Latest / The Breakfast Club / The Breakfast Club Best Of Episode(Terrance Crawford Interview, Tony Yayo Interview, Lola Brooke Interview, If A Woman Gives A Compliment Is It Flirting?)

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The Breakfast Club Best Of Episode(Terrance Crawford Interview, Tony Yayo Interview, Lola Brooke Interview, If A Woman Gives A Compliment Is It Flirting?) · The Breakfast Club

• 0:00
  Speaker 1: Model Katy Liis.
• 0:04
  Speaker 2: Wake Up Way, why you guys really are Like the
• 0:09
  Speaker 2: hip hop early morning late night Talk to your Breakfast Club.
• 0:13
  Speaker 3: Is the most powerful popular urban radio show.
• 0:18
  Speaker 4: Maybe like from.
• 0:19
  Speaker 5: The Black Mothership in New York City. It's DJ MV
• 0:22
  Speaker 5: and Charlamagne to God.
• 0:23
  Speaker 4: It's different.
• 0:24
  Speaker 6: You know what I'm saying, Like, y'all know what y'all
• 0:25
  Speaker 6: talking about.
• 0:25
  Speaker 7: Thanks to y'all be Black.
• 0:27
  Speaker 8: I love y'all.
• 0:27
  Speaker 5: Collectively known as Breakfast Club.
• 0:30
  Speaker 2: So I'm always nervous when I do the Breakfast Club
• 0:32
  Speaker 2: because sometimes you say stuff and it's just gonna get you.
• 0:36
  Speaker 9: Everybody, what wait, this is your time to get it
• 0:41
  Speaker 9: off your chest.
• 0:42
  Speaker 5: She's cooling. Eight hundred and five eighty five one O
• 0:44
  Speaker 5: five one. We want to hear from you on the
• 0:45
  Speaker 5: Breakfast Club. Hello, who's this?
• 0:49
  Speaker 10: This is George.
• 0:52
  Speaker 11: How are you guys doing?
• 0:53
  Speaker 5: Gay?
• 0:54
  Speaker 1: Thank you?
• 0:55
  Speaker 12: Hey.
• 0:55
  Speaker 5: I just want to say I.
• 0:56
  Speaker 11: Listen to you guys over every morning, go to work.
• 0:59
  Speaker 4: I love I bet you guys like.
• 1:01
  Speaker 11: Get my day going, my morning going. I just wanted
• 1:04
  Speaker 11: to say that, and I want to give a shout
• 1:06
  Speaker 11: out my boss, Harris Brooks, the Man.
• 1:10
  Speaker 13: Okay, thank you so much.
• 1:12
  Speaker 5: Hello, who's this I'm on to dj MV oneing.
• 1:15
  Speaker 14: Uh, yes, hey, hey, I got a question. Man, We're
• 1:19
  Speaker 14: gonna go ahead, uh and hire yes as your third
• 1:22
  Speaker 14: co host.
• 1:24
  Speaker 8: So yeah, keep back, keep them, It's okay, keep.
• 1:28
  Speaker 5: Back to.
• 1:32
  Speaker 14: No off to the other co hosts. But you know
• 1:34
  Speaker 14: what I'm saying.
• 1:35
  Speaker 4: She brings a.
• 1:35
  Speaker 14: Different energy to the to the show, you think, so yeah,
• 1:39
  Speaker 14: oh yeahs.
• 1:40
  Speaker 2: I'm concerned that she can't keep up these outfits, you
• 1:42
  Speaker 2: know what I'm saying. Like, I don't know, I'm.
• 1:45
  Speaker 8: The only one that come up here like this.
• 1:46
  Speaker 2: First of all, don't play with me, thank you exactly.
• 1:51
  Speaker 2: I think you get tired of dressing up this early
• 1:53
  Speaker 2: in the morning. I make them look in here looking good.
• 1:56
  Speaker 2: I make them dressed.
• 1:59
  Speaker 14: I think I think y'all need to go ahead and
• 2:01
  Speaker 14: just go ahead and sign it and just do it
• 2:02
  Speaker 14: if you need to do to get her there every day.
• 2:04
  Speaker 12: Just be too busy. Like next week, just as in Detroit.
• 2:07
  Speaker 12: Oh week, we'll see what God got planning.
• 2:09
  Speaker 7: I am, but I'm only in Detroit because somebody else
• 2:11
  Speaker 7: gonna be up here.
• 2:12
  Speaker 6: So yeah, well we'll see what God got playing.
• 2:15
  Speaker 11: Hello, who's this Shatima with a team?
• 2:18
  Speaker 8: Okay, Chatima with a t Get it off your chest, mama.
• 2:20
  Speaker 15: All right, I don't have anything to get off my chest,
• 2:22
  Speaker 15: but I just.
• 2:22
  Speaker 7: Wanted to call and wish my daughter a happy twenty
• 2:25
  Speaker 7: first birthday.
• 2:26
  Speaker 11: I am so proud of her.
• 2:28
  Speaker 2: She's a senior at the University of Delaware and she's
• 2:31
  Speaker 2: doing her stay there you go, universit Delaware. Su her
• 2:35
  Speaker 2: for surviving Delaware.
• 2:36
  Speaker 5: Stop it yeah, University of Delaware.
• 2:40
  Speaker 16: She is a senior.
• 2:41
  Speaker 14: Her name is Janaiah Hodge.
• 2:45
  Speaker 6: Jania hope you go out there and do great things
• 2:47
  Speaker 6: in this world.
• 2:47
  Speaker 8: Absolutely.
• 2:48
  Speaker 14: I can't believe I got through.
• 2:49
  Speaker 17: This is in all these years.
• 2:51
  Speaker 16: This is the only time I got through.
• 2:52
  Speaker 11: So you know, it's a prayer from God for my daughter.
• 2:55
  Speaker 12: There you go, all right, Thank y'all for taking the call.
• 2:58
  Speaker 5: All right, Hello, who's this?
• 2:59
  Speaker 4: You don't what's up?
• 3:00
  Speaker 10: Its lows from shot Town, Loas.
• 3:03
  Speaker 2: What up?
• 3:03
  Speaker 8: Get it off your chest, y'all.
• 3:04
  Speaker 2: I just want to thank you to both you guys,
• 3:06
  Speaker 2: Man Selling Man and every Man.
• 3:08
  Speaker 11: I read both y'all books.
• 3:10
  Speaker 5: Oh, I ain't got telling me to sign my book.
• 3:12
  Speaker 10: In Atlanta the podcast Stuff festival he had, Thank you, brother.
• 3:16
  Speaker 4: I'm working on that.
• 3:17
  Speaker 5: I'm working on the third one right.
• 3:18
  Speaker 4: Now, Yo, I'm buying it.
• 3:19
  Speaker 11: I'm buying it, y'all. Y'are both your books did me
• 3:22
  Speaker 11: some good with my marriage.
• 3:23
  Speaker 14: Man.
• 3:24
  Speaker 10: Y'all y'all really changed my life with those two books
• 3:26
  Speaker 10: at so big word up.
• 3:28
  Speaker 12: Yeah, me and the wife just finished the second book.
• 3:29
  Speaker 12: We were talking about raising our kids. You know, we
• 3:31
  Speaker 12: got six kids. One is twenty two to the youngest
• 3:33
  Speaker 12: is two. So it's real life, real family when we're
• 3:35
  Speaker 12: just talking about, you know, the different ages and how we.
• 3:37
  Speaker 5: Raise our kids. Brother, Well, thank you, loose. We appreciate you. Brother.
• 3:40
  Speaker 11: Yeah, you're no problem.
• 3:41
  Speaker 14: Man.
• 3:42
  Speaker 4: Bliss brown and how your favorite? There you go?
• 3:44
  Speaker 6: Well, I'm black, but same respect your color.
• 3:47
  Speaker 4: You're Hugh.
• 3:48
  Speaker 5: Hello, who's this?
• 3:49
  Speaker 11: What's up?
• 3:49
  Speaker 12: D your envy?
• 3:50
  Speaker 11: This frank piece for your town?
• 3:52
  Speaker 14: Or how man?
• 3:52
  Speaker 5: What up? Frank? Get it off your chest? Brother?
• 3:54
  Speaker 11: Man, I want to talk about the c I and
• 3:56
  Speaker 11: man turn situation. Man, I keep people talk about that.
• 4:00
  Speaker 11: I just want to say, man, I don't care how
• 4:02
  Speaker 11: old I get, any of my kids ever disrespecting them
• 4:06
  Speaker 11: trying to raise their hand. I'm gonna put them down.
• 4:08
  Speaker 4: Right there, especially your son. Yeah.
• 4:11
  Speaker 11: Yeah, that's that's crazy.
• 4:12
  Speaker 14: Man.
• 4:12
  Speaker 11: I don't even know why people have fixed the him
• 4:14
  Speaker 11: out to say TI tripping or messing up their family
• 4:16
  Speaker 11: are embarrassing. Come on, man, that's crazy yea.
• 4:19
  Speaker 2: And there's probably people saying that who ain't got no kids,
• 4:21
  Speaker 2: especially science, because reality is, you know, we've all got
• 4:24
  Speaker 2: buck on our fathers.
• 4:25
  Speaker 4: At one point we're.
• 4:26
  Speaker 5: Going to test it out that, you know what I mean?
• 4:28
  Speaker 11: Yeah, but that's just man. I don't know. People just
• 4:32
  Speaker 11: be like to talk.
• 4:32
  Speaker 10: Man.
• 4:33
  Speaker 11: I don't know what's going on with this world. But
• 4:35
  Speaker 11: I promise you any of my kids raise their hands
• 4:37
  Speaker 11: that me or they Mama, I'm putting them down right
• 4:40
  Speaker 11: there where they are.
• 4:40
  Speaker 18: I didn't hear nobody talking bad about nobody.
• 4:43
  Speaker 4: Can't nobody say to you I was wrong handed that
• 4:46
  Speaker 4: situation in.
• 4:47
  Speaker 11: A couple of comings, saying like he embarrassing the family,
• 4:51
  Speaker 11: or why ain't messing with something like that. I just
• 4:53
  Speaker 11: wanted to put that out there. These littles need to relax. Man,
• 4:56
  Speaker 11: These streets ain't what it is.
• 4:59
  Speaker 2: Also, you know what's in I didn't really get both
• 5:01
  Speaker 2: with my dad, you know, physically, because my dad showed
• 5:04
  Speaker 2: me that power early. Your dad let me know, my
• 5:06
  Speaker 2: dad let me know. It wasn't a game earlier early.
• 5:08
  Speaker 2: You don't even think about it, you know if.
• 5:10
  Speaker 18: You no, I did this day. I think I had
• 5:11
  Speaker 18: an attitude with my dad.
• 5:12
  Speaker 12: One time he said something I had an attitude punched
• 5:15
  Speaker 12: me dead my chest.
• 5:16
  Speaker 8: I was the last time ever. It was crazy. Yeah,
• 5:19
  Speaker 8: last time ever.
• 5:20
  Speaker 12: Get it off your chest. Eight hundred five eight five
• 5:23
  Speaker 12: one oh five one. If you need to vent, hit
• 5:24
  Speaker 12: us up now.
• 5:24
  Speaker 8: It's the Breakfast Club for morning.
• 5:26
  Speaker 9: The Breakfast Club, it's a new is your time to
• 5:32
  Speaker 9: get it off your chest?
• 5:33
  Speaker 8: Wait, whether you're mad.
• 5:35
  Speaker 13: Or black, time to get up and get something.
• 5:38
  Speaker 4: Call up now. Eight hundred five eight five one o
• 5:40
  Speaker 4: five one.
• 5:41
  Speaker 8: We want to hear from you on the Breakfast Club.
• 5:43
  Speaker 5: Hey Mike, what's up?
• 5:45
  Speaker 16: But this is Uber Mike Breakfast Club for the Morning.
• 5:47
  Speaker 5: To y'all, Uber Mike, what's up? Get it off your chest?
• 5:49
  Speaker 4: Brother?
• 5:49
  Speaker 16: I got I gotta do the first I wanted to say.
• 5:52
  Speaker 16: I want to thank y'all for fourteen years of hard service.
• 5:55
  Speaker 16: You guys haven't inspired me to start a podcast, Uber Driver.
• 5:59
  Speaker 16: It's called and just a driver on Spotify.
• 6:02
  Speaker 12: Got to be And if you don't, you can actually
• 6:04
  Speaker 12: do the interview in the call with people.
• 6:05
  Speaker 6: Yes, it would be Doe are driving around talking.
• 6:09
  Speaker 5: To people in the cameras filming, and while he's driving around.
• 6:11
  Speaker 2: Don't I don't want to inspire people in that way.
• 6:14
  Speaker 2: I want to inspire you to go to therapy, you
• 6:16
  Speaker 2: know what I'm saying. I want to inspire you to,
• 6:17
  Speaker 2: you know, do some things, but not the point.
• 6:20
  Speaker 16: There's a lot of stories out here, Charlotte Man, I
• 6:22
  Speaker 16: have a we have up to forty thousand rides, so
• 6:25
  Speaker 16: we got stuff to talk about.
• 6:27
  Speaker 6: So it's like taxi cab confessions.
• 6:28
  Speaker 4: I love it.
• 6:29
  Speaker 16: It's everything's stories for what people have gone through. It's
• 6:32
  Speaker 16: a whole bunch of things now.
• 6:34
  Speaker 11: Yeah, literally the eyes and airs of the streets.
• 6:35
  Speaker 6: Are you making these people sign waivers that they agree.
• 6:38
  Speaker 16: You're interview with people. We're talking to insurance agents reports,
• 6:42
  Speaker 16: you know, the ports and have the insurance when you're
• 6:44
  Speaker 16: driving a whole bunch of things that people are missing,
• 6:47
  Speaker 16: and then your ratings as a passenger. Why sometimes it
• 6:51
  Speaker 16: takes you a long time to get a ride of
• 6:53
  Speaker 16: all those things.
• 6:54
  Speaker 6: Yeah, but are you making these people sign waves?
• 6:56
  Speaker 5: Are they allowing me to I'm not interviewing people.
• 6:58
  Speaker 16: I mean, I'm not interviewing people.
• 7:00
  Speaker 4: I'm confused.
• 7:01
  Speaker 2: We have the wait, you're confused, So what are you
• 7:03
  Speaker 2: doing if you're not interviewing people?
• 7:05
  Speaker 16: We're talking about like insurance, we're talking about what drivers
• 7:07
  Speaker 16: go through. Do you know what driver?
• 7:09
  Speaker 8: He's not calling an interview, he's calling a conversation.
• 7:11
  Speaker 6: So you are you talking? Are you talking to these people?
• 7:14
  Speaker 16: No, we're not talking to people, Charlemagne. We are talking
• 7:18
  Speaker 16: to us like fellows, drivers.
• 7:20
  Speaker 6: The driver, they're talking amongst each other.
• 7:22
  Speaker 16: Okay, yes, yes, And last thing before I go, I
• 7:26
  Speaker 16: wonder what you guys are happy holidays?
• 7:27
  Speaker 5: Thank you sir.
• 7:28
  Speaker 16: And then whoever you guys make you're a third person
• 7:32
  Speaker 16: or whatever they have to pass the slander of the
• 7:34
  Speaker 16: breakfast club.
• 7:35
  Speaker 4: Second, that's impossible.
• 7:36
  Speaker 10: It's not that impossible.
• 7:39
  Speaker 2: I think anybody the breakfast club pretty easy that it's impossible.
• 7:43
  Speaker 16: What's that noble to say?
• 7:45
  Speaker 14: Whoever?
• 7:45
  Speaker 5: Y'all like, what's that she's ready for that?
• 7:47
  Speaker 4: Would you like to find out?
• 7:48
  Speaker 19: Laura?
• 7:49
  Speaker 8: No, I know anything.
• 7:50
  Speaker 17: Smile I be invited to.
• 7:54
  Speaker 8: So we had I trust you and we had a talk.
• 7:56
  Speaker 12: We had a segment called Slander the Breakfast Club, where
• 7:58
  Speaker 12: people can call up in Slander the Breakfast Club, would
• 8:02
  Speaker 12: like about the Breakfast Club.
• 8:03
  Speaker 8: They can do it.
• 8:03
  Speaker 17: Oh, we used to do that my old jobs.
• 8:04
  Speaker 8: So they would have to call up and be able
• 8:06
  Speaker 8: to slander you, and you'd have to be able to
• 8:07
  Speaker 8: take it.
• 8:07
  Speaker 17: We used to call a hit mail. Okay, that's like
• 8:09
  Speaker 17: a well the way you laughed about.
• 8:11
  Speaker 4: It, that Breakfast Club body is different.
• 8:13
  Speaker 17: I know it happens. It's in the comments.
• 8:16
  Speaker 8: Okay, Now they're different. They're different.
• 8:19
  Speaker 12: Get it off your chest. Eight hundred five eight five,
• 8:21
  Speaker 12: one oh five one. If you need the vent, hit
• 8:23
  Speaker 12: us up now. It's the Breakfast Club. Good morning, the
• 8:25
  Speaker 12: Breakfast Club.
• 8:28
  Speaker 5: Morning.
• 8:29
  Speaker 8: Everybody is dj n V Cholamine the guy.
• 8:32
  Speaker 5: We are the Breakfast Club.
• 8:33
  Speaker 8: We got a special guest in the building.
• 8:35
  Speaker 5: Yes, indeed, the Brother Terrors Crawt. You're welcome.
• 8:37
  Speaker 12: How you feeling fight those down July twenty ninth.
• 8:41
  Speaker 4: Yes, you think it's gonna be your toughest fight.
• 8:44
  Speaker 13: I don't know.
• 8:44
  Speaker 20: A lot of people ask me that every time I fight.
• 8:48
  Speaker 20: I don't know until I get in the ring with them.
• 8:50
  Speaker 5: How do you prepare for this fight?
• 8:51
  Speaker 12: Are you prepared the same way or is there any
• 8:53
  Speaker 12: different preparation for this one than any of the other
• 8:55
  Speaker 12: fights that you've had?
• 8:56
  Speaker 13: If it ain't broke, don't fix it.
• 8:59
  Speaker 20: Just keep doing what I'm doing and everything else to
• 9:02
  Speaker 20: play itself out.
• 9:03
  Speaker 2: You got to make some adjustments though. This is this
• 9:05
  Speaker 2: is Earl Spinch we talking about. This is this ain't
• 9:07
  Speaker 2: no just this the guy that you had picked over.
