Latest / The Avid Indoorsmen / A.I. EP. 302: “Remember, Where You’re Going, There Are No Roads” - Back to the Future Part III 35th Anniversary

Transcript

A.I. EP. 302: “Remember, Where You’re Going, There Are No Roads” - Back to the Future Part III 35th Anniversary · The Avid Indoorsmen

• 0:01
  Speaker 1: The sun is shining cloud in the sky. We wouldn't
• 0:06
  Speaker 1: know because we're so happy inside.
• 0:10
  Speaker 2: Some people.
• 0:12
  Speaker 1: On some skis, but we would rather sit on down
• 0:16
  Speaker 1: and talk some movies. We're the avid Indoorsmen. Come listen
• 0:21
  Speaker 1: to our show. We're the evid indoorsmen at home around
• 0:25
  Speaker 1: the goal. We're the avid Indoorsmen. We hope you love it,
• 0:31
  Speaker 1: so come on in and stay. We'll do our best
• 0:34
  Speaker 1: to make you smile.
• 0:37
  Speaker 3: Indors, What is happening? I'm Rob Lund Chris, and I'm Bude,
• 0:44
  Speaker 3: and we're the Avid Indoorsman. Hello everyone, Hello, that's going pal,
• 0:50
  Speaker 3: it's going pretty well. How are you? I'm doing great.
• 0:53
  Speaker 2: I'm excited for our triumphant conclusion. It's been a ride
• 0:58
  Speaker 2: to these three movies that we did. Never did any
• 1:02
  Speaker 2: of them the first time.
• 1:03
  Speaker 3: Never did it. No, this is the first time we
• 1:05
  Speaker 3: did all three.
• 1:08
  Speaker 2: I love it. We're setting the timeline right.
• 1:11
  Speaker 3: I love that we had our Q and A with
• 1:13
  Speaker 3: our patrons and we were like, hey, can you check
• 1:15
  Speaker 3: and see if we did two and three, because we
• 1:17
  Speaker 3: don't know if we still that it looked.
• 1:20
  Speaker 2: I got a bunch of buttholes.
• 1:22
  Speaker 3: We're not great things, but it's fun. It's just it's
• 1:27
  Speaker 3: just a good time.
• 1:29
  Speaker 2: The This is like why we go to live theater.
• 1:31
  Speaker 2: You know. The mess ups are part of the joy.
• 1:35
  Speaker 3: They really are. We have people come up, we have
• 1:38
  Speaker 3: people come up at the home free shows and they're like,
• 1:40
  Speaker 3: remember when you messed up at the show, And it's.
• 1:44
  Speaker 2: Like people's favorite part. Yes, that's why I was a
• 1:48
  Speaker 2: renowned artist when I was still perform as. I messed
• 1:52
  Speaker 2: up all the time.
• 1:54
  Speaker 3: Yeah, yeah, I should do that more.
• 1:57
  Speaker 2: Oh did I ever tell you as on stage?
• 2:02
  Speaker 3: You did not.
• 2:02
  Speaker 2: I'm sure I did at some point, but in a
• 2:05
  Speaker 2: show and it was actually a show that Elliott was
• 2:07
  Speaker 2: subbing for us.
• 2:08
  Speaker 3: This was a long time ago, A long time ago. Yeah,
• 2:11
  Speaker 3: And I was in my head.
• 2:13
  Speaker 2: I was gonna say, for those of you who saw
• 2:16
  Speaker 2: the last show, it was a blast or something, and
• 2:20
  Speaker 2: I was just I got all a little ahead of
• 2:22
  Speaker 2: myself and I was just like for those of you
• 2:24
  Speaker 2: who saw the last and I was like, well, I
• 2:27
  Speaker 2: well sorry, gang, Yeah, yeah, it was just so like
• 2:34
  Speaker 2: perfectly said. I couldn't I couldn't deny it even I
• 2:37
  Speaker 2: was just right. I said it. And I'm sorry to
• 2:40
  Speaker 2: all the fair goers here. I didn't mean to say it.
• 2:43
  Speaker 2: Right after that show, people were giggling away at me.
• 2:48
  Speaker 3: So, oh, I'm sure I screw up, you know, well,
• 2:51
  Speaker 3: especially when you swear at him like that.
• 2:53
  Speaker 2: Yeah, whoops, it was in Wisconsin. They're fine, Oh dude,
• 2:56
  Speaker 2: County Fair in Wisconsin. Oh, they didn't even know was
• 3:00
  Speaker 2: a swear for sure. That's that's a g rated, g rated.
• 3:05
  Speaker 2: I said that to the butter sculpture gal two minutes ago.
• 3:09
  Speaker 3: What is this?
• 3:11
  Speaker 2: No, it's butter, sir. Rob Have you been watching a
• 3:14
  Speaker 2: movie lately?
• 3:16
  Speaker 3: I have. I've been watching a movie. And the movie
• 3:20
  Speaker 3: that I did watch a few weeks ago. Now, I
• 3:24
  Speaker 3: went to the Theata, the Theata and I went and
• 3:28
  Speaker 3: saw the dark comedy Friendship. I know, I told you
• 3:31
  Speaker 3: I saw.
• 3:32
  Speaker 2: Oh yeah, I hadn't.
• 3:33
  Speaker 3: I hadn't told the folks yet.
• 3:35
  Speaker 2: Tell me everything.
• 3:37
  Speaker 3: Did you watch it yet?
• 3:38
  Speaker 4: No?
• 3:38
  Speaker 2: I haven't seen it yet. Okay, this weekend I want
• 3:42
  Speaker 2: you to for sure.
• 3:43
  Speaker 3: So this is the film. It's an a twenty four film.
• 3:46
  Speaker 3: It features Tim Robinson, Paul Rudd, and Kate Mara. Those
• 3:51
  Speaker 3: are like the three kind of main Folko names. Yeah,
• 3:55
  Speaker 3: and I was shocked that it wasn't written by Tim
• 3:58
  Speaker 3: Robinson because it seems like a long episode of I
• 4:02
  Speaker 3: think you should leave his show. But Andrew de Young
• 4:07
  Speaker 3: is his name. He's the writer and director really wrote
• 4:12
  Speaker 3: in Tim Robinson's voice. It was incredible. The dark comedy
• 4:18
  Speaker 3: as a whole is not my favorite genre in the world.
• 4:21
  Speaker 2: I know that about you, yep, but I did.
• 4:24
  Speaker 3: Enjoy this one. Cool. There are some cringey things that
• 4:27
  Speaker 3: are tough to watch, but that is to be expected
• 4:29
  Speaker 3: when you're watching a Tim Robinson vehicle big time. And
• 4:34
  Speaker 3: it was a different role for Paul Rudd. Hadn't really
• 4:37
  Speaker 3: seen him in it. It was a weird one for him.
• 4:40
  Speaker 3: He was good in it, but it was an interesting
• 4:43
  Speaker 3: role for him.
• 4:44
  Speaker 2: Cool.
• 4:46
  Speaker 3: But yeah, I enjoyed it. But like a lot of
• 4:49
  Speaker 3: eight twenty four films, it won't be for everyone. Yeah,
• 4:53
  Speaker 3: but I did like it. I don't know that you
• 4:55
  Speaker 3: got to go run out to the theater to see it.
• 4:57
  Speaker 3: But when it comes out stream and I check it.
• 4:59
  Speaker 2: Out, did you have like any big laugh moments?
• 5:03
  Speaker 3: I did? I have a couple that's great.
• 5:05
  Speaker 2: I feel like he's very He's very funny in general,
• 5:08
  Speaker 2: but he's also so good at that. Like, yeah, partly
• 5:11
  Speaker 2: because he will take wild swings and so the biggest
• 5:15
  Speaker 2: Every once in a while he gets a hold of one,
• 5:17
  Speaker 2: you know, just out of here. That's cool. Nice. Yeah,
• 5:21
  Speaker 2: I definitely want to see that. I'd like to see
• 5:23
  Speaker 2: it with people. I feel like it'd be bore fun.
• 5:25
  Speaker 3: It might be more fun with people. I was definitely
• 5:26
  Speaker 3: by myself. Were you in the middle of a you know,
• 5:29
  Speaker 3: it was like the middle of a nice day outside.
• 5:33
  Speaker 3: Nobody was there. Absolutely, it was interesting, but it was funny.
• 5:39
  Speaker 3: There were a few older people, and the stuff they
• 5:42
  Speaker 3: were laughing at was making me laugh.
• 5:45
  Speaker 2: That's always fun. I like that, like a meta laughter.
• 5:48
  Speaker 2: That's great.
• 5:49
  Speaker 3: Yeah, what about you? What was the last movie you watch?
• 5:52
  Speaker 3: I also went to the theater the theater you're saying, ah.
• 5:56
  Speaker 2: Yes, and I saw a ballerina the I guess it's
• 6:01
  Speaker 2: just in the universe of the John Wick films because
• 6:04
  Speaker 2: it's a I think it's a prequel, right, a few
• 6:08
  Speaker 2: of them.
• 6:09
  Speaker 3: Anyway, was it between three and four men?
• 6:12
  Speaker 2: I think that's right. I think that's right. Really fun.
• 6:16
  Speaker 2: An to Armis is just a badass in this movie,
• 6:20
  Speaker 2: which is so fun. I feel like we've seen her
• 6:22
  Speaker 2: do stunts and stuff before, obviously, but yeah, she got
• 6:25
  Speaker 2: to do a lot of them in this movie and.
• 6:27
  Speaker 3: That was fun.
• 6:29
  Speaker 2: Uh, and then we just see a bunch of other
• 6:32
  Speaker 2: people who are really fun. Ian McShane is in it,
• 6:35
  Speaker 2: of course. Angelica used to Oh sure, so we get
• 6:39
  Speaker 2: to see like that world. You know, there's crossing paths
• 6:43
  Speaker 2: with other people in that world. Who's the other dude? Oh,
• 6:47
  Speaker 2: Norman Retis plays a pretty big part in it, which
• 6:49
  Speaker 2: is fun. Cool things. Yeah, for sure, walking dead, but yeah,
• 6:55
  Speaker 2: it's a It was a good time. It very much
• 6:58
  Speaker 2: fit into that universe. It was an interesting, you know,
• 7:01
  Speaker 2: sort of side story within that universe, and I had
• 7:04
  Speaker 2: a good time. I thought it was really cool, and
• 7:06
  Speaker 2: they did some cool things with the shots, of course,
• 7:08
  Speaker 2: and yeah, it was still fun. If you like that
• 7:12
  Speaker 2: sort of like very pretty action scene kind of stuff,
• 7:16
  Speaker 2: you're gonna enjoy this movie. It's a good time, it's interesting,
• 7:19
  Speaker 2: and and there's some new ground that they cover, so it's.
• 7:22
  Speaker 3: By that same it was. The director of the Wick
• 7:26
  Speaker 3: films was Chad Stahelski.
• 7:28
  Speaker 2: No Len Wiseman, Okay, but.
• 7:35
  Speaker 3: Yeah, his only four credits were the John Wick films.
• 7:38
  Speaker 2: Oh that's funny. Interesting, I thought was fun. Yeah. Len
• 7:42
  Speaker 2: appears to have been part of the Underworld series and
• 7:46
  Speaker 2: one of those. But yeah, he's done a few he's
• 7:51
  Speaker 2: directed a few things, he's written a few things.
• 7:54
  Speaker 3: He likes a strong female lead, bigly big le.
• 7:58
  Speaker 2: Yes.
• 8:01
  Speaker 3: Yeah, I don't know.
• 8:02
  Speaker 2: So it was interesting. It's I don't think you really
• 8:05
  Speaker 2: need to see that one in the theater. I guess
• 8:08
  Speaker 2: it's a big sound so I still like that's true.
• 8:11
  Speaker 2: Maybe you should see it in the theater with the
• 8:12
  Speaker 2: sound and everything. But it was fun. I really had
• 8:14
  Speaker 2: a good time. If you're looking for like a it's
• 8:17
  Speaker 2: too hot out, I need to go to a movie theater,
• 8:19
  Speaker 2: or it's raining or something, that's a good one to
• 8:21
  Speaker 2: pick if you just want to kind of be like, yeah,
• 8:23
  Speaker 2: I'm just gonna enjoy this. I don't need to like
• 8:26
  Speaker 2: pay super close attention or anything, you know what I mean.
• 8:29
  Speaker 2: It's a good time. Yeah, I liked it cool.
• 8:32
  Speaker 3: Have you been streaming things? Yes? Today, this very day,
• 8:36
  Speaker 3: I finished the second season of Andor on Disney Plus.
• 8:40
  Speaker 3: So fun.
• 8:41
  Speaker 2: What'd you think? I still haven't seen this?
• 8:43
  Speaker 3: You haven't? Now? Trying to watch the Rebels before I start.
• 8:48
  Speaker 2: All these things, and that just I'm not watching any
• 8:51
  Speaker 2: of it. Yeah, I'm like halfway done with Rebels.
• 8:55
  Speaker 3: Now, oh, so you'll watch this in a few.
• 8:57
  Speaker 2: Years unless I just, you know, go crazy like I
• 9:01
  Speaker 2: did with Clone Wars. But anyway, tell me and or
• 9:04
  Speaker 2: season two? What do you think?
• 9:06
  Speaker 3: So the first season, it took me a while to
• 9:08
  Speaker 3: get into it, and honestly, I kind of felt the
• 9:12
  Speaker 3: same way about this season, Tim Faust, like loved this
• 9:17
  Speaker 3: season from the very beginning.
• 9:19
  Speaker 2: I feel like the people.
• 9:20
  Speaker 3: It hit it hit hard, it hit hard. It did
• 9:23
  Speaker 3: take me a second to get into it. A lot
• 9:26
  Speaker 3: of the like political upheaval stuff.
• 9:30
  Speaker 2: It's not the same about season one, So I'm with you. Yeah, yeah, so.
• 9:34
  Speaker 3: That stuff wasn't I wasn't as into But like the
• 9:40
  Speaker 3: first season, once it hits a certain point, then it's like, oh,
• 9:44
  Speaker 3: this is awesome cool, So I was glad I was
• 9:47
  Speaker 3: stuck with it. Diego, Luna and Adria Rhona are awesome.
• 9:54
  Speaker 3: Stellan scars Guard is great, although he has a lot
• 9:58
  Speaker 3: of that political storyline and the first like five episodes.
• 10:01
  Speaker 3: But yeah, and what's so fun about this is that
• 10:07
  Speaker 3: it ramps right up into Rogue one. I'm sure you've
• 10:10
  Speaker 3: heard this.
• 10:11
  Speaker 2: I have, and I can't wait to watch them all
• 10:13
  Speaker 2: back to back to back.
• 10:15
  Speaker 3: Well, dude, because I know that's your favorite of the
• 10:17
  Speaker 3: Star Wars films. So you're just gonna love what they
• 10:22
  Speaker 3: end up doing in this season.
• 10:23
  Speaker 2: You're gonna love it. I can't Yeah, I can't wait.
• 10:25
  Speaker 2: It's gonna be so great.
• 10:27
  Speaker 3: Yeah, so it was. It was a longer season. It
• 10:30
  Speaker 3: was like twelve episodes, So it did take me to
• 10:33
  Speaker 3: get through.
• 10:33
  Speaker 2: Yeah, like, that's not what we're doing.
• 10:36
  Speaker 3: Usually, if you can get to ten, that's usually a lot.
• 10:41
  Speaker 3: I feel like a lot of them are eight right now.
• 10:43
  Speaker 3: So twelve episodes. They really went for it.
• 10:46
  Speaker 2: Nice.
• 10:47
  Speaker 3: Yeah, what about you?
• 10:49
  Speaker 2: I streamed on Oh boy, I should have wrote down
• 10:52
  Speaker 2: the service. Hold On, hold On, hold On. It's on
• 10:54
  Speaker 2: Hulu twenty eight weeks later.
• 11:00
  Speaker 3: And you had just talked to me about twenty eight days.
• 11:02
  Speaker 2: I know later, twenty eight days way different. I keep
• 11:08
  Speaker 2: getting hurt by that.
• 11:11
  Speaker 3: Yeah, I'm ready for twenty eight years.
• 11:13
  Speaker 2: Later that I will hopefully see in the theater at
• 11:15
  Speaker 2: some point. Find out. But this is the follow up
• 11:19
  Speaker 2: to twenty eight days later. It's a same universe, but
• 11:25
  Speaker 2: not you know, the same characters and things. Zombie outbreak
• 11:30
  Speaker 2: or I guess technically rage virus not zombies, which.
• 11:33
  Speaker 3: Is yeah, I just heard that on something.
• 11:35
  Speaker 2: It's a strange delineation, but they seem to think it's important.
• 11:39
  Speaker 2: The cast for this one was stacked. I mean, Killy
• 11:43
  Speaker 2: Murphy was in the last one and he's amazing as
• 11:46
  Speaker 2: well as.
• 11:47
  Speaker 5: He was at that point, yeah, as well as our
• 11:51
  Speaker 5: guy Gleason, Brendan Glees then, yes, but in this one
• 11:57
  Speaker 5: we've got Jeremy Renner, We've got Rose Burns.
• 12:02
  Speaker 2: Who else?
• 12:03
  Speaker 3: Oh you DRIs elba.
• 12:04
  Speaker 2: I was like there was one more that was real big,
• 12:07
  Speaker 2: and then a bunch of people that you definitely know,
• 12:09
  Speaker 2: like Imaging Poots is in this one. Yeah, but she's
• 12:13
  Speaker 2: like a teenager in this, so that was kind of fun.
