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The Drop Episode 5 Breakdown & MobLand Season 2 Review | Bald Brothers · The Bald Brothers Podcast

0:00
Speaker 1: I may be tardy.
0:02
Speaker 2: I've been here all day.
0:03
Speaker 1: But I'm here, damn it. I'm here. I had to
0:07
Speaker 1: walk my wife out. Which is respectable.
0:10
Speaker 3: Put us on the pedestal, man. We're so close. Why
0:13
Speaker 3: don't you never want to just.
0:14
Speaker 2: Go ahead and put us, man?
0:16
Speaker 1: To be fair.
0:17
Speaker 2: What are we going to do?
0:19
Speaker 4: Y'all are the closest to the pedestal.
0:23
Speaker 1: Put us up there. Of any couple.
0:25
Speaker 2: What does the pedestal even mean?
0:27
Speaker 1: What does it mean? Because people be breaking up, man.
0:31
Speaker 2: Then you take them off.
0:33
Speaker 1: The pedestal ain't forever.
0:35
Speaker 2: Once you're on the pedestal, you don't have to stay. Hey,
0:37
Speaker 2: people was on the pedestal.
0:38
Speaker 1: Once, I'll put y'all on the pedestal. And what if
0:41
Speaker 1: my pedestal placement is a jinx? All right, leave us off. Yeah, exactly.
0:45
Speaker 1: It's like the Madden cover, man. Even though my dad
0:50
Speaker 1: and stepmom been together for mad long. Since the 80s.
0:54
Speaker 2: He said nobody's on the pedestal.
0:56
Speaker 1: I just don't put couples on the pedestal.
0:57
Speaker 4: But I know my dad and my stepmom, you, Melissa,
1:02
Speaker 4: that I know closely.
1:06
Speaker 1: Everybody else, man. Splitsville, USA. Everybody split up. USA is funny.
1:13
Speaker 1: So that just kind of makes me look at relationships
1:16
Speaker 1: as people be breaking up, y'all.
1:18
Speaker 2: People do be breaking up. You got to work hard
1:20
Speaker 2: to stay together.
1:21
Speaker 1: Yeah.
1:22
Speaker 4: But what I like about you and Melissa is that
1:24
Speaker 4: I can tell y'all genuinely like each other.
1:27
Speaker 2: I genuinely like that woman.
1:28
Speaker 4: That's what I see when y'all ain't saying nothing or
1:33
Speaker 4: when y'all just talking regular.
1:34
Speaker 1: I'll be like, man, they actually like each other.
1:39
Speaker 4: And to me, that's very, because couples could be together
1:42
Speaker 4: for 45 years, it'd be like, you could tell they
1:45
Speaker 4: don't like each other like that.
1:46
Speaker 2: For sure, you can, bro, just the, no kids.
1:51
Speaker 1: Yeah.
1:52
Speaker 3: Cost of living, routine, not wanting to be alone. Sex,
1:57
Speaker 3: people stay together.
1:58
Speaker 2: Kids, for sure. Some people are together just for the rent.
2:02
Speaker 2: Not even marriage. It's like, man, you know what I'm saying?
2:04
Speaker 1: It's cool.
2:05
Speaker 2: Or I just don't want to start over.
2:06
Speaker 1: I don't feel like starting over. I know him. I
2:09
Speaker 1: know her. I know him.
2:10
Speaker 2: It ain't even perfect.
2:12
Speaker 3: They always try to put the, you know, my grandma
2:14
Speaker 3: stayed together.
2:14
Speaker 2: Man, your granddad had another family.
2:17
Speaker 1: Don't even get me started on old school.
2:20
Speaker 2: She couldn't get a job. She couldn't get a credit card.
2:23
Speaker 2: You think if she had an opportunity to leave, she.
2:25
Speaker 1: Wouldn't have left? Right. And they'd be like, I think
2:27
Speaker 1: credit cards, a woman couldn't get a credit card without
2:30
Speaker 1: her husband.
2:30
Speaker 2: Like, the 70s.
2:32
Speaker 1: Oh, yeah, it's super recent. It's crazy. Not our lifetime,
2:36
Speaker 1: but very recent. It's ridiculously recent. That's insane. That's wild
2:41
Speaker 1: to me.
2:42
Speaker 3: Legally, forget the social stigma of divorce and how hard.
2:45
Speaker 1: It is to get a job. Legally, they were like, no,
2:48
Speaker 1: where's your husband? How you going to get a credit card?
2:49
Speaker 1: A woman? Think you're going to get a credit card
2:52
Speaker 1: on your own as a woman? Get out of my office.
2:55
Speaker 4: Get your woman ass out here talking about a solo
2:58
Speaker 4: credit card.
2:59
Speaker 1: How dare you? That's crazy.
3:02
Speaker 3: This woman was in here trying to get a credit
3:04
Speaker 3: card in 1962.
3:06
Speaker 2: In front of the secretary.
3:07
Speaker 1: Frank, man, this woman comes in trying to get solo credit.
3:13
Speaker 2: Can you believe it?
3:13
Speaker 1: Secretary just like. Brenda, man. What time is my next meet? Anyway,
3:20
Speaker 1: a woman comes in.
3:22
Speaker 3: Somebody get these women out of here.
3:28
Speaker 2: It's crazy.
3:29
Speaker 1: It's ridiculous.
3:30
Speaker 4: And so that's why I just be looking at couples like, yeah.
3:33
Speaker 4: Cause you know, that's why I was like, Rich people
3:38
Speaker 4: always breaking up because they don't have that financial.
3:41
Speaker 1: They be like, it's over. I already got a spot
3:45
Speaker 1: in the center of town. And you're ready to let
3:47
Speaker 1: half the bread go.
3:49
Speaker 3: Bezos let half the bread go and was like, who cares?
3:52
Speaker 3: There's nothing I can't buy today that I couldn't buy yesterday.
3:56
Speaker 1: And then got filthy rich again.
3:59
Speaker 3: Bill Gates was having all kinds of illicit sex. Oh, Microsoft.
4:05
Speaker 3: peen is what he didn't have. This peen was micro hard.
4:11
Speaker 1: Micro hard is crazy. Because it's still micro. But it's hard.
4:17
Speaker 3: Man, having a micro penis, man, that would be the worst, man.
4:22
Speaker 3: I feel like if I had a micro penis, it would,
4:24
Speaker 3: I don't think I could be confident.
4:26
Speaker 1: Hell no.
4:27
Speaker 3: As a man, I'd just be like, even if I
4:28
Speaker 3: was really good, like if I could be like an NBA,
4:31
Speaker 3: I could dunk, I'd be like deep down inside my
4:33
Speaker 3: meat trying.
4:33
Speaker 1: My meat is micro. Our meat ain't nothing, man.
4:36
Speaker 4: The women that have told me about their experiences with micropenises, 100%
4:42
Speaker 4: of the time, they was out of there.
4:44
Speaker 1: 100%? 100%. They was like, man, this dude had a micro...
4:50
Speaker 1: I liked them. I was like, yo, man, what's up?
4:54
Speaker 1: Why we not doing nothing? And then whip it out
4:58
Speaker 1: full hard, minuscule.
5:03
Speaker 4: Them women be like, oh, minuscule they would fade out
5:08
Speaker 4: they would fade out.
5:09
Speaker 3: Did they ever say that they it was straight peen
5:12
Speaker 3: or that like he wasn't confident.
5:14
Speaker 1: Or he could work it it's like it's like the
5:17
Speaker 1: dudes knew once they revealed the micro meat they knew
5:22
Speaker 1: what it was on the fade out they was just
5:24
Speaker 1: like alright It's not funny, but.
5:28
Speaker 4: Because they be, you know what I'm saying, they be
5:30
Speaker 4: giving head all the time. They be like, all right,
5:32
Speaker 4: let's get to it.
5:32
Speaker 1: They be like, man, watch it. I just really enjoy
5:35
Speaker 1: giving head.
5:35
Speaker 4: Then when they finally see the micro meat, it's like
5:39
Speaker 4: everybody knows what it is.
5:42
Speaker 1: Sorry. And women just be like. Sorry. I can't do it, man.
5:49
Speaker 1: I just be laughing at you women, man. Y'all act
5:51
Speaker 1: like it's all about the heart. It's all about the soul.
5:54
Speaker 1: Let that micro meat come out. Women be like, all right, Joe.
6:01
Speaker 2: Fade away like a 90s R & B video. Remember
6:04
Speaker 2: they would go to the photo, the Drew Hill video?
6:08
Speaker 3: These are the times we all live for.
6:12
Speaker 1: All right, man.
6:13
Speaker 3: I'm going to get up. Listen, it don't matter how
6:15
Speaker 3: well you eat kushi. Sometimes you just want to get pounded.
6:18
Speaker 1: Exactly.
6:19
Speaker 3: I got to feel that meat. Just remind me that
6:23
Speaker 3: you got it. You got to establish the run, okay?
6:26
Speaker 3: It don't matter if you can throw from 5,000 yards.
6:28
Speaker 3: Some days it's third and one. You got to establish
6:31
Speaker 3: the run. You got to go out.
6:34
Speaker 1: Right at the middle.
6:35
Speaker 5: Power out formation, 32 dive. No tricks, no in rounds,
6:41
Speaker 5: straight up the gut. You got to feel me. Play
6:44
Speaker 5: action don't work if you don't establish the run. Women
6:48
Speaker 5: want that straight meat.
6:51
Speaker 1: Pound me, all right?
6:52
Speaker 2: I don't even need the bus.
6:54
Speaker 1: I got the feel ya. That's facts.
6:57
Speaker 4: It's proven with the micro. I'll tell you every story.
7:01
Speaker 4: The women be like, yeah, I experienced that one time.
7:04
Speaker 1: And they was like.
7:08
Speaker 2: Remember the Ball Brothers?
7:09
Speaker 3: The lady, I think, was in Charlotte. She said that
7:13
Speaker 3: the micro, he had the micro.
7:14
Speaker 1: Yeah, yeah. He was like, yeah, let me show you
7:16
Speaker 1: what the tongue's like. Man, he was like, me. He
7:18
Speaker 1: was like, nah. Nah, man. Get out of here. I
7:22
Speaker 1: might as well be with a woman if this is
7:24
Speaker 1: going to be the case. Clit to clit. You might
7:27
Speaker 1: as well scissor me up clit to clit. So I'll
7:31
Speaker 1: be feeling bad. I immediately feel bad for the dudes.
7:34
Speaker 1: I'll just be like, oh, damn. There's nothing you can do.