• 9:09
  Speaker 5: There picked him over.
• 9:11
  Speaker 8: I remember, I remember.
• 9:15
  Speaker 13: I don't.
• 9:15
  Speaker 2: I don't forget I got you got her, not because
• 9:18
  Speaker 2: you're not great. I just think you know sts fights.
• 9:22
  Speaker 2: I think I think I forgot it.
• 9:23
  Speaker 13: Definitely.
• 9:24
  Speaker 4: You feel pressure going into this fight.
• 9:25
  Speaker 20: Not at all, not at all. This is my moment,
• 9:29
  Speaker 20: this is my time. That's what I've been waiting for
• 9:31
  Speaker 20: in the world. Gonna see July twenty ninth.
• 9:34
  Speaker 12: I always talk about you know, nowadays it feels like
• 9:36
  Speaker 12: everybody wants to be undefeated, right, Does that put more
• 9:39
  Speaker 12: pressure on you? Because I think Floyd kind of did
• 9:41
  Speaker 12: it with his fifty and O. But back then, you
• 9:43
  Speaker 12: lose a fight, it was fine. I see you in
• 9:45
  Speaker 12: the rematch and it was okay. It wasn't cool. But
• 9:47
  Speaker 12: now it seems like when you lose a fight now
• 9:49
  Speaker 12: everybody's like, oh, it's washed, it's over.
• 9:51
  Speaker 13: I don't think I never felt any pressure.
• 9:54
  Speaker 20: I put my O on the line numerous of times
• 9:57
  Speaker 20: with whoever they put in front of I called out
• 10:01
  Speaker 20: the best fighters in each division that I've ever been in.
• 10:04
  Speaker 20: Floyd have made it kind of hard for people to
• 10:09
  Speaker 20: take a loss and keep going because so many people
• 10:12
  Speaker 20: want to be like Floyd, and so many people was
• 10:14
  Speaker 20: attracted to Floyd and follow Floyd's career, and they felt
• 10:19
  Speaker 20: as if you wasn't like Floyd, then you wasn't that
• 10:23
  Speaker 20: that guy.
• 10:24
  Speaker 14: You know.
• 10:24
  Speaker 20: But people lose, people come back, styles make fights, like
• 10:28
  Speaker 20: he said, and things happen. I never thought that a
• 10:32
  Speaker 20: loss can define a fighter in any way, shape or form.
• 10:36
  Speaker 2: Yeah, I mean, Floyd's one of the best ever do it.
• 10:38
  Speaker 2: But why just look at Floyd? Why people don't look
• 10:39
  Speaker 2: at Ali? You know, Lennux Floyd, all these break have lost,
• 10:44
  Speaker 2: Sugar Leon, like Tommy hearn They've all lost.
• 10:46
  Speaker 20: Because times has changed and social media have took an over.
• 10:51
  Speaker 20: So when Tommy Hearns and Ali and all those great
• 10:55
  Speaker 20: fighters that came before us, they didn't have to deal
• 10:58
  Speaker 20: with the politics, they didn't have to deal with social
• 11:02
  Speaker 20: media slandering the men doing this and doing that to
• 11:07
  Speaker 20: impress people.
• 11:08
  Speaker 13: So it's kind of different.
• 11:09
  Speaker 12: You feel like you don't get the respect that you
• 11:11
  Speaker 12: deserve when it comes to a lot of these fights,
• 11:13
  Speaker 12: like even with you know Charlamage saying he thinks Arrow's
• 11:15
  Speaker 12: gonna beat you, Like, do you feel like ut of this?
• 11:18
  Speaker 6: It's just boxing, It's just boxing at the end of
• 11:21
  Speaker 6: the day.
• 11:21
  Speaker 5: Don't back down.
• 11:22
  Speaker 13: Now you're gonna lose, definitely, definitely.
• 11:28
  Speaker 5: But do you feel like you don't get the respect
• 11:29
  Speaker 5: that you deserve?
• 11:30
  Speaker 13: Always?
• 11:31
  Speaker 4: Always?
• 11:31
  Speaker 5: Why is that?
• 11:32
  Speaker 20: But how great I am? I look at all the
• 11:35
  Speaker 20: great fighters that came before me. None of them got
• 11:38
  Speaker 20: their respect until a they lost or they retired. Nobody
• 11:43
  Speaker 20: gave Floyd his respect until he retired, then they realized
• 11:47
  Speaker 20: how great he was. A lot of people didn't give
• 11:50
  Speaker 20: Ali his respect. A lot of people didn't give Roy
• 11:53
  Speaker 20: Jones his respect until they lost or they retired. Why
• 11:56
  Speaker 20: the lost part, I don't know, because I guess when
• 11:59
  Speaker 20: one as loss or took in defeat to another great fighter,
• 12:04
  Speaker 20: they feel as if this fighter is not invincible. So
• 12:08
  Speaker 20: they can feel as if he's on the level. Now,
• 12:11
  Speaker 20: well we brought him down to earth. Now we can
• 12:15
  Speaker 20: laugh at him.
• 12:16
  Speaker 13: Now we can praise him for all the good things
• 12:18
  Speaker 13: that he's done.
• 12:19
  Speaker 2: Oh, I guess yea e. Earl said your record was inflated.
• 12:23
  Speaker 2: What is that word inflated?
• 12:25
  Speaker 20: Well, listen, he can say all those type of things,
• 12:29
  Speaker 20: but when you look at who I fought and who
• 12:32
  Speaker 20: he fought, and you look at what I've done to him,
• 12:35
  Speaker 20: you know it's no comparison.
• 12:36
  Speaker 6: Did you just I think I pronounced his name right?
• 12:38
  Speaker 6: Did he beat you in amages.
• 12:41
  Speaker 13: Your guinness UTAs Ugus? Yeah, he beat me and the amateurs.
• 12:45
  Speaker 2: And then Earl stopped him in the tenth ron when
• 12:48
  Speaker 2: they fought. So Ugus said, there's no way you can
• 12:50
  Speaker 2: beat Earl if Earl fights you the way he fought him.
• 12:54
  Speaker 2: So does it matter if he beat someone who defeated you.
• 12:57
  Speaker 20: Never listen, You're talking about a fight that happened when
• 13:00
  Speaker 20: I was eighteen years old.
• 13:03
  Speaker 13: I was a little kid.
• 13:04
  Speaker 5: I was a little boy.
• 13:05
  Speaker 20: You know that same little boy is no way shape
• 13:10
  Speaker 20: form fashion the same little boy, you know what I mean,
• 13:12
  Speaker 20: the grown man that I am today. When I fought Ugust,
• 13:15
  Speaker 20: I probably had like forty fights. Ugusts probably had hundreds
• 13:20
  Speaker 20: coming from Cuba, and you know they fighting all the
• 13:25
  Speaker 20: national I mean international tournaments, national tournaments all that. You know,
• 13:29
  Speaker 20: So he had more experience at the time, so I
• 13:33
  Speaker 20: wouldn't base him beat me at eighteen. On a professional fight,
• 13:39
  Speaker 20: we don't have no headgear on, We're fighting with smaller gloves,
• 13:43
  Speaker 20: We're fighting longer rounds, longer minutes.
• 13:46
  Speaker 13: In the rounds.
• 13:47
  Speaker 20: So it's a lot of things that goes into fighting
• 13:50
  Speaker 20: an amateur fight and fighting a professional fight. So a
• 13:54
  Speaker 20: lot of people say, oh, well, you lost to Ugis
• 13:56
  Speaker 20: and this and that. A lot of people lost to
• 13:58
  Speaker 20: a lot of people in the amateur and look what
• 14:01
  Speaker 20: happened in a professional ranking. A lot of people can say, oh,
• 14:05
  Speaker 20: with Terrence, you lost to this guy, you lost to
• 14:07
  Speaker 20: that guy. Okay, well, all the guys that I lost
• 14:11
  Speaker 20: to in the amateurs, compare their career and professional to
• 14:15
  Speaker 20: my career.
• 14:16
  Speaker 2: Real what did you learn from those losses that you
• 14:18
  Speaker 2: were able to take in your professional career that kept
• 14:21
  Speaker 2: you has kept undefeated.
• 14:22
  Speaker 20: Well, a lot of things. I learned how to cope
• 14:26
  Speaker 20: with certain styles. I learned how to capitalize on the
• 14:30
  Speaker 20: things that I was doing wrong. So you just go
• 14:33
  Speaker 20: back to the drawing board and fix the problem that
• 14:35
  Speaker 20: that you had that led you to get the loss.
• 14:38
  Speaker 20: You got to learn from it. And I felt like
• 14:41
  Speaker 20: I learned from all my losses. I got stronger, I
• 14:44
  Speaker 20: got wiser, I got more experience that led me to
• 14:47
  Speaker 20: be the person that I am today in a professional ranking.
• 14:51
  Speaker 2: Did you watch this fight, the fight between spencon Yugas,
• 14:54
  Speaker 2: of course, and what did you think about it?
• 14:55
  Speaker 13: It was a good fight. Errol did good, Ugus did good,
• 15:00
  Speaker 13: and uh it.
• 15:01
  Speaker 4: Was a good fight.
• 15:02
  Speaker 8: Now that fight was what twenty twenty one?
• 15:04
  Speaker 4: I thought it was last year.
• 15:07
  Speaker 12: Now he hasn't important in over a year. So does
• 15:09
  Speaker 12: that give you the advantage of disadvantage? What's your daughter?
• 15:11
  Speaker 14: Now?
• 15:12
  Speaker 20: I don't even look at that like that. You know,
• 15:15
  Speaker 20: he came off a longer layoff prior to that, been
• 15:18
  Speaker 20: in a car accident, and he came back and he
• 15:21
  Speaker 20: looked as strong.
• 15:22
  Speaker 13: He looked the good.
• 15:22
  Speaker 20: So I'm not banking on him not being in the
• 15:25
  Speaker 20: ring for him to come rusty or anything. He's a professional.
• 15:30
  Speaker 20: You know how to fight, So come fighting out. He'll
• 15:32
  Speaker 20: be ready, just like I will.
• 15:34
  Speaker 8: All right when we come back. We got more with
• 15:35
  Speaker 8: Terrence Crawfit.
• 15:36
  Speaker 12: His fight with Ero Spence goes down July twenty ninth
• 15:39
  Speaker 12: on Showtime, So don't move.
• 15:40
  Speaker 5: It's to Breakfast Club.
• 15:41
  Speaker 12: Good morning, the Breakfast Club and Charlomagne, the guy we
• 15:50
  Speaker 12: all lay off this club.
• 15:51
  Speaker 5: He's still kicking it with boxing. Terrence Crawfit.
• 15:54
  Speaker 12: He's fighting Erro Spence July twenty ninth, on Showtime, Charlamagne.
• 15:58
  Speaker 2: When you say you fixed fix your prime was what
• 16:00
  Speaker 2: problems did you fix after the game bollfight?
• 16:02
  Speaker 13: I don't know. You can't, okay, I ain't giving you
• 16:04
  Speaker 13: too much.
• 16:07
  Speaker 5: What about due from looked away? Do you do? You
• 16:09
  Speaker 5: do you feel like that was a knockdown?
• 16:10
  Speaker 9: No?
• 16:11
  Speaker 13: I don't.
• 16:11
  Speaker 20: I feel as if he pushed me as you as
• 16:13
  Speaker 20: you could see, you know, as soon as the ref
• 16:17
  Speaker 20: said fight, I stepped right to him. You know, he
• 16:21
  Speaker 20: very strong, very strong, explosive, good fighter, technical. You know
• 16:27
  Speaker 20: that's a fight that you could say. I wasn't listening
• 16:30
  Speaker 20: to my my coaches in my corner, and I was
• 16:34
  Speaker 20: more emotional in that fight because I felt as if
• 16:36
  Speaker 20: I had something to prove. I went in there looking
• 16:39
  Speaker 20: for the knockout. I didn't want to box. I didn't
• 16:41
  Speaker 20: want to use my skills. I just want to, you know, fight.
• 16:45
  Speaker 20: That's what happens when you go in there and fight
• 16:48
  Speaker 20: the wrong fight.
• 16:48
  Speaker 12: What's gonna stop you from doing at this time because
• 16:50
  Speaker 12: you can't do that again, because you want, because I
• 16:52
  Speaker 12: know you want to prove yourself.
• 16:53
  Speaker 8: I know you want to knock knock out out.
• 16:56
  Speaker 6: You can't.
• 16:56
  Speaker 2: He's big, He's naturally bigger than you. He's strong, he's
• 17:00
  Speaker 2: the big guy. He's the big bad wolf. I didn't
• 17:03
  Speaker 2: heard it all. He's strong, he's this, he's.
• 17:06
  Speaker 13: That, he's this that. So can he get hurt?
• 17:09
  Speaker 20: You're a man, So what's going to stop him from
• 17:12
  Speaker 20: banging with me?
• 17:13
  Speaker 2: I'm not a culture in your corner, but I wouldn't ask,
• 17:15
  Speaker 2: I wouldn't suggest you bang with him.
• 17:18
  Speaker 5: Why. I think I think he's.
• 17:19
  Speaker 8: Trying to say he's not as powerful.
• 17:20
  Speaker 5: We're trying to say.
• 17:21
  Speaker 13: What you're trying to say?
• 17:22
  Speaker 8: What are you trying to say? Trying to say he's
• 17:23
  Speaker 8: not as powerful?
• 17:24
  Speaker 2: He's as strong as he what? Clearly us be clear,
• 17:29
  Speaker 2: Arrence Prophet is amazing.
• 17:30
  Speaker 8: We know that what he does. What you say.
• 17:32
  Speaker 20: What I'm saying is why do you view that? And
• 17:34
  Speaker 20: how do you know? I don't what makes you? What
• 17:36
  Speaker 20: makes you? What makes you think that?
• 17:38
  Speaker 6: Probably the size?
• 17:40
  Speaker 5: Yeah, I don't know.
• 17:41
  Speaker 2: If you can hurt him, is what I'm saying. I've
• 17:43
  Speaker 2: seen you hurt people before. I don't know if you
• 17:44
  Speaker 2: can hurt somebody his side. Did he get hurt his
• 17:47
  Speaker 2: last fight?
• 17:47
  Speaker 5: Yes?
• 17:48
  Speaker 13: Do you think I hear harder than his last opponent, yes,
• 17:52
  Speaker 13: case clok.
• 17:53
  Speaker 8: But you got to get to him though, So you're
• 17:54
  Speaker 8: saying this man can't get to him, that's.
• 17:57
  Speaker 5: What you're saying. I'm just saying, you gotta get to him.
• 18:01
  Speaker 5: You gotta get in there to do it.
• 18:02
  Speaker 20: Okay, Well, getting in there is to get between the ropes, right,
• 18:07
  Speaker 20: and we're in there right, it's gonna be a great fight.
• 18:09
  Speaker 12: So when you speak to people like that, right, what
• 18:11
  Speaker 12: stops you from saying you're not getting emotion?
• 18:15
  Speaker 8: Be like, you know what, trying something.
• 18:16
  Speaker 12: Because obviously there's a lot of people like Charlamagne that
• 18:19
  Speaker 12: that feels.
• 18:20
  Speaker 6: That's not that's not no, it's no, it's not act
• 18:22
  Speaker 6: like he's an underdog.
• 18:24
  Speaker 8: He is kind of an underdog the way you're talking.
• 18:26
  Speaker 2: No, I think it's about I think people think it
• 18:28
  Speaker 2: could go either way. This is this My man reads
• 18:31
  Speaker 2: a great box and guy. He says, if you win,
• 18:33
  Speaker 2: no problem. My boll says, you win no problem either.
• 18:36
  Speaker 2: Debates I've been having since the fight's.
• 18:38
  Speaker 8: Been but Charlamage. Don't feel that way.
• 18:41
  Speaker 20: What is it?
• 18:42
  Speaker 4: That is true? That is absolutely true, that's true.
• 18:45
  Speaker 2: Have you thought about how you would deal with a
• 18:47
  Speaker 2: loss in case it does happen?
• 18:49
  Speaker 20: No, I don't. I don't think about things like that.
• 18:53
  Speaker 20: You know, my mind is just clear.
• 18:56
  Speaker 5: Right.
• 18:56
  Speaker 13: Things happen. They happen, you know, but we parent for
• 19:01
  Speaker 13: the victory. That's it. You know, all you're gonna lose, Na,
• 19:06
  Speaker 13: we don't think what's.
• 19:07
  Speaker 8: Wrong with you?
• 19:07
  Speaker 19: All?
• 19:07
  Speaker 8: Gonna ask have you prepared for a loss?
• 19:09
  Speaker 3: Of you?
• 19:09
  Speaker 2: What kind of That's the same question that you kind
• 19:12
  Speaker 2: of asked, what the having the zero record?
• 19:14
  Speaker 14: Like?
• 19:14
  Speaker 2: You know, some people lose, some people don't. So if
• 19:17
  Speaker 2: you do lose, have you thought about how you prepare
• 19:20
  Speaker 2: for that?
• 19:21
  Speaker 13: Well, we don't. We don't prepare for that.
• 19:24
  Speaker 6: Would you ever fight Yugus again? And the pros just
• 19:27
  Speaker 6: to do it?
• 19:28
  Speaker 4: For?
• 19:28
  Speaker 13: What? What will I be getting out of it? Right now?
• 19:31
  Speaker 20: At this stage of my career, I'm looking for things
• 19:34
  Speaker 20: that benefit. When I fought Ugus, he was undefeated, he
• 19:39
  Speaker 20: was top contender, Olympian, he had all the accolade. After
• 19:43
  Speaker 20: I beat him, everybody was land during them all. He
• 19:46
  Speaker 20: green machine. He did see that he fight a guy
• 19:49
  Speaker 20: that nobody knows. Just because you didn't know him, that
• 19:52
  Speaker 20: don't mean that he wasn't a good fighter. Just because
• 19:56
  Speaker 20: you don't know him, that doesn't mean that you know.
• 19:59
  Speaker 20: He deserved to be where he was because he was
• 20:01
  Speaker 20: my mandatory. Just like when I just fought Avenezian, he
• 20:07
  Speaker 20: was writing number six in the division. But everybody was
• 20:11
  Speaker 20: mad that I took that fight because things wasn't right
• 20:15
  Speaker 20: with the Arol Spence and my negotiation.
• 20:20
  Speaker 13: So people is mad, can't get mad. Things didn't happen
• 20:23
  Speaker 13: for a reason.
