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Secret Lover, Two Weapons: The Unraveling of the Sharqiya Double Murder · Crime Night

• 0:00
  Speaker 1: Welcome to the deep dive. Today, we are taking you
• 0:02
  Speaker 1: right into the heart of the Shirkia governorate back in
• 0:04
  Speaker 1: twenty nineteen. We're stepping into well, a silence, a really
• 0:10
  Speaker 1: disturbing silence that came just before one of the most
• 0:12
  Speaker 1: baffling and frankly brutal forensic cases of that year.
• 0:16
  Speaker 2: Yeah, and what you really need to grasp about this
• 0:18
  Speaker 2: particular file is that it's just it's full of contradictions.
• 0:22
  Speaker 2: I mean, it starts with the totally normal rhythm of
• 0:24
  Speaker 2: daily life, right lunchtime, family and ends in just extreme,
• 0:28
  Speaker 2: almost unbelievable violence. But the path from A to B
• 0:33
  Speaker 2: it's paved with secrets, betrayal.
• 0:35
  Speaker 1: Really, so set the scene for us. It's three pm.
• 0:38
  Speaker 1: The sun's high, it's hot, nater the sun. He's just
• 0:41
  Speaker 1: getting home from work. He's expecting what he expects every day,
• 0:44
  Speaker 1: the comfort of home, seeing his mother a mall she
• 0:47
  Speaker 1: was sixty five, and hearing his little daughter Habiba. But
• 0:50
  Speaker 1: when he opens that door, it's not noise. He hears
• 0:54
  Speaker 1: it's quiet.
• 0:54
  Speaker 2: A terrifying quiet and absolute calm, as the reports put it, and.
• 0:58
  Speaker 1: That unnatural silence. This was the first domino to fall,
• 1:01
  Speaker 1: isn't it. It sort of hints, well, it suggests it wasn't
• 1:03
  Speaker 1: some sudden break in exactly.
• 1:05
  Speaker 2: It points to something that happened well internally, quietly, almost
• 1:10
  Speaker 2: Nader finds the Biba first, she's on the floor and
• 1:13
  Speaker 2: the scene, I mean, the trauma described as immediate, catastrophic,
• 1:18
  Speaker 2: just shocking.
• 1:19
  Speaker 1: Violence, just devastating, and you can imagine he's completely paralyzed
• 1:22
  Speaker 1: by that. But then the panic must have set in.
• 1:25
  Speaker 1: Where's his mother?
• 1:26
  Speaker 2: His search for Meal is desperate. He finds her in
• 1:29
  Speaker 2: the bedroom. She's dead on the bed, and the scene
• 1:31
  Speaker 2: around her it's described as indicating an intense, prolonged struggle,
• 1:35
  Speaker 2: even worse somehow than what he saw with Beva. Oh wow,
• 1:37
  Speaker 2: So security forces, the forensic teams, they descend on the place,
• 1:41
  Speaker 2: immediately cording off the apartment. Their job figure out how
• 1:45
  Speaker 2: a normal home middle of the day turns into this.
• 1:47
  Speaker 1: This horrific crime scene.
• 1:49
  Speaker 2: Yeah, you got a double murder, incredible brutality, and yet
• 1:52
  Speaker 2: almost no external clues, no obvious motive, no forced entry.
• 1:58
  Speaker 2: So okay, let's dive into that forensic puzzle they were
• 2:00
  Speaker 2: facing right from the start.
• 2:01
  Speaker 1: Okay, So the first big question mark for investigators, the
• 2:04
  Speaker 1: entry point despite all the violence inside, there were zero
• 2:07
  Speaker 1: signs anyone broke in, doors, locked windows, secure, nothing, And that.
• 2:12
  Speaker 2: Right there dramatically narrows the possibilities. The killer wasn't some
• 2:16
  Speaker 2: stranger off the street looking for cash or thrills. No,
• 2:20
  Speaker 2: they were let in easily, which means they were known,
• 2:24
  Speaker 2: probably trusted, maybe even a regular visitor.
