Latest / Drama, Darling: A Real Housewives Comedy Podcast / 💎 RHOBH Recap: "Boz Saw Mauz at SoHoz with Ho'z"

Transcript

💎 RHOBH Recap: "Boz Saw Mauz at SoHoz with Ho'z" · Drama, Darling: A Real Housewives Comedy Podcast

• 0:05
  Speaker 1: Drama, Darling Drama, Darling Drama, Darling.
• 0:19
  Speaker 2: Hello, darlings, it's a Beverly Hills kind of day. Can't
• 0:24
  Speaker 2: wait to recap yet again, the sudden and deurite fight
• 0:28
  Speaker 2: that will last until the end of times, now.
• 0:33
  Speaker 3: Until Kyle and Dur's fight start to get.
• 0:36
  Speaker 2: Yes, and maybe until Kyle and Mauricio get back together.
• 0:40
  Speaker 2: Who knows, it may go on forever and a day.
• 0:44
  Speaker 3: Now.
• 0:44
  Speaker 2: That may sound like a familiar voice to you. That
• 0:46
  Speaker 2: is because Emily Dereesis is back. What's up, Emi? Gosh,
• 0:51
  Speaker 2: welcome back. She's been traveling the world.
• 0:57
  Speaker 4: Well, yeah, to the East Coast and then got real
• 1:00
  Speaker 4: sick and couldn't like even get on the microphone.
• 1:04
  Speaker 2: Yeah, she was sick. I was you know, I was
• 1:06
  Speaker 2: trying to make it sound romantic, but you were just
• 1:11
  Speaker 2: ways transmitters. Wow, here we go bos what Wow. Didn't
• 1:20
  Speaker 2: know we were going to be going there.
• 1:24
  Speaker 3: Wow.
• 1:24
  Speaker 2: She had a great episode two night. By the way,
• 1:30
  Speaker 2: this is being recorded on Tuesday evening, getting to you
• 1:35
  Speaker 2: guys fresh on a Wednesday morning, so I hope you
• 1:38
  Speaker 2: enjoy it. Darlings. Please head on over to ticketmaster dot
• 1:43
  Speaker 2: com search up drama, Darling. Guess who's coming to Chicago.
• 1:48
  Speaker 2: Two of the darlings right here that you're listening to myself,
• 1:50
  Speaker 2: Emily will be there. We're going to do a drama
• 1:52
  Speaker 2: Darling Live. I cannot wait. Pink Shade Podcast they're going
• 1:56
  Speaker 2: to be doing a bit in it, as well as
• 1:59
  Speaker 2: Reality Gay Podcast. Working on some other guests as well.
• 2:05
  Speaker 2: It's gonna be Apollo, Oh at the Apollo eight pm
• 2:09
  Speaker 2: on April second.
• 2:11
  Speaker 3: Twenty five, forty North Lincoln Avenue.
• 2:13
  Speaker 2: Yeah, and that's in the uh what what area?
• 2:16
  Speaker 3: Park?
• 2:17
  Speaker 2: Thank you? Lincoln Park, part of Lincoln Park. It's a great, bigborhood.
• 2:23
  Speaker 2: So get on up there. We already have a ton
• 2:25
  Speaker 2: of darlings coming and there's a bar. It's gonna be fabulous.
• 2:30
  Speaker 3: There's a lot to do after around that area too.
• 2:34
  Speaker 3: You can see where John Dillinger was gunned down. I mean,
• 2:38
  Speaker 3: it is fun. It is fun.
• 2:43
  Speaker 4: Wow.
• 2:43
  Speaker 2: Okay, that is drama. That is drama Darling.
• 2:46
  Speaker 3: Okay. They filed a Dillinger on that street or whatever
• 2:50
  Speaker 3: that John Dillinger movie was.
• 2:52
  Speaker 2: When I lived in Chicago, they filmed Batman. Have you
• 2:56
  Speaker 2: ever heard of Batman? They were filming Jason Bateman.
• 2:59
  Speaker 4: Story Jason Batman, Jason and Justine Bateman.
• 3:06
  Speaker 3: What happened to her?
• 3:06
  Speaker 2: I don't know, but I still love Jason Bateman. Oh
• 3:10
  Speaker 2: my god, you too, He's my favorite. But anyway, I
• 3:13
  Speaker 2: would look out of because I was living on Ohio Street,
• 3:16
  Speaker 2: right downtown. It was in a high rise. It was
• 3:19
  Speaker 2: a sublet if you will, great price too, will okay,
• 3:24
  Speaker 2: And so I could literally look out of my window
• 3:28
  Speaker 2: and see them filming The Batman.
• 3:32
  Speaker 3: Wow. Do you know that Gotham is supposed to be Chicago?
• 3:36
  Speaker 2: Yes?
• 3:36
  Speaker 3: Like adjacent?
• 3:37
  Speaker 2: Yeah, thank you for telling the darlings that.
• 3:40
  Speaker 3: Of course I knew that this is, of course the
• 3:41
  Speaker 3: Christopher Nolan directed Batman.
• 3:44
  Speaker 2: Yeah, sure, I don't for that. Those of you who
• 3:48
  Speaker 2: are on the Tier two Tier two over here on Patreon,
• 3:54
  Speaker 2: you'll notice that I'm holding up an La Phil conductor.
• 3:56
  Speaker 4: So from seeing Phil Donahue when he did his life
• 4:00
  Speaker 4: show in La in eighty three.
• 4:03
  Speaker 2: I've been holding on to this sucker, La Phil. I
• 4:07
  Speaker 2: just cleaned out my garage and I found it. Anyway,
• 4:11
  Speaker 2: Doug Buden and I went this past weekend, and yeah,
• 4:15
  Speaker 2: did you know that I did?
• 4:18
  Speaker 3: I have been you've been dead Cloud.
• 4:20
  Speaker 2: She's been dead. Uh, she was in a coma. If
• 4:23
  Speaker 2: you will, your coma theories. But she's back. But yes,
• 4:26
  Speaker 2: I went again, Doug Bute and I had plans. So
• 4:28
  Speaker 2: it was the second time in March that I've been
• 4:30
  Speaker 2: to the La Phil and I am and I am
• 4:32
  Speaker 2: at La phil head as Jamie coined it, and I'm
• 4:34
  Speaker 2: very excited. So I went to the gift shop to
• 4:36
  Speaker 2: get something from my mom, but they didn't have what
• 4:38
  Speaker 2: she wanted, and I said, oh, I've got to get this,
• 4:41
  Speaker 2: and Doug let me use his discount because he's a member.
• 4:46
  Speaker 2: So I got this conductor stick to conduct while I'm
• 4:50
  Speaker 2: doing this podcast. Okay, anyway, so I just really feel
• 4:54
  Speaker 2: like we need to welcome ourselves in to talk about
• 4:57
  Speaker 2: this episode because it happened. Yeah, Okay. The fact that
• 5:07
  Speaker 2: this episode started off with Sutton in the kitchen in
• 5:10
  Speaker 2: Saint Lucia and being like, I'm wearing voga to night.
• 5:13
  Speaker 2: I was like, oh, and you can joke about it,
• 5:15
  Speaker 2: and now you can joke about it.
• 5:18
  Speaker 3: But she can't joke about it.
• 5:19
  Speaker 2: But she can't joke because it's her. It's a joke
• 5:23
  Speaker 2: and joke. I mean, actually I do say that a lot.
• 5:25
  Speaker 2: I was like, well, they can't say it. I mean,
• 5:28
  Speaker 2: you can't say, but they can, like so I do
• 5:31
  Speaker 2: talk about that all the time. But honestly, I mean,
• 5:34
  Speaker 2: really too soon, something too soon.
• 5:37
  Speaker 4: I actually liked that she was loose about it, but
• 5:41
  Speaker 4: I am like, you're sending mixed messages, but I like,
• 5:45
  Speaker 4: I like where we're at with it.
• 5:47
  Speaker 2: I like where we're at, but you are sending some missers,
• 5:49
  Speaker 2: some mixers there. Yeah, Okay, Kyle and Garsal wearing the
• 5:54
  Speaker 2: same white dress was great. But the throwback to the
• 5:59
  Speaker 2: flash the flashback to when Garcel called her wardrobe hideous,
• 6:03
  Speaker 2: was something that I really needed to revisit because I
• 6:06
  Speaker 2: completely forgot about that.
• 6:08
  Speaker 4: I forgot about it. Wow, I showed what she called hideous. Honestly,
• 6:13
  Speaker 4: I was like, I thought it looked kind.
• 6:14
  Speaker 2: Of good, yes, especially now looking back, like a cute
• 6:18
  Speaker 2: little shorts outfit. I mean I remember then thinking it's
• 6:23
  Speaker 2: not that great of an outfit because they were all
• 6:25
  Speaker 2: maybe decked out in a way that she just wasn't.
• 6:29
  Speaker 2: But looking back, she looks adorable. But I do remember that,
• 6:33
  Speaker 2: and I thought, Wow, she is going for it, and
• 6:38
  Speaker 2: is there.
• 6:38
  Speaker 3: A context we're forgetting?
• 6:41
  Speaker 4: Like you said, like they were all decked out, because
• 6:43
  Speaker 4: then when they cut to it, they're all wearing like
• 6:45
  Speaker 4: a blush pink outfit, like they looked like they were
• 6:49
  Speaker 4: in a theme. Is there a Darling's Is there a context?
• 6:53
  Speaker 2: Is there, Darlings a context that I lost in my cold?
• 6:58
  Speaker 2: I forgot that about the rose colored whatever you saw,
• 7:03
  Speaker 2: I didn't see it. I didn't. I was just say rose,
• 7:05
  Speaker 2: I say blush, Oh, blush, okay, and I I say rose.
• 7:12
  Speaker 2: You say what?
• 7:13
  Speaker 3: Oh girl?
• 7:15
  Speaker 2: How many told any time?
• 7:17
  Speaker 3: I mean.
• 7:23
  Speaker 2: To drink all by myself since you've been having a
• 7:26
  Speaker 2: cold and you were out of town. This is just ridiculous.
• 7:29
  Speaker 3: And then I had a friend in town? Oh what
• 7:32
  Speaker 3: I mean? Oh?