7:39
Speaker 2: Dang.
7:39
Speaker 1: And then they're going to, you know what I'm saying,
7:41
Speaker 1: if they really do stick around, one false infraction, they're
7:45
Speaker 1: going to throw that micro meat in your face. That's
7:48
Speaker 1: why you ain't got no dick. Come on, man. We
7:52
Speaker 1: at Thanksgiving dinner, man. The family, man. We at Thanksgiving dinner, man.
7:58
Speaker 1: My mom right here. That's why you out here meatless.
8:04
Speaker 1: You ain't got no comeback on that. You just like....
8:11
Speaker 2: You and that doorstopper is the same.
8:13
Speaker 1: It's tragic. But you can pump it up. You could.
8:19
Speaker 1: I heard about the pumped up meats.
8:20
Speaker 2: Yeah, I heard about it. Heard about it, but deep
8:23
Speaker 2: down inside, man.
8:24
Speaker 4: But the women always be like, when they've encountered the
8:27
Speaker 4: pump of.
8:28
Speaker 1: Meat, they say it's just a weird texture. It's just like,
8:31
Speaker 1: what is this? Because it's like extra fat, but squishy.
8:37
Speaker 1: So they just like, okay.
8:40
Speaker 3: In Jarrah, I was eating Ethiopian food. Homegirls was like, yo,
8:46
Speaker 3: in Jarrah, it feels like penis. I was like, man, what?
8:52
Speaker 1: What are you talking about?
8:55
Speaker 3: Yo, women be saying, Gray, this one girl on thread said,
8:59
Speaker 3: clean dick tastes like avocado. What are y'all talking about, man?
9:05
Speaker 2: Clean dick and avocado got the same taste.
9:09
Speaker 1: That's why.
9:10
Speaker 4: You know what, now that you mention that, I think
9:11
Speaker 4: I seen a dude respond to that video because he
9:14
Speaker 4: threw his avocados in the dumpster.
9:16
Speaker 1: He's like, see now, he threw them in the dumpster.
9:20
Speaker 4: I don't care if avocados taste like clean meat. I'm
9:23
Speaker 4: still getting that avocado toast. My mom said something about
9:27
Speaker 4: a penis in the green room in Dallas one time.
9:29
Speaker 1: Had us swore. Yeah. She was like, something like an
9:33
Speaker 1: erect penis. And we was like, yo. She was like, what?
9:39
Speaker 3: I ain't always been Tony's mama.
9:44
Speaker 2: Mama got to have a life, too.
9:46
Speaker 1: I forgot to have a life, too. I forgot to
9:48
Speaker 1: have a life, too. All right, y'all. Welcome to the
9:49
Speaker 1: Ball Brothers.
9:50
Speaker 2: Leave it in, Greg.
9:51
Speaker 1: Let them know, Joshy. Leave it all in, man.
9:54
Speaker 3: This is the podcast where me and Tony like to
9:56
Speaker 3: wax poetically on anything from TV and movies to micropene.
10:01
Speaker 3: ain't enough tv and movies today uh i'm kevin.
10:04
Speaker 2: On stage tony baker today.
10:06
Speaker 3: We are covering the drop and the first four episodes
10:10
Speaker 3: i was able to watch it okay you got it
10:12
Speaker 3: yeah first four episodes of mob land listen man If
10:17
Speaker 3: you guys wanna, the movies ain't movin' this year.
10:20
Speaker 1: We were just talking about that.
10:22
Speaker 3: The movies ain't movin', there's more TV, and also TV's
10:26
Speaker 3: easier to access when I'm on the road.
10:28
Speaker 2: I don't always have time to.
10:30
Speaker 1: Go to the theater. To go to the movies. You
10:31
Speaker 1: gotta shut everything down to go to the movies.
10:33
Speaker 3: Man, you know, we be on theater runs, so we
10:35
Speaker 3: get to the city two o'clock, we gotta leave at six.
10:38
Speaker 1: Robby call it. Robby call. And then home, lobby call
10:42
Speaker 1: at 4 a.m. So I can download TV. It's just easier.
10:44
Speaker 2: And then when I get home, I want to spend
10:46
Speaker 2: the day with Lissa. I don't want to go to
10:47
Speaker 2: the movies. You know, you just got to build that time.
10:50
Speaker 1: Right.
10:50
Speaker 3: Like yesterday, man, I was just like, man, home. If
10:54
Speaker 3: I go to the movies and she don't want to go,
10:55
Speaker 3: it's just two or three hours. I don't get to
10:57
Speaker 3: see with her. So TV is easier. You can follow along.
11:02
Speaker 3: We on the drop in Mobland. There's going to have
11:03
Speaker 3: to be a way where we be like, all right,
11:04
Speaker 3: we ain't watching the show no more. But that hasn't
11:07
Speaker 3: happened yet.
11:07
Speaker 2: Yes. So let's kick it off with The Drop, episode four.
11:10
Speaker 1: Hell yeah. What you got, Tone?
11:12
Speaker 4: So Gertie finally reveals to the family what the hell
11:15
Speaker 4: her deal is with this goddamn music beef.
11:20
Speaker 1: So we finally get to the heart of the matter.
11:23
Speaker 1: I'm fed up.
11:24
Speaker 4: Lamar is fed up. James is like, all right, man,
11:27
Speaker 4: I'm going to be in there. Hopefully they tell you.
11:29
Speaker 2: It couldn't go another episode.
11:30
Speaker 1: Man, if it was going to go.
11:31
Speaker 2: I couldn't take another episode of the car accident.
11:34
Speaker 4: If they were going to drag this out all season,
11:36
Speaker 4: I was going to be like micropenis. I was going
11:40
Speaker 4: to micropenis my way up out of there, man. Because
11:43
Speaker 4: I can't be dealing with this episode after episode. Her
11:46
Speaker 4: slapping Wanda and just acting shady. You know what I'm saying?
11:51
Speaker 4: They got to hide. You know what I'm saying? So
11:54
Speaker 4: we finally get her origin story on what her beef is.
11:58
Speaker 4: We go all the way back, back in the day.
12:00
Speaker 4: And I forget that this is set in like, what
12:03
Speaker 4: is it, 1990?
12:04
Speaker 1: It's like 91, right?
12:05
Speaker 2: Yeah, it's set in the 90s. So they go back to,
12:08
Speaker 2: I think, Late 70s? Yeah, I feel like it was
12:10
Speaker 2: like early 90s, so I feel like the 70s.
12:13
Speaker 1: Well, Gertie, it was back even further. Oh, yeah. It
12:15
Speaker 1: was like the 50s, man. Yeah. That's what it felt like,
12:18
Speaker 1: because the cars that.
12:19
Speaker 2: They drove off in. She got to be like 45,
12:21
Speaker 2: 50 in the 90s.
12:21
Speaker 1: Yeah. Yeah. Because I was like, yo, why is it
12:25
Speaker 1: this much back in the day?
12:25
Speaker 2: But I forgot.
12:26
Speaker 1: We dealing in 91.
12:27
Speaker 3: Yeah.
12:28
Speaker 1: Yeah.
12:28
Speaker 4: So we find out that she was into music as
12:33
Speaker 4: a young girl. And then her father just outs her
12:35
Speaker 4: in front of the whole congregation.
12:37
Speaker 2: Yeah.
12:37
Speaker 4: Like, yeah, y'all, my daughter's pregnant, y'all. I'm disowning this bitch.
12:43
Speaker 4: We're going to take a picture together after this, but
12:45
Speaker 4: you gone.
12:46
Speaker 1: You out the family. And then, praise God, y'all. I'm
12:49
Speaker 1: just like.
12:49
Speaker 3: And low-key, man, they still doing the public shaming. Not
12:55
Speaker 3: maybe six months ago. Me and Angel covers on the podcast.
12:58
Speaker 3: The girl got pregnant and the church made her come up.
13:01
Speaker 3: and say I got pregnant and apologize to the church.
13:04
Speaker 2: Just the girl. That part.
13:05
Speaker 1: Not, yeah.
13:06
Speaker 2: Now I know what you're talking about.
13:07
Speaker 1: Yeah.
13:08
Speaker 3: Not the man, but the dad threw her under the bus.
13:10
Speaker 1: That's crazy.
13:11
Speaker 2: God, dog.
13:12
Speaker 1: I would never. I would never.
13:15
Speaker 2: My daughter be nine months pregnant and be like, what's
13:17
Speaker 2: wrong with your daughter?
13:17
Speaker 1: What do you mean? I don't know what you're talking about.
13:19
Speaker 4: Food is good. Anyway, God, right? There's no way in hell.
13:24
Speaker 4: I'm throwing my daughter under the bus for the church.
13:28
Speaker 1: Right. But, so, you know, of course she's devastated. Yeah.
13:32
Speaker 1: Drives off, who I assume is Big Daddy. Yep, yep.
13:36
Speaker 4: And, you know, they drive off and cut to, you know,
13:41
Speaker 4: I think.
13:42
Speaker 1: They cut back to... Yeah, they was going back and forth.
13:45
Speaker 1: They were going back. They were doing a lot of
13:47
Speaker 1: time jumps.
13:47
Speaker 4: A lot of time jumps. So then we get into,
13:50
Speaker 4: you know, her daughter, Rochelle, is also in the music business.
13:53
Speaker 1: Yes. The young Tabitha Brown. Man!
13:57
Speaker 3: I said, yo, what is Tab as a baby doing
14:00
Speaker 3: in here?
14:01
Speaker 4: They need to cast them together.
14:02
Speaker 1: That was young Tab. For sure. I was like, she looked.
14:07
Speaker 2: I text you during the episode, like, man, ain't she
14:09
Speaker 2: look like Tab? And I text Tab. She's like, man,
14:12
Speaker 2: people been telling me this on thread.
14:14
Speaker 1: Oh, so she, no, okay, yeah, yeah.
14:15
Speaker 2: Yeah, because she watches The Drop, too.
14:17
Speaker 1: Okay, yeah.
14:17
Speaker 2: She was like, me.
14:19
Speaker 1: I was like, girl, that is you. It was big
14:22
Speaker 1: Tabitha Brown, man.
14:24
Speaker 2: You know, Tab got that big smile.
14:25
Speaker 3: Yes.
14:26
Speaker 2: Rochelle was a light.
14:27
Speaker 1: Yeah, for sure.
14:28
Speaker 3: And it was like, oh, dang, you look like a
14:31
Speaker 3: young Tabitha Brown if she grew up in the 70s.
