. You told me you did. I do,
• 47:21
  Speaker 1: but I'm not going to it. To Smithers, the world's
• 47:24
  Speaker 1: dumbest loser, there's nothing sweeter than being nice to a
• 47:27
  Speaker 1: guy's face and then stab at him in the back
• 47:29
  Speaker 1: the minute he walks away. All right, that's it. You know,
• 47:34
  Speaker 1: I used to wonder why mister Burns hated humanity. Now
• 47:38
  Speaker 1: I know you open your heart and they mock your
• 47:41
  Speaker 1: very decency. We make very decency again. It makes you
• 47:47
  Speaker 1: lose sympathy for these characters. Yeah, just have them say, yeah,
• 47:52
  Speaker 1: just have a homer say my kid does everything, and
• 47:54
  Speaker 1: I wouldn't go anywhere, or I didn't need to have that.
• 47:57
  Speaker 1: Smithers is such a kid. Just didn't it any of
• 48:00
  Speaker 1: that anyway. But the custs of the guys cleaning up.
• 48:02
  Speaker 1: We got the best brand silly insulation best not the
• 48:05
  Speaker 1: best asbestus, which I didn't mind. But yeah, again, you
• 48:08
  Speaker 1: deserve this exactly. You had a good boss and you'd
• 48:11
  Speaker 1: just been a prick. Then the sale mate is telling
• 48:14
  Speaker 1: the story about Helter Skelter, so it rips the pati
• 48:16
  Speaker 1: if that's from dream mile or no, it's not sure
• 48:18
  Speaker 1: shape shape, Yeah. And the good book, which is Helter
• 48:22
  Speaker 1: Skelter is the book tries getting Burns to come to Jesus,
• 48:25
  Speaker 1: sucks out all the pre evil, then the evil out
• 48:27
  Speaker 1: of him, and then he feels it coursing through his veins,
• 48:29
  Speaker 1: all the goodness, and he joins the choir, he joins
• 48:32
  Speaker 1: the Prison Beetles Tribute band. He's raked the zen Garden,
• 48:35
  Speaker 1: and then and then that's when I was writing that down,
• 48:37
  Speaker 1: and I'll look up and Snake is watching Bob in
• 48:40
  Speaker 1: a dry and what happened here? Now, Annie, she's only
• 48:45
  Speaker 1: carrying thirty times her weight as opposed to fifty. I
• 48:48
  Speaker 1: don't want to throw a shout out to ants. You know,
• 48:51
  Speaker 1: we spray them, we step on them, we probably kill it.
• 48:54
  Speaker 1: The average person kills one hudred out to day by
• 48:55
  Speaker 1: just walking around or something. They are incredible creatures. Oh goodness,
• 48:59
  Speaker 1: yet yeah, unbelievable, Like I've said, I definitely have said this,
• 49:03
  Speaker 1: but Nicholas. One of my favorite things Nichol ever did
• 49:05
  Speaker 1: was a job interview, right, and they said what elephant?
• 49:07
  Speaker 1: That's sorry? What animal do you most represent? And she
• 49:10
  Speaker 1: said an aunt because I work best in a team.
• 49:13
  Speaker 1: And then I was like, job is yours? Like I
• 49:17
  Speaker 1: would never think to say I'm an aunt because I'm
• 49:19
  Speaker 1: strong willed, I'm a hard worker and I work well
• 49:22
  Speaker 1: on a team, and I can carry fifty times my
• 49:24
  Speaker 1: own weight. Yeah she probably can. There to Nicholas, been
• 49:27
  Speaker 1: working out, she's jacked. Probably she's doing this thing called
• 49:30
  Speaker 1: high rocks. Yes, yeah, I think I told you.
• 49:32
  Speaker 3: Yeah, Well, I mean that's part of the forty five thing,
• 49:34
  Speaker 3: which is what I do. Yeah, I've known you haven't
• 49:36
  Speaker 3: known how Jack, Diane, I'll cover you a lot with
• 49:39
  Speaker 3: your north face. That's correct, I'll show you my man
• 49:42
  Speaker 3: exist anymore, just.