• 7:33
  Speaker 2: And you couldn't see your friend because you were sick. No,
• 7:36
  Speaker 2: I saw the friend and now she's sick. Good for you.
• 7:40
  Speaker 3: No, they are.
• 7:41
  Speaker 4: They are on their way to Singapore to take whatever
• 7:45
  Speaker 4: I have out into the world.
• 7:47
  Speaker 2: So great, Singapore, You're welcome for this American miserable cold
• 7:54
  Speaker 2: that she had.
• 7:56
  Speaker 3: I'm saying cold, but I was.
• 7:58
  Speaker 2: It's not it was sad. It was some sort of.
• 8:01
  Speaker 3: Yeah, it was.
• 8:02
  Speaker 4: It was like next level, but not a flu. The
• 8:04
  Speaker 4: darling hard riveted edge.
• 8:07
  Speaker 2: Let's go back, let's get back, okay. So but they
• 8:11
  Speaker 2: go to dinner and uh and then oh, Jennifer Tilly's
• 8:16
  Speaker 2: telling the story about her boyfriend and how like he
• 8:20
  Speaker 2: hadn't seen her, you know fully just like stand up
• 8:24
  Speaker 2: naked and that. Really I loved this story because it
• 8:27
  Speaker 2: does really make sense about seeing someone in a different light,
• 8:32
  Speaker 2: Like when she explained how she would get on the
• 8:34
  Speaker 2: bed and be like, I'm ready. It's so perfect that.
• 8:38
  Speaker 4: To me is more intimate than just walking around naked.
• 8:44
  Speaker 4: Presenting yourself in that way feels so wild to me.
• 8:49
  Speaker 4: Present being like I'm like adjusting all the lights and
• 8:54
  Speaker 4: being like now it is time.
• 8:56
  Speaker 3: Like that sounded but you razy.
• 8:59
  Speaker 2: But you have the coverage of like good lighting and
• 9:02
  Speaker 2: good angles. You know, you've got the you can position
• 9:06
  Speaker 2: yourself to perhaps gently cover areas that you might be
• 9:09
  Speaker 2: self conscious about, whereas if you're just walking around willy
• 9:13
  Speaker 2: nilly in the light of day, God help anyone around.
• 9:18
  Speaker 3: Okay, I'm not saying that. I'm saying like, every.
• 9:22
  Speaker 4: Time, it's gonna be like every time, well, camera positioning right.
• 9:29
  Speaker 2: Well, her whole thing about waking up at five am
• 9:31
  Speaker 2: and putting makeup on was who extraordinary? Well, I haven't
• 9:36
  Speaker 2: you know, I've heard this many times for women back
• 9:38
  Speaker 2: in the day or you know you've heard this ya
• 9:42
  Speaker 2: and the commitment, I just I could never I.
• 9:48
  Speaker 4: Mean, yeah, you're right, because it was definitely something I
• 9:50
  Speaker 4: heard of, like a friend's mom doing or like a grandma, right,
• 9:57
  Speaker 4: like a that generation.
• 9:58
  Speaker 2: Yes, And I don't know. I've seen like interviews where
• 10:02
  Speaker 2: people the lady will say, I, you know, he's never
• 10:06
  Speaker 2: seen me without mascara, and I'm like, oh my god,
• 10:10
  Speaker 2: my husband has seen like you. We all know what
• 10:14
  Speaker 2: Gullum looks like, right, Gollumn what from the rings? Yeah,
• 10:19
  Speaker 2: Goum is not Gollum.
• 10:22
  Speaker 4: Uh not.
• 10:23
  Speaker 3: I don't. I don't believe. So it's like precious, my precious.
• 10:27
  Speaker 2: Yeah, not to be confused with the Gallam who says
• 10:33
  Speaker 2: my dear. So, yeah, we have. We've got two different characters,
• 10:39
  Speaker 2: so anyway.
• 10:40
  Speaker 3: Different guys.
• 10:41
  Speaker 4: So tell me a little bit bit about Gullum Gullemer's travels.
• 10:46
  Speaker 3: Tell me about him. What's he up to, what's he doing?
• 10:49
  Speaker 3: What's he up to tonight?
• 10:54
  Speaker 2: Okay, so waite, how do you say it again?
• 10:58
  Speaker 4: Gollum Gollum goll Yeah myself.
• 11:03
  Speaker 3: But I'm no, I believe you.
• 11:05
  Speaker 2: I'm not a Lord of the Red I'm sure you're right. Okay,
• 11:09
  Speaker 2: So Gollum, Yeah, that that sounds right. I don't know
• 11:12
  Speaker 2: what I'm saying, Gollum. Yeah that sounds weird. That sounds
• 11:14
  Speaker 2: like a dumb like sounds like a candy that you
• 11:17
  Speaker 2: shouldn't have. Okay, So Gollum, we all know what Gollum
• 11:22
  Speaker 2: looks like. You know, that's me uh in Morning Dare
• 11:29
  Speaker 2: and so he's seen it all and and God been
• 11:32
  Speaker 2: taking this substance, I mean the collagen that I drink
• 11:37
  Speaker 2: every day, which is amazing. And if you want it,
• 11:40
  Speaker 2: message me, I'll send you the link. So yeah, just
• 11:46
  Speaker 2: the commitment to that is is really extraordinary.
• 11:50
  Speaker 4: Well, but it's also interesting to me that Jennifer Tilly
• 11:55
  Speaker 4: because I have always heard of like that of having
• 12:00
  Speaker 4: to make yourself up and present and whatever, but like
• 12:04
  Speaker 4: there's a they're not a performer that and so in
• 12:08
  Speaker 4: that same name, Jennifer Tilly's a performer and fully able
• 12:11
  Speaker 4: to be vulnerable and naked on stage every night.
• 12:14
  Speaker 3: That's where I was like, Wow, what a weird crossover promotion.
• 12:19
  Speaker 2: Yeah, yeah, I love her being on the show and
• 12:22
  Speaker 2: her putting her trying to put her earrings on in
• 12:24
  Speaker 2: the mirror I was that was so relatable. She heard
• 12:27
  Speaker 2: the eye blinkings amazing. You know there's a hole there somewhere,
• 12:36
  Speaker 2: That's what he said.
• 12:41
  Speaker 3: Did you talk about this or did we talk about
• 12:44
  Speaker 3: like I am now one thousand percent suret Jury is
• 12:46
  Speaker 3: planning these anti Jennifer Tilly stories there's she.
• 12:51
  Speaker 2: We haven't talked about it, no, but we yes, because
• 12:54
  Speaker 2: there was that story that came out that you know,
• 12:56
  Speaker 2: the rumor was that everybody hates Jennifer Tilly and that's ridiculous.
• 13:03
  Speaker 3: We know when they don't like somebody and they like
• 13:05
  Speaker 3: Jennifer Tilly.
• 13:07
  Speaker 2: Yeah, it's just.
• 13:07
  Speaker 4: That, like she's never not gonna have Sutton's back, and
• 13:11
  Speaker 4: there's probably been more that we have seen where she
• 13:14
  Speaker 4: clearly has Sutton's back, and Durit is also just pissed
• 13:18
  Speaker 4: because Jennifer Tilly is like wiping her ass with money
• 13:21
  Speaker 4: and Durie's like, oh well they all hate her.
• 13:27
  Speaker 3: Good, thank you.
• 13:30
  Speaker 2: Meanwhile, Jennifer Tilly on the Boat's like the way she
• 13:34
  Speaker 2: ended that scene with like trying to lighten it up
• 13:36
  Speaker 2: with comedy next week on like everybody takes down Sutton
• 13:41
  Speaker 2: on the boat or something like that. It was so
• 13:43
  Speaker 2: funny she tries to lighten it up.
• 13:45
  Speaker 3: I just love her.
• 13:46
  Speaker 2: So Okay, so now we are at dinner and Durite
• 13:51
  Speaker 2: is bringing up you know, a Sudden again. You know,
• 13:57
  Speaker 2: I just really feel that you've been mean to and
• 14:00
  Speaker 2: so now we have to rehash this again for like
• 14:02
  Speaker 2: the eighth week in a row.
• 14:05
  Speaker 4: The thing is, if you took Sutton out, if they
• 14:07
  Speaker 4: edited that and cut to Kyle, we would just assume, Yep, Deuri,
• 14:13
  Speaker 4: it's gonna have this again with Kyle right now. Like
• 14:15
  Speaker 4: it doesn't like she's going to have it. We just
• 14:18
  Speaker 4: don't know what it's going to be with Yeah, it's
• 14:20
  Speaker 4: going to be the same.
• 14:21
  Speaker 2: Thing draw straws everybody, because Deary is going to you know,
• 14:27
  Speaker 2: hit that hammer on the nail. I mean hit that
• 14:30
  Speaker 2: nail with the hammer over and over and over again.
• 14:32
  Speaker 4: The difference is that I do think Sutton brings it
• 14:35
  Speaker 4: on herself, whereas Kyle, I'm just like.
• 14:38
  Speaker 2: Yeah, that's true, Yeah, Sudden. You know, she has some
• 14:41
  Speaker 2: issues here that she's like absolutely, I mean, let's let's
• 14:45
  Speaker 2: call it what it is. But they kind of came
• 14:49
  Speaker 2: to a place where we I thought that we were
• 14:51
  Speaker 2: gonna beat Chill and Durit even said it later to
• 14:55
  Speaker 2: Bo's which is that, you know, apologies don't mean anything anymore.
• 14:59
  Speaker 2: She wants to see action. Well you can't really see
• 15:02
  Speaker 2: that until you give it a freaking second. So stop
• 15:05
  Speaker 2: talking about the apologies. Please stop bringing it up, because
• 15:10
  Speaker 2: Sutton will never acquiesce. She's going to fight you back,
• 15:14
  Speaker 2: and as well she should. You're bringing it up again.
• 15:18
  Speaker 2: And but what was different about this was Erica really
• 15:22
  Speaker 2: got a chance here to take her down a few pegs,
• 15:24
  Speaker 2: which was kind of amazing. So Juri pretty much backed
• 15:30
  Speaker 2: Sutton into a corner of the boat and she was like,
• 15:33
  Speaker 2: you know, you, rather than work it out, you want
• 15:36
  Speaker 2: to go lower. And then Jennifer says something along lines
• 15:39
  Speaker 2: of no, she really wanted a sisterhood, and then.
