Latest / Fake Doctors, Real Friends with Zach and Donald / 203: My Ex’s Ex (New)

Transcript

203: My Ex’s Ex (New) · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: And welcome everybody. And we're back.
• 0:03
  Speaker 2: And we're back.
• 0:05
  Speaker 1: We'd like to welcome you to episode of the podcast
• 0:08
  Speaker 1: for episode 203. And welcome to, for the first time,
• 0:12
  Speaker 1: the legendary Ava Bunn. Thunderous applause.
• 0:16
  Speaker 3: Thanks, guys.
• 0:17
  Speaker 1: Welcome to the podcast, Ava.
• 0:18
  Speaker 2: Thank you, Sarah.
• 0:20
  Speaker 1: You didn't even know this studio was here, did you?
• 0:22
  Speaker 3: No, I didn't know we had an upstairs.
• 0:24
  Speaker 1: You didn't know we had an upstairs?
• 0:25
  Speaker 4: I didn't either.
• 0:26
  Speaker 2: When I came here last night, they were like, yeah,
• 0:28
  Speaker 2: it's upstairs.
• 0:28
  Speaker 5: I was like, we have an upstairs.
• 0:29
  Speaker 3: Oh, there's another level.
• 0:30
  Speaker 1: Before we converted this, it was where I would do
• 0:33
  Speaker 1: the voiceovers. It was just a room with a mic.
• 0:35
  Speaker 4: Oh, I see.
• 0:36
  Speaker 1: And then Roger Fires and his team, our production designer,
• 0:39
  Speaker 1: built this beautiful studio for us.
• 0:41
  Speaker 5: While we're at it, we should say we have Sarah
• 0:43
  Speaker 5: Chalk on the show today.
• 0:44
  Speaker 1: I'm the legendary Sarah Chalk. Thunderous applause. Sarah, thank you
• 0:46
  Speaker 1: for coming back.
• 0:47
  Speaker 4: Oh, thanks for having me.
• 0:48
  Speaker 1: You were so delightful in episodes one and two of
• 0:50
  Speaker 1: the podcast.
• 0:51
  Speaker 4: I loved being here.
• 0:52
  Speaker 5: And all the way in Los Angeles, California, the one
• 0:56
  Speaker 5: and only Joelle Monique.
• 0:58
  Speaker 1: Yes. And Joelle, make sure they play your theme song
• 1:00
  Speaker 1: right here. Joelle also has a theme song. Oh, my God.
• 1:04
  Speaker 5: Okay.
• 1:05
  Speaker 1: All right. So, welcome, everybody.
• 1:09
  Speaker 4: Thanks.
• 1:10
  Speaker 1: And we're going to talk about episode 203 today.
• 1:13
  Speaker 5: I didn't have my notes.
• 1:15
  Speaker 1: Donald, audience, you know, we take copious notes. And Donald
• 1:19
  Speaker 1: left his.
• 1:20
  Speaker 5: I left my notes at home.
• 1:21
  Speaker 1: At home. Listeners of the podcast from before might not
• 1:24
  Speaker 1: be surprised that you did that.
• 1:25
  Speaker 5: This has happened before. Yes.
• 1:27
  Speaker 4: But you remember donuts. He brought us donuts.
• 1:29
  Speaker 5: I did bring the donuts.
• 1:30
  Speaker 4: Which were amazing.
• 1:31
  Speaker 1: What was the thought process when you left your notes
• 1:33
  Speaker 1: at home?
• 1:34
  Speaker 5: Well, we're leaving after this. So I was packing up
• 1:36
  Speaker 5: all of my stuff to... For the airport.
• 1:41
  Speaker 1: Was there any ganja involved this morning?
• 1:43
  Speaker 5: There's always ganja involved when we do.
• 1:48
  Speaker 1: Do you think that ganja may have played a part?
• 1:50
  Speaker 5: I'm sure it's played a part. I'm sure it played
• 1:52
  Speaker 5: a part.
• 1:52
  Speaker 1: Kids, not even once. Kids, not even once.
• 1:55
  Speaker 2: Can you hit the bong head sound effect?
• 1:57
  Speaker 5: Kids, if you're watching this, we need to talk to
• 1:59
  Speaker 5: your parents about the things that you are allowed to watch.
• 2:02
  Speaker 1: Well, kids, this is why Donald doesn't have his notes.
• 2:05
  Speaker 6: Kids.
• 2:10
  Speaker 5: That's not why. I said it's partially. The other part
• 2:13
  Speaker 5: is because I was on the run. I was trying
• 2:16
  Speaker 5: to make it happen. Anyway, let's get into 203.
• 2:18
  Speaker 3: Wait, can I tell you guys something?
• 2:20
  Speaker 1: Please, be honest.
• 2:22
  Speaker 3: So, the other day we were filming outside. Am I
• 2:26
  Speaker 3: allowed to say outside?
• 2:27
  Speaker 4: Yes.
• 2:28
  Speaker 1: Why would you not be allowed to say outside?
• 2:32
  Speaker 4: You said, am I allowed to say I do?
• 2:34
  Speaker 1: You're so nervous. You're so nervous you thought we might
• 2:37
  Speaker 1: censor you saying outside?
• 2:39
  Speaker 3: Am I allowed to say we were filming outside? We
• 2:42
  Speaker 3: were filming outside.
• 2:43
  Speaker 6: So there were like people around and then I made
• 2:45
  Speaker 6: a joke and I was like, chicken little sign my leg.
• 2:49
  Speaker 3: I'm going to get it tattooed.
• 2:51
  Speaker 4: Right.
• 2:52
  Speaker 5: No fricking way.
• 2:53
  Speaker 4: No.
• 2:55
  Speaker 5: No fricking way.
• 2:56
  Speaker 4: Eva!
• 2:57
  Speaker 2: But, but.
• 2:58
  Speaker 5: Whose tattoo is that?
• 3:00
  Speaker 7: They did it in a mirror and they did it backwards.
• 3:02
  Speaker 5: They spelled chicken a little backwards. They spelled chicken a
• 3:05
  Speaker 5: little backwards.
• 3:05
  Speaker 1: She's doing a joke.
• 3:06
  Speaker 6: No.
• 3:06
  Speaker 5: This is a bit.
• 3:07
  Speaker 3: I'm not joking. I looked into getting it lasered.
• 3:09
  Speaker 2: They said I have to wait a month.
• 3:10
  Speaker 1: Wait, so.
• 3:11
  Speaker 4: Oh, no.
• 3:16
  Speaker 1: Wait, so Ava, because I... Wait, for those of you
• 3:20
  Speaker 1: who don't know, for those of you who don't know,
• 3:22
  Speaker 1: I'm Chicken Little. And Ava asked me to sign her
• 3:25
  Speaker 1: ankle as Chicken Little. And you actually got it tattooed
• 3:29
  Speaker 1: and they did it backwards?
• 3:30
  Speaker 3: It's backwards, but in a mirror it looks good.
• 3:32
  Speaker 5: Oh my gosh. This has got to be a bit.
• 3:35
  Speaker 1: It's got to be a bit.
• 3:36
  Speaker 5: This is totally a bit. Oh, my God.
• 3:39
  Speaker 1: I went to Gastown. Ava, I love your commitment to
• 3:45
  Speaker 1: the bit.
• 3:47
  Speaker 3: Look how red and infected it is.
• 3:49
  Speaker 2: It is.
• 3:49
  Speaker 4: It looks really red and infected.
• 3:51
  Speaker 1: You know what Ava actually did?
• 3:52
  Speaker 2: I fully thought you did it.
• 3:53
  Speaker 1: I know. You really got me for a second. Do
• 3:55
  Speaker 1: you know that Ava, what she also did, we were
• 3:58
  Speaker 1: filming outside and there was like a crowd assembled. And
• 4:01
  Speaker 1: I hear a voice go, Zach, I love you. And
• 4:04
  Speaker 1: I went, oh, I love you so much too. And
• 4:05
  Speaker 1: I go, that's fucking Ava.
• 4:10
  Speaker 2: So Ava, when.
• 4:11
  Speaker 4: We were, I don't know, like fourth season or something,
• 4:14
  Speaker 4: we did a Scrubs DVD launch party in Vegas and
• 4:18
  Speaker 4: the whole crew came to Vegas and we had to
• 4:20
  Speaker 4: do a set of interviews on a red carpet as
• 4:22
  Speaker 4: part of this launch party. And while we were on
• 4:26
  Speaker 4: the interviews, I said, They said, so anything fun happening tonight?
• 4:30
  Speaker 4: And I was like, yeah, Bill Lawrence had made a
• 4:32
  Speaker 4: dare that if any of us get the Scrubs logo
• 4:34
  Speaker 4: tattooed on our bodies that, you know, it's a dare
• 4:37
  Speaker 4: for $ 1, 000. And I just mentioned this to one of
• 4:40
  Speaker 4: the reporters. And then we get to the after party
• 4:43
  Speaker 4: and he comes.
• 4:44
  Speaker 2: Up and he's like, so, uh.
• 4:46
  Speaker 4: About that dare, and he pulls up his pant leg,
• 4:48
  Speaker 4: and he got the Scrubs logo tattooed. Not small.
• 4:51
  Speaker 2: It was very large.
• 4:54
  Speaker 4: But it was not a bit.
• 4:55
  Speaker 2: It was for real.
• 4:57
  Speaker 5: Yeah, we played basketball together quite a few times. We
• 5:01
  Speaker 5: even played basketball at the All-Star game for the celebrity game,
• 5:07
  Speaker 5: and he still had the Scrubs logo. That's crazy. He
• 5:11
  Speaker 5: was a host of like Extra at the time.
• 5:12
  Speaker 1: Yeah, he worked at Extra. I remember it got him
• 5:15
  Speaker 1: into the party at work.
• 5:16
  Speaker 2: Yeah, it did. And he got $ 2, 000 that night also.
• 5:17
  Speaker 5: All right, let's get into the episode. Count us in, Donald.
• 5:19
  Speaker 4: Five, six, seven, eight.
• 5:30
  Speaker 1: About a bunch of docs and nurses in a Canada
• 5:33
  Speaker 1: who love to hate.
• 5:34
  Speaker 5: I said he's got stories that we all should know.
• 5:39
  Speaker 5: So gather round to hear our, gather round.
• 5:42
  Speaker 1: To hear our Scrubs Rewatch Show with Zach and Donald.
• 5:48
  Speaker 6: Mm-hmm.
• 5:49
  Speaker 4: Zach and Donald have a podcast.
• 5:51
  Speaker 1: Oh, yeah. Why don't you sing it? Because Ava has revealed,
• 5:55
  Speaker 1: as you hopefully saw, that she doesn't know the theme
• 5:59
  Speaker 1: song to the podcast. But let's hear just one last
• 6:01
  Speaker 1: time your version of what you imagine the theme song
• 6:03
  Speaker 1: to the podcast is.
• 6:04
  Speaker 7: It's something like, Zach and Donald have a podcast. They're
• 6:08
  Speaker 7: talking about scraps.
• 6:10
  Speaker 2: That's it. I'm glad it's not that.
• 6:15
  Speaker 1: Charlie Puth actually produced our theme song.
• 6:18
  Speaker 3: Wait, for real?
• 6:19
  Speaker 5: Yeah, straight up.
• 6:20
  Speaker 1: I didn't know that.
• 6:21
  Speaker 5: Straight up.
• 6:22
  Speaker 7: Wait, that's crazy.
• 6:23
  Speaker 1: Yeah, Donald and I kind of came up with a
• 6:25
  Speaker 1: rough idea. We said we want in the spirit of
• 6:27
  Speaker 1: the Jefferson's theme song. And then we just started to
• 6:30
  Speaker 1: come up.
• 6:30
  Speaker 5: Did we come up with the lyrics together? Yeah. Because
• 6:34
  Speaker 5: we were joking around. I mean, if you listen to
• 6:36
  Speaker 5: the lyrics, here's a story about a show we made.
• 6:39
  Speaker 1: But we were kind of like scatting it a bit
• 6:40
  Speaker 1: because we didn't have all the lyrics, you know, like
• 6:42
  Speaker 1: real musicians do when they're like, They don't know the
• 6:45
  Speaker 1: lyrics yet, and they're like, da-ba-ba-ba-ba-ba-ba-ba. And then we gave
• 6:49
  Speaker 1: it to Charlie. I asked him because I know him,
• 6:52
  Speaker 1: and I didn't think he would say yes, but he
• 6:53
  Speaker 1: was like, sure. And I told him, like, in the
• 6:55
  Speaker 1: spirit of the Jeffersons, and he was like, oh, I
• 6:57
  Speaker 1: got you. And then he full-on produced our amazing theme song.
• 7:01
  Speaker 1: That's crazy. So shout out to Charlie.
• 7:02
  Speaker 5: We had to write the lyrics, but he produced the
• 7:03
  Speaker 5: music for it.
• 7:04
  Speaker 1: And then we put, like, a choir in there. It
• 7:06
  Speaker 1: was amazing.
• 7:06
  Speaker 3: It was awesome.
• 7:07
  Speaker 1: All right, so 203, directed by Gail Mancuso.
• 7:10
  Speaker 2: We start.
• 7:11
  Speaker 5: Thunderous applause.
• 7:12
  Speaker 1: Great job. Hold open. And the cold open, I wanted
• 7:16
  Speaker 1: to say it's so cute with me and Rachel and
• 7:19
  Speaker 1: Rachel's laugh when she pantses me is her real laugh
• 7:25
  Speaker 1: because I always think it's so amazing as a director
• 7:28
  Speaker 1: when you can get someone to genuinely laugh. Sarah, you're
• 7:31
  Speaker 1: great at this because you laugh a lot and we
• 7:33
  Speaker 1: sometimes put your real laughs in the show. But Rachel
• 7:36
  Speaker 1: had done a bunch of laughs and they were fine.