• 12:15
  Speaker 2: It must have been one of her early films for sure.
• 12:18
  Speaker 2: But yeah, a really interesting, interesting movie. It's about a
• 12:23
  Speaker 2: I kind of like this timeframe when it comes to
• 12:26
  Speaker 2: zombie movies more where it's like we've you know, we
• 12:29
  Speaker 2: haven't taken care of it, but we've definitely like started
• 12:32
  Speaker 2: rebuilding society a little bit, and there's stuff like that
• 12:36
  Speaker 2: that's happening in it. So it's a good time. It
• 12:39
  Speaker 2: is definitely gory. They didn't do the Camquarder thing that
• 12:44
  Speaker 2: they did in twenty eight days later. So okay, it
• 12:46
  Speaker 2: looks better yet bit more Yeah, yeah, big time, a
• 12:50
  Speaker 2: lot more, I think, but it does some really cool stuff.
• 12:54
  Speaker 2: They take some big swings. It's pretty fun. I really
• 12:57
  Speaker 2: enjoyed it, to be honest, so I liked it. I
• 13:01
  Speaker 2: think it was by different writers and director than the
• 13:04
  Speaker 2: first because the first one was le and Garland. We learned, right, yeah,
• 13:08
  Speaker 2: just recently. This one is Juan Carlos Frez Nadillo. I
• 13:16
  Speaker 2: don't know him, but he did this and it was
• 13:19
  Speaker 2: really good. So I'm excited to see the new one now.
• 13:22
  Speaker 2: I'm ready, ready to be ready.
• 13:25
  Speaker 3: Nice.
• 13:25
  Speaker 2: That's kind of all I got. If you like horror films,
• 13:27
  Speaker 2: I think you'll enjoy this. It's it's really well done.
• 13:29
  Speaker 3: Nice. Yeah.
• 13:31
  Speaker 2: What do you think should do for you? Plugs?
• 13:33
  Speaker 3: Yes?
• 13:34
  Speaker 2: Nice? You guess can consis? That's always on the Twitter
• 13:35
  Speaker 2: machine where we're at abbot indors and with a Z.
• 13:39
  Speaker 2: Just make sure to go to our content and only
• 13:40
  Speaker 2: that ignore everything else on there. It's it's sad, I
• 13:43
  Speaker 2: guess it is, or just mean maybe mean more than
• 13:49
  Speaker 2: Also we're on Facebook dot com slash the abbot indorsman.
• 13:53
  Speaker 2: Nothing sad or mean there, Instagram, TikTok, Blue Sky Threads.
• 13:58
  Speaker 2: We are all over the place. Find us at the
• 14:00
  Speaker 2: Avid indoors Men.
• 14:02
  Speaker 3: Yeah, but if you really want to hang out and
• 14:04
  Speaker 3: be part of the crew, the spot to go Patreon
• 14:07
  Speaker 3: dot com slash the Avid indoors Man. It's a great
• 14:11
  Speaker 3: time on Patreon. We really love our patrons, so we
• 14:14
  Speaker 3: give them a lot of perks. One of those is
• 14:16
  Speaker 3: getting a shout out here. Hello Marsha Grisiac, Hello, Mary Fox, Hello,
• 14:22
  Speaker 3: Nanette Walkley, Hello, Johann bros Staid, Hello Devil, and hello
• 14:28
  Speaker 3: Noel Flores. Hi, you guys are great. Another perk we
• 14:32
  Speaker 3: like to give our patrons is an extended version of
• 14:35
  Speaker 3: every episode we put out. We'll usually do a top
• 14:38
  Speaker 3: five draft that pertains to the movie we're talking about,
• 14:41
  Speaker 3: and for this one, it seemed like you would be easy.
• 14:44
  Speaker 3: It was hard to look up. We were wrong. We
• 14:47
  Speaker 3: were wrong. It's Top five Stunts on Moving Vehicles draft. Yeah,
• 14:54
  Speaker 3: we got good ones.
• 14:55
  Speaker 2: It just yeah, it just it was harder to look
• 14:58
  Speaker 2: up than we were anticipating. But yeah, it'll be fun
• 15:01
  Speaker 2: to see what our guests come up with.
• 15:03
  Speaker 3: For sure, it will be.
• 15:05
  Speaker 2: But stay tuned for that it'll be super fun coming attraction.
• 15:09
  Speaker 2: I don't remember. Just everybody'd be cool. Let's all just
• 15:12
  Speaker 2: be cool and enjoy the whimsy and mystery of life.
• 15:18
  Speaker 3: But we're here today to talk about the final installment,
• 15:20
  Speaker 3: Back to the Future, Part three, Part Trace, And we
• 15:25
  Speaker 3: had to get a couple of dudes we really love there.
• 15:29
  Speaker 3: They oddly they live in the East, but they are
• 15:32
  Speaker 3: Westerners at heart.
• 15:34
  Speaker 2: I guess I don't.
• 15:35
  Speaker 3: Know Midwesterners anyway.
• 15:37
  Speaker 2: We call the mad Dog from time to time. You know,
• 15:41
  Speaker 2: they love clock towers.
• 15:44
  Speaker 3: They hate manure. They hate manure. Well, one of them
• 15:47
  Speaker 3: is kind of likes it, and he's a little partially.
• 15:50
  Speaker 2: It's a problem. It's a problem. But let's welcoming back
• 15:54
  Speaker 2: to the pot. It's Benny Ellige and Adam Renegade Wilson.
• 15:59
  Speaker 3: What's up, guy up? So good to see your faces.
• 16:06
  Speaker 6: Really nice to be back. Very handsome for you listeners.
• 16:12
  Speaker 6: They look very handsome.
• 16:14
  Speaker 2: We do.
• 16:14
  Speaker 3: He's right.
• 16:15
  Speaker 6: This is an audio is an audio medium, so of
• 16:17
  Speaker 6: course you can't see any of us.
• 16:19
  Speaker 2: Yeah, you are looking good.
• 16:21
  Speaker 3: Look stupid, don't you say that about my friend?
• 16:27
  Speaker 2: Yeah, you look wonderful.
• 16:29
  Speaker 3: You looks all right.
• 16:30
  Speaker 2: He looks all right, I feel like your beard is
• 16:33
  Speaker 2: fuller than I've seen it normally. Is that true? Just
• 16:38
  Speaker 2: so you know his beard is a little.
• 16:39
  Speaker 3: Fuller than normal.
• 16:40
  Speaker 6: It's an audio medium.
• 16:43
  Speaker 3: It's beautiful the summer, you know.
• 16:46
  Speaker 2: Yeah, you're like just in time for the heat. Way,
• 16:52
  Speaker 2: what was the how you guys doing hot enough.
• 16:54
  Speaker 4: For you out there?
• 16:55
  Speaker 6: Yet?
• 16:56
  Speaker 2: We're good? Ordered up?
• 16:57
  Speaker 3: A nicer day? Yeah, couldn't go ordered up?
• 17:01
  Speaker 2: Yeah, it's pretty It's pretty often the beginning of ofie that's.
• 17:07
  Speaker 6: Going on here.
• 17:09
  Speaker 2: You guys need to get to the Hampton staff with.
• 17:12
  Speaker 3: A dead guy, dead gifts.
• 17:16
  Speaker 6: Yeah, it's pretty rough. Basically, whenever whatever happens for you guys,
• 17:20
  Speaker 6: we usually get it like three days later.
• 17:22
  Speaker 2: Yeah, for sure, and we did. It was hot up
• 17:25
  Speaker 2: here too.
• 17:25
  Speaker 3: But hey today it was real nice. I don't even
• 17:28
  Speaker 3: think it got up to eighty today. So hopefully you
• 17:31
  Speaker 3: got that pretty soon. There it was.
• 17:35
  Speaker 2: You're going to have a nice little weekend.
• 17:38
  Speaker 6: Get ready, tell me tell me Minnesotan's are running this
• 17:42
  Speaker 6: podcast without tell.
• 17:45
  Speaker 3: Oh sure, Oh dude, we had to stop. Like every
• 17:48
  Speaker 3: intro we'd always just talk about how nice it was outside,
• 17:52
  Speaker 3: and nobody cares like we got we gotta stop it.
• 17:56
  Speaker 6: Every time I've always told Stephanie this, and every time
• 18:00
  Speaker 6: in Minnesota, the amount it comes up is so hysterical. Yeah,
• 18:05
  Speaker 6: when we're when we're facetiming my parents, well even on
• 18:09
  Speaker 6: FaceTime we do the Minnesota goodbye, I'll be like, well,
• 18:13
  Speaker 6: all right, I guess we'll talk to my Mom's like
• 18:15
  Speaker 6: oh yeah, great, so boy, it's been so hot here.
• 18:19
  Speaker 6: What's he doing out there? And we're still talking.
• 18:21
  Speaker 3: We're still going, Okay, you know.
• 18:24
  Speaker 2: Who I saw today at the store.
• 18:26
  Speaker 7: I'm like after after, like my fourth whelp, welp, Mom,
• 18:31
  Speaker 7: I can't hit my thighs and say, well, they're bruised.
• 18:40
  Speaker 2: I love it. Uh, well, you guys know these cats.
• 18:44
  Speaker 2: It's Benny Elige and Adam Renegade Wilson. I don't think
• 18:48
  Speaker 2: we have any plugs today. So what do you guys think?
• 18:50
  Speaker 2: Should we just get right into it?
• 18:51
  Speaker 6: Let's do it, Let's do very excited love it too.
• 18:55
  Speaker 2: That's with a rough synopses.
• 18:57
  Speaker 3: In this final chapter, Martin Fly obtains a seventy year
• 19:01
  Speaker 3: old message from the time traveling doctor Emmett Brown, in
• 19:05
  Speaker 3: which he informs Marty that he has retired to a
• 19:07
  Speaker 3: small town in the old West. Marty then finds out
• 19:11
  Speaker 3: that the doc was murdered shortly after sending the letter.
• 19:14
  Speaker 3: In order to save his friend, Marty will have to
• 19:17
  Speaker 3: travel back in time, disentangle a love struck doc from
• 19:21
  Speaker 3: a local school marm, and repair the Dolorean, all while
• 19:26
  Speaker 3: avoiding a posse of gunslingers.
• 19:30
  Speaker 2: Nice wistly done. We dropped a school marm in there.
• 19:35
  Speaker 3: Yeah. I was like, is that a word? Yeah, this
• 19:37
  Speaker 3: is what it says, school marm. Cool.
• 19:41
  Speaker 2: You did great, you did great. Thanks go to Rotten
• 19:43
  Speaker 2: Tottles near what they have to say. Critics have this
• 19:46
  Speaker 2: coming in at a pretty solid seventy nine. Okay, that's
• 19:49
  Speaker 2: pretty good.
• 19:50
  Speaker 3: I'll take it.
• 19:51
  Speaker 2: Totally better than the second one.
• 19:53
  Speaker 3: Yeah, the second one was in the sixties, but the
• 19:56
  Speaker 3: first one was a high nineties.
• 19:58
  Speaker 2: Yeah one is a masterpiece. Yeah, it's perfect, it's perfect.
• 20:03
  Speaker 2: Audience members were pretty much right on the same page.
• 20:05
  Speaker 2: They had it just a ticklower at seventy eight percent.
• 20:08
  Speaker 2: So pretty good. I don't like it, but pretty good,
• 20:12
  Speaker 2: pretty good. I think it's time to hear what we
• 20:14
  Speaker 2: think though. Should we go into our hot take?
• 20:17
  Speaker 3: Hot take? Oh, that's a hot take. That's a hot take.
• 20:23
  Speaker 2: Spicy, Oh, ouch, it's I'm very hot take nice nice.
• 20:32
  Speaker 2: I didn't really everyone who's the audio audio medium? Oh
• 20:39
  Speaker 2: my god, that man got burned. What an actor. I'll
• 20:45
  Speaker 2: go first on this one. I love this movie a lot.
• 20:48
  Speaker 2: I understand that the first one is better. This one
• 20:51
  Speaker 2: might be my favorite. I don't know why. I love
• 20:54
  Speaker 2: the Old West setting. I think it's really fun. It's
• 20:57
  Speaker 2: a super like fun, you know, put a bow on
• 21:01
  Speaker 2: the end of this trilogy. I really enjoy it. The
• 21:03
  Speaker 2: music is great. There's like maybe because there's more insidey
• 21:07
  Speaker 2: jokes in this one. I like that. It's it's pretty nice.
• 21:11
  Speaker 2: The love story was way better than I remembered, which
• 21:14
  Speaker 2: I love. So fun and yeah, I'm generally speaking. I
• 21:20
  Speaker 2: just think this one continues with all the good parts
• 21:22
  Speaker 2: of the first two and then just puts a nice, little,
• 21:25
  Speaker 2: nice little wrap up on the whole thing in a
• 21:28
  Speaker 2: delicious little setting. I think it's wonderful.
• 21:32
  Speaker 3: I really like it.
• 21:33
  Speaker 2: Yes, but my hottest take is hot take. Unless it
• 21:37
  Speaker 2: is imperative to do so. For time travel, there's no
• 21:42
  Speaker 2: reason we should be driving at walls all the time.
• 21:46
  Speaker 2: Every time we're driving at walls, we drive towards the
• 21:49
  Speaker 2: screen of the theater. For he goes, he's like, what,
• 21:53
  Speaker 2: we picked this spot out here, which is Monument Valley
• 21:56
  Speaker 2: by the way in Arizona or well, it's part of
• 21:59
  Speaker 2: the Navajo Nation and it's beautiful, so go there if
• 22:01
  Speaker 2: you've never been there. You can also do the Forest Gump.
• 22:05
  Speaker 3: Isn't that the Forest Gump running last year?
• 22:07
  Speaker 2: That's where all that stuff was filmed, which I forgot,
• 22:10
  Speaker 2: which was super pretty. But they were like, we picked
• 22:12
  Speaker 2: this because it's wide open, there won't be any buildings.
• 22:16
  Speaker 2: We are still going to drive right towards this movie
• 22:19
  Speaker 2: screen here, so don't worry about it. And then also
• 22:23
  Speaker 2: we're just gonna we're gonna make it, so we drive
• 22:25
  Speaker 2: at the thing that says end of track. Let's not
• 22:28
  Speaker 2: disassemble that, so we don't maybe run into this, but
• 22:32
  Speaker 2: we just gotta we gotta stop driving at walls.
• 22:34
  Speaker 3: I don't understand the one in the fifties though, it
• 22:38
  Speaker 3: was going towards the theater, and now they're going towards
• 22:41
  Speaker 3: the drive in theater, so they kept trying to that.
• 22:45
  Speaker 2: Honestly, probably film is the future or something. There's probably
• 22:48
  Speaker 2: some silly thing. But also we didn't have to drive
• 22:51
  Speaker 2: at the theater.
• 22:52
  Speaker 3: We didn't. We didn't we do it. No, it's just
• 22:54
  Speaker 3: the thing they did.
• 22:54
  Speaker 2: Yeah, but it's pretty fun. That was as close as
• 22:57
  Speaker 2: I could get to a hot take. I don't know.
• 22:59
  Speaker 6: I mean, I the fifty five ones kind of justified
• 23:02
  Speaker 6: because they need to set up the thing for the
• 23:04
  Speaker 6: hook to Hitler. Yep, so that is justified. But you're
• 23:09
  Speaker 6: right in this one. Why not just start behind the
• 23:12
  Speaker 6: screen and go out into the field where you're gonna
• 23:13
  Speaker 6: be driving anyway?
• 23:15
  Speaker 2: Yeah, I did that part.
• 23:16
  Speaker 6: I was very confused, just in case something. It's also
• 23:19
  Speaker 6: one of those movie things where I'm like, he's driving
• 23:20
  Speaker 6: for like thirty seconds it feels like and I'm like,
• 23:23
  Speaker 6: it's like one hundred feet away.
• 23:24
  Speaker 2: From that thing. Yeah, he would long enough.
• 23:27
  Speaker 6: When he hit like thirty eight, he would have plowed
• 23:29
  Speaker 6: through that.
• 23:30
  Speaker 3: Especially on gravel too, it's gonna take him a second.
• 23:34
  Speaker 6: Don't know what the zero to sixty und Dolaurian is,
• 23:36
  Speaker 6: but I'm sure it's more than like one hundred feet.
• 23:38
  Speaker 3: They needed that shot though, of the native man that is,
• 23:42
  Speaker 3: and it's.
• 23:43
  Speaker 2: Worth ut for that, I guess. But yeah, I just
• 23:47
  Speaker 2: thought that was funny.
• 23:47
  Speaker 3: That is funny. It's funny. I loved this movie as
• 23:53
  Speaker 3: a kid. This was my favorite of the three growing up,
• 23:56
  Speaker 3: but I just watched it the most. I was six
• 24:01
  Speaker 3: or seven when this came out. So but yeah, I mean,
• 24:05
  Speaker 3: after rewatching these three films, the first one is the best.
• 24:09
  Speaker 6: Eighty nine r.
• 24:13
  Speaker 4: Later but then shot him like back to back, right, Yeah,
• 24:16
  Speaker 4: so two was eighty nine, this is ninety.
• 24:19
  Speaker 3: Yep, he is right.
• 24:21
  Speaker 2: Eighty five yeap.