• 49:43
  Speaker 1: Rock hard pecks. But so she's only carrying thirty times
• 49:47
  Speaker 1: her weight, and Marge walks by with you seeing Marg
• 49:49
  Speaker 1: walking by in the back of with cat chow, and
• 49:51
  Speaker 1: then Bart thinks we should let her go because she
• 49:53
  Speaker 1: doesn't even have a few days left of life. Let
• 49:55
  Speaker 1: her free instead of dying in captivity like Grandpa. Then
• 49:58
  Speaker 1: is where he walks in and says, I'm not in
• 50:00
  Speaker 1: captivity in my mind, I'm free. In his mind is
• 50:02
  Speaker 1: a bubble and he's in a cage. Sure. We're now
• 50:06
  Speaker 1: back at Moe's and Lenny is complaining that Smithers is
• 50:09
  Speaker 1: worse than Burns, and I'm like, because you're addictive fault.
• 50:13
  Speaker 1: Then he says he almost he releases wolverines instead of
• 50:16
  Speaker 1: the hounds and homes. So I can't believe him saying this,
• 50:18
  Speaker 1: but I wish Burns was back. Moe brings up the
• 50:20
  Speaker 1: idea of busting him out of prison, and they all
• 50:23
  Speaker 1: exchange looks. It's too late to turn back now, He's no, no,
• 50:25
  Speaker 1: it's not too late until you have a whispering huddle.
• 50:27
  Speaker 1: Have a whispering huddle. Yeah, I mean sorry, I don't.
• 50:31
  Speaker 3: I don't want to keep fixing this episode because I
• 50:33
  Speaker 3: could probably turn it into a yeah bloody epic saga
• 50:36
  Speaker 3: or something like that. But I I like the whole
• 50:38
  Speaker 3: idea of Yeah, Smithers having this responsibility thrust upon him,
• 50:42
  Speaker 3: not wanting to be a bad boss, but having to
• 50:45
  Speaker 3: be a bad boss because the workers will take advantage
• 50:47
  Speaker 3: of him. He's like, oh, I have I overreached by
• 50:49
  Speaker 3: replacing the hands with wolverines and feeling bad about it,
• 50:51
  Speaker 3: And underneath he feels bad and he's happy to have
• 50:54
  Speaker 3: Burns back and that restores the status quo.
• 50:57
  Speaker 1: So that's good. I think this episode needs to end
• 51:01
  Speaker 1: with Burns being back in charge of a plant and
• 51:03
  Speaker 1: him saying to the guys because I feel like, take
• 51:06
  Speaker 1: all this bit out where they're being dicks to him, right,
• 51:08
  Speaker 1: have Smith is being corrupted, but not because the guys
• 51:10
  Speaker 1: are crueled to him. He's corrupted for other manners. And
• 51:13
  Speaker 1: at the end, burn says, do this or whatever, and
• 51:15
  Speaker 1: the Smith comes back and goes when you feel like
• 51:17
  Speaker 1: it or something, just to sort of show. There's good
• 51:19
  Speaker 1: in there still, yes you know, yes, yes, I'm just
• 51:23
  Speaker 1: something I don't know. But we're now in real time
• 51:26
  Speaker 1: and the guys are now just randomly wear in prison
• 51:28
  Speaker 1: guard outfits and they're taking Burns out, who doesn't want
• 51:30
  Speaker 1: to leave. He doesn't want to leave, but then he says,
• 51:32
  Speaker 1: before we continue, first, I'm going to daydream about sports
• 51:34
  Speaker 1: utility vehicle, a sandwich and a blue pill. Apparently because
• 51:38
  Speaker 1: that's a commercial break, I's cut to the end. Yeah,
• 51:40
  Speaker 1: we come back and the sale mate is trying to
• 51:43
  Speaker 1: stop them from escaping. Then custom button Leasa releasing Annie
• 51:47
  Speaker 1: and Santas sort Helpoul just walk by an itto. That's
• 51:49
  Speaker 1: the end of that story. There's pointless, absolutely pointless to it.