• 7:38
  Speaker 1: But on that last take, in fact, you can kind
• 7:40
  Speaker 1: of hear someone off camera laughing. I hopefully, maybe we'll
• 7:43
  Speaker 1: be able to fix it up by the time the
• 7:44
  Speaker 1: audience sees it. But that's just Rachel genuinely cracking up
• 7:48
  Speaker 1: and pushing me back. And we put it in the
• 7:50
  Speaker 1: show and it's just so natural.
• 7:51
  Speaker 5: Did you catch her off guard when you said, I
• 7:53
  Speaker 5: would like to request the gentle cycle?
• 7:55
  Speaker 1: I think I was just doing, I think I was
• 7:57
  Speaker 1: doing funny versions of that. And one just cracked her up.
• 8:00
  Speaker 1: And when she pushes me back, she's like laughing as Rachel.
• 8:04
  Speaker 1: And she has the sweetest laugh and it was so cute.
• 8:06
  Speaker 1: And so I just wanted to say that that's in
• 8:08
  Speaker 1: the show.
• 8:08
  Speaker 5: It's a great opening.
• 8:09
  Speaker 4: Yes.
• 8:10
  Speaker 1: And now Chore Play is from Donald's real life. On
• 8:13
  Speaker 1: the previous podcast, those of you who know the podcast
• 8:16
  Speaker 1: and listened before, we had a sex therapist on. And
• 8:19
  Speaker 1: Donald and his wife came on and they were speaking
• 8:21
  Speaker 1: very openly about their lives. And she recommended Donald try
• 8:25
  Speaker 1: Chore Play. And that's where the writers got this whole storyline.
• 8:28
  Speaker 5: Joelle, how did that make you feel when you saw that?
• 8:30
  Speaker 6: It.
• 8:31
  Speaker 8: blew my mind Donald I was not at all prepared
• 8:34
  Speaker 8: for it but then I was excited because I think
• 8:36
  Speaker 8: that's something you guys have talked about on the pod
• 8:38
  Speaker 8: a lot is how you bring real life scenarios in
• 8:40
  Speaker 8: and I was like the podcast is now a real
• 8:42
  Speaker 8: life scenario it's really cool.
• 8:44
  Speaker 5: Well yeah the podcast definitely informed us on a lot
• 8:50
  Speaker 5: of stories and Shoreplay made it and I want to
• 8:52
  Speaker 5: put it be on the record in saying I do
• 8:54
  Speaker 5: not like Shoreplay at all I think Shoreplay is for
• 8:57
  Speaker 5: the birds I think I said that back in the day.
• 8:59
  Speaker 1: Too You didn't even give chore play a chance.
• 9:02
  Speaker 5: No, I tried. That shit doesn't work, man.
• 9:04
  Speaker 1: Did you do a single chore?
• 9:05
  Speaker 5: Yeah, I did. Come on, man. Of course. What did
• 9:08
  Speaker 5: you do? I took the trash out. I washed some dishes.
• 9:11
  Speaker 5: I'm the one that cooks in the house.
• 9:14
  Speaker 4: Right.
• 9:14
  Speaker 5: You know what I mean?
• 9:14
  Speaker 1: But did those chores yield any booty?
• 9:17
  Speaker 5: I mean, no, the chores didn't. Because, you know, after
• 9:27
  Speaker 5: the chores, I, you know, when you do chore play,
• 9:30
  Speaker 5: you expect after the chores for it to go right
• 9:32
  Speaker 5: into sex. You know what I mean? So like I
• 9:34
  Speaker 5: finished washing the dishes and I was like, all right,
• 9:36
  Speaker 5: let's go.
• 9:37
  Speaker 2: I don't think that's, I.
• 9:38
  Speaker 1: Don't think when the sex therapist was on, she was
• 9:40
  Speaker 1: saying that you're going to like hit start on the
• 9:42
  Speaker 1: dishwasher and she's going to drop her pants. I think
• 9:45
  Speaker 1: it's like an aggregate of lots of chores.
• 9:48
  Speaker 5: I was not aware that that.
• 9:52
  Speaker 2: Was what she was saying.
• 9:53
  Speaker 1: All right, Scott Foley's back. Sarah? Oh, my God. Your love, Sean.
• 9:58
  Speaker 4: Nobody cares, Sean.
• 10:00
  Speaker 1: That was very funny at the aquarium. Oh, cool. You
• 10:03
  Speaker 1: have a cool job. Nobody cares. Sean? I wanted so
• 10:07
  Speaker 1: badly for Scott Foley to get in the real aquarium
• 10:10
  Speaker 1: tank at the Vancouver Aquarium. Is that what they call it, Sarah?
• 10:13
  Speaker 4: Yeah, that's what they call it.
• 10:14
  Speaker 1: And it's very beautiful there. And they said that he
• 10:17
  Speaker 1: would have to... It was a whole ordeal. He'd have
• 10:21
  Speaker 1: to take a course? What was the ordeal?
• 10:23
  Speaker 4: He'd have to take a class?
• 10:24
  Speaker 1: I think even if he was a skilled scuba diver,
• 10:28
  Speaker 1: just insurance-wise, it had to be a.
• 10:33
  Speaker 1: I don't know if it was, I think it was
• 10:34
  Speaker 1: a stuntman or it may have been there. No, it
• 10:36
  Speaker 1: must have been a stuntman.
• 10:37
  Speaker 4: I think it was a stuntman.
• 10:39
  Speaker 7: They had to be the scuba diver for that tank,
• 10:42
  Speaker 7: I think, right?
• 10:43
  Speaker 1: It was either that or, but the guy was being funny.
• 10:46
  Speaker 1: I believe they allowed a stuntman, just insurance-wise stuntman. They
• 10:49
  Speaker 1: couldn't put Scott Foley in the actual shark tank.
• 10:51
  Speaker 5: That's crazy because SeaWorld let us do whatever we wanted
• 10:55
  Speaker 5: back in the day. We were swimming with dolphins.
• 10:58
  Speaker 4: He was riding a dolphin as his midnight train going anywhere.
• 11:03
  Speaker 5: Not just that. He was playing with the walruses and everything, man.
• 11:05
  Speaker 5: They let us do whatever we wanted.
• 11:07
  Speaker 1: Yes, and I think we all, after we saw Blackfish,
• 11:10
  Speaker 1: felt very bad about using SeaWorld. So that's why we
• 11:14
  Speaker 1: tried to buy it back with talking about how Sean,
• 11:18
  Speaker 1: even though he's a marine biologist, is shocked to learn
• 11:20
  Speaker 1: that orcas don't like living in captivity.
• 11:22
  Speaker 4: He thought they were smiling, but that's just the way
• 11:24
  Speaker 4: their mouths are.
• 11:27
  Speaker 1: I love that he's like, you're not going to believe this.
• 11:30
  Speaker 1: But it turns out the orcas did not like living
• 11:33
  Speaker 1: in captivity.
• 11:35
  Speaker 4: That scene where you meet Scott Foley for the first
• 11:38
  Speaker 4: time again with Rachel, and beautiful green eyes, their contacts. No,
• 11:43
  Speaker 4: they're not. Actually, they're not.
• 11:44
  Speaker 2: Actually, they are, Sean.
• 11:46
  Speaker 1: We made that up on the day and we were
• 11:48
  Speaker 1: just dying laughing because Scott Foley has the most beautiful
• 11:52
  Speaker 1: green eyes. Like you will get lost in them. And
• 11:55
  Speaker 1: I thought it was funny that JD is like telling
• 11:58
  Speaker 1: him that they're contacts. And he's like, no, JD, they're not.
• 12:01
  Speaker 5: They are, Sean.
• 12:01
  Speaker 1: No, they are.
• 12:04
  Speaker 4: Yeah, it was really fun to have Foley back. He
• 12:07
  Speaker 4: fits into the group so well. And, you know, I
• 12:11
  Speaker 4: think Asim.
• 12:13
  Speaker 1: Who's our showrunner.
• 12:14
  Speaker 5: Who's our showrunner.
• 12:15
  Speaker 4: Thought it was a good way to bring Elliot's kind of... quirky, clumsy,
• 12:22
  Speaker 4: disastrous self back into the fold as an adult when
• 12:25
  Speaker 4: she's supposed to be all grown up. It's like the
• 12:27
  Speaker 4: nerves and the feelings she has for him kind of
• 12:30
  Speaker 4: brings it all back.
• 12:31
  Speaker 5: So that was so fun to play.
• 12:32
  Speaker 1: I gotta say, I'm so happy to see batshit Elliot back.
• 12:35
  Speaker 1: I think that we really were holding the reins too
• 12:39
  Speaker 1: tight on Elliot in season one of the revival. And
• 12:43
  Speaker 1: in these two episodes and also in one, which we
• 12:47
  Speaker 1: just rewatched with the crew, Batshit Elliot is back, and
• 12:50
  Speaker 1: it's very fun to watch.
• 12:51
  Speaker 2: It's super fun to do.
• 12:53
  Speaker 4: I mean, like, you know, obviously, like, we loved all
• 12:56
  Speaker 4: of the stunty, pratfall-y, slapstick-y stuff in the physical comedy
• 13:00
  Speaker 4: in round one, and it's fun to get to dabble
• 13:04
  Speaker 4: back into it. I mean, Trevor, let's have a shout-out
• 13:07
  Speaker 4: to Trevor. Our stunt guy's so good, and he had, like,
• 13:11
  Speaker 4: Such good notes for that cafeteria scene.
• 13:13
  Speaker 5: Is that you hitting your head?
• 13:14
  Speaker 1: She did everything. She did everything. It was so fun.
• 13:18
  Speaker 5: Oh, my goodness gracious. You are amazing.
• 13:20
  Speaker 1: She killed it. And I got a shout out to
• 13:21
  Speaker 1: Sarah because and Ava, I hope you as a young
• 13:25
  Speaker 1: actress take inspiration from Sarah. An older actress.
• 13:29
  Speaker 2: Oh, come on, bro.
• 13:29
  Speaker 4: Okay, I'll take it. That's fine.
• 13:30
  Speaker 1: Well, I worded that perfectly.
• 13:31
  Speaker 5: Just a veteran.
• 13:32
  Speaker 2: How about a veteran? Could be a couple years older.
• 13:34
  Speaker 1: I want the audience to know that Ava was born
• 13:37
  Speaker 1: the year Scrubs premiered.
• 13:39
  Speaker 5: Oh, boy.
• 13:40
  Speaker 1: Ava was born the year Scrubs premiered.
• 13:42
  Speaker 5: So was Joelle. Joelle, how old are you? Never mind.
• 13:44
  Speaker 1: Don't ask a lady her age.
• 13:45
  Speaker 2: I'm not supposed to ask that.
• 13:47
  Speaker 5: I'm not supposed to ask that. I'm not supposed to
• 13:49
  Speaker 5: ask that.
• 13:49
  Speaker 1: But anyway, let's go back to my compliment, which was
• 13:52
  Speaker 1: Sarah's choreography of those stunt falls and hits was took
• 13:58
  Speaker 1: A lot of rehearsal and choreography. And she really got
• 14:02
  Speaker 1: with Trevor, our stunt coordinator, and really rehearsed. And you
• 14:06
  Speaker 1: put the time in and you put the time in
• 14:09
  Speaker 1: and it showed and you did it all. And it's
• 14:11
  Speaker 1: fucking hilarious.
• 14:12
  Speaker 5: I laugh.
• 14:13
  Speaker 1: I've seen it so many times and I belly laugh
• 14:15
  Speaker 1: every single time. It's so funny.
• 14:18
  Speaker 4: It was so fun to do, but like, it's so
• 14:20
  Speaker 4: fun when you do things like that and then weird
• 14:22
  Speaker 4: shit ends up happening on the day that you didn't
• 14:23
  Speaker 4: even expect. Like even with the rehearsals and we kind
• 14:26
  Speaker 4: of had, you know, you have to have them out
• 14:28
  Speaker 4: in in the very specific beats, but then stuff's just
• 14:31
  Speaker 4: going to happen. Like everybody kept saying like, did you
• 14:34
  Speaker 4: hurt yourself? And I was like, no, I, I mean, I,
• 14:37
  Speaker 4: I hurt myself as you guys know, like multiple times.
• 14:40
  Speaker 2: A week, just living.
• 14:42
  Speaker 4: But I didn't, I didn't, that was choreographed and I didn't,
• 14:45
  Speaker 4: but one of the things that happened that actually ended
• 14:46
  Speaker 4: up making the cut that was not part of the
• 14:49
  Speaker 4: planned Elliot things was Was I, you know, dropped my purse.
• 14:54
  Speaker 4: I go to get it, hit my head, hit my
• 14:55
  Speaker 4: head again from under the table. And because we were
• 14:58
  Speaker 4: trying to figure out how to sell that under the
• 15:00
  Speaker 4: table head hit. And we realized if I had one
• 15:02
  Speaker 4: more line to look up to Scott, it'd be a
• 15:04
  Speaker 4: lot easier to sell. So we did that with the Kleenex.
• 15:06
  Speaker 4: And while I was down there, I was confused. I
• 15:09
  Speaker 4: was like, why can't I?
• 15:10
  Speaker 2: What is happening?