• 24:23
  Speaker 3: First one was eighty five, same year I was born. Oh,
• 24:25
  Speaker 3: we didn't tell these guys so really smart. We were like,
• 24:29
  Speaker 3: let's do let's do all three of these films because
• 24:33
  Speaker 3: the first and third ones are having big anniversaries. We realized, well,
• 24:37
  Speaker 3: we didn't realize. Our guests that we had on brought
• 24:41
  Speaker 3: it to our attention like five seconds before we were
• 24:44
  Speaker 3: going to record that we had done an episode on
• 24:47
  Speaker 3: Back to the Future five years ago. Dukes and I
• 24:52
  Speaker 3: didn't remember doing the episode at all, not even a little.
• 24:57
  Speaker 3: So we we reach we felt, yeah we did outlines.
• 25:03
  Speaker 3: We watched it.
• 25:04
  Speaker 2: But we just in this movie. I was smart.
• 25:08
  Speaker 3: It was really really smart. But yeah, we just did.
• 25:12
  Speaker 3: We just talked about how dumb we were for like
• 25:14
  Speaker 3: fifteen minutes, and then we re released the first. First time,
• 25:19
  Speaker 3: we did it five years ago.
• 25:20
  Speaker 6: It's honestly, it's an important enough movie that I think
• 25:24
  Speaker 6: doing it twice is probably justified. Have you done the
• 25:27
  Speaker 6: second one?
• 25:28
  Speaker 3: We yep, we did this one. Yep.
• 25:30
  Speaker 2: We didn't double check. We hadn't done that in the past,
• 25:33
  Speaker 2: but it turns out we didn't.
• 25:34
  Speaker 3: We just good, it's going to do this one. So
• 25:38
  Speaker 3: but yeah, this movie part three, it's the one that
• 25:41
  Speaker 3: gives me the most nostalgic because I watched it a
• 25:43
  Speaker 3: lot when I was Yeah. So again. This was written
• 25:47
  Speaker 3: by Bob Galeen Robert Semechis, with Mechas directing and Spielberg producing.
• 25:53
  Speaker 3: Pretty impressive. I thought the cast was great again, and
• 25:56
  Speaker 3: we added Mary Steinbergen, who's such a delight.
• 26:00
  Speaker 2: She'll be coming up later. Oh yeah, the best for sure.
• 26:04
  Speaker 3: Alan Silvestry's score is still awesome, and I especially loved
• 26:07
  Speaker 3: how when Marty first gets to the Old West, the
• 26:10
  Speaker 3: main theme was done with like a harmonica, and they
• 26:13
  Speaker 3: made it sound old timy podcast. It's good. It was
• 26:19
  Speaker 3: fun to have the doc kind of be the main
• 26:21
  Speaker 3: character in this one, and Marty got to be second fiddle.
• 26:24
  Speaker 2: I enjoyed that.
• 26:27
  Speaker 3: I loved how they set up the bits from the
• 26:29
  Speaker 3: first ones, and they kept coming back, especially the manure bit.
• 26:33
  Speaker 3: Love it really, but yeah, not a whole lot to add.
• 26:36
  Speaker 3: I really enjoyed revisiting this trilogy and talking about it
• 26:39
  Speaker 3: with you guys. Hot take. Doc is a much better
• 26:45
  Speaker 3: romantic partner than Marty. Marty's the worst. Yes, you're right,
• 26:50
  Speaker 3: leave her, just leaves her on them.
• 26:52
  Speaker 6: I would venture to say, this is the first time
• 26:55
  Speaker 6: in the whole trilogy we have like a real love
• 26:58
  Speaker 6: connect because Jennifer, you know, it is barely part of it.
• 27:02
  Speaker 6: They have these little moments, and but this is like
• 27:05
  Speaker 6: a real, a real relationship. No, I was going to
• 27:10
  Speaker 6: bring up in mind, but sure.
• 27:13
  Speaker 4: The storyline with with Jennifer is they just kick it,
• 27:17
  Speaker 4: like literally in the second one, her storyline is.
• 27:20
  Speaker 3: We're going to leave her in an alley.
• 27:22
  Speaker 2: Yeah she'll be fine, really tough, insane, Yeah, Like why not?
• 27:28
  Speaker 2: Why can't she just be in the car with Doc
• 27:30
  Speaker 2: wherever where's he going?
• 27:34
  Speaker 4: She can't be a part of this adventure to take
• 27:38
  Speaker 4: her somewhere else in our sex place like in Minority
• 27:42
  Speaker 4: Report or something in the future.
• 27:44
  Speaker 2: Like he's like, Jennifer us to stay here in the
• 27:46
  Speaker 2: alley business.
• 27:49
  Speaker 6: She's like, just leave her in the car or take
• 27:54
  Speaker 6: literally literally no time and drive her back to the
• 27:58
  Speaker 6: past real quick and come back because you this same second.
• 28:04
  Speaker 3: So I don't know a hotel room. I don't get a.
• 28:08
  Speaker 6: Hotel like do something in the alleyway. Come on, man,
• 28:13
  Speaker 6: this is the pod for next Future three. Everyone, this
• 28:16
  Speaker 6: is part three. We won't nit pick number two.
• 28:19
  Speaker 3: Yeah, that was my hottest take for game.
• 28:22
  Speaker 4: This is a good intro because literally my hot take
• 28:24
  Speaker 4: is three is better than two.
• 28:26
  Speaker 2: Oh well, that was true. That's for sure true.
• 28:29
  Speaker 4: And apparently it's not a hot take because everyone agrees.
• 28:33
  Speaker 4: I just think two is just a little more messy.
• 28:36
  Speaker 4: They're going into the future, going in the past. They're
• 28:38
  Speaker 4: overlapping with the first ball. And again I had a
• 28:41
  Speaker 4: big note about just leaving her in the alley, and
• 28:45
  Speaker 4: we talked.
• 28:45
  Speaker 6: About earlier the Crispin Glover thing. I think they pivot
• 28:50
  Speaker 6: their story because dropping out and.
• 28:54
  Speaker 3: Dude, the fact that they like did a cast of
• 28:57
  Speaker 3: Crispin Glover's face and they put it on This guy's
• 29:00
  Speaker 3: really messed.
• 29:01
  Speaker 6: I was going to bring this up later, but you
• 29:03
  Speaker 6: know that that he ended up suing them, right, Yeah,
• 29:07
  Speaker 6: actually it ignited a whole change in SAG and this
• 29:10
  Speaker 6: huge rules about Sag kind of almost like a pre
• 29:15
  Speaker 6: AI thing where yeah, totally you kind of have rights
• 29:18
  Speaker 6: to the character you created, so he got like some
• 29:21
  Speaker 6: backbay I think for that.
• 29:22
  Speaker 3: He did know he got almost a million dollars for it.
• 29:25
  Speaker 4: Yeah, but like looking like a true SAG guy.
• 29:29
  Speaker 2: It's just crazy.
• 29:30
  Speaker 3: I think we could do that though, Like we're just
• 29:33
  Speaker 3: gonna do a mold of his face and there's somebody
• 29:36
  Speaker 3: else that's mess anyway.
• 29:39
  Speaker 4: Well, I like, I just like that this movie is
• 29:41
  Speaker 4: just so linear. It's like like he's you're trapped at
• 29:46
  Speaker 4: eighteen eighty five. Yeah, we need to figure out how
• 29:48
  Speaker 4: to get this DeLorean to the speed to get us
• 29:53
  Speaker 4: out of here. And I don't know, I just like
• 29:56
  Speaker 4: that they don't try.
• 29:57
  Speaker 3: To do anything too much.
• 29:58
  Speaker 4: It gets all slow in the middle at times, but
• 30:03
  Speaker 4: we'll get into it later. But like, I mean, I
• 30:06
  Speaker 4: think the horror scene at the end the train is
• 30:09
  Speaker 4: one of the greatest case.
• 30:11
  Speaker 2: Yeah.
• 30:13
  Speaker 3: Just I also just love the doc is just like
• 30:17
  Speaker 3: like I kind of.
• 30:18
  Speaker 2: Like it here.
• 30:19
  Speaker 4: It's fine, like don't come back for me, it's pretty cool.
• 30:23
  Speaker 4: At five, I'm good. Don't come back it's.
• 30:26
  Speaker 2: Just kind of good at everything. He's really great. Yeah.
• 30:29
  Speaker 2: I love that.
• 30:31
  Speaker 3: Yeah, he just excels in every era, it doesn't matter.
• 30:34
  Speaker 3: That's awesome.
• 30:35
  Speaker 2: It's genius.
• 30:37
  Speaker 6: I I also love this movie so much. It's hard
• 30:43
  Speaker 6: for me to say, like the first one is my
• 30:45
  Speaker 6: favorite because I think it's perfect.
• 30:48
  Speaker 2: Yeah.
• 30:49
  Speaker 6: I'm pretty sure they use it in film schools as
• 30:52
  Speaker 6: a script example for writing classes because it's considered like
• 30:56
  Speaker 6: perfect script. But I also we had all of these
• 31:01
  Speaker 6: movies on VHS, so I love them all pretty equally.
• 31:06
  Speaker 6: But I've heard so many times over the years, like
• 31:08
  Speaker 6: people crapping on this one, and I have no idea.
• 31:12
  Speaker 2: Why, because not only do I think.
• 31:14
  Speaker 6: This is a great idea for their to round out
• 31:17
  Speaker 6: their trilogy, but it's just a straight up like good Western.
• 31:21
  Speaker 3: Yeah.
• 31:21
  Speaker 6: They were just like made a legit Western, and obviously
• 31:24
  Speaker 6: it has this sprinkling of sci fi in it, but
• 31:28
  Speaker 6: it's great. All the horsework, all the fighting and chasing
• 31:32
  Speaker 6: and is so is so great. The music. I know
• 31:37
  Speaker 6: he once talked about it, but like very Aaron Copeland,
• 31:41
  Speaker 6: if anyone knew it was like the first like American composer,
• 31:44
  Speaker 6: classical composer, and he who gave us that Western sound
• 31:48
  Speaker 6: like the the Beef, It's What's for Dinner music, right,
• 31:53
  Speaker 6: But in this one, it's so good, it's wonderful.
• 32:01
  Speaker 2: My hot take, oo yes, is a little controversial. Well,
• 32:06
  Speaker 2: it's not controversial, but my hot take debatable. It's debatable,
• 32:11
  Speaker 2: but I don't really think it is. It's my hot
• 32:13
  Speaker 2: take is that the main conflict and plot of this
• 32:17
  Speaker 2: movie is not really a conflict because there's a massive
• 32:23
  Speaker 2: plot hole that I think no one's ever thought of.
• 32:26
  Speaker 3: Maybe they have, maybe not. Okay, real, I'm gonna do
• 32:30
  Speaker 3: this quick, all right.
• 32:31
  Speaker 6: So, as we know, at the end of two, they're
• 32:35
  Speaker 6: chasing Biff, right, Doc gets sapped by lightning. He's gone, right,
• 32:39
  Speaker 6: then the dude shows up with the letter blah blah blah.
• 32:42
  Speaker 6: Beginning of three, we learned that Doc got sent back
• 32:46
  Speaker 6: to eighteen and eighty five. This part was broken that
• 32:48
  Speaker 6: he couldn't fix. So he's stuck there. And he's like,
• 32:53
  Speaker 6: I've stored the car in this abandoned mine, so you're
• 32:56
  Speaker 6: gonna have to dig it out, and my nineteen fifty
• 32:59
  Speaker 6: five verse and will help you so you can get
• 33:02
  Speaker 6: back to nineteen eighty five. We're all in agreement. There right,
• 33:06
  Speaker 6: all right, so they fix it. Marty goes back to
• 33:10
  Speaker 6: eighteen eighty five to get Doc. He rips the fuel
• 33:13
  Speaker 6: line so they don't have any gas, and that is
• 33:17
  Speaker 6: the reason they can't get back, because they don't have gas.
• 33:20
  Speaker 6: They have mister fusion. They can power the flex capacitor.
• 33:24
  Speaker 6: Gas is the problem. Here's where my problem is. There
• 33:28
  Speaker 6: is a DeLorean in nineteen eighty five. The DeLorean that
• 33:32
  Speaker 6: he buried in the mind that Marty is driving is
• 33:35
  Speaker 6: there and it's only been there for three months. The
• 33:41
  Speaker 6: DeLorean that Doc got to.
• 33:43
  Speaker 2: Eighteen eighty five with yeah put in the mind, it
• 33:46
  Speaker 2: is there in eighteen eighty five.
• 33:48
  Speaker 4: Because of the audio medium, Us and Robbie's spaces are
• 33:52
  Speaker 4: blank right now.
• 33:54
  Speaker 2: Comprehending somber back to the future two. When Marty goes
• 34:00
  Speaker 2: back to that five, Dot's like, remember, there's two of
• 34:02
  Speaker 2: you here, so you have to be careful. There's two
• 34:06
  Speaker 2: Deloreans in eighteen eighty five, and the other DeLorean for
• 34:10
  Speaker 2: sure has gas in it because the last thing you
• 34:12
  Speaker 2: did was chase Biff and get zapped. Oh yeah, so
• 34:16
  Speaker 2: it all they had to do is go take siphon
• 34:18
  Speaker 2: the gas from that one and put it in Marty's
• 34:20
  Speaker 2: and go home because that one, that one has to
• 34:24
  Speaker 2: be there, otherwise Marty would never been able to get there.
• 34:26
  Speaker 2: And it's only been three months, so the gas is good.
• 34:29
  Speaker 2: The only thing that broke was that part. You just
• 34:32
  Speaker 2: blew my mind, bro.
• 34:33
  Speaker 6: Yeah, that's really the entire conflict of this movie is
• 34:36
  Speaker 6: not really a conflict, yeah, because there has to be
• 34:40
  Speaker 6: another DeLorean there and it has to have gas in it. Yeah,
• 34:45
  Speaker 6: just saying like, where's.
• 34:47
  Speaker 2: The other door a lot?
• 34:48
  Speaker 3: Yeah, I did.
• 34:50
  Speaker 6: It's I honestly, I have watched this movie ten thousand times,
• 34:54
  Speaker 6: and I think I just realized this like a year
• 34:57
  Speaker 6: or two. I feel like we had it on.
• 35:00
  Speaker 3: I remember he brought it out to me a year ago.
• 35:02
  Speaker 4: I always forget that, Like you know, I'm always like,
• 35:05
  Speaker 4: when you go back in time, would that thing actually
• 35:08
  Speaker 4: be there? But they do in the second one overlap
• 35:12
  Speaker 4: so technically and there in this world, I guess it
• 35:16
  Speaker 4: would be.
• 35:17
  Speaker 6: Well, and again, like I'm saying, it has to be
• 35:19
  Speaker 6: there because that's the only way Marty would have been
• 35:21
  Speaker 6: able to get back, right, because it's the same one.
• 35:24
  Speaker 3: Yep.
• 35:26
  Speaker 6: So again, finally it took me my whole life to
• 35:30
  Speaker 6: realize this.
• 35:30
  Speaker 3: But well, but hold on, does he just go back
• 35:33
  Speaker 3: further though, to like before Doc hit No, no, because
• 35:38
  Speaker 3: Doc has been there, Doc's been there. Yeah, you're right, Yeah,
• 35:45
  Speaker 3: you're right.
• 35:46
  Speaker 2: Yeah, I don't say anyway around that.
• 35:48
  Speaker 6: I seriously have thought about it for the last year
• 35:51
  Speaker 6: or so, and I'm like, am I like, am I
• 35:53
  Speaker 6: missing something?
• 35:54
  Speaker 4: Or did Doc destroy it because he was happy there
• 35:57
  Speaker 4: and he.
• 35:58
  Speaker 3: Couldn't get because he.
• 36:02
  Speaker 2: Yeah, because he has it.
• 36:03
  Speaker 6: I'm wrong, I'm wrong.
• 36:05
  Speaker 3: That's crazy, I know.
• 36:07
  Speaker 2: And that's really funny that I.
• 36:10
  Speaker 6: I don't remember when this came to me, but and
• 36:12
  Speaker 6: I hate to use my hot take as the thing
• 36:14
  Speaker 6: that says.
• 36:17
  Speaker 3: That matter silly, But that's like that, that's just funny because.
• 36:21
  Speaker 6: They do this. They use this device in the second movie. Yeah,
• 36:26
  Speaker 6: it's a whole there's two Marty's and he has to
• 36:28
  Speaker 6: be careful, and there's two docs, and and there's there's
• 36:32
  Speaker 6: two time machines.
• 36:33
  Speaker 3: If they thought of that and they were just like,
• 36:35
  Speaker 3: just don't.
• 36:35
  Speaker 2: Say anything, let's just move on again.
• 36:37
  Speaker 6: Like I'm saying, it took me un till I was
• 36:39
  Speaker 6: forty to figure this out.
• 36:40
  Speaker 2: Yeah, no doubt.
• 36:41
  Speaker 3: Wow, we should get on Reddit and just like you
• 36:44
  Speaker 3: can write a whole thing on it and be like,
• 36:45
  Speaker 3: has anybody ever thought of this?
• 36:47
  Speaker 4: I actually did google it when we were talking about
• 36:49
  Speaker 4: this the other day, and I did see it. There's
• 36:51
  Speaker 4: a couple of other theories, but nothing. I didn't see
• 36:54
  Speaker 4: anything on it.
• 36:54
  Speaker 3: Let's see one on reddit right now, imbout that same level?
• 37:00
  Speaker 2: Yeah, okay, written by Benny has a huge Benny big Dog.