• 2:27
  Speaker 1: And that detail gets even weirder when you factor in
• 2:30
  Speaker 1: the lack of robbery. Nothing was taken, valuables were untouched.
• 2:33
  Speaker 2: Right The investigators found that the only real chaos, the
• 2:36
  Speaker 2: only sign of a physical fight, was concentrated entirely in
• 2:40
  Speaker 2: a mall's bedroom, just in the bedroom, everywhere else apart
• 2:43
  Speaker 2: from where the bodies lay. Obviously, the apartment was orderly tidy.
• 2:47
  Speaker 2: Even it screams personal conflict, doesn't it a confrontation that
• 2:51
  Speaker 2: happened right there?
• 2:52
  Speaker 1: Absolutely? But then the nature of the violence itself, it
• 2:55
  Speaker 1: tells a darker story, maybe suggesting not just one burst
• 2:59
  Speaker 1: of rage, but two separate acts, possibly with different intentions.
• 3:03
  Speaker 2: Well, that's where the weapons come in. Two victims, and
• 3:06
  Speaker 2: the forensic team found two very specific, distinct weapons at
• 3:09
  Speaker 2: the scene.
• 3:10
  Speaker 1: And what's really interesting or maybe chilling, is how close
• 3:13
  Speaker 1: the weapons were to the victims. They were used on.
• 3:16
  Speaker 1: Near a mall, the grandmother sixty five years old, they
• 3:19
  Speaker 1: found a hammer the term used with shakoush, cover in
• 3:23
  Speaker 1: blood completely saturated. Yeah.
• 3:25
  Speaker 2: And then near Habiba, the little girl, they found a
• 3:27
  Speaker 2: wooden panel it looked like part of a window shutter
• 3:30
  Speaker 2: a darfa, also covered in blood.
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  Speaker 1: So two different weapons for two.
• 3:34
  Speaker 2: Murders, which raises a huge question, doesn't it. If it's
• 3:37
  Speaker 2: one hacker, someone known, someone let in, why grab two
• 3:41
  Speaker 2: different things? Why the hammer for a mall and the
• 3:44
  Speaker 2: shutter for Habiba?
• 3:46
  Speaker 1: Did something shift like did the violence against them all
• 3:49
  Speaker 1: change the killer's mindset somehow, making them reach for something
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  Speaker 1: else for the second horrific act.
• 3:54
  Speaker 2: It's a deeply unsettling thought. To figure that out, we
• 3:57
  Speaker 2: have to look beyond just the physical evidence the chaos.
• 4:00
  Speaker 2: We need to look at the medical examiner's report, and frankly,
• 4:03
  Speaker 2: some of the findings in there were genuinely shocking.
• 4:05
  Speaker 1: Okay, laid out for us. What did theme find?
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  Speaker 2: So? Amal's cause of death was confirmed, age sixty five,
• 4:12
  Speaker 2: died from extreme blunt force strama to the head, consistent
• 4:16
  Speaker 2: with the hammer found nearby. The force was well devastating,
• 4:21
  Speaker 2: complete skull.
• 4:22
  Speaker 1: Destruction, just brutal, and Habiba also head.
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  Speaker 2: Trauma, but specifically smashed right in the middle of the head.
• 4:29
  Speaker 2: And crucially, the forensic scientists found wood fibers tiny splinters
• 4:34
  Speaker 2: embedded in her scalp tissue, matching the shutters, exactly matching
• 4:37
  Speaker 2: the wooden shutter found right next to her. So it
• 4:39
  Speaker 2: confirms two distinct horrific attacks and they happened very close together.
• 4:45
  Speaker 2: Right the timeline, the EMMY pinned the time of death
• 4:48
  Speaker 2: for both victims very tightly between eleven am and twelve pm,
• 4:52
  Speaker 2: a critical one hour window.
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  Speaker 1: Okay, so far it's horrific, but it's sort of building
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  Speaker 1: a picture. But then there was something else right, something
• 4:59
  Speaker 1: that seemed to totally disconnected from the violence. But it
• 5:01
  Speaker 1: just blew the investigation wide open.