• 51:52
  Speaker 1: There was, there was something you could have done with it,
• 51:53
  Speaker 1: but there's no point to this one. Burns then decides
• 51:56
  Speaker 1: to leave because he still had some evil between his toes.
• 51:58
  Speaker 1: He's still a mean but he's ever a more mean
• 52:00
  Speaker 1: bastard now than he was before. I don't know, It's
• 52:02
  Speaker 1: like we have to Burns being evil again.
• 52:04
  Speaker 3: Okay again, Sorry, here's a fix it. Not a fix it,
• 52:07
  Speaker 3: but you know something about it? How when John Coffee
• 52:12
  Speaker 3: is sucking all the evil out of him. Make that
• 52:15
  Speaker 3: like a Cape far gag where it's like there's still
• 52:18
  Speaker 3: evil in you. Yeah, he's sucking it out for like,
• 52:20
  Speaker 3: but cut away to something else. You know, still going
• 52:23
  Speaker 3: break come back from them. Bak, he's still suck How.
• 52:25
  Speaker 1: Much boy you got in here? Who can tell? You know?
• 52:29
  Speaker 3: At the ends, like I thought, I got all that
• 52:31
  Speaker 3: evil out of you. Good luck it's a buttomless pit
• 52:35
  Speaker 3: or something along those. I guess that's what he's saying
• 52:37
  Speaker 3: with it A little bit still between my toes. It
• 52:39
  Speaker 3: would have been nice if there's sort of a little bit.
• 52:41
  Speaker 3: John Coffee says, I still think there's some good and
• 52:44
  Speaker 3: new mister Burns whatever, And maybe mister Burns gets used
• 52:47
  Speaker 3: his power, his privileged to get John Cofee aut of
• 52:50
  Speaker 3: prison and he gets a job.
• 52:51
  Speaker 1: At the power plant. Sure, I don't know what we're
• 52:54
  Speaker 1: doing is trying to fix this one. We went into this.
• 52:58
  Speaker 3: One thinking, ohew, Lisa's greatst story of a dog. But
• 53:01
  Speaker 3: I think we're finding a lot more holes.
• 53:02
  Speaker 1: But there's potential here. There's no potential with the we've really.
• 53:06
  Speaker 3: Sort of tapped out halfway through the greatest stories, like uh,
• 53:10
  Speaker 3: a redeemer, I don't care. Yeah, it's like we're really
• 53:14
  Speaker 3: trying to.
• 53:14
  Speaker 1: Genuinely good episode in here somewhere. Sure burns and arrives
• 53:18
  Speaker 1: as Smithers is pacing around the office. He kicks them
• 53:20
  Speaker 1: all out, including Smithers, and looks at the photo of
• 53:22
  Speaker 1: the sale mate and a cust to him with fat tony,
• 53:25
  Speaker 1: Uh have you heard about Jesus? Like? I am Italian?
• 53:29
  Speaker 1: Do you think I know about this? But go away
• 53:31
  Speaker 1: and then burns things over the credits. I've got no problems.
• 53:34
  Speaker 1: Bluest Heartbreak Hotel? I think it was. Yeah, it was
• 53:36
  Speaker 1: a prison blues falsome.
• 53:39
  Speaker 3: It doesn't sound like foalsome prisons do doo. That's heartbreak Hotel,
• 53:43
  Speaker 3: isn't it.
• 53:45
  Speaker 1: It's really the tune of heartbreak Hotel, Break Hotel. He goes,
• 53:49
  Speaker 1: dirt Dirt, Dirt dirt? Is it okay? Because the rock
• 53:55
  Speaker 1: is to do a parody of it called SmackDown Hotel.
• 53:57
  Speaker 1: He goes, it's at the end of ja Brawny Driver
• 54:00
  Speaker 1: SmackDown Hotel. The rock is the big fun like that
• 54:06
  Speaker 1: stand up your caddy ass. Lots of anal stags. Shut up.