• 15:11
  Speaker 4: And it was this amazing moment where I was like,
• 15:12
  Speaker 4: I don't even know what's happening here. And I realized
• 15:14
  Speaker 4: my high heel had gotten caught in the back of
• 15:17
  Speaker 4: my lab coat and I was completely stuck. And then
• 15:20
  Speaker 4: it's kind of slowly like tipped over like a teacup,
• 15:23
  Speaker 4: just kind of like slowly tipping down.
• 15:25
  Speaker 1: And then- And we put that all in the show.
• 15:28
  Speaker 1: Your audience will see that. She just all of a
• 15:31
  Speaker 1: sudden just tips forward.
• 15:32
  Speaker 4: And like, we were like, If you wrote that in,
• 15:36
  Speaker 4: people would be like, that's too broad.
• 15:37
  Speaker 2: Nobody would get their high heels stuck.
• 15:39
  Speaker 4: In the back of the lab coat. But I didn't
• 15:42
  Speaker 4: end up, you know, we did all the takes and
• 15:44
  Speaker 4: it was, we had a great time and it was
• 15:47
  Speaker 4: so much fun and we didn't hurt myself at all.
• 15:48
  Speaker 4: And then we walk off and you guys are rehearsing
• 15:50
  Speaker 4: the next scene and I wasn't in it. And I'm
• 15:52
  Speaker 4: walking off with Judy and she's telling me this really
• 15:55
  Speaker 4: interesting story. And I'm like, oh my God, that's crazy.
• 15:58
  Speaker 4: And we're walking down the hallway and I'm just looking
• 15:59
  Speaker 4: at Judy and I'm not looking forward and just like,
• 16:03
  Speaker 4: smack into the door like I.
• 16:04
  Speaker 2: Literally just walked right into a door.
• 16:06
  Speaker 4: And you hear it reverberate and everybody on set was
• 16:08
  Speaker 4: like what and I was like I'm okay.
• 16:11
  Speaker 1: It's amazing how much can I tell them what happened
• 16:13
  Speaker 1: when we went to dinner we went to dinner and
• 16:16
  Speaker 1: I'm last time we all went to dinner.
• 16:19
  Speaker 5: What happened when you guys went to dinner oh that's
• 16:21
  Speaker 5: right I was working.
• 16:22
  Speaker 1: That night no you were there no no this time So, audience,
• 16:26
  Speaker 1: if you listen to the podcast, you know that something
• 16:27
  Speaker 1: weird or bad happens to Sarah every single day.
• 16:30
  Speaker 5: She trips.
• 16:30
  Speaker 1: She falls. Some catastrophe happens every single day. And we're
• 16:34
  Speaker 1: all going to dinner, and she FaceTimes me. Oh, she
• 16:37
  Speaker 1: calls me on the phone. And I go, what are
• 16:40
  Speaker 1: you calling to tell me? Like, you're at the ER.
• 16:42
  Speaker 1: Something happened. You're not going to make it to dinner.
• 16:44
  Speaker 1: And she's like, ha-ha, no. I just wanted to ask
• 16:46
  Speaker 1: you this random question about something else. And we're talking,
• 16:49
  Speaker 1: and we're hanging up. And I go, okay, well... I'll
• 16:52
  Speaker 1: be shocked if you make it to dinner because something's
• 16:54
  Speaker 1: bound to happen to you. And she's like, ha ha.
• 16:56
  Speaker 1: See you in a minute. I sit down to dinner.
• 16:58
  Speaker 1: We're all there. Johnny sees there. We're all hanging out.
• 17:00
  Speaker 5: I get it.
• 17:00
  Speaker 1: I check my phone. I get a text from Sarah.
• 17:02
  Speaker 1: I'm okay, but I've been in a car accident. A
• 17:07
  Speaker 1: car changed lanes into mine and destroyed my doors and
• 17:10
  Speaker 1: my running boards. Just exchanging info. Be there soon. It
• 17:18
  Speaker 1: wasn't my fault. It was after joking about this.
• 17:21
  Speaker 4: It wasn't my fault. Someone changed lanes into me. I
• 17:25
  Speaker 4: had nothing to do with it. I was just in
• 17:27
  Speaker 4: the wrong place.
• 17:28
  Speaker 5: Somebody had a dash cam.
• 17:29
  Speaker 6: Yes.
• 17:30
  Speaker 1: She wrote that in her text. Guy behind him at
• 17:33
  Speaker 1: a dash cam. All good.
• 17:35
  Speaker 2: Order me a drink. Totally.
• 17:38
  Speaker 4: Don't forget to order a dash cam is what.
• 17:41
  Speaker 5: I texted myself.
• 17:42
  Speaker 1: Let's talk about Donald's Denzel impression. We did lots of
• 17:45
  Speaker 1: alts of the voice that would turn Carla on.
• 17:50
  Speaker 5: That's what I got out of that also. I got
• 17:54
  Speaker 5: that it's not that she's going to fantasize about Denzel.
• 17:57
  Speaker 5: That doesn't make Turk angry, it kind of turns him on.
• 18:01
  Speaker 5: And so he goes right into his King Kong impression, like, yo,
• 18:05
  Speaker 5: King Kong. Because they've done that role-playing.
• 18:07
  Speaker 1: Yeah, I think they've role-played Denzel before.
• 18:12
  Speaker 4: Donald, there were so many good alts. You were so
• 18:14
  Speaker 4: fucking funny in all of them. And I wish that, like,
• 18:17
  Speaker 4: you know, Hulu would release, like, a clip of just
• 18:19
  Speaker 4: all of the alts together. What were some of the
• 18:21
  Speaker 4: other ones?
• 18:21
  Speaker 5: They were so good. The other alts.
• 18:23
  Speaker 1: There were a couple, but Denzel was my favorite.
• 18:25
  Speaker 5: Denzel was the one that worked. All the other ones
• 18:27
  Speaker 5: were like, you know, I'll never do... We're not going
• 18:30
  Speaker 5: to watch a television show or something like that. King
• 18:32
  Speaker 5: Kong Ain't Got None On Me was the one that
• 18:34
  Speaker 5: I didn't think was going to get used, and it
• 18:36
  Speaker 5: did get used.
• 18:37
  Speaker 1: Because it's so funny. And you do a good Denzel.
• 18:39
  Speaker 5: I do not do a good Denzel.
• 18:40
  Speaker 1: By the way, I wrote down later, when you're in
• 18:43
  Speaker 1: the scene with... Blake later, and he's telling you about
• 18:48
  Speaker 1: weaponizing competence, you slip back into Denzel. You go, true dat,
• 18:57
  Speaker 1: true dat. Every time I hear you go, true dat,
• 19:01
  Speaker 1: true dat, true dat, I'm like, he slips back into Denzel.
• 19:04
  Speaker 5: It's Denzel training day. It's a specific Denzel. It's not
• 19:09
  Speaker 5: Denzel much ado about nothing. It's Denzel training day.
• 19:12
  Speaker 1: Right. That made me really funny. Sarah, Elliot talks about
• 19:24
  Speaker 1: having to go to CrossFit. And there was a line
• 19:27
  Speaker 1: there we had to cut that I thought was really
• 19:28
  Speaker 1: funny that you go, I'm not going back to CrossFit.
• 19:32
  Speaker 1: They make you flip tires. Where are all these tractors?
• 19:35
  Speaker 1: They have no tires.
• 19:40
  Speaker 4: The best part about this season is we have like
• 19:43
  Speaker 4: four writers on like with us on set all the time,
• 19:46
  Speaker 4: which is insanely rare to have like four comedy writers there.
• 19:50
  Speaker 4: jokes as you're going. And that was one that was
• 19:52
  Speaker 4: pitched in the moment. Yeah.
• 19:53
  Speaker 1: And it's a shame that the audience doesn't get to
• 19:56
  Speaker 1: see these. We have this daydream audience that that Hulu
• 20:01
  Speaker 1: will one day put up cut scenes or all jokes
• 20:04
  Speaker 1: or at least bloopers as an extras thing on Hulu.
• 20:08
  Speaker 1: It's just hard to get anything.
• 20:10
  Speaker 5: They would get like three extra episodes out of the show.
• 20:12
  Speaker 1: We have pitches and stuff. It's just so hard for
• 20:14
  Speaker 1: everything to make it through the pipeline. But that would
• 20:17
  Speaker 1: be so fun.
• 20:18
  Speaker 4: Maybe we could do it as a bonus podcast episode.
• 20:21
  Speaker 2: Just saying.
• 20:22
  Speaker 5: I mean, who's going to edit it? Who's going to
• 20:24
  Speaker 5: edit it and all that stuff, though?
• 20:26
  Speaker 2: Who wants somebody to edit it?
• 20:27
  Speaker 1: We can figure that out. I just think the audience,
• 20:30
  Speaker 1: when we cut funny stuff, I always go, oh, it's
• 20:32
  Speaker 1: a shame no one's ever going to see this. Sometimes
• 20:34
  Speaker 1: we work hard on things. Ava, talk to that. It's
• 20:37
  Speaker 1: probably your first experience being in something like you worked
• 20:39
  Speaker 1: hard on something and then it's never seen by anybody. Yeah, yeah, yeah.
• 20:42
  Speaker 4: Yeah. No, I.
• 20:42
  Speaker 5: How do you feel about.
• 20:47
  Speaker 1: That as an actress?
• 20:48
  Speaker 4: I love it.
• 20:49
  Speaker 2: I love it.
• 20:49
  Speaker 1: It's like a giant monologue.
• 20:51
  Speaker 7: It's like fun.
• 20:52
  Speaker 6: It's like, oh, my God. It's like not even like
• 20:54
  Speaker 6: I worked on that or anything. It's like literally so chill.
• 20:58
  Speaker 3: And I love that. But I think it's. I was
• 21:03
  Speaker 3: expecting when he asked the question.
• 21:05
  Speaker 1: Well, I'm a good host, Ava. I make sure all
• 21:08
  Speaker 1: the guests are speaking. Ava's like, I'm not going to talk.
• 21:12
  Speaker 1: I'm just going to do my fake tattoo bit.
• 21:14
  Speaker 4: But Ava, you're so like comfortable. And that was what
• 21:19
  Speaker 4: was so incredible about you from the get was like,
• 21:21
  Speaker 4: you are so comfortable and so, like, comfortable in your
• 21:25
  Speaker 4: own skin. And, like, just I feel like roll with
• 21:28
  Speaker 4: it with all of the, like, coming up with your
• 21:31
  Speaker 4: own alts, coming up with your own improv, but also
• 21:33
  Speaker 4: whatever the writers throw at you last second where there's, like,
• 21:36
  Speaker 4: no preparation time. And it's so fun to watch. Thank you.
• 21:41
  Speaker 1: You're so natural.
• 21:42
  Speaker 5: You really are.
• 21:43
  Speaker 1: I got to say, when I watch these cuts and,
• 21:46
  Speaker 1: you know, sometimes– You know, with so many actors, you go, OK,
• 21:49
  Speaker 1: that wasn't the best take or this one's more real.
• 21:52
  Speaker 1: But with you, I just never I always my only
• 21:54
  Speaker 1: thing with actors is like, don't forget that you've never
• 21:57
  Speaker 1: had this thought. This is you're coming up. You may
• 21:59
  Speaker 1: have read it and memorized it and we've rehearsed it
• 22:01
  Speaker 1: five times. But don't ever forget, like your character just
• 22:05
  Speaker 1: coming with this thought. And I never have that thought
• 22:06
  Speaker 1: with you. You always just seem like these thoughts are
• 22:09
  Speaker 1: coming to you in the moment. And I really like
• 22:11
  Speaker 1: that about you.
• 22:11
  Speaker 5: Thank you.
• 22:11
  Speaker 2: Thank you.
• 22:12
  Speaker 3: That's so nice.
• 22:14
  Speaker 4: And like, you know, the very first shot of the
• 22:18
  Speaker 4: season was Ava. It was the first shot of the day.
• 22:20
  Speaker 4: And you had this like massive monologue that had to
• 22:23
  Speaker 4: kind of be like run through like a train and
• 22:25
  Speaker 4: you nailed it every time.
• 22:27
  Speaker 3: That's so nice.
• 22:28
  Speaker 6: I was really nervous for that one because I was like,
• 22:30
  Speaker 6: season two, got to walk in.
• 22:33
  Speaker 4: There was like an announcement right in front. This is
• 22:34
  Speaker 4: our first scene of the day, you guys. The first
• 22:37
  Speaker 4: scene of the season.
• 22:38
  Speaker 1: Wait, which one was it? I forgot.
• 22:39
  Speaker 3: It was the walk and talk in the first episode.
• 22:42
  Speaker 8: Oh, yeah.
• 22:42
  Speaker 2: And I'm like, oh, my God, he might die.
• 22:45
  Speaker 1: Right.
• 22:45
  Speaker 2: Not in any kind of like sexual way.
• 22:47
  Speaker 1: Not in any sexual way.
• 22:48
  Speaker 3: Yeah, not in a sexual way.
• 22:49
  Speaker 1: I'm not thinking about sex. My dad said to me
• 22:53
  Speaker 1: when I got my marriage.
• 22:55
  Speaker 2: Yeah, right. That one was fun. That was a.
• 22:58
  Speaker 3: Fun one to film.
• 23:00
  Speaker 1: All right.
• 23:00
  Speaker 2: Let's move on.
• 23:01
  Speaker 1: Ice matcha lattes. It's so funny that Michael James Scott's
• 23:04
  Speaker 1: character is like, I don't understand how white people procreate.
• 23:10
  Speaker 1: And then I was laughing to myself as I was
• 23:12
  Speaker 1: taking notes is that I've been on many a day
• 23:14
  Speaker 1: date to get ice matcha lattes. I think it's a
• 23:17
  Speaker 1: great day date. And I was like, oh, my God,
• 23:19
  Speaker 1: I'm the person they're making fun of.
