Latest / philly has heART / What Had Happened Was feat. Heavy R. Cream
Transcript
- 0:15Hey, Lucinda. How was your weekend? How was your
- 0:18Labor Day weekend? Labor Day Monday Scaries are
- 0:22the worst Sunday Scaries if you get Sunday Scaries,
- 0:25but I have not, not for a solid decade now. I've
- 0:28been very intentional about the jobs that I take
- 0:31in Becker and Frondorf. Whatever they serve to
- 0:34me cannot scare me. Love that. Love it. What'd
- 0:41you do this last weekend? It was a first Friday,
- 0:44babes. Where did I go? Yeah. Fucking everywhere,
- 0:48including Elmo. And we got the purple sweet potato
- 0:50fries on advice from Jessica at Paradigm. Nice.
- 0:55It's like a French fry. And it really soaked
- 0:57up all the alcohol that I had been drinking throughout
- 0:59the evening. That's perfect. Absolutely amazing.
- 1:03How was your gallery to gallery bar crawl? We
- 1:07went everywhere. Well, not everywhere, but you
- 1:10know, most places. Then the next morning, the
- 1:13boys, all of them, including my husband, went
- 1:16to the kids collage workshop with Tim McFarlane
- 1:19at Bridget Meyer's gallery. Amazing. I met up
- 1:23with them there after the post first Friday reformer
- 1:27Pilates class. And I saw the new talent show
- 1:32and holy shit. Watch out budget. I might be back
- 1:36on the payment plan. What'd you get up to? What'd
- 1:40you do? I had a beautiful weekend down the shore.
- 1:44Popped into some galleries myself in Cape Cod.
- 1:47Did you buy anything? No. You know, coastal art
- 1:52needs, like, coastal real estate to put it in.
- 1:56Oh, yeah. Oh, I get that. For sure. I'm not there
- 2:01yet. Not there yet. So as of right now, we're
- 2:05just looking. We're putting some, you know, some
- 2:08feelers out there. We're seeing the coastal artists
- 2:11and what they're up to. But it was really nice.
- 2:15It was beautiful weather this weekend. And yeah,
- 2:18it was a good time to kind of relax. Lovely.
- 2:22Yes. I edited all four conversations. Stop. That
- 2:26we did two weeks ago. Five conversations. Oh
- 2:30my, did you labor on Labor Day? I labored on
- 2:33Labor Day, but here's the thing. Robert, I realized
- 2:36how fucking busy our September was going to be.
- 2:39I realized not only in terms of the podcast,
- 2:42but at my proper work that pays me. Two members
- 2:46of the team that I am on are going out of town,
- 2:49and I want to make sure that you cover for them.
- 2:52Because they cover for you. Also, have you like
- 2:55looked at our calendar? We have a massive month
- 2:59coming up, which I mean, I don't regret. It's
- 3:02Fringe Fest month. I'm really excited about it.
- 3:04But also I realized that our vacation is really
- 3:09going to start in October. Oh, great. It'll be
- 3:13great. Pack it in over the next three weeks.
- 3:16Get it all out of me. For sure. And I know you
- 3:19have some major stuff coming up with the ballet
- 3:21as well. Yes. So much. Have we broken that news
- 3:27on our podcast yet? I don't know. Do you want
- 3:31to share with us? Well, I haven't started officially
- 3:33yet. Is it official? I know there's some things
- 3:39that I cannot say. But is there anything that
- 3:43you can say? Well, I mean, I highly encourage
- 3:46everyone to come out and support the ballet as
- 3:49they open their brand new building next week.
- 3:51We're really super excited to share with the
- 3:56public as well as patrons of the arts. great
- 4:00work that has happened with this $50 million
- 4:03investment into the Philadelphia Ballet and North
- 4:08Broad. We're so, so excited to be able to expand
- 4:12and give a proper home to the ballet dancers
- 4:17and artists at Philadelphia Ballet with this
- 4:21new building open. So even prior to our season
- 4:25coming out and about, I encourage everyone, if
- 4:28you cannot make the Thursday fundraising event
- 4:32that you make it out on Saturday and get the
- 4:35first public looks into the ballet building,
- 4:39which will be open to all families encouraged.
- 4:43And don't wear heels. You'll fuck up the floors.