14:33
Speaker 2: You know, because Tab got the fro.
14:35
Speaker 1: She got to throw it out. She got to throw
14:37
Speaker 1: it out. Yeah. The Brown is built for a period piece.
14:40
Speaker 1: For sure. She could go right. Yeah.
14:42
Speaker 3: Judas in the block. My side of town was in there.
14:45
Speaker 3: Be like, Hey, vegetables, y'all.
14:48
Speaker 1: Hey, tell me. Hey, tell me. Lunch program. Palatinate people.
14:53
Speaker 3: Palatinate people with the celery, y'all. Don't forget to tell
14:57
Speaker 3: them about the celery, the broccoli, y'all.
14:59
Speaker 1: You got to write the bear arms. Free lunch, vegetables
15:04
Speaker 1: are the free lunch. Let's get it, y'all. Palatin people.
15:10
Speaker 1: Denise Benton, yeah, thank you, Gals in the World. Her
15:12
Speaker 1: name is Denise Benton. Yeah.
15:14
Speaker 3: But see, what I didn't like, Gertie was making it
15:17
Speaker 3: seem like a music note killed her. Like, she was like, music, music.
15:23
Speaker 3: Music was like, I got eight notes for you.
15:26
Speaker 1: Right.
15:28
Speaker 2: And it wasn't even that.
15:29
Speaker 1: Mm-hmm.
15:31
Speaker 2: And Gertie, listen, man, Gertie had a problem, too. She
15:35
Speaker 2: was part of the equation. Yeah, oh. I like that
15:37
Speaker 2: Lamar called her out on that.
15:39
Speaker 1: Yeah.
15:39
Speaker 2: He was pissed. He was like, man, just tell me already.
15:42
Speaker 1: That's what I'm saying, man. Man, enough of this.
15:45
Speaker 2: James knew already. Big Daddy knew. Wanda knew.
15:48
Speaker 3: Like, how y'all, James and Lamar, what, six, seven, eight
15:51
Speaker 3: years apart? Apari, like 19, probably 24, 25. They act
15:55
Speaker 3: like Lamar was three.
15:57
Speaker 1: Right, man.
15:58
Speaker 2: Come on, man.
15:58
Speaker 4: I'm 18. I'm 18 and living crazy life. Plus, I'll
16:02
Speaker 4: show you what the 80s like. Sorry, I had the
16:05
Speaker 4: Jewel Santana lyric. Listens and takes advice. I could be
16:09
Speaker 4: all three. Plus, I can lay the pipe.
16:12
Speaker 1: Come with me. Come stay the night. Micro. But yeah,
16:17
Speaker 1: I was just fed up. And then come to find out,
16:20
Speaker 1: even in her origin story, the black and white damage,
16:26
Speaker 1: it wasn't even music based. No. It was more like,
16:29
Speaker 1: you got pregnant, you're out.
16:31
Speaker 2: For sure.
16:31
Speaker 1: And in the 50s? Oh, you're done. Come on, you
16:34
Speaker 1: was done? Even if you wasn't in the church, everybody
16:36
Speaker 1: would have been like.
16:37
Speaker 2: Scarlet Letter.
16:39
Speaker 1: Scarlet Letter, your teenage pregnancy. Yeah, for sure. The whole
16:45
Speaker 1: neighborhood pointing at you. Not saying that's right, but it is. No,
16:48
Speaker 1: but yeah. She made it seem like music got her
16:52
Speaker 1: pregnant and left her at the altar.
16:56
Speaker 3: Gertie, I'm telling you, man. I told you this last time,
16:59
Speaker 3: and I'm going to keep saying it. Gertie got to
17:01
Speaker 3: do something this season. Because Gertie ain't got no redeeming
17:05
Speaker 3: qualities right now. No. She's smacking Wanda around. She's blaming everybody.
17:09
Speaker 3: She's taking it all out on Wanda.
17:12
Speaker 1: Still. And when Lamar was like.
17:15
Speaker 2: It ain't Wanda. It's you.
17:18
Speaker 1: Yeah.
17:19
Speaker 2: You're my dad in the situation. I was like, you
17:23
Speaker 2: know what, Lamar? You all right.
17:24
Speaker 1: And Lamar walked out, and then she was like, Wanda.
17:27
Speaker 1: You're going to blame Wanda again?
17:30
Speaker 2: See, this is your doing.
17:31
Speaker 1: Wanda was like... Look, Wanda was like, man, watch out.
17:36
Speaker 2: I actually was proud of her.
17:38
Speaker 1: Hell yeah, I'm proud of Wanda.
17:38
Speaker 3: She was like, all right, bro. Like, this is ridiculous.
17:42
Speaker 3: This is goddamn ridiculous. Cat comes and bites her. Wanda
17:46
Speaker 3: got that cat. Thanks, Obama.
17:50
Speaker 2: That's what she's doing.
17:51
Speaker 3: Bye.
17:53
Speaker 1: George Bush gets elected. George H.W. Bush gets elected. Goddamn Wanda.
17:59
Speaker 1: I knew this is all you're doing. What? I'm just
18:03
Speaker 1: trying to go to work Rodney King is beating look
18:06
Speaker 1: at Rodney King getting beaten Wanda.
18:11
Speaker 3: This is all your doing I know you set this
18:13
Speaker 3: up you probably was in there.
18:15
Speaker 2: In the video you could clearly see the police officers.
18:18
Speaker 3: Are all in you was recording the video that's why
18:21
Speaker 3: this is happening that's.
18:22
Speaker 1: Why it's going down like this Wanda Wanda's father, debut album. Man,
18:31
Speaker 1: that shuttle that exploded in the 80s. Goddamn, Wanda. I
18:36
Speaker 1: knew it was you.
18:37
Speaker 2: I bet you put some tracks in the gas tanks.
18:39
Speaker 1: It was all you're doing, Wanda. I'm a child.
18:42
Speaker 4: Yeah, that's the problem. That's the problem right there. It
18:46
Speaker 4: was you, Wanda. I'm sick of her, man.
18:49
Speaker 2: Now, the part that was crazy.
18:52
Speaker 1: Right?
18:53
Speaker 2: The dad is a good guy. So when he comes in,
18:56
Speaker 2: I'm like, man, this dude is, he's good.
18:58
Speaker 3: He's playing with the kids and stuff. So I'm like, okay, what's,
19:01
Speaker 3: I don't get, and then he was like, I got
19:03
Speaker 3: the song. And Tab was like, man, I knew it.
19:08
Speaker 1: I knew it.
19:08
Speaker 3: So when I thought car accident, I thought drunk driver, high.
19:12
Speaker 1: Yeah.
19:13
Speaker 2: That man socked her and she stabbed him.
19:15
Speaker 3: Yeah.
19:16
Speaker 4: They had a full fight in the front seat while driving.
19:18
Speaker 4: Never stopped driving.
19:20
Speaker 2: I mean, he faded out. That's how the girl was
19:22
Speaker 2: supposed to die on the Dark Knight Rises.
19:25
Speaker 1: Oh, yeah. The fade out.
19:27
Speaker 2: You losing blood.
19:29
Speaker 4: She was like, and that's everything.
19:34
Speaker 2: That's I said, man, why y'all didn't shoot that again, Chris?
19:41
Speaker 4: I'm so mad at Christopher Nolan for letting that ride.
19:43
Speaker 4: Christopher Nolan was like.
19:44
Speaker 1: We got it.
19:46
Speaker 2: We got it.
19:46
Speaker 1: Moving on.
19:47
Speaker 2: She fell into herself.
19:49
Speaker 1: I'm dead, y'all.
19:51
Speaker 2: And he died like, he faded out.
19:55
Speaker 1: He was just like, ugh.
19:58
Speaker 3: And the realization of her being like, all right, man, hey.
20:01
Speaker 3: And he has a foot on the gas and stuff.
20:03
Speaker 3: I was like, And then I thought, oh, they're not
20:06
Speaker 3: going to know that she got stabbed.
20:10
Speaker 2: They was like, nah, we go to the police report, man.
20:12
Speaker 2: Mom stabbed dad.
20:13
Speaker 1: Got the sad one right there in the autopsy.
20:15
Speaker 2: In the autopsy. Like how your mom died in a
20:18
Speaker 2: car accident, but she stabbed your dad. That's crazy.
20:21
Speaker 1: That's wild. That's wild.
20:22
Speaker 4: When you find out how your parents went out, yeah,
20:25
Speaker 4: your mom stabbed your dad.
20:26
Speaker 1: He was driving. Why not stop driving?
20:30
Speaker 4: Let's talk about the elephant in the room or at
20:33
Speaker 4: the steering wheel.
20:35
Speaker 1: I get arguing while you're driving. For sure. Once it
20:38
Speaker 1: gets physical, oh, you go. Pull over. Please pull over.
20:46
Speaker 1: Don't be full fighting on a winding road in Cali.
20:50
Speaker 1: They're on a winding road. Not no residential street, no
20:56
Speaker 1: twists and turns, traffic. You know what I'm saying? If
20:59
Speaker 1: you're going to fight, pull over and fight. And they didn't.
21:04
Speaker 1: And then if you stab me, I'm really pulling over.
21:06
Speaker 1: He's still like, oh, you stabbing me? That's crazy, man.
21:12
Speaker 1: Still doing this? Mid-stab. Got to keep the drive going.
21:17
Speaker 3: Listen, he was driving. They was driving like that Fast
21:21
Speaker 3: and the Furious. Remember when they was on the, which
21:24
Speaker 3: Fast and the Furious is that?
21:25
Speaker 1: They was on the runway.
21:26
Speaker 2: The airplane was on the runway for like 45 minutes.
21:28
Speaker 1: Oh, yeah, that was part six, I think.
21:30
Speaker 2: Man, we was like, all right, man.
21:33
Speaker 1: That runway was 45 minutes of runway.
21:38
Speaker 3: The runway, bro, they just was on the freeway. We
21:41
Speaker 3: was like, man, what the hell? You got to pull
21:44
Speaker 3: up or y'all have crap.
21:45
Speaker 1: It was on the 405. I'm like, this is the
21:49
Speaker 1: longest runway takeoff of all time. It was driving the plane.
21:53
Speaker 4: They had to pull over to get gas just on
21:55
Speaker 4: the runway drive. All right, man, get gas on the
21:58
Speaker 4: way to the takeoff.
22:00
Speaker 1: We running low. I was like, man, what's going to happen?
22:05
Speaker 4: Stop driving when you're already fighting in the car.