• 23:21
  Speaker 4: Yes.
• 23:21
  Speaker 8: Yes.
• 23:22
  Speaker 2: They seem.
• 23:23
  Speaker 4: How many matchas do I have in a day?
• 23:24
  Speaker 3: Specifically matchas?
• 23:25
  Speaker 1: Yeah, because it's kind of like, it's not just coffee.
• 23:27
  Speaker 1: It's like, hey, let's go to like a fun ice
• 23:30
  Speaker 1: matcha latte place and have a chat.
• 23:32
  Speaker 7: Right.
• 23:32
  Speaker 5: What is a matcha?
• 23:34
  Speaker 1: Oh, it's like a green tea.
• 23:36
  Speaker 2: Right, Sarah?
• 23:39
  Speaker 1: Sarah's a specialist on this.
• 23:41
  Speaker 4: I am. I am. I have my whisk and my
• 23:43
  Speaker 4: special matcha bowl in my trailer. I... have tried to
• 23:47
  Speaker 4: reduce the number of matchas.
• 23:48
  Speaker 1: That I have a day.
• 23:48
  Speaker 4: It's tea with a lot of caffeine.
• 23:49
  Speaker 1: Green tea with a lot of caffeine. It gives you
• 23:50
  Speaker 1: a nice high. And the caffeine high isn't just like
• 23:53
  Speaker 1: a coffee spike real quick. It kind of lasts longer.
• 23:56
  Speaker 4: It's a slow release.
• 23:57
  Speaker 3: It's a slow release.
• 23:58
  Speaker 2: Oh.
• 23:59
  Speaker 4: It's great.
• 23:59
  Speaker 5: Maybe I should be doing matchas.
• 24:00
  Speaker 1: You'd love it.
• 24:01
  Speaker 5: You'd like matcha.
• 24:02
  Speaker 1: And you put vanilla in it.
• 24:03
  Speaker 5: Is it a little sweet, though? That's the only thing
• 24:04
  Speaker 5: I would.
• 24:04
  Speaker 1: Well, you don't have to have it sweet.
• 24:05
  Speaker 3: You don't need to make it sweet.
• 24:06
  Speaker 4: I do mine unsweetened.
• 24:06
  Speaker 1: I add a little vanilla.
• 24:08
  Speaker 8: Oh.
• 24:09
  Speaker 1: By the way, we're being the thing right now. The
• 24:11
  Speaker 1: three white people are like, and then I add a
• 24:12
  Speaker 1: little vanilla.
• 24:13
  Speaker 5: Sometimes I do.
• 24:15
  Speaker 2: Mine half on the milk. And Donald's like, what the
• 24:17
  Speaker 2: hell is a matcha? What is a matcha?
• 24:19
  Speaker 1: Anyway, I just laughed to myself because I've definitely been like, hey,
• 24:22
  Speaker 1: do you want to like get a nice matcha latte?
• 24:26
  Speaker 2: So weird.
• 24:28
  Speaker 4: So was that like, that was a riff of yours
• 24:29
  Speaker 4: on the day, right? The matcha latte?
• 24:31
  Speaker 5: I don't remember.
• 24:32
  Speaker 4: Also really funny in that scene, the sound effect you
• 24:35
  Speaker 4: have for Sean coming in and you're like.
• 24:37
  Speaker 5: Oh, I love that. That was an on the spot situation, actually.
• 24:43
  Speaker 1: I came up with that. I was like, it would
• 24:45
  Speaker 1: be funny if I kind of was doing the angel noise. No,
• 24:48
  Speaker 1: you hear the angel noise and then you reveal that
• 24:50
  Speaker 1: it's just JD.
• 24:50
  Speaker 2: That's really funny. Which is really funny. That was good.
• 24:54
  Speaker 4: And I just love the whole runner of how much
• 24:57
  Speaker 4: JD fucking hates Sean. Like, it's so funny.
• 25:01
  Speaker 5: Even though he's done this great thing for Elliot or
• 25:03
  Speaker 5: he assumes that this is this great thing for Elliot
• 25:06
  Speaker 5: and stuff like that. He's still fucking like, I can't stand.
• 25:09
  Speaker 2: I don't know why.
• 25:10
  Speaker 1: The fun thing about playing JD is he's a very
• 25:14
  Speaker 1: flawed protagonist. He is insecure. He is vengeful. He is
• 25:18
  Speaker 1: a narcissist.
• 25:19
  Speaker 5: He's very vengeful.
• 25:21
  Speaker 1: He's a little bitch. And he always has been. And
• 25:25
  Speaker 1: I love playing him. But he thinks he gets an idea.
• 25:29
  Speaker 1: He's in love with Charlie or falling for Charlie. He
• 25:32
  Speaker 1: gets an idea to do the right thing for Elliot,
• 25:35
  Speaker 1: which is great. Good job, JD. And then it doesn't
• 25:37
  Speaker 1: take long before he instantly is jealous of him. Him
• 25:42
  Speaker 1: and his beautiful fucking green eyes.
• 25:44
  Speaker 2: Totally.
• 25:45
  Speaker 4: That comes up later when you're like, but I can
• 25:47
  Speaker 4: go help someone, Sean.
• 25:49
  Speaker 1: Yeah. Right, right. He's like, don't mess with me. Do
• 25:52
  Speaker 1: you have feelings for Elliot? Right.
• 25:54
  Speaker 5: Oh, thank God.
• 25:55
  Speaker 1: Before he can answer, oh, thank God. Then I can
• 25:59
  Speaker 1: help her, Sean. Yeah, yeah. By the way, how cringe
• 26:04
  Speaker 1: is it when you're not sure if the person was
• 26:05
  Speaker 1: going for the handshake or the hug and you go
• 26:07
  Speaker 1: for the hug?
• 26:08
  Speaker 5: That's very cringe. I've never really experienced that.
• 26:11
  Speaker 1: Really? What, do you just always go handshake?
• 26:13
  Speaker 5: It happened once, and that was when you introduced me
• 26:15
  Speaker 5: to Brad Pitt. I'm pretty sure he was going in
• 26:18
  Speaker 5: for the handshake.
• 26:19
  Speaker 1: You went for the hug.
• 26:20
  Speaker 5: I pulled him in really close.
• 26:21
  Speaker 4: Oh, yeah.
• 26:21
  Speaker 1: Well, while we were walking to meet Brad Pitt, we
• 26:23
  Speaker 1: were at F1 and we were walking. We knew we
• 26:25
  Speaker 1: were going to meet Brad Pitt in a suite.
• 26:27
  Speaker 5: No, you knew we were going to meet Brad Pitt.
• 26:29
  Speaker 1: No, I told you on the way. And I was like, listen,
• 26:30
  Speaker 1: we're going to meet Brad Pitt. I need you to
• 26:32
  Speaker 1: hold us together. And he's like, and Donald's like, I'm
• 26:34
  Speaker 1: going to take a selfie for Casey. And I'm like, dude,
• 26:38
  Speaker 1: you cannot take a selfie. You got to act normal.
• 26:41
  Speaker 1: You got to act like this dude is normal.
• 26:42
  Speaker 5: No, there was no normal that night.
• 26:43
  Speaker 1: And Donald, I was like, it was like a fast
• 26:46
  Speaker 1: walk and talk through the F1 building. And I'm like,
• 26:49
  Speaker 1: and I'm in this pack of people. And as we're walking,
• 26:51
  Speaker 1: I'm like, listen, man, you got to hold it together. No,
• 26:54
  Speaker 1: I don't want you embarrassing us. He's like, Casey's going
• 26:57
  Speaker 1: to need a selfie.
• 27:02
  Speaker 6: Dude.
• 27:03
  Speaker 1: So you hugged him.
• 27:04
  Speaker 5: Yeah, he was like, hey.
• 27:05
  Speaker 1: You hugged him tight.
• 27:06
  Speaker 5: And I grabbed him and pulled him in. You brought
• 27:08
  Speaker 5: him in for a hug.
• 27:09
  Speaker 3: Right.
• 27:10
  Speaker 5: And then when we left, that was like, one more hug, please.
• 27:13
  Speaker 1: One more hug, please. Well, in real life, non-Brad Pitt life,
• 27:18
  Speaker 1: I've done that where you can't kind of gauge. It
• 27:23
  Speaker 1: might be different for women, but with men, it's so like,
• 27:26
  Speaker 1: you know, masculinity. Like, are we handshaking? Are we hugging?
• 27:29
  Speaker 1: Are we doing this thing? You're going for the wrong one.
• 27:32
  Speaker 5: Well, you know what? I take it back. Maybe I
• 27:34
  Speaker 5: didn't think it was awkward, but the person that I
• 27:36
  Speaker 5: was hugging thought it was awkward because I've gotten a
• 27:38
  Speaker 5: lot of where I've gone to hug somebody. And they
• 27:40
  Speaker 5: put the hand. Yeah. Like, yo, hey, doggy. Yo, that's enough, man.
• 27:44
  Speaker 1: That's enough.
• 27:45
  Speaker 6: I feel like I do that with you, though. I
• 27:47
  Speaker 6: don't know if you're going in for that situation.
• 27:49
  Speaker 5: Or the hug.
• 27:50
  Speaker 1: Or the hug.
• 27:51
  Speaker 6: Or sometimes you'll do that and then snap after. And
• 27:53
  Speaker 6: then I'll do it, like, as I'm walking away. Like,
• 27:56
  Speaker 6: test it out.
• 27:57
  Speaker 5: That's what it is.
• 27:58
  Speaker 2: I like to keep the guessing.
• 28:00
  Speaker 1: Sometimes you don't know which one Donald's doing. Like, you do,
• 28:03
  Speaker 1: and then you snap, and then you snap, and you're like,
• 28:05
  Speaker 1: I don't know. I haven't figured it out in 25 years.
• 28:07
  Speaker 4: Well, Donald and I just have to go right into
• 28:09
  Speaker 4: our three-minute handshake every time.
• 28:10
  Speaker 5: Dude, our three-minute handshake has taken some hits. It's no
• 28:15
  Speaker 5: longer three minutes. It's now, like, only 15 seconds.
• 28:18
  Speaker 4: I know. I know.
• 28:18
  Speaker 5: We've got to work on that. Because I can't remember
• 28:20
  Speaker 5: all of that shit.
• 28:21
  Speaker 1: I know.
• 28:21
  Speaker 5: I saw the old footage, because you know how Scrubs
• 28:24
  Speaker 5: were promoting the show and everything like that. It was long.
• 28:26
  Speaker 5: So they'll promote OG's footage and new... Anyway, I was
• 28:29
  Speaker 5: looking at our old handshake, and it used to be
• 28:32
  Speaker 5: really long, and we did a lot of things to it. Like,
• 28:34
  Speaker 5: there was the new kids dance, there's the running man,
• 28:36
  Speaker 5: there's a bunch of things. Now it's like, click, click, click,
• 28:39
  Speaker 5: see you later. I know, I know.
• 28:40
  Speaker 1: All right, we got to keep it moving. That's the
• 28:41
  Speaker 1: 50-year-old version. My job is to keep it moving here.
• 28:43
  Speaker 5: We got freaking 30 more minutes, says the clock.
• 28:46
  Speaker 2: 30 more minutes.
• 28:46
  Speaker 3: What about Egan's monologue?
• 28:47
  Speaker 1: I know, but I'm on page one of my notes.
• 28:49
  Speaker 1: What page are you on on your notes? My notes
• 28:52
  Speaker 1: are at home, bro. I told you. Yeah, but what
• 28:53
  Speaker 1: page might you be on?
• 28:55
  Speaker 5: I'm assuming on page one.
• 28:56
  Speaker 1: Okay, so we got lots of comments. Let's talk about
• 28:58
  Speaker 1: Kay Callan, the brilliant Kay Callan, who plays the older lady.
• 29:03
  Speaker 1: We found her because she was on Widow's Bay, and
• 29:06
  Speaker 1: she was so incredible on Widow's Bay. If you haven't
• 29:08
  Speaker 1: watched that show, check it out because she has an
• 29:10
  Speaker 1: amazing role, and she's so lovely in the show. And
• 29:14
  Speaker 1: we're going to get to her and David Gridley's performance
• 29:18
  Speaker 1: at the end, but let's first talk about John Higgins'
• 29:20
  Speaker 1: big monologue. that was so.
• 29:23
  Speaker 5: Let's introduce why the monologue comes up. So J.D., sorry,
• 29:29
  Speaker 5: Blake wants to get into... Don't do it. We cut it.
• 29:32
  Speaker 5: So how do you know How do you know?
• 29:35
  Speaker 1: The audience will know that we cut something and you
• 29:37
  Speaker 1: need to do longer. That's funnier.
• 29:45
  Speaker 5: Blake wants to get into cardiology because of his mom.
• 29:50
  Speaker 5: And J.D. has convinced Turk to allow him to go
• 29:56
  Speaker 5: into the OR. But in doing so, J.D. kind of
• 30:02
  Speaker 5: is overheard by Higgins' character, Grant, and Grant's like, yo,
• 30:10
  Speaker 5: don't do that. I wouldn't do that. And then he
• 30:12
  Speaker 5: goes into this beautiful monologue where when watching, I'm like,
• 30:16
  Speaker 5: where the hell is this going? And then by the
• 30:19
  Speaker 5: end of it, you realize he's just completely exhausted and
• 30:22
  Speaker 5: he's been on call. And let's talk about how great
• 30:24
  Speaker 5: John Higgins is.
