Latest / UFOS & PARANORMAL WITH PRESTON DENNETT / Interview with a Fully Conscious UFO Contactee Part Two: The Photographic Evidence

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Interview with a Fully Conscious UFO Contactee Part Two: The Photographic Evidence · UFOS & PARANORMAL WITH PRESTON DENNETT

• 0:00
  Speaker 1: Hello everyone. My name is Preston Tennett, and welcome to
• 0:03
  Speaker 1: a new episode of UFOs and the Paranormal. Got a
• 0:07
  Speaker 1: very special episode for you today. I call this Interview
• 0:11
  Speaker 1: with a Fully Conscious contact Tee Part two The Photographic Evidence.
• 0:19
  Speaker 1: This is, of course, an interview with Dolly's Saffron pictured here.
• 0:23
  Speaker 1: Say hi Dolly.
• 0:25
  Speaker 2: Hello.
• 0:27
  Speaker 1: As you may know for those of you who've read
• 0:30
  Speaker 1: the book or see the scene part one, Dolly Saffron
• 0:34
  Speaker 1: is the subject of my latest book, Symmetry, a True
• 0:38
  Speaker 1: UFO Adventure, and Dolly is a fully conscious contact eee
• 0:43
  Speaker 1: has been since age fourteen. It was nineteen seventy three.
• 0:49
  Speaker 3: Yes, seventy one three, And yeah, her experiences are very,
• 0:56
  Speaker 3: very extensive, more extensive than anyone I've interviewed.
• 1:00
  Speaker 1: She first remembers, as we talked about in Part one,
• 1:06
  Speaker 1: being taken on board a craft or at least members
• 1:10
  Speaker 1: being taken I should say, at age ten months, when
• 1:13
  Speaker 1: she floated out of her crib. From that point on
• 1:16
  Speaker 1: she had pretty regular experiences of seeing UFOs, having missing time.
• 1:24
  Speaker 1: I had a face to face encounter at age six
• 1:27
  Speaker 1: where she was taken on board, and that's where she
• 1:30
  Speaker 1: met a tall white who she calls.
• 1:33
  Speaker 2: Mama actually tall Gray, Tall Gray.
• 1:37
  Speaker 1: All right, So this is all in Part one, which
• 1:43
  Speaker 1: she can find on my YouTube channel. But her experiences
• 1:46
  Speaker 1: were very extensive, as she remembers being taken to the
• 1:50
  Speaker 1: ET's planet, going on board the craft, all kinds of
• 1:53
  Speaker 1: really amazing experiences, taking a tour of our solar system,
• 1:59
  Speaker 1: visiting the Moon again. All of this is in Part one,
• 2:04
  Speaker 1: and I'm going to be doing further interviews with Dolly
• 2:06
  Speaker 1: so we can talk about some of the other amazing
• 2:09
  Speaker 1: experiences she's had, being taken on board, having healing events,
• 2:15
  Speaker 1: visiting all kinds of ets, all kinds of really cool stuff.
• 2:20
  Speaker 1: But what I'd like to focus on here today is
• 2:25
  Speaker 1: the photographic evidence. I've interviewed a lot of contactees and
• 2:30
  Speaker 1: I can tell you it's very rare for people to
• 2:32
  Speaker 1: have really good physical evidence. Certainly, people can point to
• 2:37
  Speaker 1: scars and marks in their body and things like that
• 2:41
  Speaker 1: medical evidence. Very occasionally you'll get landing trace evidence. Photographic
• 2:46
  Speaker 1: evidence does turn up, but it's really rare, and that's
• 2:51
  Speaker 1: kind of what I first wanted to talk to you
• 2:53
  Speaker 1: about before we get into the actual evidence itself. Dolly,
• 2:57
  Speaker 1: is you know why I think there are sorry worries. Yeah,
• 3:05
  Speaker 1: I want to talk about why the photographic evidence is
• 3:09
  Speaker 1: so rare, And we talked a little bit about this before,
• 3:12
  Speaker 1: you know, we started recording, and there's I think, near
• 3:16
  Speaker 1: as I can tell, two main reasons. One is that
• 3:19
  Speaker 1: the ets are somewhat shy about being photographed and are
• 3:23
  Speaker 1: not always willing to go on camera, and another is
• 3:27
  Speaker 1: technical difficulties in actually obtaining good film or footage. So
• 3:37
  Speaker 1: I wonder if you could speak to that, is to
• 3:39
  Speaker 1: you know, why it's so few people have gotten photos
• 3:43
  Speaker 1: and both, you know, in terms of the ETS being
• 3:46
  Speaker 1: shy about it and technical difficulties, and after that, how
• 3:51
  Speaker 1: it came about that you started getting some really good evidence.
• 3:57
  Speaker 2: Well, we'll back it up a little bit in right
• 3:59
  Speaker 2: up until about the year nineteen eighty, everything was thirty
• 4:04
  Speaker 2: five millimeter film, hard film. But there weren't that many
• 4:09
  Speaker 2: people looking up, so et wasn't filmed as often as
• 4:13
  Speaker 2: they could have been. There weren't people out, you know,
• 4:16
  Speaker 2: calling them, running after them and taking pictures of them.
• 4:21
  Speaker 2: That did not start occurring until the digital age, and
• 4:24
  Speaker 2: digital cameras, by their nature are electronic, and et craft
• 4:29
  Speaker 2: put out an electronic signature, a pulse an EMP an
• 4:34
  Speaker 2: electromagnetic pulse that downs anything electrical, any equipment, digital, all
• 4:39
  Speaker 2: of it. If they get close enough, they'll turn your
• 4:41
  Speaker 2: camera off, they'll turn your car off, they'll turn your
• 4:44
  Speaker 2: house out, all kinds of stuff. They can lower the
• 4:47
  Speaker 2: grid on you. They realized that this was happening. They
• 4:52
  Speaker 2: have their theory about it. I'm not going to go
• 4:55
  Speaker 2: into it right now, but they also tend to be
• 4:58
  Speaker 2: a little bit shy, and a lot of things that
• 5:01
  Speaker 2: they do when they're incoming, like movie theaters, you know,
• 5:04
  Speaker 2: like the drive ins and stuff. They're down on top
• 5:07
  Speaker 2: of that screen and I don't know if you've maybe
• 5:11
  Speaker 2: got one or two photos from that, you know, in
• 5:13
  Speaker 2: all your research, none.
• 5:17
  Speaker 1: A couple of people haven't tried.
• 5:18
  Speaker 2: But yeah, they're too close. They're they're in line of sight,
• 5:21
  Speaker 2: there're signals line of side of you. They're electromagnetic faults,
• 5:25
  Speaker 2: and it just knocks everything out. It'll shut off the movie,
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  Speaker 2: it'll down all the cars, everything. As soon as they
• 5:30
  Speaker 2: lift away, though, they can turn their engines back on
• 5:33
  Speaker 2: and chase them when they're coming in coming to your backyard.
• 5:39
  Speaker 2: You know. In other words, if you're going to be
• 5:40
  Speaker 2: contacted by them, you're not going to get anything. You're
• 5:44
  Speaker 2: going to get them. At about the two three mile limit,
• 5:46
  Speaker 2: you won't get lights in the sky, but anything closer
• 5:49
  Speaker 2: than a mile it's going to shut you down, especially
• 5:52
  Speaker 2: if it's focusing on you the line of side of
• 5:54
  Speaker 2: the electromagnetic fouls. It's going to eradicate your phone from
• 5:58
  Speaker 2: doing anything. So that's one of the reasons. And yes
• 6:02
  Speaker 2: they are shy. They have an agenda of who they
• 6:05
  Speaker 2: want to contact first because everything that's going on, and
• 6:08
  Speaker 2: they've made it very clear who they're contacting first, and
• 6:12
  Speaker 2: I think it would be ce five people. It would
• 6:14
  Speaker 2: be children everyday, regular people at drive ins, people at games,
• 6:21
  Speaker 2: out in the public. You know, they're coming to the people,
• 6:24
  Speaker 2: not the governments at the world. They're coming directly to
• 6:26
  Speaker 2: the people, and that's their agenda.
• 6:29
  Speaker 1: Yeah, I've got I mean, there was a case on
• 6:32
  Speaker 1: Catalina Island where there was twelve people that are informed
• 6:35
  Speaker 1: and were professional photographers, but every single one of their
• 6:38
  Speaker 1: cameras failed.
• 6:39
  Speaker 2: YEA, yeah, well, and.
• 6:40
  Speaker 1: I've got case after case of that. There was another
• 6:43
  Speaker 1: guy who I was talking about before. He had a
• 6:45
  Speaker 1: brand new camera pointed at the object, powers down to zero,
• 6:52
  Speaker 1: points it away and it goes back to power it up,
• 6:55
  Speaker 1: put back powers down. So this is in some sometimes
• 6:59
  Speaker 1: in ten. Sometimes it's just the fact that you're pointing
• 7:03
  Speaker 1: at it right.
• 7:04
  Speaker 2: Right line of site. It's they're positioning the craft and
• 7:07
  Speaker 2: the way it pulses, which the direction the pulse emits.
• 7:10
  Speaker 2: If they're paying attention to you, it'll be directly at you,
• 7:13
  Speaker 2: and yes, it'll knock you out. I want to bring
• 7:15
  Speaker 2: something up. The Turkish UFO was filmed by VHS camera,
• 7:20
  Speaker 2: which is electronic only in that it uses VHS tapes
• 7:24
  Speaker 2: in a camera that's powered with a battery. But this
• 7:27
  Speaker 2: power this camera had one heck of a zoom. The
• 7:31
  Speaker 2: craft was literally out at two miles three miles, but
• 7:35
  Speaker 2: it had the ability to exceed that and get a
• 7:37
  Speaker 2: really good up close picture of it. And I thought
• 7:40
  Speaker 2: that was brilliant, And I wonder why people don't have
• 7:43
  Speaker 2: VHS cameras now and are going back to that to
• 7:46
  Speaker 2: film them. I mean, it would be very convenient if
• 7:48
  Speaker 2: you were going to get a really good zoom on them,
• 7:51
  Speaker 2: to use VHS camera and that type of technology so
• 7:54
  Speaker 2: you could zoom up to them. Otherwise you've got to
• 7:57
  Speaker 2: have a phone with a really good zoom on it,
• 7:59
  Speaker 2: and not everybody knows how to get that to put
• 8:02
  Speaker 2: on their phone or how to use the equipment, and
• 8:04
  Speaker 2: they scramble from when they get a little floppy when
• 8:06
  Speaker 2: it comes to the exact moment when it's happening. But
• 8:09
  Speaker 2: it's a good idea.
• 8:11
  Speaker 1: Yeah, I love that footage. I think it's definitely in
• 8:13
  Speaker 1: the top ten, if not some of the best out there.