• 37:09
  Speaker 2: Actually it's thick Boy sixty nine two season boys b O.
• 37:15
  Speaker 3: I of course, yeah, definitely.
• 37:20
  Speaker 6: So yeah again, I love this movie so so much.
• 37:25
  Speaker 6: I don't even care. It's just something I realized recently
• 37:28
  Speaker 6: that really blew my mind.
• 37:30
  Speaker 2: Right, an end game back to the future? Simple?
• 37:34
  Speaker 3: Yeah, yes, yeah, they do make that joke.
• 37:37
  Speaker 2: Yeah, wow, I've never thought about I didn't think.
• 37:40
  Speaker 3: That's a hot take.
• 37:41
  Speaker 2: Bro, that's a hot take.
• 37:43
  Speaker 3: Hot. I love it hot? Maybe a little smoking.
• 37:47
  Speaker 2: Do we just cancel the rest of the pot? Thanks? Everyone?
• 37:53
  Speaker 2: You just want to play a game.
• 37:58
  Speaker 3: At least talk about Mary for Yes, that's a good call.
• 38:02
  Speaker 3: Let's yeah, let's let's go and talk about our favorite
• 38:05
  Speaker 3: acting performance, and let's pick the dude.
• 38:09
  Speaker 2: The dude. I'm the dude, so that's what you call me?
• 38:13
  Speaker 3: You know that?
• 38:15
  Speaker 2: Or his dude or duder or you know, eldudo reno.
• 38:20
  Speaker 2: If you're not into the whole brevity thing, when, why
• 38:22
  Speaker 2: do you guys go first?
• 38:25
  Speaker 3: I'll go Mary. Yeah, I love I've always loved her.
• 38:30
  Speaker 4: I guess we should preface this, Okay, so we have
• 38:33
  Speaker 4: We have a buddy.
• 38:33
  Speaker 2: Our good buddy, Scott Wilson. Scott Wilson, Brooklyn, New York.
• 38:38
  Speaker 3: Look him up, looking him up. He hates her. He
• 38:42
  Speaker 3: hates her.
• 38:44
  Speaker 6: Well, we were saying, everyone has one of those like.
• 38:47
  Speaker 3: What do we call it, uh ship, I can't remember, but.
• 38:51
  Speaker 6: Like hate someone like has an actor or someone they
• 38:53
  Speaker 6: just hate for no reason, for no reason. Yeah, yeah,
• 38:56
  Speaker 6: and we all have them. Yeah, but yeah, his has
• 38:58
  Speaker 6: always been Mary Steenbergen.
• 39:01
  Speaker 3: But why I love.
• 39:02
  Speaker 4: That about him is that she isn't so much good
• 39:06
  Speaker 4: so much that it's just oh and like movies that
• 39:09
  Speaker 4: we love, so we always have it on and she's
• 39:11
  Speaker 4: just always there.
• 39:12
  Speaker 6: And she's always delightful.
• 39:15
  Speaker 2: Dude.
• 39:15
  Speaker 4: Like literally, when Robbie texted us about this, I was
• 39:18
  Speaker 4: literally in the office watching Clifford.
• 39:22
  Speaker 3: Yeah. Yeah, that movie made me feel so weird.
• 39:27
  Speaker 2: Yeah, he hates her, so shout out, Scott, Out Scotty Wilson.
• 39:30
  Speaker 2: But again, she's great in this. Uh it's not a
• 39:34
  Speaker 2: you know, crazy part for but one hundred and twenty
• 39:38
  Speaker 2: two credits Oscar Winner, and she's just in so many
• 39:44
  Speaker 2: delightful films that we all want to ask her for.
• 39:47
  Speaker 2: I actually wrote it down because it's her third film ever.
• 39:49
  Speaker 2: I'd never seen it. Melvin and Howard, no idea. I
• 39:53
  Speaker 2: did not know she was an Oscar Winner.
• 39:55
  Speaker 3: I didn't know that.
• 39:56
  Speaker 2: We talked about that was like.
• 39:58
  Speaker 3: Her third her third credit ever.
• 40:01
  Speaker 6: John, It's not like early eighties, it was like eighty Yeah.
• 40:08
  Speaker 2: Wow, unreal.
• 40:10
  Speaker 3: Blew my mind on that too. You guys are blowing
• 40:13
  Speaker 3: my mind tonight.
• 40:15
  Speaker 6: That's what we're here for.
• 40:16
  Speaker 2: Love. Jason Robarts was in that movie and he's in
• 40:19
  Speaker 2: Parentoo with her.
• 40:20
  Speaker 3: That's right, fun, wonderful fun. That's a fun, dude.
• 40:24
  Speaker 2: Yeah, Yeah, that's great. She is wonderful really and everything.
• 40:28
  Speaker 2: I mean, she's the best.
• 40:29
  Speaker 6: And like you said, like it's not really a crazy part,
• 40:32
  Speaker 6: but none of her. She always just like comes in,
• 40:34
  Speaker 6: like just does the job. She's very just likable and
• 40:39
  Speaker 6: even though she's like kind of a sad guy, she's likable.
• 40:42
  Speaker 3: Yeah. The only thing I could see with your friend.
• 40:45
  Speaker 3: What's the name Scott, Yeah, Scott, Scott Wilson, Scott and Wilson.
• 40:51
  Speaker 3: One thing I'll agree with him on is that it
• 40:54
  Speaker 3: doesn't bother me. But I could see how her voice
• 40:58
  Speaker 3: could great on somebody. And I'll amost always seems like
• 41:01
  Speaker 3: it's about to crack or something. Sure, That's about the
• 41:05
  Speaker 3: only thing I could say, because God, yeah.
• 41:10
  Speaker 6: But she's like perfect for like she's very believable as Christopher,
• 41:14
  Speaker 6: like Christopher Lloyd's.
• 41:17
  Speaker 2: You know, love I love her. Yeah, she's the best.
• 41:21
  Speaker 6: Perfect lover's one of those she's like perpetually been like forty.
• 41:25
  Speaker 6: It feels like, yeah, you know what I mean, Like
• 41:29
  Speaker 6: she's like she's like Renee Russo. Like I'm like she
• 41:33
  Speaker 6: always seemed like she was like forty, but just really
• 41:38
  Speaker 6: she was real.
• 41:39
  Speaker 2: Are her and Ted dancing together?
• 41:41
  Speaker 3: Is that?
• 41:43
  Speaker 2: That's Remember? That's fun? Dinner parties at their house.
• 41:48
  Speaker 4: Are well, remember they're in curb together playing themselves, right.
• 41:54
  Speaker 2: Okay, and then they're both that that's so fun.
• 41:59
  Speaker 3: That a good one. Benny, who's your dude? I mean, look,
• 42:02
  Speaker 3: we got to talk about mister Fox.
• 42:04
  Speaker 2: I mean, yeah, he's so good.
• 42:07
  Speaker 6: Michael J. Fox was a was a. It was a
• 42:10
  Speaker 6: real one of one.
• 42:12
  Speaker 3: Yeah, man, I really like, I really.
• 42:14
  Speaker 6: Don't know who else was like him at that time,
• 42:17
  Speaker 6: and I really can't think of anyone. Tom Holland maybe
• 42:21
  Speaker 6: kind of has a little bit of it now, he's
• 42:24
  Speaker 6: just like just the whole package. Like he's so he's
• 42:31
  Speaker 6: he's a great actor obviously, but he's so good at
• 42:33
  Speaker 6: at comedy. But he's not like a comedian, Like he's
• 42:38
  Speaker 6: not being goofy, right, he just he knows when to
• 42:42
  Speaker 6: bring some comedy and some levity. He knows when to
• 42:46
  Speaker 6: when to be serious. He's low key kind of a
• 42:51
  Speaker 6: dope athlete. Yeah, Like he's like this little dude. But
• 42:55
  Speaker 6: I totally believe that he would just throw down with
• 42:58
  Speaker 6: Biff and like he's got a great he's got a
• 43:02
  Speaker 6: great movie run. I think he's up there with the
• 43:05
  Speaker 6: best with the Tom Cruises and the mel Gibsons and
• 43:08
  Speaker 6: the n TV run, Like he's done some too TV star.
• 43:13
  Speaker 2: Well, And I was gonna say, like he he was
• 43:16
  Speaker 2: so good and it's so sad obviously that he got
• 43:21
  Speaker 2: sick because he already had like made the kind of
• 43:24
  Speaker 2: the transition into adulthood, like he had that Leonardo DiCaprio,
• 43:28
  Speaker 2: like he looked young. He looked younger than he was,
• 43:32
  Speaker 2: So I think he was going to have a long
• 43:34
  Speaker 2: road of gradually, you know, playing older characters, but he
• 43:39
  Speaker 2: already kind of made that transition successfully. Like I think
• 43:43
  Speaker 2: he would have been just a top of the list,
• 43:47
  Speaker 2: a lister for a long long time.
• 43:50
  Speaker 3: Agreed.
• 43:50
  Speaker 6: And it's so sad because I really think he was
• 43:54
  Speaker 6: all around just a wonderful actor and really could do
• 43:59
  Speaker 6: it all.
• 44:00
  Speaker 2: I mean, great irish in this movie, That's what I mean.
• 44:04
  Speaker 6: Also in this like him playing all the different characters.
• 44:08
  Speaker 6: What's he playing the second one? He's like four or something.
• 44:11
  Speaker 3: Yeah, he was like his own kids.
• 44:14
  Speaker 6: Dad to his own two kids.
• 44:17
  Speaker 2: Yeah, I don't know.
• 44:18
  Speaker 6: I just really he's just he was just such a
• 44:22
  Speaker 6: such a star man, yeah, man. And he's so just
• 44:26
  Speaker 6: naturally funny and charismatic, great action.
• 44:31
  Speaker 2: He doesn't feel like he's trying too hard, I know
• 44:34
  Speaker 2: at any point, which is so great.
• 44:37
  Speaker 3: Yeah.
• 44:38
  Speaker 6: And I you know, maybe I think of Tom Holland
• 44:40
  Speaker 6: because he looks young and he's a little smaller.
• 44:42
  Speaker 2: And small Yeah, but yeah.
• 44:45
  Speaker 6: He's just one of those you know, I'm glad he's
• 44:47
  Speaker 6: just alive and still doing great stuff. But god, it
• 44:50
  Speaker 6: sucks because I would have loved to have seen the
• 44:53
  Speaker 6: next thirty years.
• 44:55
  Speaker 2: Of Michael J.
• 44:56
  Speaker 3: Fox for sure.
• 44:57
  Speaker 2: Man, I bet it would have been awesome. I love that.
• 45:01
  Speaker 3: That's a great dude. I picked him for my first
• 45:05
  Speaker 3: of the two, but I'm picking Christopher Lloyd in this
• 45:08
  Speaker 3: one just because he got focused more. He was more
• 45:11
  Speaker 3: of the story. But yeah, he's He was so fun
• 45:17
  Speaker 3: in these just like Zany. It was kind of cartoony,
• 45:22
  Speaker 3: but I loved it, especially when I was a kid,
• 45:25
  Speaker 3: and it was fun to see him get to kind
• 45:27
  Speaker 3: of shine a little more in this one.
• 45:29
  Speaker 2: Yeah, I love that. That's who I picked to I'm
• 45:32
  Speaker 2: with you. His reactions throughout all three of these movies
• 45:36
  Speaker 2: are like my favorite parts of what he does, you know,
• 45:39
  Speaker 2: just he's like, you know, like.
• 45:42
  Speaker 3: And then he like backs up on the organ so it.
• 45:46
  Speaker 2: Sounds like plays the ominous chords the bathroom so so good.
• 45:56
  Speaker 2: So that's so good. But he got to play like
• 45:58
  Speaker 2: love sick in this one too, which was really fun.
• 46:00
  Speaker 2: I thought, you did a great job in this one,
• 46:02
  Speaker 2: and he's like the hero at the end, you.
• 46:04
  Speaker 6: Know, I know we talked about it, but so brilliant
• 46:07
  Speaker 6: of them. To like let him kind of straight man
• 46:10
  Speaker 6: it a little bit. Yes, this really great, really great.
• 46:14
  Speaker 2: Uh well, we will do it in trivia.
• 46:16
  Speaker 6: I was just looking at I know there was a
• 46:18
  Speaker 6: fun list of all the people they were looking at
• 46:20
  Speaker 6: for him.
• 46:21
  Speaker 3: Oh initially.
• 46:24
  Speaker 6: Yeah, so I don't know if we want to do
• 46:27
  Speaker 6: it now, we can do it later and whatever.
• 46:29
  Speaker 3: Let's do it, Jeff, do it now. You're there because
• 46:32
  Speaker 3: we did it five years ago. But I don't don't
• 46:34
  Speaker 3: remember what they.
• 46:34
  Speaker 6: Were Jeff Goldbloom, John Lithgow. Of course it would have
• 46:41
  Speaker 6: been fun. James Woods.
• 46:44
  Speaker 3: I just saw did you guys listen to the Smartlett
• 46:47
  Speaker 3: with right now?
• 46:50
  Speaker 2: Are you?
• 46:51
  Speaker 3: Did you see the John Smart and that he was
• 46:57
  Speaker 3: Fraser Crane and cheers and turn that down. All we
• 47:01
  Speaker 3: talked about it.
• 47:02
  Speaker 4: He could have I love Fraser and I love Kelsey Grammar,
• 47:05
  Speaker 4: but he could have done it.
• 47:09
  Speaker 3: Yes, that blew my mind.
• 47:10
  Speaker 2: Sorry to what's funny.
• 47:12
  Speaker 6: I've been I've been just deep into Fraser in the
• 47:14
  Speaker 6: last few weeks.
• 47:16
  Speaker 3: Yeah, that is. It's amazing, Like that's gotta be the
• 47:22
  Speaker 3: best spinoff of all time. It's up there. I'm sorry,
• 47:28
  Speaker 3: thanks guy, I.
• 47:35
  Speaker 2: Am deep in different man, no lift out. Yeah, it
• 47:45
  Speaker 2: would be good. Did because David however, David Hyde Peers
• 47:52
  Speaker 2: got involved. But yeah, but then even Robin Williams, Oh
• 47:58
  Speaker 2: my god, John, I actually think it would have been
• 48:01
  Speaker 2: pretty well. Gene Hackman, that would have been weird.
• 48:07
  Speaker 3: Yeah, it took him a while to get into the comedies, but.
• 48:12
  Speaker 6: Yeah, Dudley Moore, Mandy Patinkin.
• 48:17
  Speaker 3: I can't picture those guys at all.
• 48:20
  Speaker 2: That'd be interesting.
• 48:21
  Speaker 3: Yeah, but lift Gow for sure.
• 48:23
  Speaker 6: John Plice I could see, was a little too young
• 48:28
  Speaker 6: still at that point.
• 48:30
  Speaker 2: And there you would have had the mad scientist part though,
• 48:33
  Speaker 2: like he could have done that. Yeah, but I like
• 48:35
  Speaker 2: that Christopher Lloyd is just just crazy enough that I
• 48:41
  Speaker 2: feel like it's still grounded.
• 48:43
  Speaker 6: Yeah, you know, like, hey, I feel like Robin Williams.
• 48:48
  Speaker 6: And again, I mean Robin wwis could do anything, but yeah,
• 48:52
  Speaker 6: I feel like he's just the perfect level of of
• 48:55
  Speaker 6: of theatrical without being sure over the top. You know,
• 49:00
  Speaker 6: he is over the top.
• 49:01
  Speaker 3: He gets pretty over the top. But yeah, I see
• 49:03
  Speaker 3: what you're saying.
• 49:04
  Speaker 6: Yeah, yeah, but maybe it's the combo of the two
• 49:06
  Speaker 6: of them that just works so well.
• 49:07
  Speaker 3: Yeah, sure that's fun. I like that, that's good. Yeah,
• 49:13
  Speaker 3: we all said the dude. Right, we all said the dude,
• 49:16
  Speaker 3: let's let's talk about some of these supporting cast members
• 49:19
  Speaker 3: and let's choose the ducci wa.
• 49:22
  Speaker 2: Chi we get for this one?
• 49:25
  Speaker 3: Gad I got Tom Wilson.
• 49:28
  Speaker 2: Hell yeah, dude, yeah.
• 49:30
  Speaker 3: Benny did.
• 49:31
  Speaker 4: Like I'd already put him on as my my Tucci,
• 49:34
  Speaker 4: but he brought it up that he plays what the
• 49:36
  Speaker 4: same character in like what he was different, very same
• 49:40
  Speaker 4: character in like three different ages, but he plays the
• 49:46
  Speaker 4: middle aid like four versions of.
• 49:48
  Speaker 3: Middle age, yeah, like and five.
• 49:53
  Speaker 6: Really it's unbelievable. It's unbelievable.
• 49:56
  Speaker 2: Yeah, it's really crazy. He's so good. And that scene
• 49:59
  Speaker 2: at after he shoots Marty in the street and he's
• 50:03
  Speaker 2: just going to it, it's so funny, like he's doing
• 50:08
  Speaker 2: so good there. It's so great.
• 50:11
  Speaker 4: But yeah, he's interesting, like I was on his IMDb,
• 50:14
  Speaker 4: like he's working constantly, but he's a big voice actor.
• 50:18
  Speaker 4: So like I honestly like I can't really name another
• 50:22
  Speaker 4: movie that live action.
• 50:25
  Speaker 6: Why wasn't he just like a big stock?
• 50:27
  Speaker 3: It might because he was type cast. I think that's
• 50:29
  Speaker 3: probably it, like how he come back from.