22:08
Speaker 3: Yeah, that episode. Want to take a quick break from
22:12
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23:17
Speaker 3: You know, it's not the most well-reviewed episode.
23:20
Speaker 1: I didn't like it.
23:21
Speaker 3: I think they kind of like hyped it up a
23:23
Speaker 3: lot and I felt like I kind of would have liked,
23:29
Speaker 3: me personally, I understand it ain't my show.
23:31
Speaker 1: Right, right, right. We can say stuff. Yeah.
23:37
Speaker 3: It was hyped up so much. And it was interesting.
23:41
Speaker 3: It was interesting, but it wasn't. But taking a whole
23:44
Speaker 3: episode on it, because Gertie's stuff, like you.
23:48
Speaker 2: See the repetition.
23:54
Speaker 1: Repetition.
23:55
Speaker 3: Dad treated her wrong. I still want this picture. She's
23:59
Speaker 3: treating the daughter wrong. And also the part that was
24:02
Speaker 3: interesting is the daughter wanted out of the music industry.
24:05
Speaker 1: Yeah.
24:05
Speaker 2: And the mom pushed her in.
24:07
Speaker 1: Pushed her in. Because I want to look good for Pops.
24:09
Speaker 1: I want to show them you out here killing it.
24:12
Speaker 1: And you mad at Wanda.
24:15
Speaker 2: Wanda wasn't there.
24:16
Speaker 4: Wanda was just a child. Just happened to be around.
24:21
Speaker 2: What?
24:23
Speaker 1: Remember when Wanda.
24:24
Speaker 4: Was just in there and Rochelle was doing the cocaine?
24:28
Speaker 1: Oh, man. Wanda just like. She was giving. Wanda, let
24:30
Speaker 1: me tell you something. If you ever let no man
24:35
Speaker 1: tell you blah, blah, blah, blah. Wanda just like.
24:38
Speaker 2: She was giving Wanda real adult woman talk.
24:40
Speaker 1: Real talk. I was like, Wanda is. Wanda, I'm glad
24:44
Speaker 1: you're here. Listen, don't ever let no nigga tell you
24:48
Speaker 1: how you supposed to do what you want to do
24:50
Speaker 1: in Miami. All right? They all the same. All the same.
24:55
Speaker 4: We just pussyed in them at the end of the day.
24:58
Speaker 4: Pussy that they can control. Let me tell you something.
25:01
Speaker 4: In the micro penises I've been around, you're going to
25:04
Speaker 4: have to make a decision.
25:06
Speaker 1: You're going to have to make a decision.
25:08
Speaker 2: Why did you just want a fruit snack? She's doing
25:11
Speaker 2: coke and giving her real life advice.
25:13
Speaker 1: I was just wondering what you was putting in your nose.
25:15
Speaker 1: Let me tell you what I'm putting in my nose.
25:18
Speaker 1: Dicks and shadiness from the record business. That's what the
25:21
Speaker 1: hell I've been putting in my nose. Wanda, I'm going
25:25
Speaker 1: to tell you right here, right now. Poor baby. Wanda
25:30
Speaker 1: was just like, oh.
25:32
Speaker 2: I was just.
25:33
Speaker 1: Oh, my God. I was just watching. Yeah. Yeah. So
25:37
Speaker 1: what do you think?
25:38
Speaker 3: So this was episode. So we're halfway through the season.
25:42
Speaker 3: I feel like I'm really curious to see what they
25:44
Speaker 3: do in the next episode.
25:45
Speaker 1: Absolutely.
25:46
Speaker 4: I want to get back to the streets and the music.
25:49
Speaker 1: I feel like DG still ain't let the stuff go. Yes.
25:52
Speaker 1: Darn Leon.
25:54
Speaker 2: She put a bid in and he was out of
25:56
Speaker 2: this episode.
25:57
Speaker 3: Right. They got the single. I can't remember if the
26:03
Speaker 3: record label was, what happened? The record label was mad
26:07
Speaker 3: because she was selling the music. We ain't, we ain't
26:08
Speaker 3: find out how that happened yet.
26:10
Speaker 2: Right.
26:10
Speaker 4: Right, because DG was upset that they did their own
26:14
Speaker 4: independent pressing of the songs. So I'm just interested to
26:20
Speaker 4: see how everything.
26:22
Speaker 1: Is the label going to completely turn on them?
26:24
Speaker 4: Hopefully we get all this family bullshit out the way
26:27
Speaker 4: to where Lamar can.
26:28
Speaker 1: Focus on the music. Yeah. And then we can.
26:32
Speaker 4: See how all the street politics and the label politics unfold.
26:37
Speaker 1: As we get.
26:38
Speaker 4: We still got artillery trying to get killed by the cops.
26:42
Speaker 1: Yep. So we trying to see, is he going to survive?
26:46
Speaker 3: And I love the, you need to be famous enough
26:49
Speaker 3: that they just can't disappear you.
26:50
Speaker 1: Yes.
26:51
Speaker 3: Because the cops are doing that. They just beat him
26:53
Speaker 3: within an inch of his life and just dropped him somewhere.
26:55
Speaker 1: They trying to kill.
26:56
Speaker 2: They trying to kill him like he killed the cops.
26:59
Speaker 2: He just made a song.
27:00
Speaker 1: They're like, nah. Nah, man, we got to take you out.
27:02
Speaker 1: We killing you. And he on the run. So he's
27:06
Speaker 1: fighting for his life. Literally. Mm-hmm.
27:10
Speaker 4: You know, and Lamar's just like, man, make a song. Nigga,
27:14
Speaker 4: did you know they trying to kill me?
27:16
Speaker 1: I love that part. Do you care about my life, bro?
27:20
Speaker 2: I love that. Because Lamar, he is innocent. James told y'all,
27:24
Speaker 2: he not as innocent. That man is arrogant.
27:25
Speaker 1: He want what he want.
27:27
Speaker 3: And you don't usually see gang members be like, he
27:28
Speaker 3: was vulnerable. Like, bro, this is my life.
27:30
Speaker 1: Yeah.
27:31
Speaker 2: He was like, write about it right now. He was like,
27:34
Speaker 2: all right, bro.
27:34
Speaker 1: Oh, man.
27:35
Speaker 4: And one thing I did like in this episode was
27:38
Speaker 4: James once again.
27:39
Speaker 1: When he was telling, he was just, be careful, man. Like,
27:43
Speaker 1: that's my mama too. Yeah. And they lost their daughter. Yes.
27:49
Speaker 1: I love that little moment.
27:52
Speaker 2: For sure. I was just like. That was great.
27:55
Speaker 3: Because it ain't just, this whole season so far, everything
28:01
Speaker 3: been about Lamar. James got to protect Lamar. Lamar got
28:04
Speaker 3: to make music. Juana's trying to treat Lamar. So he
28:07
Speaker 3: is sort of like the center of attention. And he
28:11
Speaker 3: don't really, I mean, partly because of how they are
28:14
Speaker 3: raising him, probably because of how he is.
28:16
Speaker 2: He's not really concerned with nobody else. It's nothing.
28:19
Speaker 3: It's just what I want. I'll do whatever I can. Which,
28:23
Speaker 3: just like Wanda, she's doing whatever she can.
28:26
Speaker 1: To do it.
28:26
Speaker 3: And then everybody else is reacting to make sure y'all
28:29
Speaker 3: are okay. Leon's reacting to make sure Wanda's okay. James
28:32
Speaker 3: is reacting to make sure Lamar's okay. But Wanda don't
28:35
Speaker 3: care about Leon, what he gets into. She don't know
28:38
Speaker 3: he got these guys outside the Wendy's or Denny's. And
28:42
Speaker 3: Lamar don't care what J-Loco got to do. So I
28:46
Speaker 3: think that's a good character flaw. And they give that
28:48
Speaker 3: to everybody but Gertie. Gertie got to do something nice, man.
28:52
Speaker 3: She got to bake a pie or cook a chicken
28:55
Speaker 3: or something, man.
28:56
Speaker 1: She needs a moment to where, all right. I was tripping. Yeah.
29:00
Speaker 3: Because she's been paralyzed by grief, which I understand.
29:04
Speaker 1: Right.
29:04
Speaker 2: But she also is not taking no accountability at all.
29:07
Speaker 1: Zero accountability up in this mug, man.
29:10
Speaker 2: Gertie don't care.
29:12
Speaker 4: Just when you think she got her just desserts with
29:15
Speaker 4: Lamar's like, man, it was you.
29:17
Speaker 1: And she's like, oh, man, maybe it was me. Wanda.
29:20
Speaker 2: Wanda was like, I.
29:22
Speaker 1: Should have just left.
29:24
Speaker 2: As soon as you look over it.
29:25
Speaker 4: Always going to just give it to Wanda, man.
29:30
Speaker 1: So I'm glad we got this out the way. Yeah.
29:33
Speaker 2: So we can move on.
29:34
Speaker 1: So we can move on. Because it's eight episodes? Yeah.
29:37
Speaker 1: So we got six, seven. We got three left.
29:40
Speaker 2: But that was four or five?
29:41
Speaker 1: That was five. That was five?
29:43
Speaker 2: Yeah.
29:45
Speaker 1: We breezing through.
29:46
Speaker 3: Really?
29:46
Speaker 2: I thought that was four.
29:48
Speaker 1: Yeah. All right, moving on. Moving on.
29:51
Speaker 3: We're talking about Mobland. This is season two of Mobland.
29:56
Speaker 3: If you are unaware... Mobland is a drug, gang, violence show,
30:04
Speaker 3: Paramount Plus.
30:05
Speaker 1: Set in London.
30:07
Speaker 2: Set in London, present day London.
30:10
Speaker 3: You got Pierce Brosnan is the head of the Harrigan
30:13
Speaker 3: crime family.
30:14
Speaker 1: Yes.
30:14
Speaker 3: His son is Paddy Considine, better known as the Targaryen
30:20
Speaker 3: King from.
30:21
Speaker 1: Dance of Dragons.
30:21
Speaker 2: Can't remember his name.
30:24
Speaker 1: Jaehaerys? I damn sure don't remember his name. Oh my God.
30:28
Speaker 2: Rhaenyra's dad. What is his name? You know Targaryen names be.
30:34
Speaker 1: I can't help you with this one. King Viserys? Viserys!
30:36
Speaker 1: Thank you, Josh. That sounds great.
30:38
Speaker 3: Paddy Constantine is Viserys Targaryen. It's his son, Kevin Harrigan.