• 8:16
  Speaker 1: There's some really good old footage too, absolutely, but yeah,
• 8:19
  Speaker 1: it's quite rare. And another thing I've knowniced is not
• 8:23
  Speaker 1: a single person that I know of has ever been
• 8:27
  Speaker 1: able to take a camera on board a craft and
• 8:29
  Speaker 1: photograph the interior.
• 8:31
  Speaker 2: That's because they won't work. That's why the crafts are
• 8:34
  Speaker 2: run psychically. Any electronic equipment on board that craft would
• 8:38
  Speaker 2: never work. The batteries that they use when they come
• 8:41
  Speaker 2: down into the atmosphere are specifically designed to handle that
• 8:46
  Speaker 2: kind of environment. They're highly protected from it. But even
• 8:50
  Speaker 2: they can fail. It has happened. It's a big situation.
• 8:54
  Speaker 2: And no, I've tried multiple times. I even had a
• 8:59
  Speaker 2: little rounding camera that you wind it up. Nope, let
• 9:03
  Speaker 2: me take a picture on board, because the actual magnetism
• 9:06
  Speaker 2: of it messed the film up so that it was blurry,
• 9:09
  Speaker 2: couldn't get a shot.
• 9:10
  Speaker 1: So some of the best photographs out there that people
• 9:12
  Speaker 1: have taken, it's quite clear that they've said as much
• 9:17
  Speaker 1: that they were called outside. You know you can photograph
• 9:19
  Speaker 1: us now the ets posed for them and they get
• 9:22
  Speaker 1: some really good photographs.
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  Speaker 2: Right.
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  Speaker 1: So initially you were trying to get photographs but not
• 9:28
  Speaker 1: having a whole lot of success, and then boom started.
• 9:32
  Speaker 1: You had to go public, right yes, and Talata, who
• 9:37
  Speaker 1: is the craft that you mostly go on board and
• 9:41
  Speaker 1: himself and alive and aware entity, said you know you
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  Speaker 1: wanted evidence.
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  Speaker 2: Right, yes, I asking for it. I realized when I
• 9:52
  Speaker 2: was going to the to the the the UFO Mega Con,
• 9:58
  Speaker 2: that he would go to follow me. He planned to
• 10:01
  Speaker 2: follow me, and he had two other craft with him,
• 10:05
  Speaker 2: and I was mentally talking to him all the way there,
• 10:08
  Speaker 2: you know, you're gonna have to let me get pictures
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  Speaker 2: of you. And he did me one better. He came
• 10:13
  Speaker 2: down within a one mile limit of me. I was
• 10:15
  Speaker 2: able to zoom my camera had enough zoom to get
• 10:17
  Speaker 2: to him to get some good shots of him, and
• 10:20
  Speaker 2: he also showed himself in Las Vegas. They triangulated on
• 10:24
  Speaker 2: him and it was on the news, and I was
• 10:27
  Speaker 2: so excited when I heard that. You heard it, I
• 10:29
  Speaker 2: heard it, Yvonne heard it. We watched the newscast and
• 10:32
  Speaker 2: I was very disappointed afterwards when they wiped the clean
• 10:35
  Speaker 2: it's no longer available for anybody to watch that. But
• 10:39
  Speaker 2: he knew that we were coming up to a deadline
• 10:43
  Speaker 2: of their situation, and I really, really really put it
• 10:48
  Speaker 2: to them, I need this, and he gave it to me.
• 10:51
  Speaker 2: He gave me a couple of different situations where I
• 10:53
  Speaker 2: got him. So I'm happy about it.
• 10:56
  Speaker 1: Yeah, yeah, me too, because trust me, what I tell
• 10:59
  Speaker 1: him that, I'm often asked like, oh, you know, they're
• 11:03
  Speaker 1: seeing UFOs all the time, how come they didn't get
• 11:05
  Speaker 1: a photograph? Well, there's this is why, because you know,
• 11:09
  Speaker 1: they often I don't want to for their reasons, and
• 11:14
  Speaker 1: it's not as easy as you might think.
• 11:16
  Speaker 2: Correct.
• 11:17
  Speaker 1: Yeah, I mean there's some really good cases where people
• 11:20
  Speaker 1: in the past have got them from polaroids and stuff,
• 11:22
  Speaker 1: simpler cameras. But all right, so let's start getting into
• 11:27
  Speaker 1: the photographic evidence, because you actually have a whole lot.
• 11:30
  Speaker 1: I mean, not just a couple, you have quite a few.
• 11:33
  Speaker 1: And what I want to do is play about a dozen. Well,
• 11:36
  Speaker 1: I want to show a dozen still photographs, most of
• 11:40
  Speaker 1: most of which are taken from actual videos, and you
• 11:44
  Speaker 1: know about a dozen videos. So let me just share
• 11:48
  Speaker 1: the screen and pull up the file I want to
• 11:54
  Speaker 1: pull up here, and I'm gonna start with one that
• 11:59
  Speaker 1: you have not seen before, which is not your photograph. Okay,
• 12:07
  Speaker 1: So this is a photograph that someone brought to me
• 12:12
  Speaker 1: at work and from his friend who was having a
• 12:17
  Speaker 1: backyard party here in the San Fernando Valley in southern
• 12:20
  Speaker 1: California and had a little bouncy houses you can see
• 12:24
  Speaker 1: here and food set up, and they did not see
• 12:28
  Speaker 1: what looks like a metallic saucer. I am just putting
• 12:33
  Speaker 1: this here for you know, fun, and I just wonder what,
• 12:37
  Speaker 1: you know, you thought of it, because sometimes people take
• 12:40
  Speaker 1: photographs and they don't see anything. Then they developed the
• 12:43
  Speaker 1: photograph and they're like, what.
• 12:44
  Speaker 2: The heck, this is real. He's a lowrider. He is
• 12:49
  Speaker 2: doing reconnaissance. The reason she didn't see this on film
• 12:53
  Speaker 2: is he was moving so fast she never caught in.
• 12:55
  Speaker 2: But the camera did. The camera clicked on it just
• 12:58
  Speaker 2: as it was center frame, which is miraculous because a
• 13:02
  Speaker 2: lot of times they're blurry, but that is an actual
• 13:04
  Speaker 2: craft and he's a lowrider and he is scoping the
• 13:09
  Speaker 2: place out to make sure that they can come down
• 13:12
  Speaker 2: and make contact somewhere, and they do that. That's a habit.
• 13:15
  Speaker 1: Yeah, look at that perfect saucer. Shit. Loo's metallic.
• 13:19
  Speaker 2: Yes, And he can tell he's on batteries because if
• 13:21
  Speaker 2: you look at the bottom, the low part of it
• 13:24
  Speaker 2: is protruding down that circular area. That's where their batteries are.
• 13:28
  Speaker 2: And you know they're on batteries when that drops down
• 13:30
  Speaker 2: and you can see it when they're up in the
• 13:32
  Speaker 2: stresphere and up in space, that pack slides up and
• 13:37
  Speaker 2: it becomes completely flat so they can fly. But he's
• 13:41
  Speaker 2: on batteries right there.
• 13:43
  Speaker 1: Very cool. Yeah, sorry to spring that on you, but
• 13:45
  Speaker 1: I just saw it's okay, a photograph. I wonder what
• 13:49
  Speaker 1: things I like it? All right, So now I'm just
• 13:52
  Speaker 1: going to speed through a number of these photographs because
• 13:56
  Speaker 1: we actually have the video which is much better. But
• 14:00
  Speaker 1: here is one where you can see two lights. But
• 14:04
  Speaker 1: you're saying this is actually one complete craft, right, Uh.
• 14:08
  Speaker 2: No, this one is Talta is on the right and
• 14:11
  Speaker 2: he's got a drone sitting right next to him, and
• 14:13
  Speaker 2: then the other one is another drone over there. Oh,
• 14:16
  Speaker 2: they never fly with a backup. He Talata always has
• 14:19
  Speaker 2: one drone. He just dropped that drone and it's kind
• 14:22
  Speaker 2: of hanging around with him for a few minutes. I
• 14:24
  Speaker 2: don't know why, but he did, and it might have been,
• 14:27
  Speaker 2: you know, so he could get a picture of it
• 14:29
  Speaker 2: right next to him. But yeah, that's a drone and
• 14:31
  Speaker 2: a drum. Yes, yes, I want to be specific. They are.
• 14:40
  Speaker 2: They are only piloted their particular type of drone, if
• 14:44
  Speaker 2: you want to call them that, and I use that
• 14:45
  Speaker 2: word because that's what everybody understands about an unmanned craft.
• 14:50
  Speaker 2: But they are not unmanned. They are piloted by AI,
• 14:53
  Speaker 2: which they still consider unmanned because no biological entity is
• 14:57
  Speaker 2: on board. It's AI. It's many biological, not complete.
• 15:03
  Speaker 1: And you say they never fly alone never ever.
• 15:06
  Speaker 2: Ever, if you see one UFO, there's going to be
• 15:09
  Speaker 2: somebody else with them, at least one minimal and maybe
• 15:12
  Speaker 2: two or three.
• 15:13
  Speaker 1: Yes, yeah, I started to realize that very early on
• 15:16
  Speaker 1: in my research, and I would ask people is there
• 15:18
  Speaker 1: anything else? I'm like, oh, yeah, I saw another one
• 15:20
  Speaker 1: way up there and one much lower, So absolutely they
• 15:25
  Speaker 1: don't always see it, but I've come to realize, like
• 15:27
  Speaker 1: I think there probably is another one there that you
• 15:30
  Speaker 1: were walking up.
• 15:31
  Speaker 2: Yeah, they're not always running with their lights on. They
• 15:34
  Speaker 2: usually run lights out to keep you from seeing them.
• 15:37
  Speaker 2: But in this picture, this is at Lachlin, and they
• 15:41
  Speaker 2: had lights on so that I could capture them. This
• 15:43
  Speaker 2: is to a lot of side view. His front lights
• 15:46
  Speaker 2: are on. That's on the right, and you can see
• 15:49
  Speaker 2: the outline of his ship and he's slightly turned up.
• 15:51
  Speaker 2: He's in skiff position. But if you were able to
• 15:54
  Speaker 2: make that brighter you would see there's a whole craft
• 15:57
  Speaker 2: in there. That's just the top lights.
• 15:59
  Speaker 1: You can say it right here, there's definitely a metallic
• 16:02
  Speaker 1: body between these two lights.
• 16:04
  Speaker 2: Yeah, and it travels down. He is on batteries actually there.
• 16:09
  Speaker 2: They're not real far down, which means that he's half
• 16:12
  Speaker 2: inter dimensional probably at that point. So yeah, all right.
• 16:16
  Speaker 1: Here's another photograph which is pretty cool. It's in color.
• 16:20
  Speaker 2: Yeah, it's the one of Toilada with the drone behind him.
• 16:24
  Speaker 1: So this is a whole craft right here. That's the
• 16:27
  Speaker 1: headlight on the right and this is the drawn right. Awesome.