• 5:03
  Speaker 2: This finding changed everything. The report confirmed that A Mall,
• 5:07
  Speaker 2: the sixty five year old grandmother, had engaged in sexual
• 5:09
  Speaker 2: undercourse shortly before her desk, very shortly before. And here's
• 5:13
  Speaker 2: the absolute key. The evidence indicated the act was not violent,
• 5:17
  Speaker 2: it wasn't forced. It suggested a consensual intimate relationship existed
• 5:22
  Speaker 2: moments before she was murdered with that hammer.
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  Speaker 1: Wait, a second, So the killer wasn't just known they
• 5:29
  Speaker 1: were intimate with Amal recently, like right before chrisis. So
• 5:33
  Speaker 1: the attack wasn't triggered by the act itself. Maybe it
• 5:37
  Speaker 1: was triggered by something after a catastrophic breakdown of that
• 5:40
  Speaker 1: relationship immediately following intimacy. That puts a whole different spin
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  Speaker 1: on it.
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  Speaker 2: It completely shifts the dynamic, doesn't it, The pressure, the motive,
• 5:47
  Speaker 2: it all changes suddenly. The investigation isn't just looking for
• 5:50
  Speaker 2: enemies anymore.
• 5:51
  Speaker 1: No, they're looking for a lover, an intimate partner who
• 5:54
  Speaker 1: was led into that home consensually during that critical eleven
• 5:58
  Speaker 1: am to twelve pm window, and.
• 6:00
  Speaker 2: A mall herself. Well, she was respected in the community.
• 6:03
  Speaker 2: No one is a vegetable vendor raising her granddaughter while
• 6:06
  Speaker 2: Nader the Sun was out working. The family was floored.
• 6:09
  Speaker 2: They couldn't name anyone who'd want to hurt them, let
• 6:12
  Speaker 2: alone this especially not.
• 6:13
  Speaker 1: An intipate partner doing this level of violence.
• 6:15
  Speaker 2: So the investigation zeros in that eleven am to twelve
• 6:19
  Speaker 2: pm window is everything. Detectives start digging through surveillance footage.
• 6:23
  Speaker 2: It's patchy, apparently not great coverage, but.
• 6:26
  Speaker 1: They keep at it and Eventually they get a hit.
• 6:29
  Speaker 2: Eventually a breakthrough. At ten thirty am, one camera catches
• 6:32
  Speaker 2: a figure, a man looks to be in his thirties
• 6:36
  Speaker 2: entering a mall's building.
• 6:37
  Speaker 1: Okay.
• 6:38
  Speaker 2: Then around twelve pm, maybe just after, the same man
• 6:42
  Speaker 2: is seen leaving, and the way he leaves is critical.
• 6:45
  Speaker 2: He's described as looking hurried, frantic, like he was desperate
• 6:49
  Speaker 2: to get away. Trying to escape was the description.
• 6:52
  Speaker 1: They have a face, they have a timeframe. What happens next.
• 6:55
  Speaker 2: Nat Nator is brought in to look at the footage
• 6:58
  Speaker 2: and the identification is immediate. He recognizes the man instantly.
• 7:02
  Speaker 2: It's Ibrahim, a longtime friend, a close family.
• 7:05
  Speaker 1: Friend, a friend, not some secret lover no one knew about.
• 7:08
  Speaker 2: Him, a close friend who visited often. Nader was completely bewildered.
• 7:11
  Speaker 2: He apparently asked the police, why would you bring him
• 7:13
  Speaker 2: be there? Then he knows I'm always at work at
• 7:15
  Speaker 2: that time. You know, the whole narrative just shattered.
• 7:17
  Speaker 1: Rap the friend. Okay, So Ibrahim is brought in.
• 7:20
  Speaker 2: He's quickly apprehended for questioning. Initially, he denies everything, plays
• 7:25
  Speaker 2: dumb act shocked by the news.
• 7:27
  Speaker 1: Of the deaths. Standard denial, but.