30:44
Speaker 3: Helen Mirren and his wife, they got a Bonnie and
30:46
Speaker 3: Clyde thing going.
30:47
Speaker 1: For sure. And- Maeve is crazy.
30:49
Speaker 3: Man, Maeve is a wild witch.
30:52
Speaker 1: She is a loose cannon.
30:54
Speaker 2: And you got Tom Hardy as- The cleaner. Their cleaner, wolf,
30:59
Speaker 2: their fixer.
30:59
Speaker 1: Yeah, he's a fixer.
31:00
Speaker 3: Man, Tom Hardy is- killing in this role he is
31:05
Speaker 3: utterly terrifying yeah but.
31:07
Speaker 1: But also he's terrifying and also not that's the beauty
31:11
Speaker 1: of his.
31:12
Speaker 2: Performance because you never know what he's gonna do.
31:15
Speaker 4: Yeah you never know what he's gonna do you know
31:17
Speaker 4: he about that business you know he about that action
31:20
Speaker 4: he would be intimidating but he's also fair for sure
31:23
Speaker 4: and like you know level-headed so it's not like It's
31:27
Speaker 4: not like he's just all just scenery chewing and just
31:31
Speaker 4: all minutes.
31:32
Speaker 1: He's like, all right, how can I best fix this?
31:35
Speaker 1: What's the best strategy?
31:37
Speaker 4: I'll use violence if necessary, but I don't always want
31:40
Speaker 4: to do that.
31:41
Speaker 1: He's great.
31:42
Speaker 2: It's like, and he's a perfect counter to, oh.
31:47
Speaker 1: My God, Harrigan.
31:48
Speaker 2: What's his first name?
31:50
Speaker 1: Conrad. Conrad Harrigan. Conrad Harrigan.
31:53
Speaker 2: This is some of his best work.
31:55
Speaker 1: Oh, he's fantastic.
31:56
Speaker 3: And then in season two, he was already crazy and
31:58
Speaker 3: ruthless in season one.
31:59
Speaker 1: Yeah.
32:00
Speaker 2: Now, medically, the doctor was.
32:02
Speaker 3: Like, yo, whatever keeps your temper is off.
32:08
Speaker 1: Yeah.
32:08
Speaker 2: But you're irritable.
32:10
Speaker 1: You have a physical regression in controlling your impulses and aggression. Yeah.
32:17
Speaker 4: So the doc is pretty much saying- You are a
32:20
Speaker 4: loose cannon. We don't know what you about to do
32:24
Speaker 4: or how you about to do it, but it was crazy.
32:26
Speaker 4: And he was just like, if you say anything about
32:29
Speaker 4: this diagnosis, I'll kill you right now.
32:32
Speaker 1: None of this ever happened. I'm going to show you
32:34
Speaker 1: ruthless aggression. I'll show you right here, right now. I
32:36
Speaker 1: don't know what you're talking about. You burn it all.
32:39
Speaker 2: The doctor was like, I mean, we already did the test.
32:42
Speaker 2: He was like, what test?
32:44
Speaker 1: I'll kill you right now. Who would even be, first
32:47
Speaker 1: of all, HIPAA violation.
32:49
Speaker 3: But who would he even tell? And also, what would
32:52
Speaker 3: be bad about knowing he got ruthless aggression? Like, do
32:57
Speaker 3: other gang members like, man, get into his paperwork down
32:59
Speaker 3: at the hospital. Yeah, we didn't access the mainframe, man.
33:03
Speaker 3: He's more aggressive.
33:05
Speaker 4: And I think because if he says that the doctor
33:10
Speaker 4: wiped everything clean, I think Conrad feels that I can
33:15
Speaker 4: beat whatever that is.
33:17
Speaker 2: For sure.
33:18
Speaker 1: Whatever that is. I've never gotten officially diagnosed. Yeah. You
33:21
Speaker 1: know what I'm saying? But, man, he is.
33:24
Speaker 3: And they got good villains. We got two villains in
33:26
Speaker 3: this season. We got Kat McAllister.
33:29
Speaker 1: Yes. Who is, what is she? She works with, it's
33:41
Speaker 1: a big organization.
33:43
Speaker 2: Like a cartel?
33:44
Speaker 4: No, it's not even a cartel. It's something on the
33:47
Speaker 4: government level. So she's in... That's why she's so feared
33:53
Speaker 4: by Harry.
33:54
Speaker 1: Yeah. Because she has long reach and access to all
33:58
Speaker 1: kind of shit.
33:59
Speaker 2: Infinite money.
33:59
Speaker 4: It's some kind of... diplomacy, diplomat type of situation.
34:04
Speaker 2: And then she's evil on the.
34:05
Speaker 1: Exactly.
34:06
Speaker 4: She's also dealing in the underworld. So that's why she's
34:09
Speaker 4: so feared. But I forget what the exact title is, but.
34:12
Speaker 1: She's in that.
34:13
Speaker 2: Somebody said this. No, it's separate.
34:15
Speaker 3: But about Conrad, Lady Bear says, I think he wants
34:18
Speaker 3: to hide because he knows people already think he's losing control.
34:21
Speaker 2: That's a great point.
34:22
Speaker 1: That's a great point.
34:22
Speaker 2: Because he is losing control.
34:24
Speaker 1: Absolutely.
34:24
Speaker 2: They are saying he's slipping.
34:26
Speaker 1: He can't even.
34:26
Speaker 3: Now you got the medical diagnosis to confirm what you
34:30
Speaker 3: already knew.
34:31
Speaker 2: That's a death sentence.
34:33
Speaker 1: He can't come to terms with that.
34:35
Speaker 3: He can't come to terms with it. Cat McAllister is
34:37
Speaker 3: using that against him. Serafina not really built for this.
34:41
Speaker 1: Serafina, first of all, Serafina, she bore witness to the chainsaw.
34:48
Speaker 1: She bore witness to the Tony Montana.
34:49
Speaker 4: What happened to the Tony Montana in Scarface when his
34:52
Speaker 4: boy got chainsawed up in his bathtub? Serafina went through that.
34:56
Speaker 4: But got spared by Cat McAllister. But Cat was like,
35:00
Speaker 4: You're going to be working for me now.
35:01
Speaker 3: Yep.
35:02
Speaker 2: And this is not a question.
35:03
Speaker 3: You are.
35:04
Speaker 4: You can be chainsawed up or you can work for me.
35:09
Speaker 2: I mean, this is kind of a lot of leverage.
35:13
Speaker 1: Whatever.
35:13
Speaker 2: Hey, man, I'm going to chainsaw on you.
35:15
Speaker 1: Yeah. Or else. Whatever else is. So, Serafina was like,
35:20
Speaker 1: maybe I can take over the business and give you 50%
35:24
Speaker 1: of my profits for the first four years. Yeah. Because
35:27
Speaker 1: Serafina going to make a deal.
35:28
Speaker 3: Hey, now that's one thing she could make. But Tom, well, Harry,
35:33
Speaker 3: Tom Hardy as Harry.
35:34
Speaker 2: Bro, he pick up on stuff so quick.
35:36
Speaker 1: For sure.
35:37
Speaker 3: She slipped up when she said in episode three, she
35:43
Speaker 3: revealed that.
35:46
Speaker 2: Frankie Cooper.
35:47
Speaker 1: Yeah.
35:47
Speaker 2: And they didn't know who the name was.
35:49
Speaker 1: Right.
35:49
Speaker 2: And Tom Hardy was like. She just threw that out
35:51
Speaker 2: there willy nilly.
35:52
Speaker 3: You idiot.
35:53
Speaker 1: You can't.
35:53
Speaker 3: Let me tell you what. We talked about this before, Tom. Bro,
35:56
Speaker 3: the drug game, man. You can't never slip. Nah. Ever.
36:02
Speaker 2: You're dead.
36:03
Speaker 1: You got to be on point at all times.
36:06
Speaker 3: And that's why I like that clip from The Wire
36:09
Speaker 3: where Avon is talking to his uncle. He's like, you
36:12
Speaker 3: can never be a little late, a little slow.
36:14
Speaker 2: And how can you never be a little late or
36:16
Speaker 2: a little slow?
36:17
Speaker 3: Yep.
36:18
Speaker 2: And they catch you slipping.
36:19
Speaker 3: All she said was Frank Cooper and Tom was like, Tom,
36:22
Speaker 3: it's like, I never said his name. He said it.
36:26
Speaker 1: No. No.
36:28
Speaker 4: And when he reacts, he reacts there for you to like,
36:31
Speaker 4: how'd you know that it was Frankie?
36:33
Speaker 1: Like you told me. That's the worst. That's the worst
36:38
Speaker 1: lie you could ever tell. Especially if somebody's meticulous as hair.
36:42
Speaker 1: You're like, no, you told me, remember? No. No.
36:45
Speaker 2: That's like you. You ain't letting nothing go.
36:48
Speaker 1: Absolutely not.
36:49
Speaker 2: And you'll be like, no, I actually didn't say that.
36:52
Speaker 1: I actually never said that.
36:53
Speaker 2: And he let it go.
36:55
Speaker 1: He didn't know.
36:55
Speaker 3: And you know you don't know because you are looking
36:58
Speaker 3: because they don't know.
37:00
Speaker 1: They didn't know. And you were right. Oh, no. Come
37:03
Speaker 1: on now.
37:03
Speaker 2: You work with Captain McAllister. He was dead to right.
37:05
Speaker 1: I got you. Dead to right. You're going to be
37:07
Speaker 1: fucked up. Literally.
37:09
Speaker 2: That's Harry's whole game plan.
37:11
Speaker 1: Yeah.
37:11
Speaker 2: Because he caught the cop slipping. I was like, why
37:13
Speaker 2: are they robbing this thing?
37:15
Speaker 1: Set the whole thing up. So they got like a
37:18
Speaker 1: cop on the take.
37:19
Speaker 4: He sets up a fake robbery using the vehicle that
37:24
Speaker 4: could be tied to the Harrigans.
37:26
Speaker 1: He never got the info or the scoop. He was like,
37:29
Speaker 1: what happened? Yeah, man.
37:30
Speaker 3: We did a smash and grab in broad daylight. Left
37:33
Speaker 3: the car there. And that cop was like, you did what?
37:37
Speaker 1: Oh, yeah. Yeah. They keeping the information from you. For sure.
37:41
Speaker 1: You're useless to us now.
37:43
Speaker 2: Okay, so here's my thing. Why he got to die immediately?
37:47
Speaker 4: Because it's just, you know what I'm saying? We got
37:49
Speaker 4: to get you right now. Because you're going to flee.