• 16:32
  Speaker 1: This is just another Yeah, gives you a really good view.
• 16:38
  Speaker 2: His headlights are so bright he can look like a
• 16:40
  Speaker 2: sun at night. And that's the brightness of it on
• 16:44
  Speaker 2: the front end. I mean, they can blind you with
• 16:45
  Speaker 2: the lights. They're that bright.
• 16:47
  Speaker 1: Yeah. I had that happen with a CE five with
• 16:50
  Speaker 1: a no Stephen Greer group, Setti group. He was, he
• 16:55
  Speaker 1: wasn't there, but it flashed a red light at us,
• 16:57
  Speaker 1: which I'm like, oh wow.
• 17:00
  Speaker 2: Oh it was going interdmnsal. If you see the red light,
• 17:02
  Speaker 2: specifically a red light, they are definitely about to open
• 17:05
  Speaker 2: a light door and go through it.
• 17:07
  Speaker 1: It was very much like looking at a prison hanging in.
• 17:10
  Speaker 2: The window exactly the kinds of color at it and
• 17:14
  Speaker 2: that red light and that is them generating a light
• 17:17
  Speaker 2: gate to go out.
• 17:19
  Speaker 1: So here's another close up I think of the drone yep.
• 17:22
  Speaker 2: All right, yeah, he's actually heating up. He's getting ready
• 17:26
  Speaker 2: to go pretty fast. You can see the plasma, you know,
• 17:30
  Speaker 2: heating up around him.
• 17:32
  Speaker 1: All right, very cool. Okay, this is obviously taken from
• 17:37
  Speaker 1: the videos you can see here. This. I love this
• 17:40
  Speaker 1: one because this is a solid metallic right.
• 17:45
  Speaker 2: Yeah, he let me. He's sort of he's like a cuttlefish.
• 17:49
  Speaker 2: He can present many different ways use light on him
• 17:52
  Speaker 2: to present a certain way. And he was coming down
• 17:55
  Speaker 2: in Georgia here and I was alone that night outside
• 17:58
  Speaker 2: and he came down so that I can get a
• 18:02
  Speaker 2: good look at him. And he's not far above my head.
• 18:05
  Speaker 2: He's about five hundred feet or so, and he's about
• 18:11
  Speaker 2: I don't know, thirty five forty five yards in front
• 18:14
  Speaker 2: of me away from me.
• 18:16
  Speaker 1: So yeah, that's pretty close. Well, we'll see the video later.
• 18:19
  Speaker 1: That's going to be the last one because it's my favorite. Okay,
• 18:23
  Speaker 1: So here's another one where he's just flashing his headlights right.
• 18:27
  Speaker 2: This is this is one he's I was in Panama
• 18:31
  Speaker 2: City for this, and he's actually in the process of flipping.
• 18:37
  Speaker 2: He's doing what they call it three sixty rollover, and
• 18:41
  Speaker 2: he was trying to get my attention. I was out there.
• 18:44
  Speaker 2: I had a neighbor outside with him, she had her kid,
• 18:46
  Speaker 2: and he's like trying to get me to get out
• 18:48
  Speaker 2: of their presence, and he's just doing all kinds of
• 18:51
  Speaker 2: good stuff. He was out there with us for almost
• 18:53
  Speaker 2: two hours. He was flying. He'd fly around us for
• 18:55
  Speaker 2: a few minutes and then he'd shoot out and circle us.
• 18:58
  Speaker 2: And he came back and it was very very busy
• 19:01
  Speaker 2: that night. You wanted my attention.
• 19:04
  Speaker 1: Well, huge thanks to Talata for providing these beause you
• 19:07
  Speaker 1: did not have to. All right, And here is another
• 19:13
  Speaker 1: still from right.
• 19:16
  Speaker 2: This is an actual mothercraft. She looks like Tlada, only
• 19:20
  Speaker 2: she's way bigger, and she is dropping a drone all
• 19:25
  Speaker 2: right in the process. And there's four drones there. I
• 19:28
  Speaker 2: don't know. You can see how the light breaks up
• 19:31
  Speaker 2: as it's going down. There's one, two, three, four drones
• 19:34
  Speaker 2: in that drop.
• 19:35
  Speaker 1: If you can see it. Here's one, here's.
• 19:39
  Speaker 2: One yep, and then two in the middle right, and
• 19:43
  Speaker 2: then one in the top yep.
• 19:44
  Speaker 1: Very cool. All right. This is just another close up
• 19:48
  Speaker 1: again from that same video right, which we will play later.
• 19:53
  Speaker 1: I'm going through these pretty quickly because the videos are
• 19:55
  Speaker 1: really much more exciting. But this allows me to arch.
• 20:01
  Speaker 1: I want to be able to do that.
• 20:03
  Speaker 2: That particular tabadren I called them retrievers because they come
• 20:06
  Speaker 2: and pick me up. Talata doesn't always come down to
• 20:08
  Speaker 2: get me. They come in those I'm They're just big
• 20:11
  Speaker 2: enough that I can be on board with them and
• 20:14
  Speaker 2: they can get me back to Tulada pretty rapidly. It's
• 20:16
  Speaker 2: called snatch and grab. And that's because where I lived there,
• 20:20
  Speaker 2: I was right by the US Space Sports Kindle Air
• 20:22
  Speaker 2: Force Base and they had to come in stealthy and
• 20:24
  Speaker 2: get me out quick. All right, same one.
• 20:30
  Speaker 1: Yeah, this one I snuck on. We didn't preview this one,
• 20:33
  Speaker 1: but I saw it in your photos.
• 20:36
  Speaker 2: Okay, Oh, that's actually three pictures of the same thing.
• 20:42
  Speaker 2: That's a lot of you caught three pictures. See the
• 20:45
  Speaker 2: difference between the things. That's just yeah, it's three of tlada.
• 20:52
  Speaker 1: All right, that's another very interesting. Here's another where he's
• 20:58
  Speaker 1: turning over kind of yeah.
• 21:00
  Speaker 2: Inside, he's about to give me Chevy lights or Cadillac lights.
• 21:04
  Speaker 2: Chevys and Cadillacs sometimes has the same lights, and he
• 21:07
  Speaker 2: knows I like them, so he'll show them to me.
• 21:09
  Speaker 2: When they come down on the roads when they're following people.
• 21:13
  Speaker 2: They have the ability to look like a car behind
• 21:15
  Speaker 2: you by their lights and he's showing off.
• 21:18
  Speaker 1: I've got cases of that where people are driving along
• 21:21
  Speaker 1: like what's that filing Well, that happen in close Encomers
• 21:24
  Speaker 1: with Richard Dreyfis.
• 21:25
  Speaker 2: He's like, go on, yeah, yeah, yeah, I do do that.
• 21:31
  Speaker 1: And I think this is important because you see how
• 21:33
  Speaker 1: this is at a diagonal and in the videos you'll
• 21:36
  Speaker 1: see the ET drone actually turning over, which drunes can't do.
• 21:41
  Speaker 2: Right, right, there's no military, no military drunk can flip
• 21:45
  Speaker 2: over like that at all, know, in a controlled slow rotation.
• 21:48
  Speaker 1: Right, all right, here's another one. I think I just
• 21:51
  Speaker 1: stuck in there again.
• 21:54
  Speaker 2: This is this h I don't know, it looks strange. Oh,
• 22:00
  Speaker 2: you know what that is. That's a light gate shutting
• 22:03
  Speaker 2: oh's left of a light gate shutting down. They went
• 22:07
  Speaker 2: through and I was snapping pictures and I've never I've
• 22:11
  Speaker 2: never actually myself witnessed a light gate shut and I
• 22:14
  Speaker 2: was like cooklok, click and I got it and just
• 22:16
  Speaker 2: before it.
• 22:17
  Speaker 1: Went all right, very cool. And it's just one or
• 22:23
  Speaker 1: two more.
• 22:24
  Speaker 2: There's another that's yeah, that's Panama City. Yeah, and he's
• 22:30
  Speaker 2: just showing.
• 22:31
  Speaker 1: Off, all right, And now we're getting to the videos.
• 22:36
  Speaker 1: Let's see I have the sound on this one.
• 22:39
  Speaker 2: There is I'm probably saying, hey, dude, are you here
• 22:42
  Speaker 2: to see me? And here he goes he's starting to
• 22:46
  Speaker 2: he's starting to roll over. All drones that we have
• 22:50
  Speaker 2: have fans or blades, you know, you have serious fans
• 22:55
  Speaker 2: on them. They're really big ones and they can't do it.
• 22:58
  Speaker 2: They lose altitude, believe, they lose control, they can't maintain.
• 23:02
  Speaker 2: This is an anti graph rollover. And then and now
• 23:06
  Speaker 2: he's shown me what you'd call a you know, an orb.
• 23:13
  Speaker 2: He can look like an ORB when he wants to,
• 23:14
  Speaker 2: either a red one or a white one.
• 23:17
  Speaker 1: Okay, I'm going to play that again without sound. So
• 23:23
  Speaker 1: what I think is cool is this is where you
• 23:24
  Speaker 1: can see him actually turning up on his side, right,
• 23:29
  Speaker 1: flipping over.
• 23:30
  Speaker 2: Yeah, most most crafts fly in that position. In that
• 23:33
  Speaker 2: side position, they travel the electromagnetic currents of the planet,
• 23:37
  Speaker 2: the field guidelines in what they call skiffing, and they're
• 23:40
  Speaker 2: surfing the energy with electromagnetically.
• 23:44
  Speaker 1: So if you're say inside that you don't feel like
• 23:48
  Speaker 1: you're turning over, do you no?
• 23:50
  Speaker 2: I do not no.
• 23:52
  Speaker 1: And what is the red light that keeps flashing?
• 23:55
  Speaker 2: That's him getting ready. He's showing that he's doing it.
• 23:58
  Speaker 2: In other words, they're like us, you know. They communicate
• 24:03
  Speaker 2: by lights sometimes with one another. And if a drum's
• 24:06
  Speaker 2: going to start flipping over and there are others around him,
• 24:08
  Speaker 2: he will show them that he's in a he's in
• 24:10
  Speaker 2: a rollover, and he'll flash certain lights and it's white
• 24:13
  Speaker 2: and red.
• 24:15
  Speaker 1: All right, very cool. Okay, I'm gonna play another one
• 24:17
  Speaker 1: that's I think on the same night. I'm gonna turn
• 24:20
  Speaker 1: down the sound because the language gets a little colorful.
• 24:23
  Speaker 2: Yeah. My neighbor was the rue so here, let.
• 24:27
  Speaker 1: Me play that and make sure the sound is not Yeah.