• 15:42
  Speaker 5: Eric is like, nah, sometimes he doess she doesn't.
• 15:47
  Speaker 2: And then Sutton's like, we're gonna beat me with a stick,
• 15:50
  Speaker 2: and so so she just, I mean, she just is like,
• 15:55
  Speaker 2: goes to twenty, immediately, immediately to twenty.
• 15:59
  Speaker 4: And then then oh yeah, okay, because in my head
• 16:02
  Speaker 4: I'm a little jumbled on the timeline.
• 16:05
  Speaker 3: They go a little hard there and you think Sutton's
• 16:08
  Speaker 3: not going to give, and then she gives right that's
• 16:12
  Speaker 3: so weird.
• 16:13
  Speaker 2: Yeah, it's so weird how that happened, and so that
• 16:19
  Speaker 2: Dry It's like, you can't become a victim every time.
• 16:21
  Speaker 2: And then Sutton's like, are you gonna beat me? Actually
• 16:24
  Speaker 2: I did think about it, and uh really sorry for
• 16:33
  Speaker 2: the wallet comment. And then Dry It's like, huh hard right, turn,
• 16:38
  Speaker 2: that was weird. It's like a hairpin turn. So she's
• 16:42
  Speaker 2: like wondering was that real? And honestly, it doesn't matter,
• 16:46
  Speaker 2: like she really did seem somewhat since your take it
• 16:49
  Speaker 2: and it was.
• 16:49
  Speaker 3: On I agree, But it felt like a global apology.
• 16:54
  Speaker 3: It felt like Sutton to.
• 16:56
  Speaker 2: All the women in the world.
• 16:58
  Speaker 4: Well all the women in the world that she's universally,
• 17:02
  Speaker 4: but it felt like someone got to Sutton and was like,
• 17:05
  Speaker 4: you better apologize before this shit hits the air, Like
• 17:08
  Speaker 4: you better be on top of this because it it
• 17:11
  Speaker 4: rings wrong.
• 17:13
  Speaker 3: So I think is like Aby and obviously.
• 17:19
  Speaker 2: Obviously that's oh my god. They need to have a
• 17:23
  Speaker 2: podcast that's like obviously Sutton.
• 17:28
  Speaker 3: Yeah, avy A v I O U s L Y.
• 17:32
  Speaker 2: Or she'd be like, no, Sutton, obviously yeah.
• 17:37
  Speaker 3: And the whole thing is just name it.
• 17:39
  Speaker 4: Name the podcast, name it, name it it's just I
• 17:43
  Speaker 4: was making puns and.
• 17:44
  Speaker 2: It's just her telling av what to do, and so
• 17:47
  Speaker 2: he's constantly leaving. So she's like, Abby, where'd you go.
• 17:50
  Speaker 2: GE's like, you told me to go do this. We're
• 17:52
  Speaker 2: doing a podcast, Well what do you want me to do?
• 17:55
  Speaker 2: Be my assistant? And she like she says two different things,
• 17:59
  Speaker 2: So it's just like the worst to listen to.
• 18:02
  Speaker 4: Be my assistant who doesn't do anything but eat on
• 18:06
  Speaker 4: this podcast.
• 18:07
  Speaker 2: So yeah, then she apologized for the wallet comment, which
• 18:11
  Speaker 2: I think you're right. Yeah, obviously told her that was bad.
• 18:16
  Speaker 2: Durit hardly accepts it, and then Dury kind of accepts it.
• 18:21
  Speaker 2: And then she does apologize for the drink comment and.
• 18:27
  Speaker 3: Barely Yeah, that was you know, typical housewives.
• 18:33
  Speaker 4: I'm sorry if I had to found out you yeah, yeah,
• 18:37
  Speaker 4: it didn't count. And also I'm kind of pissed that
• 18:40
  Speaker 4: Sutton's like, oh, all of a sudden, Dury has taken
• 18:43
  Speaker 4: accountability for two minutes, and Dury, It's like, I always
• 18:47
  Speaker 4: take accountability. I'm like, editors, let's get a montage, like
• 18:51
  Speaker 4: where is the dey not taking it?
• 18:53
  Speaker 3: You know what?
• 18:55
  Speaker 2: Because her footage is too long to edit down. That's
• 18:59
  Speaker 2: why like, please don't make us go back and like
• 19:02
  Speaker 2: go through her footage. Please don't. But so what they
• 19:06
  Speaker 2: did was they just had other people and their confessionals
• 19:09
  Speaker 2: be like, she doesn't do that, that's shit, like shit,
• 19:14
  Speaker 2: And then then we kind of skirt out of that situation,
• 19:19
  Speaker 2: right and we move over to Bow's who's like, hey,
• 19:26
  Speaker 2: how about this. I was at soha sohaas and I
• 19:29
  Speaker 2: seem and his girl and I was.
• 19:30
  Speaker 4: Like, oh my god, this is what even right prior
• 19:34
  Speaker 4: to that, she was like kind of dey, like accept
• 19:37
  Speaker 4: this apology.
• 19:38
  Speaker 2: Oh did she do that there? I thought she did
• 19:41
  Speaker 2: it later, but maybe.
• 19:42
  Speaker 4: She did it at the table when because Dury was
• 19:45
  Speaker 4: like not hearing Sutton and Bose was like hello, like, except.
• 19:49
  Speaker 2: You're right, You're right she did do that. Then I'm
• 19:51
  Speaker 2: so sorry. Yes, yes, And later she did talk about
• 19:54
  Speaker 2: how she did what she saw but you're right. She
• 19:56
  Speaker 2: was like, what are you doing? Except that was such
• 19:58
  Speaker 2: a great I loved that moment and I thought I
• 20:01
  Speaker 2: did too. This is what we've been waiting for Emily.
• 20:04
  Speaker 2: For her, it is clearly.
• 20:06
  Speaker 4: And then I thought like, oh, darit is the wheels
• 20:09
  Speaker 4: are turning because she just went hard for Sutton. In
• 20:13
  Speaker 4: Duritte's mind, Bo's did, and now she's taking up and
• 20:18
  Speaker 4: texting Kyle and being her Oh, like Durit is like
• 20:24
  Speaker 4: where my one alliance here is right gaining independence, and
• 20:30
  Speaker 4: I will no longer have anyone that I can just
• 20:33
  Speaker 4: go and circle up and tell them exactly how everybody
• 20:37
  Speaker 4: else is based on my opinion.
• 20:41
  Speaker 2: I love that Bo saw it so plain as day. Yes,
• 20:45
  Speaker 2: and uh And also maybe she said something then or later,
• 20:50
  Speaker 2: Oh it was later when she was like Durit does
• 20:52
  Speaker 2: a challenge with giving apologies and receiving apologies, but that
• 20:57
  Speaker 2: was later.
• 20:59
  Speaker 1: Ok.
• 21:00
  Speaker 2: She talks about uh Mo Mo's She talks about.
• 21:07
  Speaker 3: Seeing at the Soo Soho the moho. That's what it is,
• 21:14
  Speaker 3: the moho the moho.
• 21:17
  Speaker 2: Bo's talked about Mo at the Soho house. Dear lord,
• 21:23
  Speaker 2: can you say that three times?
• 21:25
  Speaker 3: Bo? Slow Mo some molo at the so.
• 21:34
  Speaker 2: Bose saw Mo because he's a hoe at the Soho
• 21:41
  Speaker 2: with another hoe.
• 21:43
  Speaker 3: Okay, slow Mo? Bo saw Mo and his hoe at
• 21:47
  Speaker 3: the Soho.
• 21:48
  Speaker 2: There you go, nice work, thank you. And Kyle immediately
• 21:53
  Speaker 2: interrupts and says a girl because Bo said his girl.
• 21:57
  Speaker 5: And she was like, hey girl, a girl, a girl?
• 22:06
  Speaker 2: And then they all chime in. I mean it was
• 22:10
  Speaker 2: like a cacophony, an orchestra, if you will.
• 22:14
  Speaker 3: All of them were conductor Amy, but no conductor.
• 22:23
  Speaker 2: I started singing the Salt Lake City theme song.
• 22:26
  Speaker 3: Heather's voicing everything over.
• 22:30
  Speaker 5: Everyone was like, yes, girls, he's dating.
• 22:33
  Speaker 2: And he's single, you know, like they're all like sang it.
• 22:36
  Speaker 2: And then even Kathy pipes in and she's like, that's
• 22:40
  Speaker 2: a girlfriend. I mean, that's a girlfriend. That's a girlfriend.
• 22:46
  Speaker 2: I mean it was it had to have been really
• 22:49
  Speaker 2: tough because as much as we knew later obviously that
• 22:53
  Speaker 2: Bow shared that she texted Kyle the second she saw
• 22:56
  Speaker 2: him and was like, I'll run up on his house.
• 22:59
  Speaker 2: Well that's one thing, but then all of a sudden
• 23:04
  Speaker 2: bring it up out of nowhere with no warning whatsoever,
• 23:08
  Speaker 2: to be like Kyle, remember I saw Moe at so
• 23:12
  Speaker 2: Ho me Bo's with his hoes, you know, and then
• 23:19
  Speaker 2: her being like, you know, it just was shocking, was
• 23:21
  Speaker 2: shocking to my body for that to happen like that.
• 23:24
  Speaker 2: But and then we got her reading the text that
• 23:28
  Speaker 2: she wrote to Kyle, and then at the end of
• 23:31
  Speaker 2: it she caps it with that's a friend. And then
• 23:37
  Speaker 2: Kathy chimes in two in real time and it's like, no,
• 23:41
  Speaker 2: that's oh wait, I screwed up. That's when she said
• 23:45
  Speaker 2: that's a girlfriend, that's a girlfriend. She said it about Bo's,
• 23:49
  Speaker 2: not about Mo's hoes.
• 23:52
  Speaker 3: No, yeah, you're correct.
• 23:54
  Speaker 2: What about the last said I meant, I thought that
• 23:57
  Speaker 2: she was saying that that's Moe's is girlfriend, like correcting it,
• 24:02
  Speaker 2: agreeing with Bo's where she was like because Kyle's like, no,
• 24:06
  Speaker 2: a girl, and Kathy's like, that's a girlfriend, that's his girlfriend.