• 20:24
  Speaker 20: But now we hear everybody got to fight that they
• 20:28
  Speaker 20: wanted in July twenty ninth, We're gonna go out there
• 20:32
  Speaker 20: and put on the show.
• 20:34
  Speaker 1: Earl.
• 20:35
  Speaker 4: I think it was against you.
• 20:36
  Speaker 8: He did.
• 20:37
  Speaker 2: He did get hurt a little bit, but he still
• 20:38
  Speaker 2: stopped him in the tenth round, So you could still
• 20:40
  Speaker 2: hurt him, you still get stopped. I'm just saying. I'm
• 20:45
  Speaker 2: just saying I look for I can't wait to see it.
• 20:47
  Speaker 2: Though you're gonna be there.
• 20:48
  Speaker 4: No, I'm not gonna be there.
• 20:49
  Speaker 13: Come on, man, you did all that talking years ago
• 20:51
  Speaker 13: and you ain't gonna be there.
• 20:52
  Speaker 2: I'm gonna be watching it from home. I know how
• 20:53
  Speaker 2: you guys from home omahaga. Now I want to watch
• 20:59
  Speaker 2: the fighting piece, you.
• 21:00
  Speaker 8: Know, But we appreciate you for joys. What's the last
• 21:02
  Speaker 8: time he a civilia? And shut up right now?
• 21:05
  Speaker 13: Nah nah, we don't do that. We don't do that.
• 21:07
  Speaker 5: Why are you doing that?
• 21:08
  Speaker 14: Man?
• 21:08
  Speaker 2: Just making sure all respect for Terres. We're just talking boxing.
• 21:11
  Speaker 2: It's just like picking up picking a sporting event. It
• 21:14
  Speaker 2: is picking picking the winner.
• 21:15
  Speaker 4: That's you said.
• 21:15
  Speaker 8: You know, I'm not sure if you can bang how
• 21:17
  Speaker 8: hardy can here that.
• 21:18
  Speaker 2: I said, there's probably ten other people you can name.
• 21:21
  Speaker 2: I'll pick butt over. But it's it's a different type
• 21:24
  Speaker 2: of animal. All I'm saying, do you rise to the
• 21:26
  Speaker 2: level of your competition? Do I Have you watched my career? Absolutely,
• 21:30
  Speaker 2: that's your answer.
• 21:31
  Speaker 8: Okay one time, just lose jab just shut up, all right?
• 21:34
  Speaker 5: Is Terrence Crawford.
• 21:35
  Speaker 12: Ladies and gentlemen, don't forget to tune in and get
• 21:37
  Speaker 12: your paper. I view July twenty ninth, And we appreciate
• 21:40
  Speaker 12: you for joining.
• 21:40
  Speaker 2: Us because you think about stuff like pay per view
• 21:43
  Speaker 2: numbers that you can't I can't.
• 21:45
  Speaker 13: That's all of our control.
• 21:46
  Speaker 20: Yeah, you know, you got the people that have the
• 21:50
  Speaker 20: web site to steal the fights and stuff like that,
• 21:54
  Speaker 20: and stuff that you can't control.
• 21:56
  Speaker 13: You just go in there and focus on things that
• 21:58
  Speaker 13: you can control.
• 21:59
  Speaker 2: And I feel like that's come a thing now, like
• 22:00
  Speaker 2: that's become a stat that people brag about.
• 22:03
  Speaker 6: Now fighters, they're like, who cares well for your money?
• 22:07
  Speaker 4: Your pockets? Of course?
• 22:08
  Speaker 20: Yeah, yeah, well listen, you know, the bigger than numbers,
• 22:11
  Speaker 20: the bigger you know, you become or that's why Floyd
• 22:15
  Speaker 20: was money made Weather because of the numbers that he
• 22:18
  Speaker 20: was producing.
• 22:20
  Speaker 13: That's why everybody wanted to fight him.
• 22:22
  Speaker 20: That's why every time he stepped foot in the ring,
• 22:25
  Speaker 20: he demanded what he demanded because he knew what he
• 22:29
  Speaker 20: was gonna draw. So yeah, absolutely, all.
• 22:33
  Speaker 5: Right, Well there you have.
• 22:34
  Speaker 8: It is Terrence Crawld for good luck on your fight.
• 22:36
  Speaker 8: July twenty ninth. It's the Breakfast Club. Good morning, the
• 22:39
  Speaker 8: Breakfast Club.
• 22:40
  Speaker 5: Your mornings will never be the same.
• 22:42
  Speaker 4: Good morning.
• 22:43
  Speaker 8: Everybody's CDMJ MV.
• 22:45
  Speaker 12: Charlamagne the God. We are the Breakfast Club. Now if
• 22:47
  Speaker 12: you're just joining us, we were talking about the topic.
• 22:49
  Speaker 12: We were talking behind the scenes. Now behind the scenes.
• 22:52
  Speaker 12: It actually started from Charlamage Donkey yesterday.
• 22:55
  Speaker 2: Yes because during Donkey of Today, a young man robbed
• 22:59
  Speaker 2: a woman at gunpoint, and while he was robbing her,
• 23:02
  Speaker 2: he made her follow him on Facebook and actually hit
• 23:07
  Speaker 2: her up and they were going back and forth. Then
• 23:09
  Speaker 2: he you know, wanted to go on a date with
• 23:11
  Speaker 2: her and told her she was He's sorry he had
• 23:14
  Speaker 2: the robb her.
• 23:14
  Speaker 6: She's too pretty to be robbed.
• 23:16
  Speaker 2: And I'm sitting there thinking like he's only thinking she
• 23:19
  Speaker 2: likes him because she replied to him on Facebook.
• 23:22
  Speaker 4: He's he's too stupid.
• 23:23
  Speaker 2: And clearly too arrogant ton not realize he's getting lined
• 23:25
  Speaker 2: up to get arrested. But it made me think like,
• 23:29
  Speaker 2: why can't men, you know, why can't a woman give
• 23:32
  Speaker 2: a man a compliment? Just look in a man's direction
• 23:35
  Speaker 2: without the man thinking, hey man, that woman wants me.
• 23:38
  Speaker 12: I mean, I just think that's how society is and
• 23:41
  Speaker 12: how people see things. I feel like if a woman
• 23:44
  Speaker 12: compliments a guy goes out of her way to say
• 23:47
  Speaker 12: something looks nice or something looks good, or I think
• 23:50
  Speaker 12: that is you know, I think that leaves the door
• 23:53
  Speaker 12: for you know, maybe a conversation.
• 23:56
  Speaker 4: You know what I think a compliment is. But a
• 23:58
  Speaker 4: compliment like.
• 24:00
  Speaker 5: That, why tell y'all like your shirt.
• 24:02
  Speaker 2: If I tell y'all like your sneakers, it's because I
• 24:04
  Speaker 2: like your shirt and I like your sneakers, like simple
• 24:06
  Speaker 2: as that, Like it has nothing to do with anything else.
• 24:08
  Speaker 6: And I don't know why men don't understand that.
• 24:11
  Speaker 8: I disagree. And I think the same thing with men.
• 24:13
  Speaker 12: I think if a man compliments a woman, it's not
• 24:15
  Speaker 12: because he's just like, oh, that's a dope shirt. I
• 24:17
  Speaker 12: think a lot of times it's because he wants to
• 24:19
  Speaker 12: kind of just holler and see if the door's open.
• 24:21
  Speaker 2: I remember that, mister married man. Remember that next time
• 24:24
  Speaker 2: you tell a woman you like her sneakers. You know
• 24:26
  Speaker 2: what I mean, don't you don't tell a woman you
• 24:28
  Speaker 2: like her.
• 24:29
  Speaker 12: I know only if I compliment somebody, somebody that we
• 24:31
  Speaker 12: all know, don't, I don't. I'll never step by like,
• 24:34
  Speaker 12: hey ma, you got some dope kicks on.
• 24:36
  Speaker 8: I don't do it.
• 24:36
  Speaker 2: No, that's not true, because like sometimes you might see
• 24:38
  Speaker 2: a girl with a nice hair, dude like love.
• 24:40
  Speaker 18: I love dreadlocks, you know what I mean. I'm like,
• 24:41
  Speaker 18: y'all like your dregs now.
• 24:43
  Speaker 12: I will say that if I do see a nice hair,
• 24:45
  Speaker 12: and I might say, hey, who did your head because
• 24:49
  Speaker 12: I would love my my wife would probably love my
• 24:51
  Speaker 12: daughter's head to look like that.
• 24:53
  Speaker 5: It's the truth.
• 24:54
  Speaker 4: It's the truth.
• 24:55
  Speaker 2: It's just still a compliment. There's nothing wrong with giving
• 24:58
  Speaker 2: people compliments. Man intension, Brandon. Brandon stepped to the mic
• 25:01
  Speaker 2: for a second. Brandon step to the mic, Brandon brand
• 25:04
  Speaker 2: organic connection.
• 25:05
  Speaker 8: If a woman pays you a compliment, does that open
• 25:08
  Speaker 8: the door. And what I said was he better not
• 25:09
  Speaker 8: pay me no compliment, because I'm gonna go for it.
• 25:11
  Speaker 2: Brandon, How old are you, Brandon? I'm seven years Brandon,
• 25:13
  Speaker 2: it is twenty seven years old. He don't know no
• 25:15
  Speaker 2: better yet. Okay, he's young. He's hot, he's horny at
• 25:17
  Speaker 2: all the time. No woman can look his way, and
• 25:20
  Speaker 2: he thinks the woman want him. You know what I mean, Deverie.
• 25:23
  Speaker 5: Women that be coming in this building, they're paying Brandon
• 25:25
  Speaker 5: no attention.
• 25:25
  Speaker 2: And he'd be like, I think I got a shot,
• 25:28
  Speaker 2: rubbing his chest.
• 25:29
  Speaker 5: I think I got a shot money, I think I
• 25:31
  Speaker 5: got a shot.
• 25:33
  Speaker 2: He really said he had a shot with Red.
• 25:37
  Speaker 5: I got shot with Think I got a shot with
• 25:39
  Speaker 5: your cousin. Put me down with his cousin.
• 25:41
  Speaker 12: But now, Brandon, if you give a woman a compliment,
• 25:44
  Speaker 12: Are you opening the door for maybe trying to holler
• 25:46
  Speaker 12: as well?
• 25:47
  Speaker 8: Yeah, if they're not a friend of the worker.
• 25:49
  Speaker 12: If you see a woman in the street and you're like,
• 25:50
  Speaker 12: nice shirt, you're not saying nice shirt because if it's
• 25:53
  Speaker 12: a stranger.
• 25:53
  Speaker 5: Yeah, yes, twenty's seven. He don't know no better.
• 25:57
  Speaker 2: You can give people compliments and nothing be behind it.
• 26:00
  Speaker 2: Taking from somebody who's a sex symbol. Bro, I've been
• 26:02
  Speaker 2: unbelievably handsome my whole life, cat every ever since I
• 26:06
  Speaker 2: was a little kid.
• 26:07
  Speaker 4: Older women women.
• 26:08
  Speaker 2: My age, Oh you're so handsome, you're so cute. Is
• 26:11
  Speaker 2: that I can't have thought about it. It's never been
• 26:13
  Speaker 2: anything other than anything you say.
• 26:14
  Speaker 5: That's a goddamn line. Hello, who's this hey, geechee?
• 26:18
  Speaker 10: Good morning, good morning, good morning?
• 26:20
  Speaker 12: Now geechee, What do you think if a woman pays
• 26:21
  Speaker 12: you a compliment? Is that opening the door to have
• 26:24
  Speaker 12: a conversation?
• 26:25
  Speaker 10: At least now we all know nowadays these women they
• 26:29
  Speaker 10: don't want to talk to nobody but woman. The compliment
• 26:32
  Speaker 10: with your outfit or your apperience periods opened.
• 26:35
  Speaker 11: Up her line.
• 26:36
  Speaker 4: Man, if y'all don't married.
• 26:38
  Speaker 10: So yeah, yeah, he can't really even speak on this.
• 26:42
  Speaker 5: And be out the game too. He should be. I am,
• 26:45
  Speaker 5: I am out the game.
• 26:46
  Speaker 2: I just think y'all sound ridiculous thinking that just because
• 26:49
  Speaker 2: a woman says you gives you a compliment that she
• 26:51
  Speaker 2: wants you.
• 26:52
  Speaker 12: Say she wants you, but she's opening the door for
• 26:53
  Speaker 12: a conversation at least a minimum.
• 26:55
  Speaker 8: No, she's not, Yes she is.
• 26:57
  Speaker 10: Man, you go to the club. These days, women aren't
• 27:00
  Speaker 10: even trying to say two words to you. So if
• 27:02
  Speaker 10: they look at a video, compliment the door coversation.
• 27:07
  Speaker 2: You know, I'm not a mistake y'all making right now
• 27:09
  Speaker 2: talking to but go to the women. If we're gonna
• 27:12
  Speaker 2: go to women, go to some women, that's the women.
• 27:14
  Speaker 2: How how are we talking about what women?
• 27:16
  Speaker 8: But I'm ast sewing you what what guys feel like?
• 27:18
  Speaker 5: When I know guys feel that way, but we stupid?
• 27:22
  Speaker 5: You right, go to the women?
• 27:23
  Speaker 8: Hello, who's this?
• 27:26
  Speaker 5: Hey?
• 27:27
  Speaker 8: Christy?
• 27:27
  Speaker 5: Good Hey Christy the bus driver?
• 27:29
  Speaker 8: Good morning, how you doing?
• 27:31
  Speaker 16: Happy birthday?
• 27:32
  Speaker 2: Charlomagne, Thank you, queen, Appreciate you now, Christy.
• 27:35
  Speaker 12: If you compliment a guy, right, a compliment of guy's
• 27:39
  Speaker 12: outfit clothes, sneakers, kicks, are you opening the door for
• 27:42
  Speaker 12: at least the conversation.
• 27:44
  Speaker 6: No, thank you.
• 27:46
  Speaker 15: I'm a bunch driver and exact what people all day,
• 27:50
  Speaker 15: and I may I'm not.
• 27:52
  Speaker 4: Gay, true indeed.
• 27:54
  Speaker 12: Okay, but if you compliment a guy, Let's see, you
• 27:56
  Speaker 12: see a nice, handsome guy trying to convince you walking
• 27:59
  Speaker 12: on the bus.
• 27:59
  Speaker 8: You say, hey, that's a nice shirt. You don't think that? Okay,
• 28:02
  Speaker 8: that's opening the door for at least a conversation.
• 28:05
  Speaker 16: It might open up conversation.
• 28:07
  Speaker 15: He might come back to Marvel and be like, oh,
• 28:09
  Speaker 15: you was the one that said I had a nice
• 28:11
  Speaker 15: turned one.
• 28:12
  Speaker 16: So he's.
• 28:15
  Speaker 12: Might say, but but you're complimenting him because you you know,
• 28:23
  Speaker 12: you think he's handsome.
• 28:24
  Speaker 5: Right, why are you trying to sway to jurry?
• 28:26
  Speaker 2: I'm not gonna take this.
• 28:28
  Speaker 5: Thank you. Christy?
• 28:29
  Speaker 15: All right, Hello, how are you?
• 28:34
  Speaker 8: How are you feeling this morning?
• 28:35
  Speaker 5: Tabitha?
• 28:36
  Speaker 15: I am Phil Bliss.
• 28:38
  Speaker 5: All right.
• 28:39
  Speaker 12: Now we're talking about if you compliment a man, right,
• 28:42
  Speaker 12: does that open the door for a conversation.
• 28:45
  Speaker 15: I don't believe.
• 28:46
  Speaker 7: So.
• 28:46
  Speaker 15: I'm a real estate booker and I was complimenting a
• 28:50
  Speaker 15: builder on his work. We went and we purchased the
• 28:54
  Speaker 15: property from the dirt, and then he built up boxy
• 28:56
  Speaker 15: in three months. And I complimented to his wife, who
• 29:01
  Speaker 15: is the other agent on the other side, and so
• 29:04
  Speaker 15: the product was sold, and then I needed her again
• 29:08
  Speaker 15: and she's like not responding to me because I complimented
• 29:13
  Speaker 15: her husband and I said, he did such a good job,
• 29:15
  Speaker 15: he's so awesome, he's great, and I really was meaning it,
• 29:20
  Speaker 15: you know, in no way, just complimenting his product. And
• 29:24
  Speaker 15: you won't call me back.
• 29:26
  Speaker 4: I'm gonna tell you exactly what happened in that situation.
• 29:28
  Speaker 2: That man went to his wife and said, you were
• 29:32
  Speaker 2: flirting with him.
• 29:33
  Speaker 5: I gee, I guarantee it, yo. Man, you that yo,
• 29:37
  Speaker 5: she was flirting with me.
• 29:38
  Speaker 13: Yo.
• 29:38
  Speaker 5: All you did was compliment him on his work.
• 29:40
  Speaker 2: But he took it as oh, she want me, and
• 29:43
  Speaker 2: so he want to look like the man and his
• 29:44
  Speaker 2: wife When he went to his wife and told his wife,
• 29:46
  Speaker 2: you was flirting with him, guaranteed.
• 29:48
  Speaker 15: Oh man, I mean that is totally not it. And
• 29:52
  Speaker 15: I really need him for another client.
• 29:54
  Speaker 2: You know what I'm saying. Men gotta stop leading with
• 29:58
  Speaker 2: the ego because this is ridiculous.
• 30:00
  Speaker 5: Hello, who's this? Ronnie from Turn eight for three was
• 30:05
  Speaker 5: happening to my mother?
• 30:06
  Speaker 8: Ronnie talked to a man.
• 30:09
  Speaker 11: I don't feel like a woman. Don't you give me
• 30:12
  Speaker 11: a compliment on my shirt or give me exactually flirting.
• 30:16
  Speaker 11: I just feel like she's like my style how I
• 30:19
  Speaker 11: come in. But I do feel like if I come
• 30:21
  Speaker 11: back with a.
• 30:22
  Speaker 16: Compliment and she kind of give me that laugh with
• 30:25
  Speaker 16: that smirk, I can kind of get in the door
• 30:28
  Speaker 16: man conversation.
• 30:32
  Speaker 2: He took he took it somewhere else, like, meaning that
• 30:35
  Speaker 2: she complimented your shirt, and then you replied back with
• 30:38
  Speaker 2: something probably flirty.