• 30:25
  Speaker 1: John Higgins is so funny. He's such a great addition
• 30:27
  Speaker 1: to the show. I got to tell you, When I
• 30:30
  Speaker 1: first saw that long model, when we shot the long model,
• 30:32
  Speaker 1: I'm like, this is so funny, but I don't think
• 30:33
  Speaker 1: the whole thing's going to live just because the show
• 30:35
  Speaker 1: is 21, 30 seconds, 20 minutes, 30 seconds. And then
• 30:39
  Speaker 1: in the cut, I just kept leaving it in because
• 30:40
  Speaker 1: every time I watched it, I would laugh. And I
• 30:42
  Speaker 1: was like, well, I'm not going to cut it down
• 30:44
  Speaker 1: until later because I want Bill to see the whole thing.
• 30:47
  Speaker 1: I want everyone to see the whole thing. And then
• 30:49
  Speaker 1: the whole thing just lived because everyone just thought it
• 30:50
  Speaker 1: was so funny.
• 30:51
  Speaker 2: It has so.
• 30:52
  Speaker 4: Many parts to it. Like, he makes every piece of
• 30:55
  Speaker 4: it so fucking interesting so you wouldn't want to cut
• 30:57
  Speaker 4: any of it. Like, and it's so unique to him. Like,
• 31:00
  Speaker 4: when I watched it, I was like, oh, only John Higgins...
• 31:04
  Speaker 4: would do it exactly like that.
• 31:06
  Speaker 6: When he fake air punches the air.
• 31:09
  Speaker 1: There was so many funny outtakes of that where he
• 31:11
  Speaker 1: was like, I was like, okay, don't try and hit me.
• 31:14
  Speaker 1: Let's get... And then he goes, I go, why don't
• 31:16
  Speaker 1: you just go lie down? He goes, right here? I go, no, no,
• 31:19
  Speaker 1: not in the hallway. Let's get you into the penthouse.
• 31:22
  Speaker 4: And he gets emotional on it when he's like, when
• 31:24
  Speaker 4: he said, I'm not sending Blake to Hollywood. I would
• 31:26
  Speaker 4: not do that, sir.
• 31:28
  Speaker 1: I will not do that, sir.
• 31:31
  Speaker 4: And like only his monologue bested by his run.
• 31:34
  Speaker 3: The run is so good.
• 31:36
  Speaker 5: And well, and that'll pay dividends. That shit makes me
• 31:38
  Speaker 5: laugh so hard.
• 31:39
  Speaker 1: Every time he runs away, I'm giggling.
• 31:41
  Speaker 4: Whose idea was that, that he's like, has a really
• 31:43
  Speaker 4: weird run?
• 31:43
  Speaker 1: I don't know. But when I saw him, it came
• 31:45
  Speaker 1: from the writer and was in the script. But I
• 31:47
  Speaker 1: thought to myself, gosh, how do you do a funny,
• 31:50
  Speaker 1: bad run that doesn't look like you're trying to do
• 31:51
  Speaker 1: a bad run? Like it's a tricky thing. Like most
• 31:53
  Speaker 1: things you'd look like, oh, he's trying to do something silly.
• 31:56
  Speaker 1: And he found a way to do something like, I
• 31:57
  Speaker 1: believe that's not how he runs.
• 31:59
  Speaker 3: It's so good.
• 32:00
  Speaker 2: It's so weird. It's so good.
• 32:03
  Speaker 3: It's so good.
• 32:03
  Speaker 4: He brings so much to the show. And like, it's
• 32:06
  Speaker 4: fun to watch. Like if you, you know, just for
• 32:08
  Speaker 4: the audience members, if they go back and rewatch it,
• 32:10
  Speaker 4: look how he takes one line like, oh no, for example,
• 32:13
  Speaker 4: when he's in the cafeteria with David and he realizes
• 32:16
  Speaker 4: it's going south and the line's oh no, he.
• 32:19
  Speaker 2: Adds like a weird M in the middle.
• 32:20
  Speaker 1: He's like, oh no. Yes. He does a lot of
• 32:23
  Speaker 1: funny shit like that. That's like not, What I love
• 32:26
  Speaker 1: about John, obviously, Ava, you do this too, is like
• 32:30
  Speaker 1: it's not a choice anybody else would make.
• 32:32
  Speaker 5: It's so specific.
• 32:33
  Speaker 1: And that's what I love about comic actors, that they
• 32:36
  Speaker 1: don't just go on what's on the page. They find
• 32:38
  Speaker 1: something to make a specificity for their character that nobody
• 32:43
  Speaker 1: else would do. And John does that so much with
• 32:46
  Speaker 1: this character he's created.
• 32:47
  Speaker 5: I don't want to skip ahead to the cafeteria yet
• 32:50
  Speaker 5: because there's some really great moments in it that I
• 32:54
  Speaker 5: want to make sure. we hit on, but we got
• 32:56
  Speaker 5: to go back and, and still talk about the, uh,
• 33:00
  Speaker 5: Gridley and, uh, uh, and, uh, myself, uh, talking about, uh,
• 33:07
  Speaker 5: weaponized incompetence. Yes.
• 33:10
  Speaker 1: Um, before we didn't reach there. Well, I wanted to say, um, uh,
• 33:14
  Speaker 1: I laughed when, um, cause I was trying to give
• 33:16
  Speaker 1: all these reactions when he goes, when he's talking about
• 33:18
  Speaker 1: his dog and he goes, I told my dog to
• 33:21
  Speaker 1: sick the neighbor and I go, I made me laugh.
• 33:28
  Speaker 5: Are these things going to stay in the show? Because
• 33:30
  Speaker 5: in the cuts that we've seen, Puss is in the show. Yeah.
• 33:34
  Speaker 5: Prick is in the show. No, not Prick. Dick is
• 33:36
  Speaker 5: in the show.
• 33:37
  Speaker 1: Well, I got to tell you, on this note, figuring
• 33:42
  Speaker 1: out the censor of ABC, with all due respect to
• 33:44
  Speaker 1: our mother company, is very tricky. It's shocking what they'll
• 33:49
  Speaker 1: allow and then it's shocking what they won't allow. Can
• 33:51
  Speaker 1: you see if the audience can see that? Ava, just
• 33:56
  Speaker 1: reach up and bring that white mannequin thing down. That thing.
• 34:01
  Speaker 5: If you can grab it.
• 34:02
  Speaker 1: So they put a... Oh, there goes the mic. I
• 34:04
  Speaker 1: got you.
• 34:05
  Speaker 2: It's going to be worth it.
• 34:06
  Speaker 1: It's going to be worth it. I promise. Yeah, bring
• 34:09
  Speaker 1: that guy down. We had to remove this guy from
• 34:12
  Speaker 1: the set. It is an anatomical figure. And Ava, pull
• 34:16
  Speaker 1: off his leaf because this is, yeah, we're allowed to
• 34:18
  Speaker 1: show it on here.
• 34:19
  Speaker 5: Oh, God.
• 34:20
  Speaker 1: They wouldn't allow this guy on TV.
• 34:22
  Speaker 5: Well, he's got bush.
• 34:23
  Speaker 1: Pull off his pubes. Pull off his pubes.
• 34:24
  Speaker 2: He's got total bush.
• 34:26
  Speaker 1: Pull off his pubes. That's Velcro. Let me put him
• 34:29
  Speaker 1: closer to the camera before you pull off his pubes.
• 34:33
  Speaker 3: Ew, he has pubes.
• 34:35
  Speaker 1: He's not meant to have pubes, everybody. Oh, my God.
• 34:39
  Speaker 1: This looks like Velcro. I'm going to pull off. He's
• 34:48
  Speaker 1: getting waxed. He's getting waxed. Oh, my God. His pubes
• 34:53
  Speaker 1: are on strong.
• 34:55
  Speaker 2: Kelly Clarkson.
• 34:57
  Speaker 1: So, audience, look. We weren't allowed to show this in
• 35:00
  Speaker 1: the background on ABC.
• 35:02
  Speaker 3: Wait, can I see?
• 35:03
  Speaker 2: Wait, what?
• 35:04
  Speaker 4: How did that even get picked up?
• 35:06
  Speaker 1: Because I got a note from Brooke, who is in
• 35:09
  Speaker 1: charge of our post, and she's like, hey, we should
• 35:11
  Speaker 1: probably take that anatomical figure off your back shelf.
• 35:15
  Speaker 5: It literally was like this behind you.
• 35:16
  Speaker 1: Because ABC is making us blur his penis every episode.
• 35:22
  Speaker 1: And so this anatomical doll's little Ken doll scrotum was
• 35:27
  Speaker 1: not allowed in the background.
• 35:28
  Speaker 5: That's so insane. He's got a little bit more than
• 35:30
  Speaker 5: Ken doll, let's be honest. I see bold, I see shaft,
• 35:32
  Speaker 5: and I see bold.
• 35:34
  Speaker 1: Well, yeah, it's not a huge peep, but he's got something.
• 35:39
  Speaker 4: But on the podcast, he has a leaf over it.
• 35:40
  Speaker 5: Well, that's my shot, bro. All right, I'll put him here.
• 35:44
  Speaker 1: But anyway, so it's funny that things are allowed, not allowed.
• 35:47
  Speaker 1: He's his, his peep isn't allowed, but we can say dick.
• 35:51
  Speaker 1: You can call someone a dick. You can't say like
• 35:53
  Speaker 1: my dick. You can call someone a dick. You can
• 35:55
  Speaker 1: call someone a puss. Obviously you can't say pussy.
• 35:59
  Speaker 2: So interesting.
• 36:00
  Speaker 8: Yeah.
• 36:01
  Speaker 2: Yeah.
• 36:01
  Speaker 4: No, but that was like back in the day too.
• 36:03
  Speaker 4: There was an episode where Judy and I were supposed
• 36:05
  Speaker 4: to help a patient out. We ran, we wanted to
• 36:07
  Speaker 4: go out and get them pot. And that got, um,
• 36:12
  Speaker 4: that was said no to, but we could go out
• 36:13
  Speaker 4: and get them a prostitute.
• 36:15
  Speaker 1: Yeah.
• 36:15
  Speaker 5: That's crazy. I totally get that. Pretty woman is a
• 36:19
  Speaker 5: fairy tale about a man meeting a prostitute.
• 36:22
  Speaker 1: No, but that was crazy. We had actually shot.
• 36:24
  Speaker 7: I mean, that's just classic family comedy.
• 36:28
  Speaker 1: We had started shooting a, it was like, it was
• 36:30
  Speaker 1: like long before medicinal marijuana was even considered being legal.
• 36:33
  Speaker 1: This was, you know, early two thousands.
• 36:36
  Speaker 4: Ava was in the womb.
• 36:37
  Speaker 1: Ava was, Ava was, Ava was still breastfeeding. And, uh,
• 36:42
  Speaker 1: And we already started shooting and the network came to
• 36:44
  Speaker 1: Bill and said, you can't do marijuana, medical marijuana. And
• 36:49
  Speaker 1: so he was like, shit, we already started shooting. And
• 36:51
  Speaker 1: they're like, can't do it. And he goes, well, what
• 36:53
  Speaker 1: if instead they go to get a prostitute to cheer
• 36:55
  Speaker 1: the patient up? And I'm like, yep, that's fine.
• 36:57
  Speaker 2: That's crazy.
• 37:00
  Speaker 4: Oh my gosh.
• 37:01
  Speaker 5: I mean, I mean, if we're going to do alcohol,
• 37:04
  Speaker 5: I wonder what it, what it turns into now, now
• 37:07
  Speaker 5: that we're in the 2026, uh, If we can do alcohol,
• 37:12
  Speaker 5: can't we do weed? If weed is legal in certain.
• 37:15
  Speaker 1: I don't think so. We're on a family show at
• 37:18
  Speaker 1: 8 o'clock. I don't think we're going to get into ganja.
• 37:20
  Speaker 1: I mean, we can reference it, but I don't think
• 37:22
  Speaker 1: you're going to be.
• 37:23
  Speaker 4: But prostitutes.
• 37:23
  Speaker 5: Like, what if one of my kids does weed? Like,
• 37:26
  Speaker 5: you know, and it's like a lesson.
• 37:27
  Speaker 1: Well, you're not even allowed to inhale... You're not even
• 37:29
  Speaker 1: allowed to inhale a cigarette on camera. Someone can be
• 37:33
  Speaker 1: holding a cigarette, but they're not allowed to inhale it.
• 37:35
  Speaker 1: And if those of you remember watching the thing with
• 37:38
  Speaker 1: Lisa Gilroy last year, the film noir thing... You know,
• 37:41
  Speaker 1: we wanted her classic film noir to smoke a cigarette
• 37:43
  Speaker 1: and then exhale it in J.D.
• 37:45
  Speaker 5: 's face.
• 37:46
  Speaker 1: And if you go back, you'll look that she only
• 37:48
  Speaker 1: exhales in J.D. 's face. We were not allowed to
• 37:50
  Speaker 1: film her inhaling a cigarette.
• 37:52
  Speaker 4: Interesting. That's wild, though, that you can show exhale but
• 37:55
  Speaker 4: not inhale.
• 37:56
  Speaker 2: Yeah.
• 37:56
  Speaker 1: Well, no, I don't think.
• 37:58
  Speaker 5: I don't think they showed it coming out of our mouth.
• 38:00
  Speaker 5: They just showed it going into his face.
• 38:01
  Speaker 4: Oh, going to your face.
• 38:02
  Speaker 1: All right, we got to move on. Let's talk about
• 38:04
  Speaker 1: weaponized incompetence. This is a great.
• 38:08
  Speaker 5: Well, you know... I've never been madder at Turk.