• 24:09
  Speaker 2: But no, that's not what she was saying. She was
• 24:11
  Speaker 2: saying that Bo's was being a girlfriend. I apologize, darlings, darlings,
• 24:15
  Speaker 2: I'm so sorry.
• 24:16
  Speaker 4: You know, Kathy, Kathy was uh like on the right
• 24:20
  Speaker 4: multiverse in that at that point, other points where she's
• 24:25
  Speaker 4: putting using you know, eyelashes for lip gloss throughout that episode.
• 24:31
  Speaker 2: I'm exfoliating. Uh So, Garceal says, you know, I want
• 24:41
  Speaker 2: to fight for you, but what's confusing for me is
• 24:44
  Speaker 2: that we tiptoe around Morgan when we talk about you know,
• 24:49
  Speaker 2: we can talk about Mo, but I don't know what
• 24:52
  Speaker 2: the situation is, you know, with Morgan and this that
• 24:56
  Speaker 2: set her, you know, back on her toes and she
• 24:59
  Speaker 2: was like, I'm in a situation like I don't. It's
• 25:02
  Speaker 2: just like a you know, photo, and I guess what
• 25:05
  Speaker 2: concert and I appearances because and also then when let's
• 25:12
  Speaker 2: go back to the Soho house, you know, and and
• 25:17
  Speaker 2: she was saying like, I can't help it if people
• 25:19
  Speaker 2: are going to take pictures, to which Garcel was like,
• 25:23
  Speaker 2: but that brings attention. And she's like, well, yeah, but
• 25:26
  Speaker 2: I mean I can't. There's nothing I'm not asking for this.
• 25:30
  Speaker 2: And then in Garcel's confessional, she says, the paparazzi really
• 25:34
  Speaker 2: follow her everywhere. I mean, Julia Roberts can go out
• 25:37
  Speaker 2: and we're not seeing her. So I have an opinion
• 25:40
  Speaker 2: about this. I think you're going to probably agree, because
• 25:44
  Speaker 2: I can tell by your face.
• 25:45
  Speaker 3: I doubt it. I doubt it.
• 25:48
  Speaker 2: Yeah, okay, I will emphatically disagree with you no matter.
• 25:55
  Speaker 3: What you say. You're ready.
• 25:59
  Speaker 2: So, so, Julia Roberts is living her life. She's you know,
• 26:05
  Speaker 2: if someone sees Julia Roberts out in the wild, shopping
• 26:08
  Speaker 2: in a boutique, they might send it to TMZ, they
• 26:11
  Speaker 2: might send it to Backgrid, they might send it to
• 26:15
  Speaker 2: Queens of Bravo. But they don't care there's nothing interesting
• 26:18
  Speaker 2: about it. The thing is is that these photos aren't
• 26:22
  Speaker 2: paparazzi actually waiting for them. It is regular people who
• 26:27
  Speaker 2: are Bravo fanatics that are taking these photos and then
• 26:32
  Speaker 2: sending them in and getting money for them. And Julia
• 26:36
  Speaker 2: Roberts story that guess what, it's reality stars are huge
• 26:41
  Speaker 2: on Daily Mail and everywhere.
• 26:43
  Speaker 3: Context.
• 26:44
  Speaker 4: We have context because if we know Kyle Richards is
• 26:47
  Speaker 4: at a show and that show, we were like, oh.
• 26:51
  Speaker 3: That's Morgan, this is this is a thing.
• 26:54
  Speaker 4: Yeah, if Julia Roberts is at a concert and she's
• 26:58
  Speaker 4: having an affair, we have no context for that, right, Like,
• 27:02
  Speaker 4: I don't know unless I'm being told that it's a scandal.
• 27:05
  Speaker 3: Otherwise, like what's the deal?
• 27:07
  Speaker 2: Who cares? No? Right exactly. So, as much as I'd
• 27:11
  Speaker 2: like to agree with the Garcel thing, and I do
• 27:16
  Speaker 2: believe she has a point in that, a lot of
• 27:19
  Speaker 2: times these reality stars do call the paparazzi. And do
• 27:23
  Speaker 2: I think Kyle's done that a million times? Absolutely? And
• 27:26
  Speaker 2: do I think she and Mo have done it? Absolutely,
• 27:30
  Speaker 2: But there are also situations where she may not have called.
• 27:35
  Speaker 4: You know, that picture of her at Morgan's show was
• 27:37
  Speaker 4: sent by one of us that looked like a rainy ass.
• 27:41
  Speaker 3: Flip phone photo. That's like that was not from the popa. Yes,
• 27:48
  Speaker 3: that was one of us.
• 27:49
  Speaker 2: Wow, it says a lot about Morgan's audience. You're calling
• 27:52
  Speaker 2: them out.
• 27:53
  Speaker 4: I mean, it's from so far away, right, and it's
• 27:57
  Speaker 4: you know, it's not like the one of my some
• 28:01
  Speaker 4: that was a planeted paparazzi picture.
• 28:04
  Speaker 2: Oh and I don't know, I don't think that. I
• 28:05
  Speaker 2: think that. Oh I'm sorry, No, I agree the girl
• 28:09
  Speaker 2: at the airport, Yes that she called ahead or her
• 28:12
  Speaker 2: friend called ahead.
• 28:13
  Speaker 3: Yes, right.
• 28:14
  Speaker 2: But on a second, there have been pictures of Morgan
• 28:18
  Speaker 2: and Mo. Remember they were like going through that phase
• 28:20
  Speaker 2: when they were twinning and wearing the same stuff. Oh yeah,
• 28:24
  Speaker 2: and that's like backrid you know. So and there's all
• 28:27
  Speaker 2: this stuff in Mo or Morgan and Kyle. See but no,
• 28:32
  Speaker 2: because Morgan and Morgan and Mo.
• 28:37
  Speaker 3: But no, that's what I'm saying.
• 28:38
  Speaker 4: There was a hot second there where I'm like, is
• 28:41
  Speaker 4: Morgan living there?
• 28:42
  Speaker 2: Kyle and Morgan? Yeah, that's what I meant.
• 28:44
  Speaker 4: Yeah, but there was a hot second where I was like, oh,
• 28:47
  Speaker 4: most cool with this or whatever's happening, because there was
• 28:52
  Speaker 4: like a yeah, weird crossover vibe happening there was.
• 28:56
  Speaker 2: It was around the holidays and Morgan. This is when
• 29:00
  Speaker 2: we didn't really know much. I think this was even
• 29:02
  Speaker 2: before the video and they were Kathy was on live Instagram.
• 29:08
  Speaker 2: It was around Christmas time for like hours, Emily. It
• 29:13
  Speaker 2: was the best entertainment I have ever seen, and I
• 29:19
  Speaker 2: happened to have caught it, and it was magical and
• 29:22
  Speaker 2: I wish I could go back. She had like Kim
• 29:27
  Speaker 2: was there. It was Kim Kyle you, oh you remember it.
• 29:30
  Speaker 2: I'm saying this was before. This was right before the
• 29:35
  Speaker 2: Reality sixteen.
• 29:37
  Speaker 4: Thing dropped, Okay, because yeah, that was before July, so
• 29:42
  Speaker 4: that was like, maybe may not Christmas.
• 29:45
  Speaker 3: You just went everything Kathy Hilton does is at Christmas time.
• 29:48
  Speaker 4: Yes, there were probably Christmas trees in the shot, but
• 29:54
  Speaker 4: this was right before the face Reality sick.
• 29:56
  Speaker 2: It was oh okay, I just assumed it was Christmas
• 30:00
  Speaker 2: because it's always Kim and Kathy's yeah, yeah.
• 30:03
  Speaker 4: Yeah, you're right, okay, And Kim was wearing a scarf,
• 30:07
  Speaker 4: but it was way too warm for her scarf and jacket.
• 30:12
  Speaker 2: You're helping my case that it was around Christmas.
• 30:15
  Speaker 3: It wasn't though, because well.
• 30:18
  Speaker 2: Because I was getting the vibe that they were together
• 30:21
  Speaker 2: kind of around the holidays. Emily, could could you know what,
• 30:25
  Speaker 2: We're going to take a quick break actually, and during
• 30:28
  Speaker 2: this break, we're gonna we're gonna fact check. Be right back.
• 30:32
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• 30:35
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• 34:47
  Speaker 2: June twenty ninth, twenty twenty three that they posted this
• 34:50
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• 34:54
  Speaker 3: Thank you.
• 34:55
  Speaker 4: My prize is in the mail, one of them La
• 35:00
  Speaker 4: Donahue sticks.
• 35:01
  Speaker 2: Please, Emily, I just noticed on this post, well you
• 35:06
  Speaker 2: didn't accept my collaboration. I'm just seeing its like from
• 35:09
  Speaker 2: Jennifer Till.
• 35:11
  Speaker 4: Why didn't you the thing about I mean, because I
• 35:15
  Speaker 4: move quick, man, I will, I moved away.
• 35:18
  Speaker 2: This is really getting awkward on the show. This is
• 35:21
  Speaker 2: I can't believe you did this to me.
• 35:23
  Speaker 3: How could you do this to me?
• 35:24
  Speaker 2: You left me, You left me on collaborator.
• 35:27
  Speaker 3: Request what happened?
• 35:29
  Speaker 2: It's not red you left me on collaborate collaborator. You
• 35:34
  Speaker 2: left me on collaborator but hasn't accepted yet, Darling, you
• 35:39
  Speaker 2: left me on.
• 35:40
  Speaker 3: I hated the caption, Okay, I hated the caption. I
• 35:46
  Speaker 3: couldn't stand by it.
• 35:47
  Speaker 2: You know what, Ali's he it she hated the caption.
• 35:50
  Speaker 2: I couldn't stand it. I couldn't stand it. I gotta
• 35:53
  Speaker 2: be honest. I hated it.
• 35:54
  Speaker 3: I hated it.
• 35:56
  Speaker 2: I'm sorry, I'm sorry. I'm not going to accept a
• 35:58
  Speaker 2: collaboration if I don't that agree.
• 36:01
  Speaker 4: I'm sorry it took two years, but I was like,
• 36:05
  Speaker 4: if I don't accept it, I'm going to get a
• 36:07
  Speaker 4: Jill Zarin impression.