37:52
Speaker 4: You're going to get the hell out of Dodge.
37:53
Speaker 1: We got to take you out right now.
37:55
Speaker 2: Dog, man.
37:56
Speaker 1: But your family is going to be taken care of, man.
37:58
Speaker 2: You got to hang yourself today.
38:02
Speaker 1: Climb the ladder, man.
38:03
Speaker 2: He said, man, I got the file. Come on, man.
38:06
Speaker 1: See, now, if you do got a file, now I
38:08
Speaker 1: got to kill your wife because she got the file.
38:11
Speaker 1: So do you really want to do this? He was like, no,
38:14
Speaker 1: I don't.
38:15
Speaker 2: Sorry, man.
38:16
Speaker 1: Sorry, dog. Can you imagine, dog?
38:22
Speaker 4: Can you imagine hanging yourself, going to your own death,
38:26
Speaker 4: climbing the ladder?
38:27
Speaker 1: I think you're going to have to just listen. I
38:32
Speaker 1: get it. but you just going to have to kill
38:35
Speaker 1: me in a different way.
38:36
Speaker 2: Hanging is crazy.
38:38
Speaker 1: I'm not going to hang myself because then it's suicide. Yes.
38:42
Speaker 1: You're going to have to shoot me, man.
38:44
Speaker 3: No, but see, the problem is as a protector, they
38:48
Speaker 3: always going to have, if you don't do it this way,
38:51
Speaker 3: you're going to kill my kids.
38:52
Speaker 1: Oh, yeah, that's true. And Tom was like, kill your kid?
38:56
Speaker 1: Come on, man. Me? Kill your kids? Yeah. I would never.
39:03
Speaker 2: He was like, ha ha.
39:05
Speaker 1: Oh, man. But we still. Now, you are. You, you dead.
39:13
Speaker 1: Kids is crazy to say, but you, you're dead. I mean, dang.
39:18
Speaker 1: You're dead.
39:20
Speaker 2: Yeah, you're dead, bro. I'm so sorry.
39:22
Speaker 1: But the fact that you had to climb up the
39:24
Speaker 1: ladder yourself.
39:27
Speaker 2: And, bro.
39:29
Speaker 3: Why?
39:30
Speaker 1: To your own demise is crazy.
39:33
Speaker 4: Where I'm like, yo, I guess it technically wouldn't be suicide.
39:37
Speaker 1: No, he killed you. Yeah, that was.
39:40
Speaker 2: He just let you.
39:43
Speaker 2: Get into the noose.
39:44
Speaker 1: Yeah.
39:45
Speaker 2: But he might as well pull the trigger.
39:46
Speaker 1: He kicked the ladder. And he did the extra pull
39:48
Speaker 1: down for the completion. For the completion, though. Because the cops,
39:55
Speaker 1: the cops are on their trail.
39:58
Speaker 2: And the best part is they got the other person
40:00
Speaker 2: in there.
40:01
Speaker 1: Yes.
40:01
Speaker 2: And now they're going to be not knowing. Because he's out.
40:06
Speaker 2: You wouldn't think you got. The next moment, it was
40:08
Speaker 2: like the departed.
40:09
Speaker 1: Yeah.
40:10
Speaker 2: Remember The Departed when we thought it was just one dude?
40:13
Speaker 1: It was another mole. And it was another mole.
40:15
Speaker 3: Because again, bro, at this level, you can't rely on
40:19
Speaker 3: just one dude.
40:20
Speaker 4: Nah, you got to have multiple moles, man. You got
40:22
Speaker 4: to skin cancer it up. Got to have those moles
40:26
Speaker 4: and freckles going, man.
40:28
Speaker 1: And then, because.
40:31
Speaker 4: After the events of last season, the Harrigan family is
40:34
Speaker 4: in internal turmoil. On the surface, it looked like they winning,
40:38
Speaker 4: but just on the inside, Maeve is looking at Conrad like,
40:42
Speaker 4: you got something going that you're not telling me.
40:44
Speaker 1: What is it?
40:45
Speaker 4: I don't know if it's an affair. I don't know,
40:47
Speaker 4: but when you got, you went and did something.
40:50
Speaker 1: Yeah. And you're not telling me you're acting weird.
40:53
Speaker 3: And what did Conrad find? When he was looking for
40:57
Speaker 3: the bandage, he found like that.
40:59
Speaker 1: Oh, he found the antifreeze. I missed what that was.
41:02
Speaker 1: So now he's thinking like, yo, you trying to poison somebody.
41:07
Speaker 2: She got that antifreeze when she was talking to Eddie.
41:10
Speaker 1: Because remember, she'd been trying to figure out how to
41:13
Speaker 1: poison people all season. That's why she was asking the
41:16
Speaker 1: vet those questions. So how do you take out a dog?
41:19
Speaker 2: And she told Paul to kill the dogs.
41:22
Speaker 1: And Paul was like, come on, man. What are you doing?
41:26
Speaker 4: And so she's trying to figure out I don't know
41:28
Speaker 4: who she's planning to kill, but she tried to.
41:31
Speaker 1: I don't know if it's Serafina. I don't know if it's.
41:33
Speaker 1: So now. Yeah. Because she, you know, she crazy enough. Absolutely.
41:37
Speaker 1: You got the affair going. I kill you dead right here.
41:40
Speaker 1: And she didn't care if Serafina died last time.
41:42
Speaker 2: Absolutely not.
41:43
Speaker 1: She wanted her.
41:44
Speaker 2: I don't think she care if nobody died. Except Eddie.
41:48
Speaker 1: Oh, she loved Eddie.
41:49
Speaker 3: Eddie is the only one that she cares about. I
41:53
Speaker 3: don't think she cares if Conrad dies. I don't think
41:55
Speaker 3: so either.
41:55
Speaker 1: Yeah.
41:56
Speaker 4: It's all about everybody's trying to get control. And then Harry,
42:01
Speaker 4: he's losing control of protecting his family because his wife
42:05
Speaker 4: wants a divorce.
42:06
Speaker 1: She stabbed him. She wants out. You know what I'm saying? Daughter,
42:09
Speaker 1: nothing to do with him. Yes. She running away from
42:12
Speaker 1: the whole parent situation. She hanging with Eddie.
42:15
Speaker 2: Right into the crime.
42:16
Speaker 1: Right into the crime. Right into the crime.
42:18
Speaker 4: So now he's like, my daughter's up in the mix.
42:20
Speaker 4: You know what I'm saying? All this is going on.
42:22
Speaker 4: The wife runs into the arms of a random stranger.
42:26
Speaker 4: She had a car accident with this working for a cat.
42:29
Speaker 2: And I mean, he went to work. Let me tell
42:32
Speaker 2: you what.
42:34
Speaker 3: I'm happily married to Melissa.
42:37
Speaker 1: So grateful.
42:38
Speaker 3: If my job is I got to get in the
42:39
Speaker 3: draws ASAP, what if you fail?
42:42
Speaker 1: Yeah. I'm not getting nobody's draws that quick.
42:45
Speaker 2: He was efficient.
42:47
Speaker 1: He got the draws quick.
42:48
Speaker 3: And he started off with a car crash and ended
42:51
Speaker 3: up in the panties.
42:53
Speaker 2: You know how much game you have to have to
42:54
Speaker 2: turn that into sex? Quick. I hit you with a car.
42:58
Speaker 1: Coochie. I don't see that happening that quick in real life, man. Man.
43:04
Speaker 1: He was like, let's have coffee.
43:06
Speaker 3: I'll give you the three grand, four grand.
43:08
Speaker 1: I'm listening to you. I understand where you're coming from. Panties.
43:13
Speaker 1: You know what? You're not lost. You're simply traveling.
43:16
Speaker 4: She was like, man, I'm sick of it, man. I
43:18
Speaker 4: just need some closure.
43:21
Speaker 1: Panties. Quick panties. You sent me on the case. Did
43:25
Speaker 1: you get the panties? No, man. She ghosted me. I
43:28
Speaker 1: was texting, but she just faded out. Did you call her? No,
43:32
Speaker 1: I didn't call her. The cats was peeing and stuff.
43:35
Speaker 1: I had a show. She wanted to meet up for coffee.
43:37
Speaker 1: I was doing stuff. I was like, man. Tony, you could.
43:41
Speaker 2: Never track down my panties.
43:43
Speaker 1: I would fail on that mission, dog. Tony, you need
43:46
Speaker 1: to go in there and get the panties so we
43:47
Speaker 1: can get the inside track. Bad. Sorry I ran into
43:52
Speaker 1: your car yesterday, man. I could pay you $ 7, 000. You
43:56
Speaker 1: kind of cute, man. What's up? Hey, big head. I
44:02
Speaker 1: ain't heard from you in a while. Nothing. People are like,
44:06
Speaker 1: I don't.
44:06
Speaker 4: Really do this texting thing. I like to either talk
44:08
Speaker 4: on the phone or meet up. Oh, that's crazy. You
44:10
Speaker 4: don't like texting? Like, Tom, did you meet up with him?
44:19
Speaker 1: Nah, man. It was just, it was far. I had
44:22
Speaker 1: to get my walk in. I got my treadmill going.
44:26
Speaker 1: Come on, man.
44:27
Speaker 3: You know my smoothie bowl place wasn't open on Monday,
44:29
Speaker 3: so Tuesday I had to get out of the podcast going.
44:32
Speaker 3: You know, can't be young when I'm late. Tony's been
44:34
Speaker 3: two weeks. I just don't really want to have sex
44:37
Speaker 3: with her, okay? What if I just don't want to
44:39
Speaker 3: have sex with her?
44:41
Speaker 1: And that's another thing. What if I ain't feeling it
44:43
Speaker 1: like that? I can't give you the fake pups.
44:47
Speaker 2: That's a great point. What if you ain't attracted?
44:50
Speaker 1: Your dick not hard. I just couldn't rise to be gay.
44:54
Speaker 1: It was business, man.
44:56
Speaker 2: I'm setting your husband up, man. I don't even want.
44:59
Speaker 1: To do this.
45:00
Speaker 4: I would come clean in there with no bottoms on.
45:04
Speaker 4: Are you even into this? Let me tell you what's real, man.
45:07
Speaker 4: This is all business. They want me to have sex
45:10
Speaker 4: with you, get the inside track of what your husband's
45:13
Speaker 4: got going.