• 38:11
  Speaker 1: What are you saying, Joelle?
• 38:13
  Speaker 4: I've never been more angry at Turk.
• 38:15
  Speaker 2: What the hell?
• 38:16
  Speaker 5: I mean, the fact that everybody takes this chore play
• 38:19
  Speaker 5: so seriously. I mean, I don't find... But.
• 38:23
  Speaker 1: What you did is a real dick move, dude.
• 38:25
  Speaker 4: Turk.
• 38:25
  Speaker 5: What Turk did is a dick move. I would never
• 38:27
  Speaker 5: do anything like that.
• 38:29
  Speaker 1: He purposefully did the chores poorly so she would never
• 38:34
  Speaker 1: ask again.
• 38:34
  Speaker 5: That was... You know, when I saw that in the
• 38:37
  Speaker 5: script and did the scene, I was like, why not
• 38:39
  Speaker 5: think of that in real life, man?
• 38:41
  Speaker 7: No, because you're a nice person.
• 38:43
  Speaker 4: Yes, because you love Casey.
• 38:45
  Speaker 5: I do care about my wife. But Turk cares about
• 38:48
  Speaker 5: his relationship with Carla.
• 38:50
  Speaker 1: I want to shout out... Your guy's patient, Tosh, and
• 38:53
  Speaker 1: Elliot's patient, Audrey, played by Kiana Madeira.
• 38:57
  Speaker 5: Well done, young lady.
• 38:58
  Speaker 3: Oh, she was fantastic.
• 38:59
  Speaker 1: Kiana, thunderous applause for Kiana. She's fantastic.
• 39:03
  Speaker 4: So natural.
• 39:04
  Speaker 1: Very natural. Again, the same thing I was talking about.
• 39:07
  Speaker 1: It was a moment where I saw an actress. I
• 39:09
  Speaker 1: saw someone who was coming up with everything they were
• 39:11
  Speaker 1: thinking while I was watching them. I thought she was marvelous.
• 39:15
  Speaker 4: And one of my favorite lines of Ava's, when your
• 39:18
  Speaker 4: line read of, Let her cook.
• 39:20
  Speaker 3: Oh my God.
• 39:20
  Speaker 1: That's so great. That's so Ava. That's very Ava.
• 39:23
  Speaker 5: That was also very funny where you're like, you know,
• 39:25
  Speaker 5: I'm going to, you're my priority. And Ava comes in
• 39:28
  Speaker 5: and is like, I'm going to cover you. because you
• 39:30
  Speaker 5: got like a hot date. And then you go into,
• 39:32
  Speaker 5: I'm going to ride your disease like it's a friend.
• 39:34
  Speaker 4: I'm going to ride it and bring it home with me.
• 39:37
  Speaker 4: Throw it on my desk.
• 39:39
  Speaker 5: And work it work it.
• 39:40
  Speaker 4: All night long we did that was fun we did
• 39:43
  Speaker 4: different versions of that on the day of like how
• 39:44
  Speaker 4: dirty can we say it and then pull it back.
• 39:47
  Speaker 5: It was pretty dirty it was pretty dirty and.
• 39:50
  Speaker 1: Ava had a line that was cut where she goes
• 39:52
  Speaker 1: she's a slut for Tess oh.
• 39:54
  Speaker 6: Yeah I like that.
• 39:57
  Speaker 3: One I did say.
• 40:02
  Speaker 1: That yeah which takes us to the burn her which
• 40:09
  Speaker 1: was awesome. Well, I wasn't there yet, Sarah. Oh, sorry, sorry, sorry.
• 40:13
  Speaker 1: But yes, since you already brought it up.
• 40:14
  Speaker 4: No, no, no, we can wait. We can wait.
• 40:16
  Speaker 1: We can wait. No, we already got there. Let's talk
• 40:18
  Speaker 1: about that fantasy when we're in sort of the, I
• 40:22
  Speaker 1: don't know, 1600s. And this woman has a, has something
• 40:27
  Speaker 1: I can't figure out and doesn't turn me on. Diagnosis?
• 40:30
  Speaker 2: Which?
• 40:32
  Speaker 5: Burn her!
• 40:33
  Speaker 4: Is it possible that it could require a little more
• 40:36
  Speaker 4: looking into?
• 40:37
  Speaker 1: Burn her ass too!
• 40:40
  Speaker 4: Another great example of so many departments. Set deck, art department,
• 40:46
  Speaker 4: Roger Fires, just like costumes, hair and makeup, like all
• 40:51
  Speaker 4: of it, just kind of knocking it out of the
• 40:53
  Speaker 4: park for what's going to live for 12 seconds on television.
• 40:56
  Speaker 1: And they did so much. They often, this art department
• 40:59
  Speaker 1: does stuff that people don't even see. Like what was
• 41:01
  Speaker 1: outside that window was like a perspective thing of a mountain.
• 41:05
  Speaker 1: And I mean, I walk on sometimes and I'm like,
• 41:08
  Speaker 1: oh no, you guys, that is so incredible. And no
• 41:12
  Speaker 1: one's going to see that. You know, they go so
• 41:14
  Speaker 1: far and above and beyond. And sometimes it's just like,
• 41:18
  Speaker 1: I want to be like, that's sometimes I'm like, we
• 41:22
  Speaker 1: have to shoot that because it's just so incredible what
• 41:24
  Speaker 1: they did.
• 41:24
  Speaker 5: You know?
• 41:25
  Speaker 1: Yeah.
• 41:25
  Speaker 5: Like the set. You know what I mean? Like this
• 41:28
  Speaker 5: is above and beyond. We were like, we just want
• 41:30
  Speaker 5: to do a podcast up here. Dude, there's tchotchkes. There's memorabilia.
• 41:34
  Speaker 5: There's rowdy. You know what I mean? They've gotten deep
• 41:37
  Speaker 5: into our minds. Like the things that you see in here.
• 41:39
  Speaker 1: There's things they can't even see. There's a brown bear
• 41:42
  Speaker 1: and a vanilla bear.
• 41:43
  Speaker 4: There's feelings police up in the corner.
• 41:44
  Speaker 2: There's all these Easter eggs.
• 41:46
  Speaker 5: You know what I mean? You know what I mean?
• 41:48
  Speaker 4: There's a Superman.
• 41:48
  Speaker 5: Yeah, I mean.
• 41:49
  Speaker 4: Superman.
• 41:50
  Speaker 1: There's our Funko Pops.
• 41:51
  Speaker 3: Gumby.
• 41:52
  Speaker 4: Yeah, but it's like.
• 41:53
  Speaker 1: There's an Appletini.
• 41:54
  Speaker 5: We got all of the shows in order right there.
• 41:58
  Speaker 2: It's like Roger was saying.
• 41:59
  Speaker 1: Have you ever seen a DVD, Ava?
• 42:00
  Speaker 4: No.
• 42:00
  Speaker 7: I actually have.
• 42:02
  Speaker 5: I saw you looking at that. Like, what the hell? So, Ava,
• 42:04
  Speaker 5: those are DVDs. You thought it was a book.
• 42:06
  Speaker 3: I have.
• 42:07
  Speaker 1: That's not a book, Ava.
• 42:08
  Speaker 3: And I think this one.
• 42:10
  Speaker 6: Well, I have an orange box set of scrubs on
• 42:14
  Speaker 6: my coffee table. And my friend Cam gave it to
• 42:18
  Speaker 6: me to bring here as a good omen to keep
• 42:20
  Speaker 6: on my coffee table.
• 42:21
  Speaker 3: So I've had it.
• 42:22
  Speaker 5: Have you ever cracked it open and watched any of it?
• 42:25
  Speaker 3: Well, I don't have a DVD player.
• 42:27
  Speaker 1: Did you ever have a DVD player?
• 42:29
  Speaker 3: When I was a kid.
• 42:30
  Speaker 5: Yeah, that's how she watched Cat in the Hat.
• 42:31
  Speaker 7: Yeah, that's how I watched Cat in the Hat with
• 42:33
  Speaker 7: Mike Myers.
• 42:37
  Speaker 5: Let's get into that.
• 42:37
  Speaker 1: No, we don't have time for Ava.
• 42:40
  Speaker 2: She's a guest.
• 42:41
  Speaker 1: Oh, yeah. Ava audience, her favorite movie is Cat in
• 42:45
  Speaker 1: the Hat with Mike Myers. She brings it up, I think,
• 42:47
  Speaker 1: almost every day.
• 42:48
  Speaker 2: I do.
• 42:49
  Speaker 4: Watches it every day.
• 42:50
  Speaker 1: And she quotes it. I do watch it every day.
• 42:52
  Speaker 1: She was going to bid on the costume that recently
• 42:54
  Speaker 1: went for.
• 42:56
  Speaker 4: $ 25, 000.
• 42:56
  Speaker 3: $ 25, 000 sold to an OnlyFans model.
• 42:58
  Speaker 1: Whatever.
• 42:59
  Speaker 5: Whatever.
• 42:59
  Speaker 3: Literally whatever. I don't even care.
• 43:02
  Speaker 4: She doesn't like it as much as you would have.
• 43:03
  Speaker 5: Yeah.
• 43:03
  Speaker 3: No, she doesn't.
• 43:04
  Speaker 1: An OnlyFans model bought the costume?
• 43:06
  Speaker 6: An OnlyFans model bought the costume in a glass box.
• 43:10
  Speaker 6: And my issue is I don't have a home to
• 43:13
  Speaker 6: put it.
• 43:13
  Speaker 1: And weren't your parents pretty upset that you were considering
• 43:16
  Speaker 1: buying this?
• 43:16
  Speaker 6: I called them and I was like, should I rip it? Like,
• 43:20
  Speaker 6: should I? And I was tracking it, too, to see, like,
• 43:24
  Speaker 6: when it was going up.
• 43:26
  Speaker 1: It's not a bit. You were considering buying it.
• 43:27
  Speaker 3: I was considering buying it.
• 43:29
  Speaker 6: I texted John Higgins and I was like, do you
• 43:33
  Speaker 6: think I should rip this?
• 43:34
  Speaker 3: He said yes. And then I called my parents and
• 43:37
  Speaker 3: they're like, don't do that. Do not do that.
• 43:38
  Speaker 1: We got to talk to Higgins about giving you bad advice.
• 43:40
  Speaker 5: I mean, that's pretty bad advice. So you didn't even
• 43:41
  Speaker 5: have an apartment.
• 43:42
  Speaker 1: Where were you going to put this glass case costume?
• 43:45
  Speaker 3: I don't know. You could hold it for me.
• 43:48
  Speaker 1: Oh, I was going to put it in my house
• 43:49
  Speaker 1: for you. I don't want it.
• 43:50
  Speaker 2: I've never seen the movie.
• 43:52
  Speaker 3: You can hold it for me.
• 43:53
  Speaker 1: Ava made the other interns cast watch this, hung over
• 43:57
  Speaker 1: one day.
• 43:57
  Speaker 3: On my birthday.
• 43:58
  Speaker 1: On her birthday. And they all gathered in her apartment,
• 44:01
  Speaker 1: including David Gridley's children.
• 44:02
  Speaker 4: I believe.
• 44:02
  Speaker 3: Yeah, David Gridley's children.
• 44:04
  Speaker 1: And everyone was so hung over trying to watch that
• 44:05
  Speaker 1: movie and they all complained that they got headaches.
• 44:07
  Speaker 5: Did the kids like it?
• 44:08
  Speaker 1: Yeah.
• 44:09
  Speaker 5: Yeah.
• 44:10
  Speaker 7: David's son, he looked scared, but I knew he loved it.
• 44:15
  Speaker 1: Oh, he just had a look of terror on his face.
• 44:16
  Speaker 7: He had a look of terror, but I think it
• 44:17
  Speaker 7: was more of like a look of like, He's soaking
• 44:20
  Speaker 7: it in.
• 44:20
  Speaker 1: Got it.
• 44:21
  Speaker 3: But that's what I really.
• 44:22
  Speaker 6: I feel like John Higgins has cat mannerisms on the
• 44:27
  Speaker 6: show as his character Grant.
• 44:29
  Speaker 4: Oh, interesting.
• 44:29
  Speaker 5: Definitely. Some cat-isms.
• 44:31
  Speaker 1: I really am excited to run into Mike Myers and
• 44:33
  Speaker 1: get him to make a video for you.
• 44:35
  Speaker 3: I'm like praying for that to happen.
• 44:37
  Speaker 1: That would be your dream, right?
• 44:38
  Speaker 3: It's my dream.
• 44:39
  Speaker 8: Okay.
• 44:39
  Speaker 1: Thank you. You guys, we spoke about.
• 44:43
  Speaker 3: Thank you so much.
• 44:44
  Speaker 1: Let's talk about Mimi, Turk's new sidekick nurse, who's very aggressive.
• 44:48
  Speaker 1: I laughed out loud when she screamed five minutes.
• 44:51
  Speaker 2: 15 minutes.
• 44:52
  Speaker 1: She's so good.
• 44:53
  Speaker 4: But then you have her do it through the intercom
• 44:54
  Speaker 4: and she still yells it.
• 44:55
  Speaker 1: She still yells to the intercom.
• 44:57
  Speaker 3: She's so funny.
• 44:57
  Speaker 4: And her loyalty to Turk.
• 44:59
  Speaker 5: Oh, my God.
• 44:59
  Speaker 1: She loves him. She smelled him.
• 45:00
  Speaker 5: The loyalty to the church is non-existent. What are you
• 45:03
  Speaker 5: talking about? She's the biggest snitch ever.
• 45:05
  Speaker 2: I know, but she doesn't want to be hierarchies.