• 24:31
  Speaker 2: He had been around us for over an hour and
• 24:33
  Speaker 2: a half at this point, and he wants my attention
• 24:36
  Speaker 2: right now. He is done. He's like, I know your doctor,
• 24:39
  Speaker 2: make her go inside. So he did a really really
• 24:42
  Speaker 2: beautiful rollover this time, and he gave me the Cadillac
• 24:45
  Speaker 2: and the Chevy lights.
• 24:47
  Speaker 1: Yeah, look at that. Yeah. The reason there was a
• 24:50
  Speaker 1: little girl out there right.
• 24:52
  Speaker 2: Yes, her little daughter, a little twelve year old daughter,
• 24:55
  Speaker 2: and we were trying to keep her calm. You know.
• 24:57
  Speaker 2: I was trying to maintain equal lib room with her
• 25:01
  Speaker 2: because she was right on the edge. Her mother asked
• 25:03
  Speaker 2: me not to let her be scared. Her mom knew
• 25:05
  Speaker 2: I was going out at night. She she knew things
• 25:08
  Speaker 2: were coming to get me shot it. I live right
• 25:11
  Speaker 2: next door to her, and every time she's telling me
• 25:13
  Speaker 2: go outside, she followed me. What's going on? I'm like,
• 25:18
  Speaker 2: oh God, here we go.
• 25:21
  Speaker 1: Yeah, that's good footage. I want to play this one
• 25:23
  Speaker 1: more time.
• 25:24
  Speaker 2: Yeah, wapper, his lights, show his lights, he's doing it.
• 25:26
  Speaker 2: He's gonna black flash him. See I think pretty yes
• 25:31
  Speaker 2: through Chevy lights. Yeah.
• 25:34
  Speaker 1: So how far how far away would you estimate he
• 25:36
  Speaker 1: is at the point?
• 25:37
  Speaker 2: Is he's less than he's about five hundred between five
• 25:41
  Speaker 2: hundred and seven hundred feet above our heads. Yep, And
• 25:45
  Speaker 2: he's less than he's only about an eighth of a
• 25:50
  Speaker 2: mile from me at that point. If I was to
• 25:52
  Speaker 2: go due south of my point, I would be under
• 25:55
  Speaker 2: him in a couple of minutes. Because he's about an
• 25:57
  Speaker 2: eighth of a mile under me, I would have been there.
• 26:00
  Speaker 1: Then this is Talata, right, this.
• 26:03
  Speaker 2: Is this one is Nope, this is an ai uh oh,
• 26:06
  Speaker 2: all right, catcher. He but Talata is above his head.
• 26:10
  Speaker 2: Talata is never. I'm never without him. He's always. If
• 26:13
  Speaker 2: I'm being contacted, Talat is up above him waiting for
• 26:17
  Speaker 2: me to get there. He brings me to him to.
• 26:21
  Speaker 1: The complete role over there.
• 26:23
  Speaker 2: Yeah.
• 26:23
  Speaker 1: Well, and how big is one of these?
• 26:26
  Speaker 2: Uh oh? They're about twenty feet in diameter, and they
• 26:30
  Speaker 2: have a shape to them that's kind of sporty, and
• 26:35
  Speaker 2: they have just the basic needs. There's no beds, there's
• 26:38
  Speaker 2: no body, there's no nothing there. It's just a transporter.
• 26:41
  Speaker 1: All right, I'm gonna play the next one. You're going
• 26:43
  Speaker 1: to make sure the sound is up. Oh no way,
• 26:46
  Speaker 1: this was a really loud one. So okay, I'm not
• 26:50
  Speaker 1: going to play the sound on this one because it's
• 26:52
  Speaker 1: just too noisy.
• 26:53
  Speaker 2: Yeah. We had an incident one night and it brought
• 26:56
  Speaker 2: Talata down. Somebody behind us in the building behind us
• 27:00
  Speaker 2: was holding somebody prisoner, i think, and the police showed
• 27:04
  Speaker 2: up in number, with fire trucks rolling and ambulances and everything,
• 27:08
  Speaker 2: and they had a bullhorn and they were screaming at
• 27:11
  Speaker 2: him to get out, to come out now with his
• 27:13
  Speaker 2: hands out, and there's there's a lot of honking, and.
• 27:16
  Speaker 1: So that's what the red light is.
• 27:17
  Speaker 2: The police say, yes, yeah, yeah, the flashing lights of
• 27:21
  Speaker 2: the cops, and Tlada is like, what's going on. I'm like,
• 27:27
  Speaker 2: somebody's in trouble, and he's like hmm. And he watched
• 27:30
  Speaker 2: the whole thing. He came down for it. He figured
• 27:32
  Speaker 2: they were looking at him, not them, not him, you know,
• 27:35
  Speaker 2: So he had an opportunity.
• 27:37
  Speaker 1: You know, so he'll up here in just a second.
• 27:39
  Speaker 1: But right now, you're actually filming outside of your window.
• 27:42
  Speaker 2: Yes, I'm one story up. I'm on the second floor
• 27:45
  Speaker 2: of our apartment. It's a townhouse, and I'm looking out
• 27:48
  Speaker 2: my bedroom window and filming it because.
• 27:52
  Speaker 1: This was a somewhat cloudy night. And just a second here,
• 27:54
  Speaker 1: you're going to see some lights down here on the
• 27:55
  Speaker 1: second yep or the bottom half yep. And you can
• 28:02
  Speaker 1: explain what we're looking at as soon as they show up,
• 28:05
  Speaker 1: which is gonna be right.
• 28:08
  Speaker 2: I was panning. I was panning toward it and then
• 28:11
  Speaker 2: and then I coughed a lot in my mind and
• 28:13
  Speaker 2: there he is. I look back up and there he was.
• 28:15
  Speaker 1: Okay, so what was going on? There's a dark line here.
• 28:19
  Speaker 1: This is a whole cloud layer. And here's the hurt.
• 28:22
  Speaker 1: You know, the actual horizon down.
• 28:23
  Speaker 2: Here right, yes, way down below it.
• 28:27
  Speaker 1: And you can see a reflection here in the window.
• 28:29
  Speaker 2: Yeah, and there's a lot of right there.
• 28:32
  Speaker 1: So these two lights is one is one craft?
• 28:36
  Speaker 2: Yeah, And he's at the three mile limit right there,
• 28:38
  Speaker 2: and he's skiffing all right.
• 28:41
  Speaker 1: Now, this is not super great footage, but certainly is
• 28:44
  Speaker 1: interesting because it's coming down to check things out. So
• 28:48
  Speaker 1: I kind of wanted to play this because it's some
• 28:52
  Speaker 1: of the footage is better than others. I'm saving the
• 28:54
  Speaker 1: best for last, or what I think is the best.
• 28:58
  Speaker 1: But you have a lot of this stuff, and this
• 29:00
  Speaker 1: is just a small sampling. Yes, so it does not
• 29:05
  Speaker 1: appear that he's really moving here at all.
• 29:08
  Speaker 2: No, he's holding, he's dead up skiffing. He's in one
• 29:11
  Speaker 2: position and he can't come in too. That's why he's
• 29:14
  Speaker 2: at the almost a three mile limit. Is if he
• 29:16
  Speaker 2: came down and he it would knock out the whole neighborhood.
• 29:19
  Speaker 2: Everybody would have lost power and that would have been bad.
• 29:22
  Speaker 2: So he didn't do that.
• 29:24
  Speaker 1: At this point, he's communicating with you telepathically.
• 29:27
  Speaker 2: Yes, yep, all right. You know he came in because
• 29:32
  Speaker 2: they were getting ready to contact me and then all
• 29:34
  Speaker 2: this started happening and they were surveilling it there and
• 29:37
  Speaker 2: making sure that I was going to be okay. They
• 29:40
  Speaker 2: watch everything that goes on around me always, so.
• 29:43
  Speaker 1: Yeah, well that's true definitely with other contactings. I now,
• 29:47
  Speaker 1: all right, I'm going to move on to the next
• 29:49
  Speaker 1: footage and let me just turn up the foot of
• 29:51
  Speaker 1: the sound here.
• 29:52
  Speaker 2: Okay, yep, this is on the back porch on outside
• 30:00
  Speaker 2: it's late at night. I'm sitting in a chair because
• 30:02
  Speaker 2: I know that to be contacted. Everybody had gone to bed.
• 30:06
  Speaker 2: And this is this is a retriever coming down for
• 30:10
  Speaker 2: me an Ai and he's coming in pretty slow. He's
• 30:13
  Speaker 2: watching everything right now. We live about ten miles from
• 30:18
  Speaker 2: the base, you know, US Space Force s tendall and
• 30:22
  Speaker 2: so they have to be very careful. This is a
• 30:25
  Speaker 2: heavily populated area. They don't want anybody shooting at them.
• 30:29
  Speaker 2: Missiles are tender fragment when they hit, when they hit
• 30:33
  Speaker 2: the field around the craft, and those fragments can come
• 30:36
  Speaker 2: down and kill people, and so they don't want to
• 30:39
  Speaker 2: draw fire over populated areas. It's very bad and that's
• 30:44
  Speaker 2: why we're doing this so easy. Slow.
• 30:47
  Speaker 1: So here, here's the house down below.
• 30:50
  Speaker 2: Yeah, that's not my house. That's the one a back
• 30:52
  Speaker 2: of us, you know, on the other side of that fence,
• 30:55
  Speaker 2: and it's their back of their house. It's grasped between us. Okay,
• 31:00
  Speaker 2: that's not a parking lot or a road there. That's
• 31:02
  Speaker 2: all grass.
• 31:03
  Speaker 1: Okay. You can see another light up here, So that's
• 31:06
  Speaker 1: a second craft.
• 31:08
  Speaker 2: Now that one is actually oh yeah, okay, yeah, Jupiter's
• 31:12
  Speaker 2: all the way down low and that. Yeah, there was
• 31:14
  Speaker 2: another one hanging around with him.
• 31:15
  Speaker 1: Crap, all right, And so this blinking is really just
• 31:19
  Speaker 1: him coming in and out of the clouds.
• 31:21
  Speaker 2: Yes, there's a crystallized clouds, you know. I steer us
• 31:25
  Speaker 2: up there, and he was coming through that layer. They
• 31:27
  Speaker 2: were dropping down. They were gonna have fog, and he's
• 31:31
  Speaker 2: sighting me. Now, he's trying to find me. He knows
• 31:33
  Speaker 2: I'm there, he knows about where I'm at, and he's
• 31:36
  Speaker 2: about to flash a light down on that house. So
• 31:39
  Speaker 2: if I see it, I'll jerk, you know, he'll hear
• 31:41
  Speaker 2: it in my head and he'll know he's almost on
• 31:43
  Speaker 2: top of me, and I'll give him. I'll tell him,
• 31:46
  Speaker 2: you know more, you know, twenty feet thirty feet onto
• 31:49
  Speaker 2: your right whatever from your position, and then he'll know
• 31:52
  Speaker 2: where I'm at.