• 36:09
  Speaker 3: And so I just waited it out.
• 36:11
  Speaker 2: Wow, oh dumb, all right, Emily. So I am worried
• 36:19
  Speaker 2: about Kim. I want to say because this was mentioned
• 36:22
  Speaker 2: on the show when Durit went to Kyle and uh
• 36:26
  Speaker 2: at some point and she was like, how is sister?
• 36:30
  Speaker 3: You know, how is third sister? It was so it
• 36:46
  Speaker 3: wasn't it. It was weird, right, it shouldn't.
• 36:49
  Speaker 2: Have been weird, but it was weird that she asked
• 36:51
  Speaker 2: that for the Yeah, thank you for saying that I needed.
• 36:58
  Speaker 2: I think I context was more context.
• 37:02
  Speaker 3: I need a context. I need a context.
• 37:04
  Speaker 4: I needed contact lenses to see where the producer asked
• 37:08
  Speaker 4: dreed to say it, yeah.
• 37:10
  Speaker 2: And was there something? See this is where it made
• 37:12
  Speaker 2: me think, did something that time when she had the
• 37:17
  Speaker 2: cops the neighbors called the cops on her because she's
• 37:20
  Speaker 2: been living in Kyle's house, you know, right, And I'm
• 37:25
  Speaker 2: wondering if that was in the tabloids at that time,
• 37:28
  Speaker 2: and if that was if Durreid asked that, that's really messy.
• 37:33
  Speaker 2: And some bullshit.
• 37:34
  Speaker 4: You know, I don't think we I don't think that
• 37:36
  Speaker 4: that had happened yet.
• 37:38
  Speaker 3: And I can tell you exactly when that happened.
• 37:41
  Speaker 2: Because you guys forstit about it.
• 37:43
  Speaker 3: Because for some reason his safe. So if I go
• 37:47
  Speaker 3: to TMZ on my.
• 37:49
  Speaker 4: Page, it is the automatic page that opens to So
• 37:52
  Speaker 4: I'm always like, oh my god, did Kim?
• 37:55
  Speaker 3: Did Kim get the cops called?
• 37:58
  Speaker 1: Again?
• 37:59
  Speaker 5: Wait?
• 37:59
  Speaker 2: That is so wild?
• 38:02
  Speaker 5: Okay, someone needs to clear their cookies.
• 38:06
  Speaker 3: I did, because as soon as I said that, it
• 38:08
  Speaker 3: didn't come up.
• 38:09
  Speaker 2: Oh okay, well there you go on. You're like, Cashet,
• 38:14
  Speaker 2: don't Meanwhile, you're like, this camping won't go away. It's
• 38:17
  Speaker 2: like haunted by Kim.
• 38:19
  Speaker 4: Richards textaity like three times like oh my, oh nope.
• 38:24
  Speaker 5: News.
• 38:26
  Speaker 3: But I think I think that Kim was living at Kyle's.
• 38:30
  Speaker 3: But I don't think she had hit the fan yet.
• 38:33
  Speaker 2: Okay, okay, so I got over that house is right right,
• 38:38
  Speaker 2: right right. I just feel like it was a weird question,
• 38:41
  Speaker 2: and I think that Kyle really did the right thing
• 38:45
  Speaker 2: by not saying anything about her and just by saying,
• 38:49
  Speaker 2: you know, we really don't talk much at all. And
• 38:52
  Speaker 2: I feel very sad I feel really concerned. I think
• 38:55
  Speaker 2: about Kim a lot, you know, and I just want
• 38:59
  Speaker 2: to always keep in our prayers. That's all. That's all
• 39:01
  Speaker 2: I want to say.
• 39:02
  Speaker 4: Well, I think a lot about Kim too, in terms
• 39:04
  Speaker 4: of Kyle and like the things that like we kind
• 39:09
  Speaker 4: of aren't factoring into her current brain on the show
• 39:15
  Speaker 4: because like we know that, like, okay, we know about
• 39:19
  Speaker 4: her friend and then and then we also know that
• 39:23
  Speaker 4: Kim is living on a Kyle property. We don't know
• 39:28
  Speaker 4: totally how that went down, and we know it probably
• 39:32
  Speaker 4: there was a lot of shit leading up to whenever
• 39:36
  Speaker 4: those cops were called. Yeah, so I can't I mean,
• 39:40
  Speaker 4: like I mean when you really think about it, like
• 39:42
  Speaker 4: a family member.
• 39:45
  Speaker 3: Once again going through.
• 39:46
  Speaker 4: This whatever it is, and like the drama of that,
• 39:51
  Speaker 4: and I'm talking about like the emotional everything, Like that
• 39:55
  Speaker 4: alone is enough for me to be like, oh, she's
• 39:58
  Speaker 4: dealing with some shit. Then everything else and everything Kyle. Yeah,
• 40:03
  Speaker 4: and I mean Kim's dealing with it too. But I
• 40:05
  Speaker 4: also I was.
• 40:06
  Speaker 3: Like, wow, I wonder what that is too for Kim
• 40:08
  Speaker 3: and Kyle. Like Kyle's sober, and I.
• 40:11
  Speaker 4: Would think that that would be great for Kim, Like
• 40:14
  Speaker 4: in terms of their bond and things to do together.
• 40:19
  Speaker 2: But I don't know, Well, we don't know if Kim
• 40:23
  Speaker 2: is sober.
• 40:24
  Speaker 3: I know, we don't.
• 40:25
  Speaker 4: I'm just saying like, for a while there Kim was
• 40:28
  Speaker 4: sober and Kyle there was an overlap there, and so yeah,
• 40:34
  Speaker 4: I don't know.
• 40:36
  Speaker 2: I agree with you. And in a perfect world, yeah, yeah,
• 40:40
  Speaker 2: and I think too, there's a possibility that since Kyle
• 40:45
  Speaker 2: has so much going on in her life with Mauricio
• 40:48
  Speaker 2: and her family and all those dynamics, that she may
• 40:51
  Speaker 2: be choosing not to interact with Kim maybe as much
• 40:56
  Speaker 2: as she has in the past, because she doesn't have
• 40:58
  Speaker 2: the bandwidth to do it, and she's you know, maybe
• 41:01
  Speaker 2: she's got some boundaries that are really healthy for her. Yeah.
• 41:06
  Speaker 2: You know, that's not to say that Kim is doing
• 41:09
  Speaker 2: anything wrong or you know, I'm just saying that it
• 41:12
  Speaker 2: would make sense given their family dynamics and what we've
• 41:15
  Speaker 2: seen and what we know and what we've read between
• 41:19
  Speaker 2: the lines with some of the things that they've said,
• 41:21
  Speaker 2: especially you know from that Limo scene that we'll never forget.
• 41:25
  Speaker 4: And yeah, maybe for the first time ever, Kyle has
• 41:29
  Speaker 4: boundaries she didn't have before. Mm hmm.
• 41:32
  Speaker 3: And that's probably confusing to Kim too.
• 41:35
  Speaker 2: So when getting back to this stuff with Morgan, when
• 41:39
  Speaker 2: Garcel says that about like how come we can't talk
• 41:42
  Speaker 2: about this, and Kyle just pretty much shuts it down,
• 41:44
  Speaker 2: like if I have a story that I want to
• 41:46
  Speaker 2: tell you, maybe someday I will and maybe I won't.
• 41:51
  Speaker 2: But actually she said, I hope one day I'll have
• 41:53
  Speaker 2: a story to tell you. I think, is what the
• 41:55
  Speaker 2: way that she said it, And that was very an
• 41:59
  Speaker 2: interesting way way to put it, because at the end
• 42:02
  Speaker 2: of that she kind of tacked on there just to
• 42:04
  Speaker 2: protect herself or maybe I won't. Do you think it's
• 42:07
  Speaker 2: fair of Garcel to be bringing this?
• 42:09
  Speaker 3: Ston said? Or maybe you won't, yeah.
• 42:11
  Speaker 2: Or maybe you won't, and then she you're right, and
• 42:13
  Speaker 2: then Kyle just repeated it.
• 42:16
  Speaker 3: Right, So was your question?
• 42:19
  Speaker 2: Do you where were you the night of the twenty eighth? No,
• 42:22
  Speaker 2: I'm kidding, Okay, thank you for getting there. Do you
• 42:25
  Speaker 2: think that Garcel, you know, really again bringing this around
• 42:30
  Speaker 2: about Morgan is relevant? And also do you think that
• 42:35
  Speaker 2: Kyle should be sharing this and having to answer to this?
• 42:39
  Speaker 4: Well, I don't know if it's it's weird because everybody else,
• 42:43
  Speaker 4: everyone around Kyle is making the most story a most
• 42:47
  Speaker 4: story for the show. Kyle is acknowledging it because she
• 42:50
  Speaker 4: has to because it's happening while they're filming, but she's
• 42:55
  Speaker 4: not trying to throw Moe under the bus. It'd be
• 42:57
  Speaker 4: one thing if Kyle is sitting there trashing and being
• 43:00
  Speaker 4: like this guy blah blah blah blah, and then expecting
• 43:03
  Speaker 4: them to totally ignore that Kyle has clearly been on
• 43:08
  Speaker 4: doing her thing right, So I think again, I think
• 43:13
  Speaker 4: Garcel needs to take a step back and be like, Okay, this,
• 43:18
  Speaker 4: we are making the most story, the most story, and
• 43:21
  Speaker 4: we're going to decide to vilify this guy or not.
• 43:23
  Speaker 3: But Kyle really isn't and she's not asking us to,
• 43:28
  Speaker 3: So why am I demanding this of her? But it
• 43:33
  Speaker 3: also who said it? Was it? Oh? Erica?
• 43:39
  Speaker 4: She's like Garcel, like, we don't know anything about who
• 43:41
  Speaker 4: you're sleeping with or what you're doing or who you're with,
• 43:44
  Speaker 4: and maybe it's nobody.
• 43:45
  Speaker 3: But like when Erica said that, I was like, oh, yeah, yeah,
• 43:50
  Speaker 3: I was.
• 43:50
  Speaker 2: Like, oh wait a second, yeah, I guess. But the
• 43:54
  Speaker 2: other thing is, you know, sometimes that happens on a
• 43:57
  Speaker 2: lot of shows where you don't have drama in your life.