- 5:00This is Robert Marsh, and you're listening to
- 5:02Philly Has Heart Podcast. In this podcast, we
- 5:05sit down with artists, gallerists, educators,
- 5:07curators, and other creatives who comprise the
- 5:10Philadelphia art world to discuss upcoming performances,
- 5:14exhibits, and other events and initiatives that
- 5:16are not to be missed. The art scene in Philadelphia
- 5:18is so rich that it can seem daunting. Consider
- 5:21this your weekend cultural recommendation. With
- 5:24me always is my producer, Lucinda Degeler. Hey,
- 5:27hey, hey! And today we have Heavy R. Queen and
- 5:31Colin Saldry. Thank you so much for joining us
- 5:34today. Robert, Lou, it's such a thrill to be
- 5:36with you. I must say, my booking people decided
- 5:39to put me on a podcast today. I was ready for
- 5:42a group of large males with controversial views,
- 5:46so I must say, a bit surprised by this turn of
- 5:48events. You know, I think perhaps... Please take
- 5:52this in the spirit in which it's offered, but
- 5:54the most controversial view I think we're going
- 5:56to get today is perhaps you could wear white
- 5:58after Labor Day. Yes. We'll see. We're still
- 6:00going to see how this goes. I love it. Thrilled
- 6:02to be here with you. Very thrilled. Oh, yes.
- 6:05A synopsis. Heavy R. Cream stars as Hillary Rodham
- 6:11Clinton, circa 2026, trapped in a fever dream.
- 6:15She is locked in a strange room alone, surrounded
- 6:19by everyday Americans. And her only way out is
- 6:24to get loose and dish with these, quote, everydays,
- 6:28unquote, about what really happened in 2016.
- 6:33Relive the chaos of that era and hopefully find
- 6:37catharsis in campy one -woman caper. Would you
- 6:41add anything to that synopsis? I'd be very succinct.
- 6:45We ripped it from the website, that's why. I
- 6:48was going to say, my respect to whomever put
- 6:50that. It's a fabulous synopsis together. I guess
- 6:53you could say, imagine it's been 10 years since
- 6:57the election. Every day that goes by, we get
- 6:59one day closer to that fateful day in November.
- 7:02But yeah, we're just trying to process what happened.
- 7:04The idea is that Hillary's gotten over it on
- 7:07paper, and she's under anesthesia in the current
- 7:11day, 2026, for an unspecified medical procedure.
- 7:16Her mind is wandering in this twilight space
- 7:19between life. In death, she finds herself confronted
- 7:22by these everydays. She's got to relive these
- 7:25traumas with a room full of strangers, her absolute
- 7:28worst nightmare. So I figured what better way
- 7:30to do that than with a live band and sort of
- 7:33a cabaret -style musical. Because the last thing
- 7:36I'm sure that this deeply, deeply private woman
- 7:38wants to do is sort of talk about how she feels
- 7:40in a room full of strangers. What a fun concept.
- 7:46What or who came first, the seed that became
- 7:50what had happened was, or yourself, Heavy Art
- 7:55Cream? Or are they intrinsically interwoven?
- 7:58That's a great question. I think they really
- 8:00are interwoven. I don't know where you were in
- 8:04November of 2016, but... Upset. Spiraling. Before.
- 8:09Yeah. And then there was the day, I think it
- 8:11was November 9th and beyond. I said, this isn't
- 8:14supposed to work like this. So there was like
- 8:16a psychotic break, like nationally, I think it
- 8:18occurred. And I had come to this idea, it would
- 8:20be so fun if there was like a drag show version
- 8:22of what happened in the memoir called What Had
- 8:26Happened Was. I myself had had a psychotic break
- 8:28at that time. And we'd gone through a number
- 8:31of drag names, the original of which was Plump
- 8:34Fruit. Picked that up at a wine course. That
- 8:37didn't quite stick. And then there was the younger
- 8:40half of a duo, Euthanasia, that didn't quite
- 8:43stick either. And then we eventually settled
- 8:45on Heavy Cream. So Heavy Cream sort of has been,
- 8:50the two have sort of been working in tandem.
- 8:52And then, you know, 10 years in, here we go.