• 45:07
  Speaker 1: Latina code, nurse code.
• 45:08
  Speaker 5: Listen, man, she's a snitch for that.
• 45:10
  Speaker 2: She loves you.
• 45:12
  Speaker 1: That was so hard for her.
• 45:14
  Speaker 5: No, it wasn't. What was hard was that she had
• 45:16
  Speaker 5: to be like, yo, I snitched, yo. I'm a snitch.
• 45:19
  Speaker 4: I'm sorry.
• 45:20
  Speaker 8: Donald, if somebody came up to you and said black code,
• 45:23
  Speaker 8: does this not override your professional code?
• 45:25
  Speaker 5: Against who?
• 45:27
  Speaker 2: Another brother?
• 45:28
  Speaker 4: I guess actor code?
• 45:29
  Speaker 2: Another brother?
• 45:29
  Speaker 7: I think it's actor code, maybe?
• 45:32
  Speaker 5: If it's black code against another brother, I'm like, look,
• 45:35
  Speaker 5: it's not. What the? What you talking about?
• 45:38
  Speaker 6: Willis?
• 45:38
  Speaker 1: Willis?
• 45:40
  Speaker 2: Wu-Tang forever.
• 45:43
  Speaker 5: Wu-Tang forever. Wu-Tang is forever.
• 45:45
  Speaker 1: Okay. Okay, so let's talk about, we talked about Sarah
• 45:50
  Speaker 1: in the cafeteria. That was hilarious.
• 45:52
  Speaker 5: So what about you and Rachel in the cafeteria?
• 45:54
  Speaker 2: I laughed out loud.
• 45:55
  Speaker 4: When she says, somebody's really stepped up their performance for
• 45:59
  Speaker 4: the parrot.
• 46:00
  Speaker 1: The parrot?
• 46:00
  Speaker 2: The parrot. Go, go, go.
• 46:02
  Speaker 1: Oh my gosh.
• 46:02
  Speaker 5: But that's because he wanted you to leave.
• 46:05
  Speaker 6: Oh.
• 46:05
  Speaker 1: We made that up on the day.
• 46:06
  Speaker 2: Oh, you did?
• 46:07
  Speaker 1: Yeah.
• 46:07
  Speaker 2: That was really, really funny.
• 46:09
  Speaker 5: It played so great.
• 46:10
  Speaker 4: And her just being completely baffled that like, this is...
• 46:13
  Speaker 4: How they're up in there.
• 46:13
  Speaker 1: This is them flirting?
• 46:14
  Speaker 4: Is this going well?
• 46:15
  Speaker 1: Charlie being confused by this is how Sean and Elliot flirt.
• 46:19
  Speaker 5: But I love the exit line. They have such great chemistry.
• 46:23
  Speaker 5: I know. Really?
• 46:25
  Speaker 7: Really?
• 46:26
  Speaker 1: Or did she say what? Yeah.
• 46:28
  Speaker 5: One of those.
• 46:30
  Speaker 1: Lillian is not into JD. And every joke he tries
• 46:34
  Speaker 1: with her.
• 46:34
  Speaker 5: Yeah.
• 46:36
  Speaker 1: She's just not into it.
• 46:37
  Speaker 5: She's like, you remind me of my son. Do I
• 46:39
  Speaker 5: remind you of anyone?
• 46:41
  Speaker 1: No one you'd find flattering.
• 46:43
  Speaker 2: Amazing. She's so good.
• 46:45
  Speaker 3: Incredible lining.
• 46:47
  Speaker 1: I love that J.D. goes, I'm worried about her mental
• 46:50
  Speaker 1: acuity because that joke was hilarious.
• 46:55
  Speaker 3: She's so good.
• 46:57
  Speaker 5: Michael James Scott, also amazing, as always, helping. The scene along, too.
• 47:02
  Speaker 6: Yeah.
• 47:03
  Speaker 1: Let's talk about Gridley Blake crip-walking and ham-hands. And twerking
• 47:08
  Speaker 1: a little bit.
• 47:09
  Speaker 5: Okay. Ham-hands. That was a day because we threw a
• 47:13
  Speaker 5: bunch of different dances at Gridley.
• 47:15
  Speaker 1: David can really dance.
• 47:16
  Speaker 5: He can move.
• 47:17
  Speaker 4: He can dance.
• 47:18
  Speaker 3: He can really bust it.
• 47:20
  Speaker 1: You guys recently did a TikTok dance trend.
• 47:22
  Speaker 6: Yeah.
• 47:22
  Speaker 1: And David, he was probably pretty great at it. Oh,
• 47:25
  Speaker 1: you didn't really let him do all the moves.
• 47:26
  Speaker 6: What?
• 47:28
  Speaker 4: But he just sent me the next one because obviously,
• 47:31
  Speaker 4: as you know, one of my main EP duties is
• 47:33
  Speaker 4: now going to be to keep these dances going. I'm
• 47:34
  Speaker 4: really excited.
• 47:35
  Speaker 1: Sarah loves a TikTok dance trend.
• 47:38
  Speaker 4: I love any dance choreography. A choreographed dance number I've
• 47:41
  Speaker 4: always loved. But the fact that that turns out that
• 47:43
  Speaker 4: it's some sort of TikTok trend.
• 47:45
  Speaker 5: Well, that's the new thing that the kids are doing.
• 47:48
  Speaker 1: It's not a new thing that the kids are doing.
• 47:50
  Speaker 5: Oh, it's old?
• 47:51
  Speaker 1: Yeah, but I like that Sarah has finally found a
• 47:54
  Speaker 1: purpose for her executive producer credit, and she's going to
• 47:56
  Speaker 1: help wrangle everyone to do TikTok dance.
• 47:59
  Speaker 4: Yeah, on a very, very regular basis. So, so Gridley
• 48:02
  Speaker 4: sent me one.
• 48:03
  Speaker 1: She's got a new one. And I was like, I
• 48:05
  Speaker 1: was like, Donald's going to be able to do that. And,
• 48:07
  Speaker 1: and Gridley's going to be able to do that. You're
• 48:08
  Speaker 1: going to need some rehearsal. And I will rehearse.
• 48:10
  Speaker 4: Oh, I'm going to get it.
• 48:11
  Speaker 2: You're good.
• 48:12
  Speaker 5: You're a good dancer.
• 48:13
  Speaker 2: Michael James Scott.
• 48:13
  Speaker 4: Yeah. I said, Michael James Scott was like, that's ambitious.
• 48:15
  Speaker 4: And I was like, okay, if Michael James Scott thinks
• 48:17
  Speaker 4: this is ambitious.
• 48:17
  Speaker 1: But then I watch it and I was like, Sarah,
• 48:19
  Speaker 1: you can get this. Because they, you know, on YouTube,
• 48:21
  Speaker 1: they have like the slow-mo like practice video.
• 48:24
  Speaker 4: Yeah, yeah, yeah.
• 48:24
  Speaker 3: What dance is it? Do you know the song?
• 48:27
  Speaker 4: It's Jason Derulio.
• 48:28
  Speaker 2: Oh, DeRulio?
• 48:29
  Speaker 1: DeRulio. Is it Jason DeRulio?
• 48:32
  Speaker 7: Jason DeRulio.
• 48:33
  Speaker 2: Cut that, cut that, cut.
• 48:34
  Speaker 1: That, Joelle.
• 48:35
  Speaker 5: No, Joelle.
• 48:35
  Speaker 4: Cut that.
• 48:36
  Speaker 2: Cut that power.
• 48:38
  Speaker 1: Only Donald knows.
• 48:39
  Speaker 4: Jason DeRulio.
• 48:41
  Speaker 5: Joelle.
• 48:41
  Speaker 4: Joelle, you're my favorite.
• 48:43
  Speaker 1: I got to say it.
• 48:44
  Speaker 2: I got to say it.
• 48:45
  Speaker 1: Joelle and I.
• 48:47
  Speaker 2: Jason Derulio.
• 48:48
  Speaker 3: That's really funny.
• 48:49
  Speaker 4: Guys, I'm 50.
• 48:50
  Speaker 5: Did she say Jason Derulio?
• 48:51
  Speaker 1: No, I didn't.
• 48:52
  Speaker 5: Or did she say Jason Derulio?
• 48:54
  Speaker 1: No, she said Jason Derulio.
• 48:56
  Speaker 2: I didn't.
• 48:58
  Speaker 3: It's Jason Derulio.
• 49:00
  Speaker 1: Jason. Jason Derulio.
• 49:03
  Speaker 5: It's Jason Derulo.
• 49:05
  Speaker 7: Oh, Jason.
• 49:05
  Speaker 5: Okay, let's take a new take.
• 49:08
  Speaker 1: You don't have cut power.
• 49:09
  Speaker 2: That was funny.
• 49:10
  Speaker 1: Cut power is only for the hosts.
• 49:12
  Speaker 4: I'm 50, you guys.
• 49:14
  Speaker 1: What does that have to.
• 49:15
  Speaker 7: Do with anything?
• 49:16
  Speaker 1: You don't look 50. You look 29.
• 49:18
  Speaker 3: You're the youngest woman I've ever met.
• 49:23
  Speaker 1: Sometimes when we're color correcting, I look at Ava's skin
• 49:26
  Speaker 1: and I'm like, can you make my skin look like
• 49:28
  Speaker 1: Ava's skin?
• 49:30
  Speaker 2: Same, please.
• 49:31
  Speaker 1: Like when I'm in the same shot as Ava, I
• 49:33
  Speaker 1: look at it and I'm like, Jesus Christ. Is there
• 49:37
  Speaker 1: a way you could like take just a sample of
• 49:38
  Speaker 1: her skin and move it over to my face?
• 49:41
  Speaker 3: Same youth.
• 49:43
  Speaker 1: You look amazing, Sarah. You do.
• 49:45
  Speaker 3: It's impressive.
• 49:45
  Speaker 1: Let's talk about ham hands. That was funny.
• 49:47
  Speaker 3: Ham hands.
• 49:49
  Speaker 1: Very stoner, very stonery.
• 49:50
  Speaker 5: Classic scrub stoner joke.
• 49:52
  Speaker 1: Joelle, did you like ham hands?
• 49:54
  Speaker 5: I was dying at hand.
• 49:55
  Speaker 8: Again, sometimes it's striking how similar this is to the
• 49:59
  Speaker 8: original run because it does feel like Hammer Hands could have.
• 50:01
  Speaker 5: Been in the original run of the series.
• 50:03
  Speaker 4: Yeah, absolutely.
• 50:04
  Speaker 8: And then also I was like picturing it and I
• 50:06
  Speaker 8: thought maybe we have like a standard hand like picturing.
• 50:09
  Speaker 1: A whole hammer.
• 50:11
  Speaker 7: Why would you try to put the needle in it?
• 50:13
  Speaker 4: It was ridiculous. It was so funny.
• 50:14
  Speaker 2: I loved it. Can't we're virgins?
• 50:17
  Speaker 1: When we're cutting his hands where Gridley was like.
• 50:20
  Speaker 2: Why are my hands ham? He's so good.
• 50:24
  Speaker 1: It's so funny.
• 50:25
  Speaker 2: It's so funny.
• 50:26
  Speaker 1: We're like more horror movie versions that we cut out.
• 50:29
  Speaker 1: We just made it the making a sandwich version.
• 50:31
  Speaker 4: Fantastic.
• 50:33
  Speaker 1: Okay, let's talk.
• 50:34
  Speaker 5: Honey Blake ham.
• 50:35
  Speaker 4: Honey Blake ham.
• 50:37
  Speaker 1: So let's talk about that moving ending with Blake.
• 50:42
  Speaker 5: Okay, but before we do that, let's go back to
• 50:43
  Speaker 5: the cafeteria with. with John and David. That shit made
• 50:49
  Speaker 5: me laugh so hard. I lost my wallet. Thanks for
• 50:51
  Speaker 5: getting the food. And then to finish it, oh, there
• 50:55
  Speaker 5: it is.
• 50:56
  Speaker 2: There it is. Found it.
• 50:58
  Speaker 1: There it is. So he was just lying. He was
• 51:01
  Speaker 1: going to give him bad news and then make him
• 51:03
  Speaker 1: pay for coffee.
• 51:04
  Speaker 5: And then he felt so bad about the bad news
• 51:06
  Speaker 5: that he gave him when he realized that Blake is,
• 51:10
  Speaker 5: the only reason why he's getting into cardiology is because
• 51:12
  Speaker 5: of his mother. And how he had to watch his
• 51:15
  Speaker 5: mom die. And he, you know, wants to, if he
• 51:19
  Speaker 5: could save people, because he felt like he couldn't save
• 51:22
  Speaker 5: his mom, that would make him feel amazing. And that
• 51:25
  Speaker 5: really sets up the final scene.
• 51:26
  Speaker 1: It's so beautiful. The acting between both of them in
• 51:30
  Speaker 1: that final scene when she's dying is so moving. And
• 51:34
  Speaker 1: David just did a, I mean, they both did, but
• 51:36
  Speaker 1: I just want to call out David because he's our
• 51:38
  Speaker 1: cast member. He did such a beautiful job there.
• 51:40
  Speaker 5: Her eyes when she sees him. And she's excited because
• 51:44
  Speaker 5: she thinks it's her boy. And his, at first, being,
• 51:53
  Speaker 5: you know.
• 51:54
  Speaker 1: He's going to stop it.
• 51:56
  Speaker 5: Yeah, he's like, I'm not going to. Actually, I'm. And
• 51:58
  Speaker 5: then realizing, oh, wait a second. This could be her
• 52:01
  Speaker 5: final moment. How would I want my mom to have
• 52:05
  Speaker 5: gone out when she was watching me?