45:15
Speaker 1: I wasn't even feeling you like that. You gave me
45:17
Speaker 1: attitude off the top after the accident. That turned me
45:20
Speaker 1: off from the jump. You ain't built for this. What
45:26
Speaker 1: you give me attitude in the beginning?
45:28
Speaker 2: Even if you hit her?
45:29
Speaker 1: Even if I hit her. I know I hit you,
45:31
Speaker 1: but just like the way you reacted. She was stank, man.
45:35
Speaker 1: I told her I was going to pay her the
45:36
Speaker 1: money for it. She was still giving me attitude. So
45:38
Speaker 1: I was like, man, watch out. You didn't complete the mission?
45:43
Speaker 1: Hell no. Find somebody else that can put up with
45:48
Speaker 1: that shit.
45:50
Speaker 3: I would say I'd have sex all 2024, man. I
45:52
Speaker 3: don't need this. I better go watch these movies, man.
45:57
Speaker 3: But let me tell you what. Cat's a good villain,
45:59
Speaker 3: but this nigga, Lord Farquaad, This nigga's diabolical with the
46:04
Speaker 3: Lord Farquaad. Frankie Cooper.
46:07
Speaker 1: Frankie Cooper is... Oh, my God. You can't read him.
46:11
Speaker 2: Bruh, you know who he reminds me of? He reminds
46:13
Speaker 2: me of Dante from Fast and the Furious. You can't get...
46:16
Speaker 2: He was doing the dude's feet.
46:18
Speaker 3: Oh, yeah, yeah.
46:19
Speaker 2: He was introducing... Let me finish your feet off.
46:21
Speaker 1: Yeah.
46:22
Speaker 2: He rode a scooter to a murder meeting.
46:24
Speaker 1: Yes.
46:25
Speaker 2: Solo dolo with a tracksuit on.
46:28
Speaker 1: Yeah. Tracksuit and a nice coat. Bruh.
46:32
Speaker 3: Put the helmet down, bomb, recorded the wife, put the
46:37
Speaker 3: camera on him, winked.
46:40
Speaker 1: You, bruh!
46:43
Speaker 2: Wild, but calculated. Him and Harry is a good.
46:48
Speaker 1: It's like Joker and Batman.
46:51
Speaker 2: I'm so sad that he got to die this season.
46:54
Speaker 2: Did you see Bull Rock Empire? Yeah. He's Jimmy, Jimmy Darmody.
47:01
Speaker 3: When Jimmy was the villain, I said either him or
47:03
Speaker 3: Nucky gotta die. And probably Cat gotta die too. In
47:07
Speaker 3: this game, the drug game, it's Game of Thrones. When
47:11
Speaker 3: you're that big bad, one of us gotta die. Somehow
47:15
Speaker 3: they both, because you can't go into season three and
47:18
Speaker 3: it's still Cat. Frankie Cooper for sure gonna die.
47:22
Speaker 2: Cat most likely is gonna die. I don't know who
47:24
Speaker 2: the villain will be.
47:25
Speaker 1: She might make it out, but... But Frankie Cooper? Frankie
47:29
Speaker 1: Cooper got to go. Oh, you done.
47:31
Speaker 2: And that's... Bro, they just got divorced in, like, episode one?
47:35
Speaker 1: But before he goes, some more people gonna be... Oh, yeah.
47:40
Speaker 1: For sure. I don't know. To be honest with you,
47:43
Speaker 1: I don't know who's making out in this season. Because
47:45
Speaker 1: there's no guarantee that it's gonna be a season three. Nope.
47:48
Speaker 1: Because they fired Tom Hardy and then unfired him. Yeah.
47:51
Speaker 1: So I'm like... I don't... Anybody can get it. Tom
47:56
Speaker 1: Hardy might not make it. Literally.
47:59
Speaker 2: Now, if he's out, I'm out.
48:00
Speaker 1: Pierce Brosnan might not make it.
48:02
Speaker 2: He should die. You know who most likely would die?
48:05
Speaker 1: Kev. Kev is out of here. Kev is out of here.
48:08
Speaker 1: Kev is out of here.
48:09
Speaker 2: He's also not built for it. Can you imagine your.
48:11
Speaker 3: Wife gave birth to your dad's son and then told
48:15
Speaker 3: you you wasn't that nigga to your face after... You saved.
48:19
Speaker 2: Her from getting kidnapped? She was like, you not built
48:22
Speaker 2: like that.
48:23
Speaker 1: Now, your dad? Now, that's a man.
48:26
Speaker 3: Yeah.
48:27
Speaker 1: And you know I know. I said, oh, brother.
48:31
Speaker 2: You pulled a gun?
48:32
Speaker 1: And that's the thing.
48:33
Speaker 2: He pulled a gun to save her, but she was like,
48:35
Speaker 2: you lost your cool.
48:36
Speaker 1: Oh, my God. Yeah.
48:40
Speaker 2: And the dads are both losing their cool.
48:41
Speaker 1: Yeah. They both doing the same thing. They are. Yeah.
48:45
Speaker 1: Because they were like, yo, we need to keep Conrad
48:47
Speaker 1: out of this because he reckless. He'll lose Cannon. We
48:49
Speaker 1: don't know what he's going to do. And then the
48:50
Speaker 1: sun pulls the same shit. Almost blew the whole thing.
48:53
Speaker 1: Literally the whole thing.
48:55
Speaker 2: And then Conrad at the end of the episode.
48:58
Speaker 4: And then what's his name? Use that in that moment.
49:01
Speaker 4: What's the villain wildcard's name?
49:03
Speaker 1: Frankie Cooper. Frankie knew that Harry's going to be controlled.
49:08
Speaker 1: Kevin's gonna lose his cool. That dynamic, let me.
49:11
Speaker 4: Let them, let me let them stretch that little tension
49:13
Speaker 4: between them as I sit here in my track suit.
49:16
Speaker 1: I still got the leverage. I still got the chips.
49:19
Speaker 1: And then watching that all play out within. He's just
49:23
Speaker 1: having a great time watching them implode from within.
49:27
Speaker 2: He's the Baron from Winter Soldier.
49:30
Speaker 1: Yes.
49:30
Speaker 2: Remember he had no power. What was his name?
49:33
Speaker 1: Baron Zemo.
49:34
Speaker 2: Baron Zemo.
49:35
Speaker 1: I don't even have no power.
49:37
Speaker 4: I ain't got no powers, but I'm going to manipulate
49:39
Speaker 4: all these powerful beings to fight each other.
49:41
Speaker 2: You know what, man? Hey man, Bucky killed your dad.
49:44
Speaker 1: That's crazy. Couldn't be me. Couldn't be me.
49:48
Speaker 2: I mean, that's your boy.
49:49
Speaker 1: That's crazy.
49:51
Speaker 2: That's your boy?
49:52
Speaker 3: Yeah.
49:52
Speaker 2: You know, not only did Bucky kill your dad, Cap
49:56
Speaker 2: knew about that.
49:57
Speaker 1: Cap knew the whole time. Wow. Wow. You feel different.
50:01
Speaker 1: I mean, you different, Tony. Because me?
50:05
Speaker 2: You killed my parents?
50:06
Speaker 1: Shit. Ain't no way we on the same poster. You
50:10
Speaker 1: feel me?
50:12
Speaker 2: That's just me.
50:14
Speaker 1: That's just me. Oh, yeah, this is a good point.
50:16
Speaker 3: Chicago's Life said, don't forget Harry's right hand, Shosa or Ghost?
50:21
Speaker 1: Shosa? Yes.
50:21
Speaker 2: Her name is Jack and.
50:23
Speaker 1: Top Boy.
50:24
Speaker 2: And Top Boy, but I think it's Shosa or something
50:26
Speaker 2: like that. Yeah.
50:27
Speaker 1: He kidnapped her. Kidnapped her.
50:29
Speaker 2: And was like, you're on my side now.
50:31
Speaker 4: Let her come back into the fold. She got out
50:34
Speaker 4: of there before the bomb went off.
50:36
Speaker 1: She got out of there.
50:38
Speaker 2: And Harry don't know that yet. I mean, he's going
50:40
Speaker 2: to figure it out.
50:40
Speaker 1: Yeah. But Harry don't know yet. And I'm like, bro,
50:43
Speaker 1: y'all got a lot going on for four episodes. It's
50:45
Speaker 1: a lot.
50:45
Speaker 4: I'm telling you, man. I don't know who to trust.
50:48
Speaker 4: We know what Seraphina's doing.
50:50
Speaker 1: Oh, yeah. We know that. Everybody else is.
50:53
Speaker 2: But she's not built for it either. She's not built
50:55
Speaker 2: for it. She has the business... The thing about crime...
50:58
Speaker 2: To be at the top.
50:59
Speaker 1: Yeah.
51:00
Speaker 2: The thing is, if Conrad would just be cool, it works.
51:04
Speaker 3: Yeah.
51:05
Speaker 2: Because he got the guile and the crazy.
51:07
Speaker 1: For sure.
51:08
Speaker 2: Maeve got the crazy. Harry knows how to do the diplomacy.
51:12
Speaker 3: She was good in her lane, but she's not crazy
51:15
Speaker 3: enough and she's not a killer enough. Because sometimes it takes... Harry,
51:19
Speaker 3: he be fixing and sometimes he pulls the gun out.
51:21
Speaker 1: Yeah.
51:22
Speaker 2: When they had to go kill Gakbu, it's Harry.
51:25
Speaker 1: Like, I knew what I got to do. Who put
51:28
Speaker 1: you up to this? Kat. I knew it.
51:30
Speaker 2: Pat.
51:32
Speaker 3: He goes on about his business. He goes on about,
51:37
Speaker 3: I will kill the police. Hey, meet me in the
51:40
Speaker 3: garage in three hours. Just kill this nigga, the police.
51:44
Speaker 3: He don't. Serafina not pulling the guns out.
51:47
Speaker 1: She's great at business, but she don't have that other thing.
51:50
Speaker 1: And you got to have that other thing. Got to
51:52
Speaker 1: have that other thing.
51:53
Speaker 2: Maeve got it. Kev don't really got it.
51:56
Speaker 1: Kev don't get it. He not built like that. No,
51:58
Speaker 1: he not. He just, he not getting respected. But those
52:01
Speaker 1: are dangerous people too now. For sure.
52:03
Speaker 4: You can only get disrespected for so long. He might
52:06
Speaker 4: end up killing his wife because he just so sick
52:09
Speaker 4: of it. It's like, what's his name? It's like Ziggy
52:11
Speaker 4: in The Wire.
52:12
Speaker 2: That's exactly what it's like.