• 50:32
  Speaker 2: But it'd be one thing if I mean, I know,
• 50:33
  Speaker 2: but it'd be one thing if if he was the
• 50:36
  Speaker 2: same in every it's just the fact that we watched
• 50:39
  Speaker 2: him do this character work for three movies is like, damn,
• 50:43
  Speaker 2: I don't know.
• 50:44
  Speaker 3: He's crazy. It is weird that he didn't do much
• 50:50
  Speaker 3: live action stuff after this.
• 50:51
  Speaker 2: It's strange, like.
• 50:52
  Speaker 6: I feel like nowadays when he would have at least
• 50:54
  Speaker 6: like had his own show something. I need someone to
• 50:59
  Speaker 6: cast him in like a prestige TV where we're like,
• 51:03
  Speaker 6: oh my god, Thomas Wilson, he's just gonna win an
• 51:06
  Speaker 6: Emmy in a golden globe and we're like, right, like
• 51:09
  Speaker 6: uh uh, Like what's his name in Barry the Funds?
• 51:16
  Speaker 2: Oh yeah, well Winkler Action.
• 51:20
  Speaker 3: Couldn't get there. Yeah, that's the stuff I guess he did.
• 51:25
  Speaker 2: It's so silly.
• 51:27
  Speaker 3: That's a good one. Who did you have for your
• 51:28
  Speaker 3: teach thenny?
• 51:31
  Speaker 6: I mean it's it's him, I mean, yeah, yeah, fair.
• 51:36
  Speaker 6: There really isn't anyone else in this movie. I mean
• 51:39
  Speaker 6: everyone else is a is a super super I mean
• 51:42
  Speaker 6: even leave Leah Thompson doesn't really do anything.
• 51:45
  Speaker 3: Not a ton no. I mean, the the dudes in
• 51:49
  Speaker 3: the bar entertaining.
• 51:52
  Speaker 2: I love everyone.
• 51:53
  Speaker 4: Everyone in the cast is one The principal that comes
• 51:56
  Speaker 4: back so good, and then you get Elizabeth Shoe waking
• 52:01
  Speaker 4: up on a bench.
• 52:02
  Speaker 2: Then they left her in war torn Hill Valley.
• 52:09
  Speaker 3: Just like she's alive again. She comes at the hour mark.
• 52:17
  Speaker 2: Lass, that's all right, she was about to take off.
• 52:20
  Speaker 2: She didn't care.
• 52:23
  Speaker 6: Yeah, I mean, is there even I mean the bartender's great.
• 52:27
  Speaker 2: I did like that guy.
• 52:28
  Speaker 6: Yeah, but yeah, like really there is no other. It's
• 52:32
  Speaker 6: really Doc Marty steen Virgeon and Biff.
• 52:39
  Speaker 3: Yeah, yeah as well.
• 52:43
  Speaker 6: He's he's unreal. It's such a it's such an unreal
• 52:46
  Speaker 6: three movie thing. He's really great, and he's so good
• 52:50
  Speaker 6: at every single one.
• 52:52
  Speaker 3: He was really like he really shown shined in this one.
• 52:56
  Speaker 6: Yeah, like that when they're all the same character but
• 53:00
  Speaker 6: they're all very different. It's like it's really like an
• 53:03
  Speaker 6: acting exercise to watch. It's pretty awesome.
• 53:05
  Speaker 3: Yeah, so yeah, I mean I don't know, Yeah, it's
• 53:10
  Speaker 3: kind of I would have given it to Biff with
• 53:13
  Speaker 3: Mary Steenbergen right behind. Who would you have had?
• 53:15
  Speaker 2: Bugs? H? So I wrote down Donovan Scott, who is
• 53:19
  Speaker 2: the sheriff's deputy, and I wrote him down because he's
• 53:24
  Speaker 2: from police academy. He's Leslie from police Academy. I was like,
• 53:28
  Speaker 2: oh my god, this is the only other thing I've
• 53:30
  Speaker 2: ever seen in Oh wow. And I didn't remember he
• 53:32
  Speaker 2: was in it, but it was fun to see him
• 53:34
  Speaker 2: for a moment.
• 53:35
  Speaker 3: Sure.
• 53:37
  Speaker 2: I like that they have zz Top playing their own
• 53:42
  Speaker 2: like a Western version of the song. Yeah, double back,
• 53:46
  Speaker 2: which is really great. M h.
• 53:49
  Speaker 3: And you get you get Flee to come back because
• 53:51
  Speaker 3: he was in the second one.
• 53:53
  Speaker 6: Yeah, you know what I do wish I wish that
• 53:56
  Speaker 6: Biff's three cronies had been the same actors.
• 54:02
  Speaker 3: And yeah, I wish that is weird they switched it
• 54:05
  Speaker 3: on the third one. Why did they? Well in the
• 54:07
  Speaker 3: second one they're different too. Well, Billy zain stayed the same?
• 54:12
  Speaker 6: Is billy 'z a in two?
• 54:13
  Speaker 3: Also? Yeah, when they go back to fifty.
• 54:15
  Speaker 2: Five, back to fifty five, but they're not saying.
• 54:18
  Speaker 6: Which even in two they would have had them all
• 54:20
  Speaker 6: be his cronies in twenty fifteen also.
• 54:23
  Speaker 2: Yeah, the future.
• 54:24
  Speaker 6: Yeah, I just I wish they would have just committed
• 54:26
  Speaker 6: to it, like every time we see Biff and his
• 54:29
  Speaker 6: henchmen in alternate nineteen eighty five.
• 54:32
  Speaker 2: Yeah, which of them.
• 54:35
  Speaker 6: Are the same? I don't know, but I just think
• 54:37
  Speaker 6: that would have been fun if they could have them
• 54:39
  Speaker 6: be the same every time.
• 54:40
  Speaker 3: Agreed, But that would have been I'm over it.
• 54:44
  Speaker 6: This movie doesn't make any sense anyway. There's another Glorian.
• 54:47
  Speaker 6: So they made plenty of mistakes.
• 54:51
  Speaker 2: I know.
• 54:52
  Speaker 3: Film nice. Well, why don't we, Why don't we talk
• 54:58
  Speaker 3: about some of our favorite scenes. Let's uh, let's pick
• 55:00
  Speaker 3: our favorite scene and choose the dingus is quite simple, really, dingus, dingus.
• 55:06
  Speaker 3: I can talk about my dingas all night long.
• 55:09
  Speaker 2: What do we got for favorite scene? Guys, let's go first.
• 55:11
  Speaker 4: Go ahead, literally, I just have like every single horse scene.
• 55:16
  Speaker 4: They do great horse play in this film with the
• 55:20
  Speaker 4: Native American at the beginning, Like, there's great wide.
• 55:23
  Speaker 6: Shots of that.
• 55:24
  Speaker 2: Yeah.
• 55:24
  Speaker 4: I love the pulling of the DeLorean with the horses
• 55:28
  Speaker 4: trying to.
• 55:28
  Speaker 3: Get it up, you know, whether they get thirty or something. Yeah, right,
• 55:33
  Speaker 3: all that stuff.
• 55:35
  Speaker 4: And then again, you know, I meant to bring this
• 55:39
  Speaker 4: on my hotest take the final scene. Yeah, you know
• 55:44
  Speaker 4: how dangerous it is to ride a horse on a
• 55:48
  Speaker 4: railroad track like.
• 55:51
  Speaker 2: It is, and then and then grab the caboose and
• 55:56
  Speaker 2: jump from your horse to the tree. Yeah, that's pretty Wild's.
• 56:00
  Speaker 4: And the other in the other movies, you'll notice, like
• 56:03
  Speaker 4: usually they're on the side and they'll like jump on
• 56:05
  Speaker 4: blah blah. They're like they're on the tracks and at
• 56:08
  Speaker 4: one point they go over the tracks.
• 56:10
  Speaker 3: Onto the side.
• 56:10
  Speaker 4: Like that is just insanely dangerous that they actually did it,
• 56:15
  Speaker 4: and they actually it looked really good with as far
• 56:17
  Speaker 4: as I just know, as far as like the stunt doubles.
• 56:20
  Speaker 2: Like you can kind of tell, sure, but it's not
• 56:23
  Speaker 2: like it's not like a normal eighties early nineties.
• 56:26
  Speaker 4: Because you're like, wow, you could tell because you're like,
• 56:28
  Speaker 4: no way are they letting Michael J.
• 56:30
  Speaker 6: Fox or do that?
• 56:32
  Speaker 3: You know?
• 56:32
  Speaker 6: The one part that really looks incredible that I almost
• 56:35
  Speaker 6: wonder is it Michael J.
• 56:36
  Speaker 2: Fox. He makes this like jump, he jumps like over
• 56:40
  Speaker 2: it's the it's the final car before the front cars
• 56:43
  Speaker 2: full of wood and he jumps this huge jump and
• 56:47
  Speaker 2: it looks like him flat it gets him. It's unreal.
• 56:52
  Speaker 2: It looks like he jumps like twelve feet yeah, towards camera.
• 56:56
  Speaker 2: It's unreal. It looks so good.
• 56:59
  Speaker 4: The entire sea Quins is bananous. But then lastly, I
• 57:03
  Speaker 4: just had the dual scene.
• 57:05
  Speaker 3: I just had.
• 57:07
  Speaker 4: My thing was I always this always came up to me,
• 57:09
  Speaker 4: and it's just the dumb and dumber thing.
• 57:12
  Speaker 3: Which is that was a risk we were willing to take.
• 57:19
  Speaker 2: I love I love his recognition and that if you
• 57:22
  Speaker 2: want to you know, but.
• 57:27
  Speaker 6: That's all I got.
• 57:30
  Speaker 2: How brilliant in that moment, because that's the scene that
• 57:33
  Speaker 2: diff is watching in the hot to the Clean Eastwood
• 57:38
  Speaker 2: movie where he whips off his and has the boiler plate.
• 57:43
  Speaker 3: I did not know he's even wearing the and he's
• 57:45
  Speaker 3: wearing it's perfect.
• 57:48
  Speaker 2: It's so good perfect.
• 57:51
  Speaker 3: I do love that, so do I. What was yours? Benny's?
• 57:57
  Speaker 6: I mean, obviously the entire finals sequences, Yeah, is as
• 58:03
  Speaker 6: good of an actor, although I will say the first
• 58:07
  Speaker 6: Marty coming into the bar for the first time and
• 58:10
  Speaker 6: our first time we see Biff and that whole exchange
• 58:14
  Speaker 6: into yet another incredible horse scene of him running well
• 58:20
  Speaker 6: one the moonwalking and all that's hilarious, and then this
• 58:24
  Speaker 6: platoon on his shirt awful. But then he does a
• 58:31
  Speaker 6: sweet jump, chandelier swing out the door, gets out, hits
• 58:36
  Speaker 6: the Michael J. Fox run, which, like I said, earlier
• 58:40
  Speaker 6: rivals some Tom cruise, Mel Gibson, Yeah, lassos him, pulls
• 58:46
  Speaker 6: him through town, which is another six stunt off. Someone's
• 58:49
  Speaker 6: being pulled behind a horse and then up into the
• 58:54
  Speaker 6: thing to hang him. We're just gonna we're just about
• 58:57
  Speaker 6: to murder him. And then and then the of Doc's
• 59:01
  Speaker 6: boots with the so cool with the gun and the scope.
• 59:07
  Speaker 2: So badass. I like that.
• 59:10
  Speaker 6: These are these are action sequences that are just good
• 59:13
  Speaker 6: for any movie. Not right, yeah, this, I don't know
• 59:18
  Speaker 6: these these movies again, they're just undefinable.
• 59:21
  Speaker 2: They just have everything. Also a bit of trivia that
• 59:25
  Speaker 2: that Lassoo scene where he gets him. Uh, Tom Wilson
• 59:29
  Speaker 2: did that for real?
• 59:30
  Speaker 3: Shut off.
• 59:30
  Speaker 2: Yeah, he did his own apparently he did a bunch
• 59:33
  Speaker 2: of his own stunts with all the horse stuff, all
• 59:35
  Speaker 2: the horse stuff.
• 59:37
  Speaker 6: Tom Wilson had like three oscars.
• 59:40
  Speaker 3: He just killed it.
• 59:41
  Speaker 2: Like yeah, I read that in the trivia like Tom.
• 59:43
  Speaker 6: Wilson is Gladiator. Yeah, unbelievable. Yeah, I mean that scene.
• 59:52
  Speaker 6: Uh got so many Yeah, I don't know, you guys
• 59:57
  Speaker 6: go and there's so many more.
• 59:59
  Speaker 3: When when I think of this movie, I think of
• 1:00:01
  Speaker 3: the duel like Gaye brought up and him then kicking
• 1:00:07
  Speaker 3: his ass and him going into the manure. M hmm. Yeah,
• 1:00:11
  Speaker 3: and just the book end of the manure is it's
• 1:00:14
  Speaker 3: it's perfect.
• 1:00:15
  Speaker 2: The greenest manure.
• 1:00:18
  Speaker 3: Gat. Yeah, and then yeah, then I have the ending
• 1:00:22
  Speaker 3: train sequence. Another great action scene is when he saves Clara. Yes,
• 1:00:30
  Speaker 3: love that the wagon going over the edge and that
• 1:00:36
  Speaker 3: was that was terrifying and you have to see Doc
• 1:00:39
  Speaker 3: just killing it.
• 1:00:41
  Speaker 4: It's fun again and again with all those the horse
• 1:00:45
  Speaker 4: like whoever the horse wrangler was, it is incredible, like yeah,
• 1:00:48
  Speaker 4: those like with the clar going to the low shots.
• 1:00:52
  Speaker 3: Of the hooks and something.
• 1:00:54
  Speaker 4: They really just went put in the extra effort to
• 1:00:56
  Speaker 4: get these dope shots.
• 1:00:59
  Speaker 2: That was really a good hoof shot.
• 1:01:04
  Speaker 3: Big guy loves Tarantin. I should have been in the
• 1:01:10
  Speaker 3: Brave Heart pod. Yeah, there's a lot of good hoops.
• 1:01:15
  Speaker 6: Thousands of hoops.
• 1:01:17
  Speaker 3: From that one going into the water. So great.
• 1:01:22
  Speaker 2: The fake horts just like listing side, don't worry about.
• 1:01:26
  Speaker 3: It, it's fine, it looks fine. We'll just have some
• 1:01:30
  Speaker 3: guy that doesn't look anything like bel Gibson following as well.
• 1:01:35
  Speaker 6: Falling with his mannequin horse.
• 1:01:37
  Speaker 3: That's hilarious.
• 1:01:38
  Speaker 2: Like in this movie, all the stuff men are very well.
• 1:01:42
  Speaker 3: Hidden, but in one five years earlier, Yeah, what do
• 1:01:48
  Speaker 3: you have bukes?
• 1:01:49
  Speaker 2: Honestly a lot of the same. I think the entire
• 1:01:52
  Speaker 2: ending is amazing. I'm with you guys on that, like,
• 1:01:55
  Speaker 2: and it's so like I can't remember it was a
• 1:01:57
  Speaker 2: gate earlier that was just like this is a good West,
• 1:02:00
  Speaker 2: you know, like get rid of everything.
• 1:02:02
  Speaker 3: This is just really great.
• 1:02:03
  Speaker 2: Yeah, but that feels like they were like, let's just
• 1:02:06
  Speaker 2: make a real let's just make a Western, and this
• 1:02:09
  Speaker 2: back to the future stuff will just be a part
• 1:02:11
  Speaker 2: of it. Like they're basically doing a you know, a
• 1:02:14
  Speaker 2: heist on this on this train. It's so good. I
• 1:02:17
  Speaker 2: love it so much. I love that whole thing. I
• 1:02:21
  Speaker 2: I love the duel scene. Like you guys said, it's
• 1:02:24
  Speaker 2: so good. And I love that he's you know, almost
• 1:02:27
  Speaker 2: getting away from you know that trying to be what
• 1:02:31
  Speaker 2: other people want him to be. You know Marty. You
• 1:02:32
  Speaker 2: know he still goes out there, he still gets kind
• 1:02:35
  Speaker 2: of roped in, but he's getting closer, you know, towards
• 1:02:37
  Speaker 2: what he is at the end. I think that's really fun.
• 1:02:40
  Speaker 6: Is nice, the whole chicken subplot that has to kind
• 1:02:44
  Speaker 6: of overcome and he can't. You got that small man syndrome.
• 1:02:49
  Speaker 2: It was fun.
• 1:02:50
  Speaker 3: It was weird that they didn't start that in one
• 1:02:52
  Speaker 3: they started that was a realization I didn't know until
• 1:02:57
  Speaker 3: until this rewatch.
• 1:03:01
  Speaker 6: Eend to your point. I one of my comedy lessons
• 1:03:05
  Speaker 6: I think growing up was is Thomas F. Wilson read
• 1:03:09
  Speaker 6: after he shoots him.
• 1:03:11
  Speaker 3: He's bowing, it's holding the gun.
• 1:03:17
  Speaker 2: It's so good. I rewatched that like three times this rewatch.
• 1:03:21
  Speaker 2: I was just like, this guy is cooking out here,
• 1:03:23
  Speaker 2: and he's cooking for three straight movies. Just the best.
• 1:03:28
  Speaker 2: This guy, it's so so good.
• 1:03:31
  Speaker 6: Should have been a freaking star.