• 31:53
  Speaker 1: All right, So we'll see this whole house light up
• 31:56
  Speaker 1: in just a second. Then yeah, I will play it
• 32:00
  Speaker 1: back so everyone can see it. There, goes Yeah, let's
• 32:04
  Speaker 1: just go back and pay very close attention to the
• 32:07
  Speaker 1: house here. And so he's sending on.
• 32:11
  Speaker 2: A bean, yes search light. Yeah.
• 32:17
  Speaker 1: Yeah, So this is a lot of them.
• 32:20
  Speaker 2: It's not it's a lot is above them. Oh, okay,
• 32:24
  Speaker 2: he's the retriever. They all have the ability to shine
• 32:27
  Speaker 2: a really big light, all of them. They can. They
• 32:32
  Speaker 2: they're they're all equipped, all right.
• 32:38
  Speaker 1: So this is you know, they're actually planning to come
• 32:41
  Speaker 1: pick you up at this point.
• 32:42
  Speaker 2: Yes, when he gets within so many feet of me,
• 32:45
  Speaker 2: he will zoom up on me and they will take
• 32:48
  Speaker 2: me up as quickly as they can. I will walk
• 32:50
  Speaker 2: out into the yard because I know he's there. I'm
• 32:52
  Speaker 2: getting ready to actually, I'm sitting in a chair and
• 32:55
  Speaker 2: I'm just waiting for him to give me the signal
• 32:56
  Speaker 2: get up, go and he'll grab me. They'll grab me
• 33:00
  Speaker 2: a light beam. They can't do that, they can. They
• 33:03
  Speaker 2: can levitate you up in this beam, you know.
• 33:06
  Speaker 1: Now, this is when when your housemate opened the door.
• 33:11
  Speaker 2: And yeah, my son in law he got up for
• 33:14
  Speaker 2: some reason and was wandering around. He saw me sitting
• 33:16
  Speaker 2: out there like, which he did, and then he hit
• 33:19
  Speaker 2: me with the door in the chair. It's like and
• 33:22
  Speaker 2: then they took off. Nope, not playing. It scared them off,
• 33:27
  Speaker 2: all right.
• 33:27
  Speaker 1: I just turned on the sound so I can see
• 33:29
  Speaker 1: this one more time. So this is the drone the
• 33:34
  Speaker 1: pickup craft. Yes, and Talada is the dainterer. Like we said,
• 33:40
  Speaker 1: I think I saw him right there.
• 33:42
  Speaker 2: Yeah, he's up there, he's watching.
• 33:45
  Speaker 1: He maybe is there right there.
• 33:48
  Speaker 2: Yeah, he's around you see him, king back and forth.
• 33:52
  Speaker 2: He the reason that he watches this so closely, as
• 33:55
  Speaker 2: if anything scrambles against him, he will drag them away
• 33:59
  Speaker 2: from the scene. And in other words, he will give
• 34:01
  Speaker 2: me cover. In other words, he'll you know, give them
• 34:04
  Speaker 2: something to do other than pay attention to me and
• 34:06
  Speaker 2: what that craft is doing. He'll you know, what do
• 34:09
  Speaker 2: they call that diversion, he'll create a diversion.
• 34:14
  Speaker 1: So at this point, they're still pretty far away. How
• 34:17
  Speaker 1: far away?
• 34:17
  Speaker 2: Would you say, Uh, he's within he's a good coming, well,
• 34:25
  Speaker 2: right now, he's up there, Okay, you tune it back
• 34:27
  Speaker 2: to the beginning, right yeah, okay, Yeah, he's way up
• 34:31
  Speaker 2: there right now. Yeah, he's he's under a mile up
• 34:34
  Speaker 2: and he's probably half a mile away, you know, all right,
• 34:38
  Speaker 2: And he's just coming down real slow, and he's inching
• 34:42
  Speaker 2: towards me, you know, moving forward, and he's watching everything
• 34:46
  Speaker 2: on the ground below him as he psyped me out
• 34:50
  Speaker 2: and he knows he knows basically where I am. He
• 34:52
  Speaker 2: can hear me in his head. They can I have implants? Okay,
• 34:56
  Speaker 2: and Tolat is guiding him as well, because Tolata has
• 34:59
  Speaker 2: that you you know what you would call GPS on
• 35:01
  Speaker 2: me to all I knows exactly where I am. And
• 35:04
  Speaker 2: so you.
• 35:05
  Speaker 1: Know what's good about this footage is you have the
• 35:07
  Speaker 1: foregrounds at the house. You can see this isn't a balloon,
• 35:11
  Speaker 1: it's not a satellite, it's not all lightning. It's not
• 35:16
  Speaker 1: an airplane, it's not a helicopter.
• 35:20
  Speaker 2: You can't hear anything. All you hear is our air
• 35:23
  Speaker 2: conditioning unit. That's it. Yeah, okay, no sound none. If
• 35:27
  Speaker 2: it was if it was a drone of police drone
• 35:30
  Speaker 2: or something like that, you would hear it whirling. You know.
• 35:34
  Speaker 1: There's the house lighting up again. Yes, we play that
• 35:37
  Speaker 1: real quick so you can give another look at that
• 35:41
  Speaker 1: when he's sitting down a beam of light. Yeah, that's interesting.
• 35:48
  Speaker 1: All right, another very interesting piece of footage. It's very
• 35:55
  Speaker 1: cool and some of the stuff coming up even better.
• 36:01
  Speaker 1: And this is important that people see that this is
• 36:04
  Speaker 1: a physical experience. People are trying to say, oh, you know, no, no,
• 36:10
  Speaker 1: if events are psychological, no no, no. People are being
• 36:14
  Speaker 1: taken physically on board. They are physically there yes, and
• 36:21
  Speaker 1: here is ev He's not close enough to affect your camera.
• 36:24
  Speaker 2: In anyway, so this is not yet.
• 36:26
  Speaker 1: No, all right, and they have ways of overcoming this.
• 36:30
  Speaker 2: He's not in line of sight of me. In other words,
• 36:32
  Speaker 2: he's they knew I was filming this, okay, and I
• 36:35
  Speaker 2: was going to get as much of this as I
• 36:36
  Speaker 2: could until it dined out. And once that beam hit me,
• 36:41
  Speaker 2: hit me, it would have killed the camera instantly, would
• 36:43
  Speaker 2: have knocked all the power out the house. Everything.
• 36:46
  Speaker 1: All right, Now we're going to here's another Oh I
• 36:50
  Speaker 1: love this footage. So I think this was Yeah, this
• 36:57
  Speaker 1: was Laughlin. Yeah, twenty June twenty twenty one, June six.
• 37:02
  Speaker 2: Six after midnight, actually, so it's like June seventh in
• 37:05
  Speaker 2: the morning.
• 37:06
  Speaker 1: Now look at that there. You can see the craft.
• 37:10
  Speaker 2: Yep, that is Toiler. I want everybody to pitt in.
• 37:14
  Speaker 2: I wish you'd I wish you could make that bigger,
• 37:16
  Speaker 2: but the shot of him sideways, you can make it
• 37:19
  Speaker 2: big enough. I want everybody to think, real hard, where
• 37:22
  Speaker 2: have they seen the shape of that craft before?
• 37:25
  Speaker 1: And uh, well I know what it reminds me of.
• 37:34
  Speaker 1: So yeah, I turned on the sound. So if you
• 37:37
  Speaker 1: want to make more comments, here's the light. He's flashing
• 37:39
  Speaker 1: his light. And we saw the other I saw the
• 37:42
  Speaker 1: other craft. Order, But this is Tilda.
• 37:45
  Speaker 2: Yes, that is Tla sitting there, yep.
• 37:47
  Speaker 1: And he's what's a couple hundred feet across.
• 37:51
  Speaker 2: He's two hundred and thirty some odd feet give a take. Yeah,
• 37:55
  Speaker 2: and he can actually become two hundred and fifty. He
• 37:57
  Speaker 2: can't expand he is able to do that. He can
• 38:00
  Speaker 2: make himself bigger, you can make rooms bigger, all kinds
• 38:03
  Speaker 2: of stuff.
• 38:04
  Speaker 1: So looks like one two two other craft.
• 38:08
  Speaker 2: Yeah, the lighting is not good, but there were actually
• 38:10
  Speaker 2: five of them up there. I counted five, all right.
• 38:14
  Speaker 1: And this was at that I was arriving the next day. Yeah,
• 38:18
  Speaker 1: at this conference. I was speaking there.
• 38:20
  Speaker 2: I know you on what show were you on that night?
• 38:23
  Speaker 2: Coast to Coast?
• 38:25
  Speaker 1: Oh that's right.
• 38:26
  Speaker 2: Yeah, that's why you could get it the same day
• 38:29
  Speaker 2: because you had to Coast to coast.
• 38:31
  Speaker 3: Yeah.
• 38:32
  Speaker 1: Yeah, I like that footage. That is really good footage.
• 38:36
  Speaker 1: And now we have another piece of really good footage
• 38:40
  Speaker 1: that I'd like to play. Let me get the sound.
• 38:44
  Speaker 1: This was also the same night.
• 38:49
  Speaker 2: And he's got his headlights on pretty bright. Now he
• 38:52
  Speaker 2: did buzz bomb us Okay, this is just before he
• 38:55
  Speaker 2: did that, and when he did, my camera died. It
• 38:58
  Speaker 2: was over, okay, but he wanted Yvonne to be surprised,
• 39:03
  Speaker 2: so yeah.
• 39:05
  Speaker 1: Yeah, So this is the footage you know that actually
• 39:11
  Speaker 1: appeared on the news in Arizona the next day, yep,
• 39:16
  Speaker 1: and we both watched it. I'm like wow.
• 39:20
  Speaker 2: Yvonne had to drive the next day to Las Vegas
• 39:23
  Speaker 2: to on her way home because she lives in uh
• 39:26
  Speaker 2: just like northeast of Phoenix, so she was going that
• 39:29
  Speaker 2: way and she called me on the phone screaming, you're
• 39:32
  Speaker 2: not gonna believed. Turn the NAIs on. I'm like why,
• 39:36
  Speaker 2: she says, you're on the news. He's on the news.
• 39:38
  Speaker 2: They got him, They got him, and I'll body go wow.
• 39:40
  Speaker 2: So it's a big deal. I didn't know anybody there yet.
• 39:49
  Speaker 2: I was just there. So if I had known, if
• 39:52
  Speaker 2: I had met anybody at the conference or anything, I
• 39:54
  Speaker 2: would have invited him over to sit with me. But
• 39:56
  Speaker 2: I didn't know anybody, and he's a little bit shy
• 40:00
  Speaker 2: when it comes to stuff like that, so you know,
• 40:03
  Speaker 2: and he is of their mind that you never know
• 40:05
  Speaker 2: who's going to be at the conference. We would show up,
• 40:07
  Speaker 2: who could make a phone call, so put him at risk.
• 40:10
  Speaker 2: So we're not going to do that.