52:14
Speaker 1: He got so tired of the disrespect, he ended up
52:16
Speaker 1: wilding out and killing them cats.
52:18
Speaker 2: And his son was like, laters, Kev.
52:20
Speaker 1: Yeah. Oh.
52:22
Speaker 2: Everybody got to die.
52:23
Speaker 3: Because your dad is a constant reminder. He is constantly
52:27
Speaker 3: reminding you that you're not the man you want. And
52:29
Speaker 3: then you embarrass in front of a woman, your wife.
52:31
Speaker 1: I don't even know why they're married anymore. Man, she is.
52:35
Speaker 1: That dude is dead to her, dog. Like her, because
52:38
Speaker 1: you can see, you see her energy shift when Eddie
52:41
Speaker 1: came in compared to when she was talking to him.
52:43
Speaker 1: She's like, oh, Eddie. Mm-hmm. You know her. I think
52:46
Speaker 1: I love Eddie. Eddie sucks, man. Eddie is trash, man.
52:49
Speaker 1: He's been trash from the jump.
52:51
Speaker 2: This whole thing is Eddie's fault.
52:53
Speaker 1: Sick of Eddie, man. He's the appeal. And then Tom
52:58
Speaker 1: Hardy and them daughters smashing this dog.
53:00
Speaker 3: Oh, and then Peter the Hunter was like, you over
53:03
Speaker 3: there in the bed, huh?
53:04
Speaker 2: I was like, man, talk to me about that.
53:06
Speaker 1: Yuck. In a waterbed, no doubt.
53:09
Speaker 2: I would not want to have sex on no waterbed.
53:12
Speaker 1: Hell no, man.
53:13
Speaker 2: How you get the strokes going consistently?
53:15
Speaker 1: You can't get the good leverage going, man.
53:16
Speaker 2: How you leverage?
53:18
Speaker 1: Nah, man.
53:19
Speaker 2: I heard my mom and dad having sex on a
53:20
Speaker 2: waterbed one time.
53:21
Speaker 1: Oh. It was crazy. What?
53:24
Speaker 3: My parents had a waterbed for years, and I just
53:27
Speaker 3: wanted a honey bun or something from downstairs.
53:29
Speaker 1: I knew I couldn't get it.
53:31
Speaker 3: And then I went over to their room, and I
53:33
Speaker 3: went to knock, and I hear, my.
53:36
Speaker 2: Mom was like, you're hurting me.
53:38
Speaker 1: And I was like, you said you're hurting me? And
53:41
Speaker 1: I was like, I'm not hungry no more. I was like.
53:47
Speaker 2: Is that what you think every time you eat a
53:48
Speaker 2: honey bun now?
53:49
Speaker 1: No. Honey buns are safe.
53:51
Speaker 3: And then once my dad had some elephant draws, I
53:56
Speaker 3: was looking for some he used to keep changing his
53:58
Speaker 3: underwear drawer and I was gonna go to the arcade
54:00
Speaker 3: so I'm.
54:01
Speaker 1: Going through his drawer he always had like rows of quarters.
54:04
Speaker 3: In there and I would go in there and go
54:05
Speaker 3: to the arcade man I went in there no quarters
54:07
Speaker 3: so I'm.
54:07
Speaker 1: Like man he ain't got no change in there and I.
54:10
Speaker 3: Put out these slotty drawers and where the trunk goes
54:14
Speaker 3: it was the meat went in there and had the
54:16
Speaker 3: googly eyes above the meat and I was like.
54:19
Speaker 4: Did they have did they have coverage for the butt
54:22
Speaker 4: butt out the butt out okay I said All right, man.
54:26
Speaker 1: I'm not going to the arcade no more, man. What
54:28
Speaker 1: you doing?
54:29
Speaker 2: You're wearing elephant drawers and glasses. Googly eyes on the
54:34
Speaker 2: drawers is crazy, man.
54:36
Speaker 1: Oh, man.
54:36
Speaker 2: That's that old man. Don't stall him out.
54:38
Speaker 1: Oh, man.
54:39
Speaker 2: He had googly eyes on the drawer. I said, man,
54:41
Speaker 2: you had slidey drawers with the butt out? Don't yuck
54:44
Speaker 2: his yum, man.
54:45
Speaker 1: He was just playing, huh? He was like, ha, ha, ha.
54:48
Speaker 1: That's all you got with some underwear like that. It's just,
54:51
Speaker 1: look at what I got on, hon. And then you
54:53
Speaker 1: got to take them off.
54:55
Speaker 2: And the elephant trunk is my meat, though.
54:58
Speaker 1: You see? You see what I did? Look. And then
55:00
Speaker 1: you start doing the... And then that's it. And then...
55:04
Speaker 1: It's like, all right, well, here comes the waterbed strokes.
55:09
Speaker 1: I was like, dad.
55:10
Speaker 4: To hear you're hurting me, though, I think I would
55:12
Speaker 4: rather hear you're hurting me than moans.
55:15
Speaker 1: I don't want to hear no moans from the parents.
55:18
Speaker 3: Watch out, man. I would rather hear, you're hurting me.
55:25
Speaker 3: Because if I heard, who are you? Me and Melissa
55:32
Speaker 3: was just watching The Bourne Identity last night. And Furnace Assassin,
55:37
Speaker 3: when Bourne beat him, he wasn't even dead. He just
55:39
Speaker 3: jumped out the window.
55:40
Speaker 1: He was like, all right.
55:41
Speaker 2: I was like, why did you do that?
55:44
Speaker 1: That would have been me. If I heard him moan,
55:46
Speaker 1: I would have been like, whoa. I remember I heard
55:53
Speaker 1: my dad and my stepmom in the bathroom doing something.
55:57
Speaker 1: And we was all for it. We was at the
56:00
Speaker 1: door laughing, like, listen to them. And I never heard
56:04
Speaker 1: my stepmom. I never heard her once. But my dad
56:06
Speaker 1: was in there, ha-ha. Yeah. Ha-ha-ha. Yeah.
56:13
Speaker 4: Yeah, he was in there having the time of his life.
56:17
Speaker 2: Why would that be something you're saying in the mid-quarters?
56:20
Speaker 1: He was like, yeah, y'all. Yeah, he was having a
56:25
Speaker 1: great time. And I was a kid then, so I'm
56:28
Speaker 1: just like, what's going on in there? I wanted to
56:33
Speaker 1: come in like, what's the good times?
56:36
Speaker 2: What's happening, y'all?
56:37
Speaker 1: How? How? But, yeah, that was more funny than anything.
56:42
Speaker 1: One of my kids heard me. I ain't going to
56:45
Speaker 1: ask them. I'm sure they have.
56:47
Speaker 3: Nah.
56:48
Speaker 1: Especially if you use a loud one.
56:50
Speaker 2: You got a house together?
56:51
Speaker 1: Kev is loud. I'm not loud. I'm not.
56:56
Speaker 4: I can totally believe them hearing Kev getting busy.
57:03
Speaker 1: Because Kevin's loud. I'm loud. So I imagine he's loud
57:07
Speaker 1: in the bedroom. I'm loud. I be making a joyful noise.
57:10
Speaker 1: So yeah, the boys heard you. So you probably like
57:13
Speaker 1: my dad there. Yes, I do.
57:16
Speaker 3: I remember one time me and Melissa was in St. Lucia,
57:22
Speaker 3: and we were staying at that hotel that was carved
57:23
Speaker 3: into the side of the mountain, and the doors had, like,
57:26
Speaker 3: slits in them so you could never close it. Man,
57:28
Speaker 3: it was like four couples having sex at the same time. Oh, wow.
57:32
Speaker 2: I was like, man, it was like 7.45. We was
57:34
Speaker 2: coming back from an early dinner.
57:35
Speaker 1: You just said, oh, hmm.
57:38
Speaker 2: I was like, Jesus Christ, man. St. Lucia's like top three. Actually,
57:42
Speaker 2: I might be number one on the honeymoon tip.
57:44
Speaker 1: Josh, you got to have sex in St.
57:46
Speaker 3: Lucia.
57:47
Speaker 1: You got to. An open concept. I was like, man,
57:50
Speaker 1: y'all going to work.
57:51
Speaker 2: Our concept was open. I mean, it was men, women,
57:58
Speaker 2: open butt smells, sounds.
58:01
Speaker 1: I was like, Jesus Christ, man. I don't hear no
58:04
Speaker 1: sex in hotels, man. It pisses me off. I've heard
58:06
Speaker 1: some sex.
58:07
Speaker 3: In the last tour that we went, Ball Brothers tour.
58:12
Speaker 2: I done heard some sex.
58:13
Speaker 1: I don't be hearing nothing, man. I was like, hey!
58:15
Speaker 2: My other hotel last weekend, this girl was singing. I
58:20
Speaker 2: was trying to take a nap. She was, I was like, hey!
58:24
Speaker 2: This is Chicago.
58:26
Speaker 1: I was like, hey!
58:27
Speaker 2: You really air? Yes! I'm tired.
58:30
Speaker 1: Did she be fly?
58:31
Speaker 2: Yeah, she was like, oh.
58:33
Speaker 1: That was a nice hotel, dude. Hey! Not us. When
58:39
Speaker 1: I need love.
58:39
Speaker 2: Shut up, man. Shut up.
58:42
Speaker 1: You should have gone back home, Ken. She was like, ooh.
58:45
Speaker 1: I banged on the wall. Hey.
58:52
Speaker 3: Quiet all that stuff down. I'm not calling the front desk.
58:55
Speaker 3: I'm handling this myself.
58:57
Speaker 1: I'm tired.
58:59
Speaker 2: Your hotel room shouldn't extend to my room. Yeah.
59:02
Speaker 3: Whatever you're doing there, you can do crack out of
59:04
Speaker 3: a butthole. It should stay in your wall. I don't
59:08
Speaker 3: want to hear nothing. Hey, do crack out my butt.
59:10
Speaker 1: Whisper. Just whisper that. Even if you whisper, it's like,
59:15
Speaker 1: I respect that you're just trying to keep it quiet.
59:17
Speaker 2: Yeah, man.
59:18
Speaker 1: I heard you, though. Do crack out my butthole. I
59:22
Speaker 1: respect you trying to keep it quiet. That's funny, though, man.
59:28
Speaker 1: But yeah, I rarely hear... Anything. Yeah. In hotels. Yeah,
59:32
Speaker 1: me neither.
59:33
Speaker 2: But just that one time.
59:34
Speaker 1: All right, man. We done with that.