• 1:03:34
  Speaker 2: I also loved the town festival scene. I thought that
• 1:03:36
  Speaker 2: was really fun and enjoyable, and you get to see
• 1:03:39
  Speaker 2: you know, Doc dancing and those two love birds like
• 1:03:43
  Speaker 2: kind of like budding of that and the shooting stuff,
• 1:03:47
  Speaker 2: you know, homage to the second one with the video
• 1:03:50
  Speaker 2: game and just all that stuff. I thought that was
• 1:03:52
  Speaker 2: really really fun. I like that.
• 1:03:55
  Speaker 6: I also think just honorable mention just because they again
• 1:03:58
  Speaker 6: feat let Doc kind of featured a little bit him
• 1:04:01
  Speaker 6: just there kind of like falling in love scene with
• 1:04:04
  Speaker 6: the telescope.
• 1:04:05
  Speaker 3: And yeah, sure is really just lovely.
• 1:04:09
  Speaker 2: That was nice. Again, like they didn't overdo anything, they
• 1:04:12
  Speaker 2: just were I don't know, they just did such a
• 1:04:14
  Speaker 2: good job. We talked plotholes again, sure because because another
• 1:04:19
  Speaker 2: one if if may if Mary Steinbergen was supposed to
• 1:04:24
  Speaker 2: die unless he saved her, who the fuck is writing
• 1:04:27
  Speaker 2: on his tombstone? And why are they writing the whole
• 1:04:30
  Speaker 2: plot of like he was killed over eighty dollars? Well,
• 1:04:34
  Speaker 2: I think I think he saved her, but it was
• 1:04:37
  Speaker 2: still it was still called Clark Canyon or whatever, and
• 1:04:41
  Speaker 2: that was because the teacher died there Clayton, Oh my god,
• 1:04:46
  Speaker 2: I don't think that was another one. That's it.
• 1:04:49
  Speaker 6: You're right because the moment he saved her, the moment
• 1:04:52
  Speaker 6: he saved her, it wouldn't have been Clayton Ravine anymore.
• 1:04:54
  Speaker 3: It changed, but now it's Eastwood Ravine.
• 1:04:57
  Speaker 6: Yeah, it's cool, But that's a good point, Viewkes.
• 1:05:00
  Speaker 2: Yeah, so I don't think that works either, son of
• 1:05:02
  Speaker 2: a it's no second Dolorean. You know, that's a fiasco.
• 1:05:06
  Speaker 6: But yeah, that's a great point. You're right because it's
• 1:05:10
  Speaker 6: his beloved Clara, So even without Marty there, he met
• 1:05:13
  Speaker 6: her but she Yeah, that's weird.
• 1:05:17
  Speaker 2: That tombstone cracks me up when it's just like he
• 1:05:20
  Speaker 2: was killed by being shot in the back by this person.
• 1:05:23
  Speaker 2: It was like a clue, you know, the win in
• 1:05:28
  Speaker 2: the middle of the streets with the Revolver over eighty dollars.
• 1:05:34
  Speaker 6: Guys, we have to do his whole cause of death, like, yeah, four.
• 1:05:38
  Speaker 3: Hours, he's gonna take me all week.
• 1:05:40
  Speaker 2: My fingers, your back is going to hurt. I love it.
• 1:05:46
  Speaker 3: I love it, love it, love it all.
• 1:05:50
  Speaker 2: But I'm cool picking the let's just pick the duel
• 1:05:53
  Speaker 2: and the entire.
• 1:05:54
  Speaker 3: Ending boom love it.
• 1:05:56
  Speaker 6: I will also throw out honorable mention of of Doc
• 1:06:00
  Speaker 6: getting hammered off for one shot.
• 1:06:02
  Speaker 2: That is such a good call.
• 1:06:04
  Speaker 6: Marty's line reading of how many they have?
• 1:06:07
  Speaker 3: Just one? Just one? Just come on.
• 1:06:11
  Speaker 2: Yeah, he's like this existential like Crisies, He's talking about
• 1:06:16
  Speaker 2: the future and they're like, how many easy, and he's like,
• 1:06:19
  Speaker 2: that's still the first one. He hasn't even drunk yet.
• 1:06:21
  Speaker 3: He's just tracking.
• 1:06:23
  Speaker 6: I like when orders, like when he orders it to
• 1:06:26
  Speaker 6: in the and he's like whiskey and the Bartos, like
• 1:06:30
  Speaker 6: you sure you remember what happened to you on the
• 1:06:32
  Speaker 6: fourth of July. Yeah, that's exactly.
• 1:06:34
  Speaker 3: That was exactly what I was going to bring up,
• 1:06:37
  Speaker 3: happened on the fourth.
• 1:06:38
  Speaker 4: All going back to just Doc loving Yeah, eighteen eighty five.
• 1:06:43
  Speaker 2: Yeah, he'sn here, Doc's out here getting crazy on the
• 1:06:47
  Speaker 2: fourth of July. Okay, so funny.
• 1:06:51
  Speaker 3: Yeah, I mean we can just tack that on with
• 1:06:52
  Speaker 3: the dual scene because it's right. Yeah, yeah, good, good call. Well,
• 1:06:58
  Speaker 3: let's talk about some quotes.
• 1:06:59
  Speaker 2: Show me money, show me the money, show me. I
• 1:07:08
  Speaker 2: didn't get as many of these as I thought I
• 1:07:09
  Speaker 2: would for this one for some reason. Same but gay,
• 1:07:14
  Speaker 2: do you want to go first with a quote or two?
• 1:07:17
  Speaker 3: Yeah, there's a couple.
• 1:07:19
  Speaker 4: I like your friend in time, he says, and then
• 1:07:23
  Speaker 4: I saw us the research, and then I watched this
• 1:07:25
  Speaker 4: twice and a but I was distracted both times, and
• 1:07:27
  Speaker 4: apparently in the photo it says like to Marty.
• 1:07:31
  Speaker 3: Partner in time, Oh really, and.
• 1:07:35
  Speaker 4: Again I didn't honestly, both through watches, I didn't catch it,
• 1:07:38
  Speaker 4: but it was a little distracted both times.
• 1:07:42
  Speaker 3: I just like that.
• 1:07:43
  Speaker 2: And then.
• 1:07:46
  Speaker 3: Marty's at eight o'clock, I do my killing after break. Yeah,
• 1:07:50
  Speaker 3: that's pretty great, it's good.
• 1:07:54
  Speaker 8: What do you get? I didn't really write any down,
• 1:07:58
  Speaker 8: but I mean I do love a knee k it's
• 1:08:04
  Speaker 8: very inappropriate.
• 1:08:05
  Speaker 3: Yeah, this is what's right?
• 1:08:07
  Speaker 6: Engine talk?
• 1:08:07
  Speaker 3: Is that right?
• 1:08:08
  Speaker 2: Right?
• 1:08:09
  Speaker 3: Check out the moccasinsky.
• 1:08:12
  Speaker 2: Also in that same scene, another horribly racist one is
• 1:08:16
  Speaker 2: it's like you got that shirt.
• 1:08:17
  Speaker 6: Off of a dead Chinese.
• 1:08:19
  Speaker 2: Oh yeah, it's like, oh my god, yeah, nineteen ninety.
• 1:08:23
  Speaker 3: And we're okay. His voice is great.
• 1:08:28
  Speaker 2: He's like a famous he did like a bunch of
• 1:08:31
  Speaker 2: like Disney movie.
• 1:08:32
  Speaker 3: Says he's the guy from like Robin Hood. He definitely
• 1:08:35
  Speaker 3: is that guy, I guess because that.
• 1:08:39
  Speaker 2: Rum is his name.
• 1:08:41
  Speaker 3: But let him you say a butchero movie.
• 1:08:45
  Speaker 6: I love when he's like, of course we run, but
• 1:08:48
  Speaker 6: for recreation, for fun, for fun kind of fun.
• 1:08:52
  Speaker 3: Is that he's not wrong?
• 1:08:57
  Speaker 2: Yeah, I don't get it either. I'm with that guy.
• 1:09:01
  Speaker 6: Yeah, you guys, go ahead throw out.
• 1:09:04
  Speaker 3: I love that he said, remember where you're going, there are.
• 1:09:07
  Speaker 6: No runs, especially after at the end of the first.
• 1:09:12
  Speaker 3: Money exactly where we're going.
• 1:09:13
  Speaker 2: We don't need exactly.
• 1:09:15
  Speaker 3: I loved the play on that very good. And then
• 1:09:17
  Speaker 3: I loved that they switched so Marty says, great, Scott,
• 1:09:21
  Speaker 3: I know this is heavy, which is what he kept saying.
• 1:09:26
  Speaker 3: Those are my favorite ones.
• 1:09:28
  Speaker 6: I like the I like the little the little exchange
• 1:09:31
  Speaker 6: of we finished it right now, not now Youford Marshall's
• 1:09:35
  Speaker 6: got our guns, Like I said, what is this tomorrow?
• 1:09:38
  Speaker 6: Tomorrow we're robbing the Pine City stage about Monday, were
• 1:09:42
  Speaker 6: doing anything Monday? No Monday, be fine, you kill on Monday.
• 1:09:47
  Speaker 2: So funny. I love the whole thing. I'm with you. Oh,
• 1:09:51
  Speaker 2: money will be fine.
• 1:09:55
  Speaker 3: You can throw some up bukes.
• 1:09:56
  Speaker 2: Yeah, sure, let's see. I love when Marty he is like, well,
• 1:10:01
  Speaker 2: you know, Doc, you meet the right girl, it hits you.
• 1:10:03
  Speaker 2: It's just like lightning. And he's like, Marty, please don't
• 1:10:05
  Speaker 2: say that after he just got struck by lightning. I
• 1:10:10
  Speaker 2: don't remember that one either, but I really liked it.
• 1:10:13
  Speaker 2: That's funny. Uh yeah, I'll hunt you and shoot you
• 1:10:20
  Speaker 2: down like a duck. It's like a dog.
• 1:10:23
  Speaker 3: Yeah, which is good.
• 1:10:27
  Speaker 2: Let's see. Oh and I loved listen you get a
• 1:10:31
  Speaker 2: back door in this place. He's like, yeah, it's in
• 1:10:34
  Speaker 2: the back.
• 1:10:37
  Speaker 3: That makes perfect sense.
• 1:10:38
  Speaker 2: I thought that was such a funny. Lie.
• 1:10:41
  Speaker 3: Yeah. I like when they're taking over the train. It's
• 1:10:46
  Speaker 3: like reach and he says, is this a hold up?
• 1:10:49
  Speaker 3: It's like it's a science experiment. That's good, right, And
• 1:10:55
  Speaker 3: then just I hate manure. You just I love that. Yeah,
• 1:11:01
  Speaker 3: I really love the manure.
• 1:11:04
  Speaker 2: It's a good it's a good thing. You know, it's fun.
• 1:11:07
  Speaker 3: I really loved it. It's fun as a kid. Was
• 1:11:11
  Speaker 3: there any anything else? You guys have anything else? Honestly,
• 1:11:14
  Speaker 3: those are all written down. We all said should.
• 1:11:17
  Speaker 2: Have done a better job writing these down today. I
• 1:11:19
  Speaker 2: don't know, but yeah.
• 1:11:21
  Speaker 3: Not real quotable, but it's so good. Well, why don't
• 1:11:24
  Speaker 3: we move on to bigs boohoo moments only. Yeah, the
• 1:11:28
  Speaker 3: crying game. I I had one. There might be a
• 1:11:33
  Speaker 3: couple o. The one I had is after Doc tells
• 1:11:37
  Speaker 3: Clary has to leave and she gets super upset with it.
• 1:11:40
  Speaker 3: Then he leaves, leaves the pin on the window cell.
• 1:11:44
  Speaker 2: Can I just say definitely I'm with Marty on this one.
• 1:11:48
  Speaker 2: I'm like, look, she is an educator, she's a book reader.
• 1:11:54
  Speaker 6: Like, explain the situation and be like, look, this is crazy,
• 1:11:59
  Speaker 6: come with me. And she's like the fact that you
• 1:12:01
  Speaker 6: need to be like, okay, listen to me. Just come tomorrow.
• 1:12:05
  Speaker 6: If I'm wrong, you can go. I'm about to blow
• 1:12:09
  Speaker 6: your mind. You're not gonna believe the medical advances and
• 1:12:12
  Speaker 6: all the things. It's gonna be crazy. And look, if
• 1:12:15
  Speaker 6: I'm wrong, you go come back to your thing.
• 1:12:19
  Speaker 2: Maybe just give her an ice cube. I mean that
• 1:12:21
  Speaker 2: would probably be enough to convince people, right, show her
• 1:12:24
  Speaker 2: the DeLorean.
• 1:12:26
  Speaker 3: Well, I know she just had to. She just saw
• 1:12:29
  Speaker 3: a little thing that said time machine on the it
• 1:12:34
  Speaker 3: must be true.
• 1:12:38
  Speaker 4: I kind of don't see why he wouldn't just force
• 1:12:41
  Speaker 4: it to stay, like, right, Marty, I'm gonna I'm gonna
• 1:12:45
  Speaker 4: help you get out of.
• 1:12:47
  Speaker 3: Here, but I'm staying.
• 1:12:48
  Speaker 2: Yeah.
• 1:12:51
  Speaker 6: I will say Marty makes a very compelling argument when
• 1:12:55
  Speaker 6: you just the whole speech of like we don't belong here, like.
• 1:12:59
  Speaker 2: And he's so, he's definitely gonna.
• 1:13:03
  Speaker 3: Use your brain.
• 1:13:05
  Speaker 2: Yeah, not the thing your head braining it down to.
• 1:13:09
  Speaker 3: Yeah.
• 1:13:12
  Speaker 2: Yes, I did cry out that part, though, Well, was
• 1:13:15
  Speaker 2: there another I think I think you also cried right
• 1:13:19
  Speaker 2: at the end of the train thing when Doc catches
• 1:13:21
  Speaker 2: her and they're on the hoverboard big.
• 1:13:26
  Speaker 3: He's like, all right, sweet.
• 1:13:31
  Speaker 6: And great music, And I think I think you thought
• 1:13:34
  Speaker 6: about crying when the train hits the Dolory and he goes, well,
• 1:13:38
  Speaker 6: Doc is destroyed, just like you asked.
• 1:13:41
  Speaker 3: I didn't think about crying, my friend.
• 1:13:42
  Speaker 2: I cried.
• 1:13:44
  Speaker 4: I'm given up on this category because I've never once gotten.
• 1:13:51
  Speaker 6: I'm great at this category.
• 1:13:53
  Speaker 3: Yes, i am a crime than I am, that's for sure.
• 1:13:57
  Speaker 6: That's because I'm like him and I'm out here crying
• 1:14:00
  Speaker 6: like fidelity.
• 1:14:01
  Speaker 3: Gross.
• 1:14:01
  Speaker 6: Same, I'm idiot.
• 1:14:04
  Speaker 2: They're the best. It was those three. You guys nailed it.
• 1:14:09
  Speaker 3: Thanks for the assist any nicely done.
• 1:14:12
  Speaker 2: I loved the love story stuff in this. It was
• 1:14:14
  Speaker 2: really fun. It's very good collected a very well mentioned
• 1:14:18
  Speaker 2: the telescope scene with them when they're just in love
• 1:14:21
  Speaker 2: looking at the moon, that's a cute scene.
• 1:14:24
  Speaker 3: It's do It was real opportunity, miss not bringing up
• 1:14:27
  Speaker 3: a uranus joke. But other than that, pretty cute.
• 1:14:31
  Speaker 2: It's a man of science, rob you wouldn't understand, Okay,
• 1:14:34
  Speaker 2: well biology, I mean yeah, that's yeah.
• 1:14:38
  Speaker 3: That's a good you're.
• 1:14:39
  Speaker 6: You're on, you're on. Use both this one and that one.
• 1:14:42
  Speaker 6: I think she's pretty science. He would have said it.
• 1:14:45
  Speaker 2: That would have been like, let's get married now, right,
• 1:14:48
  Speaker 2: Sure you're the woman for me?
• 1:14:51
  Speaker 3: Yeah? Docs, Like.
• 1:14:54
  Speaker 6: I thought, misopportunity.
• 1:14:56
  Speaker 3: You should have got right to a sex scene.
• 1:14:58
  Speaker 2: Yeah yeah, or the I'll show you sure. Have you
• 1:15:05
  Speaker 2: guys seen back in the future three? All of a
• 1:15:08
  Speaker 2: sudden she was really deep into Frasier. It's still a
• 1:15:14
  Speaker 2: little movie trivia now that I've ruined everything.
• 1:15:17
  Speaker 3: Uh.
• 1:15:17
  Speaker 2: When filming the scene where mad Doc Tannin tries to
• 1:15:21
  Speaker 2: lynch Marty. Michael J. Fox was accidentally hanged, rendering him
• 1:15:26
  Speaker 2: unconscious for a short time, which he unforgivable. That's ridiculous.
• 1:15:32
  Speaker 3: That is ridiculous, ridiculous. How did they let that happen?
• 1:15:37
  Speaker 2: I don't know, but it didn't it It just came
• 1:15:39
  Speaker 2: up in a different movie where someone passed out. Was
• 1:15:42
  Speaker 2: it was it Tom Cruise.
• 1:15:46
  Speaker 3: There's the now you see me where? Yeah?