• 30:40
  Speaker 6: And then when she roll you know, I love.
• 30:42
  Speaker 11: The town man.
• 30:43
  Speaker 16: You give her that little smile.
• 30:46
  Speaker 4: That's what I'm saying.
• 30:47
  Speaker 5: But you replied back with something flirty.
• 30:49
  Speaker 4: Laugh.
• 30:49
  Speaker 5: You know that's right. When she when she replied to
• 30:52
  Speaker 5: that energy, that's different.
• 30:54
  Speaker 16: Just give me a compliment.
• 30:56
  Speaker 11: I get that all the time in Chelseta, So I
• 30:58
  Speaker 11: mean I appreciate I give it back, you know from the.
• 31:02
  Speaker 16: Compliments.
• 31:03
  Speaker 2: Listen, man, you know you know the most handsome men
• 31:06
  Speaker 2: in the world exists from come from the low country.
• 31:08
  Speaker 4: This is a fact.
• 31:09
  Speaker 2: Cat, This is a This is a scientific fact. The
• 31:11
  Speaker 2: most handsome men in the world are born in the
• 31:13
  Speaker 2: eight four three.
• 31:14
  Speaker 8: Lulu, Yes, good morning, good morning.
• 31:19
  Speaker 15: It's filling from Miami how are you guys doing?
• 31:21
  Speaker 5: How you feel and talk to us?
• 31:23
  Speaker 13: So if good?
• 31:24
  Speaker 12: If you see a cancerme young man and you like
• 31:28
  Speaker 12: his shirt right and you say, hey, brother, that's a
• 31:30
  Speaker 12: that's a nice shirt that you wearing. It fits well,
• 31:32
  Speaker 12: is that opening the door for conversation, Lulu, Let's be.
• 31:35
  Speaker 15: Honest, Yes it is. It depends on the environment. But
• 31:41
  Speaker 15: it could be flirting, it could be breaking the eyes,
• 31:45
  Speaker 15: being approachable.
• 31:46
  Speaker 14: Towards the person.
• 31:47
  Speaker 5: See thank you, Yarna.
• 31:51
  Speaker 15: I want to say happy birthday to you a big
• 31:53
  Speaker 15: time from Miami.
• 31:55
  Speaker 18: And you're right, everybody from.
• 31:56
  Speaker 2: Florida's everybody is for Florida is crazy and you crazy
• 32:00
  Speaker 2: for thinking that every man that compliments you want to
• 32:02
  Speaker 2: hogler at you.
• 32:03
  Speaker 15: No, I do say that depends on the environment.
• 32:08
  Speaker 2: But see those different caveats environment, whether you like the
• 32:12
  Speaker 2: person we're just talking about random walking down the street, Lulu,
• 32:15
  Speaker 2: you got on something from Lululemon.
• 32:17
  Speaker 4: Hey, I like what you wearing? Bom. That don't mean
• 32:20
  Speaker 4: I want to.
• 32:20
  Speaker 16: Holler thank you.
• 32:23
  Speaker 4: That's it simple as that.
• 32:25
  Speaker 12: Now, if he's handsome, then you go back and double
• 32:27
  Speaker 12: back and be like, thank you so much, and then
• 32:29
  Speaker 12: you start talking about him. Yes, see, thank you he's
• 32:33
  Speaker 12: not handsome, so he don't get that.
• 32:34
  Speaker 8: He don't understand that.
• 32:35
  Speaker 2: That's all I've been getting my whole I came out
• 32:39
  Speaker 2: the womb handsome man.
• 32:40
  Speaker 5: I got that look.
• 32:41
  Speaker 6: Bro, Okay, I'm a handsome individual man.
• 32:45
  Speaker 8: What's what's the mail of the story?
• 32:46
  Speaker 14: Man?
• 32:46
  Speaker 2: Morel of the story is you stupid ass men. Women
• 32:48
  Speaker 2: don't want y'all just because they compliment your shirt. Women
• 32:52
  Speaker 2: don't want y'all just because they tell you nice sneakers.
• 32:54
  Speaker 2: All right, stop it, knock it off.
• 32:57
  Speaker 5: Jesus.
• 32:57
  Speaker 8: All right, it's the Breakfast lun Good Morning, the.
• 33:00
  Speaker 4: Breakfast Club.
• 33:03
  Speaker 8: Knowning everybody's TJ MV.
• 33:06
  Speaker 12: Charlamagne, the guy. We are the Breakfast Club. He got
• 33:08
  Speaker 12: a special guests in the building to talk.
• 33:10
  Speaker 8: In New York. Yes, right, Tony yayo.
• 33:14
  Speaker 3: Not had to bring it back, right, whatever you feel
• 33:17
  Speaker 3: man had to bring it back. I'm feeling good man
• 33:20
  Speaker 3: running around on y'all show.
• 33:21
  Speaker 2: I feel like you got a second win, yo, Like
• 33:23
  Speaker 2: it's been a second win, third win.
• 33:26
  Speaker 5: Yeah.
• 33:27
  Speaker 3: I mean, you know, I'll see the way fifty work
• 33:29
  Speaker 3: and I'm like yo, when he always be like yo,
• 33:30
  Speaker 3: y'all lazy, y'all lazy, And I'm just realizing, like I
• 33:34
  Speaker 3: thought I was working when I wasn't. So during the
• 33:36
  Speaker 3: COVID it was just like a tough time, Like I'm
• 33:38
  Speaker 3: sitting back, wasn't no tours.
• 33:39
  Speaker 4: I'm like, y, I gotta figure out other things to do.
• 33:42
  Speaker 3: So I started doing the music and then I started,
• 33:44
  Speaker 3: you know, messing with flat TV, and I just started
• 33:48
  Speaker 3: realizing when you put your presence out there to all
• 33:50
  Speaker 3: these younger generation, the new kids that really don't know us,
• 33:53
  Speaker 3: they know g Unit or some people do.
• 33:55
  Speaker 4: Remember like when I go on tour.
• 33:57
  Speaker 3: It'd be like, yeah, my father used to play on
• 33:59
  Speaker 3: my mom's to play check Unit, so it passed down
• 34:02
  Speaker 3: to that generation. So I'm going to my own tours
• 34:04
  Speaker 3: and you know, I'm just making myself valuable. Man, putting
• 34:06
  Speaker 3: that work in fifty. Did that upset you when you
• 34:08
  Speaker 3: heard fifty sad y'all was lazy?
• 34:10
  Speaker 6: Nah?
• 34:10
  Speaker 3: Not Even that motivates me because at a point sometimes
• 34:14
  Speaker 3: you do get lazy our careers. We was kind of spoiled.
• 34:16
  Speaker 3: Think about it. We had fifty where he was doing
• 34:19
  Speaker 3: everything for us. So as for like when we was
• 34:21
  Speaker 3: coming out, you have the young guns. For instance, I
• 34:23
  Speaker 3: remember Harvan saying Jay is not gonna do what fifty
• 34:27
  Speaker 3: does for young guns. He was saying it in front
• 34:29
  Speaker 3: of their face. Y'all got fifty, like fifty was, you know,
• 34:31
  Speaker 3: help us be in the videos. Second bag for that
• 34:34
  Speaker 3: when he dropped he when he sold eleven million records,
• 34:36
  Speaker 3: he dropped bag for mercy. You know what I'm saying.
• 34:38
  Speaker 3: I was in jail, you know, him and m Andem
• 34:40
  Speaker 3: was shotting me out. So I always show my love
• 34:41
  Speaker 3: to him. I know how fifty is he You know,
• 34:43
  Speaker 3: y'all the same sign. Y'all crazy, you know. So it's
• 34:47
  Speaker 3: all good.
• 34:48
  Speaker 13: You know.
• 34:48
  Speaker 4: But it just motivated me to work because I see
• 34:50
  Speaker 4: how he worked.
• 34:51
  Speaker 3: Will be on tour, He'll leave tour to go on
• 34:53
  Speaker 3: movie set, go back, go to the gym twice a day.
• 34:56
  Speaker 4: I'm tired, you know.
• 34:57
  Speaker 2: I mean, the free Aal movement was a movement within
• 34:59
  Speaker 2: this helf. Like, I don't think we talk about about that,
• 35:02
  Speaker 2: and I don't know why. Randomly, I was thinking the
• 35:04
  Speaker 2: other day about when they shouted you out of there.
• 35:06
  Speaker 3: I think it was the Grand It was Eminem and
• 35:07
  Speaker 3: that's why I always shout out Eminem. You know what
• 35:09
  Speaker 3: I'm saying, because he didn't have to do that. I
• 35:11
  Speaker 3: was on right because allen ce seventy three too low?
• 35:14
  Speaker 12: Now this move right here, this this hand in front
• 35:16
  Speaker 12: of the face. Where did that move come from? Because
• 35:19
  Speaker 12: you know, of course we've known you doing that for years.
• 35:21
  Speaker 12: Where did that come to?
• 35:22
  Speaker 3: That really came because I was on the run like
• 35:25
  Speaker 3: I was at that point when we was in the club,
• 35:27
  Speaker 3: I was running like fifty was like yo, he said
• 35:29
  Speaker 3: to me. You know we had this judge, Judge Wong
• 35:31
  Speaker 3: and queens everybody knowing no joke, and he was like, yo,
• 35:34
  Speaker 3: what are you gonna do. You're gonna go to court,
• 35:36
  Speaker 3: but go on tour. We're blowing up now. Mixtapes are crazy,
• 35:40
  Speaker 3: just playing us everywhere. I'm like, yo, I'm running.
• 35:45
  Speaker 2: So when you're John Cena, just I guess jacket, John
• 35:48
  Speaker 2: Cena gives you credit.
• 35:49
  Speaker 16: Right.
• 35:50
  Speaker 3: John Cena said, his little brother, I believe did it,
• 35:53
  Speaker 3: and his little brother did him to do it, and
• 35:56
  Speaker 3: I guess he did it in the match.
• 35:57
  Speaker 4: And it just got.
• 35:57
  Speaker 8: Crazy when you see the Reese do or what did
• 36:00
  Speaker 8: you think?
• 36:01
  Speaker 4: She made it? She took it to a whole other level.
• 36:03
  Speaker 3: She brought it back, had me trending for shelter, She
• 36:06
  Speaker 3: had me trending for you know, the whole week.
• 36:08
  Speaker 6: And they did it before her, right, yeah, So it.
• 36:11
  Speaker 3: Was just like I mean, with that situation was crazy
• 36:13
  Speaker 3: because like you said, the black girl did it and
• 36:15
  Speaker 3: it was a problem then when beforehand it was Yeah,
• 36:18
  Speaker 3: it was a problem. So I addressed that, you know
• 36:20
  Speaker 3: what I mean. I talked about that too. That's crazy
• 36:22
  Speaker 3: for that on when we playing ball in the hood,
• 36:24
  Speaker 3: you know, it's competitive.
• 36:25
  Speaker 4: Whatever you do when you do your call shows, you
• 36:27
  Speaker 4: in competition.
• 36:28
  Speaker 5: That's right.
• 36:29
  Speaker 3: I see you go at people here. Y'all got the
• 36:31
  Speaker 3: best call shows in the world. None of y'all can
• 36:33
  Speaker 3: mess with me. I don't know how you get all
• 36:34
  Speaker 3: these calls.
• 36:34
  Speaker 8: You said it not me, But.
• 36:37
  Speaker 4: I told fifty you might as well just leave all
• 36:39
  Speaker 4: his cars with you.
• 36:39
  Speaker 2: Brother.
• 36:40
  Speaker 12: You know, Fifth calls me and he'd be like, let
• 36:42
  Speaker 12: me get the call and I'll give him back his call.
• 36:44
  Speaker 8: You know.
• 36:45
  Speaker 12: I usually have his Lambo or his Rolls Royce and
• 36:47
  Speaker 12: he driving for one day and then it sits and
• 36:49
  Speaker 12: then he loses the key and then I got to
• 36:51
  Speaker 12: go get it again.
• 36:51
  Speaker 4: But meAll playing around, I.
• 36:55
  Speaker 8: Want to go back, right, I know. Yeah, you a
• 36:56
  Speaker 8: long time.
• 36:58
  Speaker 12: Where do you think in your career happened where you
• 37:00
  Speaker 12: didn't go to that next level, right? And I asked
• 37:03
  Speaker 12: Fifty that and he said he thinks it was the
• 37:05
  Speaker 12: picking up the wrong single.
• 37:07
  Speaker 5: What do you what do you think it was interesting?
• 37:09
  Speaker 4: I think it was just a lot of drama with
• 37:10
  Speaker 4: in the Scope when I came home.
• 37:12
  Speaker 5: You know what I mean?
• 37:12
  Speaker 3: You had fifty he was Curtis, I'm Curtis in the
• 37:15
  Speaker 3: Scope Jackson, you know, and Jimmy Ivian. You know, you
• 37:18
  Speaker 3: had game flipping. I just get rid of him, you know,
• 37:20
  Speaker 3: fifty so more reckless than the moment whatever.
• 37:23
  Speaker 4: It was like.
• 37:23
  Speaker 3: It was like it was like a war in our
• 37:25
  Speaker 3: own house because you had record, you had the social decor.
• 37:27
  Speaker 5: We had the wrong thing.
• 37:29
  Speaker 4: Yes, I had social Doctor you don't love me? I
• 37:31
  Speaker 4: had I Know you don't love me?
• 37:32
  Speaker 3: And pimping right, But you gotta remember I came in
• 37:35
  Speaker 3: the midst of the fifty in the Scope drama can
• 37:38
  Speaker 3: he was, I'm my own boss, you know how to
• 37:41
  Speaker 3: you know how so I think sometimes and at that
• 37:44
  Speaker 3: point we had so many enemies. It was like we
• 37:46
  Speaker 3: wasn't getting a feature or nothing like you wasn't like
• 37:49
  Speaker 3: we came to a point where we never used anybody,
• 37:51
  Speaker 3: Like it was just me Banks and fifty. You know,
• 37:54
  Speaker 3: fifty never looked to do features with nobody, So you
• 37:57
  Speaker 3: know how it is. It felt like everybody was against
• 38:00
  Speaker 3: us at that point because nobody really messed with fifteen industry,
• 38:02
  Speaker 3: like that'll mess with us.
• 38:04
  Speaker 2: Didn't feel better now because I saw you out about
• 38:06
  Speaker 2: the other day and like it was you and Pistol
• 38:07
  Speaker 2: p and Uncle Murdon.
• 38:08
  Speaker 3: Yeah, feel better, it feel It feels good to have
• 38:11
  Speaker 3: no drama with Fat Joe because Fat Joe I was
• 38:13
  Speaker 3: I was always a fan of Fat Joe Jell just want.
• 38:15
  Speaker 4: To envy, you know, he was a real one. Pistol
• 38:17
  Speaker 4: Pe he cool.
• 38:17
  Speaker 3: So it's like you get older and a lot of
• 38:19
  Speaker 3: stuff was just just hip hop.
• 38:21
  Speaker 2: And I saw you say that was the realest beef
• 38:23
  Speaker 2: g unit. Yeah, I guess you call that a compliment.
• 38:26
  Speaker 2: That's a big compliment. I don't I don't look at
• 38:29
  Speaker 2: the jah ruth thing.
• 38:30
  Speaker 4: It's like real.
• 38:31
  Speaker 6: But y'all had street beef, get the right, y'all had
• 38:34
  Speaker 6: beef with Yeah.
• 38:34
  Speaker 3: I look at I look at them. I look at
• 38:36
  Speaker 3: like the preams the world. I look at those kind
• 38:39
  Speaker 3: of guys or like the real beefs, the Jimmy Henchman
• 38:42
  Speaker 3: strolls with like the real beefs where it got real
• 38:45
  Speaker 3: with the street eyes. But industry wise you said terror
• 38:47
  Speaker 3: Squad was yeah, industry wise terrorist squad.
• 38:50
  Speaker 6: Okay, why what makes that?
• 38:51
  Speaker 4: What makes it?
• 38:52
  Speaker 3: Because I don't know. It's just a whole bunch of
• 38:54
  Speaker 3: crazy Spanish dudes. Man, you know what I'm saying.
• 39:00
  Speaker 8: What was the crazy story that you was like, we
• 39:01
  Speaker 8: might not make it out of here.
• 39:03
  Speaker 3: I wouldn't say we were scared, but I could say
• 39:06
  Speaker 3: it was the Vibe Awards when we seen Shook Knight
• 39:09
  Speaker 3: and Earth got h and they walked past the trailer.
• 39:12
  Speaker 3: It is what it is. We in New York, but
• 39:14
  Speaker 3: we in La. You know what I'm saying. We New
• 39:15
  Speaker 3: York dudes, We in La. You know what I'm saying.
• 39:17
  Speaker 3: So you see Shook Knight. You always heard about this guy,
• 39:19
  Speaker 3: you know TV magazines, but you know I never had
• 39:23
  Speaker 3: in the club was the first running, but this was
• 39:24
  Speaker 3: the second. So he walks past the trailer with Earth
• 39:28
  Speaker 3: and fifty. Just look at James Cruise. James Cruse, you know,
• 39:31
  Speaker 3: shout to him. He was a little James Scrus is
• 39:33
  Speaker 3: always in a situation industry guy. He got to run
• 39:35
  Speaker 3: around with fifty bulletpoof veesses. You know, Chris Lightdy was
• 39:38
  Speaker 3: in the trenches. It's crazy.
• 39:40
  Speaker 4: So he just tapped James CRUs and say, Yo, go
• 39:42
  Speaker 4: buy twenty knives.
• 39:43
  Speaker 8: Go by twenty knops.
• 39:44
  Speaker 3: Yeah, just go to the Hallway store. I'm like, that's
• 39:47
  Speaker 3: what we're gonna do. Just seem you know, they.
• 39:49
  Speaker 5: Might get crazy.
• 39:51
  Speaker 3: It was about twenty to fifteen or something like that.
• 39:53
  Speaker 3: So James Cruse goes to the Hallway store by twenty knives.
• 39:56
  Speaker 3: He gives the bags fifty hand in them ount and
• 39:59
  Speaker 3: then you know when we got there, we had beef
• 40:00
  Speaker 3: with Fat Joe. At that point, we doctor Dre's there,
• 40:03
  Speaker 3: so you know that's obviously a beef for shig Knight.
• 40:05
  Speaker 4: Shig Knight got like some.