- 8:55We remember clearly where we were in 2008 when
- 8:59Barack Obama was elected. Maybe we voted for
- 9:02him. Maybe we voted for John McCain. And I'm
- 9:05outing Lucinda's previously registered Republican
- 9:09ass. Nothing but respect for my favorite guest
- 9:12of the Hanoi Hilton. And I kept the elephant
- 9:14registration to vote in the primaries before
- 9:16like things really went off the rails. But I
- 9:19can confirm that neither of us felt the cloud
- 9:21of existential dread that we did in 2016 and
- 9:252024. The 2024 election results is what inspired
- 9:30this podcast and we understand that what had
- 9:33happened was is a decade in the making. Can you
- 9:38share with us the inspiration and the evolution
- 9:41and has it been percolating throughout the years?
- 9:46Yeah, it's such an interesting concept because
- 9:51There's so many different influences that have
- 9:53sort of touched this over the years. I'd say
- 9:55that the two biggest, without question, sort
- 9:59of as a production, O'Mary. Yeah. What Cole Scholar's
- 10:02done with O'Mary is just, it's like my brain
- 10:05exploded. And then, of course, as a, I guess,
- 10:08an icon to give life to Heavy Art Cream herself,
- 10:13the late Dito von Ragersberg. R .I .P. Who was,
- 10:15first of all, what a... Performer seems too small
- 10:19a word. Icon. Just fabulous, spectacular individual.
- 10:23I actually saw Martha perform for the first time
- 10:25the day in 2024 that Donald Trump was almost
- 10:29assassinated at Butler. So it was a really sort
- 10:32of odd sort of election confluence of events.
- 10:36And I just remember looking at Martha on stage.
- 10:39She just survived cancer. It was a big sort of
- 10:42return to the stage. And standing in this little...
- 10:4735 -year -old gay boy thinking to himself, ah,
- 10:50I want to do that when I grow up. Yes! It would
- 10:52sort of be like a snowball effect of the two
- 10:54together. So there's Martha, there's O'Mary,
- 10:56there's a little bit of Auntie Mame in there,
- 10:58every fabulous woman over 70 that I've ever met.
- 11:00This idea of what had happened was, I guess,
- 11:02was sort of planted after Hillary's memoir, what
- 11:05happened. I remember being in a therapy appointment
- 11:08in like 2017, 18, 19, and talking to my therapist
- 11:11at the time about it, and him saying, if you
- 11:13ever do this, My wife and I will come. We'll
- 11:17go. So, of course, I emailed him. And he's going
- 11:20to come. Excellent. So excited. Proud therapy.
- 11:24Believe it or not, the proud therapy graduate
- 11:26here. So just really excited to just see it sort
- 11:32of all come together, probably in the last seven
- 11:34to eight months from. Please stop talking about
- 11:37this, which is all my friends would say, and
- 11:39talking about the research and where you're going
- 11:42to get the wigs and what does she sound like?
- 11:44What does she look like? How does she move to?
- 11:47Okay, now you have a band and you have a venue
- 11:49and there's dates and people are actually buying
- 11:51tickets and you're on a podcast talking about
- 11:54it. It's really coming together. It's happening.
- 11:55The promo with you in the kitchen is absolutely
- 12:01incredible. Absolutely incredible. One of her
- 12:05greatest moments. And it was so funny, but she
- 12:09was there, she was touring, I think it was New
- 12:11York City Public Housing, to talk about the conditions
- 12:14of like what, like why HUD funding was so important
- 12:17that we fund the Department of Housing and Urban
- 12:19Development. And it just becomes this intergalactic
- 12:23meme of her completely out of place. Like this,
- 12:26talk about a photo that says a thousand words.
- 12:28My God. That one and the sunglasses on the plane.
- 12:34Oh, yes. Scrunchie. It works for any instance.
- 12:39Absolutely. I wish I could use it, but it would
- 12:42require me to actually work for a living. Certainly
- 12:45not my bag. No, no, no. But it's so fabulous.
- 12:51But let's back up. What has been your onstage
- 12:54experience? Did you ever study playwriting or
- 12:58theater on any level? Hey, guys, it's Colin.
- 13:01This is going to be a Colin answer. Oh, yes,
- 13:04understood. No, well, not exactly. So I was in
- 13:07plays in high school, middle school, musicals.