• 40:12
  Speaker 1: Yeah, this was the first day of the conference, I think, yes, yeah,
• 40:18
  Speaker 1: And as I remember, you were facing north, so this
• 40:21
  Speaker 1: is practically over the conference itself.
• 40:23
  Speaker 2: Yes, exactly, it was. He did it well, there was
• 40:26
  Speaker 2: a you know, if the anybody was out there looking up,
• 40:29
  Speaker 2: they would have seen him, that's what. And it's funny too,
• 40:35
  Speaker 2: because there were nights that they planned to do C
• 40:39
  Speaker 2: five's during that conference, and they all went out and
• 40:41
  Speaker 2: did it, and I was just like, oh my god.
• 40:43
  Speaker 2: And I don't know if they got any any film
• 40:47
  Speaker 2: or anything, so I didn't tell me, you know, I
• 40:51
  Speaker 2: was too busy learning about things. This was the very
• 40:55
  Speaker 2: first conference I ever went to. I knew I was
• 40:57
  Speaker 2: still a babe in the woods when it came to
• 40:59
  Speaker 2: a is on in this community and I was all
• 41:02
  Speaker 2: a gog. I was gobs, you know. Wow.
• 41:10
  Speaker 1: All right, Yeah, this is again really good footage. It's
• 41:15
  Speaker 1: really interesting about this is there are a number of
• 41:17
  Speaker 1: UFO conferences where people have been able to photograph or
• 41:21
  Speaker 1: films over the conference itself, so they will show up.
• 41:28
  Speaker 1: This is another clear cutcase of them posing I would say,
• 41:32
  Speaker 1: posing for the camera like we do.
• 41:34
  Speaker 2: Yes, we do, yes.
• 41:36
  Speaker 1: And as you can see, there's no conventional airplane lights.
• 41:42
  Speaker 1: There would be a red light, green light, and a
• 41:45
  Speaker 1: white light.
• 41:47
  Speaker 2: Yellow stroke.
• 41:48
  Speaker 1: Yes, And this is again staying relatively still in the sky.
• 41:54
  Speaker 1: You say, they don't stay generally speaking stock still station.
• 41:58
  Speaker 2: They dip a little bit, you know. They it's like
• 42:00
  Speaker 2: a boat on the water trying to stand one spot.
• 42:02
  Speaker 2: They just you know, they're around, but you can't see
• 42:05
  Speaker 2: that translated to you very far away. You just see
• 42:07
  Speaker 2: them as being still, but they're actually moving around.
• 42:11
  Speaker 1: And when the light flares up here, that's actually a
• 42:14
  Speaker 1: product of your camera trying to focus.
• 42:16
  Speaker 2: Right, Yes, it's trying to grab the good photo.
• 42:20
  Speaker 1: All right, Well it's good footage. Yeah. So there you go.
• 42:27
  Speaker 1: People people always looking at how come they don't photograph them?
• 42:30
  Speaker 1: Well they do, and here is a good example of it.
• 42:36
  Speaker 1: And I just really want people to know this because
• 42:39
  Speaker 1: Dolly does have an extraordinary story. Everything you've told me,
• 42:44
  Speaker 1: I've said this before, I've heard from other people pretty
• 42:46
  Speaker 1: much all of it, bit by bit, piece by piece, yes,
• 42:51
  Speaker 1: but for you to you know, bring it all at
• 42:53
  Speaker 1: once is amazing.
• 42:56
  Speaker 2: It's important to me to clarify the fact that I'm
• 42:59
  Speaker 2: not the only one. Okay, just because I've come out
• 43:03
  Speaker 2: and I'm stating when I'm stating, still doesn't make me
• 43:05
  Speaker 2: the only one with information. Everybody has information about this.
• 43:10
  Speaker 2: They're hoping that everybody joins in the contact with them.
• 43:14
  Speaker 2: They really do, and I'm excited about it actually, And
• 43:19
  Speaker 2: that's their message. Come join them, Come join them to them.
• 43:23
  Speaker 2: You know, it's easy. You can learn how to do.
• 43:26
  Speaker 1: It, all right. We just have like a few mar
• 43:29
  Speaker 1: but some of them are like, really, god, okay, here's
• 43:34
  Speaker 1: this is the same footage.
• 43:35
  Speaker 2: But you yes, I lightened it up a little bit
• 43:37
  Speaker 2: so you can make more out of him and.
• 43:41
  Speaker 1: I can definitely get more definition here.
• 43:44
  Speaker 2: Yeah, to Lota, is that that his ship type, his
• 43:49
  Speaker 2: craft type is the more common type of craft. They
• 43:54
  Speaker 2: have the sports models like Blizaarre Drew, you know the
• 43:58
  Speaker 2: one that he saw and and they have they once
• 44:02
  Speaker 2: they come and get me, are more like the sports model.
• 44:04
  Speaker 2: It is a sports model. They have other types of
• 44:08
  Speaker 2: craft just depending on what the job is that they've
• 44:10
  Speaker 2: got going. And they have much larger craft other than
• 44:13
  Speaker 2: to a lot. I mean, till I was pretty big,
• 44:15
  Speaker 2: but there are way bigger than him. These craft lasts
• 44:21
  Speaker 2: quite a while until something goes wrong. And when you're
• 44:26
  Speaker 2: making so many, it's like they've got a good mechanism going,
• 44:31
  Speaker 2: you know, and they don't alter from it too much.
• 44:34
  Speaker 2: They've been around too long. It's you know what works,
• 44:36
  Speaker 2: don't it's if it's it ain't broke, don't fix it
• 44:40
  Speaker 2: kind of attitude, and they spend more of their energy
• 44:43
  Speaker 2: and time on the things that do matter to them.
• 44:46
  Speaker 2: Their craft are important, but they're not trying to be
• 44:50
  Speaker 2: better looking than in everybody else that it never crosses
• 44:53
  Speaker 2: their mind. It's not part of their thinking process. So
• 44:58
  Speaker 2: I will tell you that the turk Ufo is exactly
• 45:02
  Speaker 2: like Talada exactly, and well.
• 45:05
  Speaker 1: You can see the shape right there. Yeah, look at
• 45:08
  Speaker 1: there you go.
• 45:10
  Speaker 2: Yes, it's yeah, that's it.
• 45:14
  Speaker 1: Okay, all right, okay, now let's move to the next one,
• 45:17
  Speaker 1: which I think if I'm correct, with the daylight footage. Yes,
• 45:21
  Speaker 1: I love this one. Uh.
• 45:23
  Speaker 2: I was home in Columbus, h It's twenty seventeen and
• 45:31
  Speaker 2: getting ready to have surgery on my arm. I developed
• 45:33
  Speaker 2: an eleven inch blood clot in my arm where I
• 45:36
  Speaker 2: had a fish show from before my kidney got transplanted,
• 45:39
  Speaker 2: and I was sitting there and it was after my surgery,
• 45:41
  Speaker 2: and I was in my big chair and I was
• 45:43
  Speaker 2: talking to my donor on the phone, and my phone
• 45:45
  Speaker 2: is in the kitchen on charge, and I'm looking at
• 45:48
  Speaker 2: the window and my living It's a big window like
• 45:51
  Speaker 2: this all the way across and there are five of
• 45:53
  Speaker 2: them and they're circling the house. I'm like, Melissa, hang on,
• 45:58
  Speaker 2: I want her to see it. And I didn't want
• 45:59
  Speaker 2: to tell her what it was right away, so I
• 46:01
  Speaker 2: ran in the kitchen got the phone. When it came back,
• 46:03
  Speaker 2: I caught one that was the one, and I was
• 46:06
  Speaker 2: peeved beyond belief. But you can hear me say, I
• 46:09
  Speaker 2: was very emotional. I said, that's how you're I'm just
• 46:11
  Speaker 2: trying to show it to her.
• 46:13
  Speaker 1: Well, this is great footage. It's daylight footage. This is
• 46:17
  Speaker 1: object is not moving like any conventional object. You can
• 46:21
  Speaker 1: see it's.
• 46:22
  Speaker 2: Not He's almost stopping and dropping. He's adjusting, you know.
• 46:27
  Speaker 1: And when it goes behind the tree, that proves that
• 46:29
  Speaker 1: this is not something close to the camera, right, So
• 46:36
  Speaker 1: very hard to refute stuff like this. Yeah, and this
• 46:41
  Speaker 1: is daylight footage is exceedingly rare. Cry So yeah, I
• 46:47
  Speaker 1: really like this one as well. I'm glad you managed
• 46:53
  Speaker 1: to capture it. Yeah, close behind the tree. That's a
• 46:58
  Speaker 1: good job. Every graph something do try to get something
• 47:01
  Speaker 1: in the foreground.
• 47:03
  Speaker 2: Yes, absolutely, you learned that technique. Yes, you learn not
• 47:07
  Speaker 2: to get flares from the sun or the moon. You
• 47:11
  Speaker 2: learn what your camera is capable of producing artifacts that
• 47:14
  Speaker 2: are not there, things like that. You just take a
• 47:17
  Speaker 2: little soft course about it on YouTube. YouTube has lots
• 47:21
  Speaker 2: of courses about photographing things and it'll help you a
• 47:25
  Speaker 2: lot in your capture of what you're looking at it.
• 47:27
  Speaker 1: So, yeah, very cool.
• 47:36
  Speaker 2: All right, it was a good day. When I showed
• 47:39
  Speaker 2: this to her, she went dead silent on the phone.
• 47:42
  Speaker 2: She went, oh, my god, that's a real UFO. Because
• 47:45
  Speaker 2: I'd been talking to her about it forever. Okay, she
• 47:47
  Speaker 2: knew it was a part of my life. I mean,
• 47:49
  Speaker 2: she's practically part of my family. Okay. And when my mom,
• 47:55
  Speaker 2: my mom was getting ready to go into assisted living,
• 47:57
  Speaker 2: and she wanted to be in Panama City, near my daughter,
• 48:00
  Speaker 2: and so Melissa and I moved her down there. We
• 48:03
  Speaker 2: loaded her up on the truck, moved all this stuff
• 48:05
  Speaker 2: in and loaded it into the place where she was living.
• 48:09
  Speaker 2: And on the way back, a terrible storm started doing
• 48:12
  Speaker 2: and there was a horrible accident, and Tilada told me
• 48:15
  Speaker 2: slow down, stop, do not go forward yet, and I
• 48:18
  Speaker 2: did and she was like, what are you doing? And
• 48:19
  Speaker 2: I said tell us to stop, don't go forward, and
• 48:21
  Speaker 2: she's like why. I said, there's an accident, and she's like, okay, right, sure.