• 40:07
  Speaker 3: Crazy looking Compton looking dudes with him, you know what
• 40:09
  Speaker 3: I'm saying. So it just you felt the energy to
• 40:11
  Speaker 3: where we had our chairs like this watching the show, watch.
• 40:14
  Speaker 4: Watching the show.
• 40:15
  Speaker 3: We had this like yo, you felt the energy like
• 40:17
  Speaker 3: you felt something was gonna go down. And that's when
• 40:20
  Speaker 3: you know we wasn't taking pictures back then, So I
• 40:22
  Speaker 3: guess he has Dre for the autograph. Pops on Dre
• 40:25
  Speaker 3: Drake falls, but he alday might even get up start
• 40:27
  Speaker 3: popping on him.
• 40:28
  Speaker 4: And it just got crazy.
• 40:29
  Speaker 3: Now I started coming from everywhere, and that's when you know,
• 40:31
  Speaker 3: one of the dudes got stabbed.
• 40:33
  Speaker 2: So my question is if there was twenty knins, how
• 40:35
  Speaker 2: come only Young Buck didn't stab him?
• 40:36
  Speaker 3: No, that that dude got stabbed in the chest. Young
• 40:38
  Speaker 3: Buck stabbed him with the funk. I don't know where
• 40:40
  Speaker 3: that got that.
• 40:42
  Speaker 4: I don't know where you.
• 40:45
  Speaker 3: Just came with the fault nobody knife. No, but no,
• 40:48
  Speaker 3: I don't know. That's why I was tripping. I know
• 40:51
  Speaker 3: I had one. Everybody else did you know what I'm saying?
• 40:53
  Speaker 3: But Buck, matter of fact, him and Banks was backstage.
• 40:56
  Speaker 3: They was about to perform, and he just came with
• 40:59
  Speaker 3: the fun as soon as they started talking that time
• 41:02
  Speaker 3: when they started, we went back to the mansion after
• 41:04
  Speaker 3: that happened because the kid got stabbed in the chests,
• 41:06
  Speaker 3: he collapsed. Everything, the fuk wasn't nothing. And we got
• 41:10
  Speaker 3: back to the mansion and it was on the news.
• 41:12
  Speaker 3: It was like attempted murder young Buck. Young Buck was like,
• 41:14
  Speaker 3: I ain't do that, mate, I'm gonna.
• 41:19
  Speaker 4: Switch up with that time that's why I've been staying
• 41:22
  Speaker 4: out the truck.
• 41:24
  Speaker 3: Was like, I ain't do that, man, because young Buck
• 41:26
  Speaker 3: hit him with the fuck he ain't stabbing him in
• 41:28
  Speaker 3: the chest.
• 41:30
  Speaker 5: He kind of ran with the story though, didn't.
• 41:32
  Speaker 3: I mean, you know, come on, man, rappers many all right?
• 41:36
  Speaker 12: We got more with Tony yayo when we come back.
• 41:39
  Speaker 12: Matter of fact, let's get into a classic Yao record?
• 41:41
  Speaker 12: Can we get into so seductive? It's the Breakfast Club,
• 41:43
  Speaker 12: Good Morning.
• 41:45
  Speaker 20: J n V.
• 41:46
  Speaker 8: Charlamagne the guy.
• 41:47
  Speaker 5: We are the Breakfast Club.
• 41:48
  Speaker 12: Our co host p Scott is here and we're still
• 41:50
  Speaker 12: kicking it with Tony Yao.
• 41:51
  Speaker 14: No.
• 41:51
  Speaker 12: For people that don't know, there was a time wh
• 41:54
  Speaker 12: y'all were all strained, right, gu and he wasn't talking
• 41:56
  Speaker 12: to fifty to fifty, wasn't talking to genu. What happened
• 41:58
  Speaker 12: during that time? And then what got you back together?
• 42:00
  Speaker 3: I'm always talking to fifty fifty just I'm used to
• 42:03
  Speaker 3: fifties character because he's blue. He's a crazy cancer like Charlamagne,
• 42:06
  Speaker 3: so I'm used to him. He used to be on
• 42:08
  Speaker 3: the block, you know. I remember one day fifty Wheelians
• 42:11
  Speaker 3: he fell off his bike and told yo. He was
• 42:13
  Speaker 3: like yo, nobody better laugh. Everybody started laughing. Nobody been
• 42:17
  Speaker 3: laughing at me. I'm punched out of your face. So
• 42:19
  Speaker 3: I know him from being on the block. I know
• 42:21
  Speaker 3: him better than anybody. Banks is a little younger. So
• 42:24
  Speaker 3: Banks was, you know, high school. He went to August Martin.
• 42:27
  Speaker 3: Buck is from Cashville and Game is from Kelly, La.
• 42:32
  Speaker 3: But once money and ego get involved, you know how
• 42:34
  Speaker 3: dudes start acting. Everybody's their own boss in the way,
• 42:37
  Speaker 3: and sometimes it get to their head. For me, it
• 42:39
  Speaker 3: was different. I got out of jail and I'm like,
• 42:41
  Speaker 3: y'all living battery park. I could see it's statue of liberty,
• 42:44
  Speaker 3: so I'm open. I'm like, wow, rakers allen to this,
• 42:47
  Speaker 3: thanks fifth. So I always had that loyalty because I'm
• 42:50
  Speaker 3: coming fresh out of jail, Like yo, we blew up.
• 42:53
  Speaker 6: You also never seem to have a sense of entitlement.
• 42:55
  Speaker 3: Ah, I don't. I'm like, I'm good. I got a
• 42:57
  Speaker 3: couple of houses, i made some good money, I traveled
• 42:59
  Speaker 3: the Earl. I'm like on my four fifth passport.
• 43:01
  Speaker 4: I'm humble. You know.
• 43:03
  Speaker 3: I ain't got as much cars as Envy, but I
• 43:04
  Speaker 3: got a few, a few, you know. But but for me,
• 43:07
  Speaker 3: I'm like, yo, we all make money. I don't see
• 43:10
  Speaker 3: Fifth like, for instance, I'm gonna say it buck like
• 43:12
  Speaker 3: Buckle go on tour. You know what I'm saying. We
• 43:15
  Speaker 3: wasn't familiar with money, how to save money? We black
• 43:17
  Speaker 3: dudes from from the hood, you know, like you're going
• 43:20
  Speaker 3: to your spend two fifty, right, and then later on
• 43:24
  Speaker 3: you have that grace period because you're in another tax bracket, right,
• 43:26
  Speaker 3: so you'll be you got to pay that with maybe
• 43:28
  Speaker 3: a year and a half, maybe two years later that money,
• 43:31
  Speaker 3: and I might not be there your fifth, Can I
• 43:32
  Speaker 3: ball to fifty? I got a tax problem? How many
• 43:35
  Speaker 3: times you think a person gonna do that for you?
• 43:37
  Speaker 2: That's really the one thing I think Fifty dropping the
• 43:39
  Speaker 2: ball with you, Yeah, is why you ain't in none
• 43:41
  Speaker 2: of these TV shows.
• 43:42
  Speaker 5: Man. You just got that natural personality.
• 43:45
  Speaker 3: You know what you do it? No, I want to
• 43:47
  Speaker 3: do it. But I looked at it like this. If
• 43:49
  Speaker 3: he put all his friends in power, it wouldn't be yeah,
• 43:54
  Speaker 3: all right, cool, good like yeah, see watch this Fifth
• 43:57
  Speaker 3: put me in something.
• 43:58
  Speaker 4: Charl said it.
• 43:59
  Speaker 5: Have you asked?
• 44:00
  Speaker 4: No, No, I don't be pressing Fifth. He done enough
• 44:02
  Speaker 4: for me.
• 44:03
  Speaker 3: You know what I'm saying like I was going to fifth,
• 44:06
  Speaker 3: y'all I need a half a million, bro, I got
• 44:08
  Speaker 3: you quarter million?
• 44:09
  Speaker 5: Bro?
• 44:10
  Speaker 4: Got you?
• 44:10
  Speaker 6: Come on, bro, I.
• 44:11
  Speaker 3: Can't keep trusting him for half a million. Yeah, I've
• 44:14
  Speaker 3: seen him do it for a buck two year buck.
• 44:16
  Speaker 3: I need I need a quarter? Oh ahead, man, I
• 44:18
  Speaker 3: got got you.
• 44:19
  Speaker 8: What's your relationship with Banks?
• 44:21
  Speaker 4: Banks Is my brother? I talked to him the other day.
• 44:23
  Speaker 8: Are they ever gonna mind that?
• 44:24
  Speaker 3: I'll stay I'll stay out because Fifth is you know,
• 44:28
  Speaker 3: Fifth is Fifth? Fifth is crazy. I just know how
• 44:30
  Speaker 3: to deal with him, you know what I'm saying. From
• 44:31
  Speaker 3: South Jamaica, he's been like that, like you gotta think.
• 44:33
  Speaker 3: On the block, twelve years old, never knew who his
• 44:36
  Speaker 3: father was. Moms got killed. He's selling drugs with all
• 44:40
  Speaker 3: with dudes twice his age, these dudes like eighteen nineteen,
• 44:43
  Speaker 3: you know what I'm saying. So he came up different.
• 44:45
  Speaker 3: I had a mother and father. You know, I was
• 44:47
  Speaker 3: supposed to be a good kid. Actually, but you know
• 44:50
  Speaker 3: the streets my neighborhood, there was no road models.
• 44:52
  Speaker 4: Everybody's so drugs. That's how you got the name Yaloe.
• 44:55
  Speaker 3: Yeah, being't on the block. My father used to Chase
• 44:57
  Speaker 3: me off the block, Haitian parents. You know, play my parents,
• 45:00
  Speaker 3: don't play chase me off the pot. Did you really
• 45:03
  Speaker 3: want to rap?
• 45:04
  Speaker 6: That was just you saw you saw working for fifty,
• 45:06
  Speaker 6: Like you know, I'm a track.
• 45:07
  Speaker 3: Yeah, No, I mean I was on the block, and
• 45:09
  Speaker 3: you know I used to be in the parties with
• 45:11
  Speaker 3: my man, Fat Shot DJ Ruffians and we used to go,
• 45:14
  Speaker 3: you know, freaky toys from my hood. So we used
• 45:16
  Speaker 3: to always get on the mic and play around and
• 45:18
  Speaker 3: freestyle of my man basement.
• 45:19
  Speaker 4: And you know, I just started rapping.
• 45:21
  Speaker 3: But you know, I never thought fifty was gonna sell
• 45:23
  Speaker 3: eleven million records. We'd be in the house listening to
• 45:26
  Speaker 3: get rich of I try and dude, just like you
• 45:27
  Speaker 3: know what I'm say, But I always seen a vision.
• 45:30
  Speaker 3: I'm like, nah, this is five fifties the next one.
• 45:32
  Speaker 3: You know, I'm I'm a music guy. Like I used
• 45:34
  Speaker 3: to go to the AVM by MV tapes, Clue Tapes,
• 45:37
  Speaker 3: Dog Time, grand Master vict.
• 45:39
  Speaker 4: All of it because it cleans his music.
• 45:41
  Speaker 6: And people really av tapes.
• 45:42
  Speaker 12: Yes, okay, now people hot Wax.
• 45:49
  Speaker 3: He know, we used to go to Hot Wax get
• 45:51
  Speaker 3: the tapes, you know, because you gotta remember Clue and
• 45:54
  Speaker 3: Envy went from It went from blends because we used
• 45:57
  Speaker 3: to It used to be all about Blens, Grand Master
• 45:59
  Speaker 3: vict Dog, Dirty Harry, and then they just went it
• 46:02
  Speaker 3: went to playing exclusives and that was you and Clue.
• 46:05
  Speaker 4: That's how they changed the game.
• 46:06
  Speaker 3: Him and Clue played exclusive records like a NADS free
• 46:09
  Speaker 3: style or this free style of that.
• 46:10
  Speaker 4: You ever got mad at them for leaking and they
• 46:12
  Speaker 4: of y'all records.
• 46:12
  Speaker 3: Nah, because the bootleggers made us at that point, the
• 46:15
  Speaker 3: DJ's made us because we was getting played everywhere we
• 46:18
  Speaker 3: go to the bootleggers. You know, sometimes dudes w want
• 46:21
  Speaker 3: to beat up the bootleggers and fifty be like, wow,
• 46:22
  Speaker 3: why you're doing that.
• 46:23
  Speaker 4: It's spread in the world. We had mixtapes everywhere you go.
• 46:26
  Speaker 5: Nobody we know the conversation nobody has.
• 46:28
  Speaker 2: You know, you know what Dirty Harry and all of
• 46:30
  Speaker 2: them did, and we know what y'all did. But the
• 46:32
  Speaker 2: artists like with you and it did and they were
• 46:35
  Speaker 2: one of the first said did in the locks. They
• 46:37
  Speaker 2: took the mixtape, gave to another level the way y'all
• 46:39
  Speaker 2: started doing mixtape.
• 46:40
  Speaker 3: Right, But we we wasn't stopping. We just we had
• 46:43
  Speaker 3: a mixtape every week. Remember I remember when Ja Ru
• 46:46
  Speaker 3: dissed us and we was an eminem studio and we
• 46:49
  Speaker 3: did semi automatic gunfire and that like that like killed
• 46:52
  Speaker 3: y'all that that tape, whole tape killing Jaru shouted Jaru
• 46:55
  Speaker 3: killed him, still killing him and.
• 46:58
  Speaker 8: He said, shouting down, still killing Jesus. And have you
• 47:01
  Speaker 8: ever ran in the job?
• 47:02
  Speaker 4: Nah?
• 47:02
  Speaker 3: Never nah, only only when you know the situation in
• 47:05
  Speaker 3: the studio that was that way back. And I had
• 47:08
  Speaker 3: like a cut on my hand that was like years ago.
• 47:11
  Speaker 3: But to me, to me, you gotta understand, we think
• 47:14
  Speaker 3: of Queen's I was in the streets for real, like
• 47:16
  Speaker 3: I'm gonna keep it real, like I don't know what
• 47:19
  Speaker 3: y'all was doing. I'm not from his neighborhood. My baby
• 47:22
  Speaker 3: mom's just from his neighborhood. Pop over there in Woodhall.
• 47:25
  Speaker 3: As for like seeing Niles come to the block with
• 47:28
  Speaker 3: black dress e moneybags coming through, Like my block was legendary,
• 47:32
  Speaker 3: one three four on God Brewer.
• 47:34
  Speaker 4: It was legendary. Where everybody was outside.
• 47:36
  Speaker 3: I was outside, so I never they said IRV God
• 47:38
  Speaker 3: he was a DJ, but I've never been to a
• 47:41
  Speaker 3: party where he DJ. I know the Rockaway Twins. I
• 47:43
  Speaker 3: know Goldfingers, I know tape Master that brings the system everywhere,
• 47:48
  Speaker 3: brand Master, vict babyj come on, Like, I never seen
• 47:53
  Speaker 3: IRV do a party, and I didn't been to parties
• 47:55
  Speaker 3: on the North Side, south Side everywhere. I never really
• 47:58
  Speaker 3: seen them outside, like I wasn't known as a figure
• 48:02
  Speaker 3: in the neighborhood, in any neighborhood.
• 48:03
  Speaker 12: No disrespect, but I want to ask, you know, they've
• 48:06
  Speaker 12: been trying to beat me up here the last two
• 48:08
  Speaker 12: three weeks. Right if fifty and Wayne did it.
• 48:11
  Speaker 2: I can't ask him how you gonna have Tony A
• 48:13
  Speaker 2: or that he's gonna have an objective opinion.
• 48:15
  Speaker 4: I think I think it's gonna be good.
• 48:17
  Speaker 3: But I mean, you know, Wayne got a catalog to
• 48:20
  Speaker 3: and Fifth got a catalog.
• 48:22
  Speaker 8: I see now, I will say that there's a.
• 48:23
  Speaker 3: Lot of records that they both have, so I mean
• 48:25
  Speaker 3: it'll be a dog fight.
• 48:27
  Speaker 2: It'll be good. Yo, YO said that, y'all. Don't say
• 48:29
  Speaker 2: he said catalog. I find disrespectful. And they say get rich.
• 48:33
  Speaker 2: You'll just take out Wayne's whole.
• 48:35
  Speaker 4: Nah, you gotta go back and say that.
• 48:37
  Speaker 12: You said you play eight songs off just I can
• 48:40
  Speaker 12: play eight songs of get rich and that I trying
• 48:42
  Speaker 12: because because Wayne does have a lot of songs, I
• 48:44
  Speaker 12: say Wayne is a bigger artist when it comes to
• 48:47
  Speaker 12: a rapper, Wayne has been doing this since what twelve
• 48:49
  Speaker 12: thirteen times? But when it comes to cultural Influencewayne's.
• 48:55
  Speaker 4: Bigger than all. I don't think.
• 48:56
  Speaker 3: I don't think nothing was bigger than G Unit fifty,
• 48:59
  Speaker 3: Eminem and Doctor. But you got to understand the element.
• 49:02
  Speaker 3: Everything was crazy. It was crazy like we had video
• 49:04
  Speaker 3: games that were selling, We had clothes that was selling.
• 49:08
  Speaker 3: Do we have cereal, Adam, do we have cereal? I
• 49:10
  Speaker 3: think we had cereal was selling. We had everything, socks like,
• 49:14
  Speaker 3: everything was selling. And Eminem was what at sol sixty million,
• 49:19
  Speaker 3: fifty eleven million?
• 49:21
  Speaker 4: It was crazy, Like I don't.
• 49:22
  Speaker 12: Think the one thing is Wayne has the Nicki Minas,
• 49:25
  Speaker 12: he has the Drakes, he has the young money, he
• 49:27
  Speaker 12: has a.
• 49:27
  Speaker 4: Huge kid from that right Drake.
• 49:29
  Speaker 12: And when it comes to those cultural hits, I don't
• 49:34
  Speaker 12: think there's nothing bigger than the records that you play.
• 49:36
  Speaker 5: For fifty.
• 49:37
  Speaker 12: Like I said, you could pick any Wayne record and
• 49:39
  Speaker 12: I will destroy that one record with the record.
• 49:41
  Speaker 5: Pick one record.
• 49:42
  Speaker 4: We had the street, we had the streets.
• 49:45
  Speaker 3: You gotta know I'm talking about I'm talking about the
• 49:47
  Speaker 3: mixtape where every nothing was playing. But no, I understand
• 49:52
  Speaker 3: acting like Wayne didn't have this.