• 44:00
  Speaker 2: You're just actually a normal human. And I'm not saying
• 44:03
  Speaker 2: normal because that means that people who have drama aren't normal.
• 44:06
  Speaker 2: So what I mean is is that she's a very
• 44:09
  Speaker 2: stable life right now with no drama, and that doesn't
• 44:14
  Speaker 2: make for a good storyline. And so you kind of
• 44:17
  Speaker 2: are by default gonna look a little bit like a
• 44:19
  Speaker 2: bad guy if you keep coming for people to demand
• 44:22
  Speaker 2: them to be transparent.
• 44:24
  Speaker 4: Yeah, and we demand answer. We want you to answer
• 44:27
  Speaker 4: this very personal thing of yourself. Yeah again, right now again.
• 44:32
  Speaker 5: Yeah.
• 44:33
  Speaker 4: And it's not like it's not like Kyle's like, what
• 44:36
  Speaker 4: are you talking about? I don't know what you're talking about?
• 44:38
  Speaker 4: But I get I guess I get both sides of it.
• 44:41
  Speaker 4: It's like you sign up for this thing that all
• 44:44
  Speaker 4: bets are off. And then Kyle is kind of acting
• 44:47
  Speaker 4: like I mean, she's kind of gaslighting the whole situation,
• 44:50
  Speaker 4: but I don't know.
• 44:53
  Speaker 3: It's like, well, what what what are you doing? Sun?
• 44:56
  Speaker 3: What are you doing? Ourselves?
• 44:57
  Speaker 4: Like are they should that montage of sun Button going
• 45:01
  Speaker 4: hard for Kyle?
• 45:02
  Speaker 3: I was like, man, like I don't.
• 45:07
  Speaker 4: On the Morgan thing and on the Mauricio thing, like
• 45:11
  Speaker 4: come hell or Eyewater, we know everything about my own Kyle.
• 45:14
  Speaker 3: Now we didn't when Sutton was going for that hard,
• 45:18
  Speaker 3: but we do now. Mm hmm.
• 45:21
  Speaker 2: Well, so I you know, with regard to you know,
• 45:26
  Speaker 2: Kyle is giving everything else to us. I mean, this
• 45:31
  Speaker 2: is a huge chunk of her life, which is Mauricio,
• 45:35
  Speaker 2: her family, the other woman or women. I mean, this
• 45:40
  Speaker 2: is like completely exposed, and so she is speaking to it.
• 45:45
  Speaker 2: She is showing up. Yeah, I have to have another
• 45:48
  Speaker 2: housewife on your cast. See him out with another woman.
• 45:52
  Speaker 2: That could have gone a whole different way, you know
• 45:54
  Speaker 2: what I'm saying. Yeah, it depends on It would depend
• 45:57
  Speaker 2: on what kind of housewife we're dealing with. If if
• 46:00
  Speaker 2: Bo's was somebody who was a vindictive, thirsty caddy, you know,
• 46:07
  Speaker 2: low bottom, bullshit woman coming onto this show, she could
• 46:10
  Speaker 2: have used that information in fifteen different ways to make
• 46:14
  Speaker 2: the season pop and then potentially look like a hero
• 46:19
  Speaker 2: to us on the outside as viewers. Because it's such
• 46:23
  Speaker 2: a hot storyline. Do you see what I'm saying. Bo's
• 46:27
  Speaker 2: literally had a fork in the road, and it was like,
• 46:29
  Speaker 2: choose your own adventure. You can be straight up and
• 46:33
  Speaker 2: actually be a friend and connect with Kyle and take
• 46:39
  Speaker 2: her side on this or you could go in the
• 46:42
  Speaker 2: other direction and this show this season would you would
• 46:46
  Speaker 2: make the biggest fucking splash any housewife on Beverly Hills
• 46:49
  Speaker 2: would because you'd be coming in like a lion with
• 46:53
  Speaker 2: this information that wasn't in the tabloids. Yeah, because you
• 46:58
  Speaker 2: can't film.
• 47:00
  Speaker 4: So I kind of feeling Bo's told Kyle before that
• 47:07
  Speaker 4: dinner she was gonna.
• 47:09
  Speaker 2: Yeah, oh at the dinner that she was going to
• 47:11
  Speaker 2: bring it up.
• 47:12
  Speaker 4: Yeah, And I almost feel like Kyle wanted her, or
• 47:15
  Speaker 4: Kyle said, you know you can talk about that. Hmmm,
• 47:19
  Speaker 4: because I do think Kyle it's it. I do think.
• 47:22
  Speaker 3: Kyle is like she just had a face about her
• 47:26
  Speaker 3: that was like mm hmm, Bo's is my friend.
• 47:30
  Speaker 4: Like I think that's what she wanted that to be about,
• 47:32
  Speaker 4: not most so much as how hard Bo's went for her.
• 47:36
  Speaker 2: Mo and Bo's right, yeah, yes, you know, you have
• 47:40
  Speaker 2: a point. I I like that.
• 47:41
  Speaker 3: I like that.
• 47:44
  Speaker 2: So with Garcel, you know.
• 47:46
  Speaker 4: The other thing I was going to say, too real quick,
• 47:48
  Speaker 4: is that like I don't want I know that everybody's
• 47:51
  Speaker 4: gonna come, you know, everybody it's going to say where
• 47:55
  Speaker 4: Kyle stands and all that. Like I get it, and
• 47:57
  Speaker 4: we are, but at the end of the day, like what,
• 48:00
  Speaker 4: I don't want her to be like Mia and Potomac,
• 48:02
  Speaker 4: where her fucking tagline is like the only the only
• 48:08
  Speaker 4: Morgan I want to ride is a Morgan or what.
• 48:10
  Speaker 4: I don't know, what the fuck, but like, I don't
• 48:12
  Speaker 4: want Morgan in her tagline out of nowhere and we
• 48:15
  Speaker 4: forget who the hell Mo and the kids are, Like I.
• 48:18
  Speaker 3: Love that she's kind of dealing with this and it's
• 48:21
  Speaker 3: not linear.
• 48:22
  Speaker 2: I mean absolutely, and you'd said that you can see
• 48:26
  Speaker 2: both sides and I can too, honestly, Like when Sutton
• 48:30
  Speaker 2: came for Kyle about Morgan, you know, part of me
• 48:37
  Speaker 2: was like, well, someone on the cast has to say
• 48:39
  Speaker 2: it okay.
• 48:41
  Speaker 3: And at every ten minutes, but yes.
• 48:43
  Speaker 2: Say it no back then, I'm talking about last season.
• 48:46
  Speaker 2: I'm talking about when it was out there and she
• 48:48
  Speaker 2: wasn't saying anything okay. So it was like the elephant
• 48:51
  Speaker 2: in the room was what they were kind of calling it,
• 48:53
  Speaker 2: and was it Sutton's business to do that? And she
• 48:56
  Speaker 2: came at her so hard and very rude, and looking
• 48:59
  Speaker 2: at the lash back, You're like, wow, I mean it
• 49:02
  Speaker 2: could have been a lot nicer with that. That was weird. So,
• 49:07
  Speaker 2: but it was out there, and if someone on the
• 49:09
  Speaker 2: cast isn't going to call it out, then we as
• 49:11
  Speaker 2: viewers are sitting here going can someone represent what we're seeing?
• 49:16
  Speaker 2: And that is the role that Sutton took last year.
• 49:18
  Speaker 2: No one else, I'm sorry, Garcel took it as well.
• 49:21
  Speaker 2: Garcel and Sutton were right there, forward facing. But Sutton,
• 49:26
  Speaker 2: like she did with Erica and called out Erica, she
• 49:29
  Speaker 2: did the same thing to Kyle. And she's always been
• 49:31
  Speaker 2: the one to say the stuff that we as viewers
• 49:34
  Speaker 2: kind of want them to say. Does she say it
• 49:36
  Speaker 2: exactly how we want to say it? No, but she
• 49:39
  Speaker 2: at least says it. So, but that was last year
• 49:42
  Speaker 2: and Garcel was riding along with that as well. Now
• 49:45
  Speaker 2: this season, what I don't understand is Garcel, you already
• 49:50
  Speaker 2: did that last season. I don't know if it's a
• 49:54
  Speaker 2: great strategy to continue to bring it up. However, this
• 49:58
  Speaker 2: is like Maurice is out, you know, with these girls,
• 50:02
  Speaker 2: and now it does seem weird to balance those two
• 50:06
  Speaker 2: against each other when they're both in the tabloids with
• 50:08
  Speaker 2: other people. So why can't she speak to it if
• 50:10
  Speaker 2: we're friends and stuff like that. So I get where
• 50:13
  Speaker 2: Garcela is totally coming from because it does feel relevant
• 50:17
  Speaker 2: to bring it up.
• 50:18
  Speaker 4: It does, and I think Garcel's getting confused. Kyle's not
• 50:21
  Speaker 4: dragging Mo. You all are dragging Mo. So I get
• 50:27
  Speaker 4: where Garcel's like, Hey, if I'm gonna drag MO, I
• 50:29
  Speaker 4: need clearance because I need to know.
• 50:32
  Speaker 3: About this Morgan thing.
• 50:33
  Speaker 2: I see what you.
• 50:34
  Speaker 3: Kyle's like, I'm not dragging Mo. And also I'm not
• 50:37
  Speaker 3: talking about Morgan.
• 50:39
  Speaker 2: So yeah, yeah, it's it's a tricky situation and I
• 50:44
  Speaker 2: really hated seeing garcels so hurt that Sutton didn't have
• 50:48
  Speaker 2: her back. Sutton did say, we got that little flashback
• 50:50
  Speaker 2: of her being like, well, you know, we could say
• 50:54
  Speaker 2: why are you out with Morgan and do you have
• 50:59
  Speaker 2: Joe yourself? Something nass like that, you know. So we
• 51:03
  Speaker 2: did see that she was kind of co signing what
• 51:06
  Speaker 2: Garcel was saying, and she knew Suton knew that Garcel
• 51:09
  Speaker 2: would have brought it up, and she didn't have her
• 51:12
  Speaker 2: back in that, which was a little tricky because I
• 51:16
  Speaker 2: liked that Sutton had Kyle's back, but I didn't like
• 51:19
  Speaker 2: that it was so blatant, like she should have never
• 51:21
  Speaker 2: told Garcel in that earlier conversation that she was on
• 51:24
  Speaker 2: the same page as her, like agreeing to call her out.