• 52:09
  Speaker 1: Or also just a chance to, you know, his mom
• 52:12
  Speaker 1: never saw him as a doctor, never saw all that
• 52:15
  Speaker 1: he'd achieved. And the fact that he got to have
• 52:18
  Speaker 1: a moment, a pretend imaginary moment with his mom seeing
• 52:23
  Speaker 1: him as a doctor, that was so moving to me.
• 52:27
  Speaker 5: Absolutely. And her seeing him as her final, you know,
• 52:32
  Speaker 5: that's all she was really holding on for. She even
• 52:34
  Speaker 5: says it, I waited for you. You know, oh my
• 52:37
  Speaker 5: goodness gracious, that scene broke me apart. Every time I
• 52:40
  Speaker 5: watch it, there's like that, you know, that histamine feeling
• 52:43
  Speaker 5: that you get in your face when you're about to cry,
• 52:45
  Speaker 5: you know what I mean?
• 52:46
  Speaker 1: I want to say that the song is Monrovia Old
• 52:50
  Speaker 1: Fort Steel Train that's playing there, if you're curious.
• 52:53
  Speaker 4: It's perfectly placed.
• 52:54
  Speaker 3: It's so good.
• 52:55
  Speaker 4: The first time I saw it, the cut, I, you know,
• 52:59
  Speaker 4: we were at work and I watched it and I
• 53:01
  Speaker 4: was like in, you know, full work hair and makeup
• 53:03
  Speaker 4: and we had to go do a scene and I
• 53:05
  Speaker 4: was like, oh shit, this is going to turn into
• 53:07
  Speaker 4: like A real ugly cry. Like it's so moving.
• 53:10
  Speaker 1: Sarah was trying to protect her show makeup while she
• 53:13
  Speaker 1: was watching.
• 53:16
  Speaker 4: It's so moving. And just like, you know, my favorite
• 53:19
  Speaker 4: part of Scrubs, like you think about that episode and
• 53:21
  Speaker 4: how many laughs we've just talked about. And then that
• 53:23
  Speaker 4: gut punch at the end, like to be able to
• 53:25
  Speaker 4: like have both of those. So crazy.
• 53:29
  Speaker 3: Yeah, I watched.
• 53:31
  Speaker 6: It in Village when it was happening and I started
• 53:34
  Speaker 6: crying and I was like, wait, I know that that's
• 53:37
  Speaker 6: David and this isn't real but why am I crying?
• 53:40
  Speaker 4: Like, it was so good.
• 53:41
  Speaker 6: And that hasn't happened for me before where you're like
• 53:43
  Speaker 6: watching it be filmed.
• 53:45
  Speaker 1: I really like, by the way, that you're hanging out
• 53:47
  Speaker 1: on set. You know, it's what I used to do
• 53:49
  Speaker 1: and these guys would do sometimes but me more than
• 53:51
  Speaker 1: anyone because I wanted to be a filmmaker and I
• 53:53
  Speaker 1: always say, if you want, aspire to be a director
• 53:56
  Speaker 1: or producer, this is the best grad school ever and
• 53:59
  Speaker 1: A lot of our interns, especially Ava, hang out and
• 54:04
  Speaker 1: are learning and asking questions when they're not shooting. And
• 54:08
  Speaker 1: it's like the greatest opportunity to learn.
• 54:11
  Speaker 8: It is.
• 54:12
  Speaker 1: I mean, you will learn more than you could have
• 54:13
  Speaker 1: ever in any film school. Just hanging out by the monitor,
• 54:16
  Speaker 1: asking people questions, asking the director questions. And I'm glad
• 54:19
  Speaker 1: that you do that. I saw you were talking to them.
• 54:21
  Speaker 1: One of our first AC camera assistants learning about pulling
• 54:25
  Speaker 1: focus one time.
• 54:27
  Speaker 3: He was letting me pull focus on the rehearsals.
• 54:29
  Speaker 4: It's so hard. It feels like a video game.
• 54:32
  Speaker 3: It's really cool.
• 54:34
  Speaker 1: But that's great. I'm happy to do that.
• 54:36
  Speaker 4: We have such incredible directors. So it is a crazy
• 54:38
  Speaker 4: opportunity to just go and watch what's unique about each
• 54:41
  Speaker 4: of them.
• 54:42
  Speaker 3: And I'll gas you guys up real quick. And watching
• 54:45
  Speaker 3: you guys cook out there.
• 54:47
  Speaker 7: But, like, genuinely, I've learned so much from, like.
• 54:49
  Speaker 6: From you guys about acting, directing, everything, and just, like,
• 54:53
  Speaker 6: how to carry yourself being, like, leading a show.
• 54:56
  Speaker 3: It's very cool to watch.
• 54:57
  Speaker 1: Thank you.
• 54:58
  Speaker 4: Yeah.
• 54:58
  Speaker 1: We have a lot of fun on this show.
• 55:00
  Speaker 5: Me too.
• 55:00
  Speaker 1: Me too. I want to just end with Turk and
• 55:04
  Speaker 1: JD in a couples counseling session. Which was kind of
• 55:08
  Speaker 1: funny because as I was watching it this morning again,
• 55:09
  Speaker 1: I was like, this kind of is real life, but Casey,
• 55:12
  Speaker 1: Donald's wife, is our couples counselor. Well, remember when we
• 55:16
  Speaker 1: did a podcast once and we got in a huge
• 55:18
  Speaker 1: fight before we even started recording? Because Donald was late.
• 55:22
  Speaker 4: Why?
• 55:22
  Speaker 6: See?
• 55:22
  Speaker 1: Well, anyway, we didn't have to bring it up, but
• 55:26
  Speaker 1: we got in a big fight and like, we almost,
• 55:28
  Speaker 1: I was like, well, let's not do the podcast. Right?
• 55:31
  Speaker 1: So we didn't do it. We didn't do the podcast
• 55:33
  Speaker 1: that day.
• 55:33
  Speaker 5: You were like, I don't want to do the podcast
• 55:35
  Speaker 5: because I'm angry. And I was like, all right, nigga,
• 55:38
  Speaker 5: be angry.
• 55:39
  Speaker 1: Yeah, well, you can see part of the problem. And
• 55:43
  Speaker 1: Donald's inability to.
• 55:45
  Speaker 5: And I'll never forget Joelle and Donald's face. They were
• 55:48
  Speaker 5: sitting there like, what the... And I think we were like,
• 55:50
  Speaker 5: you know, maybe... Two months in, something like that.
• 55:53
  Speaker 1: By the way, the whole thing's recorded, and we were
• 55:56
  Speaker 1: joking that we should release the fight. You know, they
• 55:58
  Speaker 1: always say release the Zack Snyder cut. Release the fight.
• 56:01
  Speaker 1: Because it's a big fight, and it's all recorded.
• 56:03
  Speaker 4: Would you ever release the fight?
• 56:05
  Speaker 1: No, there's no need. But the fans have said, release
• 56:08
  Speaker 1: the fight.
• 56:09
  Speaker 2: That's really funny.
• 56:10
  Speaker 3: You should release it.
• 56:11
  Speaker 5: I'll never forget. Joelle's face was like, what the? We
• 56:14
  Speaker 5: just started.
• 56:15
  Speaker 8: And I was like- I thought the podcast had ruined
• 56:17
  Speaker 8: 20 years of friendship. I said, what is happening?
• 56:18
  Speaker 3: It was scary.
• 56:19
  Speaker 4: I didn't like it.
• 56:20
  Speaker 5: And then Casey- Joelle, do you remember what I said
• 56:22
  Speaker 5: to you? I was like, it's going to be fine.
• 56:24
  Speaker 5: We'll just come back tomorrow and do this shit.
• 56:26
  Speaker 2: Don't worry about it.
• 56:27
  Speaker 1: And then Casey called me. She's like, y'all need to
• 56:29
  Speaker 1: stop this nonsense.
• 56:33
  Speaker 5: Why does she sound like a prospector every time? Y'all,
• 56:38
  Speaker 5: we gonna get the gold, y'all.
• 56:40
  Speaker 2: Y'all need to stop this nonsense immediately.
• 56:42
  Speaker 1: There's gold in this cage. Y'all are best friends. You
• 56:47
  Speaker 1: need to use a when you are feel statement.
• 56:50
  Speaker 4: That's not how Casey sounds.
• 56:51
  Speaker 2: That's not how he sounds.
• 56:53
  Speaker 5: She's like freaking God, there's gold in them caves. All right.
• 57:00
  Speaker 4: Yeah, you guys were so funny in that scene. When
• 57:02
  Speaker 4: you're like, where's the room for me in any of this?
• 57:04
  Speaker 1: I love that. Yes, Joelle.
• 57:05
  Speaker 3: So funny.
• 57:07
  Speaker 8: I also cried at the JD telling Elliot how he
• 57:11
  Speaker 8: really feels about their divorce.
• 57:13
  Speaker 2: I'm sorry.
• 57:14
  Speaker 5: I thought that was so beautiful.
• 57:16
  Speaker 8: I was literally, I mean, it's such a hard thing
• 57:19
  Speaker 8: to separate. Nobody knows how painful it was except the
• 57:22
  Speaker 8: two of us. And I think you should, you deserve
• 57:25
  Speaker 8: to be happy. I was like, this is the catharsis
• 57:28
  Speaker 8: as a fan that I need. Like it really, I mean, listen,
• 57:31
  Speaker 8: not to be dramatic. It took me a lot to
• 57:32
  Speaker 8: accept that JD and Elliot were not going to get
• 57:33
  Speaker 8: back together. I was like, I'm not okay with it.
• 57:36
  Speaker 8: But this helped me be okay with it. I really
• 57:38
  Speaker 8: appreciated this.
• 57:39
  Speaker 5: What I really liked about it was the hint of
• 57:41
  Speaker 5: disappointment from Elliot too, though. You know what I mean?
• 57:44
  Speaker 5: It was like, dude, what the fuck kind of, okay. That's,
• 57:48
  Speaker 5: you know what? You're right.
• 57:49
  Speaker 1: We are trying to give her the gift of saying like, don't,
• 57:53
  Speaker 1: you know, I'm starting to feel feelings for someone. I don't, don't,
• 57:58
  Speaker 1: you know, all my feelings for Sean aside, don't not
• 58:01
  Speaker 1: take this opportunity to, to, to maybe get to know
• 58:04
  Speaker 1: someone again, since, especially since JD sabotaged it so many times.
• 58:07
  Speaker 5: Well, I feel like the whole episode she was trying
• 58:09
  Speaker 5: to tell him, yo, you don't need to worry about me.
• 58:11
  Speaker 5: Let me do my thing. I'll figure it out. And
• 58:14
  Speaker 5: then you do that to her. And she's like, Okay,
• 58:19
  Speaker 5: maybe he's not listening, but yeah, I guess, you know.
• 58:21
  Speaker 1: No, but he's saying, I think that I'm calling you
• 58:25
  Speaker 1: out as someone who loves you. You're not taking the
• 58:30
  Speaker 1: risk because you don't want to get hurt again.
• 58:32
  Speaker 4: And then she listens and she goes.
• 58:33
  Speaker 5: Yeah.
• 58:34
  Speaker 4: And like, it was, I love that she thinks, why
• 58:37
  Speaker 4: are you flirting with Toby? Yeah.
• 58:39
  Speaker 3: I love that part.
• 58:40
  Speaker 1: And we had to cut out a really funny little
• 58:42
  Speaker 1: mini storyline with Rachel and I and some otters. Rachel
• 58:46
  Speaker 1: gets scratched by an otter. Yes, it was so cute.
• 58:49
  Speaker 4: I'm so upset.
• 58:50
  Speaker 1: It's so cute. Rachel turns around because Scott's character helped
• 58:53
  Speaker 1: her meet an otter that she loves. And J.D. goes
• 58:56
  Speaker 1: to meet her. And she has the cutest little scratch
• 58:59
  Speaker 1: on her face. And she goes, never meet your heroes.
• 59:02
  Speaker 1: Oscar's a dick. And then I've got an otter stuffed animal.
• 59:06
  Speaker 1: And I go, so you don't want this? And she goes, no,
• 59:08
  Speaker 1: I want it. it was so cute but cut for
• 59:12
  Speaker 1: time this is why we.
• 59:14
  Speaker 4: Need the Hulu cut extension please let us show adorable
• 59:19
  Speaker 4: Rachel Bilson deleted scenes wait what about Donald and the
• 59:23
  Speaker 4: last thing Donald and Judy are so fucking cute and
• 59:26
  Speaker 4: when you guys are doing the catch and release And
• 59:28
  Speaker 4: when she fishes.
• 59:30
  Speaker 2: For you and you dance into her.
• 59:32
  Speaker 1: Yeah, that's cute. It's one of the best moments.
• 59:33
  Speaker 5: I do love my chemistry with Judy Reyes.
• 59:36
  Speaker 1: You guys are really cute.
• 59:37
  Speaker 5: All right.
• 59:37
  Speaker 1: Well, that's episode three, everybody. Thank you for tuning in.
• 59:43
  Speaker 1: Check out Scrubs every week on ABC at 8 o'clock
• 59:48
  Speaker 1: Wednesdays and on Hulu the next day.
• 59:51
  Speaker 5: Followed by the podcast.
• 59:53
  Speaker 1: And also tell your friends about the podcast because they
• 59:55
  Speaker 1: might not know that we're doing a full video. All right.
• 1:00:00
  Speaker 1: Thank you. Donald, count us out.
• 1:00:02
  Speaker 5: Five, six, seven. Mm-hmm.