• 49:54
  Speaker 12: But I'm just saying that when it comes to that
• 49:56
  Speaker 12: cultural influence of how a record feels, I don't think about.
• 50:00
  Speaker 4: Kids wearing bulletpoo vests in the suburbs, man.
• 50:03
  Speaker 5: Kids wearing the rock star jeans.
• 50:05
  Speaker 4: And that's right, that's right.
• 50:07
  Speaker 2: The dress, the legend where he started the dress right now, dress.
• 50:11
  Speaker 3: But you gotta remember this. We was on Lil Wayne
• 50:14
  Speaker 3: tour back in the days we started. He started way ahead.
• 50:17
  Speaker 8: Of us.
• 50:20
  Speaker 4: Started.
• 50:20
  Speaker 2: If they had beef, people forget about that way that
• 50:23
  Speaker 2: I'm pishing your vitamin water.
• 50:24
  Speaker 4: So I'm like, oh, yeah, I remember that one. They cool.
• 50:26
  Speaker 8: Now get.
• 50:31
  Speaker 5: Holding.
• 50:32
  Speaker 8: Everybody's the d J n V.
• 50:34
  Speaker 5: Charlamagne the guy. We are the breakfast club. Our co
• 50:36
  Speaker 5: host be Scott.
• 50:37
  Speaker 8: Is here and we're still kicking it with Tony Y Charlamagne.
• 50:40
  Speaker 2: What about that stabbing when you talk you mentioned it
• 50:42
  Speaker 2: briefly though, and Sony, Yeah, was it a real stabbing.
• 50:46
  Speaker 2: It was a real stabbing. I'm gonna tell you what happened.
• 50:49
  Speaker 4: Man.
• 50:49
  Speaker 3: We was in the studio and that was That's Sony, right, Sony.
• 50:53
  Speaker 3: Remember they had the one across the street and they
• 50:55
  Speaker 3: had the big building, the.
• 50:56
  Speaker 8: Big buildings where everybody would say Michael Jackson would take all.
• 50:58
  Speaker 4: The rooms, right right.
• 51:00
  Speaker 3: So we walking in and at that time I think
• 51:04
  Speaker 3: we seen why Cleft and you know, I think I
• 51:06
  Speaker 3: think Scooter was there, was Haitian Jack, then Haitian Jack.
• 51:09
  Speaker 3: We see them in the lobby. It's just me and fifty. Yeah,
• 51:13
  Speaker 3: you know back yea, they was all in the lobby
• 51:16
  Speaker 3: with Cleft. We've seen Clef and I think Prizewell was
• 51:20
  Speaker 3: there too or whatever.
• 51:21
  Speaker 4: So you know, we go.
• 51:23
  Speaker 3: Upstairs, but we're not worried about Fifth. I swear have
• 51:24
  Speaker 3: got fifth got I don't got nothing on me. Fifth
• 51:26
  Speaker 3: got a four to fifth, No safety on them. We
• 51:29
  Speaker 3: go upstairs. We got a session. So Clark Kent, his
• 51:32
  Speaker 3: nephew ended up being a DJ Gizz. But Giz was
• 51:35
  Speaker 3: not really a street dude. He was just a cool dude,
• 51:38
  Speaker 3: you know, shout to Clark Kent. He was just like, yo, here, fifty,
• 51:41
  Speaker 3: I got a DJ fore you Right. So we go
• 51:43
  Speaker 3: in the studio we're supposed to record.
• 51:45
  Speaker 4: Now. The studio is.
• 51:47
  Speaker 3: Small, it's a small room and it's a small hallway.
• 51:50
  Speaker 3: So in the next room is Toning Poke they working
• 51:54
  Speaker 3: on beats, and me fifty and Gears is in the
• 51:56
  Speaker 3: room with the enginet.
• 51:58
  Speaker 4: Forgot what fifty was working on. I guess I'm gonna
• 52:00
  Speaker 4: keep it real. I don't know.
• 52:01
  Speaker 3: Before within sony, I think in my mind, I think
• 52:05
  Speaker 3: prize Well said something like I don't know why, like
• 52:08
  Speaker 3: he must you know what we he I think he
• 52:11
  Speaker 3: said something keep it real. I don't think it's trust
• 52:14
  Speaker 3: people trust me. That was the information that was you
• 52:17
  Speaker 3: know what I mean that prize Well said something to
• 52:20
  Speaker 3: Joa ruined him. So we in the room. You just
• 52:23
  Speaker 3: hear boo boo boo commotion. These dudes come in like
• 52:26
  Speaker 3: it's a movie, like yo, what's up now? But they ain't.
• 52:29
  Speaker 3: It's no guns, nothing, it's nothing.
• 52:31
  Speaker 4: Really.
• 52:31
  Speaker 3: All you see is crutches and like like stuff picked
• 52:34
  Speaker 3: up from the studio. And I guess one of them
• 52:36
  Speaker 3: had like a kitchen knight. So it was was Earth
• 52:39
  Speaker 3: it No, it was Earth Brother. I think it was
• 52:41
  Speaker 3: Black Child at that point, Joah, I think somebody else.
• 52:45
  Speaker 3: But so we started to get it on. Nobody turned
• 52:47
  Speaker 3: off the light. While we're getting it on, the light
• 52:49
  Speaker 3: like turned off because you know how somebody bump into
• 52:52
  Speaker 3: the switch. So we fighting. Everything is dark. You don't
• 52:55
  Speaker 3: know what's going on. You just hit Melee. So all
• 52:57
  Speaker 3: you heard was get the gun. You know, loft him
• 53:00
  Speaker 3: because the gun was in the other room. That's why
• 53:02
  Speaker 3: I said, joh Ruin. He wouldn't even be it. He
• 53:04
  Speaker 3: would have been gone, Like our careers would have been
• 53:07
  Speaker 3: totally different if that gun was in that room. And
• 53:09
  Speaker 3: I swear on my dad father, like I'm telling you
• 53:11
  Speaker 3: the truth. The gun was in the other room. I've
• 53:14
  Speaker 3: seen it. You know what I'm saying with my own
• 53:15
  Speaker 3: two eyes. They come in, we get it on boom
• 53:18
  Speaker 3: boo boom, get the gun. They run out. Fifty or
• 53:20
  Speaker 3: speak at one of them. I don't know if it
• 53:21
  Speaker 3: was Earth brother whoever I seen him through speaking, said
• 53:24
  Speaker 3: get the gun. Once they hurt, get the gun. Everybody
• 53:27
  Speaker 3: started running out. But the gun was in the other room,
• 53:29
  Speaker 3: and that was it. Fifty had a scratch on his
• 53:31
  Speaker 3: back right and I got stabbed in my hands and
• 53:34
  Speaker 3: my finger was like cut right here. So look it
• 53:36
  Speaker 3: looked crazy because it was hanging a little bit. Well
• 53:39
  Speaker 3: look this is all I got that and that that
• 53:42
  Speaker 3: was it.
• 53:42
  Speaker 2: You want to think about how blessed y'all are, because
• 53:44
  Speaker 2: think about all the violence y'all escape, because I ain't
• 53:46
  Speaker 2: never even heard about the shooting that happened before the
• 53:48
  Speaker 2: young man got slapped, right, Nah.
• 53:51
  Speaker 4: But house get yeah, yeah, it's cool.
• 53:53
  Speaker 3: But I always looked at it like this, Bro, if
• 53:55
  Speaker 3: I slapped your kid or your kid, what are you
• 53:57
  Speaker 3: gonna You're gonna you got the right all gloves off
• 54:01
  Speaker 3: and it's all good.
• 54:01
  Speaker 2: But then y'all g unit officers got shot up before
• 54:04
  Speaker 2: y'all missed A lot of bullets, is what I'm saying.
• 54:07
  Speaker 8: I'm a crib like. It was a lot of bullets.
• 54:09
  Speaker 4: You know, it's crazy.
• 54:10
  Speaker 3: And I always think God like I always seen my
• 54:11
  Speaker 3: prayers before I left the house, because I remember one
• 54:13
  Speaker 3: day I had a plaque and people won't even believe
• 54:16
  Speaker 3: his story, and a bullet fell out of it and
• 54:18
  Speaker 3: my father found it.
• 54:19
  Speaker 4: He was staying with me at the time.
• 54:20
  Speaker 3: The next day, my mom's crib got shot up, or
• 54:22
  Speaker 3: could have been the same day, like when my mom's
• 54:25
  Speaker 3: creep got shut up.
• 54:25
  Speaker 4: So I mean, you know, God is good, bro.
• 54:27
  Speaker 3: A bullet like your plaque, a bullet like I had
• 54:29
  Speaker 3: a fifty cent plat and it got bullets in it
• 54:32
  Speaker 3: and it's above my door and my father found it.
• 54:34
  Speaker 3: He's like, if somebody shut the house up. And I'm like, nah,
• 54:36
  Speaker 3: it fell off the plaque. And the next day, like,
• 54:39
  Speaker 3: my mom's crib got shot up. So you get signs,
• 54:42
  Speaker 3: you know, to be low and you gotta move right,
• 54:43
  Speaker 3: because one thing about us is we knew how to
• 54:46
  Speaker 3: move like, all right, cool, if it's hot, cool, I'm good.
• 54:48
  Speaker 3: Like when my mom's crib got shot up. I went
• 54:50
  Speaker 3: out there and was looking to do stuff and fifty
• 54:53
  Speaker 3: called me like, yo, bro, you're outside, you got something
• 54:56
  Speaker 3: on you. You're bugging out. Bro, Use your brain, bro,
• 54:58
  Speaker 3: It's chess, not checkers.
• 55:00
  Speaker 5: That's why I say.
• 55:00
  Speaker 12: You know, it must have been like seven eight years
• 55:02
  Speaker 12: ago to see you in fifty enjoying whathi ch'all didn't
• 55:07
  Speaker 12: have before. But you know, I mean, because they couldn't
• 55:09
  Speaker 12: go to the clubs and experience the records like y'all
• 55:11
  Speaker 12: should have.
• 55:12
  Speaker 8: Y'all couldn't go to these events and go to these things.
• 55:14
  Speaker 4: And it wasn't because of the rappers.
• 55:16
  Speaker 3: It was mainly because of the hip hop police, because
• 55:17
  Speaker 3: there was times where they'd be like, no, genune and
• 55:20
  Speaker 3: no dipset in the clubs, all the clubs in Manhattan.
• 55:22
  Speaker 3: So hip hop police, you remember Curly Top, he's retired
• 55:25
  Speaker 3: now hip Hop Police, they all retired. There's all new
• 55:28
  Speaker 3: ones now for the dudes that will follow TJ and
• 55:31
  Speaker 3: all these dudes in the city and all the young
• 55:33
  Speaker 3: dudes now. But all them dudes are retired. But them
• 55:36
  Speaker 3: dudes used to tell us, yo, you can't come to
• 55:38
  Speaker 3: this club. You know much money we missed out on.
• 55:40
  Speaker 8: Definitely good to see that, man.
• 55:42
  Speaker 6: Yeah they could grab it on the Welcome to the culture.
• 55:44
  Speaker 4: Thank you.
• 55:46
  Speaker 8: What I seen you in? You screaming on math? How
• 55:49
  Speaker 8: for what happened with with that?
• 55:50
  Speaker 3: Nah?
• 55:50
  Speaker 4: How feom is good?
• 55:51
  Speaker 3: I just feel like sometimes like when you go online
• 55:53
  Speaker 3: and just be like it just felt like clickbait, Like
• 55:56
  Speaker 3: you asking me can I pick up the phone for
• 55:59
  Speaker 3: banks and fifties around they both my friends. I'm a
• 56:00
  Speaker 3: grown ass, you know, man, what are you talking about?
• 56:03
  Speaker 3: And then you asked me about like six nine And
• 56:05
  Speaker 3: I don't want to you know, I know dudes that
• 56:07
  Speaker 3: got locked up over that. So I was just like, nah,
• 56:10
  Speaker 3: I don't want to just feel like clickbait.
• 56:12
  Speaker 5: You don't want to do music.
• 56:13
  Speaker 4: Yeah, I just dropped the mixtape Loyal, But do you
• 56:16
  Speaker 4: want to do it?
• 56:17
  Speaker 2: Because I feel like your personality is so big you
• 56:20
  Speaker 2: probably can make this money doing that now.
• 56:22
  Speaker 4: Yeah, I mean I do like talking to people. I do.
• 56:25
  Speaker 4: I do like I do, like what you do? You know?
• 56:27
  Speaker 3: And what envy doing the breakfast club do? So, I
• 56:30
  Speaker 3: mean I think now the game is changing, like these
• 56:32
  Speaker 3: podcasts be fun, like you see podcasts, radio shows like
• 56:35
  Speaker 3: it's going to YouTube now. People want to you know know,
• 56:38
  Speaker 3: they want to know my personality. They want to know
• 56:40
  Speaker 3: your personality. I'm like a sponge. I just like to
• 56:43
  Speaker 3: I watch y'all guys all the time and just soak
• 56:45
  Speaker 3: up game, you know what I mean? Like how you
• 56:47
  Speaker 3: got the books and if you got the car shows. It's
• 56:49
  Speaker 3: all a hustle for me, you know what I mean?
• 56:51
  Speaker 3: Like I see y'all hustling. You got about three shows, man,
• 56:54
  Speaker 3: were working three four shows. This guy got about three
• 56:58
  Speaker 3: four shows going on call show? Who got the reality show?
• 57:01
  Speaker 3: Got the the house show? Right the Wheal estate. So
• 57:04
  Speaker 3: it's just I don't know, it's just like a hustle
• 57:05
  Speaker 3: for me. I just want to hustle music podcast like
• 57:08
  Speaker 3: Welcome to the coach. I'm gonna go crazy with the
• 57:11
  Speaker 3: production this year. I got the Passport to the Future.
• 57:14
  Speaker 4: I'm trying to do things for the kids this year.
• 57:17
  Speaker 3: I got the close of course on Passport boys dot Com.
• 57:20
  Speaker 4: What else I got.
• 57:21
  Speaker 3: Going on Sody Theater, on the twenty six and more
• 57:25
  Speaker 3: tours coming man. Shout the fifty, shout the banks. Yeah,
• 57:28
  Speaker 3: I on the road, Yeah, back on the road, Fifty. No,
• 57:31
  Speaker 3: not banks shouting uncle murder, murder murder, Yeah, shouting uncle murder. No,
• 57:36
  Speaker 3: no disrespecting banks. But you know that you know fifty
• 57:39
  Speaker 3: is crazy?
• 57:40
  Speaker 4: Is that?
• 57:40
  Speaker 3: You know that's something that banks gotta, you know, work
• 57:42
  Speaker 3: out me. I just know fifty for a long time
• 57:45
  Speaker 3: off the block before Banks, so I kind of know,
• 57:48
  Speaker 3: you know, he might say something crazy and it's just you.
• 57:51
  Speaker 4: I heard him say some crazy stuff in life.
• 57:53
  Speaker 13: Bro.
• 57:53
  Speaker 2: Now, we used to hit him stories with Fifty with
• 57:55
  Speaker 2: Swing on wool Kid and Swing on Kid, play the
• 57:59
  Speaker 2: Wrong record.
• 58:00
  Speaker 3: I think one time was the craziest though it was
• 58:03
  Speaker 3: were backstage. This is the craziest one though, And I
• 58:05
  Speaker 3: hope nobody get mad about this. And Fifty said the
• 58:09
  Speaker 3: James Cruise because he always messed with always to the
• 58:11
  Speaker 3: day to this day. I don't know why, but he
• 58:14
  Speaker 3: said to James Cruise Mayweather, it's the main weather. I
• 58:17
  Speaker 3: don't know we were Mayweather mad people's back.
• 58:19
  Speaker 4: Then he goes, yo, man that men f did it.
• 58:22
  Speaker 3: Like in front of her woman people? Did he touch
• 58:29
  Speaker 3: your but to your but I was like, no disrespect
• 58:32
  Speaker 3: to them. But I was like, Yo, this dude is crazy. Crazy,
• 58:35
  Speaker 3: So I know why everybody hate me. I understand, man,
• 58:38
  Speaker 3: but that's my guy, bro crazy. Everybody think what he said.
• 58:41
  Speaker 7: Yo.
• 58:41
  Speaker 3: The whole room just stopped like man, Yo, man, man,
• 58:46
  Speaker 3: you know what I'm saying.
• 58:47
  Speaker 5: I'm like James Crew.
• 58:48
  Speaker 3: He was, yeah, nah, he's a cool dude. That's my god,
• 58:51
  Speaker 3: stupid fifth. You never know what he's gonna say.
• 58:54
  Speaker 14: Man.
• 58:55
  Speaker 3: So we on the road, I stay away from I
• 58:56
  Speaker 3: give him a space. Man, I get with you later
• 58:59
  Speaker 3: when the show time. BROF it's crazy man, Jesus.
• 59:02
  Speaker 12: All right, Well, we appreciate you for joining us. Check
• 59:04
  Speaker 12: out the podcast The Coach. Welcome to the Coaching Podcast.
• 59:07
  Speaker 12: It's Tony Yo.
• 59:08
  Speaker 3: You have made it, Mama. On the Breakfast Club. You've
• 59:10
  Speaker 3: been up here before, yeah, but I'm by myself now.
• 59:13
  Speaker 8: It's the Breakfast Club good morning to day.
• 59:17
  Speaker 5: Damn, but he hogged. It's time for donkey the kay.
• 59:22
  Speaker 4: I ain't trying to be donkey today no more.
• 59:24
  Speaker 2: They should be embarrassed by what they already did. I'm
• 59:26
  Speaker 2: not making new people do these days.
• 59:27
  Speaker 8: They called donkey of the day and it really caught
• 59:30
  Speaker 8: me off guard.
• 59:31
  Speaker 12: Damn Charlamagne, who got the donkey out of day today?
• 59:36
  Speaker 2: Well, donkey today for Friday, August eleventh goes to Seth Berman.
• 59:39
  Speaker 2: Seth Bermon is thirty four years old and her hels
• 59:41
  Speaker 2: from the Great City of Atlanta, Georgia. Seth is suffering
• 59:44
  Speaker 2: from what psychologists call the target effect. Everybody in America's
• 59:48
  Speaker 2: self is from the target effect. Doesn't matter what your
• 59:50
  Speaker 2: financial status is. The reality of the situation is none
• 59:53
  Speaker 2: of us can go into Target and get one thing.