- 13:10I was a wedding singer for many years. I used
- 13:12to sing, like, Cocktail Hour at weddings. So
- 13:14I would do, like, Frank Sinatra, Tony Bennett.
- 13:16And it was so fun because it was really, it was
- 13:18like glorified karaoke because I just did tracks
- 13:20that I would put on. And all of these, again,
- 13:24women over 70, my number one demo, would. I would
- 13:27stand there with like a martini and be like,
- 13:29he's lip syncing. And then I would not be, and
- 13:31they would just be completely floored. So I would
- 13:34sing in high school and college every summer,
- 13:36every weekend. Eventually I got paired with this
- 13:38Bruce Springsteen cover band for a few years,
- 13:41which was great, called the B Street Band. They
- 13:43were excellent. This guy Willie was sort of the
- 13:45band leader, and there were four guys named Glenn,
- 13:48which was insane that you could find four men
- 13:49all named Glenn who wanted to be in a Bruce Springsteen
- 13:52cover band. It was awesome. So they would sell
- 13:54me as like a package deal. And they would do
- 13:57the main event. I would do cocktail hour. And
- 14:00when we were in high school, the wedding industrial
- 14:02complex is insane. So you'd be, they'd be like,
- 14:05what's fair? And I'd be like, oh, don't, you
- 14:07know, like 500 for the hour? Like, oh, yeah,
- 14:10sure. 500 hours for a high school student is
- 14:12like the budget for the summer. It would be insane.
- 14:14It would be every, it would be two weddings a
- 14:16weekend. It would be nuts. Wow. So it was great.
- 14:18So I had a great time doing that. But then I
- 14:20went to law school. And law school is a way of
- 14:22sort of ruining your social life. So that was
- 14:24sort of the end of that. I've seen a number of
- 14:26plays over the years, you could say. I've seen
- 14:28a lot of stinkers. I've seen a couple of hits.
- 14:30And I thought, you know, the French Festival,
- 14:32this is the best way to put it together. Let's
- 14:35see if we can springboard. People do this professionally
- 14:38in a terrible way. So why not me? I could do
- 14:42it as an amateur and be terrible. Or, in my own
- 14:45mind, this is already a gigantic success. 100%.
- 14:49One person who was not a family member bought
- 14:51a ticket to see this. I've made it. I'm like,
- 14:55this is happening. So my parents are very proud.
- 15:00I can't wait to see you dressed up as the former
- 15:03secretary. Really, wow, quite something. What
- 15:06we imagined for our only child. A running thread
- 15:08of the most impactful performing arts pieces
- 15:11that have touched both Lucinda and I has been
- 15:16catharsis. We suspect... working through our
- 15:21childhood dramas via Girl Dolls, an American
- 15:24musical, is the primer for working through trauma
- 15:29of the last decade when we experience what had
- 15:32happened was. We ask this... with our last guest,
- 15:38Tess, who very publicly laments about modern
- 15:42dating another kind of trauma. But what would
- 15:47you think it is about these traumatic experiences
- 15:51that makes for compelling art, specifically on
- 15:55stage? You know, catharsis. Catharsis! When you've
- 16:02had one. They're hard to describe. When you've
- 16:05had one, and hopefully you've had more than one
- 16:08in your life, it's just such a profound experience.
- 16:13It summons up from this depth of your person,
- 16:17and it's like an explosion. I don't know. It's
- 16:20like a supernova feeling. I don't know how else
- 16:21to describe it. Permission to share? Please.
- 16:23I had catharsis yesterday. I was in front of
- 16:27Sofitel. All of the cars get clogged right there
- 16:32at 17th and Sandstone. I was pushing a stroller.
- 16:37My husband and my big kid were walking. I said,
- 16:41walk ahead of us. I'll get the stroller around
- 16:43this van. This van started backing up, and there
- 16:46were people walking. It was a whole thing. And
- 16:50I was like, what if that were me walking behind
- 16:52this van? These people were able to dodge. So
- 16:54I was like, there are people walking behind you.
- 17:00Slamming on the van. It didn't stop there. And
- 17:03he came back and was very dismissive. So I was
- 17:06like, you didn't see shit. I have a stroller
- 17:10here. He was like, everything will be okay. It's
- 17:13not okay! She's panicking. Well, I wasn't panicking.