• 51:28
  Speaker 2: But they talk all the time though, so wouldn't they
• 51:32
  Speaker 2: have brought that up again before the trip about like, oh,
• 51:35
  Speaker 2: we got to bring this up about Kyle and Morgan.
• 51:39
  Speaker 3: Yeah, I don't. Yeah, I think that.
• 51:43
  Speaker 4: I think that I'm really getting what Garcel is saying
• 51:47
  Speaker 4: about the kind of like trance that Sutton goes under
• 51:52
  Speaker 4: when she thinks that Kyle is improving her.
• 51:55
  Speaker 3: I didn't get it before. I'm really getting it.
• 51:58
  Speaker 2: Yeah. That was a great exact ample of someone presenting
• 52:01
  Speaker 2: their case and then showing the evidence. You know, it
• 52:05
  Speaker 2: was like, oh, wow, she really did back down. Oh
• 52:08
  Speaker 2: she really did do that. Oh. And then the second
• 52:10
  Speaker 2: Kyle had her back against Aurit, which was barely anything,
• 52:15
  Speaker 2: you know, it was like barely she was like, oh God,
• 52:19
  Speaker 2: I love you, thank you, Let's go to Augusta. I
• 52:21
  Speaker 2: mean she was just again, I mean, she was just
• 52:24
  Speaker 2: loving it.
• 52:26
  Speaker 4: So because we've seen like Erica or Jerk kind of
• 52:31
  Speaker 4: give like just bend to Sutton a little bit sudden,
• 52:34
  Speaker 4: it's like, huh, I don't give two shits.
• 52:35
  Speaker 3: But when Kyle does it.
• 52:38
  Speaker 2: And she really came for Kyle. Yeah, like, I mean,
• 52:43
  Speaker 2: it is strange. Okay, So I do want to mention
• 52:47
  Speaker 2: back at the villa when Eric is like taking out
• 52:50
  Speaker 2: her extensions and Bose is just like, this is the
• 52:53
  Speaker 2: second time it was, you know, a white woman remove
• 52:57
  Speaker 2: her extensions, and it is like so funny to me,
• 53:01
  Speaker 2: and it is wild like to see that flashback of
• 53:03
  Speaker 2: Kathy Hilton at the table just murdering them.
• 53:07
  Speaker 3: I mean, because it looks it's so painful.
• 53:10
  Speaker 2: Oh my god.
• 53:11
  Speaker 4: Yeah, it's like I almost can't look sometimes during that lushback,
• 53:16
  Speaker 4: I can't look so like chunks of her scalp.
• 53:21
  Speaker 3: Sorry all right.
• 53:22
  Speaker 2: I mean I don't know why we had to do that,
• 53:28
  Speaker 2: but uh no, okay, so oh okay, uh this is
• 53:38
  Speaker 2: when I was loving that Bow's just called Durry immediately out.
• 53:45
  Speaker 2: Dury was like, Suton keeps talking about sister, and I
• 53:50
  Speaker 2: just wanted to just throw my face into the couch.
• 53:52
  Speaker 2: At that point, I'm like, you have got to shut up.
• 53:57
  Speaker 2: But Bo's was like, well, actually when I saw was
• 54:00
  Speaker 2: she apologized and you said, I appreciate it, but and
• 54:03
  Speaker 2: then you began to railroad her. And Duri was like,
• 54:07
  Speaker 2: I but you see, and we just got served up
• 54:12
  Speaker 2: a little more jerret snack before bed.
• 54:17
  Speaker 4: But if it was anyone but Durit, I would kind
• 54:21
  Speaker 4: of side with them because I would be like, yeah,
• 54:23
  Speaker 4: this was not about me. This was about her clearing
• 54:26
  Speaker 4: her name to the group aka the audience.
• 54:30
  Speaker 3: And because it's Sturrit, I'm like, Durit, that was enough,
• 54:33
  Speaker 3: you got it. Let's go.
• 54:34
  Speaker 2: Yes, yeah, I mean really because because we know that
• 54:40
  Speaker 2: it's gonna happen two more times.
• 54:43
  Speaker 3: Oh, if we're lucky, it'll stop it too.
• 54:46
  Speaker 2: We're lucky if and then Sutton and Garcel have this
• 54:51
  Speaker 2: conversation and I hated seeing Sutton's feelings, you know, be
• 54:56
  Speaker 2: hurt by this, but she was like you a blind
• 55:00
  Speaker 2: fold on. Yeah, it was so real. It felt sad.
• 55:05
  Speaker 2: It was the first time that they've ever really had
• 55:07
  Speaker 2: a fight.
• 55:08
  Speaker 4: Well, to me, it was like better than a blowout
• 55:12
  Speaker 4: because it was so like, oh yeah, it was heavy,
• 55:17
  Speaker 4: like the door would slam it closed, just hard.
• 55:20
  Speaker 2: Enough as hard as a Garcel's shin hit that probably
• 55:25
  Speaker 2: like table top side table. Oh my god, I was
• 55:28
  Speaker 2: And I was pissed at sudden because I'm like, uh,
• 55:31
  Speaker 2: are you gonna ask her if she's okay? Yes, she
• 55:34
  Speaker 2: did say anything, she was like, well, I just think
• 55:37
  Speaker 2: and I'm like, see, this is a perfect example of
• 55:39
  Speaker 2: why you're impossible sometimes and blatantly rude, like yeah, did
• 55:44
  Speaker 2: you just I bet you? She'd say I didn't hear it.
• 55:48
  Speaker 2: It's like, oh yeah, you didn't hear your friend. It
• 55:50
  Speaker 2: be like ah, god, damn this fucking every time, you know,
• 55:55
  Speaker 2: and she just nothing.
• 56:00
  Speaker 4: Not even Jennifer Tilly. She didn't say anything either, did
• 56:04
  Speaker 4: she she did?
• 56:05
  Speaker 2: Actually, she was like I think she she at least
• 56:07
  Speaker 2: turned and was like oh, you know, she says she
• 56:09
  Speaker 2: acknowledged it.
• 56:11
  Speaker 4: Okay, but she but then when she tried to consolet
• 56:15
  Speaker 4: sudden sense like I just want to be left alone.
• 56:18
  Speaker 5: Yeah, She's like, I'm gonna go back, take my earrings out,
• 56:25
  Speaker 5: la on the bed POWs.
• 56:28
  Speaker 2: Yeah, she's Sutton is just overcome.
• 56:33
  Speaker 3: You know.
• 56:33
  Speaker 2: She just had a pretty intense moment with a very
• 56:36
  Speaker 2: close friend, and Jennifer Tilly's like, I'm a boat, you know,
• 56:43
  Speaker 2: just just have her world trying to like lighten it up.
• 56:49
  Speaker 5: I'm sailing away one time when I was at the
• 56:53
  Speaker 5: Beverly Hilton and she just.
• 56:54
  Speaker 2: Goes into it like what yeah, oh, Sutton says that
• 57:05
  Speaker 2: I'm not babysitting a grown woman about Kyle. She's like, no,
• 57:09
  Speaker 2: I'm not doing it. And in the morning, I think
• 57:12
  Speaker 2: she tries to sort of make it up to Garcel.
• 57:16
  Speaker 2: To Garcel and what did we Was there anything where
• 57:21
  Speaker 2: I just lost my place here? Oh when they had coffee? Yes,
• 57:27
  Speaker 2: and Abby was like just in a tailspin. This poor guy,
• 57:31
  Speaker 2: you know, he's like running around frazzle in the kitchen
• 57:35
  Speaker 2: like I or coffee an hour ago. I'm just savent.
• 57:38
  Speaker 1: I'm sad.
• 57:39
  Speaker 3: I won't like an espresso. I already know.
• 57:42
  Speaker 2: Oh god, I gotta get out of here. I gotta
• 57:44
  Speaker 2: get out of here. What am I gonna do? Like
• 57:46
  Speaker 2: he is so panicked? What a great character.
• 57:48
  Speaker 4: And also I'm like, you won't know, Sudden it's fine,
• 57:52
  Speaker 4: then espresso's gonna be great.
• 57:54
  Speaker 2: Yeah, I don't like that.
• 57:57
  Speaker 3: You don't you won't know. He should have just given
• 57:59
  Speaker 3: it to her. I'd be like, oh, here, it's a
• 58:01
  Speaker 3: year now it arrived.
• 58:04
  Speaker 2: That's the problem with Avi as an assistant. He has
• 58:07
  Speaker 2: to learn to not say what he's going to do
• 58:09
  Speaker 2: out loud because she's it's never gonna be good enough.
• 58:11
  Speaker 2: Maybe just keeping to himself.
• 58:14
  Speaker 4: Yeah, just reheat yesterday's coffee and be like, here it is.
• 58:18
  Speaker 4: This is a special blend from Saint Lucia from it's
• 58:23
  Speaker 4: from the airport.
• 58:23
  Speaker 3: I reheated it is there vodka there. I can say it.
• 58:28
  Speaker 2: I can joke about it.
• 58:29
  Speaker 3: I can joke that.
• 58:32
  Speaker 2: Okay, Well, Garcel says, you know, I wanted to have
• 58:36
  Speaker 2: my back. And they have the same conversation that they
• 58:41
  Speaker 2: had the night before. And but they do move on.
• 58:45
  Speaker 4: Yeah, yeah, okay, they do, all right, ergo doesn't but everybody, yeah,
• 58:52
  Speaker 4: everybody else moves on.
• 58:53
  Speaker 2: Everybody else moves on. We got some nice beach looks
• 58:57
  Speaker 2: from these ladies.
• 58:58
  Speaker 4: The first trap, I think ourself did at one point
• 59:02
  Speaker 4: say is that your third strap face?
• 59:05
  Speaker 3: Or so she called a third strap?
• 59:08
  Speaker 2: A third strap, third strap. Yeah, I got three straps
• 59:13
  Speaker 2: on my baby.
• 59:16
  Speaker 3: Oh my god.