• 59:56
  Speaker 4: I know.
• 59:56
  Speaker 2: I'm speaking directly to you right now. You feel seen,
• 59:59
  Speaker 2: don't you maybe even triggered? Trust me, I understand every
• 1:00:02
  Speaker 2: single emotion you are dealing with. I get and psychologists
• 1:00:05
  Speaker 2: do too. It's a real thing. You're going to Target
• 1:00:07
  Speaker 2: to buy one thing, maybe you know, a good Fellow
• 1:00:10
  Speaker 2: T shirt. Next thing you know, you walking out with
• 1:00:11
  Speaker 2: one hundred dollars worth of stuff and you have no
• 1:00:14
  Speaker 2: idea how that happened.
• 1:00:15
  Speaker 4: All right.
• 1:00:15
  Speaker 2: Target does that to humans, so much so that clinical
• 1:00:19
  Speaker 2: psychologists have released tips on how to stage your own
• 1:00:23
  Speaker 2: Target interventions. Okay, Target is a trap, all right, because
• 1:00:26
  Speaker 2: the story isn't the actual target you are. Do you
• 1:00:28
  Speaker 2: realize that everything in Target is strategically placed there to
• 1:00:33
  Speaker 2: keep you there, everything from the lighting, the bright colors.
• 1:00:36
  Speaker 2: They say it brightens your effect, and you tend to
• 1:00:39
  Speaker 2: have a pretty good time there.
• 1:00:40
  Speaker 5: So it's conducive to buying.
• 1:00:42
  Speaker 2: You know, of course you're gonna, you know, spend more
• 1:00:44
  Speaker 2: in a place that you spend more time.
• 1:00:45
  Speaker 4: And not to mention, it's.
• 1:00:46
  Speaker 2: A Starbucks in all of them, so that adds another addiction.
• 1:00:50
  Speaker 6: Okay, Starbucks heroin same thing.
• 1:00:52
  Speaker 2: Target also places things in strategic places to boost cross selling.
• 1:00:56
  Speaker 2: And then they have these things called lifestyle settings that
• 1:00:58
  Speaker 2: help you visualize the good in your home once you
• 1:01:01
  Speaker 2: see it. Once you can see it in your place,
• 1:01:03
  Speaker 2: the residence. You want it in your place the residence. Okay,
• 1:01:06
  Speaker 2: and I'm not even gonna get into the psychological pricing
• 1:01:09
  Speaker 2: Target does. Oh, they make you think you're getting a
• 1:01:11
  Speaker 2: deal just because it's a nine at the end, of
• 1:01:14
  Speaker 2: the price. If it has a nine on the end
• 1:01:16
  Speaker 2: of the price, it appears to be on sale.
• 1:01:18
  Speaker 5: Therefore you can't pass it up.
• 1:01:19
  Speaker 2: Those are just a few of the reasons the target
• 1:01:22
  Speaker 2: effect is real, and that's the reason why you can
• 1:01:24
  Speaker 2: never leave Target with just one thing. And seth Berman
• 1:01:28
  Speaker 2: he fell victim to that. See he went to Target
• 1:01:30
  Speaker 2: for one thing, but like most of us, couldn't leave
• 1:01:33
  Speaker 2: with just one thing. Let's go to Fox five Atlanta
• 1:01:35
  Speaker 2: for the report police this.
• 1:01:36
  Speaker 19: There's also released new video of a shoplifting suspect being arrested.
• 1:01:40
  Speaker 5: Take a look.
• 1:01:41
  Speaker 19: This is the Target located on Caroline Street.
• 1:01:45
  Speaker 4: Atlanta.
• 1:01:45
  Speaker 19: Police say an officer was flagged down by a security guard.
• 1:01:49
  Speaker 19: That guard told authorities that the man stole two.
• 1:01:51
  Speaker 8: Televisions from the store.
• 1:01:53
  Speaker 4: They say when the man was.
• 1:01:54
  Speaker 19: Caught outside the store, he fought the officer until backup arrived.
• 1:01:58
  Speaker 19: Both the suspect and office suffered minor injuries.
• 1:02:02
  Speaker 2: Now, police say he was on drugs during all of this.
• 1:02:04
  Speaker 2: But this wasn't weed, it wasn't shrooms. There wasn't Rihanna's
• 1:02:08
  Speaker 2: makeup he was using. This man was under the influence
• 1:02:10
  Speaker 2: of Target.
• 1:02:10
  Speaker 6: Okay.
• 1:02:11
  Speaker 2: The target effect is a stronger drug than all those
• 1:02:13
  Speaker 2: things mentioned. That's why he went back to the scene
• 1:02:16
  Speaker 2: of the crime because mentally he never left. See, if
• 1:02:19
  Speaker 2: you only get one thing from target, you hear Kobe
• 1:02:21
  Speaker 2: Bryant in your brain saying, this.
• 1:02:23
  Speaker 13: Job's not finished.
• 1:02:25
  Speaker 5: Job finished.
• 1:02:26
  Speaker 13: I don't think so, that's right.
• 1:02:27
  Speaker 2: The target effect is so real that when his brother
• 1:02:29
  Speaker 2: got caught leaving the store with the TV, he didn't
• 1:02:32
  Speaker 2: think about running away. He thought about running back into
• 1:02:36
  Speaker 2: the store. Okay, that's like an animal that's been locked
• 1:02:38
  Speaker 2: in the cage and instead of running off into the
• 1:02:40
  Speaker 2: wild to get free, they run back into the zoo.
• 1:02:42
  Speaker 2: I know y'all want to blame drugs, but trust me,
• 1:02:44
  Speaker 2: this is the target effect. Okay, as I'm doing this,
• 1:02:47
  Speaker 2: donkey right now, there's someone pulling up the target for
• 1:02:49
  Speaker 2: one thing, and they gonna come out thirty minutes later
• 1:02:52
  Speaker 2: with at least three to five items.
• 1:02:54
  Speaker 13: Okay.
• 1:02:54
  Speaker 2: Now, let's talk about Seth as a thief. He simply
• 1:02:57
  Speaker 2: got too greedy because he did successfully steal one TV.
• 1:03:01
  Speaker 2: He was free and clear, but his greed made him
• 1:03:04
  Speaker 2: go back to steal another one. This is a prime
• 1:03:07
  Speaker 2: example that we get to greedy. Okay, he successfully stole
• 1:03:10
  Speaker 2: one TV. He was free and clear with his greed
• 1:03:12
  Speaker 2: mixed with the target effect made him go back to
• 1:03:15
  Speaker 2: get another sixty five inch TV.
• 1:03:17
  Speaker 5: Why did he need another TV?
• 1:03:19
  Speaker 2: I know football season on the way, but damn what
• 1:03:21
  Speaker 2: you built in the sports box?
• 1:03:22
  Speaker 5: Huh?
• 1:03:23
  Speaker 2: You need to have more than one TV to have
• 1:03:24
  Speaker 2: more than one game on at the same time. Maybe
• 1:03:26
  Speaker 2: he wanted to play Call of Duty and watch The
• 1:03:28
  Speaker 2: Breakfast Club on BT at the same time. I don't
• 1:03:31
  Speaker 2: know what seth did you have to go back to
• 1:03:33
  Speaker 2: the same exact target you stole from the first time.
• 1:03:36
  Speaker 2: I did some research, and by research I mean Google,
• 1:03:39
  Speaker 2: and it's at least eight targets in the Atlanta area.
• 1:03:42
  Speaker 2: You telling me the target effect is so scrump that
• 1:03:44
  Speaker 2: you couldn't even leave the target you was.
• 1:03:47
  Speaker 5: At to go to another one. Huh?
• 1:03:50
  Speaker 2: You stuck on stupid like a woman who's addicted to
• 1:03:52
  Speaker 2: a terrible man with good penis. All right, this man
• 1:03:55
  Speaker 2: ain't got no job, no ambition. He cheats on you constantly,
• 1:03:58
  Speaker 2: has another baby mama he's still sleeping with, but you
• 1:04:00
  Speaker 2: still end up under him every other day, letting him
• 1:04:03
  Speaker 2: sweat on you.
• 1:04:05
  Speaker 6: That had nothing to do with anything.
• 1:04:06
  Speaker 2: I just wanted to make you feel bad, but still
• 1:04:08
  Speaker 2: sleeping with that brother under modification or for short, you
• 1:04:11
  Speaker 2: can just call him a bum.
• 1:04:12
  Speaker 6: Please give Seth Berman the sweet sounds of the Hamiltons.
• 1:04:15
  Speaker 8: Oh no, the dogge of the day, the dogee all
• 1:04:27
  Speaker 8: the day.
• 1:04:29
  Speaker 5: Yee.
• 1:04:33
  Speaker 2: I wonder what triggered people more during that donkey of today,
• 1:04:35
  Speaker 2: realizing that you know, we all have been victims of
• 1:04:37
  Speaker 2: the target effect, are realizing that you are still sleeping
• 1:04:40
  Speaker 2: with a terrible man with good penis?
• 1:04:43
  Speaker 8: Which one for you? All right? Well, bet e t,
• 1:04:52
  Speaker 8: thank you, We'll see y'all on money.
• 1:04:53
  Speaker 2: Almost told people you to bum that I'm sleeping with Now,
• 1:04:57
  Speaker 2: I almost told people that I might have just did
• 1:05:00
  Speaker 2: now what now what?
• 1:05:03
  Speaker 8: Mm hmmm say I'm not a bump.
• 1:05:07
  Speaker 6: You're a beige on the modification.
• 1:05:09
  Speaker 4: That's the show.
• 1:05:13
  Speaker 12: It's getting awkward and strange. Okay, been awkward and strange.
• 1:05:19
  Speaker 12: Welcome Roxy, all right, all right, the Breakfast Club.
• 1:05:31
  Speaker 8: One everybody ad j n V charlamagnea god.
• 1:05:34
  Speaker 12: Now, let's simon, we are the Breakfast Club and we
• 1:05:37
  Speaker 12: got a special guest in the building.
• 1:05:39
  Speaker 8: We got Loadla Brook.
• 1:05:40
  Speaker 5: Welcome.
• 1:05:41
  Speaker 7: Not on your own name, though, Tom is Lola book
• 1:05:43
  Speaker 7: because you've been booking.
• 1:05:44
  Speaker 17: Busy all year. Yeah, it's been a little crazy, but
• 1:05:48
  Speaker 17: I ain't complaining.
• 1:05:49
  Speaker 7: I enjoy it getting money now, I'm making money, making
• 1:05:56
  Speaker 7: making money.
• 1:05:57
  Speaker 8: New album that his daughter is out right now, explain.
• 1:06:00
  Speaker 17: That title then his daughter.
• 1:06:02
  Speaker 7: Okay, So I'm only child raised by a single parent,
• 1:06:05
  Speaker 7: my mom.
• 1:06:06
  Speaker 17: But I used to hang out with my father.
• 1:06:08
  Speaker 1: Hearing in here pick me up from school, and everybody
• 1:06:09
  Speaker 1: will always say little D.
• 1:06:11
  Speaker 7: It will call me little D when they see me
• 1:06:12
  Speaker 7: with my father or then his daughter or whatever fits.
• 1:06:16
  Speaker 7: They would always just add him into my nickname. And
• 1:06:18
  Speaker 7: I love this so much. So now I get to
• 1:06:21
  Speaker 7: like relive it because my father is deceased now, so
• 1:06:24
  Speaker 7: I can't get that those moments back, but I'm like
• 1:06:27
  Speaker 7: creating new moments and I still feel like he's still around.
• 1:06:30
  Speaker 2: So was that like the inspiration behind the song Vacant
• 1:06:34
  Speaker 2: Heart as well?
• 1:06:35
  Speaker 7: Vacant Heart was me just venting I felt empty? Pockets empty,
• 1:06:40
  Speaker 7: heart empty. You so feel empty sometimes like you just
• 1:06:43
  Speaker 7: don't know. So that gotta be an old record because
• 1:06:45
  Speaker 7: your pockets is not empty.
• 1:06:50
  Speaker 4: Jesus doing good.
• 1:06:53
  Speaker 7: But is it an older record though? Because it sounds
• 1:06:56
  Speaker 7: like it? You know it was a time before.
• 1:06:57
  Speaker 17: Now, honestly, I did that right get this year.
• 1:07:00
  Speaker 7: So basically this whole entire project is me just reflecting
• 1:07:04
  Speaker 7: on my life as I'm coming up. So I finally
• 1:07:08
  Speaker 7: felt comfortable enough to finally just talk about my true
• 1:07:11
  Speaker 7: feelings and what I was going through.
• 1:07:12
  Speaker 17: So Vacan Heart is pretty pretty new.
• 1:07:14
  Speaker 4: Was that a tough song to record?
• 1:07:16
  Speaker 8: It was?
• 1:07:16
  Speaker 1: It was so fast, pa, like fifteen thirty minutes, like
• 1:07:19
  Speaker 1: straight through.
• 1:07:20
  Speaker 7: But that's just how you record because I've been in
• 1:07:22
  Speaker 7: the studio with you. You take like five minutes and
• 1:07:24
  Speaker 7: then go ly it and then you're done. And it's
• 1:07:26
  Speaker 7: crazy because after I was taking long, I'm like, dad
• 1:07:28
  Speaker 7: nylt here She probably.
• 1:07:29
  Speaker 17: Like, ye, you not you still not finish yet? Nah, yeah,
• 1:07:32
  Speaker 17: you're a beat with that.
• 1:07:33
  Speaker 5: But emotionally was it tough? Though?
• 1:07:35
  Speaker 17: I wasn't in the room.
• 1:07:36
  Speaker 7: See, when I'm recording, I don't really be in the
• 1:07:38
  Speaker 7: room with a lot of people, so I'm very much
• 1:07:41
  Speaker 7: comfortable and whoever's in the room, I probably have been
• 1:07:44
  Speaker 7: in a vulnerable space around.
• 1:07:46
  Speaker 17: Them already cool.
• 1:07:47
  Speaker 1: And then the engineer, I don't see the engineer like
• 1:07:50
  Speaker 1: it's now.
• 1:07:51
  Speaker 12: Let's start from the beginnings. For people that don't know
• 1:07:53
  Speaker 12: lo La brook Where did you? Where did you get
• 1:07:55
  Speaker 12: your your start from? Why did you start rapping? And
• 1:07:58
  Speaker 12: how did you get your deal?
• 1:08:00
  Speaker 7: Honestly speaking, I always say rap chose me. I didn't
• 1:08:03
  Speaker 7: choose rap. It was just always did. And the people's
• 1:08:06
  Speaker 7: like the citizens of New York City. It was just like, yo, look,
• 1:08:08
  Speaker 7: listen you nice. I noticed a hobby for you, but
• 1:08:12
  Speaker 7: you should take it serious.
• 1:08:13
  Speaker 8: So what were you doing between that?
• 1:08:14
  Speaker 5: Because you said it was a hobby, So what else.
• 1:08:16
  Speaker 8: Were you doing?
• 1:08:17
  Speaker 7: Just working a nine to five? Like I was always
• 1:08:20
  Speaker 7: a nine to five girl. As soon as I turned eighteen,
• 1:08:22
  Speaker 7: the first thing I did.
• 1:08:23
  Speaker 17: Was go get a job.
• 1:08:24
  Speaker 5: That was your first job.
• 1:08:25
  Speaker 17: Little Seasons.
• 1:08:34
  Speaker 5: Is so amazing, God sense human.
• 1:08:39
  Speaker 7: Yeah, So I would just go to the studio just
• 1:08:43
  Speaker 7: for a hobby. I started taking it serious. It's another
• 1:08:46
  Speaker 7: artist from Brooklyn, his name Bleazy. He wanted to do
• 1:08:50
  Speaker 7: a song with me, so I featured a song on him.
• 1:08:52
  Speaker 17: I went to the studio.
• 1:08:53
  Speaker 7: I ended up bumping into his team Team eighty, my
• 1:08:58
  Speaker 7: mentor eighty. I met him and then just being around
• 1:09:01
  Speaker 7: knowing like, oh, okay, this how music videos go. H
• 1:09:04
  Speaker 7: this is how the studio process go. Like you get
• 1:09:06
  Speaker 7: to like relax because when I was going to the
• 1:09:07
  Speaker 7: studio two hours, that's it. It was like forty dollars
• 1:09:11
  Speaker 7: an hour, I got eighty dollars.
• 1:09:13
  Speaker 17: And that's it.
• 1:09:14
  Speaker 7: But with Thumb, they was just so relaxed and everybody
• 1:09:17
  Speaker 7: was just so creative. And I fell in love with it,
• 1:09:19
  Speaker 7: and I was like, wow, so this really is my destiny.
• 1:09:22
  Speaker 2: And you got such a big voice. Is that something
• 1:09:24
  Speaker 2: that's natural or something you practice? Because you know you
• 1:09:26
  Speaker 2: are smallest you wanted to sound.
• 1:09:28
  Speaker 17: I mean when I'm mad, I talk like this.
• 1:09:33
  Speaker 7: It's my mad voice. My rat voice is my mad voice.
• 1:09:35
  Speaker 7: So it's still men. Yeah, I want to go back
• 1:09:43
  Speaker 7: a little seasons back to your rat voice the ad
• 1:09:52
  Speaker 7: lib because I feel like your ad blob is infamous.
• 1:09:55
  Speaker 17: How did you come up with that?
• 1:09:57
  Speaker 7: I always wanted to stamp, I always wanted to stand.
• 1:10:00
  Speaker 7: I'm small, so I always want to be heard. So
• 1:10:02
  Speaker 7: I was thinking to myself, like I need to find
• 1:10:05
  Speaker 7: out a way to be heard without being seen or
• 1:10:08
  Speaker 7: my presence is not in the room.
• 1:10:10
  Speaker 1: And I sat with it for a very long time.
• 1:10:12
  Speaker 1: So it started off as.
• 1:10:13
  Speaker 17: Oh I do uh huh.
• 1:10:16
  Speaker 7: Then when don't play with it? When I listen to
• 1:10:18
  Speaker 7: the beat. It just came out. I'm like just stuttering
• 1:10:22
  Speaker 7: or something and it felt good. So and then now
• 1:10:25
  Speaker 7: it's h that's like my Batman call.
• 1:10:28
  Speaker 2: Regardless of the voice, you still have a big personality,
• 1:10:30
  Speaker 2: Like when you walk in the room, you can feel
• 1:10:32
  Speaker 2: your presence.