• 54:12
  Speaker 1: That's the best reply for anyone on Twitter. So I said,
• 54:16
  Speaker 1: shut up, bitch, gender neutral by the way, he's saying
• 54:20
  Speaker 1: it to a male though, yeah, shut up, bitch. We
• 54:26
  Speaker 1: need more heel turns from the Rock on the big screen.
• 54:28
  Speaker 1: But he wasn't a heel when he said that, though,
• 54:29
  Speaker 1: I no know. But he's so good at being gonners.
• 54:33
  Speaker 1: That's why. That's why he's rolling in fast and furious movies.
• 54:36
  Speaker 1: Was the best. It's like, oh, you're kind of an
• 54:39
  Speaker 1: antagonist and yeah, kind of a big swaggering prick. Yeah,
• 54:41
  Speaker 1: I like it, and and that's the end of the episode.
• 54:45
  Speaker 1: But American History excellent, which trailed off because like, oh, yeah,
• 54:50
  Speaker 1: that's the episode. Let's talk about the Rock. The American
• 54:52
  Speaker 1: History excellent. I enjoyed this lot more than last week.
• 54:55
  Speaker 1: I do think there was a lot of potential in
• 54:57
  Speaker 1: this one, which I have said a lot. It's just
• 54:59
  Speaker 1: a shame that they was to be, as I said,
• 55:00
  Speaker 1: focus more on parroting things as opposed to actually telling
• 55:03
  Speaker 1: a soul story. Correct. Yes, what do we learn? Bomb?
• 55:07
  Speaker 1: So what do you learn from the episode, mister Davis?
• 55:10
  Speaker 3: If I want to be serious, I could say that
• 55:12
  Speaker 3: I found out what the Beatle actually is. But really
• 55:16
  Speaker 3: the lesson that you learn from this is that men
• 55:18
  Speaker 3: of wealth can beat the system.
• 55:19
  Speaker 1: Now they can. Indeed, Yeah, I learned that if a
• 55:21
  Speaker 1: perfect place to hide something is in between you toes
• 55:23
  Speaker 1: apparently can check and what is it?
• 55:29
  Speaker 2: Is?
• 55:29
  Speaker 1: Evil? Hasn't he kept some evil? Evil? Evil? Yes? From
• 55:34
  Speaker 1: miss me forward, your name will be all right, It's
• 55:37
  Speaker 1: time for the Guy Davis new Nan Championship for American History. Excellent.
• 55:40
  Speaker 1: The current leaderboard stands at this In first position we
• 55:43
  Speaker 1: have Philip Jay Hawkins on twenty two points, in second
• 55:46
  Speaker 1: position we have Clever Kyle on fourteen points, and in
• 55:49
  Speaker 1: third position we have Briggsy Nathan Briggs on thirteen points.
• 55:52
  Speaker 1: Take it away, so Briggsy alright. One point goes to
• 55:57
  Speaker 1: the Greedy Mile. Not bad the cover, Carl. He's getting
• 56:01
  Speaker 1: closer again. What look out, Philip Jay is coming for
• 56:04
  Speaker 1: you now, fifteen points sneak attack, I know, Clever Kyle.
• 56:10
  Speaker 1: Two points goes to burns Man of Alcatraz. Philip Jay
• 56:15
  Speaker 1: Hawkins with the old two points there Philip.
• 56:21
  Speaker 3: Looking at the back when I just giving him the finger.
• 56:26
  Speaker 3: So sorry about that, Carl, But yeah, burns Man and Alcatraz.
• 56:29
  Speaker 3: Two points to Philip Jay Hawkins. But who gets three
• 56:32
  Speaker 3: points for this title? The sure shank don't.
• 56:36
  Speaker 1: Mention was Adam Wolhouse. What was your name of Adam Moorehouse?