• 59:17
  Speaker 2: Those was fun Those was funny. So Sutton is like.
• 59:24
  Speaker 5: Ericas like I'm a Julie like ninety two.
• 59:28
  Speaker 2: Oh my gosh. She's like that was a wild conversation. Yeah.
• 59:32
  Speaker 2: I kind of appreciated it, like, let's get down to it.
• 59:36
  Speaker 3: It was.
• 59:36
  Speaker 2: I mean, it was like Betty Davis and Joan Crawford
• 59:40
  Speaker 2: or something.
• 59:42
  Speaker 3: It was, except for like I do you know I was.
• 59:46
  Speaker 3: I am a little concerned sometimes for sudden in terms
• 59:51
  Speaker 3: of what's going on over there.
• 59:54
  Speaker 4: And so when Erica was like, what a way, and
• 59:57
  Speaker 4: like when Erica's started to name numbers, I'm like, I
• 1:00:00
  Speaker 4: hope none of these are like a trigger for Sutton
• 1:00:03
  Speaker 4: that she's not like, oh if she says one hundred,
• 1:00:06
  Speaker 4: I'm not going to eat for three days or something
• 1:00:08
  Speaker 4: like that. Like I did have that right, yeah, yeah,
• 1:00:12
  Speaker 4: But at the same time, to your point, it did
• 1:00:15
  Speaker 4: feel very old school Hollywood, Jake and I'm saying, and
• 1:00:20
  Speaker 4: it was.
• 1:00:21
  Speaker 2: It's two people who obviously feel comfortable discussing that. You
• 1:00:25
  Speaker 2: can tell they've discussed it before, you think, absolutely, which
• 1:00:32
  Speaker 2: is why Erica knew how to zero in to her
• 1:00:36
  Speaker 2: like you know range, Well, that's true.
• 1:00:41
  Speaker 3: Maybe, but I do.
• 1:00:42
  Speaker 2: I did think it was funny.
• 1:00:43
  Speaker 5: Erica was like one twenty eight to one thirty. That's it.
• 1:00:48
  Speaker 3: Cut off.
• 1:00:49
  Speaker 4: What they cut off on Erica's conversation is the wakobe
• 1:00:53
  Speaker 4: com like the ozembic comvote, because she's like, that's my
• 1:00:57
  Speaker 4: range now that I'm on whatever.
• 1:01:00
  Speaker 3: Oh that's what she meant. I am not sure, but
• 1:01:05
  Speaker 3: that is what I'm thinking.
• 1:01:06
  Speaker 4: That was.
• 1:01:09
  Speaker 2: Because she Oh wow, I did not think that at all.
• 1:01:11
  Speaker 2: I was thinking it was just like that's where I stay.
• 1:01:14
  Speaker 2: I can't get any any skinnier, I can't wait less.
• 1:01:19
  Speaker 2: It's always between.
• 1:01:22
  Speaker 3: Why do you think that is? Well, she's maybe on
• 1:01:26
  Speaker 3: the hormones? What is she hormones? That's some really good hormones.
• 1:01:34
  Speaker 5: She should try it.
• 1:01:36
  Speaker 3: That's hilarious.
• 1:01:38
  Speaker 2: I love that response though, It's like, stop asking me
• 1:01:41
  Speaker 2: then if you want to know, If you don't want,
• 1:01:43
  Speaker 2: I'm telling you what I want to tell you.
• 1:01:45
  Speaker 3: You know what I mean.
• 1:01:46
  Speaker 2: Kyle's gonna tell her story when she wants to tell it.
• 1:01:50
  Speaker 2: But yeah, I didn't think about it that way. So okay,
• 1:01:53
  Speaker 2: But but isn't with those like uh oz empic you
• 1:01:59
  Speaker 2: you you can't just stay at one range right? You
• 1:02:04
  Speaker 2: are either going down down down right?
• 1:02:06
  Speaker 4: Or is it? Actually I think I think once she
• 1:02:10
  Speaker 4: hits a number then I mean, I'm basing this on
• 1:02:14
  Speaker 4: like three people I've talked to about it that are
• 1:02:16
  Speaker 4: on it. But it is my understanding that once you
• 1:02:20
  Speaker 4: hit it you can maintain.
• 1:02:23
  Speaker 2: Otherwise, well, yeah, you balance it out. I see, yeah, yeah, yeah,
• 1:02:27
  Speaker 2: of course of course that makes sense. I should just
• 1:02:30
  Speaker 2: delete that whole conversation.
• 1:02:32
  Speaker 5: It's just so stupid.
• 1:02:33
  Speaker 3: Okay.
• 1:02:34
  Speaker 2: So anyway, Uh, I feel like we're going so long.
• 1:02:40
  Speaker 2: All right, Yeah, we're at the end anyway. So Sutton
• 1:02:43
  Speaker 2: and this is when Sutton says, I meant my apology.
• 1:02:48
  Speaker 2: Oh they're on the boat and uh, Sutton says, I
• 1:02:51
  Speaker 2: met my apology in. Erica was like, you were very critical.
• 1:02:54
  Speaker 2: She just read her for filth. You're very critical about
• 1:02:57
  Speaker 2: women who are going through the worst time in their lives.
• 1:02:59
  Speaker 2: You did it to me then Kyle, and now you're
• 1:03:01
  Speaker 2: doing it to Derete. You pose as a friend and
• 1:03:03
  Speaker 2: oftentimes work as an enemy. I mean, this is this
• 1:03:08
  Speaker 2: is a word winning work.
• 1:03:10
  Speaker 4: If I could give Erica one note, I would say
• 1:03:13
  Speaker 4: the all women thing is where she lost it, because
• 1:03:18
  Speaker 4: Sutton could argue that, you know what I mean, Like
• 1:03:22
  Speaker 4: I and if I was Erica, I would have said
• 1:03:24
  Speaker 4: the same thing. So I'm not faulting her. But I'm
• 1:03:27
  Speaker 4: realizing that's how Sutton fights.
• 1:03:29
  Speaker 2: She's like, yeah, she zeroes in on what she thinks
• 1:03:32
  Speaker 2: is the weak spot and doesn't anymore as the rest
• 1:03:35
  Speaker 2: of the whole sentence, right right, Uh, you are very
• 1:03:39
  Speaker 2: critical about women. I mean, that's it's ridiculous for her
• 1:03:44
  Speaker 2: to focus on the word women, well women, name them.
• 1:03:49
  Speaker 2: I just did, actually Kyle me dereat, you know, like,
• 1:03:54
  Speaker 2: what do you want? You know, Sutton saying what do
• 1:03:56
  Speaker 2: you want from me? Well, we're saying what do you
• 1:03:59
  Speaker 2: want from more from this explanation for her to be
• 1:04:02
  Speaker 2: like what women? You know, all women anyway, and the
• 1:04:05
  Speaker 2: fact that Kyle was like had to be like, I
• 1:04:07
  Speaker 2: thank you now what she I mean? Fucking really you
• 1:04:10
  Speaker 2: knew what she meant? Yeah, So you know, seeing that pattern.
• 1:04:19
  Speaker 2: Hy Erica has a very good point. But there's also
• 1:04:23
  Speaker 2: the other side which we can't really you know, lift
• 1:04:27
  Speaker 2: that curtain, which is that Sutton gets in the game
• 1:04:33
  Speaker 2: for when there's controversy on the show and people, these
• 1:04:38
  Speaker 2: characters who are going through it aren't talking about it,
• 1:04:41
  Speaker 2: and we need to know the answers. She puts her
• 1:04:44
  Speaker 2: hat in the ring.
• 1:04:45
  Speaker 4: That's the pattern, Yes, but she does it in the
• 1:04:52
  Speaker 4: most unkind ways, absolute completely, and it's why it makes
• 1:04:59
  Speaker 4: her a great show because she did it well nothing
• 1:05:03
  Speaker 4: you know, yeah, no, I agree I mean that, yeah,
• 1:05:08
  Speaker 4: I agree, And I will still judge it harshly.
• 1:05:11
  Speaker 3: I will still be like, yeah, yeah, what you like,
• 1:05:16
  Speaker 3: keep going sudden. Oh she did the British accent back to.
• 1:05:21
  Speaker 2: Wait, girl Dead. That was incredible, I mean incredible.
• 1:05:31
  Speaker 3: How did it take this many seasons?
• 1:05:33
  Speaker 4: I mean like, that's the first time anybody's really really
• 1:05:36
  Speaker 4: called it out in a fight, Like, I don't understand
• 1:05:41
  Speaker 4: how that took so long.
• 1:05:42
  Speaker 2: Yeah, I think you're right.
• 1:05:44
  Speaker 3: I think.
• 1:05:46
  Speaker 2: Sutton is the only one who's I feel like there's
• 1:05:50
  Speaker 2: one other person that's made mention to it, but maybe
• 1:05:53
  Speaker 2: Hi in a confessional. Oh yeah, Kyle's kind of been like, oh,
• 1:05:57
  Speaker 2: you know, kind of made done an impression.
• 1:06:01
  Speaker 4: Not to her faces and really getting it. And you know,
• 1:06:06
  Speaker 4: for that, I'll take all the takedowns of Sutton to
• 1:06:09
  Speaker 4: get to that moment.
• 1:06:10
  Speaker 3: Thank you.
• 1:06:11
  Speaker 2: Yeah, it was excellent. Absolutely, all right, Well this was
• 1:06:16
  Speaker 2: a great, great episode, and yeah, so listen darlings. Uh,
• 1:06:25
  Speaker 2: come on over to patreon dot com slash drama Darling.
• 1:06:28
  Speaker 2: Lots of stuff over there, more recaps, Southern Charms, summer House,
• 1:06:32
  Speaker 2: you get video and also on a Darling chat, all
• 1:06:38
  Speaker 2: all kinds of great stuff. Okay, so, uh, thank you
• 1:06:41
  Speaker 2: for listening. You can follow m Deresis on Instagram and
• 1:06:46
  Speaker 2: our Instagram Drama Darling show.
• 1:06:51
  Speaker 3: You I love you.
• 1:06:55
  Speaker 2: Oh sorry, I.
• 1:06:59
  Speaker 4: Love it.
• 1:07:00
  Speaker 3: She was talking to me