• 1:15:50
  Speaker 2: She almost like, oh yeah, yeah, yeah. It was one
• 1:15:52
  Speaker 2: we just talked about recently. Everywhere we woke up, Oh,
• 1:15:55
  Speaker 2: it was. It was in Braveheart. We had that trivia
• 1:15:59
  Speaker 2: that he woke up and everyone was around him after
• 1:16:02
  Speaker 2: he they were like racking him or whatever, and he
• 1:16:05
  Speaker 2: had the thing around his neck. Hmm, don't remember that.
• 1:16:10
  Speaker 2: We also did Back to the Future in twenty twenty
• 1:16:12
  Speaker 2: Clint Westwood. Clint Eastwood was asked for permission about his
• 1:16:18
  Speaker 2: name being used for Marty in the film, and he
• 1:16:20
  Speaker 2: consented and was said to be tickled by the homage.
• 1:16:23
  Speaker 2: So I just thought that was fun because I wondered
• 1:16:25
  Speaker 2: about that. Do you have to ask for I don't
• 1:16:27
  Speaker 2: know how that works at some point? Does it just know?
• 1:16:31
  Speaker 2: I did not know this was the thing Marty uses
• 1:16:33
  Speaker 2: a Frisbees pie play to knock a gun out of
• 1:16:36
  Speaker 2: Mad Doc's hand in the festival scene. In eighteen seventy one,
• 1:16:40
  Speaker 2: the Frisbee Pie Company started in Connecticut. Their pie pens
• 1:16:43
  Speaker 2: were thrown on the campus of Yale, and this eventually
• 1:16:46
  Speaker 2: led to the invention of Frisbees. And so this is
• 1:16:49
  Speaker 2: another example of Marty introducing something into the timeline earlier
• 1:16:53
  Speaker 2: than the official invention, and thus potentially giving the original
• 1:16:57
  Speaker 2: inventors the idea to make them.
• 1:17:00
  Speaker 3: That's funny thought.
• 1:17:01
  Speaker 2: I didn't realize that's what was happening. I just thought,
• 1:17:04
  Speaker 2: you know, they were showing it. But apparently they started
• 1:17:06
  Speaker 2: as pythons. That's awesome. I always kind of figured there
• 1:17:09
  Speaker 2: was maybe some context behind that, but I never actually
• 1:17:12
  Speaker 2: looked it up. Yeah.
• 1:17:13
  Speaker 6: Apparently though, really because obviously they do it in the
• 1:17:16
  Speaker 6: first one with Johnny be good.
• 1:17:19
  Speaker 2: Yes right, and then the also the skateboard right, like
• 1:17:23
  Speaker 2: he pulls off the yes right skate and make it
• 1:17:26
  Speaker 2: a skateboard.
• 1:17:26
  Speaker 6: But my dad told me, well, I guess it would
• 1:17:29
  Speaker 6: have been a little later than fifty five. But my
• 1:17:31
  Speaker 6: dad said, in like the late fifties when they were kids,
• 1:17:34
  Speaker 6: they did take uh wheels off of roller skates and
• 1:17:40
  Speaker 6: screw them two boards.
• 1:17:41
  Speaker 2: Oh really and like to do it? Yeah, pretty wild
• 1:17:45
  Speaker 2: like that.
• 1:17:46
  Speaker 6: Apparently the guitar and the first one though was not
• 1:17:50
  Speaker 6: hadn't come out.
• 1:17:51
  Speaker 2: Yet in nineteen fifty five.
• 1:17:52
  Speaker 3: Oh that it was like three more years or something. Cosies.
• 1:17:57
  Speaker 2: Also, there's a second Glorean according to the book.
• 1:18:03
  Speaker 6: I'm going to just start this. It's like the second
• 1:18:06
  Speaker 6: man on the grassy Knoll. We'll make sure it'll be great.
• 1:18:10
  Speaker 6: There was another Delaurian.
• 1:18:13
  Speaker 2: According to the book, Billy Gibbons, rock and roll gear
• 1:18:16
  Speaker 2: head zz Top was hanging around on the set and
• 1:18:19
  Speaker 2: was asked to be the town band. During one take,
• 1:18:22
  Speaker 2: the camera broke and so while they were waiting, Michael J.
• 1:18:26
  Speaker 2: Fox asked if they would play Hey Good Looking, which
• 1:18:28
  Speaker 2: they did and afterwards a request just kept, you know,
• 1:18:32
  Speaker 2: coming in and everyone was having such a good time.
• 1:18:34
  Speaker 2: Two hours later, someone inquired if the camera had been repaired,
• 1:18:37
  Speaker 2: and Robert Zemechis replied that it had been fixed for
• 1:18:40
  Speaker 2: quite a while, but he didn't want to stop the
• 1:18:42
  Speaker 2: party that had evolved. So that's pretty cool. They got
• 1:18:46
  Speaker 2: to just hang out and have zz Top playing music.
• 1:18:48
  Speaker 2: That's pretty neat.
• 1:18:49
  Speaker 6: Wait, so that that was just a happenstance that they
• 1:18:53
  Speaker 6: were around and they like threw him in costume.
• 1:18:55
  Speaker 2: I guess it says they were hanging around on set
• 1:18:57
  Speaker 2: and asked to be the town band. That's what it
• 1:19:01
  Speaker 2: sounds like anyway, which is what's crazy.
• 1:19:04
  Speaker 6: Because it just feels like it was because they're playing
• 1:19:08
  Speaker 6: double back right right, which then becomes the credits song.
• 1:19:11
  Speaker 2: Yeah, I don't know, that's what that that's what the.
• 1:19:14
  Speaker 3: No, it doesn't never mind, Uh, that's not true. It doesn't.
• 1:19:18
  Speaker 2: Oh, we said the thing about Tom Wilson. He performed
• 1:19:21
  Speaker 2: all his horse riding stunts himself and did the trick
• 1:19:24
  Speaker 2: with the lawsuit.
• 1:19:26
  Speaker 8: Uh.
• 1:19:27
  Speaker 2: Eighteen eighty five time setting was partly due to a
• 1:19:30
  Speaker 2: suggestion by Michael J. Fox, who had commented to producers
• 1:19:33
  Speaker 2: he always thought it'd be fun to act in a Western,
• 1:19:36
  Speaker 2: and he got his chance, which is pretty fun.
• 1:19:38
  Speaker 6: Well, I was going to say it, even during hot
• 1:19:40
  Speaker 6: takes like the second one is cool because it's it
• 1:19:44
  Speaker 6: does make sense what happens, yeah, you know, as a continuation,
• 1:19:50
  Speaker 6: and it's fun that they end up kind of going
• 1:19:52
  Speaker 6: backwards and going back to fifty five and doing all that.
• 1:19:56
  Speaker 6: But you know, it's when you're thinking about the third one.
• 1:19:58
  Speaker 6: It was like, well, we have to take a big
• 1:20:00
  Speaker 6: swing here. We can't keep waffling in the fifty five
• 1:20:03
  Speaker 6: eighty five things, right, So it was like they either
• 1:20:06
  Speaker 6: have they kind of either had to go way backwards
• 1:20:10
  Speaker 6: or way forwards, you know what I mean, totally, and
• 1:20:12
  Speaker 6: that's such a good idea, and.
• 1:20:14
  Speaker 2: Going backward was the right way, Like that's so yeah,
• 1:20:17
  Speaker 2: so smart.
• 1:20:17
  Speaker 3: Well yeah, and they had already gone to flying cars
• 1:20:20
  Speaker 3: and right they've done that. Yeah, you know, yeah, this
• 1:20:23
  Speaker 3: is I think it's brilliant.
• 1:20:25
  Speaker 2: I love it too. Michael J. Fox compared filming all
• 1:20:29
  Speaker 2: three movies to being back in school, as it seemed
• 1:20:32
  Speaker 2: like someone was always teaching him to do something for
• 1:20:34
  Speaker 2: the films. During the court the course of the trilogy,
• 1:20:39
  Speaker 2: he taught him. He was taught how to play guitar,
• 1:20:41
  Speaker 2: how to ride a horse, and how to shoot a gun.
• 1:20:43
  Speaker 2: So he had to learn a lot of new stuff
• 1:20:45
  Speaker 2: for all these which is pretty fun. The character of
• 1:20:48
  Speaker 2: Clara Clayton is in reference to Claric Clemons Samuel Clemens,
• 1:20:52
  Speaker 2: Mark Twain's daughter. Clara Clemmons went on a sleigh ride
• 1:20:56
  Speaker 2: with her future husband the horse took fright from a
• 1:20:59
  Speaker 2: winds swept newspaper and bolted, and the driver lost control.
• 1:21:04
  Speaker 2: At the top of the hill, next to a fifty
• 1:21:06
  Speaker 2: foot drop, the sleigh overturned, throwing Clemens out her future.
• 1:21:11
  Speaker 2: Bo leapt to the ground, caught the horse by the head,
• 1:21:14
  Speaker 2: stopping it as it was about to plunge over the bank,
• 1:21:17
  Speaker 2: dragging Clemens with her dress caught in the runner. So
• 1:21:20
  Speaker 2: he saved her, which is wow, pretty crazy. So apparently
• 1:21:23
  Speaker 2: it was an illusion to that. Mary Steinbergen's children were
• 1:21:30
  Speaker 2: the ones who persuaded her to be in this film,
• 1:21:32
  Speaker 2: and we thanked them for that every day. I don't know.
• 1:21:36
  Speaker 2: It also was probably a pretty good paycheck.
• 1:21:38
  Speaker 3: I probably a.
• 1:21:39
  Speaker 6: Huge movie who persuaded her her kids? I guess someone
• 1:21:44
  Speaker 6: needed to persuade her. That's the third installment of the
• 1:21:49
  Speaker 6: kick Ass Happening. But Katie Holmes that thing. Also, we
• 1:21:58
  Speaker 6: have the movie playing right now and I just want
• 1:21:59
  Speaker 6: to give an on a mention to the wake up
• 1:22:02
  Speaker 6: juice that looks like a delicious like bloody Mary. Yeah
• 1:22:04
  Speaker 6: it does, and Dot can't handle it. But I'm like,
• 1:22:07
  Speaker 6: would I be having a wake up juice every day
• 1:22:09
  Speaker 6: in this in this.
• 1:22:10
  Speaker 3: Did they have to sauce.
• 1:22:14
  Speaker 2: Because that's what either Maneah, I'm with you.
• 1:22:17
  Speaker 6: It might have existed in eighteen It was.
• 1:22:19
  Speaker 2: A little light on the garnishment. But it did look nice.
• 1:22:22
  Speaker 6: Did look? It looks kind of good to me. I'm
• 1:22:24
  Speaker 6: not gonna lie.
• 1:22:25
  Speaker 2: Yep, I'm with you on that.
• 1:22:27
  Speaker 3: To film the eighteen sixty eight when Tabasco.
• 1:22:30
  Speaker 2: Son of a another plot, look, let them.
• 1:22:32
  Speaker 3: Go, No, no, that's oh wait eighteen eighty.
• 1:22:35
  Speaker 2: Oh yeah, we did it.
• 1:22:36
  Speaker 6: Good job, made it.
• 1:22:37
  Speaker 2: Great job, everybody, great job. I'll cut that out. To
• 1:22:40
  Speaker 2: film the destruction of the DeLorean, Uh, the film filmmakers
• 1:22:45
  Speaker 2: consulted with the engineer of a diesel freight train that
• 1:22:49
  Speaker 2: would smash the Dolore into pieces. When he was asked
• 1:22:52
  Speaker 2: if smashing the car might derail the train, he's like,
• 1:22:54
  Speaker 2: are you kidding? I've waited my whole life to do this.
• 1:22:58
  Speaker 2: It's like, who cares, It's gonna be fine.
• 1:23:01
  Speaker 6: I don't think Deloreans were known for their beefenis what
• 1:23:04
  Speaker 6: does he? He says it in the second one, he's like, Marty,
• 1:23:07
  Speaker 6: we're in a Dolorean. He's in a fifty seven Chevy
• 1:23:09
  Speaker 6: tear through us like we were ten.
• 1:23:10
  Speaker 3: Yeah, Yeah, that's exactly right, really really good b b B.
• 1:23:16
  Speaker 2: I think that was all the ones. Oh no, I
• 1:23:18
  Speaker 2: have one more. Yeah. In the novelization, after the little
• 1:23:21
  Speaker 2: Boy hands Marty back his gun, he asked Hi where
• 1:23:24
  Speaker 2: he got the idea to wear the oven door unders close.
• 1:23:27
  Speaker 2: Marty replies that he saw it in a movie. The
• 1:23:30
  Speaker 2: little boy then asked Marty what a movie is. Before
• 1:23:33
  Speaker 2: Marty can answer, a woman calls out the name David
• 1:23:37
  Speaker 2: David Lewin Warck Griffith, and this is the real name
• 1:23:42
  Speaker 2: of pioneer filmmaker d W. Griffith, who had been born
• 1:23:45
  Speaker 2: in eighteen seventy five and would have been nine or
• 1:23:48
  Speaker 2: ten years old in eighteen eighty five. So I just
• 1:23:51
  Speaker 2: thought that was kind of a cool that's real fun,
• 1:23:53
  Speaker 2: that's neat say in the novelization, Apparently they do novelizations
• 1:23:57
  Speaker 2: after movies sometimes. They did the late eighties.
• 1:24:00
  Speaker 3: Lot I remember, I remember this happening.
• 1:24:02
  Speaker 2: But yeah, so they just like kind of flesh them
• 1:24:04
  Speaker 2: out more, I guess. But yeah, so they put in
• 1:24:08
  Speaker 2: the d W. Griffith reference, which is kind of fun.
• 1:24:12
  Speaker 3: That is fun. I had a couple of things. The saloon,
• 1:24:16
  Speaker 3: I guess is in the same location as Lose Cafe
• 1:24:19
  Speaker 3: in nineteen fifty five, the Gym in nineteen eighty five,
• 1:24:22
  Speaker 3: in the Cafe eighties in twenty fifteen.
• 1:24:24
  Speaker 2: Oh that's cool, kind of fun, the same.
• 1:24:29
  Speaker 3: I say, it's in the same location.
• 1:24:31
  Speaker 2: And okay, oh main and whatever or something. That's cool.
• 1:24:38
  Speaker 3: Michael Winslow performed the sound effects of Michael J. Fox's
• 1:24:42
  Speaker 3: feet during the breakdancing sequence. He received a special thanks credit.
• 1:24:46
  Speaker 6: What I always wondered who did that, because it's it's
• 1:24:49
  Speaker 6: clearly someone who can throw down pretty hard.
• 1:24:52
  Speaker 2: Yeah, that's fun. That's some good moonwalking.
• 1:24:54
  Speaker 3: I love Michael Winslow. And apparently this was written specific
• 1:25:00
  Speaker 3: four Mary Steambergen Cleric Layton.
• 1:25:03
  Speaker 2: Goddamn right, kids would be right after parenthood, right, yeah,
• 1:25:09
  Speaker 2: I think.
• 1:25:12
  Speaker 3: I think that sounds right. That does sounds right, freaking wonderful.
• 1:25:17
  Speaker 3: And that was all I had though, did anybody else
• 1:25:20
  Speaker 3: have any other trivia?
• 1:25:22
  Speaker 4: I just I didn't realize that these they shot these movies.
• 1:25:25
  Speaker 3: Back to back. Yeah, two and three, pretty and three,
• 1:25:30
  Speaker 3: and they released them like six months apart.
• 1:25:32
  Speaker 2: I didn't realize. I thought it was a year, but yeah,
• 1:25:34
  Speaker 2: it's six months. That's crazy. Which, Yeah, I had no idea.
• 1:25:39
  Speaker 2: I guess they did that with Home Alone one and two.
• 1:25:42
  Speaker 2: Maybe that was a thing that No.
• 1:25:44
  Speaker 4: Two they like Greenlit and just spat up because they
• 1:25:47
  Speaker 4: made so much money with one. Right, Oh, this like
• 1:25:50
  Speaker 4: they like Greenlit two and three?
• 1:25:53
  Speaker 3: Right, it was like eleven months.
• 1:25:54
  Speaker 6: It's just weird.
• 1:25:55
  Speaker 4: Where like with like Lord of the Rings when you
• 1:25:57
  Speaker 4: do that, like you can shoot, But these two, I
• 1:26:00
  Speaker 4: think I saw something like that. The only shot they
• 1:26:04
  Speaker 4: shot two that was in three is Elizabeth Shoe.
• 1:26:07
  Speaker 2: On the bench at the end. Really, they just left
• 1:26:10
  Speaker 2: her there on the bench. She's been there since war
• 1:26:14
  Speaker 2: torn Special Valley. He should have went back to that alley.
• 1:26:18
  Speaker 2: Unfreaking believable. Jennifer's just like this piece of crap around.
• 1:26:24
  Speaker 2: I love that they go back, but Jennifer is just
• 1:26:27
  Speaker 2: on her own.
• 1:26:28
  Speaker 3: Yeah, get the dog, Jennifer, no idea. Doc is so
• 1:26:37
  Speaker 3: much better, a better dude.
• 1:26:42
  Speaker 2: That's amazing.
• 1:26:47
  Speaker 6: When we left her, you guys are going to break up.
• 1:26:54
  Speaker 3: She's gonna be the well will there be a sequel
• 1:27:02
  Speaker 3: judgment day?
• 1:27:04
  Speaker 2: No, not another one, I doubt no.
• 1:27:07
  Speaker 3: But you had said bugs that Christopher Lloyd did something.