- 17:18He should have been panicking because I assessed
- 17:19the situation. This guy did not have a gun. He
- 17:22had nothing against an angry mom. I move on.
- 17:28Okay. He stops. I'm like, is he going to back
- 17:31us up? Cowboy moment. Yes. I pass the van and
- 17:37my husband is turning around. Clearly heard me
- 17:42from down the block. I was like, yeah, he wasn't
- 17:46very far away. They were supposed to just go
- 17:49ahead to Barnes and Noble. And I was like, I'm
- 17:52sorry you had to hear that. That guy needed to
- 17:55hear that. It felt amazing. Did you just feel
- 17:59the release of it? It felt like everything I've
- 18:01been holding in, all the frustrations, I just
- 18:05let it out on that man. I mean, I'm so sorry
- 18:07that it had to be one person that had to bear
- 18:11the brunt of it, but someone had to do it. It
- 18:13wasn't like you said bystander. No. Anyway. It
- 18:17seems like it was her. Yeah. So let's move on.
- 18:22Catharsis! It is. It's a profound, and I think
- 18:27we've all felt it. I hope at this point in our
- 18:29lives we've all felt it. I remember the first
- 18:32that I had as a young man. And it's a feeling
- 18:37that stayed with me forever. But this was just
- 18:39such a traumatic moment, I think, in the national
- 18:42psyche. I can't keep coming back to this word.
- 18:46That just to be able to process this. I mean,
- 18:48think of Hillary's perspective on this night,
- 18:51right? Every poll, every data point on Earth
- 18:55is pointing to this moment that you've sought
- 18:57now. Correct. You're out of your husband's shadow.
- 19:00You've accomplished so much on your own. You're
- 19:02going to be the first woman president ever. And
- 19:05you lose, in spectacular fashion, to the worst
- 19:09man who's ever lived. Correct. Your antithesis,
- 19:13right? And you have to process this as it's happening.
- 19:16There's no period for grief. And then you have
- 19:19to be strutted out. the next morning, I think
- 19:22it was in the afternoon by the time they got
- 19:23her ready, to give this concession speech to
- 19:26sort of release the pressure valve and the national
- 19:28mood, and then you have to go fade into obscurity.
- 19:30She never had an opportunity for national catharsis,
- 19:33so I'm hopeful that, I mean, to be clear, most
- 19:37of the show is an absolute farce. This is part
- 19:41memoir, part farce, but I'm hopeful that as you
- 19:46sort of get comfortable with talking to these
- 19:48every days. and you kind of get into the groove
- 19:50of like, okay, I see what's happening here, and
- 19:53you get closer and closer to the big day, we
- 19:57all kind of start to feel the same, what she
- 19:59was feeling as it was happening. And I hope that
- 20:01it gives voice to, I imagine what her frustrations
- 20:05must have been, the profound sense of loss. And
- 20:08she talks about it in her concession speech.
- 20:11I think she even starts to cry a little bit when
- 20:13she says it, about how she feels like she let
- 20:16everybody down. And just starting to process
- 20:19this idea of he's actually going to be president
- 20:22now. This is unthinkable. I am responsible for
- 20:27this, even though she won three or many more
- 20:29votes. Maybe the electoral college. And then
- 20:36having to sort of come to grips with that. So
- 20:37hopefully, but why do we connect with that? I
- 20:40think it's everyone in the world. Love stories,
- 20:42dime a dozen. But the catharsis is just... powerful.
- 20:46And I think we're all always constantly searching
- 20:49for that release. It's like we've got this tension
- 20:52built up and I need to channel it into something
- 20:55that is not destruction. And hopefully that's
- 20:58what we all experience together. So excited.
- 21:01So excited. Miss Cree? Certainly. What can the
- 21:05audience expect from you? I'd say this is a 21
- 21:11and up crowd. Nice. We'll be upstairs at Frankie
- 21:14Bradley's, 1320 Chancellor Street, Philadelphia,
- 21:16PIP 19107. There'll be a full -service bar, restaurant.
- 21:20You'll be able to come up, eat, have some food.
- 21:22There'll be a, as I mentioned, there'll be a
- 21:25live four -piece band. There'll be some singing.