• 48:26
  Speaker 2: And about five minutes later when we started going again,
• 48:28
  Speaker 2: Oh yeah, it was bad. It was a twenty car
• 48:30
  Speaker 2: pile up and we would have been in it. She
• 48:32
  Speaker 2: was like getting ill over that. And I saw a
• 48:35
  Speaker 2: Mexican restaurant, so we pulled over and had dinner. And
• 48:38
  Speaker 2: afterwards the weather was so bad I couldn't tell east
• 48:42
  Speaker 2: west north of south. I didn't know that parking lot.
• 48:45
  Speaker 2: And I turned down the highway the wrong way, and
• 48:47
  Speaker 2: after about five minutes, I reroise, oh god, I'm going
• 48:48
  Speaker 2: the wrong way Untilada literally came down and under you know,
• 48:53
  Speaker 2: you say the limit, you know, the viewing limit of
• 48:57
  Speaker 2: a storm coming down. It was less than ten miles,
• 48:59
  Speaker 2: It was more like five. And he bloody came down
• 49:01
  Speaker 2: over the car and she said what is that? She
• 49:04
  Speaker 2: was looking at it, and I said that would be
• 49:05
  Speaker 2: our way out of here. And I followed me, turned
• 49:09
  Speaker 2: me around, and I got back up on the right road,
• 49:11
  Speaker 2: and he stayed with me almost halfway back to where
• 49:14
  Speaker 2: we were going, and she just sat stone silent in
• 49:17
  Speaker 2: the car, and she was like, oh my god, oh
• 49:19
  Speaker 2: my god, oh my god, oh my god, it's real.
• 49:21
  Speaker 2: I'm rate. Yeah. He wanted her, Yeah, he wanted very
• 49:25
  Speaker 2: much for her to enjoy that knowledge. He wanted her
• 49:28
  Speaker 2: to have personal contact also, because I mean, it's just
• 49:31
  Speaker 2: a weird situation and how she gave me a kidney
• 49:34
  Speaker 2: in the first place, and he feels very close to
• 49:37
  Speaker 2: her also.
• 49:37
  Speaker 1: So I want to interview you more about some of
• 49:40
  Speaker 1: those kinds of experiences, because I have to tell you,
• 49:42
  Speaker 1: I put a whole chapter about these sort of events
• 49:45
  Speaker 1: in my book about UFO healing cases where they rescue people,
• 49:50
  Speaker 1: you know, prevent the preventing car accidents and all healing
• 49:54
  Speaker 1: and all kinds of stuff. So we could definitely talk
• 49:56
  Speaker 1: more about that later. Now, I wanted to get to
• 50:00
  Speaker 1: it's honestly my favorite footage.
• 50:02
  Speaker 2: Okay, which is the.
• 50:04
  Speaker 1: Last one I think that we're going to play today,
• 50:06
  Speaker 1: And this is a pretty short one. Oh no, there's one, sorry, Okay,
• 50:12
  Speaker 1: I think that's tell.
• 50:16
  Speaker 2: More of him.
• 50:17
  Speaker 1: Yeah, right, let me start from the beginning, because there's
• 50:25
  Speaker 1: a good, good sound here. Yep, it was very fast.
• 50:31
  Speaker 2: Yeah, that was a weird night for me. By the way,
• 50:35
  Speaker 2: I'd been on a plane all day. I had two
• 50:37
  Speaker 2: planes to get on and travel all the way from
• 50:39
  Speaker 2: you know, Panama City, Florida, all the way out to
• 50:44
  Speaker 2: Las Vegas. That was the closest I could get to Lachland.
• 50:46
  Speaker 2: And then Yvonne picked me up at the airport and
• 50:48
  Speaker 2: we drove all the way through the desert to get
• 50:51
  Speaker 2: to Lachland. So I had been up at five in
• 50:53
  Speaker 2: the morning and it was after eleven o'clock when I
• 50:55
  Speaker 2: finally said let's go outside. And you know, I hear
• 50:58
  Speaker 2: them and I was in face down, tired from all that.
• 51:03
  Speaker 2: And he would be reading me the whole time. Just
• 51:06
  Speaker 2: go to bed, Just go to bed. You're fine, You'll
• 51:08
  Speaker 2: be fine. La la la la la. It's like, no
• 51:10
  Speaker 2: one want the footage. I am determined to get this footage.
• 51:14
  Speaker 1: Yeah. I was not thrilled with Laughlin. There's just no
• 51:17
  Speaker 1: water there. Well there was the river, but it was
• 51:19
  Speaker 1: a dry, dead area.
• 51:21
  Speaker 2: Yeah.
• 51:23
  Speaker 3: Yeah, got good footage, Yes, we did, all right.
• 51:32
  Speaker 1: So this is that same UFO Conference, the UFO Mega Con. Okay, right, yeah, yes,
• 51:42
  Speaker 1: all right, so now I think from correct is the
• 51:46
  Speaker 1: maybe nothing really good footage, Well that's coming soon. This
• 51:50
  Speaker 1: is oh no, this is the drones. Right, so this
• 51:54
  Speaker 1: is actually really interesting. You can see a tiny little
• 51:58
  Speaker 1: dot here, but just wait it is.
• 52:02
  Speaker 2: This is during the fourth of July. No, no, this
• 52:06
  Speaker 2: isn't the fourth of July.
• 52:06
  Speaker 1: Okay, no, this is when he drops the drones.
• 52:09
  Speaker 2: Oh okay, all right, the drones. Okay, yeah, I'm probably
• 52:16
  Speaker 2: trying to coach him, but yeah, I can tell when
• 52:20
  Speaker 2: you're observing them and they're like just looking at me,
• 52:23
  Speaker 2: you know, I can hear you thinking. And I had
• 52:26
  Speaker 2: to tell him, you know, go ahead, go ahead, go ahead.
• 52:29
  Speaker 2: I'll teach you a new word. I'm trying to teach
• 52:31
  Speaker 2: everybody one new word every so often. Luta means go ahead, luta.
• 52:37
  Speaker 1: In the greatest language.
• 52:39
  Speaker 2: Yes, it means go ahead, luta.
• 52:42
  Speaker 1: All right, So that's two words that no one is.
• 52:46
  Speaker 2: Yes, that means I'm ready and luta luta.
• 52:51
  Speaker 1: Yeah, which means there we go ahead.
• 52:55
  Speaker 2: Go ahead, Yes, like come on, drop one, go ahead,
• 52:59
  Speaker 2: you know.
• 53:00
  Speaker 1: All right, the watch this, this is cool. There we
• 53:07
  Speaker 1: go because this is kind of footage I haven't seen elsewhere.
• 53:12
  Speaker 2: Yeah, I'm pretty sure nobody's got footish like this anywhere.
• 53:15
  Speaker 2: This was the truth for me. Yeah, yep, there he's
• 53:19
  Speaker 2: dropping on. It's like, okay, we're gonna let them see
• 53:21
  Speaker 2: how we do this. You know, people don't realize how
• 53:24
  Speaker 2: they do it. They have to drop it into an
• 53:25
  Speaker 2: electromagnetic field that can go down below. There are two
• 53:30
  Speaker 2: concurrent fields. If they were trying to drop a drone
• 53:33
  Speaker 2: out of their bubble and we're naked, it hit the
• 53:36
  Speaker 2: inside of it and bounce around, So they have to
• 53:38
  Speaker 2: create a force to drop the drones out of the craft.
• 53:43
  Speaker 1: All right, So he's pretty low elevation here at this point.
• 53:47
  Speaker 2: Yeah, he's he's at just under the model limit. He's
• 53:50
  Speaker 2: dropping in under a moth. Yep.
• 53:53
  Speaker 1: All right here. I turned down the volume because I
• 53:55
  Speaker 1: want to play this again because I have a few
• 53:57
  Speaker 1: things I want to comment on. Yeah, okay, so right
• 54:02
  Speaker 1: now you can't really see much because they're way the
• 54:04
  Speaker 1: heck up there. But there's a tiny little white dot
• 54:06
  Speaker 1: right there. Get it's quite hard to see, but give
• 54:11
  Speaker 1: it a second and I'll I can still see it.
• 54:14
  Speaker 2: Yeah, Just so y'all know that I have a Samsung
• 54:18
  Speaker 2: uh ten or is it eleven? I have a Samsung.
• 54:22
  Speaker 2: I have an Android phone, and so I have the
• 54:25
  Speaker 2: three the three you know lens camera and it takes
• 54:31
  Speaker 2: decent footage.
• 54:33
  Speaker 1: All right, So this is just one craft, one light
• 54:37
  Speaker 1: that we're seeing, right, yes, but at some.
• 54:40
  Speaker 2: Point you see the two lights. That's the whole craft.
• 54:46
  Speaker 2: The dnes come out the literally at the front side
• 54:51
  Speaker 2: of the craft, right up underneath the front side.
• 54:55
  Speaker 1: All right.
• 54:55
  Speaker 2: I have a huge array there that they move out
• 54:58
  Speaker 2: of the way and they shoot the a light. Uh,
• 55:02
  Speaker 2: it's light. That's why it's the color that it is.
• 55:05
  Speaker 2: It's pure light. It's dropping down through a light force
• 55:08
  Speaker 2: that can penetrate through that that electromagnetic current that they've
• 55:13
  Speaker 2: got going on in there. And uh it literally it's
• 55:16
  Speaker 2: center dimensional. Okay, so now in dimensional.
• 55:19
  Speaker 1: We see the two lights. So this is still one.
• 55:21
  Speaker 2: Yeah, that's the whole craft.
• 55:23
  Speaker 1: Yeah, okay, and see what now, but it's we'll see
• 55:27
  Speaker 1: the two in the second and this is this is
• 55:29
  Speaker 1: a lot of right.
• 55:31
  Speaker 2: Uh no, no, it's not a lot of it's one
• 55:34
  Speaker 2: that looks like him. He's a little bit bigger. I
• 55:36
  Speaker 2: would call that a mother ship. That's a big ship, big, big, big.
• 55:40
  Speaker 1: How big are we talking? Oh, three hundred part of feet?
• 55:45
  Speaker 2: Yeah, probably four or five hundred feet so from here
• 55:48
  Speaker 2: to Yeah.
• 55:50
  Speaker 1: And the drones that are being dropped off, the ET drones,
• 55:52
  Speaker 1: I just want.
• 55:53
  Speaker 2: To clarify, they're about thirty feet long, all right. You
• 55:58
  Speaker 2: know the tic TACs that everybody sees. That's done well,
• 56:02
  Speaker 2: all right, but different power modes for them makes them
• 56:06
  Speaker 2: project different light fields around them. A plot, you know,
• 56:10
  Speaker 2: the one where the two fields are shooting out. That's
• 56:12
  Speaker 2: a plasma field. It's heating up, it's getting ready to
• 56:15
  Speaker 2: take off and go where it's going to go. Plasma's funny.
• 56:19
  Speaker 2: It starts at the two points of the two main
• 56:22
  Speaker 2: energy points and then it totally engulfs the entire craft
• 56:25
  Speaker 2: and they look like a tik tak when they're fully running.