• 56:40
  Speaker 1: I thought it was something in the house. I can't
• 56:42
  Speaker 1: remember Adam Moorehouse. Well, I've got three points something very
• 56:49
  Speaker 1: wide point Adam Woolhouse at the three points there. Thank
• 56:52
  Speaker 1: you guys for all getting involved with the Guy Davis
• 56:54
  Speaker 1: New Nan Championship once again? Was it it's a wool House? No,
• 57:00
  Speaker 1: mat there wasn't that. Should I ever do that again? Yeah,
• 57:05
  Speaker 1: it's a dance. It's perfect for radioc. You've got to
• 57:09
  Speaker 1: get into character. Yeah, I know, Yeah, there's the podcast.
• 57:14
  Speaker 1: It's not radio alrighty guys, So yeah, as I said,
• 57:17
  Speaker 1: think if you get involved with the Guy Davis New
• 57:19
  Speaker 1: Name Championship, we I've still got, you know, about five
• 57:21
  Speaker 1: episodes left the season twenty one, so plenty of time
• 57:23
  Speaker 1: for you guys to catch up to Phillip Tuble. I say,
• 57:25
  Speaker 1: some of you, probably Adam will House onwards, maybe the
• 57:28
  Speaker 1: only people we can do it. Some of you're like,
• 57:30
  Speaker 1: who is that? I can't see them, they're so far
• 57:32
  Speaker 1: ahead of me. But some of you, yeah, you've got PJ.
• 57:34
  Speaker 1: H insight. But if you get your name read out.
• 57:37
  Speaker 1: If you get involved in thea read out, you go
• 57:38
  Speaker 1: into the wild card draw for the end of the
• 57:40
  Speaker 1: season as well. So get involved. Support your pals going
• 57:43
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• 57:46
  Speaker 1: per month. If you are listening to this and you're
• 57:47
  Speaker 1: not supporting us yet, what are you doing dollar a month?
• 57:51
  Speaker 1: You should even know it was not there. You should
• 57:53
  Speaker 1: go to prison. If all of you guys listening gave
• 57:55
  Speaker 1: us a dollar a month, we'd be thousand airs. And
• 58:00
  Speaker 1: you can only be at a dollar. That's you can't
• 58:02
  Speaker 1: even get a what can you get for a dollar?
• 58:04
  Speaker 1: You can't even get a small ass candy bar from
• 58:07
  Speaker 1: the supermarket, can't even get a dimmy from the fish
• 58:09
  Speaker 1: and chip shop anymore for a dollar? Correct, but you
• 58:11
  Speaker 1: know you give it to your pals. Dann On guy. Yeah,
• 58:14
  Speaker 1: oh my goodness, so much entertainment. Yeah. For five dollars
• 58:17
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• 58:26
  Speaker 1: The bands alone is dollarspot your paws going down, though,
• 58:30
  Speaker 1: Please do it, please do indeed, all right, guys, this
• 58:32
  Speaker 1: has been our review of American history. Excellent. The next
• 58:35
  Speaker 1: season twenty one episodes shall be Chief of Heart. So
• 58:38
  Speaker 1: I have no knowledge of this episode, but I think
• 58:40
  Speaker 1: I've read somewhere where it may have been something of
• 58:42
  Speaker 1: a Chief Wigham. That's where the Chief comes into it.
• 58:44
  Speaker 1: So we'll find out. It's very good to hopefully we're
• 58:47
  Speaker 1: on the way up again because we've had we had
• 58:49
  Speaker 1: the worst episode last week and this one was like,
• 58:51
  Speaker 1: you know better, We've got a slight updraft. Let's see
• 58:55
  Speaker 1: how things go with Chief of Heart. Yes, indeed, all right, guys,
• 58:58
  Speaker 1: think again for all of this here at four Finger Discount.
• 59:01
  Speaker 1: Mister Davison, your final words for those incredible listeners out
• 59:03
  Speaker 1: there
• 59:04
  Speaker 3: Well, much like the concert by Vermere, this podcast is
• 59:07
  Speaker 3: a miracle of measure and harmony,