- 21:27Not a whole lot of dancing. No? No. There'll
- 21:30be a mix. Kitten heels? No, she's got a full
- 21:34three, four -inch stiletto. She'll be bringing
- 21:37it. Nice. Two looks. Okay. So one you're familiar
- 21:41with and another you're not. A mix of sort of,
- 21:47I think of it as like a live reading of her own
- 21:49memoir from the recesses of a big woman's psyche.
- 21:54She'll be talking about, she'll be settling scores.
- 21:57She will be talking about how she feels. She'll
- 22:01be casting aspersions at others. And then there'll
- 22:04be sort of a multimedia sort of. taking you all
- 22:07down memory lane. It really set the scene for
- 22:09what it must have been like when you saw this
- 22:11thing on the news. And what was she thinking
- 22:14at the time you saw it? I'll give you a quick
- 22:16example, if I may. Oh, okay. And then I'll give
- 22:18you some previews of what some of the numbers
- 22:20are. Her announcement video in 2015 was this
- 22:25sort of smorgasbord of a who's who Democratic
- 22:27coalition, right? So they had two gay men who
- 22:31were trying to have a baby. And they were getting
- 22:34ready to have a baby. And they had this young
- 22:37Latina mother who was trying to open a business.
- 22:39And they had this bald white guy who was trying
- 22:42to engage in manufacturing. And then they had
- 22:44like a black family that was doing something
- 22:47together. They were sending their child to school
- 22:50and they were getting them ready to go off to
- 22:52school. And then all of a sudden here comes HRC
- 22:54and she goes, I'm getting ready to do something
- 22:57too. I'm going to run for president. And it was
- 23:00so... re -watching it now, you're like, this
- 23:04isn't real. It feels like a parallel timeline.
- 23:08Right. People are like, this is a committee of
- 23:10people got together and put this together and
- 23:12watched it and said, this is it. We're going
- 23:15to say this. It's horrific. And it doesn't say
- 23:19anything. And that was like a constant theme
- 23:23throughout the campaign. Why do you want to be
- 23:25president? Well, she did say it. She was like,
- 23:27well, I think I'd be good at it. And I'm prepared.
- 23:31Everyone else sort of always said, but like,
- 23:33why did Barack Obama want to be president? Hope.
- 23:36Right? Ted Cruz. Why does Ted Cruz want to be
- 23:39president? There was never this secondary, what's
- 23:41the elder motivation? So she'll talk a little
- 23:43bit about that. But she'll get into some of her,
- 23:45you know, her tried and true controversies. The
- 23:49private speeches should be one of her numbers
- 23:51is a little, little ditty inspired by Tina Turner
- 23:54called Private Speaker. The title track from
- 23:57the show, What Had Happened Was, you may recognize.
- 24:00She'll be singing a little song about her experience
- 24:02in the primary called Stuck Between Barack and
- 24:05a Hard Place. And when she wins the nomination,
- 24:08a little song called Sympathy for the She -Devil.
- 24:10So she's going to really get into it and I think,
- 24:13hopefully, speak to a lot of the frustrations
- 24:16that maybe we all share with, if we could go
- 24:18back and run this, dare I say, if I could turn
- 24:21back time, what... Maybe we would have done things
- 24:25a little bit differently. Yes. Yes. I don't want
- 24:28you to take an album off of the possibilities.
- 24:34It could be amazing. Oh, you want a soundtrack?
- 24:38Yes. Is that what you're saying? Yes. Well, we
- 24:41love copyright infringement. I was going to say,
- 24:44I think there's a little thing with rights, babe.
- 24:47We do not respect copyright protections. True.
- 24:52True. I'd like to thank the good people at, I
- 24:54think it was TAMU, for a certain knockoff award
- 24:58that Ms. Crane will be presented with during
- 25:00the course of the production. Yes. Do you know
- 25:02that Hillary won three of the EGOT awards? Yeah,
- 25:07I think I... I read recently that she had won
- 25:10a Tony, right? She's got a tech, yes. A tech
- 25:13Tony or something? Yes. Or for producing. For
- 25:16producing, yes. Yes. Stuff's had won a Tony.