• 7:30
  Speaker 2: The investigators, the experienced ones. They notice things immediately, physical
• 7:35
  Speaker 2: things that don't match his story. Fresh scratches, superficial wounds
• 7:40
  Speaker 2: on his hands, on his face.
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  Speaker 1: Ah defensive wounds, signs of a.
• 7:44
  Speaker 2: Struggle, strongly suggestive of a recent, very physical, probably violent struggle.
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  Speaker 2: It completely contradicted his calm denial.
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  Speaker 1: So the pressure starts building on him.
• 7:54
  Speaker 2: They have the footage they confront him, the security footage
• 7:56
  Speaker 2: showing him entering and leaving at exactly the right times.
• 8:00
  Speaker 2: The forensic evidence is mounting, specifically his fingerplints found on
• 8:04
  Speaker 2: both the hammer, the one used on a mall and
• 8:06
  Speaker 2: on the wooden shutter the one used on Abiba. And
• 8:08
  Speaker 2: then there are the visible wounds on his hands and face.
• 8:10
  Speaker 2: It's overwhelming. The story just completely collapses. Ibraim confesses, he
• 8:13
  Speaker 2: tells them everything.
• 8:14
  Speaker 1: Okay, so what was the secret?
• 8:17
  Speaker 2: And this is where the hidden life comes crashing into view. Ibrahim,
• 8:21
  Speaker 2: who worked as a driver, He was Nider's friend. Yes,
• 8:24
  Speaker 2: he visited the house often, but about six months before
• 8:27
  Speaker 2: the murders, he apparently stopped by when a mall was
• 8:29
  Speaker 2: unexpectedly alone, and a secret relationship started. A clandestine sexual
• 8:35
  Speaker 2: relationship between Ibraheim in his thirties and a mall sixty five.
• 8:39
  Speaker 2: He started visiting her daily, specifically during the times he
• 8:42
  Speaker 2: knew Nader would be at work.
• 8:44
  Speaker 1: Six months, daily visits are completely hidden intimacy. But what
• 8:50
  Speaker 1: happened that day? Why did it turn violent?
• 8:52
  Speaker 2: That specific day the rendezvous went horribly wrong. After they
• 8:55
  Speaker 2: were intimate, Mal initiated a confrontation. She told him she
• 8:58
  Speaker 2: wanted to stop hiding. Man, did they make it official?
• 9:01
  Speaker 2: Get married? Specifically an irfy marriage?
• 9:03
  Speaker 1: Ohkay? Explain that for us an irfy marriage.
• 9:05
  Speaker 2: Sure, so an earth free marriage. It's a type of
• 9:08
  Speaker 2: marriage contract common in some Sunni Muslim communities. It often
• 9:12
  Speaker 2: fulfills the basic requirements, but might lack state registration or
• 9:16
  Speaker 2: public declaration. It can sometimes be used, you know, for
• 9:19
  Speaker 2: relationships that people want to keep somewhat private or legitimize
• 9:22
  Speaker 2: quickly without all the formalities. By demanding this, Amal was
• 9:26
  Speaker 2: pushing for some kind of legitimacy, some kind of future
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  Speaker 2: beyond just secret meetings, and Ibrahim refused flat out. He
• 9:34
  Speaker 2: cited the age difference thirty five years as the reason
• 9:37
  Speaker 2: he couldn't face that publicly.
• 9:38
  Speaker 1: Apparently the refusal must have hit hard.
• 9:40
  Speaker 2: It set off an explosion. The argument escalated incredibly quickly.
• 9:44
  Speaker 2: A mall felt rejected, maybe desperate. She started insulting him,
• 9:48
  Speaker 2: apparently throwing things at him in the bedroom, and that's
• 9:50
  Speaker 2: when he snapped. He described feeling overcome by the source
• 9:55
  Speaker 2: material uses the phrase lack of value, humiliation, intense rage,
• 10:00
  Speaker 2: grabbed the nearest heavy object, which happened to be the hammer,
• 10:03
  Speaker 2: and he struck them all repeatedly. The head trauma was immediate.
• 10:07
  Speaker 1: And fatal, just horrific, a moment of pure rage. But
• 10:10
  Speaker 1: that doesn't explain Hebiba. That wasn't rage, was it? No?