• 56:28
  Speaker 1: So very cool. Yeah, and this actually made the evening News.
• 56:34
  Speaker 1: I'm not sure if this was the actual footage that
• 56:36
  Speaker 1: made it.
• 56:38
  Speaker 2: Well, he flew over Las Vegas, he told me he did,
• 56:40
  Speaker 2: so very cool, all right, lots of people saw him.
• 56:46
  Speaker 1: Then let me turn the song him back up because
• 56:49
  Speaker 1: we're approaching the end here. Yeah, And I just want
• 56:58
  Speaker 1: to play a couple of more pieces. All right, here
• 57:02
  Speaker 1: we go. Oh yeah, here's the one I really like.
• 57:05
  Speaker 2: Okay, Yeah, he's doing his cuttle fish. He's coming down
• 57:10
  Speaker 2: his scalth. He's making himself look smaller than he really is.
• 57:15
  Speaker 2: And uh, he came way down and he would have
• 57:20
  Speaker 2: I would have gone with him, except that I was
• 57:22
  Speaker 2: home alone, and if they had come back and I
• 57:24
  Speaker 2: wasn't there, it would have been bad. So I stayed
• 57:28
  Speaker 2: and but I got him on film. That was very
• 57:31
  Speaker 2: real cool. If you play the sound, you can hear
• 57:34
  Speaker 2: dogs start barking. They're all freaking out, and you know
• 57:37
  Speaker 2: the property next door because they's time. They're like, ah,
• 57:40
  Speaker 2: what is that? You know?
• 57:42
  Speaker 1: No, the sound's on. It's mostly traffic noise.
• 57:45
  Speaker 2: Uh huh yeah, it's on the main road. It's on
• 57:47
  Speaker 2: a highway, and uh, she's gotta I guess about two
• 57:52
  Speaker 2: and a half acres out there.
• 57:53
  Speaker 1: Maybe this is a window right with the pillow.
• 57:57
  Speaker 2: Yeah, it's a poor window.
• 58:00
  Speaker 1: So the house is right here. You can't really see
• 58:02
  Speaker 1: the house itself, but you can see the window right
• 58:05
  Speaker 1: and this is Talada. This is yes, all right? And
• 58:13
  Speaker 1: how high up would you say he is? And how close?
• 58:16
  Speaker 2: Okay, he's under one thousand feet. He's about between five
• 58:19
  Speaker 2: hundred and eight hundred feet easily, and he's about an
• 58:22
  Speaker 2: eighth of a mile away from me in the direction
• 58:26
  Speaker 2: to see. He was like due west of me.
• 58:33
  Speaker 1: And this was in Florida.
• 58:35
  Speaker 2: No, it's in Georgia.
• 58:37
  Speaker 1: Yes, all right, so it's right, and those little lights
• 58:41
  Speaker 1: are we're just seeing reflections.
• 58:44
  Speaker 2: Remember I said, he's like a cuttlefish. He can make
• 58:46
  Speaker 2: any light pattern on him he wants. You can do
• 58:48
  Speaker 2: an array of a little blinky you know, bites all
• 58:51
  Speaker 2: away and can shimmer. And he's been pretty there.
• 58:56
  Speaker 1: So that's why we have such a wide variation people
• 58:58
  Speaker 1: describing colored by its yeah, lit up like a Christmas
• 59:02
  Speaker 1: tree or different different shapes, because they can assume an appearance.
• 59:05
  Speaker 2: Yes they can, absolutely.
• 59:08
  Speaker 1: But what I like about this footage is it's so
• 59:10
  Speaker 1: darn low.
• 59:12
  Speaker 2: Yeah, he was coming in, Yeah, and you can clear
• 59:15
  Speaker 2: fine enough away from me. He was gonna knock my
• 59:17
  Speaker 2: camera out, and but he was low enough that I
• 59:19
  Speaker 2: got a good shot of him, you know. And it
• 59:22
  Speaker 2: was so quiet that night, I mean, it was a
• 59:24
  Speaker 2: weird night. Nobody was really out. They were down in town,
• 59:27
  Speaker 2: which is a long ways away from there, and I
• 59:31
  Speaker 2: got a good I got a good pictures of him.
• 59:33
  Speaker 1: Yeah, and you can't tell me this is just a
• 59:36
  Speaker 1: light in the sky because it's not. You can see
• 59:38
  Speaker 1: the gray metallic surface there and the saucer, well, saucer
• 59:44
  Speaker 1: is ish shape right the way you zoom up on
• 59:49
  Speaker 1: it clearly see.
• 59:53
  Speaker 2: Yeah, it was a busy boy.
• 59:57
  Speaker 1: All right, I'm gonna play it one more time because
• 59:58
  Speaker 1: I just like this footage the last when we got
• 1:00:01
  Speaker 1: for today.
• 1:00:02
  Speaker 2: I remember when I sent it to you lost your mind.
• 1:00:04
  Speaker 2: You're like, oh my god, oh my god, you're jumping
• 1:00:07
  Speaker 2: up down. Yeah.
• 1:00:09
  Speaker 1: Oh, And people ask where's the photographic evidence? There is
• 1:00:14
  Speaker 1: a lot of it. And what I like about yours
• 1:00:16
  Speaker 1: is you're willing to stand behind your footage. You can
• 1:00:18
  Speaker 1: explain it. So much that's out there on the internet.
• 1:00:22
  Speaker 1: It's completely anonymous, and a lot of it's clearly CGI
• 1:00:27
  Speaker 1: and disinformation and completely bogus.
• 1:00:29
  Speaker 2: Yes, there is a lot of that. I'm beginning to
• 1:00:32
  Speaker 2: believe that a lot of experiences, you know, contactees are
• 1:00:36
  Speaker 2: mortified of what the government could do to them. Are
• 1:00:39
  Speaker 2: their families, okay, and so they don't talk. I'm kind
• 1:00:43
  Speaker 2: of at a point in my life where I don't
• 1:00:45
  Speaker 2: have that hanging over me, and I'm really not afraid
• 1:00:48
  Speaker 2: of anything anyway, you.
• 1:00:49
  Speaker 1: Know, right, well, No, it's good footage to Lota was
• 1:00:56
  Speaker 1: very kind to provide it. Like I said, it's not
• 1:01:02
  Speaker 1: often people get good footage.
• 1:01:04
  Speaker 2: True, well, I want everybody to take a camera course
• 1:01:09
  Speaker 2: and get good cameras and go out there. Okay, right now,
• 1:01:12
  Speaker 2: you're not going to get more than drones. I'm going
• 1:01:14
  Speaker 2: to be honest about that. It would be a freaking
• 1:01:17
  Speaker 2: weird circumstance to see an actual et craft coming in
• 1:01:23
  Speaker 2: coming because our k newspe are so messed up. It's
• 1:01:25
  Speaker 2: too dangerous for them. The drones, they're expendable, so they
• 1:01:28
  Speaker 2: don't mind, okay, leaving them behind. They're keeping an eye
• 1:01:32
  Speaker 2: on us because of what we're all going through. But
• 1:01:34
  Speaker 2: you will see the drones, and you can the AI
• 1:01:37
  Speaker 2: on board can hear you their psychic as well, and
• 1:01:41
  Speaker 2: you can talk one down, get a good shot of it.
• 1:01:44
  Speaker 2: Go for it. I mean to go for it, seriously,
• 1:01:48
  Speaker 2: you know.
• 1:01:50
  Speaker 1: All right, Well, I think we got a good look
• 1:01:51
  Speaker 1: at that, So letting just stop the share so we
• 1:01:56
  Speaker 1: can get both back on the screen. You're all right,
• 1:02:06
  Speaker 1: that was awesome. I took a little longer than I
• 1:02:08
  Speaker 1: thought that that's awesome. Gives a good hour of actual
• 1:02:12
  Speaker 1: good UFO footage. Okay, so there you go. People want photographs,
• 1:02:19
  Speaker 1: those are photographs. So I really appreciate you having the
• 1:02:23
  Speaker 1: courage to step forward and share all these Sally.
• 1:02:27
  Speaker 2: You're very welcome, my pleasure, in my honor.
• 1:02:31
  Speaker 1: I know there are skeptics out there, and I'm going
• 1:02:33
  Speaker 1: to say this again which I've said before, is it's
• 1:02:36
  Speaker 1: up to each individual person to follow their own pathway
• 1:02:41
  Speaker 1: towards the truth right.
• 1:02:43
  Speaker 2: Self discovery of yourself and the truth. Heal yourself and
• 1:02:47
  Speaker 2: stick your mind out there and start learning all you
• 1:02:49
  Speaker 2: can learn. I mean, that's what it's about here.
• 1:02:51
  Speaker 1: And yeah, because photographs are not going to prove to
• 1:02:54
  Speaker 1: you that UFOs are real. The only proof for each
• 1:02:58
  Speaker 1: individual is personal experience. That's where knowledge comes from. So
• 1:03:03
  Speaker 1: these this is just you know, a little signposts, a
• 1:03:07
  Speaker 1: little you know, welcoming, just to say that, you know,
• 1:03:11
  Speaker 1: this is the kind of experience that you can have.
• 1:03:13
  Speaker 1: You can go out there and see us for yourself.
• 1:03:15
  Speaker 2: Correct.
• 1:03:16
  Speaker 1: And a lot of people have taken really extraordinary photographs.
• 1:03:22
  Speaker 1: I think most of them, we don't see most of them.
• 1:03:25
  Speaker 2: This is true. I mean there are tons of footage
• 1:03:29
  Speaker 2: on the internet that I used to know about and
• 1:03:32
  Speaker 2: it's totally gone on. It breaks my heart, you know.
• 1:03:35
  Speaker 2: There there are stories that were reported to the different
• 1:03:39
  Speaker 2: agencies and they're disappearing as well, and that breaks my heart.
• 1:03:43
  Speaker 1: So yeah, so this is just one form of evidence.
• 1:03:46
  Speaker 1: I will say that. You know, I've interviewed Dolly one
• 1:03:50
  Speaker 1: hundred times, going over and over at the same events.
• 1:03:54
  Speaker 1: She has confirming witnesses, she has medical evidence, photographic evidence,
• 1:03:59
  Speaker 1: other evidence. So it's really just something I want people
• 1:04:04
  Speaker 1: to know that there is a lot to her story
• 1:04:08
  Speaker 1: and this is the part I've been wanting to share
• 1:04:10
  Speaker 1: for a while. So once again, thanks Dolly, You're very welcome,
• 1:04:16
  Speaker 1: and I think I'm going to end it here. I
• 1:04:19
  Speaker 1: want to thank you all for watching. I truly appreciate it.
• 1:04:23
  Speaker 1: And until next time, Like I like to always say,
• 1:04:29
  Speaker 1: have fun, yes, keep having fun? All right, fine for now, guys,
• 1:04:36
  Speaker 1: until next time.
• 1:04:38
  Speaker 2: Hi,