• 1:27:12
  Speaker 2: Oh yeah, for the anniversary or something. Yeah, I forget
• 1:27:15
  Speaker 2: what it was called. But he did a short talking
• 1:27:19
  Speaker 2: about why the future didn't turn out with flying cars
• 1:27:23
  Speaker 2: and stuff. But I want to I want to watch
• 1:27:27
  Speaker 2: that for sure.
• 1:27:29
  Speaker 3: Yeah, I like that. And then they made this musical,
• 1:27:33
  Speaker 3: didn't they many.
• 1:27:34
  Speaker 6: I recently had final callbacks to go on the tour.
• 1:27:37
  Speaker 6: Not that I really wanted to do that or what's going.
• 1:27:40
  Speaker 2: To but but I went in and I got final collbax.
• 1:27:44
  Speaker 6: But it was fun to just do my dock impression
• 1:27:47
  Speaker 6: as hard. Oh that's all not Biff.
• 1:27:51
  Speaker 2: It was weird. I was going to guess Biff, but
• 1:27:53
  Speaker 2: I thought that would be rude. I didn't know.
• 1:27:55
  Speaker 3: How is the music in that?
• 1:27:57
  Speaker 2: Uh?
• 1:27:58
  Speaker 6: It's actually pretty fun.
• 1:27:59
  Speaker 2: That's cool, I would say, yeah.
• 1:28:02
  Speaker 6: Uh yeah. The doc one of the dock songs I
• 1:28:07
  Speaker 6: I did is called it Works, So it's like right
• 1:28:12
  Speaker 6: when the right when the Uh, I guess it's in.
• 1:28:17
  Speaker 6: I guess it would be in fifty five. I don't
• 1:28:19
  Speaker 6: know when it happens. I never saw it on Broadway, okay,
• 1:28:22
  Speaker 6: but but it's like, yeah, damn, that's pretty sweet. It's
• 1:28:27
  Speaker 6: very r and B it's very like Power of Love
• 1:28:34
  Speaker 6: Huey Lewis sense. Sure, it's very Huey Lewis inspired it.
• 1:28:40
  Speaker 3: Yeah. I heard him did really well out there, so yeah.
• 1:28:44
  Speaker 2: It definitely ran for for a while, and I think
• 1:28:46
  Speaker 2: the tour is doing well. Apparently the special effects and
• 1:28:50
  Speaker 2: everything were awesome, and the car sweet nice. Yeah, damn Rob,
• 1:28:55
  Speaker 2: they were in Minnesota last year, damn it.
• 1:29:00
  Speaker 3: Do you guys want to play game? Yeah?
• 1:29:03
  Speaker 2: Do you want to play the game?
• 1:29:04
  Speaker 3: Did you want to play game? So, I'm no, You're
• 1:29:08
  Speaker 3: gonna be good at this one. We did the starting
• 1:29:12
  Speaker 3: five and you guys, you guys know how it works.
• 1:29:14
  Speaker 3: I'm gonna name five actors. You're gonna ring in with
• 1:29:17
  Speaker 3: your name, so I know who's ringing in. You can
• 1:29:20
  Speaker 3: get more points if you can name more actors and
• 1:29:23
  Speaker 3: all that good stuff. Y'all know how to play. Let's
• 1:29:27
  Speaker 3: let's go. You guys ready, Yes, sir? Number one Michael Bean.
• 1:29:39
  Speaker 3: The second name is Bill Paxton Adam Yes, Aliens that
• 1:29:46
  Speaker 3: is incorrect, but they're both in that.
• 1:29:49
  Speaker 6: I'm sorry, Benny.
• 1:29:54
  Speaker 3: Benny, it's tombstone. I'm sorry, buddy, but yes, Benny, you
• 1:30:02
  Speaker 3: got three names remaining?
• 1:30:03
  Speaker 6: What did what did you say?
• 1:30:05
  Speaker 3: Michael be and Bill Paxson.
• 1:30:07
  Speaker 6: Kurt Russell yes, Sam Elliott, yes, Val Kilmer yes, Well, good, three.
• 1:30:16
  Speaker 3: First man through the gates, always bloody.
• 1:30:22
  Speaker 6: That was good, that was great. You literally guessed correctly.
• 1:30:25
  Speaker 3: Yeah, I feel you know what, I'm giving him a point.
• 1:30:30
  Speaker 3: Please don't at the point giving me something.
• 1:30:34
  Speaker 4: I thought it was gonna be wrong because I thought
• 1:30:36
  Speaker 4: it was maybe gonna be Alien three.
• 1:30:37
  Speaker 3: But then I was like, oh no, not Dian Aliens.
• 1:30:44
  Speaker 2: He dies quick.
• 1:30:45
  Speaker 3: Yeah, let's go to number two. The first name is
• 1:30:50
  Speaker 3: David Paymer.
• 1:30:54
  Speaker 2: I love that fun little character actor.
• 1:30:57
  Speaker 3: The little number two is Bruno Kirby.
• 1:31:03
  Speaker 2: Adam gad city Slickers, city Slickers.
• 1:31:10
  Speaker 3: Three, it's remaining dog. Let's go.
• 1:31:15
  Speaker 4: Let's start easy, Billy Crystal, Yes, yes, uh do I do.
• 1:31:20
  Speaker 4: What's Stern's first day?
• 1:31:22
  Speaker 3: Yeah?
• 1:31:23
  Speaker 6: Okay, can you just say Stern?
• 1:31:27
  Speaker 4: Uh?
• 1:31:31
  Speaker 2: Well, I can't.
• 1:31:32
  Speaker 3: I can't think of it.
• 1:31:34
  Speaker 2: I can.
• 1:31:35
  Speaker 3: I'll give you half a point for for sure, and
• 1:31:41
  Speaker 3: then uh.
• 1:31:44
  Speaker 2: Oh, I can't think of it's first I know the
• 1:31:46
  Speaker 2: other day. Four?
• 1:31:48
  Speaker 3: What's the old guys that are.
• 1:31:52
  Speaker 6: Half a point for Daniel.
• 1:31:54
  Speaker 3: Daniel Daniel Stern. Yeah, and then I'll.
• 1:31:56
  Speaker 6: Take City Slickers to or City Slickers. Academy Award winner Jacko.
• 1:32:04
  Speaker 3: Jack puts, all right, I like it where he did
• 1:32:07
  Speaker 3: the one arm push up.
• 1:32:10
  Speaker 6: Are these all westerns or horse movies?
• 1:32:13
  Speaker 3: They are all Westerns. It is more specific.
• 1:32:18
  Speaker 2: Okay, okay, wait, what was the point situation in that one?
• 1:32:23
  Speaker 3: So Gade got City Slickers, Billy Crystal and a half
• 1:32:28
  Speaker 3: for stir So two and a half got an he
• 1:32:33
  Speaker 3: got Jack Pounce and uhl.
• 1:32:37
  Speaker 2: Yes, love it, love it? Yes, and not the theme yet.
• 1:32:41
  Speaker 3: Okay, very close said westerns. More specific. Number three. The
• 1:32:49
  Speaker 3: first name is Alfred Molina Oh. Number two, Graham Green,
• 1:33:01
  Speaker 3: number three, James Garner, number four, Jody Foster.
• 1:33:13
  Speaker 2: Oh.
• 1:33:14
  Speaker 3: And the fifth and final name is mel Gibson Buke Spanning.
• 1:33:23
  Speaker 3: I think Buke's got it. Maverick, Maverick, you got it, yes, Maverick,
• 1:33:30
  Speaker 3: such a Maverick. Yes it was Maverick.
• 1:33:34
  Speaker 6: Are they Western films from the nineties?
• 1:33:37
  Speaker 3: They absolutely yes. Then he got another point. All of
• 1:33:40
  Speaker 3: these films will be in the nineteen nineties and they
• 1:33:44
  Speaker 3: are Westerns.
• 1:33:45
  Speaker 2: Oh that's not good for me.
• 1:33:46
  Speaker 3: Okay, it's point number four. The first name is Saul Rubinek.
• 1:33:55
  Speaker 2: I really want to guess something right now, but I'm scared.
• 1:33:59
  Speaker 3: I mean, if I guess. The second name is Richard Harris.
• 1:34:09
  Speaker 2: I feel less confident.
• 1:34:11
  Speaker 3: Benny Benny unforgiven. Unforgiven is correct.
• 1:34:14
  Speaker 2: That's not what I was thinking.
• 1:34:16
  Speaker 3: You have three names remaining.
• 1:34:17
  Speaker 6: Clint Eastwood, Morgan Freeman and Academy Award winner Jean.
• 1:34:22
  Speaker 3: Jean's another another four another four points? All right, number five,
• 1:34:28
  Speaker 3: let's go to the first name is Ted Levine. Number
• 1:34:35
  Speaker 3: two is Kenneth Barana, Branna, Benny, Benny.
• 1:34:42
  Speaker 6: Is it wild Wild West? Names Smith, Kevin Klein, so
• 1:34:50
  Speaker 6: Hiatt Yeah?
• 1:34:51
  Speaker 2: Four more points, brutal.
• 1:34:53
  Speaker 3: Where are we after five? It's his favorite movie, it's
• 1:34:56
  Speaker 3: my second favorite movie.
• 1:34:57
  Speaker 2: Idiot, idiot uh Renegade has three, Benny has fourteen and
• 1:35:03
  Speaker 2: a half, and I have one.
• 1:35:05
  Speaker 3: Wow wow, wow wow.
• 1:35:06
  Speaker 2: And I'm not feeling confident.
• 1:35:08
  Speaker 3: Not feeling confident, Okay, I don't feel like Yeah, let's
• 1:35:15
  Speaker 3: go over six. The first name is Gary Sonice boy.
• 1:35:19
  Speaker 3: I did not remember this movie. The second name is
• 1:35:25
  Speaker 3: Leonardo DiCaprio, Benny Benny. The Quick and the Dead, The
• 1:35:30
  Speaker 3: Quick and the Dead. Three names? Your main name.
• 1:35:33
  Speaker 6: Sharon Stone, Russell Wilson, Leonardo or you said Leonardo and
• 1:35:38
  Speaker 6: Russell Wilson, Gene Hackmann, Russell you are Russell West, sorry,
• 1:35:43
  Speaker 6: Russell Crowe, Danger, Russ Danger, Russ Crow Russell Crow.
• 1:36:00
  Speaker 3: Let's rot. We got four more points. One more points.
• 1:36:06
  Speaker 2: I'm not having a nice time.
• 1:36:08
  Speaker 3: Number seven. The first name is Floyd Red Crow Westerman.
• 1:36:13
  Speaker 2: Ah, Floyd True know him well.
• 1:36:16
  Speaker 3: The second name is Rodney A. Grant. The third name
• 1:36:22
  Speaker 3: is Graham Green Benny who already came up, Benny dances
• 1:36:26
  Speaker 3: with wol dances with wolves.
• 1:36:28
  Speaker 2: Two names for Mayne, Kevin Costner and Academy Award winner
• 1:36:31
  Speaker 2: Mary McDonald.
• 1:36:33
  Speaker 3: Three more points more get all right, let's go to
• 1:36:40
  Speaker 3: number eight. This might be the most points. Number eight.
• 1:36:43
  Speaker 3: The first name is Danny Trejo. The second name is
• 1:36:49
  Speaker 3: cheech Marin. The third name is Steve Bouscemi, Oh, Benny,
• 1:36:59
  Speaker 3: Benny Desperado, Desperado is correct names remaining.
• 1:37:04
  Speaker 6: Antonio, Bendettez and Silmi.
• 1:37:06
  Speaker 3: That is three more points.
• 1:37:09
  Speaker 2: I haven't seen like any of these.
• 1:37:12
  Speaker 3: Yeah, I don't think you've probably seen this next one either,
• 1:37:14
  Speaker 3: but its stars. The first name is Dermott mulroney. Oh.
• 1:37:20
  Speaker 3: The second name is Andy McDowell. The third name is
• 1:37:26
  Speaker 3: Drew barrymore.
• 1:37:29
  Speaker 2: Wow.
• 1:37:31
  Speaker 3: The fourth name is Mary Stuart Masterson, and the fifth
• 1:37:37
  Speaker 3: and final name is Madeleine Stowe.
• 1:37:41
  Speaker 2: Oh, Benny Benny, last of the Mohicans.
• 1:37:45
  Speaker 3: That is not correct. Yeah, anybody else have a guess?
• 1:37:49
  Speaker 2: Five?
• 1:37:50
  Speaker 6: No, obviously that Jesus.
• 1:37:55
  Speaker 3: That was a movie called Bad Girls.
• 1:37:59
  Speaker 2: Never heard of it. Yeah, it sounds delightful.
• 1:38:05
  Speaker 3: Yeah, I saw back then. Number ten we got. The
• 1:38:10
  Speaker 3: first name is William Peterson, yeh from c s I.
• 1:38:18
  Speaker 3: The second name is Christian Slater. Number three is Lou
• 1:38:25
  Speaker 3: Diamond Phillips. Benny Benny Young Guns incorrect, damn it, it's
• 1:38:33
  Speaker 3: but it's very close, Adam.
• 1:38:35
  Speaker 9: Yeah, yes, I have another idea, another one.
• 1:38:46
  Speaker 6: No, I'll say it, no points, but can I say.
• 1:38:49
  Speaker 3: It unless us wants.
• 1:38:51
  Speaker 2: I've never seen any of these movies.
• 1:38:53
  Speaker 3: Okay, Benny's chiefer right, but another two points for.
• 1:38:58
  Speaker 2: Gad you got your bugs, you got me good?
• 1:39:04
  Speaker 3: Young Young Guns was in eighty eight and Young Guns.
• 1:39:06
  Speaker 2: Too was in fun That is funn Yeah, we ended
• 1:39:11
  Speaker 2: with are we going into sudden death here? What are
• 1:39:13
  Speaker 2: we doing? No? I got to Benny off Renegade had five,
• 1:39:20
  Speaker 2: I had one, and Benny had twenty four and a half.
• 1:39:24
  Speaker 3: Ben, that might be your worst.
• 1:39:27
  Speaker 2: I seriously, I don't know any of those movies, so
• 1:39:30
  Speaker 2: I don't think.
• 1:39:31
  Speaker 3: I don't think I remember you ever getting a one Oh,
• 1:39:34
  Speaker 3: I'm sure I've done it before. No, I'm not good
• 1:39:37
  Speaker 3: at these pretty much all those movies.
• 1:39:41
  Speaker 2: So much rom Coms and that good Ship.
• 1:39:44
  Speaker 3: Yeah, I watched all of them as well.
• 1:39:47
  Speaker 6: I thought the only one, the only one I haven't
• 1:39:49
  Speaker 6: seen was that the second last one.
• 1:39:52
  Speaker 3: Yeah, I never seen. Yeah, he's watching it tonight.
• 1:39:54
  Speaker 2: I've seen movies titled that before, but not that one.
• 1:40:00
  Speaker 3: A lot, a lot, a lot too much. Well, wait
• 1:40:06
  Speaker 3: to go, Benny, you're gonna tell us how we do
• 1:40:07
  Speaker 3: our top five stunts on moving vehicles draft. But that's
• 1:40:12
  Speaker 3: just for our.
• 1:40:12
  Speaker 2: Patrons, it is. If you want to hear that and
• 1:40:14
  Speaker 2: or see it, go to patreon dot com slash. They
• 1:40:16
  Speaker 2: have an endorsement right now.
• 1:40:19
  Speaker 3: Check it out.
• 1:40:21
  Speaker 2: Otherwise, go support our guys and hang out with them.
• 1:40:25
  Speaker 2: We didn't have any specific plugs, so just be cool
• 1:40:26
  Speaker 2: to each other, baby, Just be cool.
• 1:40:29
  Speaker 3: To each other. Everyone, watch movies, watch movies.
• 1:40:32
  Speaker 2: We'll have another great movie coming up for you next week,
• 1:40:35
  Speaker 2: so stay tuned for that. And yeah, guys, thanks so
• 1:40:38
  Speaker 2: much for coming on. It's always such a blast to
• 1:40:39
  Speaker 2: have you.
• 1:40:40
  Speaker 3: You guys are guys best ever. Let us know when
• 1:40:43
  Speaker 3: you're doing the first one again.
• 1:40:44
  Speaker 2: Hell yeah, for the Back to the Future one three.
• 1:40:50
  Speaker 3: Yes, yes, yes, back to the back to the Back.
• 1:40:54
  Speaker 2: To the Future. Yeah, I'm gonna have to cut that.
• 1:41:02
  Speaker 2: We can't afford it.
• 1:41:05
  Speaker 3: Yeah, that does it. Today for Back to the Future
• 1:41:08
  Speaker 3: Part three, I'm Rob Londquist and.
• 1:41:10
  Speaker 2: Being thank you guys so much for listening until we
• 1:41:12
  Speaker 2: talk to you next time. In show rights, the.
• 1:41:17
  Speaker 3: Sun is shining out a cloud in the sky, and.
• 1:41:22
  Speaker 1: We wouldn't know because we're so happy inside.
• 1:41:26
  Speaker 3: Some people.
• 1:41:28
  Speaker 1: Ons, but we would rather sit on down and talk
• 1:41:32
  Speaker 1: some movies. We're the evid Indoorsmen. Come listen to our show.
• 1:41:38
  Speaker 2: We're the evid.
• 1:41:39
  Speaker 1: Indoorsmen at home. More on the goal where the evidendors Man.
• 1:41:45
  Speaker 1: We hope you love it, so come on in and stay.
• 1:41:49
  Speaker 1: We'll do our best to excuse my indoors man.