• 10:13
  Speaker 2: And this is where the awful two part nature of
• 10:16
  Speaker 2: the crime becomes crystal clear. Ibraheim, still reeling from that
• 10:20
  Speaker 2: explosion of violence, suddenly realizes they weren't alone. Habiba Habiba,
• 10:25
  Speaker 2: his friend, Nator's young daughter.
• 10:27
  Speaker 1: She saw it.
• 10:28
  Speaker 2: She witnessed her grandmother's murder.
• 10:30
  Speaker 1: Oh my god.
• 10:31
  Speaker 2: And this is that critical psychological pivot we talked about.
• 10:34
  Speaker 2: The first murder driven by rage, humiliation, that feeling of
• 10:37
  Speaker 2: being devalued, hammer, personal explosive, But the second, the second
• 10:43
  Speaker 2: is cold calculation, panic, yes, but calculated. He needed to escape,
• 10:48
  Speaker 2: He needed to silence the only witness, so he grabs
• 10:51
  Speaker 2: the wooden window shutter and uses it on the child
• 10:53
  Speaker 2: exer twice on the head, kills her instantly. Then he
• 10:56
  Speaker 2: just flees the apartment, pulling the door close behind him,
• 10:59
  Speaker 2: leaving that her Riffix scene for Nader to find hours later.
• 11:02
  Speaker 1: Unbelievable. Just the switch from passionate rage to cold blooded
• 11:06
  Speaker 1: witness elimination.
• 11:07
  Speaker 2: It's chilling.
• 11:08
  Speaker 1: So the aftermath, the legal process.
• 11:11
  Speaker 2: With the confession, the fingerprints, the CCTV, the medical evidence,
• 11:15
  Speaker 2: it was overwhelming. Ibraheim was convicted, the sentence was death,
• 11:18
  Speaker 2: and the legal system there ali dam So what do we.
• 11:21
  Speaker 1: Take away from this? What does this case really tell us?
• 11:23
  Speaker 1: It's just staggering, it really is.
• 11:26
  Speaker 2: I mean, it's a terrifying look at how a hidden life,
• 11:29
  Speaker 2: this intense emotional entanglement and then the sudden desperate fear
• 11:33
  Speaker 2: of exposure can just combust in minutes. Yeah, you see
• 11:37
  Speaker 2: this man shift from presumably a passionate lover moments before,
• 11:41
  Speaker 2: to a humiliated killer in.
• 11:43
  Speaker 1: A fit of rage, and then instantly.
• 11:45
  Speaker 2: Into a calculating murderer deliberately eliminating a child witness, all
• 11:50
  Speaker 2: to protect his secret, his reputation.
• 11:52
  Speaker 1: The key pressure point wasn't hate or money like in
• 11:55
  Speaker 1: so many cases, It was intimacy and the refusal to
• 11:58
  Speaker 1: make it legitimate. It just makes you think about that gap,
• 12:01
  Speaker 1: that chasm between someone's secret life and the public face
• 12:04
  Speaker 1: they're desperate to maintain.
• 12:05
  Speaker 2: Absolutely, and maybe the final thought to leave you with
• 12:07
  Speaker 2: is this, Consider that rapid psychological collapse, the mental jump
• 12:11
  Speaker 2: required to commit two acts of such extreme violence using
• 12:15
  Speaker 2: two different weapons just moments apart, one driven by wounded
• 12:18
  Speaker 2: pride humiliation, the other by pure cold self preservation.
• 12:23
  Speaker 1: That willingness to cross that line to kill a child
• 12:26
  Speaker 1: simply cover up the.
• 12:27
  Speaker 2: First crime, that terrifying moral void. That's the lasting shadow
• 12:32
  Speaker 2: of this case, isn't it. It forces you to contemplate the
• 12:34
  Speaker 2: kind of desperation, the kind of pressure that pushes a
• 12:36
  Speaker 2: human being to such an absolute point of no return,
• 12:39
  Speaker 2: What happens in that moment,