- 25:18It won several Tonys. She's a producer of stuff,
- 25:20so I'm counting that as a Tony for her. She won
- 25:22a Grammy for her reading audio book of her children's
- 25:26book, It Takes a Village. And she won an Emmy
- 25:30for a documentary, like a TV documentary that
- 25:33she and Chelsea did. So she's just missing the
- 25:35Oscar. It eludes her. There's still time. First
- 25:39presidential spouse to win a Grammy Award. What
- 25:42can't she do? Yes. Yes. Win an election for president.
- 25:47I was waiting for someone to answer that. Two
- 25:49strikes on that one. She's still got time. She's
- 25:52still outside. 28, right around the corner. Yes.
- 25:55That's what we think is we need more geriatrics
- 25:57in office. Yeah. This country is filled with
- 26:03assisted living facilities. Yes. And any one
- 26:05of those residents could be present. Get in there,
- 26:08boomer. How about three words to describe what
- 26:13had happened was? I'm going to use a big one
- 26:16that I'm creating a one word where it should
- 26:18be two. Compound. We're compounding. Fun. Fever
- 26:23dream. Fantasia. I love Fever Dream. Love this.
- 26:29Love this. Take that as you will. Heavy Art Cream,
- 26:37where can we and our audience find you online?
- 26:41Thank you for specifying the geographic location.
- 26:44I had a much different answer prepared. You can
- 26:48find her at itsheavycream .com and all of her
- 26:52ats. Or It's Heavy Cream. So she's really active
- 26:56on Instagram. She hasn't really figured out TikTok
- 26:58as yet. It's a young person's game. She's got
- 27:01a Twitter account. She hasn't tweeted anything
- 27:03yet. It's at X now. It's X now. Got a lot of
- 27:06X's lined up. You're telling me. It's probably
- 27:08have things to say, but at X .com, the everything
- 27:13app, it's heavy at It's Heavy Cream. But come
- 27:16on down. It's a real hoot. She posts some. unfiltered
- 27:21thoughts. She does a bad job of linking to things.
- 27:23It's really just seeing a big, uncultured lady
- 27:26just trying her best. You know? She's trying
- 27:30her best. I relate. It's not easy. So much to
- 27:33do, and I have no children. Take care of one.
- 27:37You should go down to the entry to the Sofitel
- 27:39and let it out. You know what? I think if there's
- 27:42a van there, I was sort of hooked on my way over
- 27:45to get down here today. You have all the afternoons
- 27:50to live it up. Well, I mean. Make new experiences
- 27:54for people. Oh, we're ready to. We're ready to.
- 27:58We're going to drink at Park. She's going to
- 27:59have a stiff cocktail. Yes. And then we're looking
- 28:03for an alliterative sentence there, but we'll
- 28:05leave it on the table for everyone to take a
- 28:06guess. We'll link all of those handles and the
- 28:10website in the show notes. Beautiful. We'll be
- 28:14right back with Heavy R Cream and some rapid
- 28:17fire questions. And we're back with rapid fire
- 28:21questions with Heavy R Cream. Mr. Cream, what
- 28:25is the slept -on, Philadelphia -based, performance
- 28:28-based artist that the city needs to know about?
- 28:31Well, I am personally a big fan of the Philadelphia
- 28:35Ballet. Perhaps you've heard of it. I haven't
- 28:38tuned into an episode in some time, but they
- 28:41have a spectacular season coming up. Really can't
- 28:43wait for the Stars and Stripes forever. Oh, yeah.
- 28:45Who knew you could dance to John Philip Sousa?
- 28:50Highly recommend. Favorite place to score a cheesesteak?
- 28:53What would Hillary do to answer this one? I feel
- 28:55like to triangulate the answer, we're going to
- 29:00talk about the team first, and she'd say to herself,
- 29:02well, personally, I always loved John's roast
- 29:06pork, but it's only available during working
- 29:09hours, so it's tough if you work a full -time
- 29:12job that does not involve driving around. Your
- 29:16dream venue to perform in? Oh, the Academy of
- 29:19Music, please! We'd love to take high art down
- 29:22into the gutter where it belongs. My God. If
- 29:28you could have seen any theater production in
- 29:31its original iteration, what would it be? I'm
- 29:35trying to describe the face I just made. Well,
- 29:37we were just discussing one off air. The American
- 29:40Girl Dolls musical. Oh, yes. Oh, my God. The
- 29:44trauma of my life that I missed it. Yes. I would
- 29:47say worse than the outcome of the 2016 election
- 29:49that I missed it. Wow. Wow. Yeah. It was like
- 29:51waking up the day after and being like, oh, God,
- 29:52I forgot to vote. Right? Terrible. Oh, my goodness.