• 1:10:32
  Speaker 6: When did you first become aware of that presence?
• 1:10:35
  Speaker 7: My mom been telling me that since I came out
• 1:10:39
  Speaker 7: with the womb, like leave my child alone, like they
• 1:10:41
  Speaker 7: act like they I would go any my mom would
• 1:10:44
  Speaker 7: take me on trips and people would be so fascinated
• 1:10:47
  Speaker 7: with me, and my mom would be so confused, like.
• 1:10:49
  Speaker 1: Why they keep walking up.
• 1:10:50
  Speaker 7: To you, like just asking random questions or just attachment,
• 1:10:55
  Speaker 7: Like people will have attachment to me when I walk
• 1:10:57
  Speaker 7: in the room. My presence, But I just I never
• 1:11:00
  Speaker 7: thought anything of it. I just was being myself and
• 1:11:04
  Speaker 7: little did I know I was a whole artist.
• 1:11:06
  Speaker 5: Did you have.
• 1:11:07
  Speaker 12: Relationships with a lot of the Brooklyn artists beforehand? Because
• 1:11:10
  Speaker 12: when the record started to pop, I started seeing so
• 1:11:11
  Speaker 12: many artists bringing you out on their sets, whether it
• 1:11:14
  Speaker 12: was Kim or whoever.
• 1:11:15
  Speaker 8: Maybe did you have those relationships beforehand?
• 1:11:18
  Speaker 7: No music broke me into these relationships. See me, I
• 1:11:22
  Speaker 7: was so more I was more focused on my craft.
• 1:11:25
  Speaker 7: I went and like hang out so much. I was
• 1:11:27
  Speaker 7: always in the studio, literally sleeping, waking up in the studio,
• 1:11:31
  Speaker 7: So I didn't really get to mingle as much as
• 1:11:34
  Speaker 7: other artists did. I was just working on my craft.
• 1:11:36
  Speaker 7: So when I finally felt like I had a good
• 1:11:39
  Speaker 7: body of work to put out, then I see when
• 1:11:41
  Speaker 7: I was going outside and then Don't Play With It
• 1:11:43
  Speaker 7: start taking off and I started building my relationship.
• 1:11:45
  Speaker 12: What art that supported you the most when you first
• 1:11:48
  Speaker 12: started popping, but before or right when they Don't Play
• 1:11:52
  Speaker 12: With It came out.
• 1:11:54
  Speaker 7: It's a mixture of a's I don't I can't even
• 1:11:57
  Speaker 7: cool that. What I can say is Meat called it
• 1:12:00
  Speaker 7: out from jump Like twenty seventeen, Meek was like my
• 1:12:03
  Speaker 7: first cold sign ever.
• 1:12:05
  Speaker 4: So just a tweet. He just tweeted, you said.
• 1:12:08
  Speaker 7: Yeah, like he would comment on my stuff.
• 1:12:10
  Speaker 17: He will post me, his peoples will post me as well.
• 1:12:13
  Speaker 7: He will say it and his stories or just anything
• 1:12:18
  Speaker 7: like that any way to be supportive within social media.
• 1:12:22
  Speaker 1: Yeah, he was.
• 1:12:22
  Speaker 4: Did he try to sign you to.
• 1:12:26
  Speaker 8: Yeah, but she was already signed at the time.
• 1:12:31
  Speaker 5: Yeah.
• 1:12:31
  Speaker 7: It was like when when when the talks really came
• 1:12:34
  Speaker 7: down to.
• 1:12:34
  Speaker 1: It was like, it's already done. It's already done.
• 1:12:37
  Speaker 8: Bro dang yeah h we got more with low Labrook.
• 1:12:40
  Speaker 8: When we come back, don't move.
• 1:12:41
  Speaker 12: Let's get into her single It's the Breakfast Club, Good morning.
• 1:12:45
  Speaker 5: Big and Heart.
• 1:12:45
  Speaker 6: And you said he was heartbroken.
• 1:12:47
  Speaker 4: When your mom left for Atlanta?
• 1:12:49
  Speaker 6: Yes, why didn't you go to her?
• 1:12:51
  Speaker 4: Or did you?
• 1:12:52
  Speaker 7: Because that was I felt like that was my moment
• 1:12:55
  Speaker 7: to grow. I wanted to have some type of growth.
• 1:12:59
  Speaker 7: I wanted her to trust me. I wanted her to
• 1:13:01
  Speaker 7: feel safe to what do what makes her happy, because
• 1:13:05
  Speaker 7: I can't.
• 1:13:05
  Speaker 17: Stop my mom from this is this was one of
• 1:13:07
  Speaker 17: her dreams.
• 1:13:07
  Speaker 7: You know, a New York always go to get a
• 1:13:10
  Speaker 7: house in Atlanta. This was part of my mom dreaming.
• 1:13:14
  Speaker 7: Even if I ain't understand it. That wasn't my place
• 1:13:16
  Speaker 7: to like not give her the support. So I just
• 1:13:21
  Speaker 7: was like, you know what, when she left, I cried
• 1:13:24
  Speaker 7: like a baby.
• 1:13:25
  Speaker 5: Oh you.
• 1:13:27
  Speaker 17: How how long has it been?
• 1:13:31
  Speaker 1: I don't know, but this was like three years ago,
• 1:13:32
  Speaker 1: three four.
• 1:13:33
  Speaker 2: Years ago, ten years ago, three.
• 1:13:37
  Speaker 17: Four years ago, No, it was like three four years ago.
• 1:13:40
  Speaker 2: Well, as a rapper, Atlanta is like the mecca of
• 1:13:42
  Speaker 2: hip hop right now. So you didn't want to, you
• 1:13:44
  Speaker 2: know what, like maybe I should go to.
• 1:13:45
  Speaker 17: Atlanta too, and yeah, but I'm the only child. You
• 1:13:48
  Speaker 17: gotta understand.
• 1:13:49
  Speaker 7: My mom treats me like she's gonna treat me like
• 1:13:52
  Speaker 7: a baby forever. And I had to stand on my
• 1:13:55
  Speaker 7: two feet and figure it out. So I didn't know
• 1:13:58
  Speaker 7: what I was gonna do. She was telling me, like
• 1:14:00
  Speaker 7: she left the uh, she left the apartment for me.
• 1:14:03
  Speaker 7: It was on section eight. I ended up being on
• 1:14:05
  Speaker 7: section eight, so I still couldn't even really like pay
• 1:14:09
  Speaker 7: my rent. But I was telling her like I'm good,
• 1:14:11
  Speaker 7: like I got an income, like I'm straight, like you
• 1:14:14
  Speaker 7: could go, and she was like, okay, but it was
• 1:14:16
  Speaker 7: all it was by yourself.
• 1:14:19
  Speaker 4: Yeah, damn.
• 1:14:25
  Speaker 17: I like that Section eight is in there somewhere somewhere
• 1:14:28
  Speaker 17: in this project. You're going here sext night.
• 1:14:30
  Speaker 7: It definitely is an adjustment when you leave home or
• 1:14:32
  Speaker 7: when home leaves you. I think people like sleep on that,
• 1:14:35
  Speaker 7: but it definitely pushes you. Like when my parents left
• 1:14:38
  Speaker 7: me for college, like they moved me in and left.
• 1:14:41
  Speaker 17: It didn't really resonate.
• 1:14:42
  Speaker 7: Like, oh, y'all are leaving, Like I got to stay
• 1:14:44
  Speaker 7: here and do everything myself. But yes, you're never too
• 1:14:48
  Speaker 7: old to like have for that reality check. It's like
• 1:14:51
  Speaker 7: the little things that I peat with my moms that
• 1:14:53
  Speaker 7: she would she wouldn't think that I know how to cook.
• 1:14:55
  Speaker 7: And I had to show her, like one things given
• 1:14:58
  Speaker 7: I like cook things given meal, like no, I know
• 1:15:00
  Speaker 7: how to cook. So that right there was me thinking
• 1:15:03
  Speaker 7: to myself, Oh, she don't like she think I'm.
• 1:15:06
  Speaker 17: Still her baby, like she don't know that.
• 1:15:09
  Speaker 7: I'm grown and I could take care of myself. That
• 1:15:11
  Speaker 7: was like, yo, you know what, just leave. I don't
• 1:15:14
  Speaker 7: want you to, but you got to.
• 1:15:16
  Speaker 4: Stand at a stool. Standing on a stool at the
• 1:15:18
  Speaker 4: stool is.
• 1:15:19
  Speaker 5: Yeah, you got to do the same. You know what
• 1:15:23
  Speaker 5: you do?
• 1:15:24
  Speaker 17: I'm told that you right now.
• 1:15:28
  Speaker 5: You know how she is taller. She is taller.
• 1:15:34
  Speaker 12: You know what you do with your first check when
• 1:15:36
  Speaker 12: you got your first check? Because I was on Section A.
• 1:15:38
  Speaker 12: What did you do when you got your first check?
• 1:15:39
  Speaker 8: What did it go?
• 1:15:40
  Speaker 17: My first check? I let go section.
• 1:15:45
  Speaker 7: I let go Section eight and I got an apartment
• 1:15:47
  Speaker 7: and I saved up. I saved my money like I
• 1:15:49
  Speaker 7: didn't go splurge it or anything like that. I gave
• 1:15:51
  Speaker 7: my moms a couple of dollars to of course and
• 1:15:54
  Speaker 7: that was it?
• 1:15:54
  Speaker 6: What was your first check off? Was a show or screaming?
• 1:15:57
  Speaker 7: Or was it was like brown people bags, you know,
• 1:16:01
  Speaker 7: like go hostings and stuff like that. I think, sorry
• 1:16:05
  Speaker 7: to go back to don't play with it, but I
• 1:16:08
  Speaker 7: just want a rough nick on the tongue. It's such
• 1:16:10
  Speaker 7: an infamous line. Now, is that what you're looking for
• 1:16:13
  Speaker 7: in the man?
• 1:16:14
  Speaker 14: Like?
• 1:16:14
  Speaker 7: What are the things that Lola is looking for? Because
• 1:16:16
  Speaker 7: now you're in a new place. I know you're not
• 1:16:18
  Speaker 7: having a hard time finding somebody to the same question.
• 1:16:21
  Speaker 17: Right, you want a.
• 1:16:23
  Speaker 5: Rough mean rough on the tongue?
• 1:16:28
  Speaker 17: Do good as I can tell you?
• 1:16:31
  Speaker 7: Yes, what what what?
• 1:16:37
  Speaker 17: What's what your underlining and what were you circling?
• 1:16:40
  Speaker 6: Okay on the tongue, like.
• 1:16:48
  Speaker 8: Like with his.
• 1:16:50
  Speaker 18: You want what you don't I'm gonna.
• 1:16:54
  Speaker 17: Break the ice today. And I know a lot.
• 1:16:57
  Speaker 7: Of people, but you're definitely right. That's that's that was
• 1:17:00
  Speaker 7: the first idea of it.
• 1:17:02
  Speaker 17: What was it? A lot of people don't know that, but.
• 1:17:04
  Speaker 5: You work on the tongue, means on your tongue.
• 1:17:07
  Speaker 7: Yeah, So I'm like, oh my god, now you confusing
• 1:17:12
  Speaker 7: rough neck?
• 1:17:13
  Speaker 17: You want a tongue?
• 1:17:15
  Speaker 7: I always thought this whole time, he just wanted to
• 1:17:17
  Speaker 7: send me automatic with a drum, ask me if I'm finished.
• 1:17:20
  Speaker 17: Not that whole line was about for play.
• 1:17:23
  Speaker 7: Oh yeah, an if I'm finished nine, But I just begun.
• 1:17:27
  Speaker 7: I ain't giving out no noney to know, just for fun. No,
• 1:17:30
  Speaker 7: you dumb, But that's a whole four play line.
• 1:17:33
  Speaker 8: I just her giving yeah, but.
• 1:17:37
  Speaker 7: Honestly it goes for both. But the first thought of
• 1:17:40
  Speaker 7: it was yeah, but it goes for both. It's four
• 1:17:43
  Speaker 7: play the whole right now, the first four bars is
• 1:17:49
  Speaker 7: four play.
• 1:17:50
  Speaker 17: I knew it was four play. I just I looked
• 1:17:52
  Speaker 17: at it as receiving.
• 1:17:53
  Speaker 4: But it's a back and forth though, No, I just.
• 1:17:55
  Speaker 17: Want to rough neck. You want a tongue.
• 1:17:58
  Speaker 7: He just wanted to send me or the madic would
• 1:18:00
  Speaker 7: have drone asked me if I'm finished? Nah, we just
• 1:18:04
  Speaker 7: were gunn giving out no nuns and just for fun
• 1:18:08
  Speaker 7: on you THEMB like.
• 1:18:09
  Speaker 17: We ain't here for no reason? Got it?
• 1:18:15
  Speaker 7: You should have did the genius little breakdown like trying
• 1:18:19
  Speaker 7: to keep it.
• 1:18:19
  Speaker 17: But you know what, I tried to keep it PG
• 1:18:21
  Speaker 17: you know, so yeah, well you did a good job
• 1:18:24
  Speaker 17: of that. Can you tell us what are you looking for?
• 1:18:26
  Speaker 14: Man?
• 1:18:26
  Speaker 1: What is looking for?
• 1:18:28
  Speaker 5: Is it just that.
• 1:18:30
  Speaker 17: Reinsurance.
• 1:18:32
  Speaker 7: I want to feel protected even if he's not around.
• 1:18:35
  Speaker 7: I want a gentleman, and of course the gangster for sure,
• 1:18:38
  Speaker 7: but a former gangster, a.
• 1:18:39
  Speaker 6: Former a reformed gangster.
• 1:18:42
  Speaker 17: Yeah yeah, yeah, understood.
• 1:18:47
  Speaker 8: Them because they work hard. So salute everybody over there.
• 1:18:52
  Speaker 17: Really want that?
• 1:18:54
  Speaker 5: Like that just the beginning. That's beauty.
• 1:18:57
  Speaker 7: That's right, Yes, it is just the beginning. I'm just
• 1:19:00
  Speaker 7: grateful to be here.
• 1:19:02
  Speaker 4: What are your mom saying that?
• 1:19:03
  Speaker 7: My mom's just so excited, she's oh my god. I'd
• 1:19:06
  Speaker 7: be like, ma, okay, it's not that serious.
• 1:19:08
  Speaker 1: She's like, girls, you crazy, you is?
• 1:19:12
  Speaker 7: You is a star, You're talented, And I'd be like,
• 1:19:16
  Speaker 7: oh man, come on mine.
• 1:19:18
  Speaker 17: But she was.
• 1:19:19
  Speaker 7: She was My mom's was down from the start, Like
• 1:19:21
  Speaker 7: she's the reason I resigned from my job.
• 1:19:23
  Speaker 17: She's the reason I got the job. No, no, no, no.
• 1:19:26
  Speaker 17: See that was my first job.
• 1:19:28
  Speaker 7: But the last job that I had before I pursued
• 1:19:31
  Speaker 7: this rap career was residential ad at a shelter and
• 1:19:35
  Speaker 7: my mom was a supervisor. Well I'm a shelter baby,
• 1:19:38
  Speaker 7: so she worked her positions in the shelter. I ended
• 1:19:42
  Speaker 7: up being old old enough to work in the shelter.
• 1:19:44
  Speaker 7: She got me a job there, and I remember coming
• 1:19:47
  Speaker 7: from coming home from studio. I would come home from
• 1:19:49
  Speaker 7: studio like six in the morning, and I had to
• 1:19:52
  Speaker 7: be to work at eight. So I get in six,
• 1:19:54
  Speaker 7: I get ready to get shot in dressed, no sleep,
• 1:19:57
  Speaker 7: leave out seven, get there for eight.
• 1:19:59
  Speaker 1: I had to take a buzz to two trains.
• 1:20:01
  Speaker 7: Job was in Queen's and she would just I could
• 1:20:06
  Speaker 7: tell like she felt she felt for me. She like, listen,
• 1:20:10
  Speaker 7: I don't know if you feel like you want to
• 1:20:11
  Speaker 7: resign from the job, you can like you got my
• 1:20:14
  Speaker 7: full support. And that's all I needed to hear, because
• 1:20:17
  Speaker 7: I'm like, listen, my moms don't play. She got me
• 1:20:20
  Speaker 7: this job, and who am I to say I don't
• 1:20:22
  Speaker 7: want it no more because I want to pursue something else.
• 1:20:25
  Speaker 4: Wow.
• 1:20:25
  Speaker 7: But she was the reason why I resigned. But I
• 1:20:28
  Speaker 7: ain't burn that bridge. I resigned from my job.
• 1:20:30
  Speaker 17: I didn't quit. I resigned.
• 1:20:32
  Speaker 2: But also too, that gives you real purpose and attention, because,
• 1:20:34
  Speaker 2: like you said, you was a shelter baby, so you know,
• 1:20:37
  Speaker 2: you know what those kids are lacking and what they need.
• 1:20:40
  Speaker 6: Now you got the resources you can go back and and.
• 1:20:42
  Speaker 1: Go back and provide. Yes, that's my plan for sure.
• 1:20:47
  Speaker 12: Well, Dennis's daughter is out right. Now, make sure y'all
• 1:20:50
  Speaker 12: go get it. And we appreciate you for joining us.
• 1:20:52
  Speaker 8: Lola, big Lola, uh uh, it's Lola Brook. It's the
• 1:20:56
  Speaker 8: Breakfast Club. Good morning, It's the Breakfast Club.
• 1:21:01
  Speaker 12: Want everybody at cej Envy Charlamagne to God.
• 1:21:04
  Speaker 2: We are the Breakfast Club. You got a positive note? Yes,
• 1:21:07
  Speaker 2: the positive note is simply this man. I said it
• 1:21:09
  Speaker 2: once during Donkey of to Day. I want to repeat it.
• 1:21:11
  Speaker 2: When you choose an action, you choose the consequences of
• 1:21:15
  Speaker 2: that action. When you desire a consequence, you add Dan, well,
• 1:21:18
  Speaker 2: better take the action that we created. Okay, we all
• 1:21:21
  Speaker 2: make choices, but in the end, our choices make us.
• 1:21:24
  Speaker 2: We are free to choose our paths, but we can't
• 1:21:26
  Speaker 2: choose the consequences that come with them.
• 1:21:28
  Speaker 8: Breakfast Club is don't finished for y'all.
• 1:21:30
  Speaker 4: Done