- 29:55And it's like your vote would have been the deciding
- 29:57factor. Right. Yeah. You know? Like, she could
- 30:00have won, but you slept through it. Oh, God.
- 30:02It was the pills. I knew I shouldn't have had
- 30:05that second martini. The Xanax was too good.
- 30:09I would say the original Mame. Would have loved
- 30:11to see Mame. A friend of mine was telling me
- 30:14a story. Her grandmother used to take her kids.
- 30:17to see Mame in lieu of the Christmas spectacular
- 30:20with the Rockettes. And I was like, did she realize
- 30:23she was recruiting a generation of gay people?
- 30:26Did she have any idea what she was up to? And
- 30:29then, of course, Ethel Merman and Gypsy. Just
- 30:32to have my eardrums bleed every performance.
- 30:35I would love to have enjoyed that. That would
- 30:37have been really spectacular. Do you answer the
- 30:39fat rapid fire questions? No, it's just you.
- 30:42Wow, this is the best thing that's ever happened
- 30:43to me. We're going to do a round of this or that
- 30:46real quick. Okay, great. Make it an hour. Let's
- 30:49go. Madonna or Gaga? Oh, Madonna. Comedies or
- 30:53tragedies? Comedies. Golden Girls or Designing
- 30:55Women? Golden Girls. Priscilla, Queen of the
- 30:58Desert, or Tu Wong Fu? Tu Wong Fu. Let's land
- 31:01the plane, babe. Absolutely amazing. Everyone,
- 31:04please check out Heavy R Cream. in what had happened
- 31:10was coming to you at FringeFest. September 16th,
- 31:1426th, and 27th at 8pm at Frankie Blatley's. We'll
- 31:16see you there. Tickets are $25. Woo! LinkedIn
- 31:19shut -ups! When you ended up doing the cuts for
- 31:38this how many times were you like robert's laughing
- 31:41way too much robert's laughing a lot i had an
- 31:46incredible time with evy our cream i cannot wait
- 31:50for this show everyone needs to find their way
- 31:54to fill frankie and bradley's not the night that
- 31:57we're going because i want to sit at a front
- 31:59row table so don't take my front row table Fair,
- 32:04fair. It's also showing the subsequent Saturday
- 32:07and Sunday at 8 p .m. each. I got you. It's going
- 32:11to be so incredible. Go and check it out, along
- 32:14with the amazing other Fringe Fest artists. What
- 32:18is going on this weekend, Lou? Consider yourself
- 32:23booked, baby, for the rest of September. Waves
- 32:26become wings. Eric Spence's show at Pentimenti
- 32:30is properly being feted this Thursday, September
- 32:3210th from 6 p .m. to 8 p .m. We stopped in Friday
- 32:37night and half the show was installed. Robert,
- 32:39you are not ready for this. City Arts Salon presents
- 32:43its fall season opener, Memory Made Visible.
- 32:48Featuring the mixed media art, Gloria Gamage
- 32:51Davis and Balloon. And yes, that is a mononymous
- 32:56name like Madonna. The reception is this Saturday,
- 32:59September 12th from 2 to 6 p .m. We are going
- 33:03to the opening of Tess's Single Woman, Work in
- 33:06Progress, this Saturday, September 12th at 4
- 33:09p .m. at Yellow Bicycle Theater. Finally, our
- 33:12friends at Philadelphia Sketch Club are celebrating
- 33:15their Small Oils exhibition. Sunday, September
- 33:1913th from 1 to 3 p .m. Robert, I know I've already
- 33:23told you this, but September is going to be mage.
- 33:26Are you ready to mainline some art or what? Shoot
- 33:30a Picasso into my veins. Signing off, Philly
- 33:34has heart. And art. into Philly has heart. Don't
- 34:13forget to follow, share, and spread the love.